#why does this look like a full on analysis LMAO

[vamossainz55]

WHEN DID CARLOS SAY HE WAS AN ASS MAN???

hello dear anon 🫡

he has said it twice from my knowledge:

1. during the mexico gp in his toro rosse era. he said it during this interview (in the car). i cant find the timing but theres a snippet of it on this tiktok.

-> the interview is in spanish and they ask him ‘tetas o nalgas’ (literally boobs or ass) he says nalgas / ass 🤭

2. @thatsdemko recently shared with me another time he said it! this was during mclaren myb? in this interview. theyre speaking italian but idk if ferrari would ever 😭

-> u can hear them ask ‘tette o culo’ (again, boobs or ass, the interviewers joke that he’d say both) but at the end he says culo / ass 🤧

i find it hilarious that its quite obscure content and he happens to be asked this (and that he happens to answer) when its not an interview done in english lmao

anyways as a member of the itty bitty titty community, i am happy to announce that carlos sainz is an ass man 🫶🏽

[ms-demeanor]

Knowledge Fight anon again - thank you for the list and recs! I look forwatd to checking them out. I was excited to see there's a West Wing podcast because I enjoyed that show, but yourself and the hosts hate it so maybe not for me lmao. Though I will still give the first episode a listen - very curious to understand why our feeligns about the show differ so vastly. And if you -want- to rant about why you hate TWW - feel free! I'm genuinely curious - I'm European, have never lived in the US, so for me it was one of the biggest tools of learning how US politics work, which made it absolutely fascinating to watch.

Anyways! I'll be looking at the other podcasts as well, they all seem very interesting, and the common-denominator format you describe them having does jive with me. Thanks again!

My very republican father and sister very much wish that all democrats would act like the democrats in the west wing. It's touted as a point of honor and a great example of compromise when Democrat Jed Bartlett appoints a republican justice to the Supreme court, any time there's an environmentalist or a union supporter on the show they're painted as extreme and uncompromising, in the later seasons the Jimmy Smitts character is running as a democrat on a pro-school-vouchers, anti-tenure/union (so anti-public school, basically) platform, the show as a whole is against entitlements (free college especially is something the ostensible dems in the show aren't even interested in enough to lament).

Idk at a certain point it gets frustrating to see anti-abortion, anti-gay marriage, anti-healthcare republicans being praised as the mature compromisers in the room with complicated motivations and good points when every time a leftist protest shows up it's a warehouse full of people without enough message discipline to talk to to cameras without erupting into a shouting match and getting brushed off as whiny babies by toby zigler.

"Oh, we need CJ to look a little loopy, let's have her agree with these cartographers who are pointing out that the mercator projection privileges the global north." "Oh we need to present something that's a ridiculous waste of money, how about a wildlife crossing that would prevent keystone species injuries in an area of urban incursion, that's bullshit that we shouldn't spend money on." "Oh, we want to explain why big pharma can't provide free HIV meds to african nations in 2003, let's suggest that it wouldn't matter even if they did because *Africans don't have clocks and can't take meds 12 hours apart.*" "this hollywood producer is pushing too hard for gay marriage in 2007, let's lecture him about how you need to slow down and respect the process instead of being an activist about it"

There's this interview with Aaron Sorkin where he's saying "America used to be the world's heroes, when my dad was a soldier people would say 'thank god, the Americans are here' and they don't say that anymore and it's because of Donald Trump" - Sorkin totally ignores US imperialism and the way that people in Vietnam and Iraq and Afghanistan wouldn't say 'thank god, the americans are here' to an extent that is genuinely startling, and that shows up in the show. At one point in the show president bartlett okays the assassination of a foreign leader and says 'today we enter the league of ordinary nations' as though the US hasn't backed coups or assassination around the world, as though the CIA isn't a thing, as though Henry Kissinger isn't a thing, and it's *bizarre* from a show that is supposed to be politically aware.

I'm actually super hesitant to recommend the west wing thing to general audiences because i don't always agree with the hosts or their guests but as an analysis of the surprisingly right-leaning politics of the show it's a worthwhile listen.

It's honestly something i could rant about for way too long because I had early warning signs about it. My sister *loves* this show and its politics. She's got a "my president is Jed Bartlett" sticker that she keeps next to her signed copy of one of Ann Coulter's books. If my sister thinks your liberal character is reasonable and level headed and has good policy positions, your liberal character isn't all that liberal.

The show is steeped in American exceptionalism and imperialist apologia but it's got a tearjerker soundtrack and maybe the best and most charming cast ever assembled so you ignore it when CJ wants to brush off constitutional protections against illegal search and seizure or cruel and unusual punishment (she's a huge fan of cops and intelligence agencies and not a fan of oversight) or when she shits on affirmative action (she believes her father lost his dream job to a less qualified candidate who was selected due to minority status, and that that job loss led to his mental decline - CJ Craig thinks that DEI hiring practices killed her father) because Allison Janney is an incredibly talented and charismatic actress who is elevating the hell out of her character.

But, you know, it would be kind of fucked up if a Democrat president's chief of staff was cheerfully on-record about the fact that she thinks intelligence agencies are more effective when nobody knows what they're doing so we should leave them to their own devices.

Thank you for the opportunity to rant i cannot fucking stand this show and i kind of want to do an episode-by-episode breakdown of various flavors of bullshit but there are much better things to do with my time so i don't but it's nice to have a chance to yell about the stuff that makes me crazy off the top of my head.

That said: if you want a podcast that is less vitriolic but does actually get into how parts of the US political system work, check out 5 to 4, which is a podcast by 3 lefty lawyers talking about Supreme Court decisions. It's great!

[decepti-thots]

What I can't get my head around is, why didn't Dominus Ambus tell Rewind that he was secretly a turbofox? Like, that's your conjunx, presumably the person you trust most in the whole universe, and you won't even share your secret with him? IDK if you've already done an analysis post on this but if you haven't I'd love to hear your thoughts.

Okay, so. Putting aside any non-diagetic explanations entirely for a moment (that is, my suspicion that the concept was conceived of some way into the comic's run and just proved a really good way to explain Rewind not recognising the Pet once it was settled on)… in-universe explanations, let's go.

Something I do wanna point out here is a thing I rarely see mentioned: in my opinion, Minimus does not act as though Rewind doesn't know. I think he expects that Rewind does, which is honestly sort of wild? In DotL, Minimus isn't like 'oh shit, now you know I guess' when he's making remarks about Dominus being even more insecure about his height than Minimus is (irreducible style), or whatever. I… guess you could argue he thinks Rewind has inferred it logically (Minimus has revealed he was wearing an armour > Minimus and Dominus are spark twins > therefore…) but tbh, he's just. SO casual about it. I absolutely feel like Minimus assumed Dominus had told Rewind! Which. THEY WERE MARRIED LMAO. IT'S A REASONABLE… ASSUMPTION……..

Which definitely suggests there's no reason externally that is all that compelling for Dominus to not have done so. If there was, presumably Minimus would have anticipated it! Realistically, if Dominus couldn't trust Rewind to keep it secret for the sake of public access and ease, why the hell were they married. (Anyway, Rewind is in a far more precarious situation than Dominus is, when they meet; Rewind isn't able to hide and is formally subject to being classified as 'disposable'. I mean!) That's definitely not compelling.

Personally I think the easiest way to reconcile it is to think that Dominus had a personal hangup around his alt, and genuinely wanted people not to know this about him- because he himself was personally ashamed of it, no matter how much effort he put into public work that seems to contradict that. This actually reconciles something else, I think. Why would the sentience test Dominus seemingly designed in part or full be so biased against beastformers? He is one! What! But if that's something he was unable to get over the way he e.g. was able to overcome prejudice of the kind Rewind was facing, it perhaps makes sense to think of it as a kind of 'harder when it's personal' thing. Right? Internal feelings of self-loathing are sometimes paradoxically the more difficult kind to unlearn, compared to changing how you think about other people. Hell, maybe Dominus convinced himself wearing an armour 24/7 meant he wasn't one any more. Maybe he didn't tell Rewind because as far as he was concerned, that was no longer true.

I think this would potentially be interesting in terms of adding actual characterization to Dominus against which you can a) effectively compare and contrast Minimus (since a looot of what we know about Dominus is more or less 'he was made in a lab to induce an inferority complex in Minimus', lmao) and b) open up avenues to question the very idealized view Rewind has of their marriage that don't necessarily require leaning into the trope of 'he was an Evil Liar All Along on purpose!!!', which adds a lot of interesting stuff to that element of Rewind's arc that I'm sad canon never really managed to deliver completely, IMO.

I have actually thought about Dominus in relation to both Minimus and Rewind a LOOOOOT haha. He's such a cipher in the comic; a huge motivating character for two otherwise-unconnected leads AND a cornerstone of our introduction to the Functionist Universe… and yet a character we know very little about the thought processes or feelings of. He's like a void of a character you can reconstruct by looking at what surrounds him. It's very fun to me.

[overleftdown]

this is going to be my somewhat-brief analysis (buckle in, it's not brief at all) of preluding scenes to farleigh and olivers... scene, lmao. because i can't read micro-expressions and social cues IRL, but i can for movies! also, i want to give my understanding of farleigh's character using the most substantial part of his arc. i disagree so much with a lot of people's takes on farleigh. i needed to talk extensively about it.

[0:58:46] farleigh makes eye contact with a footman. this is one of the footmen that farleigh mentions to felix in a later scene, which i'll also go into. what's interesting about this subtle interaction is how wildly differently you could consider it, depending on how you choose to view farleigh as a character. if you go the "mirror of oliver," route, then this eye contact could be the moment farleigh decides the route he's going to take to confront felix.

on the other hand, the hand that i believe makes more sense, farleigh is genuine in his confrontation with felix. the eye contact he shares with the footman is reciprocated; the footman holds it, even as his body pulls back and his head turns. this gives the idea that they are making a connection. the expression farleigh makes afterwards is also an indication that farleigh isn't plotting or scheming to earn pity points; he feels a connection and comradery with the only other black people at saltburn. when the footman turns away, unneeded anymore (this can be a parallel to farleigh), farleigh glances down, back up, then purses his lips. he looks dejected, in my opinion. this is immediately followed by farleigh's dig at oliver; "i think oliver looks like he'd rather throw himself out of a window.

food for thought.

[0:59:9] elsbeth: you can invite all your friends. farleigh: what friends?

this can obviously be a petty dig. and it is, in some ways. but i think a lot of these petty digs are because farleigh has been here before. he has watched his cousin drag home mediocre and tragic (presumably) white boys for perceived self-benefit. whether felix wants entertainment, wants to quell his guilty conscious (both of which are motivations for his mother), felix seems to have these fleeting possessive relationships with the friends he brings back to saltburn. he could also be queer and deeply repressed, lmfao.

i digress; farleigh is sick and tired. the first thing he says to oliver, before oliver even got to felix, was bitchy as all hell. after that, farleigh had more incentive to belittle oliver; yes, his comments about mannerisms, class, and overall character were petty. they were also all of the qualities that farleigh couldn't afford to have. farleigh is pointing out that oliver has no social life, yet still gets a 200-person party full of people that don't even know his name. this is tragically unfair, at least in farleigh's mind.

[1:01:25] felix: and fucking farleigh, what a little shit stirrer. oliver: well, someone has to entertain us all. felix: ...right. oliver: that's why we love him.

there's a clear disregard of humanity and depth, when felix concedes that farleigh is "entertainment." the sheer fact that felix would immediately believe oliver, a "stranger (as venetia so eloquently puts)" over a close family member, is odd on it's own. there are probably more reasons for distrust; everyone in saltburn is a shit stirrer, and farleigh does put on a particularly good show.

that's intentional, though. farleigh is very intentionally entertainment. otherwise, why would the cattons keep him around? they're welcoming people to their house as family, because they want a break from the reality of soul sucking wealth. because they want entertainment. elsbeth with her friend, who's only real personality traits are being pitiful and visibly different. felix, with his summer pet projects like oliver. farleigh can't be a temporary show; he needs to keep coming back. he needs sir james to support his mother.

[1:02:40] farleigh: i'm not saying my mother isn't completely idiotic when it comes to money. felix: you just have to be firm with her. farleigh: well i can't call her and tell her no! felix: i know, i know, you've said that. i know, i understand. farleigh: no, you don't know! you don't, it's humiliating. felix: it's very hard.

felix's approach to discussing other people's issues--that he does not relate to--makes me giggle sometimes. not that he's malicious or a fumbling idiot, but because of this scene specifically. in just this chunk of dialogue, you have the "i understand" and "you don't understand" conflict. an age old one. a common representation of someone who has never lived a specific struggle yet frames themselves as knowledgeable. felix seems to enjoy the "it's very hard" verbiage. the manner in which he speaks to oliver about his supposed impoverishment and struggles is very similar to the way he speaks to farleigh, in this scene.

i don't know what else to say about this. you can make your own inferences on felix's dialogue, i suppose.

