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turtletaubwrites · 11 months ago

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I Saw You First (Part 1) ~ Part 6.5

Got this request over on Ao3 and I'm stoked to share. I hope you enjoy it!

This mini fic can be read on it's own, or read after part 6 of We've All Got Needs, linked below.

Pairings: Sanji x Fem!Reader, Zoro x Fem!Reader

Word Count: 1451

We've All Got Needs Masterlist

Ao3 Link

Summary: You have a casual arrangement with Zoro, but he isn't happy that you'll be seeing Sanji tonight. He tries to get his mind off of things, but overhears you enjoying your time with the cook. Can he control his anger?

Rating/Warnings: Explicit Sexual Content, Fem!Reader, 18+ Only, MDNI, Reader-Insert, Smut, Angst, Anger, Mild Blood and Violence Mentioned, Voyeurism, Casual Sex, Masturbation, Penis in Vagina Sex, Pet Names, Jealousy, Possessive Behavior, Crewmates with Benefits

A/N: I hope you enjoy Zoro's version of the night! This was a lot of fun to write 😊

Zoro’s jaw was clenching so hard, he wasn’t sure he’d be able to eat. Knowing who’d cooked his dinner, he wasn’t sure he wanted to.

It’s fine. It’s casual.

But then you walked into the galley with your hair still damp, and Zoro’s stomach twisted.

You took a shower for him.

Zoro was a hundred percent sure that the perv cook was going to take you up on your offer. To start fucking you, casually, just like he was.

Not like me. He’s pathetic. You won’t want to go back to him after tonight.

That thought wasn’t as reassuring as he’d like it to be when Zoro left you alone in the kitchen with him. He couldn’t look back, he knew if he saw Sanji’s smug face he’d turn right back around to punch it in.

It’s fine. It’s casual. It doesn't mean anything.

And I’ll make you forget him tomorrow. I’ll fuck you through the fucking wall tomorrow, so hard you won’t be able to remember the cook’s fancy hands all over you.

Zoro couldn’t relax. He couldn’t sleep, which was driving him crazy. He could usually fall asleep anywhere, whenever he wanted.

He started working out. Counting pushups and situps, but he kept losing track of the count when he thought of you in the kitchen with your clean skin, and Sanji’s annoying, punchable mouth.

“Fuck.”

He managed not to shout his frustration.

Wishing he had some fucking booze to wash down this feeling with, he thought about trying to steal some from the kitchen.

But you’re probably still in there.

He felt sick at the thought that he’d have to go eat there in the morning, knowing you’d let him fuck you there. Wondering if that piece of shit cook had fucked you on the floor, or the table, or on the bench where he sits.

Zoro slammed his fists onto his thighs, so fucking hard. He was glad he’d kept them on himself and not the walls. Usopp would have flipped out if he harmed the Merry again.

It’s just casual. It doesn’t mean anything. You’re not with him. You’re not with me.

He tried to focus on his breathing, focus on his body. Sweat was still beading on his skin from working out, and it trickled down his face to leave salt on his dry lips.

Why is this pissing me off so much? It doesn’t mean anything. We’re just fucking.

The image of you in the shower a week ago burned in his mind. He’d never have tried anything, or asked before then. You were his crewmate.

But seeing you naked, your skin flushed from the heat. He couldn’t stop himself from asking.

And you said yes. You let him fuck you against the wall, took his cock so deep. You were begging him for it.

Zoro shook the memory away as he felt himself getting hard.

It’s just sex. It’s just really fucking good sex.

He fought his mind, trying to understand why he couldn’t get a grip on himself. Why it was pissing him off so much.

I saw you first.

He knew that must be why this was getting to him. It’s just that fucking waiter. Always trying to butt in, always trying to take credit.

He joined the crew, and tried to get between me and my captain, acting like he’s the first mate. And now he found out about you, and he had to weasel his way in. Get his disgusting hands all over what’s mine.

Zoro was pacing in the small room, anger building.

I’m gonna show you. He won’t be enough for you. I know what you need. You take me so well, you take everything I give you. No way he can make you feel that way.

He had to stop pacing as his eyes went unfocused. The look on your face when he’d take you over the top. Your eyes dilated, sometimes crossing, as your mouth hung open.

He can’t get you that fucked. He can’t make you beg, make you drip all the way down your thighs from how rough he takes you.

Zoro slid to the floor, pulling himself out, and moaning as he grabbed his swollen cock.

You’re too fucking wrecked, like I am. You want what only I can give you. So fucking needy for my cock.

His head fell back to the wall as he remembered all the positions he’d forced you into in this little room. How your screams sounded when he shoved his clothes in your mouth. How you’d tell him it was too much, but then keep taking his cock like you were fucking built for it.

Zoro came, grabbing a shirt off the ground to catch his mess.

Probably the one he had shoved in her mouth the other day.

That thought made him groan louder as he finished, and he sat there slumped.

The relief didn’t last long. In fact, he felt even more anger bubbling at the image of you doing all those things with that idiot, right now. When you should have been here with him.

“Fuck.”

Zoro knew he’d go insane if he stayed in his quarters for another second, so he headed out the door. He tried not to look at any doors in the hallway until he made it outside.

Running on deck was all he could think to do, and it was better than nothing. Except for every time he’d pass the crow’s nest, and remember how you begged for his cock up there last night.

Growling, Zoro ran faster. He could have run all night.

But that fucker’s gonna come out to have a smoke when he’s done, isn’t he?

The thought made his blood boil, and Zoro knew himself enough to head inside.

If I see his smug fucking face tonight, I’ll kick his ass.

And you wouldn’t like that.

He breathed, leaning against the railing as his heart rate slowed. Zoro tried not to drive himself crazy over the fact that it had been so long since he left you in the kitchen.

Are you still in there? No way that pervert could have lasted this long. I bet you’re already helping yourself by now.

Zoro tried to keep his eyes on the floor when he made it inside. But then he heard you. He couldn’t walk away when he heard you moaning.

He stood trapped for a moment, fighting himself not to charge in with his swords out, trying to convince himself to leave.

Zoro couldn’t leave. Instead, he moved closer to the door, listening.

He’s not enough for you. I’ll show you what you need.

He could hear you whining now, knowing exactly how your face looks when you make that sound.

“You’re so perfect for me, angel. Fuck, I knew your pussy could take me. It’s everything I needed, sweetheart.”

Sanji’s voice was so soft, so fucking nice.

That’s not what you need.

“You’re doing so well. Oh, I’m gonna take such good care of you, you and your perfect pussy. Come for me again, I know you can.”

Sanji kept showering you with praise, and if not for the whines and moans Zoro heard, he could have convinced himself you were bored. He tried.

“Fuck yes, ooh beautiful do you feel me? Let go now, love. Come for me, angel. Just like tha- fuuuck…”

The sounds of both of you coming sent Zoro reeling, his nails digging into his palms, drawing blood as he shook with rage. He couldn't form any coherent thoughts now, no excuses, no reasons. Just holding himself back like a rabid animal.

All he felt was pure need.

The need to shove that cook aside, and show him how you really need to be fucked.

Zoro was frozen. He could hear you inside, your voices soft, his voice so fucking gentle.

He heard you giggling, fucking giggling, as Sanji offered to make you things, to run a bath, to carry you.

Like a fucking princess.

Zoro’s fists shook at the thought, until he heard steps getting closer.

Fuck.

Zoro barely made it away before he heard you step out of the galley. He hurried to his quarters as fast as he could.

Part of him was aching for you to knock on his door. To beg him to fuck you, to give you what you really needed.

But you didn’t knock.

Zoro stared at the ceiling, his mind still driving him wild. Now that he knew the cook’s hands weren’t on you, he finally fell into a fitful sleep, but every time he’d wake in the night, he’d think of you.

I’ll show you. You’re mine. My Needy girl.

Thank You for Reading! 💜

PART 2

TurtleTaub Fanfic Masterlist

We've All Got Needs Masterlist

*Hi tagged friends! I wasn't sure if you'd like to be tagged in the extra scenes without the reader, so please let me know if you'd like me to leave your name out of these going forward.

A/N: I am loving the requests for extra scenes for this series, let me know if you have any other scenes you'd like to see! 😊

Buy me a coffee ☕🙏🏼

#zoro smut #sanji smut #zoro x reader #sanji x reader #sanji fanfic #one piece smut #one piece fanfic #mine #smut #zoro fanfic #One Piece smut #Reader Insert #Fem!Reader #Opla smut #x reader #turtletaub fics

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fixing-bad-posts · 9 months ago

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Heya, I really really hope this doesn't come off as particularly rude, but I was wondering, why would bisexual women be considered lesbians sometimes and I think you also brought up transgender men and genderqueer ppl? For bisexual women, I just am kinda confused, they can be in lesbian relationships and lesbian spaces, but just describing them as lesbians seems kinda confusing because lesbian denotes specifically sapphic attraction at least from where I've always heard it, so wouldn't it be kinda confusing. And for the genderqueer folks or trans folks, wouldn't that just bring their genders closer to feminine and at least from what I've heard from some pple I know, they don't like non binary being seen as more womanly (I've heard it being described as woman-lite before annoying) and instead seen as a more inbetween which it sometimes isn't, because of bigotry and other things since nbs can be both fem or masc or androgynous, but wouldn't non woman lesbians kinda push it to be seen as kinda more fem or that person as more fem? I don't know and frankly I'm just kinda confused. I'm really really sorry that this probably comes off as super rude and I hope you forgive me. I frankly just want to learn a little more and have been reading up but wanted to know what you thought. And I just realized how long this was, so so sorry

hello anon! these days, i usually don’t answer asks like these because i’ve already done so several times, but you seem very well-meaning and confused, so i’ll do my best to help. first of all, please check my faq for resources and links about mspec labels and bi lesbians.

second of all—generally—here is my advice for when you encounter a queer label that confuses you:

1) literally just ignore it until you...

2) meet someone in your life who uses that label, at which point you might (respectfully) ask them what using that label means to them specifically, and why it’s important. i’ve done this in real life. the script is something like,

“it’s really cool to get to talk to someone in real life about this stuff—if i may ask, what does identifying as [insert label] mean to you, personally?”

you might also say,

“i’ve never met someone who identifies with [their label] before. would you mind giving me some pointers on the important things to keep in mind in order to respect your identity/make sure you feel respected by me?”

i’ve also never asked anyone to correct me if i mess up and say something rude, but i’m working on the confidence and charisma to be able to say that, because i owe that to others.

all of that said, i wanted to respond to some of your specific questions, and clarify a couple of things below the cut. to clarify:

1. “describing [bisexual women] as lesbians seems kinda confusing because lesbian denotes specifically sapphic attraction”. to be clear i am not the one describing bisexual women as lesbians, in this hypothetical situation. when i post about bi-lesbians, i am posting in support of people who—for whatever reason—chose that label for themselves. what i am not doing: advocating to redefine the classically understood definition of lesbian for the entire populous.

2. “wouldn’t it be kinda confusing”? yes! i understand it can be confusing, and i commend you for expressing your confusion instead of reacting in disgust or anger. there are so many things in the queer community that are confusing, even to me, and you don’t need to feel guilty for asking questions as long as you come from a place of genuine curiosity. being confused isn’t bad, and defining yourself in a way that confuses others is, likewise, no transgression.

