#why did i choose this major again?

[high-guardian-herbs]

Hmmm, I've done some research and some asking around for this au, and I'm trying to challenge my art too, but unfortunately exams are once again knocking on my doors begging to be let in or else

What does that mean? It means I'll continue as I have and mostly focus on the story line of the au rather than the art and composition and paneling and all

(Btw small question is anyone willing to talk about their theories about high guardian spice? Or what they would do differently if they had the power to? Cause it's seems I may need some help)

[bellarichie]

people think law school is about learning regulamentations when in reality it's really just a bunch of folks who didn't have a dream job in mind complaining about having too many texts to read

[savage-rhi]

Magenta 🤬

[bunnyboy-juice]

):

[metropolisblue]

so i was trying to study but suddenly got possessed by an asry demon and didn't know what to do. here's go a hello kitty note page with ryuu-tan being given a big MUAH (as he deserves) 💋💞💞

[lonely-night]

lecturer: your presentation needs to be more enthusiastic

me: (not particularly like the notion of pitching media marketing idea to a company and was already to struggle with the assignment because of hating anything related to advertising) sure!

[the-potato-beeper]

>:(

[isitovernow-ootw]

.

[pomefioredove]

a private meeting

summary: yuu makes a list of the top five cutest third years. the following conversation type of post: short fic characters: cater, trey, leona, rook, vil, idia mentioned, lilia, malleus additional info: romantic?? platonic?? idk, reader is gender neutral, reader is yuu, this is more for character interactions. and fun

"I'm sure you're all well aware of why we're here,"

The eight gentleman standing around the dark, candlelit room look between each other.

Leona yawns.

"How long is this gonna take, exactly? I was dragged outta bed for this,"

Vil glares. "Hush. I wanted to deal with this matter in the quietest manner possible, without disturbing the prefect. Sevens know what happens when your egos go unchecked,"

"Look who's talking,"

Another glare, but Vil chooses not to waste any more time.

"Two nights ago, the prefect hosted a slumber party for Ace Trappola, Deuce Spade, Jack Howl, and our own Epel Felmier,"

"I remember that," Lilia says, rubbing his chin. "Sebek was invited, but refused in case someone attacked Malleus whilst he was away."

Malleus shakes his head.

"During this event, the prefect created a list of the top five "cutest third years", as we all know. And, to avoid any childish squabbling, I've gathered you all here to open it as an ensemble. Rook?"

A slim, folded sheet of notebook paper appears from the dark of Rook Hunt's pocket. He holds it up, as if presenting it to the heavens.

"Where did you even find that?" Trey asks, adjusting his glasses.

"Facile! It was buried under a stack of homework assignments in our dearest Trickster's bedroom," the blond says merrily.

"Logistically speaking, that's almost too easy. Are we sure it isn't a fake?" Ortho pipes up.

"Ortho?" Vil asks. "What are you doing here?"

The boy giggles in an electronic chime. "Idia is hiding under his covers and won't come out, so I'm here in his place!"

"...Alright,"

"I don't know what he's so nervous for," Vil goes on. "When I am already guaranteed to be in the first place slot."

Leona scoffs, kicking back with his feet on the table. Vil glares again.

"How rude,"

"He's not wrong. You are the most beautiful here..." a smile creeps up Lilia's face. "But, as I recall, you said cutest third years, not most beautiful. And if anyone is the cutest, it's me."

"Oh, spare me," Leona sighs. "Let's just get this over with. Open the damn thing."

"You're not the least bit curious, Leona?" the fae asks, batting his large eyes.

"Don't patronize me. And no, I'm not. I couldn't care less,"

Lilia smirks, but says nothing more on the matter.

He turns to his tablemate. "And what say you, Malleus?"

Every person in the room falls silent, and then turn to the prince sitting at the furthest corner of the table with his hands folded in front of him.

He hasn't shared a single thought all evening.

"...The contents of this list make no difference to me," he finally speaks. "My feelings towards the prefect will be unaffected."

Rook sets a hand over his heart. "Quelle beauté! I am moved! Not even the strongest of winds could make your friendship bow,"

Leona groans as if he's in agonizing pain.

"Open it!"

"Okay, hold on. Isn't this like, a major privacy violation?" Cater says. He doesn't sound eager to see the results, either.

"I would hate for someone to read my private thoughts to a room full of people."

"He may have a point. This was a list made between friends at a slumber party. Taking it out of that context could be disastrous," Trey agrees.

"There's a 96% chance this will end in conflict!" Ortho chimes in, merry as ever. Leona sighs.

"Can I just leave?"

"No," Vil snaps. "Rook, open it."

"Rook, don't,"

"Rook!"

The poor man observes the conflict slowly unraveling before him, and he sets the folded sheet of paper on the table.

"Now, now, do not squabble! Let this be a chance to celebrate our bonds with the lovely prefect!"

"I agree with Rook," Lilia smiles big. "We should all agree that no matter what is on that list, we'll leave it after tonight and move on."

Vil sighs. "Yes, yes. You're all right. We can't let what they wrote at a private slumber party affect our relationships with them,"

"No matter what, we leave them out of this. Agreed?"

Everyone in the room nods.

"Alright. Rook, read it,"

Rook reaches behind him, the anticipation building, and... is met with a cool wooden surface.

The note seems to have disappeared into thin air.

Before anyone can express their obvious confusion, an evil cackling pulls their attention to the doorway.

Vil gasps.

"Grim! Put that down!"

The small direbeast, now holding a crumpled piece of paper in his paw, smiles wickedly.

And then, to everyone's horror, he eats it whole.

Leona is the first to react, storming over and lifting Grim by the scruff of his neck. "Seriously?!"

"Fufufu. Looks like someone cared, after all," Lilia chuckles. Vil rolls his eyes.

"Hey! Not my fault you guys were so loud! You woke me up from my nap over a stupid list!" Grim says, crossing his arms.

A brief silence follows, and then a sigh. Leona drops him and he lands on his feet.

"Perhaps Grim is right," Ortho says. "Instead of worrying about the numerical grade the prefect assigns you, you should focus on the unique and special aspects of your individual relationships!"

"How eloquent!" Rook coos. "Oui, you are right! Sometimes it is best to let secrets remain secrets."

"Something about the way he says that tells me he already knows what it said," Leona grumbles.

"Ohoho. A fascinating mystery, non? Did I sneak a peek before tonight, or am I just as clueless as you?"

The prince rolls his eyes.

Vil sighs. "Ortho is right. Now I feel ridiculous for getting so worked up over what amounts to a joke at a slumber party,"

Everyone grows quiet, seemingly reflecting on themselves for the duration of the brief silence.

Lilia's giggles change the melancholic mood of the room.

"Perhaps Malleus had the right idea all along. It doesn't matter who the prefect thinks is more attractive; they're still a wonderful friend. How wise- I'm very proud,"

Malleus beams.

"Yeah yeah," Grim grumbles, turning to the door. "I didja a favor, anyway. None of you weirdos were number one."

He leaves, and he takes the peace and reflection with him.

Slowly, everyone turns to each other.

[dawnslight-aegis]

and that's a wrap on my tarot series! the upright majors, at least. there may be others sometime in the future if I am seized by a combination of insanity and hyperfixation once again.

you might notice a few cards are a bit (or in the case of the fool and alternate chariot, a lot) different! I did a few retakes for consistency/style.

below the read more I've included a bunch of notes about symbolism and reasoning behind my choices if that interests you!

(tag for individual card posts)

0. The Fool: Ardbert was really the only choice for this one. He's our stand-in, our shard, our mirror. Feo Ul is included partially because of lore (they are my co-WoL's shard on the First) and also because they also fit the themes of adventure and new beginnings and exploration. Most of the cards I played pretty loose on the posing vs traditional depictions, but this one I wanted to hew a little closer, which is why he's on a cliff with a foot hanging over the edge a bit, with his axe standing in for the bindle. This is my second attempt at the card -- the first was in Il Mheg, but I moved it to Kholusia (Ardbert's home) and dawn to more closely symbolize that it's the beginning of something. Attempts: 2. Difficulty: 8/10, posing Feo Ul was annoying.

1. The Magician: This card could have had several subjects, chief among them Alphinaud or a more modern G'raha, but I settled on Alisaie a) because the other two cards I had in mind for her (Chariot and Justice) were already taken, and b) the card's focus on physical magic and depicting the "tools of the trade" reminded me a lot of Angelo's creation! So that's why she's here, and why I set the card in Matoya's Relict, among the tools of magicians who came before (Matoya, Y'shtola). I retook the shot because I was unsatisfied with the blurriness/the way the light covered her face in the first one. Attempts: 2. Difficulty: 5/10, simple pose but working with Impact's spell effect complicated things.

