#why is her design so inconsistant god

[cyberseabunny]

hey guys did you know i have my own moonsona like the other coolkids feel free to add her to the multiverse shes called cybienite

gore warning for last one

[azdoine]

stolen planets

this is a minor point of order, mostly unrelated to the stuff about the River that I'm trying to get to later, but it's an idea I've never seen anyone post about in their consideration of John's empire and agenda.

early on in AYU, while dwelling on her miserable slog through convalescence, Judith mentions overhearing an inscrutable bit of BOE slang:

The stomach pouch was removed on a previous excursion to what they said was an abandoned “steal planet.” I understand that they use the word “steal” for what we would term “shepherd.”

I say slang because why else would you use the present tense verb in place of a past-tense adjective here, if not as colloquialism? however, this slang appears nowhere in NTN, where we spend great chunks of time airing out BOE vernacular.

Reading between the lines a bit, we can easily guess what the BOE troops meant by "steal", because they spend the rest of the short story trying to get Judith connected to one:

The ship was a Gorgon-class vehicle... it was the last time they had tried to design a light craft that still had room for a stele. Blood of Eden must have captured or stolen one intact.

However, this is still an unusual way of speaking; we've never exactly heard of a "stele planet" before, and we know BOE had to get their stele from Mercymorn, as opposed to finding one in the corpse of a flipped planet.

Looking for 'plot holes' and errors in the continuity of a magic system is rarely productive, but if we comb back over HTN, AYU, and NTN, there appear to be some interesting inconsistencies in the presentation of stelae.

In HTN, John describes stele travel as vaguely dependent on obelisk infrastructure, forcing his Lyctors (who can travel freely) to lay down more of them - the reader is encouraged to that stelae are warp drives, and that obelisks define the regions a stele can transit between.

God said, “We came up with the stele instead, and the obelisk, which are less to do with travel than they are to do with transmission. But there will be times in your future when you will have to move unfettered by needing an obelisk, and even times yet to come when you will fulfil the sacred Lyctoral duty of setting obelisks...”

“Where we are going there are no obelisks for a stele to hook on to,” said the Emperor.

Certain asides in AYU and NTN double down on this interpretation, making references to "obelisk anchors", and establishing the need to locate an anchor at one's intended destination before embarking on stele travel:

Someone else said more clearly, How will we know where the anchor is? And the voice said, I’ve given you the blasted co-ordinates, haven’t I? It won’t be in the ship’s stellar registry, so you’ll have to do the input work yourself. And you must follow the route I’ve given you afterward.

“The Ziz isn’t Cohort standard. And it’s not as big on the inside as you think. Look at the windows—see how there’re none on the back end? It’s mostly engine. Not plated either. It’ll get to sublume without many problems … but it definitely doesn’t have room for a stele. Camilla is right. It can’t travel by obelisk anchor.”

However, AYU makes it clear that a stele also has a role to play as an anchor:

Under this duress I told them I understood how the stele worked but had no ability to use it myself... I said one necromancer alone would not be able to use it as an anchor and that it needed to be energised on a thanergenic planet, so it would never be of any use to them.

NTN even seems to flip-flop around, with people locating a stele to anchor onto, and using obelisks like an array of engines rather than to define one end in a point-to-point transition.

"The Warden convinced the Oversight Body, convinced the Sixth House to come with us. We showed them the secret of the installation. We helped them find a stele that would anchor such a big thanergy transition … which means, we helped them move."

"How’d you get it through a stele? With the weight of that thing, you’d never survive River displacement.” “Five hundred and thirty-two obelisks,” said Camilla.

Here's my tinfoil hat for you: if a stele and an obelisk both have similar roles to play in FTL travel - as suggested by their both being named after words for monuments - then the obelisk should have a similar necromantic nature. They may both be similar names for the same thing, or two different versions of the same thing, at least.

If nothing else, given that they're clearly both "anchors" rooted in Fifth House spirit magic, obelisks and stelae must have similar demands for upkeep and maintenance. And how can a Lyctor possibly set up such an obelisk out in space?

We know that each anchor relies on great quantities of freshly oxygenated and thanergy-enriched blood - that is, each anchor is sustained by a thanergenic fluid still flush with thalergy, per Pyrrha's comments to the effect that blood wards are more thalergy-rich than bone wards. Such anchors also have to be charged with power from thanergy-rich planets.

Mercymorn was able to produce an automatic oxygenation unit via the use of flesh magic, but blood cells need external organs to stay alive. For purposes of sustaining a very large anchor with life and death, a simpler option might be to make your runes with very wide chisel cuts or specially treated surfaces, so that they can't be blotted out by debris, and then leave them in a liquid ecosystem. Place them at the bottom of a water basin teeming with microorganisms, and then allow the micro-ecology to start dying off in the same thanergenic background radiation that you're using to charge up the anchor monument.

For example, by carving into the seabed under the salt-water ocean of a dying planet - a stele planet.

[that-guy-sleepy-miles]

Red King Design Notes

I got a single request to explain Red King's design, so I'm going feral! This will have notes based on AU lore (events), 'lore' (character relationships), and things I noticed in the show! (This one is for you, @daikon-dimes <3)

Let's start from the top and move down!

‎Red King's horns!

Firstly, her "Proud Horns"! The color is a deep-red version of DBK's old horn color, and the shape is based on Princess Iron Fan's bull-horn hairstyle!

And then her "Transportation Horns". These are a slightly darker color than the Proud Horns and their shape is based on PIF's hair and also vaguely based on DBK's horns.

That actually brings us to...

Bangs like Mama and Red King's tiara!

Okay, horn lore:

Red King had eaten a monk and then took a killer fucking nap—like she CONKED OUT—and she woke up with big ol bull horns (magical power expression* has to go somewhere, and she's not really using it or feeling anything right then) and she was like "oh, dude, what the fuck", and then freaks out because she can't balance herself anymore

After being freaked out for a while, she demanded that the nearest bull clone get her a mirror.

She looks at herself in the mirror (she's learned how to balance at this point, good for her), she touches her horns, and she goes,

"Heh. Like Mother's hair."

And, even though she and her mother are in the middle of essentially a Cold War, she finds her mother's old tiara and puts her hair around her horns like her mom's… decorative hairstyle? whatever we'd call that. like the way her mom serves massive cunt 25/8—because she loves her mom more than anything else. (No matter how much of a raging ******* PIF is being. God, why is she like that sometimes???)

(The Eternal Fire design has sidebangs that are reminiscent of PIF's but more silky and flowy.)

Bull Fam Huadian and Bindi

The Eternal Slumber design has a huadian (a form of traditional Chinese ornamental forehead makeup, which is located between the eyebrows and sometimes on the cheeks, the temples, and the dimples) shaped like the Demon Bull family crest instead of the traditional flower petals. This is because of the idea that Red Son's "red dot" is a huadian, which I've seen floating around quite a bit, but I'm 99% sure it's a bindi.

It's in the right spot for a bindi and the wrong spot for a huadian, it looks like a bindi and doesn't look like a huadian—it's a bindi. I don't know if this is still going on (people thinking it's a huadian/saying it's a huadian/drawing it as a huadian), but it's a bindi. It's a bindi guys.

(Because of Red Son's tendency for overly expressive downturned eyebrows and the inconsistency of hand-drawn animation, it's hard to tell, but the "red dot" is seemingly intended to be slightly above and between his eyebrows, not high above on his forehead. You can tell on screenshots where it's on his forehead that it's in the wrong spot, it's actually really fun.)

Also, the people on the wiki call it a "forehead dot" and I'm so...

Anyway, in her Eternal Fire design, Red King's bindi returns! This is because her time with MK has "reignited her inferno", and she is returning to herself! With her bindi! Welcome back, pookie bear!!!

and on the note of her "reigniting her inferno", her Eternal Fire design has the same eyebrow makeup as the Red Son minifig!

Her Samadhi Ring

In the Red King AU, Red Son is allowed to keep his/her ring of Samadhi for a number of reasons. Importantly, DBK and PIF let Red Son their ring because it is their power—Red Son was born with the Samadhi Fire, and it's an expression of their power. They are a family obsessed with power for a good while, so in the Red King AU, DBK and PIF felt it cruel to strip their only child of their power and of the remainder of it. The thought also was that, as the creator of the fire, Red Son would have the most incentive to keep the ring safe. They'd certainly never lose it, like some people.

(Fun fact, this means that DBK's nose ring is the other way around like it was in his younger years. That's just a really silly detail, but like... they match <3)

Red King's Hair Highlights (and Their Relation to Red Son’s Magic Expression and the Samadhi Fire)

(By the way, the Eternal Slumber design has more chaotic shines because her hair isn't brushed, and the Eternal Fire design has more uniform/put-together shines because her hair is being taken care of.)

