#why do they hurt the characters like that

[calmenergy]

saw in the tags you asked for a blaze analysis, so I thought I'd do that!

Blaze, being the sol dimensions counterpart to sonic, is also meant to be an opposite of sonic like knuckles (which is probably why there was a small thing with Knuckles and Blaze in one of the IDW annuals). She's the opposite of Sonic in similar ways to knuckles. Her arc in sonic rush is about breaking her out of her lonely mindset of needing to always be alone and she's very dedicated to her duty in protecting the sol emeralds, for instance. While her and knuckles dedication to their duty of protecting their respective emerald(s) is very similar, one thing I do like is how they've got different reasons for being alone. Knuckles is often alone due to necessity, considering angel island, but Blaze is alone for a completely different reason.

Blaze feels like it's only HER duty to do what needs to be done. She doesn't have to be alone, which she realizes at the end of rush, she's choosing to be alone to her own detriment. Compare that to sonic, who is always willing to make a friend with someone and let them help unless they would end up hurt or smth forces him to do it alone.

Some other ways she's the opposite to sonic include her position in her world. Sonic, for all intents and purposes, is homeless and doesn't rwally hold any position of power in his world outside of "the hero that comes in sometimes to save everyone." Compare that to Blaze, who is a princess of a royal family. She has a lot more responsibility and power than sonic does over the workings of her world, which definitely is part of the reason she felt like she had to be completely alone during sonic rush.

Thing is though she's also very similar to sonic in lots of ways as well, like having special connections with their emeralds, having sassier personalities, even if blaze hides hers most of the time (it does shine through in some moments like her dialogue when preparong to fight eggman in rush for the first time, "It seems you like to play with fire... Allow me to light your fingers then!" and her tossing and catching the sol emeralds every time she gets one), and their willingness to do good no matter what.

Blaze is basically Sonic's mirror, not just his opposite. Similar in so many ways, but also distinctly different. Her and Sonic are like their dimensions, two sides of the same coin. Their designs even reflect this as well! There are lots of little details in their designs that show their similarities AND their differences. Hell, their super forms even are opposing, with super sonic having a yellow body and red eyes, and burning blaze having a redder body (closer to pink, but still) and yellow eyes. This image by Due_Lion_2990 on reddit sums it up pretty well in terms of their designs, plus some other things that parallel eachother.

Thus ended up way longer than I was initially intending it to be, but I couldn't help myself, Blaze is my favorite sonic character and I LOVE talking about characters that parallel each other

edit, only just noticed a buncha other ppl also made stuff abt blaze lmao, whoops

[luveline]

𝐚 𝐬𝐭𝐚𝐫 𝐛𝐞𝐭𝐰𝐞𝐞𝐧 𝐡𝐚𝐧𝐝𝐬 | 𝐣𝐚𝐦𝐞𝐬 𝐩𝐨𝐭𝐭𝐞𝐫

six | chapter list

Finding out you’re a princess isn’t half as intimidating as suddenly acquiring a full-time bodyguard. Especially when that bodyguard is disarmingly handsome, charming, and can’t seem to stop flirting with you. 

bodyguard!james, fem!reader, implied chubby!reader, shy!reader, princess diaries au, all characters in their 20s or older, star-crossed lovers/ forbidden romance, slowburn, background wolfstar

˗ˋˏ ♡ ˎˊ˗

“Why aren’t you hitting me?” James asks. 

The safety mat under your feet does little to assuage your fears. James Potter is perhaps the last person on earth you’d expect to hurt you, and yet you can’t shake the image of him deflecting your punch and sending you reeling. 

With his lovely curls slicked away from his face, his nice mouth, the curve of it where he’s smiling encouragingly, you don’t really want to hit him. 

“I can’t,” you say. 

“Yes, you can. One day you might have to, and I need to know you can do it without breaking your own hand.” The no nonsense tone he’d tended to sport when you first met barely three weeks ago is seemingly gone, replaced by a friendly, almost cavalier tone. Like this is fun. “It won’t hurt you much, I swear. And you should get your revenge. I hit you pretty hard.” 

“You didn’t hit me,” you say. “The door did.” 

“It was my fault.” He smiles, readjusting his stance with feet planted firmly against the mat. 

“James…” 

“Just hit me,” he says. 

You tense your fist around your thumb and hit him square in the chest. It’s not a punch by any means, a weak landing of your knuckles that doesn’t move him. Still, you’re surprised with yourself, checking his face for a sign that you’d done any damage. 

“There are so many people who’d love to punch me,” he laughs, nodding to your hand, “you can do better than that, if only to do what they couldn’t.” 

“I don’t want to hit you, James.” 

“I know, you have to. Come on, it’s easier than you think. You bring your first back to your shoulder and you move into it, okay? Use your weight to do the work. You’ll never hurt anyone if you don’t.” 

“I’d rather not, though.” 

“I know that, too, but you might need to. God forbid you be in a situation where I’m not there to protect you,” —here he does something strange with his eyebrows you’ve yet to encounter, sending a straight shot of butterflies through you, their wings fluttering in the soft part of your throat— “but you don’t have to be defenceless if I’m not. Give me a good swing and I’ll make sure Marlene has that pear ice cream at dinner tonight.” 

“Marlene would make it if I asked,” you say unsurely.

“But if you hit me, I’ll ask for you.” 

“You can be very manipulative.”

“Sometimes. Alright, hit me. Or I’ll tackle you again. You didn’t like that last time.” 

Obviously you hadn’t enjoyed being tackled, because James hadn’t hurt you, he’d simply overpowered you. In one sense, it had been panicky to realise you were at someone’s mercy. James had grabbed you simply behind the back with your chests pressed together and hooked his calf behind your legs, taking them from under you, and following you to the ground. You didn’t like it because he didn’t hurt you, he’d pressed his weight into yours with an arm tight across your chest, just under your throat, and you could smell his hair. Smell almond or jojoba or– or something warm. 

It isn’t that you have feelings for James. You don’t know him well enough. But having someone like James pressing down on you was impossible to ignore, consciously and subliminally.

You really don’t want to do this, drawing your arm back, tightening your first two fingers. James’ eyes widen, his lips falling open as you hit him hard enough to bruise a half inch from his heart. He stumbles and you follow, before flinching back hard, tucking shameful arms to your chest. 

“Sorry!” you burst. “Fuck, sorry! I thought you were ready!” 

“I was ready.” James grins widely. “Awesome. Do that again, yeah? Let’s have one on the cheek this time.” 

“I am not punching you in the face.” 

“You could always aim somewhere softer. The point is to incapacitate me. Hitting me in the chest won’t do that.” He rubs a hand into his shirt, the dark compression material barely moving. “You might have bruised me, though. I’m a good teacher.” 

“I don’t want to do this anymore,” you say. 

James deliberates. He tips his head back, showing you the rather nice point of his chin and his neck. A beauty mark sits nestled atop his Adam's apple. 

“Alright. Sorry. No more hitting. Maybe we’ll give the offensive a break for a while and go back to defence again in a few days?” he suggests. 

You relax. 

You’re wearing clothes you’re not used to, a compression shirt like James’, a pair of dark trousers of a similar material with loose ends. Sirius had done some online shopping with you, not worrying as your elbows brushed. He pointed at things and you’d given weak yesses or resolute nos. The total had climbed and climbed, and Sirius had taken your choking for self-preservation. “Not to worry,” he’d said, grinning, “the royal coffers will pay for this lot.” 

It doesn’t feel real. Endless money with no limit nor reason. He’d opened Curry’s swiftly after and asked you what laptop you wanted for uni. He’d attempted to goad you into two. 

It’s alien. All of it, even James across from you where he’s sitting now to put his trainers back on. He doesn’t feel anymore real than the day you met, this handsome, tall boy tasked with keeping you safe. You’ve never been someone’s number one priority. 

“Come and put your shoes on, lovely.” 

You’re not sure how to cope with that, either. He and Sirius both seem quick to coddle when you’re distracted, and you’re distracted often. You shrug away your thoughts, relaxing your tight shoulders as you cross the empty gym to sit next to him. Your trainers are new, too, a sporty pair that cost more money than your last three pairs combined. 

“It’s nice to have new things,” you confess, “but odd.” 

“Yeah?” 

“I… I’ve been wearing the same pair of converse for two years. I had one pair of proper shoes, and one bag. One purse. And I didn’t mind it, just… just, it makes you feel sick sometimes when you want stuff. It’s embarrassing.”

If James is surprised at your sudden admission, he doesn’t show it. “There’s nothing to be ashamed of in wanting things,” he says, hands braced on his knees, “but I can guess why you might’ve felt like that. We try not to think about the things we want because that can make not having it worse.” 

What couldn’t you have? you think, searching his expression for a hint. 

“I’m glad it’s nice,” he furthers, tapping his heel against yours. “They look good. Are they comfortable?” 

“They feel like I’m wearing socks half the time.” 

James nods appreciatively. “Well, get them on. We’ll nip into the pharmacist before we go home, do you have your sunglasses?” 

“It’s too grey outside for sunglasses, we look ridiculous.” 

“You look like the front page of every newspaper. Ever. In the entire western world. Here, put your hoodie on.” 

You and James leave the gym with a wave to the women at the front desk and begin down the street. James hates the city obviously, wrinkling his nose at the grey cobbled streets and all of its sooty puddles. He walks from place to place rigid as a tentpole, swerving in front of you the second that someone looks at you too long. You wonder if this is what having a boyfriend is like. James is constantly making sure you’re safe, that you’re on the right side of the pavement, that you’re warm and fed and smiling. But you don’t suppose a boyfriend gets paid to spend time with you, nor do they spend nights on the lumpy sofa in the living room when they’re too tired to drive home at the end of a long shift. 

You think without wanting to of James climbing into bed with you, a split second of his warm arm over your back, and shake it away as he pulls you into the pharmacy. 

“Can you look at something else?” you ask, turning to him as you pull off your silly sunglasses. 

James raises his eyebrows. “Whatever for?” 

“I need stuff.” 

“I know you need stuff. You asked me if we could come here. Which, by the way, you don’t need to do. You’re supposed to boss me around.” 

You look over a shelf of shampoos and deodorants and begin reading their labels. James took you shopping the day after you got back, but you’d been stuck in your old ways and what you didn’t skimp on, you forgot. You eye a large bottle of shampoo that brags deep moisture for your hair type and take it from the shelf, then the matching conditioner, and then its hair mask. Your shoulders curl forward, worried James will think you greedy or sad or something in between, but he just says, “Pass them here, Princess.” 

“It’s fine, I can–”

“I’ll have them. I’ll go get a basket.”

He scoops everything into big hands and walks back to the pharmacy’s entrance. 

It’s a big pharmacy, modern, with white walls and bright fluorescent lights behind shelves. You catch yourself in a mirror next to a stand of cosmetics and wince. You look odd in these sporty clothes. Your nose is shiny. 

You wipe your face with your sleeve and stare at the cosmetics with no clue what to get. Should’ve asked Sirius to come. Or better yet, someone who regularly wears makeup. Only thing is, you don’t really know anybody who does. 

“You don’t have to rush,” James says, joining you at the makeup section, such a long walk from the shampoos. “Did you sprint down here?” 

You’d speed-walked past the sexual health aisle actually, but James doesn’t need to be privy to that information. “You don’t want to be here all day.” 

“I want to be exactly where you are. If that’s looking at lip gloss, then so be it.” 

You smile, a little shy, a little rueful, and turn your attention back to the lip glosses in question. There’s browns and pinks, blush-rose red and moodier cherries. “I don’t…” 

“That one,” James says, poking a barrel with confidence, “would suit you. And this one, too. You’ll look lovely.”

You don’t know what to say. The colours he’s chosen get added to your basket without comment, after you’ve wrestled it out of his unwilling hands. You spend a few minutes spready tester shades of concealer against the back of your hand, where James again recommends the one that matches your skin tone best. He leans behind you, and he does his job, sweeping the aisles and giving the shop a long up and down every once in a while, but for the most part he acts like he’s there to be there. 

You get to the bit of the pharmacy you’d come for initially, the shorter but well-stocked supplement and vitamin aisle. Realistically, you aren’t going to take ten different vitamins a day, and with Marlene’s cooking it isn’t as though you need them, but there are things you’ve always craved. Biotin and collagen, for healthier hair and nails. Multi-nutrient sachets for every day, the good stuff, and so expensive your eyes initially skip over them. 

Your hand hesitates in front of a box and James makes a warm humming noise. 

“They look promising.”

“I’ve never had them before.”

“I have a killer magnesium deficiency,” James says. “I usually take the magnesium and zinc, but that throws my copper out of whack.” 

You can’t tell if he’s messing with you. You smile at him, not quite stickily but getting there, your cheeks appled with it. “Not your copper.” 

“It’s not funny, Princess. It makes me want to sleep all day.” 

“Not funny,” you agree, grabbing the box of sachets and placing them atop the new electric toothbrush you’d fancied. You feel gluttonous and weird with it, because you don’t suppose you really need one, but James had only said That’s a nice colour. 

“James,” you say, meandering with him toward the tills, “you didn’t need anything, did you?” 

He grins at you like you’ve said something different. “I have everything I need, don’t worry.” 

“You sure?” 

His eyes seem lighter, then. Amber flecks in the browned honey of his irises. “Promise.” 

