#why do they make it so easy for us

[fromcold]

*files carefully under sub!Anakin folder*

[inkskinned]

today i love the red metal crane in her long neck arching her body over the boston skyline, which means i am okay for a moment. when i am unwell, everything is a little ugly. i always tell myself look for the beauty but when it is bad, i will look at birds and sunsets and little ducklings and feel absolutely nothing.

when my brother got his puppy, i was in a deep depression. what kind of monster isn't affected by a puppy. i was gentle and kind to her - i just didn't have an emotional reaction. she's five now and i feel like i spend all of our interactions apologizing to her - i don't know why. i just didn't feel anything. how embarrassing. i feel like if i admit that, i'll seem cruel and jaded. it comes in waves. like, two months ago when i went out into the world - it was like that. life behind a pane of stormglass. a firework could go off over your head - nothing. like dead skin, no reaction. not to ice cream or rainbows or baby chickens. life foggy and uninteresting.

i love goslings again. i love their little webbed feet splayed over grass. i love good food and live music and long walks. i like puppies. i feel like some kind of my soul has been starved - i keep staring at everything with wide eyes, trying to burrow the sensation into my stomach. it's real. beauty is real. when it's bad again, remember this. i stop and smell the flowers, feeling cliche in the moment. i like the white-to-red ombre of my neighbor's roses. i like colorcoding and yoga and cold drinks. i try to pass my hands over every moment, feeling like i'm squeezing joy out of every instant. remember this. for the love of god, it's real - just remember this.

[starry-bi-sky]

tales of the passerine - danny fenton being bruce wayne's first kid

okay okay. so this is like a continuation/elaboration of my oneshot/prompt i wrote about the idea that Danny was the first batkid. We have a lot of aus where he joins the family after the rest of the bats do, right? So hey! Lets shake things up a bit. Danny is the first to be adopted by Bruce Wayne.

Danny's parents and unfortunately Jazz die shortly after the events of TUE -- how so? I was gonna say an ecto-filter explosion, that would call back to the TUE explosion and trauma behind that. But lets do something new! Carbon-monoxide poisoning.

It's not too unexpected for something to break in the Fenton house, especially with the Fenton parents' questionable understanding of proper weapon handling and lab safety. The water heater broke from a stray shot by one of the weapons, and was promptly MacGyver'd incorrectly. Danny went to stay with Tucker for a guys' night, and came back to a dead silent house.

(Danny's neighbors got a very unfortunate shock when he ran to the next house over in hysterics.)

There was a lot of shuffling around with CPS, the police. People had to be called in to handle the equipment in the lab, and the GIW was rumoring to show up in aid to clearing the scene. When Danny heard of that, he immediately went and dismantled the ghost portal to the best of his abilities. He burned the physical blueprints of all his parents' inventions, their blueprints on the ghost portal, and their most dangerous weapons were destroyed beyond recognition. Anything to prevent the GIW from getting their hands on his parents' tech.

It opened up another investigation, but he was not under the list of suspects. He was placed in the care of Vlad Masters, where they then went back to the rebuilt castle mansion in Wisconsin. Danny, terrified of the future that has once passed and may do so again, shuts down in his grief. Inadvertently, he ends up somewhat repressing his ghost half. Something Vlad, who is grieving Madeline but relishing in Jack's demise and his custody of Daniel, is not very happy with.

Vlad's... gone into a bit of a mental health spiral. He's becoming increasingly possessive over Daniel, the final remnants of his friends and a liminal being like him. He doesn't like that Danny's repressing his ghost half -- both out of genuine concern as a ghost, but also because of his desire to control Danny and groom him into the perfect son. If you ever had a phase where you read Dark SBI found family fics, first off; me too bro, and second off; those are the vibes I'm thinking of.

Danny's mentally shut down from grief! And fear. He's dropped into a bad depressive state -- paralyzed with grief and the terror of the inevitable. Clockwork saved his parents because he believes in second chances, but what's the point of that when his family ended up dead anyways? Danny doesn't wanna believe that he's destined to become evil, and he's holding out onto that hope, but it's a thin line, and he feels utterly hopeless and trapped. He hasn't used his powers or ghost form since he trashed the lab, and Vlad has alarms set up to prevent him from trying to escape.

He's also unintentionally cut off Sam and Tucker -- both of whom are so scared and concerned for Danny too, and are trying their damndest to reach out to him. He keeps ignoring their texts. Danny basically haunts Vlad's manor. He goes out to eat if he has to, attends parties Vlad drags him to, and stays in his room all day if he can.

At parties, Vlad doesn't allow Danny to leave his side, or really talk to anyone -- not that Danny wants to. A product of Vlad's increasing possessiveness. Well, he almost doesn't let Danny leave his side. Danny has a habit of slipping off to hide somewhere for the parties whenever he can, and Vlad reluctantly allows it so long as he stays alone.

This becomes an advantage when eventually, Bruce Wayne returns to Gotham after missing for years, and holds a bright charity ball to celebrate the return. Vlad has been chomping at the bits to get his hands on Wayne Industries, and with the return of its owner there is no better opportunity to wipe out his rival. He goes, and he as normal, brings Daniel with him.

Vlad thinks Wayne will bleed his little heart out for Daniel's poor orphan sob story -- he's a fellow orphan himself, after all. He's not wrong; Wayne's little heart will bleed, just not in the way that benefits him.

Bruce sees Vlad and Danny approaching before they're even close enough to introduce themselves - and like with many of the children he will soon come to care for, it's like someone set a mirror into the past right in front of him.

Danny Fenton's suit is tailor-made for him, and despite the fact that it's his perfect size, the sag in his shoulders, the ducked down head, and the way he hunches into himself all pictures the image of a child in shoes too big for him. There's a far away, glazed over look in his eyes and grief marble-cut into the lines of his face. There's not enough makeup in the world that will hide the dark circles under his eyes.

("My nephew, Daniel Fenton." Vlad's hands are possessive on Danny's shoulders. Bruce immediately notices the way the boy tenses under his touch. "His parents passed recently, and as his godfather I was designated his guardian.") ("I'm so sorry, the loss must've been terrible.") ("Yes, carbon-monoxide poisoning caused it. Daniel was out with friends, when he came home... they had already passed.") (Bruce immediately dislikes that Vlad shared the details of their death unprompted -- he likes it even less when Danny flinches at the reminder and hunches into himself.)

Danny runs off at some point earlier into the charity. At this point, parties are still being held at Wayne Manor (because iirc google search mentioned that was a thing at first before it was changed), so he disappears and hides in one of the empty rooms nearby. It just so happens to be the same room Bruce Wayne hides in when he needs a break from all of the socialization.

Thus begins a long, long process of trust. Bruce can't reveal his hand as being smarter than he looks, but he can be compassionate. Kindness needs no measure of intelligence. He keeps Danny company for as long as he can before he runs the risk of being found.

Rinse and repeat. Vlad insistently wants Wayne Industries, and he'll go to as many Wayne parties as he can to get his hooks into the man. The problem is that Bruce Wayne is never alone, and getting him alone is impossible. Finding him too. It's like the man never stops moving. Always talking to someone, always circling somewhere. He orbits around the room as if he isn't the sun of the Gotham Elite's solar system.

Danny's had such repetitive behavior that Vlad never thinks to believe that Bruce Wayne is disappearing to go talk to him. That "Vlad's" son is even interacting with him at all. Danny never gives him a reason to think so, and neither does Bruce.

Danny doesn't actually acknowledge Bruce until a handful of parties in, where he hands Bruce a small slip of paper he smuggled in that says; "don't trust Vlad". Danny's face stays carefully blank, but he's so tense that his hands are trembling, and he's purposely looking away from him. Bruce plasters a smile onto his face, slips the paper into his pocket, and tells him "okay".

(he's been busy with his own goals with the mafia, but he sets aside time to investigate Vlad Masters. He was holding off. Until now.)

Danny does eventually start speaking to Bruce, he's starting to really like the guy. He's starting to see a little hope, even as Vlad is starting to get more and more agitated with him the more he refuses to use his powers.

