#why did this take so long? why did i write so much? we just don't know

[angelltheninth]

Love your LADS writings! Could we maybe get them reacting to their girlfriend wearing their shirt?

I love writing for LADS, now that Caleb is here there's even more hot men to fawn over.

Pining: Zayne, Rafayel, Xavier, Sylus, Caleb x Fem!Reader

Tags: fluff, established relationship, sharing clothes, domestic fluff, clothes shopping, possessiveness, being playful, flirting

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A/N: Wrote this a bit fast because my new PC came in today so I need to set it up. It's gonna be awesome.

Zayne pretends not to notice that it's his shirt you're always wearing in the mornings when you stay over at his place. It's only a shirt, he's got many more just like it. So why is it getting to him when you wear it? Simple, it looks cuter on you, and he tries not to get worked up about it, that would go against his stoic, professional self. However when he sees you waring his clothes he always tells you that it looks good on you. A sort of subltle encouragement that you should do it more often, and also spend more time at his place because he tries not to leave his clothes at your place.

Rafayel wants to buy some matching clothes when he saw that you wear his on ocassion. He's always had a good sense of style and is very happy that you do to, furthermore that you like it so much that you want to wear what he waers. When he sees you wearing his clothes he makes sure to memorize what it looked like on you so he can sketch it later. Before he knows it there are a dozen sketches of you in his clothes. Not that it's a bad thing by any means and he thinks you're catching on to him buying matching clothes because every time you're on a date you're pointing out cute outfits that you say would look great on him.

Xavier doesn't think much of it when he leaves some of his stuff at your place when he comes and goes. What he does think about is how his pants looked on you, too long, cozy, some a bit tight on you, others hanging off your hips, all depending on what you get your hands on at the time. The scene is almost domestic, seeing you not even think about putting on something of his, you don't even say why you do it and he's fascinated by that. Playfuly he tugs on the waistband of the pants and tells you he wants them back, only for you to turn the tables and tell him to take them off you if he wants them so bad.

Sylus is very perceptive of what you do when you're around him so there's no way he wouldn't notice you wearing his fancy shirts around the apartment. Those aren't exactly outfits for casual wear so there was no way you could have mistaken them for one of your own, which means you took them on purpouse. A man like him doesn't do well when other people touch what belongs to him without his permission. It's bad bussiness practice, and dangerous when you're in deep with criminals like he is. But he could be persuaded to let you get away with it, only because you're his girl and his girl can do whatever she wants with and to him.

Caleb leaves his hoodie at your place on purpouse. He did it because he wanted to use it as an excuse to visit again early, he didn't expect that you'd be wearing it when you opened the door for him. All the blood rushed to his brain and caused him to stop all train of thought for a few moments before he smirked and leaned in to whisper how cute you look, his breath hot against your lips before he claimed them in a seering kiss. From that day on he never mentioned anything about you giving him his clothes back. Why would he want it back when it looks so much better on you, sometimes it's all you wear around him.

[corseque]

I honestly just wanted one single plot step that I could not predict given the 10 year wait. More behind the cut, I talk about Emet too, and I'm comparing his writing favorably to Solas' writing and why it worked better for me personally, but I am just talking about the writing skill that went into the games and not the dudes themselves, I love them both dearly of course. idk this is a mess and I am not going to edit it for clarity

For me, the game was a series of me saying

"ok I knew that. cool."

"oh yeah, I knew that. I guess it's good that the larger fandom knows about that now."

"nice, but yeah I already knew that too"

"that was something we've been talking about a lot for years"

"this thing they are acting like is a huge enormous reveal that the characters could not possibly have deduced through simply thinking about it in depth over the 10 years... the fans easily figured out by thinking about it in depth 10 years ago. So you would think his girlfriend would be able to figure it out more easily than we did. Like, why couldn't the game have been like 'oh lavellan already figured that out a while ago' it would have cost them nothing"

"this is something I've been thinking about for years, and now that it's being revealed, the companions' reactions to it are very irritating and jarring and unnecessary and I really dislike the experience I'm having right now, in this, the hour of my greatest triumph"

"this thing that is happening on my screen right now is something that I wrote an essay about 2 years ago describing how it would be a letdown if it happened without the correct setup"

"this way that they're characterizing Solas makes him less likable and less interesting than I have been finding him for all these years, and I have had people tell me 'no, he's simpler than you think' for years but I guess I was wrong, he really is simpler than I thought, so that fucking sucks. I wish I could take that information out of my brain."

"this thing is a retcon of information I have been thinking about for 10 years, and so I don't know how to follow along with this new direction, and I'm not sure if I even want to because it's not particularly interesting anyway"

"aw that was sweet"

"why is it like, so very impossible to have an honest back-and-forth with my favorite character about the dilemma that was most interesting to me about the previous game"

and then, as soon as, like, the other fans had caught up to the Solas lore that was really obvious from the other games, the game was.... over without anything surprising happening, or introducing a new element or plot point or perspective, or a real true twist (or two, or three) for those of us who have thought about it too hard for too long. It was very simple and easy, much, much, much, much easier than I was imagining. It all felt sort of like that Nicholson quote:

The thing was, the whole story was so interesting to think about because in 10 years, I couldn't figure out a good solution to it!!!!! It's why I was never able to write post-game fanfic about it. So I was stoked to find out some reveal we never knew about, some new information, in maybe a SERIES of steps of new information, that made the situation more complicated but also something that could be navigated by everyone involved. I know it was asking for a lot, but they had TEN YEARS, and they seemingly had set up the things they did in DAI on purpose, so surely they had some idea of a complex and satisfying narrative that would reconcile everyone.

The reason why I was expecting this is because FFXIV did a very similar story arc, which was started AND concluded WITHIN those 10 years (so it took the FFXIV team far less time to deliver as well). And the conclusion to the story in FFXIV did what I was expecting Dragon Age to do. So I thought, "holy shit, if this is the FFXIV version of this plot, how much more complicated is DA4 going to be!?!?" The DA devs also PLAYED FFXIV so they were completely aware, several years ago, of a satisfying story ending that was pretty darn similar.

People are probably going to think "oh, well Chelsea was disappointed because she spent too much time building it up in her head" but that's exactly it - I actually speculated and thought about FFXIV's story IN DEPTH NONSTOP for a year+ before its ending came out, and the ending absolutely blew me away. FFXIV Endwalker managed to introduce information and new story elements that I was not able to figure out in the YEAR I spent speculating on the ending of FFXIV's story. It took a complicated situation and revealed several several more facets to it that I was not able to predict, but were very interesting and thematically compelling, and took us all to surprising and climactic places that we could not have predicted.

Endwalker ("end" is in the title on purpose) too, was written to be THE ULTIMATE SATISFYING ENDING for a very long-running story in the exactly way that Veilguard SHOULD HAVE for Dragon Age, so while this complexity is being explored, FFXIV also gave catharsis to many different plot threads that have been built up through the previous expansions, until finally it ends with a bang. The story is desperately good to me, I loved it, it gave me closure for Dragon Age long before Veilguard was even revealed, and going back and looking at its story has made this whole thing far less painful for me.

So, I actually did not have a picture in my mind for how things SHOULD go. I just had the thought "I hope it's complicated and there are points of view or facts that we haven't before been exposed to, and the situation is resolved respectfully for Solas, not making him look like a fucking idiot (lol, the only thing I asked for). I don't even care what happens to Solas and Lavellan, I just need the story to be complicated and interesting to think about. Please, god, don't let it be "solas is wrong and he just needs to be convinced" because that's like the simplest story you could tell with this setup"

(btw they managed to tell Emet-Selch's story without making him seem like he's being an idiot on purpose or can never get anything right, and in fact the more the story goes on, the more you think of him as smart and capable and cool, so it is possible to write.... I wasn't asking for the entire moon)

And I played it and... yeah. Most of the story beats were more simple than I wanted them to be, a lot of them didn't make sense in my heart given the writing from Inquisition. (This is another essay, but if Solas' thematic story arc was always about him needing to let go of regrets, why was his personal quest the way it was? After that quest, doesn't he end up regretting not doing more....? Why did he never really talk about regret during Inquisition? If he was so trapped by regret, why was he able to do so many actions? It doesn't mesh well to me. The whole regret thing was very quarter-baked to me, I don't even like thinking about it.) His story never seemed like one that was as simple as being about one man's regrets, but then, I guess, it was always just about one man's regrets.

Emet-Selch's personal storyline (and the way it interacts with and affects the larger story) is very similar but much more cohesive and satisfying to me. It would be difficult to explain why without the aforementioned 5-hour essay. Emet-Selch's story IS about grief and anguish on a world-shaping scale in a similar way that Solas' was apparently always about letting go of regret, but Emet's story was also very pointedly and beautifully about that one theme for the entirety of his story from every tiny detail, from beginning to end - meanwhile, it seemed to me that they tried to introduce 'regret' as the main thrust of Solas' story only in the short story with the Regret demon onward.

From Inquisition just by itself, the closest I personally could get to a story theme for Solas was his inability to trust others hurting him and the world, but his trusting others in DA4 wasn't really addressed to my satisfaction. He is never required to trust anyone before the ending, he never opens up or makes himself vulnerable at all. People find out information about him, he never really dynamically opens himself. So the personal story I thought he had was never addressed at all, while a new one about regret was introduced that never made a ton of sense to me. And I don't think this is just because of my expectations - my reaction to FFXIV proves that I am able to meet good writing where it goes in surprising directions, as long as it's interesting and thoughtful and clear.

And I think this might be part of what people felt was off about the ending - Solas is sort of uninvolved in the revelations that are about him, and doesn't do much to be part of his own ending. Part of what I loved about Solas in Inquisition is that he is not controlled by you in any way, and so he feels like his own person with a very strong sense of character.

Anyway, Emet-Selch, in a very comparable and arguably more extreme plot position, is very involved in the revelations about himself, he always feels like a very strong character who cannot be affected by the player, and the whole situation is handled with deft emotion and care and delicacy. The story is comparatively very uninterested in litigating Emet-Selch or putting him on trial - the story allows you to simply feel the way that you feel in an organic way, and Emet's story spends that energy instead actually exploring his thematic material about grief and legacy, and the larger story theme of existentialism instead, in a way that is very refreshing and interesting. I've seen a lot of western stories tie themselves in knots over "redemption" and frankly it's almost never been interesting at all. Who cares about any of that. lol

(Now, I guess this is a matter of preference, because some people really like being able to shape a character's story, but idk I rewatched the ending of FFXIV and even though there wasn't a choice with Emet, because it isn't a branching story, his story felt more satisfying to me, maybe because there isn't a patronizing choice to be made for him. He is who he is, and he fulfills a very beautiful narrative role and purpose that no other character could in the story.)

I don't know how this could have been improved to me and still allowed players to choose Solas' ending for him, but I can actually think of a few different methods, none of which involve Rook condescendingly and patronizingly lecturing Solas as if Solas had never thought about a single aspect of this horrible situation he's in before that very moment that Rook lectures him lmfao.

All this to say... idk I'm writing this and I am not going back to edit it so it's stream-of-consciousness. But yeah

I just wanted the story to be complicated on a few more levels than I could have predicted. I genuinely don't care what happened, but I thought of a few twists like the Veil coming down and yeah, I was expecting A Single Twist or reveal to happen. In a Dragon Age game.

I wanted Solas to seem cool and capable and noble and smart, and actually feel like he was as old and experienced as he is.

I wanted a clear theme I could sink my teeth into

Like notice I didn't even say anything about Solavellan. Like I never in 100 years thought they were getting a happy ending where they were both alive in bodies, and I like that we got that, but I would honestly trade it for a more complicated story. To me, if a story is sad you can always write fanfic, but if a story isn't COMPLICATED, that's a much more urgent issue.

These 3 things DA4 didn't give me in a way that satisfied me but FFXIV did. anyway idk the way my hyperfixations work, I completely switch to a new subject so talking about Dragon Age is actually hard for me right now.

[screamlet]

“I wish you would write a fic where…” Through whatever contrivance, Buck tries to woo Tommy back through trivia. Maybe he gets Tommy’s team in on it, or the emcee/host - but it’s all Tommy-themed questions because Buck is trying to prove he knows him. Does it work? Maybe it’s all surface level and it hurts Tommy as much as he appreciates it. Maybe he revealed more than he thought and Buck was listening, taking it all in. Maybe Tommy decided to participate against him and inadvertently reveals something or accidentally says he loves him or something. If you would like it, I humbly offer whatever you can do with this premise!

heeeeey it took one million years but here's something!!! i love shenanigans, i hope this lives up to them.

bucktommy fix-it, 2k

read on the ao3!

---

Tommy's not exactly kidnapped.

He's met in the parking lot at Harbor by Hen, Karen, and a couple of big smiles, and then shoved into the backseat of their car and driven off somewhere. 

"You know, it's been my experience that some people text when they want to hang out," Tommy says.

"So you did ignore my voicemails!" Karen yells. "I knew it."

"It's not personal!" Tommy says.

"I'm taking it very personal," Hen replies. "Like hell you're leaving the Christmas card list again." 

"I'll move."

"Not in this housing market."

Tommy groans because it's true. 

And see, that's a little crazy but a little fun, to know that they care enough to abduct him and take him out for the night. It's then not really surprising that Howie's waiting for them at the bar they used to frequent ages ago, when Tommy was still at the 118. 

"I got the cuffs," Howie announces, a pair of very-real looking handcuffs dangling from his fingers.

"Those better not be for me," Tommy says as Karen pulls him out of the car with shocking strength. 

"Don't worry, they're not LAPD property," Hen assures him. "They're Bobby's."

"Please stop making me learn things," Tommy says.

He's already handcuffed. Howie's living-with-a-toddler sleight-of-hand has gotten unreal. 

It's around this time that one shock wears off and another dawns: this is a scheme and Tommy is trapped.

"No no no no, whatever you're doing—"

"Chim, no!"

The bar's tables have been cleared from the center to make two long tables facing each other. Fine, cute, two teams, it's now clear to Tommy that he has to win Evan back or something with trivia. The difference, though, are the two chairs in the center, where Evan is already sitting (and handcuffed). He turns around, almost tipping the chair over except Eddie catches him. 

"Fine, whatever," Tommy says as he's sat in the chair next to Evan. To make things better/worse (because Evan's so fucking squirmy), their chairs are put back to back so they can be tied together, too. "Oh, we're going full Last Crusade, are we, Howie?" Tommy has to grunt because Athena ties a really, really good knot and again: he wishes he knew less. 

"If you had answered your phone," Bobby says coolly. "If you had bubbled less and texted more—"

Tommy whips his head around and smashes his skull right into Evan's. "Goddamn—you saw that? Why didn't you text, if you were just sitting there watching me type?"

Evan struggles against everything keeping them together, then finally says, "Because you left and you didn't want me! If you wanted me, you would have called! And now we're—" One more hard thrash that gets Tommy in the shoulder. "Kidnapped and this is your fault."

"It's my fault? You wanted me to give up—"

"No I didn't! I said something dumb and you walked out before—"

"No, no, no, we can talk later," Eddie says. "It's time for Buckley-Kinard Family Feud."

Tommy and Evan turn their heads at the same time. "The hell are you talking about?" Tommy asks. 

"It's time to draft your teams," Hen announces. "I'm hosting, so I'm removing myself from the pool."

"This isn't fair! It's Buck's family—"

"You didn't just call me that in front of everyone," Evan hisses. 

"It's Buck's family against me, I don't have anyone—"

"I'm drafting myself," Howie announces. "Buck, your turn."

"Fine, I pick Maddie," Evan replies.

"Don't sound too thrilled," she replies. 

"Your next pick?" Hen asks Tommy.

"I told you, I don't—"

Bobby comes over to his side.

"You're insane," Tommy says. 

"That's not fair!" Evan yells.

"I met him first, Buck," Bobby says placidly. 

"Yeah, but—ugh, fine, then I pick Athena." Evan turns his head and bumps into Tommy's again. "You better not pick Eddie."

"I'm picking Karen," Tommy says. "She's my friend who's a lesbian—"

He can feel Evan tense against his back, probably out of frustration and a deep, deep desire to slam his skull into Tommy's again. He doesn't know how Evan resists.

"I've been bisexual for like, nine months, could you cut me some slack?" Evan asks.

"You spent an entire afternoon reading me articles and watching videos about the three-body problem and you couldn't fucking bother—"

"Because then I'd know," Evan yells. "I'd know that you and me were too good to be true, and I'd know that it was just temporary, and I'd know that you can't live your whole life one way and suddenly a guy kisses you and everything, everything is different, and your life's completely changed! I'd find something that would tell me it can't happen, it's probably not real, and then I'd realize I was wasting your time because I can never really change. If I looked at us too hard, I'd know it was just—"

Tommy's so overwhelmed, his chest so tight, that all he can manage to say is: "Yeah, it's called biphobia, and if you had asked, I don't know, one of the three gay people in your life—"

"I didn't know what to ask, Tommy! Fuck!" Evan tries to struggle out of their bindings again, but then he stops. "Apologize to me for being such a dick about this." 

The room is tense and quiet, eerily quiet, until Tommy finally says, "I'm sorry. I'm sorry, okay? You're right and I'll stop throwing that at you. It's really unfair. It's unfair of me and unfair of, I don't know, the whole world, that made you think this could never be for you."

"That you could be it for me," Evan corrects.

"Sure, whatever." Tommy's voice is nowhere near as light and bitchy as he meant that to sound. "So are we gonna play this game or what? Now that we've got some teams of dubious quality?"

Bobby takes a seat at what is now, apparently, the Team Tommy table. "I know you like fresh pasta because then you can have soft pasta and no one will call you a heretic for not liking it al dente." 

"That's psychotic," Tommy says. "And no one cooks it true al dente, it's always just barely cooked and I shouldn't have to chomp on pasta like a horse to enjoy it!"

Evan says, "And all of you said I was the weird one and he was the normal one."

"Literally no one said that, Buck," Eddie says. "You're both absurd, that's why you're perfect for each other."

"Well," Evan says, "I know you were thinking it."

"You were thinking it, and sometimes thoughts have to make it out of your mouth for people to hear them," Tommy snaps.

The entire room bursts into an uproar and Tommy tries to struggle out of his chair again. "Fine, fine, I'm a huge hypocrite, can I get a point for admitting it!" 

"Yes, just one," Hen says. "Alright, gather up, teams. Bobby and Maddie, you're up first."

"This is a nightmare, this is a nightmare," Tommy whispers to himself. "I crashed my helicopter and this is hell."

"Hey, Mr. Keeping Your Thoughts Inside, we can't hear the question," Howie says.

"You're on my team, you have to be nice to me!"

Howie dramatically pops his piece of gum and says nothing.

"This first question is in the category of fashion," Hen reads off her phone. The TV over the bar has turned on to show a Family Feud style board with four options and Tommy can't believe his vision of hell is this detailed. It's impressive. "Name one novelty apron belonging to either Buck or Tommy."

Bobby slams his hand on the buzzer that someone brought for the occasion. "Tommy has one that says Warning: Fowl Language and it has a rooster on it." Bobby points at Tommy and says, "Sal gave it to you for your fake birthday, which is June 13, but your real birthday is in November."

The room is quiet again.

"You had a fake birthday?" Evan asks.

Tommy looks up at the ceiling. This means that he and Evan's heads are touching and he can't help but lean into it a little. He doesn't go any further, though. "Did I mention I'm like… that there's a lot of things wrong with me?"

"Yeah, these are really struggling to stay in the quirks category," Karen says. "But hell yes, one point! Let's go, Bobby!"

Bobby rejoins the team and Hen strolls down to their side of the room. "Now, Karen: can you name another apron that Tommy owns?"

Karen winces. "Okay, this can be any apron?"

"Any apron," Hen agrees.

"Alright, then I'm gonna say… a plain, utilitarian grey apron that he wears because he doesn't want to use the nice ones." 

Hen says, "Show me boring!"

The word charcoal appears on the board with a (2) next to it.

"Two charcoal ones?" Maddie asks. "Tommy, love yourself."

"Yeah, I think that's the point here and I hate it," Tommy replies.

"Alright, Chim," Hen says. "Name another apron in Tommy's kitchen."

"I think we all saw Buck's lockscreen this summer," Howie says. "Tommy in a sleeveless shirt with a black apron that said Flippin' Awesome and had two spatulas crossed on the front."

"Show me spatulas!" Hen calls out. Another point. 

"Cheap shot," Tommy says. "Evan gave me that, of course you knew that."

"Hey, genius, how do you think people learn things about each other?" Howie asks. "Hen, take it away." 

"Alright, Team Buck," Hen says, wandering over to Maddie. "Name an apron you can find in Buck's kitchen." She turns her head and says, "And don't think we didn't notice he's Evan again."

Tommy turns his head away and whispers to Evan, "Can you make them stop? Please?"

"Sorry, do you think I wanted to be tied and handcuffed to you tonight?" A beat. "Okay, that's not—whatever, I'm suffering here, too."

"Are you?"

Evan huffs. "I'm tired of chasing after people who don't want me, and you don't want me." 

Tommy stays quiet as Team Buck racks up bonus points for Evan's punny apron collection. 

"I thought you'd call or text, or come over," Evan says, voice quieter. "You said, no matter how bad I want to be, so I thought… I don't know. I waited, Tommy. That didn't feel like the end. And you never answered my voicemails, so."

"I haven't checked my voicemail in five months," Tommy admits. "I saw you left a couple the week after and I just—I couldn't. I knew I'd—I'd press play and before you'd even said Hey I would be in my truck on my way to you."

"And would that have been so bad?"

Tommy drops his head down. "I wanted a clean break so we could both walk away." 

"Tommy," Evan whispers. "No matter how bad you want that to be true… it's not."

Tommy nods to himself. "I'm sorry."

"I should have come after you," Evan says. "I should have broken down your door or, I don't know, hung onto your helicopter like Captain America."

"Yeah, good luck," Tommy laughs. 

Between them, Evan's fingertips reach for Tommy's. They cling the best they can, and Tommy—he clings back. 

"Do you mean it or do you just want to get away from everyone?" Evan asks.

"Well, apparently I can't get away from them." Evan laughs dryly, so Tommy clutches his fingers again. "I mean it. Both of those things. If they take the cuffs off, I won't run. Will you?"

Evan laughs. "Only if you'll follow."

"Then we should make a break for it."

"You got it."

---

read on the ao3!

[protect-namine]

Ahhhhh your theory about how Vein died is sooooooooooo fucking real. Like I've seen people talk about how Lu Guang might have a secret power? But I feel like that's not the case cuz then we might have seen it play out in S1 and S2. Lg would surely would have used it in the fight with Qian Jin.

for context, anon is talking about this post where I theorize how vein "died." I go into it in more detail there, but the tl;dr version of it is: no lu guang did not kill him vein directly. he just delayed vein from entering the clinic early, thus creating a butterfly effect (hence his whole speech about it) that led to wang qing being awake when vein tries to leave with the notebook, thus creating an opportunity for her to "kill" vein which she wouldn't have had originally. but liu xiao interrupted this chain of events and that's why vein is alive using the faking death ability.

I am linking the reblog version here because other people have added their own thoughts since the creation of the post. I'm not sure if anon has seen it or just the original post, because in my original post I posit that liu xiao has the faking death ability. but after seeing other people's thoughts, I am now more leaning to the idea that wang qing has the faking death ability or perhaps, that a combination of wang qing and liu xiao is what made the "heart attack but fake death" happen. perhaps (unintentionally) they created a power combo-ing effect similar to how lu guang and cheng xiaoshi can create a mind link across time when combining their powers, or how li tianchen can possess people across space by proxy of li tianxi.

a power combo that works across "death" would be interesting, though this is merely speculative at this point. it would certainly provide another perspective to why they're paired up in the ed.

to now address anon: yeah, exactly. even if the addition of non-photo based powers is a recent change in writing direction (that they may not have had foresight on during the writing of previous seasons), it still would be too much of a drastic change for lu guang to be hiding another ability.

as I said in the post, it is unfortunate that we have to rely on information outside of the show to make sense of it, but yingdu really does make more sense when you've seen the recent interview with director li. in particular, it is heavily implied that liu xiao has more than one ability, and the process of gaining an ability (aside from inheritance from parents) is through death or stealing it from others.

while I am a believer in the idea that lu guang is willing to do morally questionable things for cheng xiaoshi, I don't think he would've had an opportunity to just get a new ability so soon after he just got the diving ability from cheng xiaoshi. on the flip side, if he always had multiple abilities since he was a kid, it would be bad writing lmao because then why has he never used it until now? especially when he's been timelooping for who knows how long to avoid a death node. I know link click is possibly retconning some details (2018 is now 2019, they changed the plans for red eyes, etc etc) but I don't think this would be a retcon they'd do because it would change too much of lu guang's character.

I am going to use this ask as a jumping off point to talk about yingdu's storytelling style, and how we should take this into account when analyzing this season. putting this under the cut now since this gets long and is kinda just a tangent now to the ask itself, though it does circle back to lu guang's role in vein's "death" in the end.

part of the reason vein's death is confusing is definitely because of the animation of lu guang puppeteering wang qing. I can totally see how people would come to the conclusion that lu guang was controlling her somehow. but we have to remember that yingdu is not like S1 and S2, for multiple reasons. one, it's a shorter season meant to introduce plot hooks, not plot; it's a setup for S3. two, it's a change in perspective from cheng xiaoshi's more grounded reality to lu guang who has been timelooping for forever. three, it was animated by a different studio than studio lan. fourth, it aims to provide a different story, and the storytelling style reflects that.

whereas S1 and S2 has a storytelling style that focused more on plot details and building up tension; yingdu focused more on relationships and emotions. it heavily uses visual metaphors in its storytelling compared to previous seasons.

in a way, although I have qualms about yingdu's writing, I do think visual metaphors is a valid solution to the problem of, "we only have six episodes to establish new plots and characters and motivations. how do we convey information efficiently in that amount of time without compromising artistry?"

I will mention one metaphor in detail that will be relevant for the lu guang discussion later. one example is glasses as a perception metaphor. this meta was written in YE5, and YE6 continues the metaphor as well because we see lu guang wear clear glasses for the first time, symbolizing that he is no longer stuck in his rose-tinted glasses era of looking into the past, and has decided to look into the future, solidified by his decision to remove vein from the situation and also because he reveals later that this is the last time he can loop.

there are, of course, more examples. idk if I have links for existing meta on this, but we have hands as a metaphor for relationships (hand holding, handshakes, fist bumps, etc) and the power balance of each relationship (with regards to secrets, deals, etc). we have various color theories floating around. we have theater/cinema and chess as metaphors for everyone's narrative roles. lu guang's imaginary clock as a metaphor for how he thinks the timeline should go, and how it's prevented from running by red strings forming the word BRIDON. we even see the clock fall apart in one of the later episodes (I forget which one atm). hell I could write a whole meta on liu xiao's tetris game as a metaphor for how he sees the "game" he's playing and the role xia fei plays into all of it.

side note: I think it's incredibly valid for people to feel that yingdu did not have enough space to properly establish characters, and I feel the same way too. but at the same time, I think a lot of characterization also gets missed in yingdu because it's a season that loves its metaphors and encodes character motivations through it instead of just showing it to us. I have conflicting feelings about this, but ultimately, they only had 6 episodes to tell a story, and I think that's something we should always keep in mind when managing expectations.

circling back to vein's "death" and lu guang's role in it... visual metaphors are gonna be confusing if people don't know this is what yingdu's storyelling heavily uses. I don't think we should be reading yingdu the same way we did S1/S2.

someone could watch lu guang puppetering wang qing and think, "oh he's using her to kill vein directly" but if we stick to yingdu's storytelling style, it is more likely a metaphor for him learning to manipulate the butterfly effect for his purposes (again also symbolized by the glasses metaphor, since he wears clear glasses in the same episode)

scenes should also not be taken out of context. there is a reason he made a whole speech about the butterfly effect first. a small change (delaying vein) results in a big change (killing vein). if lu guang was controlling wang qing or whatever, that is not a small change. that is not a butterfly effect. we literally had a butterfly land on lu guang's shoulder after he made this speech to vein. the point was to create a butterfly effect that would lead to a situation where vein dies.

and for my final tangent: this sets us up perfectly for S3 because I believe lu guang and liu xiao are supposed to be narrative foils.

they both have expressed wanting control over the timelines. liu xiao wants "to make uncertainties into certainties" (whatever this means) and lu guang wants "to make certainties (cheng xiaoshi's death node) uncertain." but as of S1 and S2, lu guang was not yet in a position to properly rival liu xiao over this theming, because we know he's been timelooping and failing over and over to save cheng xiaoshi, while liu xiao has been successfully manipulating people into doing things for him (getting li tianchen to retrieve liu min's phone for him; baiting cheng xiaoshi to go to bridon so he can use him to bait wang qing to revealing where she hid the location of cheng weimin's notebook so vein can steal it).

now, lu guang has shown some semblance of control. and we have seen the effects of it. cheng xiaoshi is still alive and well in a post-S2 post-yingdu timeline.