3. “for the genderqueer folks or trans folks, wouldn’t [identifying as a lesbian] just bring their genders closer to feminine […] wouldn’t non woman lesbians […] be seen as kinda more fem”? the answer is: sort of. it depends entirely on how and why the person using this label came to these words. you wrote, “i’ve heard from some pple i know, they don’t like non binary being seen as more womanly”, and i have definitely also heard that! so, for people who feel that way, they probably wouldn’t want a label that evokes womanhood and/or aligns them with femininity assigned to them. but every person is different—so for some nonbinary people, they absolutely do not want to be seen as “woman-lite”, whereas for other nonbinary people, they might want to be seen closer to femme than masc, while still nonbinary. this goes back to what i said at the beginning: best practice is to ask the people in your life how they want you to respect them.

closing thoughts: i hope this clarified some things, but i understand that the topic may still be confusing—feel free to message me if you want a non-judgmental queer to talk things through with. i promise i’ll take you in good faith <3

#ask fbp #anon ask

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iliveforyouilongforyouvesuvia · 2 years ago

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Arcana Brainrot: Blog Rules, Masterlists, Playlist, & Requests Guidelines

Come chat on the Discord server!

Current MC ask game

BLOG RULES:

My inbox is always open for anybody to share their thoughts or ideas! This blog is largely archival now, though, so prompts will likely not get written.

I don't think it needs to be said but hate isn't welcome here. Of any kind.

Please also keep in mind that this blog is PG-13, so whatever comments you make on it will likely be seen by minors. I take their safety seriously, so if there's anything grossly X rated in the comments (I don't see why there should be) I will delete it. If you continue to comment things like that you will be blocked :)

With my older brother rant out of the way, please enjoy the results of me trying to cope with a truly Vesuvian obsession :D

MASTERLISTS: oldest to newest, I'll do my best to update as I post.

All quotes for Arcana characters sent in have this tag: #arcana brainrot quote collection

Because of the link limit for posts, you can find the masterlist for all full headcanons below:

The Arcana HCs : Brainrot's Masterlist

The Arcana HCs : Brainrot's Masterlist, Pt 2

And here is the masterlist for all my mini-prompts, answered ask arcana style:

The Arcana Mini-HCs: Brainrot's Masterlist

The Arcana Mini-HCs: Brainrot’s Masterlist, Pt 2

The Arcana Mini-HCs: Brainrot's Masterlist, Pt 3

The Arcana Mini-HCs: Brainrot's Masterlist, Pt 4

The Arcana Mini-HCs: Brainrot's Masterlist, Pt 5

The Arcana Mini-HCs: Brainrot's Masterlist, Pt 6

A masterlist for drabbles, with an explanation at the top for how they work!

The Arcana Drabbles: Explanation and Masterlist

All the recipes posted by the originals devs from the Arcana universe, with pictures of my own creation attempts and descriptions of how it went!

The Arcana Food

Worldbuilding/character analysis essays ^.^ (not a comprehensive list atm, unfortunately)

The Arcana Essays: Brainrot's Masterlist

Finally got around to fleshing out my self-insert enough to make him a proper MC/ OC!

Bainrot's self-insert MC (Drue)

Vesuviella: my first fanfic. don't get your hopes up (updated sporadically)

Summary: Julian decided to write his own version of Cinderella to be performed in the Community Theatre, and then recruited MC to help him cast the rest of the M6 in the leading roles. Chaos ensues. (There is no determined love interest, MC is friends with the M6 and M6 are all thirsty for MC.)

Vesuviella: All Parts

Arcana Brainrot Playlist: a compilation of all character song suggestions in one Spotify playlist, kept up to date!

Arcana Brainrot Playlist (Spotify)

Arcana Brainrot Playlist (YouTube)

REQUEST GUIDELINES - NO LONGER TAKING REQUESTS

Generally, I pick from what's in my asks and write what sparks inspiration. If there's an idea you'd really like to see written, you're welcome to message me directly about it! ^.^

I don't write about toxic/abusive relationships or dynamics between MC and the M6 (I get the appeal, I'm not judging, but it's not for me)

I don't write for M6 x M6 ships - side character ships are on the table, though!

All of my work is PG-13. (yes to romantic/sensual themes and references to painful experiences, no to explicit matter or glorified violence/pain/death/toxicity)

I'm willing to do research for topics I'm not familiar with, but there are plenty of things I can't write about just because I haven't lived it and I know an hour of research wouldn't be enough to be accurate (and respecting other people's experiences is important)

I am unfortunately very familiar with what it's like to have trauma/mental illnesses. That said, while I'm very happy to explore how that impacts MC and their relationships, there are some prompts I may take a very long time to do or just not write at all because they would mess me up

In general, keeping the prompt relatively short (a sentence to a paragraph) helps me organize them better! The same goes for asks sent with a visible blog - if I have questions, I can reach out to you for more details! ^.^

Both my asks and messages are open because I love hearing from new people! If you abuse that you will be blocked :)

All of the above points have reasons for them, and are therefore subject to change. If you have an idea that you'd really like to see and you're not sure about, just message me! I can either tell you why I can't do it or I can make an exception depending on the case

RELEVANT FANDOM HAPPENINGS

(I don't do drama on my page, but these are some posts that provide transparency and accountability for some of the things I've been caught up in)

To the Arcana Fandom, From Brainrot

An update on Rai/Kip

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ebonysplendor · 2 months ago

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There's Something Wrong With Sunny Day Jack (Demo) Review🌤️

TL;DR: Sunny days, keeping the clouds awaaaaaay~! ... Okay, but like what if our cloud is the "sunny day", and it won't go away? Do we even want it to at this point...?

Game Link: https://snaccpop-studios.itch.io/sunny-day-jack

Game Link (classic): https://snaccpop-studios.itch.io/sdj-classic

Notable Features: Gender Neutral language, Self-Insert, Yandere LI, Voice Acting, Create a cup of froyo ... yo Spiciness: 5.5/5 -- Let me tell you! It's a whole scene going down in this thing, okay?! FULLY delivered. The literal only thing that would've made this any spicier is if you saw it. You kinda do, but it's just out of frame. LI Red Flags: 3/5 -- Manipulation, possessive, lowkey obsessive, implied violence and possession, but like, I'm pretty sure I can fix him, so whatever, ya know?

Wanna know more? Lmao naaah. Not if you aren't at least 18, and I mean that. There is a WHOLE spicy scene in here. This one's for the adulty adults. Anyways, if you don't care about my yapping and/or you're in the 18+ club, let's get into it!

Okay, okay, okay, I know, yeah, I know, but listen...I'm only getting around to making the review now.

Okay, okay, okay, wait, stop, listen. I know that this game is damn near two years old, but I didn't start getting into reading visual novels until last year, and I didn't start taking the plunge to make reviews until this year so... :P

ANYWAYS! I do have news that you may not know yet! When I was looking for exactly how old this game is, I stumbled upon a little news~

As of me typing this (which was on the 28 August at about 9:30pm, but who knows when I'll actually post this review lmao), the game was updated an hour ago. I'm talking this shit is fresh out of the box! So, naturally, I went scouring for a download button...but then it occurred to me that that message said that it was for the $12+ tier of their patreon supporters. Not gonna lie, the spicy scene in that damn game has got a girl tempted, okay? But the way my bills are set up...

Okay, anyways, getting back on track because I've started yappin'. I'm going to go ahead and jump into this thing because, let me tell you, if you're like me, and you're late to this game, you've gotta hear about it! Granted, the download to the version that I'm talking about isn't available anymore (at least for the public/non $12 patrons), but the classic version is! I don't know how different it is though ^^;

Admittedly, because this game is almost two years old and because there's not a download link available currently, I might spoil it just a little so that you're not left too much in the dark about the game, especially since, again, the download link isn't available. That being said, it may still be spoiler friendly because habit lol.

But you get it by this point. Let's stop talking and start summarizing. Let's get into it!

So boom.

Basically, we're being...haunted?, we guess?...by this very attractive, but frankly super cheesy, children's TV show host. How'd it happened? We aren't really sure. We just remembered that we got some weird tape and was like "Huh...okay", watched it, and boom, here he is. Speaking of "he" and "here he is", here he is!

Everyone, this is the bae, Sunny Day Jack, but he doesn't mind being called just "Jack", so refer to him as such.

Jack has kind've been rocking with us for a few months at this point, and admittedly, it was very poor but really great timing. The reason why that is the case is because we had experienced something pretty tragic, and we were having a really hard time getting over it, but honestly? Jack's child-like explanation of working through problems and explaining emotions actually came in clutch, because we were lowkey able to get this far because of him. That being said...our relationship with him is getting a little blurred -- more than a little.

Ya see, things kind've...escalated between us, and we honestly aren't sure if we're glad that we got called into work or if we're pissed about it. Like, the undertones have been there for a while, but it was only today that those undertones became more pronounced and obvious. I mean, the man had his tongue-- ANYWAYS!

So, we go into work where our asshole manager ditches us because apparently the things that he has to do is way more important than us having a day off from babysitting and picking up the slack of our lazy ass co-workers. The only upside to this is that the day is likely to be slow because of the rain and that we're alone, meaning that we can openly talk to Jack.

Oh, now that I think about it, I forgot something super crucial -- we can see and hear Jack. More specifically, we can touch him, feel him, smell him, fuck him, the works, but, for whatever reason, others can't do the same. I guess it's like...medium privileges or being a ghost's host perks or something? Anyways, I'm getting off track. Gonna stop it there before I start spouting some stupid shit.

We kind've flashback to what happened right before our boss called, and whoo boi, does that steamy feeling come back full force. It's weird, because it's like Jack can read our mind about how we felt so comfortable and so safe and so protected and, frankly, so curious about him and what all went down in that moment. Jack basically reassures us that the feelings that we have are okay, and what would be best described as "love". Oh...oh, haha, uh...

"Nah, dawg, it's not love."

"Well...do you love me?"

AYO? I beg your finest pardon, sir!? Like, he's just gonna come out the woodwork with that shit?!

Regardless, he's still reassuring us that, "It's okay if you see me as bae" and we're just "We're roommates, dude, and seeing someone as bae is way more complicated than you're making it sound!" He pretty much just laughs it off and is like "Well, either way, I'll be here. Always. I'm not going anywhere. Ever. I'll be anything and everything that you need". Oof, that is...a bold ass claim, and one that we're not so entirely sure we should trust...but damn does it feel good to hear those words and have some support...anyways.

Our work day continues, we run into this awkwardly cute guy (I'll explain more later), our whore of an ex-boyfriend called and ruined our fucking mood, Jack lays down some more heavy words of reassurance, and the day goes onto the next.

Unfortunately, we land ourselves back at work, but fortunately without the "un-", we are alone and can freely talk to Jack again. Like mentioned, the guy is a ghost, but he's so very real, just not to others, which can be super disorienting sometimes; this is one of those sometimes. Jack wanted us to make him a yogurt and...oof, his reaction was...

...less than thrilled. Disgusted, even. Horrified.

Now, this doesn't sound like a huge detail or issue, but he actually got a bit scary here because, what is this shit that he's spouting about us "not being that type of person anymore" and "being better than that, now"? Like, when I say that this man -- clown? ghost? -- had a full shift in personality, and it was just...fear in his eyes, desperation in his voice? Like, he looked and sounded absolutely haunted and terrified of something. Like, this was beyond the horror in a cup that we apparently made him experience; it only triggered it.

