#why did this take so long? why did i write so much? we just don't know

[baphometsss]

I don't wanna sit here and act like I'm a professional or anything, because I'm not, but as someone who has had to do a lot of work to overcome trauma and reconfigure my brain more or less from the ground up, there's a lot I have to say about Solas's mental state

We know that Solas was essentially used and abused by Mythal for millennia. Even if he wasn't under a geas, he was twisted from his purpose by being made to fight, and then created the Wolf's Fang which was used to make the Titans tranquil and started the Blights. He made those choices himself, but it's important to understand that no choice is ever made in a vacuum. She took advantage of his vulnerability when he was given a body after however long as a spirit semi-existing peacefully in the Fade, and moulded him into a weapon.

He is broken, because Mythal broke him. I'm not incapable of seeing why she did what she did because like I said, no one makes choices in a vacuum and I could write about her for a long time too (in a similar way to how I have had to do myself in my own life in understanding why others abused me). He was so traumatised by everything that happened and he was trauma bonded to Mythal pretty much from the minute he gained a body. Trauma bonds are not about love. He definitely interpreted it that way, as most people do, but that's the weapon abusers use to keep the victim under their control. Abuse abuse abuse show a scrap of love and then abuse some more. If I just take it, I'll get the love/attention I need. I will earn it, because love is suffering, and I have to suffer to earn getting my basic needs met from my family/friends. Mythal, as his creator, was the one who he would've attached to in a similar way to spirit Cole/human Cole.

Trauma bonds are pathological. Mythal made him believe that if he did as she asked, and kept supporting her, then eventually he would gain her favour and they would be able to free all the elves, and he'd be able to live according to his true nature, which is one where he doesn't have to fight. (Remember his personal quest in DAI? He actually kills the rebel mages for corrupting his friend--another Wisdom spirit--into Pride.) In reality, she was just using him. She always kept the bone just out of reach for her lapdog. The line from Rook where they say (paraphrasing here) 'you know, I was actually excited about getting your approval... That's how you do it, isn't it? Keeping giving little scraps of approval to keep someone loyal, and then you turn around and betray them' is so telling too.

Where--or from whom--do you think he learned to do this?

It literally reeks of a pathological trauma bond and honestly, with how isolated, 'grim and fatalistic' Solas is, it is not a surprise that he's so broken.

Solas, essentially, is little more than a lap-dog to Mythal. He followed her like a lost puppy, because especially in his early days, that's kind of what he was. You have to remember that most of the insight we get about Mythal is from Solas's perspective, and he is not a reliable person when it comes to her after so long being repeatedly terrorised and twisted and manipulated. There are several instances where he describes being betrayed by her, and mentions some of the things she did, but he never quite holds her fully accountable and ends up directing his rage elsewhere. (The parallel between Mythal/Solas and the rebel mages/Wisdom is important here.)

This awesome post by @mythalism only reinforces this. He is so messed up in that scene, he is broken, he is holding the Wolf's Fang up, trying to give it to her because it symbolises the burden he has carried for thousands of years trying to avenge her death. He never wanted the Fang, like he never wanted a body. Mythal just stands over him, fully aware of what she did to him, and only getting him to stop because Rook petitioned her successfully, and the reunion with the more benevolent Mythal within Morrigan tempered her anger. She was a goddess, with the unequal power dynamic, right to the end.

As a side note, on the potential romance element between Mythal and Solas, I read an excellent breakdown of it on Reddit a while ago about how out of character it would've been for Solas to keep something like that from a romanced Lavellan, especially in Trespasser when he comes clean about his plan/past. I can't find it now because it was pre-Veilguard release, but it made a lot of sense to me. Solas and Lavellan never have a love scene in DAI because Solas didn't want to 'lay with them under false pretences'. Lying about who you are when sleeping with someone is nonconsensual. You can't consent to sleeping with someone if you don't know their true identity, and someone who knowingly lies about who they are to get into your pants is a sexual predator. For someone who led a slave rebellion (no doubt many of them being sex slaves), and a former spirit of Wisdom, Solas would've been well aware of this. In the unsent letter from Solas to Lavellan he says he came so close to breaking and desperately wanted to stay with them as Solas, with the implication being that that is where he planned to sleep with them once he'd come clean. But because he stops, because he's still unable to forgive himself or release himself from his trauma bond with Mythal, he breaks away, and they never have sex.

Bottom line: Solas would've been honest about it. Especially that. As the Inquisitor says, he can't lie about his heart.

And it's why the Solas/Lavellan romance is so powerful because quote, 'you change everything'. Solas thought he knew what love was, that love was loyalty, devotion, worship, etc. It's not just his plans or worldview that Lavellan changes. Lavellan sees him for who he is, without the mantle of Dread Wolf, and because of that he's able to express his true nature to her, even if he's not being totally honest in Inquisition. Lavellan got much closer to the real him than most, as he says, and changed his understanding of love completely. Unfortunately, he has unfinished business, an unresolved trauma bond, and his crushing sense of duty to the past is what keeps him from taking that final step towards letting go of it entirely. Trick also says Solas doesn't think he deserves love, which tbh is kind of a hallmark trait of people who have survived abuse.

And honestly? Call me a simp but I think he really was trying to get the Inquisitor to stop him. He saw himself being unable to let go because he was so broken and burdened by his guilt, and knew he couldn't save himself--was too proud to admit that he couldn't, because how pathetic does it make him look? And how could he stop now without rendering all the damage he'd wrought pointless? Yet here was someone who had changed him right down to his core, who understood him in a way few people ever had, whom he trusted, whom he loved in a way he hadn't loved anyone else before. It took him 'centuries' to build up rapport with the members of his rebellion. The man doesn't not know how to form attachments without trauma, and suddenly he forms a strong one with someone who loves him completely and without condition. It's a jarring change.

Lavellan says that maybe they're being prideful themselves, refusing to see their own folly. But I think in admitting that they might be wrong, that it might be wishful thinking borne from misguided love to a truly terrible person, they've rendered the point moot. It shows self-awareness, which isn't folly.

If anyone can make Solas understand true love, it's Lavellan. Lavellan loved him when he was being his true self. Lavellan loved him after his betrayal was revealed. Lavellan loved him when his guilty conscience and terrible actions almost destroyed the world. Lavellan loved him because they knew the real him, and knew that his heart and spirit were broken, and knew that their love would endure, that their love would heal him.

And that's exactly where they end up. Healing the past, soothing the Blight, and loving one another completely.

[kinardsevan]

𝐢'𝐦 𝐠𝐨𝐧𝐧𝐚 𝐠𝐞𝐭 𝐲𝐨𝐮 𝐛𝐚𝐜𝐤

listen. i'm still so convinced it's Tommy up on that crane in 807 that my brain keeps writing scenes 😂😂😂😂 so have this:

"Buck, you need to-"

He can't hear Bobby's words as he races up the ladder, panic rising faster and faster in his chest.

"Hey no no no no no!" He yells, throwing himself over the side. His hands grasp tight around Tommy's. "Stop stop stop! Please!" The words are coming out of him in sobs, but large hands grip around his wrists and a moment later, the older man tilts his head up and his eyes lock with Evan's.

"Ev-..." He cuts himself off, his voice wobbly and raspy from his current predicament.

"Just stop," Evan replies, snuffling as tears run down his face. "Stop moving, stop- just stop."

"Ok," Tommy replies, his voice weary as his fingers tighten around Evan's wrists that much more. The blonde glances up toward Chimney on the opposite crane. He's still working to get the harness unstuck, but apparently only having mild success with it.

"My legs are numb," Tommy states, blinking slowly. Chim looks up at them.

"Fuck this. I'm going to cut him down. The 217 can get the line fixed," Chimney states before heading back down the ladder in quick succession. "I need bolt cutters!"

"Evan," Tommy rasps. His hands are sweaty now, hanging onto the other man's arms.

"No," Evan replies, his voice tinged with anger now. "You have to hang on."

"You have to let go," Tommy counters to him, his voice exhausted. "Evan-" His grip slips on Evan's arm, and beneath them there's scrambling to get the inflatable placed properly. He glances over at the other crane as Chimney finishes reascending it.

"I can't," Evan replies, his own voice strained as he grips onto Tommy's arm with both hands now. "Fuck, Tommy, I can't."

"Why not," he asks wearily.

"Because!" Evan yells at him. Several tears fall off his face in quick succession, one landing on Tommy's own face as it continues its descent downward.

Somehow, even from beneath him, even with most of his blood volume hanging out in the lower half of his body with no way to make it circulate properly, Tommy manages to give him that look, the one that says he's really paying attention.

"Evan." He says it like it's Evan who needs to be talked off the ledge, like he's the one hanging in the middle of the air being held up by a crane.

"You don't get to give up now," Evan growls at him. "You already did that to me once this week."

"Are we really talking about this now," Tommy asks him. His fingers slip a few millimeters, but Evan curls his hand tight under Tommy's elbow, trying to pull him up.

"Seems as good a time as any," he replies. A humorless laugh slips out of him.

"I've almost got it," Chimney calls from the other crane.

Evan gulps. "It was too much, too fast," he states. "Asking you to move in. I s-said things that made it sound like I wasn't invested-.."

"It's fine," Tommy replies, sounding mildly exasperated.

"No its not," Evan argues, squeezing tighter on Tommy's arm. "it's not. Because it made me sound like I was asking you to move in because it's the easy option, like I wanted you to stay without any consideration of what your life looks like outside of what we are. Or were."

Tommy stares up at him, still blinking slow and long. Evan pulls his arm up inches higher, trying to take more of the weight off of his lower body.

"But it's not that," he says, sniffling again. "I lept before thinking, a-and made it into a thing that it wasn't and has never been." He sniffles again. "I didn't ask you to move in because I wanted to be impulsive. I said it because I want a life with you, a-and I was afraid to own that and what that means for me." He pauses and gulps, lets out a breath. "I was so pissed at you for breaking up with me, a-and you were doing the same thing I did. You were protecting yourself." Tommy stares up at him, eyebrows quirked slightly in confusion.

"I thought if I didn't say it, it was safer, that we-..." He shakes his head at himself as he feels the tension pulling Tommy back toward Chimney starting to wane as the bolt cutters work through the metal. "But I also want the whole damn thing with you. I'm not in it because it's easy, or because you were the first man to kiss me. I'm in it because I'm in love with you."

Tommy stares up at him still, giving him that damn look again, and the slack goes looser, his weight becoming even heavier on Evan's arms.

"I love you," he repeats. "I love you so damn much."

Tommy grants him a weary smile. "I love you too, Evan."

His weight falls entirely on Evan then, and both of their arms jerk out straight, Evan leaned roughly over the crane as he tries to keep holding on.

"Evan, let go," Tommy tells him.

"Please," Evan begs him, and he's not even entirely sure what it is he's begging for. "Tommy-.."

"I love you too," he repeats. "But you have to let go."

Evan gulps, forces a breath in, forces his tunnel vision to open up, and realizes the inflatable is ready and will catch Tommy. "I'll meet you at the bottom."

"Sounds good," Tommy rasps. And then, against everything that tells him he should, Evan lets go, watching as Tommy drops the 30 feet onto the inflatable crash pad. As soon as his body hits, Evan is already double-timing his way down the ladder. He makes it down in what he's sure is record time, running past everyone else to get to Tommy's side. Hen already has him on a stretcher, attached to a dozen leads and assessing his legs.

"Risk of compartment syndrome," she states. "Likely dislocation of the left hip. He needs x-rays and we need to go."

"I'm going with," Evan announces, refusing to hear reason to any other option. His hand is tight in Tommy's as soon as he's next to him, his other hand combing down the other man's hair as he stares down into those blue eyes. They're already brighter from his circulation picking back up. "I love you. I love you, I love you, I love you."

"Good lord just kiss the man already," Gerrard calls from the back of the crowd. Evan whips his head around and Tommy leans up off he gurney, both of them giving the old grump a shocked expression.

"What?" He asks. He has that grumpy look on his face once more, like he still thinks that their lifestyle is beneath him (at the very least). "We all know it's what you're thinking. I just said it."

Evan turns back toward Tommy, and the blue eyes meet.

"My boyfriend's sister once said there better ways to get someone's attention than this," Tommy says. Evan lets out a laugh, color flushing through his cheeks at the dignification of boyfriend. He curls two fingers under Tommy's chin and kisses him, both of them ignorant of the whooping and hollering happening around them.

"Like that," he whispers when they finally part, pressing his forehead into Tommy's. Tommy has a hand fisted around Evan's shirt, keeping him close.

"Yeah, that works," he whispers back. "I love you, too, Evan. I love you, too."

[scarlethexelove]

Do You Hate Me

Pairing: Drummer!Kate Bishop x Fan!Reader

Word Count: 2335

Warnings: Angst, Fluff, Hurt/comfort, Smut, Daddy kink, P in V, Cum strap, StoneTop!Kate, PleasureDom!Kate, Hints to breeding, Um not sure there is much more.

Pt 1

A/n: I must always give thanks for the help from @wandamaximoffsbadgirl on writing this one. This turned from idea's about Drummer!Kate into an impromptu fic. It was done before Kinktober and just needed edited up and finished. So that is what I did. Sorry that I didn't get the last fic of Kinktober done I just couldn't bring myself to write the last one cause I didn't really know what to do with it. Maybe one day but I'm not to sure. So to make up for it here is more Drummer!Kate.

NO ONE IS PERMITTED TO STEAL, COPY, OR REBLOG MY WORK AS THEIR OWN

Your fingers slowly trail down Kate’s body. You want to be able to touch your girlfriend, giving her the same pleasure that she gives you. You’re shocked when her hands grab your wrist and stop you. Her grip is tight, tighter than she has ever held you. “Katie that hurts.” 

Kate quickly lets your hands go. “I’m sorry baby I didn’t mean to. Just please don’t touch me like that.” Her tone is harsh. She is acting in a way that you have never seen her before. 

“Kate why can’t I-” Kate cuts you off.

“I said don’t.” It’s like you can see an internal battle going on within Kate. Her eyes showed a different emotion than her expression. “Just don’t touch me please.”

You’re so confused and hurt by your girlfriend's outburst. “Fine!” Your words are louder than you had intended them to be but you don’t really care. You get up and walk out of the room. You don’t know where you are going but you just put on your shoes and walk out the door. 

It’s only a few minutes later before Kate gets up and goes looking for you knowing that she needs to explain to you why she stopped you. But panic takes over when she realizes you're not there anymore. Your shoes and keys are gone from beside the door. She quickly throws on her boots and runs out the door. 

It’s dark out and the air is damp as you walk along the eerily quiet streets. You don’t know how you walk but the hurt doesn’t seem to leave you. You never thought you were good enough for Kate and this just solidifies your spiraling thoughts. That you will never be good enough for her. 

Your face scrunches when you feel cold water drop down on your face. You look up as the sky fills with little droplets of water. The rain starts to fall down steadily making you let out a groan. You already feel terrible and now this. You accept your fate as you sit down on the bench a few steps behind you. Letting the cold rain soak into your skin as your fight with Kate swirls in your mind. You dropped everything to be with Kate and now she doesn’t want you. You’re alone and cold.

Kate begins to panic more when the rain begins to fall. The storm clouds above let's all the held water fall down. She doesn’t know where you went and now it’s raining. All she wants is for you to be back in her arms, to explain everything. She wants you to understand just how much she loves you and that will never change in her eyes. So she runs looking wherever she can to find you. How could you have gone so far in so little time. 

You don’t know how long you sit there for, until you hear your name being called while Kate is running up to you. She pulls you up and hugs you tightly. She pulls you back a little to look you over. “I was so worried.” Kate has tears in her eyes. 

“What does it matter, Kathrine.” It stung when you used her full name. 

“Oh Y/n/n, come on, don't be like that, please. Just come back with me, we can have a bath together and I'll explain myself.” Kate tries and you want to say no but she's giving puppy eyes.

Kate tries to hold your hand, but you pull it back and cross your arms. You follow behind her, still hurt and salty. You're both dripping wet when you both get inside. 

Kate starts the bath and goes to help you undress. “I can do it myself.” You snap. Kate pulls back, mumbling out an okay before turning away to undress herself. When you're done pulling off your wet clothes, you step into the warm bath. Sinking into it, you let out a moan as the warmth elopes you. Kate stands there bouncing on the balls of her feet unsure now if she should join you.  

“Are you just gonna stand there?” You ask feeling awkward now that Kate was second guessing if she should join you. She cautiously steps into the bath in front of you. Sinking down and sitting in front of you. 

Kate looks down and plays with her fingers. “I'm sorry.” She mumbles. You've never seen her so reserved which makes you feel bad for being so mad. 

You chew on your lip, taking in a deep breath. “I just... did I do something wrong? Do...do you not want me, Kate? I just...I wanna make you feel just as good as you make me feel.”

Kate reaches out, brushing your tears away. “Baby, it absolutely is not that. You do make me feel good, better than I've ever felt.” Kate cups your cheek, a soft smile on her face.

You look into her eyes, tears still shining. “Then why?” 

Kate takes a deep breath trying to gather her thoughts. “Princess I get off just from watching you. I don't need it and I don't particularly like it either. It's nothing to do with you. I am more than satisfied.” 

You look at her mulling over her words. “S-so you're um what's it called.”

Kate smiles. “Stone top. Yes.” 

“Ohhhhh.” You think for a moment, brow furrowing. “S-so you don't like hate me? Or think I'm disgusting? Or–” Kate cuts you off, pulling you into a deep kiss. You whimper into it before melting into her. 

“I think you are the most amazing girl in the whole world.” Kate beatles against your lips. 

You lean your body into hers. “I don't deserve you.” You mumble. 

“Don't ever say that princess. I don't know what I would do without you. The day I saw you my life changed for the better.” You want to touch her, but you hesitate. Your hands hovering, almost ghosting over her skin. “Go ahead, princess.” Your head shoots up, eyes meeting hers.

You lean more into her and lay your head on her chest as you let yourself lazily draw patterns on her chest, letting your fingers drift down slowly. 

Kate let's out a soft noise. Softer than you've ever heard out of your girlfriend. You lay your head on her chest, taking a deep breathing, letting your hand fall, brushing past her nipple. You feel as her breath quickens slightly at the sensation. You trace your fingers around her nipple waiting to see if she stops you. She lets out a shuttered breath. You smile, letting your thumb brush across her now hardened nipple

“Is this ok baby?” You ask, actually stopping what you're doing. She lets out a soft moan. You look up at her and you pull her down to kiss her. You still tease her nipple as you swallow her whimpers. You keep teasing, seeing how far you can push her as you roll her pebbled nipple between your fingers. She finally grabs your wrist, pulling both behind your back. 

“You're playing a dangerous game, princess.” Kate husks against the shell of your ear. 

You gasp. “What are you going to do Daddy? Hmmm, punish me.” You tease her knowing that you hadn't actually done anything to warrant one but just want to press her buttons a little. 

Kate is quick to stand lifting you up with her. Not caring about leaving a wet trail behind you both. 

“I'm not going to punish you princess but I'm going to make sure you can't walk tomorrow.” 

Shivering at her words.You cling tight to her. “Oh will you Daddy?” You try to sound tough, but you know that she knows. 

Kate tosses you on the bed, making you squeak before crawling to hover over you. “Oh princess, I'm going to use my biggest strap. You know that new one special one we just got. I'm going to slit that pretty little pussy open.” She growls and kisses you harshly. 

You feel your body heat up at the mention of the new strap. A thick purple one that was cum filled. A whimper leaving you. “Please Daddy I've been wanting to get to use it!' You started begging already forgetting about what happened earlier.

Kate chuckles at your neediness. “Look at you begging Daddy to fuck you. You want me to stretch that pretty little pussy around my big strap hmm.” 

You whine at the thought. “Please.” Kate leans down, giving you a kiss before leaving to go grab the strap. Coming out, and the moment you see her, you clench around nothing. “Fuck...Daddy…” She smirks as she gets closer to you. 

“Tell Daddy exactly what you want, Princess.” Kate is cocky knowing she has you right where she wants you. 

You squirm as you look at the large size. “Wa-want Daddy to fuck me.” 

Kate gives you a faux pout. “Princess, you need to tell me how. You want Daddy to shove that pretty face into the pillows as I fuck you from behind.” You clench at the thought and nod. “Words princess.” She reminds you. 

A whine coming out of your throat. “Please Daddy want you to fuck me from behind and push me into the pillows. Want to scream so loud for you the pillows don't muffle it. Please.” You see her eyes dilate at your words. Light blues become dark like a storm. 

You watch as Kate’s calm demeanor turns to feral. “Hands and knees princess.” She growls out. You barely have time to get into the position before Kate is behind you. “Fuck I can't wait to ruin you.” Her hands caress your hips. You instantly want to fall apart for her. Do exactly as she asks. Your pleasure is hers and hers is yours. You feel her slowly push through your folds, getting herself all slicked up before you feel the tip at your entrance. You shiver and whimper. 

“Please Daddy...please…” Kate slowly pushes her hips forward. Your walls stretch to accommodate her large size. Though the stretch is slightly painful, it feels so good. Your arms are already wobbly the further she pushes in. You're already panting from it all. Already so overwhelming. Her hand goes on the back of your head, grabbing your hair as she starts thrusting, setting a brutal pace that has your head spinning. 

“Fuck you always feel so good taking my cock like a good little slut. You're Daddy's slut, aren't you?” Kate grunts with every thrust of her hips. 

You moan loudly as words fail you. Your brain instantly turning to mush as she fucks you.  

When you don't answer Kate stops. She wraps her hand around your throat and pulls you back against her chest and whispers in your ear. “Daddy asked you a question princess. Are you Daddy's slut?” You whimper. 

“Mmm I-I Da-Daddy's little sl-slut.” Kate lets go of your neck and pushes your face down into the pillow. 

“Good girl.” Kate grunts as she picks the pace back up.  

You moan loudly, what else are you supposed to do because words aren't an option. “Ah...ah...ah…” It's the only thing coming out, but you're practically screaming as she hits your spot just right.

Kate is panting above you as your walls suck her in. She reaches down between your legs, finding your clit and circling her fingers around. You can't help the scream that escapes your lips. Your body is trembling under her as you're so close to falling over the edge.

“Ah...Daddy...fuck fuck please...I'm gonna...gonna cum!” You hear the chuckle the rumbles out of her. 

“You want to cum all over Daddy's cock? Hm?” Kate asks and suddenly you're shy again. Just like always though Kate secretly hoped you'd never stop being like this with her. 

“Please Daddy let me cum on your cock.” Kate lets out a satisfied hum before pulling you up against her and whispering in your ear. 

“Do you want Daddy to fill you up princess?” Kate’s thrusts are still hitting you perfectly deep inside that your legs are trembling. You're so close to falling over the edge. 

You whine and nod so desperately. “Pl-please daddy want your cum.” It comes out as a whimper, but your words satisfy the drummer. 

“Cum on my cock princess, Daddy's going to fill you nice and full.” That's all it takes as your eyes roll back in your head and you cum harder than you ever have in your life. Your walls desperately sucking Kate’s cock further in as she continues to pound into you. 

As you ride out your high, Kate's powerful thrusts down slow as she finally releases the cum deep inside of you. The added feeling of being filled causes another smaller orgasm to rip through you. “A-Ah fuck Daddy.” Your moans are loud, bouncing off the walls. 

You think Kate will slow down now that she has filled you up but she doesn’t. You let out a small whine and Kate shushes you softly. “Daddy hasn’t cum yet and Daddy promised you princess that you won’t be walking when I’m through with you.” She nibbles on your ear causing you to gasp. “I’m going to keep filling this pretty little pussy till you're dripping with my sweet sweet cum.”

By the end of the night you have lost count on how many times that you have cum and Kate has even lost count of how many times she has. Your bodies now in a tangled mess of limbs as your body lays on top of your girlfriends. Kate insists that the strap stays buried deep inside you. A promise to wake you up close to another orgasm. You’re slowly drifting off to sleep when you feel lips pressed to your head and a whispered I love you from Kate. You’re so exhausted that you slur out an unfinished I love you to Kate as sleep takes over.