[1:02:50] farleigh: i'm sorry, but it's a bit fucking shitty. you're all throwing oliver a party for 200 people while my mother lives in squalor. felix: well, she's hardly living in squalor, mate. farleigh: well she can't pay her bills so she will be! okay? at the rate she's going, she will be.

GAH. again, this dialogue can be considered in two different ways. farleigh could be hyperbolizing in order to play into the catton savior complex. or he could be completely genuine in his anxiety surrounding his mother's finances. it's very important that you recognize the fact that farleigh isn't arguing about himself, in this situation. he's talking about his mother. later in the conversation, he recenters himself as a person of color. but the original conflict is about whether or not his mom is living comfortably. this arguably affects him, but not entirely. he could continue to maintain his oxford-student-and-saltburn-resident character and continue to frolic around while his mom struggles to make responsible decisions.

[1:03:02] felix: right, well that's exactly why dads concerned about helping her. he doesn't want to enable her. he wants her to learn how to stand on her own two feet. farleigh: yeah, like he does?

and farleigh ate.

[1:03:09] farleigh: i mean, you know how this looks, right? making me come to you with a begging bowl. felix: what are you implying? farleigh: i think you know what i'm implying, felix. why don't you ask liam and joshua? felix: who... who the fuck are liam and joshua!? farleigh: ...your footmen.

farleigh's mannerisms in this portion of the scene GAG me. the easy confidence, the self-assured and confrontational attitude. the cocky wave of his shoulders and tilt of his head. he smirks, scoffs, makes and holds eye contact as emphasis to what he is accusing. the way he says "i think you know what i'm implying" even though i'm not quite sure if felix did. this really hammers in the implicit nature of the cattons' treatment of farleigh.

[1:03:33] felix: oh, oh. that is... that is low, farleigh. farleigh: okay. felix: jesus christ, mate! seriously, is that where you wanna take this!? farleigh: right. felix: make it a race thing!? what the fuck! i mean, we're your family, we hardly even notice that you're... different, or anything like that! farleigh: mmm. felix: i never know our footmen's names!

GAGGED. i eat up this scene and lick my fingers. "wohohoho, i don't see color! i can't believe you'd make it a race thing!" i know i should cut felix some slack, but this is just a little too real. although i've cut farleigh some slack for his classism.

the complete change in farleigh's mannerisms from the previous timestamp to this one is EDIBLE. i can't cope with it. his smile as felix says "that is low" is so painfully real. it says "i've been here before and maybe i was expecting this." for a second, felix is almost entertainingly cliche. then the exasperation hits. farleigh just looks tired. he blinks rapidly, smooths over his eyebrow with his hand, vocalizes his disbelief in felix's denial. "we hardly even notice you're different," to which farleigh crosses his arms (defensive), raises his eyebrows, nods along.

i won't include the final few lines of this conversation cuz i'm blabbing FAR too much, but farleigh's expressions of absolutely exhaustion and disappointment as felix says they've "been more generous then most"... i'm so sick. it doesn't matter what other families would do, because this family passes out charity like it's their favorite pastime. farleigh is your best american girl.

oliver, overhearing this conversation, immediately knows what his next plan of action is. compare himself to farleigh. and really, it's funny, because oliver misses the obvious differences between him and farleigh. just like everyone else. he will never feel different, not in the same way farleigh does. not with farleigh's relationship to the cattons, the legacy of his parents, and his blackness.

[1:06:32] (godfather's karaoke scene, AKA apple bottom jeans. he's a disgusting manchild and he throws his jacket at his wife.) is it odd to point out that another one of the only visible black characters is being degraded/mistreated/disregarded? not crazy, right? especially following the conversation about bias two scenes ago.

[1:07:02] farleigh: y'know, i think i'd fuck richard the III. he's so insecure, so you'd know he'd put in the work, right? oliver: or you could just fuck me, right?

here, i think there's a level of projection that farleigh is using in his line about insecurity. not only is it made known that farleigh uses sex as a tool (with teachers, specifically), but it's also made known that farleigh believes/knows that he is treated differently due to his race and/or family history. oliver seems to have clocked this, considering he relates himself to richard the III, then tells farleigh they have similar experiences.

[1:07:34] oliver: y'know, if you ever wanna talk to anyone, you can talk to me, farleigh. farleigh: ...what do you mean? oliver: well, i know you're going through a hard time at home. i know how that feels, when things are so precarious. it's terrifying... and lonely. and it must be so fucking weird, having to ask them for everything. and i know you fucking hate me. farleigh: i... i don't hate you. oliver: but... if you ever wanted me to talk to them, to see if there's... if i can help in any way... just ask. farleigh: ...okay.

i love this movie. have i said that yet? i bet you definitely couldn't tell by this post. this conversation is so... there's so much to talk about.

i'll start with some of my favorite of farleigh's mannerisms/expressions. when oliver first cuts their... tensions with "you can talk to me," farleigh pulls back slightly, sits up slightly, looks across oliver's face. there's a level of shock to it, but. farleigh was comfortable with oliver, his sworn enemy, flirting with him. yet, he pulled back at a genuine offer of support. some see this as farleigh always wanting oliver sexually, but i think it's more nuanced than that. when oliver says "terrifying... and lonely" that's when the camera cuts back to farleigh. he previously wore a half-smile that is now dropping; "lonely" was the hardest word to swallow. his lip is quivering. he looks up in an almost-eye roll when he says, "i don't hate you." he's laughing when oliver finishes, like he finds it all funny, yet the way he says "okay" makes him seem genuine. however... clearly not, considering the next portion of this scene!

even though oliver is lying out of his ass, everything he's saying is a description of farleigh. people grossly misunderstand farleigh's character, even when it's laid onto a banquette sized table through this portion of the movie. he's insecure, desperate, terrified, unsure, and lonely. farleigh, with so many friends and so many scandalous choices, is so fucking lonely. he knows he doesn't belong here, so he jams his ill-fitting puzzle piece into the saltburn jigsaw and crosses his fingers.

he tells oliver he doesn't hate him, and he looks like he's struggling to spit it out. he looks up towards the ceiling, closes his eyes like he's gathering himself. again, people take this as a bonding moment. the next portion of the scene contradicts this. honestly, i'm not completely sure, either. i think he's honest when he says he doesn't hate oliver. so, what? he's jealous, definitely. he wants to hold the same power as oliver, a foreign entity with somehow so much more privilege than farleigh. maybe that bred a certain kind of infatuation; the need to emulate what you'll never be. of course, he sees himself in the boys felix brings home; they, just like farleigh, need or want something from the cattons (although i object to the idea that farleigh is somehow "a mirror" of oliver). do what you will with this word vomit, i don't know where i'm going here.

and OH MY GOD "if you ever wanted me to talk to them, to see if there's... if i can help in any way," is diabolical. so terribly diabolical. the sheer idea that oliver knows, is pummeling it into farleigh's face, that he has authority over farleigh's life like that? that he knew felix for six months and he can somehow "talk to" farleigh's family about treating farleigh better... vomit inducing. farleigh is actually your best american girl.

[1:09:39] (karaoke scene) elsbeth, so uncomfortable with the idea that oliver is using them. i suppose that's the manner of wealthy people; they don't want to believe that they're only good for their money. but... they did that to themselves, in a way. they enjoy the pet projects, the charity work, the ego boost that comes with inviting the "lesser" to saltburn. hanjob on a haybale, golden big boy summer, right? everyone in the room is scandalized. farleigh is having the time of his fucking life. yet, here's the kicker,

[1:10:10] oliver: this is your song too, farleigh. come finish it. farleigh: only if you insist!

and then farleigh gives the performance of his life, by the way. people died. but... nobody is uncomfortable. literally no one. no one shudders or gasps at the scandal of oliver saying "this is your song, too" over the karaoke microphone; everyone heard. nobody cares. they all know. they start clapping farleigh on, cheering. elsbeth relaxes back onto her bed of cushions, because farleigh is entertaining. the change in mood is soooo... interesting.

[1:10:45] curse this scene, i don't even want to talk about it. it was hot, oliver and farleigh are so homoerotic, whatever yadayada. just like every other sexual scene in this movie, it is riddled with a suffocating kind of uncomfortable tension. we are made intimate third-party witnesses to carnal, sinful, emotionally ambiguous scenes. when i pointed out farleigh seemed more comfortable with flirting then comfort, when i said farleigh uses sex as a tool, when i said farleigh was projecting with "he's so insecure, so you know he'd put in the work." i just overthink. but any person that has sexual relationships with teachers needs intensive therapy and that cannot be denied. however, it's oliver, that uses sex as a tool throughout this movie. another uncomfortable parallel between the two characters.

something about farleigh's expression throughout this scene is... kind of hurtful. the way the moonlight just barely illuminates the light in his eyes, whereas any detail of oliver's face is shrouded in darkness. it make's farleigh look young, innocent, real. (sidenote, as i'm watching, i have to mention this. the way farleigh says that second "no" is so funny. "...no...?" LMFAO). man, i don't even know what to say, past this. the whole dominant dynamic, farleigh saying "i'm going to behave" is a little too painful considering the context leading up to this scene. it's freaky. it's so very oliver.

this is way too long but i could make so many more connections with their final confrontation at oliver's birthday party. i'm drowning in thoughts. what i really wanted to highlight was how ambiguous farleigh's character is, and how differently a lot of his scenes can be perceived. i've decided that farleigh is a sympathetic character, similar to oliver but so much less powerful. some people hate farleigh! so. there's that. the end! thanks to anyone who read this whole thing!

[ollieyingdu]

VEIN PV — Analysis and Discussion

“ollie ur a week late” shut ur bitchass vein analysis is never late 🙏

ANYWAY.

welcome to my first analysis post of yingdu about the Vein PV released a couple days ago.

NOTE: this is a lottt of rambling that I’ve tried to categorize for easy consumption. if i repeat stuff or it feels clunky, i apologize!! im still working out how i wanna format these things lmao. thank you for your patience.

OKAYYYY LETS GET INTO IT !!!

lets start with the colors of this PV, shall we?

this PV is FULL of bright colors, nearly eye-strain level with a strong presence of red. Red is obviously Vein’s character color, representing violence and passion that he holds as a mafia boss, but what about the other colors?

in the screenshot I sent above, you can see a presence of bright blues and purples. in my opinion, i think the colors have less of an actual symbolism meaning, but moreso encourage us to draw conclusions about Vein. the bright colors paint his violence as fun, explosive and overpowering. as disturbing as the pv is, it’s clear that Vein is nowhere near disturbed by the things hes doing. the colors back this up perfectly.

also this pv is soooo pretty and i just want all of us to nod in acknowledgement of how PRETTY it is. studio lan i fear u ate

ANYWAY ANYWAY

as present in the lx pv as well, link click likes to show symbolism of their characters in the quick flashes before the pv actually starts. this is one for Vein: The Venus Flytrap.

according to google dot com and plant symbolism, venus flytraps represent persistence and deception. yep good all of this checks out, but why specifically a venus fly trap? can’t they show this with something else? i personally think it has to do with Vein as a character, and we don’t see a lot of that in the pv besides him being a major freak LMAOO. looking at what venus fly traps actually do — they secrete this nectar stuff that attracts flies, and using little hairs on the leaves, they can sense when a fly lands on a specific area and triggers the reaction of the plant closing. the flies outer layer is then digested and the plant feeds on what it really wants; the flies blood. i find this very interesting as i think it depicts how Vein meets shiguang. draws them in with something, closes around them and ends up feasting on their blood (whether literally or figuratively). maybe to trigger the trap, someone has to challenge him, like cxs will most likely do?? there’s definitely a lot to look at with that and I don’t think we have enough information to make concrete guesses 😭😭 but i wanted to bring it up!

along with the flytrap stuff, before the pv begins we see a video game visuals of Vein killing pigs, which I can assume depict random ass ppl in bridon. pigs being used in place of random ppl paint this picture of Vein as a butcher, and this is SO clever on link click’s part. there’s multiple scenes in the pv where vein is handling meat, whether that be killing, cutting or eating it. he’s a carnivore, through and through.

fitting that his symbolism is a carnivorous plant, isn’t it?

the video game aesthetic also gives the idea that Vein killing people is fun for him. he thrives on it. and it dehumanizes the people he kills, both through the pig imagery and that they matter as much as random enemies in a video game level. just a look into Vein’s psyche, very very interesting.

another detail that’s interesting to me; whenever Vein kills anyone in this pv, it’s always depicted with either face or head injuries, such as decapitation. this enforces how BRUTISH Vein really is. let me put it this way; if this pv showed Vein killing people with one methodical shot to the chest, our takeaway of his character would be vastly different. instead of that, vein deals injuries to the face and brain, to identity and control. he takes away people’s sense of self, either sweeping them under the rug or making them submissive to him.

