#why is the ordeal of being known mortifying again :(

[ratatatastic]

or alternatively dweeb meets other dweeb more news at 11

LIGHT. LIGHT IN HIS EYES. LOOK AT EM BIG OLE EYES. LOOK AT HIM TOUCH HIS JERSEY.

GLORY BE TO THE MIKKSY SIGNED JERSEY RAAAAAAAAA

CanesWear Signing | 7.1.24

[totopopopo]

genuinely not quite sure why i am so deeply uncomfortable when it comes to telling ppl abt my personal/romantic life. like i want them to know but i also don’t like admitting to anyone out loud that i have emotions, feelings, and/or relations resembling anything beyond superficial interest. i mean jesus. how cringe. they should just intuit it all psychically or something so they can know without me ever having to bring it up myself

[snuuufi]

they need to invent a desire that doesn't feel so rotten

[airenyah]

no but ongsa physically running away instead of facing sun and talking it out is a perfect representation of how i've been feeling on the inside for... uh. a while. yeah

[fishyy-fish]

Went to my first NHL game today and I have beef with the people who put the audience on the big screen because they put me up on the screen while I was puffing on my inhaler and looked like a blowfish 😭

[caelum-in-the-avatarverse]

Fandom can do a little gatekeeping. As a treat.

So I finally decided to archive-lock my fics on AO3 last night. I’ve been considering it since the AI scrape last year, but the tipping point was this whole lore.fm debacle, coupled with some thoughts I’ve been thinking regarding Fandom These Days in general and Fandom As A Community in particular. So I wanna explain why I waited so long, why I locked my stuff up now, and why I’ve come to the conclusion that I’m a-okay with making it harder for people to see my stories.

Lurkers really are great, tho

I’m a chronic lurker, and have been since I started hanging out on the internet as a teen in the 00s. These days it’s just cuz I don’t feel a need to socialize very often, but back then it was because I was shy and knew I was socially awkward. Even if I made an account, I’d spend months lurking on message boards or forums or Livejournals, watching other people interact and getting a feel for that particular community’s culture and etiquette before I finally started interacting myself. And y’know, that approach saved me a lot of embarrassment. Over the course of my lurking on any site, there was always some other person who’d clearly joined up five minutes after learning the place existed, barged in without a care for their behavior, and committed so many social faux pas that all the other users were immediately annoyed with them at best. I learned a lot observing those incidents. Lurk More is Rule 33 of the internet for very good reason.

Lurking isn’t bad or weird or creepy. It’s perfectly normal. I love lurking. It’s hard for me to not lurk - socializing takes a lot of energy out of me, even via text. (Heck it took 12 hours for me to write this post, I wish I was kidding--) Occasionally I’ll manage longer bouts of interaction - a few weeks posting here, almost a year chatting in a discord there - but I’m always gonna end up going radio silent for months at some point. I used to feel bad about it, but I’ve long since made peace with the fact that it’s just the way my brain works. I’m a chronic lurker, and in the long term nothing is going to change that.

The thing with being a chronic lurker is that you have to accept that you are not actually seen as part of the community you are lurking in. That’s not to say that lurkers are unimportant - lurkers actually are important, and they make up a large proportion of any online community - but it’s simple cause and effect. You may think of it as “your community”, but if you’ve never said a word, how is the community supposed to know you exist? If I lurked on someone’s LJ, and then that person suddenly friendslocked their blog, I knew that I had two choices: Either accept that I would never be able to read their posts again, or reach out to them and ask if I could be added to their friends list with the full understanding that I was a rando they might not decide to trust. I usually went with the first option, because my invisibility as a lurker was more important to me than talking to strangers on the internet.

Lurking is like sitting on a park bench, quietly people-watching and eavesdropping on the conversations other people are having around you. You’re in the park, but you’re not actively participating in anything happening there. You can see and hear things that you become very interested in! But if you don’t introduce yourself and become part of the conversation, you won’t be able to keep listening to it when those people walk away. When fandom migrated away from Livejournal, people moved to new platforms alongside their friends, but lurkers were often left behind. No one knew they existed, so they weren’t told where everyone else was going. To be seen as part of a fandom community, you need to submit to the mortifying ordeal of being known, etc. etc.

There’s nothing wrong with lurking. There can actually be benefits to lurking, both for the lurkers and the communities they lurk in. It’s just another way to be in a fandom. But if that is how you exist in fandom--and remember, I say this as someone who often does exist that way in fandom--you need to remember that you’re on the outside looking in, and the curtains can always close.

I’ve always been super sympathetic to lurkers, because I am one. I know there’s a lot of people like me who just don’t socialize often. I know there’s plenty of reasons why someone might not make an account on the internet - maybe they’re nervous, maybe they’re young and their parents don’t allow them to, maybe they’re in a bad situation where someone is monitoring their activity, maybe they can only access the internet from public computer terminals. Heck, I’ve never even logged into AO3 on my phone--if I’m away from my computer I just read what’s publicly available. 

I know I have people lurking on my fics. I know my fics probably mean a lot to someone I don’t even know exists. I know this because there are plenty of fics I love whose writers don’t know I exist.

I love my commenters personally; I love my lurkers as an abstract concept. I know they’re there and I wish them well, and if they ever de-lurk I love them all the more.

So up until last year I never considered archive-locking my fic, because I get it. The AI scraping was upsetting, but I still hesitated because I was thinking of lurkers and guests and remembering what it felt like to be 15 and wondering if it’d be worth letting a stranger on the internet know I existed and asking to be added to their friends list just so I could reread a funny post they made once.

But the internet has changed a lot since the 00s, and fandom has changed with it. I’ve read some things and been doing some thinking about fandom-as-community over the last few years, and reading through the lore.fm drama made me decide that it’s time for me to set some boundaries.

I still love my lurkers, and I feel bad about leaving any guest commenters behind, especially if they’re in a situation where they can’t make an account for some reason. But from here on out, even my lurkers are going to have to do the bare minimum to read my fics--make an AO3 account.

Should we gatekeep fandom?

I’ve seen a few people ask this question, usually rhetorically, sometimes as a joke, always with a bit of seriousness. And I think…yeah, maybe we should. Except wait, no, not like that--

A decade ago, when people talked about fandom gatekeeping and why it was bad to do, it intersected with a lot of other things, mainly feminism and classism. The prevalent image of fandom gatekeeping was, like, a man learning that a woman likes Star Wars and haughtily demanding, “Oh, yeah? Well if you’re REALLY a fan, name ten EU novels” to belittle and dismiss her, expecting that a “real fan” would have the money and time to be familiar with the EU, and ignoring the fact that male movie-only fans were still considered fans. The thing being gatekept was the very definition of “being a fan” and people’s right to describe themselves as one.

That’s not what I mean when I say maybe fandom should gatekeep more. Anyone can call themselves a fan if they like something, that’s fine. But when it comes to the ability to enjoy the fanworks produced by the fandom community…that might be something worth gatekeeping.

See, back in the 00s, it was perfectly common for people to just…not go on the internet. Surfing the web was a thing, but it was just, like, a fun pastime. Not everyone did it. It wasn’t until the rise of social media that going online became a thing everyone and their grandmother did every day. Back then, going on the internet was just…a hobby.

So one of the first gates online fandom ever had was the simple fact that the entire world wasn’t here yet.

The entire world is here now. That gate has been demolished.

And it’s a lot easier to find us now. Even scattered across platforms, fandom is so centralized these days. It isn’t a network of dedicated webshrines and forums that you can only find via webrings anymore, it’s right there on all the big social media sites. AO3 didn’t set out to be the main fanfic website, but that’s definitely what it’s become. It’s easy for people to find us--and that includes people who don’t care about the community, and just want “content.”

Transformative fandom doesn’t like it when people see our fanworks as “content”. “Content” is a pretty broad term, but when fandom uses it we’re usually referring to creative works that are churned out by content creators to be consumed by an audience as quickly as possible as often as possible so that the content creator can generate revenue. This not-so-new normal has caused a massive shift in how people who are new to fandom view fanworks--instead of seeing fic or art as something a fellow fan made and shared with you, they see fanworks as products to be consumed.