[cherrycolored-punk]

take a bite out of these

just an updated list of all of my favorite creators so far! I’m sure there will be plenty more added 🖤

thank you for sharing your talent and your amazing creations!

this is a little long so all recs are below the cut !

can also follow my tag #el’s fic recs

Eddie -

crash + fall by @trashmouth-richie - an ongoing soulmate AU series about my favorite freak that I’m already so very in love with and is written so beautifully.

she fucking hates me by @littlexdeaths - I’m still foaming at the mouth over this bully!Eddie x reader fic. it’s so fucking hot and I don’t think I’ll be over it any time soon (or ever).

after hours by @hellfire--cult - I am fairly new to the omegaverse and holy fuck what an introduction this was. I love a dominate Eddie and oh my god did Roe deliver.

sailor’s delight by @dr-aculaaa - this fic made me YEARN in a way I wasn’t prepared for. Drac is an amazing writer and I just wanna live in this little world they created.

let's go, don't wait by @carolmunson - the fic that has me questioning why none of my online dates have ever been this good. I fucking love this story so much, just wanna live in a world where teacher!Eddie falls in love with.

daylight by @abibliophobiaa - while I tend to stay away from pregnancy!AUs, this one had me hooked. It's cute, sweet, hot. I need a dad!Eddie stat.

twenty-four hours / coffee shop blues by @ghost-proofbaby - ghost is hands down one of my favorite Eddie writers. She writes him in a way that makes me fall in love time and time again. as a bonus, if you're a fan of astarion, she's written the moon will sing (i love you like the sun) which is just as beautifully written as the rest of her works.

the biology tutor by @mrsjellymunson - I binged this in a day, the premise and the smut were so damn hot that I couldn't get enough.

everlong by @andvys - this was my first introduction to andy's work and it has remained a favorite ever since. has so many amazing stories but there's something about a secret relationship behind Steve's back that gets me.

the yes policy / wish you were here by @pinkrelish - the way I lost sleep reading through both of these fics. I love the worlds that Alyson created and the version of Eddie she gifted us with. I've read them over and over again.

to know you’re mine by @blueywrites - I read through this series in a day, losing sleep may I add, because I was that addicted to it. I will admit, at first, I didn’t think it’d be my jam because of the swinger dynamic but holy shit does Bluey make it both tender and hot at the same time. I almost combusted. I seriously couldn’t get enough. She is an amazing writer and I can’t wait to read more of her work.

for your viewing pleasure / shelter from the storm by @rebelfell - the way Sarah has me absolutely on my knees for Eddie every time I read one of her fics…they genuinely leave me UNWELL (in the best way). like for your viewing pleasure? I was a little unsure at first (would I get jealous over a fictional man having relations with other fictional women?) but then I devoured it. it’s so insanely hot and she is one of the best smut writers on here. and shelter from the storm? pllleeeeasseee Eddie show up on my doorstep to check up on me in a storm. Please offer to get me there.

Steve -

we tried the world / she drives me crazy by @upsidedownwithsteve - if there is an author I equate with a character, it's Emmy with Steve. I was a diehard Eddie girl until I read her stories and fell in love with my favorite dork again and again. All her works are seriously a gift that I always return to.

all i really want is you / colors by @loveshotzz - the first author that made me even consider an older!Steve let alone fall in love with him over and over in every way she writes him. I will never be over either of these fics and re-visit them all the time.

we'll call it love by @superblysubpar - I've said before that this is part of my top ten and still is to this day. I revisit it often, falling back into this world. dreaming of this steve. story is so witty, funny and hot while also remaining tender in many moments. Also, simply the best - the title is pretty self-explanatory because the story is already that…simply the best. It’s ongoing but I am already hooked. I love the Spider-Man!Steve AU and Taylor is an amazing writer so I know it’s only going to keep getting better.

asking for a favor by @wroteclassicaly - this struck me right in all the perfect feels and Kristen has a way of doing that. I have a long to be read list but Kristen is all over it. She's an amazing writer and I love all her angst / smut.

Jonathan -

rise and shine by @eiightysixbaby - I hadn’t read a fic for Jonathan before, or really considered it, but man…this fic managed to convert me. Now I need him in the biblical sense.

Billy -

no charge by @hellfire--cult - oh. my. fuck. what a fast conversion this was to a Billy fan. Jaw on the floor, wondering why I don’t have a hot hot hot Billy knocking on my floor to give me the ultimate striptease plus 8 inches extra.

honey honey by @pastel-pillows - speaking of my fast train to a Billy fan, this is the fic that really started it all. He is so sweet in this, and I just ache for a soft Billy since reading this amazing fic.

@boltedfruit

@selineabanto

@xgumiho

@tubesock86

@stervrucht

@toktopus-art

@donttellunclesam

@littleststarfighter

@tellme-astory

@jemmacdraws

@obligatedart

@strangergraphics (graphics / headers / dividers)

@hugdealer (some of my favorites edited photos of Eddie)

@freckledjoes (photos / gifs)

@werewolfnat (formerly kingofscoops)

@djo

@steveharringtondaily

@batty4steddie

@emziess

most, if not all, of these are Eddie coded

you know I can eat you better than he can

getting hate fucked on your crushes bed by his best friend

post campaign pleasure with your dungeon master

your bully finds out you have a crush on him

[ponyregrets]

I wanted to write about Buck and Eddie going in the ocean and I'd written most of it before I thought to check what the weather in LA is actually like right now (look, I'm in New England, I just think of it as Warm down there, okay?) and I decided to go with it anyway. as @frightfullytreeish said, get chilly, idiots

(806 coda, 1900 words, also on AO3)

"Hey, what brings you joy?"

Eddie is expecting some waffling in Buck's response. Maybe some suspicion. It's a weird thing to ask, obviously. Joy isn't a word he uses much, isn't a go-to. But even if what makes you happy is a more normal question, it's not right. He needs something deeper.

And of course there's the Tommy of it all. Buck hasn't exactly been mourning or anything, but he's obviously down. It wouldn't be unreasonable for him to say that nothing is bringing him joy at the moment. It's not a particularly joyful time.

But Buck doesn't hesitate, doesn't question. He just says, "The ocean," and doesn't even ask why Eddie wants to know.

"Really?"

"Yeah. I never saw it until I left Hershey. We never went to the beach or anything when I was a kid. The first time I saw it, I fell in love. It was the best thing I'd ever seen."

"I didn't know that."

Buck shrugs. "Doesn't come up that much. And I guess I always think I'll get used to it? But it's amazing every time. I never get tired of it."

He should have known, right? They've gone to the ocean together. Or--well, they've had calls near the water before. That guy who got struck by lightning. The shark.

The tsunami.

But they've never just gone. Buck has never tagged along with him and Chris on any of their trips, and he and Buck have no reason to just take a beach day together.

Joy doesn't need a reason, right? He can just do it.

"Cool," says Eddie. "Let's go."

"Now?"

"What else are we doing?"

It hasn't been a problem, exactly, their lack of things to do. It's just kind of new, the way they're hanging out in the last week. Usually they have Chris, or girlfriends, or boyfriends. They have some reason to stop being together, and now they just…don't. And Buck just keeps on coming over, hanging out on Eddie's couch, in his space, like he can't bear to be in his loft now that Tommy isn't there.

Or something.

"You got some trunks I can borrow?" Buck asks.

"Are we swimming?"

"You want to go to the beach and not swim?"

Most of the time, that's what he does. When Chris was younger he'd get in the water, but the last few years it's been Eddie supervising while Chris does his own thing far enough away that it doesn't look like he's being supervised.

But Chris is in Texas. And, yeah, it's November, but Buck doesn't seem to care.

"I'll see what I've got," he says and finds he has two pairs of trunks in good enough shape that he's not embarrassed about anyone wearing them. Small miracles.

He throws the bigger pair to Buck and then goes to change in his bedroom. Buck will be doing the same thing in the bathroom, not for the first time, but he's never been changing into Eddie's trunks before. Did Ana ever wear anything of his? Marisol didn't. Buck might be the first person since Shannon.

As long as they fit, it's fine. Not a big deal at all.

They take Buck's car, the podcast he's listening to about the issues with the keto diet resuming as soon as he turns it on. Hen has gotten tired of explaining why his diets might be a problem herself and is outsourcing, which Eddie can't blame her for, but he doesn't find the resources nearly as interesting as Buck does. He already knows he doesn't want to do keto.

"You don't need to cheer me up, you know," Buck says, about halfway to the beach, without bothering to pause the keto thing. "I'm doing okay."

"I know."

It's mostly true. Buck has seemed fine with the breakup. Not happy, but not heartbroken either. He's been a little quiet about it, more so than Eddie was expecting. All he'll say is that Tommy initiated it, but he understands why.

"I'm trying to be happier," he tells Buck. "For me."

"Is that a thing you can try? Like, aren't you just happy or not?"

"If that was true, the ocean wouldn't bring you joy, right?" He lets out a breath, his stomach tied in inconvenient knots. "Someone pointed out that when I had the choice between something that would make me happy and something that wouldn't, I picked the one that wouldn't."

Buck mulls this over for a long moment. "I always figured that's because you're more mature than I am." It's only half a joke.

"Yeah, that's one way of looking at it." His breath shudders more this time. "Anyway. I'm not doing that anymore. I'm looking for things that bring me joy. So I figure if the ocean does that for you, maybe it'll do it for me, too."

"I hope so."

They set up like Eddie would with Chris, towels and belongings planted in the sand, the only difference that they left their phones in the car since no one is staying behind. He keeps his back turned as they shed the layers of clothing they have on, but when Buck hands him a tube of sunscreen, he has no choice but to stare at the expanse of bare back. The motions are familiar, nothing he hasn't done a thousand times for Chris, but…

Well, he's never done it for Buck.

Buck makes him turn around so he can return the favor, a much less familiar process. These days, he usually leaves his shirt on.

But he knows Buck's hands. They're familiar, all heat and callus. Careful, incongruously so. Buck looks like he's built clumsy, someone who can't do delicate work, and maybe he knows that too. Like happiness to Eddie, precision doesn't come naturally to Buck. He has to put the effort in, and he does. Eddie's skin lights up with every stroke of Buck's hands, so he's sure that Buck gets every inch.

And then he keeps going a little longer. Just to make sure.

"Okay," says Buck at last. "We're good to go."

Eddie is expecting Buck to run into the ocean like an overgrown puppy, all bright enthusiasm despite the chill, but he's cautious. He dips a toe in, then his foot, then the other. He walks in slowly enough that Eddie overtakes him, even though he's not running. He's just eager.

"The first time I went into the ocean, I was in Virginia Beach," Buck explains without making Eddie ask. "It was May, and I thought it would be warm enough, it was a hot May. But I ran in and it was so cold. I ran right back out."

"Goes to show," says Eddie.

"What, exactly? I know how the water's going to be today. It's cold."

The water is probably around the same temperature as it was in Virginia Beach in May. Eddie shivers, but doesn't stop, not until he's up past his knees. He smiles at Buck, who's still just letting the waves lap his toes. "Yeah, it's nice anyway. It's hot out."

"Not hot enough."

"It's fine."

He's in up to his ankles now. "You're not getting the joy, though."

"I am."

"Eddie."

"I'm getting used to it."

"You're not supposed to get used to it. You're supposed to be be making choices that make you happy right away, right?"

"I am happy," he says again, and it doesn't feel like a lie. "It's nice, there's no one else here. And it's not cold enough for us to get hypothermia."

"Are you sure this isn't just for me?" Eddie cocks his head, and Buck clarifies, "For my benefit."

"Should it be?"

Buck kicks at a wave. "He said I wasn't ready. Tommy. That's why he broke up with me. I asked him to move in with me, and he broke it off instead."

"So he's an idiot," Eddie says. "Always knew there was a chance, but I was hoping I was wrong."

"Is he, though? Was he wrong? I didn't really want him to move in. I just wanted…" He huffs. "I want to be done with this, you know? I'm ready to be with someone. And I think it could have been him."

It's not like getting shot, or even like getting punched. It's like a bullet or a fist going past him, close enough to graze the skin. Close enough that he's thinking about how much it could have hurt.

"But that's shitty, right? Like, how long could I have kepg going just because I didn't have a reason to break up with him? He was…fun. I liked him. I liked feeling like I'd figured it out. Like that was the last piece. I like guys too."

"Maybe it was," Eddie says. The water is lapping against his legs, the surf gentle. He's used to the temperature where he's submerged, but it's only halfway up his thighs. Every time the droplets splash higher, there's this shock of sharp little pinpricks.

He's so fucking happy.

"Maybe that was the last piece, but that doesn't mean Tommy is it. Maybe you're ready, but you're not ready for him."

"I'm just tired," says Buck. "I'm tired of waiting for someone to want me enough, you know? I'm ready to settle."

"You shouldn't," says Eddie. "You shouldn't be with someone just to be with anyone."

"You can build it," he argues, like Chris angling for a later bedtime or more video games before homework. "Love. Like you and Shannon did."

Nausea roils his stomach. "We didn't. It wasn't like that."

"I know it wasn't perfect, but you two were working on it. You were going to--"

"She wanted a divorce. Before she died. That was one of the last things she told me. We weren't going to have another kid, we weren't going to get married again, we weren't going to be together." He's not crying, but in that way where he is very aware that he's not crying. Where Not Crying is currently defining his existence. "I think we could have been friends," he says. "And maybe we could have figured it out. Been together again, made it good. That's what I told myself. And that's…easy."

"Easy?" Buck asks, in a small voice. Like Eddie is telling him a fairy tale he wishes could be true.

Which Eddie is, actually.

"If she was the love of my life and I lost her, then that was it. No one else would ever measure up. Nothing else could ever be as good. It was never going to work."

"But she wasn't?"

"Maybe she was. Or maybe--" He's Not Crying. "Maybe I don't just get one love, or even just one life. Maybe it doesn't have to be about finding her again. It can be about finding someone new. Someone who…"

He chokes then, the words dying in his throat. Buck is dazzling in the sunlight, his eyes as blue as the sea, his expression open, waiting. His whole existence focused on Eddie.

Eddie would marry him today. Eddie would marry him tomorrow, Eddie would marry him yesterday. Eddie would tie himself to Buck in any way Buck could think of, in every way, with wills, with contracts, with mortgages, with handcuffs, with string.

"Someone who brings me joy," he finishes.

"Joy," says Buck. He looks over the horizon, smiles, shakes his head.

Eddie's chest is too small and too big. He's never had so much in him.

"I've never had that," he muses. "Someone who makes me feel like the ocean."

"Like the ocean," Eddie says. "Yeah."

[haveateadude]

hi again ems!! (hope its okay if i call you that 😭) im the one who sent the last req, you wrote it so wonderfully. thanks for your concerns, wishing you the best !!

no pressure once again!! could you possibly write fluff about els taking you on a lil picnic to a flower field ? thank you once again!! 💗💗

picnic date

summary *. ⋆ ⋆·˚ picnic day with your lover

warnings *. ⋆ ⋆·˚ none, this is pure fluff i think

author notes *. ⋆ ⋆·˚ hey!! omg your welcome to the person who sent this!!! i love uuu. i hope you like this one :)) also it's totally okay to call me em!! please feel free to send more request if you'd like!!!

and i'm so fucking sorry this took too long and it's too short. i've been busy lately but i have a week of online classes bc of some weird shit going on in my country so i hope i'll be able to write more.

have a good day everyone❤️

Ellie takes you on a date. A picnic date, precisely. She knows you've been stressed lately, and she thought taking you out might help take your mind off things—at least for a while. You knew it would be lovely, but not like this. This is beautiful. Going to a flower field has always been on your bucket list, let alone having a picnic with the person you love most.

"Ellie!" you exclaim. "Why did you—I mean… Shit. This is beautiful."

Ellie leaves the basket of food on the blanket, then stands behind you, wrapping her arms around you and placing a kiss on your neck.

"You deserve this," she says, resting her chin on your shoulder as you look out at the flower field. It feels like a dream—dating her has always felt this way. "I hope you enjoy it. It took me a while to find a place like this."

You turn around, and her hands never leave your body; they settle on your hips now. "I love this."

The sun peeks through the clouds and shines directly into her eyes and along the curve of her nose. You’ve always thought she’s pretty—but in moments like this, when it’s just the two of you with nothing to do but enjoy each other’s presence, she looks ethereal. You kiss her, both of your hands on her cheeks.

"Thank you for bringing me here," you say as you both sit down. "Really, you didn't have to."

"I wanted to." She shrugs, smiling. "I thought we should do something nice; it's been a while since we've had time for ourselves."

You lean in for another kiss, which Ellie returns happily.

"God," you say, letting your head rest on her shoulder, "What did I do to deserve you?"

"You're asking me that?" she says, incredulous. "You're the prettiest, smartest, sweetest, and coolest girl I've ever met… How could I not love you? That's the real question."

You feel your cheeks flush, a warm pink spreading across your face as you look up at her. You’ve always thought Ellie was prettier than you—hell, you’ve always thought she was better at everything. She’s smart, beautiful, and always knows what to say. But the way she talks about you always makes you feel like she’s put you on a pedestal, for better or worse.

You chuckle, eyes bright with devotion. "I love you so much."

"I love you, too." Ellie’s the one to kiss you now, tucking a strand of hair behind your ear. "I really can't believe I'm dating you."

After you finish eating, you eventually end up with your head resting on her lap. The sun has faded a bit, leaving blue and orange streaks scattered across the sky. It looks beautiful, you think, as Ellie tucks daisies into your hair, braiding a strand every now and then. It feels nice, her fingers brushing against your scalp.

"You look so sleepy, baby," Ellie chuckles, finishing with a kiss on your forehead. "Are you sure you don't want to head back?"

You shake your head and sit up. "Can we stay a while longer?"

Ellie doesn’t answer; she leans in for a kiss and gently guides you both to lie down until your back hits the ground, with her next to you, propped up on one elbow. One of her hands rests on your cheek, her thumb gently caressing your skin as you keep on kissing.

When you pull away, Ellie rests her head on your chest. You wrap your arms around her.

"I think we can stay here a little while longer."

[teakoxd]

EEEYYYY I JUST GOT A THOUGHT! well, many thoughts!!

There was one person thay I saw on Tumblr who said that maybe victim was so brutal towards TCO because he and TDL were the ones who destroyed that farm village where victim was, burned his people etc, And I was thinking about it since then.

BECAUSE MAYBE WE'LL GET TO SEE CHOSEN AND DARK AGAIN, AND MAYBE FROM DIFFERENT SIDE THIS TIME?! Cuz you know, we saw only some pics of the cyberattacks thay happenned, in the flashback ep. We never got to see one actually happenning, you know, in fully animated version. IF the theory about those two guys destroying that village was correct, we could see Chosen from completly other perspective, not as a cool, stoic older stick with powers, not as a small, tamed, aggressive stick, But from the perspective of his prey, as an overpowered terrorist. I feel like many people just straight up ignored or forgot that Chosen was a terrorist too, and simply accepted that fact with Dark because we saw him killing sticks anyways, he looks like he was able to do it unlike Chosen. I feel like this could turn the tables around Chosen and victim, since you know, They thought victim did that just for the sake of feeling strong, in control, or just for fun. Just for the same reason Chosen did his part in the rampages, atleast at the beginning. Only to feel in control after five years of enslavement. Powerless, just like victim did. We'd see him "coping", just like we propably saw victim do in "The Box".

Well, If that's what happenned (I mean the fact of them destroying the village, not my Choseny theory yapping), We still don't know when that would happen. It could be one of the late ones, and then Chosen wouldn’t be so happy to take part in killing and destroying, atleast not as much as Dark did. Let's remember that ONLY between AvA 8 (The Showdown) and AvA 9 (Wanted) we have around FIVE years to fill up with something

And the last flashback, from the Newgrounds, was...who knows when. It's still a big time hole, so that's why I think that this theory is right haha. I don't know how many time takes to build company THIS BIG as victim did, but we're talking about the time around 2011 to 2023(but imo, 2021 max, I was taking the "Wanted" ep. date) so 12 years.

(I feel kinda like I started to write an Essay on a totally different topic now, but I'm too lazy to delete that part so deal with me.)

IF THAT THEORY WAS CORRECT, THERE'S A CHANCE WE GET TO SEE DARK AGAIN!!! YIPPIEEE!!!!

Only in some form of a flashback, destroying stuff, BUT STILL! I can already see people making edits from new clips of him on tiktok, real. I think he'd act...like he normally does. Killing, blowing up, no super cool theory or analisis if you want to call it like that like I did with Chosen. BUT. ONLY BUT. MAYBE WE'LL GET TO SEE HIM INTERACTING WITH CHOSEN!! In good or bad bad way depending on the time period (If they were still in a friendly fire hehe or nah). If that would happen, I'd finally have new content to obsess over.

SORRAY FOR THIS BEING SO LONG, I CAN'T HOLD IT IN IM WAY TO TALKATIVE

[pekoposting]

This is interesting! Particularly because it's a departure from the usual conclusions that hardcore Pekoyama fans usually make from this evidence. Which is...

Peko's biological parents are the Pekoyama clan

The typical interpretation goes something like this:

The Pekoyama clan is a band of renowned swordfighters. For whatever reason, they get in massive debt to the Kuzuryuu clan. The Kuzuryuu clan force them to repay these debts by taking their young heir, and training her to be a bodyguard for their own heir when he is born. We know the rest of the story.

The evidence for this is as follows (though keep in mind, I did not consider your interpretation when I was formulating this, so the evidence seemed more self-evident originally):

Pekoyama's name in the Japanese is spelt 辺古山 ペコ. Her family name, (辺古山) is spelt normally, in kanji. However, her first name is spelt in katakana, which as far as I can tell is the only of the three Japanese scripts not used to write Japanese names. Also it's literally just the first two phonetic sounds of her surname. Which gives the impression that her surname is real, and her first name is something carelessly made up on the fly because you have to call her something.

The fact that she has a family heirloom. Why would the Kuzuryuu clan know the family of an orphaned baby? As far as I know, people in Japan don't usually attach their family name when they're orphaning a child.

...Yeah, it was primarily based on the premise that out of the two contradictory pieces of information we get about Pekoyama's parents, the one at the end of Chapter 2 (that she was abandoned by them from birth) is the correct one.

Of course... there are still issues with this interpretation. Primarily, that Island Mode dialogue where she says she has memories of her parents being alive. The heirloom is a bit iffy, too. (Perhaps it's something the Kuzuryuu clan also took along with Pekoyama?)

The only excuse I can come up for the parents thing is that it is Pekoyama deliberately lying to make her childhood sound more normal. Because the closer she gets to telling the truth, the more questions Hinata will have, and she doesn't want that. That's not the point she's trying to convey anyways, so she goes with a simple lie to smooth it over so she can talk about her memories

There are issues with your interpretation too, namely that the Kuzuryuu clan risks giving Pekoyama an alternative motive through giving her actual parents, i.e. humanising her and possibly making her consider if there's other ways she can live. As we both know, Pekoyama's Island Mode ending implies that she is only so dedicated to her tool mindset because it's the only way she knows how to live.

Whilst I probably will come around to yours more as I let it sink into my brain, I'm going to be honest, I am still quite attached to the 'Pekoyama was stolen from the Pekoyama clan' interpretation, because I've spent a lot of time thinking about it, and because those hardcore Pekoyama fans have also written about it.

One of my absolute favourite implementations of it is at the end of thewildwilds' already incredible fic [absolute zero.] where it's mentioned that upon taking baby Pekoyama, her parents cursed the Kuzuryuu clan by swearing that their child would ultimately cause the destruction of the clan. That's SO DELICIOUS

As you know, I am very much a fic writer. So much so that my opinion on ships is often determined by easy/fun they are to write. And there is a lot of potential things to explore in this interpretation that I've barely ever seen anyone cover beyond 100 word drabbles.

For example... this means that Pekoyama is the only former RoD who could still have their parents alive. So... how would she cope with that? (I have some answers to that, but they're not precise, and this is getting long enough already.) NO ONE HAS EXPLORED HOW SHE'D INTERACT WITH HER BIO PARENTS AT ALL SOB. I may have to get over my natural reluctance to make OCs for this...

(This still could be explored under your interpretation, it's just that it's harder to pinpoint who her bio parents are, and those parents are less defined.)

In conclusion: what the hell even was this (MY POST NOT YOURS). There are several points I almost certainly forgot. Pekoytama.

Random tidbits about the Pekoyama Dojo

Peko was adopted by the Pekoyama Dojo

Peko reminiscence about her parents taking her to an old amusement park.