2. The High Priestess: Another that I never questioned who would appear on it. Y'shtola's arc is entirely about uncovering forbidden, secret knowledge and wisdom, so she fits beautifully. The blue-white orb and the purple staff depict duality between dark and light, and how Y'shtola walks in two worlds, seeing things that are beyond sight, standing before an altar/holy place to the Night's Blessed. Attempts: 1. Difficulty: 2/10. Premade pose, knew where I wanted to place her -- the only thing was finding a prop for her off hand.

3. The Empress: Hoo boy did Minfi give me some trouble. I knew that I wanted our Antecedent, who provides both authority and care for the Scions, to represent the Empress, but I struggled to find a depiction that wasn't, well, boring. Minfilia is deeply linked with the Solar, and I didn't want to lean too hard into Word of the Mother/Hydaelyn territory, so I settled on a triple goddess-like idea. Attempts: 3. Difficulty: 6/10. Not mechanically difficult, just conceptually.

4. The Emperor: Another one that I knew who I wanted but struggled with the concept. Haurchefant is very much emblematic of the stability, structure, and masculinity provided by the Emperor, but it wasn't until I decided to add his equally-Emperor-coded father that things settled into place. Together, Edmont and Haurchefant evoke the image of father and son as well as king and knight, filling both major male authority roles that the Emperor exemplifies. Attempts: 4. Difficulty: 6/10. Same as the Empress.

5. The Hierophant: this one was one of the hardest to choose a subject for -- the WoL's allies are largely a bunch of revolutionary firebrands, and I disagree HEAVILY with the popular choice of placing Aymeric here. So I landed on Alphinaud -- out of the Scions, he is the one most concerned with tradition and the "right" way to do things, with formal education and structure. He wants to bring Sharlayan into the modern day, not upend the institutions that raised him and that he very much still respects, much like how he still respects his very traditionally Hierophant-coded father. So I placed him in his family home with a sort of smug look since he can be a pretentious little shit sometimes (affectionate). The spell effect is from Kardia, and I paid special attention to having the shapes align perfectly with the lines in the background, to give a sense of stability and order to the shot, especially contrasted with Alisaie's more dynamic and chaotic depiction. Attempts: 1. Difficulty: 4/10, entirely in alignment.

6. The Lovers: Hrasevelgr and Saint Shiva are a great choice for depicting the Lovers as two people, but no one does the Lovers in one subject better than Ysayle. Invoking the spirit of a woman who died for love in order to bring harmony to her people, but it truly being her own power and her own choice the whole time... it's great. Her pose is her transformation/summoning pose, turned into a gesture of affection, which I was particularly proud of. Attempts: 1. Difficulty: 3/10, posing monsters is always a little funky.

7. The Chariot: This one has two options -- my co-WoL, Marz, and Tataru/Cid/Nero for the NPC variant. All 4 characters share a singular drive and refusal to let anything stop them once they've set their mind to something, and the 3 NPCs have the added benefit of being associated with a literal "chariot" in the form of airship design. Marz's place on Shadowkeeper has some lore associations (Cylva is her shard on the 13th) as well as being a void mirror to Kaede's sin eater shot. For both I wanted to have dynamic poses to evoke the activity of the card. Attempts: 1 (Marz), 2 (NPCs). Difficulty: 3/10 for both, no major hurdles once the lovely @/karoiseka pointed me at an airship in NG+.

8. Justice: The heart of the Justice card is its emphasis on truth, and no character in FFXIV is more committed to truth even in the face of great suffering than Aymeric de Borel. Because of this, the shot is taken at the top of the Vault, where he confronted his father over his concealment of the truth of the Dragonsong War. The card is usually depicted with a woman holding a sword and balanced scales -- Aymeric is holding his sword in a pose used in statues in the Pillars, and the symmetry of the shot/light and shadow split down the middle is meant to give the feeling of balance. Attempts: 1. Difficulty: 1/10. I knew my concept, location, and shader before I even went in, and it came out exactly like I wanted.

9. The Hermit: Originally I had Urianger for this card, who still fits well, but when I moved him to Wheel of Fortune, there was a clear second choice: The Exarch. He even resembles the Hermit, with his cloak and staff, holding himself in isolation and possessing secret knowledge with which he guides the party. G'raha has grown out of this role as of Endwalker, but the Exarch fits it to a tee. I wanted to show his longing to return through his body language and reaching out for the portal that shows him the world he is set apart from. Attempts: 2. Difficulty: 4/10. Nothing major but did have to do two entirely separate cards lmao.

10. The Wheel of Fortune: The one I struggled with the most, conceptually. At first I had a more abstract choice, with the 3 starting city state leaders and Tataru, in a sort of "fate leads to the Scions" idea. But then I remembered that Urianger is a fortune teller who uses a wheel-like weapon with a literal wheel of cards, and, well. Yeah. The man is intimately associated with fate and choice, and the choice to place him on the moon is intentional, to separate him from his more secretive depictions in HW/ShB. He is the one who prepares our second option (flight) while giving us the choice to make our first (fight). Attempts: 2. Difficulty: 7/10. He's up on a high ledge that's not normally accessible and that's always a pain in the ass.

11. Strength: The one that started it all. The original shot of Kaede contained some layer elements I wasn't happy with so I ended up retaking it to better cohere with the others. Strength is about confidence and inner strength "leashing" power, symbolized by the woman and the tamed lion, and there's exactly one good lion model in XIV -- Forgiven Cruelty. It also has the fun side meaning of Kaede conquering and wielding the light that almost killed her. For Moenbryda's, I went with something simple -- her axe to symbolize her strength, but with her archon mark and the Sharlayan Thaliak statue prominently featured, emphasizing her intelligence. Attempts: 2 (Kaede), 1 (Moenbryda). Difficulty: 6/10. Kaede's was straightforward enough (though I had to wait an annoyingly long time for the sky to shift colors correctly), but Moenbryda's involved me floating her up on a building so i could get Thaliak in the shot correctly.

12. The Hanged Man: Holy moly this one was a PAIN IN THE ASS. I knew from the minute I started this what I wanted to do with it -- Lahabrea holding Thancred's ankle as he reaches for Minfilia. The Hanged Man is one that I felt it was especially important to mimic the iconic pose on the card, and this was how I decided to do it, but it took me over an hour and a half to accomplish. Anyway, the Zodiark idol stands in for the Tree of Life, which I really liked. Attempts: 1. Difficulty: 10/10. Absolutely infuriating to have to pose 3 actors in three dimensional space like that.

13. Death: I only ever considered Estinien for this card. It stands for transformation and change, for shedding the old to make way for the new, and I chose to depict that by having his old corrupted drachen mail posed behind him like a shadow or an abandoned husk. He has left the hate and the rage behind, but the helmet is meant to symbolize that he always remembers it, and carries it with him so that he can do better. His lance is also vaguely reminiscent of the traditional Death scythe. That spot in Coerthas is where he challenges you in the early DRG quests while controlled by Nidhogg, as well as being just visually striking. Attempts: 1, but it took a while. Difficulty: 9/10. The ground is very much not flat, the helmet is on a minion, and I had to change angles and locations a few times.

14. Temperance: I briefly considered Hythlodaeus here, but Krile fits very well. Calm, competent, but unsure of her own worth. I chose Eureka Hydatos both for its importance to Krile as well as its easily accessible water -- instead of pouring from a cup, Krile is looking at her reflection. This one came together so quickly and easily. Attempts: 1. Difficulty: 1/10. In and out of Eureka in less than 20 minutes.

15. The Tower: Originally, before I reshuffled, G'raha was going to be the Tower simply because I didn't know where to put him, and I couldn't think of an ally who is ultimately a destructive force, but it always bothered me because he truly didn't fit. Meteion, though -- despite her innocence and unwillingness, is THE destructive force within Endwalker's story. This card had the highest hurdles -- I had to get 7 friends to help me queue for Endsinger and then leave, and I almost couldn't get my tools to load Meteion in properly. After that it was smooth sailing, however. I used the whole lockout timer, but this was only the 4th shot I took, and it's one of my personal favorites. Attempts: 1. Difficulty: 4/10, purely for queuing.

16. The Devil: Addiction, obsession, and control -- Zenos was the only answer for this card. I included Zero as well, despite intending this to be a primarily 6.0 and earlier set, to represent the humans bound in chains to the Devil, using the way she's pinned between Zenos and the scythe to symbolize that she's trapped. Afterward I realized this exact shot and character choice would have also worked quite well for the Tower, as well, but I ultimately prefer the Devil for him. Attempts: 1. Difficulty: 3/10. Came together surprisingly easily, despite the fact that I had to make Zero's hat touch pose myself.