Thankfully, although awkward, he easily moves past this saying that the combination of flavors just threw him off, and a customer walks in to provide a diversion for an extra layer of safety.

Oh! It's that awkward but polite cutie from the other day!

When we see him, or rather when we hear the door, we say our awkward ass, lame ass greeting, and it's kind've an opener for him to start some super brief small talk. He eventually takes the plunge and shoots his shot. Now, personally, I think the guy is damned adorbs, but at the same time, it's just...it's too soon. That mixed with this whole thing we've got going on with Jack...

We're pretty conflicted on how to answer, un-- Wait, huh? What did...?

Did-- Wait, Jack wants us to tell him that we have a boyfriend? And what does he mean that "it doesn't even have to be a lie"? ... He said the thing again, too. That thing about being whatever he wants us to be.

This is so anxiety inducing, too, because it's like, first off, we weren't expecting to hear him talking to us, and second, we can't acknowledge him in any shape, way, or form. Jack is quite literally looming right behind us, whispering in our ear, and we cannot so much as look his way without the guy in front of us thinking that we've completely lost our shit. Even still, our feelings for Jack have been complicated lately. Should we even take that plunge? Something about doing that doesn't seem right, though...

...We tell the guy that we don't have a boyfriend. Before he gets his hopes up too much, though, we tell him that we aren't really looking for anything right now, either. The guy leaves. The store is quiet, and we're left with alone with Jack with that awkwardness from earlier back in the air at full force; he's the first one to speak.

He apologizes and starts asking if he's pushed anything onto us that we didn't want. Before we can really answer though, he apologizes again. He explains that he thought that he was speaking in terms of what we wanted, but he keeps going back and forth like he's trying to find the right words but also figure out where he misunderstood; better yet, and more accurately, he's trying to figure out why he misunderstood in the first place. The poor guy is honestly so pitiful at this point, and we try to stop him from rambling and reach out for him... but our hand falls right through him.

Obviously, we start panicking, and Jack explains to us that he doesn't want to do anything that we don't want him to do nor feel comfortable with, and if it's him that we don't feel comfortable with and it's him that we don't want...this is what happens.

Okay, now, we're past the point of panicking; we're on the verge of tears because had we known us saying "No, I don't have a boyfriend" meant that Jack would start questioning if we actually wanted him around and fading away, we would've never said it. True to his optimistic nature, Jack reassures us that he's not "fading away" or "disappearing", and we're just like "Dude, piss off with that. Now, is not the time" because it's like, bro, this isn't a joke or us not wanting to get up for work; this is serious.

Jack chills with the reassurance and explains that he understands that we're serious, but that this isn't an issue that he can fix himself. Jack basically said that our words -- better yet our acceptance or denial of him -- are very weighted and that the only way to fix what's going on right then and there is to reaffirm that we accept him being there and truly meaning it, and that's only because he doesn't want to do anything that we don't want or need from him.

Even still, do we really trust him fully enough to do this? He's not the kind of guy to hurt us, is he? I mean, it's Sunny Day Jack. Then again, we also thought the same about---

"Hey."

"Yeah, Jack?"

"I know it's scary, I honestly do, but you can trust me. All I want is to be with you, protect you, and make you happy; that's what I'm here for."

All of that sounds so nice, too nice, but...

Can we trust him so easily...?

We really shouldn't...

But that horrible, heartbreaking moment...

That pain that Jack somehow made bearable, took away even...

That companionship he gave us in the place of loneliness...

His comfort...

His gaze...

What's wrong with feeling good? Why doubt him, and why feel like this unique and irreplicable connection is a bad thing? It's like Jack said: these feelings are okay; it's normal. There's nothing wrong with this.

...Right?

Y'all. You all. Guys. Gays. Theys. People. Friends. MY friends. SQUAD. (all right, enough...)

Hot and bothered, bothered and hot. Like, please allow me like 3 - 5 sentences of degeneracy. Between Jack and Ren (iykyk) ... Ren still laid down the pipe better but Jack?? Jack was a damned close second. Like, did you see the way that man was looking in our eyes and holding us? Then he's so big and masculine looking and ahhhhh~! That is BAE right there!

Anyways, getting back on track, when I had to go back and get those screenshots, what should've taken me like 5 - 10 minutes took me like 30+ minutes because I had to relive these moments. I had to relive this story! Like I mentioned earlier, the game is damn near two years old, but it reads like new, you feel me? The story, the implications, the art style, the scenes, the drama -- ahhh! I LIVE. I ASCEND. Like, when these developers hit the mark, they hit the damned mark with such precision!

I'm pretty sure that it's been mentioned at this point, but do you know what I loved the most about this visual novel (degeneracy aside, of course lol)? The subtle but oddly specific ass details that you're sure to miss or gloss over if you're not paying attention. I'm talking those details that you probably wouldn't catch until you've already read it once, seen how things have panned out, and then read through it again. Like, how it described us feeling cold whenever we thought about Jack leaving or fading away from us, or how the air would feel like syrup or cotton candy whenever he spoke to us, or how we'd get all warm in the most literal sense whenever Jack was near, or feel full, or completed, or -- the list honestly goes on. Like, there's a lot of allusion to being slowly corrupted/possessed by Jack, because this guy is a ghost, remember? Yeah, I had lowkey forgot, too.

Those specifically subtle details really made the story come together, and once I caught onto what was going on, I was just like, bro, the signs were there! I'd have to say that my absolute favorite "subtle" sign was when Jack always seemed to know exactly what we were thinking, almost like he was able to read our thoughts, but as soon as we started to "reject" him, all of a sudden he wasn't exactly sure what we thought. He went from responding to our thoughts to questioning what we may have been thinking about. Like, what? Go the eff off SnaccPop!

I love this visual novel, I love this visual novel, I love this visual novel, I love this frickin visual novel. I could ramble and geek way more but I'm gonna start wrapping it up before I start yappin' too, too much. Just allow me a few more sentences, a paragraph or two, please.

I. Cannot. Wait! For the full and official release! I am so excited to see how the team is going to mold this story and how things are going to pan out. I'm excited to see how and if we're able to get away from Jack because, at this point, he has a damned strong hold on us, but I'm speculating that our horror movie fanatic and director friend is going to come in clutch for this one.

If it was not obvious (and honestly, if you were somehow later to this game than I was) 100/10 would recommend, and I am recommending. It is so good, and I really hope that I'm not over hyping it, because the foundation that has been built for this story is so damned solid. Like I mentioned way earlier, unfortunately, you can't play the (free) updated demo anymore, but you can still play the classic one; I just don't know how different it is compared to the new version. Either way, I'll give you the link to both just in case (Update | OG). If you're able, definitely give them that monetary support and play the updated version. Hell, tell ME how it is because...I really don't want to put off my bills but, at this point, Jack has me in a fucking chokehold all over again. What's an extra, unplanned $12 at this point? Also, if able, visit the game's page and give SnaccPop that ever so encouraging but thirsty "NEED. MOAR. I mean, you take your time because perfection can't be rushed, and I know you all are people with a life and other responsibilities and such, BUT I NEED. MOAR. IT'S SO GOOD. STAND AND DELIEVER. ...please UwU I beg OTL"

Meh, that was highkey three paragraphs, but I'm not gonna split it so it can still be the two paragraphs that I requested. Lol sorry for pushing it there, but I'm done now! Promise. No more yappin'. The yap has been concluded, and I'm gonna go ahead and head out.

Big preesh for getting this far, and please, remember to drink water, don't be dumb, and hope to see you around~!

Something's Wrong with Sunny Day Jack (Updated; download not available to public)

Something's Wrong with Sunny Day Jack (Classic; download available)

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reflections-in-a-critical-eye · 5 months ago

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To the anon who sent me a link to another blog, I won't post your ask. I don't want to insert myself into a conversation happening in a space where I'm not part of. I don't even follow the blog and I try to stay away from answering asks that include links to other posts.

Suffice to say, I do agree with a lot of what has indeed been discussed there. I don't even think there's a point in labeling Muse as a sophomore album. We all know they worked on the tracks at the same time with Face. It is technically a second album, but in terms of production and chronology, it is like an extension to Face. So debates in terms of evolution cannot even take place.

I can understand why you brought that ask to my attention. I think it's healthy to look at an album/song/concept through a critical lens and when an actual Jimin fan is doing it, that's a good thing at least because that person is not going to trash talk him. Which considering the usual reactions, this is not that common.

I think that expectations for Jimin are always high and coming from everyone, including those who do not listen to his music. A song such as Like Crazy was not good enough. SGMB is of course not enough. SMFP2 was not good enough. I would say other songs from Face were considered not good enough, but I'm sure that only people actively interested in Jimin have listened to those. There's a criticism for everything so it's not like he can win in any way. And I know this sounds like I'm making him into some victim. That's not it. But I too use social media and I see it. That's just how it is. He doesn't get a vote of confidence for a myriad of reasons. At that point, you do have to wonder why people pay attention.

I don't have much to say about SGMB. Soundwise is similar to Closer Than This which I haven't listened, apart from the first time it got released. I don't think Smeraldo is as bad is it said to be. I think Jimin and his team were having fun with the name and decided to use it for a song. One that doesn't pretend to be something that it isn't. Having other expectations is just ridiculous and shows a lack of interest in what Jimin has been trying to do with his solo career.

Which hasn't taken off as much as I would like to. Him being in BTS and doing his military service have had a contribution to that. Maybe it will change once he comes back. Maybe not.

But I do want to point out that regardless of shortcomings here and there, I will cut him some slack simply because he's among the few who has been 100% involved in his album production. There's nothing wrong with choosing the songs and singing them. Not at all. But I will appreciate that Jimin was involved in writing the lyrics, and as a producer for most of Face and Muse. I think he took full advantage of that music camp. So what if he hasn't found his music identity yet? There's a timeline? Does it have to happen immediately? At least he hasn't reached a stage in which he has become complacent and have every song sound the same. If he finds that identity in 10, 20, or more years, then so be it. It is his journey.

Personally, I will refrain from making any in-depth analysis of Muse, not now and not immediately after release. I will take my time. It's the reason why I don't like writing reviews. I find that jumping right it, without having time to listen and digest the work does not work for me. Others can, and some critics are actually good at it.

For now, I just want to enjoy this period of anticipation, the music videos and the performances. I can't bring myself to get involved in debates or mean girl-ism over music. I don't have the mental bandwith for such things.

#m thoughts #jimin #jimin muse #smeraldo garden marching band

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gatheredfates · 2 months ago

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Greetings everyone! If you're thinking to yourself 'Wow, it's been a bit since Sea updated the Compendium', you'd be right! I've been (unfortunately) dealing with that demon we call burnout. However, I am determined not to let it win, even if it's capping my own creativity/drive at the moment, which is why I bring you an update to the Compendium. ✨

If you know of any communities I have missed, please reach out to me via my Discord or the Google Form.

However, as of 09/29, the following communities have been added to Sea's Community Compendium for XIV Creatives.