Because Peko was abandoned as a baby by her birth parents, it can be deduced all her memories regarding her parents is with her adoptive parents.

The only time she feels like smiling outside her Free Time Event, is when she is at an amusement park.

Because Peko was given the Pekoyama's family heirloom, and the obvious fact she bares the family name, you can infer that Peko's adoptive parents was from the Pekoyama Dojo on the Kuzuryus behalf.

Peko states that her dojo is not exactly a Kendo dojo. The fact that their family heirloom bears the symbol of the Kuzuryu clan mascot, the Pekoyamas were mostly likely a vassel family who served the Kuzuryus (I think the Japanese term is Kashin but don't quote me on that)

Peko's experiences at the Dojo

Just because it would be too much to screenshot, it's strongly implied that everything she did was a form of training. Peko can't take an activity at face value and see everything as a form of training. Examples include: Splitting watermelons, dropping coconuts, watching movies, going into haunted houses.

You could make the argument, because Peko was a 'tool', this was the justification to allow Peko to do normal activities.

Overall, Peko recalls only nice things about the dojo

As always, shout out to Peko's pet finch that probably hated her

Not canon in the slightest, but a moment from the manga

Mentions of Peko's childhood that may or may not be related to the dojo

[palaceoftears]

Magnificent Century Rewatch: One Picspam per Episode

Episode 17: The Double Joy

-My dear mother used to say "walk barefoot on earth and it shall take away all your troubles and sorrows, earth shall give you happiness and joy"

-Your mother spoke well, one can only find peace in earth. But I'm not sure if it is on earth or in it.

[seventh-district]

Could've left me just the way you found me, but you came and put your wings around me. You went out of your way, to fix what you didn't break.

This song is so incredibly Sam & Darlin' coded and no one can tell me otherwise.

[lots of lyrical analysis below the cut] [there's also a short little fanfic blurb of them stargazing down there too (this post got really out of hand lmao)]

For those not fully caught up, note that the following commentary contains various spoilers for Sam and Darlin's stories.

Note: Unfortunately this song is gendered, using the word 'girl' several times. Which sucks a little bit for immersion purposes, not only for keeping Darlin' gender-neutral, but also because I see this song as a duet between them, and Darlin' obviously wouldn't be addressing Sam with the word 'girl' either. So! As with most songs on their playlist, we're just gonna mentally omit any gendered terms we come across.

Side note: Frustratingly, this is one of those songs that didn't really even need to gender the subject in the first place. No part of the story or message is lost without it. But alas, many songs are like that, and so the playlist-makers of the world shall continue to suffer. [/lh]

Anyways, preamble's over. It's lyric time now yay!

Sam's Part

I was a ten-year train wreck

Technically for Sam I suppose it was 13 years, but ten is close enough (and 'ten' admittedly flows a lot better in the rhythm of the song than 'thirteen' would.) Anyways, we're not here to split hairs, (I have to remind myself), we're just here to point out similarities.

In Sam's Dec. '22 HBW, he says "For the last 13 years or so I haven't had to care too much about how I look. Seemed a little redundant after turnin', considerin' I didn't wanna be around much'a anybody anyway."

I think he's mentioned or alluded to that roughly 13 year period of time more than once, but that's the one I remember best so it's the example I'm using. There's still about 4 Sam audios I've yet to listen to as of making this post, so if I'm missing some Key Lore I'll edit this later. But for now, I don't think Sam has given many specifics on exactly how bad things got during that time. Luckily, 'train wreck' is a pretty broad and subjective term, so it easily covers any degree to which he may have fallen apart during those years.

It also feels like a very 'him' way of quickly brushing over the details of his past/his hurt, as he seems to tend to do with Darlin', (not all the time ofc but it's still something I've noticed) putting his own hurt on the backburner to prioritize and attend to theirs. Even outside of his dynamic with them, I think as a healer, it's something he learned to do. And now he does it with everyone. Put on a brave face, compartmentalize things and unpack them later, etc. I could go on and on but there'll be time for that in other posts I'm sure. For now, lets get back to the song at hand.

With a last-call longneck

Due to personal reasons, I've yet to decide if I want to HC him as having used alcohol as a coping mechanism during that time. I don't recall him having mentioned alcohol much, if at all, (maybe one mention of whiskey that I don't have time to find right now) so I don't think it's necessarily canon that he did, but it's certainly possible. My personal preferences aside, I'll admit it makes for some good additional angst. (And- self-indulgently- it makes some other songs on my playlist for them more fitting.) So, for the sake of this song, let's imagine that he did.

I was searchin', I'd been hurt real bad

This one feels pretty self-explanatory given what Alexis did, (and, if you wanna get even angstier with it, whatever his family did earlier on in his life) so there isn't much commentary to add on my end.

I HC that in spite of 'not wanting to be around anybody', he- like Darlin- still had a tiny part of himself buried deep down that was, in a way, 'searching' for someone to find solace in. (No this isn't me projecting onto them both haha what are you talking about-)

Movin' on, gettin' sidetracked One step forward and five back

This is generally applicable enough that I don't feel the need to give too much of a specific example. Anyone who's recovered or is recovering from trauma knows this non-linear, back-and-forth struggle well already, and I'm sure he was no stranger to it.

If I were to give some examples though, I could point to Darlin's (and subsequently, Sam's) encounter with Alexis at the summit, or the shit that Quinn dredged up about Fredrick and threw at Sam in the interrogation room. Those are both more recent examples and I imagine these lines of the song to be coming from a place of him prior to meeting Darlin', but still, they're some instances where I'm sure he felt like the past was pulling him back in. I'm sure that there's been many throughout those 13 years that we were never witness to.

Not your fault, I was scared to fall

This line reminds me of their 'Cuddles and Confessions' audio. I don't think he ever explicitly said he was 'scared' per se, so afaik there's no specific line I can quote, but in that and every audio prior, he was obviously hesitant to admit, perhaps even to himself, that he was gradually falling for them. Even after the initial confession, there's certain limits of his (e.g. biting) that he carries for far longer, and some that I (and others) HC that he'll carry forever. So this line feels to me like him reassuring Darlin' that his reluctance isn't the fault of them, but his past.

Darlin's Part

You were the star in the pitch black Shine the way on the way back

We don't have any canon instances of them comparing Sam to a star, but I can see it being something they'd say (perhaps less poetically, but the sentiment would be there) one night while laying up on their roof watching the stars with him. Maybe they're dead-tired, talking nonsense with lidded eyes at the end of a long day, fighting sleep in favor of more time spent with him.

"What- what're you pointin' at Darlin'?"

Their hazy focus is trained on the brightest star visible in their line of sight, arm stretched out to the sky above them. "That really bright one, to the... to the left."

Sam does his best to follow their less-than-specific directions of 'to the left', their pointed finger doing little to help given the difference in perspective. Luckily, after all these years, he knows this stretch of night sky like the back of his hand, so it isn't hard to locate the brightest one. Ghosting his fingers up along their arm, he takes their hand in his and brings it back down to earth. "Okay, yeah, I see it now. What about it though?"

"That's you." They say, matter-of-factly.

"That's me?" He questions, humor in his tone.

"Mhm." They nod with finality, blinking slow.

Sam considers the odd statement for a moment before gently correcting them. "I'm uh, I'm pretty sure that's Sirius, actually."

They scoff. "I am being serious."

Sam stifles a laugh into their hair. "No- no I mean- like... what's another name for it... Oh! It's also called the Dog Star."

"C'mon Sam, at least call it the Wolf Star if you're trying to turn this around on me..."

He shakes his head and readies himself to explain further, but they cut him off before he can start. "But no- no, this one isn't about me. That's you."

He decides to play along, finding something endearing in their overtired nonsense. "Okay... then would'ja be so kind as to explain to this confused old man just how, or why that star is me?"

Their frown is audible in their voice as they latch onto the wrong part of his sentence. "You're not old, Sam. ...Do I need to tell Asher to kick the jokes down a notch?"

He smiles at their over-protectivity. "There'll be no need for that, now. Was just a joke, darlin', I promise."

They huff, but thankfully shift focus back to the prior topic. "It's... I dunno. It's just you, Sam. It's... bright. Light. Something warm, out there in the cold dark. Standing out amongst all the rest. Calling to me, stealing my attention. I... I didn't come out here looking for it, but there it is. ...There you were. In the dark. The only bright thing I'd seen in... fuck, in years. Years of chasing fleeting warmth, tripping over myself in the pitch black, falling into... places 'n people I shouldn't have. You were the light in that darkness. Even there, surrounded by the ghost of him. You outshone it. Your warmth didn't hurt. I didn't have to squint when I looked at you. You weren't the blinding sun. You were the brightest star I'd ever seen. You guided me back home."

In the back of their mind, they recall something they once heard, something about light, and time, and distance. Space. Something about... how you can see a star that's already burnt out, because it's light hasn't reached earth yet. The ghost of a star that's already died. Only still perceptible thanks to time, and distance.

They remember Sam's words, once whispered to them on this very roof.

"Whatever your choice is... I'm not gonna live forever. I made that decision a long time ago."

They think about dead stars.

They think about time.

"...-lin'? Darlin'?" Sam's calloused hand slides up their forearm, pulling them out of their thoughts. "There you are. Think I lost ya' for a minute there... you good?"

They look up at Sam, concern creasing his features, shadows cast across his face from the light of the dying stars above him.

They reach out, pulling him down into them. Burying their face into his collar, Sam's concern grows when he feels it saturate with tears. A human might struggle to hear their words, muffled against the thick fabric, but his hearing catches it just fine.

"Don't burn out too quick. Please. I still need you here. I don't- I don't wanna be left in the dark again. Please, please Sam. Don't leave me here. I'm not selfish enough to ask you for forever, but please. Not yet. Not yet. Not yet."

.......Whoopsies! Really, genuinely didn't mean to improv an entire scene there, good god. Also didn't mean to swerve hard into angst at the end but uh. that's what came out! so I'm rolling with it lmao. Aaanyways let's move on, it's getting late and this is a song analysis post, not a fic.

Out of nowhere, answered all my prayers

'Out of nowhere' reminds me of Sam's words from the same HBW video I referenced earlier. "You came into my life like a damn wreckin' ball. There was no preparing for that, clothing or otherwise." While those were Sam's words, not Darlin's, I still feel like they feel similarly to how suddenly Sam came into their life as well. (Not in a bad way, mind you!)

[the significance of 'answered all my prayers' edges into my own personal more headcanon-y/personal/OC-ified Darlin' territory, so we can just gloss over this one for the sake of at least attempting to keep this more universally applicable]

Picked up the towel that I threw in Took in a heart that was ruined

Again, largely self-explanatory I feel. (*proceeds to explain anyways*) I imagine that Darlin' was at the point of throwing in the towel, hellbent on a solo-mission to find Quinn regardless of the danger it posed to them. I doubt they were looking toward the future anymore, (to reference Sam,) fully willing to throw themself at their problems until they really did break.

The specific use of 'ruined' hits hard here, because after everything they went through with Quinn, and especially after he recounted it all to Sam in that interrogation room, I imagine that they really, truly did feel ruined.

Showed me the past ain't a tattoo Loved me even when you didn't have to

These lines in particular make me sick with emotion every time I hear this song, because I feel like they hit the nail on the head for how Darlin' feels.

I'll be here citing various quotes all night that I feel showcase that sentiment, but we don't have time for that! So instead I'm just pointing to the entirety of 'Quinn's Aftermath' video, and leaving you with this single quote from it.

"Everything that he said reflects nothin' on you, and everything on him."

Equally Applicable Lines

And I don't know why Why you saw something in me, baby But you saw right through All the pain, and you came and saved me Yeah, I know you didn't leave me lonely Weren't the one that put the heartbreak on me Picked up the pieces It wasn't the mess that you made Could've left me just the way you found me But you came and put your wings around me You went out of your way To fix what you didn't break

Again, I think these lines are all pretty self-explanatory, and are just as accurate coming from either one of them. To me, at least, their entire dynamic is that they saved each other, in their own ways.

(But I will admit, the final verses about 'going out of your way to fix what you didn't break' are definitely conjuring up memories of Sam in the early days, literally going out of his way to visit and heal Darlin' after their fight with the two vamps. In general, his continued/repeated healing of them after they once again hurt themselves is the very literal definition of fixing what he didn't break.

But! While we may have more blatant examples of Sam being 'the fixer' so to speak, I think he'd argue that Darlin' has done plenty fixing of their own. Physical wounds aren't the only things that need healing, after all.)

-------

[shameless self-promo of my Sam & Darlin' playlist for those few of u interested enough to make it to the very end of this wall of text. if u liked this then u might like some of the other songs on there soooo maybe go check it out and maybe perhaps give it a follow so i can get a little serotonin boost or dopamine or whatever the chemical is that's released when Number Go Up. ...okay that's it i hope u enjoyed my fixation-induced ramblings! thank u and goodnight]

[loveandlegacy]

so i agree with you broadly! ig my point is generally that there is nothing that could have happened in that scene itself that would have really structurally solved this issue — i do think there are serious pacing and just general writing issues with the first episode and a half, and so the scene feels unearned because, like you said, we don't really have much context for viktor's motivations now. but i think to me something feeling un-earned is distinct from it feeling rushed on an internal structural level.

like i also did not want (please god i cannot overstate how much i did not want) a shippy anything between them, and i think the actual problem with viktor's story thus far is kind of similar to a problem i have with vi thus far. yes vi and cait have more scenes that lead up to their eventual falling out, but as someone else pointed out, it is pretty weird that we get so little of vi's reactions to things like using chemical warfare in the undercity. like obviously she ends up retroactively justifying that to herself, but we never even see her struggle with that cognitive dissonance or with how it affects her feelings for caitlyn (or with how it's affected BY her feelings for caitlyn), so while i can buy that she would eventually tell herself and also jinx that they did it "to protect people", it's also weird that she just seems to have emotionally arrived there without us getting to witness any kind of prior internal struggle over it.

i feel like it's kind of the same with viktor. i can basically believe that he's super weird and kind of brain broken now, and i can believe that he'd just be like 'bye jayce' and go to the undercity but i wish we had more time leading up to that moment to make it land a little harder. to take your examples, it would have been nice to have prior scenes of just him in the hexcore having Visions or whatever to help clarify why he felt that going to the undercity makes more sense than staying in piltover (or why the hexcore thinks that, if he is mostly possessed/brain-broken by the hexcore), because as it stands it's like why....is the undercity the place he'd go. i guess it's his home but he hasn't lived there for a long time. does he just go because he feels out of place in piltover? it's not super clear. similarly more scenes of him having visions might have helped clarify that his sense of self was slowly dissolving or something while the hexcore took over and that's why suddenly he's so cold and weird. but i maintain that that doesn't make the actual argument itself between him and jayce especially rushed, it's more like we are describing the external moments that might have helped clarify that argument. maybe that's nitpicky but i do think those are different things.

i also agree that it's weird that jayce is like 100% fine with the fact that viktor got basically transmuted into what appears to be a completely new life form, and i wish we had gotten more of the fallout from that after viktor left, but i sincerely cannot imagine what he would have said TO viktor about it in the moment that wouldn't have felt as tropey as what he actually already says, a lot of which feels pretty tropey.

so like lest i come off as if i liked the scene or something, i think it has its own internal flaws (primarily with the lines they gave jayce), but i still think the only actual solution for the scene would have been to have like a whole extra episode where we get to sit with all the characters a bit more either before or after something major happens, and in that case i still think it's not that their scene was uniquely rushed. it's that the first and a substantial portion of the second episodes are pretty clumsily written overall because there is no specific moment in the first like.....60-70 minutes in the show that doesn't feel like it either lacked setup or fallout in some way, so the scenes we do get end up suffering from a lack of more lush context.

im going to say something slightly mean which is that i think there is an imagined aspect of jayce and viktor's relationship that the audience is projecting onto them that actually is not supported by the text itself and that imagined facet is the reason people think their parting is rushed more than the issues with the actual show's pacing 💀

like i do think some of what jayce actually SAYS in that scene feels kind of clunky and unearned and sorta tropey, not because of who jayce is, but because it feels like they had to cut some interstitial tissue for the sake of time constraints, but even if they hadn't had to i cannot fathom that scene being extended more than like....a minute. like what kind of argument are they going to have that wasn't the one that actually transpired?

i think it's pointed that viktor is weirdly emotionally stunted and icy after he was such an impassioned person in s1 and he said everything there was to say anyway, just with a colder affect. i guess jayce could have said "hey viktor wait" like. one more time lol but in general if you take everything we have presented by the text on its face their immediate falling out could never have been that long a conversation because there isn't actually that much to argue about. jayce did what he thought was right and what is the normal human thing to do (broke his promise to save his friend that he loves and cares about) and viktor did not want him to do that. which is literally what they said to each other. very directly.

also it's like...supposed to be cold and sad. i don't think viktor is going to be the sole big bad of the show but i do think that the whole point of what we've seen so far in act i is that the arcane is inhuman and strange and kind of hard to understand and viktor has been partly absorbed into that and jayce is still very very human and full of all his hopes and ideals and therefore not able to grasp the arcane's true nature yet. a like. screaming lover's spat or whatever was not going to happen given the narrative positions that these two characters occupy. it doesn't even happen really between the two characters who are actually lovers — cait and vi have an somewhat equivalently long (so pretty short) moment of disagreement before cait hits vi in the stomach and leaves. anything else would have felt like fanfictiony and cheap imo

[opens-up-4-nobody]

...

[thankskenpenders]

The Lara-Su Chronicles: Beginnings review

The day has finally come. Many, understandably, thought we'd never get here. Maybe we shouldn't have gotten here. We've been through so much. Lawsuits, reboots, redesigns, unreleased NFTs, empty legal threats over the fact that movie Knuckles has a dad, an attempt to license out Scourge the Hedgehog to fans that immediately got canceled (in both meanings of the term), and many, MANY idiotic Twitter controversies. But now, here we are.

Thirteen years after first announcing it in the middle of his legal battles with Archie and Sega that changed the American Sonic comics forever, former writer Ken Penders has released the first part of his new series: The Lara-Su Chronicles.

Yes. I had to buy the book. I had to take one for the team. Look at the fucking URL of this blog, a blog I've been using to talk about the American Sonic comics for nearly a decade while the specter of this book loomed in the distance. The one time I've actually been paid to write an article about anything in any professional capacity, it was an article about the Penders lawsuits. I'm cited on his Wikipedia page. There was no way I was going to skip reviewing this, and there was no guarantee that scans would ever turn up online given the incredibly small audience for this trash. (Only 166 people preordered this, and even that number feels way higher than it should be.) No, I had to preorder it to ensure I could get a copy and cover it for the blog... even if that meant my name would be forever immortalized in the list of "supporters" in the back of the book. These are the sacrifices I must make as a woman who stumbled ass backwards into being an amateur Archie Sonic historian.

So, what exactly is in this book? How much of it is new? How bad is it? How did we even get here in the first place? How can this exist without Sega pursuing legal action? What happens next? And, most importantly... why are there multiple depictions of an Archie Sonic character breastfeeding in this book?

I'm here to answer those questions as best I can, and in agonizing detail.

First, for those just tuning in to this decades-long saga or those who maybe don't know the full story, here's a refresher on the background info.

"What the hell is this?"

The Lara-Su Chronicles is Ken Penders' long-dreaded long-awaited continuation of his 1994-2006 run on Archie Sonic, ignoring everything written after he left by other writers like Ian Flynn. In particular, it picks up from the cliffhanger ending of the 2003-2004 arc "Mobius: 25 Years Later," which was set in what Ken considers the definitive canonical future of the series. It stars Knuckles' daughter from that future era, Lara-Su, among other new and returning characters. The project was first announced near the start of Ken's legal battle with Archie in 2011, and he's been posting WIP previews online for about a decade. Now, after all this time, a Lara-Su Chronicles book finally exists.

We'll get to the actual contents of that book in a bit.

"He can do that without getting in trouble with Sega?"

Believe it or not, yes, he can.

Thanks to the outcome of Archie Comics' woefully mismanaged lawsuits against Ken (yes, they sued him after he started filing for copyrights, not the other way around), he now has full legal ownership of every story he wrote for Archie Sonic and every character he created for the series. This was explicitly granted to him in the terms of the settlement between him and Archie (acting on behalf of Sega). He can even reprint his old Sonic material as-is to his heart's content. The main catch is just that he can't write new stories featuring Sega characters or trademarks, and his new stories also have to be distinct from Sonic at a glance to avoid confusing readers. As such, reprints can't use Sonic iconography on the cover, a few Sega characters (mainly Knuckles) have been renamed and slightly redesigned in the new stories, and the art style has been changed to less closely resemble Sonic. But otherwise, he can do whatever he wants with his own characters.

All of this is because Archie lost the original copy of Ken's work-for-hire contract that signed over the rights to his work. Without that (or any alternative that was considered permissible in court), his comics and characters are the property of their creator by default. Yes, those old comics are full of Sega stuff, but Sega doesn't automatically own the copyright for every drawing of Sonic in existence. And Sega put their stamp of approval all over those comics and let them get sold at retail for decades, even though (in the eyes of the court) there was no legal paperwork granting them ownership of any of it. It's almost like they were unwittingly distributing a fan comic for years and declaring it a fair use of their property, and now there's no takesies backsies. It's a strange and unique copyright situation. Again, they worked all this out in the settlement. And, yes, fans have long speculated that Ken stole and destroyed his own contract to regain the rights to his work, but frankly Archie was so incompetent throughout the lawsuit (it went so bad that they had to fire and replace their lawyers midway through) that I completely buy the idea of them just losing important legal documents.

Also, in case it needs to be spelled out: while Ken's a weirdo, it's ultimately a good thing for creatives everywhere that Archie lost their lawsuit against Ken. We do not want to live in a world where corporations can claim ownership of peoples' work without the contracts to back it up. That would be an incredibly dangerous legal precedent to set. And more comic creators, and artists in general, should own their own work! Corporations are not your friend! They'll delete your work for a tax write-off in a heartbeat! It's just bewildering that this guy, of all people, was the creator who ended up successfully getting his shit back, and that this is what he's doing with it.

"What about his old collaborators? Are they involved? Is he paying them?"

Ken is mostly doing The Lara-Su Chronicles solo, though he has, in fact, talked about compensating the artists involved in any material he's reprinting. The ones who give enough of a shit to get paid for a small scale reprint of something they did 20 years ago, anyway.

On the subject of his collaborators, it's also worth pointing out that Ken's wasn't the only contract that was lost. Most of the early Archie Sonic writers from before Ian Flynn's time seem to be in the same boat as Ken, with the ownership of their stories and characters defaulting back to them. Again, Archie fucked up big time. But like I said, most of them don't really seem to give a shit. For most of them, Sonic was just a random temporary gig they took to pay the bills while Marvel was busy going bankrupt in the '90s, not the thing that defined their entire careers.

The only other Archie Sonic contributor who's tried to do anything on the level of what Ken is doing was writer and editor Scott Fulop. In 2016 he attempted to sue Archie for the unauthorized use of what are now retroactively considered his copyrighted characters and stories, and he even announced a standalone comic about his most famous Sonic character, the recurring villain Mammoth Mogul (sort of a pastiche of DC's Vandal Savage and Marvel's Kingpin, with wizard powers added for spice). However, Fulop lost his lawsuit because he didn't put together a particularly compelling case. Since then he seems to have wiped all traces of his ill-advised Mammoth Mogul comic and his company, Narrative Ark Entertainment, from the internet. For now, this leaves The Lara-Su Chronicles the only project of its kind.

"What about those other Archie Sonic reprints he just announced?"

At the time of writing, Ken is once again claiming that he's trying to get the band back together to reprint all of Archie Sonic, now under the bad new banner "Floating Island Productions: MOBIAN LINE" that I can't imagine he consulted literally anyone else on.

So, like, look. As we've established, Ken can reprint his own stories. And if he can work something out with the other contributors whose contracts were lost, he can print their work, too. But there is no fucking way he's getting his hands on Ian Flynn's run, which Sega undoubtedly holds the copyright for. Even if they don't, Ian needs to maintain a good working relationship with both Sega and IDW if he's to keep his job, so he'd never go for this. Not to mention that Ian and Ken just... don't get along! Ken's whole plan here seems to be predicated on IDW going out of business (a thing he REALLY wants to happen) and freeing up the Sonic comic license, after which he knocks on Sega's door and goes "hey I've still got dirt on you guys," blackmailing them into giving him the Sonic license back so that he can reprint the later comics. Every step of this plan is ludicrous. It's never gonna happen.