and Vein does this gleefully. he’s shown laughing as he kills those around him, takes away their sense of self—he’s sadistic, incredibly so.

but, even scarier, he is drunk on power.

power is the biggest takeaway I get from this pv. they are telling us, to our face, that vein is the most powerful character we’ve met (before any of you say lx, his analysis with cover that, and i stand by my claim 👍 justtt wait and see).

okay, this considered, how is vein shown to be in power? how do we know he’s the most powerful? I think the answer to all of this lies in comparing him to past link click villains.

a big thing abt this pv is putting Vein on a different level than the villains we’ve seen before in how he exercises his power. qian jin (s2 villain if u don’t remember his name lmao), for example, typically exercises his power through manipulation. albeit, compared to lx he’s definitely worse, but his status and physical prowess allow him to have a good control of situations, such the scene at Chen bin’s house where he plants the money to frame him. Vein, on the other hand, has not only WAY more power, but a much more messy and brutal way of exercising it. in the pv we can see a lot of vein hurting people and it is messy. there’s blood everywhere, on him and on the ground, and he’s laughing maniacally surrounding by braindead henchmen. this is a BIG point on how powerful Vein is in the mafia. he doesn’t care for precision like qj does. Vein kills people, finds joy in doing so, and knows that nobody can stop him. his just has that much power. and comparing him to qj again: qj’s lackey guy had a mind of his own and ended up exercising his own agency at the end of s2. Vein’s lackeys are braindead and submissive, meaning that he surrounds himself with people who do not have the means to challenge him. my guess if that if anyone does, he gets rid of them quick, high off the adrenaline and the fact that nobody stands a chance against him.

this is backed by the loud, cocky rock music and eyestrain level visuals. it’s a nearly overwhelming amount of stimuli to display vein’s nearly overwhelming amount of power.

and in the screenshot I sent above, he’s walking outside the central bank with hooks behind him, flashy hair and all, without a care. the amount of power Vein has to do that is astronomical.

OKAY! big points from this analysis:

Vein is represented by a Venus Flytrap, one of a few carnivorous plants

Vein typically deals injuries to the face or head, which represents the way Vein takes away the identity of those around him.

Using pigs as depictions of random people, it makes Vein look like a butcher, as well as his scenes with meat everywhere

Vein finds a lot of joy in killing people, and is incredibly messy in how he handles it

Vein is powerful beyond comprehension through his Chinatown mafia

one thing i have left out is speculation around vein’s power (or if he even has one in the first place). because my theory for it is connected to another theory surrounding Overthink (the s1 ed), ill go in depth about it there! I’ll try and get that post out before yingdu airs, but be warned it is HEAVY speciation lmao

well guys, that seems to be it!!! i adore this PV, the song is a BANGERRR and we all cheer as we await yingdu!!

next up, lx pv analysis 🙏 drop a follow if ur interested in seeing it (trust me there is SO much to say about it) and check out the tag #ollieyingdu for anything yingdu related i have posted before or will post in the future.

thank you so much for stopping by! please feel free to comment/reblog ur thoughts, i welcome any and all discussion as long as everyone remains respectful.

that’s all for now! see you later 🫶

[bronx-bomber87]

Hello my lovely fandom :) I hope you are doing well. I can't believe we are at the first half of the finale it's unreal. For only having 10 episodes they've really made them count I will have to say. The writing has been so good this season. Killing me softly but so good. Can only imagine had we had a full season what they could've done. But tis not good to dwell on that ha Let us get started.

6x09 The Squeeze

Ugh poor Tim already breaking my heart 5 seconds into this. It's how he’s looking at the crime scene that gets me. Eric conveys so much with just a look. Always blown away by him. His look is saying so much as he looks on at the chaos. He is processing so much in this moment. Bless Grey showing up to break him out of it. Loving the hat btw Wade. Rocking it good sir. Tim letting him know immediately about his suspicions about Dr. London. Grey telling him to be careful with such accusations.

I love Grey protecting Tim with this friggin Detective Pearson putz. Coming in way too hot. No one I would rather have there to have his back though. Well other than Lucy. But Grey is the the right one to have there in this moment. Always protects his people. Hate this guy already. Wanting to crush Tim to advance his career. Just looks like such a weasel. *grumble.*

John was not ready the rant Lucy sent his way when he asked if she was ok. His face lmao Our girl has a lot of feelings ok? Lucy says she’s good. But you’re not my friend. That rant proving she is anything but ok. Sounds like she is trying to convince herself more than anything else. She is lost in life and where she really is emotionally right now. This scene is proof of that. I know people feel she is being isolated this year. I think the writers are doing this intentionally. I don't see it as bad writing which I've seen mentioned. I don't agree. Because it's very in character IMO. Feel like its setting something up as well. Also she is also the one isolating herself.

Even before Tim broke them up she was doing this. Look at her behavior the entire season. Especially after the exam. Handling everything on her own. Making rash decisions without input from anyone. Not even Tim. Hello Jeff Budney ...Just like Tim isn't open with anyone but Lucy she is the same way. Other than Tim she isn't very open with people about deep personal things. About what's affecting her. So this fits. She even shut Tim out of that situation in 6x04 in her decision making. Not since Jackson has anyone really made it in other than Tim. So this is pretty in character for her to isolate. People may feel it's more Tim but he's not the only one.

His is just showcased far more. Her's has been on display this entire season. Lucy and Tim are scarily alike in this way. She is a control freak and like Tim in the way she shuts people out. How she wants to handle it herself. I mean they have the same fatal flaw. It's why their communication became the problem it did. As much as Tim has growth to do so does our girl. That explosion of emotion just shows how very not ok Lucy is. I'm sure come summer or mid summer with the extended hiatus I might have a more fleshed out analysis of her. But she definitely isn't ok that much i can confidently say now.

I adore Angela calling Lucy to give her a heads up. Always looking out for both of them. Guardian Angel that woman. Friggin Nolan in the back asking what’s happening? She’s kinda busy John so hush. That concerned wifey voice is instantly present on the phone with Lopez. Her turning away from them both once it's about Tim.

This quickly became a personal phone call. Her reaction when she hears this. Oh my lord Closing her eyes. Taking in the severity of the situation. You know her immediate reaction was how he was. How was he feeling? Did he need her? The worry settling in and multiplying quickly.

The wifey vibe is continued when Tim calls John to be his union rep. Ugh killing me how worried she is for him. Concern seeping out of her in this moment. Despite everything that's her person and she still loves him so much. Her first instinct is to be there for him. My heart. Lucy asking Nolan how he sounded? Her tone bleeding worry.

Reason she asks is because Lucy can pull everything she needs to know from that alone. Knows him so well. Her innate need to be there for him. Regardless of all that has happened between them. Melissa killing it with the concern in her voice when asking how he sounded. *heart clutch* You can FEEL her worry.

Tim is so anxious waiting for Nolan. I wanna hug him. Jumps up minute he gets there. Telling him they’re gonna hang this around his neck. That now that Mad Dog is dead their scape goat is gone. Idk I would trust John alone for this. But Tim doesn’t have a lot of options right now.... I will say John proves me wrong later in this ep but my first thought was not 'Nolan should spearhead this.'

But look at Tim reaching out for help. Doing this so differently than how he handled Ray. I’m so proud of him. Taking a totally different approach on this one. Not isolating himself and reaching out for help through proper channels this time. Yeah Dr London sucks for being dirty but Tim has had some growth due to it. I couldn't be prouder of him if I tried. I really hope we continue his therapy journey in S7.

I hate this scene so very much. It was killing me to watch it unfold. She’s using his sessions against him and I wanna cry. It makes me sick tbh. And not even real info about his sessions either. It’s clear she doesn’t wanna be doing this though. Doesn't excuse her but you can see it's not something she is excited to be doing. Her conscience slowly eating at her. What do they have on her? I'm so curious.

This schmuck coming at Grey I wanna deck him. The look on Wade's face you can tell he does too. The amount of blatant aggression and disrespect making his blood boil. Telling Grey he favors his friendships over the city. Was making my Italian temper flare up so very much. Coming at Tim SO hard it was like he wanted to be found out. Bias little shit.

I love the minute Angela hears about Tim's admin leave she calls Wes. Angela saying he better give her a heads up if they're charging him. That she’s standing by Tim a 1,000 percent. Calling him family. Getting all misty over here. Angela loves him so much. He's very lucky to have someone so amazing in his corner. Love me some Angela Lopez. Loyal to a fault. Just like me fiercely protects and defends who she loves. Coming at her own husband to defend him. Adore this woman.

Can I just say I adore Lucy seeking him out. Not only that but making sure she has a private moment with him by pulling that stop button. Telling him she is still mad at him. That this doesn’t change anything. (and yet it changes everything IMO) Tim is so confused because the last thing he expected was this hug. Or her empathy at all. Hell when I saw the promo last week I wasn't either. It's the way he just MELTS into her like butter. His whole body relaxes. You can see the anxiety just drain out of him. Clinging to her like a life raft. Emotionally she is in this moment. Holding her as close as he physically can. He is so grateful for this moment to hold her again.

You can tell this is the first time in a long time he's felt whole. Felt peace of any kind just by being in her arms. This hug is so beautiful you guys. I'm tearing up just writing about it. The way she envelops him so completely. Such raw emotion in her voice asking if he’s ok? His answer makes me wanna cry. ‘I am now.’ Reminiscent of 5x21 when he said the same thing. He wasn’t ok till he heard her voice. The same thing remains the same here. He wasn't ok till he was holding her again. My damn heart. I love how she tightens her hold on him when he says this line.

Like she also can't get close enough to him either. They're just clinging to each other for dear life. This hug gave me so much hope. You can see how in love they both still are with one another. I mean my goodness the way she straightens his collar afterwards and touches his arm lovingly. Reminds me of the lint picking moment from 5x12. Still doing wifey things and can’t even help it. That wifey energy coming off her in waves. It's automatic when they part. Just seems so natural. After being apart physically since 6x06 .They easily fall right back into it. So damn nice to see. Feels like I'm breathing for the first time since 6x06 ended. I'm dying in the best way everyone.

Lucy then re-opens the elevator and they share some VERY loaded looks before she departs. I’m not crying you are.... God I love Tim and Angela’s friendship so much. She is willing do whatever for her bestie. She also is wanting so badly to be tagged in for this. To protect him in any way she can.

Tim seems confident in his play even if Angela doesn’t. Letting her know he's handling this one differently than Ray. Do love her saying different isn't her haha God he's lucky to have all these amazing women in his corner. I adore their friendship so very much. I need more of it in S7 writers I just do.

Really loving Lucy going UC for Harper and Lopez for this case. I think this is part of that setting something up I mentioned earlier. Lucy breaking my heart with the detective comment though. *sad sigh* But classic Lucy to have 8 covers ready to go. God I love her. The most Lucy Chen thing ever to have that many on deck. Not only that she's been growing them for months.

I love this human so very much it's insane. It's no wonder Tim is so damn gone for her. She is the cutest most prepared little nerd and I adore her for it. The look between Lopez and Harper is too damn funny. Tim would not be surprised by this info at all LOL Also her alter ego hitting close to home right now. 'A little lost in life....'

Really enjoyed this shot of Lucy and the nanny debriefing her before we head into the scene. This guy gives me the creeeeeeps. It's no wonder she didn't want to go back into that house. That dude looks like a sociopath. She can handle herself but good lord I hate her being near him. Dude has dead eyes too. The wife looks like she is a prisoner.... The whole scene made me uneasy and nervous for Lucy to be there.

Never thought I would say this....But I’m impressed with Nolan and how he’s handling this situation. That's right you actually read that. LOL You're not crazy. Or seeing things. He’s doing Tim some serious justice right now. Rattling all the cages of the potential dirty cops she’s seeing just by being here. Confronting her like this to see if it bears any fruit for them.

Having Smitty stakeout her office because he knows it'll make her uneasy and easy way to log who comes. Has Nell pulling data for him with police fails for last 6 months from dispatch. Also yay return of Nell. Love her. Honestly first episode in a long time I enjoyed his character. So well done John you pulled off quite the miracle here.

Love Grey in this scene. Hell in this episode really. Papa bear ready to devour anyone threatening his kids at it's finest. This scene was cathartic to watch after this putz had been stomping around. Acting like he owns the damn place. Smearing Tim's name all over the place in the process. Threatening Grey in his tirade. Wade's final straw is him coming after Nolan/Celina.

You can watch Pearson visibly shrink when Wade is done tearing him a new one. Doesn't say a damn word after he tells him to stay in his Iane. You tell 'em Wade. I was cheering him on this entire scene. Was a huge tell for Nolan and Celina as well. Nolan's tactic working very well. Outing him as dirty cop because of his outburst to them working Mad Dog's place plus confront Blair.