Transformative fandom has, in general, always been a gift economy. We put time and effort into creating fanworks that we share with our fellow fans for free. We do this so we don’t get sued, but fandom as a whole actually gets a lot out of the gift economy. Offer your community a story, and in return you can get comments, build friendships, or inspire other people to write things that you might want to read. Readers are given the gift of free stories to read and enjoy, and while lurking is fine, they have the choice to engage with the writer and other readers by leaving comments or making reclists to help build the community.

And look, don’t get me wrong. People have never engaged with fanfic as much as fan writers wish they would. There has always been “no one comments anymore” wank. There have always been people who only comment to say “MORE!” or otherwise demand or guilt trip writers into posting the next chapter. But fandom has always agreed that those commenters are rude and annoying, and as those commenters navigate fandom they have the chance to learn proper community etiquette.

However, now it seems that a lot of the people who are consuming fanworks aren’t actually in the community. 

I won’t say “they aren’t real fans” because that’s silly; there’s lots of ways to be a fan. But there seem to be a lot of fans now who have no interest in fandom as a community, or in adhering to community etiquette, or in respecting the gift economy. They consume our fics, but they don’t appreciate fan labor. They want our “content”, but they don’t respect our control over our creations.

And even worse--they see us as a resource. We share our work for free, as a gift, but all they see is an open-source content farm waiting to be tapped into. We shared it for free, so clearly they can do whatever they want with it. Why should we care if they feed our work into AI training datasets, or copy/paste our unfinished stories into ChatGPT to get an ending, or charge people for an unnecessary third-party AO3 app, or sell fanbindings on etsy for a profit without the author’s permission, or turn our stories into poor imitations of podfics to be posted on other platforms without giving us credit or asking our consent, while also using it to lure in people they can datascrape for their Forbes 30 Under 30 company? 

And sure, people have been doing shady things with other people’s fanworks since forever. Art theft and reposting has always been a big problem. Fanfic is harder to flat-out repost, but I’ve heard of unauthorized fic translations getting posted without crediting the original author. Once in…I think the 2010s? I read a post by a woman who had gone to some sort of local bookselling event, only to find that the man selling “his” novel had actually self-published her fanfic. (Wish I could find that one again, I don’t even remember where I read it.)

But aside from that third example, the thing is…as awful as fanart/writing theft is, back in the day, the main thing a thief would gain from it was clout. Clout that should rightfully go to the creators who gifted their work in the first place, yeah, but still. Just clout. People will do a lot of hurtful things for clout, but fandom clout means nothing outside of fandom. Fandom clout is not enough to incentivize the sort of wide-scale pillaging we’re seeing from community outsiders today.

Money, on the other hand… Well, fandom’s just a giant, untapped content farm, isn’t it? Think of how much revenue all that content could generate.

Lurkers are a normal and even beneficial part of any online community. Maybe one day they’ll de-lurk and easily slide into place beside their fellow fans because they already know the etiquette. Maybe they’re active in another community, and they can spread information from the community they lurk in to the community they’re active in. At the very least, they silently observe, and even if they’re not active community members, they understand the community.

Fans who see fanworks as “content” don’t belong in the same category as lurkers. They’re tourists. 

While reading through the initial Reddit thread on the lore.fm situation, I found this comment:

[ID: Reddit User Cabbitowo says: ... So in anime fandoms we have a word called tourist and essentially it means a fan of a few anime and doesn't care about anime tropes and actively criticizes them. This is kind of how fandoms on tiktok feel. They're touring fanfics and fanart and actively criticizes tropes that have been in the fandom since the 60s. They want to be in a fandom but they don't want to engage in fandom 

OP totallymandy responds: Just entered back into Reddit after a long day to see this most recent reply. And as a fellow anime fan this making me laugh so much since it’s true! But it sorta hurts too when the reality sets in. Modern fandom is so entitled and bratty and you’d think it’s the minors only but that’s not even true, my age-mates and older seem to be like that. They want to eat their cake and complain all whilst bringing nothing to the potluck… :/ END ID]

-

“Tourist” is an apt name for this sort of fan. They don’t want to be part of our community, and they don’t have to be in order to come into our spaces and consume our work. Even if they don’t steal our work themselves, they feel so entitled to it that they’re fine with ignoring our wishes and letting other people take it to make AI “podfics” for them to listen to (there are a lot of comments on lore.fm’s shutdown announcement video from people telling them to just ignore the writers and do it anyway). They’ll use AI to generate an ending to an unfinished fic because they don’t care about seeing “the ending this writer would have given to the story they were telling”, they just want “an ending”. For these tourist fans, the ends justify the means, and their end goal is content for them to consume, with no care for the community that created it for them in the first place.

I don’t think this is confined to a specific age group. This isn’t “13-year-olds on Wattpad” or “Zoomers on TikTok” or whatever pointless generation war we’re in now. This is coming from people who are new to fandom, whose main experience with creative works on the internet is this new content culture and who don’t understand fandom as a community. That description can be true of someone from any age group.

It’s so easy to find fandom these days. It is, in fact, too easy. Newcomers face no hurdles or challenges that would encourage them to lurk and observe a bit before engaging, and it’s easy for people who would otherwise move on and leave us alone to start making trouble. From tourist fans to content entrepreneurs to random people who just want to gawk, it’s so easy for people who don’t care about the fandom community to reap all of its fruits. 

So when I say maybe fandom should start gatekeeping a bit, I’m referring to the fact that we barely even have a gate anymore. Everyone is on the internet now; the entire world can find us, and they don’t need to bother learning community etiquette when they do. Before, we were protected by the fact that fandom was considered weird and most people didn’t look at it twice. Now, fandom is pretty mainstream. People who never would’ve bothered with it before are now comfortable strolling in like they own the place. They have no regard for the fandom community, they don’t understand it, and they don’t want to. They want to treat it just like the rest of the content they consume online.

And then they’re surprised when those of us who understand fandom culture get upset. Fanworks have existed far longer than the algorithmic internet’s content. Fanworks existed long before the internet. We’ve lived like this for ages and we like it.

So if someone can’t be bothered to respect fandom as a community, I don’t see why I should give them easy access to my fics.

Think of it like a garden gate

When I interact with commenters on my fic, I have this sense of hospitality.

The comment section is my front porch. The fic is my garden. I created my garden because I really wanted to, and I’m proud of it, and I’m happy to share it with other people. 

Lots of people enjoy looking at my garden. Many walk through without saying anything. Some stop to leave kudos. Some recommend my garden to their friends. And some people take the time to stop by my front porch and let me know what a beautiful garden it is and how much they’ve enjoyed it. 

Any fic writer can tell you that getting comments is an incredible feeling. I always try to answer all my comments. I don’t always manage it, but my fics’ comment sections are the one place that I manage to consistently socialize in fandom. When I respond to a comment, it feels like I’m pouring out a glass of lemonade to share with this lovely commenter on my front porch, a thank you for their thank you. We take a moment to admire my garden together, and then I see them out. The next time they drop by, I recognize them and am happy to pour another glass of lemonade.

My garden has always been open and easy to access. No fences, no walls. You just have to know where to find it. Fandom in general was once protected by its own obscurity, an out-of-the-way town that showed up on maps but was usually ignored.

But now there’s a highway that makes it easy to get to, and we have all these out-of-towner tourists coming in to gawk and steal our lawn ornaments and wonder if they can use the place to make themselves some money.

I don’t care to have those types trampling over my garden and eating all my vegetables and digging up my flowers to repot and sell, so I’ve put up a wall. It has a gate that visitors can get through if they just take the time to open it.

Admittedly, it’s a small obstacle. But when I share my fics, I share them as a gift with my fellow fans, the ones who understand that fandom is a community, even if they’re lurkers. As for tourist fans and entrepreneurs who see fic as content, who have no qualms ignoring the writer’s wishes, who refuse to respect or understand the fandom community…well, they’re not the people I mean to share my fic with, so I have no issues locking them out. If they want access to my stories, they’ll have to do the bare minimum to become a community member and join the AO3 invite queue.

