#why is this game so long

[tarotcard0]

I finally beat Persona 5. Final time, including end credits: 123 Hours, and 54 Minutes game time. Let's just round that up to 124 Hours.

I had a good time, but I would like to continue from my previous post and reiterate the complaint that the game is too damn long!

124 Hours. 124 FUCKING hours!? If I never slept it still would have taken me a week! Why did the game need to be this long? And further, I missed a lot of stuff. I only maxed out, like 4 Confidant ranks, and 2 of them just happened as the story did, so I'm not sure if I can count them. I'm given to understand that there's multiple endings and ending variants, but I've been playing for 124 fucking hours!?!? The fact that I can tell I would have gotten more ending per ending by maxing out more Confidants made me a little annoyed because there's stuff that I missed. Including, I'm given to understand, an entire extra dungeon and ending? - Okay, how many final bosses can one game have?

This is going to be a hot take, I'm certain, but I don't think games this long should have multiple endings. If I want to see more of the game's content, including this extra Palace, I'd have to use New Game + to go through the whole thing again. I'm too afraid to skip cutscenes because I might miss something important, and I just don't think I have the energy to go through the whole thing again.

I'd say that if I played the game differently, then maybe I would have gotten to this bonus, Royal Exclusive, Double Extra Really Final Final Battle For Reals This Time(tm), but honestly, after the whole thing with [Spoiler] and [Spoiler], hearing "Oh, by the way, there's one more dungeon" from any character probably would have given me an aneurysm. I just wanted the game to be over at that point, god damn.

On that subject, I'm pretty sure my lack of picking a romance option didn't help either. I'm not sure if it was because almost all of the romancible characters were outside my age group, or if I'm just that bad at playing as boys now, but I just wasn't interested. Being Not Interested In Romance Right Now however didn't seem to be an actual option, and instead the game mostly treated me like a lonely loser, though it thankfully wasn't as harsh as it could have been.

I wish I had gotten more Confidants maxed out, so that I got some of that extra dialogue and whatnot, but there's a hard time limit imposed on the game, trapping it in this bizarre state of "Holy shit why is this game so long" and simultaneously "Holy shit there isn't enough time to do all of this"

Here's hoping that the next Persona has a female protagonist. And is also half the length.

[bixels]

In the past, people in the Animal Crossing community would make fun of Tom Nook as a sleazy landlord. Since then, he's really rehabilitated his image as this 'heart of gold' businessman (he's the one who puts bells and furniture in trees for you to find! he adopted orphans! he donates to charity!), but New Horizons genuinely paints the most devious version of him.

He's successfully privatized settler colonialism: you pay HIM to move to a "deserted island" (which apparently the oceans in the AC world are just full of) and start a colony that he is directly invested in. At best he's running a weird vacation package scam (you arrive on the island with no money and in debt for "using his services"). At worst, he's using you to set up company towns. For god's sake, he literally has his own fake currency that he forces you to use to pay off your debt. But don't worry, he's repackaged it in a way that definitely doesn't sound like an MLM scam: the Nook Mileage Program!

You're no longer just his tenant or his temporary part-timer, you're his business lackey. The entire tutorial section of the game has you spending actual weeks running around completing tasks and doing hard labor to set up his colony. You're even tasked with preparing his properties and finding buyers for them. No, you aren't a tenant anymore. You work for the landlord. You are directly responsible for finding tenants for him. And he doesn't even fucking pay you. Not for setting up town hall and museum, or his nephew's shop –– which is the ONLY store on the entire island that sells necessities –– or bringing KK Slider to town, or helping populate his town. Not a single cent. No, actually, you have to pay HIM to BUY infrastructure like bridges and stairs and park benches. And all the while, he's telling you're the "resident representative"; you get to call the shots! That the reward is the community's progress. That what you're doing is in everyone's best interest (but most importantly, his).

Since NH's release, people have done a lot of legwork to say that Tom Nook isn't a capitalist while the game shows him at his very worst. He owns the only general store in town. You're forced to use a phone that he modified and branded as his own. Buy Nook-branded furniture and merchandise at the self-serve kiosk in the town hall, a governmental building! There's no conflict of interest here!

But hey, if you're tired of being the landlord/business mogul's goon, you can also find work as a deluxe resort home designer for a company that also pays you in their special company currency that can only be used to buy their products instead of a real salary! Because that's what the Animal Crossing franchise needs! More vacation homes!!!

[lilybug-02]

Pain is a great motivator…

Part 26 || First || Previous || Next

—Full Series—

Meanwhile Toriel:

(Loud noises don't wake her up usually.)

Artist note: I’m so proud of this :))) I know it’s a lot of dialogue and reading, but dialogue is grueling work for me. I’m glad with the art and for the amount of pages I made in such a relatively short time span -w- page 5 was super fun to work on. A lot of blood, sweat, and hours here... :) The backgrounds were a big bore tbh, but I finished them! Yippie!