This scene makes me VERY nervous for Lucy. She did a really good job listening in till the damn toy. I mean she caught it before it hit floor. Unfortunately the friggin thing goes off with it's song. Giving away not only her position but her potentially her cover. Because he finds it on the ground and has a menacing look on his face. Dude gives me the actual creeps. Well done to the actor cause he makes me wicked uncomfortable.

I don’t like the idea of Lucy going back into that house. Like at all. Extra backup or not. I think her cover is blown and sending her back is like sending her into the Lion's den. She is very competent and can handle herself. That doesn't mean sending her back in isn't extremely high risk. Especially with Monica buzzing around now. We'll see how that shakes out next ep. Kinda hoping it produces some Feral Tim if it goes sideways while she's in there. A girl can dream right?

Prepare yourself. I was once again was very impressed with Nolan in this episode. He did a really good job leading Celina and doing what Tim asked. Was smart about his moves. Bringing Smitty and Nell into it and getting the info he needed. Shaking trees and getting fruit from it. Using everything around him properly even Smitty LOL She's got some balls on her asking for complete immunity and a new life. Also Idk Nolan can promise any of these things.....But it'll be interesting see how the second half of this unfolds.

Now Eric had mentioned in an interview post 6x06 about communication for them in the finale. So I'm excited to see what that'll mean. Will they have a real convo? Idk but i'm excited about it. All I want is them to be in a better spot before S7. I never expected things to magically come back together by seasons end. It shouldn't be that way. Also the season too short for that.