He tries to get you to visit the perfume counter, but the basket is getting heavy and you’ve spent enough as it is. Not even a tenth, a hundredth, a thousandth of what you have now at your disposal, but so much more than you ever would’ve before. 

The lady at the till eyes James behind you. She beams when James opens his wallet and passes you the card you were given by Sirius for expenses, and laughs when you refuse to take it. “I have mine,” you say, “this is all for me, I can pay.” 

“Technically it’s your upkeep,” James argues. 

“James.” You pass the cashier your card as James frowns. 

“I wish my boyfriend offered so quickly,” the cashier says. 

You go hot all over, but before you can tell her James isn’t your boyfriend, he’s laughing and taking the handles of your heavy pink carrier, pulling it toward him as the cashier sorts your receipt. “I shouldn’t have tried, really.” 

“It’s the thought that counts.” She hands you your receipt. “You should to let him pay, chick, especially if he’s offering.” 

“Maybe next time,” you appease. 

You’re still flushed when you and James break outside again, the cold a blessed relief. James lets your pink bag rest in the crook of his arm, while the other hovers behind you, looking around the street unhurried. “Anywhere else you want to go, chick?” he asks. 

You laugh. “She was nice.” 

“Very motherly.” 

“I want to go home, I think. Did you need anything else?” 

“I do all my shopping when I’m not working.” 

“When aren’t you working?” you ask genuinely. “You spend more than half the day at my flat, and when you leave– if you leave, it’s night time.” You give him a sideways glance. “I have nothing else to do today.” 

James contemplates this. “I– I’ve been meaning to get Sirius a gift. It’s his birthday next week, did you know?” 

“No! When?” 

“The third.” 

“What does he like?” 

James beckons toward a neon signed music shop. “He loves music. Music and the macabre, you know, like, horror movies. And he reads, despite what he might have you believe.” 

You fall into step. “Alright. You’ll have to tell me what to buy.” 

Again, he gives you a look like you’ve said something different, like you’ve said something lovely. 

“I can do that,” James says. “I won’t steer you wrong.”

—

Later that evening, after another tentative hour in the car with James’ patient coaching, you return home to shower. It’s luxurious and strenuous simultaneously. The new hair mask is fragrant and silky between your fingers, leaving the bathroom thick with its smell, the warm air clouding the windows. You hurry between the bathroom and your bedroom in a bath sheet and pretend you don’t notice James’ head tipping in your direction. 

“Everything alright?” he calls to your bedroom door. 

You spy on him through the gap. “I’m fine. Sorry I took so long.” 

“Remus has asked if he can come early and have dinner with us.” 

“He doesn’t need to ask!” you call, closing the door soundly. 

It will be nice to have Remus for dinner. He doesn’t have to tell you what fork to use here, you only have one kind, but he explains the heritage or main flavours of each dish and doesn’t make you feel embarrassed when you don’t know the Genovian Marlene uses. Honestly, you hadn’t even realised Genovia had a language, a hodge podge, Remus says, of Italian and French. And Remus has a steady voice that feels evidence of his more humble background —he’s like you, you’ve found out, working class and humbly brought up. He attended their boarding school on a scholarship of academic prowess, and served as a prefect for all seven years. 

“How exhausting,” you’d said. 

“With those two? You wouldn’t believe it.” 

His disdain was feigned, mostly. It’s why you’re excited to have him for dinner. When the boys are together, they end up telling you stories about their hijinks at school, and you get to peek into the window of their lives, see their fondness for one another in praises and shoulder squeezes and their ridiculous nicknames. 

You haven’t managed to ask about them yet. They slip out every once in a while, and in multiple variations. Moony, Moons, Moon and Pads, Pad, Padfoot. Remus’ you’ve deduced from a story they told, how Remus could be oh so moody when he wasn’t very well, like a wolf, a werewolf. Isn’t that clever for a gang of twelve year olds? Lupin, the wolf boy. You have a feeling it didn’t start out as a particularly kind nickname, but it morphed into a loving moniker later on. Sirius’ nickname, however, you’ve no chance at working out. Padfoot? 

And Prongs? You assume James had a nasty run in with a fork. 

You dress in soft, new clothes. Prongs, you think, doesn’t suit him at all. The James you know is only ever prickly when you’re at risk. He doesn’t flinch when you panic, never hardens. He has a soft hand for your back whenever you need a pat. 

Your socks slide on the living room tiles as you make your way in. James is clicking away on his phone, a dark business phone with many, many buttons. It’s dwarfed by his hand. He swears under his breath. 

“Everything okay?” you ask softly. 

James looks up and his gaze snags on you, his head tilted to his phone and his eyes steadfast where they look you over. “Fine. Nice shower?” 

You’re rich now. Every shower is nice, the boiler turned to a high six, hot water neverending. 

“It was good. Where’s Sirius?” 

“I’m actually not sure.” 

“Isn’t that your job?” 

“No. And if it were I wouldn’t know anyways.” He turns back to his phone. “He’s a slippery one, Pads,” he murmurs, “I couldn’t really keep track of him if I tried.” 

You feel as though you’ve caught him at a bad time. Restless, you turn away from him and head for your small kitchen, unsurprised to find Marlene still cooking and the continued remodelling of your kitchen. Old countertops find themselves housing new oiled cutting boards. Your grody cooker seems small beneath a HexClad Dutch oven, where oil bubbles and spits lightly, dough cuts set on a baking sheet beside it. 

“Hi, Marlene. What are you making?” you ask curiously. 

She grins at you from over her shoulder. “Apple cider doughnuts. I’ve made cinnamon sugar, do you mind it?” 

“What’s the thermometer?” you ask. 

She laughs at you lightly. She’s used to you dodging questions. “Just making sure I don’t set your house alight. At home I can do this by eye, but it’s finicky with your oven. She’s temperamental.” 

“Sorry.” 

Marlene waves a hand. “You want to try?” 

“I’ll just be in your way.” 

“No, you won’t. Frying doughnuts is fun, here. I’ve put each of them on a bit of greaseproof paper. They slide right off.” 

Marlene doesn’t usually take no for an answer. She’s not bossy, but decisive. You’re hesitant at first of the boiling oil and the greaseproof paper doesn’t cooperate when you try it, but eventually you’ve freed a crispy bit of paper from the dough, watching patiently as Marlene turns the doughnuts. She tells you about the dark colour you’re searching for, “I’ve put apples in the dough, see, so they’ll come to a brilliant dark colour without burning. We’ll have them with ice cream or whatever you like.” 

”James told you I wanted it?” you ask shyly. 

“James didn’t mention you at all, he just begged a bit for it. He can be quite pathetic when he needs to be.”  

“I resent that!” James calls. 

Sirius and Remus arrive in their usual pair, Remus tall and light to Sirius’ tighter darkness. Remus wears glasses today, black thin frames perched atop a scar on his nose. Sirius is being himself, poking at them and reminding Remus that just because he is an insufferable swat doesn’t mean he has to look like one. 

“You’re worse than insufferable,” Remus says. When he sees you, he brightens. “Ah, Princess. James hasn’t injured you, that’s brilliant.” 

“And you clearly haven’t killed him in a motor vehicular disaster,” Sirius says cheerfully. “Praise be.” 

“We’re both fine,” you say. 

“Were you worried about us?” James asks. 

“I wasn’t worried about you, James,” Remus says with a smirk. 

You eat as you have every day for the week since you’ve been home: around the coffee table, five plates and drinks rearing to get knocked over and ruin it all. Your knees press into Remus’ on the left and Marlene’s on the right. James sits across from you now that Frank’s shown up for his night shift, digging in with vigour, beaming around his fork as Sirius gives him a good nudge. So many people in your crammed flat. It doesn’t seem real. Half the time, they’re just here to keep you company. 

Paid to keep me company, you think, biting your tongue as you do. This isn’t… real. 

Something taps you under the table. James’ hand, you find, long fingers pressing soft into your kneecap. You quickly lift your head again to find him frowning at you mildly. Okay? he mouths. 

“Bit my tongue,” you say. 

“Ouch,” Remus says. 

James pokes his lip with his tongue. “Be careful,” he says eventually. 

You ignore whatever it is he’s not saying and pick at your food instead. For dinner, Marlene has made a traditional Genovian pasta dish heavy with red pesto and steak. It isn’t what you’re expecting, used to the paler whites and greens of the last week's worth of dinner. James couldn’t be enjoying it more, and Sirius has pledged his undying love to Marlene three or four times since you sat down. 

“Jesus, I barely miss Genovia when you cook like this,” he says. “I will happily serve my country.” 

“Unlike before, when you were here unhappily,” Remus teased. 

Sirius looks you dead in the eye. “Princess, I would follow you anywhere. Marlene is an added bonus.” 

“I– I really wish you guys wouldn’t call me that.” 

Sirius looks gently chastened. “Sorry, sorry. It’s muscle memory at this point. If I called Princess Julianna by anything but her title, she would’ve had me drawn and quartered in the royal courtyards, is all.” 

“And the rest,” James snorts. 

“I try not to address her at all,” Remus says to himself. 

Everyone laughs. You join in a second later, wondering about your unknown cousin. “She was rather spoiled, wasn’t she?” you ask. 

“You’d think she’d tone it down some. Her royal status is rather tenuous, you know.” 

James gives Sirius a look. Careful, it says. 

“What do you mean?” you ask. 

“Well, she’s a royal by marriage, not blood. We explained that, didn’t we?” 

James had said it was complicated. You’d been too startled about your own royal status to inspect it any further. “She’s not a Renaldi?” you ask. 

As it’s explained, your uncle (uncle! who is indeed royal by blood, and the eldest son) forwent the throne when it became clear he wouldn’t be allowed to marry a divorced lover otherwise (reminiscent of certain British scandals). Said divorced lover already had a daughter, a young Julianna. And so your uncle remained a prince but not a king, and Julianna became a princess, to the ire of half the country. 

Traditions have changed in time, but Julianna still lacks Renaldi blood. 

“It drives her mad,” James says. He’s leaning back against the armchair now, dinner finished, a big glass of apple cider in his hands. 

“That doesn’t surprise me,” you say. “Sorry, I sound horrible, just. She wasn’t super friendly.” 

“It would’ve been better for everyone if she was,” Sirius says. 

You wait for him to continue. Marlene prompts him, “You think so?” 

“Well, yes, I suppose. Anything is better than a country ruled by Baron Riddle. Evil, loathsome man. He thinks that nobody knows he’s had a nose job, you know.” 

“Who’s Baron Riddle?” you ask. 

A hush falls around the table. You look down at your plate, eyes on the red shine of pesto and olive oil where it’s grown cold on your plate. A hunk of soft bread is discarded beside it. You poke at it with your nail until crumbs flake away, lips parted, not sure what to say. “Is he–?”

“He’s a bad man, Y/N,” Sirius says. His voice has turned soft but not thin. “He’s prejudiced and cruel. If nobody of Renaldi blood takes the throne when your grandmother steps down, he’ll rule Genovia. And he’ll run it into the ground.” 

James isn’t looking at you when you drag your head up. He downs the last of his cider and stands up, murmuring about clearing the table as he carries his and Sirius’ plate to the kitchen. 

“I didn’t know,” you say. Well, you’d known someone would ascend to the throne if you didn’t. But you didn’t know about Riddle. A guilty heat builds in your throat. “I had no idea.” 

“James asked us not to tell you,” Remus says pointedly. 

“She has a right to know,” Sirius says. They glare at each other, but the heat in Sirius’ voice doesn’t rescind. “What? She does. She’s a grown up.” 

You shake your head. “Thank you, um, for telling me. I’ll just take these out, should I?” You gesture to the plates and stand up quickly. You can’t escape the feeling that Sirius is very angry with you, and you don’t want to face it, so you escape the room instead. 

James’ shoulders are tense in the kitchen. He scrapes his plate clean into the food recycling bin, offering his hand without looking for your own. 

“Thank you,” you say quietly. 

“Of course.” 

Silence blossoms like an achy bruise. 

“James–”

“Thank you for having me for dinner, but I really should be going now. I promised my mum an overdue call.” 

He’s angry. 

You cringe away from him. “Okay. Yeah, no problem.” 

“Okay. Stay safe while I’m gone, yes? Remember your panic button.” 

Your hand inches up to the opposite wrist, where your tennis bracelet of sapphires sits tightly. You’d forgotten all about the panic button embedded in disguise under one of the gemstones. 

He smiles at you briefly, and in a minute or two he’s gone. Sirius goes out after him, leaving you and Remus and Marlene to the heap of dishes, a bad taste lingering on your tongue that has nothing to do with dinner. 

[sanctuarymoonfan397]

Okay so, I've been sitting on if i should make this post or not for a while but with some of the tags I saw on a recent post mentioning the same thing, I decided to go ahead and say my piece: in my own words:

I've seen some posts in the main tags essentially saying something to the effect of "why do people always draw MB as masculine and not androgynous"

As someone who, like Murderbot, does not have a gender (rather, in my case, associate with one) this always rubs me the wrong way and makes me feel a bit bad about my own identity, which suck because to me, this fandom is a safe space to speak of gender, sexuality and a slew of other things. Like I said, I am gnc, afab in fact; but I look like a guy, I like looking like a guy, I actively try to look like a guy... but i am not a guy. I dont feel like a guy, i just like looking like one. That doesn't mean my identity as a nonbinary/gnc person is suddenly erased because I don't fall under your narrow minded idea that all nonbinary/gnc people need to be androgynous.