EVENT / COMMUNITY SPACES

The Cursed Carbuncle—The Cursed Carbuncle is a Cabinet of Curiosities & Oddities which sells alchemical reagents, curios, cursed items, intriguing artefacts, luxury objects, occult, rare books, taxidermy & unusual finds.

LORE

How Rare is that Job?—An Unofficial, Opinionated Look At Class/Job Rarity For FFXIV Roleplayers, created by Mis’to Raesthe on the Odin Server.

MISC

Leyla's Gposing Guide—This website is an ongoing comprehensive gpose guide that helps you every step of the way from the vanilla gpose menu to using shaders and posing tools/plugins, complete with screenshots and video guides, as well as pose/edit-along videos. It's also meant to allow many people to submit their own guides and tips.

So You Wanna Start Roleplaying in FFXIV—(Specifically, on Crystal Data Center). But It Sounds Really Scary And You're New And How Does This Even Work Anyway? A FAQ by By Nevivi Nevi/Lenneth Andrew of Balmung.

Have you thought about joining our Tumblr Community? You can find it here!

Want to submit? You can either fill out the google form here or send me an ask with the relevant information!

Is my space suitable for the Compendium? Most of the time, yes! Below the read more is some more information/stipulations. This is all publicly available on the document.

Below are the following things I do not accept on the Compendium:

Personal/Single-Character LFC ads. (Though these get posted to the SEAFLOOR Tumblr Community when I find them!)

Content intended for or can be used for bullying, harassment and OOC gossip. E.g. ‘Secrets’ blogs, receipts, callout posts, etc. This does not include IC tabloid blogs or other ventures used to generate roleplay.

Communities that do not have an RP/writing element (large-scale exempt).

Anything I find personally distasteful or goes against the spirit of this project.

Common-sense rule applies.

I want to put my community on the Compendium but we have an application process. Is this okay?

Yes! Just note somewhere in your application that's a requirement. The only thing that is mandatory for the Compendium is that you must be open to new members or have a public-facing/accessible facet. There's no point advertising a community if no one can join it in some way!

I want to put my Community on the compendium but I only have x number of members —

Also totally okay! People don't start with large communities. Activity is a must but, whether your server has two or two thousand members, if you're looking for new people to join, I'd love to help you find people.

I want to put my community/resource on the Compendium but I worry its too niche?

Okay, and? If your Eorzean Fishing Alliance has four members but you roleplay every second weekend, I still want to know about it. The same goes for resources; if it's relevant to the game, it'll be useful to someone.

How active does a community need to be?

If you find a community has not been active in about two/three months, send me a message and I'll take a look at it. Communities have ebbs and flows, especially event spaces that may take hiatuses depending on member interest/life events. I'm not strict in my implementation provided a space isn't dead. If a link or anything is broken, contact me asap!

I have [insert a question not stated here]?

No drama! Send me an ask or use the #Compendium channel in my Discord!

#final fantasy xiv #ffxiv #ffxiv community #final fantasy xiv roleplay #ffxiv roleplay #｡･ﾟﾟ･ — sea speaks #｡･ﾟﾟ･ — sea's community compendium

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cuffmeinblack · 1 year ago

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Ominis Gaunt masterlist

Ao3: cuffmeinblack

Buy me a cuppa 🖤

Full masterlist for all characters is here

Reader inserts female unless specified otherwise.

Ominis Gaunt x reader

Old habits die hard - smut, angst, 112k words 🔞

You find yourself once again in the arms of Sebastian Sallow, but with the added complication of your unexpected feelings towards your friend, Ominis Gaunt. Love rivalry.

About time (series) - fluff with sexual content in final work, 6.6k words

You regret never telling Ominis your feelings for him. Sebastian decides to give you some time alone. Start of relationship/new experiences.

Sanctuary - fluff, gn!reader, 1.3k words

You show Ominis the Room of Requirement.

Companion - fluff, gn!reader, 2k words

Sort-of sequel to Sanctuary. Gregory the puffskein.

Kindred spirits - fluff, 1.4k words

Ominis bonds with you over your pet snake.

Legilimens (ao3 link) - smut, explicit, 2.3k words 🔞

Ominis uses his unique Legilimency to find out your deepest desires.

Career Perks (ao3 link) - smut, explicit, 3k words 🔞

Ominis' career leaves little room for excitement or challenge, but his unique brand of legilimency makes for a more interesting job when he finds himself in the company of a lonely witch. Audio excerpt.

The boggart in the tower - fluff, 1.1k words

Mostly just silly Ominis & Sebastian friendship stuff, pranks and Ominis having a crush on you.

Two little words - fluff, 1k words

Ominis hears you singing in the Undercroft and falls hard.

You're welcome - fluff, 1k words

Ominis asks Sebastian to describe you, realising that they both like you.

Hold me close - hurt/comfort, gn!reader, 1k words

Post-Crucio comfort, rewrite of In the Shadow of the Study.

The end and the beginning - hurt/comfort, gn!reader, 1k words

Post-final battle comfort.

Beauty marks - fluff, gn!reader, 380 words

I am obsessed with his moles.

Snake whispers - smut, mature audience, 500 words 🔞

Ominis speaks parseltongue to you at your request.

Overture - smut, 500 words 🔞

Ominis uses his hands to distract you.

Deft hands - smut, mature audience, 300 words 🔞

Ominis explores your body.

Parting gift - fluff, gn!reader, 850 words

Ominis gives you something precious to take with you on your travels.

A touch of sage - fluff, gn!MC, 800 words

Accidental touches lead to something more.

New beginnings - romance, poem

The year after leaving Hogwarts.

Ominis Gaunt x f!OC

Retribution (ao3 link) - angst, smut, 9k words 🔞

Ominis has kept his romantic involvement with Maerys a secret from his family for her own safety, but a pending betrothal causes complications. Maerys confronts his family with the hope of acceptance but gets more than she bargained for. Audio excerpt.

Sebastian Sallow x reader x Ominis Gaunt

Give him something to listen to (ao3 link)- smut, explicit, 1.7k words 🔞

You give in to Sebastian's flirtations and Ominis is along for the ride.

Ominis Gaunt x Sebastian Sallow

Crave - angst, slow burn romance (WIP, hiatus)

The anniversary of the worst day of Sebastian's life approaches and brings with it the familiar nightmares, the only comfort being Ominis' presence.

Silk and Lace (ao3 link) - smut, explicit, 3.9k words 🔞

Sebastian's teasing plants an idea in Ominis' head for a night of indulgent roleplay; and he isn't one to do things by halves.

The experiment (ao3 link) - smut, explicit, 1.7k words 🔞

Ominis admits he isn't sure whether he has a sexual preference given his woeful inexperience. Sebastian offers to be his guinea pig.

Because you're mine - smut, explicit 🔞

Garreth shows an interest in Ominis, Sebastian gets jealous. Rewrite/what-if of You need only ask.

Ominis Gaunt x Garreth Weasley

You need only ask - fluff, smut, 36.1k words 🔞

Garreth Weasley has admired Ominis Gaunt from afar, offering his secret assistance in their shared potions classes. Ominis finds out and wants to know why.

Excerpt audios: chapter 1 | chapter 2 | chapter 3

Lost and Found (ao3 link) - fluff, angst, 5.4k words 🔞

A love story told in five scenes.

Repercussions (ao3 link) - smut, 2.4k words 🔞

Ominis is driven to distraction by Garreth's voice.

My own

Ominis and Garreth adopt a baby' drabble. Audio.

Ominis Gaunt x reader x Garreth Weasley

Proposition (v1) (ao3 link) - f!reader, smut, 4.3k words (audio excerpt) 🔞

Proposition (v2) (ao3 link) - m!reader, smut, 4k words 🔞

You've always held an affection for your best friend, Garreth Weasley, but he is very much taken by Ominis Gaunt. You weren't expecting Ominis to come to you with an intriguing proposition.

Audios

Ominis x Garreth 🔞

Ominis x f!MC 🔞 (snippet from Career Perks

Receiving a blowjob (f!listener) 🔞

Ominis x f!MC x Garreth 🔞

Ominis x f!OC 🔞

Ominis x Sebastian 🔞

Ominis x Sebastian (Dominis/Subastian) 🔞

Ominis and Garreth adopt a baby

#ominis gaunt #ominis gaunt fanfiction #ominis gaunt x reader #ominis gaunt x sebastian sallow #ominis gaunt x garreth weasley #sebinis #garrinis #ominis gaunt masterlist #hogwarts legacy masterlist #cuff writes

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ladyanidala · 6 months ago

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Masterlist

Hello hello!

Welcome to my fledgling masterlist, the place where you'll find just about everything I have written over on AO3. Below, you'll find my works, request guidelines, and anything I think of after I publish this. Enjoy!

LadyAnidala

Ships

Reader Insert

Masterlist

Anidala

Masterlist

Obitine

Masterlist

Rexsoka

Masterlist

Sabezra

Masterlist

Kanera

Masterlist

Rebelcaptain

Masterlist

Merrical

Masterlist

Alternate Universes

(Eventually this section will be updated with individual chapters and more masterlists, but as of 5/7/2024, I can't be bothered)

We're Not Needed Here

General Obi-Wan Kenobi of the Grand Army of the Republic, Jedi General of the 212th Battalion, has had enough.

Series link is here.

Her Step Forward

In the galaxy far, far away that we know and love, Anakin Skywalker fell to the Dark Side, leaving destruction and death in his wake.

In another galaxy slightly closer, yet still far, far away, the wife of Anakin Skywalker took a step forward on Mustafar, not backward.

Series link is here.

Letting Go

Master Qui-Gon Jinn and Padawan Obi-Wan Kenobi have kept Duchess Satine Kryze alive. The mission is complete, and they're heading back to Coruscant for a well deserved rest.

They never make it back.

Series link is here.

And With A Cry, My Chains Are Gone

It is the eve of the Fall of the Republic, and Anakin Skywalker is terrified of losing his wife.

The Force isn't having it.

Story link is here.

Oya'la

This story centers on Olyssia, a young woman with amnesia who finds herself aboard one of the Venators belonging to the 501st. The only thing she can remember is the order to kill Palpatine.

What Once Was Lost, I Have Found Again

Anakin Skywalker and Padmé Amidala were dead. His corpse stayed behind on Mustafar, while hers was on a backwater planet, trying to survive for the sake of her children.

Commander Thorn had defected. There was nowhere in the galaxy he could go, and he wanted out. He was tired of fighting.

Story link is here.

Event Participations

Obitine Week 2023

The series can be found here.

Miscellaneous

Fox

Left on Read - based on a prompt found in the wild on Tumblr. Fox goes home to surprise his brothers, and none of them see him. Modern AU.

My Time Has Come (Brother, Let Me Weep) - Fox finds out about Ponds' death from the shiny grapevine. Soldiers can't mourn, and so he doesn't.

Ahsoka

Seeping Through My Memory - Ahsoka can't stop seeing death when she closes her eyes. She ends up at Anakin's quarters, desperate for comfort and life to go back to normal.

The Bad Batch

You Weren't There (Brother, I'd Hold You To The End) - Crosshair can't handle living after everything he's done. He sends a final message to the Batch. Written before s3 aired.

Jedi Survivor

Ghost Star, Are You Very Far? - Two times Kata gets to hear a story about her parents.

Request Guidelines

So you found your way down to the bottom of the abyss- ah, the masterlist. Welcome! I can only assume you're either curious about what I'll write, or you want to request something yourself. Either way, happy to have you here!