The SL deserved time to breathe and develop a bit. My hope is we will be on our way to reconciliation by end of finale. That hug was a damn good start to that goal. As usual thank you to ALL that like, comment or reblog these. Truly mean that every single one means so much to me. Excited to see how this season ends.

~~~

Side notes- Non Chenford

Harper and Lopez proving what a bad ass duo they were through out the ep. I need more of this in s7 writers. These two woman are dynamos and I need more of it.

Can’t say I didn’t Miss Tim the rest of the ep but damn was it good. I love when they do ensemble cast stuff flexing what a good cast we have as a whole.

Wes standing up to that heavy was impressive and pretty attractive. He’s grown a lot as a character was nice to see.

Loved the ladies nailing that crooked detective. Amazing. Grey getting to put HIM on admin leave. Suck it you schmuck.

[lilybecca1]

Hi...if you don't mind, can I ask something from BNHA? What do you think are Midoriya and Bakugou’s greatest personality strengths and weaknesses? Why? What do you love about their dynamic? Since what moment that you start shipping them? Sorry if you've answered these questions before.....

(Okay so I kinda realized at the end that this actually turned into a complete BKDK personality analysis and dynamic breakdown, so sorry in advance lmao)

Hi, of course! I actually love analysis so I don't mind talking about their characters and dynamic. Though I do have to say that if I wanted to make a full on analysis, it would probably take me hours, if not days 😂 when I say their characters and dynamic are literally the deepest and most complex out there, I mean it.

But to answer your first question:

Let's talk about Bakugo first.

I think throughout the entire manga, his character has literally been laid bare in front of the whole world to see. His character development was one of the most important aspects in the entire manga, and we have a ton of resources to analyze his character on. If I were to answer what his greatest strengths and weaknesses are on a superficial level, I'd say this: his weakness is that he hides his true feelings behind a mask of anger, and he's so intent on dealing with his problems alone that he ends up pushing people away. His greatest strength is his ability to never give up on winning, his determination to succeed and become his best, and strongest self.

But that is not entirely true. In reality, his weakness comes from his insecurities, his fear of showing vulnerability to others. Throughout his whole life, everyone praised him for his quirk and told him he'd be the best hero out there, and because of this, he has developed an unhealthy superiority/inferiority complex. He's afraid that he'll fail, because in his mind, his whole persona, his whole self worth is developed around the strength of his quirk and the desire to become the number one hero. He's too afraid to accept his "human" side and human emotions. Thus, he feels like he always has to maintain this image of perfection, being on top of the food chain so that no one sees past his façade and sees just how insecure and sensitive he really is inside.

And his greatest strength? It's not about winning or never giving up. His greatest strength is how sensitive, how fiercely loyal he is at his core. His trust is very hard to earn, but once someone does earn his trust and respect, he will devote his entire LIFE to that person. Initially, it's very hard to break down his walls, and on the outside he seems like someone that only cares about himself and his own goals, but that's so far from the truth.

Just look at his relationship with Deku over time. Bakugo wanted to ignore him and push him away at first, because he triggered Bakugo's deepest insecurities, he saw right through him, he saw the person he was past that anger. And over the manga, Deku has broken down his walls little by little, earned his understanding, his trust, his respect. He broke his walls down until there was nothing left to hide for Bakugo anymore. And once that happened, Bakugo gave Izuku his all, his 100%. His care, his life, his devotion. Because once you look deeper, you'll see that Bakugo's biggest strength lies in his selflessness, and how he'll put the people that mean the most to him above everything, even his own self.

So now, what about Midoriya? Well, in all honestly, I still have absolutely no idea. It irks me to this day when I read fanfictions that simplify Midoriya's character so much that he ends up just being this crybaby version of himself who puts everyone above himself and is too kind of a soul for this world. That might be true in a sense, but that's also far from what his true character really is about. It's like when you see him first, you see this simple version of him that he shows to the whole world, but as you get to know him, the outer layer starts to peel off and you start to see the inner layers of him. Except, when you thought that you finally got to know all the sides to him, you suddenly find yourself face to face with yet another layer.

It's very hard to pin down his character, which is generally true for most INFJs. He wears his heart on his sleeve, and he completely stays true to his character, his core essence is rock-solid and immutable, yet for some reason, it's impossible to understand him, because he probably doesn't understand himself either.

So in short: his weakness is that he always puts everyone above himself and doesn't care about his own well-being, and his greatest strength is that he always follows his dream and his desire to save others, even when life throws all odds against him.

Long answer (buckle up): through his entire childhood, he has been bullied for being quirkless, for simply being who he is. He had to learn from a very young age that he has no worth, that his existence is meaningless, and his life is absolutely worthless (which has been even more solidified after Bakugo told him to take a swan dive). It has been practically beaten into his brain and mindset that he, as a person, doesn't mean anything. In his mind, he doesn't have a sense of self. His core essence, his raw character has been built around his dream of being a hero, his desire to save others. His sense of self is built upon a base of a desire, a dream. Not his personality, not his character, not who he truly is as a person inside. Nor he, nor anyone else has cared to learn more about him, about who he is as a person.

So, to put it simply, his core character is versatile, unpredictable, and unknown, even to himself. His weakness is that he is constantly misunderstood, and that no one will ever be able to understand who he really is inside. The fact is that he and Bakugo are two sides of the same coin. On the outside, it would seem like Bakugo is the one who's misunderstood, who hides himself behind a mask, and Deku is the one that wears his heart on his sleeve, and is open with his emotions.

In reality, Bakugo is the one that is true to his own character, meanwhile Midoriya is the person whose real personality hides behind his mask of cheerfulness, hope, optimism and determination, whether he knows it or not. He never once stopped to think about himself, so he wears this mask completely subconsciously, and even if he wanted to, he probably wouldn't know how to NOT be like this. So, basically his weakness is that he hides and bottles up his real emotions, and most of the time even he doesn't know it. Like y'all thought Bakugo was the repressed one? News flash, Deku is the true repressed MF, he is the one that pushes down his "unwanted" emotions and desires.

Just a couple of examples: when his desire to win surpasses his desire to save and he starts to imitate Bakugo. Why? Because his whole persona is built around the desire to save, yet when these "unwanted", supressed emotions surface, he copies the image of what that emotion is supposed to look like. AKA, copies Bakugo, because the image of desiring to win is the image of Bakugo inside of his head, so he mirrors Bakugo's personality during those moments.

Another example? He literally gave up on winning during the Sports Tournament and hurt himself over and over again just to prove his point. He's not as innocent and sweet as people think he is, he purposefully riled up Todoroki just to prove his point. He's stubborn, reckless, and spiteful to the point he did THAT just to win an argument.

And the Control your heart moment? That was literally THE biggest weakness that Shigaraki even exploited and used against him, because he saw the side that Deku tried so hard to suppress, and he knew that hurting Bakugo was the one thing that could get that side out of him. But I'll talk more about that later.

So, with that out of the way, what about his strengths? Well, in the short answer, I said that it was his ability to keep pushing forward and chase his dreams even when life throws all odds against him. Which isn't false, because that is indeed probably his biggest strength. Since he's kind of a "chameleon", he's able to adapt and devote his own self to the one cause and desire that he built it upon. Which is his dream to save others and become a hero. But that's not all there is to his character. His strength is the ability to devote his entire character, his sense of self, his energy, his everything to one specific goal that he sets his mind to. That what makes him Midoriya Izuku. It's that inner strength to be able to devote his 100% to his beliefs and what he wants. And when he does, it's impossible to stop him. What does he believe in? Saving others and helping them, no matter what. What does he want? Well, most of the time, it's to become a hero and do exactly that, save others. Some other times, it's to win. Other times, he simply wants Bakugo, which is a raw possessiveness that even he cannot control sometimes(which I'll also explain in a bit). We'll never understand what he's fully capable of, because we'll never understand every side and emotion there is to him deep down. Only one thing is for sure, that he is someone who pushes forward to reach his dream and follow his beliefs with all his heart, no matter how many times he's pushed down. Is it unhealthy? Probably. Safe to say that Midoriya still has a lot to learn and figure out, even more so than Bakugo did.

Okay, that did actually end up pretty long, but anywayyy

Onto next question:

What do I love about their dynamic? Well, more like what do I NOT love 😂 I mean if people thought their characters were deep, they're in for even more of a surprise. Because if there is one thing deeper and more complex than anything in the world, then it's their relationship and dynamic.

I mean, you mix two characters together that literally steal every single trope there is, enemies to lovers, rivals to friends, childhood friends, forced proximity, twin flames, soulmates, literally EVERYTHING

What do you get? A whole lot of complicated shit, that's what

First, let's see what Bakugo's perspective is in the whole relationship. The School Briefs Snowy Mountain Camping chapter basically gave us a complete explanation on Bakugo's perspective of Midoriya and the reason he behaved the way he did with him. There was always something that irked him, something that creeped him out about Midoriya, and that something is Midoriya's habit of meddling with other people's problems and caring about them, even when he doesn't need to. Young Katsuki realized that this is exactly what being a hero is about, and he knew deep down that Izuku's core essence was much closer to the ideal of being a hero than himself was. And that triggered his insecurities, because he thought that Deku was better than him, he thought that Deku was much closer to achieving that dream of being a hero than he was.

So, Bakugo developed a superiority complex and disguised that deep-seated fear as rage, and settled for denial for years. That is until they entered UA, and he started to understand and accept the fact that Deku didn't look down on him, but actually cared for him. His anger subdued, but for a long while, there was still something that frustrated him and pissed him off to no end about Midoriya.

His own anger came from inability to explain what was the thing that still irritated him. He was essentially angry at himself for being in denial for so long, and then for not being able to explain what it was that angered him about Deku, even when he knew he wasn't looking down on him. But then, he realized what caused his irritation. To quote him, "Deku never took his own needs into account, always giving 100% of himself to whatever cause had his attention". He feared that Deku's pure, genuine spirit would collapse under its own weight some day, bringing it all crashing down. In other words, he was afraid for him, because he saw how amazing of a person he was inside, and he knew Izuku would rather bear the weight of the whole world on his shoulders than to share the pain with anyone else. This is when he realized he cared for him.

Everyone else cared about Izuku too, but Bakugo was the only one who saw this, and who saw who Izuku was at his core. Unlike everyone else, he wasn't surprised when Izuku left UA during his Vigilante Arc, because deep down he knew this was bound to happen some day. And he took it upon himself to apologize to Izuku, lay himself and his own weakness bare in front of him, in the rain. Which is something that goes against who he was before that. But he showed Izuku that he had his complete trust in him, and told him to share that responsibility of OFA with him. At this point, Bakugo has long threw away what held him back from accepting his connection with Izuku. It wasn't even about the desire to surpass him anymore. He knew that was futile because in his eyes, Izuku was such an amazing person that he knew he'd never be able to surpass him. "Hey, Izuku...Can I still catch up to you?"

He accepted the defeat, that he wasn't a better person, that he wasn't the best. Because time and time again Izuku showed him how amazing he was. So Deku isn't the only one who views Katsuki as amazing. Katsuki just needed time to come to terms with it. But once he did, he completely devoted himself to Izuku, he died for him, he devoted 8 years to him after the war just so he can become a hero again. He doesn't care about him being quirkless anymore, none of that means anything to him anymore. All that's left inside him is the pure, genuine desire to have Izuku by his side for the rest of his life. Izuku will always remain more special to him than anyone else.

His love for Izuku goes much deeper than platonic or romantic, and that's the beauty in it. Izuku has earned every kind of love that Bakugos could give him. And it couldn't have been anyone else, because in order for Bakugo to have this deep of a connection, they needed to have a mutual background, they needed to have history. Bakugo needed that person to see him for who he is at his rawest, he needed someone to accept his feelings and understand who he truly is, and how he became who he is, what made him into who he is today. And that person could have only been Izuku. Because Izuku has been there since the very beginning, Izuku showed a mirror to Bakugo and made him face his own flaws. Izuku made Bakugo accept his own flaws and realize that he isn't perfect, just like everyone else. Without Izuku, he would have never realized what it meant to be a true hero, and that he needs to accept the other side of the coin too.

And for Izuku, he always saw Kacchan as amazing, ever since Day 1, and he viewed him as his image of victory. I mentioned before how he built his core personality around the dream of becoming a hero, but that was not all. There is another pillar that holds his life, holds his dream together, and that is Katsuki. He had this ideal that came from All Might, but like Izuku said, Kacchan was the one in his life. Izuku's body only moved on it's own once he realized it was Katsuki in danger. In Izuku's mind, Katsuki is the image of what victory is supposed to look like. Or, to sum it up, Katsuki is the reason Izuku was able to achieve his dream of becoming a hero(which I also explained in one of my other analysis).

Why is this important? It's because Izuku can't imagine a world without Katsuki in it.

There is a reason why it's always "Kacchan and the others". It's not simply because Kacchan is his closest friend. It's because Bakugo means more than anything to him. Bakugo is the one pillar in Deku's life that's always there, that he can always rely on. If you take that away, his entire core would collapse, because there would be nothing holding it together anymore. Like in that new Blue Encount MV that came out, and how it was Kacchan's hand that held together his shattered dream.

Because Katsuki is the one who he shares that dream with. Both of their dreams were born at the same moment, their literal core is tied together with eachother. This is why Izuku told Bakugo the secret of OFA so easily. The two of them together were the ones that held that responsibility, that knowledge that came with OFA. And to prove it to you, let me talk about his Vigilante Arc, and when the whole class came to convince him to come back.

Right at the last moment when Izuku was at his breaking point, this is what the second user said:

“If there’s anything that could bolster Midoriya Izuku right now, it would be…”

And who did the next panel show? Bakugo.

Bakugo said he wanted to talk with Izuku, and Izuku knew that if he heard him out, he wouldn't be able to resist, he wouldn't be able to hold it together anymore. That's why he ran away without talking to him, but it didn't work out. And when Bakugo apologized to him, it was over. The one person that meant more to him than the whole world, apologized for everything he has done, and showed him that he WANTED to be there by Deku's side, which is what Izuku has wanted ever since they were children, yet he gave up the hope of ever being able to talk normally with Kacchan again. And now here he was, doing just that, and it broke something in him. He wasn't able to hold himself together anymore, to keep up his façade of wanting to bear the responsibility on his shoulders only. It was Katsuki's words that made him give in and share the burden, accepting that he doesn't have to do it all alone.

It was always Kacchan, and it was always the others.

And why was it that he always lost control of his heart when Bakugo was in danger and threatened to be taken away from him? Like when he was kidnapped. It's because Katsuki isn't just simply a really close friend. It's because Katsuki is literally his ideal, his image of victory. If he was taken away from him, that would rock Midoriya's entire mindset, his entire world. Katsuki is something that his childlike self desperately needs to hold onto, because without him, Izuku would be lost. The one thing would be gone that was always in his life, that gave him the meaning of being a hero. Take Kacchan away from him, and you literally rip half of his heart out. Without Kacchan, he's incomplete. So when he screamed "Give me MY Kacchan back!", it was because he literally felt so threatened that it awakened a raw possessiveness inside of him.

Just like when Monoma insulted Kacchan. Midoriya didn't lose control simply because he talked badly about Bakugo. It was because to him, it felt like a personal attack to the core essence of who HE is. It felt like it was a direct attack on Midoriya's beliefs, like someone just insulted his entire mindset that he has believed in ever since childhood. It's literally true, an attack on Bakugo is a personal attack towards Izuku as well.

