#why is her hand so small???

[sillylilneurodivergent]

Another Marina fanart but this time traditional art!

[dykedvonte]

I think it says something that Jimmy absolutely destroyed the crew and ship in half the time Curly was captain. Like he couldn’t even get them past 2 full months before breaking down.

Like he really couldn’t be half the man he thought Curly was.

[dispotatorulzz]

?

[cosmik-homo]

Saw this @adorkastock post and all my plans for tonight went out the window. got absoultely POSESSED with the need to redraw it.

the fainterrrrrrrrr (They're all bi here)

lovingly dedicated to @talesofsymphoniac, ace alfred champion

[ID in alt]

[moeblob]

And then she threatens to kill him if he doesn't man up and say that while looking her in the eye (and then he apologizes while looking at her in the eye because he cannot be directly rude).

[fighting-these-demons]

Divorce Saga Domon - A Haunted Honk Prequel

Hello Internet Stranger looking up G Gundam on Tumblr dot com!

This is an idea for a fic set in an Alternate Universe involving Queer Non-Canon Relationships between the characters of the series.

If you are not looking for this content please scroll on.

If you ARE looking for this content - and you're ok with reading my and other's Headcanons for this Alternate Universe I've haphazardly spun up -

Then go ahead and feel free to:

Check The Tags Of This Post For The Pairings

and click the Read More below!

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Ended up outlining a completely different fic as a Segway for an explanation instead of making progress on the Royal Flush Haunted Honk AU's Clown Motel Fic like I wanted to but uh....

For y'all's review for the AU: A Prequel Outline - Divorce Saga Domon

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Hey real quick - I'm thinking of maybe changing the timeline to 2 years post canon as opposed to 3 years and change post canon.

The reason being: I had a thought that this scene could either be part if the fic or if it's getting to big then it could be a stand alone tie-in prequel fic as part of this AU but - like

Immediately Post Divorce Domon Needs Space and runs off. As one does. And he runs to Earth because he just wants to Get Lost for a while.

He has Argo smuggle him out to avoid detection.

Argo has Andrew help stow Domon in a storage hanger of a Neo Canadian supply ship that's returning to the US - they have trade often enough and share agricultural resources - which leads to Domon ending up in New York when he hits Earthside pavement.

He's privately worked on his English the last couple of months and after being dropped in New York with a different hairstyle, outfit, and accent he's unrecognizable. 

He considers making his way west to get some solitude in the wilderness, but something about that initial plan feels off now that he's on the ground.

Chibodee is also Earthside for a special series of prize fights aimed at raising charitable appeal for the US in the eyes of Neo Americans.

Domon decides to hit up Chibodee for a fight on a day between matches hoping it'll clear his head and give him the clarity to decide on a course of action. What ends up happening is an unexpected heart to heart via blows and a breakdown.

Domon is happy for Rain and Kyoji, and he knows it's not true; but he feels like he lost a piece of himself when his relationship with Rain fell apart.

Domon's instinct is to run after that but Chibodee knows this city and Domon doesn't hide out for long before Chibodee drags him back to his place to stay and just "Chill out and breathe. You don't have to be anyone but yourself here. You can take as long as you need to find out what everything changing means for you." Friends and teammates stick together.

So Domon spends a few weeks with Chibodee sparring and hanging out in New York. Chibodee does a frankly awesome job at containing his feelings because he's focusing on Domons feelings and being a good friend first and foremost. Whatever he's feeling can wait until after Domon is done going though it.

There's a bit of a twinge in Domon's heart as he leaves that he can't really place.

After he returns to Neo Japan and gets settled back into life with his family, The Dreams start.

They're mainly set in New York. Small things first like noticing Chibodee's smile and his eyes. Then sparring sessions that begin to turn lurid.

He thought these kinds of dreams would stop after he was married.... he doesn't know what to do about this.

I just figure it gives more clarity and sense of time for the journey from Comphet Marriage Dissolution to Feelings to Confession. Idk.

But I got stuck on a bit and then had this thought and needed to get it down before I lost it and it was so long it made sense to make it its own post as opposed to several replies.

The Maize and Clown Motel will probably still be 3 years and change post canon for clarification.

@thedragonchilde @amplexadversary @youreaclownnow

[longagoitwastuesday]

I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha

I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.

I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.

It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.

Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?

And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.

The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.

These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?

Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.

The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.

After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.

[thevaudevillescene]

my actual child, whom i birthed and raised.

[spartanexperience]

I need to know. does Boreas have legs under that robe. Does he have a fuckable lower body or is his body underneath just a void of air and cloud. He seems to have thicc thighs in the first pic (hot damn) but they vanish once he starts to fly. THESE ARE THE REAL QUESTIONS, I NEED TO KNOW IF ORITHYIA CAN GIVE HIS ASS A SURPRISE SQUEEZE WHEN HE FLIES PAST HER AND FLUSTER HIM 👀i need to know if they can bend Boreas over that throne and fuck him silly until he's a whimpering mess begging for release

[cmentary-drive]

Thoughts on a tattooed Odette?