He reaches out to Sam and Tucker again, and starts trying to reconnect with them. Vlad has spyware on his phone, and he limits the amount of times he can talk to them. A weird parental control lock of some sort that leaves a time limit on how long he can talk to them for. 30 minutes. Danny doesn't tell them anything about Mr. Wayne.

Danny, slowly, wants out of here, and he's slowly gathering the motivation to do it. Vlad is genuinely scaring him -- and Danny wonders just how truthful the past-future Vlad was when he told him that Danny wanted his ghost half separate. He starts trying to come up with an escape plan.

Vlad has anti-ghost wards everywhere around the mansion, and while they're always on, they boost to full power at sunset. The doors and windows are always locked, all main exits have alarms set on them. The only reason it's not super extensive is because Danny hasn't tried leaving at all yet, so Vlad hasn't had to tighten anything.

At night, Vlad locks the door to his room and puts up an anti-ghost ward around the room. The mansion is on the outside westward side of Madison, more entrenched in rural Wisconsin. The closest town is a four-way stop sign with one house on three corners, and an open bar on the fourth. Not much to go.

He refuses to go to Sam and Tucker; Vlad would look there first. It's too dangerous. Vlad would sound alarm bells and have a manhunt looking for him, Danny can't risk going just anywhere. Too much risk of being found, sold out, or caught. There's really nowhere for him to hide.

Until there is. Bruce is telling Danny about the history of Wayne Manor, and says, as casually as saying the weather; "The manor has dozens of empty rooms, I'm sure Alfred wouldn't mind filling another one if he could." And quietly, hesitantly, Bruce places a careful hand on Danny's shoulder, unrestrictive and gentle; "He wouldn't mind getting one ready for you if you need one."

And there it is. There's his out.

Danny, just as quietly, replies; "I'll keep that in mind."

The ball starts rolling.

Now I've been trying to summarize this au as much as possible for length convenience, but Vlad has been steadily growing more and more controlling. More emotionally manipulative. More agitated at Danny for not using his powers.

He wants Wayne Industries under his thumb but he's been steadily growing more and more concerned with Danny. He's started grabbing him, yanking him around, shaking him; trying to goad him into using his powers. He gets angry when Danny doesn't react, or tells him he doesn't want to use his powers. He hasn't outright attacked him, but he's getting there. This has been happening over the time it takes for Bruce to indirectly offer Danny sanctuary at his home.

It all comes to a head when Vlad stops going to parties at all -- something Danny has to pretend he isn't upset about -- because Vlad doesn't want him around other people anymore. Vlad rarely goes now without him, and only leaves to go to a Wayne function or to handle something at VladCo.

Danny can't wait for Vlad to leave long enough to escape. So he leaves during the night of a big storm. Vlad's locked him in his room, but Danny doesn't bother trying to go for it; he goes to the alarmed window instead. Danny's been repressing his ghost half so long that he can't access his powers immediately anymore -- he can feel it, he knows its there, but he can't quite reach it.

He breaks the lock by hand.

Immediately the alarm goes off through the entire castle, filling the room with red, and he scrambles for the rope the Wisconsin Ghost left for him a few months back. Danny's already out and climbing down the side of the castle before Vlad even reaches his door -- the only good thing about the entire room being ghost-proof is that Vlad can't get in that way.

The rope ends before it reaches the bottom, and he's still twenty feet in the air. It won't kill him if he lands it right. Danny takes his chances, and drops. He breaks his ankle, but he survives.

And he fucking books it to the back garden. He hears Vlad shrieking over the thunder and rain.

I'll save the full experience for a future oneshot, but Danny makes it out into the nearby woods and forcibly experiences what it's like to be in a horror game, trying to hide from the thing that's hunting you. There's only one thing going through his mind; "i'm going to die"

I have this mental image for this scene. Very stereotypical horror imo. Where Danny is hiding behind a tree, with a hand over his mouth, and Vlad is a few feet away from him, glowing ominously red through the trees, trying to search for him.

Danny doesn't get away from this unscathed, but he does get away alive. That's all he could ask for. He gets away by getting his ghost half awakened long enough to transform into Phantom and fly to Gotham.

But he gets to Wayne Manor, he gets to Bruce. Or, at least, Alfred answers the door from his insistent pounding. Danny's just in tears and Alfred gets him in the living room, wrapped in a towel, with ice on his swollen leg before he has to step out and alert Bruce.

Bruce already breaks multiple traffic laws on a nightly basis. And that's just with the sheer existence of the batmobile itself, not including the speeding and military artillery attached. He breaks double the amount trying to speed back to the cave and get out of the suit.

Right off the bat: Bruce will know, at least before Dick enters the picture, about danny's powers. He'll figure out something considering the fact that Danny traveled from Wisconsin to New York in a single night. That'll be a bit of complicated affair, but I've already got something in mind.

Actually it'll probably be very soon after Danny joins the family, because Bruce tries to offer to fight for custody for Danny - the state Danny was in at arrival is clear enough evidence for a trial. But Danny immediately shuts it down, says it's not going to work and then Vlad will know Danny's with him and he won't be safe. He tells him that Vlad cannot know Danny was with Bruce.

Danny's biggest regret was not telling his parents he was a halfa, and while he doesn't want to tell mister wayne (yet), he does tell him about Vlad being one. He needs to know why Danny can't be seen with Bruce. So he tells him, and Danny's current plan is to just hide out from Vlad until he turns 18. That way, he has no more legal jurisdiction over him. After that? He's not sure.

And to wrap this up, since this has already gotten very long and I can make more posts about this au later; I've thought about it, and I'm going to say that Danny does become a vigilante before Dick enters the scene. He goes by, as you probably guessed; Nightingale. "Gale" for short.

[autisticandroids]

FAMINE: That's one deep, dark nothing you've got there, Dean.

[youtube with closed captions]

dean and his father. dean and his family. dean and how bad it is.

(via @closetoyou1970)

[emblemoftheattorney]

It makes me sad when I look at Ace Attorney fandom stuff from 10-15 years ago and see how much more comparatively chill and accepting they were of different ships from the most popular ones back then. It wasn’t perfect or free of discourse, obviously, but at least fans could mostly get away with shipping that stuff without getting called horrible people, unlike today where the Ace Attorney fandom is determined to bully anyone who dare ship the Unacceptable Stuff™️ out of the fandom (ESPECIALLY on aatwt my goodness). I know this isn’t just me because I’ve seen even certain older fans note this and say stuff like “Wow I’ve been in the Ace Attorney fandom for years and back then there used to be so many Narumayos and ppl who shipped so-and-so in het I’m so glad these are no longer acceptable we’ve come so far” WRONG. The fandom has turned into a hivemind who think it��s acceptable to unperson others over ships and will sooner sympathize with one who harasses another over a Bad Ship than the one getting harassed because how dare they ship outside the sacred stuff. You really think it’s a good thing the AA fandom environment has gotten tyrannical about what you’re allowed to ship? Old Ace Attorney Shipping Fandom was FAR from perfect, but if your reasons for why it was bad or worse than now are “ships I dislike were allowed to exist” hoooooo boy.

[sunsetsandsunshine]