So now we understand why he went crazy when he lost Katsuki. His entire inner world was shaken up, threatening to collapse in on itself. If we think about it, it isn't so surprising that he went feral over Bakugo's death. He lost control of his heart, because Katsuki is the one in his heart. Who Izuku is today has been directly influenced by Kacchan in his life. Losing Kacchan means losing a part of himself.

And this is exactly why I absolutely love their dynamic. They mean so much to each other, and their love for each other grows so much deeper than just romantic or platonic. They mean the world to each other. They are soulmates, they are twin flames, their entire life and persona is so tied together with each other that it's impossible to say where one of them ends and the other begins. Because they are two halves of a whole, and their love and connection is something that we are unable to comprehend. It goes way beyond simply loving each other.

And to answer your last question,

well I technically started shipping them since Deku vs Kacchan 2, but I kind of already were shipping them in a way ever since Episode 1. Not in a romantic sense, but I immediately saw that there was much more to their connection than with anyone else. But Deku vs Kacchan 2 fight scene definitely took the cake 😂 nothing will ever top the tension they had during that episode...like okay, before I would have accepted that there wasn't anything romantic between them, but after that? KISS GODDAMNIT

Okay so this has kind of turned into a veeery long analysis, sorry, I talk too much 🤣 I hope I answered all your questions 💚

[inactiveobeymeblog]

can u do how the om brothers would react to a mc that is like. (for lack of better words) EXTREMELY dumb ..... like karen smith level slow💀

Lmao I LOVE this idea. The best part is that I can definitely relate to this lol.

Content Rating: SFW

Content Warning: None, GN!MC

Characters: ✨The Seven Brothers✨

Additional Info: MC is very slow to understand, the brothers are patient, shorter HC’s this time (sorry), we love dumbfounded MC, the brothers love MC

Lucifer

He finds it quite surprising, actually

That the fact that there is such a human who is so oblivious to so many things

He first noticed when you walked into his office and he was on a phone call, but you didn’t see he was and you just continued to talk

He had to tell you to hush

He also told you to be more aware of other people’s situations

But he loves that about you

He even finds it endearing

Mammon

You’re in the same boat as him

You both take so long to understand a joke and you often find yourself looking at each other with confused expressions

It will take you both at least a day or two to understand what something meant or recognize what was happening at a given moment

Sometimes if one of you find something out before the other, one of you will rush to tell the other

It’s a cycle you two repeat endlessly and it’s hilarious

He’s just happy he finally found someone who can relate to him

Leviathan

If you’re slow to figure something out, whether it be a “why does this character to this and that” or a “what do you mean by that”, prepare to have a very long rundown conversation

Levi LOVES to explain everything to you in very large detail

He also loves the fact that you will volunteer to understand everything about a show he gets absorbed in

That means pulling an all nighter to go through every single manga volume or watch every episode of an anime

And if you ever need to know anything, he’s got your back

He fawns over you and the fact that he gets to talk to such a human like you and express his love for things to you without hearing you complain

He’s head over heals for you

Satan

Usually, if you ever find yourself struggling to understand something in a book or something you’re studying, he’ll explain it to you in the most simple way possible

Or if you need a more detailed and longer explanation, he’s happy to give you one

He’s an excellent source if you ever need help with your R.A.D school work

He’s also a walking dictionary

So if you don’t know what a word means, just ask him

He gets an ego boost every time you go to him and not one of his brothers

He loves the trust you put in him

Asmodeus

He usually gets stumped on how to explain things you don’t understand that isn’t of the sexual, joking manner

But he’ll try extra hard just for you

Like if you don’t understand how makeup works, he’ll more so demonstrate than tell you

It’s easier for him

And if you’re more of a visual and hands-on learner, then you’re in luck!

Because he won’t give up until you’ve mastered whatever art you ask for help in, even if it’s a skill he isn’t an expert in

He just loves how he can be in your company for hours and not get tired of you

Beelzebub

It doesn’t matter if you’re well conversed in food culture or not, he will explain everything about a certain food item to you down to the very soil the ingredients were planted in

He would talk for hours just describing the taste of food or furniture

Make sure to get him a snack to munch on while you get him to talk about food or he might just start nibbling on your arm instead

He loves the way he can talk to you about his favourite snacks and meals without making you bored or tired of his nonsense rambling

Belphegor

Ask him where the best napping spots are and he’ll make a five page full analysis on where he thinks the best spots are

He’ll explain why if you ever ask

He will even invite you to his favourite; the attic

Then he’ll continue to explain there

He’ll also act as if it’s the best thing that’s ever happened in his life

I mean, he gets to talk to someone who actually wants to know about his favourite napping places?

Count him IN

He loves the way you will earnestly listen to him and he also loves the fact that you will fall asleep with him when he asks

A/N: I hope I answered your ask correctly! I hope everything made sense bc I didn’t go back and proofread anything. Thanks for reading! Thanks for requesting, anon! 💜

[fumifooms]

so glad you posted that compilation cus i literally can't stop thinking about chilchuck's succubi... everyone else's have so much to be said about them and are so much less straightforward than just classically sexual, but then chilchuck's Truly goes straight for the jugular. when i saw that one panel i could not stop jawdropping at how explicit they went with that implication like it's actually insane to me. i feel like it says a lot about him, what you said about him enjoying the simple pleasures of life like alcohol and sex, and he's really such... a guy. but if this is the most alluring form to him he really should get that divorce even if he still loves his wife i have to be honest LOL poor thing

YEAH literally it’s insane 💀I feel like due to the tension and action of the scene and the way the page is paneled it’s soo easy to brush over it and focus on other things without our eyes actually processing THAT. I have no clue how they’ll make it in the anime without just making it straight up obscene lmao, a friend joked that the sucking sound effect should be like a straw and I’d die laughing if Trigger does that. Maybe like slurping noodles instead. No clue what they’ll do genuinely.

I do believe Chilchuck is just Like That™️, but yes I also like to think that it reflects how deeper connections have hurt him in the past so he prefers relationships where he’s just there to do his job or just there to have fun without thinking and not have to worry about betrayal etc etc. He’s not there to think and have emotions he just wants to feel good for a while and be seduced and those things (succubi, sex alcohol etc) sure do that.

I wouldn’t say that this is the line crossed for why he shouldn’t get back with his wife though!! I do get the feeling that he and his wife just aren’t compatible and that they don’t communicate well, and with Chilchuck saying "I don’t know if it’ll go as well as in the stories, but I’ll try" about reaching out to her, and with idealization vs the actual person/thing being a big theme in Dungeon Meshi where we don’t know just how much he loves her or if he loves the ideal/memories of her, I do feel like they should reconcile but not get back together. BUT! I think the whole "most alluring form" thing shouldn’t be treated as the ultimatum that people often treat it as, the succubus chapters really reflect a bunch of themes that are present in the whole series, like ‘irrational instinctive desire vs what you actually want and need’ and such.

Again I’ll be spoiling a future analysis I want to make but… If the characters were to have their full minds in those chapters, what they rationally want most is very different than the succubus they got, something can be alluring but you’d still refuse it, like idk a cigar, hence why the succubi need to freeze their victims by reading their irrational desires so well. Chilchuck has gone 4 years since his separation with his wife still being faithful to her!!! FOUR!!! Had he his capacities he would not be cheating on her no sir. He’s marriage man have some faith. Had they their minds Laios and Marcille would be imagining Falin safe and welcoming instead. It’s much like with the Winged Lion, where the desires it twists the characters into aren’t the one they actually pursue (well, in Laios’ case at least. It emphases on them a ton even when it is a desire they show in everyday life), the monster twists the desires to have the outcome they want, it’s manipulation.

If your point is that the succubi don’t look like his wife though like come onnn you can’t either be asexual or think your partner is the literal prettiest person on Earth supermodel-like level to be with them and truly love them and be devoted come on… If that new blackhaired half-foot woman is her, then we saw with the succubi that he does favor her kind of eye shape, and idk that’s so much more romantic to me than hair color 🥺 Come onn he’s just a lil birthday guy he wants pleasure but he can’t fantasize about his wife bc it’d make him sad come onnn come on don’t hold it against him come onnn… Oh although I do read his "All your succubi are blonde, is your wife too?" "Shut up, don’t bring her up now!!" as guilt, bc he has a hard time thinking of himself as virtuous so I imagine in that moment he’s like "Man maybe this is why she left me… Maybe I really am not a virtuous husband…" and it’s like BUDDY a monster is playing you like a fiddle don’t make yourself feel bad over it 😭😭 I did write a fic around that concept though hehe 👈 But yes just defending my guy’s VIRTUES a bit out there. I do agree his wife had it rough, it must be so lonely and a lil devaluating to be his wife and always waiting on him and he can’t even work up the emotional maturity to voice that he loves you regularly when he is home 💀 Man is NOT a storybook prince charming

[souryam]

I've always been bothered by the analysis that Lily didn't care about Severus. Not only because I love their friendship and ship them together, and also because I think it cheapens the relationship as a whole and makes things fall a bit flat. I do understand where people are coming from tho. She does defend James to him, and is implied to be physically attracted to him even while being friends with Severus (I disagree with her already having a full blown crush, but I do think she found him handsome), also she's pretty emotionless when he's trying to apologize, which leads people to believe she was only looking for an excuse to ditch him. Which I strongly disagree.

First off, I don't think they would've lasted that long if she didn't love him a lot (as a friend or as a crush that's your pick). Their friendship lasted 6 years, and JKR confirmed that a huge motivation for James, personally, bullying Severus was jealousy she felt of Lily's attention and affection, he saw Snape as a threat. Potter watched Lily all the time, hit on her all the time. Lily is described to have a temper. It is almost impossible to me to believe that James wouldn't have noticed that Lily was bothered by Snape and outright wanted him gone from her life, therefore rendering his motive for the bullying flat. We see he is even more cruel when Lily stands up for Severus, mocking him further (as we see on the train scene in Prince's Tale and in SWM), exactly because he believed that they both liked each other (romantically or platonically)

Also, a scene that sticks out to me is the one in DH when Lily is insisting for Severus to stop hanging out with Avery and Mulciber. If she was just looking for an excuse, wouldn't she have given the ultimatum then and there? She clearly didn't like them, thought they were cruel, and they hurt Mary, which is implied to be an acquaintance if not a friend of hers. Why stay as long as she did, "making excuses" for him to her friends as she says, if she didn't want the friendship anymore? Her lack of emotion when he's apologizing can be easily explained away by how angry she is. That scene didn't happen after days or weeks from SWM, it happened in the same day and she clearly didn't want to speak to him in the moment, it being the only scene in which he demanded her attention in a sense. In Lily's POV, that was this friend she had for almost a decade, her oldest friend, who had just turned on her for no reason, when she was trying to help him. A lot of people ignore how bad Severus is at expressing his feelings and telling her hard things about his life (as seen in him using euphemisms for his father's behaviour when we know that he was being brutally whipped), so it's very possible that he wasn't transparent with her about his insecurities or how bad the marauders' bullying affected him, so she never thought much of it. Might be a little insensitive, but hey, she was a 15 yo. It always seemed to me that he presented himself way more as a shoulder for her to cry on than the opposite.

Also, the memories that were given to Harry were not meant to show the pretty moments of their friendship, at least not in my interpretation. Yes, it had some cute moments to make clear to Harry that they were friends, but to me it was way more about showing Harry the conflict of Snape's life from the start, the Dark Arts and the DEs, which he was very tempted and interested by, and the Lily, who's a symbolism for Light in his life. She was the one pulling him away from them, warning him, and he wouldn't listen. That's why basically all their scenes have some sort of conflict. To show Harry how his entire life, he was in between those two sides being pulled back and forth, and when Lily's pull was gone, he headed straight in to the Dark Arts, and ofc, that didn't end well at all.

This got super long for no reason and it's prob very badly written but it was mostly a word vomit lmao I just rlly like them and yes they had their problems but most friendships do :( they would've worked it out in another universe...

[gunkbaby]

idk how true this is these days but i feel like a *lot* of shuu analysis focuses on his character in :re. which i understand - his story within :re is definitely more than worth analysing - but i feel like sometimes ppl pass off shuu’s character in tg part 1 way too cynically.

like he’s *not* a villain - not evil - he’s an antagonist. he is someone who does bad things. i have seen so many ppl sort of disparage or put down shuu’s initial character as this sort of comedically evil narcissist, and the depth of his character within that part of tg feels lost. it feels like shuu is treated kind of flippantly in regards to analysis pre-:re - like he can be summed up rather easily. he’s down bad and funny, he’s full of himself and so dreadfully selfish. weird man who talks funny and acts devious.

i think only viewing :re shuu with depth does him a great disservice.

maybe i have made this man into too much of my baby, but i feel like there are so many moments - before :re, in the side stories, and so on - that show the very kind, genuine person that shuu is. there are moments where you can see that deep down, shuu is a genuinely kind, loving person. whilst he certainly is arrogant and self-serving, he also loves, he’s kind and he wants to see other people happy.

i think shuu is unable to convey or understand this love and empathy within himself. i see him in the first part of tokyo ghoul as someone who has desperately justified his existence in a world that actively rejects him. even amongst most other ghouls - outside of his family - shuu feels alienated. he fundamentally does not understand friendship, and i don’t think he understands how to love other people yet - he feels it, but doesn’t understand it in himself and conflates it with other, more familiar feelings of desire - and in tokyo ghoul this love inside of him becomes unavoidable. however, as it is in conflict with the perception shuu has built of himself (which i view as a means of coping with his alienation) it is desperately uncomfortable and painful.

to me, shuu in tokyo ghoul is someone who has built a view of themselves as a means of protection. he is a kind person who loves deeply and strongly, and genuinely desperately wants to see the people he loves happy above all else, but he is unable to understand that. i feel like upon understanding that, shuu also comes across as someone who is confused about who and what they are, but desperately wants a place in it.

again, idk what other ‘modern’ shuu analysis really looks like. i am talking from my perspective and memory of the past analysis and characterisation of shuu - that a lot of the genuineness within him is only seen in :re, like he’s a ‘good person’ in :re and :re alone, without the attention to his character in tg. i don’t like that that feels neglected to me, which is why a lot of my personal analysis is more centered on shuu in tg over :re - maybe because i am about the age he was there, and i feel about as confused and alienated as i read him.

i think, like a lot of characters in tokyo ghoul, you can read shuu as being quite a fearful person - fearing a lack of a place in society, his own loneliness, and that his idea of himself and the world is incorrect. it’s like he has this internal war of love and fear. I’ve thought about this concept a lot lately though - love and it’s opposite - hate is not the opposite of love, fear is, and that view has kind of shifted my worldview quite tremendously lately, so maybe I’m just talking nonsense, but now i look at so many characters i love, and i can see how their more morally reprehensible actions and views are fundamentally driven by fear. after which point it becomes very easy to sympathise with them - not that i have no sympathised with shuu excessively in the last 8-9 years lmao - i’m excited to re-read tg and look at other characters with this new lens also.

anyway i must stress that im not trying to bash shuu analysis from like 5 years ago or whatever - i just think shuu’s character in part 1 is neglected over his character in :re. and obviously i still love shuu in :re, i mean, outside of his general dreaminess, I’ve done analysis on that era of him before, and of how deeply important it is to me. I love and appreciate every nanometer on his character. he’s so important, and i will always want to dedicate myself to appreciating and extending my understanding of every part of him. 🩵