I don't owe you perfect androgyny, no one owes you any level of androgyny.

MB is a fictional character with next to no physical descriptions; its not hurting anyone if someone sees it/draws it as masculine or even feminine. You don't get to dictate how people see it, especially when they base it's appearance on themselves

[erinwantstowrite]

bear with me here because i'm gonna ramble about something i've been thinking about for a while... and i'm not complaining, i'm just noticing

sometimes i think we've leaned so far into the vigilante side of the batfam that we miss out on what really makes their characters: detective work. we need more mysteries in their lives that don't lead up to some big bad "we already know who's doing it" or an "end of the world" or "yet again: this fucking guy." we need more stuff where spy movie music plays in the background and dumb adventures that don't lead up to some huge grand event with a big name villain. the shock factor stops being shocking or interesting in any capacity if we're like "Gah! the Joker! ... Again!" or whatever

does that even make sense? like "yeah sure they're blowing up a building again and there's hostages. oh look they're gonna poison the water supply." these aren't bad and that's not what i'm getting at because obviously this is a classic for comics. you need to have characters/antagonists that show up more than once and who can make a story better by being in it. and i did say to bear with me- that's because im tired. so like i hope im getting this across the right way? it's just that sometimes i don't wanna see a huge explosion, i want these motherfuckers solving a regular murder or a disappearance or regular corruption in a local office without it being tied to a grand reveal like "actually this person knows you as a long lost relative" or "they were at that circus can you guess which night they went?" that kind of thing? if you get me? like... more of the small time stuff makes the big stuff important, it makes it stand out more. at some point, the format gets repetitive even if you're switching up the villains. you can make these situations/mysteries still fun to solve for the characters and fun to read for the audience if you do it right

the concept of a detective dressed as a bat and having a sidekick in traffic light colors is inherently goofy as hell??? but that is what is so charming about it??? i think we have lost the balance between them being silly while also being intelligent with important conversations that criticize the world as we see it and teach lessons and can go over dark topics. nowadays it's always end of the world problems or just straight up the most gruesome true crime you can think of?? or they can ONLY do the dark stuff and the criticism without offering a balance of the good in the world. or we keep coming back to the FUCKING JOKER-

like yes they are vigilantes and with that comes a different level of their work, but their brand should be a mix between a black and white detective film that can get very nitty gritty and a classic spy movie, that kind of thing. at the end of the day, it's what makes them so different from the superheroes. that's what appeals to me.

seeing them in the big superhero groups is fun, don't get me wrong. it's always funny to see them standing next to people who are so powerful they never really fit in with anyone but each other, who chose to step up and use their powers for good. the Bats' specialty is Gotham and yet here they are stopping a god or whatever. and they do stop the god or whatever, all the while being an important leader and strategist to their teammates. they're important to have in these cases. but if there's a world ending event every time i pick something up, it's not as fun

the fact that they are so very human and not fantastical is why i like reading them. it's what makes the joke of people, even Gotham citizens, theorizing about them being cryptids, funny. they're fucking weird but that's because they're detectives. people who love to solve mysteries usually have a fatal flaw of curiosity. they forget the bounds between social interactions sometimes because they're used to working through problems or being intertwined with partners that understand them. but they're very much human. so human that it hurts them in many ways. and idk i've just been thinking about it lately and idk what point i'm trying to get across actually

it's just that in my eyes that's how it really is for Batman- a black and white movie narrated by a very serious man who took up a job to help people, one that has a deeper commentary on the world and viewed outwardly as pessimistic but actually has a deep hope for his city and who tries to help even the people who have wronged others. He's a stationary man in the belief that him being a constant can serve to soothe others and help them move forward. He stays in the middle of the path so he can tell everyone what is up ahead. he blends into the Gotham rainy night to serve justice but in a way that saves both the victim and the perpetrator. (the way he tucks a Robin into his cape is the same he does for Gotham with his mere presence.) and his background is actually so important to his story and yet people still somehow gloss over the lesson from it? he lost his parents because of a man who was on the opposite end of the spectrum to where he was in life. and yet he chose to help the people like the man that killed his parents. he could have done anything else with his power and money, but he instead is choosing to bring as many people up with him as he can. He's Mr. Serious that no one else can get a read on. and yet he walks into a room and he's already piecing together your life and what you're going through because he thinks it matters. he comforts people who have lost something or someone or themselves. I picture Batman and I don't picture a man trying to save the world, I picture a detective walking around a crime scene and trying to save at least one person every time he puts on the cape. and he put on the cape and became a vigilante because then he could go out of the bounds of what laws have been set up- and specifically, Gotham has other people in power who are corrupt, keeping the system that way. that's why Batman being a billionare and throwing himself into helping people at the risk of his own life is so important. he knows that if you are alive, you have something or someone to lose, no matter who you are. the dude is a bleeding heart but he doesn't know how to express it, in fear that if he gets too close, if he moves down the path with them, he'll be lost again

and then he's met with someone who should be a complete opposite, but isn't at all, because they're two sides of the same coin. his partner in crime, his son, a boy that is nothing like the black and white world that he sees. and that's the point in his life where he first sees that potentially getting lost is worth the risk. Robin is color and passion that needs guidance to move forward, but can not do so unless the stationary man learns to move with him. the kid is loud and reckless and you'd think he's from a different genre from the detective but they aren't so different, really. not when you look close enough. Dick grew up moving from place to place and seeing the world, knowing so many different people from different cultures. He's been learning to fly and jump and embrace the free fall his entire life. He's clever and he's sharp, and he thrives in the action and adventure. it's that perspective that compliments the stationary man. one is steady and the other pushes. he's the same genre but a different generation. and Batman introducing him to the way of life he chose for himself was another way he could save someone. because let's be real for a second? Dick would have gone down a very dark path had he not had Bruce, who understood, who saw not just himself in the kid but also saw who the kid has been his entire life until now. he saw Dick's parents, he saw the family he had in the circus, he saw the joy he had in what his family was doing. he saw the grief and the fire and the color that Dick's world was made of. because to Bruce, it always matters. Dick had to come to terms with Bruce's perspective to help anyone who they come across, to always give more chances, and it kept Dick from losing his color

what gets me is that the man who lives in the black and white world can actually see many different shades of gray (because black and white always needs the medium), whereas the boy in a world of color and light can get so focused on the bright that he can become single minded. and yet the boy sees a world of color and delves deeper into the lives of the peolle they come across and can be much more open minded, and the man in the black and white world sometimes forgets the shades of grey are right there. they are just like each other. they can exist without the other, but do they want to? because the black and white can be built up into the colored image, like the inking and shadows drawn on a comic book page before the colors are added in. they meet in the middle to complete each other. Bruce has been passing the story over to the next generation for a long, long time, even before his story was complete. and just like with the first Robin, it was so for every Robin afterwards. they each color in the lines differently, but that's what makes Robin so special, so unique. they are an art style that branches into their own life, but can not forget where they started: tucked into Batman's cape and the inky black of his world

and so detective work really frames their hunanity to me. the mysteries they get their hands on, the glimpses into the lives of Gotham citizens that they swore to protect, it's fascinating. it's what makes their story stand out compared to the people who can lift trucks or cast spells or run around the world in seconds. so yeah ig that's what i'm trying to say? that i want to read more of that? in both canon and fanon. cause even the small time villains we see can be like. AWFUL people and it takes out the fun of their gimmicks. and if it were any other day this would be a more coherent post but alas, it is not any other day

[sunfairiess]

𝐦𝐲 𝐡𝐞𝐚𝐫𝐭 𝐬𝐮𝐫𝐫𝐞𝐧𝐝𝐞𝐫𝐞𝐝 || 𝐣𝐣 𝐦𝐚𝐲𝐛𝐚𝐧𝐤

pairing: jj maybank x fem!routledge!reader

tropes: 3rd person narration | sarah cameron’s pov | childhood best friends to lovers | brother’s best friend | best friend’s sister | fluff | soft boy jj

synopsis: sarah cameron meets her boyfriend’s sister for the first time, and understands what being soulmates means.

warnings: cursing, slightly mention of violence

wc: 2.9k

it’s my first time writing a character x reader (and actually writing a ff in years lmao) so i really hope this turned out well! also, i apologize for any typos or grammar errors but english is not my first language <3

song rec: about you - the 1975 ♡

“c’mon guys, time to go back. it’s starting to freeze out here.” pope said, placing his fishing rod by his side before getting up and walking towards the helm of the boat, kiara following him to keep him some company. he was right: the temperature had started to drop, and honestly he didn’t even know why the pogues decided to go fishing at the end of november.

they were all there, except for the pogue princess as they liked to call her. she was john b’s younger sister, just by one year; and even though she was definitely a pogue down to her core, she actually almost looked like a kook: she was always composed, never drank too much, never even touched a cigarette or a joint, and she worked her ass off every afternoon at the country club to help john b with the bills and to afford a few of the things she liked.

she was smart, kind, the type of girl to lighten up a room with the sound of her laughter. she was also one of the reasons why the ‘no pogue-on-pogue macking‘ rule was made: everyone kind of had a thing for her, and jj maybank was the first in line.

“i seriously regret coming, i think i’m going into hypothermia.” jj said, shuddering a little bit. yes, it was cold, but it wasn’t that cold. jj just liked to be dramatic.

“gosh, you’re such a pussy.” john b laughed, smacking his best friend behind the head. they’ve know each other for more than ten years now. they weren’t friends anymore, they were brothers. they loved and cared for each other very deeply, even if they were acting like jerks most of the time.

as pope started the engine of the hms pogue, ready to go back to the château, john b took his sweatshirt off to pass it to sarah, his new girlfriend. she was a kook, but she was different. she didn’t care about how dissimilar their lives were, she loved spending time with the pogues because they were real. they were amazing friends, they were funny and smart, and the kind of people you could have a serious conversation with. they weren’t superficial like the kooks, and she loved them for this.

she felt a little tap on her leg, catching with her vision her boyfriend’s sweater. she gave john b a smile and slid the blue piece of clothing on. “so, i’m meeting your sister for the first time today, uh. big step.” sarah joked, slightly pushing his arm.

since the first moment they started dating, john b had always talked about how he wanted her to meet his sister. she was the most important person in his life, especially after his dad went missing at sea during a storm. he actually wanted sarah to meet her right away, but she asked him to wait a couple of months, just to see if they were solid about this relationship. “yup, and trust me you’re gonna love her. she’s like a little ball of sunshine, she wouldn’t even hurt a fly.” he said, smiling at the thought how of sweet his sister was with everyone.

“he’s right. i don’t think i’ve even ever seen her mad.” jj stated, shifting his seat from john b’s right to sarah’s left.

“she seems really nice, but i’m not worried about me liking her, because, by what you guys always say about her, i already do. i’m just worried she won’t like me, you know because of the whole pogue-kook thing.”

everyone bursted out laughing at sarah’s words, her face more confused than ever. “what? what did I say?” kiara left pope at the helm of the boat, and went to sit in front of her, crossing her legs together. “you don’t need to worry about that, she doesn’t give a shit about the rivalry. trust me, she looks like she walked out of a cruise brochure. the only thing she wants is to see her brother with someone who makes him happy, which you do, so she’s totally gonna be fine with it.” sarah smiled at her words, feeling a bit more relieved now.

even though pope wasn’t seating next to them, he could still perfectly hear their conversation and see sarah’s tensed body. that’s why he decided to lighten up a bit the discussion. “you know, one time she made jj dress up as a reindeer.” he said getting out a chuckle at the memory of jj dressed as one of santa claus’s reindeers.

kiara followed him with a loud laughter “oh my god it’s true, i almost forgot it.”

sarah gave them an amazed look. she was enjoying this too much to not say anything. “okay, this is actually the funniest thing i’ve ever heard. did you had a red nose like little rudolph, too?” she said with a smirk, turning her head towards jj’s.

“oh shut up, all of you. i only did it because she asked. besides, she looked so happy when i changed into that costume. i would honestly do it again.” jj let out an involontary smile at the thought of y/n. it was like this all the time: wether he wanted it or not, the only thought of y/n made him feel like he was the happiest man on earth, even if he wasn’t. she just had that effect on him.

“god, it’s sickening how whipped you are for my sister.” john b said, mimicking a gag reflex.

jj rolled his eyes at his words. sarah switching her gaze between the two boys sitting one to her left, and the other to her right. she then stopped to look at jj. “wait- you like y/n?”

“like? hell, he loves that girl. he’s been in love with her since he was six. the random hook ups he has? that’s all for show. he only does it to not draw suspicion, since the only girl he’d like to fuck— and sorry john b— is y/n.” pope said, fully exposing his friend’s feelings.

not that jj cared anyway. everyone knew how he felt about her, he didn’t even try to deny it anymore.

“and you’re completely fine with it?“ sarah asked john b, knowing how protective he was when it came to his sister.

“i wasn’t always. first time he told me he loved her? i punched him. not my finest moment but i was kinda mad.” john b replied, slightly chuckling, reminiscing his right fist hitting jj’s jawbone. “i mean, the day before he tells me he sees her as a little sister and then that he wants to sleep with her? hell nah, i wasn’t having that.”

“and what changed your mind?”

