#why doesn't anyone love me in a way that is comprehensible to me

[ivan-fyodorovich-k]

I think I'm going to buy this amplifier

[applecherryandpears]

BBC Radio 1 - 1997: The love edition

Can't believe that so many seminal Noel & Liam quotes are from the very same interview, either Noel's life + music crisis poured it all out of him, or the good moments are just indeed that good BTS.

Naturally, they were (allegedly) drunk. Liam wasn't supposed to show up but he changed his mind last minute, my headcanon is that he missed Noel judging from how well they got along that day.

I'm very friendly to my bed, I love my bed, and my bed loves me.

(Interviewer says Liam only gets better, Noel complains Liam doesn't show up for B sides recordings, Liam says he had a sore throat, and somehow, this comes to this.)

Love-love-love. Liam twists exhibition (oasis photo thing) into expedition and Noel's bullying turns into a live fantasy of marching down the south pole wastelands together to build heart shaped igloos, also Liam's shy. And fighting for his life.

There we have it, a recorded (half) confession.

Okay so here I find the "as long as ... for a couple of quids" holds some meaning as Noel goes a little rigid saying no. Can't ever meant this. but I can't for the life of me understand Liam.

Also Liam clears out that inspiration entails for him listening and understanding him without rushing into ill-made judgments and it's palpable he's at his limits with the media. Coincidentally the day after this interview he was tracked down by journalists, asking him if he had regrets over what he said, because apparently he swore too much and had people clutch on their pearls all over the UK.

Supersonic quote but in full. Mad for it, Noel says.

I'll be a really good uncle to Liam's child.

I could sum this one up with Pardon? but -- "that man is a bigger man than I am, why, it has nothing to do with you, but he has to deal with life and with somebody like me on top of everything else" yet by the end of that year it had all gone to flames. Also audio proof they did give each other birthday presents, not lost on me this one.

Noel truly cares about Liam's opinion but won't show it (nothing new ik) However that giggle at the end has my wonders.

Bonus:

In the honour of a 2024 magazine article deeply regretting Liam's menacing aura and rock n roll attitude from 1997

And, if anyone can possibly make out what Liam says Noel is pointing his way, this one maxed out my comprehension skills:

[hollowed-theory-hall]

Can you talk about your thoughts on hinny? I have no problem with people shipping it but to me personally it just doesn't work. It feels like Rowling tried too hard or maybe just wasn't good at writing romance and messed it up. Maybe it was too rushed? The ship doesn't work for me but I'd love to hear your views.

Okay, sorry it took a while to answer this, I actually have a lot of thoughts and I have posts on some of them that I hope to get out soon-ish. I also wanted to go back to the books to make sure I'm not talking out of my ass. But I don't like Hinny, never did. And my reasons are kinda divided into three categories.

Disclaimer: I don't have anything against anyone who ships hinny, it's just really not my thing and I don't see it working with the way I see their characters.

And that's like the core of it. I just don't see Harry and Ginny as compatible on a character level. That and their relationship never really read as believable to me in the books.

The 3 categories I mentioned are:

Harry's character

Firstly, I think Harry is gay. Not bi, but gay. I think he was never actually attracted to a woman and I have a whole post to prove it. So, because that's how I read his character, I just can't really see him with any girl.

(Now, I don't think JKR intended for Harry to come off as gay, but he did)

Secondly, he never thought about Ginny, like, up until book 6, and even during large portions of book 6, he just isn't thinking about Ginny as a potential romantic interest. And when he does think about Ginny in the final two books it never reads like he really likes her. It reads like they decided they are dating, but I don't think Harry knows why he supposedly likes her. He just decided he does, but doesn't know why. It was kind of the same with Cho, where he said he had a crush on her and was nervous around her, but if you asked Harry what he likes about her, his answer would be: "Ehh...."

Like, Harry doesn't really seem to know why he's dating Ginny, and neither do I. It's just how it's written.

2. Ginny's character

So, this is again my opinion, but I don't like Ginny. I just don't like her character. I wish her off the page whenever she talks.

And, when it comes to shipping, for me, I need to find both the characters involved interesting and fun for me to explore to ship them together and care about the pairing. As I don't like Ginny and don't really care for her, I can't really ship her with anyone, not really. It's not even like I hate her (not the way I hate Dumbledore), I just find a lot of her actions and behavior iffy and she annoys me more often than not.

I'm not going to list everything I don't like about Ginny (some of it appears in the rest of this post). But her treatment of Fluer, for example, really soured her character to me. Like, sure, Ginny's young, but, she's 15, and by that point, I think she should take responsibility for being awful to Fluer who was nothing but nice to all of them. Envy is not a good look for Ginny.

3. How they are portrayed together

Like I mentioned in the Harry section, their romance just never really felt there to me. The descriptions were off and left me feeling annoyed at their scenes together more than anything else.

Again, I'm writing a more comprehensive post about it, but the gist of it is that Harry's thoughts about Ginny in books 6 and 7 are weirdly detached for a supposed crush at best or outright uncomfortable for me to read at worst.

Now, we know Harry can describe characters he finds attractive in greater detail. There is none of that detail with Ginny. He only mentioned her hair color and that her hair is long and smells nice. Like, he doesn't talk about her eye color, her facial structure, eye shape (like he does sometimes with characters he does find attractive) — nothing. He doesn't even call her pretty once! At least he referred to Cho Chang as pretty twice in the series.

In the books there is never a scene (not even one) that convinces me they should be together. Like, they have no chemistry. They kinda remind me of Ron and Lavender tbh. They make out and are present in the same space often, but they never talk. Not really. I don't think Ginny actually knows Harry all that well because he never honestly talks to her about anything real. They don't really have chemistry or a relationship, they're just together. At least, that's how I always saw them.

And yes, Harry has his jealousy moments (that are portrayed so weirdly I always narrow my eyes at them to make sure they were actually there, but that's a whole other post about Harry's chest monster of jealousy), but he still doesn't really explain what he finds in Ginny. He doesn't mention she's attractive or pretty at any point, nor does he mention anything he particularly likes about her personality (except that she doesn't weep like Cho and is good at Quidditch. Neither of which are particularly good basis for a relationship).

Like, Ginny mentions why she likes Harry and that she does multiple times. Harry by contrast, just feels so incredibly uninvolved in his own relationship, to me.

Also, personally, I just find the setup of their relationship iffy. Like Ginny outright says she never gave up on Hary and always knew they'd end up together. It means, that since she was 11 (or earlier), she was crushing on Harry, never gave up on her crush, and considered them ending up together fate. She dated other guys to make Harry jealous and pay attention to her, and that's just really gross. I don't like her long obsessive crush on Harry or her treatment of the other guys she dated on her way to get Harry.

Proof of that, for those wondering:

“I never really gave up on you,” she [Ginny] said. “Not really. I always hoped. . . . Hermione told me to get on with life, maybe go out with some other people, relax a bit around you, because I never used to be able to talk if you were in the room, remember? And she thought you might take a bit more notice if I was a bit more — myself.”

(Half-Blood Prince, page 647)

She literally said she dated other guys so Harry would take notice of her. That just grosses me out.

So, no, I don't like Hinny (or Ginny).

[omniscientwreck]

I will preface this by saying that I haven't directly seen anyone trying to "cancel Smitten" but I've seen a lot of reference to it, and a lot of reference to people being very upset with him and I have a lot of thoughts about that.

Spoilers under the cut

Firstly, I think trying to make moral judgements about the goodness or badness of any of the Slay The Princess characters kind of shows a bit of a lack of comprehension of what the game is trying to say.

The voices represent feelings and impulses that get stronger based on your actions and the events you experience. Just like in real life, different people lean to different emotions based on what happens to them and who they are and what they nurture. This works because we feel all the emotions we feel and even the less present ones are still present in our minds and bodies.

So the Voices are that right? Feelings. They're slivers of you that have distinct voices to show the player how the characters affect and perceive each other.

What I've learned in therapy is that you have to acknowledge and balance your feelings and emotions. They are your helpers, but when things happen to us that cause us to favour one, it can take over too much and make us worse (my overwhelming shame makes me avoidant, non-confrontational, contributes to my anxiety, and outwardly wishy washy to make sure I am accepted by others).

Smitten has always been covetous, idealistic, obstinate, and naive. He is the part of you (as the Long Quiet) that desires the princess, not desire in the mostly sexual sense, but in the sense that he wants, he needs.