He's been saying he wants to reprint the whole series for a few years now, though. This isn't really anything new. And despite his lofty plans that set Sonic Twitter ablaze, he quickly backpedaled. The only specific things in the works right now are a "two-volume omnibus" of all of his Knuckles stories and a collection of artist Scott Shaw's work on the very early Archie Sonic issues, since they're on good terms with each other. I have no idea how Ken plans on packaging these when he can't put any Sega characters or the Freedom Fighters on the covers, but these projects are small enough in scale that there's a decent chance they'll see the light of day. Scott Shaw only did like five issues. But anything beyond that? I'll believe it when I see it.

Or, y'know, this could've all just been a publicity stunt for his new book. I wouldn't put it past him. Let's just focus on the book that actually exists.

"So he finally did it? He made a whole Lara-Su book? It's out? He finished it??"

Yes and no.

The book that's out now is The Lara-Su Chronicles: Beginnings, a prologue for the series of seven graphic novels Ken somehow plans on making, even though it's taken him 13 years to put out literally anything new. I don't know whether or not this counts as book one of seven, because it only features 30 pages of new comics. 30.5 if I'm being generous.

Most of the book is actually just a reprint of his infamous Archie Sonic storyline "Mobius: 25 Years Later", which ran from issue #131 to #144 in 2003-2004. (Again, yes, he can reprint this, he just can't put Sonic on the cover.) Why's it infamous? Well, Ken had been building anticipation for this future era of the series for basically his entire run. We kept seeing King Sonic and Queen Sally from the future. Knuckles' entire backstory hinges on his dad having a vision of this future. Several years before Silver the Hedgehog was created, it was Lara-Su who was Sonic's equivalent to Future Trunks, the cool-looking child of one of the main characters who traveled back in time to try and prevent a dark future. Believe it or not, yes, there was hype for Lara-Su. And then we finally got M25YL, and none of that cool stuff happened. Instead it really ended up being about how unbearably boring the middle aged Sonic, Knuckles, Sally, and co. are in this peaceful future where Robotnik is dead and they're all married with kids, forced into traditional nuclear family gender roles. Lara-Su is present, but she mostly just does generic teen girl stuff and complains about how Knuckles won't let her do anything even though she REALLY wants to be the new Guardian of Angel Island, like, super bad! Come on, dad!!!

In its original printing, this meandering arc ended on an abrupt time travel cliffhanger that Ken was never able to follow up on before he left Archie in 2006. This new printing slightly changes that ending, using the unresolved timey-wimey shenanigans as a convenient excuse to alter the entire timeline. This creates the slightly different world of The Lara-Su Chronicles, where the few relevant Sega-owned characters have been replaced and everyone is ten times uglier.

After this, we finally get two short new stories picking up where M25YL left off: "The Storm," starring Acorn Kingdom super-spy and known creep Geoffrey St. John, and an early release of the first chapter of The Lara-Su Chronicles: Shattered Tomorrows, the first full TLSC graphic novel.

And now that we're all on the same page about what we're looking at, let's actually talk about the book!

The cover

Let's start by beating a dead horse. The cover art: it's still bad! But why is it bad?

The cover is, of course, based on Patrick Spaziante's cover from Archie Sonic #131, the start of the "Mobius: 25 Years Later" arc. (Ken did the layout for that cover, though, so in the eyes of the law he's the original creator who owns that cover.) That cover was, itself, a tribute to the iconic cover of Giant-Size X-Men #1 by Gil Kane and Dave Cockrum, the issue that introduced the version of the team with Wolverine, Storm, Nightcrawler, etc.

Ken seems to have forgotten that the point of both these covers was to hype up the arrival of a new cast of characters. The new guys are supposed to make a dramatic entrance front and center. That's the focal point. Meanwhile, the cover for Beginnings has the old timeline versions of the cast from Archie Sonic dramatically bursting out of a shattered crystal ball, while their new counterparts look on in mild bemusement - if they're even bothering to look at all, since most of the characters here are just copied and pasted from their profile pages. That's just not how you do this particular homage! The point is supposed to be "out with the old, in with the new." And why are they using a crystal ball to view the past? Hell, why are they even using a crystal ball at all? The original arc was presented as a magical vision of the future courtesy of Tails' uncle Merlin (don't ask), but the new story leans all the way into being futuristic sci-fi.

Of course, there is no real artistic intent at play here. The old versions of the characters are placed front and center in the crystal ball simply because Ken traced over Spaziante's original art of Lara-Su and Julie-Su (the only two characters on the Sonic cover he owns) and threw out the rest, ruining the composition in the process. Look at the awkward empty space where Sonic, Sally, and Rotor once were, and the new drawing of The Character Formerly Known As Knuckles who's no longer properly centered between his wife and daughter. Even if Ken can claim ownership of the cover because he did the original layout, this all just feels scummy and lame.

And, yeah, if it needs to be said, the new characters and Ken's new rendering style look like absolute fucking dogshit. Putting new Lara-Su directly next to old Lara-Su does her no favors. The shattered glass effect looks absolutely atrocious. I could go on, but we'll have plenty of time to talk about the art style when we see how bad the stories inside look.

Changes to "Mobius: 25 Years Later"

Overall, 99% of M25YL is presented identically to its original printing. Sonic, Sally, Knuckles, et al. are still present with no changes to their names and no tweaks to the art. Even the original cover for issue #131 is included only a few pages into this book with its Archie, Sonic, and Sega logos still intact and everything. Again, because of the weird copyright situation described above, these preexisting comics can be released without any changes.

There is exactly one bizarre change to the art, though, where a hand drawn shot of Angel Island is replaced with an unfitting photo background and the ugly Floating Island photobash that Ken has been using as his personal logo for decades. I think he only did this as part of a test for his motion comic app that nobody asked for. I don't know why this had to make it into the print version. It's like the book is firing a warning shot for what's to come if you keep reading.

The new content begins on the final page of M25YL. In the original wet fart of a cliffhanger ending, Sonic and co. accidentally alter the timeline with an old time machine of Robotnik's and Lara-Su begins to fade away. Then, after everything goes white, we just cut to the present day heroes going "gee, you ever think about the future?" In this new printing, that last bit has been cut, and the rest of the page has been awkwardly shrunk down so that Ken can fit in a new panel. We now see the hands of an off-screen villain, seemingly named "Override," proclaiming that "the Praetorian" (Knuckles) has messed up the timeline again and that they'll finally get their revenge.

Who is this Override? I have no fucking clue. The new stories in this book make no mention of them. You have to buy the next book to find out.

My confusion over the identity of this villain overlaps with another big problem: name changes. So many names and nouns have been arbitrarily changed in The Lara-Su Chronicles, even ones Ken didn't have to change for copyright reasons, and I only know what half of them are replacing because Ken's been tweeting about this shit for years.

The echidnas are now a totally original alien race called "the Echyd'nya." Even in flashbacks to events from M25YL attempting to mimic the old art style, if it's on a new comic page, they're gonna call themselves "Echyd'nya." Evil echidna faction the Dark Legion is now the "Cyberdark Dominion," hailing from the "Cyberdark Colony." The Brotherhood of Guardians is still the Brotherhood of Guardians, but now the main guardian is called "The Praetorian." Angel Island is still called "The Floating Island," like it was in the older Archie comics, but it's ALSO sometimes called "Avion"? When I read this I wasn't sure if he had randomly renamed Albion, the other echidna city from the Archie comics. But no. Now we have an Albion AND an Avion. Sally is mentioned simply as "Princess Acorn," while Sonic is referenced once as an unnamed "blue-spined Erinaceinae," using the scientific name for hedgehog to make it sound more sci-fi. In an incredibly ballsy move, Ken even mentions Robotnik as "the Insurrectionist Kintobor," retaining his original surname from the Archie comics that's just "Robotnik" backwards. Guess Sega never trademarked that one.

Aside from every name change being a downgrade, this leads to confusion when you're not sure if something is supposed to be new, or if it's just an Archie thing you're supposed to recognize despite having a new name and design. Is "Override" someone I'm supposed to know already? Am I just supposed to have read a fucking tweet from Ken where he said he changed the name of some existing villain to "Override"? The answer is no, but I had to term search his Twitter just to verify this.

Moving on!

New story #1: "The Storm"

If you've been following the WIPs, this is that story about Geoffrey St. John that Ken's been posting previews of for almost a decade. The title page copyright dates it to 2015, and that absurdly long gestation is probably why the art is so inconsistent here. Even the style of speech bubbles and the font change between pages two and three.

This is a problem when there's supposed to be a deliberate and noticeable change in art style here signaling the moment where the time travel stuff alters the timeline, replacing the Archie Sonic world with the Lara-Su Chronicles world. If you don't already know that's what's going on, the idea isn't conveyed clearly at all. It just goes from one hideous art style to a slightly different one with no explanation.

The main problem here is that Ken has hitched his wagon to a franchise about anthropomorphic animals when he can't draw furries to save his life. (Though a bit later in the book we'll also begin to wonder if he can even still draw humans.) He's shifted away from the cartooniness of the original designs and given them more human proportions and facial features, but this just ends up making them look incredibly uncanny and lumpy and gross. With some designs he's trying to lean into more of a Star Trek alien vibe, but then he still insists upon retaining the giant Sonic eyes on most characters even though he has no idea how to make them emote.

The rendering of these godawful designs doesn't do them any favors, either. Ken's going for more of a painterly look now, but it almost seems as though he's shading everything with Photoshop's burn and dodge tools that are designed to darken and lighten select areas of a photo. The result is a muddy, smudgy look that makes it feel like the color layer has been smeared in vaseline. And it only looks worse after coming off of 14 chapters of M25YL that have way more palatable art.

The backgrounds, too, are a complete mess, a jumble of low res jpeg photo elements (sometimes with extremely noticeable pixelation), stock textures, and smooth digital gradients. There's no real sense of place here, and it gives everything a surreal, dreamlike quality when you can't really tell where anything is supposed to take place. This first story is seemingly set in a high-tech stronghold below Castle Acorn called "the Bunker," but it could just as easily be confused for the bridge of a spaceship. This whole story features characters speaking to each other over floating video displays and hologram projectors from three different locations, but without a hologram effect and without a clear sense of where the characters are it often feels like they're just in the same room as each other. Characters will be in one location on one photo background, and then the camera angle changes and they're in a completely different place, because Ken just uses mismatched photos off of the internet. It's been like 25 years since he first tried using photo backgrounds in the Archie comics and he hasn't gotten any better at it.

When I had my boyfriend read the book to see if it made literally any sense to him (it didn't), Anthony said this: "This is the kind of shit I'd see linked on a Second Life world that hasn't been touched since 2004." I think he really hit the nail on the head. Now, there's actually a contrarian part of me that thinks that might theoretically almost be kind of cool, in sort of a messy counterculture way. I love weird indie shit. I was a Homestuck reader! But this isn't a scrappy mixed media zine, or experimental outsider art from someone just messing around with Photoshop, or a loving throwback to weird old internet art, or even something intentionally bizarre and offputting like Xavier: Renegade Angel or a PilotRedSun video or whatever where the fact that it's weird and ugly is part of the humor. This is supposed to be a sincere sci-fi epic drawing on Star Trek and Jack Kirby comics, made by a guy who's been drawing comics professionally since the '80s. This is supposed to look good. This is supposed to compete with mainstream comics that are on sale right now. He thinks any day now IDW's gonna go out of business and Sega will come crawling back to him so that he can stamp the Sonic logo on shit like this. It just doesn't work.

But, okay. It's ugly. We knew it would be ugly. But that ugliness would be much easier to accept if it was in service of an otherwise genuinely good story. So what about the writing? After all this time, how does Ken choose to kick off this new saga? Well, credit where credit's due. "The Storm" feels like a proper continuation of Ken's writing style from M25YL.

Because it's eleven pages of characters standing around and talking while nothing fucking happens.

Here's the synopsis: A dog woman named Brownie, an ensign in the Royal Secret Service fresh out of training and the only character who's almost cute, walks up to Geoffrey to deliver a report. He's immediately suspicious of her, asking who let her in and if she's a spy for Elias (Sally's brother, if you're new here) or Alicia (Sally's mom). The art style suddenly shifts when the timeline is altered, but the scene continues uninterrupted. Geoffrey points a gun at Brownie when she won't say whose spy she is. Geoffrey is distracted by a call and proceeds to have a conversation via a mix of holograms and video screens with Remington (head of Echidnaopolis security), Spectre (Knuckles' great great great great great grandpa, the one with the helmet who always looks evil), and a new scientist character named Dr. Zephyr/Zephur. (The spelling of this character's name changes multiple times throughout the 11-page story, because I guess nine years wasn't enough time to spellcheck this shit.) They say a bunch of made up technobabble nonsense about how it looks like the timeline was just altered and Knuckles and co. seem to be involved. It's complete drivel that I'm not even going to try to make sense of. Everyone decides to investigate further, and the conversation ends. Brownie tells Geoffrey she's his spy, then walks out and implies she's actually Alicia's spy in her inner monologue.

To be continued!!!

Yes, that's it. It's really just a bunch of technobabble where some characters talk about how it seems like the timeline has been fucked with. That's it. The whole time Geoffrey doesn't even get up out of his damn chair, which he's of course sitting in backwards to show how cool he is. It's just 11 pages of Geoffrey sitting in a chair and talking to people and looking uglier than he's ever looked. Nothing happens. Nine years for this.

I'm also struck by how meaningless all of this is to anyone who hasn't read Archie Sonic. The added context from M25YL may help a little, but "The Storm" focuses on characters who weren't in that arc, and the story does very little to introduce who any of them are. Brownie could've been super useful as an inexperienced point of view character who's only meeting the others for the first time here, but instead she's really just a passive observer who's here as part of some kind of 4D chess game between Geoffrey and Alicia, an off-screen character whose motivations in this era of the story are completely unknown to even returning readers. Who are the good guys and bad guys here? What are the conflicts and the stakes of the story moving forward? What do these characters want? Basic questions like this aren't really answered. I can't imagine a new reader being able to make heads or tails of this. Hell, I can't really imagine a returning reader who hasn't been following the last decade's worth of Ken's tweets about this story making heads or tails of it, either.

...Maybe more will happen in the next story?

New story #2: Shattered Tomorrows preview chapter

After another message from Ken, the story of The Lara-Su Chronicles proper begins with the redesigned Lara-Su walking along a jpeg photograph beach at sunset and crying while thinking about how Knuckles - sorry, his name is K'Nox now - is dead.

Yep! Straight into the dad stuff!

Look, I'm the last person to complain about writers getting super personal and drawing from their own baggage in their writing, but Ken's just no fucking good at it. There's no nuance, nothing interesting to say. He just keeps writing mediocre-to-horrible dads whose misdeeds are always justified by their "good intentions," and then sometimes they die and their kids are like "we may have fought but actually you were the bestest dad ever and I'll miss you forever, I'll never be able to fill your shoes!"

This is the only part of the new material here that feels like it has any heart behind it, because I know how much his complex relationship with his late deadbeat father means to Ken (there's an author's note in this outright saying as much). But the guy died 42 years ago, and it doesn't feel like Ken has had any new thoughts about this part of his life in those four decades. He's just not an introspective or self-aware enough artist to actually mine his personal baggage for anything beyond "father knows best."

Anyway, so then it jumps forward in time(?) and now we're following this human guy who looks like this.

Previously, Ken got a lot of shit for literally just using the likeness of Anthony Mackie for this guy, based on his IMDB profile photo. Ken has thus redesigned the character... and by that I mean I think he looks more like Ernie Hudson now? Ken's clearly just working off of photo references (if not straight up tracing), given his face is the most detailed and realistic-looking thing on any page where he's present.

But you may be wondering: who is this, and why is he here? Well, for one, he's here to run around in front of some low res space photos while making trite references to things like Planet of the Apes and Star Trek. Haha, he makes a joke about red shirts! Original!! But beyond that, Commander Mykhal Taelor (yes, that's really how he chose to spell it) is a human... from Earth! Archie Sonic readers are probably confused, because in those comics Mobius is Earth in the distant post-apocalyptic future. Well, despite being a Planet of the Apes fan, Ken always hated that particular worldbuilding decision from Karl Bollers, always preferring to think of Mobius as a separate alien planet. And now he gets to make that canon in his own stories and throw out Karl's ideas. So Mobius is basically just, like, a Star Trek planet now, with its own alien creatures that sometimes just so happen to look like anthropomorphic Earth animals.

Also, at one point Taelor wonders if the inhabitants of the dead Mobius might have been human, and the alien ally he's talking to over the radio says it's unlikely. "I don't understand why your kind has a problem understanding you're a minority within a minority." Perhaps poor wording for a line said to the only Black character in the story.

Anyway, Commander Taelor here seems to have discovered the uninhabited husk of Mobius after the vague time-space cataclysm everyone was worried about in M25YL has come to pass, and he finds an audio log from Lara-Su that I presume will explain what happened. I guess those are the titular Lara-Su Chronicles. In theory this flash forward establishes some sense of pressing danger, but when the threat to the planet is so unclear and technobabble-y it just kind of lands with a thud.

It doesn't take long before we get back to Lara-Su being sad about her dad. A good little chunk of the chapter is spent with this new timeline's Lara-Su recalling moments in her life, including echoes of the original Lara-Su's memories from M25YL, which feels redundant coming hot off the heels of a straight reprint of that entire arc. And boy, for anyone who read the later Archie Sonic comics, the protagonist having vague memories of the old version of the series from before a lawsuit-related timeline reboot sure does sound familiar, huh?

The art inconsistency somehow becomes even worse in this story, with Ken flip-flopping on whether or not he wants to use outlines, with the no-outline art managing to look even worse by relying entirely on Ken's awful rendering. By this point in the book, readers are also likely to start noticing how often Ken reuses art from previous panels. This is a shortcut that tons of comic artists use, of course. Invincible famously did a joke about this. It's often understandable. But, again... it sure does stand out in a book that took 13 years to make with only 30 pages of new art. Amusingly, Ken even manages to combine his inconsistency and recycling problems by reusing the same art with and without outlines. And, of course, any time Ken tries to draw the Archie era designs it's just... the worst.

And, yes, it's in this dreamlike montage sequence of Lara-Su's life that we get...

The uncomfortable family nudity scene, followed by the dual timeline Julie-Su breastfeeding scene.

Yeah, you might have heard about this one already. If this incredibly eerie presentation of Lara-Su's hazy memories of the two different timelines make it hard to tell what's going on, don't worry. There's another, clearer version later in the book as part of Julie-Su's character profile, because I guess Ken was just so proud of it.

(I censored these myself because I'm not playing Russian roulette with Tumblr's inconsistent nudity rules and risking getting banned lmao)

Like, okay. Is a mother breastfeeding her child really that shocking of a thing to see in a story? No, not at all. But, like... when it's two characters who you previously created for an officially licensed Sonic the Hedgehog comic for 7-year-olds... and some of those officially licensed Sonic the Hedgehog comics for 7-year-olds are reprinted in the same book... and when it's drawn like this... yeah, it's kind of a shocker.

It just looks so unnatural. Julie-Su is posed very deliberately so that you'll see both of her breasts, and in the new timeline version she's barely even holding Lara-Su so you can really get a good look at her supermodel body, showing zero physical signs that she just gave birth. Most people will immediately jump to this being Ken putting his fetishes in his work (a type of criticism that I'm incredibly tired of - it's 2024, all the cool artists are blatantly putting their fetishes in their work now). And my immediate response is that, no, this is probably just Ken trying to come off as really mature on a surface level, a thing he's been obsessed with since the Archie days. Free from the shackles of writing a licensed children's comic, of course he's going to jump immediately into depicting some nonsexual, artistic nudity to try and prove he's A Real Mature Artist For Grown-Ups who just thinks the human body is beautiful and breastfeeding shouldn't be a taboo etc. etc.

But then, like. You look at some of the other character designs. Like Espio's daughter Salma, who's now this horrifying alien lizard person who's always nude, and her scale pattern puts scales exactly where her nipples should be. Or you look at his comments about the Echyd'nya age of consent. Or you look at how he keeps drawing Lara-Su in this. Like, does the shuttle really need this, like... reverse chaise lounge thing in the cockpit? So that we can keep getting these shots of the 16-year-old Lara-Su lying on her stomach and posing with one of her legs kicked up, her naked ass in plain view?

The vibe isn't great, is what I'm saying!

I'm not going to try to ascribe authorial intent here. I don't know. I'm not a psychic. Given his very blatant reliance on photo references elsewhere in the book, it's entirely possible he just referenced some figure drawing photos that were maybe just a little too sexy. And also, he's an American comic book artist, and a boomer one at that. Those guys tend to draw women a certain way, even when it's not supposed to be sexual. I don't fucking know. It just sucks. I'm not gonna make some hyperbolic statement about how this makes him a literal pedophile who should be in jail, but it is deeply offputting and objectifying.

But if you already knew about the nursing scenes and were hoping there was some other really shocking stuff in there for me to talk about in this review, sorry to disappoint, but nope. That's the only shockingly weird new thing in here. Once again, not a lot happens in this story, and what does happen is pretty boring.

Once we get past the recap stuff and the human guy, the plot developments boil down to this: The timeline was altered at the end of M25YL... but not as much as you might think. In the new timeline, Knuckles ("K'Nox"), Cobar (now looking significantly younger), and Rotor (now a rhino just called "The Emissary") still traveled via shuttle to go find a time machine in the Badlands and fix the time-space continuum, like in the climax of the original arc. This time, though, Sonic wasn't there, and Lara-Su came along without having to stow away. Lara-Su watches the ship while the grown ups go deal with the time machine, and then after a couple panels Not Rotor comes back with Cobar and is like "Hey, Cobar got hurt, we gotta leave. Dunno what happened to your dad." And then they just, like. Presume that Knuckles must have died. Even though we have no idea what happened to him. And then they just fly away. And then Lara-Su is sad that her dad died.

And that's pretty much it!

This is supposed to be a really emotional sequence - it's literally the scene where Lara-Su learns that Knuckles is dead - but instead it comes off as unintentionally funny because of how poorly it's portrayed. Not showing Knuckles' actual disappearance is a huge misstep, for one, making his uncertain fate more confusing and anticlimactic than dramatic. But also, Ken keeps just using the same two drawings of Rotor for two pages, so he doesn't really seem to be emoting at all, and he's in this spacey hazmat suit that honestly just makes him look like fucking Moltar from Space Ghost. So the whole time I'm just reading his dialogue in Moltar's deadpan voice as he's like "I dunno. We did what we could. Anyway, let's leave."

After this, we get a two-page spread previewing the rest of the story from Shattered Tomorrows. It's basically like a trailer in comic form. It has one of the most mystifying layouts I've ever seen in a comic book. I have no idea what order I'm supposed to read this in.

Yeah, I kinda have a feeling this is the full extent of what Ken has drawn for the rest of that book. I'd love to be wrong, but I fear that I'm right.

Bonus material: Data files

These are mostly very dull, recapping a lot of events shared between Ken's Archie run and the new Lara-Su Chronicles timeline. It seems like almost his entire run is still considered canon to the backstory of the new timeline, just with some names changed, and things only really diverge at the climax of M25YL. But I'll share the interesting stuff here.

Lara-Su

The main thing you'll notice in Lara-Su's profile is the massive, unreadable wall of text where Ken felt the need to list the entire Knuckles family tree, split across both pages.

This is literally so long that Lara-Su's personal history has to awkwardly cut off mid-sentence and be continued on the final page of the book, after the rest of the data files.

Also, please note that this list gives Julie-Su's mom's full name as Mari-Su of the House of Atrades. Incredible on all levels.

There's also a reference to the dark timeline Lara-Su was originally supposed to come from. You know, the one where Julie-Su is the leader of a rebel movement fighting against a Knuckles who had gone mad with power? The timeline that would have been way more interesting than the one in M25YL? Here it seems to have been written off as the result of another "timeline disruption." Lara-Su allegedly has vague memories of this timeline, in the same way that she has vague memories of the M25YL timeline.