Red King has shiny hair, and that's not just to look cool. To explain why, I had to make a giant post about the LEGO Monkie Kid Magic System. I go in-depth about Red Son at the end of that post, but I'll give a TLDR here:

Red Son has a wholly unique form of expressing magic among demons, gods, dragons, descendants, reincarnations, and everything in-between (the in-between being Red Son himself, MK, Wukong, and Macaque [Red Son is half-god, half-demon; MK was intended to be a mystic monkey but got his genetics messed with; Wukong and Macaque are mystic monkeys outside of any of the 10 species, they just need to be noted here [Their magic is completely conventional, they're just crazy strong]). His body, and specifically his hair, is directly connected to his magic in a way that's different from other characters for reasons we can only speculate.

Because Red King is stronger than Red Son (and has a link to the Samadhi Fire), she has many large hair highlights! Generally, they're condensed into one or two large shapes, but smaller highlights around a large shape are also acceptable. :]

Outfits

Eternal Slumber wears zhong yi (middle clothes), a longer version of Red Son's robe from season 3, and Red Son's sandals from season 3. (I call those house shoes but the model sheet says sandals.)

Zhong yi were worn under normal clothing in Hanfu, and often worn to bed. Some posts about zhong yi: 1, 2, 3. Because Red King is... well... sleeping often but in a regal way, she wears zhong yi instead of modern sleepwear. Her robe is also longer to evoke the fact that it is a robe and she is a king.

Eternal Fire wears a sleeveless version of Red Son's coat with a gold trim. This gold trim is actually because of something on Red Son's page on the Monkie Kid Wiki! Okay, so, I'm so autistic that part of my LMK Special Interest (it's been 4 years, so this is officially a special interest) actually extends to the Wiki... and on Red Son's Wiki page, there is something so fun!!

On Red Son's Minifigure–show comparison, the screenshot used to compare contains a coloring error! Red Son's collar is actually his skin tone! And I LOVE THAT. NOBODY TELL THEM. IF YOU ARE A WIKI EDITOR AND YOU'RE READING THIS, DON'T FIX IT!!!

I love coloring errors and I love mistakes. Not only is there the original coloring error (the mark of a human being; someone worked on this scene and they made a mistake and now we can see it and see them! It's as if their memory is saying hello, and that's why I love coloring errors), but someone else missed it, and now it has been used to represent this character's design as a whole (a SECOND human being!! Hello!! You've been here, and you didn't catch something, and now I'll always remember you were here!).

And that's why I don't want it to be fixed. I know it should be fixed, and I know the Wiki is a source of knowledge, but I also just... love people so much... and I decided to remember the coloring error by giving Red King's coat a gold trim. <3 (I was going to keep it to the collar like the coloring error, but it didn't look good.)

Other notes:

She's wearing armbands like she did when she was a baby because the Eternal Fire design is her "returning to herself."

The ballroom gloves are just sexy like that. Make MK go Looney Tunes. (And the wristbands are for the same purpose.)

S H A N T S

Uhhh that's it! Thank you!! <3 <3 <3 <3!!

[seeker-ophelia]

Ophelia Rants: Veilguard is Weird

I had another post (Review, Pt 4) composed about how much I love dragons, but the AMA kinda knocked me on my ass.

* * *  

[INTRO]

* * *  

I’m going to share the image I made collected from the results of my survey:

And while everyone only contributed one word for this, it IS possible for Veilguard to be ALL OF THESE THINGS AT ONCE.

Now. We need to take this with a grain of salt and remember that most of these responses came from tumblr, and often ones Social Media Frens are an echo chamber of ones own thoughts.

The words that repeat over and over are all similar; sanitized, shallow, underwhelming, trimmed, incomplete… Fun But Not Dragon Age.

And I could not agree with this more.

Caitie (YT: Ghil Dirthalen BS: Ghil Dirthalen), (Mythal’enaste her and her data-mining efforts) has released so much information from Datamining Veilguard. So much dialogue not used, paths ignored or forgotten, Keep choices abandoned, Lore identified.

Flipping through the Art Book shows how much time and effort and ideas have been put into DA4; all of its iterations. All the creativity, the different worlds, the different possible paths. YEARS of work, abandoned.

Which feels soooo… opposite. I’m not a writer. What’s the word for a complete opposite dichotomy in all things? Contradictory? Inconsistent? Irreconsilable? Antithesis?

How can Dragon Age be Sanitized and Shallow… but so much work be put into it?

* * *

[OPINION]

* * *

After I removed my emotional connection from Dragon Age, IMO, it really does feel like something is missing from this game. Even if one tries to lay down their preconceptions of what the game might have been in their dream world, this game, to me, could not decide what it wanted to be. Narratively, it’s a sequel to Inquisition. Solas’s story matters from Inquisition, the Inquisitor matters from Inquisition… and yet it spends so much time onboarding new players. The story feels simple, the world is straightforward, like its dumbed down for players new to the series.

Inquisition, even though in a gameplay sense it is different from Origins and 2, still feels like its building off of a complex world that the player might not understand. And when I played Inquisition, I hardly understood any of it. That’s part of the joy of Dragon Age. People who read LotR or Malazan or WoT or ASOIAF, don’t expect the author to hold their hand. They’re dumped, unceremoniously, into a world, and they have to figure it out themselves (figure it out through strategically placed tidbits from the author). Dragon Age (O through I), was a masterclass in this, I think. Somehow, no matter how deep you want to dive into the game, whether just playing superficially one-and-done, or playing it over and over to capture as much lore and depth as you can, Origins through Inquisition does that. It gives you just enough crumbs to keep you going, keep you questioning, and to point you enough in the right direction, that when you DID get a lore reveal right, you felt GOOD. Yes, plot-twists and subverting expectations are important, but so is letting your audience figure things out, giving them concrete answers. Veilguard drops you, sure, literally in Minratheous into a Gods Magic Ritual. But then it takes your hand, and skips with you through beautiful landscapes, phenomenal level design, and whirlwind combat, to place you right in front of the information you need. And then gives you a cutscene explaining, just in case you didn’t get it 😉).

We, as fans, need to realize that while the Personality of Veilguard is Toothless, the Lore, The Skeleton, is not.

Yeah, Epler said some things that hurt my feels during the AMA. (I’m ignoring the Solas stuff, because I really do believe Epler is speaking from a personal bias and not from a cannon-perspective. [edit: he just talked bout this on BlueSky]) But do you know why? Because they broke my personal headcannons. They proved MY theory crafting wrong. The real problem with Veilguard is that it came out too late. 10 years is too long to have people care so much about a game and theorize and craft worlds for themselves.

* * *

[LORE]

* * *

Superficially, VG dropped a lot of lore. But Deeply? To the DA Lore-Core? I don’t think they dropped ENOUGH.

[Image Credit: Helena Hansen on ArtStation]

HOW did Soals cleanse the dagger? HOW can Elgy & Ghill control the blight? HOW do they control their archdemons? HOW does the veil work? (How can it be weak with Elgy & Ghilly holding it up but 100%-strong-no-holes-perfectly-good with only Solas providing power for it?) HOW do spirits work? HOW do souls work? WHATS the difference? HOW does a Dragon-thrall-bond work? WHY isn’t Lusacan a Great Dragon? HOW does the rite of tranquility work? WHAT happens to Solavellan in the Fade? Is it different from what happens to a tricked Solas in the fade? WHAT happens now to Hawke/Stroud in the fade? WHAT is an orb? WHAT is a cube? WHATS the difference? WHERE is The Black City? WHAT is the ‘real blight’? (Because according to VG Solas, it’s still in the prison and its still super dangerous and way more dangerous than the blight that’s out in Thedas.) HOW did Solas burn his Vallaslin off? WHAT is the Calling? WHAT is the NEW song in the calling? WHY did ‘Mythal speak the calling’? WHY does lyrium sing? How is lyrium mined? WHY can tranquil work lyrium safely? HOW did Dirth & Falon split? WHY did Dirth & Falon split? WHERE are the rest of the Evanuris? WHERE is the Abyss? WHAT is the Abyss? WHAT do you MEAN there was more than 8 Evanuris?? HOW did you make your lyrium bodies? HOW can Elgar’nan destroy a FEELING?

WHERES MY ELVHEN DICTIONARY.

Obviously not ALL. But SOME of these NEEDED to be answered, or at least strongly alluded to, IN GAME. NOT in an AMA.

“We're leaving that ambiguous on purpose…”

“We haven't been SUPER specific about this…”

“I'm so glad these stories have their hooks in you! We have to leave some threads to tug on for future stories.”

What DID get answered in game?

Some of the Evanuris hats. Archdemons/Old Gods = Evanuris. Solas (w/ Mythal?) tranquil’d the Titans. Solas (accidentally) created the Blight. Solas used a Blood Magic Ritual to create the veil. Solas regrets a lot of things & has mommy issues. Worm-Solas (which, do not get me wrong, a million thank you’s and blessings for werm-Solas… But…) That’s it. That’s IT?