“because it’s jj. i know my best friend, and i know how much he cares for her. i knew he was never going to hurt her, i’m actually pretty sure he would die for her.”

sarah nodded along. the look on jj’s face confirming that what john b had just said was a hundred percent true. in that moment a thought crossed her mind, making her think about how what jj and y/n must’ve been something truly special.

“bubba, we’re home.” john b shouted, as he opened the château’s door. the house was silent, except for a light melody coming from the bathroom and the sound of the shower running. “shower! be right there!” sarah heard y/n shout back, as every one of the pogues sat on the couch: her ending up between her boyfriend and kiara, next to who was seated pope; and a bit far away from them jj. she figured he left the space empty for y/n.

about ten minutes later, while the pogues were having a conversation about an upcoming party at the boneyard, a sixteen year old girl came out of the bathroom, wearing a pink sweater and long white sweatpants. white socks at her feet and long wet hair cascading down her back. she walked up to them, bending slightly to place a kiss on her brother’s cheek, and proceeding to do the same with all the others.

she then retraced her steps and stopped in front of sarah. “so you’re the reason why my brother stopped being a cranky old lady.” she smiled, offering her her right hand. “i’m y/n, it’s so nice to finally meet you.”

“sarah. it’s a pleasure to meet you too, john b’s always talking about you.” sarah replied, shaking her hand. y/n let out a small laugh, as she walked towards the end of the couch were jj was seated.

she plopped down next to him, tucking her legs under her bottom and leaning into him. he wrapped his arm around her, pulling her closer and gently leaving a kiss to the side of her head. “he’s always talking about you too. i swear the other night he woke me up around 3am just to tell me how amazing your date was. which, don’t get me wrong, i was very happy to hear about.”

“you literally throw a pillow in my face.” john b said.

“duh, because you woke me at 3 fucking a.m. i love you bird, but for gods sakes let a girl sleep.” she replied, making everyone laugh at her comment.

the conversation resumed pretty quickly, this time through with jj paying way less attention to it, more focused on the girl next to him.

the entire evening, between laughters and bottles of beers, sarah observed how jj and y/n were always caught up in their whole world. jj’s hands being constantly on her body, wether it was a arm around her shoulders or his hand on her leg. they were glued to each other, sometimes even whispering between them words only they could catch.

for the second time that day, sarah thought about how jj and y/n’s bond was special, going beyond simple friendship.

it was almost two a.m. when kie and pope left, both returning to their respective houses to avoid their parents storming out on them. sarah instead was going to spend the night there, so since jj and john b were on the front porch smoking a joint, obviously a jj’s idea, she and y/n were the only two people moving around the living room, cleaning up the mess of empty beer bottles and pizza boxes.

the whole night she noticed how jj and y/n acted around each other, so since they were now alone, she just felt like she had to ask. “so what’s the deal between you and jj?”

“there’s no deal, we’re friends.” y/n said calmly.

“bullshit, i noticed the way you look at him and how he looks at you. that’s the look of love, sweetie.” sarah decided not to mention how jj actually felt about her. it wasn’t her place to say tell the truth.

“nah, jj would never go for someone like me. he only sees me as a little sister, besides i’m not even his type.” she replied, giving her a kind smile, even though she felt like a lump was stuck right down her throat. y/n always knew she wasn’t the kind of girl jj would want, the were total polar opposites, and truthfully she never even considered herself that much beautiful to have a chance with him.

“since when jj has a type? doesn’t he hits on every breathing human being?” sarah knew this probably wasn’t the right thing to say, but sometimes people needed a little push to blurt out their feelings. to her surprise though, y/n laughed, most likely because she knew how their friend had a habit of flirting with almost every girl he met. it didn’t matter if they were pogues or tourons, or hell even kooks sometimes. a pretty girl is a pretty girl, doesn’t matter where she comes from.

“kinda, but he always hooks up with victoria-secreys-models type of girls, if you get what i mean. and apart from that, we want different things. he doesn’t do relationships and i don’t do random hook ups. not to mention how the possibility of me and jj being together would probably give an aneurysm to my brother.”

“eh, i wouldn’t be so sure about that, ya know. either way though, you like him, don’t you?“ sarah said, remembering the conversation she and the other guys had on the boat.

busted. y/n stayed silent, sailing her lips in a thin, straight line. she then closed her eyes and took a deep breath, getting ready to spill everything out. she figured it was time to tell the truth anyway, since sarah clearly figured everything out.

“i met jj when i was four, we were in kindergarten and some older boys were picking on me. i was smaller and basically on the edge of tears, until i saw this blonde boy running towards me and putting himself between us. even if he was younger than them he still took my defense. after that he walked me home and told me he was a friend of john b’s. since that day, i don’t think i’ve ever liked someone that wasn’t him.“

she took a small pause, just to catch her breath. but she was so caught up in narrating the whole story, that she didn’t notice john b and jj leaning against the doorframe.

jj’s eyes almost bursting out of his face at her words, not expecting to hear her confession. john b, very aware of how his best friend was going to lose his shit any minute now, he places his finger against his mouth, mimicking him to shut up.

“as we grew older the roles kinda reversed and i started to look out for him: when he would come here bruised because of his father i would hug him and clean him up; even if younger than him i helped him study, you know just avoiding he would fail some subjects. at night, dad used to let him sleep next to me or john b because he didn’t want to be alone, thing that of course dad prohibited when i turned twelve. that didn’t stop him though: he would sneak out as soon as john b would fall asleep and come under the covers with me.”

she let out a laugh. “would sir. freud love this? probably yes, but it doesn’t matter. he deserves someone that cares for him, everyone does. and it’s not pity or mercy, i genuinely want to be there for him, because he deserves the best. yet, because of his father he’s convinced he’s worthless, but he’s not. gosh, he’s so funny and smart, which i know sounds weird but he is. he would die for his friends and cares so much for us. and i’m sure he could make it out of obx if only he wanted to. and he’s always so supportive and gen-“

she could’ve kept going on, but she suddenly noticed the two boys staring right up at her. jj’s eyes were watery, like he was going to cry any second now. he didn’t cry much, only when really fucked up things happened in his life, but for the first time he felt like crying not because he was sad and tired but because he was happy. because finally he could’ve had something great going on in his life. he could’ve had her.

without saying anything he launched himself into y/n’s arms, letting her stumble back due to the rushed impact between their bodies. he hold her tight, his arms around her waist and hers around his neck. his face placed in the space between her shoulder and her neck, breathing in the smell of the coconut soap she always used. he didn’t care about sarah and john b still being in the room, he wouldn’t even care if a freaking zebra walked in the house. she was the only thing that mattered. she was his whole universe.

“you shouldn’t eavesdrop, maybank.” she said with a smirk, putting a bit of distance between their bodies so she could look at him in the face, but still managing to play with the of hair at the nape of his neck.

“did you actually mean it? like for real?”

“every word, jay. you know me, i would never lie to you.”

jj maybank was impulsive. half of the time he never thought before acting, which pretty much resulted in him dealing with the aftermath of his stupid decisions. that’s why he didn’t think twice in grabbing y/n’s face with his hands, pressing his lips against hers.

at first he felt her stiffening, probably surprised by his gesture, and for a moment he really thought he had just screwed everything up. but then her hands went to his shirt, yanking him even closer if possible, and he sensed her relaxing, her lips moving against his.

after what seemed like hours, he pulled back, only because they both needed air. if it was up to him, he would’ve spent hours kissing her without getting a break.

“i’ve been loving you for a long time, princess.” she smiled, her cheeks almost hurting because of all the happiness she was feeling.

“well, you’re very lucky then, because i’ve been loving you for a long time too.”

“i can’t watch this, i think i’m gonna throw up.”

sarah nudged her elbow into her boyfriend stomach, giving him a look that said ‘shut the fuck up or i’m killing you’. john b raised his hands in the air, admitting defeat.

and, as they watched jj starting to kiss y/n again, sarah thought of how her own relationship was truly amazing. but in her opinion? what y/n and jj had was the true definition of soulmates.

[bumblingbabooshka]

When the only person who might understand what happened- understand. Not sympathize or empathize or comfort you but understand what happened, isn't there anymore. Or: 'A Man Made Me Do Something I Didn't Want To', for when you can't talk about it or look it in the eye [Patreon | Commissions]

[dxrkl1ght]

If y'all don't have anything good to say, just get out. Or keep your hate to yourself. Simple.

Y'all forget this show is written by human beings, right? The VAs are humans just like us, the viewers. They have feelings as well, and they deal with this crap a lot more than everyone thinks. Kat AND Earth have been dealing with hate ever since it was mentioned that she would be a part of TSBS. Many other female VAs and characters deal with this hate, too.

If y'all really don't like the writing or a character, simply, just STOP watching the show. You have preferences, okay, but DON'T go throwing shit at the VAs and ruin their fun! That hurts. It really affects the people who work in this.

Wouldn't you feel horrible if your story and characters got thrown so much garbage and you were getting attacked by people? And since day 1? Think about it and learn what kind of stuff you're doing.

This is really childish, y'know? Attacking and harassing the VAs because you don't like a character or their writing? It's NOT mature at all. If you think that by doing stuff like that, they will change how the story is going and how the characters act, then you're SO WRONG. The VAs are NOT doing that for you. They DON'T owe you anything at all. Not perfect writing, not perfect characters. NOTHING. They make this stuff DAILY. These are FOREVER shows. And they do it for FREE. You're not paying a single cent to watch these shows.

Saw someone else mentioning this too, but: Does being a premium member give you any right to do this? ABSOLUTELY NOT. If you don't like the story/characters, why are you still spending money on premium?

Kat has been nothing but sweet and friendly to all the community, and this is what she receives? C'mon, dude.

Get out of this fandom and get your shit together.

Genuinely

If you think it’s funny or cute to harass Queenkatluv or mock her for stepping away from a fandom that has gone out of its way to make her feel unwelcome

Block me. I don’t want to see you. Unfollow me immediately. You are not welcome in my community

Kat is a wonderful writer, and voice actor, and extremely sweet and kind and the VAs stuck their necks out for me when I was being harassed for months on end. None of the VAs deserve the shit this fandom puts them through, and it’s this fandom’s fault that she is leaving. She already left the discord, she abandoned her askbox. She is now being harassed in her personal DMs on Twitter.

This is bullshit.

You do not belong in this community if you think this is acceptable behavior.

[mllemaenad]

Huh. Well, now I'm very annoyed. Bioware couldn't be arsed to keep track of the world state changes anymore, so they're just torching everything. And the thing is, this is exactly what those world state imports are for.

You can certainly critique Mass Effect 3, but I've always felt it used its save import well. The world is very literally ending in that game and any reasonable player is immediately going to ask: where are my friends? Your companions foremost, obviously, but also NPCs you've helped or who helped you, or even just random people you encountered. You start doing a head count day one. Some characters made actual appearances, but there were also emails and ambient dialogue. Sometimes you found out that a character was fine – and that was a delightful relief. Sometimes you found out that they weren't – and that hurt. The point is, it made it feel as though your world was ending. Not just a world.

This is the moment where every change you've saved across the previous three games comes into play.

I'm certainly not saying this must be the last Dragon Age game. But it does feel like the end of an arc. We're answering all the big questions first posed in Origins: where did the Blight come from; what became of Arlathan, why are the dwarves in a constant apocalyptic state? Any new game will be about something else.

And here, as in Mass Effect 3, we are facing the end of the world.

The thing is. The thing is. I did not explicitly prep for this scenario. But bloody hell am I prepped for this scenario.

The King of Ferelden and the White Divine are both veterans of the Fifth Blight. The Hero of Ferelden is alive and well (since they have not told me otherwise) and well prepared at Amaranthine – and her sister is queen in Orzammar. She also has Awakened darkspawn allies to call on. The Grey Wardens were not expelled from the south, so should be on hand to face the crisis. And hey – the leader of the newly freed College of Enchanters is herself a former Warden. We are as Blight ready as it's possible to be!

I want to hear about how the king worked out that Denerim was beyond saving in time to evacuate the civilians because he could sense the oncoming horde well before anyone else could.

I want to hear how Warden-Commander Brosca, flanked by Nathaniel Howe and Sigrun, came out to lead the refugees to safety.

I want to hear that Prince Endrin led the Orzammar reinforcements that saved Redcliffe, and his aunt beamed with pride.

I want to hear that the Divine herself took command of the defence of Val Royeaux, and that the mages came out in force to assist the woman who backed their fight for freedom.

I want to hear that the Champion of Kirkwall returned with her Warden lover in the city's darkest hour, defending the people as they fled, and that with Merrill's assistance the alienage elves made it onto the last ship to escape the harbour.

If we're going to bloody Starkhaven, of all places, I want an acknowledgement that the Blight has forced a reconciliation – because last I heard Sebastian was getting his arse handed to him by Aveline.

I want to hear that the Grey Wardens are everywhere, because they never left.

I want to hear about intelligence gathered from Awakened darkspawn, and their bewildered frustration that these new invaders are different.

I'm not going to work out who lives and who dies right now, because this is new information and I'm still processing it. And in any case, it's not my point.

If they're destroying the world, I want it to be my Thedas, not a Thedas. I want these stories to have mattered.

[alastor-x-reader-stories]

Reverse-Isekai with the Hazbin Crew

"She's not doing well." Nifty said, climbing onto Alastor's head and perching herself between his antlers.