Geoffrey

Geoffrey's bio mostly recaps events from the Archie comics, which means the Sonic/Sally/Geoffrey love triangle has to be alluded to. His rivalry with Sonic is described like this:

"He would later resurface when Kintobor was transporting his latest hi-tech weapon, the Dynamac-3000. It was during that mission he discovered a rival for the Princess' affections. Whereas the Princess would be one of a line of conquests where St. John was concerned, the blue-spined Erinaceinae who protested doth a bit too much regarding his affections for the Princess for St. John's taste would prove to be a source of great sport and amusement."

Yes. It's gross. Saying that Geoffrey saw Sally as "one of a line of conquests" is gross. Ken writing this and then still treating Geoffrey as the coolest badass ever is gross. The "Princess Acorn" is also first on the list of Geoffrey's "female relationships" elsewhere in his bio, though I suppose how much of a "relationship" they had is left vague. Honestly, at this point the fact that Ken didn't explicitly confirm that Geoffrey took the underage Sally's virginity in the book comes off as a display of restraint. The bar couldn't be any lower, I know.

Remington

His bio is, frankly, shockingly long for such a minor character, though I guess he does get a large portion of the word salad dialogue in "The Storm." There's a lot of stuff here about how the identities of his biological parents are shrouded in mystery, a plot point that fans have long speculated Ken just straight up forgot about in his time at Archie. (Ian confirmed that Kragok from the Dark Legion was Remington's dad, though, so this isn't really much of a mystery.)

Lien-Da

She gets a bio even though she's not present in the two new stories, just so we get to look at her awful new design and compare it to how Steven Butler drew her earlier in the book:

Commander Taelor

We get to see two drawings of him with the same exact Ernie Hudson face side by side! That's fun.

Julie-Su

She gets a list of "known friends," but the only character listed is Knuckles' mom. Poor Julie-Su.

Also, Ken feels the need to reiterate that Knuckles and Julie-Su are still distant cousins. He made a whole new timeline where he can change whatever details he wants, but THAT had to remain canon. Thanks, Ken.

And then after the data files we get the special thanks page, listing everyone who preordered the book and/or bought TLSC merch from Ken.

With my name on the list. Because I had to buy a copy to cover it for the blog.

My name is on the very next page right after the breastfeeding panel in Julie-Su's data file.

Yep. He got me.

Is it at least a well put together book? Like, in terms of manufacturing quality?

Its physical quality is... fine. It's a nice, sturdy hardcover. The print quality seems fine, though mine does have a bit of smudging from some sort of printing error on one page. The pages don't seem like they'll fall out on me. The image quality is crisp. The colors are vibrant. This is a low bar, but this is one of the few places where I'm able to give this book anything resembling praise.

The formatting and graphic design work, on the other hand...

(I didn't crumple those page corners, it came like that.)

For one, the placement and sizes of the M25YL pages is inconsistent, largely due to the fact that the book doesn't actually match the proportions of a comic. A lot of pages aren't properly centered vertically. Some pages go all the way up to the top edge of the paper, while others leave a visible gap of about half a centimeter. Every page has a 1cm gap to its left and right, which is sometimes filled in with a solid color or gradient that doesn't quite match the page it's surrounding. I have to assume Ken didn't have any sort of source files or original artwork to work off of, as those ideally would've had more generous bleed to account for slight shifts in printing. It kind of seems like he just got the highest resolution versions he could find of the digital releases online and printed those. The colors are a dead ringer for the digital versions, which have always looked slightly more saturated and pastel than they did in print.

I can't say this bodes well for his further plans for Archie Sonic reprints - sorry, Mobian Line reprints. If they ever come out, please, for the love of god, do not buy those. I don't care how much you love Archie Sonic, they aren't going to be good reprints. For comparison, IDW's similarly priced hardcover Sonic collections have none of these formatting problems, because they're made by people who know what they're doing with access to the actual source files.

The book also has its fair share of text-focused pages, split between the data files and messages directly from Ken about the history of his career and this project, and these are formatted in the most amateurish way possible. Just massive walls of Arial text over either plain white backgrounds, simple gradients, or faded photos. I've seen school yearbooks with better graphic design. Even ignoring my subjective feelings about the art and stories within, this book does not feel like it's worth $36 USD.

It's frankly shocking how shabby he let this thing look considering it's supposed to be his baby. And doesn't that really sum it all up?

Closing thoughts

Obviously, I did not expect this to be any good. But I'm still left kind of dumbfounded by it.

I think what really strikes me about it is that Ken had a blank check to do whatever he wanted here. He got an opportunity many writers would kill for when he gained complete ownership of his most famous work. He's free from the limitations of a monthly licensed comic book for children, free to make whatever creative decisions he wants without editors or other writers or Sega to worry about, free to completely reinvent the series to his heart's content and finally tell the story of his dreams. And with that opportunity and 13 years of his time, he made... this. A direct continuation of "Mobius: 25 Years Later" that barely changes anything about the characters or world beyond their awful new designs, even though much of the word count is spent rambling about how the timeline has changed. A story that makes zero concessions for new readers, or even returning readers who don't already have the last decade's worth of Ken's tweets explaining his creative decisions burned into their memory. 30 pages where nothing really happens and the story barely moves forward an inch despite the decades-long wait - but maybe something will happen if you buy the next book!

Who is this for? Maybe this really is a project for no one but Ken. Maybe he just really, really wants to finish the story he started, a story that's personal to him due to the family history it evokes, and the number of people who enjoy it or buy it beyond that is irrelevant. I think that many of the best artists are incredibly self-indulgent ones working with that exact mindset, artists whose enthusiasm for their own work jumps off the page or screen. So, if that's the case, then why the fuck isn't he telling the damn story? What's stopping him? Why is he still spinning his wheels? Where is that passion for his own work? Because it sure as hell isn't there on the page. There's a huge part of me that really wishes I could say "Man, what a weirdo, but you do you, Ken. You tell your weird little story." But there's barely any story here. It's like he loves styling himself as a storyteller, but he's terrified of finally having to actually tell a story after all this time. He's still stuck in the exact same mode of writing he was in almost 30 years ago when he was doing 6-page backup stories about Knuckles, just killing time and stringing readers along until he's eventually able to truly realize his vision. If not now, then when, Ken?

Even the back cover blurb is mostly just a dry recap of the history of this thing. It was a Sonic comic, the original arc was published in these issues, it went unfinished, Ken left Archie, the lawsuits happened, now he's continuing the story. There's nothing about why anyone should give a shit about this as its own story, even though Ken has spent years trying in vain to convince people TLSC is its own beast that shouldn't be judged as a Sonic story. I think deep down he knows that there's no pitch for this beyond the novelty of it originating from Sonic. And that's why, despite declaring that he'd leave the site, he's still on Twitter riling up Sonic fans. It's the only attention he gets at this point.

Maybe this is too harsh when those 30 pages of new comics are just intended as a preview for the "real" book. But the elephant in the room is that we have no idea if that "real" book will ever actually come out, let alone the entire series of seven graphic novels that will supposedly complete this saga.

Ken is undeniably a complete jackass and all around unpleasant, vindictive person who's rightly become an industry pariah. He's a self-proclaimed paragon of progressive values who'll send Comicsgaters after his successors for the crime of not worshiping the ground he walks on, and then turn around and announce he's going to reprint their work without even consulting them. He's a sore winner who already won his copyright battle on a level most comic writers would never dare to dream of, and yet still won't truly be satisfied until he sees an entire major comic publisher go out of business, putting god knows how many people out of work, because he thinks this would get him back the license to a video game franchise he doesn't even like.

But I still have to pity him.

As an artist, the trajectory of his life is my nightmare. I think all of us fear dying before we can tell all the stories we want to tell. There's simply never enough time to do everything. And here's Ken in his 60s, talking about how he's still planning on making his magnum opus all by himself out of stubbornness and pride, despite demonstrably proving he can't handle the workload, and also talking about how if he dies before the project can be finished he'll have to pass the torch on to his kids and get them to finish it for him. It's so grim. Even just typing that sends a shiver down my spine. It took nine years of his limited time on Earth to finish and release an 11-page comic about Geoffrey St. John sitting backwards in a chair.

This is a purgatory of his own creation. And yet... I'm not sure he's ever been prouder. One must imagine Sisyphus happy.

I guess if I want people to take anything away from this review, it's this:

Lesson one: If you're an artist or writer of some kind, or an aspiring creator, don't wait around. No one else is going to tell your story for you. Start writing that novel. Start drawing that webcomic. Start making that game. If Penders can put out this damn book that no one asked for after 13 years of work, then proudly proclaim that he's still going to make six or seven more books and also reprint hundreds of comics he doesn't have all of the rights to, then show up to cons with that foul Lara-Su Chronicles: Shattered Tomorrows banner and sit in front of it beaming with pride, fully aware of his critics but saying "fuck 'em, I know I'm hot shit," then you can do fucking anything. Tell the weird, sincere, cringe story of your dreams. If Ken Penders doesn't have imposter syndrome, then nobody should.

And lesson two: Don't buy Ken's books.

[reiderwriter]

Little Angel

Pairing: Spencer Reid × virgin!fem reader

Genre: SMUT, some fluff, a little tiny smidge of angst. MINORS DNI 18+

Summary: As the youngest and most innocent member of the BAU, they all take care of their little angel. When they find out just how innocent you are, though, one member takes his possession to the next level. You're his little angel, and he's determined to have you.

Warnings: loss of virginity, loss of innocence, degradation, pet names, oral sex, thigh riding, fingering, cum marking, love bites, Spencer is territorial and possessive, Dom! Spencer Reid, PinV sex, mentions breeding, but he pulls out.

A/N: We've reached Day 8 of kinktober! It's our second "long" fic, meaning there's a bit more plot to this, and the smut scene is longer too (WC is almost 7k!) I hope you love this one just as much as I did... The kinktober masterlist can be found here, and my regular masterlist is here too! If you want something specific, my requests are open ❤️

Your first three months with the BAU were a blur, and for good reason. Endless cases, back-to-back, interrupted only by the slight hint of a weekend or the ever possible death row interview. You were tired, stressed, and afraid to walk home alone at night, and absolutely satisfied. As far as you were concerned, it was all worth it to get these monsters off the streets, to help save their victims and to find out what made them tick. There was nothing else you'd rather be doing. 

The team had helped you settle in well, too. You'd joined the team after Alex Blake had left - she'd recommended you actually from the college seminars you'd taken with her. You were obviously lacking a bit of experience, so they took on two team members, and you and Kate Callahan had the great opportunity of both being the newbie. But you had a slight disadvantage of age, coming in as the youngest member of the team. You thought that might be why you'd settled in so well, in all honesty. 

Hotch and Rossi were both protective in a fatherly way. Hotch pushed you and Rossi encouraged you and that was everything you needed from them. A strong pat on the back at the end of a case and a "you did good, kid," and whatever hell they'd pushed you through, it was worth it. Morgan's tough love was brotherly, but he did a great job at getting you to relax on and off the case, reminding you to not take the work home. JJ and Kate were great mentors. It wasn't easy being women in the FBI, let alone the unit that specifically looked into some of the most misogynistic killings, rapes and abductions in the world. They both gave you tips about how to handle condescending officers, and JJ had held your hair back after you'd puked your guts up on a particularly harrowing day in the field. With Penelope, friendship was easy, and you loved talking to her about whatever hyperfixation you were on that week, loving that there was someone on your team that had filled their life with genuine joy in the face of so much horror. 

And Spencer. Honestly, you were beginning to think that you'd used Spencer as a human stuffed toy a bit too much. 

You don't know how it happened at first, just that after one of your first few cases, you'd been so elated to find a victim alive, safe but traumatised, that you'd thrown yourself into his arms the minute you got back to the precinct. 

"We did it, I thought she was going to be dead, Spencer but she isn't." Your head was pressed into his chest, you were almost surprised he even heard them, muffled as they were. If you weren't so elated, you'd have noticed the way he'd stiffened at your touch, panicking slightly before awkwardly wrapping his arms around you, too. But you pulled away before you could notice that he wasn't really used to any physical comfort, bouncing off to write up your case report. 

Spencer noticed, though. Noticed how the heat of your body made him feel comforted, the way his heart rate increased to 125 BPM from it's base rate and didn't fall back to normal for another half hour. He noticed that you smelt like jasmine and patchouli, and more importantly, he noticed that he didn't really care if you touched him, and that was new. 

It became a kind of ritual for you, finding him after a case and folding into his arms to celebrate. They were friendly hugs, after all, a sign that you'd been through hell together, and you'd made it through like avenging angels. They only lingered longer when the cases went badly. You turned to crying in his arms after you'd discovered the body of a dead street girl, Veronica, in pieces in the house of an unsub who'd committed suicide by cop moments earlier. 

"I told her she'd be safe if she talked to us, Reid. I told her we'd protect her, that I'd protect her." You were so hurt by that failure that he'd had to drive you home that night, holding your hand the entire way so you didn't feel so alone, left to fester in your guilt. 

The rest of the team had begun teasing you about the hugs, but you'd brushed them off. You hugged everyone else too, and you knew for a fact that Penelope hugged every member of the team, so there was nothing special going on between you and Spencer. No one had deigned to inform you of Spencer's germophobia and aversion to touch. 

"Gonna tell me what that's all about?" Morgan asked Spencer as you bounced away from a hug one day, leaving to remove your FBI vest. 

"What what's all about?" He replied coldly, turning away to remove his own vest, replacing it with his blazer. 

"What, you don't have a statistic for how many germs are passed between people during a hug, Kid, come on, you were practically smelling her hair." The older man's eyebrows raised in a question again, but Spencer continued to blow him off. 

"I hug people all the time, it's not a big deal." He shrugged. 

"It took you four years to return one of Penelope's hugs, and you still only do that on special occasions. That's not all the time." 

"Derek, just drop it. There's nothing going on, she just… She just does it sometimes." 

It was when you'd hugged him in the middle of the office, without a case to use as an excuse, that you noticed an underlying tension in the office. You were all celebrating, of course, Callahan had just announced her pregnancy, and you were all so happy for her. You'd heard the happy news and instantly turned and thrown yourself into Spencer's arms. Even you weren't sure why, not even questioning it until you saw the awkward glances on the other profilers' faces. You brushed it off by rushing to give each of them hugs, and running out in a mad flush, needing air, or water or something to get you out of what was looking more and more like an interrogation room. 

A few cases later, the entire team headed to O'Keefe's to celebrate. 

"To another case successfully solved," Morgan toasted, and you all joined him, lifting your glasses in triumph. 

"To the wonders of non-alcoholic beer," chimed in Kate, leaving you all laughing together. The booth was small, and as usual, you'd found yourself sat right in the arms of Spencer Reid. You hadn't intended it, honestly, having slightly avoided him recently, but you'd followed Penelope into her side of the circular table, and Reid had followed you. You were sat squished between them, your arms resting awkwardly on your lap between drinks. 

"Okay, a night of drinking is slightly boring without some games to spice things up, what do you say, hot chocolate?" Penelope said, addressing Morgan who was on her other side. 

"I'm all ears, baby girl. What were you thinking?" 

"How about twenty questions? We already know a lot about each other, let's see what we don't know?" Kate suggested, thriving off of the knowledge that as the sole sober member present, she'd hold all the cards tomorrow. 

"What, how is asking questions a game?" Reid questioned jokingly from beside you. "That's just an interrogation or a therapy session, there's no winner or loser."  

Already slightly buzzing from your drink, you turned to him and out your fingers in his lips, shushing him. 

"No time for logic in matters of the bottle, Spencer. Let's play." He pulled your fingers off him, but nodded, holding them in his grip still as you turned back to the table. 

"I'll start! JJ, are you and Will thinking of having more baby LaMontagne's?" Penelope jumped at the chance to probe her teammate, and you laughed at her enthusiasm. 

"There have been discussions, but I'll not confirm or deny yet." JJ said, taking a sip of her drink as she slyly avoided a direct answer. 

"I always forget why you were so good with the press, Miss No Answers. Okay, your turn to ask a question." 

"Okay, Morgan. Are you thinking of popping the question to Savannah anytime soon?" 

"Did she send you?" He laughed and took a drink. "If I do, she'll be the first to know." 

The game went back and forth like this for a few rounds before Penelope turned the spotlight back to you. 

"Okay, Y/N. You were a college student recently, I know you've got some wild stories. Where's the craziest place you've ever done it?" You knew Penelope didn't mean to make you uncomfortable. She was just an open person. 

But you shifted in your seat nonetheless, trying to figure out if you could answer or even if you would. Your tongue was a bit looser than you expected though, because before you could even finish thinking you just blurted it out. 

"Nowhere." 

The others blinked at you slightly before Penelope dived in with another question. 

"Is that Nowhere, Oaklahoma, or you're just not having sex in crazy places?" 

"No. I'm not… I'm not having sex. Period. Never have." You felt yourself shrink as the other members of the team awkwardly apologised for probing you so much. Really it wasn't that big of a deal, and it wasn't as if you were saving it for religious or moral reasons. But you'd not been the most popular teenager, and you'd started studying serial killers and sociopaths so early that you really hadn't wanted to get so intimate with someone else like that. 

Unbeknownst to you, Spencer's grip on his own drink had tightened ever so slightly, his heart race had picked up again, and suddenly the hand that was holding yours suddenly let you go, quietly dropping your fingers like they were glowing cinders, and he was dripping in gasoline, waiting to ignite. 

Lust. He felt sick with himself for the images that were suddenly flashing through his mind now that he knew you'd never been held in that way, trying not to fantasise about you underneath him, holding him, begging him, feeling all of him. He took another swig of his drink and politely excused himself to get another as he let himself catch some air, as the sudden realization that he wanted you - and had wanted you for quite some time now - finally hit him.

The next couple of weeks were normal, and you were thankful to have that discussion behind you. No one treated you differently, acted like you were more of a child than before, asked you how your dating life was or set you up on blind dates, which was really refreshing actually. You'd let some friends know previously, and that's all they'd done, surprised that you could live ignorant to wonders of sex without shrivelling up and dying. 

The only thing that was different was Spencer. And that wasn't really difference so much as growing more comfortable with each other. He'd rest his hand on the small of your back now in support sometimes, or have a hand slung over the back of your chair when sitting together. He was constantly at your side, especially if you were around male suspects or officers who'd taken a bit of a ballsy approach. 

You liked it, probably a bit too much. You gravitated towards him in a room filled with people, and found yourself hugging him more often, when you left a room, when you entered one, when he looked like he needed it. Which, recently, was all the time. A month went by with this increased comfort level, and soon you found yourself feeling wrong if his hands weren't on you. 

He stood close to you all the time, and you noticed the stares you were getting from everyone else. A few officers who'd approach you would apologise to him when they noticed him at your back, hand on your hip as he pulled you away. 

After one case, you could even swear that you felt more than him than you were expecting. He'd moved away slightly in between one of your hugs, but you'd pulled his arms back around you and stepped closer, pressing your back against his chest, letting your head rest on his arms. Something hard and long wedged up against your ass, and in a split second he was pulling away before you could ask him about it. He excused himself, and you felt your body burn up. It was Spencer, it was just Spencer and that wasn't because of you, it was some other reason. 

Spencer didn't know what he was doing. He grew more possessive over you by the day, and he'd honestly nearly bitten the head off an officer who asked him for your number. 

"Sorry, she doesn't have a phone." 

"But I saw her with one earlier. Look I get it she's FBI, and you guys are-" 

"Okay, so she's not interested."

"Hey, why don't you let her decide that wise guy?" 

"Oh sure, get angry I'm sure she'd love that. She's not interested, she has me." He couldn't help himself from getting in the officers face at that, and Morgan had to pull him back from the edge. 

"Wow, wow, hey, calm down." The officer stormed out, and he felt triumphant for only a second before Morgan rounded on him. 

"Whatever this thing you've got going on, Spencer, you need to get it out of your system as soon as possible." His voice was low and stern, throwing a glance over his shoulder to where you were sitting, staring confusedly through the glass at Spencer, whose eyes refused to move from your own. 

" I just wanted him to back off, she doesn't like him like that."

"No, you wanted him to back off because you've marked her like some animal marking its territory. She's not your prey, Spencer, she's our team member, now you're gonna have to get your act together and leave her alone, because we've got work to do." 

Sighing and throwing his hands through his hair again, he finally looked away from you and gathered his breath. He wanted to stop this too, this horrible perverted feeling of needing his hands on you, wanting to possess you day and night. To protect you. He just wasn't sure if he was strong enough to do that. 

The next time you all went to O'Keefe's he certainly tried. You expected him to follow you into the booth again - he didn't, sitting opposite you next to JJ. You expected him to talk to you or look at you for more than a second at a time - he didn't, avoiding most conversations entirely and keeping his eyes fixed on the bar. You certainly expected him to still be sat at the table when you returned from the bathroom, ready to slip into the seat beside him, force him to talk to you. Instead he was gone, and you scanned the rest of the bar trying to locate him. 

Something green and vile jumped you when you finally locked onto him, stood at the bar, surrounded by other women. Surrounded was maybe an exaggeration, as there were really only two of them, but they were practically draping themselves over him, and for some reason that set something alight inside of you. 

You watched them for a moment, how one of them trailed a hand up his arm as he shuddered away from their touch, the other pressing herself against the bar so her chest pushed up dramatically. The green bile in your throat carried your feet forwards, and before you knew it, you were clearing it from your throat to grab their attentions. 

"Spencer, there you are!" You brightened your tone specifically, as you locked eyes with his panicked ones. The two girls looked you up and down as you moved closer, brushing past them to climb up right into his lap on the barstool, pulling his arm around you as you pressed your ass into his crotch. 

"Are you going to introduce me to your new friends?" The smile didn't reach your eyes as you let your back rest against his chest comfortably, watching the women to see their reactions. The one touching him pulled her arm back instantly, and the other readjusted her dress before they both left silently, carrying their glasses back to wherever they came from. 

You watched them leave a little triumphantly before the green faded, and you realised what you had done. 

"Y/N…?" His voice was hesitant in your ear, and you shivered slightly before pushing off of him. 

"I'm so sorry, Spence, it just- it… looked like you were hard." You panicked again, pushing closer to him. "No, like you were in a hard situation, not that you were," your hand accidentally dropped to his crotch as you spoke your final words: "Hard."

He twitched beneath you as you finally looked down to where your hand was, as his mouth opened to say something. 

"Y/N…" was all you heard before you turned around, and fast walked to the entrance, picking your bag up quickly on the way, and then sprinted the second the cold air hit your face. 

You cursed yourself inwardly as you ran the three blocks more to your apartment, thankful that you were at least in walking (or apparently running) distance. What the hell had you been thinking? Practically sexually harassing one of your coworkers like that, grabbing his dick, albeit accidentally. 

You slammed your door shut behind you, leaning against it and sliding to the floor as you finally accepted that whatever this was with Reid, it wasn't friendship for you anymore. And you weren't sure if it had ever been. 

With your head between your legs, arms wrapped tightly around yourself, you started replaying each moment with him, each touch from the very first. How even the memory of a brush past you could excite a fire in your heart, a heat between your legs growing by the second. 

You wanted to crawl pathetically into bed and not think about him until the next morning at work,  but fate, or Doctor Spencer Reid, had other plans. 

The knock at your door was sudden and incessant, the banging starting loud, and staying consistent until you tentatively pulled it open. 

He was stood there, chest heaving, looking down at you, sweat coating his forehead. 

"Can I… Come in?" He asked, and you nodded, too stunned at his sudden appearance to tell if this was real or just your fantasy becoming a little too realistic. 

He thanked you for letting him inside, and you showed him inside, guiding him to he couch, where you took a seat opposite him. 

"I wanted to make sure you were okay, you left in a rush and…" He trailed off, eyes flicking down to your lips. His Adam's apple bobbed with his swallow, and you watched it yourself, trying to avoid meeting his eyes, as if you were a schoolgirl about to get in trouble with a disappointed teacher. 

"I'm okay." 

"Okay, that's great, that's… Great." His breaths caught up to him, and he took another deep breath and a swallow before continuing. "How about we continue that game from last time. Twenty questions?" 

You'd do anything to stop him walking out of that door, but you felt too shy to touch him again, even in the friendly ways you were used to, so you eagerly accepted. 

"Yes, that… That sounds fun, thank you." 