I mentioned this way back in YE2, but there's also a distinct change in the way we're moving from "closed loops" to "butterfly effects" as a theme in yingdu. yingdu has many objectives it wanted to do as a season, but the main one was lu guang learning to manipulate the timelines through creating a butterfly effect. in keeping with this theme and objective, it just does not make sense for him to kill vein by somehow directly controlling wang qing.

[coralhoneyrose]

I was wondering: what do you imagine Robin's childhood was like? Did feh change that in any way?

Oooh what an interesting question! Admittedly, I haven't thought about this in extensive detail, but I do definitely have Some Thoughts™️.

So, we obviously don't get much to go off in canon. Validar says that Robin's mother was "seized by weakness and fear" and that "she betrayed us—stole you from your crib, and fled with you in the night!" and then adds that he knows "naught of [Robin's] life thereafter". Presumably the 'us' there is referring to the Grimleal…and if she betrayed them as a collective group she must have been a part of said group previously. The fact that Validar says she stole Robin from their crib also implies that she ran away with them sometime between birth and age 3-ish.

If she was trying to get away from the Grimleal, I assume she would have wanted to leave Plegia if at all possible. We know that the last war between Ylisse and Plegia ended about 15 years before the start of the game, though. So if we assume Robin is about the same age as Chrom (19) then that would have put Robin around four years of age when the war ended. So either Robin's mom was trying to make do in Plegia for a while, or they potentially hid out in Ferox for a time. When it comes to my personal writing, I admittedly like to play with those timelines a bit, but that's my best guess for how things went down in game.

Either way, I assume they probably lived an extremely nomadic life style. They couldn't risk being found, which means they also couldn't really risk putting down roots or settling in one place long term. I imagine Robin was probably very lonely growing up, as all that moving around and having to lay low would mean they didn't have much of a chance to make friendships with other children. Presumably the trend continued into their adult life too given that no one in the story (aside from Validar) ever recognizes Robin or remembers them from prior to when they met Chrom. If that's something that was so lacking in their life previously, I think it makes the game's messages about the importance of the connections we choose all the more meaningful. Also I am just really partial to the idea of Robin being touch starved prior to meeting the Shepherds and Chrom's subsequent touchiness and familiarity with them taking them completely by surprise as a result haha

Honestly I suspect a lot of that is why they came to love books so much too. The books were an escape to other worlds but they would have been a small slice of stability as well, since a story is the same every time you read it. They may not have had friends in real life, but the characters in their books would have always been there for them between the pages. I imagine Robin got very good at amusing themself too and probably had a very rich imagination growing up. The fact that they traveled to so many different places may also have played into them developing their strong sense of curiosity.

I'm sort of undecided on what point in Robin's life I imagine that they lost their mother / how exactly they lost her. That's one of the things that's always really interesting to see other fan's interpretations of, as there are a variety of interesting possibilities there. Either way, given that Robin's inability to have made many connections outside of their mother, I imagine they took it incredibly hard.

As far as if FEH impacted my interpretations in any way, I would say it didn't really change them, but that it did fill in some details for me! Robin's coat being visibly too big for them strongly implies it was a hand-me-down from their mother for one thing (which I'd sort of assumed before but never had direct confirmation of). I'd also been very curious just how much Robin understood about who they were on the run from / why they were hiding, so hearing that their mother cautioned them to keep their hand hidden and that they do seem to have some sense of that being the source of their power as well as 'an evil omen of an unlucky fate' was very interesting as well.

That's everything that comes to mind at the moment! ASfhsdf I like that I started by saying I haven't thought about it in extensive detail and then proceeded to type all of this up...But honestly, writing all my thoughts out wound up being super helpful for organizing them. It also has my chrobin brain-cell vibrating at high speed going into the weekend, so you have my gratitude, anon! Thank you for giving me such a prime opportunity to talk about one of my favs <3

[waterfire1848]

Au: zuko and azula both raised by dragons

Hello @hersheysmcboom !!

1. During a family trip to Ember Island, the family is hit by a massive storm. The storm causes their ship to be destroyed and Zuko and Azula are believed to have died at sea as they were never found by their parents or any search parties. However, they did not die. The four and two year old actually washed up on Sun Warrior Island where they were discovered by a giant blue dragon. Shaw, understanding that these are incredibly young humans, took them both back to her and Ran’s cave. Thankfully, the Sun Warriors also found them when they heard the two crying. Shaw was not happy to have the humans steal her newfound babies but eventually came to the agreement that the Sun Warriors would help with some things (like keeping them clean, providing them with milk and clean water and education) while Shaw handled mostly everything else. (Sun Warrior: She thinks they’re her babies. Chief: Yes, she does. And as long as she’s not eating them or leaving them to die, I see no reason why we shouldn’t let her keep them. Sun Warrior: Chief, she’s a dragon. She and Ran can’t take care of two humans children, especially at their age. Chief: That’s what we’re for. Trust me. These kids will be okay.) (Yeah there’s no way to write that where the chief doesn’t sound crazy.)

2. Time goes by and Zuko and Azula grow up believing Ran and Shaw to be their mom and dad (not biologically but adopted parents). Azula has no memory of Ursa or Ozai but Zuko does. Sometimes he remembers his parents but it always ends with remembering the storm too and that keeps him from wanting to push himself. Additionally, the two train with the Sun Warriors when their firebending presents itself. As per canon, Azula is still a prodigy but she’s not pushed to her limit since Ozai isn’t around and there isn’t as much competition between her and Zuko (still some because they’re siblings but not much). (Azula: Mom! Mom! Mom!!! Zuko: She’s out hunting. What’s going on? Azula: I made blue fire! Blue fire! Not even an Avatar can do that! Where’s dad?! Zuko: You made blue fire?! Azula: Look! *shows him her flame* Ran: *Growl* Azula: Dad! Dad! Look what I did! I made blue fire like you and mom! *Shows him her fire* Ran: *Soft purring and licking Azula*)

3. More time passes, Zuko is 16 and Azula is 14. They don’t remember much of anything outside of Sun Warrior Island but, thanks to the teachings of the sun warriors, they know about the war and the outside world. One day, the family is fast asleep when Ran and Shaw wake up and fly around the island. Zuko and Azula are confused and frightened and ask what’s going on. The Chief tells them that the Avatar has returned. Feeling like they have to do something, Azula convinces Zuko to join her and find the Avatar to teach him firebending. The Sun Warriors allow them to leave as long as they don’t reveal the island which, of course, they promise not to do. Their cover story is that they’re kids from a FN colony in the EK. (Shaw: *Sad growl* Zuko: We’ll be back, mom. I promise. Shaw: *Huffs air into Zuko’s hair* Zuko: Mom! Azula: Come on, mama’s boy! We got a long ride to get to the Earth Kingdom. Ran: *Growl* Azula: Dad, no. You and mom have to stay here. Dragon hunting is still going on and if you’re spotted…..you just have to stay here. Zuko: We’ll be back in a few months. A year tops.)

4. Zuko and Azula have never been in the outside the world when they finally arrive in the Earth Kingdom. They know how to steer a ship because of the Sun Warriors teachings but they're utterly confused by everything else. (They don't know what money is, they don't know that people can steal from them, they don't know why the other kids their age find them so weird, everything about the outside world is so strange to them). By the time they find the Gaang, the group has just met Bato. The siblings were at the Fire Nation town where the group would go before meeting Jeong Jeong, only this time Zuko and Azula confronted them and out loud said that they wanted to fight the Fire Lord and teach Aang firebending. Needless to say, Jeong Jeong still isn't happy and scolds Zuko and Azula and tells Aang he isn't ready. Jeong Jeong still eventually agrees and while he's teaching Aang, he notes that Zuko and Azula have golden eyes. (Zuko: So? Jeong Jeong: Only members of the Royal Family have eyes like yours. Where are you two from? Azula: We're from the colonies. Jeong Jeong: Which one? Azula: The-The one in Omashu. Jeong Jeong: Ah, yes. That famous colony. I suppose I was mistaken.)

5. The Gaang and siblings travel to the North Pole where the fire and water siblings friendship really starts to pick up. Aang has been the most enthusiastic about their presence so far while Katara and Sokka have mostly been tolerating them. It's in the North Pole that they really start to connect and become friends. While in the North Pole, Zuko grows sick due to his weaker flame and, while Sokka and Yue are watching over him (because Katara and Azula are busy fighting the patriarchy), he mentions Ran and Shaw. When Yue asks who they are, Zuko slips up and admits that they're his adopted parents and that they're dragons. Sokka and Yue, not sure if he's being serious or hallucinating, agree to keep their mouths shut. When Zhao attacks, he doesn't recognize Azula and Zuko but he does know that they're firebenders and, for some reason, helping the Avatar and they are recognized as traitors. The North Pole ends the same way, but it's what happens after it that changes. First, the survivors report to Fire Lord Ozai that two teenager firebending masters are helping the Avatar. Second, Iroh, hiding in the EK, receives word that two teenagers--who look like they're from the Royal Family and are the same age that Zuko and Azula would be if they were alive--are traveling with the Avatar and trying to help him with the war.

[bluevioletflames]

Recently, I've been thinking a lot about Buddie (I say this as if they don't cross my mind AT LEAST once an hour). Particularly about the song that'll play when they go Canon.

I know for a long time we've all had our inputs, and I've had multiple different songs I'd be more than happy with. But with the way their story is currently going, I can't help but think about our always-beloved Tsunami arc.

I could write essays about that across but for now, I'm gonna talk about the montage to Ed Sheeran's "Wait for me to come home".

The first time Buck felt like he failed Chris, failed Eddie, was the Tsunami. He sits at his table, feeling so emotional wrecked and lost, not knowing what happens from here. Feels like he's still drifting out to sea. Next thing he knows, Eddie and Chris are walking into his apartment.

THERE'S NOBODY IN THIS WORLD I TRUST WITH MY SON MORE THAN YOU

Fast forward and here we are, Eddie's been gone for X amount of time.

Picture it, Buck has had the shift from hell. Their 24 hour shift turned into an almost 72 hour one. Buck hadn't really slept, hasn't slept well since Eddie left. He finds himself sitting at his table once again, disassociating into the abyss. Much like he did all those years ago. Death and suffering clouded the past couple days, and he wants nothing more than to curl up on Eddie's couch and sob the days away.

He can't help but be glad that Eddie wasn't here for this, and just like that, he let's himself break. With a flashback type montage of the events of the past couple days, combined with all different types of memories of Buck and Eddie and Chris, "Wait for me to come home" playing in the background. The whole time Buck's been sobbing, as the music slowly comes to the end lyrics fading out slightly, his eyes catch on a photo.

Buck sneakily took that photo on Chris's first ride along. He's not sure why, he and Eddie weren't that close at that time, but something told him to take it. That it'll be important later on. It's later and he knows what that meant know. As Buck holds the framed photo against his chest, and with the last 'wait for me to come home' of the song, there's a knock on Buck's door.

"Hey Buck"

Am I proposing a direct parallel to the end of the Tsunami arc for Eddie and Chris's coming home? One that could be such a good opening to begin Buddie Canon? Yes

Will it wreck me emotionally? Also, yes.

Will they though? Probably not 😂.

[gallifreyianrosearkytiorsusan]

Requesting Aid 2

Tagged: @sleepyfan-blog @c-u-c-koo-4-40k @i-am-a-dragon34 @ms--lobotomy @gra93fruit-blog

Tagged: @egrets-not-regrets @felinisnoctis @bispecsual @whorety-k @bleedingichorhearts @thevoidscreams

Tagged: @jaghatai-khock

Author's note: Thank you to @kit-williams for letting me borrow Anrir. Thank you to @sleepyfan-blog for letting me borrow Cedric & Ash'val. Thank you to @c-u-c-koo-4-40k for collaboration on writing this behemoth of an arc... and it's only still at the start and letting me borrow Khopesh. Lol.

Kerubiel had given so much, pushed himself in Every aspect of his training. Aspirant to Neophyte to Scout, watching his lessers die off one by one. Asserting (comforting) himself that He was Better. That He would survive (Praying himself near sleepless that he would survive). 

That their passing was a Mercy to them because they wouldn't survive what he could- Because he would be the Best. He exceeded expectations, and when he didn't he took his beatings, scraped himself up, and kept fighting! Showed just as much promise in Every Mission and Every Training. Pushing himself to the limit of his enhanced body, Every! Single! Day! (Because anything less would mean he'd not be worth keeping.) 

And Yet!

...

“Why wasn't I enough…?” Kerubiel asks, muffling his sobbing into Olly's shoulder. 

“...” Olly doesn't know how to respond. “I don't know.” He eventually says, but he knows he could say something better, and is aggravated with himself that he can't think of it. 

“You were always enough.” 

Both Primaris whip their heads back to see the old Dragon Approaching once again. Soon, Ash'val stands before them. 

“You…you heard?” Kerubiel asks, feeling an embarrassed blush come over him. 

The Salamander nods. “Salamanders may not Prefer Gothic but most of us can speak it.” He explains. “Also my Gothic may be pre-heresy but the language really hasn't changed that much in your time it seems.”

Olly responds with a slight embarrassed “Ah…alright then.”

“But back to the point. You two were Always enough.” Ash'val insists. 

The Scouts look away, clearly not believing him, so the old Dragon decides to try a different angle. 

“Have you heard the tale of when our Gene father Vulcan, long may he Live, rejoined our Legion?”

“...” “I know Vulcan was described to us as one of the Holy Primarchs of the Imperium.” Olly replies while Keru stays silent. “But wait…are you saying, you've actually Met a Primarch!? In person!?” The Ultramarine gasps. 

Ash'val nods. “In the obsidian flesh, here, sit with me and I will tell you.”

Both Primaris do as the old dragon says and he begins the tale. “We Salamanders had been devastated by a long conflict. Our numbers were depleted, our casualties counted in the thousands. What ships we could spare were sent with civilians and what supplies came back never seemed to be enough. We were at our end, but then…he came.” Ash'val's recollection takes on a legendary sort of awe. “He, and the forces he handpicked and armed, cut down our Xenos foe. The enemy we faced for months was burnt to ash in what felt like hours. And at the end, when the battlefield was finally quiet, we of the old Guard faced what we were certain was our replacement.”

“You feared that you would be…discarded?” Olly asks. Kerubiel remains silent, he…he had never heard such insecurities from a First Born. 

Ash'val nodded. “What more could be expected? We held our own, but clearly our betters outmatched us in every way. So…we bowed. To honor our father, and the brothers who would take our place at his side…but do you know what he did?”

The Primaris shook their heads. 

“He demanded we get up, that we stand proud because we had…given so much and saved so many…that We should not bow. Then He…he bowed to Us.”

Olly almost felt a gasp escape him. A Primarch! Bowing low to mere Space Marines!? If his own Gene Father was to bow to him he'd…he'd…

Well he doesn't know what he'd do but the very idea makes him feel like he's about to pass out. 

“And then he Took us in his arms and said we would ALL be his sons! LIKE THIS!” Ash'val says joyfully, and surprises the two Primaris by swooping them into a tight hug! 

“Woah!” “Hey now!”

Salamander strength is really no joke considering Ash'val successfully lifts Both of them in armor, even if only for a moment. He continues once he places them both down. 

“And ever since then, we Salamanders have Always accepted our new recruits with open arms. Terran, First Born, Transfers from other Legions, and the Primaris.” Ash'val explains. “Which is what I wish happened for you, and your brothers…”

Kerubiel bites his lip, “It…wasn't your fault.” He eventually says. 

“Perhaps,” Ash'val responds. “But clearly, more care will need to be taken with integrating Primaris that arrive here. They should feel welcomed, and that whatever abuse they faced in their pasts will not be tolerated by the Alliance, least of all in a territory under My protection. ”

Kerubiel and Olly both feel…stunned. But Ash'val simply claps them both on the shoulders. “The dragon rises on a New Day! Now, let's continue as we were! 50 laps! I'll give you a ten second head start. You both better keep up with this old drake or you'll both be in for barracks cleaning duty!”

“Yes sir!” “Sir yes sir!” Kerubiel pulls out his hydration ration and chugs it properly before getting a move on with Olly. 

Ash'val watches the boys fondly, but his expression does shift as he glances back down at his vox. 

‘Dark Angel Apothecary retained at Clinic. Possible involvement with attempted kidnapping of the Primaris known as Kerubiel. Administering truth drugs as soon as Anesthesia reaches appropriate level.’

Ash’val is glad that he’s able to watch over a pair of the Primaris Marines- especially one of the ones that had been almost-kidnapped. Would be thieves were going to be punished. If the younger cousins do not want to be taken, then they won’t be.

Ash'val grimaces, and seems he will need to remind the other Astarte leaders of this world what happens when you intrude upon a Dragon's nest. 

“10 seconds up! You'll be left in the dust if you don't pick up the pace, old man!” Kerubiel shouts, now much more like himself. 

Ash'val's grimace melts instantly into a challenging grin. “OH-HO-HO! I'll make you eat those words scout!” He replies, doing as promised and picking up a run after his charges. 

Kerubiel had a fierce, but a small smile on his face as he continued to run- making sure to pace himself. He and Olly were running, keeping ahead of Ash’val- for now at least. Primaris Marines are faster than most First Borns.

The more he learns about the boy’s story the more he understands why they are reluctant to reach out to their older brothers- and superior officers. The reluctance to put themselves into the hands of those who, in their time and era have proven themselves unworthy of their trust and obedience.

Still the more Ash’val learns of M42, one thought keeps going through his head is this ‘What the fuck? Why? What is wrong with M42?’

…

“And then the boys came back to reality, and we called the others to tell them.” Lullaby explains to Nanael and Atlas as they show the new arrivals the full image that Claude and Jophiel's vision had produced. 

“...” Neither of the new Primaris speak for a moment, but eventually Nanael produces one… 

“I see…” That doesn't have any curses or promises of violence he Desperately wants to include. Nanael's expression is serious, and even slightly disgusted. His wings are reminiscent of Jophiel's when he'd first seen Lullaby's … interesting looking warp presence. 

“But…What does it mean?!” Lullaby asks plaintively, “Why are they Doing this, Why do they Want to do this?! He's done nothing to them!” They feel another painful spike in their emotions and their psychery, and force it back down so it doesn't cause trouble. They still feel tears pricking at their eyes, and they wipe them away quickly. Not the time for weakness. 

“It will be Alright.” Atlas assures Lullaby. “We've already received double confirmation that Kerubiel is safe with Ash'val and Olly.”

“And Khopesh will be back before you know it. Though he may have to check in with Anrir first.” Claude supplies, giving Lullaby a gentle side hug.  

Lullaby nods. “I know. I just don't understand why…anything with this.” They say tiredly pinching the bridge of their nose. “And I Hate that.”

Nanael's expression takes on a different intense look. He and Cedric will have bastards to Hunt down soon enough. After all- harm given, is harm to be repaid. If those Dark Angels were planning on doing that to Kerubiel. Or whichever other Primaris they got a hold of, well, self defense, even a more active version of it so that those bastards don’t hurt him, or others is understandable. 

And if a portion of the Dark Angels was planning on brutally killing one of his brothers for curiosity. Well then, he’ll make them drown in their own blood. They were going to kill someone he Cherishes. Or may even go after another Primaris, should it prove too difficult to get Keru. 

Threats must be dealt with, and well, there was something in the codex about that, Ruthlessness is mercy upon one’s self. Yeah. Nanael knows he’s not fully of the Lamenter variant of the Son of Sanguinius, what else he is, he doesn’t know, Nor particularly care to find out.

“Jophie, Claude, if we point out the figures do you think you can recall more about their appearances?” Atlas posits. 

Jophiel and Claude look to each other and to Atlas, “Perhaps? I’d like to try to see if I can get more clarity if you do have pictures.”

“It can’t hurt to try.” Claude says. 

“I'll grab the paper and colored pencils!” Lullaby announces. “If we can do a Perp Sketch it could help Kerubiel and Khopesh avoid them. Especially if any of the Dark Angels had scars or other recognizable features.” They say, voicing their understanding of what Atlas was getting at. “And it will help others find them so they can be stopped…”

“They can be stopped…right?” Lullaby asks hesitantly. “Like they intended to kidnap Kerubiel, and even if This crime technically didn't happen I mean…there's got to be Something we can do right?” Lullaby asks. 

Atlas puts a comforting hand on the baselines shoulder. “We will make sure our friends do not come to harm. You have my word.”

Lullaby smiles. They know there's only so far a promise can go, but the words soothe them regardless. 

Squeak Squeak! A chirping bat call ringtone sounds on Lullabys phone and they scramble it out in a flurry. “Khopesh?! Can you hear me sweetness?”

“I am well, dear one! I am just letting you know I have Arrived back at Stone Flame but I must report to Anrir first.” Khopesh explains. 

Lullaby’s entire frame immediately uncoils most of its tension. “Thank Goodness. Also…”

“Yes my Love?” 

“I'm really happy to hear your voice.”

“Awww!”

“But! Once you're back in my arms you're also going to Tell Me Exactly how you got involved with this Dark Angel debacle.” Lullaby says without leaving room for argument. 

Nanael raises an eyebrow. “You mean he didn't brag to you about biting off a Dark Angel's arm when they tried to take Kerubiel?”

“HE DID WHAT?!” 

“NANAEL DON'T TELL THEM THAT! HOW DO YOU EVEN KNOW THAT!?”

“Cedric heard it through Zariel I believe.” Nanael smirked. “It was for a good reason, but still I Think you should have informed your partner appropriately, brother cousin.”

“YOU DID WHAT!?”

“You are getting it the next time we train, little brother cousin!” Khopesh responds through the phone to the still smirking Nanael. 

“You are coming straight back Here after you see Anrir.” Lullaby says strictly. “And you are going to help us construct the sketches of the Dark Angels so you and Kerubiel can avoid coming within 10 Miles of them until they're dealt with!”

“Yes Lullaby.” Khopesh sighs. “However, I Did have a good reason.”

“Yes, and I won't say it wasn't deserved.” Lullaby responds. “But next time just Punch the offending bastard's jaw off! DO NOT! Leave behind teeth marks, and crap tons of mouth DNA for them to find you with!”

“That!...That is fair.” Khopesh allows. “Even better, next time I will make it look like an accident. No witnesses.” He growls slyly. 

Lullaby let's out an amused huff. “Again, not saying they wouldn't deserve it…especially if they’re involved with these bastards.” Lullaby responds, shooting a dirty look at the vision image. 

Ziztz! The light above Lullaby's head flickers for a moment before they pull themselves back again. Atlas doesn't know about…that side of them, yet. 

And if anymore Marines learn about their abilities they're fairly certain Anrir will turn Grey. His hair, they mean, his skin is already pretty much that color. 

“I'm sorry our art day has been impacted in this way.” Jophiel apologizes to Lullaby and Claude as the group seats itself and prepares to make the perpetrator sketches. 

Claude smiles. “I would rather this happen, then we go forward not knowing.”

Lullaby nods, and continues to pass the colored pencils, and paper so Jophiel and Claude can draw the images of their potential enemies. Nanael and Atlas continue to examine the vision image to determine how many unique figures are present, and thus how many Dark Angels they'll need to identify. 

And thus how many graves will need to be dug.

…

“How is our Patient fairing?” Anrir asks his fellow Apothecaries. 

“Vitals are stable, we'll be ready to on-board the Sodium Thiopental in about two minutes.” Hura replies. 

“Dosage is ready when you are Apothecary Hura.” Cedric replies, having just drawn up the syringe. 

“Excellent.” Hura replies before shifting his attention to his vox. “Apothecary Zariel, how are our Other guests fairing?”

‘Sour and surly, but being complacent otherwise… for now.’ Zariel responds. ‘Best to hurry this along if possible though. No telling when they'll decide to burst in and steal back their apothecary.”

“Understood, Cedric,” Hura announces. “Get the Sodium Thiopental on board.” 

“Injecting now.” Cedric replies, double checking his syringe for air bubbles before pressing the mind altering drug into the Dark Angel's IV. 

“Mrph-mm…” The Dark Angel twitches and begins to stir, but when his eyes open they are unfocused and glassy. Perfect. 

Anrir leans over the table, “Can you hear me?” The Nightlord asks in flawless Gothic.

“Yes,” The Apothecary answers, with little to no emotion in his voice. 

Anrir nods. “Good, first of all, Who are you?”

“I am Apothecary Brother Sargent Noctis Aramais, of the Dark Angels,” He replied flatly.

“What is your current mission?” Hura asks.

“To capture alive and as intact as possible a Primaris Space Marine,” Noctis Aramias replies.

“Why have you been sent to capture a Primaris Space Marine alive?” Cedric asks, one of his hands clenching into a fist before unclenching his hands.

“The orders have come from our Chapter Master, Sammath Togroth.”

The tension in the room shifts, and Cedric finds himself stunned for a moment. A Chapter Master had ordered this? That…that would complicate things. 

If Anrir finds that information strange he does not show it. He simply continues the line of questioning. “Why does your Chapter Master want a Primaris?”

“The Chapter Master wants to see how strong and what the differences are between a Firstborn Space Marine and a Primaris Space Marine.”

“And how would this be determined?” Hura presses.

“First examine, open the body cavity and study the biological mechanics…”

“But that isn't all, is it?” Anrir prompts. “What about anesthesia?”

“No…no anesthesia. Only…hypno drugs, Chapter Master Togroth, wants…the Primaris awake. To measure stress response…Cut and take till there's...nothing left. Record findings till the Primaris expires…Collect and store usable organs as normal.” The Apothecary drones on.

Cedric feels his hearts pick up and a hot searing knife of rage cuts through him. He has to firmly hold himself back from latching his hands around the Fucking Bastards NECK and wringing it till his eyes pop out and it Snaps in his hands. 

What Cedric doesn't realize is that Anrir is not far behind him, after all if this is what they planned to do to a random Primaris, who's to say what they'd do to Khopesh who had actually offended them. But the old Nightlord is much better at keeping his emotions unseen. 

“What happened when you attempted to take the Primaris known as Kerubiel?” Anrir prompts. 

“Scout disobeyed, was antsy but…almost had him…just had to…apply the hypno drug but then-” A small amount of panicked lucidity comes back to the Dark Angel, but not enough to wake him fully. “Wretched monster with a grinning scarred mouth…lept from the trees, Teeth sinking into my Arm. Snapped it off. Get him off! GET HIM OFF KILL HIM BROTHERS! RIP HIS ARMS OFF AND WATCH HIM BLEED OU-”

Shink! Anrir jabs another dose of knock out juice right into the near thrashing Dark Angels neck, not gently at all. But the Apothecary does go limp a moment later. 

“I've heard Enough.” The elder Night lord surmises. “The amnesitics will ensure he does not recall Any of this. As for the Other issues at hand…”

“A band of rogues is one thing, but if his words are true, then we are dealing with a Far Worse conspiracy.” Hura adds. 

“No Primaris is safe…” Cedric mumbles, his tone belying the sheer overwhelmed Panic he feels. “Even if I can keep those who are already Here informed…Any new arrivals could be- They could be taken. I can't…”

“Cedric?” Hura asks, seeing the emotional outburst coming. 

“THRONE DAMMIT ALL!” Cedric snarls slamming and tossing the tray of used surgical items into a wall. (Thankfully avoiding the other medical equipment.)

“CEDRIC!?” 

“I SWORE! I-SWORE! That I wouldn't-!” Cedric feels an angry sob threaten to break through. “That I wouldn't, Let them be hurt again!” 

Both elders look on, they know a meltdown like this will need to run it's course. 

“And NOW I learn…that a fucking CHAPTER MASTER, wants to cut open one of my brother's like a fucking science experiment!?” Cedric continues to rant. “WHAT THE FUCK AM I SUPPOSED TO DO!?”

“Is this a bad time?” 

Cedric whips his head around to the door opposite to the one that lead back to the waiting area with the other Fucking Dark Angels, only to see a familiar dark eyed face staring back…

Carrying a bunch of grocery bags. 

“Khopesh, good to see you have returned.” Anrir greets his son, the relief just barely detectable in his tone. 

“But do Not step any closer, this Is meant to be a sterile zone.” Hura adds quickly. 

Khopesh snorts but does as he's told. “That's rich coming from you Death Guard. Anrir would you like me to drop these off at your quarters instead?” Khopesh lifts the bags filled with cleaning supplies, and Anrir nods. 