When you bear your heart to the princess, when Smitten takes over to get his happy ending, to get what he wants. He wants his happy ending. He wants the princess to be happy and he wants to protect her and he covets her.

None of these things are inherently bad, feeling these things doesn't make you evil, it's what you do with it that makes you evil.

The voices all internally push their agendas, they try to convince you to do what they think is right. They're balanced by each other, and by you making the choices (except when you can't, when one of them asserts themself over you).

In The Epilogue, when he is separated from you, he's alone, and so he doesn't have other voices tempering him and he doesn't have you to choose a different path. So he is all the things he is, and he is them uninhibited and unbalanced. He goes to his extreme because he isn't a whole person, he's just a sliver. This is why he manifests as a shadow.

This is just how he is, he is simply acting out of nature. And that hurts the princess and it hurts you but that's what the whole game is about. You and the princess hurt each other over and over again but that's not all of who you are, it's not your whole relationship.

There are many ways to hurt each other within Slay the Princess, and I understand the strong emotional reaction that comes with it, but in my opinion trying to cancel Smitten or to apply real world motality to anything within the game is reductive. This isn't to say that if you're triggered that you're wrong or bad for having reaction, but the Smitten isn't uniquely evil here. He isn't good and he isn't bad, he's Smitten. Can't judge him by human morals because he isn't operating on the same scale as we are.

It's fine to not enjoy things or to recognize that they hit too close to home, but I think that for me at least, that's the beauty of this game. To recognize myself in it and to process parts of myself that are difficult to cope with or love. And to understand that I am not one aspect or facet of myself, but that I am a whole person with lots of qualities and tendencies and thoughts that are good and bad, and to know that that's true of others as well. And to be able to explore that in fiction and see myself both in TLQ and TSM is incredibly powerful and one of the reasons I love this game so much.

[leebrontide]

Ok so I said I would do a post on “reasons you’re not writing” from the POV of a writer/therapist who works with anxious, depressed, and neurodivergent clients. If you dig that, read on.

But firstly, a disclaimer. This list is far from comprehensive. Don’t yell at me if your experience isn’t represented. This is a tumblr post. Have realistic expectations.

Also, sometimes the reason you’re not writing is that your other obligations are just taking all of your energy and focus. Fixing that is well beyond the scope of this.

That said, here’s a bunch of barriers I see people run into all the time.

1) You’re afraid of failing, and subconsciously feel like it’s safer not to try.

This is a tricky one, because it's probably messing up many areas of your life, which in turn means you're going to frequently feel stressed out in general, which speaks to the point above.

This is around about where the general internet will tend to offer you an array of affirmations to use to sooth yourself. And that's fine. If those work for you, then use them! BUT, if the affirmations aren't working, then friend you have a bigger project on your hands.

You need to get comfortable with failing, particularly at creative projects. I know that can feel scary and vulnerable, but you won't take risks if you can't fail, which is going to hem in your creativity so hard that your motivation will starve. This is why people talk about writing a garbage draft. Not because they want to make garbage, but because they need the option of making garbage in order to take risks. That may or may not work for you, but either way, you really might wanna look at how to lower your stakes.

2) You’re not sure what you’re trying to communicate.

You can make things happen in the story, but you feel like you’re wandering around aimlessly. You don't find you're making decisions with conviction. It might be hard to really fall in love with any of your writing decisions.

For this one, I suggest stepping back and figuring out what the core of your enthusiasm for a story consists of. That CAN be a message or philosophy. It can also be a feeling or a vibe or a dynamic. That gives you a structure that you can build your decisions around, that you can be enthusiastic about.

3) You switched hyperfocus. And maybe your new hyperfocus is a lot of fun, but you feel sadness thinking about the WIP you left behind.

This one has a similar need to the one before, with an added layer of nuance, because you're probably already struggling with identifying what does interest you. This can make people feel really hopeless and helpless.

I have three totally different suggestions for this one. The first is to just be patient with yourself. Sometimes it's good for your brain to just indulge, and let your brain mine for dopamine where it can. Like, lean in. Spa day for your brain, as long as it's feeling good.

Secondly, see if you can find creative ways to weave your hyperfocus into your writing. Is there a dynamic in your favorite show that can inspire your writing, even if it's an original work? Do you want to take a moment to think about how transportation works in the history of your world? Can you consider your MCs relationship to old movies?

It doesn't always work, but sometimes instead of trying to switch things over, you can build a bridge, that gives depth and texture to your work.

Finally- consider embracing short fiction! Do some writing inspired directly by the hyperfocus du joir while it's around.

4) You feel like nothing you say will be interesting to anyone else.

We understand this is a self-esteem issue, right? You're gonna have to develop the trust that your experiences are not so utterly unrelatable to everyone else that your perspective has no value.

Friend, you are a human, with human experiences, writing for other humans. Trust me, you can do this.

It can help to think about your actual convictions. What do you know? What have you experienced? What matters to you? Funnily enough, the cure for feeling like nothing in you is worth expressing is to pour more of yourself into your writing.

5) You’re collapsed. It’s hard to feel enthusiasm and energy for things.

You're not gonna like this, but for this one I encourage you to put your keyboard or notebook down and stop trying to write right now. I know that when you're feeling better the writing feels good, and you're trying to feel better because everyone is telling you to feel better.

But it's not working, is it? If it was, you wouldn't be reading this.

For many people, writing requires them to be able to feel investment and excitement, because those feelings help steer them towards what's going to work and be exciting for the reader.

Your best bet is to focus your energy on finding gentle little activities that aren't so hard to focus on. Ideally, ones that get you moving just a little bit. You'll have a better time writing when you're less collapsed.

Shaming yourself and getting hopeless and anxious because you can't do this really difficult task right now will make you more collapsed, not less, which will be the opposite of helpful.

And yes, these are depression symptoms. Consider reaching out for supports and assessment around that if you can.

6) You can’t figure out the next step.

Thank God for the internet, this one is a lot more actionable than it used to be.

The first thing to do here is step back and ask yourself "where am I getting lost?" If you have someone to talk this through with, even better.

Then you hop on to your favorite search engine and type in "Stuck on my outline 2nd act" or "can't get started editing" or whatever. People LOVE giving writing advice. There's plenty around. Read some advice! Try things out!

Now here is the critical point- when and if that advice fails, stop and figure out why it failed. For example, I have a short term memory disorder. Most writing process advice is for people who do not have short term memory impairments. So a lot of the advice just plain didn't work for me.

By figuring out that my subpar memory was in the way of my writing process, I was able to put together processes that work for my specific brain and my specific process. You can read about that in more depth here and here.

Frankenstien yourself a process out of stolen bits of other people's processes, with an understanding of your own personalized needs as the lightning that brings it all to life. If you have even traits of ADHD or autism or other forms of neurodiversity (no diagnosis needed) you might also google "ADHD editing hacks".

Finally, and maybe most importantly, chuck anything that you can't adapt right into the trash. I don't care how great the writer who gave the advice is. That's what works for their life and their brain. You have neither. Writing advice is only as useful as it is adaptable.

7) You think of yourself as someone who doesn’t finish things, possibly with history to back that up.

Oh, I feel this one. This was me so hard. For so long.

Make room for the idea that you can and will change over time. Getting shit done is largely a matter of developing a bunch of skills. You've already developed so many different skills in your life that you might not even recognize some of them as skills. But I promise you that you have.

But you see #6? Go read that one again. If you're not finishing things, it's because there's something missing in your routine and process that you haven't developed skills around yet.

I'm not gonna tell you it's easy, but you can find and isolate the barriers and figure out ways around them.

8) You have too many projects and feel frozen when you try to pick one to work on.

Ask yourself if this is a real problem. It may be! Maybe you dream of making a living off of your writing! That requires a level of consistency.

But it also might just be that you've had it drilling into your head that not finishing things is some kind of personal failing.

Write out all your WIPs and story seeds.

See if some of them can be mushed into one. Some AMAZING stories come from people combining story ideas that seem separate into a single story. That's fun.

See if some of them are not for finishing. What's that post going around? Some stories are for finishing, and some are just for "getting the wiggles out"? That's solid advice.

Maybe some stories are just for daydreaming on the bus. Maybe some stories are actually only 1/3rd of a story, and you want to leave it to grow in the ground before you try to do anything with it. That's incredibly valid and common!