"Okay. Question one. Do you know why I'm here?" He asks as he shifts closer to you, still not touching, but at a proximity where it would be natural to accidentally brush against one another. 

"N-No. But I might have an idea." He nodded at your response before moving on to his next question. 

"Question two. Are you a virgin?" He didn't trip or stumble over the words, pushing them out slowly and delicately so as not to offend. 

"Yes." The lump in your throat was thick, almost as if he'd put something there that you couldn't help but choke on. 

"Question three. Do you want to remain a virgin?" 

You shook your head no, following it with your voice seconds later as he stood up from his seat, putting some distance between you. 

"Question four. Do you feel intoxicated or drunk right now?" He held himself still as you sat on the very edge of your chair, desperate to feel his hands on you now. 

"No, I only had one sip at the bar before…" He held up a hand to silence you, and you did. 

Question five. Answer me honestly. Do you like it when I touch you?" 

"Yes." Your breath was a whisper, but it was breathy, sounding almost pornographic in your neediness. 

"Question six. Do you like it when other people touch you?" 

"Do you?" His head snapped back to yours, and you froze under his gaze. "Not as much." You answered and relaxed again, pouting slightly at his lack of answer. 

"Question seven. Do you like me touching other people?" He took a step closer to you again with this question, but you continued pouting as you shook your head. 

"No. I don't." His lips quirked upwards before he could stop them, but he gathered himself together again. 

"Question eight. Do you want me to leave?" You met his eyes at that question, taking one good, hard, long look at him. You noted the tensed jaw, the clenched fists, his stiff body language, trailing your eyes over him before looking him directly in the eyes. 

"No." You let the word hang on your tongue, pulling it out a bit longer than was necessary as you watched him take in a shaky breath. 

"Question nine. Do you want me to come over there and kiss you?" 

"God, yes." He was on you in seconds, restraints gone, throwing himself back at you as his lips collided with your own. Virgin you may be, but you'd kissed men before, and it had been nothing like this. 

His hands trailed up to your hair, tipping your head back slightly so he could gain better access. He bit your lip and thrust his tongue into your mouth when you gasped, so eager to consume every part of you whole. 

You'd never felt like this before. 

He pulled away, and you tried desperately to chase his lips, even as your lungs begged you to stop. 

"Last question," he whispered in the space between you, holding the sides of your face at a distance so neither of you could be tempted to dive in for a second kiss, or a third, or fourth. "Do you want me to fuck you?" You whimpered at his words, nodding furiously as you tried to lunge at him again, but he held you firm. 

"I need you to say your answer, baby. I need to hear your consent, okay?" You nod again and open your mouth, eyes never leaving his lips as you moan out a definitive "yes."

Instead of letting your lips fall against his again, he lunges for you, grabbing your legs and hauling you up into his arms, carrying you bridal style all the way back to your bedroom. 

"Gonna do it right," he mutters to himself as he throws you down on the bed, pulling back to take off his jacket and unbutton the cuffs on his shirt, rolling the sleeves up meticulously. 

"I'm going to take care of you, Y/N, okay?" You nod at him and flush, suddenly feeling the strength of his need for you as he holds himself back. He puts his hands on you again, gently coaxing your legs apart, pushing your skirt up over your hips. Reflexively, you move your hands over yourself, covering your sensitive places with your hands. 

"Don't cover yourself." His voice is strong, deep, as he orders you, and you let your arms drop back to your side. He traces his hands up and down your legs, almost as if he were memorising every inch of your skin, how you felt under his hands. 

His hands make their way up to your panties, and you watch with baited breath as he moves you, pulling your hips up so he can let them fall down. The lace material tickles you as he pushes them past your thighs, over your knees and finally off your legs entirely, balling them up and putting them in his pocket. 

"I'm going to touch you now, okay?" He asks it like a question, but he doesn't wait for your answer, unable to hold himself back before diving straight between your legs, so desperate to taste you that he's deaf to everything else. 

His tongue connects with your sensitive area first, tracing up and down at a steady pace as his legs half-heartedly push your legs open. It's almost as if he's enjoying the pressure of your legs wrapped around him, suffocating between your thighs as he feels your pleasure build, and build. 

Eventually he pushes your hips further apart, letting himself push his face into even more of you, his tongue entering your hole as he begins fucking it in and out of you, fingers coming back up to your clit to keep up the pressure there. 

"Spencer, please, please, fuck." 

"I love it when you beg for me like a needy little slut," he whispers, holding your legs apart as he looked up at you, face slick with your arousal. Your mouth drops wide at his words, and he immediately begins to retract them. 

"I'm sorry, Y/N, if that was too far, I just got caught up -" 

"I liked it." You said, quieting him as you spread your legs a bit further apart, begging for him to continue. He smiled and dived right back in, bringing his other hand up under your dress, all the way to your chest as you kept your legs open yourself. 

He sucked your clit into his mouth, lapping up all the juices you were releasing as you moaned underneath him, bucking into his face at the memory of his degradation. 

You were a needy little slut, and you needed him to make you cum. He was more than happy to oblige. 

He kept you there for what felt like forever, drinking you in for as long as he could. You orgasmed twice before he finished, completely overstimulated by the way he was desperately fucking you with his mouth. 

He was obsessed with you, with your scent, your taste, with being the first ever person to ever touch you like this, to fuck you, to make you feel so good. Without him even realising, you're pushed to the brink for a second time, shuddering under the heat of his mouth as he drinks you in. 

He finally pulls his head up again, coming up for air as you're twitching under him. 

"Perfect, baby, so perfect for me." His lips fall down to your own, and suddenly you're tasting yourself on his tongue. It's hypnotising, and despite the pleasure you've just received, you need more, desperate to feel him on you again. 

When he pulls his mouth away, he replaces himself with his fingers, pushing them into your mouth. 

"Suck," he says and you listen, as he watches the way you lick yourself off of him. 

He unzips your dress with his free hand, carefully pulling your arms out of the sleeves and pushing your dress off your body. You trace your tongue around every ridge of his fingers, leaving no inch undiscovered. He moved you to pull the dress of, and you graciously followed, letting him do whatever he wanted to you. 

"Nice little slut, tasting herself on my fingers?" He whispered when you were finally bare, pulling his fingers from your mouth, letting the trail of spit hang between you as you moaned. 

He removed himself from over you, and moved to sit on the edge of the bed. 

"Come here. Come and sit on my lap." 

You cautiously followed his directions. You'd thought that he'd fuck you then, after spending so long getting you ready, but apart from his tie, which he was in the middle of discarding as you crawled over to him, he hadn't derobed any further. 

"That's it baby, come and sit yourself down right here." He pat his thigh and you crawled over, lowering yourself down onto his clothed leg. 

"What now, Spencer?" You stuttered the words out, heart beating as you awaited his instructions. 

"Now, I want you to rock your hips back and forth. Just like this." He grabbed your hips and started moving you against his leg, pushing you down to grind into him. 

"Spencer, wait, I don't know-" 

"I do. I know you can do it, so please try. For me." You pulled you in for a kiss, and then removed his hands from you, leaving you to rock against his thigh. 

You were unsure of the movements at first, moving slowly as you dragged your aching cunt up and down the top of his pants, watching as you saw the wet patch you were making. You moaned with each movement, growing faster and more confident as you continued. 

"That's it baby, use me to get yourself off, okay? Let me see you." He whispered in your ears, pushing your sweat-slicked hair ou of your face, holding it up for you. 

"Spencer please," you don't even know what you're asking for as you beg him, feeling that familiar bubble in your stomach grow. 

"No, you can do it. You look so beautiful like this, Y/N, so desperate for my cock, huh?" You start trying to unbutton his shirt, desperate to see more of him, to feel more of his bare skin on your own. But he stops your hands and holds them against his chest. 

"You need to ask nicely first, before trying to undress me like a needy little whore." The words should sound violent, should humiliate you, but his voice is so soft you simply move faster, moaning and desperate to cum one more time. 

"Fuck, Spencer, I'm gonna… I'm gonna…" 

"No, you're not." Before you finish, he pulls you off his leg, hauling your body back onto the bed, and laying you back down on your back. You moan in disapproval, so frustrated with the lack of release that you feel tears prick the corners of your eyes. 

"Don't cry, baby. I'll give you what you want soon." He practically rips his clothes off, pulling his vest over his head, stumbling over each button and removing his belt and pants before climbing over to you. His cock finally free you take your first glance at it. 

You'd never entirely been sure how it was that the male appendage fit inside something as small as your pussy, and you were doubly unsure about how Spencer's was ever going to fit inside you. You stared at it wide eyed, as you took in the length, the girth, and the heat of it as he stroked it in one hands, pushing on top of you. 

He let go of it as soon as he was between your legs, letting it fall onto your stomach as he crawled between your legs. He trailed a finger over your lower abdomen just around where his cock was twitching against you as his other hand came up to stroke your hair. 

"You look worried, Y/N, what's wrong?" 

"Will it, um, will it fit?" You asked, knowing how cliché you sounded. 

"We've spent the last thirty-seven minutes loosening you up with foreplay. It should fit, but I can't promise it won't hurt."

"Right, if my hymen is still intact you have to…" 

"That's right. And then it's going to reach all the way in you to here," with each word, he stepped his fingers up from your clit to where the tip of his dick sat on your stomach, letting you come to terms with exactly how full you were about to be. 

"I'm going to fill you, and you're going to be mine, and I'm going to be yours. My sweet angel." He stroked your face, catching his thumb on your lips on the way down, tempted to thrust it into your mouth again, to see just how much of a whore you could be, given the chance. 

Instead, he lined himself up with your dripping core, and, making sure one last time that this is what you wanted, slowly pushed in. 

It was uncomfortable at first, having something so wholly alien inside of you, you weren't sure how to react. You wrapped your arms around him, digging your nails in, deep, as he pushed in further. 

"Y/N, I need to move more now, and it's going to hurt a little, you just have to trust me, okay?" He kissed the top of your head, but you were so lost in the sensations to answer. With one swift jerk of his hips, he pushed through your hymen, and fully sheathed himself inside of you. He pressed small kisses everywhere on your face, while whispering to you how beautiful you were. 

"You're doing so good for me angel, I'm going to take care of you. Going to make you feel so much better than this. You're so beautiful." His lips were distractingly sweet, as were his words, and soon you found yourself relaxing into him, the sharp pain of earlier fading to an electric buzz inside of you. 

You jerked your hips up to meet his, and with that, he knew you were ready. From his words, you'd assumed that he'd move slowly in you. But with one final lingering kiss to your lips, he lifted his chest up, pinned your legs tightly down, and started thrusting hard and fast. 

"Sorry, just couldn't help myself baby. Needed to see you looking ruined underneath me." Moans spilled out of your mouth with his every movement, and the orgasm you'd built up earlier hit you like a ton of bricks, blackness hazing over your eyes as they rolled back in your head. 

"Fuck, fuck, Spencer, don't stop!" You screamed at the top of your lungs, unable to control your pitch or volume as he slammed into you desperately. He was so turned on by the sight of you beneath him, so proud of having fucked away your virginity, to have given you your very first penetrative orgasm that he wouldn't have heard anything that came out of your mouth. 

His eyes were fixated at the place between you, where you joined, where he was entering you, defiling you, claiming you, using you, breeding you. 

He knew he wouldn't cum inside of you, not the first time, but it was tempting. Instead, he chose to move his lips back to your skin. He marked you with love bites and hickeys across your neck, chest and shoulders as you moaned with every roll of his hips, shuddering on his cock. He was close. And seeing you like this, displaying all the signs that you were his and his only, he finally lost it. 

Pulling his dick out of you, he stroked it through his release, spraying his seed over the parts of your skin he hadn't bruised with love. Your stomach, your breasts, hell, one spurt even landed dangerously close to your lips, he was everywhere. You. Were. His. 

He fell beside you, panting for a few moments as you finally cracked your eyes back open, realising what the two of you had just done. You wiped the cum from your face with a stray finger, staring at it for a second before licking it off your finger. 

"As hot as that was, I think we should get you cleaned up properly, angel." He spends forever cleaning you up, carrying you to the bathroom, washing your entire body with hot water and a fresh cloth, running you a hot bath to relax your muscles. You snuggle into his chest at some point in the bath, relaxing so much into him, that you drift off to sleep. 

You feel him carry you to bed, semi-conscious, tucking you in and climbing in next to you. He holds you through the night, the way he holds you after your bad cases. He holds you until he doesn't. 

You're blindsided by the cold bed the next morning. You knew he would be there, you'd felt him inside you and next to you, and you'd needed his warmth, but he was gone. You looked for him in every other part of your home, looked for a note or an explanation, but there wasn't one. 

Through tears, you got ready for work, ready to face him and make him answer why he was suddenly gone. You wanted him to apologise, especially since he'd marked you so badly the night before you looked like a car crash victim from the neck down. 

Dark lavender blossomed along your collar bones as you looked at yourself in the mirror, trailing a finger along every place that he touched the night before. 

"How could you be so stupid?" You cursed yourself. If you'd have listened to what he was saying last night, really listened, you'd have known he wasn't going to be here in the morning. He wanted to ruin you, to possess you, to take away your virginity, and he'd done just that. 

You almost wanted to keep the bruises on display going into work, to make him confront the pain he caused you by leaving. In the end, it was the inevitable stares from everyone else that convinced you otherwise. You wouldn't give him the satisfaction. 

You pushed through the doors to the bullpen and didn't bother putting your bag down before you started scanning the room for him. 

"Where's Spencer?" You practically shouted the words at Morgan, unable to hold back your anger. 

"Y/N, what's wrong?" 

"Where is he?" You demand, and there must be something in your eyes that speaks to your devastation because Morgan shuts up and just points to the top of the stairs, where Spencer is exiting Hotch's office without a care in the world. 

You don't realise that something is tears until you're beating a hand against his chest in frustration as they spill down your face. 

"Where were you?" You demand, sobbing into his chest, as he pulls your hands away. The entire office is watching your commotion, but you don't care, you're not letting him move you out of the way. 

"Y/N, I need you to sign this." His voice is calm, and you hate him for that. That he can stay so neutral when he's just broken your heart. 

"No, not until you tell me why you left." 

"Sign the papers, Y/N, trust me." He pulls your chin up so you can look him in the eye, and you catch a glimpse of the man who has been holding you, comforting you for the last four months. You snatch the pen from him and sign the papers, thrusting them back at him with a scowl. 

He smiles as he looks down at them, placing them back on his desk before pulling you in for a long, deep kiss. You're shocked at first, but you melt into it, pulling him closer so he can't leave again. 

"I'm sorry. I had to come into the office to declare our relationship, Morgan sometimes tells me I have a one track mind, and when I woke up this morning, the one thing I wanted to do was get it in writing that you were mine." 

Your push the tears out of his face, and attempt to pull him down for another kiss. You don't get the chance, as the sound of several throats clearing around you burst your bubble. 

"Public space, no canoodling." Rossi shouts down at you from the balcony, a soft smirk on his face. 

Penelope runs in from her office, and stares wide-eyed at the lack of space between the two of you. "You! And you! Security cameras….. You!"

"Now, I'm sure there's a story here, but from the state of our little angel's neck here, I'm sure I don't want to hear it." Derek laughs, smacking Spencer on the back in praise as he walks up the stairs to the meeting room. 

You slap a hand over your neck, trying to pull the turtleneck further up to hide the mark you evidently missed. 

"She's my angel, now." Spencer calls up to him. "I have the paperwork to prove it."  

[sincerelyneo]

could i request a mark smut 😣😣 where reader and mark just had an intense argument but in the end, they cant be mad at each other for long so they just fck it out of each other 🤐🤐🤐🤐

mad at you | l.mk

“then i try to leave, but baby i just can’t stay mad at you”

💿now playing: mad at you by why don’t we

❯ summary: Mark learns that you’ve made a ‘selfish’ decision that’s bound to put a strain on your relationship. Next thing you know, you're knee-deep in an argument that somehow ends with you sprawled out beneath him; because, let’s be honest, he’s never really been any good at staying mad at you.

❯ pairings: idol!mark x fem!reader

❯ genre: angst, smut, established relationship, make up sex

❯ words: 4.3k

❯ tags: 18+ minors dni!, lots of arguing, swearing, reader is lowkey dramatic, makeup sex, unprotected sex (don't do this!), nipple play, dry humping, brief clit play, slight needy mark bc i can't help myself, creampie, reader uses she/her pronouns, reader and mark argue and resolve it by fucking.

an: i love writing angsty arguments (testament to my real relationships lol) so thank you so much for this request. it lowkey brought me out of writer’s block.

The honeymoon stage lasts approximately thirty months or two and a half years – which would make sense considering you and Mark were approaching your third year together and have argued more recently than you ever had. 

But this time it’s different. You’ve never seen Mark like this, so angry that his face is bordering red and his jaw ticks so hard it might crack as the both of you drive in complete silence from your work dinner. He doesn’t even bother sneaking his usual glances at you when he pulls up at stoplights, the hand he likes to place on your thigh is gripping the wheel instead, and the only noise in the car is his rugged and frustrated exhales. 

You could feign ignorance about why he's upset, but you know the reason all too well. And while a part of you acknowledges his right to be angry, another, more prideful part, resists the idea of apologising, especially when you think his reaction seems so disproportionate to your mistake.

So you sit in the passenger seat, arms crossed and body frozen, contributing to the cold silence settling between the two of you. You prepare yourself for the earful of a lecture you’re about to get when he pulls up outside your shared apartment. 

He parks the car, slams the door shut, and strides towards your building without a backward glance. You scoff at his pettiness; he's never been so angry that he wouldn't at least wait for you to get out of the car with him. He doesn't even slow down when you trail behind. And when he nearly lets the elevator doors close without you, any chance he has of receiving an apology from you flies out the window, you think. 

He does, however, show some decency by leaving the front door open for you as you both step out of the elevator and head towards your apartment – how chivalrous. 

The chivalry doesn’t last long because the minute he hears you clasp the door shut, he’s glaring at you, arms crossed tightly over his chest, and you can't help but notice that he's rolled up the sleeves of his dress shirt in frustration. If he weren't on the brink of yelling at you, you'd be tempted to make him do more than just roll up those sleeves — you'd want the fabric torn off and thrown on the floor in an instant.

“Paris, Y/N?!” Mark seethes, voice deep and uneven. “You signed a fucking contract to work in Paris?!?”

You pause, attempting to gather your thoughts, but the momentary silence doesn't offer much clarity. Eventually, you settle on, "It's just a six-month gig..." – a statement that seems to send him into a frenzy. 

“Just six months?” He rubs his jaw repeatedly in disbelief, “That’s six months that we won’t get to see each other, did you even think about that huh?”

You scoff, “You’re one to talk, need I remind you that your job takes you away from me for months at a time.”

"That's not fair," he protests. "You knew exactly what you were getting into when you agreed to date me. I didn’t agree to not seeing my girlfriend for months because she’s gallivanting away in Paris without me."

Your eyes narrow and your nostrils flare, “So what? If you would have known, you wouldn’t have wanted to be my boyfriend?”

His eyes widen and he shakes his head. His hands fly to his hair and he tugs at the strands as he huffs out a breath. 

“How the fuck did you get that conclusion from what I said?” He asks, voice sounding baffled. “The reason I’m so mad is because I like being your boyfriend, but I’m not going to see you for the next six months.”

“You’re being a hypocrite right now.”

He rolls his eyes and scoffs, “Right, because I’m always the one being unreasonable.”

“Yes, you are,” you scorn, “This job is my dream, don’t you see how selfish you're being?”

“I’m selfish?” He gasps, “That’s rich considering you didn’t even consult me when making this decision, I had to find out from your smug little co-worker in front of everyone. You were thinking solely about yourself, Y/N.”

You're on the verge of screaming. How is he not seeing things from your perspective? He's usually so understanding, so open to hearing your side. But the razor-sharp look in his eyes tells you that there's no getting through to him. He's convinced you're wrong, and nothing will change his mind.

“It’s for my job, Mark,” you cross your arms and shrug. 

“And how many times have I told you that you don’t need to work? How many times do I need to tell you I can look after the both of us?”

“And how many times have I told you that I don’t want that? I don’t want to have to always rely on you!” You snap. 

Your teeth grit as the words spit out of your mouth. They seem to hit Mark, deep, his eyes softening for a fleeting moment before sharpening again. He swallows thickly and blinks before running a hand through his hair. 

“Then what are we doing, Y/N?” He asks deflated, “What are we if you don’t want to rely on me?”

You're not sure what compels you to say it – whether it's the way you're all worked up, the entire context of the argument, or some inner recognition that you're the one who's fucked up this time despite you both having stuff to apologise for. Still, you escalate the situation from zero to one hundred without a second thought. 

“Oh, so you want to break up?”

He shakes his head and tongues the inside of his cheek, “When did I say that?!”

The fight only gets worse after that, the two of you blowing up after every sentence. You run around in circles, throwing accusations and insults at each other to the point the original premise of the argument is lost along the way of a thousand new arguments. It’s like every little thing you’ve both done to irk each other over the last month is brought up; and by the end of it, the two of you swear you’re done with each other. 

Sure, you've had your fair share of arguments, but the biting finality of the word "done" as it leaves his lips sends a sharp pang through your stomach – it hurts like hell. You've reached your limit with this endless cycle of back-and-forth; you've had enough of him. Storming past him, you head towards your shared bedroom.

Mark sighs and reaches out for your arm, but you pull away. He doesn't like this, doesn't like the chilliness he feels from you. He doesn't want to end the argument like this; it's never gone this far without a resolution before.

“You can’t just storm away when we argue Y/N, it’s childish.”

“If you don’t like it then leave!” You slam the door shut after you and lock it. 

Mark hates this more, not being able to talk this out because you’ve put a wall between the two of you. Then your words register in his mind and he’s the most hurt he’s ever felt. You want him to leave. Fuck that, he thinks. He’s not going to watch his relationship go down the drain over a petty argument. 

He knocks on the door a few times, then jiggles the doorknob, calling out your name and pleading for you to let him in. But you remain unmoved, denying him even the satisfaction of hearing your voice telling him to go away. This only adds to his frustration. He's the one you've upset, and yet here he is, begging for you to open up so he can fix things.

After a few more tries he scoffs, your words echoing in his mind once more. Leave. It crosses his mind as he makes his way to the front door of the apartment. He swings it open, ready to clear his head and crash at Johnny's for the night. But just as he's about to step out, he catches sight of a picture of the two of you on the coffee table where he keeps his keys. 

It’s from your honeymoon phase when it was easier for the two of you to say you’d never let anything come between you – when love seemed to blind you both. Mark picks up the photo, memories flooding back to the day it was taken. It was the day you met his parents and shared your aspirations of becoming a fashion designer. You reassured them that you had your own dreams and weren't just with their son for his wealth – though his parents wouldn't have minded either way; they would have been content with any girl that made their son happy. And you made Mark happy – you make Mark so fucking happy. 

Which is why he can’t believe he’s even considering leaving you in this apartment on your own after a fight. He shuts the front door and makes his way to the couch. He's eager to resolve things with you now, but both of you are too caught up in emotions, spouting shit you'll likely regret in the morning. So he opts to grab a few sofa pillows and a blanket from the storage closet instead. He strips down from his dress shirt and pants, throwing them to the floor before lying back and resting his eyes with a heavy mind.

Regret doesn't hit you until 2:00 am the following morning, when you're met with the chill of an empty space beside you as you reach out to cuddle your boyfriend, only to find him absent. Sure you thought he was overreacting to the news, but you're also painfully aware that your own words were uncalled for. You shouldn’t have asked him to leave – you didn’t want him to. 

As you heard the front door open and then close with a clink, a thick lump formed in your throat. The realisation that you had driven him away hit you hard, and you lost all motivation. You lay on your bed, makeup still intact, as you sniffled and sobbed quietly into your pillow. And even now, after tossing and turning from your mind running laps, you’d only managed to sleep for a few minutes. 

You stretch your stiff legs and reluctantly leave your bed, unlocking your bedroom door with sleepy eyes. You're taken aback when you see Mark sleeping soundly on the sofa, his breath steady with his eyes closed. You thought he had left, but there he is, covered only by the blanket from the storage closet. It breaks your heart to see him like this; he's likely cold, and he'll probably have a stiff neck in the morning for practice. And you know it's all your fault.