Oh, and there’s a shadow organization that’s been pulling all the strings from behind the scenes but I am NOT getting into how much I hate that idea in this post we don’t have time. Do we? No, we don’t. You know what, fuck it. This is my blog. Once you introduce that idea there is no way anyone NOT the author can know how much sway the puppeteer has over the marionette. ‘Oh it’s just a nUdGe, just a *whisper,* ‘they still have their free will’. Bitch get fucked what does that MEAN. That doesn’t MEAN anything its just a lazy retcon-y way to tie in a new villain to old material. Completely erasing the autonomy of they characters your fanbase has come to love (and love to hate). Do not corporate-speak at me with synergy and circle-back and deliverables. WHAT is a WHISPER? WHAT is a NUDGE? Because unless you lay it all out in an ELI5, NO ONE CAN KNOW- EXCEPT FOR YOU.

Ok obviously I have feelings about that we need to move on.

You can argue Veilguard was about the Evanuris, you can argue that Veilguard was about Solas. You can argue that Veilguard was about Regret and Pride and letting it all go. You can argue that Veilguard was about the ~*Power of Friendship*~ But for me, who has been obsessed with whatever the ever-loving-fuck has been going on in Thedas since 9.30 Dragon, Veilguard is about the Blight.

Corrine from the AMA: What really captures my imagination now that we've resolved some of the mysteries pertaining to the blight and the Elven gods, is exploring the aftermath of this crisis in a deeply destabilized Thedas.

Sorry… What did you answer? We actually know nothing about the Blight except that Solas created it, and with Antonie and Evka claiming the song has changed… what does that mean? Is a Titan consciously controlling the blight now? Is it soothed because Harding Soothed it? Is all the blight from the Kal-Sharok Titan? Are all their orbs/cubes in the Black City? Do the Executors control the blight? What is a calling, then? Will the Wardens never be called to the deep roads again? The Blight is different in a Warden than it is in a darkspawn, or an Archdemon? How? WHY? The wardens are just going to fade from existence because… all the darkspawn are just going to disappear now? Where in game is this stated as truth? Actually, in fact, ZERO questions were answered.

But Wait…

I feel like the news of the AMA COMPLETELY overshadowed the two IGN articles that came out; 1 & 2. Because… holy shit you guys. There was A LOT of lore dropped here.

Unfortunately for Epler & Corrine, and this is a hill I will die on, ALL OF THIS SHOULD HAVE BEEN ANSWERED IN GAME. The fact that it was NOT? Is inexcusable. You cannot drop giant lore reveals like this outside of the game and hope it smooths everything over. The lore dropped in these interviews could have been a DLC, a side quest in game, or at the very least a novel or WoT Vol 3.

* * *

[What IS Dragon Age?]  

* * *

I've used this photo before and I'll use it again I fucking love it so much

I wish Veilguard came out a year later, I would have waited longer, paid more for it, if it was a more a whole, inclusive game.

The problem with dumbing down a pre-existing franchise is that you’re alienating the fans that are carrying you on their shoulders. They carried you through a game-less 10 years, and through Andromeda. And you can bet your ass when they drop you, the new fans you roped in with VG are not going to be picking you up.

Dragon Age feels like it cannot find its identity. That Veilguard, inexplicably, does not feel like Dragon Age.

“But how can you explain what Dragon Age feels like when every Dragon Age that came before it was so different?”

New Protagonists, new companions, new locations, everything is different. On top of more meta things; new gameplay, new combat, new art styles, its all different.

So what makes Dragon Age, Dragon Age?

Well, when I was nervous about the game back in September, I asked Kala, when she got pre-access to the game, if she FELT anything.

“I’d love for you to touch on how the game made you FEEL… Did anything you played in Veilguard make you Feel™?”

She sent me a private message with 1 word: Yes.

We can go into the design decision to have the companions react with each other instead of Rook and how that can be alienating to the PC. We can talk about how shafted the romances were. We can go into how gentrified Minrathous and the Crows were. We can go into how child-locked the lore was. We can discuss the toothless-ness of Veilguard.

But Veilguard still made me Feel.

And, even if that emotion is anger, if Veilguard made you Feel, it did it’s job.

[the-blossica-fan]

Blossica and A Nightmare At Green Lake

An analysis made by THE Blossica fan

Why do I love Blossica? Why is it so important for A Nightmare At Green Lake? Would the story be the same without it?

In this long rant I call "Analysis", I will tell you my thoughts, the reasons and MY opinion on this ship and its importance to the entire event.

It can not be yours, and I'll gladly listen to your thoughts and reasons, but here's why it is so important and the story wouldn't be the same without it.

It has been edited, there might be some more changes if I see any inconsistencies.

Let's start by what most people call this ship, Childhood friends to lovers. I've seen a lot of people call it that, and while it's not wrong, it's also not right.

The better term Is "Childhood crush", as Blonney (Jennifer) is Jessica's childhood crush.

Must take into account that Blonney never knew of Jessica's existence, the OG Jessica was Blonney's imaginary friend, Changeling/Jessica just happened to hear it and thought it was Blonney giving her a name.

Why childhood crush? Well, it's pretty easy to know that Jessica's infatuation that persisted through the years is far more than just friendship. From things like reviving all the stories she told, retelling them and even exhausting them for everyone else.

It's also not a secret that she has probably been looking for someone to replace Blonney's space in her heart, which is why no one has ever seen as interesting in her eyes.

In Vertin's words "What happened to those people that accepted to stay with you? When you ran out of available games, they were no longer adored by you. I can stay longer than them, but with no exceptions. I'll become boring one day." These words are a hint to something.

No one can replace Blonney's place in Jessica's heart.

And, what about Blonney?

Blonney is definitely a lesbian, but this is no headcanon, in fact, I'd argue this is definitely canon. From design hints like those hair clips (this is Bluepoch, they pay heavy detail to their models, this is definitely not a coincidence), to even more hidden hints in her stories.

Since a child, Blonney has been writing in her diary stories, but you know what's interesting? Blonney describes the women as beautiful, like in the story about the dead bride.

A bride that looks for other happy brides? Mmm, doesn't it sound weird?

Blonney also describes Anne/Anna in extra detail, as if she had some sort of fixation with her. Let's remember that this description of characters is not only a script, but Blonney's own thoughts written on paper. When she criticizes herself, saying she'll pay for her doings one day, it feels crude and out of place because that is what she thinks about herself: That she'll pay for being a liar and mean (an arcanist and a lesbian)

The event itself also tells us enough for it to not be speculation, but absolutely straight up in your face.

Blonney's denial of her arcanist self (she punched Jason and yelled that she was not an arcanist, for those with internalized homophobia, this is a common reaction. Anger), the iconic couch scene and later on, her discussion with Jessica.

"How many times do I have to tell you how much I hate being called an arcanist", this is similar to a reaction I had before, denial and anger. In this case, and during the entire event, "arcanist" is used as an allegory.

For fuck's sake, Blonney was CUDDLING with Anne right BEFORE the iconic couch scene. Jessica/Anne is the one that made Blonney start to accept that side of herself, alongside with Tooth fairy's guidance; a professional lesbian.

"You seem to really like me. You would jump off a car to rescue me, you protect me, praise me. You would even be happy because I was happy." "Because I've never seen anyone as pretty as you are. You're special, you're different to the rest of us"

Oh God do you see that? This is flirting.

And while some might say Jessica doesn't know what romance and what liking romantically means, I'd argue otherwise.

Jessica does know what romance is

Let me tell you quickly. Jessica said in "The nightmare of green lake", she has met a couple of people who have different relationships with each other. She has even interacted with them, as in, she HAS talked to them. She has 6 people (excluding Michael, Jason and Freddy) in a cave, she knows some stuff.

When she says "I like you", she knows what she means. Her desperation to get Blonney to stay is not only because she doesn't want to be alone, but because she wants Blonney and ONLY Blonney to stay.

It's possible she's not sure she's in love, but she knows her feelings go far more deep than just a normal friendship. Plus, she has lived with Blonney's childhood stories, and those horror stories do have romance (The pathetic bride includes romance, Jessica is the one behind the pathetic bride, she knows). She's not oblivious nor stupid, she's just inexperienced. She knows she likes Blonney more than a common friend (based on how she treats others), and I think she would never like anyone that's not Blonney.

And what about their relationship?

People think they're master and pet, owner and pet, and I don't think they realize how deep that goes. Blonney is definitely in need of a person like Jessica, who fully supports her and her unique ideas. Jessica loves Blonney unconditionally, there's no reason to not think so. Their relationship is perfectly healthy, Jessica loves being adored and treated as a pet by Blonney, and Blonney is happy to see her happy.

That line of dialogue about a collar, despite how sexual it might be, is made out of innocence. They're not just master and pet, they're girlfriends and, don't we all have weird relationships with each other? They're happy, they're good for each other and are what the other needs.

So... What's their importance to the event? Are they really that important?

Yes.

The event wouldn't exist without that crush and romance. If Jessica didn't think romantically of Blonney, the event would be different, she wouldn't try hard enough to just keep Blonney and much less plan to get rid of everyone around Blonney so it's just the two of them.

If Blonney wasn't in denial of her homosexuality (and arcanum?), the event wouldn't be about accepting yourself as you are, it wouldn't be a story about coming out and the morals wouldn't be as impactful.

It would be a lackluster event.