Hey!! For your next fic could you do Leo and Mikey angst

It came be 2012, MM or rise

~ 𝚈𝚘𝚞’𝚛𝚎 𝚓𝚞𝚜𝚝 𝚋𝚎𝚒𝚗𝚐 𝚢𝚘𝚞 ~

💙🐢🧡 𝙵𝚒𝚌 𝚛𝚎𝚚𝚞𝚎𝚜𝚝𝚎𝚍 𝚋𝚢: @tmntalways 💙🐢🧡

·̩̩̥͙＊*•̩̩͙✩•̩̩͙*˚𝙷𝚒, 𝚃𝚞𝚛𝚝𝚕𝚎𝚑𝚎𝚊𝚍!!! 𝙸 𝚖𝚒𝚜𝚜 𝚢𝚘𝚞 𝚜𝚘 𝚖𝚞𝚌𝚑 𝚋𝚛𝚘 ☹️💔…𝙸 𝚏𝚎𝚎𝚕 𝚛𝚎𝚊𝚕𝚕𝚢 𝚋𝚊𝚍 𝙸 𝚠𝚊𝚜𝚗’𝚝 𝚊𝚋𝚕𝚎 𝚝𝚘 𝚌𝚘𝚖𝚙𝚕𝚎𝚝𝚎 𝚢𝚘𝚞𝚛 𝚛𝚎𝚚𝚞𝚎𝚜𝚝 𝚠𝚑𝚎𝚗 𝚢𝚘𝚞 𝚠𝚎𝚛𝚎 𝚘𝚗 𝚃𝚞𝚖𝚋𝚕𝚛 𝚋𝚞𝚝 𝙸 𝚑𝚘𝚙𝚎 𝚘𝚗𝚎 𝚍𝚊𝚢 𝚢𝚘𝚞 𝚌𝚊𝚗 𝚌𝚘𝚖𝚎 𝚋𝚊𝚌𝚔 𝚊𝚗𝚍 𝚜𝚎𝚎 𝚝𝚑𝚒𝚜 💖💕💘💞🩷!!! 𝙰𝚕𝚝𝚑𝚘𝚞𝚐𝚑, 𝙸 𝚍𝚘 𝚊𝚍𝚖𝚒𝚝 𝙸’𝚖 𝚗𝚘𝚝 𝚝𝚑𝚎 𝚋𝚎𝚜𝚝 𝚠𝚑𝚎𝚗 𝚒𝚝 𝚌𝚘𝚖𝚎𝚜 𝚝𝚘 𝚝𝚠𝚘 𝚌𝚑𝚊𝚛𝚊𝚌𝚝𝚎𝚛’𝚜 𝚊𝚗𝚐𝚜𝚝 𝚒𝚗 𝚊 𝚜𝚝𝚘𝚛𝚢 😅👍🏾! 𝙸 𝚍𝚒𝚍 𝚘𝚗𝚎 𝚌𝚑𝚊𝚛𝚊𝚌𝚝𝚎𝚛 𝚝𝚑𝚊𝚝 𝚠𝚊𝚜 𝚝𝚑𝚎 𝚖𝚊𝚒𝚗 𝚊𝚗𝚐𝚜𝚝 𝚜𝚘𝚞𝚛𝚌𝚎 𝚊𝚗𝚍 𝚝𝚑𝚎 𝚘𝚝𝚑𝚎𝚛 𝚌𝚑𝚊𝚛𝚊𝚌𝚝𝚎𝚛’𝚜 𝚊𝚗𝚐𝚜𝚝 𝚠𝚊𝚜 𝚒𝚖𝚙𝚕𝚒𝚎𝚍— 𝙸 𝚑𝚘𝚙𝚎 𝚝𝚑𝚊𝚝’𝚜 𝚊𝚕𝚛𝚒𝚐𝚑𝚝 🫠…˚*• ̩̩͙✩•̩̩͙*＊·̩̩̥͙

𝙶𝚎𝚗𝚛𝚎: 𝙷𝚞𝚛𝚝/𝚌𝚘𝚖𝚏𝚘𝚛𝚝

𝚆𝚘𝚛𝚍𝚜: 𝟹,𝟸𝟾𝟾

𝙻𝚎𝚎: 𝙼𝚒𝚔𝚎𝚢 🐢🧡

𝙻𝚎𝚛: 𝙻𝚎𝚘 🐢💙

𝚂𝚞𝚖𝚖𝚊𝚛𝚢: 𝙼𝚒𝚔𝚎𝚢’𝚜 𝚋𝚎𝚎𝚗 𝚏𝚎𝚎𝚕𝚒𝚗𝚐…𝚞𝚗𝚏𝚘𝚌𝚞𝚜𝚎𝚍…𝚞𝚗𝚘𝚛𝚐𝚊𝚗𝚒𝚣𝚎𝚍, 𝚞𝚗𝚌𝚛𝚎𝚊𝚝𝚒𝚟𝚎…𝚊𝚗𝚍 𝚊 𝚠𝚑𝚘𝚕𝚎 𝚋𝚞𝚗𝚌𝚑 𝚘𝚏 𝚘𝚝𝚑𝚎𝚛 𝚝𝚑𝚒𝚗𝚐𝚜 𝚝𝚑𝚊𝚝 𝚜𝚝𝚊𝚛𝚝 𝚠𝚒𝚝𝚑 '𝚞𝚗'. 𝙰𝚗𝚍 𝚝𝚑𝚎 𝚠𝚘𝚛𝚜𝚝 𝚙𝚊𝚛𝚝 𝚘𝚏 𝚒𝚝 𝚊𝚕𝚕? 𝙷𝚎 𝚍𝚘𝚎𝚜𝚗’𝚝 𝚔𝚗𝚘𝚠 𝚑𝚘𝚠 𝚝𝚑𝚎 𝚑𝚎𝚕𝚕 𝚝𝚘 𝚖𝚊𝚔𝚎 𝚝𝚑𝚎𝚜𝚎 𝚏𝚎𝚎𝚕𝚒𝚗𝚐𝚜 𝚐𝚘 𝚊𝚠𝚊𝚢…

𝚃𝚊𝚐𝚜: @shut-up-jo @someone1348 @saturnzskyzz

@savemeafruitjuice @rice-cake-teen10 @mistyandsnow

@skyloladoodles @itzsana-kiddingmenow @titters-and-tingles

(𝙰/𝙽: 𝚂𝚠𝚒𝚖𝚜 𝚒𝚗 𝚖𝚢 𝚜𝚎𝚗𝚜𝚊𝚝𝚒𝚘𝚗𝚊𝚕 𝚜𝚎𝚊 𝚘𝚏 𝚊𝚗𝚐𝚜𝚝…𝚋𝚞𝚝 *𝙰𝙷𝙴𝙼* 𝚖𝚘𝚜𝚝 𝚒𝚖𝚙𝚘𝚛𝚝𝚊𝚗𝚝𝚕𝚢: 𝙳𝚘𝚗’𝚝 𝚋𝚎 𝚝𝚑𝚊𝚝 𝚐𝚞𝚢! 𝚃*𝚌𝚎𝚜𝚝 𝚊𝚗𝚍 𝙺𝚒𝚗𝚔/𝙽𝚂𝙵𝚆 𝚋𝚕𝚘𝚐𝚜 𝙳𝙽𝙸!!!)

𝚆𝚊𝚛𝚗𝚒𝚗𝚐𝚜: 𝚂𝚎𝚕𝚏 𝚍𝚎𝚙𝚛𝚎𝚌𝚊𝚝𝚒𝚗𝚐 𝚌𝚘𝚖𝚖𝚎𝚗𝚝𝚜, 𝚊𝚌𝚌𝚒𝚍𝚎𝚗𝚝𝚊𝚕 𝚜𝚎𝚕𝚏-𝚑𝚊𝚛𝚖 𝚜𝚝𝚒𝚖𝚖𝚒𝚗𝚐, 𝚏𝚎𝚎𝚕𝚒𝚗𝚐𝚜 𝚘𝚏 𝚠𝚘𝚛𝚝𝚑𝚕𝚎𝚜𝚜𝚗𝚎𝚜𝚜, 𝚊𝚗𝚐𝚜𝚝 𝚊𝚗𝚍 𝚝𝚒𝚌𝚔𝚕𝚒𝚗𝚐. 𝙿𝚕𝚎𝚊𝚜𝚎 𝙿𝚕𝚎𝚊𝚜𝚎 𝙿𝙻𝙴𝙰𝚂𝙴 𝚛𝚎𝚊𝚍 𝚊𝚝 𝚢𝚘𝚞𝚛 𝚘𝚠𝚗 𝚛𝚒𝚜𝚔!!!