If you actually look at the stories that you have that are for finishing, right now, you may find a much more manageable number. And if you only have like 2 or 3 things you're working on, you can just let them take turns as the passion for each project takes you.

Keep a file somewhere of these undeveloped ideas. I have a scrivner file that has each idea it's own little sub-document so I can add thoughts to them for years as they percolate.

9) You get lost in preparation and don’t make it to the page.

A couple different things can be happening here. One thing that may be happening is that you're just a writer who needs a lot of research and prep time before you write. I'm like that. I will prewrite intensively for a year before I write a single sentence. That sounds ridiculous to a lot of people but it works with how my brain works and then when I do start writing I can easily and happily churn out a consistent 2-4k words per hour. If it works it works! Don't let anyone shame you!

The other option is that you feel like you're going to get something wrong/fail/get in trouble if you get anything "wrong". You feel safer doing research, so that's where you stay.

Only you can figure out which it is. Introspect. Then you know whether to focus on managing anxiety or just keep preppin.

10) You want to write, but when you sit down to write suddenly it’s two hours later and you’ve written like 5 words but curated 3 new playlists, read some fanfiction, and argued with some strangers on the internet.

Brains are rough, aren't they.

There are two schools of thought here. Both work, but not for all the same people.

Option 1 is to clear distractions. Download one of those apps that keeps you off the internet. Put your phone someplace that you need a ladder to reach, so you have to very actively decide to go get it. Noise cancelling headphones. Comfy clothes. Protein rich snacks and a beverage within easy reach. Pee ahead of time. Make a routine out of it to train your brain into associating this with focus.

Option 2 is to figure out the optimal level of distraction. When I write nonfiction I almost always have mindless home renovation shows on at the same time. Because nonficiton writing isn't quite stimulating enough to hold my attention. So my attention wanders and I end up doing something that WILL hold my attention. When I write fiction, I need music OR to be outdoors where I can look at trees or clouds or people on the sidewalk. I can't watch any kind of TV.

Think of your attention like a pie chart. Different writing tasks may take up different percentages of that pie. If you're awesome at focus maybe you can just put 90% of your focus on writing, and the other 10% is just making sure you don't forget to eat or something. But if you can't reliably conjure up more than 70% for one thing, then fill the rest of the pie with things you can easily pick up and put down. I only look up at the home decorating shows when my passive audio scanning suggests it's something I want to look up at.

These are both good approaches. Ignore anyone who demonizes either. That only means they've found the version that works for them.

You have your brain. Build a process for your brain.

I hope this helps. I have a free monthly newsletter if you like hearing my rants. It is...not consistently about writing advice or mental health. One time I wrote about how genetically modified goats are related to French colonized Madagascar in the 1800s as well as the modern US military. One time I broke down modern challenges to medical privacy practice policies. This is all to do with what I write but in an idiosyncratic way.

Cause I gotta write about what I care about.

[aledethanlast]

Jeremy shows up to practice fifteen minutes early and finds Jean in the team lounge. "This is for you," he says.

Jean expects those words, like all the other times he's heard them, to be accompanied with a bright smile and flowers, or chocolate, or a plate of whipped cream to the face—don't worry, revenge was had—but instead finds himself staring at...a note.

White flash card, folded twice, one corner bent back down halfway for no good reason at all, and the memories hit Jean like a racquetto the head. How many of those noted had he been given? Shoved into hands without stopping to look and passed on just as quickly.

Jean is a man of instincts. Reflexes. Ingrained responses so deep the brain need not bother, for the body already knows.

And this note is a cue his body knows too well. One, take the note before anyone can think to come near it. Two, shove it into his pocket before anyone can see. Three, storm down the hall to tell Kevin that he is NOT waiting for 45 minutes again while he agonizes over a two fucking sentence response, and—

The door opens again, San Diego sunlight blinding him as two more teammates come in, and Jean remembers Kevin isn't here. Which means. Which means.

He unfolds the paper too quickly—it would've torn if it had been thinner, but the thick flash card just gets stuck. Typical. Holy shit, typical.

Thea's handwriting is the same precise script as ever (except the lowercase g's for some reason). The letters are smaller than the guidelines, like she didn't know how much space she needed to write everything she wanted to say.

Hi Jean. Kevin says you're doing well. Or rather, Kevin says that Jeremy says. Not that I think Jeremy would lie, but there's only one messenger I've every really trusted, and that's you. I'll be in SD sometime next week. Give me a call.

A phone number is scrawled beneath. No signature. Overall, it takes just over half the card; either she miscalculated or she had more to say but instead chose self censure. Both options are unlike her.

The myriad pieces of Jean's mind read the note, over and over, all slightly out of synch from one another so rather than comprehension he only gets nose.

"Jean?" Jeremy's had on his shoulder, concerned. Jeans hand jerks upwards, sharply, and then he brings it back down as he turns to face Jeremy, pretending he hadn't been this close to stuffing the note in his mouth. "You good, man?"

Good question. Great, even. Jean has a better one. "Who gave you the note?"

Jeremy frowns even harder. It doesn't suit him, brow furrowed like that when he isn't trying to run through a backliner like they're made of tissue paper. "Coach Rhemann came back from Texas this morning, told me Muldani gave it to him. With very specific instructions not to open it. I met Coach, he gave it to me."

Of course. Thea doesn't ask for things; it's the first piece of advice she ever gave him. If you want, and you can, then do it. Forget who might stand in your way; they can only try, same as you.

"Jean?" Jeremy asks again. "What did the note say?"

Thea wanted to pass a message to Jean without Jeremy in the way. Well, maybe fuck what Thea wants. Jean hands him the note. Jeremy skims it, raises a brow. "What does she mean, that she only trusts you?"

His concern, born of meeting Jean back at Abby Winfield's house and fed by the steady trickle of Jean's stories of the Nest, seems momentarily absurd. "The Ravens weren't allowed to date," Jean says simply, as he had many times before. When Jeremy seems to catch on, he nods at the note. "I was their favorite messenger. Well. I was the only one who wouldn't sell them out."

"Why didn't you?"

Because Kevin was his friend. Because Thea deserved better than anything the Nest could ope to give her, much less dare to deny. Because every breath Jean took in protest to that tar pit came filled his lungs just a little bit deeper.

"Because then I got to read Kevin's love letters."

Jeremy's eyes go wide. "Shakespeare?"

"Poe."

Some teammates turn at the sound of their captain's laughter. More turn when they hear him hit the floor. Jean gives them all a plain look.

He takes the note back from Jeremy's twitching fingers—it's best to let him wear himself out on such occasions—and stares at the phone number.

Thea does not ask, she acts. If Thea wants to come down here and see him, then nothing stands in her way.

Except Jean. If he doesn't call, if he doesn't show, he's sure she won't push. She will never call or text or write a note to him again and all he has to do is nothing.

The thought rumbles through the dark halls of his mind that still belong to the Nest, like a freight train pushing forward too much air, pushing, pushing until the wall ahead falls apart from the pressure and—

Sunlight. The lounge door is open again. More teammates, almost late, confused by their laughing captain.

Jean takes out his cell.

[ayeliiss]

My two cents on MHA430 and Izuku's character

Disclaimer: this is NOT a hate post against Horikoshi and his manga. Simply, I need to lash my disappointment out somewhere and write my feelings down before I implode. I'm not trying to sound like 'ugh, I know better than them' at all, although I am aware some of my claims may give the 'why does the author think he knows so much?!' vibes, but keep in mind this is just my irrelevant opinion and it won't change anything anyway. So, please, don't come at me with 'lacking reading comprehension' or 'you're coping' (yes, I am) because I feel like fans are allowed to be upset at this ending even if you think differently! To each their own opinion, as long as it's respectful! Also, this might be unnecessarily long so, I apologize in advance.

Discussion about Izuku's character

First of all, if you're satisfied with the ending and what Izuku did/became, I'm genuinely happy for you. Truthfully, I envy you so damn much because I personally couldn't stop feeling empty and crying at night for him, and before you come at me with 'girl, he's fictional, it's okay you'll move on', yes, I know I'm a drama queen and I shouldn't be in one hell of a state for a fictional character, but I can't help it. I've grown as attached to him as I've ever grown to any character before, and there's no turning back. MHA is the first manga that ever moved me this hard and it'll forever remain a masterpiece for me, but it doesn't mean it's not flawed and should be free of criticism (always with respect for Horikoshi's work).