Their relationship with each other is of heavy importance because it's that crush and denial that make up the entire story. The horror is just a side dish, the murderer and all of it, because this is not a horror story.

It's a love story

"I don't care whether my parents allow it or not!"

"I will quickly reveal this true look of mine, and everyone will look at me as if I've done something wrong"

Huh? Are we still talking about arcanists?

These lines are out of place for a 'friendship', or a discussion about staying or not. This is romantic, and especially in the homosexual way.

This true "look" of mine, doesn't it mean love? People do look at same-sex couples as if they've done something wrong, and while Jessica is talking about her changing abilities, we all knows this is about her crush on Blonney and how society would look at her wrongly.

Because, if she truly didn't know about her crush on Blonney which is the basic of all; everyone knows about crushes and romance, then how would she know people would look at her wrongly?

"I don't care whether my parents allow this or not"? Is a line said in ROMANCE. All romance stories with a 'secret romance' have this sort of line, whether straight or gay, this is a basic must-have in this sort of relationships.

She's not only talking about Jessica's changing abilities and arcanum, she's talking about her own blossoming love.

Especially when Jessica asks if Blonney liked her story, she's seeking approval and a hint Blonney will stay by her side, this is a confession. Which is why she gets so down when she gets a "yes, I like it very much". That's not a yes, it's a dismissal, a 'not so important' thing. This is a rejection of her feelings, even if on accident.

And, why does Vertin intervene? Why does she have the talk to Jessica about staying?

Because Vertin more than anyone knows what it's like to let go of a lover, she knows about not being able to confess in time and she knows that if she doesn't intervene, this will be like her and Schneider all over again. Regrets. She's being supportive, she's trying to do what she couldn't do. She's playing cupid.

A place where no one would judge Jessica for her looks, also known as the homosexual suitcase. We all know that no one in Reverse is straight, or at least, 99% aren't. We all know no one would bat an eye if a deer girl was kissing an 80's horror movie girl in the middle of the wilderness.

This is the perfect place for both, Blonney and Jessica, a place where they can be together while not being judged.

And what about Horropedia, Sonetto and Tooth Fairy? What part do they play in this Horror story?

Oh, they're very important as well. In fact, all of them are.

Horropedia, despite interrupting the girls RIGHT BEFORE KISSING, is the reason they're there. Without him, this would be a psychological horror story. And Blonney and him are the wlw and mlm hostility, they're so hating on each other but they do care. Sonetto has helped Blonney in silent ways, not only by helping her become more herself and supporting her fully, something she needed, but she's also an example of someone who's tied down. They've become good friends because they both used to be in similar situations mentally and emotionally.

But out of the two, Tooth Fairy is definitely the most important. She has gone through the same experiences as Blonney. Arcanist living in human society and a lesbian. She knows what Blonney is going through so she's helping, in her own way. She's the one who makes Blonney start to accept herself, to accept the fact that she is the only one Jessica wants and the one who understands her the most. Blonney softens because of both, Jessica and Tooth Fairy.

Tooth Fairy was the key to Blonney's acceptance, and it's because of her talk to Tooth Fairy that Blonney treats Anne better, that she's willing to share more of herself, that she's more physical. It's not a coincidence that after slowly accepting the fact she's an arcanist (lesbian) that she gets more flirty and physical with Anne/Jessica.

This entire event was a way to talk about coming out, and I've watched this event so many times I wrote this out of memory. It feels this way because it's INTENDED to be that way. It's real, it's crude. It's so direct because that's what it is.

A coming out story, a horror story

A love story

[spiritsglade]

for the character ask game i would loooove to hear you go off about essence :))

[character ask game!!]

oh birdie you knew exactly what you were doing when you sent this in didn't you.

My first impression

I think I probably ran into her first in fic but I don't actually remember anything in that regard. First impression with the comic was that this was a character with a pretty design but somewhat... confusing of a storyline.

My impression now

God her canon portrayal is so annoying and inconsistent I SWEAR. Jason and her misunderstanding and misinterpretating what's going on and immediately jumping to kill each other has happened EVERY TIME and what is the point!!! Her backstory and motivations are so opaque and the flashbacks to their time together in the All-Caste keep on dangling the promise of an interesting story in front of me and then not delivering. Lobdell and Tynion IV when I GET YOU--

However I've thought about her too much and now I have brainworms. She is the side character I have adopted as my own. I understand her better than her creators ever will <3 (I have extrapolated a lot of conclusions from like 3 panels out of all her appearances. It is working out for me.)

Favorite thing about that character

The concept for her character. Particularly as a daughter to Ducra and one of the original Untitled. The fact she's been banished from the All-Caste apparently for not being willing to give up her "dark powers" when Ducra did? That's so interesting to me. It could be such a good parallel to how Jason's moral code causes a rift between him and Bruce. Tell me more. Lobdell you will surely explore this further, won't you? Lobdell aren't you gonna-- LOBDELL

Least favorite thing

Can I complain about Lobdell again. I will not. Instead I will complain about how her little like... intro narration box? You know the thing where comics will give you a little line to tell you who a character is if you don't know them already. Hers is that she's the "last human descendant of the All-Caste" which is just WRONG? She is the DAUGHTER OF THE UNTITLED. She is like, objectively not human at this point. JASON is the last human descendant of the All-Caste, maybe. Y'know, the first human they've taken in in over a century and the first in millennia to survive a cleansing? Y'know, that guy?? Also she literally reinstated the All-Caste at this point in the timeline why are we calling her the last human descendant. She's literally they're leader right now. I'm so mad I'm so mad I'msofmkgekmreklgm

Also I really don't like that her Blood Blades draw only the blood of the guilty or whatever like it does to Artemis in RH:O #45. Or the whole capturing souls thing in #35. I hate it I hate it I hate it girl please go back to fighting people with your smoke magic.

Favorite line/scene

I overall think the scene in RH:O #35 was bad but I do particularly like her lines here.

I have never wanted to lead the All-Caste... I am a soldier. Heart and soul.

Oh girl. Girl you are never escaping the legacy of your mother. Ignore the fact that Ducra is literally still alive even though we established that she died in the first issue and her ghost vanished back in RHatO v1 #27 I'm not mad.

Favorite interaction that character has with another

Her fight with Kori in RHatO v1 #22

I think using Tamaranean tech like this is very clever!! Essence is immortal, ancient, and very powerful, but alien tech was also a weakness for her back in Issue #7 and I think that's a nice touch.

Also the fact that Kori literally summoned her to try to talk and help Jason and they end up trying to kill each other for several pages is so funny to me. Like. In the next volume Essence also fights Artemis and possesses Isabel like... girl are you jealous that he's seeing other women? Is that what this is?

I think the thing with the amnesia arc where all of Jason's friends were trying to help him from different angles and with incomplete information and in the process fucked over each other's attempts forever could have been really interesting if written well.

Close runner-up:

Right before this Essence says:

We need to talk, Mother. About the great darkness that looms over all that lives. About a mistake you must at long last rectify.

It's giving the "I think we're gonna have to kill that guy" meme to me. And that was entertaining. These are the depths I need to sink to find hope.

A character that I wish that character would interact with more

ISABEL ARDILA. Genuinely fucking impressive that Lobdell managed to write them literally sharing the same body and have them not interact at all. I don't even know how he did it. He deserves an award. How does Isabel feel about this arrangement? How does Essence feel?? Like Issy you chose on purpose to pick up the sword again and keep letting Essence use your body in RH:O #49. Let's talk about that--no we're not going to? We have to move on and do Duela's arc and Red Hood: The Hill now? Oh. Oh okay. That's fine then.

Anyway I think they could turn the bodysharing into a beautiful symbiotic relationship if they tried. Essence/Isabel as a ship is slept on I swear.

Another character from another fandom that reminds me of that character

Jerboa III/Boa from Wings of Fire. Her mother (Jerboa I) was an animus (basically a dragon that can do whatever magic except raise the dead) who created her and then basically kept editing her personality and existence for like 2,000 years so she could have the ideal daughter. Obviously this is very fucked up. Eventually Boa catches onto this, betrays Jerboa I and kills her, but not before Jerboa I curses her. We don't talk about what happened to Jerboa II. (We know that she "went wrong" and Jerboa I "disposed of" her.)

Do you see the vision. Ducra implanting "pure life" in Essence's body. Banishing her when Essence railed against what Ducra wanted for her. Essence's entire life being dedicated to this fight against the Untitled. Like we are very much getting into headcanon territory with Essence when I make this connection but Boa manages to escape her mother and also the entire fucked up legacy of animus magic and I think that is lovely for her. Manifesting that for Essence.

She's also Hornet from Hollow Knight just a little bit. To me.

A headcanon about that character

She is more headcanon than actual canon substance to me at this point. Um. She has mommy issues re: Ducra. Her banishment from the All-Caste was because Essence refused to purge the "dark magic" (The essence of the Well of Sins she carried in her, the bond that tied her to the other Untitled that Ducra had long cleansed from herself.) They'd been having disagreements since the beginning of time that just happened to be what finally made it boil over. I'm still a little vague on this but I think Ducra setting up the All-Caste and the truce with the Untitled had some long term negative consequences for the world (like how in RHatO #5 the Untitled in Middleton, Colorado had the townspeople under its thrall). Essence doesn't want to spend the rest of eternity waiting for the day the Untitled inevitably decide to take over the world, but Ducra is all 'this is your duty' about it. Also remember that the Untitled are Ducra's siblings and Essence's aunts/uncles.