𝚁𝙴𝙼𝙸𝙽𝙳𝙴𝚁: 𝚈𝚘𝚞 𝚍𝚘𝚗’𝚝 𝚑𝚊𝚟𝚎 𝚝𝚘 𝚑𝚊𝚟𝚎 𝙰𝙳𝙷𝙳 𝚊𝚗𝚍/𝚘𝚛 𝚊 𝚖𝚎𝚗𝚝𝚊𝚕 𝚍𝚒𝚜𝚘𝚛𝚍𝚎𝚛 𝚝𝚘 𝚛𝚎𝚕𝚊𝚝𝚎 𝚝𝚘 𝚝𝚑𝚒𝚜 𝚏𝚒𝚌!!! 𝚃𝚑𝚒𝚜 𝚜𝚝𝚘𝚛𝚢 𝚒𝚜 𝚋𝚊𝚜𝚎𝚍 𝚘𝚗 𝚖𝚢 𝚘𝚠𝚗 𝚙𝚎𝚛𝚜𝚘𝚗𝚊𝚕 𝚎𝚡𝚙𝚎𝚛𝚒𝚎𝚗𝚌𝚎𝚜 𝚠𝚒𝚝𝚑 𝚒𝚝 𝚋𝚞𝚝 𝚒𝚝 𝚒𝚜 𝚖𝚊𝚍𝚎 𝚏𝚘𝚛 𝚎𝚟𝚎𝚛𝚢𝚘𝚗𝚎 𝚝𝚘 𝚎𝚗𝚓𝚘𝚢 ☺️💞💗💓💕

＊*•̩̩͙✩•̩̩͙*˚𝙰𝚗𝚐𝚜𝚝 ��𝚢 𝚋𝚎𝚕𝚘𝚟𝚎𝚍 🕺🏾✨💞🎶˚*•̩̩͙✩•̩̩͙*˚＊·̩̩̥͙

Mikey couldn’t do anything right now. Like…anything.

Well…perhaps he was being a bit too dramatic. He was breathing. And he was fidgeting with his squishy cube. So saying he wasn’t doing 'anything' wasn’t entirely true.

Right now he just…couldn’t do anything…productive. 

For example, the box turtle tried making his favorite dishes and deserts! But that endeavor just ended up being a huge mess in the kitchen…and leaving the youngest turtle with a bunch of unappetizing food. 

Which he fed all to Raph by the way. 

Some would call that choice of action cruel but Mikey would just call it 'using his resources'. 

Besides, it’s not like the eldest minded at all. He said, and I quote: 'It has a nice…crunchy feeling to it. Did you put some of Don’s inventions in this?'

Which honestly got a couple of chuckles out of the smallest turtle teen of the bunch.

Then, Mikey tried skateboarding! But for once in all his 14 years of living…it was just utterly boring. 

And after all of that nonsense, Mikey then finally tried reading a comic…but he was too unfocused to even get to the second page…

But what was really new? Mikey could never focus on jackshit even if said jackshit hit him right in the shell. 

His brothers and sister would always have to remind him to stay focused or 'not do this' or 'not do that'.

For example, a couple days ago Donnie had to kindly remind the box turtle (well…as kindly as Donnie could be anyway…) to brush his teeth.

To. Brush. His. Fucking. Teeth. 

And honestly? Having to be reminded to do that was really embarrassing. And the orange banded teen knew his brother didn’t mean to humiliate him internally…but…yeah.

And it’s not like the softshell was wrong either! The youngest turtle just couldn’t freaking accept that he himself couldn’t do such a simple task in the morning. 

But literally every task he completely fails to do is just utterly simple ones!

Like cleaning his room or not forgetting things or even keeping track of time! 

…And the sad part about all of it was Mikey just honestly could not understand how his family haven’t gotten sick of his annoying tendencies…

And let’s be for real here…that was basically all of his tendencies. 

The box turtle groaned loudly in his room, slamming his whole body on his bed as he screamed into his pillow. 

There had to be something he could do instead of just wallowing in his own self pity…

And one of those options could not consist of bothering his family with his random bad mood. They had to put up with him 24/7…the least he could do was give them some space.

The youngest then glanced at his drawing notebook hopefully…

…One little sketch of something random wouldn’t hurt, right?

The amber eyed teen reached for his notebook, grabbing a pen from his drawer as he started to sketch his desk because why the absolute fuck not? Based on the objects he’s drawn in the past…sketching a simple desk should and will be easy, right? Right. 

That was until the orange banded teen’s pencil tip broke. But it was fine! He could just re-sharpen it, right? Right.

That was until the youngest realized he had absolutely no clue where his sharpener was due to the fact his room looked like a pig stie. And there was no way he was looking for it in…that whole situation. 

…The situation he created in the first place. 

Michelangelo layed on his bed with his face staring at the ceiling in frustration, he ran his fingernails along his arms, not making really deep cuts with them but going deep enough for it to hurt a bit.

Like a reasonable turtle would, Mikey should probably get one of his stress toys…or better yet, another pencil!

But let’s be for real here…he’d most likely find a way to fuck that up too.

Suddenly, there was a small, quiet knock on Mikey’s door but…in all honesty? He just wanted to crawl into his shell and sob for the next hour and a half. Letting out a niiiiice and quick 'come in' would take way too much energy. 

The box turtle let out a soft grunt, letting whoever was on the other side know it was a-okay to come in.

Abruptly, Leo peeked in the room, a wide smile plastered on his face as he closed the door, “Damn, Mikester…it looks like every single natural disaster went through your room…”

“I’m cleaning it.” The youngest grumbled to his brother.

“Really? You sure about that, little bro? Because if my memory serves me correct (which it in-fact does), you said that last week. And the week before that…and the week before—“

“I SAID I’M FUCKING CLEANING IT!!!” The orange banded turtle snapped, sitting up on the bed to glare at his immediate older brother before slowly realizing what he just did. 

The youngest’s heart dropped as he looked away from his brother. The orange banded mutant’s eyed widened as silent and small tears ran down his face. He covered his mouth as his other hand turned to a fist, his nails unforgivingly digging into his palm.

“I-I’m sorry…I’m s-sorry…I-I’m so s-sorry…!” He started, rocking himself back and forth before stopping as he was met with a warm embrace. Leonardo hugged him gently but firmly, rubbing the other’s shell in a comforting hold. “Woah woah…! Bud, you have nothing to apologize for…” The slightly older teen said as he rested his chin on the top of his baby brother’s head.

“L-Like h-hell I don’t. I-I just screamed a-at y-you for no reason…” Michelangelo wobbly said. “You were just trying to lighten the mood but I just had to make everything harder like I-I always do…!” 

“Mikey—”

“I-I always do this. I-I’m so f-fucking s-sorry Leo…”

“Mikester…I-I appreciate the apology but it seriously isn’t necessary—”

“You’re probably so sick of me and so angry at me. I-I’m sorry I just—”

“Mikey!” Leo gently yelled to get the other’s attention, squeezing the smaller turtle’s hands as he stared straight at him with pleading eyes. “Do I look mad?”

“…N-No.”

“Do I sound mad?”

“…No.” 

The second youngest sadly smiled, “So what are you apologizing for, hm?”

“…I-I…dunno…I-I just…I just felt I needed to apologize…” The box turtle mumbled as he looked at his hands. The blue banded turtle sighed, slowly getting out of the hug so him and his little brother faced each other. The slider rubbed the other turtle’s palm with his thumb comfortingly, “…Do you wanna talk about it, baby bro?”

The leader in blue was just met with silence…which he could honestly work with.

“Angelo…you know you can tell me…anything, right? Like…anything. Although, it doesn’t have to be me you talk to about it. It could be Raph or Don or April or even Dad or Draxum! I just…don’t want you sitting here and bottling up the way you feel…” 

Silence. Leo continued.

“You’re always there when we need you, Angel. Whether it’s to vent or to just ramble about shit, you’re just…always there. We don’t tell you this enough but we appreciate you always being someone we can lean on…”

Silence. Leo continued.

“But…you do know you can lean on us too, right? Comfort goes both ways and I can see you’re hurting, buddy. So please…if you need to talk to me…I’m right here.”

Mikey sniffled, squeezing Leo’s hand, “I-I d-dunno. Today is just…weird. This whole week has just been…weird.” Leo nodded, giving his brother his full undivided attention, “How so?”

“I just…haven’t been able to do anything…” The smaller teen admitted.

“What do you mean?” The taller teen inquired. 

“I haven’t been able to do…anything. Like, I can’t draw, cook or even skateboard! Me!!! Not being able to skateboard— isn’t that crazy?!” The amber eyed turtle laughed bitterly.

“And it’s not like I can’t do it. I’m perfectly freaking capable of doing it in the right amount of time I want but my brain just. won’t. let. me!” 