"Hm... I figured." Alastor said, drumming his fingers along the top of his cane.

"Is there something we can do?" Charlie said.

Vaggie sighed and pulled Charlie into a half-hug "Probably not, honey. I mean....We don't exist in that world."

"Yeah we do." Angel said with a huff "I mean. We're fictional charactahs but we're there."

"That doesn't really help her much." Husk said. He opened whatever bottle he had on him and downed several gulps.

"Don't doubt the impact fictional characters can have on someone's life." Lucifer snorted, reaching across the bar to snatch the bottle from the cat. He chugged the rest of it then set the bottle on fire and burned it to ashes. "Stories and characters are amazingly influential. They can comfort, they can hurt. They can embolden and defuse."

"That's nice in theory." Husk said, tail lashing as a low growl permeated from his throat. "But it doesn't do much here, does it?"

"I wanna give her a hug!" Nifty sobbed, interrupting the increasing tension. "She's so sad and I don't like it! I want her to smile again!"

"I do too!" Charlie cried out, snatching Nifty up into a hug where the two sobbed together.

Vaggie sighed. "Alastor, you've been invading her dreams, haven't you? How has she been in those?"

Alastor took his monocle off and wiped it clean "Not much better, I'm afraid. Too many nightmares lately." He placed his monocle back onto his face.

Angel Dust propped his chin up on his hands, giving Alastor a shit-eating grin "Maybe give 'er a different kind of dream, eh?"

"Shut it." Vaggie snapped.

"Just sayin', ya let her get her mind off of things for a bit, hmmm~?"

"How so?" Alastor said, tilting his head.

Angel Dust's expression fell. "Um. Y'know. Give 'er a...nice dream."

Alastor scoffed "I've been rather busy fighting off the nightmares she conjures up, thank you."

"That's not-" Angel huffed "Oh, forget it." He flopped onto his back, multiple arms crossed in an exaggerated pout.

The room drifted off into an uncomfortable silence, the only sounds coming from outside the Hotel's walls and the sound of Husk pouring out some shots.

"Hey, Bambi. Maybe there is something you can do with her dreams." Lucifer said.

"Yes yes, eating her nightmares and rounding up the dream versions of her pets when they decide to run out into the highway."

"No, I mean like, something new." Lucifer said, spinning on the bar stool to face him. He propped his elbows up on the counter to support his weight. "Dreams can be helpful pathways, right? So maybe you can waltz into her world through it."

"How would he manage that?" Charlie blinked, wiping tears from her eyes.

"He already dips his toes-hooves, in it." Lucifer said with a shrug "Maybe he can go all out and actually cross that line into her reality."

"Mmm.... I doubt that'd be helpful." Alastor said "She's made it no secret that she knows I'm, and I quote, "a cringey bastard deer man"."

"Sums you up pretty well." Lucifer smirked.

"Maybe someone can go who's...not Alastor?" Charlie blinked.

"Nifty volunteers! Pick Nifty! Pick Nifty!" Nifty shouted, flailing on arm in the air.

"Woah woah woah, hold it." Vaggie said "I get we're all worried about her, but won't a fictional character showing up just freak her out more?"

"We have to do something!" Charlie moaned, running her hands down her face. "She's been- She's just been so- So off! I hate it! I hate seeing her like this!"

"What if she don't know it's one of us?" Angel said "I mean, we try to disguise whoever goes and if we send Husk we can just say he does a great Keith David impression."

"Why the fuck are you singling me out?" Husk scowled, downing a shot.

"Kitty." Angel purred, gently flicking one of Husk's ears. Husk recoiled back, shoved a shotglass in the spider's hand and then jabbed a claw into his face.

"You're lucky your face is cute." He snapped.

Angel Dust gave him a wink and down his shot.

Lucifer sighed, spinning back around on his bar stool and down his own drink. "Even if we can use the Dream-Path-Thing, so far Alphabet's been the only one who can do anything with it."

"Alastor." Alastor corrected, reaching over him to claim his own shot "And I AM rather talented." He down the drink and set the glass down with a clink. A smug smirk wide on his face "Simply a curse I have to bear."

Vaggie took two of the shot glasses, handing one to Charlie while keeping the other for herself. She down it in one motion "Maybe we should just leave well enough alone. I mean. She'll bounce back eventually."

"I know." Charlie sighed, sipping her drink "But it's just so frustrating we can't do anything to help."

"Do not underestimate the power of stories, Char Char!" Lucifer declared "Even if we're not real, we can be real to HER- woah-" The king cut himself off, bracing his hands on the bar counter "Holy unholy Hell, Bar cat, what was in that?"

Husk seemed to be struggling as well, suddenly leaning heavily against the wall. Angel slumped down on the counter, muttering something about 'this being good shit'. Even Alastor seemed a bit unsteady on his feet and this seemed to spread. Eventually, all except Nifty seemed to be completely off balance.

The little maid scanned the group, eyed the last remaining shot glass, ran over and quickly downed it. Her maniacal cackle echoed through the room "YEP IT WAS THE DRINKS- Woah things are spinny~!"

And that was the last thing the entire group heard before they all passed out.

The sound of scattered glass chips shimmered through the hotel, and a fog of white light materialized through the stained glass windows. Slowly the light took form into the shape of long-bodied, short-legged dog. It shook itself out, then trotted on over to where the bottle the cast drank out of sat. A curious nose nudged it, turning the bottle so the label could be read. The name of the drink was 'Plot Device'.

The dog's tail wagged. She seemed proud of herself.

--------- My dog died recently. I'm sad. I write. I share. Perhaps it can help others feel better too. Anyway this might just be a set up that I abandon. Thinking a reverse-isekai kind of thing with good ol' Reader-chan. Romantic pairing would be Alastor x Reader (maaaaybee some Lucifer x Reader idk) and platonic everyone else. Yes it'd be like 'An Animalistic Disaster' but more platonic.

[magnuspanoptes]

readings of the podcast which try to frame jon as having been tragically manipulated and forced through every decision by elias are of no interest to me. because it's not true, is it. when elias tells him in mag 92 "you always chose to see," he's being cruel, yes. victim blaming him, even. but to completely disregard it as an attempt at manipulation would be a mistake. much of the podcast is about exploiting people's trauma. as i've said before, jon's role as head archivist, back when it was still presented as a mundane office job to the audiences, and he hadn't developed any beholding powers yet, involved filing away statement givers' trauma without offering help of any kind. the institute subsists on this form of exploitation, in a literal sense obviously, because it's a temple to the eye. but even if you take that reveal away, it's also true in simply an administrative sense in season one. and jon used to ruthlessly dismiss every single statement giver with as much apathy as he could muster (while knowing that if a statement doesn't record digitally, then it's the truth), and note that faking skepticism was a form of coping mechanism for him, it was the choice between making statement givers feel small or making himself feel vulnerable—and is this not simply the bureaucratic version of what he does later as a supernatural avatar of the beholding, vampirically feeding on people's terror to stay alive or risk being consumed by the eye?

(Season 3) MAG 117 - "Testament" // (Season 4) MAG 142 - "Scrutiny"

of course, i'm not saying he bought it on himself, that he deserved to be put in an impossible situation later for being an arse in season one. jon too, has had his trauma exploited in the form of a guest for mr spider, an experience which eventually led him to the magnus institute where he would help fulfill the web's designs. so, in the grand scheme of things everyone was puppeteered by forces beyond their control, but would you excuse jonah for eveything he's ever done because of it? then why must jon be rendered completely non-agentic? yes, elias manipulated him, but he has never had to straight up coerce jon into anything. jon's just always done what's been expected of him. because they're alike. their shared desire for knowledge originates from fear. jon always chose to see because something had hurt him once and he needed answers, and we can assume jonah chose the beholding because it was the only entity which would expose him to information on all the other fears. knowledge is a means of survival for both of them, an inclination which later manifests literally as they become avatars who must subsist on terror. it all really comes down to letting yourself be exploited or exploiting someone else to escape that fate (you don't escape, not really, nobody does in the podcast), and jon did choose (with as much agency he could've possibly had in a story like this). the difference between them being that elias feels no remorse for his choice, but jon's character is defined by the enormous guilt he feels about the things he has done and what he must do to continue living, until he doesn't.

[jollmaster]

Can I take a moment to say that I love how you wrote Adam.

Honestly, Canon Adam was the reason why I couldn't watch the show and watched yt videoa summing it up with some clips. He was obnoxious and his design hurt my eyes.

But your Adam actually looks visually appealing and I love reading his lore.

I thought the exterminations made no sense to be a thing in Hazbin Hotel and wouldn't have worked, but you managed to make the exterminations work and make sense so thanks for changing my mind. I hated how Adam was killing just because the show wanted a cheap way to get us to hate him. It was literally just like, "HAHA LOOK HOW EVIL I AM, I'M SENDING MY GIRLS TO KILL THESE INNOCENT SINNERS YOU LOVE!!! MWHAHA"

But with your Adam, it makes so much sense and gives him the depth Vivziepop wouldn't let her Adam touch even if it was with a 10 meter stick. I love how Adam compares him killing the sinners as a father putting his children out of misery/punishing them for doing something wrong.

Also I hope you don't mind me asking a little question, but how does Adam view his army of exorcists and what is his relationship with any of them. That is if it exists.

I always imagined Adam being a father figure to all the exorcists, but I was curious on what you decided to do.

OH THANK YOU SO MUCH! 🖤

and yep, absolutely, I had the same thoughts: Adam's character had great potential, as antagonist, as warrior, as father, as someone ambigious, but unfortunately he was just turned into a joke

I decided to play up the fact that Adam's actually the father of all mortal humans, and make the concept of extermination more ambigious but at the same time merciful: concept of merciful death tied with the fact that sinners experience real suffering, and Adam punishes own children and at the same time frees them from their burden, cutting from defective and painful immortality

about Adam and his army of exorcists: Adam is quite strict with girls and behaves as a commander should, but he sincerely sees them as daughters and granddaughters; also Adam prefers women as slayers because due to the fruit of knowledge women are more skilled, clever and fierce

Lute is his favorite granddaughter :D

and Eve's favourite granddaughter too

[maddy-k-reads-all-day]

I don't trust Joanne at all.

I don't get why people use Joanne's words and motives as part of trying to figure out Amanda, Wooly, and Hameln.

Now let me clear this up now: I do not think Joanne is a bad person. She is willing to do anything to save her brother. And I think we need to understand that that anything is not within our best interests.

First off, I'm probably a bit biased considering I didn't trust Joanne from the very beginning. We meet this masked stranger who is somehow in our aunt's house. (Seriously, how did she get in there? Kate may have given her the keys but... why didn't she tell us about Joanne at all? If Joanne is helping Kate, shouldn't she have said that Joanne might help us too?)

I mean, I think it was a bad idea for Riley to just go into Joanne's car (and sleep in it no less) considering Joanne hadn't yet given us any real proof of her identity or even her name. Like Riley, stranger danger?!

Like if she had turned out to be someone from Hameln coming to kidnap Kate and/or Riley then this would've been really bad. I know she isn't, but at that point Joanne could've been anybody. And we just... went with her without question.

Then we break into the library with her. Like... even if she had Kate's keys she's not an employee there... so that's breaking and entering.

Then let's talk about Joanne's speech. Kate died because of her. Because she was willing to do anything to get her brother back... because she pushed Kate too far. Joanne admitted that this was mostly- if not all her fault. Now, I think she could be blaming herself a bit too much... it's probably not all her fault. But she also admitted that she used us. For her own gain. Not for Kate or our best interests.

But I think the interesting thing about this is that even though Joanne admits that she did all this... it doesn't stop her from doing it again.

In that Cassette tape, Kate was telling us what she wanted... she wanted us to stop. She wanted us to escape and never deal with Hameln's wrath. But instead of respecting Kate's wishes, Joanne goes directly against them, telling us to fight Hameln.

Once again, I'm not saying Joanne is evil or a terrible person. Just that she's working purely for her own goals... our safety and best interests are not on their radar like they were on Kates.

The whole scene of the Wooly monster killing her could mean anything, not just that it's siding with Hameln. I mean, it could definitely be siding with destroying the tapes... it could also be protecting Riley and Kate from a person who clearly dangerous to them specifically.

That night she screamed at Kate to give her those tapes... and I imagine she was probably pushing Kate really hard to find a solution. Kate and Riley are the only two known characters working in Amanda (and to some extent Wooly's) interests of escaping the tapes and ending the show so it can't hurt anyone anymore.

In the "Do you feel safe tape" Amanda warns us about strangers, and also seems to stop trusting us when she hears Joanne's voice. Remember, Joanne is not working in Amanda's best interests which seem to be our best interests as well. She doesn't want to save Rebecca, she wants to save Jordan. Kate probably knew that destroying the tapes would hurt Amanda and Wooly, she probably would have told Joanne this, but Joanne doesn't care. Amanda doesn't trust Joanne. She has every reason not to. We have every reason not to. For she is someone who is willing to sacrifice anything to save someone she loves... and as noble as that is... that includes us. Kate, Riley, Amanda, and Wooly. If it meant saving her brother... she probably wouldn't think twice about doing something that would bring them harm.

What I'm saying is, both demons recognized Joanne as a threat. Now does this mean they are both working to protect us? I have no idea. But Joanne being a threat to Riley and Kate is an interesting piece of the puzzle to consider.