Funny thing is, I didn't even like Izuku when I first met him. He was the typical crybaby and too-optimistic MC I tend to dislike when I read a manga. Yet, the more I read, the more I started to understand him, the more I sympathized with him, and the more I loved him. I realized I related to him to such an outlandish extent, though I know we remain different in the way we act or think. But Izuku, even before Katsuki (and my friends know how obsessed I am with this blond lmao), became my first and greatest over-fixation and my main reason to continue reading/watching MHA. This manga changed my life; Izuku did too, and this isn't an understatement.

Just like him—and probably just like many of us—, I've endured bullying, been made fun of for being different, felt unwanted and hated, been belittled, and treated like shit for most of my teenage years. I think that's what really endeared him to me. I wanted to watch him grow, to watch him make real friends, to watch him receive the apologies and respect he deserved, to see him succeed. I wanted him to realize he was worth it and loved and, oh God, I wish he could know just how much his fans do love him.

And for 200+ chapters, I got what I wanted. Izuku got to live his dream, be around his idol who recognized him, and made new friends who admired him and wanted nothing but to be by his side. Then, the Vigilante arc happened, and everything changed. I won't dwell on the fact that, for me, this arc was the beginning of the decline of his character. It's worth noting though that it's at this precise moment that we've lost track of all his thoughts, but I'll focus on the ending, and how the way Horikoshi handled Izuku's character remains my biggest disappointment.

I sometimes joked with a friend of mine, saying, "Hori's favorite character is Katsuki and it shows so much, he even forgets he isn't his MC!" but I don't think it's much of a joke anymore.

Again, I'm very happy for those who are pleased with Izuku's closure. But, honestly, I can't grasp their process of thinking (I wish I could) because there's no way I can understand how it makes sense. It's not about him being quirkless—actually, I think this choice was cool—, it's about his obvious fucking depression.

After his initial withdrawal, there is never any resolution. He has never talked about his feelings to anyone, never opened up about all the things that bugged him, never taken it out on anyone. He just stopped having development, and never learned how to 'control his heart' (one of the biggest plots of the story, remember???). So, he continues to take everything up on his shoulders by the end of the story, and eight years later, he is feeling lonely, as he says himself:

Yes, I can read, and I know he's also saying he's happy with helping/encouraging other people. But it's literally denial. Izuku is in denial and it hurts me so much. He's alone (I'm not talking about how he's barely seen his friends, I know they didn't abandon him or anything, I'm talking about how he is feeling in general), deprived of his dream, and never got to talk about it to anyone (at least, on-screen. And if it's not shown, then it didn't happen). Even the adults around him don't see he's in pain—or, at least, don't think it's worth addressing. Aizawa can't even simply answer 'yes, you're cool' when Izuku obviously seeks praise and needs nice words after everything he's been through. He doesn't even get fans (except for two, waouh!) after saving the fucking world. He doesn't get a statue, no recognition. Katsuki leads a project for him to get a suit, but not the government? After everything he did? Why isn't he more recognized and acknowledged for his hard work? Killing him would've almost felt like a better choice lol (#it's a joke).

Even if, in the end, he gets to join his friends again and be a hero with them, he's still not opening up. How is it sane/healthy for him???? How will he even be able to maintain good relationships of any kind if there are already so many and huge miscommunication issues?

I hate this—I dislike how it's basically saying 'his feelings weren't that important!'. Izuku deserved better, a better closure. So much is missing from him; from this bitter ending, and I can't find any way to make myself feel better or to cope with it.

I am devastated, I feel empty for him, I just want someone to take him to therapy, to help him.

Some rumors have started to spread, about how 'Horikoshi has been forced to shorten his manga' but I don't believe this—MHA has been SJ's money-maker for a while. And even if it were to be true, the epilogue could've been handled differently. Hori could've focused on the most important parts (that he hasn't even shown/resolved at all) and left the irrelevant ones out (why introduce a new character if not to make us feel hopeful to see Tenko again, lol). He chose to not address the most important aspects of his story (including his MC's resolution and growth) and left us with huge plot holes. And now, we're stuck with our imagination, as usual.

I just can't with 'open endings' and 'it's left to interpretation' stuff. It's too easy to do that. I'm tired of mangakas not taking risks, rushing their own plots, and not digging deeper into their own MCs' traumas. I don't know what happened, but among the many issues left regarding this last chapter, Izuku's conclusion remains my greatest ick. I'm so sorry to say this, but Izuku didn't grow. He never learned from his mistakes and just didn't change—oh wait. Yes, he did change on one crucial aspect—his biggest trait, being obsessed with his childhood friend, totally disappeared! Maybe he started to stop caring about 'Kacchan and the others' and put himself first, to the point of forgetting the said childhood friend died twice for him, who knows? :))) (yeah, I'm especially pissed off at this lol don't mind me).

In my imagination, I see him being a pro-hero who continues to suppress his feelings and continues to act recklessly, to risk his life in the face of any danger that shows up. This is what happens when you leave it to fans' imagination, after all.

I know fanfictions exist, and I'm very happy this unclear ending motivated some writers to challenge their creativity. For me, it had the opposite effect. I'm disgusted, I am angry at Izuku and I know I'll struggle to finish my fics where he's involved because I don't want to deal with his character anymore. I'm too attached to canonical representation.

Man, I'm just devastated. I have no other words. And I'll have to live with this for the rest of my life. I feel betrayed. Shitted on. I'm dying inside and there's nothing I can do because it's over. Just like this long-ass essay, btw lol. Thank you if you're still here, thank you if you've read this! I'm pretty much open to discussion so if anyone wants to try and reassure me over some aspects or respectfully explain why I am wrong (I know I probably am, yet again those are my own feelings), please don't hesitate to do so. Also, I definitely need friends with whom I could talk about this deeper... so, my DMs are open too if you'd like to!

Much love to Izuku though; one of the best MCs I've encountered in my life, despite how he turned.

[33446699]

Jungkook insta :

If this news is right ,I love jungkook for how he is standing up for him and for other K-pop idols ( jungkook did you read my last post 👀 don't be shy tell me 😭😭) and paving a way for other K-pop idols to not be mistreated in this industry,it increased my respect for him as an artist ,for not fearing and standing up for what he feels is right

Now coming to his account whether it was hacked or not ,anyone know nothing about jungkook and it kinda proved ,saying he can't stand up for anyone , and to those shaming him for not speaking up for his members when you know that kmedia is acting like vultures and members really can't support suga ,and calling him all sort of bad names and throwing him under the bus for what ?

Do you know him in real life ,the answer is no ,saying that he can't write in English,he is learning English for so long atleast respect the person you stan ,just because he don't communicate in English with his fans doesn't mean he dont know English,this is so sad ,so its hacked ,it's not his usual writing style so it's not him ,what is this behaviour?

Him saying goes to both HYBE and min heejin who is throwing new jeans members on frontline,so people who saying this he supporting MHJ as well ,is so weird ,how can you only pick one side ,as much as you think HYBE is using them ,MHJ is using them too ,NWJS fans should support their members not MHJ ,don't twist his words to support MHJ ,don't use selective comprehension skills ( this goes both to tokkis and Army's )cause he probably used English for this very reason

Army's are so insane to think they know what's the military timing to say ,he isn't allowed at this time to use phone and to post so it's not him ,it's definitely hacked , whatever military timings are in SK ,we don't know

We as fans should act like fans ,cause in the end we know nothing about these artists in real life ,and now when its probably not hacked and it's kinda of confirmed ,I love you jungkook for being a king like this 🤷🏼‍♀️😂☺️,for standing what you believe is right and for not letting anyone take advantage of any artist in this K-pop world

Anyone who stans members and then switch to throw them under the bus as soon as they find out for not fitting into their own narrative is not an army.if you stan Stan properly ,we as fans should know our limits ,I don't know why BTS fans are so ready all the time to judge him ,if he is doing something unusual,its doesn't mean he cant lets not cross our boundaries and give him the respect,love and treatment he deserves without judging his every move

People are still saying he ain't the one posting this and bighit didn't confirmed this ,still support jungkook and don't say anything weird ,hacked or not , official or not ,we should support him without putting our own feelings on front 🤷🏼‍♀️

Now coming to tokkis if he is the one posting ,he is supporting the new Jeans members not MHJ , please don't include MHJ in it ,care for your artists not artist CEO,it's so wrong to see using him to say he is supporting your artist and MHJ too and then throw your own members with MHJ HYBE problems