“In a moment. First of all…” And with surprising smoothness and speed the old Nightlord wrenches the still Very drugged Apothecary up into a sitting position so Khopesh can see his face. “Do you recognize this one?”

“Ah…yep,” Khopesh affirms, smiling in that unsettling way. “His bones made the most Satisfying crunch when I tore into them. But wait… if He's here, does that mean…?”

Cedric nods. “The other Dark Angels are through the opposite door.” He says stiffly. “You Cannot under any circumstances let them see you! Do you understand!?” 

“Cedric,” Hura calms the Black Templar from going into another spiral. “I suggest you leave the way you came, and avoid the more…public areas of the base until you receive word that our Guests have departed.”

Khopesh nods. “No worries! The only other place I need to go is the art rooms. Lullaby has asked me to come see the vision images, so that I may, ’go no closer than 10 miles to the Dark Angels until they are dealt with.’” Khopesh shakes his head a little, but he still smiles. “How am I meant to hunt them if I cannot get Close to them?”

Cedric chews his lip in response. Anrir and Hura don't respond either, and this makes Khopesh curious. 

“Hey, I'm not hunt stealing if that's what you're worried about. Kerubiel did say if these were the brainwashing type of first borns, that he'd Like me to take care of them and make it …why are you all looking so dour?” 

“Because a retinue of grabby Dark Angels are only the tip of the spear that is our problem, my son.” Anrir responds, approaching Khopesh. “The one wielding that spear is someone of higher importance, someone who will not be so easily snuffed out given his position.”

Khopesh leans in, listening intently.

“If the words of this…patient are accurate, it is the very Chapter Master of the Dark Angels, Sammath Togroth, that has given the order. An order which then spurred the events that caused You to become involved.” Anrir announces solemnly. “I'm afraid I will have to deny you your right to hunt in this case my son. We cannot move forward until we better understand how to approach our enemy.”

Khopesh's frame deflates, but surprisingly he doesn't whine or argue. “You truly believe that is all we can do? All I can do?”

Anrir smiles wryly. “I Know you are capable of much more. But I will not risk losing you to some bastard who thinks himself a man of science, when he is truly a mere sadist. And a wasteful one at that.”

Those in the room turn their attention back to the sleeping Dark Angel, each of their minds mulling over their options. That is until a ping comes over Hura's vox. 

The Death Guard reads, and an interesting smile begins to pull at the corners of his mouth. 

“What is it?” Cedric asks. 

“It is Ash'val, he is on his way to drop off the Primaris with their fellows, and wants to know what We have found.” Hura hums, and casts a look at Anrir.

Anrir's wicked smile cracks across his face, and Khopesh copies his mentor. “You've got an idea, haven't you father?”

A chuckle from the old Nightlord almost makes Cedric's stomach twist in knots and ice run up his spine. “Send the recordings we have obtained to Ash'val. Spare no detail. And make sure he sees the vision image. We want to share Everything we have found.”

Cedric feels the realization dawn. “...You're planning on siccing Ash'val on Sammath? Will that work?”

Anrir hums. “Those who think they are above justice will always try to prove their delusion my boy. What Ash'val can do that we cannot, is ensure our prey Knows there will be consequences if his paws wander too close to the Dragon's den.”

“In other words,” Khopesh supplies, “High level prey needs a high level hunter. Use a Chapter Master to Beat a Chapter Master.”

Anrir nods astutely. “Quite right. This evidence can also push him to open an investigation, which will also give Sammath pause. I'm sure he'd prefer his reputation remain untarnished, lest he bring the anger of the alliance to his doorstep.”

“So…he will be warned? Is that it?” Cedric asks incredulously. 

“For the time being.” Anrir replies dryly. “After all, we're not able to play with our prey Directly given the circumstances. We'll have to play politics first.” Anrir sighs. “Loathsome business, but if we play our cards right, we can indeed entrap our prey.”

Hura puts a comforting hand on Cedric's shoulder. “Protecting your brothers and ousting Sammath will have to be a long game, my apprentice. But take comfort that it is not one you will be playing alone.”

Cedric mulls over his next words, unsure what to say next. “I know…you are right. But I still don't like it.”

“That's bureaucracy for ya!” Khopesh chortles. “The most tedious of necessary evils, as my Lullaby says anyway! Speaking of which!” He says turning on his heel. “I've got bags to drop off and my Lullaby and other Little Brother-Cousins to see. I'll catch up with you all later~! And Cedric,”

The Black Templar perks up, and listens. 

“When you eventually get to rip those Bastards’ spines out, save a few for me, kay?” The Nightlord asks cheekily. 

Cedric, despite his worry, finds himself smiling at the Nightlord's humor. “You have my word, Brother Cousin.”

Khopesh giggle-cackles at that. “Perfect!! Kay Byyyyyyyy!” And with that the Nightlord departs the way he came. 

Cedric will link up with the other Primaris Marines, and see what they have managed to glean from the vision. As well as inform them that they have to wait on finding grave sites for the Dark Angels who had tried to steal Kerubiel, and those who had issued the order. 

The others won't be pleased about the evil necessity of bureaucracy… Well maybe Atlas Or Olly would appreciate it somewhat. But Nanael is going to be a tough one to talk down, same with Thressl. The Space wolf and the Dark Angel have rather bonded with each other hard. 

However, they will be rather pleased that Captain Ash’val will be sent to *remind* the Dark Angel Chapter Master about the Alliance between not just Chaos and Loyalist. But also between Loyalist chapters and why trying to pull some twisted shit to sate curiosity is a bad thing and that reprisals and consequences will occur should such a thing happen.

Captain Ash’val receives another message. He reads it and nods. He was just finishing The last lap with Oleandros and Kerubiel.

“Alright, come with me.” Ash'val says assertively, “training is over For now.”

The two Primaris were indeed challenged by the old Drake in their run, and they pant when they come to a stop. Where they have strength, Ash'val has experience and stamina built from years on the battlefields of the Imperium. 

“Alright- But where are we going?” Kerubiel asks. 

“To the Second Floor Art Rooms, I am going to make sure you are escorted to your fellow Primaris safely.” Ash'val clarifies, knowing it is best to be as honest with Kerubiel as possible. “We also Cannot go the direct way as certain…Guests are currently in the clinic.”

“Guests?” Kerubiel questions the emphasis put on the word. “Wait…you don't mean?”

Ash'val nods seriously. 

Kerubiel's face drains of color. “Oh…no. No no NO!” 

“Keru…” Olly puts a hand on Keru's shoulder. 

“I will Not allow them to harm you.” Ash'val swears. “If they tried I would Crush them underfoot. However, that conflict could cause collateral damage, so I would prefer to avoid that.”

Olly nods in understanding. “Right, of course.”

“Why are they even Here!?” Keru hisses, they shouldn't have any idea where he resides. 

Ash'val, despite himself, cracks a smile. “Well because their Apothecary was afflicted with a certain…malady, that he was unable to repair himself.” Then his expression shifts to one more serious than before. “Although, now that you've mentioned it, perhaps they hoped to do some reconnaissance by bringing the Apothecary Here for treatment.”

“UuuuuuAurrgh! Dammit!” Kerbiel snarls. 

“Keru…please,” Olly pleads. 

Kerubiel whips his gaze to meet Olly’s and…he softens. He forces himself to breathe. “I'm…I am alright. And I believe you, Captain.” He says, pulling himself back into order, and even stands at attention. “What is our next plan of action?”

Ash'val nods. “We will take the back way to the second floor, and meet with the other Primaris. Apparently two of your fellows received a vision, which had something to do with your run in with the Dark Angels currently stinking up our Clinic.” He explains. “You will be delivered to your fellow Primaris, and we will examine the image your brothers have drawn of the vision. Then we will plan our next move from there.” Ash'val concludes, picking up his pace again and leading the way. “Let's move out!”

“Sir yes Sir!” Both Primaris say in unison as they follow the Salamander.

…

The Art Room door opens with a creak and Lullaby whips their head up immediately. The other Primaris take notice, and stand as if to intercept a threat. 

“At ease Scouts, it is only me,” A familiar Salamander enters the room. “And I have brought your brothers.” Ash'val gestures as the two other Primaris follow his path. 

“Keru! Olly!” Lullaby books it over and immediately starts checking them for injuries, though most of their questions are aimed at Kerubiel given what they've seen. “Are you okay? Did they hurt you? Did any other Dark Angels see you?”

“Ack! I'm fine…why is it always hugs and touching with you?” Kerubiel grumbles but doesn't push Lullaby away. 

“Ash'val led us safely, we were not spotted.” Olly replies, smiling as he's fussed over.

“And what's this about a Vision?” The Dark Angel Primaris asks. 

Lullaby bites their lip and glances back to the table. “You better go see for yourself.” 

Nanael nods affirming that statement. “Indeed, this is something you Need to see.”

Olly and Kerubiel do as instructed. Leaving Lullaby and Ash'val for a moment. “Thank You, Captain” They say, sincerely. “For getting them here safely.”

Ash'val hums. “No thanks necessary, it is my duty. And my duty here is nowhere near its end.” He replies. “I also want to see this vision image.”

Lullaby nods. “Of course, but if I may ask…have you heard from or seen Khopesh? I know he's back on base…I'm probably just worrying too much.”

“I know that Khopesh is going to arrive back here soon. Anrir informed me that he's finished his delivery of requested items.” Ash'val says kindly to the concerned human, then turns attention to the Primaris and joins them.

And indeed the sight before him on the page makes his mouth twist in disgust, but he tamps it down. “How many hostiles are we potentially dealing with?” He asks. 

“We have counted at Least seven to possibly ten unique individuals in the vision, not including Kerubiel of course.” Atlas responds. 

“And we have done our best to draw individual sketches of each.” Jophiel adds.

“No vision is perfectly clear, so these are our recollections as best we could manage.” Claude says 

Ash'val nods. “I will need copies of these. And the originals will be archived for evidence.” He declares. “And None of you should approach any wandering or unfamiliar Dark Angels until this is resolved.”

“Why?”

Ash'val's attention turns to Kerubiel, who has been painfully silent ever since he laid eyes on the vision image. 

The Dark Angel Primaris's eyes are full of fire. “It was me they wanted, why do All of us need to take precaution?”

Honesty. He must be Honest for these Scouts’ safety. “Because we have reason to believe this goes deeper than a rogue group engaging in kidnapping and torture.” Ash'val responds, and then pulls up the audio logs from Anrir. 

The room goes silent as the ‘interview’ plays. Lullaby is the only one who doesn't understand because it's primarily in Gothic but again they parse certain words. 

Cut…Examine…Take…Expires…KILL, BLEED! RIP!

And they can see the horror and disgust and Rage the others feel as the message goes on. 

They'd even say they can almost Feel it. Nanael's expression actually makes it feel like cold blood it racing up their spine, it's just that chilling. 

“None of us are safe.” Claude murmurs. 

“Are you saying…they're going to try to do This,” Lullaby asks, gesturing to the image. “To someone else?”

Atlas nods grimly. “If they can capture a Primaris, be it any of us or a new arrival, I have no doubt this is what they have planned.”

*ZzztZtztz* The light flickers overhead again, as Lullaby's breathing and heart rate pick up. “They can't…” They say, trying desperately to hold in their spiraling emotions. 

“Lullaby…” Claude says worryingly, but the baseline doesn't hear him, not really. 

They're going to take them away. They're going to steal your loved ones in the night and rip them inside out…

They're going to hurt your family. 

The psychers in the room sense the shift. But before they can think of a way to diffuse the tension (And keep Lullaby from blowing their secret in front of Atlas.) Lullaby speaks again with an honestly frightening finality behind their words. 

“I Won't Let Them…”

“They Are a Nasty bunch aren't they?” The sound of a door opening and another familiar voice cuts through the tense air which seems to knock the baseline from their trance. 

“Khopesh? Khopesh!” They cry, running to their tall dark scarred love. They practically jump into his arms and kiss him, finally relieved. “You weren't seen or followed, right? They didn't hurt you?” The baseline asks, gently running their hands over his face. 

Khopesh responds by…purring. He Loves the feeling of his Lullaby's warm hands. “Rrrrrrrr, I am whole and well. But I Do find myself Drastically low on kisses.”

“...I just kissed you bat-winged Dork!” Lullaby retorts with an incredulous laugh. 

“Mmm no, Ghosk is the one with Bat Wings. Oh No! My Lullaby has forgotten me! I will have to just keep holding and Kissing you till you remember!” Khopesh cackles, as he starts peppering Lullaby's face.

“Ack! Be serious!” Lullaby can't help but giggle due to their ticklishness. 

Meanwhile the others in the room watch with varying degrees of Aw to Ew. 

“They truly are an odd pair aren't they?” Atlas hums. 

“They're a bit…overexcitable.” Nanael shrugs.

“Khopesh is over-excitable, period. It makes sense he'd find someone like that.” Jophiel responds. 

Olly nods. “They do have a tendency to amp each other up. Not a negative per se just…observing.”

Ash'val doesn't reply, simply smiles at the Scouts' reactions as they are rather funny. 

Lullaby does pull themselves together to firmly but kindly say. “But for real, there's something Awful that…didn't happen but Could still happen??” Lullaby sighs, clearly frustrated and anxious. 

Khopesh looks to the rest of the room, before bringing himself over to look at the vision image and- “Curze shit Damn that is VILE, Brilliant but VILE.” He growls. “And So fucking Wasteful to use it on anything less than the Worst of bastards. Definitely should have made those fucking Scout snatchers swallow their own fingers! Or used that severed hand to dig out their intestines or-”

“Khopesh,” Claude chimes in politely, but insistently. 

“Ahem! Ah right…” He hums awkwardly at getting too into retribution planning…again. 

No one in the room necessarily disagrees with his statements, but they do need to focus on Defense for the time being. 

“As I said. Unfamiliar or wandering Dark Angels are to be Avoided at all costs, and travel is Never to be undertaken without a Battle Buddy, even for short distances. That includes you little one.” Ash'val says to Lullaby, “They're looking for a Primaris and the Nightlord who slighted them. And there is no feasible way to separate your scent from his.” He explains. 

A more angry rumble starts in Khopesh's chest. He wraps a protective arm around his mate's shoulders. “If they even Try to lay a hand on you, I'll make them Wish for the mercy of the grave. Might take some inspiration from their own playbook…”

“...I know you would. But for now we should focus on not letting ourselves be ambushed.” Lullaby replies solemnly, and squeezes Khopesh's hand to calm him. 

“Indeed. I also need to discuss something with Anrir and Hura. Cedric should be coming around soon.” Ash'val states. 

“Do you know where Thressl is?” Olly asks. “He's been… Quiet. Recently.”

“Thressl is on Patrol.” Ash'val Replies. “He should be back in three days.”

“Thank You sir.” Olly replies with a polite nod.

Ash'val nods back and heads to the Apothecarium where the five problems are. You wouldn't know it by his stoic face or his measured stride but he is furious, absolutely seething but he's also not a fool. The words of a drugged Dark Angel and the vision are...not enough for a Conviction. They need something more.

But these items are enough to convince him to take extra care around those Dark Angels and the Chapter Master especially. Added security and sending out a warning to be wary, as well as starting an investigation on the down low.

For now he promises to commit himself to helping the Primaris feel more of a belonging. 

But first, he'll have to schedule a certain…visit. He manages to get to the room where Anrir, Cedric, Hura and Zariel are. 

“When the Dark Angel awakens, I will accompany you in seeing him and his squad off the premises.” Ash'val addresses the Apothecaries leaving no room for argument. 

“We were going to request your help in this matter,” Hura says with a smile, his tone is professional, but the edge of satisfaction sets Zariel’s teeth on edge.

“The Dark Angel should be waking up soon,” Zariel informs Ash'val.

There is some noise and arguments, the Interrogator Chaplain is snarling at one of the other Astartes who is manning the front desk. The Chaplain is trying to loom over the Iron Hand and use his rank and specialty to bully the battle brother.

“In the system it says that he's still waking up from anesthesia.” The Iron Hand says in cold apathetic tones. “Please go back to your seat or security will *remove* you from the premises Interrogator Chaplain.”

“And I am telling you, that it's taking to long!” The Interrogator Chaplain growls out.

“Surgery time can take longer, depending on if there are complications.” The Iron Hand retorts. “Please go back to your seat or leave.”

“I will not-.” The Interrogator Chaplain hisses out. Cutting himself off as he looks towards the area where his Apothecary had been whisked off to.

The argued over Apothecary is being helped by a large Salamander, with Captain markings. The Interrogator Chaplain frowns a little bit. 

“What are you doing with one of my pride?” The Chaplain asks.

“The Apothecaries who were tending to him requested that I help guide him back to his squad. Once he was mobile enough to move he insisted on being returned to you.” Captain Ash’val says levelly as he eyed one of the others involved in something unwise.

He keeps his thoughts, and Rage hidden deep within His hearts. The rest of the pride of Dark Angels approach and look over their Apothecary. Ash'val helps guide them out of the base.

“Just a random question, Salamander,” one of the battle brother Dark Angels ask, “have you seen any younger brothers of the 1st recently?”

“Perhaps, why do you ask?” Ash'val asks levelly.

“Because they need to be sent to our Base, especially if they seem… overly large, training And socialization with their brothers is important.” The Chaplain says smoothly, “and we have… concerns that a Night Lord might be trying to corrupt One.”

“That is concerning,” Ash'val says. “If … such a thing is happening. I will speak with the younger cousins.” The Dragon lies through his sharpened teeth, which he then turns into a smile. 

“In fact I think I would like to speak with Sammath, Chapter Master to Chapter Master.” Ash'val states. “So we may be certain all relevant issues are being…appropriately handled. I will of course send him a message myself, but I know his schedule is likely to be Very busy. If you could mention it in your next report to him. I would be exceptionally Grateful.”

The Chaplain seems to mull over Ash'val's words before replying. “Of course Chapter Master. We will deliver your message.”

Ash'val smiles, were he a real dragon the smoke twisting up from his maw would give him away. “Thank You. I so Appreciate, your cooperation.”

“Was there anything else that you needed?” The Chaplain asks.

“For the meeting with your Chapter Master Sammath, to be Within the month if possible.” Ash'val says pleasantly.

“We will send the message along.” The Interrogator Chaplain says with annod as they head off.

Ash'val watches them leave and wonders if they will actually go back to their base or wait for their wounds to heal and then try to steal Kerubiel or one of the others. 

[6rookie-writer0110]

Take me for a ride

Dua Lipa x Male Reader

Request - Hi, I love your work 💕 Could you write about Dua Lipa x Male reader (I've been obsessed with her ever since I saw her newly dyed red hair)

You are at the studio setting up the drums. You sit down and you grab the drumsticks and you start to play the drums. Not long, Dua arrived and she is wearing a baseball hat. She is smiling at you then you stop playing.

“You are here early,” You said

“I wanted to show you something before everyone else arrives,” Dua said

“Oh?” You said

She saw you play live for your band and you were playing the drums. Then she met you backstage and she asked you to work on her new album Radical Optimism. You and Dua would spend a lot of time together and you helped her with every beat in each track. Then you and Dua started to date in secret but she is very affectionate with you in public. The relationship didn't last long as a secret, because she likes having her arms around you. Fans noticted a picture of Dua wearing the shirt that you had on last time.

She puts her leg over you then she sits down on you. She put her arms around your shoulders and you wrapped your arms around her body. She is smiling then she takes off the hat and starts to fix her hair

“Wow, you dyed your hair red,” You said

She smiles and nods, and you touch her hair.

“That’s why i didn't meet you for breakfast, babe. Do you like it?” Dua said

“I love it and you look so hot,” You said

You and Dua smile at each other. You start to kiss her and her lipstick gets on your lips, she puts her hand on your face. The kiss is passionate and you start to kiss her neck.

“We can't do it here,” You said

“We can be quick, baby” Dua smiled

You start to kiss her on the lips and she bites your bottom lip. You squeeze her ass hard and you smirked at her.

“They will be here soon, they just went to get coffee,” You said

“Ugh. Fine, later you better come to my hotel room” Dua said

“Of course,” You said

She starts to kiss you again then she starts to get up. She turns around then you playfully smack her ass and she walks away.

“Naughty” Dua giggled

You winked at her. The others did arrive with coffee and food. Then Dua started to warm up her vocals and you continued to tune the drums. Dua starts to talk about the track named Illusion about how she wants a fast beat.

✫ ✫ ✫ ✫

The album is complete and she went on tour right after. You and Dua have been apart for three weeks, but she would talk to you on the phone and text you every day. But you bought a plane ticket to Japan and she told you where she is staying but she doesn't know you going to see her.

She is in her hotel and you knock on the door. Once she saw you, she jumped on you and she started to kiss your face. You almost fall and she is holding onto you very tight. She starts to kiss you and you walk into her hotel room while kissing her back.

“Y/N, why you didn't tell me you were coming to Japan,” Dua said

“I wanted to surprise you. I could leave if you don't want me” You said

You put her down on the bed but she is holding onto your jacket.

“You are not leaving, babe” Dua smiled

You smile at her and you lie on top of her. Her arms are wrapped around your body and she doesn't want to let go. She starts to kiss your face and you can't stop smiling.

“I missed you. You were about to go out?” You said

“I missed you so much. I was about to go out with some friends but not anymore since you are here” Dua said

You and Dua just lie in bed and you start to play with her hair. She puts her leg on top of your body and she stares into your eyes. She starts to all about the tour, you two continue to lie in bed. She noticted you were falling asleep, and she figured since it was a long trip. Your head is on her chest and gently she starts to rub your back.

——-

After spending time in Tokyo you went back home. You and Dua still have time almost every day and always texting each other.

Dua finished her tour and she has time off. It’s Valentine's Day and she took you on a romantic trip to Greece then she will take you to England to her hometown. Right now, you and Dua are on a yacht. You and Dua are holding hands then jump in the water. You and Dua swim up and then start to smile at each other.

“Wow, that was fun. Let’s do it again” You said

You and Dua swim towards the dock of the yacht. You helped her come out of the water and you have your hand on her ass.

“You look so hot in the bikini,” You said

“You don't look bad yourself,” Dua said

She gives you a peck on the lips. You follow her back to the dock, and then you and Dua jump in the water again. You and Dua swim around then she gets behind you, she puts her hands on your shoulders. You swim towards the yacht then you and Dua get back on the dock. Then she follows you upstairs then you and Dua start to eat. She feeds you a strawberry covered with chocolate.

“I told my parents about you then they told everyone in the family that we are dating,” Dua said

“Is that good or bad?” You asked

“Good in my mind. But that's why I want you to come to England with me, because they want to meet you” Dua said

She feeds you again then she drinks the wine.

“Do you want me to meet them?” You asked

“I do but do you want,” Dua said

“Okay, I will meet them,” You said

You are sitting down then she sits on your lap, then you put your hand on her thigh. She kissed you on the lips then you two started to smile.

“They will be happy to meet you. How about late we watch a movie?” Dua said

“Sure” You smiled

She doesn't move away from you. She starts to talk about her family and she likes that you are asking questions about them. Later, you and Dua put on bathrobes and then cuddle while watching a movie together. Her head is on your chest and you are playing with her hair.

[itsonlyfanservice]

I will probably combine the answers to the complaints and questions of the pjms in this one long post. I probably didn't answer something, but it's okay. I'm just combining the general complaints. Whoever likes to read long scrolls - welcome.

I apologize in advance if the text contains logical errors or incorrect words - I don't speak english :3

So, the first thing I will simply say on behalf of myself, as a jkkr (I can't take responsibility for all of us) - I am extremely saddened that a certain part of you, pjms, deny any warm relations between jkk. You support Jimin so much in everything, you will stand up for him like a mountain. But no. As for his relationship with the person he loves (here you can insert any meaning: as a brother, as a bandmate, as a lover, as a colleague, as a close person - any will do) - here your support breaks down. Yes, I'm still mad at you because of ays, how you unite in groups to vote against this show)) That's how furious you are with the unit of jkk that you are ready to start harming your own supposed bias, which makes you exactly the same haters as tkkrs, which we will talk about later.

And now, to the reading of complaints and questions.

Jimin gets hate because of jikookers.

Let me clarify, did jkkrs do something that made everyone furious and hate Jimin? It's not Jimin and Jungkook who go on vacation together, it's not Jungkook and Jimin who are close to each other's families (the same Jimin plays with Jungkook's brother, and Jimin's father singles out only the two of them for some reason), it's not the jkk who constantly communicate together in this special manner, it's not the jkk who comfort each other in a manner that's very different from all the other members, it's not Jungkook who makes Jimin thirst traps or is ready to run to him right in the middle of the night, and it's not Jimin who puts Jungkook's eyes in his music video (come on, tell me that this is another coincidence and the eyes are actually anyone's, not Jungkook's). It's not all this that makes the tkkrs burn with jealousy and hate Jimin, inventing hundreds of legends about his disgustingness, but the jkkrs who are touched by this and support jkk. Am I understanding your idea correctly? Well, ok. I'll take all the blame then 🤡

We (pjms) have been fighting against tkkrs for so many years, and you only fuel their hatred.

Here I will ask a counter question, why weren't you seen earlier, in the past years, when jkkrs fought tkkrs? Why did we often get excuses from you and from ot7 "these are wars between stupid shippers"? The most you did was run and write how wonderful Jimin is, and tkk are worthless compared to him, even together. Well, now we have what we have. And don't pretend that you are special knights who single-handedly defend Jimin and everyone should thank you for it. The reasons for the hatred itself have already been written above. It is not because of jkkrs. We've been fighting with tkkrs for a hundred years, but for some reason you don't seem to notice it, although every second jkkr fighting with tkkrs 🤨

We only get content about jkk from the company and never anything personal. It's fanservice, and you're stupid and support it.

Yeah, yeah, and dozens of leaks from sasaeng are also not true. And that jkk literally hang out in each other's families is also a lie. And their company forced them to join the army, it's not their personal desire. And Jimin's father is just an idiot flirting with jkkrs, yes. By the way, about the father…

Jimin's father is unprincipled and greedy, and makes money on shippers, it's just a business. This has nothing to do with reality. If Jimin were shipped with someone else, he would have made a cafe for a different pairing. And so he just makes money on Jimin's name in the same way.

Seriously, the father made a cafe for the pairing and is making money off of Jimin's name? 🤨 I heard this somewhere, from taekookers, if my memory serves me right)) But even if you discount everything, Jimin is still shipped with a lot of people. So what, and where? Dad, make a minimoni cafe 😂 In general, all this rhetoric is pure brainwashing of tkkrs. It's not the father expressing support for jkk, but the father stupidly making money off of his son's name and shipping. Which again brings me back to the thought - pjms and tkkrs, it seems you are very much in favor of the same thing. How come you didn't start shipping tkk so that in your head Jungkook would stay away from Jimin 🤔

Jimin and Jungkook get different support from the hybe, Jungkook is idolized, and Jimin is pushed aside, and you deny it and only pjms scream about the blatant injustice towards Jimin.

Do you know what's funny about this statement? Yes, that's right, you're talking like tkkrs again 🌚 tkkrs who say that Jimin earned his place with his ass from the producers (you get it), everything was bought for Jimin by his father and bpd, that Jimin is pushed everywhere, and Taehyung is pushed aside for the sake of Jimin's promotion, Jimin was given this, they did that, and Taehyung's songs were stolen and given to him (sorry, I still have psychological trauma from these theories😂). The roles have changed, but the narrative remains) The company has only one interest - financial. They spend years calculating how to work with the artist in order to earn more. Do you seriously think that a company like that sits and thinks, hmmmm, we have a superstar and another superstar, but we will pull one out by the ears with all our might, and for some reason we will forget about the other one, so what, we will miss out on millions of dollars? No, that's not how it works, they will work for every cent)))0))0 The most they can do to harm an artist is to create a fake scandal, and even then it will be retribution for some disobedience. This does not look like Jimin's story. You are immersed in the world of hopeless delulu, trying to connect the dots on the map and make Jimin out to be a sufferer offended by everyone, and then walk around and feel sorry for him because of your own fantasies. You don't have contracts in hand, you have no idea what is going on behind the scenes, you have no idea what kind of relationship the guys have with the management. You literally have nothing except "well, we would like more, Jimin deserves it." I could sit next to you and also complain about why there was no tour, why we didn't get promo for half a year, but in reality there is no reason for this. Jimin was not dragged into a scandal, Jimin was not banned from solo work, Jimin was not set up - literally nothing was done that really indicates machinations against him. All the work was obviously carried out in accordance with what was discussed at meetings with Jimin and according to the plan that was built.