17. The Star: Symbolizing hope and new life, I can think of no one better suited than Ryne and the Empty. Ryne herself was given her own new life when Minfilia passed on her power, and the ability to make her own destiny -- and she used that power to revitalize a barren wasteland. My first version of this shot had a photoshopped in central star, but I decided to revisit the concept with an in game effect for the star instead. Helios provided what I needed, with the fun extra benefit of some additional rainbows (happy pride!). Attempts: 3. Difficulty: 3/10. Nothing crazy beyond trying to find a good angle to get the star in the shot, as well as Eden and the rainbow crystal. Second attempt I messed up the framing and had to redo it again.

18. The Moon: The card of dreams, fear, anxiety, and secrets, Gaia is perfect here (and a lovely companion to Ryne as the Star), though I did briefly consider Urianger as well. I wanted to have Gaia on the sand, with the moon hanging between the crystal walls of the Empty above her, but the angles would NOT cooperate to allow me to get the moon in the shot. So, levitation was the only answer. Fortunately it suits Gaia well, especially the distance that it evokes. Attempts: 1. Difficulty: 6/10. I hate midair posing.

19. The Sun: Another card that sprang fully formed into my mind. Joy and fulfillment is symbolized by Lyse enjoying the morning light in a free Ala Mhigo, thinking of Papalymo. It also allowed me to get both of these very different characters into a single card, as they are very much a package deal, though I did consider Papalymo for the Hierophant as well. Attempts: 1. Difficulty: 2/10. Came together very quickly.

20. Judgement: The last two cards of the Major Arcana are very high concept, with very lofty ideals, so they felt hard to pin down. I thought of doing both my WoLs here, or maybe Elidibus with his three forms for light, dark, and balance. But ultimately I ended up on Emet-Selch and Hythlodaeus, as the sort of "final judgement" before the battle with the endsinger, the last step before everything ends. Their literal rebirth, the resolution of Emet-Selch's conflict with the WoL, the not-redemption but understanding reached, our efforts judged worthy -- it all just seemed to fit. The card design is simple but I hope the colors and emotion of the scene carry the weight of the arcana. Attempts: 1. Difficulty: 2/10. No major roadblocks.

21. The World: At last we arrive at the end, not only the last posted but the last taken as well. I always knew I wanted Venat/Hydaelyn for this card, as she is the literal heart of our world, as well as an Azem who has reached the end of her journey, as Ardbert was one who was at the beginning of his all the way back at the Fool. But when I didn't use Elidibus anywhere else, I decided to add him here as well, since he also served as the heart of the star for a time. Light and dark united together, watching over Etheirys. The one who destroyed our world in order to save it, and the one who saved our world only to try to destroy it. Perfect symmetry, a completion of the circle. Attempts: 1. Difficulty: 9/10. I had to stitch together 3 separate screenshots in photoshop, with the fore and backgrounds cut apart so I could control the opacities separately. Probably the card that took me the longest, but it was worth it.

[5ummit]

AO3 Ship Stats: Year In Bad Data

You may have seen this AO3 Year In Review.

It hasn’t crossed my tumblr dash but it sure is circulating on twitter with 3.5M views, 10K likes, 17K retweets and counting. Normally this would be great! I love data and charts and comparisons!

Except this data is GARBAGE and belongs in the TRASH.

I first noticed something fishy when I realized that Steve/Bucky – the 5th largest ship on AO3 by total fic count – wasn’t on this Top 100 list anywhere. I know Marvel’s popularity has fallen in recent years, but not that much. Especially considering some of the other ships that made it on the list. You mean to tell me a femslash HP ship (Mary MacDonald/Lily Potter) in which one half of the pairing was so minor I had to look up her name because she was only mentioned once in a single flashback scene beat fandom juggernaut Stucky? I call bullshit.

Now obviously jumping to conclusions based on gut instinct alone is horrible practice... but it is a good place to start. So let’s look at the actual numbers and discover why this entire dataset sits on a throne of lies.

Here are the results of filtering the Steve/Bucky tag for all works created between Jan 1, 2023 and Dec 31, 2023:

Not only would that place Steve/Bucky at #23 on this list, if the other counts are correct (hint: they're not), it’s also well above the 1520-new-work cutoff of the #100 spot. So how the fuck is it not on the list? Let’s check out the author’s FAQ to see if there’s some important factor we’re missing.

The first thing you’ll probably notice in the FAQ is that the data is being scraped from publicly available works. That means anything privated and only accessible to logged-in users isn’t counted. This is Sin #1. Already the data is inaccurate because we’re not actually counting all of the published fics, but the bots needed to do data collection on this scale can't easily scrape privated fics so I kinda get it. We’ll roll with this for now and see if it at least makes the numbers make more sense:

Nope. Logging out only reduced the total by a couple hundred. Even if one were to choose the most restrictive possible definition of "new works" and filter out all crossovers and incomplete fics, Steve/Bucky would still have a yearly total of 2,305. Yet the list claims their total is somewhere below 1,500? What the fuck is going on here?

Let’s look at another ship for comparison. This time one that’s very recent and popular enough to make it on the list so we have an actual reference value for comparison: Nick/Charlie (Heartstopper). According to the list, this ship sits at #34 this year with a total of 2630 new works. But what’s AO3 say?

Off by a hundred or so but the values are much closer at least!

If we dig further into the FAQ though we discover Sin #2 (and the most egregious): the counting method. The yearly fic counts are NOT determined by filtering for a certain time period, they’re determined by simply taking a snapshot of the total number of fics in a ship tag at the end of the year and subtracting the previous end-of-year total. For example, if you check a ship tag on Jan 1, 2023 and it has 10,000 fics and check it again on Jan 1, 2024 and it now has 12,000 fics, the difference (2,000) would be the number of "new works" on this chart.

At first glance this subtraction method might seem like a perfectly valid way to count fics, and it’s certainly the easiest way, but it can and did have major consequences to the point of making the entire dataset functionally meaningless. Why? If any older works are deleted or privated, every single one of those will be subtracted from the current year fic count. And to make the problem even worse, beginning at the end of last year there was a big scare about AI scraping fics from AO3, which caused hundreds, if not thousands, of users to lock down their fics or delete them.

The magnitude of this fuck up may not be immediately obvious so let’s look at an example to see how this works in practice.

Say we have two ships. Ship A is more than a decade old with a large fanbase. Ship B is only a couple years old but gaining traction. On Jan 1, 2023, Ship A had a catalog of 50,000 fics and ship B had 5,000. Both ships have 3,000 new works published in 2023. However, 4% of the older works in each fandom were either privated or deleted during that same time (this percentage is was just chosen to make the math easy but it’s close to reality).

Ship A: 50,000 x 4% = 2,000 removed works Ship B: 5,000 x 4% = 200 removed works

Ship A: 3,000 - 2,000 = 1,000 "new" works Ship B: 3,000 - 200 = 2,800 "new" works

This gives Ship A a net gain of 1,000 and Ship B a net gain of 2,800 despite both fandoms producing the exact same number of new works that year. And neither one of these reported counts are the actual new works count (3,000). THIS explains the drastic difference in ranking between a ship like Steve/Bucky and Nick/Charlie.

How is this a useful measure of anything? You can't draw any conclusions about the current size and popularity of a fandom based on this data.

With this system, not only is the reported "new works" count incorrect, the older, larger fandom will always be punished and it’s count disproportionately reduced simply for the sin of being an older, larger fandom. This example doesn’t even take into account that people are going to be way more likely to delete an old fic they're no longer proud of in a fandom they no longer care about than a fic that was just written, so the deletion percentage for the older fandom should theoretically be even larger in comparison.

And if that wasn't bad enough, the author of this "study" KNEW the data was tainted and chose to present it as meaningful anyway. You will only find this if you click through to the FAQ and read about the author’s methodology, something 99.99% of people will NOT do (and even those who do may not understand the true significance of this problem):

The author may try to argue their post states that the tags "which had the greatest gain in total public fanworks” are shown on the chart, which makes it not a lie, but a error on the viewer’s part in not interpreting their data correctly. This is bullshit. Their chart CLEARLY titles the fic count column “New Works” which it explicitly is NOT, by their own admission! It should be titled “Net Gain in Works” or something similar.

Even if it were correctly titled though, the general public would not understand the difference, would interpret the numbers as new works anyway (because net gain is functionally meaningless as we've just discovered), and would base conclusions on their incorrect assumptions. There’s no getting around that… other than doing the counts correctly in the first place. This would be a much larger task but I strongly believe you shouldn’t take on a project like this if you can’t do it right.

To sum up, just because someone put a lot of work into gathering data and making a nice color-coded chart, doesn’t mean the data is GOOD or VALUABLE.

[bucky-fricking-barnes]

The Cards We're Dealt

Title: The Cards We’re Dealt

Pairing: Mafia!Bucky Barnes x Reader

Word Count: 15k

Warnings: Arranged marriage, alcohol, cursing, objectification of women and mild sexism, bad parents, angst, fluff, mentions of drugs

Summary: Bucky and Y/N are the children of the two most prominent mob bosses in New York. When their parents use them as part of a deal, they’re left to figure out how their lives fit together.