[tamelee]

Just a little rant about HOW MUCH I FUCKING HATE NARUTO FANBOYS OH MY GAAWWWDDDD besides the obvious reasons (homophobia, misogyny, incels) they worship the shit outta the worse characters ever like Shikamaru and Itachi and Hinata. Like I just saw on the Naruto Reddit (my fault, I know, but I searched something up about Naruto and the first link discussing that was Reddit) and they all used that stupid dumbass filler where Shikamaru was asking his dad about Naruto and why everyone hates him and how he doesn't hate him (even tho in CANON he did 😤) and they all said not only is he a better friend to Naruto than Sasuke ever was but (here we go again) Sasuke's more of a brother 🙄 and they also said Sasuke treated Naruto like trash and was the worst friend 🤦🏻‍♀️ like it's so insane to me the dudebros lack of brain and reading comprehension. Like how do you as a grown ass man not know the difference between what's actually real and what's not about what you're watching? Or maybe it's that they just hate Sasuke so much and how much Naruto loves him and keeps talking about him and how he's his best friend in canon (he said it way too much for me to believe that even these ugly incels couldn't understand) that they'd rather give the credit to someone else that isn't a threat and doesn't make Naruto act borderline homosexual. Oh and they obviously ignore Shikamaru's blatant misogyny and still consider him the best thing ever because why would they care 🙄 anyway end rant, sorry. I just hate this fandom 😭 I stay on my side of things mostly (well, other than this one time. But when I do I just rant about it to someone and move on)

Ah yeah it’s frustrating isn’t it? 

I think it’s obvious if you’ve read the Manga. I wonder if they’ve only seen the Anime and just don’t bother checking what is canon first. So much is changed from Kishimoto’s original. (Has anyone seen that twt discussion on filler? I’d love to read your opinions on it.) 

I mean, Hinata’s supposed backstory with Naruto is just ridiculous, but I don’t understand why people think Naruto was friends with any of them? Even if it’s shown in filler that Naruto was around them or they asked their parents about Naruto... what makes fans say they were friends? 

Sasuke was the only one who acknowledged Naruto with a smile and they weren't even friends until much later.

Right before the exams, Shikamaru tells team 7 not to die. Not because he’s worried for them, but because he believes they’re not capable, largely because of his lack of faith in Naruto. While Naruto calls them idiots and insults both Shikamaru and Hinata as he introduces them to the reader. 

'A big mouth idiot' and a 'weirdo' (I believe he actually also called her creepy but I can't find the translation, but remember when Kushina told Naruto not to go for a weird girl? She used the same words xD) And then Shikamaru immediately wanted to target Naruto in the forest of death.

Had either of them at any point been friendly to Naruto or whatever, then we would’ve known here and Naruto wouldn’t have insulted them like he did (as is his right) because he craved a connection more than anything. It’s ridiculous how the Anime at times just blatantly ignores the lonely misery Naruto had to grow up in (ALONE) in favor of these other characters. As if sugarcoating that would make any of them look less bad. And don't get me started on Hinata during that written test because it's no wonder Naruto got so confused and didn't trust her "kindness".

Regardless, I think a lot of Naruto-fans who tend to glorify any of these friendships and extending it for what it is largely do so because they side with a narrative regarding the system and don't get why Sasuke (and others) challenged it in the first place. Brushing it off like it was some evil, selfish thing. I personally like Shikamaru's development and who he is as a character in the end because him showing change might've been very helpful in actually changing the system had they worked towards that. But you know... we'll never know.

[isa-ghost]

happy early borth use me as a vessel to infodump about your qphil headcanons immediately that’s an order >:D

This too-broad I Just Wanna Hear You Be Abnormal About Your Guy prompting thing is gonna become an inside joke between us I s2g

I think rather than hcs I'm gonna go on a rant about this sTUPID MOTHERFUCKERS WACK ASS BRAIN. YOU ARE YOUR OWN BIGGEST EMOTIONAL DETRIMENT, YKNOW THAT qPHILLIP MINECRAFT? GOD.

This entire thing applies to AMFMN Phil btw

That son of a bitch is such a MESS. He's so deep in his own bullshit he doesn't even see the times he contradicts himself or acts like a hypocrite.

He has to care for everyone (he feels obligated to as the Usually Oldest And Wisest + being constantly put into the paternal/caretaker role) but god forbid anyone takes care of him, even when he needs it most. When people take care of him he feels like he's failed somehow and he gets this not-quite ashamed or embarrassed feeling, but still Distinctly Uncomfortable And Awkward nonetheless.

He's like thousands of years old and has had more life experience to handle stress 100x heavier than "just a scratch" or "feeling a bit sad." He's spent decades just fucking around risking his life in hardcore mode, which puts near-constant strain on a person. Which has definitely warped his perception of what's too much for himself. He has a HUGE problem with being too critical of when something is or isn't Enough to be "worth" letting himself be upset or down for the count for a while. (In AMFMN he's going to be told straight up he Should Have Literally Died with how bad of shape he'll be in and that's the only reason besides his body being in literal physical shambles that he's going to remain bedridden during the recovery arc).

It's so foreign to him between his habitual isolation (hc life), rarely actually being taken down long-term by any threat, and his own evasion of being the one depending on someone that he just. He doesn't know what to do here. It's like putting socks on a dog and watching them try to walk all weird, he's like What The FUCK Is This?? How Do I Navigate This Situation?? He hates it.

Also survivalist brain hates feeling vulnerable in any way in general obviously, so that's another factor. But FUCK MAN sometimes you NEED to, it's HEALTHY even!! You dumb ass motherfucker!! Like yeah he'll cry, but not in like a Go To His Room And Let Himself Break A Little way, in a "these extremely stressful circumstances are actively happening/ongoing and it's overwhelming me so badly that I couldn't hold this back if I tried" way. Case in point: Ender King's initial arrival and how the kids couldn't see anything, or his actual possession and telling Tallulah to flee.

Alternatively if something involves not him but his loved ones, THEN he'll cry. Assuming it's not something he can do anything about (bc then his default reaction is Pissed The Fuck Off and preparing to throw infinite hands). Case in point: the goodbye letters pre-Purgatory.

But generally speaking this idiot is SO BAD at emotional self-care and letting himself be the one looked after for a change, it feeds into a lot of his other flaws (ie: being strong all the time & how he pushes that on Chay). But like. It's not just done out of refusal due to stubbornness.

It's fucking tragic, honestly. He's spent So Long being this way, he just straight up genuinely doesn't know How to be in the reversed role. Like even if he Wanted to be, it's so beyond his comprehension now that he doesn't think he Can. And a shred of why he continues not to just Start is bc he knows deep down that there is SO MUCH shit he's bottled up and buried or ignored over time, esp ever since The Nightmare, that if he let himself stop being a brick wall he'd crumble for so long he doesn't know what he'd be like once he recovered, or if he would even bounce back properly. And he does NOT like the idea of being irreversibly fucked up by properly digesting the trauma and grief and stress he's been through over the last year.

He'd rather truck on and "keep it together for the kids." :)

[suttttton]

Oh gosh, so i just read your jonelias fic, the soulmate name one where Jon has Jonah magnus on his arm and he's all lonely. Boy did this entirely rewrite my brain actually. So i thought i'd ask, do you pretty please have some crumbs of how you think the story could wrap up? Like would elias try to woo jon? Would jon refuse him because, jonah magnus? Do you think the gang would find out about the whole body hopping thing at the same time as in canon or before, because jonah just drops the ball?

Also, maybe i just have piss poor reading comprehension (i kind of do tbh) but why did jon stop talking to the portraits after leitner's death? Did he just go like, oh that's creepy elias might be watching actually. Also i'm wondering what the tim&jon argument was about... Oh, them being trapped here because of jonah magnus himself? I guess that would explain it. Generally any tidbits of information you'll be willing to share, i want to hear it all i love this fic so much it's so good.

Would Elias in this au be more gentle and less willing to throw jon at every horror ever? Or is it sad toxic yaoi?

Sorry for rambling uwu ahah

(For anyone who doesn't know, this is the fic in question.)

I'm so sorry it's taken me 60+ business days to respond to you! This ask inspired me to write a little bit past the ending, which took some time, and then I got my job at puppy kindergarten and completely forgot about until.

UNTIL just now when I found it in my drafts, SO part of that is at the end of this answer under the cut.