[itspileofgoodthings]

.

[safyresky]

"The snow is already GAY Jacqueline, WE'RE the ones MAKING IT!"

I feel like, in a way, this is a spiritual successor to this one lol. If Jacqueline doesn't confuse Jack at least once (1 time) per day, is she even doing her do diligence as both annoying little sister and middle child?

Bonus: this is by far the cutest Winter I have ever drawn

Happy pride! :)

[based on this classic]

[winter and jacqueline frost are my oc's. you can read about em here! they appear in the tag a lot but hey man, you gotta plug yourself when you can 🤷🏻‍♀️]

[that could've been phrased better]

omg okokok I was gonna put this all in the tags but my tags are ALREADY long as fuck but guys. you guys. do you know how I got these ding dang photos of the thing? I TOOK MY SKETCH BOOK INTO WORK AND USED THE BIG SCANNER. THE SCANNER THAT INTERNET ARCHIVE USES FOR BOOKS. THAT KINDA SCANNER. WE CALL IT THE LIZARD (it has lizard in it's name, I think) AND IT TOOK QUALITY TIFFS! That I had to flip to png's to post. BUT STILL! I GOT THE GOOD LIGHTING, EVEN IF SOME QUALITY IS LOST!

I mean, it's got layers and layers and layers of marker and metallic marker and pencil crayon and the like, so the smudgeness is not surprising, lol. Playing around with colours for the cold front was fun! I'll figure out my limited colour palette with Jack's usual fit at some point ¯\_(ツ)_/¯

I wasn't sure if I wanted to add Winter or not but I asked the jury (since the og meme has jesse on a ladder) and the jury said YES and she's my favourite part of this whole ding dang thing. I drew her first. AND coloured her first. She has existed in all her =D glory a better part of the week! Best thing I've ever drawn hands down, I will NEVER top that lmao

anyway. scrimbly forthcoming at the end of the week hopefully, barring my busy ass weekend getting in the way! And I HAVE gotten the June prompts in ye olde inbox--y'all have given me some PUZZLERS. Has my brain doing the BIG THINK

[angy-grrr]

okay I’m annoying yk that and I know that.

I love to see what non bkdk shippers think will happen with the manga, bc this way I can learn and see things outside of my special interest for the chapters. And I was reading some interpretations of Ochako being weird in 425.

Some people are right here expecting izuku to go and support her. Some people saw him being this sad, yet only could think about him worrying about Ochako’s feelings over her fight, not Izuku’s fight. they think this will lead to a beautiful confession, in which she cries how she couldn’t save himiko, that izuku noticed, and that he’ll call her his hero and they’ll kiss. And I can’t help but feel like this is bc he is the boy. Because he is the boy in that ship, he is the one that supports, not gets supported. When I was reading those little scenarios, I thought they would explain deku would cry with her about his own fight and bond over it, or something like that. But no… they believe deku’s strange reactions come from being worried over Ochako only. and it’s so sad, to see how gender expectations are being pushed like that in something as simple as a “what I want to happen in the manga” scenario. It’s sad how people think this is how it should work, when actually that would make me even sadder -as I said, for the most part I didn’t care about that ship, I accepted it as inevitable, but this isn’t fair. Romance irl is not perfect, but in a story for this to be a resolution when the character who hasn’t talked about his feeling keeps not talking about them and just supports her before confessing…

Even hetero relationships should have some balance, right?

EDIT:

someone brought up bkdk lmao. They explained how the confession from ochako could get answered: happy ending is izuku loving her back, bad ending is him saying he likes katsuki, and medium ending him liking mei. I can’t even lmao.

another person argued deli just has shown a brotherly bond with him (weird) and that he only thought of him at that dinner with the Im too blessed, and the last time he followed him was in season 1. people need to learn how to read, and connect the dots, literally. No matter how you see their relationship in canon as platonic or romantic (or queer platonic), it’s clear their bond is strong and that Izuku depends on katsuki as much as katsuki depends on izuku on emotional levels -izuku losing control over and over and over again with him, AFO explaining he is the closest to midoriya, katsuki going towards him no matter how injured he is, looking for each other and the time stops, etc.

this is just canon. There’s no arguing about it. Idk why intimate bonds between two male characters means they are like brothers. Is it bc if they are not related, there’s no way to not see it as gay?/gen but also /s

[dragontheace-art]

So I’m watching fantasy high sophomore year and there’s this scene with Ayda Augefort and Gorgug that immediately made me think of that one tiktok audio, so I did this little sketch so I could show other people what’s going on inside my head

[dailykugisaki]

Day 190 | id in alt

Fear without courage, courage without fear.