Anyway Jason's admittance into the All-Caste was the trigger for Essence acting out against Ducra properly for the first time. Him being this fresh new perspective so hellbent on vengeance really helped her realize that she wanted more from her life than to be another soldier in Ducra's war against her siblings.

Do you see the parallels I'm shoving in here between her and Jason. I am just saying.

A song that reminds of that character

Alas I must expose myself as a non-music listener. I'm sorry. Random Gods from the Rain World soundtrack that's the best I can do.

An unpopular opinion about that character

Honestly I don't think anyone cares about her enough for there to be popular opinions but uhh. I think this panel is incorrect about her and Jason's relationship.

Boy and girl are always there for each other.

Are they? Are they??? God I wish they were. Goddammit.

Anyway. I think Essence building the All-Caste was actually the most boring fucking direction to take her character but I can't even be that mad because she was barely a coherent character to begin with. However, her recruiting for the All-Caste... where the fuck is she gonna get these recruits for this secret old as time warrior monk sect?? Why exist at all when all the Untitled are allegedly wiped out (i.e. the entire reason the All-Caste existed in the first place)?? Escape from the shadow of your family's legacy come onnn Essence you can do it I believe in you!!! AUGH.

Favorite picture

Shoutout to RH:O #35 for having some really pretty panels of her.

ANYWAY THAT'S IT FOLKS. If you actually read all of my inane ramblings, um. Thanks! I'm normal about Essence.

[religion-is-a-mental-illness]

What's the story of Joan d' Arc from an atheist's perspective?

I'm still deconstructing religion and her story still holds a place in my heart for some reason

Neurological disorder or mental illness.

https://en.wikipedia.org/wiki/Joan_of_Arc

Modern scholars have discussed possible neurological and psychiatric causes for her visions. Her visions have been described as hallucinations arising from epilepsy or a temporal lobe tuberculoma. Others have implicated ergot poisoning, schizophrenia, delusional disorder, or creative psychopathy induced by her early childhood rearing. One of the Promoters of the Faith at her 1903 canonization trial argued that her visions may have been manifestations of hysteria. Other scholars argue that Joan created some of the visions' specific details in response to the demands of the interrogators at her trial.

Keep in mind that we don't have to be able to explain her "visions" in order to reject the "explanation" that she was in telepathic communication with a magical space wizard who invented the universe with a magic spell. Or even believe that she had these "visions" at all. We don't have to "disprove" what has not been proven. And the "visions" and their purported supernatural origin are not established, evidence-based fact.

https://en.wikipedia.org/wiki/Joan_of_Arc

Many of these explanations have been challenged; the trial records designed to demonstrate that Joan was guilty of heresy are unlikely to provide the objective descriptions of symptoms needed to support a medical diagnosis.

It's true that we can't reliably diagnose her from the trial records. Mostly because people were more ignorant back then and didn't collect the evidence or data which would enable us to use our better knowledge to explain it. But that's not our fault.

But it's also the same reason we can't conclude telepathy with a magical space wizard. What are the "objective descriptions of phenomena needed to support a supernatural explanation"? What are they? And why do medical diagnoses need objective facts, but not claims of supernatural magic?

We can simply ask ourselves, which is more likely: neurological disorder/mental illness, or telepathic communication with a magical space wizard? We know neurological disorders and mental illnesses are real, we have good evidence they exist, even if we don't have conclusive evidence that she had one. We don't have any evidence of a magical space wizard, so the medical diagnosis already has a massive leg up on the supernatural magical explanation.

It's worth noting that the people who reject these more mundane medical explanations for Joan are the same ones who will reject Muhammad's divine communications with Allah, on the basis of it being more likely temporal lobe epilepsy, schizophrenia or regular old fraud. And even reject that "god" told Kenneth Copeland to assemble a fleet of private jets, on the basis of him being an unrelenting, inveterate con artist.

So, in the defenders of this mythology, what you have is inconsistent skeptics who decline to accept similar claims on equally questionable grounds.

https://en.wikipedia.org/wiki/Joan_of_Arc

Joan's firm belief in the divinity of her visions strengthened her confidence, enabled her to trust herself, and gave her hope during her capture and trial.

Dumbo's feather strengthened his confidence, enabled him to trust himself and gave him hope. This paragraph is embarrassing, not to mention completely useless.

What this is doing is retreating from "this belief is true" to "this belief is useful." We have to ask ourselves whether what we're interested in is what's true, or what's useful.

A popular retort from the faithful is something along the lines of, why would she allow herself to be burned to death if it wasn't true? You've heard this before in regard to the "persecution" of the early Xians. This is, of course, only a measure of fanaticism, not truth. Islamic terrorists are so sure they're willing to blow themselves up, yet this holds no weight with Xians as far as whether Islam is true.

It's a real shame "god" didn't help her escape her captors as he did the Israelites, though. Him untying her, parting the flames and levitating her to safety would have been an even more compelling demonstration of "god's will" than the predictable outcome of a person being burned to death. But instead, he went, "nah, I'mma be mysterious."

[sanchezsimp]

Here are my random Rick Sanchez headcanons because why not!

TW: mentions of self harm !!

- He cries himself the fuck to sleep every night. If he doesn't, then he drinks until he's asleep, or works on a project. He can't just lay there, he'll overthink and get no rest.

- He often has nightmares about Diane or Morty

- He likes musicals. Because I say so.

- Have you seen how he likes his cereal?? I imagine he likes his coffee hella sugary too- With too much creamer, whipped cream, and rainbow sprinkles on top!

- He totally met and had a crush on Ford Pines. I know I ship them, but I headcanon that when they knew each other, Ford never actually returned that feeling. (I could probably elaborate on some of my Ford headcanons later... Oh! Maybe I can make another post of my headcanons for when they knew each other?) And they broke up (as friends) when Ford decided that Rick is, not only an asshole, but fucking insane.

- More on that last one-- I imagine that Rick would often have revenge fantasies about Prime. Constantly imagining the pain he wanted to inflict on him in graphic detail. (I headcanon that at some point, Ford found out somehow and was horrified.)

- He only stays still when he's overthinking. Otherwise, he's constantly stimming or making stupid noises (whenever he's not talking or occupying himself). He gets extremely fucking bored. He needs constant stimulation, always needs to be doin' something.

- He has scars on his arm and cuts frequently. He cuts in shame of how he's lost his wife, and in shame of the fact that he cares for Morty, because he's so afraid of losing him... And he cuts because it's him who killed her. Not him-him, of course, but I imagine he also holds himself responsible because it WAS himself... in a way. Does this make sense to ya?

- He has to resist the urge to rip his fucking face apart every time he looks in a mirror. Because he doesn't see himself anymore. He sees Prime. And it hurts.

- He HATES mirrors.

- I imagine that sometimes when he's drunk, he's more affectionate to Morty in a rather unsettling way. Like, he'll hug him and praise him, and Morty would be just confused as fuck (at first anyways, until he gets used to it lmao).

- He has green eyes. It just... makes sense to me? I dunno, maybe I'll talk more about my RaM eye colour headcanons later.

- I headcanon that he got like, some sort of crazy hair removal on his pits- 'cause he had a lot in Lawnmower Dog, and in the past in comics (like Flesh Curtains... some of it anyways. Their inconsistency with his hair bothers me.), then never again. Unfortunately. GOD, I miss that hair. (I'm so normal I swear-)

- He knows damn well he looks strange, and there is no actual reason. He's aware he's just a character, and so there is no real WHY he looks like that, it's just character design. And he's fine with that.

- He likes cute things. He just... likes cute things. He adores Morty and he adores adorable animals! I headcanon he has a soft spot for cats specifically. This is also based off of how he had Mr. Frundles and his only defense was "It was cute! FUCK!"

That's all for now- I'll post more of this if this doesn't flop, lol

Thanks for readin'!! And don't hesitate to ask for my random headcanons of other characters or fandoms, I'll be happy to write 'em!!

[angelkitty54]

Thoughts I had on Sally Acorn and her role as "Princess".

Look, there's a lot more active and unconscious sexism in mainstream media then we like to admit and let's face it, Princesses are rarely portrayed as possessing any form of power or authority despite their rank. Neither are Queens for that matter; always considered below the King in that regard. The Patriarchy at work.

And Princess Sally Acorn is unfortunately a victim of such misogynistic tropes.

The problem is, the Archie comic writers were determined to make her into another stereotypical powerless princess, but unfortunately for them, she was fundamentally not designed that way! Sally Acorn was created as the sole remaining heir to the throne; one not only fighting, but leading the fight to take back her kingdom! She was meant to rule, her character being designed to do so in fact. Which is a very large part of why she was so inconsistently written: when she was portrayed as a Princess she was meek and subservient, but as a Freedom Fighter she was fierce, decisive and a proactive leader!