To answer your other questions: Jon stops talking to the portraits because he finds out that Jonah Magnus was a Bad Person. Jon has been imagining Jonah as a character something like Gerry, burning the Leitner books and protecting people. After he talks to Leitner, he knows that Jonah was,,,,,,,,,,,, not that.

As for Tim and Jon's argument, I think during that s3 era of canon, they get into a lot of fights that basically boil down to "Tim is very angry that they're trapped here and Sasha is dead and Danny is dead, and Jon is his only available target." And in this world they have the added twist that Jon has been metaphysically assigned to The Evil Guy Who Started It All, which,,,,, does not help.

Thanks for your ask! I really like this story and it's been really fun thinking about it further.

EPILOGUISH:

The moment hangs suspended, Jon's eyes on the floor, Elias' locked on his own name scribed on Jon's skinny wrist like an accusation. His head spins with a rush of emotion, nothing he is prepared for, nothing he ever expected to feel again.

Then Jon's gaze flickers to his wrist, registers the alien colour, and his eyes widen and he jerks his hand away, shattering the silence. Jon cradles his wrist like it hurts, staring at it with his mouth slightly open.

Elias braces himself for Jon's gaze to come back to him, to look into his grey eyes and realize that they are far too old for his face, for him to make the connection. A moment passes, then another, and Jon just stares at his wrist, one of the immutable columns of his life suddenly upended.

Elias skims his mind, curious, and he has to stifle the urge to laugh.

Jon is thinking, with a racing mania that borders on panic, about ghosts.

Elias feels an enormous rush of tenderness towards him.

"I don't understand," Jon says finally, quietly. More to himself than to Elias. "This--this can't--"

Elias decides to twist the knife. "Perhaps our founder is pleased that you've aligned yourself with his god."

That gets Jon's attention, and he looks at Elias with fear in his eyes. Yes, yes, this is what has so thoroughly captured Elias' attentions these pasts few months. The way Jon's mind stutters and slips, trying to find purchase on his panic-smoothed thoughts. The way his eyes widen, showing off the lovely darkness of his eyes. The way he trembles and hates himself for it, his tight grip holding his control close.

Jon goes, and Elias' eyes follow him. He sits down behind his desk and smiles.

***

Jon doesn't register what Elias says to dismiss him. He simply rolls his sleeves down and returns to the Archives, avoiding his assistants like a man hunted. He sits down at his desk and his sleeve rides up his arm, revealing the accusingly black edges of his soul mark.

So he gets up and puts on his coat, the thicker sleeves making him feel more thoroughly covered, more protected from prying eyes. He sits down again and tries to relax, tries to turn his mind back to the research that so desperately needs to be done, the end of the world at stake--

His mind keeps wandering, imagining one of the others coming in and demanding to inspect his soul mark.

Never mind that no one has ever done that, that no one would ever do that. He can too clearly imagine what the reaction would be, if any of the others found out what has happened. Bad enough to have the name scrawled on his wrist; to have the bond suddenly, impossibly accepted? What ideas would the others draw from that? What conclusions could they possibly come to?

What if Tim saw it?

What if Daisy saw it?

What does it mean?

He gets up again and leaves the Archives, not sure where he's going, just sure that he needs to move. His mind is racing, and he clutches at his wrist like it hurts. Nothing makes sense, anymore, not that it was making much sense to begin with.

Nevertheless, the shock is familiar. All of it is a plunging from stability into cold loneliness, all of it terrifying. He doesn't want Jonah Magnus to accept the bond. He doesn't want Jonah Magnus to be a willing servant of evil. He doesn't want his soulmark to be grey and unnerving. He doesn't want any of this.

His wandering takes him past a portrait of Jonah because it's his Institute, and they are unavoidable. Jon has been trying to avoid their gaze since he returned from his Elias-caused exile, but now he stops. He studies the face that he knows so well, that is as familiar to him as any of his flesh-and-blood acquaintances.

He shivers.

[ellecdc]

Evan Rosier

name: though he doesn't have a conon middle name the fandom had taken "Antonin" to be his middle name, making him "Evan Antonin Rosier"

family: pure-bloods and of the scared 28,blood supermistists and deatheaters, so very Black family coded, he was a very quiet child living on a house who treated it's residents as strangers so there wasn't as much abuse like in the house of black (where wellbugra shoves her nose into everything) but there was also nothing of love and care on the house, basically they only cared for each other in front of people and if you made a mistake, you will be beaten,he did get yelled at lots though:)

the way he is: he very chill, goes with the flow most times, idk about others but to me he's always been the tinyest bit whimsical, as crazy as barty when pissed, on that note he's barty wearing regulus clothing tbh💀the type to not get random crushes instead needs a connection with the person first to see as anything more then a friend, hides his feelings often, posh-ish, coffee addict, likes physical touch with people he's close to, loyal to a fault, a tease, he's smart but dumb?? as seen from moody's missing eye, he's powerful (in spells at least), remus if he was a slytherin, he'd also act indifferent/cold at first maybe even rude,is the type to meet the first time,say something rude but flirty with a smirk and leave,

why is he all of this: i think that bc he just knew he was better off quiet in his family, he built his personality around it, creating the "go with the flow" or the "idc" mentality where he actually just doesn't think his opinion matters,so lots of room for character development:)

interests: art, skating, music(say apelocalypse by CAS), books, listening to others, teasing people

dislikes: like i said he's pretty chill so that isn't a big issue to him, though he does watch anyone who he hears alot about from his friends, making sure that the person is safe, so he dislikes people he loves getting hurt, and he would do something about

guilty pleasure: I'd say teasing people then leaving them, he's pertty hot soo-

pet peeves: i think it would be people ignoring others /speaking over others bc he knows what that feels like

keep in mind that this is the maruaders era and everything is possible with everyone

if you have any other questions do not hesitate to ask:) 🩷

("if you give the fans a barty, they might ask for an evan"PFF-😭)

what do we think, friends. is this comprehensive Evan Lore? anything to add? thoughts, comments, questions??

[exo-raskreia]

you'll probably won't see this message but i'll send it anyway lol.. i love you speak your mind about how the ichihime ship isn't that great and has all the facts to bring it show that you're right. i always felt scared to say i don't ship ichihime cuz they're are alot of shippers that can get so intense about it. i always say that ichihime is a cute ship and they have their moments(i don't feel that way at all lol) cuz i don't want to be attacked for not liking how their story played out. twitter is a scary place oml💀 and they made me sorta believe that ichiruki doesn't have any chemistry and they're just siblings when i knew in my heart like yes they do have chemistry and are the superior ship. like ichigo cares more for chad and uryuu then orihime. but since their canon, i guess their love for each other is supposed to be legit. apparently ichigo sees his mother in orihime so i don't understand why that's not a turn-off for the shippers😭so yeah thanks for making me go back in my bleach fangirl era and making my 10-year old self to not feel guilty and stupid shipping ichiruki

Wow, thanks so much, anon! And ur welcome! I will forever be on IchiRuki's side no matter what anyone says 😤.

You don't have to be scared to support what was, and still is, the most popular ship in Bleach (and rightfully so). There was no real ship war during its run (despite what the antis try to claim now), as IR was shipped by most of the fanbase. IR had everything you could hope a M/F ship to have in a battle shounen, the most solid basis for becoming canon with just one more step...and yet... (Kubo fumbled 🙄). The theories on that are interesting...

While more than half the IR fandom is no longer active after that disastrous ending, it doesn't mean they're not still out there. I've seen even non-shippers still praise IR & see it as wasted potential & whatnot (triggering antis in the process 🤭). Not being canon doesn't take away from the fact that it is still the superior ship. Anyone with reading comprehension who reads the manga will see it & wonder why they didn't end up together.

IH was never popular in Japan. It was always far below IchiRuki & UlquiHime (Ori's most popular ship 👀. Kubo achieved in ONE arc what he couldn't achieve for IH the entire manga, like-). To this day, those 2 ships get more content than the canon ships 😌.

The antis are just triggered that despite becoming canon, their ship is still. not. popular. IH doesn't have nearly as much content (both canon AND fanon) as IR & UH despite being canon for almost 10 years. Yes, Kubo himself doesn't care enough to give them even one family sketch 🫢.

Compare that to the Naruto endgame ships (mainly NaruHina & SasuSaku), which have way more official AND fan content. Those were always popular, & still are, 10 years later since becoming canon. Pro-Bleach ED fans love to compare their ships with Naruto's yet are nowhere near as popular.