The company is trying to make it look like Jimin wanted to film a jikook show on his own, for which Jimin is hated again (what does jkkrs have to do with this? 🤔)

This is very interesting. Jkk once wanted to film a show, apparently they thought about it more than once and decided to jump on the last train, before the army. Jimin did not say anything about the fact that he was the only one who wanted this. They both said that these were joint thoughts. But what do we get in the end? Pjms hate this show because it was kind of forced on Jimin and Jimin was hated by tkkrs because of the show, tkkrs hate the show simply because it features jkk in all its glory and again that nasty Jimin next to Jungkook (I laugh that they don't make any claims against Jungkook, who snapped at Taehyung quite strongly in the second part "well, why the hell did you come here, this show is for the two of us" 🤣). As a result, the brainchild of jkk, in which Jimin himself takes direct voluntary and happy part, pleases only jkkrs and that part of the fandom whose brain has not atrophied. Everyone else is against it because of their fantasies. Mmmm cool.

Jimin's femininity, queer coding, bigender/bisexuality, references to LGBT people and culture, etc. - all this was invented only by jkkrs, in reality it never happened, he didn't tell you all directly "I'm gay", so shut up. No one sees it except you.

Well… no, so no. We made it all up ourselves. And none of this, for example, ever existed))

And if it does exist, it was all invented by stylists. It's all queerbaiting in K-pop. It's all just like that. These are all random coincidences, every time. But in fact, he is a brutal heterosexual, worse than Dwayne Johnson, as he says himself. Especially when he corrects the host who admires his masculinity "I'm not masculine". Plus the question, when did Jimin say that he was heterosexual? Queers see queer coding, you don't. That's all.

Jkkrs regard all of Jimin's actions as confirmation of his fictitious relationship with Jungkook.

Hmm no 🤔 But for example, we have Jungkook's eyes on the falling scoreboard (you can try as much as you want to prove that these are not his eyes, but until you have real evidence that someone else was photographed or, as some wrote, that these are AI-generated eyes - we don't care about your delulu). Or the song "Letter", packaged in a very special way and again, by some miracle, it is Jungkook. AYS with Jungkook (+ Tae in episods). And he went to the army again with this fucking Jungkook together… But in general, you right, his life does not revolve only around Jungkook. And it should not.

If it were not profitable for the company to sell jkk, then they would never have been together at all, but this way they at least see each other on set once a year (again, what do jkkrs have to do with this?).

Considering that the most popular and aggressive pairing is taekook, and the most hated is jikook, the company is full of idiots and they think, damn, we have a super-hyped ship and a ship that is a bone in the throat of many. What to choose… Which one will pay off… I'm betting everything on red. Oh, I mean on jkk 🤡 It's funny to hear about "once a year", when they literally say themselves that they drink together, Jungkook is all languishing on broadcasts, when I can already come to you, Jimin, I can right now, right in the same blanket 😂 They solve issues with the army together, Jungkook's brother exposes Jimin in front of him (well, if you don't try to play the fool again, pretending that there is definitely someone else in the photo), they leak us photos from surveillance, photos from stalkers and God knows what else. For some reason they even wanted to serve in the army together. But that's what personal life is personal for, because you don't have to report on every step. What we see is already more than enough. As much as you and tkkrs don't want it, the jkk are obviously extremely close people to each other.

Only pjms support Jimin, the rest have given up on him, including the jkkrs. The jkkrs just jerk off to their fantasies and they are of no help to Jimin. They will vote for anyone but Jimin. They will prefer to vote for Jungkook.

Very funny) And again we see how your self-esteem soars to the skies. Only thanks to you Jimin achieves success, no one in the whole world needs him, everything is only you and everything is only for you, all you do is vote, stream, buy merch, etc. So what does this mean, you support the opinion of the tkkrs and akgaes maknae that Jimin received all the awards undeservedly, simply thanks to the cheating pajamas, and no one needs him? Oh, oh 🤡 Think again before you write such nonsense. It's not only pjms who support Jimin. And jkkrs most often have Jimin in their main biases, by the way, and they will vote for him rather than for Jungkook 🤔 Jkkkrs, I'm waiting for your excuses, why don't you also actively support Jungkook, huh? 🌚

[palaceoftears]

Magnificent Century Rewatch: One Picspam per Episode

Episode 17: The Double Joy

-My dear mother used to say "walk barefoot on earth and it shall take away all your troubles and sorrows, earth shall give you happiness and joy"

-Your mother spoke well, one can only find peace in earth. But I'm not sure if it is on earth or in it.

[seventh-district]

Could've left me just the way you found me, but you came and put your wings around me. You went out of your way, to fix what you didn't break.

This song is so incredibly Sam & Darlin' coded and no one can tell me otherwise.

[lots of lyrical analysis below the cut] [there's also a short little fanfic blurb of them stargazing down there too (this post got really out of hand lmao)]

For those not fully caught up, note that the following commentary contains various spoilers for Sam and Darlin's stories.

Note: Unfortunately this song is gendered, using the word 'girl' several times. Which sucks a little bit for immersion purposes, not only for keeping Darlin' gender-neutral, but also because I see this song as a duet between them, and Darlin' obviously wouldn't be addressing Sam with the word 'girl' either. So! As with most songs on their playlist, we're just gonna mentally omit any gendered terms we come across.

Side note: Frustratingly, this is one of those songs that didn't really even need to gender the subject in the first place. No part of the story or message is lost without it. But alas, many songs are like that, and so the playlist-makers of the world shall continue to suffer. [/lh]

Anyways, preamble's over. It's lyric time now yay!

Sam's Part

I was a ten-year train wreck

Technically for Sam I suppose it was 13 years, but ten is close enough (and 'ten' admittedly flows a lot better in the rhythm of the song than 'thirteen' would.) Anyways, we're not here to split hairs, (I have to remind myself), we're just here to point out similarities.

In Sam's Dec. '22 HBW, he says "For the last 13 years or so I haven't had to care too much about how I look. Seemed a little redundant after turnin', considerin' I didn't wanna be around much'a anybody anyway."

I think he's mentioned or alluded to that roughly 13 year period of time more than once, but that's the one I remember best so it's the example I'm using. There's still about 4 Sam audios I've yet to listen to as of making this post, so if I'm missing some Key Lore I'll edit this later. But for now, I don't think Sam has given many specifics on exactly how bad things got during that time. Luckily, 'train wreck' is a pretty broad and subjective term, so it easily covers any degree to which he may have fallen apart during those years.

It also feels like a very 'him' way of quickly brushing over the details of his past/his hurt, as he seems to tend to do with Darlin', (not all the time ofc but it's still something I've noticed) putting his own hurt on the backburner to prioritize and attend to theirs. Even outside of his dynamic with them, I think as a healer, it's something he learned to do. And now he does it with everyone. Put on a brave face, compartmentalize things and unpack them later, etc. I could go on and on but there'll be time for that in other posts I'm sure. For now, lets get back to the song at hand.

With a last-call longneck

Due to personal reasons, I've yet to decide if I want to HC him as having used alcohol as a coping mechanism during that time. I don't recall him having mentioned alcohol much, if at all, (maybe one mention of whiskey that I don't have time to find right now) so I don't think it's necessarily canon that he did, but it's certainly possible. My personal preferences aside, I'll admit it makes for some good additional angst. (And- self-indulgently- it makes some other songs on my playlist for them more fitting.) So, for the sake of this song, let's imagine that he did.

I was searchin', I'd been hurt real bad

This one feels pretty self-explanatory given what Alexis did, (and, if you wanna get even angstier with it, whatever his family did earlier on in his life) so there isn't much commentary to add on my end.

I HC that in spite of 'not wanting to be around anybody', he- like Darlin- still had a tiny part of himself buried deep down that was, in a way, 'searching' for someone to find solace in. (No this isn't me projecting onto them both haha what are you talking about-)

Movin' on, gettin' sidetracked One step forward and five back

This is generally applicable enough that I don't feel the need to give too much of a specific example. Anyone who's recovered or is recovering from trauma knows this non-linear, back-and-forth struggle well already, and I'm sure he was no stranger to it.

If I were to give some examples though, I could point to Darlin's (and subsequently, Sam's) encounter with Alexis at the summit, or the shit that Quinn dredged up about Fredrick and threw at Sam in the interrogation room. Those are both more recent examples and I imagine these lines of the song to be coming from a place of him prior to meeting Darlin', but still, they're some instances where I'm sure he felt like the past was pulling him back in. I'm sure that there's been many throughout those 13 years that we were never witness to.

Not your fault, I was scared to fall

This line reminds me of their 'Cuddles and Confessions' audio. I don't think he ever explicitly said he was 'scared' per se, so afaik there's no specific line I can quote, but in that and every audio prior, he was obviously hesitant to admit, perhaps even to himself, that he was gradually falling for them. Even after the initial confession, there's certain limits of his (e.g. biting) that he carries for far longer, and some that I (and others) HC that he'll carry forever. So this line feels to me like him reassuring Darlin' that his reluctance isn't the fault of them, but his past.

Darlin's Part

You were the star in the pitch black Shine the way on the way back

We don't have any canon instances of them comparing Sam to a star, but I can see it being something they'd say (perhaps less poetically, but the sentiment would be there) one night while laying up on their roof watching the stars with him. Maybe they're dead-tired, talking nonsense with lidded eyes at the end of a long day, fighting sleep in favor of more time spent with him.

"What- what're you pointin' at Darlin'?"

Their hazy focus is trained on the brightest star visible in their line of sight, arm stretched out to the sky above them. "That really bright one, to the... to the left."

Sam does his best to follow their less-than-specific directions of 'to the left', their pointed finger doing little to help given the difference in perspective. Luckily, after all these years, he knows this stretch of night sky like the back of his hand, so it isn't hard to locate the brightest one. Ghosting his fingers up along their arm, he takes their hand in his and brings it back down to earth. "Okay, yeah, I see it now. What about it though?"

"That's you." They say, matter-of-factly.

"That's me?" He questions, humor in his tone.

"Mhm." They nod with finality, blinking slow.

Sam considers the odd statement for a moment before gently correcting them. "I'm uh, I'm pretty sure that's Sirius, actually."

They scoff. "I am being serious."

Sam stifles a laugh into their hair. "No- no I mean- like... what's another name for it... Oh! It's also called the Dog Star."

"C'mon Sam, at least call it the Wolf Star if you're trying to turn this around on me..."

He shakes his head and readies himself to explain further, but they cut him off before he can start. "But no- no, this one isn't about me. That's you."

He decides to play along, finding something endearing in their overtired nonsense. "Okay... then would'ja be so kind as to explain to this confused old man just how, or why that star is me?"

Their frown is audible in their voice as they latch onto the wrong part of his sentence. "You're not old, Sam. ...Do I need to tell Asher to kick the jokes down a notch?"

He smiles at their over-protectivity. "There'll be no need for that, now. Was just a joke, darlin', I promise."

They huff, but thankfully shift focus back to the prior topic. "It's... I dunno. It's just you, Sam. It's... bright. Light. Something warm, out there in the cold dark. Standing out amongst all the rest. Calling to me, stealing my attention. I... I didn't come out here looking for it, but there it is. ...There you were. In the dark. The only bright thing I'd seen in... fuck, in years. Years of chasing fleeting warmth, tripping over myself in the pitch black, falling into... places 'n people I shouldn't have. You were the light in that darkness. Even there, surrounded by the ghost of him. You outshone it. Your warmth didn't hurt. I didn't have to squint when I looked at you. You weren't the blinding sun. You were the brightest star I'd ever seen. You guided me back home."

In the back of their mind, they recall something they once heard, something about light, and time, and distance. Space. Something about... how you can see a star that's already burnt out, because it's light hasn't reached earth yet. The ghost of a star that's already died. Only still perceptible thanks to time, and distance.

They remember Sam's words, once whispered to them on this very roof.

"Whatever your choice is... I'm not gonna live forever. I made that decision a long time ago."

They think about dead stars.

They think about time.

"...-lin'? Darlin'?" Sam's calloused hand slides up their forearm, pulling them out of their thoughts. "There you are. Think I lost ya' for a minute there... you good?"

They look up at Sam, concern creasing his features, shadows cast across his face from the light of the dying stars above him.

They reach out, pulling him down into them. Burying their face into his collar, Sam's concern grows when he feels it saturate with tears. A human might struggle to hear their words, muffled against the thick fabric, but his hearing catches it just fine.

"Don't burn out too quick. Please. I still need you here. I don't- I don't wanna be left in the dark again. Please, please Sam. Don't leave me here. I'm not selfish enough to ask you for forever, but please. Not yet. Not yet. Not yet."

.......Whoopsies! Really, genuinely didn't mean to improv an entire scene there, good god. Also didn't mean to swerve hard into angst at the end but uh. that's what came out! so I'm rolling with it lmao. Aaanyways let's move on, it's getting late and this is a song analysis post, not a fic.

Out of nowhere, answered all my prayers

'Out of nowhere' reminds me of Sam's words from the same HBW video I referenced earlier. "You came into my life like a damn wreckin' ball. There was no preparing for that, clothing or otherwise." While those were Sam's words, not Darlin's, I still feel like they feel similarly to how suddenly Sam came into their life as well. (Not in a bad way, mind you!)

[the significance of 'answered all my prayers' edges into my own personal more headcanon-y/personal/OC-ified Darlin' territory, so we can just gloss over this one for the sake of at least attempting to keep this more universally applicable]

Picked up the towel that I threw in Took in a heart that was ruined

Again, largely self-explanatory I feel. (*proceeds to explain anyways*) I imagine that Darlin' was at the point of throwing in the towel, hellbent on a solo-mission to find Quinn regardless of the danger it posed to them. I doubt they were looking toward the future anymore, (to reference Sam,) fully willing to throw themself at their problems until they really did break.

The specific use of 'ruined' hits hard here, because after everything they went through with Quinn, and especially after he recounted it all to Sam in that interrogation room, I imagine that they really, truly did feel ruined.

Showed me the past ain't a tattoo Loved me even when you didn't have to

These lines in particular make me sick with emotion every time I hear this song, because I feel like they hit the nail on the head for how Darlin' feels.

I'll be here citing various quotes all night that I feel showcase that sentiment, but we don't have time for that! So instead I'm just pointing to the entirety of 'Quinn's Aftermath' video, and leaving you with this single quote from it.

"Everything that he said reflects nothin' on you, and everything on him."

Equally Applicable Lines

And I don't know why Why you saw something in me, baby But you saw right through All the pain, and you came and saved me Yeah, I know you didn't leave me lonely Weren't the one that put the heartbreak on me Picked up the pieces It wasn't the mess that you made Could've left me just the way you found me But you came and put your wings around me You went out of your way To fix what you didn't break

Again, I think these lines are all pretty self-explanatory, and are just as accurate coming from either one of them. To me, at least, their entire dynamic is that they saved each other, in their own ways.

(But I will admit, the final verses about 'going out of your way to fix what you didn't break' are definitely conjuring up memories of Sam in the early days, literally going out of his way to visit and heal Darlin' after their fight with the two vamps. In general, his continued/repeated healing of them after they once again hurt themselves is the very literal definition of fixing what he didn't break.

But! While we may have more blatant examples of Sam being 'the fixer' so to speak, I think he'd argue that Darlin' has done plenty fixing of their own. Physical wounds aren't the only things that need healing, after all.)

-------

[shameless self-promo of my Sam & Darlin' playlist for those few of u interested enough to make it to the very end of this wall of text. if u liked this then u might like some of the other songs on there soooo maybe go check it out and maybe perhaps give it a follow so i can get a little serotonin boost or dopamine or whatever the chemical is that's released when Number Go Up. ...okay that's it i hope u enjoyed my fixation-induced ramblings! thank u and goodnight]

[thankskenpenders]

The Lara-Su Chronicles: Beginnings review

The day has finally come. Many, understandably, thought we'd never get here. Maybe we shouldn't have gotten here. We've been through so much. Lawsuits, reboots, redesigns, unreleased NFTs, empty legal threats over the fact that movie Knuckles has a dad, an attempt to license out Scourge the Hedgehog to fans that immediately got canceled (in both meanings of the term), and many, MANY idiotic Twitter controversies. But now, here we are.

Thirteen years after first announcing it in the middle of his legal battles with Archie and Sega that changed the American Sonic comics forever, former writer Ken Penders has released the first part of his new series: The Lara-Su Chronicles.

Yes. I had to buy the book. I had to take one for the team. Look at the fucking URL of this blog, a blog I've been using to talk about the American Sonic comics for nearly a decade while the specter of this book loomed in the distance. The one time I've actually been paid to write an article about anything in any professional capacity, it was an article about the Penders lawsuits. I'm cited on his Wikipedia page. There was no way I was going to skip reviewing this, and there was no guarantee that scans would ever turn up online given the incredibly small audience for this trash. (Only 166 people preordered this, and even that number feels way higher than it should be.) No, I had to preorder it to ensure I could get a copy and cover it for the blog... even if that meant my name would be forever immortalized in the list of "supporters" in the back of the book. These are the sacrifices I must make as a woman who stumbled ass backwards into being an amateur Archie Sonic historian.

So, what exactly is in this book? How much of it is new? How bad is it? How did we even get here in the first place? How can this exist without Sega pursuing legal action? What happens next? And, most importantly... why are there multiple depictions of an Archie Sonic character breastfeeding in this book?

I'm here to answer those questions as best I can, and in agonizing detail.

First, for those just tuning in to this decades-long saga or those who maybe don't know the full story, here's a refresher on the background info.

"What the hell is this?"

The Lara-Su Chronicles is Ken Penders' long-dreaded long-awaited continuation of his 1994-2006 run on Archie Sonic, ignoring everything written after he left by other writers like Ian Flynn. In particular, it picks up from the cliffhanger ending of the 2003-2004 arc "Mobius: 25 Years Later," which was set in what Ken considers the definitive canonical future of the series. It stars Knuckles' daughter from that future era, Lara-Su, among other new and returning characters. The project was first announced near the start of Ken's legal battle with Archie in 2011, and he's been posting WIP previews online for about a decade. Now, after all this time, a Lara-Su Chronicles book finally exists.

We'll get to the actual contents of that book in a bit.

"He can do that without getting in trouble with Sega?"

Believe it or not, yes, he can.

Thanks to the outcome of Archie Comics' woefully mismanaged lawsuits against Ken (yes, they sued him after he started filing for copyrights, not the other way around), he now has full legal ownership of every story he wrote for Archie Sonic and every character he created for the series. This was explicitly granted to him in the terms of the settlement between him and Archie (acting on behalf of Sega). He can even reprint his old Sonic material as-is to his heart's content. The main catch is just that he can't write new stories featuring Sega characters or trademarks, and his new stories also have to be distinct from Sonic at a glance to avoid confusing readers. As such, reprints can't use Sonic iconography on the cover, a few Sega characters (mainly Knuckles) have been renamed and slightly redesigned in the new stories, and the art style has been changed to less closely resemble Sonic. But otherwise, he can do whatever he wants with his own characters.

All of this is because Archie lost the original copy of Ken's work-for-hire contract that signed over the rights to his work. Without that (or any alternative that was considered permissible in court), his comics and characters are the property of their creator by default. Yes, those old comics are full of Sega stuff, but Sega doesn't automatically own the copyright for every drawing of Sonic in existence. And Sega put their stamp of approval all over those comics and let them get sold at retail for decades, even though (in the eyes of the court) there was no legal paperwork granting them ownership of any of it. It's almost like they were unwittingly distributing a fan comic for years and declaring it a fair use of their property, and now there's no takesies backsies. It's a strange and unique copyright situation. Again, they worked all this out in the settlement. And, yes, fans have long speculated that Ken stole and destroyed his own contract to regain the rights to his work, but frankly Archie was so incompetent throughout the lawsuit (it went so bad that they had to fire and replace their lawyers midway through) that I completely buy the idea of them just losing important legal documents.

Also, in case it needs to be spelled out: while Ken's a weirdo, it's ultimately a good thing for creatives everywhere that Archie lost their lawsuit against Ken. We do not want to live in a world where corporations can claim ownership of peoples' work without the contracts to back it up. That would be an incredibly dangerous legal precedent to set. And more comic creators, and artists in general, should own their own work! Corporations are not your friend! They'll delete your work for a tax write-off in a heartbeat! It's just bewildering that this guy, of all people, was the creator who ended up successfully getting his shit back, and that this is what he's doing with it.

"What about his old collaborators? Are they involved? Is he paying them?"

Ken is mostly doing The Lara-Su Chronicles solo, though he has, in fact, talked about compensating the artists involved in any material he's reprinting. The ones who give enough of a shit to get paid for a small scale reprint of something they did 20 years ago, anyway.

On the subject of his collaborators, it's also worth pointing out that Ken's wasn't the only contract that was lost. Most of the early Archie Sonic writers from before Ian Flynn's time seem to be in the same boat as Ken, with the ownership of their stories and characters defaulting back to them. Again, Archie fucked up big time. But like I said, most of them don't really seem to give a shit. For most of them, Sonic was just a random temporary gig they took to pay the bills while Marvel was busy going bankrupt in the '90s, not the thing that defined their entire careers.

The only other Archie Sonic contributor who's tried to do anything on the level of what Ken is doing was writer and editor Scott Fulop. In 2016 he attempted to sue Archie for the unauthorized use of what are now retroactively considered his copyrighted characters and stories, and he even announced a standalone comic about his most famous Sonic character, the recurring villain Mammoth Mogul (sort of a pastiche of DC's Vandal Savage and Marvel's Kingpin, with wizard powers added for spice). However, Fulop lost his lawsuit because he didn't put together a particularly compelling case. Since then he seems to have wiped all traces of his ill-advised Mammoth Mogul comic and his company, Narrative Ark Entertainment, from the internet. For now, this leaves The Lara-Su Chronicles the only project of its kind.

"What about those other Archie Sonic reprints he just announced?"

At the time of writing, Ken is once again claiming that he's trying to get the band back together to reprint all of Archie Sonic, now under the bad new banner "Floating Island Productions: MOBIAN LINE" that I can't imagine he consulted literally anyone else on.

So, like, look. As we've established, Ken can reprint his own stories. And if he can work something out with the other contributors whose contracts were lost, he can print their work, too. But there is no fucking way he's getting his hands on Ian Flynn's run, which Sega undoubtedly holds the copyright for. Even if they don't, Ian needs to maintain a good working relationship with both Sega and IDW if he's to keep his job, so he'd never go for this. Not to mention that Ian and Ken just... don't get along! Ken's whole plan here seems to be predicated on IDW going out of business (a thing he REALLY wants to happen) and freeing up the Sonic comic license, after which he knocks on Sega's door and goes "hey I've still got dirt on you guys," blackmailing them into giving him the Sonic license back so that he can reprint the later comics. Every step of this plan is ludicrous. It's never gonna happen.

He's been saying he wants to reprint the whole series for a few years now, though. This isn't really anything new. And despite his lofty plans that set Sonic Twitter ablaze, he quickly backpedaled. The only specific things in the works right now are a "two-volume omnibus" of all of his Knuckles stories and a collection of artist Scott Shaw's work on the very early Archie Sonic issues, since they're on good terms with each other. I have no idea how Ken plans on packaging these when he can't put any Sega characters or the Freedom Fighters on the covers, but these projects are small enough in scale that there's a decent chance they'll see the light of day. Scott Shaw only did like five issues. But anything beyond that? I'll believe it when I see it.

Or, y'know, this could've all just been a publicity stunt for his new book. I wouldn't put it past him. Let's just focus on the book that actually exists.

"So he finally did it? He made a whole Lara-Su book? It's out? He finished it??"

Yes and no.

The book that's out now is The Lara-Su Chronicles: Beginnings, a prologue for the series of seven graphic novels Ken somehow plans on making, even though it's taken him 13 years to put out literally anything new. I don't know whether or not this counts as book one of seven, because it only features 30 pages of new comics. 30.5 if I'm being generous.

Most of the book is actually just a reprint of his infamous Archie Sonic storyline "Mobius: 25 Years Later", which ran from issue #131 to #144 in 2003-2004. (Again, yes, he can reprint this, he just can't put Sonic on the cover.) Why's it infamous? Well, Ken had been building anticipation for this future era of the series for basically his entire run. We kept seeing King Sonic and Queen Sally from the future. Knuckles' entire backstory hinges on his dad having a vision of this future. Several years before Silver the Hedgehog was created, it was Lara-Su who was Sonic's equivalent to Future Trunks, the cool-looking child of one of the main characters who traveled back in time to try and prevent a dark future. Believe it or not, yes, there was hype for Lara-Su. And then we finally got M25YL, and none of that cool stuff happened. Instead it really ended up being about how unbearably boring the middle aged Sonic, Knuckles, Sally, and co. are in this peaceful future where Robotnik is dead and they're all married with kids, forced into traditional nuclear family gender roles. Lara-Su is present, but she mostly just does generic teen girl stuff and complains about how Knuckles won't let her do anything even though she REALLY wants to be the new Guardian of Angel Island, like, super bad! Come on, dad!!!

In its original printing, this meandering arc ended on an abrupt time travel cliffhanger that Ken was never able to follow up on before he left Archie in 2006. This new printing slightly changes that ending, using the unresolved timey-wimey shenanigans as a convenient excuse to alter the entire timeline. This creates the slightly different world of The Lara-Su Chronicles, where the few relevant Sega-owned characters have been replaced and everyone is ten times uglier.

After this, we finally get two short new stories picking up where M25YL left off: "The Storm," starring Acorn Kingdom super-spy and known creep Geoffrey St. John, and an early release of the first chapter of The Lara-Su Chronicles: Shattered Tomorrows, the first full TLSC graphic novel.

And now that we're all on the same page about what we're looking at, let's actually talk about the book!

The cover

Let's start by beating a dead horse. The cover art: it's still bad! But why is it bad?

The cover is, of course, based on Patrick Spaziante's cover from Archie Sonic #131, the start of the "Mobius: 25 Years Later" arc. (Ken did the layout for that cover, though, so in the eyes of the law he's the original creator who owns that cover.) That cover was, itself, a tribute to the iconic cover of Giant-Size X-Men #1 by Gil Kane and Dave Cockrum, the issue that introduced the version of the team with Wolverine, Storm, Nightcrawler, etc.

Ken seems to have forgotten that the point of both these covers was to hype up the arrival of a new cast of characters. The new guys are supposed to make a dramatic entrance front and center. That's the focal point. Meanwhile, the cover for Beginnings has the old timeline versions of the cast from Archie Sonic dramatically bursting out of a shattered crystal ball, while their new counterparts look on in mild bemusement - if they're even bothering to look at all, since most of the characters here are just copied and pasted from their profile pages. That's just not how you do this particular homage! The point is supposed to be "out with the old, in with the new." And why are they using a crystal ball to view the past? Hell, why are they even using a crystal ball at all? The original arc was presented as a magical vision of the future courtesy of Tails' uncle Merlin (don't ask), but the new story leans all the way into being futuristic sci-fi.

Of course, there is no real artistic intent at play here. The old versions of the characters are placed front and center in the crystal ball simply because Ken traced over Spaziante's original art of Lara-Su and Julie-Su (the only two characters on the Sonic cover he owns) and threw out the rest, ruining the composition in the process. Look at the awkward empty space where Sonic, Sally, and Rotor once were, and the new drawing of The Character Formerly Known As Knuckles who's no longer properly centered between his wife and daughter. Even if Ken can claim ownership of the cover because he did the original layout, this all just feels scummy and lame.

And, yeah, if it needs to be said, the new characters and Ken's new rendering style look like absolute fucking dogshit. Putting new Lara-Su directly next to old Lara-Su does her no favors. The shattered glass effect looks absolutely atrocious. I could go on, but we'll have plenty of time to talk about the art style when we see how bad the stories inside look.

Changes to "Mobius: 25 Years Later"

Overall, 99% of M25YL is presented identically to its original printing. Sonic, Sally, Knuckles, et al. are still present with no changes to their names and no tweaks to the art. Even the original cover for issue #131 is included only a few pages into this book with its Archie, Sonic, and Sega logos still intact and everything. Again, because of the weird copyright situation described above, these preexisting comics can be released without any changes.

There is exactly one bizarre change to the art, though, where a hand drawn shot of Angel Island is replaced with an unfitting photo background and the ugly Floating Island photobash that Ken has been using as his personal logo for decades. I think he only did this as part of a test for his motion comic app that nobody asked for. I don't know why this had to make it into the print version. It's like the book is firing a warning shot for what's to come if you keep reading.

The new content begins on the final page of M25YL. In the original wet fart of a cliffhanger ending, Sonic and co. accidentally alter the timeline with an old time machine of Robotnik's and Lara-Su begins to fade away. Then, after everything goes white, we just cut to the present day heroes going "gee, you ever think about the future?" In this new printing, that last bit has been cut, and the rest of the page has been awkwardly shrunk down so that Ken can fit in a new panel. We now see the hands of an off-screen villain, seemingly named "Override," proclaiming that "the Praetorian" (Knuckles) has messed up the timeline again and that they'll finally get their revenge.

