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#why does tumblr have be like this
brainrotcharacters · 1 month
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the easy grip on the knife. the leg over the seat. the hand over the other seat. the sassy "come get it" move. you know the bitch is smiling behind that mask even as he said the line.
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magnusbae · 1 year
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To illustrate this post by @mayahawkse I would like to visualize to you the difference:
A post in 2023:
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A post in 2014:
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A zoom out of the same post:
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This is what a community looks like.
See how in 2023 almost all of the reblogs come from the OP, from their few hours/days in the tag search. Meanwhile in 2014 the % of reblogs from OP is insignificant, because most of the reblogs come from the reblogs within the fandom, within the micro-communities formed there. You didn't need to rely on tags, or search, or being featured. Because the community took care of you, made sure to pass the work between themselves and onto their blog and exposed their followers to it. It kept works alive for years.
It's not JUST the reblog/like ratio that causing this issue, it's the type of interaction people have. They're content with scrolling and liking the search engine, instead of actually having a reblogging relationship with other blogs in their community.
Anyways, if you want to see more content you like, the only true way to make it happen is to reblog it. Likes do not forward content in no way but making OP feel nice. Reblogs on the other hand make content eternal. They make it relevant, they make it exist outside of a fickle tumblr search that hardly works on the best of days.
If you want more of something, reblog it.
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me-beef · 19 days
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@strangeravatar made a great point
i was gonna focus on the spike-hotboxing-celestia aspect but i got distracted somewhere along the way and i think i forgot what joke i was trying to make
but dont you think its interesting how many guards of the exact same color/body type she's managed to accrue?? i do
ooohh you want to go look at our stickers so bad
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hinamie · 17 days
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もう一回、もう一回
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stil-lindigo · 3 months
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a non-comprehensive guide to my favourite characters in claymore, the best manga you've never read (more under the cut)
don't know what I'm talking about? here's a crashcourse.
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offside-the-lines · 5 months
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Whoever threw this rat, you will always be famous Matthew Tkachuk & David Pastrnak fight | BOS v FLA SCP Rd 2 Gm 2 | May 8 2024
Bonus: Matthew makes sure to pick up his little friend.
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katisbadatnames · 2 months
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“MACHINE… you hurt my feelings :(“
Based off a cool angel statue I saw on Pinterest
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elyasdoodles · 3 months
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rcrisdraws · 7 months
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With dedication to @skippylynn you're gonna get to see the horses after all :D
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foolsocracy · 4 months
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can u two act like you like each other
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lovexmemonster · 5 months
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irumii✨✨
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nukuome · 1 month
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The individual panels vvvvvvvvv
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deoidesign · 2 months
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"what do hands mean about a character?"
Their hands mean they love eachother
(webcomic)
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calciumdreams · 1 month
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.
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kinetic-chaos · 5 months
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Iblis is so back guys
Inspired by one of the memes on this post!
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coquelicoq · 1 year
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what i like especially about the pronouns in the goblin emperor is that this language doesn't just have the T-V distinction (aka informal vs. formal second-person pronouns, in this case 'thou' vs. 'you'), it also has informal and formal first-person pronouns. having BOTH of these distinctions in the same language lets you fine-tune your tone by mixing and matching. with only one axis of formality, when you use informal pronouns, are you being familiar in an intimate way, or in an insolent or dismissive way? when you use formal pronouns, are you being polite or standoffish? you can't tell just from the pronouns; there's ambiguity. but a language where you can use a formal first-person pronoun in the same sentence as an informal second-person pronoun allows you to distance yourself (via the formal first) while also being familiar (via the informal second), thereby achieving the conversational tenor known to linguists as Fuck Thee Specifically.
#just kidding i don't know what linguists call that tenor. or any tenors. i'm not totally positive what a tenor even is#but i can't let that stop me from writing a jokey post on tumblr dot com#register is a very interesting area of linguistics that i know very little about#so i'm probably revealing the depths of my vast ignorance here to all the sociolinguists who surely hang on my every word#but i've always thought of the formal/informal pronoun thing as being about two things: intimacy-distance & rudeness-politeness#and of course you can usually tell from context whether a formal pronoun is meant to indicate distance or politeness#(plus distance and politeness are related to each other (to various degrees depending on culture))#but it seems like it would be cool to have a built-in alignment chart of sorts just for pronoun combos#instead of prep jock nerd goth...why not try intimate self-effacing polite superior?#the goblin emperor#pronouns#register#sociolinguistics#my posts#f#anyway i know i said i wasn't going to reread the goblin emperor...but guess what. lol#and i edited my tags on that earlier post but fyi the language DOES distinguish between plural and formal singular pronouns#i had said i thought it used the same pronouns for plural and formal but i just wasn't paying close enough attention#so anyway i just reread the part where maia is talking to setheris in formal first and informal second#and you can see setheris going ohhh shit. oh shit oh shit oh shit#i'm in biiiiiig trouble#you sure are dude. that's the Time to Grovel signal#it's interesting because at the very beginning of the book when i first saw the formal first used i just thought it was the royal we#because i knew the main character was supposed to be royalty#but then EVERYONE was doing it. so it's not the royal we it's just the formal we#however. this does make me realize that the way the royal we would function in a language that retains the t-v distinction#is the same way i'm describing here. it's just reserving that particular tone (i'm better than you and am displeased with you)#for royalty only. which makes sense given royalty's whole deal
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