I don't trust Joanne because she is only in it for her goals and not ours. Not that she's a bad person for doing so, plenty of people could probably imagine being willing to do almost anything to save someone they love. But with a person like that... you just can't trust everything they do and say.

Wooly warned us about strangers. Amanda warned us about trusting people. They were probably warning us... about Joanne.

[rhiannonsknife]

Imagine that when the cabin burns down, Shauna is so busy trying to grab her journals and Jackie's doomcoming dress that she doesn't even notice that we aren't with her until it's too late. Maybe us dying/getting burned in the cabin fire? Also, i love your writing so so much

— warnings: major character death (reader dies). angst. hurt/no comfort. why do you guys love to see me suffer.

— a/n: i can’t believe i forgot to post this?? this has been in my drafts for a hot minute guys…

it’s the smell of smoke that hits shauna first, faint but insistent, seeping through the cracks of the cabin. instantly, her alerted eyes snap open, the moonlit cabin barely visible beneath a strange orange haze that seems to dance across the walls that surround her.

her journal.

the thought comes to her sharp and sudden, slicing through the slow realization of what’s happeing.

jackie. the dress.

she scrambles to her feet, shoving the tattered blanket aside. jackie’s dress is hanging on the far wall, its soft fabric tinged with the flicker of approaching flames. it’s all she that’s left of the girl she once knew. this, and the words she’s written in her journals, her only way of keeping jackie’s voice, her movements, the memories that still weigh heavy on her chest. the only way she has to remember her at all, whenever the memories begin to fade, to blur like everything else seems to for as long as she’s out here.

the smoke thickens, curling around her throat. shauna coughs as she stumbles toward the wall. her fingers close around the fabric, yanking it free. the dress slips through her hands like silk, unmarked by the heat now. protected and safe.

she turns toward her bunk, pulling out the little journal with frantic movements. her hands shake as she gathers it up, clutching it tightly to her chest.

your lungs burn first.

the smoke clings to the inside of your throat, thick and clawing. you wake choking on it, hands scrabbling for the edge of your bunk as the heat presses closer. you can hear the fire. the snapping of wood. the low growl of it devouring everything in its path. it’s everywhere.

“get up!” shauna screams as she stumbles toward the door. her voice breaks against the crackling roar of the flames as her fingers fumble with the latch until it gives, spilling her into the freezing air of the night.

the cold slams into her, finally allowing her to breathe. shauna blindly stumbles into the snow, wheeling back toward the cabin once she’s caught her breath. “fire!” she shouts, her voice ragged. “wake up! the cabin’s on fire!”

at last, figures emerge in the shadows, their movements sluggish at first, then frantic as they realize what’s happening. lottie is the first to scream, the sound high and piercing. someone, perhaps tai, is dragging van out by the arm, half-carrying her as the others stumble into the clearing and join shauna out in the freezing cold.

the fire is everywhere now, flames racing up the walls and across the roof. shauna’s chest heaves as she stands in the snow, clutching jackie’s dress and her journals.

at least she has saved her this time. at least she kept her safe.

your feet hit the floor. the cabin is too hot, your vision swimming in orange and red. everything is too hot, burning to the touch. you stagger toward the door, but the fire has already reached it, eating through the wooden frame. there’s no way out, you realize.

there’s no way out.

you scream for help, but the smoke catches the sound in your throat, reducing it to a broken cough. the heat presses closer. everything burns.

shauna’s gaze sweeps across the huddled figures that have made it to safety. they’re coughing and shouting, their faces streaked with panic. there’s a headcount she’s doing without even realizing it.

nat. tai. van. misty. lottie. and-

where are you?

the thought hits her like a punch to the gut, scattering the pieces of her relief into jagged fragments of panic. she turns back toward the cabin, flames licking at the roof that’s already collapsing inward.

“where’s…” she chokes on your name, the sound catching in her throat. “guys- where’s-“

you hands reach for the bunk again, fingers brushing the worn edges of the wood. you can barely see anything at all now. you want to scream, but there’s nothing left in your lungs.

“where’s shauna going?” nat shouts. she’s the first to notice her panic.

“shauna!” misty grabs her by the arm, but she pulls away, stumbling forward. the heat of the flames instantly forces her back, her face stinging with its intensity.

that’s when they realize.

“you’re not…she’s gone, shauna! you can’t-“

“she’s not gone!” shauna’s scream tears through the clearing. you’re not. you can’t be.

your legs give out beneath you. the heat presses against your back, your chest, your hands, and everything blurs.

you swear you can hear jackie’s voice. soft, distant, calling your name like she used to, back when everything was simple, before the crash, before the cold, before the fire. it’s enough to still your panic, at least, to pull you toward something like peace, even as the smoke closes in.

“you’re okay,” it whispers. you think you see her too, just barely, her figure shimmering at the edge of your vision, her arms reaching out as if to hold you. you can almost feel her touch, her hand brushing your cheek.

the heat doesn’t hurt anymore. everything feels warm.

everything fades to black.

the roof caves in with a deafening crash, sending a plume of sparks into the night sky. the sound silences everyone at a once. for a long moment, there’s only the sound of the fire and the crackle of collapsing wood.

shauna’s knees hit the snow, cold against her skin, burning in its own way. jackie’s dress slips from her fingers, landing in the frost beside her as her breath leaves her in short, broken sobs.

“i didn’t know,” she cries. “i didn’t- i thought you were outside. i thought you were safe”

the others don’t respond. there’s nothing left in the fire’s wake but silence and ash.

everything feels hollow.

the fire has long since died out. shauna hasn’t moved.

you find her there, curled in the snow at the edge of the wreckage, jackie’s dress clutched tightly in her hands. her breaths come in bursts. her shoulders tremble with each broken sob that escapes her throat.

you want to hold her. you want to tell her that it’s not her fault. that you don’t blame her for running. but the space between you is vast, no matter how close you try to get.

you kneel beside her anyway. you don’t feel the cold anymore. your fingers brush the frozen edges of her hair, though she doesn’t feel it. she never will.

“shauna,” you whisper, the sound barely more than the wind threading through the trees that surround you.

her sobs hitch. for a brief moment, you think she’s heard you. but then she curls tighter into herself, her fingers twisting into the fabric of the dress as if it’s the only thing anchoring her to earth.

you lie down beside her in the snow. you wish you could wrap yourself around her the way you used to on nights when the cold seeped through the walls of the cabin. your hand hovers over hers, aching to touch, but there’s nothing to touch anymore. nothing but air and memory it’s all that you are now.

she keeps saying your name, over and over, like a prayer to someone who isn’t listening.

“i’m sorry,” you whisper. maybe it’s the only thing that will reach her now. “i’m so sorry”

the night drags on. you can’t leave her. you won’t. so you stay, curling yourself against her as the frost edges closer.

you press your lips to her temple, knowing she’ll never feel it, and still, you stay.

[prettybiching]

Okay. Okay.

*deep breaths*

Girl (gn), the gasp I just let out terrified the ghosts in my room.

First and foremost, I love love loveeeee her scenes with the Cargyll brothers always. The way we always see her as *herself*, beyond her ailment, beyond her concerns of putting up an act, both as a Hightower daughter and/or a Targaryen wife. She's just herself, without being worried that she's disappointing Otto or Daemon.

And the way she's so playful with Erryk 😭😭 it made me sob because it was probably the first time in a long time that she was able to be that happy and cheerful, pulling pranks on a friend that sees her for who she is! (I don't even want to think about the fact that the last time she experienced something like this was probably in old town w gwayne when they were children)

I love the way you portray Otto's relationship with the reader because he's not black and white with his motives, only using his daughter to raise his House's standing. Rather, he's a complex character with layers, he's still a father - albeit a shitty one at that.

He loves his daughter, in his own twisted way. How he ensures that she's not having a fit before dropping the baby bomb on her. He worries for her, knows her ticks. But it's the way he uses his love and knowledge regarding her to get his own way and to get the reaction he wants out of her that's the most twisted.

Also, I love how we're seeing mc slowly but surely starting to stand up for herself. WE LOVE GROWTH IM SO PROUD OF HER, I COULD CRY.

Day 173822 of begging daemon to just be normal for once in his life.

Honestly speaking, I was one of the few that voted for reader to prioritise herself and not go after either gwayne or daemon but ohh!!! I loved loved loved this scene.

Her realising that she's going to have to get used to not having gwayne at every turn and stopping herself. Ugh, my heart hurts.

ALSO DAEMON YOU LITTLE RAT, YOU HAVE NO RIGHT BEING MAD AT MY GIRL FOR NOT BEING THERE WHEN YOU DEGRADED HER THE LAST TIME AND NOT IN THE SEXY WAY!!!!

Her telling him to speak what he wants and not twist his words is soooo real. YES GIRLL SET IT STRAIGHT WE DONT WANT EXTRA HEADACHES IN OUR LIVES!!

I just remembered that she still thinks that night was a dream and I'm heartbroken again </3

Pls daemon why do you have to choose aggression and rage every fucking time. Just be cute for once ugghhh.

"Please," you beg, though you knew it would not serve you well, "stay."

prettybiching.exe has stopped responding. Please try again later.

Nahhh I can't do this fam, good bye. I'm going to touch some grass.

Good night. Au revoir. Author, I love you. Thank you for blessing me with your brain and words. Please never stop <3

(ps I'd love to be added to the taglist, please and thanks!)

Tormented Spirit | 7

Part 1 2 3 4 5 6 7 8

"Is it such a sin to stand up for yourself?" you mutter as tears blur your vision. The way he reacted was visceral, instinctive even. "You never have to stand up for yourself ever again," says Daemon, reaching a hand to you, "come."

Daemon Targaryen x Hightower!Reader | 5k+ | cw: fem!reader, reader has brown hair, wife!reader, twin!Gwayne, arranged/forced marriage, canon divergence, alternate universe, slow burn, smut (cunnilingus, piv, choking, degradation, slight sadism), DD:DNE, panic/anxiety attacks, daddy issues/child abuse/family problems, mentions/depictions of mental/physical/psychosomatic illness, ye old misogyny, angst, typos, etc.

A/N: again the high valyrian is internet translated so lol. please consider leaving comments/reblogs because they really help me with the fic. might make another poll for next chapter stay tuned. | cross posted on ao3

@arabellasleopardcoat

Taking you to the hidden stream was simultaneously the best and worst decision Erryk's ever made in his life. The look of you was holy. His intense focus on your form was to ensure your safety, but, by the gods, it felt sinful to behold your dark hair and light fabric ebbing in the water.

He had hoped a swim would lift your spirits, just as flower picking did, but he did not know it would draw such a tempest out of you. It was as though you were reborn. You plunged into the water and shed all your inhibitions. Your voice became brighter, as did your eyes. You were flooded with more than a dozen memories of you and your twin swimming in the river near your home in Oldtown, and you recounted all of them so excitedly to Erryk.

"Oh!' you exclaim, flipping in the water to get to your feet. You point to something behind your ward, making him turn around. In that split second, you hold in your laughter and grab something from the mossy rocks. Innocently, you say, "that reminds me of something."

Erryk turns back to you, brows knit in confusion. When you you make your way towards him, he clenches his jaw and averts his gaze. The shift you were swimming in was stuck flush on your body, leaving little to his imagination. He was glad to have the foresight to bring you a change of clothes and a towel, and, my, was the pattern on the said towel so very interesting.

"What is a frogs favorite game?" you ask so suddenly.

Erryk turns to you, brows furrowing, "pardon?"

"Tell me the frogs' favorite game, ser," you repeat as though it was the most obvious thing in the world.

"Frogs favored game?" he repeats slowly, realizing now that your expression was mockingly innocent. He hums, "I cannot say I-"

"HOPSCOTCH!"

A frog comes leaping into Erryk's face, nearly causing him to topple as he dodges it. He's so flabbergasted by the turn of events, he calls out your name in offence. He is doubly offended by your laughter. His eyes go wide as you hunch forward, leaning on your knees.

"Villain," your ward mutters, scoffing far too many times.

You can barely catch your breath. You fan your face, "frog-ive me."

Erryk's face only contorts further.

"I could not-" you gasp for air, "could not help it."

In truth, if it was any other who did such a childish thing, he'd have shoved them in the water. Alas, you appeared only more beauteous as you made him a fool.

"Forgive me," you repeat in more serious manner, "Gwayne used to scare me this way often. I wished only to know how it felt, and now..." you giggle, "I can't say I blame my brother for constantly pulling tricks on me."

He huffs and shakes his head, "well. I'm glad to have pleased you, my ever-so-kind princess."

You offer him a guilty smile, "apologies."

Erryk shakes his head, "no. Truly. I am glad to see you in such a state."

You fidget with your fingers as a shiver runs down your spine.

He is quick to unravel your towel. He places it on your shoulders, "perhaps we should go back. The sunset is nigh."

You nod, taking your change of clothes from him next.

He turns around offering you your privacy. It takes a while, but you manage to dress yourself. Once you had your shoes on, you dry your hair with your towel and take his arm, "would you please lace up my dress?"

He nods, avoiding your gaze as he feels his face burn. He quickly laces you up then you return to the Keep.

You both had been laughing, up until you made it past the castle gates, promptly being silenced by the loud shout, "PRINCESS!"

Arryk runs over, charging for his brother. Their steel plates collide as Arryk yanks his twin, "where in gods name did you take her?"