Who is this Override? I have no fucking clue. The new stories in this book make no mention of them. You have to buy the next book to find out.

My confusion over the identity of this villain overlaps with another big problem: name changes. So many names and nouns have been arbitrarily changed in The Lara-Su Chronicles, even ones Ken didn't have to change for copyright reasons, and I only know what half of them are replacing because Ken's been tweeting about this shit for years.

The echidnas are now a totally original alien race called "the Echyd'nya." Even in flashbacks to events from M25YL attempting to mimic the old art style, if it's on a new comic page, they're gonna call themselves "Echyd'nya." Evil echidna faction the Dark Legion is now the "Cyberdark Dominion," hailing from the "Cyberdark Colony." The Brotherhood of Guardians is still the Brotherhood of Guardians, but now the main guardian is called "The Praetorian." Angel Island is still called "The Floating Island," like it was in the older Archie comics, but it's ALSO sometimes called "Avion"? When I read this I wasn't sure if he had randomly renamed Albion, the other echidna city from the Archie comics. But no. Now we have an Albion AND an Avion. Sally is mentioned simply as "Princess Acorn," while Sonic is referenced once as an unnamed "blue-spined Erinaceinae," using the scientific name for hedgehog to make it sound more sci-fi. In an incredibly ballsy move, Ken even mentions Robotnik as "the Insurrectionist Kintobor," retaining his original surname from the Archie comics that's just "Robotnik" backwards. Guess Sega never trademarked that one.

Aside from every name change being a downgrade, this leads to confusion when you're not sure if something is supposed to be new, or if it's just an Archie thing you're supposed to recognize despite having a new name and design. Is "Override" someone I'm supposed to know already? Am I just supposed to have read a fucking tweet from Ken where he said he changed the name of some existing villain to "Override"? The answer is no, but I had to term search his Twitter just to verify this.

Moving on!

New story #1: "The Storm"

If you've been following the WIPs, this is that story about Geoffrey St. John that Ken's been posting previews of for almost a decade. The title page copyright dates it to 2015, and that absurdly long gestation is probably why the art is so inconsistent here. Even the style of speech bubbles and the font change between pages two and three.

This is a problem when there's supposed to be a deliberate and noticeable change in art style here signaling the moment where the time travel stuff alters the timeline, replacing the Archie Sonic world with the Lara-Su Chronicles world. If you don't already know that's what's going on, the idea isn't conveyed clearly at all. It just goes from one hideous art style to a slightly different one with no explanation.

The main problem here is that Ken has hitched his wagon to a franchise about anthropomorphic animals when he can't draw furries to save his life. (Though a bit later in the book we'll also begin to wonder if he can even still draw humans.) He's shifted away from the cartooniness of the original designs and given them more human proportions and facial features, but this just ends up making them look incredibly uncanny and lumpy and gross. With some designs he's trying to lean into more of a Star Trek alien vibe, but then he still insists upon retaining the giant Sonic eyes on most characters even though he has no idea how to make them emote.

The rendering of these godawful designs doesn't do them any favors, either. Ken's going for more of a painterly look now, but it almost seems as though he's shading everything with Photoshop's burn and dodge tools that are designed to darken and lighten select areas of a photo. The result is a muddy, smudgy look that makes it feel like the color layer has been smeared in vaseline. And it only looks worse after coming off of 14 chapters of M25YL that have way more palatable art.

The backgrounds, too, are a complete mess, a jumble of low res jpeg photo elements (sometimes with extremely noticeable pixelation), stock textures, and smooth digital gradients. There's no real sense of place here, and it gives everything a surreal, dreamlike quality when you can't really tell where anything is supposed to take place. This first story is seemingly set in a high-tech stronghold below Castle Acorn called "the Bunker," but it could just as easily be confused for the bridge of a spaceship. This whole story features characters speaking to each other over floating video displays and hologram projectors from three different locations, but without a hologram effect and without a clear sense of where the characters are it often feels like they're just in the same room as each other. Characters will be in one location on one photo background, and then the camera angle changes and they're in a completely different place, because Ken just uses mismatched photos off of the internet. It's been like 25 years since he first tried using photo backgrounds in the Archie comics and he hasn't gotten any better at it.

When I had my boyfriend read the book to see if it made literally any sense to him (it didn't), Anthony said this: "This is the kind of shit I'd see linked on a Second Life world that hasn't been touched since 2004." I think he really hit the nail on the head. Now, there's actually a contrarian part of me that thinks that might theoretically almost be kind of cool, in sort of a messy counterculture way. I love weird indie shit. I was a Homestuck reader! But this isn't a scrappy mixed media zine, or experimental outsider art from someone just messing around with Photoshop, or a loving throwback to weird old internet art, or even something intentionally bizarre and offputting like Xavier: Renegade Angel or a PilotRedSun video or whatever where the fact that it's weird and ugly is part of the humor. This is supposed to be a sincere sci-fi epic drawing on Star Trek and Jack Kirby comics, made by a guy who's been drawing comics professionally since the '80s. This is supposed to look good. This is supposed to compete with mainstream comics that are on sale right now. He thinks any day now IDW's gonna go out of business and Sega will come crawling back to him so that he can stamp the Sonic logo on shit like this. It just doesn't work.

But, okay. It's ugly. We knew it would be ugly. But that ugliness would be much easier to accept if it was in service of an otherwise genuinely good story. So what about the writing? After all this time, how does Ken choose to kick off this new saga? Well, credit where credit's due. "The Storm" feels like a proper continuation of Ken's writing style from M25YL.

Because it's eleven pages of characters standing around and talking while nothing fucking happens.

Here's the synopsis: A dog woman named Brownie, an ensign in the Royal Secret Service fresh out of training and the only character who's almost cute, walks up to Geoffrey to deliver a report. He's immediately suspicious of her, asking who let her in and if she's a spy for Elias (Sally's brother, if you're new here) or Alicia (Sally's mom). The art style suddenly shifts when the timeline is altered, but the scene continues uninterrupted. Geoffrey points a gun at Brownie when she won't say whose spy she is. Geoffrey is distracted by a call and proceeds to have a conversation via a mix of holograms and video screens with Remington (head of Echidnaopolis security), Spectre (Knuckles' great great great great great grandpa, the one with the helmet who always looks evil), and a new scientist character named Dr. Zephyr/Zephur. (The spelling of this character's name changes multiple times throughout the 11-page story, because I guess nine years wasn't enough time to spellcheck this shit.) They say a bunch of made up technobabble nonsense about how it looks like the timeline was just altered and Knuckles and co. seem to be involved. It's complete drivel that I'm not even going to try to make sense of. Everyone decides to investigate further, and the conversation ends. Brownie tells Geoffrey she's his spy, then walks out and implies she's actually Alicia's spy in her inner monologue.

To be continued!!!

Yes, that's it. It's really just a bunch of technobabble where some characters talk about how it seems like the timeline has been fucked with. That's it. The whole time Geoffrey doesn't even get up out of his damn chair, which he's of course sitting in backwards to show how cool he is. It's just 11 pages of Geoffrey sitting in a chair and talking to people and looking uglier than he's ever looked. Nothing happens. Nine years for this.

I'm also struck by how meaningless all of this is to anyone who hasn't read Archie Sonic. The added context from M25YL may help a little, but "The Storm" focuses on characters who weren't in that arc, and the story does very little to introduce who any of them are. Brownie could've been super useful as an inexperienced point of view character who's only meeting the others for the first time here, but instead she's really just a passive observer who's here as part of some kind of 4D chess game between Geoffrey and Alicia, an off-screen character whose motivations in this era of the story are completely unknown to even returning readers. Who are the good guys and bad guys here? What are the conflicts and the stakes of the story moving forward? What do these characters want? Basic questions like this aren't really answered. I can't imagine a new reader being able to make heads or tails of this. Hell, I can't really imagine a returning reader who hasn't been following the last decade's worth of Ken's tweets about this story making heads or tails of it, either.

...Maybe more will happen in the next story?

New story #2: Shattered Tomorrows preview chapter

After another message from Ken, the story of The Lara-Su Chronicles proper begins with the redesigned Lara-Su walking along a jpeg photograph beach at sunset and crying while thinking about how Knuckles - sorry, his name is K'Nox now - is dead.

Yep! Straight into the dad stuff!

Look, I'm the last person to complain about writers getting super personal and drawing from their own baggage in their writing, but Ken's just no fucking good at it. There's no nuance, nothing interesting to say. He just keeps writing mediocre-to-horrible dads whose misdeeds are always justified by their "good intentions," and then sometimes they die and their kids are like "we may have fought but actually you were the bestest dad ever and I'll miss you forever, I'll never be able to fill your shoes!"

This is the only part of the new material here that feels like it has any heart behind it, because I know how much his complex relationship with his late deadbeat father means to Ken (there's an author's note in this outright saying as much). But the guy died 42 years ago, and it doesn't feel like Ken has had any new thoughts about this part of his life in those four decades. He's just not an introspective or self-aware enough artist to actually mine his personal baggage for anything beyond "father knows best."

Anyway, so then it jumps forward in time(?) and now we're following this human guy who looks like this.

Previously, Ken got a lot of shit for literally just using the likeness of Anthony Mackie for this guy, based on his IMDB profile photo. Ken has thus redesigned the character... and by that I mean I think he looks more like Ernie Hudson now? Ken's clearly just working off of photo references (if not straight up tracing), given his face is the most detailed and realistic-looking thing on any page where he's present.

But you may be wondering: who is this, and why is he here? Well, for one, he's here to run around in front of some low res space photos while making trite references to things like Planet of the Apes and Star Trek. Haha, he makes a joke about red shirts! Original!! But beyond that, Commander Mykhal Taelor (yes, that's really how he chose to spell it) is a human... from Earth! Archie Sonic readers are probably confused, because in those comics Mobius is Earth in the distant post-apocalyptic future. Well, despite being a Planet of the Apes fan, Ken always hated that particular worldbuilding decision from Karl Bollers, always preferring to think of Mobius as a separate alien planet. And now he gets to make that canon in his own stories and throw out Karl's ideas. So Mobius is basically just, like, a Star Trek planet now, with its own alien creatures that sometimes just so happen to look like anthropomorphic Earth animals.

Also, at one point Taelor wonders if the inhabitants of the dead Mobius might have been human, and the alien ally he's talking to over the radio says it's unlikely. "I don't understand why your kind has a problem understanding you're a minority within a minority." Perhaps poor wording for a line said to the only Black character in the story.

Anyway, Commander Taelor here seems to have discovered the uninhabited husk of Mobius after the vague time-space cataclysm everyone was worried about in M25YL has come to pass, and he finds an audio log from Lara-Su that I presume will explain what happened. I guess those are the titular Lara-Su Chronicles. In theory this flash forward establishes some sense of pressing danger, but when the threat to the planet is so unclear and technobabble-y it just kind of lands with a thud.

It doesn't take long before we get back to Lara-Su being sad about her dad. A good little chunk of the chapter is spent with this new timeline's Lara-Su recalling moments in her life, including echoes of the original Lara-Su's memories from M25YL, which feels redundant coming hot off the heels of a straight reprint of that entire arc. And boy, for anyone who read the later Archie Sonic comics, the protagonist having vague memories of the old version of the series from before a lawsuit-related timeline reboot sure does sound familiar, huh?

The art inconsistency somehow becomes even worse in this story, with Ken flip-flopping on whether or not he wants to use outlines, with the no-outline art managing to look even worse by relying entirely on Ken's awful rendering. By this point in the book, readers are also likely to start noticing how often Ken reuses art from previous panels. This is a shortcut that tons of comic artists use, of course. Invincible famously did a joke about this. It's often understandable. But, again... it sure does stand out in a book that took 13 years to make with only 30 pages of new art. Amusingly, Ken even manages to combine his inconsistency and recycling problems by reusing the same art with and without outlines. And, of course, any time Ken tries to draw the Archie era designs it's just... the worst.

And, yes, it's in this dreamlike montage sequence of Lara-Su's life that we get...

The uncomfortable family nudity scene, followed by the dual timeline Julie-Su breastfeeding scene.

Yeah, you might have heard about this one already. If this incredibly eerie presentation of Lara-Su's hazy memories of the two different timelines make it hard to tell what's going on, don't worry. There's another, clearer version later in the book as part of Julie-Su's character profile, because I guess Ken was just so proud of it.

(I censored these myself because I'm not playing Russian roulette with Tumblr's inconsistent nudity rules and risking getting banned lmao)

Like, okay. Is a mother breastfeeding her child really that shocking of a thing to see in a story? No, not at all. But, like... when it's two characters who you previously created for an officially licensed Sonic the Hedgehog comic for 7-year-olds... and some of those officially licensed Sonic the Hedgehog comics for 7-year-olds are reprinted in the same book... and when it's drawn like this... yeah, it's kind of a shocker.

It just looks so unnatural. Julie-Su is posed very deliberately so that you'll see both of her breasts, and in the new timeline version she's barely even holding Lara-Su so you can really get a good look at her supermodel body, showing zero physical signs that she just gave birth. Most people will immediately jump to this being Ken putting his fetishes in his work (a type of criticism that I'm incredibly tired of - it's 2024, all the cool artists are blatantly putting their fetishes in their work now). And my immediate response is that, no, this is probably just Ken trying to come off as really mature on a surface level, a thing he's been obsessed with since the Archie days. Free from the shackles of writing a licensed children's comic, of course he's going to jump immediately into depicting some nonsexual, artistic nudity to try and prove he's A Real Mature Artist For Grown-Ups who just thinks the human body is beautiful and breastfeeding shouldn't be a taboo etc. etc.

But then, like. You look at some of the other character designs. Like Espio's daughter Salma, who's now this horrifying alien lizard person who's always nude, and her scale pattern puts scales exactly where her nipples should be. Or you look at his comments about the Echyd'nya age of consent. Or you look at how he keeps drawing Lara-Su in this. Like, does the shuttle really need this, like... reverse chaise lounge thing in the cockpit? So that we can keep getting these shots of the 16-year-old Lara-Su lying on her stomach and posing with one of her legs kicked up, her naked ass in plain view?

The vibe isn't great, is what I'm saying!

I'm not going to try to ascribe authorial intent here. I don't know. I'm not a psychic. Given his very blatant reliance on photo references elsewhere in the book, it's entirely possible he just referenced some figure drawing photos that were maybe just a little too sexy. And also, he's an American comic book artist, and a boomer one at that. Those guys tend to draw women a certain way, even when it's not supposed to be sexual. I don't fucking know. It just sucks. I'm not gonna make some hyperbolic statement about how this makes him a literal pedophile who should be in jail, but it is deeply offputting and objectifying.

But if you already knew about the nursing scenes and were hoping there was some other really shocking stuff in there for me to talk about in this review, sorry to disappoint, but nope. That's the only shockingly weird new thing in here. Once again, not a lot happens in this story, and what does happen is pretty boring.

Once we get past the recap stuff and the human guy, the plot developments boil down to this: The timeline was altered at the end of M25YL... but not as much as you might think. In the new timeline, Knuckles ("K'Nox"), Cobar (now looking significantly younger), and Rotor (now a rhino just called "The Emissary") still traveled via shuttle to go find a time machine in the Badlands and fix the time-space continuum, like in the climax of the original arc. This time, though, Sonic wasn't there, and Lara-Su came along without having to stow away. Lara-Su watches the ship while the grown ups go deal with the time machine, and then after a couple panels Not Rotor comes back with Cobar and is like "Hey, Cobar got hurt, we gotta leave. Dunno what happened to your dad." And then they just, like. Presume that Knuckles must have died. Even though we have no idea what happened to him. And then they just fly away. And then Lara-Su is sad that her dad died.

And that's pretty much it!

This is supposed to be a really emotional sequence - it's literally the scene where Lara-Su learns that Knuckles is dead - but instead it comes off as unintentionally funny because of how poorly it's portrayed. Not showing Knuckles' actual disappearance is a huge misstep, for one, making his uncertain fate more confusing and anticlimactic than dramatic. But also, Ken keeps just using the same two drawings of Rotor for two pages, so he doesn't really seem to be emoting at all, and he's in this spacey hazmat suit that honestly just makes him look like fucking Moltar from Space Ghost. So the whole time I'm just reading his dialogue in Moltar's deadpan voice as he's like "I dunno. We did what we could. Anyway, let's leave."

After this, we get a two-page spread previewing the rest of the story from Shattered Tomorrows. It's basically like a trailer in comic form. It has one of the most mystifying layouts I've ever seen in a comic book. I have no idea what order I'm supposed to read this in.

Yeah, I kinda have a feeling this is the full extent of what Ken has drawn for the rest of that book. I'd love to be wrong, but I fear that I'm right.

Bonus material: Data files

These are mostly very dull, recapping a lot of events shared between Ken's Archie run and the new Lara-Su Chronicles timeline. It seems like almost his entire run is still considered canon to the backstory of the new timeline, just with some names changed, and things only really diverge at the climax of M25YL. But I'll share the interesting stuff here.

Lara-Su

The main thing you'll notice in Lara-Su's profile is the massive, unreadable wall of text where Ken felt the need to list the entire Knuckles family tree, split across both pages.

This is literally so long that Lara-Su's personal history has to awkwardly cut off mid-sentence and be continued on the final page of the book, after the rest of the data files.

Also, please note that this list gives Julie-Su's mom's full name as Mari-Su of the House of Atrades. Incredible on all levels.

There's also a reference to the dark timeline Lara-Su was originally supposed to come from. You know, the one where Julie-Su is the leader of a rebel movement fighting against a Knuckles who had gone mad with power? The timeline that would have been way more interesting than the one in M25YL? Here it seems to have been written off as the result of another "timeline disruption." Lara-Su allegedly has vague memories of this timeline, in the same way that she has vague memories of the M25YL timeline.

Geoffrey

Geoffrey's bio mostly recaps events from the Archie comics, which means the Sonic/Sally/Geoffrey love triangle has to be alluded to. His rivalry with Sonic is described like this:

"He would later resurface when Kintobor was transporting his latest hi-tech weapon, the Dynamac-3000. It was during that mission he discovered a rival for the Princess' affections. Whereas the Princess would be one of a line of conquests where St. John was concerned, the blue-spined Erinaceinae who protested doth a bit too much regarding his affections for the Princess for St. John's taste would prove to be a source of great sport and amusement."

Yes. It's gross. Saying that Geoffrey saw Sally as "one of a line of conquests" is gross. Ken writing this and then still treating Geoffrey as the coolest badass ever is gross. The "Princess Acorn" is also first on the list of Geoffrey's "female relationships" elsewhere in his bio, though I suppose how much of a "relationship" they had is left vague. Honestly, at this point the fact that Ken didn't explicitly confirm that Geoffrey took the underage Sally's virginity in the book comes off as a display of restraint. The bar couldn't be any lower, I know.

Remington

His bio is, frankly, shockingly long for such a minor character, though I guess he does get a large portion of the word salad dialogue in "The Storm." There's a lot of stuff here about how the identities of his biological parents are shrouded in mystery, a plot point that fans have long speculated Ken just straight up forgot about in his time at Archie. (Ian confirmed that Kragok from the Dark Legion was Remington's dad, though, so this isn't really much of a mystery.)

Lien-Da

She gets a bio even though she's not present in the two new stories, just so we get to look at her awful new design and compare it to how Steven Butler drew her earlier in the book:

Commander Taelor

We get to see two drawings of him with the same exact Ernie Hudson face side by side! That's fun.

Julie-Su

She gets a list of "known friends," but the only character listed is Knuckles' mom. Poor Julie-Su.

Also, Ken feels the need to reiterate that Knuckles and Julie-Su are still distant cousins. He made a whole new timeline where he can change whatever details he wants, but THAT had to remain canon. Thanks, Ken.

And then after the data files we get the special thanks page, listing everyone who preordered the book and/or bought TLSC merch from Ken.

With my name on the list. Because I had to buy a copy to cover it for the blog.

My name is on the very next page right after the breastfeeding panel in Julie-Su's data file.

Yep. He got me.

Is it at least a well put together book? Like, in terms of manufacturing quality?

Its physical quality is... fine. It's a nice, sturdy hardcover. The print quality seems fine, though mine does have a bit of smudging from some sort of printing error on one page. The pages don't seem like they'll fall out on me. The image quality is crisp. The colors are vibrant. This is a low bar, but this is one of the few places where I'm able to give this book anything resembling praise.

The formatting and graphic design work, on the other hand...

(I didn't crumple those page corners, it came like that.)

For one, the placement and sizes of the M25YL pages is inconsistent, largely due to the fact that the book doesn't actually match the proportions of a comic. A lot of pages aren't properly centered vertically. Some pages go all the way up to the top edge of the paper, while others leave a visible gap of about half a centimeter. Every page has a 1cm gap to its left and right, which is sometimes filled in with a solid color or gradient that doesn't quite match the page it's surrounding. I have to assume Ken didn't have any sort of source files or original artwork to work off of, as those ideally would've had more generous bleed to account for slight shifts in printing. It kind of seems like he just got the highest resolution versions he could find of the digital releases online and printed those. The colors are a dead ringer for the digital versions, which have always looked slightly more saturated and pastel than they did in print.

I can't say this bodes well for his further plans for Archie Sonic reprints - sorry, Mobian Line reprints. If they ever come out, please, for the love of god, do not buy those. I don't care how much you love Archie Sonic, they aren't going to be good reprints. For comparison, IDW's similarly priced hardcover Sonic collections have none of these formatting problems, because they're made by people who know what they're doing with access to the actual source files.

The book also has its fair share of text-focused pages, split between the data files and messages directly from Ken about the history of his career and this project, and these are formatted in the most amateurish way possible. Just massive walls of Arial text over either plain white backgrounds, simple gradients, or faded photos. I've seen school yearbooks with better graphic design. Even ignoring my subjective feelings about the art and stories within, this book does not feel like it's worth $36 USD.

It's frankly shocking how shabby he let this thing look considering it's supposed to be his baby. And doesn't that really sum it all up?

Closing thoughts

Obviously, I did not expect this to be any good. But I'm still left kind of dumbfounded by it.

I think what really strikes me about it is that Ken had a blank check to do whatever he wanted here. He got an opportunity many writers would kill for when he gained complete ownership of his most famous work. He's free from the limitations of a monthly licensed comic book for children, free to make whatever creative decisions he wants without editors or other writers or Sega to worry about, free to completely reinvent the series to his heart's content and finally tell the story of his dreams. And with that opportunity and 13 years of his time, he made... this. A direct continuation of "Mobius: 25 Years Later" that barely changes anything about the characters or world beyond their awful new designs, even though much of the word count is spent rambling about how the timeline has changed. A story that makes zero concessions for new readers, or even returning readers who don't already have the last decade's worth of Ken's tweets explaining his creative decisions burned into their memory. 30 pages where nothing really happens and the story barely moves forward an inch despite the decades-long wait - but maybe something will happen if you buy the next book!

Who is this for? Maybe this really is a project for no one but Ken. Maybe he just really, really wants to finish the story he started, a story that's personal to him due to the family history it evokes, and the number of people who enjoy it or buy it beyond that is irrelevant. I think that many of the best artists are incredibly self-indulgent ones working with that exact mindset, artists whose enthusiasm for their own work jumps off the page or screen. So, if that's the case, then why the fuck isn't he telling the damn story? What's stopping him? Why is he still spinning his wheels? Where is that passion for his own work? Because it sure as hell isn't there on the page. There's a huge part of me that really wishes I could say "Man, what a weirdo, but you do you, Ken. You tell your weird little story." But there's barely any story here. It's like he loves styling himself as a storyteller, but he's terrified of finally having to actually tell a story after all this time. He's still stuck in the exact same mode of writing he was in almost 30 years ago when he was doing 6-page backup stories about Knuckles, just killing time and stringing readers along until he's eventually able to truly realize his vision. If not now, then when, Ken?

Even the back cover blurb is mostly just a dry recap of the history of this thing. It was a Sonic comic, the original arc was published in these issues, it went unfinished, Ken left Archie, the lawsuits happened, now he's continuing the story. There's nothing about why anyone should give a shit about this as its own story, even though Ken has spent years trying in vain to convince people TLSC is its own beast that shouldn't be judged as a Sonic story. I think deep down he knows that there's no pitch for this beyond the novelty of it originating from Sonic. And that's why, despite declaring that he'd leave the site, he's still on Twitter riling up Sonic fans. It's the only attention he gets at this point.

Maybe this is too harsh when those 30 pages of new comics are just intended as a preview for the "real" book. But the elephant in the room is that we have no idea if that "real" book will ever actually come out, let alone the entire series of seven graphic novels that will supposedly complete this saga.

Ken is undeniably a complete jackass and all around unpleasant, vindictive person who's rightly become an industry pariah. He's a self-proclaimed paragon of progressive values who'll send Comicsgaters after his successors for the crime of not worshiping the ground he walks on, and then turn around and announce he's going to reprint their work without even consulting them. He's a sore winner who already won his copyright battle on a level most comic writers would never dare to dream of, and yet still won't truly be satisfied until he sees an entire major comic publisher go out of business, putting god knows how many people out of work, because he thinks this would get him back the license to a video game franchise he doesn't even like.

But I still have to pity him.

As an artist, the trajectory of his life is my nightmare. I think all of us fear dying before we can tell all the stories we want to tell. There's simply never enough time to do everything. And here's Ken in his 60s, talking about how he's still planning on making his magnum opus all by himself out of stubbornness and pride, despite demonstrably proving he can't handle the workload, and also talking about how if he dies before the project can be finished he'll have to pass the torch on to his kids and get them to finish it for him. It's so grim. Even just typing that sends a shiver down my spine. It took nine years of his limited time on Earth to finish and release an 11-page comic about Geoffrey St. John sitting backwards in a chair.

This is a purgatory of his own creation. And yet... I'm not sure he's ever been prouder. One must imagine Sisyphus happy.

I guess if I want people to take anything away from this review, it's this:

Lesson one: If you're an artist or writer of some kind, or an aspiring creator, don't wait around. No one else is going to tell your story for you. Start writing that novel. Start drawing that webcomic. Start making that game. If Penders can put out this damn book that no one asked for after 13 years of work, then proudly proclaim that he's still going to make six or seven more books and also reprint hundreds of comics he doesn't have all of the rights to, then show up to cons with that foul Lara-Su Chronicles: Shattered Tomorrows banner and sit in front of it beaming with pride, fully aware of his critics but saying "fuck 'em, I know I'm hot shit," then you can do fucking anything. Tell the weird, sincere, cringe story of your dreams. If Ken Penders doesn't have imposter syndrome, then nobody should.

And lesson two: Don't buy Ken's books.

[reiderwriter]

Little Angel

Pairing: Spencer Reid × virgin!fem reader

Genre: SMUT, some fluff, a little tiny smidge of angst. MINORS DNI 18+

Summary: As the youngest and most innocent member of the BAU, they all take care of their little angel. When they find out just how innocent you are, though, one member takes his possession to the next level. You're his little angel, and he's determined to have you.

Warnings: loss of virginity, loss of innocence, degradation, pet names, oral sex, thigh riding, fingering, cum marking, love bites, Spencer is territorial and possessive, Dom! Spencer Reid, PinV sex, mentions breeding, but he pulls out.

A/N: We've reached Day 8 of kinktober! It's our second "long" fic, meaning there's a bit more plot to this, and the smut scene is longer too (WC is almost 7k!) I hope you love this one just as much as I did... The kinktober masterlist can be found here, and my regular masterlist is here too! If you want something specific, my requests are open ❤️

Your first three months with the BAU were a blur, and for good reason. Endless cases, back-to-back, interrupted only by the slight hint of a weekend or the ever possible death row interview. You were tired, stressed, and afraid to walk home alone at night, and absolutely satisfied. As far as you were concerned, it was all worth it to get these monsters off the streets, to help save their victims and to find out what made them tick. There was nothing else you'd rather be doing. 

The team had helped you settle in well, too. You'd joined the team after Alex Blake had left - she'd recommended you actually from the college seminars you'd taken with her. You were obviously lacking a bit of experience, so they took on two team members, and you and Kate Callahan had the great opportunity of both being the newbie. But you had a slight disadvantage of age, coming in as the youngest member of the team. You thought that might be why you'd settled in so well, in all honesty. 

Hotch and Rossi were both protective in a fatherly way. Hotch pushed you and Rossi encouraged you and that was everything you needed from them. A strong pat on the back at the end of a case and a "you did good, kid," and whatever hell they'd pushed you through, it was worth it. Morgan's tough love was brotherly, but he did a great job at getting you to relax on and off the case, reminding you to not take the work home. JJ and Kate were great mentors. It wasn't easy being women in the FBI, let alone the unit that specifically looked into some of the most misogynistic killings, rapes and abductions in the world. They both gave you tips about how to handle condescending officers, and JJ had held your hair back after you'd puked your guts up on a particularly harrowing day in the field. With Penelope, friendship was easy, and you loved talking to her about whatever hyperfixation you were on that week, loving that there was someone on your team that had filled their life with genuine joy in the face of so much horror. 