A/N: Wow! Another long fic because I have no self-restraint. There’s a bit of Irish in this because I couldn’t resist it when I wrote Steve. Translations are at the end, and anything incorrect can be blamed on Google Translate. As always, thank you for reading, liking, commenting, reblogging, and supporting me in all the ways you do. 

There is an unspoken rule amongst the mobs in New York that the more drug manufacturers a man controls, the nicer you treat his daughter. So, when Bucky’s father tells him that he’s once again been pimped out as part of a deal, Bucky knows to ask the question,

“How many does he control?”

If Bucky had his way, of course, he would treat all girls as well as he is able (which is very well). He likes girls, and he likes going out with girls. He just wishes he could choose which girls he got to take out.

“Seventy-five percent,” George Barnes says, and Bucky freezes with his glass against his lips. He has a club soda to his father’s whiskey—he’s in a good mood and was actually hoping to enjoy the day, though now he’s reconsidering it. His plan to lounge by the pool with Becca and soak up as much of the late spring sunshine as possible is quickly dissipating. 

“That’s not possible,” Bucky replies. He quickly does the math in his head. His dad owns over half the manufacturers in Brooklyn. “We own—“

“Not anymore.”

The library falls silent as Bucky tries to wrap his head around the news. Just yesterday he’d overheard his father on the phone with one of his men, explaining in great detail what he’d do if they didn’t get him a sample of their newest product by the top of the hour.

“How?” he asks. He sets his glass aside and sits straighter in his chair. “Did something happen? You didn’t tell me about a takeover.”

George takes a sip of his whiskey. “That’s because there wasn’t one.” He sets the crystal tumbler on the small bronze tray nearby. Marta will come clean it up later. “I sold them.”

“You sold them? If you’ve already struck a deal, then why am I taking out his daughter? Isn’t that normally something you have me do to butter their fathers up before you make the deal?”

Bucky watches as his own father stands and goes to watch the landscapers through the library window, his hands clasped behind his back. He’s long since been out of the army, but some habits die hard. Very rarely did the man ever relax.

“You are the deal,” George answers, his voice much too casual for Bucky’s liking.

“What the hell are you talking about?” snaps Bucky.

“Watch your tone, boy,” his father replies. He doesn’t turn around to witness the way Bucky grinds his teeth together in response. “In exchange for the majority of Theo’s territory, you and Y/N will be married within a year and a half, though the exact date is up to the two of you. I believe that Theo mentioned his daughter likes spring, so perhaps a spring wedding. June is popular, from what I’m told, though that’s cutting it a little close to the deadline.”

Bucky’s up out of his seat now. He can feel his pulse thrumming and he can’t quite catch his breath.

“So what? You threw me in to sweeten the pot? Am I just another bargaining chip to you now?”

He’s shouting. He doesn’t care.

George turns and regards him in silence, and, like always, his expression betrays nothing of what he’s thinking or feeling. He doesn’t seem fazed at all by Bucky’s outburst.

“You’re my heir. I make my decisions based on what’s best for our family. Nothing about this decision is impulsive or frivolous, James,” he finally answers, his voice cool and even. There’s nothing familial in his tone—George Barnes is all business. 

“You can’t just decide that I’m getting married. I won’t do it. I refuse,” Bucky tells him. He balls his fists at his sides and he sets his jaw, furious. How dare his father try to control his life like this? It’s one thing to occupy the majority of Bucky’s nights and weekends with dates, meetings, dinners, and weapons runs, but it’s another to throw him into a marriage he doesn’t want.

“I can and you will. If you don’t, there will be consequences. To start, you will be immediately cut off from our family. You will have no money, no home, no resources, and no contact or communication with anyone involved in the business, including your mother and your sister.”

Heart pounding, Bucky glares at him. He’s got a migraine coming on. He knows his father isn’t kidding, but he wants more than anything for Steve to pop out and say that this is all just a joke. He’s never even met Theo’s daughter. He’s barely even met Theo. According to the rumors, his only daughter is his most prized treasure. She isn’t someone who frequents any of the bars, clubs, and restaurants that he and the other “mob children” frequent. Maybe “mob children” isn’t exactly the right term, at least not anymore. After all, Bucky’s engaged now. He’s just part of the mob, another pawn to be moved around the chessboard.

“You have the rest of the day off. I’ll see you at eight tomorrow morning,” says George. He picks up his glass and downs the last of the liquor. “Theo and his family are coming for breakfast, and then Y/N will be moving in with us. I want you on your best behavior.”

He pauses and Bucky continues to glare at him, not validating his words with a response. George’s eyes grow dark with a thinly veiled threat. Bucky knows that look—if he pushes his father any harder, he’ll regret it. 

“Do you understand, boy?”

“Yes, sir,” Bucky grinds out.

Turning on his heel, Bucky stalks out of the library and slams the door behind him. He immediately heads down the hall, then down the stairs and across the ground floor of the Barnes Estate to the garage. His keys are still in his pocket; he’d only just gotten back from a night out with Steve when his father had summoned him.

It doesn’t matter that he’s still wearing yesterday’s clothes. Bucky climbs onto his bike and revs the engine, speeding off down the long driveway that winds around the house. The guards barely get the gate open in time and then he’s flying down the road, heading straight to Steve’s bar in the city. He knows his friend will be there, most likely nursing his hangover and going over the books in his back office. He won’t be hard to convince to go out again, though Bucky knows he won’t approve of the plan to drink as much as he possibly can in the next twelve hours. It doesn’t matter, though—it’s Bucky’s last night as a free man, and he’s determined to make the most of it.

You sit between your parents, staring at the empty seat across from you. They’d told you this morning that you were going to the Barnes Estate for breakfast, and while you’d expected the grandeur of the dining room and the meal, you didn’t expect the eldest Barnes child to be completely absent. You’ve never met him, but your mother has insisted that you speak to James—George Barnes’ only son and heir—as much as possible during the meal. Supposedly, he’s the same age as you.

Rebecca Barnes is a ray of sunshine and her cheery disposition is a stark contrast to the dark clouds that now hang over your fathers’ heads. Maybe it’s a deal gone wrong or maybe it’s something else, but you don’t like it. It leaves an uneasy feeling in the pit of your stomach. Silently, you sneak a hand under the table to find your mother’s. You squeeze and your mom squeezes back, glancing over to give a reassuring smile.

“Y/N,” Mrs. Barnes starts, and you jump a little in your seat. You haven’t been verbally addressed since you’d been seated a half hour ago. The food has yet to be served. “Your parents tell us that you’re very interested in horticulture. Did you know we have a rose garden out back?”

You force a polite smile. “I don’t know about very interested. I have a few house plants that I’ve managed to keep alive, though I would love to see your garden sometime. I’m sure it’s beautiful,” you add.

“Maybe Bucky can take you,” Rebecca says, earning herself a sharp look from her mother. She simply shrugs.

Oh, to be as unbothered as Rebecca Barnes!

“Where is James?” your father asks. His voice is a low, threatening growl and you sink down in your chair, staring at the cloth napkin still folded atop your plates.

“He knows to be here,” Mr. Barnes growls back. “You’ll have to excuse his tardiness, he’s not normally like this.”

Mrs. Barnes gives Rebecca an even harsher look when she opens her mouth to speak, and this time the girl actually looks ashamed. She takes a sip of her orange juice to hide the guilty look on her face. She’s the first person to have actually touched something on the table, and it’s like whatever spell the room has been under is broken.

All at once, the dining room springs to life. A short, slightly heavy-set woman in a gray dress and white apron enters through one door. She’s holding a delicate silver coffeepot and the smell of coffee instantly fills the room. Two younger women in identical uniforms follow behind her, each of them pushing golden carts laden with food. Through the door across the room, a tall man with short, dark brown hair stumbles in. He’s wearing all black, from his rumpled button-up and jeans to his boots and sunglasses. His hair is sticking up in every direction and just like the coffee, you can smell the stench of alcohol coming from him even from your seat.

You grimace at the smell and pull your napkin into your lap as one of the women comes to place food in front of you. It’s a formal dining service and the strange new man who’s entered feels entirely out of place. From his attire to the way he shuffles across the antique rug, everything about him screams that he’d rather be anywhere else. If you acted like that, your father would be pulling you back out into the hallway to reprimand you, and you look anxiously at Mr. Barnes, who’s seated at the head of the table. 

“James,” he greets, his voice unnervingly even. A chill runs down your spine. “It’s nice of you to join us. I trust that you slept well last night?”

James collapses into the only empty chair at the table, the one across from you, and pointedly ignores his father. You risk a glance up at him as he reaches for the cup of coffee that’s already been poured.