And y’know, I’ve said a lot about fandom and community here, and I just want to say, I hope it’s not intimidating. When I was younger, talk about The Fandom Community made me feel insecure, and I didn’t think I’d ever manage to be active enough in fandom spaces to be counted as A Member Of The Community. But you don’t have to be a social butterfly to participate in fandom. I’ll always and forever be a chronic lurker, I reblog more than I post, I rarely manage to comment on fic, and I go radio silent for months at a time--but I write and post fanfiction. That’s my contribution.

Do you write, draw, vid, gif, or otherwise create? Congrats, you're a community member.

Do you leave comments? Congrats, you're a community member.

Do you curate reclists? Congrats, you're a community member.

Do you maintain a fandom blog or fuckyeah blog? Congrats, you're a community member.

Do you provide a space for other fans to convene in? Congrats, you're a community member.

Do you regularly send asks (off anon so people know who you are)? Congrats, you're a community member.

Do you have fandom friends who you interact with? Congrats, you're a community member.

There’s lots of ways to be a fan. Just make sure to respect and appreciate your fellow fans and the work they put in for you to enjoy and the gift economy fandom culture that keeps this community going.

[ellecdc]

Love, i hope youre staying hydrated 🩵

A poly!wolfstar idea that lives rent free is that Rem, for lack of a better word, hoards Siri and Reader as it gets closer to the fullmoon/ a specific type of moon. Like a dragon. Hes so openly, aggressively affectionate too and is much more likely to mamhandle them

thank you all for constantly reminding me to drink more water - you're my heroes.

poly!WolfStar x fem!reader

CW: territorial boyfriend, slight jealousy, dom/sub dynamics if you squint but SFW

You weren’t hiding. Not really...

But you were also sort of kind of definitely hiding.

You loved your boyfriends, both of them, so damn much. And for the majority of the month, it was Sirius driving the two of you up the wall (affectionately). But as the night of the full moon dragged closer and closer, you and Sirius could hardly move without Remus’ sights set on you.

Most of the time, you and Sirius handled Moony’s obsession quite well in your humble opinion; you usually relished in his neediness and all the affection he showered on you. 

But exam season was around the corner, and you were currently hanging on by a thread.

Anything and everything that could have gone wrong today did; you got a run in your sheer tights at breakfast, you only received an acceptable on your most recent essay for Charms, you dropped your potion during class which spilt on your shoes, and you forgot your textbook for Transfiguration which earned you house points and detention.

So, you loved Remus – truly, you would die for him – but you needed to get this redraft of your essay for Potions finished (using the corrections you received on your dreadful Charms essay) and you could not deal with Sirius’ non-stop flirting and joking which you knew you’d have to deal with if you let Remus drag you up to his dorm room as he wont to do.

So, you were hiding.

Definitely hiding.

In the furthest corner in the library that you could manage which was probably not the best hiding place from the studious, book-loving lycanthrope – but you were too desperate to be making effective plans right now.

You probably should have tried a little harder.

“There you are.” Remus’ lilting voice floated to you in your little corner of solitude. 

“Hey, Moons.” You called quietly as he approached you and placed a searing kiss to your lips, his hand at the nape of your neck keeping your head in place for him.

“If I didn’t know any better, I’d say you were avoiding me.” He whispered against your lips with a smirk.

Your face flooded with heat at the prospect of being caught, but Remus just chuckled and pressed another kiss to your lips before he pulled back and took a seat beside you. 

“Where’s Sirius?” You asked.

Remus looked at you from the corner of his eye as he pulled out a book from his bag. “Practice, why?”

You felt your shoulders drop in relief at the idea that you may actually be able to finish this essay before Sirius came to (lovingly) distract you.

Remus hummed at you as a grin grew across his face. “Ah, perhaps it’s not necessarily me you’re avoiding?”

Your face heated again at the mortifying ordeal of being known.

“I love him, I love you, I love you both, but I-” 

“Hey,” Remus interrupted what was quickly becoming an increasingly panicked tangent as he slid his hand into yours. “It’s okay dovey, you do what you need to do. I’ll try to control myself and keep Sirius busy, okay?”

And Remus kept his word...mostly.

He had his hand on you at all times: it started with your hand in his before you needed to pull it away to flip through your parchment, which became a solid grip on your thigh as he continued reading before that hand began to migrate further up your thigh and tease around the bottom of your skirt to which you whined “Moony” at and pushed his hand away. 

It was when Remus - apparently provoked by some younger Hufflepuff allegedly “making googly eyes at you” from across the aisle - hauled you into his lap and began nipping at your neck that you decided you had gotten all the revising you were going to get done today, done.

“Hungry, dove?” He asked into your neck.

You wanted to roll your eyes, but the way his hands wrapped around your middle to envelop you in a sweet hug as he murmured into the crook of your neck made you melt a little.

“Yeah.”

You could feel him smile against your skin and press one more kiss to it before he was helping you off of his lap and packing your things up. “Let’s go to dinner then.”

Remus held your hand and carried your bag all the way to the Great Hall before all but seating you himself and pressing himself up against your side on the bench of the Gryffindor table.

Lily smirked at you from her place before ensuring no one around could hear her.

“If I hadn’t known it was Remus’ time of the month already, this would have solidified it for me.” She said with a salacious wink.

You tried to glare at her, but Remus took that moment to shove his face back into the crook of your neck causing you to flush and duck your head shyly.

You heard boisterous laughing at the entrance to the Great Hall as the Gryffindor quidditch team made their way in from their practice.

You smirked at the sight, specifically Sirius, who had obviously showered - his hair was still damp, and his cheeks were still flushed a pretty pink from the adrenaline of his flight.

A gruff moan from your boyfriend seated beside you alerted you to his shared appreciation of the scenery.

However, Sirius flashed the two of you a smirk and a wink before following McKinnon over to the Ravenclaw table where Dorcas was sitting with Pandora.

Remus tensed slightly but settled for pulling your closer into his side.

It didn’t last long, however, when a particular bark of laughter garnered yours and Remus’ attention only to find Sirius talking to a Ravenclaw girl everyone knew had a raging crush on him.

Now, it’s important to note that Sirius was not deceitful nor disloyal to you and Remus, but he was mischievous and... bratty... sometimes.

Usually, you and Remus would scoff and laugh, and he’d tell you he would deal with this later causing Sirius to pout and whine, begging for attention – but today Remus immediately rose from his seat and grabbed both of your book bags, calling over a hasty “let’s go dove” as he stalked over to the Ravenclaw table to throw your shared boyfriend over his shoulder and stalk up to Gryffindor tower. 

You knew Sirius was going to pay for it tonight. 

[manicpixiefelix]

head, heart, hand. {Felix Catton/Reader/Oliver Quick}

Part 5.

Summary: Reader, Oliver, and the mortifying ordeal of being known. Plus clubbing, costume parties, and Oliver being a fucking tease.

{ masterpost }

Need to Know: They/Them. Explicitly NB Reader. FWB!Reader/Felix. Reader is from a well off family but has pretty much been adopted by the Cattons.

Warnings: drinking/intoxication/drug use

A/N: 3148 words. now we're cooking with gas, folks! i might be too sleepy for a real author's note, but just know, as always, its unedited and i love you. have fun, please let me know what you think!

TAGLIST IN COMMENTS!! // TAGLIST ALWAYS OPEN ! (just message or comment to be added)

----

"Can I be bold for a minute?" On the roof of one of the dorm buildings, you and Oliver are waiting for Felix. It's twilight, the sky painted lavender by the setting sun and encroaching night, and everything feels a little dreamy.

"If anyone would appreciate boldness, Ollie, it's me," you tell him blithely around the cigarette you're trying to light. Still, he's quiet for this one moment, watching the way you cup your hand around the little flame to shield it from the wind.