And Spencer. Honestly, you were beginning to think that you'd used Spencer as a human stuffed toy a bit too much. 

You don't know how it happened at first, just that after one of your first few cases, you'd been so elated to find a victim alive, safe but traumatised, that you'd thrown yourself into his arms the minute you got back to the precinct. 

"We did it, I thought she was going to be dead, Spencer but she isn't." Your head was pressed into his chest, you were almost surprised he even heard them, muffled as they were. If you weren't so elated, you'd have noticed the way he'd stiffened at your touch, panicking slightly before awkwardly wrapping his arms around you, too. But you pulled away before you could notice that he wasn't really used to any physical comfort, bouncing off to write up your case report. 

Spencer noticed, though. Noticed how the heat of your body made him feel comforted, the way his heart rate increased to 125 BPM from it's base rate and didn't fall back to normal for another half hour. He noticed that you smelt like jasmine and patchouli, and more importantly, he noticed that he didn't really care if you touched him, and that was new. 

It became a kind of ritual for you, finding him after a case and folding into his arms to celebrate. They were friendly hugs, after all, a sign that you'd been through hell together, and you'd made it through like avenging angels. They only lingered longer when the cases went badly. You turned to crying in his arms after you'd discovered the body of a dead street girl, Veronica, in pieces in the house of an unsub who'd committed suicide by cop moments earlier. 

"I told her she'd be safe if she talked to us, Reid. I told her we'd protect her, that I'd protect her." You were so hurt by that failure that he'd had to drive you home that night, holding your hand the entire way so you didn't feel so alone, left to fester in your guilt. 

The rest of the team had begun teasing you about the hugs, but you'd brushed them off. You hugged everyone else too, and you knew for a fact that Penelope hugged every member of the team, so there was nothing special going on between you and Spencer. No one had deigned to inform you of Spencer's germophobia and aversion to touch. 

"Gonna tell me what that's all about?" Morgan asked Spencer as you bounced away from a hug one day, leaving to remove your FBI vest. 

"What what's all about?" He replied coldly, turning away to remove his own vest, replacing it with his blazer. 

"What, you don't have a statistic for how many germs are passed between people during a hug, Kid, come on, you were practically smelling her hair." The older man's eyebrows raised in a question again, but Spencer continued to blow him off. 

"I hug people all the time, it's not a big deal." He shrugged. 

"It took you four years to return one of Penelope's hugs, and you still only do that on special occasions. That's not all the time." 

"Derek, just drop it. There's nothing going on, she just… She just does it sometimes." 

It was when you'd hugged him in the middle of the office, without a case to use as an excuse, that you noticed an underlying tension in the office. You were all celebrating, of course, Callahan had just announced her pregnancy, and you were all so happy for her. You'd heard the happy news and instantly turned and thrown yourself into Spencer's arms. Even you weren't sure why, not even questioning it until you saw the awkward glances on the other profilers' faces. You brushed it off by rushing to give each of them hugs, and running out in a mad flush, needing air, or water or something to get you out of what was looking more and more like an interrogation room. 

A few cases later, the entire team headed to O'Keefe's to celebrate. 

"To another case successfully solved," Morgan toasted, and you all joined him, lifting your glasses in triumph. 

"To the wonders of non-alcoholic beer," chimed in Kate, leaving you all laughing together. The booth was small, and as usual, you'd found yourself sat right in the arms of Spencer Reid. You hadn't intended it, honestly, having slightly avoided him recently, but you'd followed Penelope into her side of the circular table, and Reid had followed you. You were sat squished between them, your arms resting awkwardly on your lap between drinks. 

"Okay, a night of drinking is slightly boring without some games to spice things up, what do you say, hot chocolate?" Penelope said, addressing Morgan who was on her other side. 

"I'm all ears, baby girl. What were you thinking?" 

"How about twenty questions? We already know a lot about each other, let's see what we don't know?" Kate suggested, thriving off of the knowledge that as the sole sober member present, she'd hold all the cards tomorrow. 

"What, how is asking questions a game?" Reid questioned jokingly from beside you. "That's just an interrogation or a therapy session, there's no winner or loser."  

Already slightly buzzing from your drink, you turned to him and out your fingers in his lips, shushing him. 

"No time for logic in matters of the bottle, Spencer. Let's play." He pulled your fingers off him, but nodded, holding them in his grip still as you turned back to the table. 

"I'll start! JJ, are you and Will thinking of having more baby LaMontagne's?" Penelope jumped at the chance to probe her teammate, and you laughed at her enthusiasm. 

"There have been discussions, but I'll not confirm or deny yet." JJ said, taking a sip of her drink as she slyly avoided a direct answer. 

"I always forget why you were so good with the press, Miss No Answers. Okay, your turn to ask a question." 

"Okay, Morgan. Are you thinking of popping the question to Savannah anytime soon?" 

"Did she send you?" He laughed and took a drink. "If I do, she'll be the first to know." 

The game went back and forth like this for a few rounds before Penelope turned the spotlight back to you. 

"Okay, Y/N. You were a college student recently, I know you've got some wild stories. Where's the craziest place you've ever done it?" You knew Penelope didn't mean to make you uncomfortable. She was just an open person. 

But you shifted in your seat nonetheless, trying to figure out if you could answer or even if you would. Your tongue was a bit looser than you expected though, because before you could even finish thinking you just blurted it out. 

"Nowhere." 

The others blinked at you slightly before Penelope dived in with another question. 

"Is that Nowhere, Oaklahoma, or you're just not having sex in crazy places?" 

"No. I'm not… I'm not having sex. Period. Never have." You felt yourself shrink as the other members of the team awkwardly apologised for probing you so much. Really it wasn't that big of a deal, and it wasn't as if you were saving it for religious or moral reasons. But you'd not been the most popular teenager, and you'd started studying serial killers and sociopaths so early that you really hadn't wanted to get so intimate with someone else like that. 

Unbeknownst to you, Spencer's grip on his own drink had tightened ever so slightly, his heart race had picked up again, and suddenly the hand that was holding yours suddenly let you go, quietly dropping your fingers like they were glowing cinders, and he was dripping in gasoline, waiting to ignite. 

Lust. He felt sick with himself for the images that were suddenly flashing through his mind now that he knew you'd never been held in that way, trying not to fantasise about you underneath him, holding him, begging him, feeling all of him. He took another swig of his drink and politely excused himself to get another as he let himself catch some air, as the sudden realization that he wanted you - and had wanted you for quite some time now - finally hit him.

The next couple of weeks were normal, and you were thankful to have that discussion behind you. No one treated you differently, acted like you were more of a child than before, asked you how your dating life was or set you up on blind dates, which was really refreshing actually. You'd let some friends know previously, and that's all they'd done, surprised that you could live ignorant to wonders of sex without shrivelling up and dying. 

The only thing that was different was Spencer. And that wasn't really difference so much as growing more comfortable with each other. He'd rest his hand on the small of your back now in support sometimes, or have a hand slung over the back of your chair when sitting together. He was constantly at your side, especially if you were around male suspects or officers who'd taken a bit of a ballsy approach. 

You liked it, probably a bit too much. You gravitated towards him in a room filled with people, and found yourself hugging him more often, when you left a room, when you entered one, when he looked like he needed it. Which, recently, was all the time. A month went by with this increased comfort level, and soon you found yourself feeling wrong if his hands weren't on you. 

He stood close to you all the time, and you noticed the stares you were getting from everyone else. A few officers who'd approach you would apologise to him when they noticed him at your back, hand on your hip as he pulled you away. 

After one case, you could even swear that you felt more than him than you were expecting. He'd moved away slightly in between one of your hugs, but you'd pulled his arms back around you and stepped closer, pressing your back against his chest, letting your head rest on his arms. Something hard and long wedged up against your ass, and in a split second he was pulling away before you could ask him about it. He excused himself, and you felt your body burn up. It was Spencer, it was just Spencer and that wasn't because of you, it was some other reason. 

Spencer didn't know what he was doing. He grew more possessive over you by the day, and he'd honestly nearly bitten the head off an officer who asked him for your number. 

"Sorry, she doesn't have a phone." 

"But I saw her with one earlier. Look I get it she's FBI, and you guys are-" 

"Okay, so she's not interested."

"Hey, why don't you let her decide that wise guy?" 

"Oh sure, get angry I'm sure she'd love that. She's not interested, she has me." He couldn't help himself from getting in the officers face at that, and Morgan had to pull him back from the edge. 

"Wow, wow, hey, calm down." The officer stormed out, and he felt triumphant for only a second before Morgan rounded on him. 

"Whatever this thing you've got going on, Spencer, you need to get it out of your system as soon as possible." His voice was low and stern, throwing a glance over his shoulder to where you were sitting, staring confusedly through the glass at Spencer, whose eyes refused to move from your own. 

" I just wanted him to back off, she doesn't like him like that."

"No, you wanted him to back off because you've marked her like some animal marking its territory. She's not your prey, Spencer, she's our team member, now you're gonna have to get your act together and leave her alone, because we've got work to do." 

Sighing and throwing his hands through his hair again, he finally looked away from you and gathered his breath. He wanted to stop this too, this horrible perverted feeling of needing his hands on you, wanting to possess you day and night. To protect you. He just wasn't sure if he was strong enough to do that. 

The next time you all went to O'Keefe's he certainly tried. You expected him to follow you into the booth again - he didn't, sitting opposite you next to JJ. You expected him to talk to you or look at you for more than a second at a time - he didn't, avoiding most conversations entirely and keeping his eyes fixed on the bar. You certainly expected him to still be sat at the table when you returned from the bathroom, ready to slip into the seat beside him, force him to talk to you. Instead he was gone, and you scanned the rest of the bar trying to locate him. 

Something green and vile jumped you when you finally locked onto him, stood at the bar, surrounded by other women. Surrounded was maybe an exaggeration, as there were really only two of them, but they were practically draping themselves over him, and for some reason that set something alight inside of you. 

You watched them for a moment, how one of them trailed a hand up his arm as he shuddered away from their touch, the other pressing herself against the bar so her chest pushed up dramatically. The green bile in your throat carried your feet forwards, and before you knew it, you were clearing it from your throat to grab their attentions. 

"Spencer, there you are!" You brightened your tone specifically, as you locked eyes with his panicked ones. The two girls looked you up and down as you moved closer, brushing past them to climb up right into his lap on the barstool, pulling his arm around you as you pressed your ass into his crotch. 

"Are you going to introduce me to your new friends?" The smile didn't reach your eyes as you let your back rest against his chest comfortably, watching the women to see their reactions. The one touching him pulled her arm back instantly, and the other readjusted her dress before they both left silently, carrying their glasses back to wherever they came from. 

You watched them leave a little triumphantly before the green faded, and you realised what you had done. 

"Y/N…?" His voice was hesitant in your ear, and you shivered slightly before pushing off of him. 

"I'm so sorry, Spence, it just- it… looked like you were hard." You panicked again, pushing closer to him. "No, like you were in a hard situation, not that you were," your hand accidentally dropped to his crotch as you spoke your final words: "Hard."

He twitched beneath you as you finally looked down to where your hand was, as his mouth opened to say something. 

"Y/N…" was all you heard before you turned around, and fast walked to the entrance, picking your bag up quickly on the way, and then sprinted the second the cold air hit your face. 

You cursed yourself inwardly as you ran the three blocks more to your apartment, thankful that you were at least in walking (or apparently running) distance. What the hell had you been thinking? Practically sexually harassing one of your coworkers like that, grabbing his dick, albeit accidentally. 

You slammed your door shut behind you, leaning against it and sliding to the floor as you finally accepted that whatever this was with Reid, it wasn't friendship for you anymore. And you weren't sure if it had ever been. 

With your head between your legs, arms wrapped tightly around yourself, you started replaying each moment with him, each touch from the very first. How even the memory of a brush past you could excite a fire in your heart, a heat between your legs growing by the second. 

You wanted to crawl pathetically into bed and not think about him until the next morning at work,  but fate, or Doctor Spencer Reid, had other plans. 

The knock at your door was sudden and incessant, the banging starting loud, and staying consistent until you tentatively pulled it open. 

He was stood there, chest heaving, looking down at you, sweat coating his forehead. 

"Can I… Come in?" He asked, and you nodded, too stunned at his sudden appearance to tell if this was real or just your fantasy becoming a little too realistic. 

He thanked you for letting him inside, and you showed him inside, guiding him to he couch, where you took a seat opposite him. 

"I wanted to make sure you were okay, you left in a rush and…" He trailed off, eyes flicking down to your lips. His Adam's apple bobbed with his swallow, and you watched it yourself, trying to avoid meeting his eyes, as if you were a schoolgirl about to get in trouble with a disappointed teacher. 

"I'm okay." 

"Okay, that's great, that's… Great." His breaths caught up to him, and he took another deep breath and a swallow before continuing. "How about we continue that game from last time. Twenty questions?" 

You'd do anything to stop him walking out of that door, but you felt too shy to touch him again, even in the friendly ways you were used to, so you eagerly accepted. 

"Yes, that… That sounds fun, thank you." 

"Okay. Question one. Do you know why I'm here?" He asks as he shifts closer to you, still not touching, but at a proximity where it would be natural to accidentally brush against one another. 

"N-No. But I might have an idea." He nodded at your response before moving on to his next question. 

"Question two. Are you a virgin?" He didn't trip or stumble over the words, pushing them out slowly and delicately so as not to offend. 

"Yes." The lump in your throat was thick, almost as if he'd put something there that you couldn't help but choke on. 

"Question three. Do you want to remain a virgin?" 

You shook your head no, following it with your voice seconds later as he stood up from his seat, putting some distance between you. 

"Question four. Do you feel intoxicated or drunk right now?" He held himself still as you sat on the very edge of your chair, desperate to feel his hands on you now. 

"No, I only had one sip at the bar before…" He held up a hand to silence you, and you did. 

Question five. Answer me honestly. Do you like it when I touch you?" 

"Yes." Your breath was a whisper, but it was breathy, sounding almost pornographic in your neediness. 

"Question six. Do you like it when other people touch you?" 

"Do you?" His head snapped back to yours, and you froze under his gaze. "Not as much." You answered and relaxed again, pouting slightly at his lack of answer. 

"Question seven. Do you like me touching other people?" He took a step closer to you again with this question, but you continued pouting as you shook your head. 

"No. I don't." His lips quirked upwards before he could stop them, but he gathered himself together again. 

"Question eight. Do you want me to leave?" You met his eyes at that question, taking one good, hard, long look at him. You noted the tensed jaw, the clenched fists, his stiff body language, trailing your eyes over him before looking him directly in the eyes. 

"No." You let the word hang on your tongue, pulling it out a bit longer than was necessary as you watched him take in a shaky breath. 

"Question nine. Do you want me to come over there and kiss you?" 

"God, yes." He was on you in seconds, restraints gone, throwing himself back at you as his lips collided with your own. Virgin you may be, but you'd kissed men before, and it had been nothing like this. 

His hands trailed up to your hair, tipping your head back slightly so he could gain better access. He bit your lip and thrust his tongue into your mouth when you gasped, so eager to consume every part of you whole. 

You'd never felt like this before. 

He pulled away, and you tried desperately to chase his lips, even as your lungs begged you to stop. 

"Last question," he whispered in the space between you, holding the sides of your face at a distance so neither of you could be tempted to dive in for a second kiss, or a third, or fourth. "Do you want me to fuck you?" You whimpered at his words, nodding furiously as you tried to lunge at him again, but he held you firm. 

"I need you to say your answer, baby. I need to hear your consent, okay?" You nod again and open your mouth, eyes never leaving his lips as you moan out a definitive "yes."

Instead of letting your lips fall against his again, he lunges for you, grabbing your legs and hauling you up into his arms, carrying you bridal style all the way back to your bedroom. 

"Gonna do it right," he mutters to himself as he throws you down on the bed, pulling back to take off his jacket and unbutton the cuffs on his shirt, rolling the sleeves up meticulously. 

"I'm going to take care of you, Y/N, okay?" You nod at him and flush, suddenly feeling the strength of his need for you as he holds himself back. He puts his hands on you again, gently coaxing your legs apart, pushing your skirt up over your hips. Reflexively, you move your hands over yourself, covering your sensitive places with your hands. 

"Don't cover yourself." His voice is strong, deep, as he orders you, and you let your arms drop back to your side. He traces his hands up and down your legs, almost as if he were memorising every inch of your skin, how you felt under his hands. 

His hands make their way up to your panties, and you watch with baited breath as he moves you, pulling your hips up so he can let them fall down. The lace material tickles you as he pushes them past your thighs, over your knees and finally off your legs entirely, balling them up and putting them in his pocket. 

"I'm going to touch you now, okay?" He asks it like a question, but he doesn't wait for your answer, unable to hold himself back before diving straight between your legs, so desperate to taste you that he's deaf to everything else. 

His tongue connects with your sensitive area first, tracing up and down at a steady pace as his legs half-heartedly push your legs open. It's almost as if he's enjoying the pressure of your legs wrapped around him, suffocating between your thighs as he feels your pleasure build, and build. 

Eventually he pushes your hips further apart, letting himself push his face into even more of you, his tongue entering your hole as he begins fucking it in and out of you, fingers coming back up to your clit to keep up the pressure there. 

"Spencer, please, please, fuck." 

"I love it when you beg for me like a needy little slut," he whispers, holding your legs apart as he looked up at you, face slick with your arousal. Your mouth drops wide at his words, and he immediately begins to retract them. 

"I'm sorry, Y/N, if that was too far, I just got caught up -" 

"I liked it." You said, quieting him as you spread your legs a bit further apart, begging for him to continue. He smiled and dived right back in, bringing his other hand up under your dress, all the way to your chest as you kept your legs open yourself. 

He sucked your clit into his mouth, lapping up all the juices you were releasing as you moaned underneath him, bucking into his face at the memory of his degradation. 

You were a needy little slut, and you needed him to make you cum. He was more than happy to oblige. 

He kept you there for what felt like forever, drinking you in for as long as he could. You orgasmed twice before he finished, completely overstimulated by the way he was desperately fucking you with his mouth. 

He was obsessed with you, with your scent, your taste, with being the first ever person to ever touch you like this, to fuck you, to make you feel so good. Without him even realising, you're pushed to the brink for a second time, shuddering under the heat of his mouth as he drinks you in. 

He finally pulls his head up again, coming up for air as you're twitching under him. 

"Perfect, baby, so perfect for me." His lips fall down to your own, and suddenly you're tasting yourself on his tongue. It's hypnotising, and despite the pleasure you've just received, you need more, desperate to feel him on you again. 

When he pulls his mouth away, he replaces himself with his fingers, pushing them into your mouth. 

"Suck," he says and you listen, as he watches the way you lick yourself off of him. 

He unzips your dress with his free hand, carefully pulling your arms out of the sleeves and pushing your dress off your body. You trace your tongue around every ridge of his fingers, leaving no inch undiscovered. He moved you to pull the dress of, and you graciously followed, letting him do whatever he wanted to you. 

"Nice little slut, tasting herself on my fingers?" He whispered when you were finally bare, pulling his fingers from your mouth, letting the trail of spit hang between you as you moaned. 

He removed himself from over you, and moved to sit on the edge of the bed. 

"Come here. Come and sit on my lap." 

You cautiously followed his directions. You'd thought that he'd fuck you then, after spending so long getting you ready, but apart from his tie, which he was in the middle of discarding as you crawled over to him, he hadn't derobed any further. 

"That's it baby, come and sit yourself down right here." He pat his thigh and you crawled over, lowering yourself down onto his clothed leg. 

"What now, Spencer?" You stuttered the words out, heart beating as you awaited his instructions. 

"Now, I want you to rock your hips back and forth. Just like this." He grabbed your hips and started moving you against his leg, pushing you down to grind into him. 

"Spencer, wait, I don't know-" 

"I do. I know you can do it, so please try. For me." You pulled you in for a kiss, and then removed his hands from you, leaving you to rock against his thigh. 

You were unsure of the movements at first, moving slowly as you dragged your aching cunt up and down the top of his pants, watching as you saw the wet patch you were making. You moaned with each movement, growing faster and more confident as you continued. 

"That's it baby, use me to get yourself off, okay? Let me see you." He whispered in your ears, pushing your sweat-slicked hair ou of your face, holding it up for you. 

"Spencer please," you don't even know what you're asking for as you beg him, feeling that familiar bubble in your stomach grow. 

"No, you can do it. You look so beautiful like this, Y/N, so desperate for my cock, huh?" You start trying to unbutton his shirt, desperate to see more of him, to feel more of his bare skin on your own. But he stops your hands and holds them against his chest. 

"You need to ask nicely first, before trying to undress me like a needy little whore." The words should sound violent, should humiliate you, but his voice is so soft you simply move faster, moaning and desperate to cum one more time. 

"Fuck, Spencer, I'm gonna… I'm gonna…" 

"No, you're not." Before you finish, he pulls you off his leg, hauling your body back onto the bed, and laying you back down on your back. You moan in disapproval, so frustrated with the lack of release that you feel tears prick the corners of your eyes. 

"Don't cry, baby. I'll give you what you want soon." He practically rips his clothes off, pulling his vest over his head, stumbling over each button and removing his belt and pants before climbing over to you. His cock finally free you take your first glance at it. 

You'd never entirely been sure how it was that the male appendage fit inside something as small as your pussy, and you were doubly unsure about how Spencer's was ever going to fit inside you. You stared at it wide eyed, as you took in the length, the girth, and the heat of it as he stroked it in one hands, pushing on top of you. 

He let go of it as soon as he was between your legs, letting it fall onto your stomach as he crawled between your legs. He trailed a finger over your lower abdomen just around where his cock was twitching against you as his other hand came up to stroke your hair. 

"You look worried, Y/N, what's wrong?" 

"Will it, um, will it fit?" You asked, knowing how cliché you sounded. 

"We've spent the last thirty-seven minutes loosening you up with foreplay. It should fit, but I can't promise it won't hurt."

"Right, if my hymen is still intact you have to…" 

"That's right. And then it's going to reach all the way in you to here," with each word, he stepped his fingers up from your clit to where the tip of his dick sat on your stomach, letting you come to terms with exactly how full you were about to be. 

"I'm going to fill you, and you're going to be mine, and I'm going to be yours. My sweet angel." He stroked your face, catching his thumb on your lips on the way down, tempted to thrust it into your mouth again, to see just how much of a whore you could be, given the chance. 

Instead, he lined himself up with your dripping core, and, making sure one last time that this is what you wanted, slowly pushed in. 

It was uncomfortable at first, having something so wholly alien inside of you, you weren't sure how to react. You wrapped your arms around him, digging your nails in, deep, as he pushed in further. 

"Y/N, I need to move more now, and it's going to hurt a little, you just have to trust me, okay?" He kissed the top of your head, but you were so lost in the sensations to answer. With one swift jerk of his hips, he pushed through your hymen, and fully sheathed himself inside of you. He pressed small kisses everywhere on your face, while whispering to you how beautiful you were. 

"You're doing so good for me angel, I'm going to take care of you. Going to make you feel so much better than this. You're so beautiful." His lips were distractingly sweet, as were his words, and soon you found yourself relaxing into him, the sharp pain of earlier fading to an electric buzz inside of you. 

You jerked your hips up to meet his, and with that, he knew you were ready. From his words, you'd assumed that he'd move slowly in you. But with one final lingering kiss to your lips, he lifted his chest up, pinned your legs tightly down, and started thrusting hard and fast. 

"Sorry, just couldn't help myself baby. Needed to see you looking ruined underneath me." Moans spilled out of your mouth with his every movement, and the orgasm you'd built up earlier hit you like a ton of bricks, blackness hazing over your eyes as they rolled back in your head. 

"Fuck, fuck, Spencer, don't stop!" You screamed at the top of your lungs, unable to control your pitch or volume as he slammed into you desperately. He was so turned on by the sight of you beneath him, so proud of having fucked away your virginity, to have given you your very first penetrative orgasm that he wouldn't have heard anything that came out of your mouth. 

His eyes were fixated at the place between you, where you joined, where he was entering you, defiling you, claiming you, using you, breeding you. 

He knew he wouldn't cum inside of you, not the first time, but it was tempting. Instead, he chose to move his lips back to your skin. He marked you with love bites and hickeys across your neck, chest and shoulders as you moaned with every roll of his hips, shuddering on his cock. He was close. And seeing you like this, displaying all the signs that you were his and his only, he finally lost it. 

Pulling his dick out of you, he stroked it through his release, spraying his seed over the parts of your skin he hadn't bruised with love. Your stomach, your breasts, hell, one spurt even landed dangerously close to your lips, he was everywhere. You. Were. His. 

He fell beside you, panting for a few moments as you finally cracked your eyes back open, realising what the two of you had just done. You wiped the cum from your face with a stray finger, staring at it for a second before licking it off your finger. 

"As hot as that was, I think we should get you cleaned up properly, angel." He spends forever cleaning you up, carrying you to the bathroom, washing your entire body with hot water and a fresh cloth, running you a hot bath to relax your muscles. You snuggle into his chest at some point in the bath, relaxing so much into him, that you drift off to sleep. 

You feel him carry you to bed, semi-conscious, tucking you in and climbing in next to you. He holds you through the night, the way he holds you after your bad cases. He holds you until he doesn't. 

You're blindsided by the cold bed the next morning. You knew he would be there, you'd felt him inside you and next to you, and you'd needed his warmth, but he was gone. You looked for him in every other part of your home, looked for a note or an explanation, but there wasn't one. 

Through tears, you got ready for work, ready to face him and make him answer why he was suddenly gone. You wanted him to apologise, especially since he'd marked you so badly the night before you looked like a car crash victim from the neck down. 

Dark lavender blossomed along your collar bones as you looked at yourself in the mirror, trailing a finger along every place that he touched the night before. 

"How could you be so stupid?" You cursed yourself. If you'd have listened to what he was saying last night, really listened, you'd have known he wasn't going to be here in the morning. He wanted to ruin you, to possess you, to take away your virginity, and he'd done just that. 

You almost wanted to keep the bruises on display going into work, to make him confront the pain he caused you by leaving. In the end, it was the inevitable stares from everyone else that convinced you otherwise. You wouldn't give him the satisfaction. 

You pushed through the doors to the bullpen and didn't bother putting your bag down before you started scanning the room for him. 

"Where's Spencer?" You practically shouted the words at Morgan, unable to hold back your anger. 

"Y/N, what's wrong?" 

"Where is he?" You demand, and there must be something in your eyes that speaks to your devastation because Morgan shuts up and just points to the top of the stairs, where Spencer is exiting Hotch's office without a care in the world. 

You don't realise that something is tears until you're beating a hand against his chest in frustration as they spill down your face. 

"Where were you?" You demand, sobbing into his chest, as he pulls your hands away. The entire office is watching your commotion, but you don't care, you're not letting him move you out of the way. 

"Y/N, I need you to sign this." His voice is calm, and you hate him for that. That he can stay so neutral when he's just broken your heart. 

"No, not until you tell me why you left." 

"Sign the papers, Y/N, trust me." He pulls your chin up so you can look him in the eye, and you catch a glimpse of the man who has been holding you, comforting you for the last four months. You snatch the pen from him and sign the papers, thrusting them back at him with a scowl. 

He smiles as he looks down at them, placing them back on his desk before pulling you in for a long, deep kiss. You're shocked at first, but you melt into it, pulling him closer so he can't leave again. 

"I'm sorry. I had to come into the office to declare our relationship, Morgan sometimes tells me I have a one track mind, and when I woke up this morning, the one thing I wanted to do was get it in writing that you were mine." 

Your push the tears out of his face, and attempt to pull him down for another kiss. You don't get the chance, as the sound of several throats clearing around you burst your bubble. 

"Public space, no canoodling." Rossi shouts down at you from the balcony, a soft smirk on his face. 

Penelope runs in from her office, and stares wide-eyed at the lack of space between the two of you. "You! And you! Security cameras….. You!"

"Now, I'm sure there's a story here, but from the state of our little angel's neck here, I'm sure I don't want to hear it." Derek laughs, smacking Spencer on the back in praise as he walks up the stairs to the meeting room. 

You slap a hand over your neck, trying to pull the turtleneck further up to hide the mark you evidently missed. 

"She's my angel, now." Spencer calls up to him. "I have the paperwork to prove it."  