“I keep procrastinating and not doing the stuff I want to do and I have no idea why! I’m tired of just putting things off and being this way! I want to do things without having to ask you guys for help or to remind me or to relate it with a hyperfixation that I have!” Mikey hiccuped, a new wave of tears rolling down his face as his hands shook. 

The amber eyed teen sniffled, refusing to look at his immediate older brother at all right now because…holy shit he just overshared a whole lot…

Like…a whoooooooooole freaking lot.

“…That sounds like you.” Leonardo shrugged. 

In a state of just shock and confusion, the box turtle pulled his hands away from his brother, looking up at him as lime green eyes met amber ones. “I…what…?” Michelangelo murmured.

“I said that sounds like you.” Leo said again casually as Mikey glared at him, “Yeah. I heard what you said but that isn’t helpful.”

“I’m just being honest with you, Mikester.” Leo said, “Just…let me explain, okay?”

“…You have five minutes before I kick you out of my room.” 

“Deal.” The lime green eyed mutant commented, “You can’t draw, cook or skateboard right now. You’re procrastinating and not doing the stuff you want to do in the time you planned…is that correct?” 

Michelangelo sent deathly daggers to his brother— which the other wasn’t phased by at all. This time was probably the best time to crawl in his own shell and just sob his eyes out because what kind of dumbass question was his dumbass brother asking him?!

“…Yes.” The orange banded teen mumbled. 

“And…why are those bad things?” 

“WHY?!” The box turtle huffed out a laugh of annoyance, “Pfft— you’re asking me why. Maybe it’s because it’s annoying?! Maybe because it’s frustrating to deal with and I don’t want to burden you guys with my problems?! Maybe because I don’t want to fucking feel or be this way?!” The youngest shouted, breathing heavily as he finished his rant. 

The box turtle looked away again, silently cursing at himself for getting annoyed so easily. “Mikey.” Leo started again, “Your being too hard on yourself, okay? No one is expecting you to be at your 100% all the time.” 

“What you just described to me; you being able to not focus or you getting bored easily or procrastinating with stuff is…literally you. You’re just being you.” The slider explained as he held his baby brother’s hand in his. “And I get it. It’s hard to deal with it sometimes and it’s going to be hella frustrating. Like…super borderline frustrating. But you can’t shun them away and just…try to ignore them, bubs…”

“Let’s take moi for example. I’m impulsive, I talk loud and lose things daily. Those three things don’t make up my whole personality but it would be super weird and off-putting if I just…didn’t do or have those three things, right?” 

The youngest giggled wetly, “Yeah…it would. A-And by the way, I’m still waiting for you to find that glittery pen kit I gave you…”

Leonardo groaned loudly and dramatically, causing the other teen to giggle louder, “I’m looking for it, okay?! It’s in my room…somewhere.” The taller mutant mused, “But anyways…back to you. You procrastinate, you relate things to your hyperfixations and you can’t do some of your favorite tasks from time to time…those are some traits that make up you, is it not?” 

Mikey sniffled, rolling his eyes playfully due to the fact he knew damn well where this was going, “Yeah…” 

Leo smiled softly, seeing his younger brother was starting to get his point, “I wouldn’t change a single thing about you, okay? I know sometimes it’s hard to deal with the things you described but you have us for that.” He said as his smile turned to a grin. 

“You can come to me— to us— anytime. We love you for who you are…your flaws and all and we just…I-I need you to know that we love you so so much—!” The slider was cut off by a sudden abrupt embrace from the box turtle. The orange banded teen sobbed into the other’s shoulder, clutching the taller turtle like a lifeline. 

“T-Thank you…” The box turtle wobbly said through tears.  

“Of course, Angel.” Leo said as he hugged his baby brother back, “I love you.” He said as he kissed the other teen on the head.

“I-I l-love you too…”

.

.

.

.

.

.

“Tell your thoughts to shut up.” Leo said as he lightly poked Mikey in the forehead numerous times. The two were sitting on the box turtle’s bed just simply…relaxing and enjoying each other’s company. Michelangelo was sitting in between his older brother’s legs as he had his shell to his brother’s plastron.

Leonardo hugged his brother protectively, resting his chin on the top of the box turtle’s head. “What do you mean?” The youngest giggled out. “I can hear your thoughts, man. You’re not bothering me or disturbing me in any way, shape or form, alright…?” 

The amber eyed turtle nodded, squeezing Leo’s hand, “Y-Yeah…I know...” 

“I’m choosing to be here because I love you. I don’t feel obligated to be here, okay? You’re not annoying and you, neither your problems are a burden…okay?” The slider said reassuringly, “It’s okay to ask us for help…and we don’t mind reminding you to do things…okay?” 

“You’ve said ‘okay’ like, fifty times…”

“Mikey.” 

“Mhm…yeah yeah…I gotcha…”

The elder looked at his brother skeptically, resting his chin on his little brother’s shoulder so they made solid eye contact, “I want you to say it.” 

“…Say what exactly?”

“I want you to say that you are an amazing person and you don’t need to change a single thing about yourself.” 

“You are an amazing person and you don’t need to change a single thing about yourself.” Michelangelo grinned smugly. Leonardo glared at the youngest’s interpretation to his statement, “Mikey, you know exactly what I meant.” 

“I said what you wanted me to say…so…” The amber eyed teen trailed off.

“Michelangelo.” The slider said in a warning tone as he poked the other’s side. The box turtle squeaked at the unexpected touch, trying to stop his immediate older brother from doing it again but his brother had a strong but gentle grip on him…

Then the smallest turtle came to recognition that he was stuck in a potential tickle hug with no way out…

…How wonderful. 

“L-Leeheeo…doohoo nahat.” The orange banded mutant warned through his giggles, said warning not seeming too threatening due to the fact he was already laughing up a storm. The leader in blue raised a brow, poking the other’s side repeatedly, “I just want you to repeat what I said…in the first person.” The taller teen specified.

The smaller turtle squirmed in the hug, small frantic giggles pouring out of his mouth. This…really wasn’t how he was expecting his day to go. Just about an hour ago, he was wallowing in sadness about the stuff he hated about himself, to talking about it with his brother, to now getting tickled by his brother.

…So could he really complain about how things turned out?

…Yes. Yes, he absolutely could.  

“Leeheeon! Plehease dohon’t!” The youngest squealed as one of his brother’s hands hovered over his stomach. Mikey held onto the other’s wrists, trying to stop his elder brother from tickling him but his small attempts ending up to be all for nothing as Leo effortlessly tickled his stomach with one hand.

“LEEHEEHAHAHA!!” Michelangelo laughed wholeheartedly, swatting at his brother’s arms. The lime green eyed turtle cooed at the gesture, now using both of his hands to attack the youngest’s plastron, “D'aww…look at you giggling your head off~! You’re my adorable little bundle of amazingness, aren’t you~?”

The smaller teen shook his head, a faint blush appearing on his face, “STAHA— squeal N-NAHAHA!”

“What~? What was that?” The blue banded mutant asked as he kneaded the box turtle’s hips. “GYAHAH— squeal SHIHIHIT! COHOME OHAHAN!!!” The amber eyed turtle cried frantically as he kicked his legs on the mattress slightly. 

The youngest squealed with laughter, curling in on himself as he slumped in his big brother’s hold. Leonardo just sighed fondly at the action, wrapping the other in another hug as he raspberried his neck. “LEEHEEHEE!! PLAHAH— squeak NAHAHAT THEHERE squeak PLEHEASE PLEHEASE— squeak!!!”

“Not there~?” The elder lightly mocked, “What about…here~?” He mused as he used his hands to scribble all over the younger turtle’s ribs. Mikey cackled, shaking his head to try and at least subside the tickly feelings.

“NAHAHA— squeal AHAHAHA!! NAHAHAT THEHEHERE EHE— squeal EHEHEITHER!!! LEEHEEO!!” The orange banded turtle squeaked as Leo stopped for a second, “I’ve tried sooooo many spots, buddy! How many times are you gonna say not there, hm?”

Mikey genuinely squawked louder than a firefighter siren, squirming so much it looked like he was actually being electrocuted. “PLEHEHAHA LEEHEEO NAHAHAT THEHEHE RIHIHIBS!!!” He cackled. 

“Not the riiiibs~? Why~? Is it because it’s your tickle spot~? Your tickletickletickle spot~? Because you’re ticklish~?” Leonardo asked as he lightly nibbled the crook of Mikey’s neck. 