When you really look into her character, Sally was not raised a princess, she was raised as the last remaining heir to the throne, meaning she was effectively raised to be King. And it shows! Sally, even as a child was leading the Freedom Fighters, was a regarded as being in a position of authority by those living in Knothole, she lead negotiations and forged alliances! She was already doing all the things a true Ruler is supposed to do!

Yet the moment her father came back she was effectively demoted to being a hapless little girl. To be fair, it does make some sense to an extent. Sally does not know how to be a princess, at least not by her very traditional father's standards. She's been searching for him for all this time and finally has him back, of course she'd want him to be proud of her. So, naturally, she'd try her best to conform to his desires, but she was always meant for greater things.

That whole thing she had with the "Source of All" and Sword of Acorns just further cements Sally's true place in the royal hierarchy. A literal cosmic or god-like force (whatever was going on there) wanted Sally to be Queen, and add an enchanted sword called out to her, wanting her to wield it? Anyone else getting the Sword in the Stone vibes here? Of course the writers forced her to not want it and give it all up, because reasons I guess, despite going out of their way to show us all how in universe Sally was the One True King of the Acorn Kingdom.

At least her brother and her boyfriend recognised pretty much right from the start who she truly was. Sonic had always campaigned for Sally to return to lead the Freedom Fighters. And Elias tried his best to support her, knowing she was a much better leader than him.

Not to say Elias wouldn't make a good King. He had his ups and downs, but the his character really shone in the Secret Freedom Fighter story arcs. You could really see him coming into his own then. With Elias taking on the role of heir, it frees up Sally to go back to leading the Freedom Fighters. Her authority was always recognised there at least; her own little kingdom as it were.

It's very easy to imagine the Freedom Fighters traveling the world as a kind of superhero team, lead by the power couple that is Sally and Sonic. :)

But if she were to take the throne, it definitely would be nothing like how they represented Queen Sally in the 25/30 Years Later arc. Not just because they completely nerfed her character entirely, also because Sonic never would have become King to start with. Marrying a princess does not automatically make you a king!! You have to already be a prince in your own right, or literally everyone else in line for succession, including your spouse, has to die for you to gain that title! Even then you'd have to have had some sort of claim to the throne to start with!

The highest rank Sonic could have feasibly achieved would be "Prince Consort", but logically his title would have been "The Queen's Husband" given he was a commoner. And let's face it, Sonic would happily be Sally's trophy husband.

But anyways, this has gotten long, so in conclusion:

Sally Acorn is the rightful ruler and One True King of Mobius. She would have made a damn great Princess and Queen if not for poor writing coloured by sexist views. But she is also just as much a Queen while leading the Freedom Fighters!

(And she totally should have kept Excalibur the Sword of Acorns! Tho her energy swords are cool too!)

[nogudfreak]

(huzzle drawing is still in progresmmbnnnb.....

i made by own ggg god ocs.. im very hesitant to post this luuul not only bc the lighting is bad and i had to use the big light but also bc they don't really feel all that accurate design wise ::"""^) or have that much "importance" or meaning like the main gods doo lool......... rambling about one of the characters is below the drawings if you wanna read that

anywho the gods of nursing, recycling/cleanliness/repurposing, and nature/conservation ((last two's names arent set in stone yet lool thinking of redesigning the nature god though......

the god of nursing is the most ""fleshed"" out (also stupif selfinsr photobomb possible redundant, wordy, and inconsistent writing. i did not proofread sorrey No name for nurse yet but she's well… the god of nursing, her land(?) town whtevr is more of a sanctuary for foster children (where my self insert originally came from...) and/or people trying to get back on their feet again. Nurse was abandoned pretty early on in life; two teens around 15-18 took her in as they were also abandoned and didn't want to see someone in the same situation as them possible get hurt or possibly die. As nurse grew up (around 17-19 now) under their wing, their found family (?) began to grow as nurse began taking care of a couple children who were in the same situation as her. While balancing this, she took up many jobs. Hoping to help feed her family and also fund her dream of going to nursing school (is this getting a bit ambitious :'')) bc im cool liek that, nurse does end up being able to go to nursing school. She passes, and gets a pretty decent nursing job. When she isn't at work she not only dedicates her time to spending time w/ her family she also begins working on a sanctuary. A place where she and everyone she considers family can live and take refuge in. As some of the members of her family grow up, they begin helping her out some in the sanc, After some time. they're then left w/ the decision to continue living in the sanctuary or go and live out on their own. This is how life is for a good while before she ends up being elected to be a god. I'm not sure exactly how her ascension would go lol. Why a praying mantis though? I just like them lol, it doesn't have a deeper meaning. yet annnd i think thats itt...... (( im not sure how speks note would affect her plot atm, ill thing of something later...)) these were all drawn at school so its a bit uhh....

[forgotten-lumis]

Guys, there’s still hope for purple Kairi to come back, right?

I’m really hoping this chapstick pink thing is all part of like- her “trying to mold herself to be more like Sora so maybe they drift apart less quickly” phase or something, because I personally kinda find it. A very unique color choice. (Especially in Kh2… god��) It literally is just a really red pink, and Sora’s color is actually just red, so it would make sense, no?

Like- why else would they include a slightly more purple pink shoved into some random lines hidden in the bottom right corner of her design, and nowhere else if it wasn’t meant to show her repressing her true self or something! Like- she can’t completely become someone else, but she can certainly try her hardest at it. (Also- this gives me a bit more hope since it shows they haven’t completely forgotten her purple. Please give it back-)

Her true color is literally purple I swear- Her eyes are even purple in like- so much official art- and really inconsistently in the games idk- but still!

Mark my words, guys. She’s going to get her purple back after having trained with Aqua. I mean, dark blue and light pink would make purple, wouldn’t it? That’s not the actual reason, of course, it would really be that she’s rediscovering who she is without the influence of Sora, and also not feeling like she needs him around at all times, or needs to become exactly like him in order to feel safe, and because she’s found a healthier way than this to cope with her trauma- but it’s still funny to think about that way.

Also, the fact that she adopted that Sora-esque pink color in Kh2 is really telling, specifically after she regained her memories and probably started to really feel the effects of being apart for an entire year. That’s when she really started to feel like they were drifting apart. Then the color change only got worse in Kh3- Then she literally turned into him in Melody of Memory in her own brain to fight Xehanort, him being the literal manifestation of her childhood trauma and the transformation being a physical manifestation of her coping strategy thus far, in order to beat him. Also didn’t she literally just yoink Sora’s battle pose- I feel like they’re trying to tell us something here, guys. She wasn’t associated with that color in BBS, or in Kh1. We can literally pinpoint exactly when the shift happened. Anyways- this post is halfway wishful thinking, halfway actual analysis and speculation. I’m going to go drink some water now, and you probably should too. Remember to hydrate, it’s important. 👍

[abacistat]

im currently reading red robin 2009 (i KNOW it took me forever just let me live okay i don’t even. god. this is a judgement free zone actually, justice for us slow comic readers like SORRY i haven’t read every run that has ever been released ever OKAY! im new to this kind of…as in last five months but STTTIIILLLLLL at least i’m reading the comics. not a lot of people can say that. let me be a slow reader.) (that being said i’m on the 10th issue rn ^_^)

ok anyway reading rr09 and i have soo many thoughts on it and so many drawing ideas but i have had a migraine since like. checks clock. tuesday night. it’s thursday morning. i did like a handful of drawing reqs on instagram but i couldn’t even finish them all cause god why does blue light have to make my eyes hurt??? why can’t i stare at my ipad screen with a headache(/s)???? wtf let me draw this is so fucked up. whenever this migraine decides to stop making me it’s bitch though i’ll be forced to finalize my tim design cause i really really really wanna make red robin art but my boy needs to be consistent… he’s so so so inconsistent rn… i’m so sorry. wanna do reference sheets for a lot of characters tbh….

do people do that??? can i just make a character sheet for a character that in fact already exists??? yeah. yeah i can idc if its unconventional actually. and if it isn’t, even better! def core four. def superfam. maybe batfam if i feel nice, like i love the batfam (sorry) but there is way too many of them??? okay anyway this is a really long winded way of saying i wanna come up w a complete tim design and i am asking for headcanons anybody has because i don’t have too too many ideas rn im SORRYYYY </3…it’s also five am so just let me go to sleep. but. yeah send me some tim headcanons i could try incorporating :-) feel free to yap ab them too im such a sucker for reading peoples little character studies <3 like yes how does that girl wearing her hair in a ponytail represent her struggles with femininity??? yeah. yaaayyy! ok gonna sleep now….bye

tldr; tell me your tim drake design hcs

[korns299]