[sincerelyneo]

could i request a mark smut 😣😣 where reader and mark just had an intense argument but in the end, they cant be mad at each other for long so they just fck it out of each other 🤐🤐🤐🤐

mad at you | l.mk

“then i try to leave, but baby i just can’t stay mad at you”

💿now playing: mad at you by why don’t we

❯ summary: Mark learns that you’ve made a ‘selfish’ decision that’s bound to put a strain on your relationship. Next thing you know, you're knee-deep in an argument that somehow ends with you sprawled out beneath him; because, let’s be honest, he’s never really been any good at staying mad at you.

❯ pairings: idol!mark x fem!reader

❯ genre: angst, smut, established relationship, make up sex

❯ words: 4.3k

❯ tags: 18+ minors dni!, lots of arguing, swearing, reader is lowkey dramatic, makeup sex, unprotected sex (don't do this!), nipple play, dry humping, brief clit play, slight needy mark bc i can't help myself, creampie, reader uses she/her pronouns, reader and mark argue and resolve it by fucking.

an: i love writing angsty arguments (testament to my real relationships lol) so thank you so much for this request. it lowkey brought me out of writer’s block.

The honeymoon stage lasts approximately thirty months or two and a half years – which would make sense considering you and Mark were approaching your third year together and have argued more recently than you ever had. 

But this time it’s different. You’ve never seen Mark like this, so angry that his face is bordering red and his jaw ticks so hard it might crack as the both of you drive in complete silence from your work dinner. He doesn’t even bother sneaking his usual glances at you when he pulls up at stoplights, the hand he likes to place on your thigh is gripping the wheel instead, and the only noise in the car is his rugged and frustrated exhales. 

You could feign ignorance about why he's upset, but you know the reason all too well. And while a part of you acknowledges his right to be angry, another, more prideful part, resists the idea of apologising, especially when you think his reaction seems so disproportionate to your mistake.

So you sit in the passenger seat, arms crossed and body frozen, contributing to the cold silence settling between the two of you. You prepare yourself for the earful of a lecture you’re about to get when he pulls up outside your shared apartment. 

He parks the car, slams the door shut, and strides towards your building without a backward glance. You scoff at his pettiness; he's never been so angry that he wouldn't at least wait for you to get out of the car with him. He doesn't even slow down when you trail behind. And when he nearly lets the elevator doors close without you, any chance he has of receiving an apology from you flies out the window, you think. 

He does, however, show some decency by leaving the front door open for you as you both step out of the elevator and head towards your apartment – how chivalrous. 

The chivalry doesn’t last long because the minute he hears you clasp the door shut, he’s glaring at you, arms crossed tightly over his chest, and you can't help but notice that he's rolled up the sleeves of his dress shirt in frustration. If he weren't on the brink of yelling at you, you'd be tempted to make him do more than just roll up those sleeves — you'd want the fabric torn off and thrown on the floor in an instant.

“Paris, Y/N?!” Mark seethes, voice deep and uneven. “You signed a fucking contract to work in Paris?!?”

You pause, attempting to gather your thoughts, but the momentary silence doesn't offer much clarity. Eventually, you settle on, "It's just a six-month gig..." – a statement that seems to send him into a frenzy. 

“Just six months?” He rubs his jaw repeatedly in disbelief, “That’s six months that we won’t get to see each other, did you even think about that huh?”

You scoff, “You’re one to talk, need I remind you that your job takes you away from me for months at a time.”

"That's not fair," he protests. "You knew exactly what you were getting into when you agreed to date me. I didn’t agree to not seeing my girlfriend for months because she’s gallivanting away in Paris without me."

Your eyes narrow and your nostrils flare, “So what? If you would have known, you wouldn’t have wanted to be my boyfriend?”

His eyes widen and he shakes his head. His hands fly to his hair and he tugs at the strands as he huffs out a breath. 

“How the fuck did you get that conclusion from what I said?” He asks, voice sounding baffled. “The reason I’m so mad is because I like being your boyfriend, but I’m not going to see you for the next six months.”

“You’re being a hypocrite right now.”

He rolls his eyes and scoffs, “Right, because I’m always the one being unreasonable.”

“Yes, you are,” you scorn, “This job is my dream, don’t you see how selfish you're being?”

“I’m selfish?” He gasps, “That’s rich considering you didn’t even consult me when making this decision, I had to find out from your smug little co-worker in front of everyone. You were thinking solely about yourself, Y/N.”

You're on the verge of screaming. How is he not seeing things from your perspective? He's usually so understanding, so open to hearing your side. But the razor-sharp look in his eyes tells you that there's no getting through to him. He's convinced you're wrong, and nothing will change his mind.

“It’s for my job, Mark,” you cross your arms and shrug. 

“And how many times have I told you that you don’t need to work? How many times do I need to tell you I can look after the both of us?”

“And how many times have I told you that I don’t want that? I don’t want to have to always rely on you!” You snap. 

Your teeth grit as the words spit out of your mouth. They seem to hit Mark, deep, his eyes softening for a fleeting moment before sharpening again. He swallows thickly and blinks before running a hand through his hair. 

“Then what are we doing, Y/N?” He asks deflated, “What are we if you don’t want to rely on me?”

You're not sure what compels you to say it – whether it's the way you're all worked up, the entire context of the argument, or some inner recognition that you're the one who's fucked up this time despite you both having stuff to apologise for. Still, you escalate the situation from zero to one hundred without a second thought. 

“Oh, so you want to break up?”

He shakes his head and tongues the inside of his cheek, “When did I say that?!”

The fight only gets worse after that, the two of you blowing up after every sentence. You run around in circles, throwing accusations and insults at each other to the point the original premise of the argument is lost along the way of a thousand new arguments. It’s like every little thing you’ve both done to irk each other over the last month is brought up; and by the end of it, the two of you swear you’re done with each other. 

Sure, you've had your fair share of arguments, but the biting finality of the word "done" as it leaves his lips sends a sharp pang through your stomach – it hurts like hell. You've reached your limit with this endless cycle of back-and-forth; you've had enough of him. Storming past him, you head towards your shared bedroom.

Mark sighs and reaches out for your arm, but you pull away. He doesn't like this, doesn't like the chilliness he feels from you. He doesn't want to end the argument like this; it's never gone this far without a resolution before.

“You can’t just storm away when we argue Y/N, it’s childish.”

“If you don’t like it then leave!” You slam the door shut after you and lock it. 

Mark hates this more, not being able to talk this out because you’ve put a wall between the two of you. Then your words register in his mind and he’s the most hurt he’s ever felt. You want him to leave. Fuck that, he thinks. He’s not going to watch his relationship go down the drain over a petty argument. 

He knocks on the door a few times, then jiggles the doorknob, calling out your name and pleading for you to let him in. But you remain unmoved, denying him even the satisfaction of hearing your voice telling him to go away. This only adds to his frustration. He's the one you've upset, and yet here he is, begging for you to open up so he can fix things.

After a few more tries he scoffs, your words echoing in his mind once more. Leave. It crosses his mind as he makes his way to the front door of the apartment. He swings it open, ready to clear his head and crash at Johnny's for the night. But just as he's about to step out, he catches sight of a picture of the two of you on the coffee table where he keeps his keys. 

It’s from your honeymoon phase when it was easier for the two of you to say you’d never let anything come between you – when love seemed to blind you both. Mark picks up the photo, memories flooding back to the day it was taken. It was the day you met his parents and shared your aspirations of becoming a fashion designer. You reassured them that you had your own dreams and weren't just with their son for his wealth – though his parents wouldn't have minded either way; they would have been content with any girl that made their son happy. And you made Mark happy – you make Mark so fucking happy. 

Which is why he can’t believe he’s even considering leaving you in this apartment on your own after a fight. He shuts the front door and makes his way to the couch. He's eager to resolve things with you now, but both of you are too caught up in emotions, spouting shit you'll likely regret in the morning. So he opts to grab a few sofa pillows and a blanket from the storage closet instead. He strips down from his dress shirt and pants, throwing them to the floor before lying back and resting his eyes with a heavy mind.

Regret doesn't hit you until 2:00 am the following morning, when you're met with the chill of an empty space beside you as you reach out to cuddle your boyfriend, only to find him absent. Sure you thought he was overreacting to the news, but you're also painfully aware that your own words were uncalled for. You shouldn’t have asked him to leave – you didn’t want him to. 

As you heard the front door open and then close with a clink, a thick lump formed in your throat. The realisation that you had driven him away hit you hard, and you lost all motivation. You lay on your bed, makeup still intact, as you sniffled and sobbed quietly into your pillow. And even now, after tossing and turning from your mind running laps, you’d only managed to sleep for a few minutes. 

You stretch your stiff legs and reluctantly leave your bed, unlocking your bedroom door with sleepy eyes. You're taken aback when you see Mark sleeping soundly on the sofa, his breath steady with his eyes closed. You thought he had left, but there he is, covered only by the blanket from the storage closet. It breaks your heart to see him like this; he's likely cold, and he'll probably have a stiff neck in the morning for practice. And you know it's all your fault.

The guilt eats away at you, and without hesitation, you rush to the bedroom to grab his pillows and an extra blanket. Realistically, you should wake him up and insist he sleeps in bed, but the fear of his lingering anger keeps you from doing so. Instead, you kneel in front of him, attempting to swap the sofa pillows for his own bed pillows.

However, your efforts prove futile because Mark is a light sleeper – a detail you foolishly overlooked in your worried state of mind. He blinks as he wakes up once, then twice, appearing confused to find you in front of him in the living room instead of beside him in bed.

“Baby?” He whispers, his eyes hazy as he tries to make sense of what you're doing. It doesn’t take him long once he spots the sofa cushion in your hand to put the pieces together.  

You bite your lip and sigh, “I know you're mad at me, but I didn’t want you to wake up stiff in the morning.”

Mark's chest constricts. How could he possibly stay mad at you when you're so cute, fussing over him like this? He notices the smudge of black makeup beneath your eye, and his heart tightens once more – this time with sadness rather than affection.

His hand reaches out to touch your cheek, and you’re shocked at the touch. “You’ve been crying?” He asks and you bow your head. 

"I thought you left..."

Mark wants to laugh at the irony. You asked him to leave, and yet here you are, upset at the idea of his departure. He swears if he weren't so in love with you, he'd rant about how much you mess with his head, pushing him to the edge only to pull him back again.

“Would never leave you, baby, you know that,” his voice is soft and comforting as the rough edge of his fingertips finds your jaw. 

You can't control it; tears fall freely from your eyes. He's being incredibly considerate and gentle with you, even after you acted like a bitch. Honestly, you almost wish he'd just yell at you instead. But he doesn’t, his eyes widen and he immediately sits up straight letting the blanket fall to the floor as he pulls you up to sit on his lap. 

He shushes you, his hands finding your waist where he rubs soothing soft circles into the fabric of your tank top, “Hey, why are you crying? I’m here…please don’t get upset, Y/N.”

His kindness only amplifies your guilt. 

"I'm so sorry," you stifle in short sobs, your voice almost cracking. "I should've talked to you about the job offer before signing the contract... I-I didn't mean to act so selfishly. I just... I wasn't thinking."

Mark gives you a half-smile as he runs a hand through your hair. "It's okay, baby... You got caught up in your dream. I'm sorry for not realising that. I'm the one being selfish by always expecting you to put me first."

"No—"

He interrupts you to continue his apology. "You were right, you know. I always expect you to wait for me while I'm on tour. I never considered it from the other side, with me waiting for you... But I will. I'll wait because I know how much this job means to you."

Your face buries itself in the crook of his neck as you cry even harder, and he tuts gently while rubbing your back.

"Please don’t cry, Y/N," he murmurs softly. "I hate seeing you upset."

"Can’t help it," you muffle. "I hate that I upset you…"

Mark pulls you away from his neck, needing to look into your eyes as he speaks. "It's normal for couples to argue, baby. We just need to promise to communicate better, okay?"

His fingers stroke your cheeks again, and you lean into his touch. The warmth of his hand feels so comforting as if he was made to soothe your skin, the only person capable of bringing you relief. You bite your lip and nod against his palm, because you're more than willing to work on your communication if it means never feeling like this again.

"Now, give me a smile. You know, the pretty one I like," he says with a laugh. "If I'm not going to see you for the next six months, I don’t want one of our last moments together to be so... sad."

You smile at him and press your forehead against his with a whisper. "Me neither.”

You’re so close to each other that you’re practically sharing the same breath, if you had said that two hours ago you wouldn’t have believed yourself. But here you are, lips so close that your heavy breathing practically begs him to kiss you.

Mark feels it too, so when he does, it's like the softness of his lips is a bandage, mending the angry tension between the two of you. It patches up the last few hours that have transpired, and when he pulls away, it feels as if nothing even happened.

His hands grip your hips firmly, his fingers pressing down as he guides your body to grind against his clothed crotch. His lips find yours again, accompanied by a groan that escapes into your mouth. It's only when you feel him harden beneath you that you remember he was half-naked on the sofa – clearly after you locked him out of the bedroom.

Suddenly feeling suffocated by your own clothes, you pull away from him to strip off your tank top, tossing it over your head before discarding it somewhere in the living room. You yearn to meet his lips again – the only place you truly feel safe – but Mark wants to savour the way you look. Your clothed cunt eagerly grinding against his hard-on, hips chasing a high so eagerly that your bra strap has slid loosely down your arm.

You're a vision, Mark thinks, one that has him salivating and desperate to fuck you. He almost curses at himself for nearly ruining it all, for nearly walking out on the most beautiful person on the planet, the best sex he's ever had – and not only that but also the funniest, sweetest person he knows he'll ever meet.

He leans into your neck, his nose nuzzling into you as he whispers softly, "I'm sorry... so sorry, Y/N." His hand leaves your hips to cup your breast over your bra, massaging the mound with just enough pressure to elicit soft moans from your lips.

“‘s okay,” you whimper. 

Your head falls back as his hand snakes around to unclasp it. He wastes no time brushing his intrusive fingers down your chest, wearing a filthy smirk because he knows just how sensitive you are there. The tip of his finger circles around your nipple until he’s right in the centre, feeling it harden under his touch. He pinches it, and you jolt forward on his cock, making his boxers tighten, and he groans.

He loves how responsive you were to him, watching you writhe over him as he touched you in torturous pleasure. Just the way you arch your back into his touch has pre-cum leaking out of his cock. 

He leans in this time, sucking on your nipple and opening wide to get as much of the tender tissue of your breast in his mouth as possible. He holds your waist in place to keep you grinding on him to entice enough friction for him to feel good too. 

And when he looks down to see where the two of you meet, he moans when he sees the wet patch leaking through your shorts onto his boxers. 

“Fuck, so wet for me, baby. Just for me.”

You whimper, and his hand slips into the hem of your shorts. You’re glad you never wear panties to bed because his fingers find your clit immediately, relieving you of some of the neediness you’ve been feeling from grinding down on him. He rubs small circles as his mouth licks and sucks and nips at your bud. 

“Mark…” 

“Shhh baby,” he coos, “wanna make it up to you. Please let me make it up to you, let me make you feel good.” 

You whimper with a nod of your head, humping into his hand, legs opening wider to give him easier access to the place you’re most sensitive. You let out mild pants, hips bucking more aggressively from the stimulation on both your nipple and clit.

And when Mark notices you getting close, he pulls off your tit to look up at your face. It’s his favourite part — watching your features contort when the bliss is at its highest. It makes his chest swell with pride knowing he’s the one making you cum, knowing his touch is enough to make you shake and moan. And if he wasn’t such a selfish lover, he’d think the sight is something everyone should see at least once.

As you come down from your orgasm, your eyes flutter open to meet him. Mark doesn’t know whether it’s from seeing your orgasm paired with the argument from earlier but he’s the hardest he’s ever been. 

You notice it too, looking down and giggling. “Now it’s my turn to make it up to you.” 

He lets out a soft huff, and a muscle in his jaw twitches with his Adam's apple bobbing in his throat before he nods. You free his cock from his boxers and shimmy yourself out of your shorts. You let out identical gasps when your bare cunt brushes against the tip of his cock. 

Slowly, you sink onto him, fully feeling him inside of you. Your head falls forward, your forehead resting against his shoulder as you take in the size of him, the way he fills you just right — the way he always does. 

The stretch as you take him in never gets old, eliciting the same whimpers and whines. You can feel his hands resting on your hips, then slipping to the bend of your waist, silently urging you to move as he presses you downwards.

You lift your hips, slow and steady as you let the sensations wash over you, drawing a low groan from deep in his chest. His grip on your body tightens as you sink back down, blunt nails digging into your skin. The sounds he makes only drive you further into finding a teasing rhythm because his voice is just so pretty. The sounds are soon muffled to your disappointment when his mouth presses into your skin, so his tongue can slide along the top of your breast — making the disappointment fade away real quick. 

You let out a breathy cry, hands rising from where they’ve been resting, flattening against his chest, to wrap around his shoulders. The slow pace you’d adopted was becoming not enough. And you could tell from the way Mark is rutting his hips up to meet you, he shares the same sentiment. 

Your mouths collide as you pick up the pace, using his shoulders to leverage yourself as you bounce up and down on his cock. When he breaks from the kiss, an unrestrained groan slips past his lips, low and rough, followed by another, and you have to bite back a whimper of your own.

Mark can’t help the noises, he just loves the way you swivel your hips in a way that makes him see stars. He loves watching you work yourself on him for pleasure – he loves when you ride him.

And right when you squeeze around him, he rewards you with a loud, obscene groan, a sound that makes you dizzy and limp. Everything about Mark is intoxicating and downright addicting, and you were in no hurry to kick that addiction. In fact, you craved more of it – needed more. 

You grab his hands and guide them across your body. He squeezes them at your hips, smoothing across your thighs, your stomach. His hands were everywhere, eyes dark and desperate, wordlessly begging for you to give him what he needed, the same thing he’d been kind enough to already give you. 

So you rock yourself forward, providing a new type of friction that makes you whine helplessly into his skin. Blunt nails mark into the plush of your thighs, a futile attempt at grounding himself. The upward thrust of his hips and the strained catch of his breath tells you that he's growing impatient. You know the pace was slow, but damn it, it felt so fucking good to feel him like this, every inch of him sliding into you, hitting all the spots that makes your brain stop working. It also felt like a sick little way to get revenge...

“Faster,” you hear him say. “Please baby, need it faster.”

You could feel his hips bucking up to meet you. Then his thumb finds your clit, working in circles and making you squeeze around him with a shrill, gasping cry. It was his attempt at bargaining with you, doing anything to make you speed up and shamelessly fuck yourself on his cock. Maybe if he pleases you, you’ll let him cum.

“Please fuck me properly baby, need it,” he rasps, “You want me to forgive you right?”

And then you remember what led you here in the first place. You’d upset him and now you’re teasing him – you suppose it’s only fair if you pick up the pace a little more, fuck him messily and desperately enough to have him dizzying towards his climax. 

And once you do, his thrusts grow sloppier, and your thighs start aching. It feels too fucking good so all that you can do is cling to him and let him take the lead, strong hands guiding you as he sucks against your neck. And even though you’re supposed to be the one making him cum, you find yourself buried in the crook of his neck, gasping as your walls clench and nails dig into the skin of his strong back. 

The slight stinging sensation is enough to work Mark over the edge, and you feel him twitch inside of you, sending shock waves up your spine as he fucks his cum inside of you with a final powerful thrust. You roll your hips to help him along, taking all you can get from him and he moans his appreciation as you do. 

You remain tangled up in one another as you come down from your respective highs with foreheads pressed close. You wrestle to find his hand, lacing your fingers with his as he rubs his thumb over your knuckles. He kisses your nose, then your lips, with a tenderness that makes your heart feel like it’s being squeezed. 

You don’t want to move just yet, so you release your hands and wrap them around his neck, nuzzling your nose against his before you speak.

"Mark?" You mumble, your voice tired and hazy. He hums in response.

"I’m sorry," you say softly.

You feel his smile against your mouth before he kisses your lips. "It’s okay, baby. I don’t even remember what we were fighting for."

[nereidprinc3ss]

do you believe me now? | 3

in which spencer reid spends a rainy day teaching inexperienced fem!reader how to touch him. of course, her efforts don't go unrecognized, much less unrewarded

series masterlist

18+ (smut) warnings: inexperienced reader, softdom!spencer, sub reader, oral m receiving, reader swallows lol, a truly sickening amount of praise, like really, you JOKINGLY refer to each other as dirty sluts, r has longish hair, spit mentioned once, thigh riding (moans loudly), its filthy idk what to tell you, i feel like i've crossed the desert on foot i don't even know what else is in here, your honor they're in love, i take you to dinner first, this part is stupidly long a/n: had a fucking field day the three separate times i had to rewrite this el oh el... but think i like how it turned out?! anyway, if u like this PLS lmk bc writing it took a small piece of my soul, and yes there will be a part four!! take care of yourselves!! i love you!!!

You give Spencer half a minute or so before knocking on his door for a second time. 

It’s miserable outside, and though the hallway you’re standing in now isn’t terribly cold, you’d much prefer to be in Spencer’s apartment, where it will be the same toasty 68.5 degrees as always. Not that the heating will magically dry you. And not that you’ll be there for long, if the date you’d scheduled last week goes on as planned. 

You’re getting worried, about to knock for a third time when the locks finally click and the door opens to reveal a disheveled Spencer Reid—not at all looking ready for a date. You take in his ensemble; blue checked pajama pants, FBI Academy crewneck, the usual questionably paired socks. He’s rubbing his droopy eyes, which slowly widen as he notices your attire. 

“Shit, I’m sorry, our date! I mean—you look really nice. I look… like this. Why don’t you come in while I get ready to go?”

He holds the door open a little wider and you step through, relishing in the familiar warmth as you pull your hood down and excess water droplets spatter on the ground. 

“When did you get in?” you ask, hanging your raincoat up on a hook. You know he’d wrapped up a case yesterday evening, but you’d gone to sleep before the team left Cincinnati. 

Spencer pauses in the middle of the room, staring at the antique flooring like he forgot what he was doing. 

“Uh… four hours ago.”

“Wh—four hours? Spencer, you must be exhausted.”

He laughs awkwardly, running a tired hand over his face. 

“I mean… I’ve definitely felt better.”

You kick your soaked shoes off and cross the room until you’re toe to toe with him. Immediately his hands settle on your waist and yours find his arms. His eyes are kind, and he’s clearly pleased by your presence despite his lack of energy. 

“The weather’s terrible, anyway. Let’s just go out another day.”

His features have softened and you can see how tired he truly is—not just in his bleary eyes, but the way his fingers grasp weakly to you, the way his head bows slightly. It seems bone-deep. 

“But I haven’t seen you in a week. I don’t want you to go home.”

Your lips twist. A clap of thunder rolls in the distance and the rain starts coming down even harder against the windowpanes. 

“We could hang out here. We can take a nap!”

Spencer sighs—half resignation, half disappointment. 

“But we made such good plans,” he laments. 

You kiss his cheek. 

“Plans that can be rescheduled. The bookstore will still be there next weekend.”

It takes him a moment to settle into the idea, but you watch the exhaustion win. 

“Okay. But no nap. I want to be awake for you. Coffee?”

You nod enthusiastically, beaming at the prospect of getting to spend the day doing nothing with him. Spencer mirrors your grin, before pressing a kiss to your head.

“You’re so cute.” Heat creeps into your cheeks and you can’t think of a satisfactory reply, but in the end you don’t need to, as he tugs gently on your hands. “C’mon. Tell me what mug you want.”

The kitchen counter bites into your palms as you lean with your back to it, watching Spencer putter all around the kitchen as he works on the coffee. It makes you tired just to watch. 

“Are you sure you don’t want to take a nap? Caffeine isn’t a substitute for sleep, you know.”

“I do know,” he agrees, measuring coffee grounds. “But other than last night, I actually slept fairly well this week.”

“You seem exhausted.”

“I… am tired in lots of ways. Not all of which can be resolved with more sleep.” he admits.

Your heart drops ever so slightly at the way his voice weakens as he looks through the fridge. Sometimes you remember there are still things you don’t know about him—sides you haven’t met. His work side is one of them, and it more than a little intimidates you.

“Bad case?” you ask, voice quiet and crackling with nervous energy. 

Spencer nods, approaching and setting a carton of milk on the counter behind you—caging you in with his arms in the process. It’s hard to find the words when he’s this close, but you manage to stumble through them. 

“Do… do you wanna talk about it?”

Spencer hums, tilting his head before gently saying, “not right now. But thank you for offering, lovely.”

“Okay, well—if you change your mind… if there’s anything I can do to make you feel better…”

Finally he stops with the teasing—the unabashed staring at your lips, the faux-attentive nods—and drops his head to your level to kiss you properly. It’s obviously an attempt to get you to shut up, you’re not dumb enough so as to miss that—but you don’t really care why he’s doing it so long as he does it at all. 

“I feel pretty great right now, actually,” he murmurs against your lips, a hint of a smile coloring his words. “Do you want sugar in yours?”

“Um…”

Your eyes dart helplessly between his as he pulls away and you struggle to un-fluster yourself enough to answer his simple question. Spencer seems to delight in this. The longer it takes you, the bigger his perfect smile gets. 

“You took too long. You’re getting sugar.”

“Are you sure there’s nothing I can do?” you plead later on the couch, for the third or fourth time, setting your mostly-empty mug on the coffee table. 

His eyebrows raise. 

“I’m sure, honey.”

“But I want to help,” you pout, pulling your knees into your chest. Spencer regards you for a moment from the other end of the couch, before beckoning you closer wordlessly. 

“You are helping,” he assures you, gently grabbing your wrist as you crawl into his lap. He rubs soothing circles into the delicate skin with his thumb. “You being here and being you is plenty.”

It’s the closest you’ve been to him since before he left, and while you’ve all but given up on asking him to sleep with you, it doesn’t mean you don’t think about it multiple times per day. It’s especially difficult to keep your thoughts PG when you haven’t seen him in a week, and his hair is all messy, and he’s got his pajamas on, and you’re in his lap, and he’s looking at you like that. 

“What are you thinking about?” Spencer murmurs, likely concerned by your lack of response and the glazed-over look in your eyes. You reanimate, averting your gaze to the spot on your thigh he’s now rubbing absentmindedly. 

“Nothing. I just missed you.”

“I missed you a lot, too.” You don’t even have to look up to know that his brows have twisted into a pleasant sort of bemusement, like you are a particularly complex puzzle—you can hear it as he continues speaking. “I’m still not used to having something external take up so much of my attention while I’m trying to do my job. I’ve never had that before. Not something good, anyway. It’s like every time I leave, I’m thinking about you more than the time before. And I was already thinking about you a lot.”

The corner of your mouth twitches as he rambles. 

“Really?”

“Yeah, really,” he chuckles. “You prove to be incredibly distracting even when you’re hundreds of miles away. Do you know how many nights I almost called you before realizing it was one in the morning?”

A slow smile spreads over your face. 

“Oh? Whatever could you have been calling about at one in the morning?”

You’re teasing him, and it works. He blushes adorably. 

“Um… probably exactly what you’d expect. In hindsight I think it’s best that I refrained.”

“What?” You grin, incredulous, forgetting your shyness and leaning closer. “You totally should’ve. I’ve never had phone sex before. I would’ve done it.”

“No, you wouldn’t!” Spencer laughs. “It would have just been me talking to myself with you on the other line. I don’t think phone sex is really up your alley.”

“Shut up,” you laugh as your lips meet. He smiles into the kiss. Before you get too lost in it, you pull away, leaning back when he tries to follow you. “I think you’re over-complicating it. It’s just dirty talk, right? I can totally do that. It’s just, like… blah blah blah, dirty slut, something something…”

You trail off as he gives you a look. Poker faced—aside from the slightly narrowed eyes sparkling with humor. 

“You want me to refer to you as a dirty slut?”

Maintaining eye contact is an uphill battle—you crack in a matter of seconds, resting your forehead against his and closing your eyes stubbornly. 

“No. For all you know I want to call you a dirty slut.”

It’s ridiculous, but he recognizes the bravado for what it is, still smiling slightly as he rubs your hips. 

“Right. I apologize for assuming. But just for future reference, I don’t want to be called that, and I don’t think I’d be comfortable calling you that, either.”

“But you can call me other stuff,” you remind your boyfriend, pulling back and still not looking at him. 

“Yeah? Like what?”

And just like that, you’re shy again. 

“I don’t know… nice things. I like when you’re nice.”

“I like being nice to you.” It’s so sincere-sounding that you meet his gaze, examining his face. His eyes are clear and soft on you, the only source of warm light on such a grey day, as his hands keep running slow lines over your sides. “Kiss?”

And how could you ever deny him anything? 