True to form, Rebecca leans over and claps a hand on her brother’s shoulder blade. “Good morning! Aren’t you excited to have breakfast with our guests?” she shouts, and her smirk makes it much too clear that she’s fully enjoying the way her brother’s scowl deepens. Rebecca also ignores her parents, including her mother, who leans forward to look past James and give her a look of warning.

James shrugs his sister off of him and starts buttering the toast on his plate. You watch for a moment, then start picking at your own food as your mother also begins to eat. Everyone’s acting so strangely that you’re already on edge, and you’ve only managed to get down a few grapes and two bites of dry toast by the time your father speaks up again.

“So when are we signing these papers?” he asks, sipping his coffee. 

“As soon as the marriage license is signed,” answers Mr. Barnes.

You frown. Marriage license? Who’s getting married?

“And the terms are the same as when we last spoke?”

Mr. Barnes sips his own drink, something that looks suspiciously like whiskey, and sets down the glass. “Yes. I have that contract in my office. We’ll review and sign after we’re done here. Are all of your daughter’s things ready to be moved?”

Your stomach drops and you turn to stare at your father with wide eyes. He nods, not even paying attention to you as he continues his conversation with the other man. Your mother pointedly ignores you, choosing instead to stare at her plate as she eats. When you look around the room, it seems like almost everyone else is doing the same. Rebecca is the only person who actually meets your panicked gaze. She gives you a pitying look as your anxiety rises.

It feels like your mouth is filled with sandpaper, and you grab your glass of juice. You have to drink half of it before the feeling even mildly abates. As soon as you set it down, one of the women in gray appears to refill it.

“What’s going on? Why are you moving my stuff?” you finally choke out. You twist the napkin in your lap with both hands, wringing it as you look from one person’s face to the next.

Mr. Barnes stops mid-sentence and the whole room freezes. Even James, who’s pouring something into his coffee cup from a small silver flask, stops what he’s doing.

“Y/N, sweetheart,” your mother begins, taking your hand under the table.

You want to pull away. You don’t.

“After breakfast, your father and I are going home, but you’ll be staying here with the Barneses.”

“What?” you whisper, your eyes filling with tears. “No, I don’t— I don’t want to stay here. You never said anything about me—“

“We’re getting married,” James interrupts. He’s chewing and you look over at him, gaping at the casual way he’s sprawled out in his chair. You can feel his gaze on you even from behind his sunglasses and it makes you feel dirty. 

“Excuse me?”

He chuckles and sits up, then leans forward in the chair. He drops the greasy strip of bacon he’d been eating onto his plate. “We’re getting married. They’re using us like bartering chips, sweetheart. You and me in exchange for all the drugs and all the territory in New York.” James gestures grandly with one hand, a too-wide grin on his face. There must be at least ten rings on each of his hands and you swallow thickly at the threatening display of black and silver metal.

You’re trembling now and you pull your hand away from your mom’s. She reaches for you again but you shake your head, shying away from her touch. Frantically, you look around the room to see if this is some kind of joke or a drunken rambling, but no one is laughing. Even Mrs. Barnes has the decency to look sympathetic on your behalf.

“No, no. You wouldn’t—“ You look back at your parents, imploring them to say that it isn’t true. You swallow thickly, trying to stave off tears, and your voice wavers as you prompt, “Mom? Dad?”

Their silence speaks volumes and a whimper escapes you as you wring your hands in your lap. The napkin slides onto the floor. It suddenly feels like you can’t breathe and when your mom reaches out for a second time and starts to tell you to calm down, you jerk away and stand. The chair falls backwards behind you, but you ignore it as you rush out of the dining room and into the hallway you’d entered from. Everything is unfamiliar. Frantically, you pick a door and yank on the handle. It doesn’t give way and you continue the process until one of them finally opens and you can rush inside. You lock it behind you and press your back against the door. The curtains on the floor-to-ceiling windows are closed, shrouding the room in darkness. You can’t make out much of the furniture through the tears in your eyes.

Out in the hallway, you can hear your mother calling for you and your father arguing with Mr. Barnes. Mrs. Barnes is yelling at somebody too, but it’s hard enough to hear the others over your own gasps and sobs. You’re properly crying now and you sink to the floor, curling up on the carpet as you heave. It’s a good thing you weren’t able to stomach much breakfast.

A knock on the door makes you yelp and then cry harder, and you crawl into the darkness of the room to try and find a hiding spot. You’re lucky enough to find an old, heavy desk right away. It’s the perfect size for you to crawl under for shelter, and there’s no chair for you to move out of the way. The drawers on both sides create a cubby for you, so you crawl into it and curl up into a ball with your back towards the door, just in case someone manages to get in. If you’re quiet enough, it’s possible they’ll walk right past you.

The crowd in the hallway has definitely heard you by now. The doorknob is rattling as whoever’s on the other side tries to get in, but after a few minutes, they stop and the hallway goes quiet. You hold your breath after every couple of sobs, listening for any sign that they’ve found a key or that they’re picking the lock. Nothing happens, however, and after a while, you give up on listening.

You sit in the darkness and cry until you’re thoroughly exhausted. Once you’ve run out of tears, you sit and zone out with your head resting against the side of the desk drawers for a while longer, numb from the news. Your body feels light and a buzzing, tingling feeling makes moving your limbs seem impossible. You could’ve never imagined that your parents would be so capable of treating you so poorly. You’ve always felt so loved by them, and to hear that they’ve practically thrown you away at the first chance of a profit makes you want to puke. Upon that realization, you actually do throw up, and the stink of your vomit on the carpet of whatever room you’re in makes you want to cry all over again.

The door opens just as the stench is becoming too much to bear. Light floods in from the hallway and you squint, curling up in fear. After a moment, the shorter woman in the gray uniform that you’d seen at breakfast appears a few feet away from the desk, right in the path of light. You look up at her. 

“Oh dear,” she sighs, and you instantly feel ashamed at the disappointment in her voice.

“I’m so sorry,” you whisper. Your bottom lip is trembling again as fresh tears somehow appear in your eyes. Sniffling, you wipe your nose with the back of your wrists. “I can clean it if you—“

“You’ll do no such thing,” the woman says. Her voice is gentle and kind, so much so that you don’t feel the need to argue with her. She waves her hand dismissively and approaches you, then holds out both hands. She’s careful not to step in the mess you’ve made. “Now come on, up you go.”

You let her help you to your feet and then you straighten out your clothes, sniffling and wiping at your nose again in a desperate attempt to look more put together than you feel. Still a bit unsteady, you whimper for a second time, “I’m sorry.”

“It’s alright, dear.” She gives you a warm smile. “My name’s Marta. I’m the head housekeeper here. It’s very nice to meet you.”

You don’t feel the same way about meeting her, given the circumstances, but you hold that comment to yourself and simply nod in agreement. Marta leads you back out into the too-bright hallway. It’s empty except for a bald man mopping the floor on the far end.

The high ceilings and glossy marble floors make it look like you’re in a castle. Even the silence feels regal. Everything seems so cold compared to your home, and you feel too small in the massive space.

“What time is it?” you quietly ask, looking back at Marta.

“It’s almost noon, Miss.”

Your stomach sinks and you press your lips together, inhaling deeply as you look around again. Three hours have passed.  “My parents…”

“They left about fifteen minutes after breakfast,” she tells you. Her words are matter-of-fact, even if she delivers the news in the softest possible way.

Somehow it hurts worse that they’ve left you than finding out they’d practically sold you to the Barneses in exchange for God knows what. Drugs or territory, whatever James had said. Not only did they treat you like nothing, but they’d deserted you after it was clear you didn’t agree with their plans. They hadn’t even tried to reassure you that they still loved you or that you’d still be able to see them. Maybe you wouldn’t be. Maybe they didn’t.

You nod numbly. There’s been nothing to prepare you for this, no precursor or warning, so you keep looking around the hall, though in reality you’re not really seeing anything. 

“Your room is ready upstairs, Miss Y/N. Would you like me to take you?” asks Marta.

You nod again. You feel like you’re underwater as you follow her up a grand staircase and then down a long, narrow hallway. It’s decorated similarly to the ground floor, though with a plush Persian rug running its length. Marta talks as she walks ahead of you, no doubt explaining what the many doors lead to, but her words simply go in one ear and out the other. It’s all so surreal that when you finally get to your own room, you don’t even open the door. Marta has to reach around you to open it, and then she gently ushers you inside when you still don't move.

Just as they had said at breakfast, your belongings have all been moved into the Barnes Estate. The furniture here is different, grander than what you’re used to, but your blankets and pillows are on the bed, and the two bookshelves are packed full of the books you’ve collected over the years. Even the strip from the photo booth at an old friend’s wedding is pinned to the bulletin board above the desk. Someone’s even thought to put your plants on their own table by the window. 

