#why do I miss

[queenmouseyy]

why?

[lotus-pear]

charm stat at debonair ‼️‼️

[xxplastic-cubexx]

something about first impressions idk

bonus:

[egophiliac]

WAIT when did he get FANGS

[bixels]

It's crazy how Dungeon Meshi's manga can feel more cinematic and emotional than the anime to me, even when they're practically the same. Compared to the anime, this moment is such a heartbreaking gut-drop. The way Kui uses negative space and flat compositions to create a sense of horrific stillness is so key.

The way the text (Senshi's monologue) is sequestered to an empty corner of a panel or huddled away from the edge of its text box is not only a great way of showing Senshi's headspace (fearful, isolated, dissociating), but creates a visual representation of pause, as if you hold your breathe after each line. The first panel puts us directly in Senshi's perspective too (compared to in the anime, which puts us as an outside observer over Senshi's shoulder). The detail of the door and bricks so effectively implies that he stared at it for so long, waiting and hoping, that its image is burned in his memory. The wood grain, the brick arch, the number of rivets. The lack of dialogue in the second panel shows a moment of realization too –– "he's dead" (also a great example of the Kuleshov effect). And it's that pause that creates a beat and sets a great rhythm to his headspace, like a music rest: "He never came back." (oh god.) "I'm all alone." Finally, the third panel's negative space, cropping Senshi, shows how truly alone he feels. Without his family, the world ceases to exists. Under shock, he traps himself in a 1-foot radius, too scared to even perceive a world outside its boundaries; a world that can hurt him, kill him, make him disappear with it. There is only his body, the stone beneath his feet and against his back, his thoughts, and that awful bowl of soup.

Even though they're a series of flat images, there's an implicit reading of silence in Senshi's realization and horror. Kui influences your experience to slow down and take your time.

Compare this to the anime, which fills every shot with dialogue. The pacing is fast; we never get to sit in silence like we do with the manga. The horizontal frame allowed the boarders to add Senshi, turning the composition into an over-the-shoulder shot, which takes us out of Senshi's POV. They also added a zoom-out in shot one, which adds unnecessary energy to a very somber scene. The tightening on Senshi as a close-up reaction shot also dulls the moment. In the original panel, Senshi stares ahead at the empty space to his left as a shadow surrounds his mind. It not only shows how Senshi's senses are dulling and his world is shrinking (setting up panel three), but shows how terrified Senshi is of what's in front of him, how the air itself becomes pitch black and opaque, how Senshi is surrendering himself to fear. The pacing is understandable and necessary; this episode packed a lot of story content together. It's just a shame because it really (imo) deflated one of the most nauseating moments in Dungeon Meshi.

[thriftdyke]

it really does bother me how no one can seem to answer the question “what even is romantic attraction, really.” like some people are like “it’s who you wanna kiss and cuddle <3” and I’m like ok well kisses and cuddles can be either sexual or platonic depending on context. “It’s who you feel passion/desire/arousal for” well that just sounds like sexual attraction which you can have without even knowing somebody so I fail to see how that’s romantic. “It’s who you want to go on dates with” I go on dates with friends all the time plus “date” is a social construct anyway there’s really no innate difference between a date and hanging out. “it’s who you have deep feelings for” great news for you that can be literally any type of relationship. my friend told me she defined it as “who you wanna give roses to” and I’m like do u hear urself??? like the more I talk to people the more I’m convinced romance and romantic attraction is an elaborate socially fabricated illusion that has no real defining characteristics. and like there’s nothing Wrong with it being a constuct but why people are so attached to defending the supremacy of it is something I cannot for the life of me figure out

[eydilily]

took a stab at arcane style pearl and etho :J

this was supposed to be a quick(er) study but i ended up coloring it anyway !!! i personally prefer the original grayscale version over the colored ones (especially etho);;

[lazylittledragon]

ok someone please correct me if i'm wrong but am i weird for thinking those 'audiobooks don't count as reading' posts are ableist as fuck????

[bananafire11]

That fucking fish that i hate

[nefarious-smartass]

“leave the demons to his demons”

((can you guys believe the funny jumpscare bear franchise is officially 10 years old now?))

[danggerine]

going insane thinking about the harrow and palamedes friendship. harrow, who has never met another necromancer her age forming a bizarro 3D chess rivalry while pal worries about her safety at every possible turn. harrow, who is up to her eyebrows in paranoia and secrecy, trusting the sixth house with gideon unconscious and hurt, letting them into the ninth house quarters unsupervised. if “i cannot conceive of a universe without you in it” is goth for i love you, “death first to vultures and scavengers” has got to be goth for i love you (platonic). pal’s first reaction when harrow comes into his bubble in the river is to scoop her up in a hug, and at this point she doesn’t remember anything about him because cutting out all her memories of gideon is impossible without cutting out memories of the sixth, but she still makes him a skelehand to inhabit anyway. when harrow’s memories are finally whole, she tells dulcinea she couldn’t face pal knowing that his pen pal girlfriend died on her account, but the next time she “faces” him, palamades’s soul is in someone else’s body and harrow’s body is full of nona’s soul. he spends six months protecting and caring for harrow’s body (and nona obv), believing in the possibility of bringing her back to it the same way cam believed in him. “god, do you know i miss harrow terribly.” and by the time harrow comes back to her body at the very end of ntn, pal is gone forever, fully pauled. the last time harrow and palamades see each other as their complete selves is in canaan house, alive and unlyctored. two of the smartest and loneliest people in the solar system meet each other in the worst of circumstances and spend the rest of the story dancing around each other as fragments of themselves, trying to care about each other in the interim but never fully meeting like they did the first time. a friendship made almost entirely of missing the other person. “do you know i miss harrow terribly.” god. i need to lie down

[dovewingkinnie]

ill give you just a morsel of fnaf 2015 fnaf aesthetic i miss you.. can we bring it back

[lotus-pear]

mourning black and the death of ideals

[toothpastewolf]

shitty little doodle of a shitty little guy

[egophiliac]

I DID IT I GOT MY PINK HAYATE now I am never doing that again!

(at least until they give me, like, a frilly unicorn Kamui or something)

[princema-k]

semi-formal intro to my(?) new au: the Reinhold Mystery Journey AU!!

based directly from @dearesthershel's (not so glowing) video essay on LMJ, i wanted to really take the idea and try and run with it!! details under cut~

RMJ officially takes place 16 years after the events of Unwound/Lost Future, Flora Layton Reinhold is a relatively well-known detective making rounds as following in her guardian's footsteps as a brilliant mystery solver. A now 32 year old Flora (formally known as Detective Layton by her peers, Flory by her 14 year-old sister Katrielle), having opened her office a year after UF/LF, is being given her assignments by the Chief Constable and soon-to-be Commissioner of the Yard, Barton.

Joining her is her assistant and now world-renowned journalist, Emmy Altava! Now 43, she's mellowed out quite a bit since the Azran Legacy (though she still hits and hits HARD). Summoned to Flora's side by an unknown individual, she vows to help the good detective however she can, either intellectually... or percussively.

Together, they're thrown into a myriad of cases dredging up places and faces both old and new, as each mystery resolved leads them ever closer to the cold case of the mysterious disappearances of the Professor and his blue-clad assistant years ago...

.......at least that's the idea i have in mind anyway. i'm not the most skilled writer lmao