Michelangelo screamed in laughter, scrunching up his shoulders as he dug his heels on the bed, a couple of his plushies sadly falling on the floor (R.I.P. man…) “EEEHEEHEEP!!! S-STAHAP BEEHEEING MEEHEAN!” Mikey said as he thrashed on the bed. 

The slider said nothing, his hands sneaking up to the box turtle’s underarms. “AAAAHAHAHA! OHO NOHOHO— squeak SHIT! SHIHIHAHAT!”

Happy tears slowly begin to appear in the smallest teen’s eyes, he weakly hit Leo’s arms as a last attempt to be set free, “LEHEHEMME squeal GOHOHOHO!” 

“Ohonly if you sahay it, bubs.” 

“IHIHI— SQUEAK!! LEEHEEHEEON!!!” 

“Yeeeees, baby brother~?” The elder dragged out as he kneaded the other’s hips.

“IHI’LL SAHAY IHIHAT I-IHIHI’LL SAHAHAY IHIT!!” The amber eyed teen squealed. 

“And you promise not to be a sassy little shit about it~?” The older teen asked.

“SQUEAK YEHAHAHA— SQUEAK YEHES YEHES I-I PROHOHOMISE!” 

Leo stopped tickling his little brother, hugging him protectively as the youngest caught his breath slowly but surely. “W-Wahait…whahat squeak wahas ihihat yohou eeheeven wahanted me squeak to sahay again?” 

The taller turtle pondered for a bit, thinking to himself before loudly groaning, “That’s…a good damn question. I don’t really remember exactly what I wanted you to say in the first place…” The lime green eyed turtle sighed, “Forgetfulness at its finest...” 

The red eared slider adjusted himself, making sure the other was comfortable before starting to speak again, “Well…based on what we talked about…could you maybe just…y'know…” Leo gestured with his hands before groaning, “Do you get what I’m trying to say, man?” 

“…I thihink I have ahan idea…” Mikey giggled as he fiddled with his hands, “I shouldn’t beat myself up so much because of some of my traits or quirks. And I’m allowed to feel frustrated and/or upset because things don’t go my way because of them. But…I shouldn’t allow those things to put me down...”

Michelangelo smiled softly, rubbing his palm with his thumb, “They don’t define me as a person but they make me a person. I don’t need to be at my best 100% and I’m allowed to have bad days. And if things get too overwhelming or difficult I can just go to you guys.” 

Mikey hugged himself, letting out a small laugh as his happy tears welled up in his eyes, “I’m just…being me. And there’s nothing wrong with that.” Leonardo teared up at his brother’s words, hugging him tighter than he ever had before and burying his face at the back of the youngest’s head.

“Never forget that, Miguelito…never forget that.” 

·̩̩̥͙＊*•̩̩͙✩•̩̩͙*˚𝙵𝙸𝙽˚*•̩̩͙✩•̩̩͙*˚＊·̩̩̥͙ 

(𝙿.𝚂.: 𝙸𝚏 𝚢𝚘𝚞 𝚎𝚗𝚓𝚘𝚢𝚎𝚍 𝚝𝚑𝚒𝚜 𝚏𝚒𝚌, 𝚙𝚕𝚎𝚊𝚜𝚎 𝚛𝚎𝚋𝚕𝚘𝚐!!!)

[miraculouslbcnreactions]

Watching Miraculous, I feel that the show is written that no matter what Marinette decides to do, she would be in the wrong - she is in the wrong for not telling Chat about Chat Blanc (ignoring her own trauma in the matter), but if she told him, the show would make it the wrong choice...

The head writer has publicly stated that one of the show's guiding rules is that Marinette has to do something wrong in every episode, so I'd say that you don't just have a feeling. You've actually picked up on one of the show's not-so-subtle core tenets. It's also a core tenet that I strongly disagree with because - as I said in the linked post - when it comes to shows like Miraculous, the only characters who are always in the wrong are the villains.

If Miraculous was a different type show and Marinette's blunders were more comedic, low-stakes, sitcom-type stuff, then it could work. Two examples that come to mind are:

That's So Raven - this is an old Disney Channel show where the main character was a psychic who randomly got visions of the future. A lot of the episodes focused on her having a vision, interpreting that vision wrong, and then doing something foolish as a result. So Raven was usually in the wrong, but she was wrong in a way that rarely hurt others. If memory serves, she most just caused herself unnecessary stress.

Phineas and Ferb - another Disney Channel show about two imaginative and inventive young boys who have fun doing crazy things like building a roller coaster in their backyard. They do these things without parental permission so their older sister - Candace - is always trying to get them in trouble. In spite of this, the general viewer feeling towards Candace seems to be one of amusement, not hatred. This is probably because she never causes pain for anyone but herself, making it hard to look at her as a negative force. If Candace was written more like Marinette, then people would probably hate her, too.

While we're on the topic, it's worth pointing out that, while Candace isn't a villain, she is the antagonist. Her presence causes much needed tension. Since she's always out to ruin her brothers' fun, every episode has the low-key stakes of, "Will the boys get caught this time?" Without Candace, you lose those stakes and Phineas and Ferb becomes a lesser show because even sitcoms need stakes.

Semi-serious magical girl shows don't need characters like Candace to add stakes to the story. This is because semi-serious magical girl shows have built in stakes from the presence of villains and evil magic. It is the height of absurdity to make a rule like "Marinette is always wrong" in a show with an evil villain who is out to steal Marinette's magical earrings and use them to rewrite the universe.

The presence of the "Marinette is always wrong" rule shows a fundamental misunderstanding of the type of show they're writing. You only make rules like that in low-stakes shows like the ones I listed above. And even those shows understood that, if you have this rule, then you also make sure that the only person who usually suffers is the one making the mistakes. The writers of Miraculous really haven't done that because of course they haven't! This isn't a low-stakes teen drama. Marinette has too much for responsibility and the narrative stakes are far to high for her mistakes to come across as minor.

This is especially true because they keep picking mistakes that should lead to character growth and then not actually writing any character growth. Once again, that style of writing can work in sitcoms*, but Miraculous has way too many serious elements to be written like a pure sitcom. That doesn't change the fact that the writers are writing it like one, but it does explain why the writing leads to so much frustration for fans.

*I wanted to note that even sitcoms often make the audience hate the leads because it's hard to write anything where the leads keep making endless mistakes without making the leads look awful and sitcoms run off of every episode containing a mistake. This is why long running sitcoms tend to have a good number fans who hate at least one member of the core cast. Ted and Lily from How I Met Your Mother are great examples of this and it happens because the mistakes they make usually effect others. If the show had only been two seasons long like originally planned, then they would have been fine.

[dirty-droid]

So I played through some more dbh last night and woke up thinking, God, there is a good reason Markus and Kara, and their respective companions never got as popular as Connor and Hank. Literally The Bridge is surrounded by the most *do everything for absolutely no reason* chapters, and there's no comparison.

First the Kara chapter wastes your time, she barely gets any small talk in with Luther, then the car breaks down, then you're just doing tiny tasks, doing a shitty sum up of her story so far when Alice asks you to make one up- they could have done something interesting with that story but they chose not to, literally anything specific anything that would function as a parallel to their journey would have actually had some value. Then you barely start a conversation with Luther, where are you maybe get a hint of his personality before we're back to just talking about the plot and Alice, but then it's over again and you meet the Jerries and you learn almost nothing about them.

It is a chapter where you do nothing interesting, and you learn almost nothing about the main characters, for a downtime chapter, I expect character development and get barely a sneeze of it. There is so much room and so much time for you to really push and question your main characters but it just doesn't get used.

Honestly I think the protagonists all could have probably really benefited from the audience getting to hear their internal monologues if they weren't actually going to talk to their companion characters, but even that would just be a substitute for decent writing.

Either way, after that, we come back to Connor and Hank, who do almost no tasks in this chapter, *but spend the entire time TALKING.* They talk to each other in a constant volley back and forth for the entire length of the chapter and it's probably one of the best chapters in the game, it's certainly one of the most important in their story. You spend the entire bridge scene learning more about Hank and Connor's inner worlds, and how they think, and how they feel, you spend the whole chapter learning so much about their perspectives, this chapter is all about asking the hard questions about both of their individual characters, and the tension is high, it's a straightforward chapter to play, and it really fucking feels like your choices matter here, there will be immediate consequences, not just walking through your environment trying to find the right answer, or being dragged through an interaction. It's just plain good.