"How did you and Farleigh ever get so close, considering how he treats you?"

You're pretty sure you know why he's asking you, considering what few interactions he'd witnessed between yourself and Farleigh, but it's still unexpected coming from him. For a moment, your gaze flicks to him, eyes narrowed, not quite sure what to make of the interaction. When your gaze meets his, he's looking at you with that intent, inquisitive look he got in moments like these, moments he seemed to fish for information without seeming like that was what he was doing. The silence and look that you level at him seem to throw him off guard, and immediately he drops his gaze to his feet, swinging off the edge of the building.

"That is bold," you finally settle on, watching Oliver fidget. His ankles cross, his shoulders slump; again he makes himself as small as possible. You deliberately make your tone lighter when you continue, "what's got you worried 'bout me an Farleigh?"

"I mean, all I'm saying is that he was being nasty to you, but now you're both kind of acting like he wasn't."

It's true; since his apology that Sunday morning Farleigh had been keeping his word about not being too bitter about Oliver to or even around you and Felix. You, in turn, made a special effort to spend time with him, pay him attention, made him feel like your priority on occasion. Both you and Farleigh were well aware of what you were doing, but he always enjoyed your company and attention, so it wasn't like he was going to complain.

"Farleigh and I understand each other."

"He slept with your girlfriend."

"India's not my girlfriend."

"He- he keeps calling you a dog."

That hit a nerve. You hadn't realised he was paying attention to that back at the pub. You swallow hard and look out at the horizon.

"And?" Raising the cigarette to your lips again, you don't look at him as you take a very long drag on it, "there are more things in Heaven and Earth, Horatio, than are dreamt of in your philosophy," you breathe out with the smoke.

"Doesn't seem like the way friends should talk about each other is all," Oliver says quietly, notes of apology in his voice; you can see him looking at you again out of the corner of your eye.

"Best friend, actually," you finally sigh, letting the tension drop from your shoulders and the moment. As you look at him over your shoulder, you give a faint smile in the face of his confusion, "we've known each other long enough that we can say pretty much anything we want to each other. Only problem is that Farleigh knows that pushing my buttons also pushes Fi's buttons, which is why he does it so often. He's a shit-stirrer, but you haven't known us long enough to know he doesn't really mean it," you tell him with surprising fondness in your voice.

"I'm sorry for prying," Oliver says earnestly, and you smile wider.

"I'm sorry for being so defensive; I realise how it must look from the outside."

Before anything else can be said, the door to the roof bursts open, and Felix greets you both with a hundred-watt smile and a packet of fish and chips in his hands. You descend on him like a seagull, swapping your cigarette for the hot food, tearing into the paper wrapping and settling by the wall at the edge of the roof near Oliver once more.

There's a beat where Felix is watching you and Oliver, his smile soft and fond and endeared, but there's something in his eyes that's been there since that lunched they'd shared at the pub -

"I shouldn't say -" there's a lot of things Felix shouldn't do that he does anyways. Considering his wealth, he could get away with a lack of self control, "I just genuinely didn't know, I mean I might have guessed- did you know?"

"Know what, Fi?" You're still in his bed, bleary-eyed and desperately wanting to go back to sleep when he'd come back from the pub buzzing instead of tired, as he'd predicted.

He'd spent the better part of the afternoon with his head on your chest, explaining the almost Dickensian tragedy that was Oliver's life. Sure you were listening, but you didn't have much to contribute other than faint noises of interest while your fingers carded through his hair.

There's something about the way Felix recounts all this information to you, the way he finds it salacious and heart-breaking all in one. You can hear in his voice that he'd captivated, that he's endeared by the struggle that has followed Oliver throughout his life. As much as you loved him, you'd watched time and again the way he'd fall for tragic tales and the people who'd recount them; Felix had a saviour complex, and it was the only thing the two of you had ever fought about.

Last year it had been Eddie, the worst of the bunch so far. Like Oliver but in the opposite direction; too much, too loud, too confident to hide his ugly secrets and desperation to be wanted. Eddie had been Icarus, taking for granted the wax wings Felix had given him, the good life, attention, a comrade who almost understood him. But he'd played with fire, played with Venetia too many times, and the wax wings melted. Not that you'd cared; you were the one who spotted them, you were the one that told Farleigh, you were the one who listened to Felix's furious rants every few days for the rest of that Summer. You'd never liked Eddie like Felix liked Eddie.

Oliver was different. You wondered if he was different enough.

Still, as much as you liked Oliver you could see it in Felix's eyes, hear it in his voice; he was already getting himself addicted to the idea of how much better he could make Oliver's life. But Felix had hated it the last time you'd pointed something like that out.

("Then why the fuck would I keep you around? Maybe it's because I don't pick my friends based on whether they're charity cases!")

So you keep your mouth shut. Maybe it's worth it for the way Felix smiles -

"I don't -" Oliver's fidgeting when Felix asks him to tag along to a costume party, "have anything to wear, really," he admits. Immediately Felix is offering to let him borrow something. There's a flicker that looks almost hungry in Oliver's eyes amid the gratefulness, and you wonder if he knows how many people would kill to get into Felix's pants. Still, he's humble, "you don't have to do that."

"I don't have to do anything," Felix shrugs with the easiest smile in the world. Then, in the next sentence, completely glossing over the act of kindness he looks at you, "tell me you aren't still expecting Farleigh to commit to that devil costume with you."

"He told me he'd put effort in this year -"

"He tells you that every year," Felix laughs, and you lean into Oliver's shoulder to explain.

"Me and Farleigh always organise to go to one costume party per year as an angel and a devil -"

"And every year," Felix rolls his eyes with a good-natured exasperation, "Farleigh wears some vulgar t-shirt and two party hats for horns, while Y/N puts weeks of effort in and wins best dressed every time-"

"Not every time," you protested, while Oliver looked faintly impressed, leaning back against you too.

"The only times you haven't won best dressed was if there was no competition to win," Felix points out, before looking past you to Oliver with an amused smile, "so I can't promise you a Y/N-level of costume, but it'll be more than two party hats."

"If you wanna give me two party hats, I'll wear 'em," Oliver says, hands coming up as if to placate the both of you. Instead, you grin wider, throwing an arm around his shoulders.

"We'll make you all pretty, Ollie, don't worry."

Unsurprisingly, on the night of the party, Farleigh showed up to 'get ready' at your dorm, which meant him lazing on your bed, drinking and sharing his coke with you while you put arguably too much effort into your makeup. He, of course, is wearing two party hats, and t-shirt that simply says 'EASY', and though you pretend to be annoyed for all of five minutes, he gives a shit eating grin as you chew him out.

"Fool you once, shame on me, sure; fool you six times, that's on you, Y/N."

You flipped him off with a grin.

"There they are!" India cheers from the sofas where your other friends are gathered when you arrive to the party. Farleigh, on your arm, makes a show of his entrance, "not you, Farleigh, obviously." India rolls her eyes, but thankfully Farleigh wasn't too put out. Instead, he swans towards the group to claim a seat.

"Give us a spin, angel," Annabel insists with a coy smile, and you oblige her to the whistles and cheers of the rest of your friends.

"You outdo yourself," Felix told you fondly as you dropped into a beanbag by the sofa he and Oliver had been occupying.

Felix is looking at you, that kind of dangerous look when he thinks you're especially hot and there's only a thirty percent chance that the two of you will even make it to a dark corner. For just a moment, however, your gaze flicks to Oliver, by his side, and he's watching Felix too, absolutely rapt by the way your best friend looks at you.

"Only in comparison to Farleigh," you shake your head, forcing yourself to be Felix's self restraint, especially so early in the night, "besides, look at you; you've certainly grown into this since I last saw you try it on," and you leaned forward as best you could, looking across the circle of friends to the pretty, redhead in the slinky nurse outfit, "how fucking good does Felix look, Annabel?" You ask pointedly, and you can see Felix give a restrained chuckle before turning his attention to his own not-girlfriend, who seemed glad for the chance to gush about him.