A couple rules...

I will not write smut or suggestive content. I don't feel comfortable writing literary porn whatsoever. Any requests asking me to write smut will be deleted. (If you're ever interested as to why I won't write it, feel free to send a message/ask! I don't mind talking about it!)

I will not write clonecest or same sex romantic pairings. Again, these are things that I'm simply not comfortable with. Any asks for these will be deleted.

Beyond those two things above, go wild! I love a challenge, and am down to write platonic and romantic pieces.

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coimbrabertone · 1 month ago

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A Self-Indulgent Blogpost About My Motorsports Fiction

So, this weekend, MotoGP had a good sprint while the main race was a snoozer, and NASCAR ended with a twenty-eight-car pileup followed by a plate merchant winning the race.

Which makes me not really want to talk about either of them.

I could talk a bit more on Andretti - Michael revealed today that stepping back was a personal decision after forty years of being involved in Indycar, half as a driver, half as a team owner - but I don't really have a ton more to say on that either.

So, what do I want to talk about?

Well, I kinda want to talk about my writing.

I've kinda wanted to do that for a bit now, but I always thought that one: it was a bit self-indulgent to promote my fanfic on here too much, and two: I wasn't sure if people would particularly care. Well, I talked to some friends about it, and they encouraged it, so I figured...why not?

Thus, today I'll be talking about my motorsports fiction, my racing fanfics that I primarily post on AO3. I've completed one story Life at the Speed of Formula One, I wrote a 1950s Grand Prix one-shot called A Beautiful Race, and I'm currently writing two stories: An 1980s CART Indycar story called The Fastest of the Prancing Horses, and a 2000s NASCAR story called Racing in the Golden Age.

For this blogpost, I will mainly be talking about LatSoF1 because it is finished and because as my first real motorsports story, it more or less set the mold for the rest.

The link:

So...where to begin but the tags?

I have this story labeled under two fandoms, Original Work and Formula 1 RPF, why is that?

Well, it boils down to the fact that I don't quite think it fits firmly into either category. It is an original work about Formula One, but it's not really RPF either.

RPF, for those unaware of fanfic terms, means Real People Fiction.

In my stories, however, I've decided to fictionalize living people, particularly those central to the plot. There's a few reasons for this, one is that I felt odd having my OC (original character) interacting with real drivers - and admittedly a part of that is that I didn't really want this to read like a self-insert fic, where my Mary Sue gets to race with Lewis Hamilton and Fernando Alonso and Sebastian Vettel and all that - especially when I'm going to tackle things like tabloid rumors and opinions on homosexuality and driver feuds in these things.

The long and short of it is that I feel more comfortable having fictionalized driver Felipe Alvarez as an antagonistic figure rather than Fernando Alonso himself.

Does that matter to people reading it who are just going to connect the dots and see Alvarez as Alonso anyway? Maybe, maybe not.

Anyway, I'm getting a bit ahead of myself. Let's get back to establishing the context.

The story begins in 2007, with Kazakhstan-born ethnic-Russian driver Tamara Shchegolyayeva signed to Williams banked by Kazakhstani oil and gas companies.

Let's unpack that a bit.

Why 2007?

The initial idea of the story, before it branched off into something larger, was to cover the tight and dramatic 2007 championship battle from the perspective of someone in Formula One but outside of the proper title battle. Almost like a third-person view on the title challenge from a first-person perspective.

Tamara Shchego-what's it?

Okay, so admittedly Kazakhstani driver with a really long name probably isn't the most believable package for a late-2000s Formula One driver, but I think that's part of what made this idea interesting to me.

I'm a geography and history nerd, so I'm drawn to off-the-wall places where so many different cultures and histories intertwine. Kazakhstan has the Silk Road, the Mongol Empire, Russian Imperialism, and Soviet Communism all in its history. Its people are like a microcosm of all of Asia with East Asian, Turco-Persian, and Indo-European phenotypes all present, with people ranging from literal nomads to Kazakh Muslims to ethnic Russians.

Thus, I decided that it would be interesting to write a protagonist from there.

However, Formula One is also...Formula One. So how does a person from there get to the cynical, cutthroat world of big money global motorsport?

Well, I made her the daughter of a petty oligarch and sponsored by oil money.

This also allowed me to explore a number of things. The legacy of Russian Imperialism, the question of where she belongs - I placed her ancestry right on the tripoint border of Russia, Ukraine, and Belarus, had her born in Kazakhstan, and had her grow up and live in Monaco - the morality of oil money, the morality of sponsorships in general, and, eventually, of being a gay woman in a male-dominated, conservative, globe-spanning sport.

I won't pretend I covered these areas perfectly - and at least in some cases, I wrote Tamara as having complicated, potentially problematic feelings on things - but I think it was at least interesting.

Fictionalized Drivers.

My general rule with people in the story is that the more involved in the plot they were, the more I'd differentiate them from the drivers they were based off of.

Thus, German Nico Rosberg became Finn Tommy Koskinen. The background was generally the same - Finnish father, German mother, raised in Monaco - but by distinguishing him from the driver he was based off of in these ways, I felt more comfortable having him interact with Tamara, to show his opinions, to have a teammate dynamic with her.

This extended to Anthony Harrison, probably the most fictionalized of the drivers. Based loosely off of Lewis Hamilton, Anthony is the son of a black American army mechanic and a white Englishwoman, growing up in that background to become a top Formula One prospect with McLaren.

He enters the plot as a fellow rookie to Tamara, and eventually, the two of them bonding leads to tabloid rumors that they're a couple. A bit of drama that Tamara wants no part in, but foreshadows a later storyline that turns her career upside.

Kazakhstan and Russia.

I mentioned before that Tamara struggles a bit with representing Kazakhstan as an ethnic Russian, but as part of her caught between two worlds storylines, I also had her struggle with her Russian identity as well. She's got it in her blood, but she wasn't born there, didn't grow up there, and has no love for the regime there.

This got more complicated because, in real life, Russia escalated the war in Ukraine a month after I started this story.

One of the cited reasons was Russian-speaking minorities in Ukraine.

That made writing about a Russian from another post-Soviet country awkward, and I wanted to find a way to address it within the context of this story.

Thus, during the 2008 season in LatSoF1, I talked a lot about the Russian invasion of Abkhazia and South Ossetia within Georgia, where Putin and Medvedev tried more or less the same tricks. Using Russian minorities in those countries to justify naked landgrabs.

This allowed me to solidify Tamara's position as someone who was born in Kazakhstan and is of Russian descent, and loves the people of both countries, but does not love either regime.

And come 2009 and 2010, the final two seasons featured in the story, and she gets away from depending on either country for sponsorship.

So, that's a whole lot of background out of the way, now...let's talk about how I wrote the story itself.

Writing Races.

LatSoF1 was my first real racing focused work and therefore in the early days, there were some adjustments to how I wrote things.

I decided on two races a chapter being the norm, thinking it would be an efficient way to get through the season without getting bogged down too much in yapping about a fictionalized version of a real race.

And to a degree, it did its job.

However, I did also end up more or less skipping the Malaysian Grand Prix that first year as I jumped to the race results. I don't think I'd do that now. I'd write about how the race was going overall and what Tamara was doing and then end on the results.

How did I get the results? Well, to keep things grounded in reality, I based Tamara's 2007 results on what Alexander Wurz achieved in that 2007 Williams irl. I can get the results real quick on Wikipedia, maybe go to Racing Reference for an obscure race or if I need more detail, and another thing that helped a lot for LatSoF1 specifically is the old F1 season review videos. I watched the reviews for 2007, 2008, 2009, and 2010 in the making of LatSoF1.

For CART stuff more recently, it's been a bit harder to find some specific information for like qualifying sessions from 1989. Some of that stuff is preserved on VHS rips on youtube and I've used those before, but what I've found to be helpful is actually some skills I picked up as a history major in college: old newspapers.

The LA Times and Chicago Tribute have tended to be my personal favorites because they have a significant digitized backlog, and don't require signing up to read through it like the New York times.

Hell, earlier this very day I was looking for some information on the Galles-Kraco merger ahead of the 1989 season - I wanted to know if Kraco stayed in the Compton garage or if they moved in with the Galles team in Albuquerque - and finally found the information in a brief mention at the bottom of an LA Times article.

This one, to be exact:

Thank you very much LA Times for making random stories from June 1989 accessible.

So yeah, sometimes it's easy and I can just get what I need off of Wikipedia and work from there, other times I need to go digging deeper, but the point remains: I find the real results and use them a s a baseline.

All that being said, it would be a bit boring to just slap my OC's name on a real driver's results and call it a day, so once I find what I need, I tend to change things around a bit.

First thing that comes to mind from LatSoF1 is the 2007 European Grand Prix, where Mark Webber finished third, just barely holding off Wurz.

In LatSoF1, Tamara got him in the last corner and took a podium finish.

That being said, I made sure not to get too carried away either.

At the end of 2007, Tamara finished on 18 points with two third places (Canada and Nürburgring) being the highlights of her season. In comparison, Nico Rosberg - and indeed Tommy Koskinen - finished 2007 on 20 points, whilst Wurz irl finished on 13.

Five points gained on real life is hardly Mary Sue behavior imo, so i don't consider that too obscene.

Who did I take those points off of? Well, I tried to keep that pretty even-handed as well, switching Mark Webber's third for Martin Weaver's fourth place in Europe.

Tamara also took Ralf Schumacher's eighth place in Australia from Roland Ziegler. Another eighth in Turkey off of Robert Kubica/Piotr Kaminski, a third eighth place in Italy off of Jenson Button/James Buxton, and a fourth eighth place in Brazil off of Jarno Trulli/Ivan Tripoli.

Pretty even-handed overall. No one driver was bullied for his results, and I didn't cause any massive swings in the championships.

Speaking of all those drivers I just named...

Fictionalized Names.

How did I come up with driver names? It varies.

Some names, particularly for people who didn't feature too much in the story, were just playing around with their real name. I'd put Martin Weaver for Mark Webber and James Buxton in that category.

Other names are little inside jokes I have with myself. I can't think of any from LatSoF1 off the top of my head, but in my CART story, real life driver Rich Vogler is renamed after Saints Row 2 antagonist Dane Vogel.

Why? Because I love Saints Row 2 and that popped into my head when I saw Vogler. Vogler-Vogel, it makes sense.

A good amount of names are ripped from players I had in Football Manager saves. Piotr Kaminski (Robert Kubica) I had at Cracovia in a save on FM21, and later on that same manager moved to Napoli, where I had a Japanese winger named Yoshikazu Higashiyama. I loved that player so much I used his name for Kamui Kobayashi once I included him in the story.

And other names are in reference to other drivers. In the late 2000s, Red Bull had a fetish for drivers named Seb: Sebastien Bourdais, Sebastien Buemi, Sebastien Loeb, Sebastien Ogier, and of course Sebastian Vettel.

In LatSoF1, that's replaced with a fetish for drivers named Max, in reference to their current boytoy Verstappen: thus, it's Maximilien Lecroix for Bourdais, Maximilien Longpre for Buemi, and Maximilian Renner for Seb Vettel.

Oh, and I made Longpre a Luxembourger in place of Buemi who is Swiss. Why? Because I like throwing in a comparatively underrepresented country every once in awhile.