The IH's really thought they would get the NaruHina royal treatment after the ending (you know, like a movie, official drawings from the creator, interviews saying they were meant to be, merch, etc.), but instead only got a novel that wasn't even focused on them (Ren/Ruki is more popular than IH but mainly because of Rukia 🤣), which vaguely went over their so-called "development" & had chicken scratches a rough draft of a sketch for their ship 🫢. Kubo also said in an interview that IH tried dating in college once but then broke up, later getting back together at some point. Super vague. And mind you, all this happened AFTER Rukia's wedding 🫢👀. So, we can only guess what was going through Ichigo's mind- Doesn't sound like Ichigo was all that interested, huh? Yet the IH's claim he was madly in love with her & "came back to life for her" & whatnot. Almost 10 years later & Kubo still can't be clear on when Ichigo supposedly started to "fall" for Ori despite being his "intended" endgame 💀.

The WDKALY novel has such OOC content on there, like it can't be taken seriously. Apparently, Kubo barely had any involvement with it anyway? Those sketches he drew sure are telling, esp if he calls his drawings here as a "rough draft" 💀

"Chicken scratches" for the canon ships, fr 😭.

RR is another dumpster fire but also more meh for me so I don't have to delve into that one, however, here's a post I once made where I go over why I don't truly believe Renji had feelings for Rukia. Meanwhile, Rukia's sad expression on the novel cover & the sketch of heading to the altar with a scared expression (not even when she was headed to her own execution did she look like THAT) say it all anyway 🫢.

Oh, man, there's just so much to make fun of for the canon ships. Even when we lose, we still win. IH's have no content, so maybe that's why they're so bitter & IR & its shippers still live in their minds rent-free despite them calling it a "dead ship". You would think they'd happily enjoy their canon ship & yet... They get triggered whenever IR fanart garners thousands of likes on Twitter 😩...

So, anon, I suggest not to engage with antis, esp on platforms like Twitter & Reddit. They're cesspools full of dudebros & loud IH's. Ignore, block, &/or mute them. No need to try arguing with them & please do NOT cater to them. Do NOT give them the validation they don't even get from Kubo himself, nor his affiliates (LMFAO). Use that energy to look for other fellow IR's & enjoy IR content (and maybe anti-IH content in the right places; you can explore that tag on my blog if u wish 🤪).

As an old saying in this fandom went, "Keep Calm & Ship IchiRuki."

[illuminatedquill]

Sabine Wren (A Quick Study)

The Seven Second Slip

So, let's talk about the Sabine and Ezra reunion scene in Ahsoka for a quick second.

I've talked in other posts before about how Sabine's innermost thoughts and feelings in this show are deliberately with held from the audience. Our favorite Mandalorian Jedi is not the easiest person to read, often to the detriment of herself and the people around her.

Sabine serves up so many different emotions throughout the show: anger at herself and at Ahsoka; excitement at unlocking the sphere to reveal Ezra's location in the other galaxy; fear at the potential loss of her only path to Ezra when Ahsoka contemplates destroying the map to prevent Thrawn from returning; despair when handing over the map to Baylon; determination in her battles against Shin, despite the difference in their skills; joy when reunited with Ezra again for the first time in a decade.

And, as usual, her trademark Sabine snark. Always reliable.

But all those emotions are a part of this mask she's kept up for a long time. Like I said before, the audience is never explicitly told or shown how Sabine is feeling/thinking throughout all this or why her drive to find Ezra is so all consuming that she betrays all he fought for to save him.

All those emotions I mentioned before stem from the same root feeling. And all the major characters around her - Ahsoka, Hera, Huyang, Baylon, Shin, and even Grand Admiral Thrawn himself - can only comment on what they see from Sabine in the moment they encounter her because the real feeling is buried deep.

Buried so deep that not even Sabine probably knows or understands what she's feeling.

But there's a brief moment - seven seconds, to be exact - when that mask slips.

And we see what's really buried at the heart of Sabine Wren.

"I knew I could count on you."

Sabine whips around, instantly recognizing the voice.

Stunned disbelief. Slowly dawning comprehension.

A slow, half-smile. The realization settling in. Sabine lets out a surprised breath, part laugh, part sigh of relief.

And then there's this. She takes a deep breath, exhales, and . . . looks at Ezra. It's like all the weight has lifted from her shoulders and Sabine can breathe freely again for the first time in ten years.

Sabine looks at Ezra and she finally feels at home.

Natasha is such a fantastic actress. She really does embody this role like no one else could.

It's such a soft look from Sabine. I adore it so much because, for once in the entire show, we see Sabine be completely open with her innermost feelings - even if she isn't aware of it.

Guys, gals, and non-binary Sabezra pals; that's the look of someone who is in love. It's the look you see in someone's eyes when they find their Person.

We don't get this look from Sabine towards anyone else in the series; even with Ahsoka and Huyang she's still guarded and snarky.

But not here. Not with Ezra.

There is so much love in her gaze; so much devotion and longing and adoration for this person.

The mask slips in these seven seconds. And we finally see past the walls she's put up to see the true beating heart of Sabine Wren; what's been driving her all this time.

Not anger. Not bitterness or resentment.

It's love. Always has been. Sabine loves so fiercely - and that is, unfortunately, why she also guards her heart exactly the same way.

She's been burned before. But the remarkable thing about Sabine is that she gets up and keeps trying. Doesn't always succeed, but she keeps trying.

(It's incredibly humorous to me that Ezra, meanwhile, is on the other side of this, grinning like a loon. Completely oblivious to Sabine's Look of Love.)

And, just like that, the moment is broken. The mask re-adjusts; Sabine and Ezra pick up their old habits and resume where they left off.

But, maybe, the walls aren't as high up like they were before. Not nearly as high.

[findafight]

hi i'm the anon that sent the ask about someone telling joyce and oh my god it being hopper that says it is so good. i can totally see him doing that. i also love that you added steve finding out from murray bc that's always been my preferred hc for how steve would find out. murray saying something about it that's weird and out of pocket is him to a tee imo. poor steve i feel so bad for him in this au, at least hopper is on his side completely. ty for acknowledging how fucked up it is that nancy and jonathan but esp nancy never actually told steve. i wonder what she would've done/told him if steve hadn't bit the bullet and broken up w her.

Thank youuuu (love getting ask mwah) (also idk what to call the au) Listen I loooove Steve and Hopper accidentally adopting each other. In my brain Dustin talked up Steve's hair skills to El at the snowball and she gets all starry-eyed like he knows! Hair? :0 Dustin you have to convince Steve to come over to my house and help me with my hair and I will convince hop to let him come! I also need hair advice!! Hop barely has hair!! Which is how Steve gets a little sister pre S3 (like he always wanted) (he also gets max a bit later too godbless) (sibling collector lmao) Steve 100% calls Hop dad once without realizing and Hopper gets choked up and Steve's like you okay there?? And Hop has to go yeah yeah I'm finE so he doesn't embarrass Steve. That's the shit. (Also makes more Steve and El angst post S3 with hop gone and them being separated ;-;)

Hopper gets to be a jackass to on his kid's behalf and I think that's actually beautiful.

Oh, yeah. The more I've thought about it the more I feel like Steve has no clue Nancy cheated on him. We saw how he acted in S1 when he thought so and while S2 Steve wouldn't be so extreme, he'd definitely be crushed. And with S4...idk I don't think Steve knew about the cheating then. It just seems like he wouldn't. Want to go back after being cheated on? Or that he'd have some serious hang ups with Nancy. Even if he still loved her if he knew she slept with Jonathan, would he want to act on it? Also did he know they were still together? Does she mention Jonathan at all to anyone but Fred?

Also Murray. You bizarre jackass. Of COURSE it was him. He'd feel guilty about it because he totally thought Steve knew and he was just trying to be a dickhead but not like. Cruel. so it's awwwkwaaaard and not the fun kind he can manipulate just the sad kind that has Hopper glaring at him.