Sitting back, you chance a glance once more at Oliver, and somehow aren't surprised to see him looking back at you. All you do is smirk, well aware of what you were doing.

Felix's clothes are too big on Oliver. The costume, though you're not exactly sure what he's meant to be, kind of wears him instead of the other way around. Felix, of course, looks all kinds of gorgeous as a police officer, while Oliver looked rather like he's wearing his big brother's hand-me-downs. But he's rolls up the sleeves and always looks up at Felix with these blue, doe eyes shining with gratefulness, and no-one else cares enough to comment either way.

You wonder if anyone else has noticed, the way Oliver's personality changes with his focus. It's not in large ways, perhaps others think its like a trick of the light, but the way he looks at others, the way he behaves, it seems to vary from person to person. Tactile, distant, closed off, hesitant, open, honest, warm, skittish, never truly the same with each individual. It's like he watches, figures out what people want to hear, what they want from him, and does his best to give it to them. It's almost painfully familiar.

Oliver gives Felix what he wants in a way you know you never can; Oliver gives him someone to help, someone to feel like he's saving. As long as Felix is happy, you tell yourself, that is enough, and it's easy to like Oliver in your own way. The only problem you've found is that as much as you like Oliver, as intrigued as you are by him, you can't quite get a read on him, what he wants, what your place may be in his life. He's always watching, always searching for something, but you're never sure of what.

So you decide to show him love, show him appreciation the way you know best.

More and more you choose to stay by his side when you're all out, at the pub, at clubs, either of you are not with Felix, or if you're not otherwise occupied by someone requesting your attention, you'll be with Oliver.

Tonight, at the club, a girl from town had been occupying Felix's personal space for the better part of an hour, and by the time he has her against a wall down a dark corridor, Oliver's absconded from the dance floor to get another drink, but hasn't returned. You find him skulking against a wall, half drunk pint in his hand, gazing out through the crowd. When you join him, when you follow his gaze, you can see the silhouette of Felix and the girl, his hand up her shirt through the haze.

"It doesn't bother you?" Oliver asks, loud enough to be heard over the music, but not by anyone else.

"The girls don't bother me," an easy, languid smile spreads across your face, "the girls love me," you amend, smile turning a little smug as you watch Felix and the girl whose name you can't even been be bothered to recall.

"Felix's girls?* Ever-hesitant Oliver, even here and now, sounds carefully demure amongst his curiosity, "do you -?" He makes an awkward gesture, but you read his intentions and laugh dismissively.

"No, no... well," you pause for a moment, "occasionally I have my fun, I suppose, but not like that; girls who are into Felix aren't traditionally into me like that, no," you shake your head with an an missed smile, "but that's why they like me, I'm not a threat, see?"

Even through the haze and flashing lights, you can see Felix's hands on the girl; he's warm and rough and the way he holds always feels so fucking secure -

Looking away sharply, you're surprised by how intently Oliver's watching you. Its genuinely startling, and though he seems to understand this but doesn't look away. For just a moment your breathless, caught up in the night and the jealousy and want for your best friend that you usually have much more control over - your own words echo in your head; I'm not a threat, see? A smug lie, a joke at all those poor girl's expenses since you knew they were never going to last.

Oliver's gaze burns when you finally look him squarely in the eyes; he knows.

"I get the impression people assume a great many things about our Felix," he wets his lips, casting his gaze to darkened hallway, to where you had seen Felix with his mouth on the neck of his girl of the night, but you can't look away from him. Our Felix. "And about you."

"And you?" Your tongue darts out, wetting you lips as you draw Oliver's attention back to you, tone flirty. There's something exhilarating about this man that you can't help but want to tease out.

"Not much to assume," he gives a faint smile that doesn't quite reach his eyes, "I'm more the observant type than one whose observed."

"You make the assumptions."

"I make the assumptions," he actually smirks, a bit of that usual gentle hesitation that he approached the world with slipping for just a moment.

"And?"

"And what?"

"Do you have a lot of assumptions about Our Felix?" You tease his earlier wording, but once again his gaze drifts to your best friend, if he still is in the crowd. Them, quieter, almost as if you don't mean to you murmur, "or me?"

"Had."

"Had?"

"Had a lot of assumptions," there's a kind of mischief in his eyes as his tone takes on an air of nonchalance, "'bout him, 'bout you too." As he speaks, you step towards him, hand on his arm, moving steadily higher. He can feel it, you know he can, but all he does is smile wider, refusing to break your gaze.

"Like what, Oliver Quick?"

Leaning in, Oliver takes your face in his hands, bringing you close, sharing breath, lips inches from his.

"Like how they write Odysseys about your kind of loyalty," he mumbled, and you feel like his gaze alone could swallow you whole. There's a aching, yearning that you feel in this moment, when you crush your lips to his. It's quick and desperate, and he pulls back, "like how you show love with every fuckin' bit of that body of yours," this time he pulls you in and it's rougher, it's needy, he bites at your lip and you whimper against his mouth, press yourself against him, "like-" he kisses you quickly, "like- like-" but as you find yourself trailing rough kisses down his jaw, he seems to lose his train of thought.

"Yes?" You prompt with a laugh.

"Like how you're desperate to feel needed."

"Observant," you tell him softly, raising your head, arms still around him. In this moment, his expression is open, watching you, waiting for you to react, "more observant than anyone else."

"You wear it on your sleeve, sweetheart," he says bluntly, but something about being seen, about his unwavering honesty, that sets your heart beating, burning in your chest. Or perhaps it's that he called you sweetheart; it's rare that someone is so sweet to you.

"Then need me, want me."

"I do," this time when he kisses you, it's gentle, full of warmth and unexpected love, and the way he holds you close makes you feel so precious and desired at once, "but not like this, not now." And he's letting you go, despite the way your lips tingle and the damn butterflies in your stomach. You desperately want to cling to him, to ask him what the fuck he means, but he kisses you on the forehead and tells you to get back safe, wearing an almost smug, knowing smile, disappearing into the crowd. You can't even go after him, he's made you damn weak in the knees and all you can do is lean against the wall for support.

Felix and his girl have disappeared.

Your friends are still living it up on the dance floor, you're sure, but you have only one thought on your mind.

Oliver Quick is a fucking tease.

[writing-for-life]

The Mortifying Ordeal of Being Known

Or: Does Morpheus really have commitment issues?

[Bear with me, I’ll get to this panel 🤣]

I’ve read many times that Morpheus supposedly has commitment issues, and it always has me scratching my head a bit…

I personally rather think he is desperate to commit. He so badly craves a serious relationship that he is prone to rush into it and build it on wonky foundations, but he has certainly no commitment issues as we would commonly understand them.

Is it in his nature though to be truly seen and understood when he is [a] Dream? And can dreams ever last? These are the much more interesting questions in my view. Let’s have a look at the romantic relationships we know of…

Killalla: Walked out on him. That wasn’t his lack of commitment. If anything, he came on a bit strong while she was still assessing her feelings for him.

Alianora: He fully committed to her despite basically being bullied into it by Desire. And they were happy for “a goodly while”. For those in doubt: “Goodly” doesn’t mean “a bit”. It means “great, large, long.” And the fact that Alianora couldn’t go back to her own plane because she had stayed in the Dreaming too long corroborates that they were together for a long time. Probably longer than any human relationship ever lasts, because I doubt “a long time” means “a couple of years” for someone who is 12 billion years old.