And then Markus infiltrates the Stratford Tower, and you get the most boring and useless and frustrating chapter in the game that doesn't seem to serve any purpose beyond looking cool. If Kara's last chapter was only to gain sympathy and create some soft and fuzzy feelings, this chapter is only about looking cinematic. This is probably my least favorite chapter in the game, honestly I've just gotten lost on that yellow ass office floor building too many times, even though I'm very familiar with the game now I still managed to get lost again last night.

I will admit that eventually it does become an opportunity to decide between pacifism and violence but that seems to be the only real development for Markus, and it wouldn't have been hard to make that kind of opportunity in another setting. Because we get next to nothing watching him get past the front desk, or from walking around that floor, just some outfit changes and pretending to be a machine and a little more Android hate in the background, Markus is almost completely silent yet again, there is almost no talking with North once she appears. We actually get more about North's personality here than Markus', she just feels like she has more lines somehow, because sometimes she just talks without it being connected to the plot and Markus never does.

This bit is more speculative, but my fiance and I were going off last night about whyyyy did they have to break into the tower? We're never given any reason for what the steps are and why they are important, just usually pretty important in these mission impossible type scenes, they're usually explaining in a voice-over why they are taking the steps that they are taking. But we get no explanation for why he needs to go to the 47th floor or whatever, No explanation for why he needs to change into a maintenance Android uniform, why North was in the stairwell, how Josh and Simon got in, it's all just handwaved, and whyyyyyy they couldn't have just?? Made a recording and then hacked the station's broadcast remotely and basically just posted the speech? I don't know, it's just a particularly frustrating chapter to play, personally, but it isn't strong.

Either way, you've got two chapters with next to no character development, that just have a lot of empty space and time where the characters could have been talking or could have been doing something else, but didn't because the vibes were more important, sandwiching a simple scene with ten pounds of character development and it just feels weird. And once I noticed it, it just made the Kara and Markus chapters look incredibly weak and poorly written... And conversely, make the Connor and Hank chapter look much, much stronger in comparison.

It's like Detroit become human almost needs it's own type of Bechdel Test, just to show how much they fail Markus and Kara. "Do they talk about something that isn't the plot?"

"Do Kara and Luther talk about something that isn't Alice or getting to Canada?" "Does Markus talk about anything besides his speech for this chapter?" "Does Alice talk at all beyond basic communication with Kara?" "Does Markus or his buddies talk about anything that's not the revolution or just Markus himself?"

... They don't pass a lot.

It's just hard to take these characters above simply *likeable* when they just, don't, ever, talk. There's little to no development for Markus or Kara, and because they've just become deviants, there's hardly any character establishment in the first place, they barely even get the chance to just be flat, because if they don't really know who they are, we don't really know who they are.

Connor and Hank's friendship is more functionally the main plot, more so than the deviant investigation, and for Markus and the team, and Kara with Alice, that's simply just not the case, there is hardly any relationship, they're just in the same boat. This is why Connor got astronomically more popular, and why he and Hank have the staying power that they do.

Markus and Kara just don't ever talk, and Connor does. And I'm fucking mad about it. The amount of time that was just wasted in their stories, I could probably take a damn stopwatch to all the moments where there could have been a little something-something, and nothing was put there. It's not to say Connor doesn't get some quiet moments too but he always gets the chance to make up for it.

Even at the beginning of the Stratford Tower chapter, I noticed that they could have had Simon and North talking about something maybe unrelated when Markus walks up, but there's nothing, only silence until Markus comes in with a plan. And of course we know about every time Luther tries to bring up the fact that Alice is an android, only to be shut down and walked away from. It fucking kills me how much time Mark is has the focus of the camera but it's only so he could look cool for a minute, and share no thoughts of his own, none of his new feelings, everything is only implied and then followed by the action where he is only allowed to be the leader of the revolution and never just Markus. There's a tragedy in that, but they could have driven it home harder by *pointing that out.*

[lucienne-thee-librarian]

Just to minimize my chances of being genuinely misunderstood OR deliberately misinterpreted, and crucified for something I don't think, How Dare You Say We Piss on the Poor website etc...I'm gonna say this right up top. I absolutely understand why people don't like Thessaly as a character, if anyone does completely unironically stan her as some kind of feminist hero who Did Nothing Wrong uwu, I personally see it as a bit of a red flag. I don't like terfs real or fictional. In a vacuum, I could even completely sympathize and agree with the people who want her cut.

HOWEVER.

It's really something to me to see people clamoring for her to be cut, because she carries and expressed an ugly indefensible prejudice (transphobia) in words towards (1) person. Meanwhile Hob fucking Gadling enacted one of the most violent forms of antiblack racism I can even think of against thousands no, millions of people, the ripple effects of which still affect billions more today. Just a little light idk, profiting off the fucking slave trade and had to be told by someone else that it was bad...and he's a fan favorite.

People are saying Thessally being Dream's love interest reflects badly on him or is somehow endorsement by the narrative (?!?!?!?!?!? Didn't she (SPOILER ALERT AS IF IT MATTERS BY NOW) help participate in his extended assisted suicide? She's not painted as a great person to me just another character what are y'all SMOKING whatever fine. It's fine this is fine.) But shipping Dream with Mr. Former Slaver is not only not verboten or frowned on widely in the fandom but its THEE most popular pairing by far. So...why the difference?

Like where are the same fans who are saying Thessaly shouldn't just be more clearly shown to be wrong, she shouldn't even be in the show at all when it comes to Hobert's crimes??? Yes, transphobia is indefensible. Isn't racism?

And I hear the cries of "it's fiction!!!" Already rallying (if anyone who needs to hear this even sees it lol) to which I say:

HORSESHIT. I KNOW you don't, deep down, really agree because if you did, why get upset about Thessaly being included??? Why does what she said to one person matter if it's Just Fiction You Guyze. Fictional characters are allowed to do bad things and fiction isn't reality sweaty....except when you only apply that standard to fictional racists you like and simp for, but fictional transphobes you don't are SO HARMFUL they shouldn't even be portrayed in fiction.

Like. Give me a big fat BREAK. This looks like bullshit, no? I'm sorry, but I'd love for someone to try and give any other explanation besides one personally offended you or hit home for you, and the other doesn't.

And if that bothers you or you feel like it says something negative about you...idk what you want me to say??? You can't control how other people perceive you and that's how people outside this majority-of-the-fandom bubble see it. You don't need to respond, I just wish and genuinely hope this gives you a moment to think about why fans who ARE bothered by both (and not just paying lip service to being bothered by the one but railing against the other) are so frustrated with people saying everyone is welcome but in practice only bending over backwards for the comfort and emotions of themselves, and people they can easily relate to.

You don't have to like Thessaly (I don't. I find her an interesting antagonist, I don't stan her. And frankly imo likability is not. the point of her character) but you'll pardon me for feeling more than a bit cynical and side eying people's motivations for what seems a...pretty obvious double standard, on what fictional crimes related to real world issues matter to y'all, and which clearly don't. Either actually bring the same energy to the table for fictional people who committed atrocities, even if against a group you're not part of and thus don't feel the need to empathize with, or just carry on, but accept that you don't have the SLIGHTEST room to talk about cutting characters who do immoral things. And you also need to accept that you look like a hypocrite when you do.