Fringe Benefits.

On a lighter note, this is something I enjoyed about LatSoF1 a lot: it was a Formula One story, but being set in the near past, there was so much little stuff I could touch on. Tamara would have thoughts on geopolitics, video games, TV shows, other racing series, other sports, she'd get to tour a nuclear reactor at one point, she's get to rock some cool outfits, and she'd build up a bit of a car collection.

It was cool!

Most of the stuff I wrote before LatSoF1 was like historical fiction or Star Wars stuff, so it was nice to just be able to write about a person who, outside of an extraordinary job, is more or less just a regular person.

When I was getting into MotoGP for the first time, I could write a scene about her discussing MotoGP with some Italian engineers.

When I was watching Chernobyl, I got to have her tour a Soviet nuclear reactor in Saint Petersburg.

When I wasn't loving Formula One as much as I used to, I had her dabble in sports cars and Indycar during a bit of a sabbatical I had her in.

Speaking of, that brings me to...

What I'd Do Differently Now:

I started LatSoF1 in January 2022 and finished it in June 2023. I still consider it to be one of my best works and I'm proud of it, however, part of writing - and this is for everyone, not just me - is that you're always learning more. I'd say my writing back then was good, but I think it's gotten better now - certainly not perfect, but better - so...what would I do if I was doing it now?

The first two things are more technical:

One: I think I'm better at breaking up big blocks of text now, alternating between paragraphs and short lines, which I think makes for a more readable experience.

Two: I was getting better at this as I was writing LatSoF1, but I still think I could've been better about dialogue. I think dialogue is a bit of a weakness in my writing, one I'm working on, but a weakness nonetheless.

I probably could've done a better job with dialogue in LatSoF1.

Beyond that...I struggle at having my protagonists do things that are out of my character. Part of that is inevitable - write somebody long enough, particularly in first person, and parts of you will bleed into that character whether you like it or not - but it also led to me dropping one and a half plotlines.

One and a half? Let me explain.

There is a part of LatSoF1 after the 2008 season where Tamara loses her sponsorship in F1 and goes on a bit of a downward spiral. I initially had the idea that she'd develop a drinking problem during this point and eventually recover for it, to the point where she wouldn't drink podium champagne and would always just spray it before handing it off to the team.

I chickened out on this because I didn't feel comfortable writing about someone struggling with alcoholism given that I don't drink.

Then we move onto the half.

I initially wanted Tamara to be a bit more promiscuous once she comes out, and she'd have a few different girlfriends and maybe a few one-night stands throughout the storyline. It the end, I chopped this storyline way down.

Roksana is her first girlfriend, she has a one-night stand with Daniella, and then she's with Ysabella for the rest of the story.

Alexis was supposed to be another girlfriend, but in the end she's just the Ferrari PR that follows Tamara around for that little half a season she did there.

Again, my only romantic experience has been monogamous, so I chickened out of writing something I didn't know.

Now, who knows if writing out of my comfort zone would be any good, but I do wish I tried.

As I move on from LatSoF1 and onto new projects, I'm trying to be better about writing outside of my comfort zone. Right now with the CART story I have Vincenza Taghzouti becoming more assertive and combative in the media, arguably taking a bit of a villain role as she battles the American "boys club" of established drivers.

Meanwhile in the NASCAR story, Lilith Zilinskas has been more promiscuous and had a bit of a self-destructive streak for awhile, and now is dealing with her ex-girlfriend reentering her life...with a daughter, no less. This lets me explore some of the themes I chickened out of doing with Tamara, and also adds in a bit of a parenting aspect in the current day that I've never touched on before.

I'm excited to see how these attempts play out, and I hope that by the end of them, I'll have sufficiently differentiated my three protagonists.

Anyway, this has been a long and self-indulgent blogpost, but I very much enjoyed writing it. Please feel free to ask questions below, because I could go on much, much longer about my writing if given the chance.

#motorsports #racing #formula 1 #formula one #f1 #indycar #indy 500 #nascar #nascar cup #my writing

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howlingday · 2 months ago

Text

My idea for a potential DB! #12

2024 aug 29, 30, 31, sep 2, 4 - 10

Chaos VS Kyogre

MASTER LIST

All Might VS Homelander (My Hero Academia VS The Boys) | DEATH BATTLE!

Only one Superman student will survive this super smashing slugfest!

THUMBNAIL

INTERLUDE:

FIGHTER 1: All Might, My Hero Academia’s former greatest hero.

FIGHTER 2: Homelander, Vought Corporation’s greatest product.

Wiz: Aristotle once said “It is our choice of good or evil that determines our character, not our opinion about good or evil”.

*insert a clip of All Might doing good things followed by Homelander doing evil things*

Boomstick: Want proof? Let’s look at these icons inspired by classical Americana heroics! He’s Wiz and I’m Boomstick.

Wiz: And it's our job to analyze their weapons, armor, and skills to find out who would win... a Death Battle.

PREFACE (What to know):

This was supposed to be my release for July for very obvious reasons. Yes, I know Homelander dies. Yes, I know it’s basically giving All Might a win. I don’t care. I like the hope and optimism that All Might, and I wanted to make more MHA VS The Boys because they contrast each other so perfectly: a Shounen love letter to western comics VS a satire of DC’s Justice League, a symbol of peace, hope, and altruism VS a symbol of terror and selfishness, hope VS cynicism, the ideal superhero VS the corrupted superhero. Like Iida VS A-Train before, All Might serves as an example of who Homelander ought to be whilst Homelander is a cautionary tale to All Might, one he probably has seen many times before across his long heroics career

I will attempt to connect this to my previous MHA VS The Boys episode so that there is a stronger feeling of both episodes being a crossover between their series, and this hypothetical crossover would happen some time during S2 or S3, before All Might’s big fight in Kamino with All For One. I will also be considering All Might at his strongest by taking his claim of how much weaker he’s gotten at face value, like in All Might VS Might Guy. However, I will still take some liberties with how All Might’s transformation and injuries works.

This fight works best if released in July, specifically as an Independence Day release. Had this been in the earlier seasons, it would definitely be the mid-season break. If this were S10, then it would have been released on a date similar to Stitch VS Rocket Raccoon (released July 3rd, 2023)

Please, please, PLEASE, check this link out. It links you to a Reddit page that has sprites for both characters, connections between our fighters, and templates used for an image that will be seen below.

Also, and this is very important, prime All Might will be taken into account, but I will give All Might his injuries and skeletal form JUST FOR THE SPECTACLE AND NOT FOR THE ANALYSIS. Again, All Might will have his injuries JUST FOR THE FIGHT, NOT FOR THE ACTUAL COMPARISON. I am putting a lot of emphasis on this for the sake of fair evaluation.

WHY:

Connections (What do they have in common):

1. They have a lot of aesthetic similarities. Both are blonde males with colors that represent America as both were inspired by Superman

2. Both are icons of hero work in their own series, and thus have earned fame and renown, and are the face of heroism in MHA and The Boys respectively. Arguably, they are the most iconic and representative characters from their series. One could even say that they’re representatives of institutions of heroism (U.A. and Vought), but the larger world of heroics in which they operate is corrupt

3. Perfect thematic opposites. All Might is selfless to a self-endangering extreme, altruistic, and smiles as he saves people in order to inspire hope. Homelander is a narcissistic man-child who cares not for the people he saves, but for the attention that they give him and isn't above intimidation.

4. They are in a sense descendants, or the next in line to take up a mantle. All Might is the 8th wielder of One For All, succeeding his mentor Nana Shimura. Homelander is, in a sense, the second coming of his father Soldier Boy. Because of this, they have similar powers or abilities to their predecessors but to a greater degree, namely super strength and durability. This combines well with the fact that both were essentially given their superpowers instead of being born with them. All Might was given All For One as he was born without a Quirk and Homelander had taken Compound V and was made in a lab.

5. They both have sides that they want to hide from the public. All Might doesn’t want people to see his injuries or his true form. Homelander doesn’t want people to see his failure with the plane crash or his vile attitude to people that don’t approve of him.

6. East comics VS west comics, known for their adaptations on the screen.

7. Both are also known for their decline in health. All Might suffered heavy injuries after his fights with All For One to the point where he can’t maintain his muscular form and remains a skeletal husk for the majority of the series, and Homelander was never raised like a proper or even normal kid. He was isolated and never matured emotionally, so as the series progresses, his mental state decays and deteriorates.

Personal reasons (Why I want this battle/like this MU):

I previously mentioned that I love the contrast between MHA and The Boys, and these two characters just stand out to me because of their statuses as icons and pillars of their worlds, their powers, their actions, and words. There is so much crossover potential. Like, give fanfiction writers these ideas and see what they create with them.

Of course, I want Homelander to get his face smashed in, but I have no doubt that if All Might knew of Homelander’s backstory, he’d have some sympathy or pity for his enemy.

Also, this is one of my most wanted MUs. Palpatine VS Xehanort is my #1, followed closely by Chaos VS Kyogre, this MU, and another one I will get to down the line with Azula VS Cinder trailing all of them. However, I’m genuinely surprised we haven’t gotten any MHA VS The Boys content from the show. Yates has given us two commissioned tracks in Compound Engine (Iida VS A-Train) and No More Heroes (Billy Butcher VS Stain), and aside from a Twitter post from Ben asking the public who they want to be the next person to kick Homelander to the curve (he showed four characters, among them All Might), that’s everything that I can think of. Truth be told, I think no one has done this because of the obvious Homelander loss, but a stomp does not disqualify a matchup.

In general, if you want more MHA VS The Boys, please check out this video that dives more into the worldbuilding and the aesthetics of both series’ superhuman societies.

Art:

THE FIGHT:

Art and animation:

This is a fight best done in 3D. The 3D team works best when both characters have large arsenals, deep bags of tricks, or cool fighting choreography. Just look at All Might VS Might Guy and every Star Wars battle from 2020 to 2023.

As far as I can tell, Omni-Man VS Homelander was a pure passion project, and a lot of resources were poured into it. I don’t think that this one would get such a treatment, and there are 3D models for both. The easiest approach is to take All Might’s model from Jump Force and Homelander’s model from MK1, but the ideal approach would be to have it be hand-drawn, but that would severely cut down on what I want to do.

Knowing of the comic book origins for both characters, it would be cool to have some slightly stylized hand drawn bits and pieces like Mob VS Tatsumaki. However, we know from the 7 Battle Royale that Homelander sprites do exist, and there are sprites of All Might’s skeletal form, so while it’s best done in 3D, it’ll most likely be done in sprites like in the image below taken from the link in the preface.

Possible setup:

I want this to continue where my last MHA VS The Boys idea left off.

After the A-Train/Ingenium fiasco, Vought has come under intense scrutiny and UA is losing popularity for endangering one of their students and for associating with a company that employed a Nazi like Stormfront and a questionable character in A-Train (how did that info get leaked?). Homelander has taken it upon himself to “fix” the problem, and while UA may have given a press conference to address the issue, Homelander, the charismatic devil that he is, started a slander campaign against the threat of “Quirkies”.