Erryk furrows his brows, "we visited a stream-"

"The Keep is in disarray!" Arryk grits his teeth, hissing under his breath, "everyone's looking for her. Everyone."

You watch the twins huddle close and bicker. As it escalates, you try try to come between them, "Arryk. I was the one who asked him to take me outside the keep."

Arryk does not hear you at first, dead set on arguing with his twin. When you repeat your words the second time however, he turns to you, face softening a fraction. He knits his brows turning back to this brother, whispering something that makes Erryk turn to you with wide eyes, "fuck."

"Why?" you look at them in concern, "what it is?"

Arryk opens his mouth, but Erryk grabs his arm and says, "wait."

"There's no other way to say it," Arryk snaps, ripping his arm out his grip.

"Say what?" you knit your brows.

Arryk turns back to you, then lowers his gaze, "the queen... the queen has passed."

Your jaw drops. Your eyes widen. Your hand immediately covers your mouth. The three of you do not speak for a prolonged moment.

You feel your stomach roll, "w-what happened?"

"She could not deliver the babe herself. The maesters... had to intervene."

Intervene? You could not possibly understand what that could mean, and you find that you do not want to. You shake your head, "and her babe? Is- is her babe well at least?"

Arryk clenches his jaw, "she sired a prince named Baelon... he apparently grows weaker by the hour."

You feel bile rise up your throat.

"Your father and your siblings have been looking for you since news broke."

You shake your head, and gather your skirts.

"As has the prince."

Your face twitches at the thought. You do not delay and make your way inside the Keep.

As you tread the halls, you think about what the queen told you just mere hours ago. There is a sharp twinge in your belly as simultaneously remember how Aemma told you to go cheer for Daemon at the tourney and realize you will never hear a word from her ever again. The thought washes over you like water on the beach, sobering but thankfully not overwhelming.

You hadn't realized you had your head bowed until you hear your name called. You still as you look up, the twins halt behind you.

Otto marches over, brows and jaw tight as ever, "where in gods name have you been?"

You straighten your back as he stops before you, "I-"

"Your wards are double," he turns to the kingsguards, "and doubly useless, it seems."

"Father," you step into his line of sight, "do relieve your rage on them."

Your father turns back to you, expression softening a fraction at your referral. You had not called him father since your argument in the maester's office. He looks at you— takes a good look at you and your sad eyes, your knit brows, your frowning lips. Your hair was darker than it was normally, and as he reaches out for it, he found it was, in fact, damp, "where have you been?"

"I..." you gulp and take a deep breath, "went swimming."

He releases your hair, tilting his head, "with whom? Gwayne has gone."

You pull your head back, "G-Gwayne's gone?"

"The tourney is over. The road is long. He has no reason to stay," Otto says.

Your brows tighten as you shake your head, "he... he didn't... wait for me?"

Otto watches your lips quiver. He watches your nose twitch. When your chest begins to visibly rise and fall, he shakes his head, "what did I tell you?"

You stare blankly at him.

He takes your hands, "what is it I always tell you?"

You clench your jaw and huff through your nostrils, "do not waste your tears on things you cannot change."

Otto rubs your knuckles as he shakes his head again. He gives the Cargyll brothers a look before walking off with you. They make sure to keep their distance before following after.

You turn to your father as he links your arm into his. You are certain, with how he cannot look at you, that he means to tell you something grave. You look front and mimic his demeanor— distant, cold. You are his daughter, face and temperance.

"You enjoyed your swim at least?" he starts, "you are calm?"

You gulp, mentally preparing yourself for what will surely come next. Your voice still falters though, "ye-s."

Otto nods, still not turning to you, "many has occurred since your marriage to Daemon. You admitted you did not consummate your marriage on your wedding night and I was deeply concerned you would fail your duties in producing heirs, especially if your husband was not interested in you."

Your jaw clenches.

"But with the apparent... change of heart your husband has shown, you should know I've had the maesters closely monitor your state."

You knit your brows at that, "you mean my affliction?"

He speaks your name slowly before continuing, "as of yesterday, they have confirmed to me that you are with child."

You whip your head to him and pull away.

Otto does not look at you with the same sense of urgency.

"W-what?"

He sees the fear on your features. He offers a solemn expression and takes your cheeks when your eyes water, "this is good. You should delight, not tremble."

You try to speak but nothing coherent comes out.

"The Queen is dead. Go to your husband and comfort him with this news."

Your mouth goes dry and your father wipes the tears that fall from your eyes. He your name softly. Your sad face looks the exact same it did when his wife died. My baby is having a baby. He frowns and pulls away.

You try to take his hand, but he slips away.

"See her off," the Hand instructs your wards.

Erryk is quick to go to your side, whereas Arryk stares at the back of Otto's head, his lips curling as he did.

"Princess," Erryk says, cautiously reaching your arm.

You turn to him with wide eyes before scratching your tears away, "I-"

"Perhaps you should sit down first."

You pull away from him before he can touch you. The action makes Erryk pull back, an unsavory sensation spreading in his mouth and belly.

"I want to- I—" you take a breath, "I need to find-" you shake your head and begin speeding down the hall.

You were nearly about to break into a sprint, and your wards had to jog up to your side to keep up with you. You don't really know where you're going, but you're getting there, fast.

"Princess, please, slow down," one says.

You can feel your breath and your pulse in your ears.

"Princess."

You find yourself in the halls near one of the gate of the keep. The only reason why you stop is because you hear the voice of your twin. Your breath catches as you lurch towards the window. Gwayne was laughing with one of the guards, already on his horse. Your brows furrow, he couldn't possibly be well enough to be riding on horseback.

You realize quickly this is your last opportunity to go be with your brother, to pull him into an embrace, to worry on him, to tell him your worries, to kiss him goodbye. You know you have to act now and swiftly, but you cannot seem to move.

Your mind is heavy as you think about how your brother is set to leave regardless of your desire to keep close; he said it himself, his place can never be at your side. Though he is the only person who've ever relied on, you know now— you rub your belly, that can no longer be the case. There is only one person you can rely on now... yourself.

It is painful to pull away from the window, but you do, clenching your hands into fists before walking away.

You don't really walk away however, because then, you're frozen in place at the sight of your husband standing a few paces away from you, "Daemon."

He stares at you wordlessly.

You walk towards him, careful as you drag your feet.

He tilts his head and clenches his jaw, "he's leaving any moment now."

You nod, "I know."

"Go to him," he says softly.

"I-"

"Go to him!" he snaps.

You stiffen at his expression. You were adept with anger but he did not look angry. You stop in your tracks, trying to make sense of his restless figure.

Daemon watches you fidget with your fingers.

"If it is your command, I shall obey."

He chuckles dryly, pacing around his spot. He wipes his mouth then charges over, stopping just in front of you. He scoffs when you do not flinch, in disbelief of your constitution. His nostrils flare, "you know my feelings towards your twin."

You slowly shrug, "then you'll be glad to know I came looking for you."

Daemon does not move.

"You know how I feel about my brother..." you mutter, "but..." you lower your gaze, "I'm coming to terms with the fact I can no longer rely on him... it will be better this way."

It takes a moment, but Daemon chuckles. When you look up and his smirk fades. Your beady eyes make it hard to find satisfaction. "So, you will not go to him?" he asks.

You stare.

"You do not want to go to him?"

Your lips part.

He raises his brows.

"I... I do."

Anger rises up his belly, but as if on cue, the sound of horses and carriages moving is heard. You clench your jaw and lower you gaze to prevent yourself from looking back at the window. The prince cannot seem to win, for he should be pleased you did not see your brother off, and yet your sadness leaves sour jealousy in his mouth— he was your husband.

The Cargyll twins look upon you both, appalled by the cruelty of the prince to keep you here as Gwayne leaves for good. Erryk in particular feels restless, unable to stop shifting and fidgeting with his scabbard.

"Shall... shall we go?" you mutter, slowly looking up.

Daemon watches you place a hand on his bicep. He responds only by following you after giving your wards a dismissive look.

The brothers turn to each other, each as unwilling as the other to leave you, but they do anyway.

Daemon is acutely aware of the warmth of your cheek against his arm as you tread down the halls. When, you arrive at your marriage chambers, Daemon opens the door and you notice the bandage wrapped around his hand. He struggles because of this. Once you're inside, you take his arm, eyes trained on his injury, "what happened to your hand?"

Daemon's eyes are fixed on the line between your brows.

"Did you break it?" you turn to him with furrowed eyes.

He pulls away slowly. He wants to know what you'd do next.

"Did you wrap it yourself? It's badly done."

He faintly snorts, "it's on my right hand."

"I'll do it for you," you say, walking towards the vanity.

Daemon follows, watching you procure scissors and vials and other things. You turn to him, motioning to the chair. He sits down, gaze fixed upon you as you take his arm again.

Your eyes are focused on undoing his wrap, "tell me if it hurts,"

His are fixed on your focused expression, "you should sit down."

"I'm fine."

"I want you to sit down," he uses his other hand to grab your wrist.

You stop and turn to him. You turn to the chair across the room but Daemon prevents you from doing so and simply spreads legs, pulling you between his thighs. Quickly, you are sat on his lap and tense look at him. He offers you his injured hand again as his other goes around you, clinging to your hip. He pulls you in, leaning his head against yours to say, "it's a cut, by the way."

You furrow your brows at his admission. You allow yourself a moment to relax before continuing your task. You find it is, in fact, a cut, deep and ugly, "did your lance splinter very badly?"

"No."

You furrow your brows deeper as you turn to him,

"This is glass."

"Glass?" you brow raise, "how did you hurt your hand with glass?"

Daemon licks his lips as he looks at yours. He shrugs, "I broke a bottle."

You pull your head back, "on accident?"

"On purpose," he tilts his head.

You huff and start cleaning his wound, "was the violence in the tourney insufficient?"

He chuckles through his nostrils, "I did not fucking win."

You smear balm on his wound. You do not reply.

It makes him clench his jaw, "and you..."

"..."

"You were not there."

You do not tear your gaze from his injury.

He grumbles, "did you even hear me?"

You lift your gaze then raise brow at him, "you did not want me there. Do you not recall how you cursed at me?"

Your gall makes anger rise up his throat.

You continue wrapping up his hand.

"Well, you were being a bitch," he snaps.

"Why?"

His brows furrow.

"Why was I being a bitch?"

"..."

You spare him a quick glace.

He pulls his head back, "... what?"

"Did I not do my duty?" you turn to him, face blank, "I followed you, congratulated you, inquired of your injuries. I submitted to your desires. Where did I err?" You ask in earnest, "what do you want from me?"

His face contorts. Now that he was faced with such an opportunity, he finds himself unable to speak. What did he want from you?

You wait for him to reply. You prepare yourself for preposterous requirements but you are met only his silence. In that moment, you remember he was just a man. Many a man enjoyed making women suffer. You gulp, thinking about your father.

Perhaps your father was lying. Perhaps he wants you to believe you are with child to get even. After all, Daemon never... finished in you. How then could you be with child?

You secure the binding on his hand, "it is finished."

Daemon does not bother looking at his hand.

"How do you feel?"

He feels a strong urge to shake you... to pull you close.

"My deepest sympathies for the death of your cousin."

He freezes. Right. The queen was dead. He lowers his gaze.

You frown and reach for his cheek. You second guess however and bring your palm to his shoulder instead, "I am here for you, my prince."

His eyes meet yours.

"I am here to care and comfort you."

He leans back, taken by the thought.

You drink in his demeanor, the softness in his eyes, the tension that falls of his shoulders. You release a breath, "if that is what you desire, speak plainly, and do not repel me. Do not ask me to leave if, in fact, you want me to stay."

His throat tightens. He feels like he is ensnared in a bear trap. He rips at his collar, "I... I have other injuries." He pushes you off and paces around as he undoes his top. It is a struggle for him, but he cannot stop or stay still, "cuts and bruises."

You watch as he fidgets and slowly walk over.

"I don't-"

"Daemon."

He stills.

You come in front of him and undo his top yourself. You drop it mindlessly, and once he is bare, he feels conscious under your scrutiny for some reason. You brush your fingers on his ribs, making goosebumps form on his skin. He can't say that that has ever happened to him before. You notice and rub his arms, eyes locked on his torso.

He feels himself getting hard.

"Did you tend to these yourself as well?" you brush over a cut on his hip.

Oh. You were still examining him. He only hums in response.

You frown, "did no maester come to your tent?"

"I..." he starts.

You circle around him, inspecting for other injuries.

"...wanted you to come to my tent."

You come to his side. He finds the frown on your face. You take a moment before saying, "you tended to your wounds well at least."

"I want you."

You nod, "I will tend to you—"

Daemon takes your nape, lowering his head to kiss your lips. It takes a moment for you to relax, and his belly burns at the sound you make when you do. Your hands come to his sides and your nails graze faintly into his flesh.

He pushes you back until your laid on the bed beneath him. His kisses trail down your skin as he works to get you naked. He kisses your shoulder, then your sternum. He makes sure to lick your breast and leave a mark on your rib before peppering kisses down your belly.

Your breath grows heavy when he lingers by your womb, sucking kisses on your skin. Your throat tightens think of your father's words again. It makes you tense, and Daemon feels it. Of course, he doesn't know about your conversation with Otto, and thinks your tension comes from your self-consciousness.