[inkskinned]

you wanted to be a good friend, because you loved your friends, but the truth was that everyone else somehow had a pamphlet on being normal that you never received. most of the time you learn by trial-and-error. you are terrified of the next big mistake you make, because it seems like the rules are completely arbitrary.

you've learned to keep the prickly parts of your personality in a stormcloud under your bed - as if they're a second version of you; one that will make your friends hate you. it feels feral, burning, ugly.

instead, you have assembled habits based on the statistical likelihood of pleasing others. you're a good listener, which is to say - if you do speak up, you might end up saying the wrong thing and scaring off someone, but people tend to like someone-who-listens. or you've got no true desires or goals, because people like it when you're passive, mutable. you're "not easy to fluster" which is to say - your emotions are fundamentally uninteresting to others around you; so you've learned to control them to a degree that you can no longer really feel them happening.

you have long suspected something is wrong with you, but most of the time, googling doesn't help. you are so-used to helping-yourself, alone and with no handbook. the reek of your real self feels more like a horrible joke - you wake up, and, despite all your preparations, suddenly the whole house is full of smoke. the real you is someone waiting to ruin your other-life, the one where you're normal and happy. the real-self is unpredictable, angry.

your real self snarls when people infantilize the whole situation. because if you were really suffering, everyone seems to think you'd be completely unable to cope. but you already learned the rules, so you do know how to cope, and you have fucking been coping. it's not black-and-white. it's not that you are healed during the other times - it's just that you're able to fucking try. and honestly, whenever you show symptoms, it's a really fucking bad sign.

because the symptoms you have are ugly and unmanageable for others. your symptoms aren't waifish white girl things. they're annoying and complicated. they will be the subject of so many pretentious instagram reels. if they cared about you, they'd just show up on time. you care, a lot, so deeply it burns you. you like to picture a world where the comments read if they loved you, they'd never need glasses to see. but since that's a rule you've seen repeated - "one must never be late or you are a bad friend" - you constantly worry about being late and leave agonizingly early. there are no words for how you feel when you're still late; no matter how hard you were trying.

so you have to make up for it. you have to make up for that little horrible real you that you keep locked in a cabinet. you are bad at answering emails so every project you make has to be perfect. you are weird and sensitive so you have to learn to be funny and interesting. you are an inconvenience to others, so you become as smooth as possible, buffing out all the rough parts.

all this. all this. so people can pass their hands over you and just tell you just the once -how good you are. you're a good friend. you're loveable.

[ratatatastic]

MORE INSANE EKKY QUOTES ABOUT FORSY HAVE HIT THE TOWERS IM SORRY WE'RE CALLING HIM A SPECIMAN AGAIN AND ALSO WE SAYING WE SHOULD ASK HIM TO TAKE OFF HIS SHIRT. OKAY.

AND ALSO FORSY QUOTE ABOUT EKKY IN THE SAME ARTICLE BECAUSE OF COURSE WHAT THE FUCK

DO YOU WANT ME TO DIE!?!?!?!?@

[puppyeared]

oh yea.. its all coming together

[the---hermit]

Not me adding annotations to a book to make it more accessible for my mom when she will read it

[swordheld]

hi! your blog is one of my favourites and i absolutely adore reading your thoughts. my grandfather recently passed away and it feels like i lost myself with him. how do i continue living after this? there is this constant weight on my chest and it feels like an emptiness has made a home inside of me. how do i go on when it feels like the world crashed on my shoulders?

hello, love! this is so very sweet and kind of you, and i hope you're treating yourself gently and kindly right now - there aren't words for a loss like this. that heaviness is difficult, and hard, and painful. it's okay if things don't feel okay, right now, or even soon - i think that's something that a lot of the people i know that have gone through similar grief feel: like they should be able to get back to a relative 'normal' in a [insert far too short period of time].

but it's okay if it hurts. that's where i'd like to start. you're allowed to feel that emptiness, that world-crashed feeling that goes beyond words, beyond time. don't feel like you have to rush this to feel some sort of better. things get easier with time, i promise you this, but sometimes painful feelings are important to feel, too. cry, scream, feel your emotions. they're a part of you. grieve.

it's perhaps a little silly, but when i think about death i always think about a couple of space songs: mainly drops of jupiter by train and saturn by sleeping at last. there are perhaps others that speak to the emotions better, but these two have always hit something a little deeper for me, and are popular for a wide-reaching reason.

and while personally i don't know much about grief like this, i do know a lot about love; and i think they're a lot of the same thing.

the people we love are a part of us, and this is why it takes from us so deeply when we lose them, because it does feel like we've lost a part of ourselves in the wake of it. but it's because they were so central to our experiences of living - our lives, that the separation introduces a hollowness - a place where they used to be. a home that now goes unlived in.

an emptiness, like you said.

but just because they're not here physically, doesn't mean he's not still there, in your heart, in your life, your memory. you can hold him close in smaller ways, as well: steal a sweater, or cologne/scent for something a little more physical and long lasting for remembering. hold onto the memories you cherish, the things that made you laugh, the ease of slow mornings and gentle nights. write them all down, slide a few photographs in there, go through it and add more when you miss him. keep them all close, keep them in your heart.

you're not alone, in this. he's still there, with you, it's just - in the little things.

he's with you in the way you see and go about your daily life, in doing what he liked to do, in the ways he interacted with the world that you shared with him. the memories you recall fondly when the night is late or the moment is right and something calls it into you like a melody, an old bell, laughter you'd recognize anywhere.

but i think, perhaps most importantly above all others - talk about him. with your family, your friends, his friends, strangers; stories are how we keep the people we love alive. the connections they've made, the legacies and experiences they've left behind, and so, so many stories.

how lucky, we are - to love so much it takes a piece of us when they go. grief is the other side of the coin, but it does not mean our love goes away. it lives in you. it lives in everyone who knew him, in the smallest pieces of our lives.

the people we love never really leave us, like this: they're in how we cook and the way we fold our newspapers, our laundry, in the radio stations we tune in to and the way we decorate our walls, our photo albums. they're in the way we store our mail, organize our closets, the scribbled notes in the indexes of our books. the meals we love and the drinks we mix, the way we spend time with one another. they've been passed down for generations, for longer than history - and we are all the luckier for it.

think about what you shared with him, and do it intentionally. bring him into your life, like this, again. whether it's crosswords or poetry or sports or anything else. if one doesn't help, try another. something might click.

i hope things feel a little easier for you, as they tend to do only with time. i hope you find joy in your grief, even if it is small and hard to grasp at first. know that your hurt stems from so much love that there isn't a place to put it properly, and that it is something so meaningful and hurting poets and storytellers have been struggling to put it into words and sounds that feel like the fit right for eons, and that it is also just simply yours. sometimes things don't have to make sense. sometimes they just are - unable to be put into words or neat little sentiments, as unfair and tragic as they come.

but i promise it will not feel like this forever. your love is real. and perhaps, on where to begin on from here - i think it's less on finding where to begin and just beginning. and you've already started. you've taken the most important and crucial step: the first one. wherever you go, after that, from here? you'll figure it out. you always have, and you always do. it'll come, as things always do. love leads us, as does light - and you're never alone in your hurt. in your grief, your missing something dear to you. i think if you talk about it with others, you'll find they have ways of helping you cope as well - and they have so much love of their own to spare, too.

as an aside, here is the song (northern star by dom fera) i was listening to when i wrote this, for no other reason more than it makes me think of connections, and love, and how we hold onto the people we love and how they change us, wonderfully and intrinsically. it's a little more joyous than the others i've mentioned, and plays like a story, and it made me think of what is at the core of this, love and stories and i am here with you, and maybe it'll bring you some joy, if you'd like it. wishing you all my love and ease 💛

[luck-of-the-drawings]

OOH YEAH BABY! PARTY TIME BABY! MUSIC! DRINKS! SOCIAL PRESSURE & A PSYCHEDELIC BREAK DOWN! WELCOME TO VAMPIRE SOCIETY MOTHERFUCKER! ARE YOU SCARED? DO YOU UNDERSTAND YET? ITS OKAY IF NOT. FIRE DISSOLVED IT! ITS ALL GONE NOW. HAVE FUN!

[thesimquarter]

My Sims 3 Urbz (GBA/DS) Sims

Well, Urbz + like 3 other random sims from other handheld games.

i don't usually play TS3, but since i am actually considering dropping ts4 for it... i wanted another go! and to see what I already did in this game ages ago.

I don't know when most of these were made. At least 2 years ago. I didn't touch them from then (so, they are of... varying qualities. + i probably changed some defaults at some point, so their skin color is... probably also different from what i originally chose), and they don't use any CC outside of defaults nor store content. (I THINK...)

since there's a lot (41 of them), I'll be splitting them across two posts! This one, with 20, and the other one here with 21!

the rest under the cut