In UA, the students have left as the school day just ended. All Might is in his normal form, taking down anti-UA propaganda that people have stuck to the school’s protective wall as well as some anti-Vought propaganda after a long day of teaching and trying to calm down protestors outside the school making noise that were shouting that word spouted by that fellow hero, a blonde American whom All Might initially thought well of. His press conference called to action the… More unpleasant elements of society. All Might hasn’t even changed out of his costume. and as he enters his office to grade papers, he hears a voice coming from within.

“Ah, Toshinori. Just the man I’m looking for.”

That voice… All Might was hoping not to have to face the man in front of him. Toshinor turns on the light and behind his desk with his legs on the table sits a blonde middle-aged man wearing a navy blue suit, red boots, and an American flag for a cape. Homelander had snuck past UA’s defenses and gotten in. He must have been waiting for him. He was… Looking at a picture of young Midoriya and Class 1-A.

“Homelander. Why are you here?” Toshinori was hoping that the other teachers, and especially the students, weren’t here.

After a chuckle, John replies: “That f*cking little UA goody two shoes and that moron A-Train ruined everything at Vought and are making Supes look bad, and then that red birdbrain Hawks leaked some confidential info. So, I decided to come here and fix the problem at its core. Step 1? Remove Quirkies, and that starts with UA and you.”

“Young Ingenium is a great hero! He may have faltered, but he lifts those around him and encourages them to be their best selves! I’m sorry to hear about A-Train, but he murdered an innocent civilian, and then you decided to make Heroes with Quirks look like villains.”

“See, here’s the thing, Toshi.” Homelander sighs and he stands up, approaching the skeletal figure. “We’re heroes, right? We gotta look for the public. I. Gotta look good.”

“After that press conference you did, I can’t consider you a hero. Your words are putting my students and colleagues at risk.”

“To the people, I am a hero, the GREATEST hero. I’m saving them from this plague, your genetic diseases of “superpowers” that make the majority of you Japanese not even Supes. A-Train and Ingenium may have brought bad press, but it’s nothing uncontrollable, and Hawks will soon be taken care of. So don’t stand in my way, Toshinori. I’m a real hero, and I will save everyone from you Quirkies, and if you don’t…”

Homelander’s start to glow red and he smiles evilly, crushing the picture of Class 1-A.

“Well, let’s just say that you’ll have a hard time being either a hero or a teacher.”

Toshinori’s cheeks then stretch downward with his lips, steam exiting his lean body that is now starting to grow and fill in his costume. The lanky man who was more bone than skin now stood almost two feet above Homelander, with his costume now stretched by his amazingly dense muscles, and his two long strands of hair, droopy and miserable now stand proud and curved like rabbit ears. Where there was Toshinori Yagi now stands All Might, a sharp blue gleam in his eyes.

Class 1-A may be able to handle Homelander, they certainly could handle almost anything, but in front of All Might stood a villain masquerading as a hero, and it was his duty to stop villains. “As the Symbol of Peace and as their teacher, I’m warning you: Don’t you dare hurt my students.”

They lunge at each other, clashing like the image underneath:

FIGHT!

1.The impact of the collision levels the office. Homelander then delivers a powerful punch with his free hand on All Might’s face, and All Might staggers a little but enough for Homelander to then ram both of them so fast out of the building that there’s a sonic boom, leaving all windows in a 10 meter radius shattered and activating an alarm. Homelander flies through buildings towards the Kamino District and then attempts to grind All Might against the ground, but All Might digs in his feet to stop the human rocket, destroying the pavement and road that they’re on like the image below.

2. There are a lot of people shrieking, and people are scared. “Everyone, back away!” All Might then turns to the scared public, his iconic smile on his face. “Don’t worry, because I’m here!”

3.“Why you-!” Homelander’s eyes glow red, but All Might swiftly decks Homelander in the face and follows up with a fast flurry of punches like in All Might’s fight against the Nomu. Homelander tries to get some hits in, but All Might is very quickly overwhelming him, and ends the barrage with one strong punch. “Texas SMASH!”

4.Homelander is sent flying to the other side of the avenue by the sheer force and wind pressure until he crashes into the side of a car, absolutely crushing it and destroying all its windows. Homelander is hyperventilating, very clearly having a panic attack. This isn’t looking good. He looks up and there are people looking at him, and they have their phone cameras pointed at him. He then sees the big bulky man charging at him as All Might attempts a Carolina Smash.

5.“BACK OFF!” The supersonic shout is both strong enough that not only does it break all windows in the vicinity, it also causes the bystanders’ and All Might’s ears to bleed, but it also makes All Might lose his balance and he tumbles into the ground.

6.Suddenly, Homelander’s super hearing picks up something really interesting. He hears the sounds of a kid coming toward him. It’s that green haired All Might wannabe that breaks his bones. No doubt he’s come to save All Might and the peons. Homelander grins evilly again as Deku comes into the scene. “All Might!”

7. All Might’s hearing was recovering a bit, and he looked up with a face of pure fear. “Stay away, young Midoriya!” Homelander turns towards the kid and flies at him so fast that by the time Deku sees him, the only thing he can register is the red glove that is about to turn his face into soup, until… “Missouri Smash!” All Might delivers a karate chop to the back of Homelander’s head like he did to Habit Headgear. However, Homelander quickly picks himself up and rushes at All Might and they lock arms, trying to push into the other. “All Might! I’m here to help!” “Stay away, young Midoriya!” “A hero always helps those in need, even other heroes!” “Then help the citizens! Get them to safety!”

8. Before Deku could reply, All Might shouts, “Please! GO!” Deku looks at All Might in the eyes, and reluctantly nods and runs towards the injured citizens. “Oh, you really do care.” “Unlike you, I take the time to make sure that the people I’m entrusted with are well.” All Might starts to use more force, pushing Homelander back, who’s starting to grunt and struggle.

9. “That’s swell, old man.” Homelander quickly knees All Might to the left of the bigger hero’s stomach. This causes All Might to let out a scream of pain and fall onto one knee. As All Might puts his right arm over his injury, Homelander lets out a sadistic laughter. “Look at you! THIS is Japan’s #1 hero? YOU’RE the Symbol of Peace? Good God, man, you’re weak!” An angry All Might swings at Homelander who quickly beats him to the punch by uppercutting All Might into the air. As All Might is airborne, Homelander grabs All Might’s ankle and slams him back into the ground, landing with his head on the ground and his torso facing Homelander who then uses his heat vision to strike All Might’s chest like the fatal blow from MK1, severely damaging All Might and his costume.

10. All Might starts to get up, but Homelander then grabs All Might by the head and tries to crush his head, so All Might responds by rotating his body with a lot of speed. “Oklahoma SMASH!” All Might spins so fast that he creates a vortex and Homelander can’t hold on and is once more sent flying. Homelander then flies up and up, and starts to catch his breath, trying to calm down. Too bad for him, he doesn’t have the time for that because All Might has jumped up to him, spinning into a frontal somersault and shouts “California SMASH!”, punching Homelander overhead and sending him back into the ground, cratering the asphalt and roads.

11. All Might lands in front of John, cratering the ground as well. Homelander is fully panicking now. His face is bloody, and there are helicopters flying around, no doubt news journalists reporting on the situation. His reputation is fully ruined, but… Maybe this can work… He can expose All Might in front of the whole world. All Might comes in, but John swings fast and hard at All Might’s injuries again, causing All Might to stagger. Homelander then hits All Might’s ears like he did to Blindspot, causing All Might to falter backward and his already damaged ears to bleed more, but All Might, with a lot of pain and effort, reorients himself again. They start to trade punches again, All Might punching John in the chest and Homelander punching Yagi in the face. In between the punches, we get cuts of people looking at the broadcast shouting “Don’t lose, All Might!”, including Deku. The two foes look at each other in the eyes and then attempt their final attack.

12. All Might wins through overwhelming speed and force. All Might needs to end this here and now. His colleagues were slanderized, U.A. is damaged, many citizens have died and many more, including Midoriya, were put in danger. All Might is now scowling like when he entered the U.S.J., angry that Homelander had put so many people he cared about in harm's way, both before and during their tussle.

As Homelander then attempts to punch All Might in the face again, All Might strikes first this time, breaking Homelander’s nose and sending him backward. Homelander’s little hope is crushed, and he’s crying and shouting as he charges his heat vision. “I’LL KILL YOU! I’LL KILL YOU AND EVERYONE YOU KNOW!” Homelander rushes in one more time, but All Might punches him again, dizzying Homelander. “Hey, villain… Have you ever heard these words before?! Go beyond! PLUS! ULTRA!” The final punch sends Homelander flying towards the horizon, his body now dismembered. All Might lifts his fist in victory like in the aftermath of his fight with All For One in Kamino. We cut to see the crowds looking at the broadcast of All Might’s victory, and there is rapturous applause and cheering. All Might stands victorious.

13. Homelander wins by being his diabolical self. Homelander is able to quickly strike All Might’s face again, this time giving All Might a bloody nose and incapacitates him like Blindspot. One more strong fist to All Might’s injuries, and All Might falls back, coughing up blood, and in a puff of smoke and steam, we see the skeletal and physically weak Toshinori Yagi. We cut to see people crying and in shock. Deku in particular is simply staring, wide-eyed at the giant screen. “No… Not now…” Homelander walks up to All Might, and with venom in his voice, speaks to All Might like he did to Starlight in this scene. “I know you can still hear me, so let me tell you this: I told you to stay away. You had no chance of victory because I am the Homelander, and I can do whatever the f*** I want.” Homelander, then performs one of his MK1 fatalities. using his heat vision to slice off Toshinori’s legs from the knees and then uses heat vision on his face. All Might screams in pain until the heat vision fully passes through his head, and Homelander then slices the body in half. Homelander slowly starts to chuckle, and then starts laughing.

KO!

RESULT:

Comparison/Strengths and weaknesses:

All Might:

+ Stronger

+ Faster

+ More durable

+ More experience in fighting and smarter when it comes to battling

+ Greater stamina

+ Slightly greater versatility with Heat Vision and Super Shout

- His fights with One For All leave him with an obvious weak point which could be exploited by the Nomu from the U.S.J. incident, but this is a moot point since All Might at his best does not have this weakness

- Less versatile moveset and abilities

Homelander

+ Slightly greater versatility with Heat Vision and Super Shout

+ Flight allows for superior maneuverability

+ Believe it or not, Homelander has a healing factor, so it could be reasonable to say that he can heal faster than All Might can.

- Less experienced fighting foes equal to or greater than his caliber

- Prone to panic and breakdowns

- Doesn’t have any means to permanently injure or kill All Might. Neither All For One at his best nor a Nomu specifically engineered to fight All Might were able to kill him. They may have either permanently injured him or reduced his time limit, but they are way above Homelander’s power.

Ending puns:

"All Might truly smashed the competition."

"Homelander achieved a truly diabolical win."

MUSIC/ ORIGINAL TRACK:

Sound/Composition:

Being blunt, I don’t like “Diabolical Invincible Me”. It’s my least favorite score done for the show, namely because of the synths and instrumentation. However, “Homeland Smash" will use similar synths to convey a sense of dread and despair typically associated with Homelander. As the fight carries on, the music switches to orchestral and rock, like “Mighty” , “Symbolic”, and “Continuing The Legacy” to reference All Might’s status as a Symbol of Peace.