You lift your head, pulling a pillow beneath it, and look down at your husband. You reach for him, tangling your fingers in his silver hair, "Daemon."

He hums, nipping your flesh in response.

You try to sit up, "D-Daemon, I-"

He shushes you, pushing down on your hip bone. He looks up at you, muttering something in High Valyrian.

"Please, Daemon, wait-"

"Be still," he says, violet eyes hooded, "do I not take care of you?"

Your breath hitches as he sinks down.

"Do you not enjoy my mouth?"

"I- that's not-"

"Do you or do you not?"

"I... I do—"

You are not able to speak after he buries his face between your thighs. You are reduced to breathy cries and a twisting spine. Daemon, though he continues to hold you down, relishes every second of it and feasts more ardently. He sighs, securing your thighs on his shoulders, nudging his face deeper into you, his nose brushing against your pearl.

He relishes how quickly your wetness builds, and soon, he feels your arousal dribbling down his chin. He moans, nails biting crescent moons into your skin. Your belly rises and falls in sync with the crescendo of your mewls. At this point, both your hands are tangled into his hair, and your pulling and scratching only further inspires his tongue.

You call out his name, screwing your eyes shut as you throw your head back and arch your body. Quickly, your belly tightens and you sequentially dig your heels into his shoulder blades. He squeezes your thighs enough to make them bruise, and yet the pain is what pushes you into orgasm, garnering a lewd and loud sound from your mouth.

Daemon hums, lifting his face just enough to see yours as he brings you to peak. He moans at your expression, grinding his hips into the cushion, desperate for friction.

Your body trembles, unable to settle as his burning mouth persists on your molten mound. You begin to squeak and he catches the moment you open your eyes to look at him all teary. It drives him mad. With a deep inhale, he pulls away, wiping his chin before he undoes his breeches.

You relax and catch your breath, hands dropping to your sides.

Daemon watches you, your trembling legs glistening with the pleasure he's drawn out. He can feel himself throbbing in his pants. You watch as he hastily frees himself. Though your head was hazy and your body was tried, your belly burned at sight of the sticky liquid dripping down your husband's neck.

"Fuck, Daemon," you reach for his belly. You trace his defined muscles with your finger tips. He snatches your hands when he finally pushes his pants down.

You squeak when he pushes you to your side, one hand on your shoulder, another hiking your leg up by the knee. You whine as he folds you into the sheets just before sliding his hardened cock in your wet cunt.

He hisses, leaning down to your neck. His words are hot against your skin, but you understand nothing.

Whatever tenderness he had before was gone, now he was just fucking you like a rabid animal. Daemon could not help himself, he loved how supple and pliable you were, and twists you into a form that keeps you prone. When the bed begins to creak because of his thrusts, he holds you down where your neck and collarbone meet. He puts enough pressure to restrict your breathing, but not enough to choke out your pretty noises.

At some point, he decides your leg is getting in the way and pushes you flat on your chest. He then gathers you by the hip, hiking you up enough to fuck you nicely from behind.

His thrusts are more intense now. You scream into the cushion as you find your elbows. Before you can prop yourself up though, he's pinning you down by the shoulder, saying something in High Valyrian again.

"D-Daemon," you whine, left cheek smushed against your pillow. You could feel your next climax building quickly.

He responds by rubbing your clit, drawing tears and another scream out of you because of your sensitivity.

You feel yourself helplessly clenching and unclenching around him, absolutely boneless under his vigorous intrusion. You could feel your knees slipping but Daemon's grip on you would not see you move from your position. Your toes curl. Saliva drips out your open mouth.

"Māzigon va, riña," he snorts, "sepār mirrī angotan tolī." Come on, girl. Just a little bit more."

You do not understand, so you only whine out, "Daemon."

Daemon growls and rubs one side of your ass, "you're doing so good for me."

He spanks you, but that's not what makes your eyes open.

"Milk my cock with your tight cunny, come slut."

You begin to grit your teeth.

"I want to see my seed dripping down your thighs," he groans, mind unable to focus on anything but the hot, wet slapping of your skin.

It's unsurprising that you come first, as Daemon always assures you do to underscore his control and dominance over you. He yelps out a sharp fuck, nearly coming in your cunt because of how your body seizes up around him. Your orgasm overwhelming, yet your eyes water for more than this reason. His words make you aware your husband sees you nothing more as a vessel for pleasure, and your pleasure is regretfully cut short because of how sharply he pulls out, his load spraying on your already dripping labia and pubic hair.

He strokes himself a few times, feeling his cock twitch in his hand as he watches your mixed come trickle down your legs. He sighs, "fuck," then scoops the cream in two fingers, plunging it in and out your still spasming cunt.

You squeal when he finger fucks you, body unable to remain upright. You are grateful he loses interest rather quickly and crumble into the bed as he stands.

You watch him walk over to the drawer, where he then pours himself some wine. You gulp, remembering your dream from last night. It sobers you out your high. You clench your jaw and roll over to clean yourself up. You head to your vanity and wipe yourself down, grabbing your robe was you do.

Daemon, whose thirst was now quenched, turns back to you with a towel. He is confused to see you standing. He watches you flip your hair behind you, pulling it out of your robe, which you then secure around yourself. He knits his brows as he walks over, "what are you doing?"

You turn to him, sitting on the vanity chair, "getting ready for bed."

Daemon stares, and you take his prolonged silence as an indication to proceed with your nightly routine.

The prince squeezes the damp towel in his hand as he watches you brush your hair. You catch his stillness from the mirror and turn back to him, "oh."

You drop your brush and take the towel from him, "I'll help you clean up."

Normally, he enjoyed this, but right now, he can't. He is offended when you begin to pick up his clothes, so much that he scoffs, "the fuck are you doing?"

You halt midway picking up his trousers. You stand and turn to the closet, "ah. Did you want new clothes?"

He pulls his head back, no longer offended, but hurt, "you want me to leave?"

You are caught off guard by his question. You stare at him for a moment, unsure if he was serious. You could not identify his expression, so you did not know if you tell him the truth. You would not survive being berated after confessing you wanted to sleep with him. You dodge the answer altogether, "weren't you leaving anyway?"

Daemon's cheeks tense. He huffs, stepping forward, yanking his clothes out of your hands, "no."

You are bewildered by his actions, for to you, his actions are sudden. You are petrified in fear, which is why you instinctively begin to apologize, "f-forgive me, I-I-"

His nostrils flare and his jaw sets.

"I-" you motion with a hand, "- you always leave."

His clenches his jaw, "do you want me to leave?"

"I—" your throat tightens and soon you can no longer look at him. You want to beg him to stay, but you recall how you did that with your father, and your mother, and your brother— begging does not make people stay. You whisper, "I... I'm terrified."

When you lift your gaze, Daemon shirks and decided to dress. He gulps as he pulls his trousers up, turning back to you. He clenches his fist before reaching out for you.

Your heart races as he takes your hand.

"You've served me well. If you are terrified... I'll leave you."

You whimper when he pulls away, holding him tighter than he did before your hands part. Your lips quiver. He knits his brows. You shake your head, "I- I... I do not want you to go."

He is taken off guard by how you suddenly embrace him.

"Please," you beg, though you knew it would not serve you well, "stay."

He turned to stone. He cannot seem to move at all but your arms are determined to stay around him. You begin to weep against his skin and he can feel your breath grow ragged. Only then does he manage to return your affection.

He brushes your dark hair away from your face and cradles you against him.

"Daemon."

He leans into you, enough to be able to brush his cheek against yours, "kesan umbagon." I will stay.

You sniffle then sigh. After a while, you ask, "what does that mean?"

"I will stay."

You sigh again, pulling away to look at him. You offer him a sad smile, "thank you."

He frowns, wiping your tears.

When you go back to bed, you offer him space in case you've made him uncomfortable. He stares at you, awaiting your embrace. You are mere inches apart but it feels like yards and yards.

"Good night, husband," you say before turning over.

He chuckles dryly, staring at your dark hair. He turns to the ceiling, "good night."

[bitterkarmaa]

Okay. Alright. I don’t usually get involved in fandom discourse. It’s not my thing, I’ve had severe backlash in the past from doing so, blah blah blah 100 reasons why I try and stay away from the heart of any fandom because the heart is always where all the drama lurks.

BUT!

Kat doesn’t deserve the slander she’s getting. This is a show we are allowed to watch FOR. FREE. She takes(took?) time out of her busy schedule to organize an engaging story for us, and there are some folks who decide that they have a RIGHT to WHINE about that?? Good grief, the entitlement is fucking astonishing to me. She is a very talented writer and storyteller, who voices a character that I, admittedly, was very uncertain of at first. But, now? Earth is probably in my top five favorites! She is very well developed and should be treated as an equal to the rest of her family, just like Kat, as her voice actor, should be treated like the other VAs! The disrespect towards both the characters she voices and herself as a person are so disgusting and makes me extremely disappointed as a part of the community that appreciates all she does.

This is a free show. They take the time to write, organize, and play-out the scenes, despite having lives of their own. There is no perfect story that will ever be written. As a writer, I know that. I’m well aware of it. Kat, Davis, or any of the other writers shouldn’t be held to impossible standards just because some people have gripes with the story they’re telling.

I myself have had some moments where I’m unhappy with the way the story progresses. Maybe, in some ways, I’ve contributed to the excessive hate towards plot changes or advances. And, if I have, I sincerely, honestly apologize for that. I’m not going to make excuses. For myself, or for others that have voiced the same opinions.

The story isn’t written for me.

The story isn’t written for you.

The story isn’t written for any one person.

It’s written for a community. A larger group of people that enjoy the content that is produced. For those that are attacking Kat for helping to produce these stories: you have no right to call yourself a member of this community. Communities are for supporting one another. Stop bringing everyone down with you just because you’re butt hurt about a story that was never made for you in the first place.

[ganondoodle]

can you tell us more ab shargon’s kids?? :0

(sorry for the ... very rough sketch and probably unreadable text, struggeling alot with art atm ... still ..)

Thank you for asking!

Shargon has two young children, Jyothi and Tyura (forgive the weird names, made them when i was young and they are too ingrained now to change ..)

(Shargon is a single parent; demons do not have a gender/only one, all of them have the ability to bear children with an organ that sits right beneath the demonic heart, they also do not need a partner, they can just decide to have a child and trigger the process- while carrying they cannot shapeshift since an unborn demon cannot go along with that- genetics are usually not a problem since demons generally draw from a huge gene pool dating back eons; if they have a partner they will have to exchange some heartblood for the child to be a mix of both; growing a child is very energy draining and when carrying its not unusual for a demon to resort to consuming food, which they typically dont need to do; maintaining a certain energy level is very important since otherwise the risk of deformities in the child increases alot; a newborn demon (birth occurs through the mouth) has a few baby teeth with which to bite its parent/caretaker and feed on their demonic blood, it is not a requirement but many do since it accelerates their growth and can even out energy imbalances)

Jyothi, comparable to a 13 year old human, is a rather healthy young demon with alot of skill using elemental magic (wind in her case), which is why shes being taught by Lord Eadrya; Eadrya wants Shargon dead and regularly attacks him and although both of his children inherited his unnatural and hated/feared eye color, Jyothi stood up to Eadrya not knowing who they were at the time (and thus not their status and reputation) since Shargon lives extremely isolated- and even challenged them to a fight showing so much character and skill that Eadrya saw past her heritage and offered to teach her

The two get along well and she often sneaks away to find them bc she is so eager to learn and spend time with such a powerful and careless demon that everyone respects ... unlike her parent, who is weak, riddled with anxiety and hated by everyone, she still loves him of course, but the more time she spends away the more she adopts the way the other demons think and speak of Shargon

Shargon hates that she goes to them so much, mostly bc he is afraid they, and especially Eadrya, will hurt her or stop her from returning home, even with her special status bc of her talents, she still is his child after all; he does not and could not force her to not go though (a benefit is that she has been the only one besides Thor (Eadryas best friend) able to stop Eadrya from literally killing Shargon, as much as they are horrible to him, they do care alot for her)

(Jyothi has only started to grow her horns and her markings and colors will shift alot as she grows, as is typical for young demons)

Tyura, comparable to a 6 year old human, is much more like Shargon himself, very fearful and skitters away if theres anything they are unsure of, they are of the same elemental type as Shargon (lightning) but thus far has never used it beyond weak defensive shocks; they are also mute and have a deformed left hand likely bc Shargon was attacked and hunted for a long time while carrying them, thus not able to provide a stable energy level the other demons know of them but any attempt to get close to them has been prevented either by Shargon himself or .. Tyura fleeing and hiding (their body structure is also rather similar, the round shape is largely just fluffy feathers)

when Shargon is in the human world his children tend to stay with the only other demon he can trust (Ceryrion, an earth elemental and the chillest guy you can imagine), they dont like him much but love children and will happily go about their day while a little Tyura clings onto their back (though Tyura will absolutely dive back to Shargon whenever they notice his presence) both kids have been to the human world before but since it is very uncomfortable to be in as a demon he has only done so for them to meet Mori (Shargons human friend that lives .. illegally .. at the gates to the demon world) and avoided bringing them there otherwise

the time he is away has notably increased alot after accepting the deal with Zaphira (being her bodyguard .... 24 hours a day .. granted she did not know he had children, and also didnt know anything about demons but that she could use him to solve her problems)

here i go rambling again, i hope that gave you a bit of an idea of them ;O;