And now I’ll sandwich the relationship we hardly know anything about between some random (?) panels to also make a point why I think it might sit here in the timeline…

Titania: Who knows. Sounded like an affair, and as if they both had no intention of committing. He was clearly very fond of her though, and I can never shake the feeling that we should look a bit deeper into AMND and find the parallels between Auberon, Titania (not hard, and they are pretty much pictured as estranged) and Bottom. There are many ways to get confused with a jackass, you know? 🤣 Plus, Bottom is the one who gets to play Pyramus in “Pyramus and Thisbe”. That’s the ultimate blueprint for “Romeo and Juliet”: Ill-fated love of catastrophic proportions, people are dead by the end of it. That’s why I often wondered if the affair with Titania was actually pre-Nada, and the inspiration for Shakespeare wasn’t random (it wasn’t random for The Tempest either). I mean, it wasn’t random anyway because it was a parting gift, but I also don’t think it was entirely random with regard to their relationship. Wild head-canon of course, but maybe not that wild (he also says that Wendel’s Mound was already a theatre before humans walked the earth, so there’s that)? And even if he wasn’t committed (we quite frankly don’t know if he intended to but she didn’t or couldn’t), she and the Fae meant enough to him to give them a play as a parting gift.

Nada: Killed herself after one night, but that wasn’t down to lack of commitment on his part. Again: If anything, he came on far too strong, wanted to be with her and was far too pushy about it.

Calliope: We don’t know how long they were together before they had Orpheus. Could have been a while, could have been only a shortish time. But even if we assumed they had him fairly quickly—they were still together when Orpheus, who was mortal, got married to Eurydice, so even if he got married young, we’re still talking something in the realm of +/- 20 years, and that’s the absolute low-ball-estimate. And while they had started to drift apart (considering what we know from Calliope), they were still on good terms and had no intention of splitting up until the whole Orpheus drama caused a rift they couldn’t mend. Again: That’s not someone who has commitment issues. It’s a relationship breaking down over hurt, stubbornness and grief.

Thessaly: Again, she was the one who left him and caused his dramatic interlude in the rain. Were they ill suited? Yes. Did she feel neglected and went into a strop over it? Yes. Did he not get that she felt neglected? Also yes, but that’s not lack of commitment. That’s his not getting that people aren’t mind readers (must be hard if you’re probably one yourself 🤣) and, by and large, need assurances of love. He doesn’t get that these women don’t understand they have his love; he can’t grasp that line of thinking because it is all so clear to him when he loves someone: They have him, what’s the issue? Is that a not so great way of (not) communicating when you’re having a relationship to someone? Absolutely. Is it a commitment issue though? Absolutely not.

I think Morpheus doesn’t really have commitment issues in romantic relationships—wouldn’t that almost be antithetical to his nature? Rules and responsibilities. Yeah, about that one…

What I do think is that he struggles with the mortifying ordeal of being (not) known by his lovers. Because how could he? He is Dream. That is his problem. Dreams cannot be fully known or understood. He is very eloquent but at the same time a very… confusing communicator. I don’t want to say “bad”, because I feel that’s not getting to the bottom of it. Again, it is the nature of dreams to be confusing and strange, open to (mis)interpretation, hard to grasp and understand. And they also stop being dreams once they become real. All of that is true and hence makes relationships both hard for him and those involved. Is he truly not willing to commit though?

I still find that hard to believe…

[brigdh]

Ed and the mortifying ordeal of being known

Ed does not like revealing his feelings. He is incredibly consistent about lying,

hiding

displacing,

distracting, or just outright denying what he's feeling instead of actually talking about it. This is a consistent pattern of behavior with him. There are a few exceptions – most significantly, I think, the bathtub scene where he confesses to Stede about killing his father – but they are a) rare, and b) occur under unusual circumstances, such as a PTSD flashback. In general Ed goes to great lengths to prevent people from recognizing the truth about him.

I don't really blame Ed for this habit, to be clear. He went through an abusive childhood, and though we don't see a lot of the exact dynamics in baby Ed's house, it's very common for abused children to become hyper vigilant of both their own and others' emotions. It's an attempt to exert some, any control they can over the situation, as though they can prevent setting off the abuser if they just always say and do the right thing.

Ed escaped into piracy, but in terms of talking about his feelings, I don't think it was much of an escape. Piracy in OFMD seems to be a place where the idea of having friends (though not the reality – I'd argue Ed might not use the word 'friend', but has had close relationships) is to be scoffed at. "We're all just in various stages of fucking each other over!" says Calico Jack, and being open about your emotions, plans, hopes, etc would just make it all the easier to be betrayed. On the other hand, lying, obfuscating, or just telling everyone about Plan A and then instead pulling off Plan B makes you look like a double-crossing genius who outthought everyone around you. So I'm not surprised that's Ed's learned to be manipulative and uncommunicative. I don't think he's ever been in a situation where emotional openness wouldn't be a disadvantage.

Regardless of why he does this, it's very clear that it's a pattern of behavior for him. This is one reason why I don't think Sad Robe Ed back in Episode 10 was healing – healing requires addressing and dealing with your feelings, and Ed was very much not doing that. I've already written a whole post going through that episode and laying out how Ed never once mentions Stede, or love, or heartbreak, or anything related to what he's going through, so I'm not going to do it again here. In brief, Ed's putting on a performance of sadness for the crew, but it's a generic, vague sort of sadness, without any connection to his personal, specific pain.

Who finally brings up Stede in Ep 10? It's sure not Ed. Izzy:

Which brings us to Season Two. How is Ed doing now?

He's once again making a performance of his pain, and once again keeping it vague, not letting any of his true, personal hurts be revealed.

These:

Are performances of his pain and sadness, but just like before, they're generic, unspecific. This is "Mad Devil Pyrate Blackbeard", not heartbroken, human Ed. Who is it that brings up the private reality of what's causing this toxic atmosphere? Once again, not Ed. It's Izzy, just like before. And this time he gets shot immediately for saying Stede's name, and Ed doesn't even look at him.

In all three episodes, Ed mentions Stede directly only once, and very pointedly, it's when he's alone:

I'm glad Ed has decided that he wants to live, but that's the beginning of a journey, not the end. What I really want to see in the next couple of episodes is Ed finally, for once, opening up. He doesn't want to be vulnerable, but the lack of emotional intimacy that constantly lying and performing has gotten him is, quite literally, killing him.

Ed can't get over his own, very real pain until he's willing to admit that it exists. I want to see him acknowledge where he hurts. He needs friends. He needs love. He can't get those without being honest.

I hope he does. I hope the show will have him do this work instead of skipping him ahead immediately to the happy ending, no behavioral change required. I think they will. It's kind of their motto, after all: talk it through as a crew.

Now if the co-captains would just follow their own advice...

[flores-desyatov]

hi i've been in my feels a little bit since vanya posted the family pics and i just need to share it with someone. i am very much following all the competition updates and polls and rankings and techical elements and sport mumbo jumbo, but that's not what i'm in the mood to talk about. i need to rant about mushy emotional things.

i don't know, i just feel like this partnership/friendship/whatevership that b&v have has helped them so much in growing into good grown people and we're still only at the start of it. i can see it in vanya specifically. over the course of this last year he's becoming softer and more relaxed in his own skin and his new life. you can tell that this place bella lead him to has allowed him to be more carefree than he was before. which is especially important considering he lost his parents so young and had to leave his home to escape war. all people he knew before coming to the us, sadly including his brother, he has to chase around the world to actually be with them in real life. places he considered important to him he won't be able to see for years. i can't imagine not being able to see my family home or visit my family cemetary. those are very emotionally difficult things to deal with at such a young age and of course i'm just a spectator on the internet, but i feel like this place he managed to find half way across the world is safe and caring. and he found it by meeting the world's sweetest girl. a girl that believes in herself in spite of the odds and loves people very openly. she is fucking lightning in a bottle and her smile could power cities!!! people like that are rare to find and that girl is his partner. her energy and light make it so easy to forget how hard life can be. it's such an admirable quality of character. it's why people connect to her and her videos, she's welcoming and she radiates warmth and joy. she spreads it wherever she goes. i just find all of that so very moving. there's something so vulnerable and human in their circumstances. because if you really dissect it, them becoming partners saved her career and his life. they found each other by chance, managed to understand each other beyond language barriers and chose to do this thing they love more than anything else together. he repaired the trust her ex-partner broke. he never lets her doubt herself and always tries to catch her when she falls. she gives him peace and space to be childish and silly, even if it's at her expense. again i'm just a spectator, but i think he makes her bolder and she makes him softer. whatever they may be to each other, there's no doubt that they truly enjoy one another. i think that's the exact thing people get so attached to beyond the whole will-they-won't-they booktok fantasy. they make each other grow and you can feel it!!

sorry for waxing poetic about random athletes we found on the internet hahaha. there's just something very "mortifying ordeal of being known" about them, you know? kinda makes me slightly believe that the right circumstances will just find you when you least expect them.