[ashoss]

this idea wont leave my brain please help me !! YIPPEE HADES BATKIDS !!!

without the bg and text under the cut :))

asdhj probably gonna post like,, two at a time because thats ,, a lot,,,, of drawing ,,,,,,, so heres tim and jason! i think i got the hang of it more with jason lol

ALSO ALSO!!!

thank you to those who helped me with the titles for the batkids!! they were all really good :D (all on insta lol)

timothy: the tenured - thomson_at

[vintrage]

fire cannot kill a dragon BITCH

[lonesomenecromancer]

more isat drawings yay

[puppyeared]

act 4 :(

@chipper-smol and i came to a realization

[therizinotfuckingthere]

curly minecraft skin because the curse compels me to

[ph-cutie]

DISCO ELYSIUM - LOCATIONS

[daily-odile]

Happy (very, very very belated) birthday Siffrin!!!!

[lucabyte]

So does anybody else ever think about how Loop felt the need to demonstrate that the party's deaths wouldn't have any effect on the loops. I know I do but that's besides the point. Anyway I don't think Loop actually needs to bathe, they just like to feel included.

[dekusleftsock]

I think about this sometimes but I personally love that Horikoshi took the Yandere trope, split it in two, and gave one half to Izuku and Himiko.

Like it’s so fascinating how you can just SEE how purposeful Himiko was as a character in hindsight standing next to him.

Himiko is a really interesting subversion of her trope for two reasons:

She hurts people because she loves them, not for isolation or destruction of the competition (gore/blood is love to her, not necessarily a means to love someone)

She’s not possessive. Like at all.

I’ve seen that hc a few times and it always bothers me. Ochako is for sure a possessive character (we saw that with Hatsume around Izuku way back at the sports festival arc), but Himiko? Really?

You mean the girl who had a crush on a boy AND the girl who also had a crush on the same boy? Her?

You mean the girl who doesn’t hurt people who love who she loves, rather actively encouraging it in the first place? That one? Really?

Like it’s such an integral part to her subversion too. It’s what makes her such a weird and fascinating character. Possessiveness is supposed to be whats ugly about love itself, yet her love remains ugly without it. She is ugly because the fundamental ways in which she sees and feels about the world are considered “wrong”, “dangerous”, and “deviant”.

But Izuku… ohhhh Izuku…

He holds this trait like a badge melted to his skin. My man cannot escape these allegations. It’s to the point where it’s honestly a fundamental to his narrative. Izuku does not act nor feel the same without it.

Izuku holds a cutesy nickname that literally every other childhood friend of Katsuki’s has long left behind, saying his real name instead (this is honestly why I’m also uninterested in a scene where Izuku calls him “Katsuki” instead of “Kacchan”, Katsuki doesn’t represent the same things the name Izuku does, imo at least), izuku “give him back to me” midoriya, holds his dead body to his chest on a cover, freaked out on someone either hurting/offending Kacchan.. 3 times(?), keeping big boy ofa secrets…. The list goes on.

So it’s this main reason that I think their characters are just so. Fucking. Intertwined. I’m glad this has become a more common interpretation because there’s just so much that aligns between them.

Both of them call their “special people” with -chan endings, both by their first names, both deemed deviants/irrelevant by society. It’s no wonder Ochako fell in love with Izuku, just like she did toga, they’re fucking freaks. They’re interesting. They’re weird. They’re overly friendly and socially inept and a little beaten down by the world yet have too much passion to stay on the ground. They’re envious of the ones they love (Ochako of her freedom to be a normal girl, Katsuki for his raw power and harnessed skill), and I guess I just wanted to make this post because I adore how it’s all done.

I LOVE how the yandere trope is used as societal commentary here. Not necessarily as a way to make the main love interest jealous and feel she must protect the main character, nor for some kinky reason surrounding her character, but because the trope is built off of real, ugly feelings that can and do happen. That love can and is considered truly beautiful in all its forms, especially those of queer people.

So I especially love it because it isn’t just limited to Himiko, but Izuku as well. He may never hurt the ones he loves, but he would hurt for them.

A perfect narrative foil on queer and deviant forms of love. Big fan Horikoshi.

[phoenixcatch7]

Okay but it's super interesting how

Din = Power = Ganondorf

Naryu = Wisdom = Zelda

Farore = Courage = Link.

Because Din, in the hylian creation myth, created the physical world. Naryu then created the laws - gravity, time, etc. And Farore finally created life - plants and people.

Din created the body, naryu the mind, Farore the soul.

And the triforce and its wielders so perfectly reflect that.

Ganon is physical power, he is big and intimidating and he breaks things. He is cunning and determined, but that's not what he focuses on. He is might makes right.

Zelda is wisdom and cleverness. She is stall tactics and information and team work. She is a powerful mage with a spine of steel, but that's not how she'll win. She is the pen being mightier than the sword.

Link is courage and persistence. He is the wild card sneaking behind enemy ranks, always moving, plunging into terrifying situations head first. He's a phenomenal fighter with a keen wit, but that's not what will get him through his challenges. He is bravery not being the absence of fear but the triumph over it.