The guilt eats away at you, and without hesitation, you rush to the bedroom to grab his pillows and an extra blanket. Realistically, you should wake him up and insist he sleeps in bed, but the fear of his lingering anger keeps you from doing so. Instead, you kneel in front of him, attempting to swap the sofa pillows for his own bed pillows.

However, your efforts prove futile because Mark is a light sleeper – a detail you foolishly overlooked in your worried state of mind. He blinks as he wakes up once, then twice, appearing confused to find you in front of him in the living room instead of beside him in bed.

“Baby?” He whispers, his eyes hazy as he tries to make sense of what you're doing. It doesn’t take him long once he spots the sofa cushion in your hand to put the pieces together.  

You bite your lip and sigh, “I know you're mad at me, but I didn’t want you to wake up stiff in the morning.”

Mark's chest constricts. How could he possibly stay mad at you when you're so cute, fussing over him like this? He notices the smudge of black makeup beneath your eye, and his heart tightens once more – this time with sadness rather than affection.

His hand reaches out to touch your cheek, and you’re shocked at the touch. “You’ve been crying?” He asks and you bow your head. 

"I thought you left..."

Mark wants to laugh at the irony. You asked him to leave, and yet here you are, upset at the idea of his departure. He swears if he weren't so in love with you, he'd rant about how much you mess with his head, pushing him to the edge only to pull him back again.

“Would never leave you, baby, you know that,” his voice is soft and comforting as the rough edge of his fingertips finds your jaw. 

You can't control it; tears fall freely from your eyes. He's being incredibly considerate and gentle with you, even after you acted like a bitch. Honestly, you almost wish he'd just yell at you instead. But he doesn’t, his eyes widen and he immediately sits up straight letting the blanket fall to the floor as he pulls you up to sit on his lap. 

He shushes you, his hands finding your waist where he rubs soothing soft circles into the fabric of your tank top, “Hey, why are you crying? I’m here…please don’t get upset, Y/N.”

His kindness only amplifies your guilt. 

"I'm so sorry," you stifle in short sobs, your voice almost cracking. "I should've talked to you about the job offer before signing the contract... I-I didn't mean to act so selfishly. I just... I wasn't thinking."

Mark gives you a half-smile as he runs a hand through your hair. "It's okay, baby... You got caught up in your dream. I'm sorry for not realising that. I'm the one being selfish by always expecting you to put me first."

"No—"

He interrupts you to continue his apology. "You were right, you know. I always expect you to wait for me while I'm on tour. I never considered it from the other side, with me waiting for you... But I will. I'll wait because I know how much this job means to you."

Your face buries itself in the crook of his neck as you cry even harder, and he tuts gently while rubbing your back.

"Please don’t cry, Y/N," he murmurs softly. "I hate seeing you upset."

"Can’t help it," you muffle. "I hate that I upset you…"

Mark pulls you away from his neck, needing to look into your eyes as he speaks. "It's normal for couples to argue, baby. We just need to promise to communicate better, okay?"

His fingers stroke your cheeks again, and you lean into his touch. The warmth of his hand feels so comforting as if he was made to soothe your skin, the only person capable of bringing you relief. You bite your lip and nod against his palm, because you're more than willing to work on your communication if it means never feeling like this again.

"Now, give me a smile. You know, the pretty one I like," he says with a laugh. "If I'm not going to see you for the next six months, I don’t want one of our last moments together to be so... sad."

You smile at him and press your forehead against his with a whisper. "Me neither.”

You’re so close to each other that you’re practically sharing the same breath, if you had said that two hours ago you wouldn’t have believed yourself. But here you are, lips so close that your heavy breathing practically begs him to kiss you.

Mark feels it too, so when he does, it's like the softness of his lips is a bandage, mending the angry tension between the two of you. It patches up the last few hours that have transpired, and when he pulls away, it feels as if nothing even happened.

His hands grip your hips firmly, his fingers pressing down as he guides your body to grind against his clothed crotch. His lips find yours again, accompanied by a groan that escapes into your mouth. It's only when you feel him harden beneath you that you remember he was half-naked on the sofa – clearly after you locked him out of the bedroom.

Suddenly feeling suffocated by your own clothes, you pull away from him to strip off your tank top, tossing it over your head before discarding it somewhere in the living room. You yearn to meet his lips again – the only place you truly feel safe – but Mark wants to savour the way you look. Your clothed cunt eagerly grinding against his hard-on, hips chasing a high so eagerly that your bra strap has slid loosely down your arm.

You're a vision, Mark thinks, one that has him salivating and desperate to fuck you. He almost curses at himself for nearly ruining it all, for nearly walking out on the most beautiful person on the planet, the best sex he's ever had – and not only that but also the funniest, sweetest person he knows he'll ever meet.

He leans into your neck, his nose nuzzling into you as he whispers softly, "I'm sorry... so sorry, Y/N." His hand leaves your hips to cup your breast over your bra, massaging the mound with just enough pressure to elicit soft moans from your lips.

“‘s okay,” you whimper. 

Your head falls back as his hand snakes around to unclasp it. He wastes no time brushing his intrusive fingers down your chest, wearing a filthy smirk because he knows just how sensitive you are there. The tip of his finger circles around your nipple until he’s right in the centre, feeling it harden under his touch. He pinches it, and you jolt forward on his cock, making his boxers tighten, and he groans.

He loves how responsive you were to him, watching you writhe over him as he touched you in torturous pleasure. Just the way you arch your back into his touch has pre-cum leaking out of his cock. 

He leans in this time, sucking on your nipple and opening wide to get as much of the tender tissue of your breast in his mouth as possible. He holds your waist in place to keep you grinding on him to entice enough friction for him to feel good too. 

And when he looks down to see where the two of you meet, he moans when he sees the wet patch leaking through your shorts onto his boxers. 

“Fuck, so wet for me, baby. Just for me.”

You whimper, and his hand slips into the hem of your shorts. You’re glad you never wear panties to bed because his fingers find your clit immediately, relieving you of some of the neediness you’ve been feeling from grinding down on him. He rubs small circles as his mouth licks and sucks and nips at your bud. 

“Mark…” 

“Shhh baby,” he coos, “wanna make it up to you. Please let me make it up to you, let me make you feel good.” 

You whimper with a nod of your head, humping into his hand, legs opening wider to give him easier access to the place you’re most sensitive. You let out mild pants, hips bucking more aggressively from the stimulation on both your nipple and clit.

And when Mark notices you getting close, he pulls off your tit to look up at your face. It’s his favourite part — watching your features contort when the bliss is at its highest. It makes his chest swell with pride knowing he’s the one making you cum, knowing his touch is enough to make you shake and moan. And if he wasn’t such a selfish lover, he’d think the sight is something everyone should see at least once.

As you come down from your orgasm, your eyes flutter open to meet him. Mark doesn’t know whether it’s from seeing your orgasm paired with the argument from earlier but he’s the hardest he’s ever been. 

You notice it too, looking down and giggling. “Now it’s my turn to make it up to you.” 

He lets out a soft huff, and a muscle in his jaw twitches with his Adam's apple bobbing in his throat before he nods. You free his cock from his boxers and shimmy yourself out of your shorts. You let out identical gasps when your bare cunt brushes against the tip of his cock. 

Slowly, you sink onto him, fully feeling him inside of you. Your head falls forward, your forehead resting against his shoulder as you take in the size of him, the way he fills you just right — the way he always does. 

The stretch as you take him in never gets old, eliciting the same whimpers and whines. You can feel his hands resting on your hips, then slipping to the bend of your waist, silently urging you to move as he presses you downwards.

You lift your hips, slow and steady as you let the sensations wash over you, drawing a low groan from deep in his chest. His grip on your body tightens as you sink back down, blunt nails digging into your skin. The sounds he makes only drive you further into finding a teasing rhythm because his voice is just so pretty. The sounds are soon muffled to your disappointment when his mouth presses into your skin, so his tongue can slide along the top of your breast — making the disappointment fade away real quick. 

You let out a breathy cry, hands rising from where they’ve been resting, flattening against his chest, to wrap around his shoulders. The slow pace you’d adopted was becoming not enough. And you could tell from the way Mark is rutting his hips up to meet you, he shares the same sentiment. 

Your mouths collide as you pick up the pace, using his shoulders to leverage yourself as you bounce up and down on his cock. When he breaks from the kiss, an unrestrained groan slips past his lips, low and rough, followed by another, and you have to bite back a whimper of your own.

Mark can’t help the noises, he just loves the way you swivel your hips in a way that makes him see stars. He loves watching you work yourself on him for pleasure – he loves when you ride him.

And right when you squeeze around him, he rewards you with a loud, obscene groan, a sound that makes you dizzy and limp. Everything about Mark is intoxicating and downright addicting, and you were in no hurry to kick that addiction. In fact, you craved more of it – needed more. 

You grab his hands and guide them across your body. He squeezes them at your hips, smoothing across your thighs, your stomach. His hands were everywhere, eyes dark and desperate, wordlessly begging for you to give him what he needed, the same thing he’d been kind enough to already give you. 

So you rock yourself forward, providing a new type of friction that makes you whine helplessly into his skin. Blunt nails mark into the plush of your thighs, a futile attempt at grounding himself. The upward thrust of his hips and the strained catch of his breath tells you that he's growing impatient. You know the pace was slow, but damn it, it felt so fucking good to feel him like this, every inch of him sliding into you, hitting all the spots that makes your brain stop working. It also felt like a sick little way to get revenge...

“Faster,” you hear him say. “Please baby, need it faster.”

You could feel his hips bucking up to meet you. Then his thumb finds your clit, working in circles and making you squeeze around him with a shrill, gasping cry. It was his attempt at bargaining with you, doing anything to make you speed up and shamelessly fuck yourself on his cock. Maybe if he pleases you, you’ll let him cum.

“Please fuck me properly baby, need it,” he rasps, “You want me to forgive you right?”

And then you remember what led you here in the first place. You’d upset him and now you’re teasing him – you suppose it’s only fair if you pick up the pace a little more, fuck him messily and desperately enough to have him dizzying towards his climax. 

And once you do, his thrusts grow sloppier, and your thighs start aching. It feels too fucking good so all that you can do is cling to him and let him take the lead, strong hands guiding you as he sucks against your neck. And even though you’re supposed to be the one making him cum, you find yourself buried in the crook of his neck, gasping as your walls clench and nails dig into the skin of his strong back. 

The slight stinging sensation is enough to work Mark over the edge, and you feel him twitch inside of you, sending shock waves up your spine as he fucks his cum inside of you with a final powerful thrust. You roll your hips to help him along, taking all you can get from him and he moans his appreciation as you do. 

You remain tangled up in one another as you come down from your respective highs with foreheads pressed close. You wrestle to find his hand, lacing your fingers with his as he rubs his thumb over your knuckles. He kisses your nose, then your lips, with a tenderness that makes your heart feel like it’s being squeezed. 

You don’t want to move just yet, so you release your hands and wrap them around his neck, nuzzling your nose against his before you speak.

"Mark?" You mumble, your voice tired and hazy. He hums in response.

"I’m sorry," you say softly.

You feel his smile against your mouth before he kisses your lips. "It’s okay, baby. I don’t even remember what we were fighting for."

[nereidprinc3ss]

do you believe me now? | 3

in which spencer reid spends a rainy day teaching inexperienced fem!reader how to touch him. of course, her efforts don't go unrecognized, much less unrewarded

series masterlist

18+ (smut) warnings: inexperienced reader, softdom!spencer, sub reader, oral m receiving, reader swallows lol, a truly sickening amount of praise, like really, you JOKINGLY refer to each other as dirty sluts, r has longish hair, spit mentioned once, thigh riding (moans loudly), its filthy idk what to tell you, i feel like i've crossed the desert on foot i don't even know what else is in here, your honor they're in love, i take you to dinner first, this part is stupidly long a/n: had a fucking field day the three separate times i had to rewrite this el oh el... but think i like how it turned out?! anyway, if u like this PLS lmk bc writing it took a small piece of my soul, and yes there will be a part four!! take care of yourselves!! i love you!!!

You give Spencer half a minute or so before knocking on his door for a second time. 

It’s miserable outside, and though the hallway you’re standing in now isn’t terribly cold, you’d much prefer to be in Spencer’s apartment, where it will be the same toasty 68.5 degrees as always. Not that the heating will magically dry you. And not that you’ll be there for long, if the date you’d scheduled last week goes on as planned. 

You’re getting worried, about to knock for a third time when the locks finally click and the door opens to reveal a disheveled Spencer Reid—not at all looking ready for a date. You take in his ensemble; blue checked pajama pants, FBI Academy crewneck, the usual questionably paired socks. He’s rubbing his droopy eyes, which slowly widen as he notices your attire. 

“Shit, I’m sorry, our date! I mean—you look really nice. I look… like this. Why don’t you come in while I get ready to go?”

He holds the door open a little wider and you step through, relishing in the familiar warmth as you pull your hood down and excess water droplets spatter on the ground. 

“When did you get in?” you ask, hanging your raincoat up on a hook. You know he’d wrapped up a case yesterday evening, but you’d gone to sleep before the team left Cincinnati. 

Spencer pauses in the middle of the room, staring at the antique flooring like he forgot what he was doing. 

“Uh… four hours ago.”

“Wh—four hours? Spencer, you must be exhausted.”

He laughs awkwardly, running a tired hand over his face. 

“I mean… I’ve definitely felt better.”

You kick your soaked shoes off and cross the room until you’re toe to toe with him. Immediately his hands settle on your waist and yours find his arms. His eyes are kind, and he’s clearly pleased by your presence despite his lack of energy. 

“The weather’s terrible, anyway. Let’s just go out another day.”

His features have softened and you can see how tired he truly is—not just in his bleary eyes, but the way his fingers grasp weakly to you, the way his head bows slightly. It seems bone-deep. 

“But I haven’t seen you in a week. I don’t want you to go home.”

Your lips twist. A clap of thunder rolls in the distance and the rain starts coming down even harder against the windowpanes. 

“We could hang out here. We can take a nap!”

Spencer sighs—half resignation, half disappointment. 

“But we made such good plans,” he laments. 

You kiss his cheek. 

“Plans that can be rescheduled. The bookstore will still be there next weekend.”

It takes him a moment to settle into the idea, but you watch the exhaustion win. 

“Okay. But no nap. I want to be awake for you. Coffee?”

You nod enthusiastically, beaming at the prospect of getting to spend the day doing nothing with him. Spencer mirrors your grin, before pressing a kiss to your head.

“You’re so cute.” Heat creeps into your cheeks and you can’t think of a satisfactory reply, but in the end you don’t need to, as he tugs gently on your hands. “C’mon. Tell me what mug you want.”

The kitchen counter bites into your palms as you lean with your back to it, watching Spencer putter all around the kitchen as he works on the coffee. It makes you tired just to watch. 

“Are you sure you don’t want to take a nap? Caffeine isn’t a substitute for sleep, you know.”

“I do know,” he agrees, measuring coffee grounds. “But other than last night, I actually slept fairly well this week.”

“You seem exhausted.”

“I… am tired in lots of ways. Not all of which can be resolved with more sleep.” he admits.

Your heart drops ever so slightly at the way his voice weakens as he looks through the fridge. Sometimes you remember there are still things you don’t know about him—sides you haven’t met. His work side is one of them, and it more than a little intimidates you.

“Bad case?” you ask, voice quiet and crackling with nervous energy. 

Spencer nods, approaching and setting a carton of milk on the counter behind you—caging you in with his arms in the process. It’s hard to find the words when he’s this close, but you manage to stumble through them. 

“Do… do you wanna talk about it?”

Spencer hums, tilting his head before gently saying, “not right now. But thank you for offering, lovely.”

“Okay, well—if you change your mind… if there’s anything I can do to make you feel better…”

Finally he stops with the teasing—the unabashed staring at your lips, the faux-attentive nods—and drops his head to your level to kiss you properly. It’s obviously an attempt to get you to shut up, you’re not dumb enough so as to miss that—but you don’t really care why he’s doing it so long as he does it at all. 

“I feel pretty great right now, actually,” he murmurs against your lips, a hint of a smile coloring his words. “Do you want sugar in yours?”

“Um…”

Your eyes dart helplessly between his as he pulls away and you struggle to un-fluster yourself enough to answer his simple question. Spencer seems to delight in this. The longer it takes you, the bigger his perfect smile gets. 

“You took too long. You’re getting sugar.”

“Are you sure there’s nothing I can do?” you plead later on the couch, for the third or fourth time, setting your mostly-empty mug on the coffee table. 

His eyebrows raise. 

“I’m sure, honey.”

“But I want to help,” you pout, pulling your knees into your chest. Spencer regards you for a moment from the other end of the couch, before beckoning you closer wordlessly. 

“You are helping,” he assures you, gently grabbing your wrist as you crawl into his lap. He rubs soothing circles into the delicate skin with his thumb. “You being here and being you is plenty.”

It’s the closest you’ve been to him since before he left, and while you’ve all but given up on asking him to sleep with you, it doesn’t mean you don’t think about it multiple times per day. It’s especially difficult to keep your thoughts PG when you haven’t seen him in a week, and his hair is all messy, and he’s got his pajamas on, and you’re in his lap, and he’s looking at you like that. 

“What are you thinking about?” Spencer murmurs, likely concerned by your lack of response and the glazed-over look in your eyes. You reanimate, averting your gaze to the spot on your thigh he’s now rubbing absentmindedly. 

“Nothing. I just missed you.”

“I missed you a lot, too.” You don’t even have to look up to know that his brows have twisted into a pleasant sort of bemusement, like you are a particularly complex puzzle—you can hear it as he continues speaking. “I’m still not used to having something external take up so much of my attention while I’m trying to do my job. I’ve never had that before. Not something good, anyway. It’s like every time I leave, I’m thinking about you more than the time before. And I was already thinking about you a lot.”

The corner of your mouth twitches as he rambles. 

“Really?”

“Yeah, really,” he chuckles. “You prove to be incredibly distracting even when you’re hundreds of miles away. Do you know how many nights I almost called you before realizing it was one in the morning?”

A slow smile spreads over your face. 

“Oh? Whatever could you have been calling about at one in the morning?”

You’re teasing him, and it works. He blushes adorably. 

“Um… probably exactly what you’d expect. In hindsight I think it’s best that I refrained.”

“What?” You grin, incredulous, forgetting your shyness and leaning closer. “You totally should’ve. I’ve never had phone sex before. I would’ve done it.”

“No, you wouldn’t!” Spencer laughs. “It would have just been me talking to myself with you on the other line. I don’t think phone sex is really up your alley.”

“Shut up,” you laugh as your lips meet. He smiles into the kiss. Before you get too lost in it, you pull away, leaning back when he tries to follow you. “I think you’re over-complicating it. It’s just dirty talk, right? I can totally do that. It’s just, like… blah blah blah, dirty slut, something something…”

You trail off as he gives you a look. Poker faced—aside from the slightly narrowed eyes sparkling with humor. 

“You want me to refer to you as a dirty slut?”

Maintaining eye contact is an uphill battle—you crack in a matter of seconds, resting your forehead against his and closing your eyes stubbornly. 

“No. For all you know I want to call you a dirty slut.”

It’s ridiculous, but he recognizes the bravado for what it is, still smiling slightly as he rubs your hips. 

“Right. I apologize for assuming. But just for future reference, I don’t want to be called that, and I don’t think I’d be comfortable calling you that, either.”

“But you can call me other stuff,” you remind your boyfriend, pulling back and still not looking at him. 

“Yeah? Like what?”

And just like that, you’re shy again. 

“I don’t know… nice things. I like when you’re nice.”

“I like being nice to you.” It’s so sincere-sounding that you meet his gaze, examining his face. His eyes are clear and soft on you, the only source of warm light on such a grey day, as his hands keep running slow lines over your sides. “Kiss?”

And how could you ever deny him anything? 

As has happened before, the kiss starts out innocent enough. And it’s not that it gets particularly heated, or anything—it’s just that it doesn’t end, and after a few moments your mouth slips open and so does his and that’swhat gets both of you worked up over a period of minutes. Pressure and heat that you’re becoming accustomed to build between your legs, and you don’t even notice that you’ve begun rocking back and forth in his lap until Spencer is attempting to still your hips with patient but assertive hands. 

“Honey, that’s—slow down, sweetheart.”

Finally he gets a grip on you and you realize as soon as you stop moving that there had been friction occurring—and you’re pretty damn sure you know what you were grinding against. 

Your whole body feels hot with arousal and embarrassment. 

“Oh my god—I’m sorry,” you mumble, moving your hands from his shoulders to cover your face. “That was an accident, I—”

“It’s fine,” Spencer assures you, squeezing your waist gently. “I just wanted to make sure you knew what you were doing because I know we haven’t… gotten there, yet.”

A moment passes—your hands fall to the FBI stitching across his chest, studying the letters without really seeing them. You haven’t gotten there yet… but why not? Why haven’t you touched him, or even seen him? You think back to the few times he’s touched you and realize that you had been too busy with either your own insecurities or pleasure to genuinely consider how it might be affecting him. He says your name gently, drawing your attention. 

“You okay?”

You nod haltingly, brow furrowed as you think. 

“I—yeah. I was just realizing that I haven’t, like… touched you, yet.”

It’s silent for another long second, and you glance up, to where he’s studying you with a dissonant kind of relaxed scrutiny—a knowing confidence that probably comes with a lot more experience than you have. 

“Do you want to?”

Woah. 

Usually you have to beg on hands and knees and prepare a slideshow presentation before he agrees to doing anything sexual in nature. He’s never so overtly invited or initiated it before. Not that you’re complaining by any stretch of the imagination.  

You nod shyly, still fiddling with the fabric of his shirt. 

“If you want to, I can show you how. But it’s also absolutely okay if you don’t.”

Show you how? 

Your brain is melting into sludge at the idea. 

“I do,” you admit, meeting his gaze again. It’s kind, and you know he really wouldn’t be upset if you said no—but now that you’ve thought about it, you feel deeply compelled to try. 

“Okay. Come here, first.” You lean forward expectantly, eyes fluttering shut as his hand finds the back of your neck and he pulls you into another soft kiss. By the time your lips separate again, your head is spinning. “We’re just trying something, okay? You’re allowed to stop whenever you feel like it. Really low stakes. Got it?”

You nod, still close enough that your noses brush as you do. 

“Got it.”

He presses one more chaste kiss to your lips before pulling away and leaning back into the couch. 

“Scoot back a little, angel.”

Wordlessly you do so, heart pounding with nervous excitement as he lifts his hips and slides his pajama pants down just enough to where he can comfortably pull himself out, and—

Your breath catches. 

Now, you may be about as virginal as they come, but you weren’t born yesterday. You’ve seen porn, you’ve received unsolicited nudes—it is the 21st century. Yet never before have you thought to yourself; wow, that dick is the pinnacle of beauty. Perfect. Breathtaking. But there’s just no other way to describe him. 

So that’s what hits you first—how unexpectedly pretty it is. 

The size sinks in a quick second later. 

You can’t tell with perfect accuracy how many inches he is, but you’re pretty damn sure he’s big. That’s meant to fit inside of you?

No, no—that’s a consideration for another day. Right now you need to stop staring like an idiot. You glance up at his face, and he’s sporting a cocky little half-smile which lets you know you’ve been caught. Motherfucker he’s so hot. It’s unnerving. 

“Do you have something you’d like to say?” he asks politely, quite obviously containing his amusement. But you can’t summon a sufficiently sarcastic response. 

Your voice comes so soft when you reply, “you’re pretty.”

Spencer melts, eyes impossibly softening. 

“Pretty?” His smile is earnest now. He strokes your cheek and you can’t not lean into his touch. 

“Mhm. I want to, um…” your lips twist to the side as you look back down, finding he’s not gotten less intimidating since you last checked. “But what if I’m bad at it?” you whisper. He chuckles, brushing hair over your shoulder.  

“It’s kind of a hard thing to be bad at. And I’m gonna help you, okay?”

It’s the honesty with which he speaks to you that makes you feel so safe. There are no hidden intentions or words that seem to mean one thing but really mean another. Spencer wants you as a person more than he wants you as a body and that’s been clear since the first time he touched you. You take a deep breath. 

“Okay. What do I do?”

“First, you’re gonna spit in your hand.”

You look up, alarmed. 

“You want me to intentionally get my spit on you? Is that not your worst nightmare?”