[toasted-valentine]

Still Got Adamandi Details I’m Not Normal About, So Here They Are

A lot of these are going to make me sound like a massive fucking nerd lol

•Beatrix slapping Vincent’s hand away when he tries to grab the archive records from the table.

•Beatrix clearly not wanting to be there during the first two interviews, then just relaxing and teasing Vincent during their interview with him since they’re friends. The switch from strict professionalism to being a bit more playful is a good way of establishing that the two already know each other and are comfortable with one another, especially the opening line about Beatrix not knowing Vincent’s middle name. It’s just a simple thing, but gets the point across well.

•All of Portia’s reaction, highlights include the sweet to surprised one during the beginning of A Little More in Love and her “I’m not mad, just disappointed” look during Ghost Writer.

•The little flourish Beatrix does with the pencil during The One Who Pulls The Strings, I’m curious how many times the actor accidentally stabbed themself before they got that down lol

•This is something I notice gets done in both TAOPP and Adamandi, with the same actor too. The actor for Ambrose and Rowan changes the pitch of their voice and how high the notes they hit are depending on how vulnerable the character is being. Higher is more vulnerable and expressive, lower is more closed off. Extra fucked up points for the fact Ambrose’s notes get higher after he fucking dies.

•I’m going to be a massive music nerd for a minute, my music analysis skills are a bit rusty, so forgive me if I’m a bit wrong. The motif I like to call the “Beatrix Does A Bad Thing” motif. It plays whenever Beatrix does something wrong, it’s the skeleton of their three major songs. Starts with The One Who Pulls The Strings, gets a bit more complicated in the reprise, and is at full force in Ghost Writer. It’s like a building monster, first the bones, then the muscle, then the creature itself.

•The actors for The Saints and the other Phaethon nominees are the same people, so Vincent does in fact cut The Saints up lmao

•The glowing under Ambrose’s shirt goes from a visual of his muscles hardening to a show of his slit throat, which is evil and I love it.

•Beatrix covers their eyes and looks away when Quincy stabs Vincent, I can’t tell if it’s the fact they can’t stomach the murder, or if they fucking got blood on their face and that’s why they’re staring at their hand in horror when Portia comes on stage. It’s also a good transition motion to guide the audience’s eyes from the killing blow to them. They couldn’t actually use blood on stage, stage blood has to be minimal since it’s sticky, stains costumes, and is difficult to get rid of for continuity, so reaction shots like that get the point across well.

•Beatrix has a ring on in The Other Side of Failure, might be just a show that time has passed, or it could be that it’s to help them remember stuff but they’re no longer being tugged around on strings by the admin. Or crackpot theory, it’s one of Portia’s rings from earlier in the show, but I can’t tell if it’s the same one since none of the shots I’ve dug through are close enough to get details.

•The little hand motions Beatrix does in the show are mimicking a puppeteer pulling strings.

•The admins red coloration call back to Beatrix’s red string, it’s a visual callback to the fact she’s being strung along by them and manipulated. The Admin have it on their cloak collars too, keeping the collar in their designs.

•In Read All About It, one of the chorus actors fucks up their newspaper and forgets to close it when they’re supposed to with the others. It’s just something that makes me chuckle, cause you can see how fucking stressed they are about it, and that they close it when they pass behind Beatrix’s actor cause they didn’t think the camera would catch it lol

•When The Admin lift their arms in Read All About It Beatrix does the same, and when the music cuts out they’re super confused on what just happened and are staring at the newspapers contemplating what they just did.

•I just realized that the marks on Ambrose’s face in the second act weren’t meant to guide where his chisel was, but was a guide for where Vincent had to cut.

•Ambrose looks flattered when Quincy says their professor led a moment of silence, even in death he has his head up his own ass.

•Ambrose is projecting so fucking hard on Vincent during Sound Body Sound Mind, and it makes me laugh.

•There is a continuity error in Oh, Ms. Reporter! The drawers had red strings in them in the previous scene and during the wide shots, but they aren’t there during the close ups.

•This is just a story note, but it’s clever that they had Portia get a better position in The Daily. It serves a duel purpose in the narrative, it emphasizes the fact Rosswell has implicit bias and that she picks the person whose more white passing instead of the more skilled Latina with seniority, and gives an explanation to how they managed to get the article about Vincent and The Admin published. Beatrix wouldn’t have been able to on her own, but Portia’s position allows them greater access to The Daily’s resources.

•In Me, Myself, and I, I think the actor for Ambrose accidentally made their microphone crackle and you can actually hear a small pop in the recording, dude performed so hard the equipment had a small stroke. You can only hear it in the album tho.

•The is just a music thing, Vincent slowing down for his part to explain why being loved is great in Me, Myself, and I serves the music in giving a brief breath of air so when it comes back it feels like it’s going faster and more frantic. It’s a really common technique to make something feel like it’s going faster when it’s keeping a consistent, just had a short slow down.

•Ambrose grabs Vincent’s face during Student Body, it’s creepy, thanks I hate it. The actor for Ambrose did not have to put that much effort into being unsettling, but they did, and they made Ambrose as likable as he is in the show.

•Everything the actor for Ambrose does when the character dies, they’re jerking around like a corpse that’s gone stiff from decomposing. Give them a medal for managing to be the creepiest mf in that show, and keep them ten feet away from me because it kind of freaks me out.

•The little transition in Oh, Ms. Reporter of the chorus members spelling out Ambrose’s name but Vincent cutting it off to continue his song. It’s a creative lyrical moment and hints to the fact that Vincent cut Ambrose’s life short.

•A couple of the people who Vincent mention’s in Oh, Ms. Reporter are actual some of the people Beatrix was interviewing in the first act, you can hear them saying their names when they’re all yelling over each other.

•The little pieces of advice the main four give Portia during A Word to the Wise are foreshadowing. Ambrose trying to be perfect gets him killed, Quincy’s ambition and academic perfectionism causes them to snap, Vincent deciding to murder people instead of an actual project since there isn’t a use of trying anything else, Beatrix being a bystander and waiting to “do something great” gets people killed.

•Whoever wrote the line “What use is a candle if both ends aren’t burning?” is a menace to society and I want to give them all the money in my wallet, because Quincy burns both their hands later on, and that’s evil.

•The mic on Beatrix’s actor accidentally picks up them tapping the notebook too hard during The One Who Pulled the String, just something I find funky.

•Apollo was the god of young men, being eternally youthful, but was also the god of plagues and disease. Ambrose wants to be the white ideal of an eternally twinkish gay trans guy, but ends up falling victim to Vincent, who compares his actions to a disease killing someone.

•The music used to introduce Beatrix into Me, Myself, and I is the same as the beginning of Read All About It, they’re doubting their actions, and their mind is racing like the music.

•Vincent tries fucking squaring up with the other Ardess students during A Word to The Wise when Quincy is about to jump, dude just is ready to throw hands, it’s great.

•Ambrose tries to defend Vincent from the others, but turns around and betrays him after.

•I like the little spin that Roswell does to Beatrix, she’s getting them confused so she can take advantage.

•Vincent and Quincy aren’t singing during the “And two or three students like you” part, but Beatrix is because she’s internalized the racism of Ardess and is trying to fit in.

•Beatrix just is not having a good time during the interviews, and you can see them get annoyed when the nominees try sucking up to them.

•Fun little thing, they get around the fact Beatrix’s actor can’t spin around like the others when the names are read out during A Word to The Wise by having them stagger and open their arms. It’s a little thing, but gets around that nicely.

•When everyone starts stomping to the beat at the end of A Word to the Wise you can see Portia hesitate to join in, start slowly, then join in fully in the end and begin to sing with the others.

•The poses everyone strike at the end of A Word to the Wise actually have a lot of personality in them, Ambrose is being a dramatic dude bro, Quincy is stiff and nervous, Vincent stands out by having their hand to their chest, Portia is hopeful, and Beatrix just continues to smoke and seem disinterested.

•The “I don’t know, do you have any ideas?” guy is the funniest mf in the room.

•The A papers during Perfect at School form a halo. Again, the people who made this are evil and I love that for them.

•The umbrellas in Where Can I Run harken back to a funeral environment, which is nice foreshadowing that death follows Vincent everywhere for most of the show.

•Vincent wants to go home back to China, wants to go back to his family, to the environment he knows, but he’s stuck at Ardess. Without that degree he’s got nothing, he’d be a complete failure, so they’re stuck at a school they hate surrounded by people who hate them with only two people that like being around them.

•I want to find whoever decided to have Quincy accidentally smack Vincent in the face when he goes to kiss them during the first act as foreshadowing to the fact Quincy later harms Vincent, buy them dinner, and then make them pay for my therapy bills.

•I want to know what god the actor for Beatrix had to kill in order to gender so fucking hard. What kind of sacrilegious actions did they have to commit to win that?

•The newspaper that Beatrix’s actor has in one hand during The One Who Pulls the Strings is a random Princeton one and you can see the university’s name during some of the close ups lol

•During A Little More in Love you can see Ambrose’s actor getting ready for their cue under the bookshelf in a few shots.

•I find it funny that Portia hugs Quincy after A Little More in Love while Beatrix just looks offended and brushes Vincent off. Motherfucking Beatrix, blue hair and pronouns, Campbell tried denying the homosexuality allegations and is failing.

•This maybe speculation, but I think the reason Ambrose’s chest is highlighted in red is because he’s trying to work out enough to make his chest smaller. My friend actually does this, a lot of trans masc gym rats do.

•Vincent “Oh, Ms. Reporter!” Lin denies stalking people.

•Vincent keeps writing in their notebook during Sound Body Sound Mind, you can see them pull it out when they go to hide under the ladders.

•Vincent only calls Ambrose by his name instead of Bassford after killing him.

•I like Ambrose getting annoyed at Preston and Adrian not doing the kick line right lol

•I don’t know what Mandela affect bullshit is going on, but I always thought Ambrose kept the pages from Vincent’s notebook, and I have no clue where I got that idea from.

•I like that Portia starts wit “Hi hi!” when she’s nervous, and that she’s so frazzled trying to interview Beatrix that she can’t find a pencil and Beatrix has to give theirs to her. It’s just a cute little bit of character building. Beatrix actually pulls the pencil out from behind her ear, which is also a nice little bit of characterization.

•As soon as the interview starts Beatrix starts wrapping one of their strings around their fingers to try and not forget what they’re lying about. If you pay attention to what the actor is doing with their hands the entire show you can catch a few little fun character building bits like that.

•In the wide shots of the Beatrix and Portia interview scene you can see Beatrix start to stress smoke when Portia compliments them and says they should’ve gotten nominated. Mf feels the weight of her lies on her back real fast lol

•Beatrix sits like a bisexual, and I find that funny.

•Vincent almost manages to talk Ambrose down, but when Quincy gets brought up he almost starts crying and gets violently angry. So close there bud, so close.

•When Beatrix’s actor starts doing their funky little hand motions in Me, Myself, and I it’s actually on cue with the music, reference to Beatrix pulling the strings. They also move their hands on cue to Ambrose and Quincy singing “me, myself, and I” and on cue for when the singing stops. Nice touch.

•The person who Vincent takes the place of during Me, Myself, and I is who saw him fleeing the gym. Just noticed it, that’s such a cool thing. Was super confused on why a chorus member was there, then I remembered the line in Read All About It.

•Portia is still editing articles in the background while Beatrix is having a crisis of morality in the foreground lol

•The actor for Vincent pulls off the ribbon trick to symbolize Ambrose’s death by grabbing the ribbon from the bag while moving towards the back of the stage, hiding their hand behind their back while they continue to sing, and pulling the ribbon out with his free hand when time comes. The song is so grand in scale that no one in the audience would be being attention to his hands.

•The flour cigarette trick is actually refilled a couple times when time allows it, you can see the actor for Beatrix puffing fake smoke out with it a few times, but can only do it once in a scene due to the limits of the trick.

•It is hilarious how disinterest Beatrix sounds when reading Ambrose’s memorial, they know it’s not true and are bored by it lol

•One of The Saint’s actors, Saint Jude specifically, has the remote for the candles in their hand and are the one controlling it during Litany of Martyrs. You can see them accidentally reveal it during one of the close up and quickly try to hide it in their sleeve.

•Saint Jude’s actor doesn’t actually tie the bandage onto Quincy’s hand right during Litany of Martyrs so the actor for Quincy just uses their thumbs to keep it in place.

•When Beatrix gets their strings caught in the typewriter, the mise en scene us is used to emphasize how small The Prize Section is by having Portia sit on the glorified nightstand Beatrix is using as a desk instead of an actual chair.

•Vincent puts his feet up on the “desk” when he breaks into The Prize Section office, which is apparently a habit of theirs since they also do it when Beatrix is interviewing them.

•Adrian and Preston’s actors aren’t on stage as their characters until Oh, Ms. Reporter! because they’re also chorus members in Read All About it, so needed time to get changed and get their makeup done.

•The Saints are mimicking hellfire during I Hate and I Love, creepy as fuck, but one hell of a visual. They’re still there when Quincy is talking to Portia too, like goddamn, leave them alone you weird religious bongos.

•You can see Beatrix’s actor struggling to keep their glasses on their face the entire show, and it is the funniest thing to me, because I have similar glasses and I know how much of a pain in the ass they are to keep on when trying to move around quick.

•Of course English major Beatrix would correct Portia’s grammar when she’s trying to tell them that Vincent is the killer.

•I find it funny you can see Beatrix mouth “fuck” when Portia goes to raid The Prize Section for information after suggesting they stop Vincent.

•Alright, I think the way they spliced together the audio and video for the YouTube version is with two dress rehearsals and the two nights the show was put on combine. The dress rehearsals are the close ups, but you can tell which one of them came first based on the costume for Beatrix. The earlier one has gloves with the tags still on and the red string in the second act is shorter, plus they used to have a flower pin on the jacket but lost it for the actual show. The audio is from the actual performances from show night asides from a few bits where they needed to cut the audience’s reaction out, but the music on the album is a mix of all of them and just the best takes they had put together. It’s why the mic cracking on Ambrose’s actor can be heard on the album but not on the YouTube version, in the YouTube version the audio tech didn’t turn Vincent’s actor’s mic on in time during his part, so they had to use the cracked audio for the album.

•The Admin are casually homophobic and racist towards Quincy and Vincent during their meeting, actively try to divide them, and I want to kick all of them in the skull. You can see just how manipulative they are, calling Quincy and Vincent’s relationship a friendship, openly insulting Vincent, hinting that Quincy is being held back, they’re so fucking bitchy and I want them to get slapped with a tuna.

•You can see the different mentalities Quincy and Vincent have with how they react to the admin, Quincy is acceptance, and Vincent would definitely kill them all if possible. I love the “bullshit” line so much.

•I love and hate how hurt Vincent gets when Quincy accuses them of not caring. The entire Where Can I Run (Reprise) scene is so good, Quincy shoving Vincent off, the ghosts dragging Vincent’s jacket off them, both their parts being haunted by their respective demons with The Saints and the ghosts of The Marmorius.

•Explanation of the staging trick used to make it look like Beatrix and Portia’s actors are kissing. It’s a really old trick, but a useful one. The actors are both about the same height so it’s possible, they quickly press their foreheads together, turn, and the lights dim. They aren’t actually kissing, but the quick motion of it, the fact you can’t see their faces, and the dark lighting hides it. It’s also why Quincy and Vincent’s actors couldn’t do that, Vincent’s actor stands solidly at chest height with Quincy’s actor, and it would look too awkward to have them kiss like that. Quincy’s actor would have to bend down, and that would look really weird.

•Vincent calling his murders the “smoothest” murders just make me think of him being a smooth criminal lmfao

•The prop for Quincy’s notebook during I Hate and I Love and Vincent’s notebook for The Other Side of Failure are the same notebook, just a basic molskine I think.

•The boots for Beatrix’s costume don’t have laces because those are doc martens, and doc marten laces are a pain in the fucking ass to keep tied, so they just are using zip ups lol

[aliceksoo]

IU "Love Wins All" MV analysis

Every once in a while one of my favourite artists releases something so good that gets me to the point of obsession, which means coming over here writing about all my thoughts.

And no one does that quite like IU (which is why she is my absolute favourite solo female artist, not in k-pop, just in Music).