“There’s a bathroom on the left and your closet is on the right,” Marta explains, pointing to each. “If you’re hungry, dinner is at five.”

“Do I have to eat with them?” you ask.

If Marta is surprised by your question, she doesn’t show it. She simply shakes her head with a gentle smile. “No. We can bring food here if you’d like.”

You nod and stand in silence until she leaves and closes the door behind her. Then, after another minute passes, you drag yourself over to the bed, climb under the covers, and close your eyes.

If there’s any mercy left in this life, you think, I’ll fall asleep and never wake up again.

Weeks pass and you still haven’t adjusted to life at the Barnes Estate. The staff is only slightly less friendly than those you grew up with, but they’re more attentive. It helps that there are more of them. For every member of the Barnes family, yourself included, there are at least four staff members to attend to their every need. It makes you feel like royalty, but it also makes you feel guilty. You don’t need this much. You certainly didn’t ask for it.

You haven’t seen James since the ill-fated breakfast, nor have you seen your parents. They’ve gone so far as to block your number. After that discovery, you’d locked yourself in the massive ensuite bathroom and cried for an hour. Marta had been the one to coax you out. The poor maid who’d found you when coming to get you for dinner hadn’t known how to help. You’d spent that entire evening curled up on your bed while reruns of The Nanny played on the TV embedded in the wall across from the massive mattress. Marta had spent every second with you that she could, but eventually Mrs. Barnes—Winnifred, as you referred to her in your mind—had scolded her for neglecting her nighttime duties across the estate. That made you feel even worse.

“Are you okay?” Rebecca asks, and you turn to look at her from where you’re staring out the hallway windows at the gardeners. The backyard is massive, complete with a rose garden in full bloom, an outdoor swimming pool, a forested walking trail, a large green expanse for games and parties, a gazebo, a fountain, and what seems to be stables far in the distance, though you haven’t ventured far enough to be sure. A visit to the rose garden hasn’t been brought up again either, and nothing seems interesting enough to explore on your own.

Nodding, you don’t say anything before turning back to watch the men work. They talk and laugh with each other as they prune, pick, and water. You wish that you could trade places with them. 

“You don’t look okay,” she says. Rebecca props herself up on the window ledge to your right, facing you with a suspicious look on her face. “We haven’t seen you at any meals, and Valerie told me that you were crying in the bathtub three nights ago.”

You should feel ashamed, but you’re too numb to care. It feels like you’re floating through each day, detached from most things. You’ve spent your entire life thinking that you would marry for love and live happily ever after. Now, your parents have sold you to the highest bidder and your husband-to-be is a cruel, disgusting man-child that wants nothing to do with you.

Rebecca’s fingers lacing with yours jerk you back to reality and you look down at your joined hands in confusion. Her nails are bitten short and she wears a single ring with the Barnes family crest. It’s dainty and gold, a stark contrast to the many rings on her brother’s fingers.

“You’re safe here, Y/N,” she tells you, her voice gentle. “You don’t have to be alone. I’m so sorry for everything that’s happened to you. If I had any say in it, you could be home right now with your parents, but I’m far from the top of the totem pole.”

“I hate them.” You spit the words out and jerk your hand away from hers. “I hate my parents.”

That’s the first time you’ve ever said that in your entire life and your heart skips a beat as the anger makes your lip curl. You’re baring your teeth at her but Rebecca doesn’t even flinch. She’s a mafia princess, through and through.

“They made me believe that I could have anything I wanted, that I could marry whoever I wanted whenever I was ready, and then they threw that all away and treated me like shit the first time it was convenient for them.”

She nods. “That’s true.”

“I was so foolish to have believed them,” you growl, but the fight in you is fading just as quickly as it came. You burn bright, but you burn quickly, too.

“No,” Rebecca says, shaking her head. “You’re just human.”

You look away, embarrassed by your display of emotion as your eyes begin to water with more tears. You were raised to be reserved. You knew very little about the inner workings of your parents’ business, but you’d learned as a young girl that you’d fare better if you always clung to the edges of the room, avoiding the dirt and grime and blood that surrounded your whole life. Over the years, you’ve grown very good at hiding yourself and your emotions from the people around you. From the spark in her eye, you have the feeling that Rebecca is the exact opposite. She could hold her own if it came down to it. You couldn’t.

“It’s okay to be upset,” she insists.

Shaking your head, you take a deep breath and look back out the window. You lift your chin slightly and when Rebecca tries to rope you into another conversation with her, you ignore her and focus on the men outside. They’re finished tending to the roses on the edges of the garden. Now they’re working their way inwards.

You’re finally left alone a few minutes later and as soon as she’s around the corner, you let out a heavy sigh and relax your posture. Slumping forward, you lean forward into the window ledge, curling up just a little as you continue to watch the gardeners. The silly song from Alice in Wonderland pops into your head and you hum along, eventually mumbling to yourself about painting the roses red.

You feel a little bit like Alice, you realize. You’re out of your element in a strange land where everything you’ve learned about life seems to be turned on its head. In this world, nobody marries for love and the girls are just as entrenched in the business as the men. Does Rebecca conduct business with her father and older brother? You could certainly picture it. Will the same be expected of you?

That afternoon, Marta knocks on your door with a written invitation from Winnifred. Your presence is being formally requested at their dinner table, though from the look the housekeeper is giving you, it’s more of a demand than a request. With her help, you pick out something to wear. By the time five o’clock rolls around, you���re crossing the enormous hallway in a dress and heels that you’ve never seen before. It’s far too showy for your taste, but it’s clearly something someone wanted you to wear. Otherwise, they wouldn’t have put it in your closet.

George Barnes and James stand when you enter the dining room, as do several other men you don’t recognize. Your father is standing near the head of the table with George, though your mother and Rebecca are nowhere in sight. Besides Winnifred, you don’t recognize any of the other women. The only empty seat is beside James and your immediate instinct is to flee, but then he’s stepping aside to pull out the chair and all eyes are on you.

Slowly, you close the distance between the two of you and sit. He helps you scoot in, then takes his own seat on your right. The other men sit as well and then dinner resumes. You sit in silence, staring at the top edge of your plate with your hands in your lap. You’re not really listening to the conversations around you, either, but you can feel someone’s eyes on you as you try to stay as quiet and motionless as possible.

“Are you sick or something?”

You startle and look up with wide eyes. James is watching you. He’s got one hand on the table with his fingers brushing the stem of his wineglass and the other resting on his thigh. Unlike your fateful breakfast weeks ago, James is dressed in a neat, all-black suit. He has no tie, and his rings are all gone except one. It’s identical to Rebecca’s family crest, except his is silver and has a thicker band.

His eyes are full of something you can’t place and you shift uncomfortably under his gaze. As quickly as you turned to him, you turn away and look back at your plate. The napkin is folded in some elaborate way on top of the plate. You’re not sure if it’s supposed to resemble anything at all, but maybe if you stare at it long enough, it will look like something.

“Y/N?” he prompts. You nod once, tightly, and then pull the heavy cloth napkin into your lap when a server appears to present the first course.

Between the second and third course, you can feel James’ eyes on you. After the third, he gets roped into conversation with a man sitting across the table, but you know that he’s glancing at you all the while. After the fourth, he bumps his arm against yours. You shirk away and feel him tense beside you.

“Excuse me,” you mumble, and you push your chair away from the table. Immediately, the conversations stop and all the men stand again. It’s too much attention on you and you hurry out of the dining room as fast as your heels and dress will allow. You’re stumbling over yourself by the time you get back to your suite on the third floor. The door slams behind you and you collapse onto the floor beside the bed, too overwhelmed to even climb atop the oversized mattress. You’re on the verge of tears when there’s a soft knock from the door, and that rips a sob from your chest that you hadn’t expected.

Immediately, the door opens and James is standing in the open space, a dark look on his face. You sob again and scramble backwards until the edge of the bed frame is digging painfully into your spine.

“What are you doing?” he asks.

You swallow hard and take several gasping breaths, trying to control yourself. Your mind is spinning with insults, calling you weak and pathetic, and you believe every one.

“It’s just too much,” you answer through your tears. “I don’t want this!”

James huffs. His angry expression has faded, now replaced with something more akin to irritation. “And you think I do?”

You shake your head. “Of course not.”

“These are the cards we’ve been dealt, doll. You’re gonna have to get over it. Let’s just get married and then we can live happily ever after in a big house where we never have to see each other. I’ll do what I want and you can do what you want. Sound like a plan?”

You look down at your hands. A big part of you wants to say that no, it doesn’t sound like a plan. You don’t want that life. You don’t want a house so big that you practically need a golf cart to get from one side to the other. You don’t want a husband who ignores you in favor of his blood money or his side chick or the next shiny toy off the black market. You don’t want James.