They sit in perfect parallels to each other.

And ganon is reborn through his body - his resurrection is immortality. No matter how low he is cast, as long as he has a body he can claw his way back. He can cling to his power, build it ever higher.

Zelda is reborn through the magic of her bloodline. It's the accumulated knowledge handed down for generations, the unique power she must master, the skills she must develop to survive and get her kingdom out the other side intact. Even her name, the knowledge of herself, is handed down from all the way from the very first. Her ancestors knowledge of her future presence, her stability, is what gives her the edge.

Link is reborn in spirit. He is not bound by flesh or blood. Just like his wanderlust soul he can reappear in any time or place. His variation, his unpredictability, is exactly how he fights. It's what makes him so hard to pin down.

Ganons need to build strength means he can't chase after link. Links impulsiveness means zelda can outwit him. Zeldas stationary predictability means she's an easy target for ganon.

But the other direction?

Fire melts ice, ice redirects lightning, lightning burns fire.

And that's the very essence of the triforce.

[felassan]

Some notes from today's new BioWare Blog post, which contained some new character insights and also gave some information on what is coming next and when:

Creative Performance Director Ashley Barlow helped to cast and direct over a thousand conversations in the game

Lucanis is bloodthirsty, calculated, and a workaholic. He was raised with high expectations and fears disappointing those he loves. To him, being an assassin is his only job and identity to be excellent at. He's constantly attuning himself to the kind of shifting terrain of every mission. There's a lot of love between him and Illario

As Zach is a comedian, he would easily find the humor in anything Lucanis was saying

Neve is a Shadow Dragons rebel who cares deeply about helping people and never leaves work half-done. Epler: " [she is] the working class hero trying to make her hometown better"

Emmrich is sincere, friendly, scholarly, sophisticated, eager to teach and learn, a well-meaning but oblivious academic, with a "hot nerdiness". He assumes everyone has an academic's curiosity so can be pedantic on select topics

The Mourn Watch are revered in Nevarra but odd at best and evil at worst outside of it

Nick: "I love the fact that the writers took Emmerich and explored the whole idea of death and the whole idea of necromancing by bringing kindness into it. I really responded to that and got into that and I know it sounds crazy, but it’s to not have this idea that death is vulgar or something to be terrified about, but something to actually engage with on so many levels. I just love the fact that the writers had the courage to do that in a game like this."

"Often Nick is just playing off of someone making a sound, and he takes it and internalizes it and gives it meaning and care, which is amazing to watch."

The world has changed a lot since DA:I

Harding has been leading teams through the wilderness while covering friends in battle

Harding loves her mom. She loves to write letters home and is always talking about her mother. She likes plants and raising plants. She has grown and is a veteran now, a trusted voice at the table

Footage of the full DA:TV @ SDCC companions panel should be available in a couple of weeks

Next month there will be a new roadmap, more looks at the game, and the reveal of the release date

[emphasis mine]

And this paragraph:

"Dragon Age: The Veilguard sees players embark on a perilous quest to face powerful Elven gods and stop the apocalyptic destruction they’re unleashing. You’ll step into the role of Rook, battling on the front lines alongside a deep and compelling cast of companions who together comprise The Veilguard, a group of heroes who have come together to stop the veil from breaking and bringing about the end of the world. Rook must become the unexpected leader who can rally and unite the group. Throughout the game, you can explore the detailed storylines of each companion, navigating love, loss, and complex choices that influence your relationships."

[source]

[krazieka2]

I've played the Fire Emblem Husbando Dating Simulator Games

[yakityyaku]

As someone whose degree was borderline digital marketing, it baffles me every single time companies like Unity pull this kind of shit.

First of all, it doesn't make sense. I don't know who conceived this moronic fee plan, but it's absolutely absurd. There's a lot of ways to get more money - not that I find any of them particularly favorable, but at least a price increase, sub tiers, etc are somewhat sensible in a functional way.

Beyond that, they don't have any common sense to see how this shit ALWAYS fails. One of two things are going to happen. Either everyone is going to jump ship from Unity (already seeing game devs reporting they'll be pulling their games) and their competitors will overtake them, or they'll have to backpedal.

Obviously, losing most of their business is bad and understandably unwanted for them, but I'm baffled by how few recognize the power of the second consequence.

Even if they reverse the decision, this is a HUGE smear to their reputation. Unity will lose business regardless, but even worse will be the loss of confidence in the company.

Consumers and devs alike are not going to forget this. They will not let it go. Other companies will use this as a talking point for their engines and their assets being superior because they at least respect game devs and gamers. They never tried to charge bullshit fees. They never got shamed back into being user friendly.

Reputation matters. Especially in today's market. Consumers largely do not fuck around anymore with companies who do this, especially when they've been dependable in the past.

It's foolish. It's embarrassing. It's greedy and out of touch. I don't envy their PR team right now.