Here's a short (LMAO, knowing me it will be super long) analysis of this MV!

The story begins with the two main characters in this story (interpreted by IU and V from BTS), running to escape from a flying box, the villain of this story set in a dystopic reality on the verge of apocalyptic doom.

The two characters run to hide inside a Mall, and from the first shots we can already notice few characteristics:

IU is mute, while V is blind from one eye.

the two are lovers.

Once they manage to hide from the flying cube, they get inside the Mall, where they notice a huge pile of clothes in the middle of it.

They keep exploring until they reach an old electronics shop, and they find an old camera: after trying it, they notice that while using that they can "imagine" an alternative reality, in which they both look healthy and clean.

A reality in which they can pretend to be happily in love, while enjoying moments in a world full of colors, which no longer exists...

...So they start to explore around the Mall while imagining their happy moments. They go through a restaurant, where everything is rotten and molded, but they sit at the table and look at each other through the camera, imagining how it would feel to share a meal together, taking solace in those simple moments of happiness, like having dessert together, wiping sugar from your lover's face, etc.

In this imagined reality they suddenly find themselves surrounded by people, but they all look anonymous, with black clothes and covered faces: this is because they do not matter, what counts in this shared fantasy is the happiness between the two main characters, the only focus they have is on each other and their love.

After playing around they run away from the crowd and find themselves in another shop, where they find wedding dresses. Full of love for each other they quickly change into those and play around, pretending to be a newly married couple celebrating their eternal love.

...But their reality is catching up, and in the middle of this happy fantasy, the cube finds them and forces them to resume their escape

While running away the two end up in front of an open gash in a wall, which shows to the viewer the bitter reality of the world in this story: these cubes are everywhere and are destroying the world.

The two keep running together and they end up in front of the huge pile of clothes, where they get cornered by that same cube.

The two stay together and try to fight it, but in front of the inevitable ending the two hold each other and face their destiny together.

We see from the dying camera on the floor that the two get taken by the cube to be vaporized, and after disappearing their wedding dresses fall on top of the existing pile of clothes.

There are many things I can discuss while reviewing this MV, but I want to focus on a few of them.

THE STORYTELLING - when it comes to the Art of Storytelling, setting up a whole world, characters, and narrative with a coherent arc NO ONE does it like IU and her team. This is not one isolated case, she made it a mission in her work to deliver intense stories, ever since her major successes after "Good Day" back in 2010 she slowly established her own sound and image while also experimenting with this focus on narration and "theatricality" that makes the viewer immersed in her stories. Go see: "Eight", "Celebrity", "Coin", "Above the Time", "Ending Scene", "The Red Shoes", "You&I", "Modern Times", "Good Day" and more to get a clear idea of this. You need talent, vision, hard work, effort, and creativity to constantly deliver this quality of work, and IU along with her team is just doing that.

THE ACTING - this ties in with the first point, but I'd say there is no great storytelling if the acting is mediocre. She is one of the most recognized Korean actresses in the industry AND internationally, and it is for a reason. Her acting is intense yet delicate, complex, and fragile, she always gives depth to her characters and develops their backstories to give us a 360° view of them, which makes them more relatable. No matter how involved you are in your work, and no matter how much money and effort your company and team put into it, in the end, if the artists do not make a personal effort to deliver their performative art to the viewer your work will never be 100% effective. IU goes all in each and every time. With her is always quality over quantity, and it shows. Shout out to V for delivering a solid performance: I could easily see parts of him in the "happy" scenes of the story! When he smiles his expressions always look genuine and innocent (if you are ARMY or even a casual BTS fan you will easily know what I'm talking about). He definitely improved a lot since his past experience in a K-Drama, and I can't wait to see more of him on screen once he gets back!

THE CUBE - this is the first important point I want to make in this analysis. Why the cube?! I am sure the jokes about the choice of using a flying cube as a villain are hundreds on the internet, but I haven't seen anyone pointing out a possible actual meaning, so here are two I personally thought of. - The cube immediately reminded me of bright screens: this might be an implied nod towards the online world, the media, and in general the hate that people (and idols especially) receive in the incessant scrutiny both professionally and personally, sometimes resulting in severe and dramatic consequences. If you are familiar with IU you know that her life has been exposed to the public since she was basically a child, and she is now where she is DESPITE all the criticism and invasions of privacy she had to face. You probably also know that she has lost more than one person very close to her, partially because of this online hate that people keep spreading, so it is not too wild to assume that she might have wanted to add that to the meaning of this work.

- ...But more than that, the meaning I personally picked up is more universal and relatable to EVERYONE watching this story. The cube, more than a cube, is a BOX. Which is a symbol for all those social constrictions, limits, labels, and expectations, that society forces on each and every one of us to "fit" inside a specific box. To blend in, to conform to specifics, to get in line and live your life within those metaphorical boxes, that determine whether your aspect, your personality, your career, your private life, etc. are all ENOUGH to the standards the society expects you to follow. It is not a random choice that the two main characters shown in the MV are both showing visible characteristics that make them "different" from the expected conformity. IU's character is deaf/mute (Not sure if it is both), and V's character is blind in one eye. They both have SOMETHING that makes them unable to conform and because of this, they will never be able to fit inside their specific boxes. Because of this, they cannot exist in this dystopic society, that starts to resemble our very reality more and more.

THE PILE OF CLOTHES - Tying the previous point regarding the cubes, I need to point out this last important element in the story. I am sure 99% of you already picked on the not-so-subtle nod to the "Spring Day" MV, which also shows a huge pile of clothes to represent the lives that were lost during the Sewol Ferry Tragedy that happened in 2014. This in turn is using the concept behind a work of Contemporary Visual Art by an artist called Christian Boltanski. With his work "Personnes", representing huge piles of clothes just like the ones shown in these two MVs, the artist talks about life, death, and memory.

He depicts the reality of groups of people that for several reasons (wars, poverty, etc...) have lost their lives. He urges the viewer to go beyond the random acknowledgment of this: he asks us to EMPATHISE, to actually understand that we are in front of the only symbol of lives that are no more. He demands our understanding by showing us something universal, like their clothes. We do not know their names, nationalities, aspects, or whether they were part of metaphorical boxes...

The same artists once said that used clothes, for him, are traces of lost identities, objects of a subject that is no more.

He leaves the clothes, forcing the viewer to focus on those details, to ask questions about those people, to imagine their stories.

He urges us to remember.

I think that the lyrics and the title itself are pretty explanatory of the intent of this song: IU wanted to deliver a powerful message of universal love, and she chose to do it through an MV that shows us how Love can shine bright even in the face of death and tragedy, and she did it in an original, dramatic, deeply moving way that leaves a deep impression on the viewer, perfectly on brand with her previous works.

She showed us that Love Wins All, and she reminded me yet again why she is my absolute favorite solo Korean singer.

[slashthrashandcrash]

question! 🤓☝️ about danny and ramona!

let's say Ghostface never got taken by the fog...what would happen between him and ramona? would she ever find out his secret, maybe by accident? would he be around to watch her grow up?

Hmmmmmm...

Well first I think it depends on what happens to Danny in general. If he's caught one way or another, it kind of throws a wrench in the whole plan, because I don't see him going down without a fight. He will live and die in infamy before they can ever throw him in a cell and try to kill him on their terms.

My belief is that by the time he's in his 40s, roughly ten or so years later, is when he would fully retire Ghostface, provided he hasn't been caught at this point. Age is gonna start catching up with him physically and crime solving technologies are getting more and more advanced which creates a bigger risk, not to mention better surveillance and the rise of the internet. By this point, Ghostface would have been stalking the country for nearly two decades -- he's well cemented his place as a deadly legend and his fame will only grow the longer his crimes go unsolved a la Zodiac Killer and Mr. Cruel. Give it another couple years and there will be a massive resurgence in his popularity when true crime shows/podcast/documentaries/movie recreations become all the rage.

So when it comes to adding Ramona in the mix, his retirement would be right when she's about to head off to college, but I think he would become a more permanent part of her life sometime that she's in high school. The older she gets, the more she's going to understand and be upset by his absence and it's going to be harder for him to keep her 10000% fully on his side as daddy's little girl. He needs to show that he's finally willing to put his "job" aside to be there for her as an actual dad. And surprisingly he does, slowly winding down his Ghostface sprees so that he's home more frequently before they stop altogether.

But it's not being done out of the kindness of his heart, obviously. Like I said, age is creeping into his bones (more than usual lmao), trace DNA analysis is getting better, Ramona is at risk of pulling away from him (which links back to how much DNA profiling is improving given that she'd be a 50% match in a system). He's had a good run, he's willing to quit while he's still ahead...for the most part.

Which means it's time to start groveling and sweet talking his baby mama into proving he's a changed man. He's finally matured, he wants to be a provider for his baby girl while he has the chance, he knows he's been stupid but that's why he's just so grateful for his wonderful ex for all the hard work she's done. It takes a long, long time for her to stop telling Danny to fuck off with his bullshit but...eventually, he does wear her down with the point it only has to be a marriage of convenience on a piece of paper. It's not for him, it's for Ramona, and being a (mostly) single mother for like 14 years by now has to have taken its toll. She can't deny having dual incomes and another parent helping out full time wouldn't ease a lot of her burdens...

They're definitely not in love, it's more like a coparenting roommates situation, but it's good enough for them. They've always had a dysfunctional relationship anyways. So, Danny gets hitched, gets a regular 9-5 job working his way up the ranks of the investigative journalism, and watches his little girl finish out high school and go off to college. And maybe he casually thinks of ways his pseudo-wife could get into some kind of fatal accident. And maybe a few of his business trips were for pleasure rather than work. And maybe he still keeps his mementos and memorabilia stowed away to look upon fondly when the girls are away. Y'know, old habits die hard.

One thing that I think would be so funny however is that if Ramona went off to college in 2003, maybe out of state on a scholarship and Danny went with her to help her move into her new dorm/apartment, while he's scoping out the area he ends up running into some punk former druggie named Amanda...

[arkiwii]

hello Liberi's Birdcage Tm as a fiaexu enjoyer, i would like to know, what're your thoughts on the chicken herself fiammetta? i adore her and her themes personally

u can call me kiwi or whatever (i didn't know people would call me by my blog's name LMAO)

my my, Fiammetta. she's a lot to talk about. i have, SEVERAL thoughts about her. well, I firstly got interested in her character as well as Mostima's thanks to a friend, so I'm not as much as involved as this person is, and most of what I've learned comes from our conversations. But you know, having people share about a character they like makes you Realize Things

also I hope I won't disappoint you by saying that I'm not into Fiaexu, so I won't be able to give opinions or analysis on it. like i said to someone, Fiaexu is the good ending. and man I want her to get the bad ending.

my memories of Guide Ahead are quite blury and Laterano isn't the lore I'm the most involved into, mostly because it's Complicated. I'm more of a person involved in a character's development and their mentality, and good for me, Fiammetta is full of angst and anger

what I particularly love in her? it's her "obsession" for Mostima (and Lemuen, but it's way more marked towards Mostima). i dont mean obsession as in "she likes her", i mean obsession as in This Girl Has A Problem. Her Operator Record in particular was putting an accent on it and it was delightful. Fiammetta decided to be Mostima's overseer, not because Mostima needs an overseer, but because Fiammetta was worried for Mostima. and who could blame her! Lemuen got shot down, Mostima has fallen, lost her Empathy, and is now banned from Laterano. it's only natural that Fiammetta was worried, and scared to lose someone she deeply cares about.

Turns out. Mostima is doing very fine on her own. Fiammetta thought that Mostima wouldn't be doing fine, and that's the opposite rather. so Fia puts herself through lies, convincing herself that she's here to keep an eye on Mostima, to help her, or whatever... then there's this line Patrizion says in her Operator Record. "Fia, it's not Mostima who needs you. You are the one who needs her."

that was a fucking ROCK thrown at my face i can tell you

Fiammetta always has been this one person to look cold, to look like she doesn't care about anyone, then you discover she has attachment issues. the incident with Andoiain in particular was the cataclysm. she almost lost two of her most precious friends. you BET she wants to put this man in hell. she doesn't care about anything else, this whatever ideal of Laterano he has, the Key and the Lock, whatever; she wants this man to DIE because he tried to take HER friends LIVES.

and because of this, because of her choices, she's throwing her life around. she's destroying herself. ironically, considering her thematic as a phoenix and her talent. but it's literally what is happening. she's just combusting slowly.

she could have a good life! become an Apostolic Knight! be with her adoptive dad! fight for Laterano! but no, instead, she actively decided to follow Mostima-I-Don't-Care around while telling herself a million excuses as of why she does it, "I don't want her to reveal secrets", "I need her to find Andoiain", "she needs my help"

AND of course Mostima being Mostima, her whole "I don't give a fuck about people" behavior is only worsening it, she tries to get away from Fiammetta but also can't escape her, it drags Fia to get ever more clingy... I'm pretty sure Mostima cares about Fia, deep inside, but she handles it just SO SO badly instead of just Having A Conversation

anyway, so Fiammetta? 10/10. i love this bird. i want her to get an alter where she gets better. or worse. Fiammetta the Renatus or whatever. im drooling about it

[usagifuyusummer]

I've been snooping around since Rebirth came out because, man, ever since FFVIIR, I can't stop thinking about FF7...

After seeing Zack's parents, I can definitely see how his hair is both a mix of his parents styles. The front part from his mom and the spiky parts from his dad.

We do know Zack's light blue green mako eye color isn't natural, so from what we can see from his parents, we can conclude that Zack had a more brown-ish green-ish grey-ish lighter eye color before becoming a SOLDIER?

(Does anyone else have a more accurate desription on what they think Zack's original eye color might be like?)

I wonder how Zack looks like with the eye color we can see from his parents here. Admittedly, I do think that the scene is quite dark for me to truly observe his parents models design, since it is really different from the OG design.

I wish there was someone out there who could rip those models out for people as curious as me to observe. As they did bring up some info on Gongaga that I thought was really intriguing, like why tell us that? Why bring up that the Cetra descendants settled in Gongaga and lived in seclusion??? Why not just give us a full mock history book in the game that tells us the places where the Cetra have migrated or were prominent in? I have even more questions in my head than answers right now... Its brainrotting bad lmao.

Hm, I hope Part 3 clears up the questions I have on Zack and some FF7 stuff...

And how in the hell the Planet as a character is going to be portrayed??? Will Zack or the whole cast meet Minerva again to beat her ass up the second time??? Is Genesis even possible at this point, since there's only one part left to explain this whole thing...

I really hope Zack gets a DLC or specific story parts if they didn't have time to fully expand on some Crisis Core loose ends, Jenova and Dirge of Cerberus stuff... Maybe they're planning to do that after the main games end??? I don't know, there's just too many uncertainties right now. And I'm just rambling out of my mind lmao.

Side note, I didn't know what to describe Zack's parents eye colors, so if what I wrote in the poll is not accurate, sorry for that. Unless either someone tells me, or I read/watch an analysis of this somewhere, then I'll change it. This is the limit of my knowledge on this so far. Discussions are open for anyone of course, if there are any who think about this as much as I do lol.

I don't know if polls can be reopened, since I don't really want to have a time limit on this one. I'm just curious on what others think of this. If my post ever gets far of course... That's why I didn't want the time limit. I'll see what happens then. Thanks for reading my ramblings this far.