Though every part of you is screaming the opposite, you nod. He crosses the room and you inhale sharply to steady yourself as he approaches you with no care. His black dress shoes are tracking dirt across the rug. James holds out a hand to help you up and you take it. The heirloom ring on his right hand digs into yours until you’re standing, and then he drops your hand like it’s on fire.

“We need to go back,” he tells you, and you nod again. “Our parents are pissed.”

“Of course they are,” you mumble. 

James pauses, staring at you critically. You’ve been staring at the baseboards since he helped you up, but when he doesn’t move or speak, you glance upwards at him. He’s got one eyebrow raised. His expression is thoroughly unreadable otherwise and an unsettling feeling blooms in your stomach.

“What?” you ask. You step back a little, but there’s no place to go except up against the bed again.

He shakes his head at you. “Nothing. Come on, princess.”

“Don’t call me that.” You scrunch your nose. “Anything but that.”

“Sugar?” he offers, and when you shake your head, he sighs. “Well, what do you want me to call you, since you’re suddenly the one calling the shots?”

His words cut deep and you look back down, hating the way shame immediately pools in your belly. How could he seem angry and irritated with you, then borderline kind, and then completely disinterested in your feelings the next? It’s disorienting, and you don’t need that on top of everything else.

“That’s what I thought. Let’s go.”

Grabbing your arm in a grip just bordering on painful, James pulls you out of your bedroom and back down the hall. He holds on as you stumble behind him in your heels. When you reach the ground floor hallway again, he drops his hand and offers you his arm. You’re hesitant to take it, but he sighs a little and you decide that it’s easier to give in than to put up a fight.

The two of you walk back into the dining room and the conversations immediately hush. James leads you to your waiting seats, pulls out the chair for you, and then helps you scoot towards the table again once you’re seated. As he takes his spot beside you, your father speaks up.

“Have you and James discussed when you’ll be getting married?” he asks.

You pick up your fork and stare at the strange food on your plate, ignoring him. Though your stomach is churning, you force yourself to take a bite. He can’t expect you to answer while you’re chewing—it would be bad manners.

“Next spring,” James answers. “In the rose garden.”

You want to spit on the roses. You swallow your food instead.

“Good choice,” Mr. Barnes agrees. He turns his attention back to your father. “Your daughter is quite the well-behaved woman. She’ll do well with our James.”

Beside you, James tenses again, his grip tightening slightly on his fork. You glance at him, holding your breath, and wait until he relaxes again to take another bite of your food. 

The rest of the dinner passes with mundane, meaningless conversations. Nobody addresses you for the remainder of the meal, not even your parents, and finally the men begin to make their way out of the dining room to an adjoining room. You hadn’t even realized there was a room connected; the door is hidden amongst the paneling and crown molding on the walls.

“You can’t go in there.” James grabs your wrist as you stand to follow the group of men into the new room. His voice isn’t malicious and his grip isn’t tight, but you flinch away from him anyway. It’s only then that you realize the few women that had been in the room are leaving through the door to the hall with their wineglasses in hand.

“Because I’m a woman?” you counter.

“Because you don’t want to hear the things that they’re going to discuss,” he answers. He tosses his napkin on the table and stands, towering over you. After a long second of eye contact, he steps away from you and heads towards the men.

You watch him go and silently weigh your options. A few weeks ago, you wouldn’t have even thought about following the men into the second room. You would have simply taken the same path as the other woman, though your wine would have continued to remain untouched. Now, however, with your wine in hand, you stood at a crossroads. You could go into the room and potentially face the wrath of your father, James, and George Barnes, or you could live forever curious as to what was actually being discussed. 

With your mind made up, you down your wine, step around James, and head through the open door into the room. It’s a study with dark wood paneling on the walls, leather couches, and stale cigar smoke in the air. As soon as you enter, the laughter and conversation stop and all eyes land on you.

“Y/N, you should be with Winnie and your mother,” Mr. Barnes says, stepping towards you. James is behind you now and though you’re hedged in, you simply lift your chin at the older man.

“Why? Am I not allowed to know what family I’m marrying into?”

His face darkens. “Girl, I’m warning you—”

“Don’t speak to my wife like that.” James’ voice from over your shoulder startles you and you quickly turn your head, looking back at him with shock. 

Why is he suddenly standing up for me?

“Hold your tongue, James,” his father snaps. “You aren’t married yet, and Y/N needs to learn her place. One would think her father would have taught her better, considering the problems his wife caused.”

Though you hate your parents for what they’ve done to you, your blood boils at the insult. Your anger rears its ugly head even more when you realize that your father doesn’t look intent on standing up for you or your mom, either.

“That’s enough!”

You swear the room rattles around you when James shouts and you grit your teeth, furious at Mr. Barnes. How dare he insult your father? How dare he talk to you and his son that way?

James grabbing your hand shocks you back into reality. Once again, his grip is almost painfully tight, but you force your face to reveal nothing.

“Y/N and I are going out. If I so much as hear that you’ve said a single thing about her in my absence, you will regret ever giving me any kind of power in this business,” he growls. “The next time you see her, I expect that you’ll treat her with the respect she deserves.” 

The men stare at you and James in disbelief, and then you find yourself being practically dragged out of the room. You’re too stunned to fight back, so you let him pull you across the ground floor of the estate to a door only two down from the dark room where you’d hit the morning your parents had left you behind.

“We’ll have to take the car, unless you’re okay riding the bike in that dress,” James says, pushing open the door. He doesn’t look back at you as he speaks, and it takes you a second to realize he wants a response.

“Car,” you answer after a few seconds. “Please.”

The room James has led you to is a massive garage, stretching farther than you ever realized a similar room could. Three of the walls are made of light gray cement, as are the floor and ceiling, and the fourth wall is made up of windowed garage doors, each one big enough for several cars to drive through simultaneously. Running down the center of the rectangular garage, there is a row of seven parked cars, with enough space to fit at least another car between each one, and beyond that, you can see a row of several motorcycles parked in a similar manner. The cars are in varying shades of gray and black, with the exception of one red sports car at the far end of the group. You can’t see the bikes well enough from the door, but you catch glimpses of blue, silver, gray, and black.

Four enormous, black and silver tool chests are lined up against the wall facing the hoods of the cars, but there isn’t a spot of oil or dirt in sight. You don’t even see any loose tools or equipment. Looking around, you wonder if the tool chests are just there for decoration, or if someone on the estate actually works on the cars and motorcycles.

Maybe James works on them?

“Are all of these yours?” you ask, unable to help yourself. He seems like the kind of guy who would enjoy driving around for fun, and he’s just mentioned something about a bike. You stare at the side of James’ face as he plucks a set of keys off a black pegboard on the wall. There’s a button embedded in the wall beside the board. James pushes it with one thumb and the keys in his hand bump against the wall.

One of the garage doors near the last few cars starts to roll upwards onto the ceiling, revealing the outside of the estate. The sun has completely disappeared from the sky, and the moonlight is blocked by the clouds you’d seen rolling in earlier in the afternoon. The leaves of the large shade trees that surround the estate and form a protective shield from the outside world rustle in the wind. Crickets and cicadas chirp, reminding you of the cool spring nights you’d spent on your family estate as a little girl. You’d run around in the grass near the garden while your mom or your nanny watched you. Sometimes your father’s men would watch from the perimeter of the property, and when you’d wave, they’d wave back, asking what you’d done that day. You always answered them, even if you knew it would get you in trouble. They never stopped asking either, even if it got them in trouble, too.

You stop walking and close your eyes, then breathe in deeply as the night air rushes into the garage. It’s the first time you’ve been even close to the outdoors since arriving at the Barnes Estate. Your skin is still warm from the stifling dining room and the anger you’d felt in the men’s study. The breeze is a blessed relief, even if you do shiver after only a moment. Goosebumps form on your exposed skin—the dress Marta had picked out for you did little to keep you safe from the elements. 

James keeps walking down the aisle formed by the wall and the front of the cars, though you hear his footsteps pause a few moments after you stop following him. 

“Are you okay?” he asks.

You’re a little surprised that he’s not demanding that you catch up. When you open your eyes, you immediately meet his gaze, and a weird feeling bubbles up in your stomach. The expression on his face betrays little, but his stare reminds you of the way your father’s men looked at you all those years ago—interested and almost fond, but ready to push you away at a moment’s notice. You nod and hurry to catch up with him.

Once you get closer, James presses a button on the key fob in his hand. One of the cars in front of the open garage door rumbles to life. The sound it makes is a low purr, almost seductive, and you raise an eyebrow as James approaches, then runs his fingers over the hood. Even if the others aren’t, this car has to be his. It’s a sleek black, with dark tinted windows and a gleaming silver grill in the front. The BMW logo shines proudly in the center. It looks like a car your own father would own. Though you know he’s never owned a BMW, if this car is anything like the ones in your father’s fleet, you know that the inside will be as much a picture of luxury as the outside.