When Homelander is trying to intimidate All Might, the synths start heavy and oppressive. Slowly, the instrumentation starts to change. During the climax/final confrontation, it is fully orchestrated, sounding like “United States of Smash” should All Might win The song would end with the orchestration and choir closing us off in a similar way. If Homelander is the victor, then the orchestral and choir elements should sound dire and dangerous, like Mozart’s Dies Irae. Come to think of it, Dies Irae would be the perfect soundtrack for Homelander’s victory since the song’s name means “Day of Wrath”. Homelander sees himself as the God of his world, and he’d be unleashing his wrath on All Might. It’s either that, or we do something similar to the ending of “Diabolical Invincible Me”. Both work for Homelander either way. In other words, there are two different endings, depending on who is the winner.

Honestly, I think this track requires both Brandon Yates and Therewolf Media. Both have worked on “Mighty”, Brandon composed “Diabolical Invincible Me”, and Therewolf has composed two more All Might-centered tracks in the aforementioned “Symbolic” and “Continuing The Legacy”. However, because of the vibe I’m going for, synths, rock, and orchestra, both can contribute since both have done works that incorporate a bit of everything I mentioned, but it’s likely going to be a very tall order.

Name/Title: Homeland Smash

The name makes reference to All Might’s techniques and the origin of “Homelander”. Since All Might and MHA in general were inspired by D.C. and Marvel Comics, both of which originated in the U.S., “Homeland Smash” essentially becomes a second name for “United States of Smash”. If you hate Homelander, then the name spells out what All Might will do.

Cover art:

Art by me. (:

The cover art shows the passing of One For All. It is passed down seven times from one star to the next until the eighth and final receiver is instead a raised fist. Behind the fist is a giant splatter of blood to reference the highlight of gore and blood in The Boys and Compound V to contrast how both constraints obtained their powers. My original idea for the art was like Mighty where there is a smile, but we also see two eyes. One is All Might’s blue and the other is Homelander’s heat vision red eye. It would have included elements from Homelander’s cape (golden eagle holding down an American flag) but the flag shows the passing stars of One For All.

FINAL THOUGHTS AND WORDS:

I want to again mention that I considered All Might at his best, meaning All Might was analyzed when he was stronger than at the start of the series and doesn’t have his scars or a time limit on his form. I added the injuries and true form to the fight here because I think it would make for a great story when integrated well.

This has been one of my favorite MUs to work on. I love the MU itself, and I had a lot of ideas when writing this, not to mention I had some fun connecting it with my previous MHA VS The Boys MU where I tried to set up a story and crossover aspect. If I get more into Billy and Stain, maybe I’ll write something for that MU. Truthfully, I think this may have been my best suggestion thus far. While the creative juices flowed for Iida VS A-Train, they were a stream to this episode’s river of creative flow. I love my suggestions for Azula VS Cinder, Trunks VS The Luminary, Palpatine VS Xehanort, and Chaos VS Kyogre, but I genuinely believe that this suggestion is my best. I find it somewhat impressive because I wrote the ideas of what I wanted and the fight in just a few days, making it my fastest suggestion yet. I just took a lot of time to get it fully fleshed out because of my exams and to iron out some details.

I also genuinely believe that no matter what shape or form this MU takes, it has the potential to become one of the best episodes in DB!’s history.

IDEAS THAT I HAD:

1. Show All Might with a scowl like when villains invaded the USJ

2. Homelander attempts to kill civilians only for All Might to immediately stop him.

3. Homelander spreads panic and All Might spreads hope as they fight across the city.

4. Heat vision cuts off one of All Might’s limbs.

5. Homelander thought that flight could save him only for All Might to New Hampshire Smash into him and then knocking Homelander down with a California Smash or to launch pressurized winds.

6. Homelander’s super shout disorienting or even permanently deafening All Might

7. Homelander starts to have a breakdown as All Might refuses to give up and gains an advantage

8. “A Hero has so much to lose, I know you heard these words before, let me teach you what they mean, PLUS ULTRA!”

9. Homelander laughing evilly as he emerges victorious after using his heat vision vitality for victory. “I’m the Homelander, I do whatever the f*** I want” right before killing All Might.

10. MK1 clash reference

11. All Might lifting his left fist up when victorious

12. End up in Kamino

13. Deku and others try to intervene only for All Might to tell them to back away, and Homelander tries to hurt both of them

14. Homelander strikes All Might’s injuries, attempting to revert him to his true form in front of the public

15. The setup has us passing through a street covered in graffiti and propaganda, hearing a radio newscast or a TV broadcast like Leon S. Kennedy VS Frank West

THANK YOU AND I HOPE YOU ENJOYED THIS!

NEXT TIME…!

"Link start!”

Kazuto has activated the Nerve Gear and he passed through the white tunnel and the colored neon streaks. He awoke standing in the middle of the Colinia arena in SAO where he fought Heathcliff. That was a long time ago. He looked in front of him and there stood his foe. He was wearing shades, black shirt and pants, black boots, and a sweet black coat like the first one he wore. Kirito thought that he looked like the protagonist of a movie that gave him deja vú… Both immediately make eye contact and walk towards the center of the arena, stopping within three meters from each other. Kirito opens the menu and sends a duel request. “Ready?” The man simply said, “Yeah.” and accepted the request. Kirito draws his swords and gets ready, and Neo enters a martial arts stance as the timer above them starts to count down.

3… 2… 1…

DUEL START/FIGHT!

Neo VS Kirito (The Matrix VS Sword Art Online)

--------------------------------------------------

Wow... What an amazing fight. Honestly, I thought Homelander was going to win, though I desperately want All Might to win. Personally, I think All Might fighting post-AFO is a tough case to make, since Homelander is a pretty heavy hitter. Granted, All Might at his best came close against Might Guy while Homelander got easily stomped by Omniman. Overall, I like this fight, and I'm curious to see what comes next with THE ONE against KIRITO.

PS - YOU READY FOR NEXT WEEK?!

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horizon-verizon · 5 months ago

Note

I would highly recommend to anyone that they read "The Princess and the Queen," version from Dangerous Women. Fire and Blood has a whole running narrative about maester bias, and a big part of Rhaenyra’s story there is how she's talked about. But the original P&Q was written for a general audience who just wanted to know more about the Dance. So he really cuts down (or had not yet written in) a lot of that other narrative Gydayn was trying to push. And I think it's interesting that when GRRM isn't trying (as much) to show how the maesters WANT people to think of Rhaenyra, two major scenes/matters are conspicuously absent: Her rant and 'jealousy' over Nettles, and the Rosby-Stokeworth debate.

And I think it's interesting that when GRRM isn't trying (as much) to show how the maesters WANT people to think of Rhaenyra, two major scenes/matters are conspicuously absent: Her rant and 'jealousy' over Nettles, and the Rosby-Stokeworth debate.

So in P&Q, this is the passage on how/why Rhaenyra deals with the Dragonseeds left:

Just as anon points out, Rhaenyra has no speech against Nettles nor does she even call for Mysaria.

Some other differences are that:

the Shepherd doesn't exist in P&W whereas in F&B the Shepherd appears after the small passage describing the city's response to the fear of the Hightower armies and then goes to what the Hightower armies are up to

"bastard blood shed at war" also doesn't exist in P&W

Notice how P&W goes immediately goes to what's going on with the Hightower/green armies down south? That's important, as in F&B:

It is interesting that GRRM inserted Mysaria/Nettles' unique accusation/the Shepherd/Gerardys's dismissal back to Dragonstone in the F&B when none of these things existed in P&W bc then we must ask ourselves if this is due to just his wanting to "update" (bc the Shepherd had to have been real and truly incorporated, there's too many witnesses and we know Aegon burned him as well as others in his "cleanse" of KL) or if this is him doing as you anon say is:

Fire and Blood has a whole running narrative about maester bias, and a big part of Rhaenyra’s story there is how she's talked about. But the original P&Q was written for a general audience who just wanted to know more about the Dance. So he really cuts down (or had not yet written in) a lot of that other narrative Gydayn was trying to push.

Because w/o Rhaenyra asking Mysaria her input and Mysaria saying what she says to trigger Rhaenyra's jealousy, Rhaenyra's link to the letter calling for Nettles' execution is more tenuous and negligible. It becomes much more possible that someone forged a letter with her name on it and sent it to Manfyrd so Rhaenyra could lose another dragonrider....esp bc Rhaenrya rebuffs Alicent's plea to not kill off Aemond and Daemon/Nettles both were in the mission in the first place to kill Aemond...hmm.

On the one hand, I prefer Mysaria's character having more of a turning-point role on the F&B tale bc after this the next mentions before her death is Eustace claiming Mysaria told Helaena of Maelor's murder as explanation of why Helaena finally kills herself and then her for some reason telling Rhaenyra after one of the worst riots "against the coming dark, that this night would be worse than the last.", as told by Mushroom (though to be fair, this plus her cutting herself and "rag[e]"ing and "despair"ing were in P&Q--just no mention of Mushroom nor the part about Mushroom saying she sought comforts from him 🙄).

On the other hand, these events plus how Mysaria is described as being very witch like or magically threatening when she tells Rhaenyra abt Nettles, show a much more devious Mysaria who one could argue plots against her own material interests, bc there are still issue with the idea that she just decided to go all anti-royal baby rampage and "burn" everything she ever worked for...mainly how it could be too reproductive/baby-centric a motivation for someone as practical as Mysaria seemed to be and we really don't want another instance of a woman's anger or grief pathologized under the context of motherhood. And Mysaria--without the magical demon passage of her turning Rhaenyra against Nettles--saying "against the coming dark, that this night would be worse than the last" comes much more across as her just warning Rhaenyra of more riots instead of something much more ominous and posing herself as the only sort of succor Rhaenyra may have now. Perhaps Mysaria was even trying to get Rhaenyra to "buck up" or encourage her from her grief/rage to focus on things at hand, we don't know?

Again, it since Eustace writes that Rhaenrya couldn't trust anyone before Mysaria's reasoning against Nettles AND he writes what Rhaenyra says after Mysaria gives her input of an accusation of witchery, it lends more credence to the idea that this Faith-bound Rhaenyra-hating septon made up a bunch of shit or AT LEAST DISTORTED using accusations of witchery against Mysaria and used her voice to make as if Rhaenyra had similar concerns towards Nettles from Mysaria's rhetorical AND maybe "magical" persuasion. Which again lends more credence to the idea that Rhaenyra in fact did not send that letter to execute Nettles OR she only wanted her to return to KL to be arrested, as she had every intention of seizing Addam and they had been discussing Nettles before she made that choice.

Even w/the Rosby-Stokeworth was in P&Q, I wouldn't blame Rhaenyra much for that.

Overall, curious. At the same time, I can also very much see Rhaenyra just being genuinely misogynoirist bc of her social identity as a noble woman interwined with the stakes for her hold on her authority, esp how PatQ migh just be missing some of this bc GRRM didn't want to either spoil it or just thought of it for F&B after PatQ was published.

So I will keep to the Jezebel stuff i wrote for myself and others to weigh whenever considering F&B.

#asoiaf asks to me #the princess and the queen #fire and blood writing #media comparison #nettles #rosby and stokeworth #rhaenyra and nettles #mysaria #fire and blood characters #mysaria's characterization #rhaenyra's characterization #the shepherd #fire and blood sources #septon eustace #asoiaf #fire and blood

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