As has happened before, the kiss starts out innocent enough. And it’s not that it gets particularly heated, or anything—it’s just that it doesn’t end, and after a few moments your mouth slips open and so does his and that’swhat gets both of you worked up over a period of minutes. Pressure and heat that you’re becoming accustomed to build between your legs, and you don’t even notice that you’ve begun rocking back and forth in his lap until Spencer is attempting to still your hips with patient but assertive hands. 

“Honey, that’s—slow down, sweetheart.”

Finally he gets a grip on you and you realize as soon as you stop moving that there had been friction occurring—and you’re pretty damn sure you know what you were grinding against. 

Your whole body feels hot with arousal and embarrassment. 

“Oh my god—I’m sorry,” you mumble, moving your hands from his shoulders to cover your face. “That was an accident, I—”

“It’s fine,” Spencer assures you, squeezing your waist gently. “I just wanted to make sure you knew what you were doing because I know we haven’t… gotten there, yet.”

A moment passes—your hands fall to the FBI stitching across his chest, studying the letters without really seeing them. You haven’t gotten there yet… but why not? Why haven’t you touched him, or even seen him? You think back to the few times he’s touched you and realize that you had been too busy with either your own insecurities or pleasure to genuinely consider how it might be affecting him. He says your name gently, drawing your attention. 

“You okay?”

You nod haltingly, brow furrowed as you think. 

“I—yeah. I was just realizing that I haven’t, like… touched you, yet.”

It’s silent for another long second, and you glance up, to where he’s studying you with a dissonant kind of relaxed scrutiny—a knowing confidence that probably comes with a lot more experience than you have. 

“Do you want to?”

Woah. 

Usually you have to beg on hands and knees and prepare a slideshow presentation before he agrees to doing anything sexual in nature. He’s never so overtly invited or initiated it before. Not that you’re complaining by any stretch of the imagination.  

You nod shyly, still fiddling with the fabric of his shirt. 

“If you want to, I can show you how. But it’s also absolutely okay if you don’t.”

Show you how? 

Your brain is melting into sludge at the idea. 

“I do,” you admit, meeting his gaze again. It’s kind, and you know he really wouldn’t be upset if you said no—but now that you’ve thought about it, you feel deeply compelled to try. 

“Okay. Come here, first.” You lean forward expectantly, eyes fluttering shut as his hand finds the back of your neck and he pulls you into another soft kiss. By the time your lips separate again, your head is spinning. “We’re just trying something, okay? You’re allowed to stop whenever you feel like it. Really low stakes. Got it?”

You nod, still close enough that your noses brush as you do. 

“Got it.”

He presses one more chaste kiss to your lips before pulling away and leaning back into the couch. 

“Scoot back a little, angel.”

Wordlessly you do so, heart pounding with nervous excitement as he lifts his hips and slides his pajama pants down just enough to where he can comfortably pull himself out, and—

Your breath catches. 

Now, you may be about as virginal as they come, but you weren’t born yesterday. You’ve seen porn, you’ve received unsolicited nudes—it is the 21st century. Yet never before have you thought to yourself; wow, that dick is the pinnacle of beauty. Perfect. Breathtaking. But there’s just no other way to describe him. 

So that’s what hits you first—how unexpectedly pretty it is. 

The size sinks in a quick second later. 

You can’t tell with perfect accuracy how many inches he is, but you’re pretty damn sure he’s big. That’s meant to fit inside of you?

No, no—that’s a consideration for another day. Right now you need to stop staring like an idiot. You glance up at his face, and he’s sporting a cocky little half-smile which lets you know you’ve been caught. Motherfucker he’s so hot. It’s unnerving. 

“Do you have something you’d like to say?” he asks politely, quite obviously containing his amusement. But you can’t summon a sufficiently sarcastic response. 

Your voice comes so soft when you reply, “you’re pretty.”

Spencer melts, eyes impossibly softening. 

“Pretty?” His smile is earnest now. He strokes your cheek and you can’t not lean into his touch. 

“Mhm. I want to, um…” your lips twist to the side as you look back down, finding he’s not gotten less intimidating since you last checked. “But what if I’m bad at it?” you whisper. He chuckles, brushing hair over your shoulder.  

“It’s kind of a hard thing to be bad at. And I’m gonna help you, okay?”

It’s the honesty with which he speaks to you that makes you feel so safe. There are no hidden intentions or words that seem to mean one thing but really mean another. Spencer wants you as a person more than he wants you as a body and that’s been clear since the first time he touched you. You take a deep breath. 

“Okay. What do I do?”

“First, you’re gonna spit in your hand.”

You look up, alarmed. 

“You want me to intentionally get my spit on you? Is that not your worst nightmare?”

“Believe it or not, I’m not super worried about yours,” he teases. “But if you’d prefer, I can spit in your hand.”

“Actually, mine is fine,” you laugh nervously. 

Hesitantly, you do as instructed, even though it seems frankly bizarre. 

“Good. Now just wrap your hand around it, like this.” His voice is quiet, focused as he guides your hand downward. Your heart rate ticks up again as he encourages you to wrap your hand around the base of his cock. He feels much warmer than you’d expected—his skin is silken beneath your touch but he’s undeniably hard and that sort of eliminates any sense of him being fragile from the equation. 

“It’s gonna be less sensitive down here—and then, up here—” he slides your hand back up, covering your thumb with his own and swiping it just below the head of his cock on the underside. He hisses and you look up in fascination. “That’s the most sensitive part.”

Without further instruction, you do it again, keeping your touch light and watching his face for a reaction. His drawn brows twitch, furrowing deeper for a second, and his lips part. A heavy exhalation passes between them and quickly builds into a breathy laugh. 

“What?” you murmur, over-eager to please and very nervous to do something wrong. 

“Nothing. Just feels good, that’s all.”

“Don’t laugh,” you pout. Of course that makes him laugh again, and he leans forward to kiss your head. 

“I’m laughing at myself, angel. I’m a grown man fighting for my life from a handjob that you’ve barely started. I knew it would be different with you but I didn’t realize it would be this different.”

Heat rises in your cheeks and you look away. 

“You don’t have to lie to make me feel better.”

“I’m not lying,” he urges, grabbing your free hand and encouraging you to uncurl your fingers. His thumb traces circles in your open palm, before capturing your entire hand in his. “Do you feel how much softer your hand is than mine?”

You frown, attempting to feel whatever it is that he’s pointing out. Despite the fact that you think he has very nice hands, you realize he’s right. By no means would you say that they’re rough, but you can tell where his gun normally sits in his hands, where his fountain pen rubs against his fingers. “Yeah.”

“Yeah. Anything you do is going to be perfect because it’s you.”

Spencer drops his hand to your leg, rubbing it soothingly. The other moves to cover yours—the one wrapped around him. 

“You’re gonna help me, right?” you ask quietly. Some adventurous part of you is very excited about this as an experiment—fascinated by the reactions you’ve already gotten from him and eager to push it. 

“I am. Little bit tighter, honey. I’ll tell you if it’s too much.”

You do as you’re told, and he’s murmuring more praise—slowly encouraging you to begin moving your hand with his own. A shaky exhale catches your attention, drawing your gaze to his face. His eyes are, of course, cast downward, but his expression is hypnotizing. Those lips remain slightly parted, and suddenly you wonder if he makes noises like you do. In that moment it becomes your life’s mission to find out. 

For a while you continue letting his hand guide your movements, but he keeps things so slow for your sake that you’re getting impatient. You forgo his direction, picking up the pace but trying to keep the rhythm he’d instilled in the motion. His hand slackens around yours. 

“Fuck,” he hisses to himself. The hand on your thigh rubs achingly deeper into the flesh. “Angel, what are you doing?”

“I want it to feel good.” Suddenly shy again, you slow down. His hips stutter, which you think may be a sign that it was working. “Am I—was that bad?” Spencer looses a breath, looking almost… frustrated?

“No, I’m just—I’m weirdly close to coming.”

“That’s a good thing, right?”

“Well,” he mutters, “not usually. Mostly it’s embarrassing.”

You giggle, a release of some tension, and begin pumping your hand again. His breath hitches and he finally looks up at you, meeting your eyes with his own lust-glazed ones. Heat pools deep between your legs. 

“I want you to come,” you admit quietly as you twist your wrist, brushing that spot underneath the head of his cock again. His jaw literally drops, and a look that is part confusion, part pleasure, twists his features. You see the surprise sparkling in his eyes and it only spurs you to keep talking. “I’ve never seen how you look when you do, but I’ve imagined it. I bet you look so pretty when you come, Spencer. ‘Nd then I would know that I can make you feel good, too.”

“You… you are making me feel good,” he assures you. The way his brow furrows and his  lips are parted give you a feeling that’s entirely new. Normally, you’re the one falling apart under his touch—but when it’s the other way around there’s a whole new kind of pleasure in it for you. You feel kind of powerful. Maybe even close to confident. 

“Really? I’m not this quiet when you touch me.”

“I’ve ha—ah—had more practice not making noise.”

“But why?” you implore, ignoring the fact that he’s slept with other women and enjoyed the sounds they made, and opting to brush your thumb across that extra sensitive part he definitely shouldn’t have told you about. His hips buck up and he hisses, which is immensely gratifying to you. 

“Because I like to listen.”

“What if I do, too?”

In a moment of divine inspiration , you cover the tip of his cock with your hand, swirling beads of pre-come over your palm. Spencer moans and his hips jut up into your grip. It’s a beautiful sound, just as you’d hoped. 

“Jesus, fuck.”

You understand why he seems to enjoy touching you so much. It’s so rewarding to watch as his breathing picks up and pleasure contorts his face—to watch him get messier and messier and lose his composure a bit more with each stroke of your hand. It’s so simple but Spencer looks at you like you’re exercising some arcane deviant power over him and he’s not sure he should be enjoying it as much as he is. 

Distantly you think about how it felt when he had his hands on you—and then, in clearer focus, how it felt when he went down on you. Both were perfect, but something about his lips so gentle on the most intimate, vulnerable part of you had felt like ascension. Maybe it was the emotional component, or maybe it just felt fucking good. Regardless, it seems an irresistible thought. 

You keep stroking him until his head is lolling on the back of the couch as he groans.

“Spencer?”

“Yeah, baby?”

He sounds so destroyed it makes you clench around nothing. Without any indication that you’re going to do so, you stop touching him, and the speed with which he lifts his head again is almost comical. Immediately, while he’s utterly defenseless and desperate, you ask, “can I use my mouth?” 

His eyes widen, and then shut, as he processes your request with a tiny shake of his head—probably trying to clear the haze of pleasure from his mind before he answers. 

“Honey,” he rasps eventually, opening his eyes and smoothing a hand over your hair, “you don’t have to do that just because I do. That’s not why I do it.”

“But I want to,” you murmur, shy and mildly embarrassed by what feels almost like a soft rejection. “I don’t think I could do anything, like, mind-blowing, but… I want to try.”

Your face is hot by the end of the sentence, and you can’t meet Spencer’s eyes as his fingers twitch over your hip. A quiet moment passes—but it’s short-lived.

“Okay. Go ahead, baby.”

Wide eyes dart up to his. 

“Really?”

Spencer smiles fondly, brushing an invisible speck from your cheek. 

“I don’t think I’m capable of turning that offer down. Not when it’s you.”

“Okay—um, should I just—” Spencer watches on, finding your sudden enthusiasm completely adorable as you scoot off of his lap and gingerly kneel in front of him. Your eyes are big and glassy as you look up at him, hands set politely on his knees. You squint suspiciously, eyes darting between his face and his cock, now about as hard as it’s ever been due to your toying. He knows it’s probably intimidating for a girl who has never seen one in real life, and he feels kind of bad about it. You do terrible, wonderful things to him that he doesn’t understand. “Wow. So... it looks bigger from down here.”

“Please don’t try to choke yourself,” he instructs hurriedly, leaning forward slightly. “I really don’t need you to do that. It’s fine if you can’t fit it all, I just—” he exhales shakily. Spencer is most definitely strong-willed but he can’t pretend like the sight of you on your knees for him, inches from his aching cock for the first time isn’t impacting his cognition. Most importantly he doesn’t want to make you feel pressured. He’s trying to not let how badly he wants this show in case you change your mind. 

Spencer watches as you psych yourself out—wilting like a thirsty flower. 

“But what if I’m bad at this?” you mumble, hands curling into loose fists atop his legs. Spencer pushes your hair back, tucking it behind your ears. 

“What’s your worst case scenario?” he asks. Your answer is immediate. 

“That I’m so bad you make me stop halfway through.”

Spencer can’t help but laugh again. 

“I’m sorry—I just… honey, you are really underestimating how profound your effect is on me. I just almost came from a minute long handjob. I can assure you that I won’t make you stop halfway through because I’d rather not have your mouth on me. That is… that’s just not going to happen.”

You lean your cheek against his thigh. He might actually pass away. 

“Will you tell me if I’m doing something wrong?”

“Honestly, as long as you don’t bite, you’re in the clear.”

Your eyes squeeze shut and your lips pull into an embarrassed little smile. 

“Great. Thank you for that invaluable advice.”

“Of course,” he smiles. It fades slowly as you take a deep breath and look up at him, obviously steeling yourself, before leaning forward and taking him in your hand again. He watches with bated breath, repeating no sudden movements to himself over and over as your hand moves up and down a few more times and your head lowers. 

You delicately, so lightly trace your tongue from the base of his swollen cock to just underneath the leaking tip, mapping a vein, and his hips buck as you take him into your mouth experimentally. Only the first few inches fit but the sight of your lips wrapped around him, the way you’re looking at him is so unbelievably erotic Spencer knows he won’t last very long.

From a purely technical perspective—he knows he’s gotten objectively better head. Still, something about the way you’re so delicate with him, so soft and timid in the way you lick and kiss and take him into your mouth has him fighting not to come already. Maybe it’s wrong, but knowing that he’s watching you do this for the first time in your life is obscenely arousing. The idea that you’ve never trusted another person this much; that you’re letting him be the one to help you navigate something as new and as important as sexuality. The more he thinks about it, though, the more he realizes: it’s not your inexperience that turns him on. It’s just you. Everything you do is so undeniably you—he recognizes your mannerisms in every tiny motion, in every glance, and it’s killing him. You’re like a dream as you look up at him with big nervous eyes, (no, really, he has had this dream) and he remembers he wants to be reassuring you—not pondering life and human connection. 

“Look at you,” he murmurs, groaning and hips twitching as your cheeks hollow, wrapping his achingly hard cock in soft gentle warmth so sweetly it feels taboo. “So good, baby. So gorgeous like this.”

You whine around him, receptive as always to his obsequious praise, and he notices the way your hips wiggle as you seek friction. God, you must like this a lot. Spencer gathers your hair into a makeshift ponytail, resting his hand on your head as you begin to bob it. That, he wasn’t prepared for. He’d have been satisfied with just kitten-licks and suckling but he won’t complain about this. It’s slow, and so intentional as you keep watching him for feedback cues. Ever his observant girl, you’re constantly paying attention. Aware of his reactions. He needs to keep telling you you’re good or else you’ll assume you’re terrible. 

“Over-achiever,” he whispers through a little smile as you down even more of him. 

Spencer is for the most part a kind and gentle person. For better or worse he is also a man, and he can’t help but fantasize about getting you all teary and drooly as he holds your mouth open and sees how much of his cock he can push down your throat. But again—kind. Gentle. So when you get a little over-zealous, attempting to sacrifice your comfort for his pleasure, he pulls your head back slightly. “That’s far enough, angel. That’s—fuck. God, you’re good at this.” The words are thoughtless, muttered to himself more than you as he watches through a haze while you look up at him with glassy, half-lidded eyes, slipping him in and out of your warm mouth, a little faster now as you gain confidence. 

You whine desperately around him, like you’re the one nearing orgasm and not him. The sound of your pleasure as you suck his cock makes him dizzy. His hips buck, pressing him a little deeper into your mouth. “Jesus fucking Christ,” he exhales. “Slow down, baby. I’m—” a louder moan from him like you’ve never heard as he thrusts shallowly turns you on profoundly. He’s so much more vocal than you’d have imagined—sonically and verbally. He breathes out a quick, “fuck, fuck, fuck,” pulling your hair slightly, and you’ve never wanted to touch yourself more but you know you can’t focus on both. Instead you work on making him come—you can worry about you later. He says your name, with an authoritative edge to his tone that makes you throb. “Honey, if you don’t stop, I’m gonna come—”

You swirl your tongue around the top of him like candy and he’s done for. Spencer tries to pull out, which only results in cum both in your mouth and on your face. The orgasm is his strongest in recent memory, and he grunts, watching your lips part and a little squeak escape as he comes all over your face—but you keep stroking him all the while. Once he’s 90% sure it’s over, he falls against the back of the couch, breathing heavily and looking down at you through hazy eyes. Oh, he’s going to feel terrible about this in a few seconds—but right now you look fucking perfect. Your eyes are wide, nervous as his essence drips over your face and down your neck—he groans when you swallow cautiously, averting his eyes to the ceiling lest he do another thing he regrets. 

“Baby, I am so sorry,” he mutters, forcibly clearing the haze of orgasm from his mind and sitting up, fixing his pants and looking around before locating the box of tissues on the side table. “I’m so, so sorry. I shouldn’t have done that.” You look up at him attentively as he wipes himself from your face as gently as he can. 

“Why not?”

“Because I didn’t ask you first. I wasn’t thinking clearly.”

Spencer guides your head around by your chin, wiping your jaw and lips. 

“It’s okay, Spence, I—”

“No, it’s not,” he cuts you off, trying to at least turn his guilt into a learning experience for you. He’s not deluded enough to think someone like you will stay with someone like him forever, because sometimes he does things like that, and he’s reminded that there are certainly people out there more deserving of you. At the very least he can clarify that nobody should ever do what he just did to you. “It’s really not nice to do that to someone.”

“Do you care what I think at all?”

Spencer freezes, finally forcing himself to look you in the eye. Despite the fact that he’s mad at himself, he’s sure it’s coming across as being directed at you. And he knows you’re sensitive, especially about this kind of thing. 

“Of course, I do, baby. I’m sorry. Do you want to come back up here with me and tell me what you’re thinking?” he murmurs, cupping your jaw. Hesitantly you nod. The tissues end up on the table—which he will be thoroughlywiping down later—before you crawl back into his lap from the floor. Spencer helps you settle against him, hoping he hasn’t messed this up irreversibly. He keeps his voice quiet as he rubs your leg. “What were you going to say?”

“I was going to say,” you begin, “that it’s fine, because you’ll remember to ask next time. And because… I kind of liked it. I like when—when you do stuff like that.”

It’s a miracle he can hear you with the way your voice drops into an almost-whisper and you’re hiding against his shirt. 

“Like what?” he murmurs. Although he’s not sure he’ll be able to handle the answer. 

“Like… I don’t know. Like you can do whatever you want to me. Like I’m literally yours.” Each word makes you cringe further, but Spencer has to try hard to maintain a cool facade as he processes this. If he’s going to try and be chivalrous, you’ll have to move away from this topic—this revelation—immediately. Thankfully, you seem eager to move on. “So… how did I do?”

He almost laughs. It seems exceedingly obvious how you did, but as per usual, you require verbal reassurance. 

“That was really good, baby. You did well.”

You blossom. 

“Really?”

“I wouldn’t lie.”

“Was I the best girl out of all of the other girls?” 

I wasn’t in love with any of the other girls. 

Just barely, he manages to stop himself from saying it, pinwheeling his arms on the edge of a very steep verbal cliff. The realization that he’s been in love with you for a while hits him like a truck. But he can’t tell you that right now. He should wait until you’re less vulnerable.

Fuck. 

He really wants to tell you right now. 

“Actually—don’t answer that,” you decide, while all of this happens in his head in less than a few seconds. “I want to go back to pretending I’m the only girl you’ve ever seen in your life.”

“You’re the only one that matters,” he offers, relieved to express at least some portion of the much bigger truth. Then he frowns. “Not that the other women I’ve met don’t lead important lives. I actually know a lot of incredibly influential and intelligent people who are women. I have deep respect for all of them. Am I helping or making it worse?” he rambles. You giggle. He has his answer. “What about you? How do you feel?” he asks after a moment, tenderly, lowly, stroking your hair as you lean against his chest. 

It takes you a moment to deliberate, fiddling with the fabric of his shirt. 

“I feel good. I, um… liked it a lot more than I would have thought.”

“Well, that’s good. Much better than if you had hated every second of it.”

You hum in agreement, and he waits for you to say whatever you’re holding back. It comes sooner than he’d have anticipated. 

“I feel bad about the times before. How did you just… go to sleep after? Were you not, like—insanely turned on? Not that I’m, like, irresistibly sexy, or whatever—you know what I mean.”

Spencer smiles because he knows you can’t see him. 

“I wasn’t doing it to pressure you into feeling obligated to reciprocate, I guess. My line of reasoning was that it would be less intimidating if I didn’t even present it as an option until you wanted to try.”

“Oh.”

Spencer thinks he sees where this is going. 

“Why?” he asks, leaning back and encouraging you to look at him. “Are you insanely turned on?”

“Wh—that’s—I didn’t say that!”

Spencer can feel how warm your cheeks are as he presses his lips to the side of your face. 

“You can tell me if you are,” he murmurs, all smiley as he moves to kiss your lips. “If you want something, you need to ask for it. I’m not a mind reader.”

“Yes you are,” you grumble. “That’s literally what behavioral analysis is.”

Not quite true, but surprisingly, he doesn’t feel the need to explain to you the semantics of what he does for work right now. 

“What got you all excited?”

“You know what,” you mumble, trying to look away again. Spencer doesn’t allow it this time, gently grabbing your jaw. 

“Yes, I do. But I want you to tell me. If you want me to make you feel good, this is how you’re going to convince me that you deserve it.”

You whine wordlessly, looking at him with those big, lust-glazed eyes.

“You wanted me to teach you how to use your words, right? This is it. I’m giving you an opportunity. If you don’t want to, that’s okay. Maybe we can take a nap, like you said earlier.”

“No! I liked—um, I liked all of it. I didn’t know if I would, because I was really nervous. But when I first—you know—and you got all quiet… it was like you couldn’t even talk for a minute. I was kind of proud of that. Because normally nobody can ever get you to stop talking.” Spencer narrows his eyes incredulously, a small smile tugging at his lips. But he doesn’t interrupt—not when it seems you’re finally starting to get more confident in your words. “And I really liked the noises you made. I think that was my favorite part. I liked when you pulled my hair back, and how you spoke to me. And when… when you got me messy and I had to swallow it. I really liked how it felt because I couldn’t think of anything else, just making you feel good. I really wanted to… make you proud, I guess. Is that weird?”

Spencer shakes his head no, a fond smile on his face when your eyes meet his again. 

“No. It’s a pretty normal thing to feel when you’re nervous and wanting to impress someone you care about. And I would have been proud no matter what, for the record. You were being very brave.”

You pull your bottom lip between your teeth, watching him expectantly. Spencer should have known you’re too needy to truly absorb anything he says to you right now. Which is actually pretty cute. Everything you do is endearing to him. 

“Stand up.”

You frown. 

“But—”

“Just stand up,” he demands calmly, preferring to think of himself as firm and not bossy. 

You do, looking rather annoyed and confused as you plant yourself in front of him. 

“Why?”

“You are so full of questions.” His hands slip up the side of your legs, under your skirt, and hook in the waistband of your underwear. Spencer looks up at you meaningfully and you nod, swallowing. 

As he pulls down, Spencer can literally feel the resistance of the fabric clinging to your soaked core. Under his touch the skin of your thighs is warm and soft. He wants to feel it on either side of his face, he wants to hear you whine as his stubble rubs against it, he wants to feel it clamp around his wrist, he wants it between his teeth and he definitely wants it pressing against his hips as he—

But no. 

There will be time for all of those things—especially the last one—later. For now, he’ll reach between your legs just to see—

“Oh, my god,” Spencer half-chuckles, half-groans, upon feeling how wet you truly are for him. He drags his knuckles from your dripping entrance up over your clit, pinching very lightly and earning a squeak from you which he ignores. “You really did like having your mouth full of me, huh?”

“I told you,” you breathe, visibly relaxing some as he continues to play with you for a moment. Then he pulls his hand away again, patting his thigh. 

“Sit.”

“You want me to…”

“Yes,” he says, simply. 

“But is it not going to… am I not going to mess up your pants?”

“You are even more neurotic about messiness than I am. I can wash them, honey. Come here.”

Spencer guides your hips over his thigh, watching your pretty face twist with uncertainty as you fully settle on him. Fuck, he can feel your warmth through the fabric instantly. Already he’s getting hard again. 

“What am I supposed to do?” you whisper, bunching his shirt in your fists. Spencer slides your skirt up higher, revealing the way you’re nestled against his thigh. He spreads you a little further apart, exposing more of your clit to the material underneath you. Immediately you press against him—he watches the delicate flesh rubbing gingerly against him and  his grip tightens ever so slightly. 

“All you have to do is rock back and forth. It’s easy.”

Already you’re starting to do it—but he guesses it’s like earlier where you don’t even realize it’s happening. 

“But… I wanted your mouth,” you admit, quietly, slinging your arms around his neck and burying your face there. 

“Do this for me first. Just get yourself off like this one time and then you can have my mouth. You said you wanted to help me feel better because I’m tired today, right?

“Yes,” you mumble, squirming over him. 

“Well, there are a lot of days when I get back home and I’m tired. I’m gonna need you to be able to get on top of me, just like this, and make me feel better. And I know you don’t know what it feels like to have something that deep inside of you yet, but it’s gonna be a lot. Even once you know how it feels to have me inside when you’re underneath me. I need you to practice for me right now so you’ll be ready, okay?”

You could come from the words alone. You nod, dazed with need as you roll your hips in a circle, pressing his thigh against your clit. 

“Back and forth, baby,” he murmurs, guiding your hips forward with his hands locked around them. “Back and forth, just like this…”

You moan quietly, shamelessly, eyes fluttering as you look down and watch your clit dragging over the darkening fabric. It’s easier if you isolate your hips, grinding down without moving your legs or upper body at all. 

“It feels really good,” you whisper under your quickening breath. 

“Yeah? Does it?”

“Mhm.”

“Good, angel. You look like you know what you’re doing.”

It’s audible now, quiet and wet and dirty. 

“I don’t,” you breathe. He sucks in a breath of his own, stilling your hips with fingers pressed deep into your flesh. 

“Sit up, baby.” You really wish he would stop making you stop, but you don’t want to keep going in case he needs you to quit—so you rise slowly, thighs trembling as you kneel. Spencer groans at the strings of your arousal momentarily connecting your core to his pants before they snap, getting your inner thighs wet. There’s a dark, very wet patch over his thigh, shining like glass. He thumbs over your slick clit absentmindedly as he looks up at you like you’re a miracle. “You’re fucking soaked. I’ve never seen you like this. Is this all from making me come?”

You nod feverishly, hips grinding against nothing in search of friction. He sits you back down on his leg, allowing you to sloppily find your rhythm again. Spencer bounces his leg lightly and you cry out softly, buckling forward. His arms wrap around you, still pressing you down against his thigh as you rut against it. 

“You’re sweet. Maybe I should have known how much you’d like it when I came all over your pretty face. You really like hearing that you did a good job, huh? I bet you like it even more when I prove it to you.”

You moan a “yeah,” barely processing his words. 

“My good girl even swallowed on her first try. Took it so well. And now look at how you’re taking this. You’re gonna love riding, baby. Just going to be another thing you’re good at as soon as you try it.”

“Spencer,” you gasp, overwhelmed by the praise. He’s bouncing his leg at regular intervals and everything is so sensitive.

“I know it’s harder to finish this way, but just one time, remember? And then you can have my tongue for as long as you want. You are my only plan for the day. Just give me one like this.”

But it’s not really harder to finish this way. Then again, you’re so turned on you could probably finish if a breeze hit you just right. Regardless, the thought of him going down on you again pushes you even closer to the edge.

You don’t know how much time goes by like that, you rubbing against him like it’s the last thing you’ll ever do, him pressing up into you until the pressure is so taut it snaps. There’s no time to warn him, but you suppose you don’t really need to. You writhe against him, caught between wanting to keep going and not being able to take more stimulation. He lifts you up just slightly, trying to separate you from his leg. You exhale deeply as your body relaxes, already close to dozing off against his chest.

“We can’t have you tapping out just yet. I still have to fulfill my end of the deal.”

In the end, he fulfills it three times over, and you end up showing your appreciation in kind one more time—much slower and more comfortably in his bed. He gives you plenty of time to learn what he likes, taking your teasing and coquettish explorations like a champ and never so much as tightening his grip in your hair. Turns out, you don't exactly spend the day doing nothing.

And you do end up taking that nap after all. Just... much, much later. And with less clothing on.

-

part 3.5