Yeah... I understand that the writers do not feel like Nancy cheated but I have eyes and media comprehension and know how relationships work and Nancy herself said she had Steve back home to Murray so. What else am I supposed to think. I get why Nancy and Jon don't interact with Steve after the Upside Down but like. Not even to apologize to him? Did Nancy's relationship with Steve mean so little to her? I do think she, at one point, did love Steve, or convinced herself of it and did care for him, but for her to drop him like a hot potato the second Jonathan gets the nerve to make a move (she said she waited a month for him before going back to a probably grovelling Steve [based on how desperate he was at the Byers' to apologize to Jon] and it's like Woah! Okay writers! What do you want us to believe about this relationship?!) So just. Why didn't she actually tell Steve what happened? Idk. Jon I kinda get he and Steve were love rivals and Jonathan is already awkward it probably would have been weird and also it wasn't his place to say! It should have been Nancy!

Honestly if Steve hadn't broken things off....idk. I don't think she necessarily would have continued with both of them, but I think Nancy tends to look for easy ways out of relationship hurdles. So. Maybe it would have festered for a few months, before Steve finally couldn't stand the tension and cut things off there. I don't actually think, based on what we've seen in the show, the scene between Nancy and Steve could have gone any different. Like. It should have. Nancy definitely could have acknowledged her role in the crumbling relationship, but I think Steve letting her go is a significant character beat for him. He chooses he's not going to hold onto someone who doesn't want to be with him. For me that's him trying to move past his issues from his parents and to continue to be better.

Yeah this au is not nice to poor Steve. He does have support! Robin and Eddie are both there and know everything, Hopper and El also know most stuff and are very worried about why he's so keen to leave the house all the time (he doesn't live there but he doesn't...not live there...) Buddy's got issues that will be heightened by all these things happening with Joyce!

[silicon-tmblr]

Do go off about the logical fallacies in Chapter 4, I always thought something was off about it. I'm curious to know your thoughts

Oh... if you insist... (currently bouncing off the walls with excitement ask??? I love answering ask—) ahem.

I suppose I can categorize my perceptions of Chapter 4 into levels of objectivity, with the highest being "I'm sure anyone with reading comprehension can understand the point I'm making and how this logic plays out" and the lowest being "I'm just petty about this"

Disclaimer: I'm a Kokichi liker but I kinda bash the guy in here. I insist it's out of a sense of love, as in "why the hell did you do that you little—" (my point is maybe don't read this if you're too too attached to Kokichi and don't like the insinuation that he did some bad stuff. Generally I assume this is a safe topic though.)

Let's start with my most objective take!

The murder setup was kinda garbage (might rephrase this heading later) (I didn't. fight me)

I know this sounds like opinion but hear me out. This is where the phrase "logical fallacy" really comes into play.

Let's outline Chapter 4 real quick. Miu is planning to kill Kokichi, and obviously Kokichi doesn't want this.

What are Kokichi's options from here? Apparently, one of them is reusing the motive from earlier in the chapter (the truth of the outside world) on Gonta to convince him to kill Miu under the guise of a mercy kill plan. This way, Kokichi doesn't die. This is what happens.

There's a lot to be speculated about regarding Kokichi's motivation for enacting this plan, but let's take the view that, first and foremost, Kokichi did not want to die to Miu.

With that out of the way, let's move on to the next piece of this defective puzzle: Miu's motive. We can cover this in two parts:

Part 1: Miu wants to kill Kokichi to escape the academy.

We can assume this much because she tried to set up a murder that would be near impossible to solve, as she would have had power over all the information available regarding the workings of the virtual world.

Kokichi makes the point in trial 4 that Miu coerced everyone to enter the virtual world so that she could manipulate the setting of the crime completely. She wanted to set up a murder that looked like it could only have happened in real life, while withholding the information that would reveal it was possible in the virtual world.

Kokichi was the only one who knew quite a few of the finer details that allowed case 4 to be solved, and she planned to kill him anyway, meaning these details wouldn't have come to light. Since her intent was an unsolvable murder, she wanted to get away with it and escape.

Part 2: For what reason did Miu want to escape?

We can see that she wanted to change the outside world with her inventions based on her own words in Chapter 4. In a flashback of the moments before she was killed, seen in the Chapter 4 post-trial, she explains this explicitly.

Her belief is that the outside world can be saved if she can only escape back out into it. She believes this is her duty as the Ultimate Inventor.

And finally, we reach the point that the logical fallacy falls into place. If we first assume that Kokichi Oma is a cunning individual who plans things out meticulously and considers all possibilities (thus allowing him to do ridiculously clever things like plan his own, truly unsolvable murder and write an entire script of dialogue for Kaito to use in trial 5), then we can assume that his actions in Chapter 4 are reflective of what he views as his optimal plan.

And yes, in-game evidence shows that we are, in fact, to believe that Kokichi Oma is inhumanly smart and analytical. A script. A SCRIPT, with lines for every possibility he could possibly envision. It's a freaking tome of borderline clairvoyance ahksfwosfawei (as you may notice I do not like the existence of Kokichi's script. A SCRIPT. I may be a Kokichi liker but am I really supposed to believe he's a freaking clairvoyant????? like can't you clairvoyant the end of the killing game bro????? and I adfkaweoiefdfshkj)

See, the thing is... Kokichi's optimal plan, having Gonta murder Miu... is... not... optimal...

There's an alternative solution. All the pieces are in place for it to work. And the salt in the wound, the twist of the knife...

...Is that Kokichi himself already knew the mechanism I'm about to propose.

If Kokichi wanted to survive Chapter 4, he could have removed Miu's motive to leave.

Using the already planted Flashback Light in the Virtual World which contained the memories of the true outside world, Kokichi could have demotivated Miu from even killing him. Her motive was saving the outside world, and Kokichi had what would have been irrefutable evidence that the outside world was unsaveable.

This logical fallacy could be explained by reasoning that Kokichi's motive for having Miu killed was not only to survive, but what then? What would Kokichi's motive have been otherwise? Maintaining a mastermind act?

Why would he even need to do that if he could have lobotomized the killing game by letting everyone find the Flashback Light in Chapter 4 to begin with?

Maybe that means the logical fallacy stems from the ultimate use of the outside world motive in Chapter 5, when the truth of the outside world is used by Kokichi to demotivate the entire group. If, say, seeing the outside world led everyone to become bloodthirsty for some reason (?) then I guess that dodges the fallacy?(??????) It's just kind of a garbage motive in general... it didn't even work as a motive when Kokichi used it, and it demotivated the others. Makes you wonder why it was even included.

I guess my point is that the logic really doesn't add up in Chapter 4 and 5 in exchange for some thoughtless added drama. Y'know, typical writing issues stuff.

Um... I spent quite a while writing this one part up, and this is the view that I care about most, so I might split the others into another post, if I even do another one.

In case I don't, I'll just do a quick overview because they're really not nearly as necessary to explain in depth:

The cord switching bit. With the rest of the Virtual World segment riffing off of games and gaming knowledge, the dissolution of suspension of disbelief hit me like a truck when I was told to believe that Gonta reversed the cords and the whole thing basically ran fine, with just the one issue of memories not transferring back. I... am a modder. I type C007_Ki-bo instead of C007_Ki-Bo, the game crashes. Hell, even without being a modder, I have a drawing tablet with 3 cords and if I don't plug them in right, it won't do anything (duh). No way am I buying this.

Not a logical fallacy, but more of a story writing shortcoming. It kinda sucks that Gonta barely had a substantial role in this chapter despite being the culprit. He didn't plan the murder he committed, and he didn't defend himself for the murder he committed. I get that the idea was probably to make a case centered around Kokichi more than Gonta, but (and I say this as a Kokichi liker) we see enough of Mister Oma as it is. Too much, maybe even. (I mean Kokichi has Chapter 5. He DIES in the Chapter 5 case but still plays a role in the trial. And we're really gonna just have him take over trial 4 when Gonta isn't seen for the rest of the game?)

(content: discontent towards Kaito) Also not a logical fallacy. Maybe not that much of a fallacy at all. I might just be petty but I thought Kaito was cringe the whole time. (okay me and Seb literally had to get up, close the game, and go take a walk outside because we were losing it from everything Kaito was saying. DO YOU???? NOT KNOW WHAT A HYPOCRITE IS????????)

A bit of a shill I guess, but I did write two fanfics which were heavily influenced by my views on chapters 4 and 5, which tried to remedy these fallacies and others in V3. Canon-compliant Bloodied Hands renders Tsumugi the ultimate mastermind behind every murder (not just Rantaro's) with her dramatic meddling leading to the emergence of V3's logical fallacies, while The World is His takes the same premise, just diverging from canon such that Kokichi lives.