“Believe it or not, I’m not super worried about yours,” he teases. “But if you’d prefer, I can spit in your hand.”

“Actually, mine is fine,” you laugh nervously. 

Hesitantly, you do as instructed, even though it seems frankly bizarre. 

“Good. Now just wrap your hand around it, like this.” His voice is quiet, focused as he guides your hand downward. Your heart rate ticks up again as he encourages you to wrap your hand around the base of his cock. He feels much warmer than you’d expected—his skin is silken beneath your touch but he’s undeniably hard and that sort of eliminates any sense of him being fragile from the equation. 

“It’s gonna be less sensitive down here—and then, up here—” he slides your hand back up, covering your thumb with his own and swiping it just below the head of his cock on the underside. He hisses and you look up in fascination. “That’s the most sensitive part.”

Without further instruction, you do it again, keeping your touch light and watching his face for a reaction. His drawn brows twitch, furrowing deeper for a second, and his lips part. A heavy exhalation passes between them and quickly builds into a breathy laugh. 

“What?” you murmur, over-eager to please and very nervous to do something wrong. 

“Nothing. Just feels good, that’s all.”

“Don’t laugh,” you pout. Of course that makes him laugh again, and he leans forward to kiss your head. 

“I’m laughing at myself, angel. I’m a grown man fighting for my life from a handjob that you’ve barely started. I knew it would be different with you but I didn’t realize it would be this different.”

Heat rises in your cheeks and you look away. 

“You don’t have to lie to make me feel better.”

“I’m not lying,” he urges, grabbing your free hand and encouraging you to uncurl your fingers. His thumb traces circles in your open palm, before capturing your entire hand in his. “Do you feel how much softer your hand is than mine?”

You frown, attempting to feel whatever it is that he’s pointing out. Despite the fact that you think he has very nice hands, you realize he’s right. By no means would you say that they’re rough, but you can tell where his gun normally sits in his hands, where his fountain pen rubs against his fingers. “Yeah.”

“Yeah. Anything you do is going to be perfect because it’s you.”

Spencer drops his hand to your leg, rubbing it soothingly. The other moves to cover yours—the one wrapped around him. 

“You’re gonna help me, right?” you ask quietly. Some adventurous part of you is very excited about this as an experiment—fascinated by the reactions you’ve already gotten from him and eager to push it. 

“I am. Little bit tighter, honey. I’ll tell you if it’s too much.”

You do as you’re told, and he’s murmuring more praise—slowly encouraging you to begin moving your hand with his own. A shaky exhale catches your attention, drawing your gaze to his face. His eyes are, of course, cast downward, but his expression is hypnotizing. Those lips remain slightly parted, and suddenly you wonder if he makes noises like you do. In that moment it becomes your life’s mission to find out. 

For a while you continue letting his hand guide your movements, but he keeps things so slow for your sake that you’re getting impatient. You forgo his direction, picking up the pace but trying to keep the rhythm he’d instilled in the motion. His hand slackens around yours. 

“Fuck,” he hisses to himself. The hand on your thigh rubs achingly deeper into the flesh. “Angel, what are you doing?”

“I want it to feel good.” Suddenly shy again, you slow down. His hips stutter, which you think may be a sign that it was working. “Am I—was that bad?” Spencer looses a breath, looking almost… frustrated?

“No, I’m just—I’m weirdly close to coming.”

“That’s a good thing, right?”

“Well,” he mutters, “not usually. Mostly it’s embarrassing.”

You giggle, a release of some tension, and begin pumping your hand again. His breath hitches and he finally looks up at you, meeting your eyes with his own lust-glazed ones. Heat pools deep between your legs. 

“I want you to come,” you admit quietly as you twist your wrist, brushing that spot underneath the head of his cock again. His jaw literally drops, and a look that is part confusion, part pleasure, twists his features. You see the surprise sparkling in his eyes and it only spurs you to keep talking. “I’ve never seen how you look when you do, but I’ve imagined it. I bet you look so pretty when you come, Spencer. ‘Nd then I would know that I can make you feel good, too.”

“You… you are making me feel good,” he assures you. The way his brow furrows and his  lips are parted give you a feeling that’s entirely new. Normally, you’re the one falling apart under his touch—but when it’s the other way around there’s a whole new kind of pleasure in it for you. You feel kind of powerful. Maybe even close to confident. 

“Really? I’m not this quiet when you touch me.”

“I’ve ha—ah—had more practice not making noise.”

“But why?” you implore, ignoring the fact that he’s slept with other women and enjoyed the sounds they made, and opting to brush your thumb across that extra sensitive part he definitely shouldn’t have told you about. His hips buck up and he hisses, which is immensely gratifying to you. 

“Because I like to listen.”

“What if I do, too?”

In a moment of divine inspiration , you cover the tip of his cock with your hand, swirling beads of pre-come over your palm. Spencer moans and his hips jut up into your grip. It’s a beautiful sound, just as you’d hoped. 

“Jesus, fuck.”

You understand why he seems to enjoy touching you so much. It’s so rewarding to watch as his breathing picks up and pleasure contorts his face—to watch him get messier and messier and lose his composure a bit more with each stroke of your hand. It’s so simple but Spencer looks at you like you’re exercising some arcane deviant power over him and he’s not sure he should be enjoying it as much as he is. 

Distantly you think about how it felt when he had his hands on you—and then, in clearer focus, how it felt when he went down on you. Both were perfect, but something about his lips so gentle on the most intimate, vulnerable part of you had felt like ascension. Maybe it was the emotional component, or maybe it just felt fucking good. Regardless, it seems an irresistible thought. 

You keep stroking him until his head is lolling on the back of the couch as he groans.

“Spencer?”

“Yeah, baby?”

He sounds so destroyed it makes you clench around nothing. Without any indication that you’re going to do so, you stop touching him, and the speed with which he lifts his head again is almost comical. Immediately, while he’s utterly defenseless and desperate, you ask, “can I use my mouth?” 

His eyes widen, and then shut, as he processes your request with a tiny shake of his head—probably trying to clear the haze of pleasure from his mind before he answers. 

“Honey,” he rasps eventually, opening his eyes and smoothing a hand over your hair, “you don’t have to do that just because I do. That’s not why I do it.”

“But I want to,” you murmur, shy and mildly embarrassed by what feels almost like a soft rejection. “I don’t think I could do anything, like, mind-blowing, but… I want to try.”

Your face is hot by the end of the sentence, and you can’t meet Spencer’s eyes as his fingers twitch over your hip. A quiet moment passes—but it’s short-lived.

“Okay. Go ahead, baby.”

Wide eyes dart up to his. 

“Really?”

Spencer smiles fondly, brushing an invisible speck from your cheek. 

“I don’t think I’m capable of turning that offer down. Not when it’s you.”

“Okay—um, should I just—” Spencer watches on, finding your sudden enthusiasm completely adorable as you scoot off of his lap and gingerly kneel in front of him. Your eyes are big and glassy as you look up at him, hands set politely on his knees. You squint suspiciously, eyes darting between his face and his cock, now about as hard as it’s ever been due to your toying. He knows it’s probably intimidating for a girl who has never seen one in real life, and he feels kind of bad about it. You do terrible, wonderful things to him that he doesn’t understand. “Wow. So... it looks bigger from down here.”

“Please don’t try to choke yourself,” he instructs hurriedly, leaning forward slightly. “I really don’t need you to do that. It’s fine if you can’t fit it all, I just—” he exhales shakily. Spencer is most definitely strong-willed but he can’t pretend like the sight of you on your knees for him, inches from his aching cock for the first time isn’t impacting his cognition. Most importantly he doesn’t want to make you feel pressured. He’s trying to not let how badly he wants this show in case you change your mind. 

Spencer watches as you psych yourself out—wilting like a thirsty flower. 

“But what if I’m bad at this?” you mumble, hands curling into loose fists atop his legs. Spencer pushes your hair back, tucking it behind your ears. 

“What’s your worst case scenario?” he asks. Your answer is immediate. 

“That I’m so bad you make me stop halfway through.”

Spencer can’t help but laugh again. 

“I’m sorry—I just… honey, you are really underestimating how profound your effect is on me. I just almost came from a minute long handjob. I can assure you that I won’t make you stop halfway through because I’d rather not have your mouth on me. That is… that’s just not going to happen.”

You lean your cheek against his thigh. He might actually pass away. 

“Will you tell me if I’m doing something wrong?”

“Honestly, as long as you don’t bite, you’re in the clear.”

Your eyes squeeze shut and your lips pull into an embarrassed little smile. 

“Great. Thank you for that invaluable advice.”

“Of course,” he smiles. It fades slowly as you take a deep breath and look up at him, obviously steeling yourself, before leaning forward and taking him in your hand again. He watches with bated breath, repeating no sudden movements to himself over and over as your hand moves up and down a few more times and your head lowers. 

You delicately, so lightly trace your tongue from the base of his swollen cock to just underneath the leaking tip, mapping a vein, and his hips buck as you take him into your mouth experimentally. Only the first few inches fit but the sight of your lips wrapped around him, the way you’re looking at him is so unbelievably erotic Spencer knows he won’t last very long.

From a purely technical perspective—he knows he’s gotten objectively better head. Still, something about the way you’re so delicate with him, so soft and timid in the way you lick and kiss and take him into your mouth has him fighting not to come already. Maybe it’s wrong, but knowing that he’s watching you do this for the first time in your life is obscenely arousing. The idea that you’ve never trusted another person this much; that you’re letting him be the one to help you navigate something as new and as important as sexuality. The more he thinks about it, though, the more he realizes: it’s not your inexperience that turns him on. It’s just you. Everything you do is so undeniably you—he recognizes your mannerisms in every tiny motion, in every glance, and it’s killing him. You’re like a dream as you look up at him with big nervous eyes, (no, really, he has had this dream) and he remembers he wants to be reassuring you—not pondering life and human connection. 

“Look at you,” he murmurs, groaning and hips twitching as your cheeks hollow, wrapping his achingly hard cock in soft gentle warmth so sweetly it feels taboo. “So good, baby. So gorgeous like this.”

You whine around him, receptive as always to his obsequious praise, and he notices the way your hips wiggle as you seek friction. God, you must like this a lot. Spencer gathers your hair into a makeshift ponytail, resting his hand on your head as you begin to bob it. That, he wasn’t prepared for. He’d have been satisfied with just kitten-licks and suckling but he won’t complain about this. It’s slow, and so intentional as you keep watching him for feedback cues. Ever his observant girl, you’re constantly paying attention. Aware of his reactions. He needs to keep telling you you’re good or else you’ll assume you’re terrible. 

“Over-achiever,” he whispers through a little smile as you down even more of him. 

Spencer is for the most part a kind and gentle person. For better or worse he is also a man, and he can’t help but fantasize about getting you all teary and drooly as he holds your mouth open and sees how much of his cock he can push down your throat. But again—kind. Gentle. So when you get a little over-zealous, attempting to sacrifice your comfort for his pleasure, he pulls your head back slightly. “That’s far enough, angel. That’s—fuck. God, you’re good at this.” The words are thoughtless, muttered to himself more than you as he watches through a haze while you look up at him with glassy, half-lidded eyes, slipping him in and out of your warm mouth, a little faster now as you gain confidence. 

You whine desperately around him, like you’re the one nearing orgasm and not him. The sound of your pleasure as you suck his cock makes him dizzy. His hips buck, pressing him a little deeper into your mouth. “Jesus fucking Christ,” he exhales. “Slow down, baby. I’m—” a louder moan from him like you’ve never heard as he thrusts shallowly turns you on profoundly. He’s so much more vocal than you’d have imagined—sonically and verbally. He breathes out a quick, “fuck, fuck, fuck,” pulling your hair slightly, and you’ve never wanted to touch yourself more but you know you can’t focus on both. Instead you work on making him come—you can worry about you later. He says your name, with an authoritative edge to his tone that makes you throb. “Honey, if you don’t stop, I’m gonna come—”

You swirl your tongue around the top of him like candy and he’s done for. Spencer tries to pull out, which only results in cum both in your mouth and on your face. The orgasm is his strongest in recent memory, and he grunts, watching your lips part and a little squeak escape as he comes all over your face—but you keep stroking him all the while. Once he’s 90% sure it’s over, he falls against the back of the couch, breathing heavily and looking down at you through hazy eyes. Oh, he’s going to feel terrible about this in a few seconds—but right now you look fucking perfect. Your eyes are wide, nervous as his essence drips over your face and down your neck—he groans when you swallow cautiously, averting his eyes to the ceiling lest he do another thing he regrets. 

“Baby, I am so sorry,” he mutters, forcibly clearing the haze of orgasm from his mind and sitting up, fixing his pants and looking around before locating the box of tissues on the side table. “I’m so, so sorry. I shouldn’t have done that.” You look up at him attentively as he wipes himself from your face as gently as he can. 

“Why not?”

“Because I didn’t ask you first. I wasn’t thinking clearly.”

Spencer guides your head around by your chin, wiping your jaw and lips. 

“It’s okay, Spence, I—”

“No, it’s not,” he cuts you off, trying to at least turn his guilt into a learning experience for you. He’s not deluded enough to think someone like you will stay with someone like him forever, because sometimes he does things like that, and he’s reminded that there are certainly people out there more deserving of you. At the very least he can clarify that nobody should ever do what he just did to you. “It’s really not nice to do that to someone.”

“Do you care what I think at all?”

Spencer freezes, finally forcing himself to look you in the eye. Despite the fact that he’s mad at himself, he’s sure it’s coming across as being directed at you. And he knows you’re sensitive, especially about this kind of thing. 

“Of course, I do, baby. I’m sorry. Do you want to come back up here with me and tell me what you’re thinking?” he murmurs, cupping your jaw. Hesitantly you nod. The tissues end up on the table—which he will be thoroughlywiping down later—before you crawl back into his lap from the floor. Spencer helps you settle against him, hoping he hasn’t messed this up irreversibly. He keeps his voice quiet as he rubs your leg. “What were you going to say?”

“I was going to say,” you begin, “that it’s fine, because you’ll remember to ask next time. And because… I kind of liked it. I like when—when you do stuff like that.”

It’s a miracle he can hear you with the way your voice drops into an almost-whisper and you’re hiding against his shirt. 

“Like what?” he murmurs. Although he’s not sure he’ll be able to handle the answer. 

“Like… I don’t know. Like you can do whatever you want to me. Like I’m literally yours.” Each word makes you cringe further, but Spencer has to try hard to maintain a cool facade as he processes this. If he’s going to try and be chivalrous, you’ll have to move away from this topic—this revelation—immediately. Thankfully, you seem eager to move on. “So… how did I do?”

He almost laughs. It seems exceedingly obvious how you did, but as per usual, you require verbal reassurance. 

“That was really good, baby. You did well.”

You blossom. 

“Really?”

“I wouldn’t lie.”

“Was I the best girl out of all of the other girls?” 

I wasn’t in love with any of the other girls. 

Just barely, he manages to stop himself from saying it, pinwheeling his arms on the edge of a very steep verbal cliff. The realization that he’s been in love with you for a while hits him like a truck. But he can’t tell you that right now. He should wait until you’re less vulnerable.

Fuck. 

He really wants to tell you right now. 

“Actually—don’t answer that,” you decide, while all of this happens in his head in less than a few seconds. “I want to go back to pretending I’m the only girl you’ve ever seen in your life.”

“You’re the only one that matters,” he offers, relieved to express at least some portion of the much bigger truth. Then he frowns. “Not that the other women I’ve met don’t lead important lives. I actually know a lot of incredibly influential and intelligent people who are women. I have deep respect for all of them. Am I helping or making it worse?” he rambles. You giggle. He has his answer. “What about you? How do you feel?” he asks after a moment, tenderly, lowly, stroking your hair as you lean against his chest. 

It takes you a moment to deliberate, fiddling with the fabric of his shirt. 

“I feel good. I, um… liked it a lot more than I would have thought.”

“Well, that’s good. Much better than if you had hated every second of it.”

You hum in agreement, and he waits for you to say whatever you’re holding back. It comes sooner than he’d have anticipated. 

“I feel bad about the times before. How did you just… go to sleep after? Were you not, like—insanely turned on? Not that I’m, like, irresistibly sexy, or whatever—you know what I mean.”

Spencer smiles because he knows you can’t see him. 

“I wasn’t doing it to pressure you into feeling obligated to reciprocate, I guess. My line of reasoning was that it would be less intimidating if I didn’t even present it as an option until you wanted to try.”

“Oh.”

Spencer thinks he sees where this is going. 

“Why?” he asks, leaning back and encouraging you to look at him. “Are you insanely turned on?”

“Wh—that’s—I didn’t say that!”

Spencer can feel how warm your cheeks are as he presses his lips to the side of your face. 

“You can tell me if you are,” he murmurs, all smiley as he moves to kiss your lips. “If you want something, you need to ask for it. I’m not a mind reader.”

“Yes you are,” you grumble. “That’s literally what behavioral analysis is.”

Not quite true, but surprisingly, he doesn’t feel the need to explain to you the semantics of what he does for work right now. 

“What got you all excited?”

“You know what,” you mumble, trying to look away again. Spencer doesn’t allow it this time, gently grabbing your jaw. 

“Yes, I do. But I want you to tell me. If you want me to make you feel good, this is how you’re going to convince me that you deserve it.”

You whine wordlessly, looking at him with those big, lust-glazed eyes.

“You wanted me to teach you how to use your words, right? This is it. I’m giving you an opportunity. If you don’t want to, that’s okay. Maybe we can take a nap, like you said earlier.”

“No! I liked—um, I liked all of it. I didn’t know if I would, because I was really nervous. But when I first—you know—and you got all quiet… it was like you couldn’t even talk for a minute. I was kind of proud of that. Because normally nobody can ever get you to stop talking.” Spencer narrows his eyes incredulously, a small smile tugging at his lips. But he doesn’t interrupt—not when it seems you’re finally starting to get more confident in your words. “And I really liked the noises you made. I think that was my favorite part. I liked when you pulled my hair back, and how you spoke to me. And when… when you got me messy and I had to swallow it. I really liked how it felt because I couldn’t think of anything else, just making you feel good. I really wanted to… make you proud, I guess. Is that weird?”

Spencer shakes his head no, a fond smile on his face when your eyes meet his again. 

“No. It’s a pretty normal thing to feel when you’re nervous and wanting to impress someone you care about. And I would have been proud no matter what, for the record. You were being very brave.”

You pull your bottom lip between your teeth, watching him expectantly. Spencer should have known you’re too needy to truly absorb anything he says to you right now. Which is actually pretty cute. Everything you do is endearing to him. 

“Stand up.”

You frown. 

“But—”

“Just stand up,” he demands calmly, preferring to think of himself as firm and not bossy. 

You do, looking rather annoyed and confused as you plant yourself in front of him. 

“Why?”

“You are so full of questions.” His hands slip up the side of your legs, under your skirt, and hook in the waistband of your underwear. Spencer looks up at you meaningfully and you nod, swallowing. 

As he pulls down, Spencer can literally feel the resistance of the fabric clinging to your soaked core. Under his touch the skin of your thighs is warm and soft. He wants to feel it on either side of his face, he wants to hear you whine as his stubble rubs against it, he wants to feel it clamp around his wrist, he wants it between his teeth and he definitely wants it pressing against his hips as he—

But no. 

There will be time for all of those things—especially the last one—later. For now, he’ll reach between your legs just to see—

“Oh, my god,” Spencer half-chuckles, half-groans, upon feeling how wet you truly are for him. He drags his knuckles from your dripping entrance up over your clit, pinching very lightly and earning a squeak from you which he ignores. “You really did like having your mouth full of me, huh?”

“I told you,” you breathe, visibly relaxing some as he continues to play with you for a moment. Then he pulls his hand away again, patting his thigh. 

“Sit.”

“You want me to…”

“Yes,” he says, simply. 

“But is it not going to… am I not going to mess up your pants?”

“You are even more neurotic about messiness than I am. I can wash them, honey. Come here.”

Spencer guides your hips over his thigh, watching your pretty face twist with uncertainty as you fully settle on him. Fuck, he can feel your warmth through the fabric instantly. Already he’s getting hard again. 

“What am I supposed to do?” you whisper, bunching his shirt in your fists. Spencer slides your skirt up higher, revealing the way you’re nestled against his thigh. He spreads you a little further apart, exposing more of your clit to the material underneath you. Immediately you press against him—he watches the delicate flesh rubbing gingerly against him and  his grip tightens ever so slightly. 

“All you have to do is rock back and forth. It’s easy.”

Already you’re starting to do it—but he guesses it’s like earlier where you don’t even realize it’s happening. 

“But… I wanted your mouth,” you admit, quietly, slinging your arms around his neck and burying your face there. 

“Do this for me first. Just get yourself off like this one time and then you can have my mouth. You said you wanted to help me feel better because I’m tired today, right?

“Yes,” you mumble, squirming over him. 

“Well, there are a lot of days when I get back home and I’m tired. I’m gonna need you to be able to get on top of me, just like this, and make me feel better. And I know you don’t know what it feels like to have something that deep inside of you yet, but it’s gonna be a lot. Even once you know how it feels to have me inside when you’re underneath me. I need you to practice for me right now so you’ll be ready, okay?”

You could come from the words alone. You nod, dazed with need as you roll your hips in a circle, pressing his thigh against your clit. 

“Back and forth, baby,” he murmurs, guiding your hips forward with his hands locked around them. “Back and forth, just like this…”

You moan quietly, shamelessly, eyes fluttering as you look down and watch your clit dragging over the darkening fabric. It’s easier if you isolate your hips, grinding down without moving your legs or upper body at all. 

“It feels really good,” you whisper under your quickening breath. 

“Yeah? Does it?”

“Mhm.”

“Good, angel. You look like you know what you’re doing.”

It’s audible now, quiet and wet and dirty. 

“I don’t,” you breathe. He sucks in a breath of his own, stilling your hips with fingers pressed deep into your flesh. 

“Sit up, baby.” You really wish he would stop making you stop, but you don’t want to keep going in case he needs you to quit—so you rise slowly, thighs trembling as you kneel. Spencer groans at the strings of your arousal momentarily connecting your core to his pants before they snap, getting your inner thighs wet. There’s a dark, very wet patch over his thigh, shining like glass. He thumbs over your slick clit absentmindedly as he looks up at you like you’re a miracle. “You’re fucking soaked. I’ve never seen you like this. Is this all from making me come?”

You nod feverishly, hips grinding against nothing in search of friction. He sits you back down on his leg, allowing you to sloppily find your rhythm again. Spencer bounces his leg lightly and you cry out softly, buckling forward. His arms wrap around you, still pressing you down against his thigh as you rut against it. 

“You’re sweet. Maybe I should have known how much you’d like it when I came all over your pretty face. You really like hearing that you did a good job, huh? I bet you like it even more when I prove it to you.”

You moan a “yeah,” barely processing his words. 

“My good girl even swallowed on her first try. Took it so well. And now look at how you’re taking this. You’re gonna love riding, baby. Just going to be another thing you’re good at as soon as you try it.”

“Spencer,” you gasp, overwhelmed by the praise. He’s bouncing his leg at regular intervals and everything is so sensitive.

“I know it’s harder to finish this way, but just one time, remember? And then you can have my tongue for as long as you want. You are my only plan for the day. Just give me one like this.”

But it’s not really harder to finish this way. Then again, you’re so turned on you could probably finish if a breeze hit you just right. Regardless, the thought of him going down on you again pushes you even closer to the edge.

You don’t know how much time goes by like that, you rubbing against him like it’s the last thing you’ll ever do, him pressing up into you until the pressure is so taut it snaps. There’s no time to warn him, but you suppose you don’t really need to. You writhe against him, caught between wanting to keep going and not being able to take more stimulation. He lifts you up just slightly, trying to separate you from his leg. You exhale deeply as your body relaxes, already close to dozing off against his chest.

“We can’t have you tapping out just yet. I still have to fulfill my end of the deal.”

In the end, he fulfills it three times over, and you end up showing your appreciation in kind one more time—much slower and more comfortably in his bed. He gives you plenty of time to learn what he likes, taking your teasing and coquettish explorations like a champ and never so much as tightening his grip in your hair. Turns out, you don't exactly spend the day doing nothing.

And you do end up taking that nap after all. Just... much, much later. And with less clothing on.

-

part 3.5