My first instinct was to kinda deflect and say they're in their 'character development era' but honestly this is just such a beautiful message you sent here. I just wanna let it see the light of day (hope you don't mind) because I'm sure others have felt the same about B&V. I know I have.

It's part of what makes their chemistry to interesting to watch. Here are two people who have found themselves in the same place (for a second time), both of them with a dream of success, both of them going through a big change, adjusting to a new reality and still managing to make each other better people in the process. It's a beautiful story, even from the outside looking in 🤍

[finnlongman]

About Me, My Books, and My Research (2024 Edition)

Hi, I'm Finn, a writer, medievalist, and all-round nerd. You may know me as the author of The Butterfly Assassin, "that person who wrote the trans Cú Chulainn article", the weird nerd in the Tumblr corner writing excessively long and incomprehensibly niche posts about their research, or something else entirely. I am all of those things! (Well, depending on what the 'something else' is, anyway...)

Currently, I'm a PhD student at the University of Cambridge researching friendship in the late Ulster Cycle (c. 12th-17th centuries). I have an MA in Early and Medieval Irish from University College Cork, and wrote my thesis about Láeg mac Ríangabra, my best beloved. I also have an undergrad degree in Anglo-Saxon, Norse and Celtic from Cambridge, and wrote my dissertation about queer readings of Táin Bó Cúailnge, including transmasculine readings of Cú Chulainn.

You can find out more about my research on my website, which also includes info about all of my academic publications. This includes the aforementioned "trans Cú Chulainn article", an article about Láeg in the Death of Cú Chulainn, an article about the seven Maines, and a discussion of a conference on Caoineadh Airt Uí Laoghaire from the perspective of my own work on lament and grief. Whenever possible, I try to make my research available Open Access. If you're ever having trouble finding one of my articles, please contact me!

If you want recommendations for books about medieval Irish (or Welsh) literature, this list on my Bookshop page has all my go-to recommendations. If you buy via this link, I earn a small commission at no extra cost to you, so this is a great way to support me.

I am also an author, and I write both YA and adult novels. Again, my website is the place to go for all the info and links, but a quick summary:

The Butterfly Assassin trilogy (The Butterfly Assassin, 2022; The Hummingbird Killer, 2023; Moth to a Flame, 2024): YA thrillers about a traumatised teenage assassin who is trying (and failing) to live a normal life in a fictional closed city in Yorkshire. Featuring friendship, street art, Esperanto, zero romance, and a whole lot of murder, as well as increasingly unsubtle commentary on the UK arms industry and the military recruitment of vulnerable teenagers.

The Wolf and His King (coming Spring 2025 from Gollancz): a queer retelling of 'Bisclavret' by Marie de France which uses werewolfism as a metaphor to explore chronic pain and illness. Also very much about yearning, exile, and the mortifying ordeal of being known.

The Animals We Became (coming 2026 from Gollancz): a queertrans retelling of the Fourth Branch of the Mabinogi looking at gender, compulsory heterosexuality, and trauma, through the medium of nonconsensual animal transformations.

To Run With The Hound (coming 2027 from Gollancz): my take on the Ulster Cycle, looking at why Táin Bó Cúailnge is a tragedy and what it means to be doomed by the narrative, but not in the way you thought you were. Featuring a lot of feelings about Cú Chulainn, Fer Diad, and Láeg.

You can find out more about my recently-announced medieval retellings in this blog post.

I generally tag personal posts and selfies as “#about the author”; other than that, I think I’m pretty straightforward with my tagging system.

I’m very happy to answer questions about medieval Irish lit, my research, or my books, or just generally to chat. Send questions via asks, chat via DMs, and if you're looking for my articles, you can email me at finn [at] finnlongman [dot] com, which is also the best way to contact me for professional enquiries, whether academic or fiction related.

You can also find me on Bluesky, on Instagram, and on YouTube, where I (infrequently) retell medieval Irish stories for a general audience with lots of sarcasm and hand gestures. Technically I'm still on Twitter, but I'm trying to leave.

And finally, if you’ve found my research interesting or just generally want to support me, I have a tip jar and am always immensely grateful when somebody helps me to fund my book-buying habits: http://ko-fi.com/fianaigecht. You can also tip me directly on Tumblr if you like. I’m also a Bookshop affiliate, and you can buy books from my recommendation lists to support me and get some great reads at the same time.

[vaguely-concerned]

Happy Grace/Pan Vibes For The Soul

"How can I, with you in the way?"/"(Laughs) The floor is yours!"

First of all I'm honestly just so charmed by how genuinely delighted Pan seems to be at watching Grace finding her voice and learning to enjoy using her power, I think that's where I started to take a shine to him. (also seems quite central to his character/romance in general because it's a thing that recurs through their relationship -- he tells her "I'm enjoying it if you're enjoying it" straight out at one point and that's definitely always there in the subtext). He buys a music studio for her just in case she ever wants to return to making music again even when she's not the muse anymore just because he loves her singing and has seen it make her happy before, how is that not the sweetest goddamn thing in the world??? Pan and Oracle in shared first place as stans for Grace musically

For real though, 'I Can Teach You' is sooo... even when you don't join forces with him Pan teaches Grace so many things in that song, it's a thematic tutorial as well as a gameplay one in many ways. For me I think the most impactful subtexts are 'This is a tricky situation, change is here and it's difficult, but you have more control and agency here than you think' ("You're in control!" "It's your song!"), and this sense that, y'know... there can be joy and playfulness and discovery in setting out into the unknown, not just fear and uncertainty.

dude... I wanna be in cahoots with & sing playful duets with you for the rest of my life bro (amorous intent)

Pros: Hell yeah look at her go! 🥰

Cons: Uh-oh look at her go! 😬

I love that Grace can bring Pan's motif into 'Challenging A Queen' and be called the fuck out by Persephone btw. why u keepin' your guard up girl uwu

'you gave up the only thing worth having -- for your little mortal friend' he says, giving up everything for his little once-again-mortal friend literally the next day fhsdkjfhsad who are you fooling buddy? not even yourself at this point surely??? (dialogue for if you save Freddie by giving up the eidolon)

my observations on the grace/pan dynamic across the different personality traits (yes I've done a run of each romancing him I am normal about it):

Clever!Grace: Pan seems to set out to be a trickster mentor of sorts, and Clever!Grace flips the uno reverse card on him and goes ‘Not if I trickster mentor you first bitch be honest about your feelings or perish challenge engage’. Probably the most birds of a feather combination (and indeed it’s the Blue version of the soundtrack that shows off his romance — also his tie and glasses are on the cover for that one :) ). 

Charming!Grace: Performative puppy dog eyes-off whenever either of them wants to get their way. 🥺4🥺. Pan is provably a soft touch from the Charming option to find Persephone before Challenging A Queen so I feel he probably tends to buckle faster but it’s a close thing. Local trickster god completely disarmed by someone being nice to him.

Kickass!Grace: “Be real with me or Imma kick your ass”/”Promise? ;)”/"...>:)"

I am always thinking about the way he steps up in The Trial when romanced (and the way it's the only one where Athena is genuinely shocked and appalled fhskadj). there is something about him that's like... he keeps protesting against 'innocent' and he's probably right haha, but there is certainly an almost fundamental lack of any active malice there that he doesn't fully admit to himself or to grace until this moment. he is doing this for grace, but it is also a confession about something really deep in himself that seems to be very vulnerable for him in its sincerity -- that he really doesn't mean to or more importantly want to cause harm (I don't wanna dance/with blood on my hands). admitting to his own basically good heart finally seems to be the bigger, scarier thing for him, more than facing the prospect of dying. he's experiencing the mortifying ordeal of being known and I for one am so proud of him

"I'm just here for the dance"

the way he sings that just to her and completely changes the meaning of it from what he said with it before, from using it to keep her out to inviting her in...

also can you imagine how badly the kill bill sirens must be going off in Grace's head in all variations of this scene no matter who steps up, considering what happened to Freddie just days before....... oof!