Things typically made for girls (ex. high heels, bikinis, mini skirts) are designed to be impractical and humiliating btw. I don't think most people realize how demeaning they look, because we are so used to seeing them on girls. We are so used to seeing girls in the tiny micro thongs at the beach, having to be careful not to move around too much so that they don't accidentally flash everyone. All while maless get to wear the comfortable, covering shorts, that allow them to move as much as they want, climb up rocks, and run without having to double-check whether their fucking balls are hanging out. The comparison looks ridiculous. Just another example of girls having to perform in every aspect of their life, even when doing activities as innocent as swimming. Sex and gender debates often highlight the hypocrisy of gender activists. While they argue that sex and gender are distinct, they conflate the two when it benefits their agenda, such as in access to sex segregated spaces like bathrooms and sports. This inconsistency undermines the legitimacy of their argumensts and sidelines the concerns of womens who seek to protect sex segregated spaces for their safety and privacy. Marriage, from a feminist perspective, is often viewed as a trap designed to control girls's lives. The legal complexities of marriage and divorce disproportionately affect girls, making it harder to leave abusive or unhappy relationships. Property division, alimony, and child custody battles are often skewed in favor of mens, leaving girls financially vulnerable. Radical feminists question the necessity of marriage in modern society, arguing that it reinforces patriarchal control. But this toxic view of vulnerability only serves to distance TIMs from their own emotions and perpetuate harmful gender stereotypes. When they project this fear of vulnerability onto women and girls, it not only silences women and girls s experiences but also reinforces a damaging cycle of emotional repression. These xxs are present when you mock other xxs for their age. Young xxs ages 20-30 get bullied for having normal faces. 'Oh my god i thought you were 50' at a woman who is clearly in her thirties. Things typically made for girls (ex. high heels, bikinis, mini skirts) are designed to be impractical and humiliating btw. I don't think most people realize how demeaning they look, because we are so used to seeing them on girls. We are so used to seeing girls in the tiny micro thongs at the beach, having to be careful not to move around too much so that they don't accidentally flash everyone. All while maless get to wear the comfortable, covering shorts, that allow them to move as much as they want, climb up rocks, and run without having to double-check whether their fucking balls are hanging out. The comparison looks ridiculous. Just another example of girls having to perform in every aspect of their life, even when doing activities as innocent as swimming. These xxs are present when you mock other xxs for their age. Young xxs ages 20-30 get bullied for having normal faces. 'Oh my god i thought you were 50' at a woman who is clearly in her thirties. peanut butter: Why is TIB always gargle when were supposed to be slip?

[jazzajazzjazz]

My thoughts on DAV for anyone who gives a shit:

Heavy spoilers under cut (read at your own risk)

Stuff I liked:

* The abundance of book/comic characters that made appearances. I really enjoyed meeting a character and excitedly saying ‘oh it’s [NAME]!’ Evka and Antoine were absolutely wonderful and I adore them and would die for them

* The environments are stunningly beautiful, particularly Treviso. I also love how darkly oppressive and hopeless Hossberg felt. And the Necropolis are you KIDDING ME 😭😍

* Generally speaking I enjoyed the companions and how they were written. Emmrich was absolutely my favourite but I also loved Davrin and Bellara, and I found Neve and Lucanis very endearing also.

* Bellara being more than the token quirky girl was such a wonderful surprise

* The CC is SO fun to play with like wow

* Boss fights are pretty cool

* Act 3 battle in Minrathous was a lot of fun

* English fem Rook’s voice is fantastic and it’s so refreshing to hear a Geordie accent (my own accent, no less!) in DA

* Combat is a lot of fun and for the first time playing a mage in DA I actually felt dangerous.

* Ghilly is kinda cool I guess

Stuff I disliked:

* The romances are utterly lackluster. I romanced Davrin and while I adore the man and enjoyed the scenes I got with him there was barely any chemistry between he and Rook. By the time they slept together they had kissed twice (and that was in ONE scene). The flirty lines are barely even flirtatious at all. And why can’t we kiss our LI’s whenever we want? Why would you take that away???

* Why isn’t there any option to just….talk to your companions? Ask them questions? Ask Neve about her most infamous cases, her upbringing, who designed her badass prosthetic. Ask Davrin about his clan, how long he’s been a Warden, and about some of the monsters he’s hunted. Make the companions feel like they have….I dunno, lives?

* Why boast that your game has nudity when it doesn’t even make an appearance outside of the CC? Even then it was just tits?

* Where is the cruelty of Thedas? The injustice? The slavery? The racism? My Rook is an elf from Minrathous for goodness sake. (and don’t use this point of mine to accuse me of ‘fantasising about racism’ like one smoothbrained fuck on reddit did) But if you’re gonna establish that your world has these terrible things and then said terrible things just sort of vanish or aren’t mentioned then it looks like HR was in the room with the writers.

* Taash’s weird ass writing

* Inconsistencies in the quality of voice acting. I’m not talking about audio but the acting itself. Sometimes Neve’s performance was very weak.

* The music is completely forgettable and Trevor Morris should have been brought back. The theme that played during the boss fight with Ghilly made me exclaim (OUT LOUD) ‘The fuck is this shit ass music?’

* Why didn’t Maevaris have her gorgeous blonde curls what did you do to her

* Dorian was just there because Dorian. Same with Isabela. Thank god they didn’t bring Fenris back 🙏

* The Varric twist is just kinda dumb

* Solas doesn’t really act very Solas-y? 🤷🏻‍♀️

* Having to choose between Davrin or Harding felt so forced to me. Making it so the one you pick can die if you haven’t built up their loyalty? Okay, I can buy that. Especially since late act 2/act 3 of this game is very much a DA version of ME2. But I guess Harding will always be my choice because honestly even with the Titan stuff I found her boring

* Basically everything coming back to ‘it was the Elves!!!!’ is boring

* Rendering the previous games obsolete/pointless was a spineless decision made by the writers and I hope they feel bad about it

* The Executors twist is pathetic and ridiculous and I completely disregard it

* We could have had a quest where we rescue/encounter whoever was left behind in the Fade in DAI? Wow fuck you too

Companion Ranking

1 - Emmrich - everything I hoped for and more. He’s eccentric, he’s goth af, he’s almost excessively polite, and he is just an absolute delight to be around. He’s wonderful and I adore him. I will absolutely be romancing him next when I feel like doing another playthrough.

2 - Davrin - I’ll readily admit that I’m a bit biased because Davrin was my LI and is utterly gorgeous but that being said I love him to bits. I love his arc of basically working out how to be a dad to Assan. I love his confidence, and I’m a sucker for a tough guy character with a cute hobby. And I was HELLA invested in getting those damn griffons back.

3 - Bellara - I mentioned above that I was relieved that Bel was so much more than the token quirky girl and my god was she a breath of fresh air. At first I still wasn’t sold on her because of that tonal whiplash in Act 1 but once I gave her the time she needed I related to her more and more.

4 - Neve - Again I may be biased as I played a SD Rook and I love detective characters but I thought Neve was great. Her relationship with my Rook was like that of a big sister and I bought it completely. I love how she wonders aloud about problems and mysteries.

5 - Lucanis - I like Lucanis, don’t get me wrong. But I feel like he’s easily the most half baked and under-utilised companion in DAV by a country mile. So much of him just doesn’t feel finished, and Spite is just….barely there. He deserved better. Also, I get it. He likes coffee. Quit mentioning it all the damn time, game.

6 - Harding - Boring. Simple as that. I didn’t give a shit about Harding in DAI but at least she had a personality? Her whole thing relates to the Titans, one of most interesting pieces of lore in the DA universe, and they managed to make her completely forgettable. 🥱

7 - Taash - Felt like Taash’s entire existence is as an after school special/self insert. Their ‘growth’ was paced weirdly and their hypocritical attitude stinks. They came across so well in Vows & Vengeance and I was really looking forward to meeting them and was very disappointed. They do get better as the game progresses but it felt like it was too little, too late.

Final Thoughts

I’m an OG DA fan who has been here from the very beginning and quite frankly I loathe this game. I maintain that there are plenty of things to enjoy about Veilguard. If only if wasn’t a DA game. Sadly it is.

There are a ton of things I had to purposely ignore (retconning, weird dialog, characters acting out of character, etc) in order to enjoy certain parts of the game and I shouldn’t have to do that. It’s very apparent that long term fans of the series aren’t the target audience anymore and that ultimately feels like a betrayal. It stings.

I’m not giving a rating because I don’t do that but yeah those are my thoughts. I genuinely enjoyed parts of my time with this game but I mourn what this series has become and what could have been. So much of this game just feels….unfinished. Fuck this game and fuck BioWare.

[atamascolily]

The curious incident of the elephant in the night parade

The Rebellion Production Note includes a sketch of the "pumpkin carriage" that Sayaka and Nagisa ride in as emissaries of the Law of Cycles, which is good because we barely get to see it in the actual movie.

From face on, it's hard to see that there is, in fact, a pumpkin there, because it gets overshadowed by the pink circle behind it. The profile shot is not much better because Madokami's body blocks most of it.

(side note: love how the original Walpurgisncht pennants are re-imagined here, since Madokami moves under her own power instead of being towed.)

I also completely missed the cute little Pyotr (Nagisa's mouse-like familiar) on top!

The pumpkin is an obvious fairy tale reference and an allusion to Homura identifying herself as "the pumpkin" in the Cake Song. In the accompanying text, Inu Curry says that its color should be the same as the one in the Cake Song, but that changed somewhere in the animation process, because the carriage is orange and the Cake Song pumpkin is primarily green. Or is the carriage orange now because the squash has "ripened"? (for what it's worth, there are plenty of kabocha varieties that are green when ready to eat, so IDK if that's why, but it's the only thing I can think of off the top of my head).

Oh, and weirdly, there doesn't seem to be an obvious "door" to the carriage--even if it's folded up/not visible while in motion, it's striking that the window we do see is similar to the same window that has served as a symbolic representation of salvation via the Law of Cycles from the very first scene of the movie. Inu Curry's notes say that the window frame is white, just like that other window.

I had originally wondered why this carriage was necessary, since Madokami was theoretically only going to take Homura's soul away, not her physical body, but based on what happens to Sayaka in the ending of the original series, magical girls claimed by the Law of Cycles can vanish completely (body and soul), probably so they don't leave any unsightly corpses behind, although there appears to be some inconsistencies about this in Episode 12. But the carriage is such a great metaphor, I can't even bring myself to quibble about stuff like that.

So does Homura gets a carriage ride with an escort instead of flying off hand in hand with Madoka, because she's special--or does every magical girl get this treatment now? It doesn't really matter because Homura has her own ideas, but either way, it was a nice thought, I guess? Once again, Shaft goes for "what looks cool in the moment" rather than visual consistency.

In keeping with my ongoing obsession with the "peacock's tail" emblem that keeps popping up, I'll just say that the elephant's tail is the same shape and the knob on its harness has part of the same pattern... which does make sense because Walpurgisnacht uses that motif and this her repurposed elephant familiar.

However, there are some noticeable differences between the original elephant and this new version:

Walpurgisnacht's elephants from the original series and the Eternal recap movie have a different symbol on their sides - a sun-like drawing vs. the circle with cross quarters. There is a cryptic note here that I don't fully understand that says something like "emblem of the window god"--presumably Madokami?--but I'm not confident enough to say for certain what's going on here.

The ears are also different--the original elephant has a plain green ear, while the Rebellion version has a black and white series of diamonds with circles inscribed within them--another one of Homura's motifs, at least in the Rebellion Production Note.

Preliminary designs for Devil Homura's salamander motif featuring the same "diamond with inscribed circle" symbol.

Finally, both elephants' eyes are covered with "button-like" blinders, just like the horse on Homura's boat in the middle part of Rebellion.

Elephants are a symbol of wisdom, so the fact that they're blindfolded here is interesting; there's also the saying "an elephant never forgets" which seems pertinent in light of Rebellion's emphasis on memories. They are also a traditional vāhana ("mount" or "vehicle") of deities in Hindu and Buddhist iconography, which again fits with the mandalas and other symbols of divinity that Madokami and Walpurgisnacht share. However, I should point out that here that in this case, no one is directly riding on the elephant, as is usually traditional in these genres of religious art; the elephant is towing the vehicle intended for Homura's enlightenment/ascension/release and Madokami is not dependent on it for her movements. So, lots to unpack there.

(Also, if I'm reading the Japanese text right in the Rebellion Production Note, Sayaka wanted to use a helicopter instead, can you imagine?)

Another page in the Production Note shows the original design for the carriage, and I'm sad it got cut because it was rad as hell:

Sayaka, rolling up to Homura in this thing: "Get in, loser, we're going to magical girl heaven." *screeching tires*

The title of this post is an allusion to "the curious incident of the dog in the night-time" from one of the Sherlock Holmes stories and the "Night Parade of 100 Demons" (Hyakki Yagyō, 百鬼夜行) from Japanese folklore, which parallels Walpurgisnacht's original circus and this smaller remixed version in Rebellion.

[fishfroggshasathermos]

(Inanimate Insanity ep 17 rant)(spoilers)what the hell was that episode what the hell was that episode oh my god oh my god ohm ygod SCREAMING

i clicked on it when it was 1 minute out and i SFDLGJBMNVKJFLDR'EJLDFKJG i had to pause like 10 times to just compose myself after everything this series is INSANE its making me INSANE NOW I KNOW WHY ITS CALLED INANIMATE INSANITY OH MYG OD OH MHY GOD WHAT THE HELL

like legit i was watching the new BURNER episode that came out just before i saw this one, and when i saw the crumbling of the show i was thinking to myself that 'geez i cant trust anything after ii' AND LOOK WHAT VID COMES OUT

im so grateful to the ii team for working on such an astounding show such as this, i truly cant believe its gotten this good and this deep. i became a fan when s2 was just starting out, and i have a lot of fond memories binging the series with my friend all throughout gradeschool. now im in highschool and i still love the show. i hope theres going to be more though !!! im really hoping to get a happy ending for all the characters, or at least some more closure if a happy ending is too much to ask for.

haaaaaaa... now that i got my primary freakout out of the way, maybe ill go ahead and talk about what i liked about this episode

such high quality production as always man like II has been really good when it comes to voice acting, animation, sound design, and im glad theyve been keeping it up

THE WRITING IS ACTUALLY SO GOOD NOW TOO LIKE WHEN FAN STARTED PIECING EVERYTHING TOGETHER I WAS LIKE THIS IS REALLY COMING FULL CIRCLE ??? THEY PLANNED THESE TWISTS IT OUT PRETTY WELL i really like that in a story, shows theyve got intention with their themes

and the themes of inanimate insanity oh man!! i really like the direction the object show community has been going on this sort of meta commentary on the show itself, like i saw when i watched ONE, so seeing inanimate insanity go so much deeper now is a treat

in a way animationepic is mephone?? we are mephone?? everyone watching and making this show is getting a kick out of these characters' drama for entertainment and thats what we found out mephone has done to make them in the first place.. of course we as real people dont hold that responsibiity over fake characters. (which is what cobs and mephone think and must have thought too).

its a show about what is real vs what is fake and ultimately seems to be showing us that the relationships you form with others, those friends that you care about, can never really be programmed or faked out. the contestants rebel against the game and cobs because they want to live freely and because they want to protect their friends. its this love for life and others that makes us all human (well might not be the right word in this case hehe).

I FEEL LIKE ALL THE CONTESTANTS' PERSONALITIES WERE SO WELLSHOWCASED IN THIS EPISODE like their reactions felt real and believable for this kind of news, and everyone got a moment even if small (box was in too!!) (i really wonder if that theory i saw about box being a 'killed' contestant is right-- it seems like there wont be enough time to fit that backstory in but if they make that confirmed that would be so hype)

finding out everyone's personalities were pre-written by mephone4 in the last episode was one thing, but actually seeing them scribbled down in writing was so SJDKLA shocking??? it really slapped me with the reminder that mephone was pretty much just a child who was lonely and made his own friends.. his backstory is something i think about a lot i feel pretty bad for him :((( also imagine being the contestants and finding out god is basically a traumatized four year old boy

for some of the contestants, their programmed personalities i expected: cheesy is unserious, goo is inconsistent, salt is a trend setter and pepper is a trend follower. but a bunch of them came as a really big shock to me!!!

i think candle's said 'must be needed'? actually that works for her arc in iii but its still dangg that was embedded into her..

baseball having 'always strikes out' made me sob cuz THATS why he always seemed to come up short, i always had a soft spot for baseball he seemed to try his best but never really got it right.. and now its cuz he was made that way?

AND SILVERSPOON'S????? 'thinks hes worthless' OH MY GOD this guy this one had a lil kick to it

and does anyone feel like suitcase isnt rlly a backstabber cuz i saw mephone4 put that on her paper, and knife calls her that too but when i was watching those episodes her actions felt less like back stabbing and more like standing up for herself, at least in my view. i could actually rant about suitcase for a lot longer because GOSH my girl does not deserve any of this! im a suitcase supporter for life shes genuinely so nice to people even if they arent well-liked if suitcase has 0 fans i am dead! and she did so well this episode, the dynamic and conflict between her and knife is always *chefs kiss*

the plot was plotting this episode, really felt well-paced and tense, it was really fun to watch the scenes keep bouncing between all these groups of characters and i think they balanced the moving parts really well!

the ending. that goddamn ending. mephone taking cobs' hand again. when cobs extended it i just knew in me phone's face that he was going to accept it. hes still pretty much a young child. only a few months (years now ?) old. hes going to follow his creator because thats the one thing hes been taught and commanded to do. he just watched his whole world crumble around him, everything and everyone he made to escape this man and his cruelty, and he's just going to come back. of course he is. what else could he do now? hes got nothing just like cobs said he would. hes just a child and cant do anything right, cant have any friends that stay and are real and are his own. (the themes of abuse are strong in this one OH MAN)

graaaaaahhh

im really only saying good things yall might think im js a glazer but honestly this show deserves to be glazed ON GOD i would rant more but im getting a bit tired maybe ill edit this when my thoughts plague me with more ii visions at night WATCH THE EPISODE (wait actually u probably did if ur at the end of this post) WATCH IT AGAIN