*incensed whisper* are you fucking kidding me with this what am I supposed to do with myself here

love these too

I really like the visual repeats of crossing the pond to the tree and back as a metaphor for them getting closer (or rather, him letting her closer, it is very much His Space). he retreats back there towards the end of 'Share This Dance', and that's the point where Grace puts her foot down and essentially says 'no. you come meet me honestly in the middle this time or this isn't happening'. and in 'The Trial' he does and then some!

I meant what I sang. I'm not a good man. If Athena had taken me up on my offer, the Idols would have been better off But I can try to be better. You make me want to try.

fun fact: if you break up with him after The Trial (YEAH you can still break off the romances at that point! it's wild honestly fsjadk), Grace tells him he should try to be better ‘for himself’ not for her... and he calls that (i.e. himself) ‘not much of an incentive’. My guy don’t make me break out the ‘Have you tried therapy’ prompt again. He takes it very calmly and gracefully under the circumstances but he's also like. quietly resigned and subdued. I tried it once for Science and never will again but there you go I bring my knowledge to this altar of sadness lol

you see the thing is I would forgive him for just about anything too I understand why so many of the characters in-game can't stay mad at him for any length of time

he starts the game by asking her to take his hand and he ends it on asking her to take his hand (and she does)...

:') let's share this dance

[platonically-loving-alastor]

Hazbin Hotel Characters as Wattpad Comments This Time

Obligatory shoutout to ColeyDoesThings, go subscribe to her and watch the full videos, because I promise there's much more where this came from

Charlie: Maybe fanfiction is a mistake OR lol look at this guy he thinks everything is gonna be okay loooool

Vaggie: Live your life as if your ancestors are looking down on you in disgust.

Angel Dust: I want that twink obliterated OR Stop I am ceo of being a bottom

Alastor: I don't feel emotions. I dominate them. OR Hippity hoppity your child is now my property

Niffty: If you shove anal beads up someone's ass and pull them out really fast, do they turn into a beyblade

Husk: The mortifying ordeal of being known

Sir Pentious: I JUST REALIZED WHEN SHE SAYS PANTS SHE MEANS LIKE BREATHING. I ALWAYS THOUGHT WHEN SHE SAID HEAVY PANTS SHE MEANT LIKE 👖

Vox: I was gonna ask how someone can share a class with another person and not know their name, but then I realized the only reason I know everyone's name in my classes is because I talk too much LMFAOO like bitch stfu the guy halfway across the room does not want to hear about the time you nearly got ran over! Update: I got diagnosed with ADHD

Valentino: If red flag bad, why red flag sexy? OR TAKE YOUR DAMN SEXUAL TENSION OUTSIDE THIS IS A CHRISTIAN HOUSEHOLD

Velvette: I swear to god if she touches her chestnut hair one more time imma go sicko mode on this bitch

Rosie: I hope you know cottagecore means no wifi

Adam: WHEN ARE U GOING TO HAVE A CHARACTER ARC? ARE U GOING TO BE AN ASSHOLE YOUR WHOLE LIFE? CHANGE BRO. OR If you purposefully mispronounce her name again I'm going to step on your esophagus

Lucifer: UR WIFE IS GIVING BIRTH AND UR OUT HERE PLAYING POKEMON GO?? POKEMON GO TO UR CHILD MOTHERFUCKER???

[nomsfaultau]

thank you so much for writing mandatory family reunion. i just reread it for the eighth time. i think im going to dedicate my life to life to reading your other sbi fics until you update again. also; do you have any tips for committing to fics and not leaving them half-finished?

ahhhh that’s so sweet glad you enjoyed! As for writing fics, having it be your special interest really helps. But for more general advice on finishing:

-Don’t stick to just one story. Which seems counter intuitive! But inevitably you’re going to hit a snag in one story. So instead of stopping writing at all, switch projects. Writing involves a whole bunch of thinking, and stuff needs time to percolate in the back of your head. But having a small project to work on in the mean time keeps you engaged in the writing process, gives you practice, makes you feel like you’re making progress, and allows time to work out the other story. I personally have 1-2 main projects, Fault and MFR, and then rotate a couple back burner stories that I work on whenever I get inspiration and fully expect to have very slow progress and possibly never finish. Short stories, one shots, hell even just writing little one off scenes that don’t go anywhere. It’s a way to keep writing fun and thus you’re more likely to continue working on the stuff you’re trying to complete. Don’t feel bad if there’s breaks between working on your main project. Writing involves a lot of thinking and it takes time to do that.

-Devoting time to do that thinking also significantly helps. When you’re falling asleep can be a good time to rotate stories in your head. Could also be if you’re walking from place to place, or brushing your teeth, or other little gaps in the day. Even if you’re not physically writing, it’s still part of the process and can make it easier when you actually sit down to write because you know what scene you’re most excited to work on. Also, talking over your story idea with a friend is a great way to stay motivated if you can get over the mortifying ordeal of being known. You can bounce ideas off them, and other people’s investment in a project can be a great motivator to finish. Like legit a single ao3 comment once stopped me from my plan to abandon a fic. Reminding yourself why you (and other people) like the story makes it easier to want to continue.

-Keeping a rough outline of what you envision for the story can give you a road map to how close to done you are and where to go next. Just like you can hop between projects, I find jumping around the plot time line to write what scene I’m most interested in atm keeps me going instead of writing everything in order. Though, all writers have different degrees of plot planning, so that depends on your style.

-Art! I’m an artist, and while writing definitely fuels what I draw, I find doodling cool scenes I want to write really inspires me to keep going. This sorta falls under the same category of continuing to think about the story and motivating you to finish. -I found keeping a writing journal has improved how I view my writing. Basically, I’ll jot down a bullet point list of scenes worked on that week/month. Writing is a very slow process, so seeing a timeline of actual progression on a story makes it feel like I’m actually getting more out of my head and onto paper. I also jot down what ideas for scenes I came up with since that’s also part of writing, and might include a chill no stakes writing goal for that period, like work on X or Y project, or a particular scene. Sometimes my goal is just ‘write at least one sentence’. I give it lots of leeway, and accept that the muse may just be somewhere else that week. And if the goal isn’t met, no sweat! Life can get busy at times and it’s more important that you aren’t beating yourself up if it’s been awhile since you last touched a project. Forcing yourself to write a scene that isn’t ready won’t result in a good scene or an happy writer. Switch projects, give yourself time to think about it, take care of yourself, etc.

And, legitimately, don’t be afraid to abandon a piece. Maybe you’ll come back to it, maybe you won’t. It can feel disheartening to feel like you can’t seem to finish a project, but unfinished pieces also do a lot for you: they hone your craft, allow you a creative outlet, give you scenes that could potentially be reworked for later pieces, and most importantly were hopefully fun to write! Story crafting is a hobby that should bring you joy, not frustration and shame.

Like, I have stories that will never see the light of day and are just so I can have fun and poke it with a stick occasionally. I’m 100% confident in saying that every author will have tenfold the number of unfinished wips compared to complete works. That’s just part of the creative process: exploring different worlds to find the one you want to write.

Perhaps a fic might never get finished, but in the wise words of Technoblade: “if you enjoy it, it’s not time wasted, no?”

(Now, I think he was talking about murdering people, but the point still stands.)

[tea-and-secrets]

I almost always get discouraged from interacting with other artists and writers and such when they have anon disabled and it makes me sad. Like, I know and respect why they probably do, it's tumblr after all, but. The mortifying ordeal of being Known is too much, and also what if they don't like what I say. What if it comes off wrong. Then my "face" is attached and they can go "oh, you again :/" if I ever send more...

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