You slide into the passenger seat when James opens the door for you, and in the time it takes him to cross around the front of the car to the driver’s side, you take inventory of the interior. It’s a manual transmission—something your father once said was obsolete, except for car collectors and enthusiasts—which means that you wouldn’t be able to drive it, even if you tried. The car is pristine, so much so that you’re afraid to move. Two water bottles are in the cupholders, and it still smells brand new inside. There isn’t a speck of dirt or dust on the dashboard, nor on the floor mats. The leather seat is soft and there’s a control for seat warming and cooling on the control panel.

James climbs into the driver’s seat and shuts the door. He buckles up and you follow his lead, and then you sit back as he reverses the car out of the garage and onto a winding driveway that leads you around the front of the estate, then along the other side to a large gate with a guard house. You’d forgotten about the extensive security since the last time you’d been outside the Barnes Estate. Your father had handed over your driver’s license, along with his and your mother’s, before breakfast all those weeks ago, and there’d been a strange code word of some kind. It dawns on you as the guard opens the gate for you and James that you’d never gotten your license back.

“Where are we going?” you ask as James pulls onto the main road. It leads away from the estate and into the city. 

“To get some real food,” he replies. His tone is gruff, and it feels like he’s on the verge of an angry outburst, so you slump back in your seat as he shifts gears and the car accelerates. The tension in the car is thick. You don’t want to be the one to deal with it, especially since he’s the one creating it.

After several minutes of watching the enormous mansions and the forests surrounding them pass by, you look over at James again. His expression, just like in the garage, reveals nothing, but you can tell that he’s more put-together than the last time you’d interacted, and it’s not just the tailored suit. His hair has been trimmed and styled, and he has an even dusting of stubble that frames his jawline nicely.

In the time since you’d learned you were engaged, James hasn’t said anything to you. You’ve heard him talking in the hallways as you wandered, but you haven’t wanted to be near him. This is the closest you’ve ever been. Your brief conversations so far tonight make up the majority of the words you’ve spoken to each other. His words from the bedroom echo in your head, until finally, you can’t help but blurt out your thoughts.

“Do you really not want to marry me?” you ask. Your voice sounds small and pathetic, and you hate it, but it’s too late now. 

He glances over at you with one hand on the wheel and the other resting on the gear shift. “What do you mean?”

You sit up a little in the seat, though you keep your hands in your lap and you try not to move your feet, just in case there’s dirt on your shoes.

“I mean,” you say, watching him carefully for his reaction, “that when you came to get me upstairs, you said you didn’t want to marry me. Is that really true?”

“I never said that.” He shifts gears again as you near a stoplight, and the car slows. 

“Yes, you did.”

“No,” he shifts again, his teeth now clenched, “I didn’t. I asked if it looked like I wanted to marry you, and you said it didn’t. But I never said I didn’t want to.”

Now you’re confused, and you frown at him, ignoring the obvious irritation in his voice. The car rolls to a stop behind a Ferrari blasting music out the open windows. 

“So you do want to marry me?” you ask. 

He sighs and drops his hand from the gear shift, then looks over at you. “Y/N, I’m not going to pressure you into anything you don’t want to do, so if this is you testing to see how I’ll treat you, then you have nothing to worry about. I’m not a monster.”

“It’s not. I just…” You stop, unsure of how to phrase what you’re feeling. It’s strange to be upset over a marriage you don’t even want, but for some reason, you are. 

“What?”

“If you don’t want to marry me and I don’t want to marry you, then why are we going along with this?” you finally ask, settling for the bigger question than the one that’s truly nagging at you.

“Because we know that if we don’t, life will be hell,” he answers.

It’s the truth. You know it is, and you know it deep down. If the two of you refuse this marriage, your life will be worse than you could possibly imagine, and you’re fairly certain that your fathers will find a way to make it happen anyhow. They’re well-connected in every sphere of life, not just when it comes to drugs and weapons. Your father probably has a priest on his payroll.

The light turns green and James moves the car forward again, merging into the right lane almost immediately. He slows as you approach a valet stand outside an upscale bar you’ve never heard of. It’s not one of your father’s, which means it probably belongs to George Barnes.

Then again, you think as a uniformed man opens your door, maybe it belongs to James.

“It’s nice to see you again, Mr. Barnes,” a valet on the other side of the car greets.

James hands him the keys. “You too, Tommy. Listen, don’t park it too far off. We’re not staying too long.”

The man nods and climbs into the driver’s seat as your own valet leads you away from the curb. James meets you next to the valet stand and offers you his arm, then heads towards the doors.

“What is this place?” you ask as he holds open the door for you.

“My friend’s bar,” James says.

Your stomach twists itself in knots as heavy club music starts to get louder. The bass rumbles in your chest and you dig your nails into his arm as you near a set of glossy black double doors. You haven’t been to a club in a long time. The last time you’d gone, you’d been dragged by a childhood acquaintance, but you’d spent most of the night alone after she’d ditched you for someone she met on the dance floor. You’re not particularly eager to relive that experience tonight, especially with the man you’re being forced to marry. Who’s to say he won’t ditch you for someone else right in front of you, just to rub it in your face? After all, he’d said it himself in the bedroom—you’ll do what you want and he’ll do what he wants. It’s the cards you’ve been dealt.

If these are the cards, then I’ve got a sucky hand.

“James—”

“Bucky.”

You stop and squint at him in the low light of the entrance hallway. The two bouncers in all-black suits stop with their hands on the door handles, ready to open them for you once you start walking again. The music pounds in your ears, so much so that you can feel your eardrums vibrating.

“What?” you ask, not sure you’d heard him correctly.

“Bucky,” repeats James, a little louder this time. “You should call me Bucky, if we’re going to be married.”

“Is that… a nickname?” 

Even in the darkness, you can see him laugh, and a bashful, boyish smile spreads across his face. “My middle name is Buchanan. Steve used to tease me about it when we were kids, and he started calling me Bucky as a joke. It caught on.” He shrugs it off, but there’s a fondness in his voice when he speaks of his childhood friend, and it makes you smile just a little.

You loosen your grip on his arm. “Okay then. Bucky,” you add.

When Bucky steps forward again, the doors are pulled open, revealing a much more casual bar than you could’ve anticipated. Though it’s clean, it looks a little run down, and the heavy music fades into jazz piano as you step through the open doorway and into the large, open space. With almost cathedral-height ceilings, walnut floors and support pillars, and well-worn wooden booths and tables, the bar feels more homier than you’d expected. It’s clearly been well-hidden from the busy crowds of New York. Only a few patrons are scattered around the room, sitting in the booths or at two-top tables, but Bucky leads you to the wood, u-shaped bar that juts out into the room from the back wall. A single man stands behind it, drying glasses with a white bar towel. He smiles when he looks up and sees you approaching.

“Bucky,” he greets, and he reaches over the bar to pull Bucky in for a hug. It’s the first time you see Bucky smile—a real, full, genuine smile—and you watch in silence as he hugs his friend.

“Steve,” Bucky replies. Instantly, your brain starts connecting the dots. This is his childhood friend, the one who gave him his nickname.

“Tá sé go maith tú a fheiceáil.” Steve turns his attention to you, and you quickly look away from Bucky and at him. Your brain whirs as you try to place the language he’s just spoken. It’s not one you’ve heard before, which means none of your father’s men speak it, and neither do any of the Barneses.

“You must be Y/N.”

You nod and offer Steve a small, polite smile. You’re not sure how to act around Bucky’s friends. If they’re also part of the mob, it’s possible they’ll treat you even worse than George Barnes had after dinner, but a new, surprising voice in your head argues that Bucky would never be friends with someone like that.

“It’s okay,” reassures Bucky. He reaches out and touches your arm, gentler than he has all evening. “Steve’s a nice guy, and he knows about our family businesses. You can trust him.”

Steve looks between the two of you before picking up a glass and setting it right-side-up in front of you. “What’ll it be, Y/N?”

You glance at him, then at the wall of liquor behind him. After a moment, you list off a drink that’s not your favorite, but that you know you’ll be able to stomach no matter the circumstances. Steve nods in response before starting to make it.

Silently, Bucky takes one of the chairs at the bar, and you do the same. He sits with his arms folded on the counter. He’s still wearing his suit from dinner. You feel a little out of place in your fancy clothes, and you wonder if he feels the same.

Your drink is placed in front of you a moment later, and after Steve’s silent prompting, you take a sip. It’s delicious, and you can’t help but smile at him.

“Aha, I’ve still got it!” Steve cheers, and you laugh. He grins at you, a charming type of smile that makes your heart flutter in your chest. You feel a little sheepish at the intensity of his joy, and you fidget in your seat, then with your hair.

Beside you, Bucky rolls his eyes and tosses a round paper coaster at his friend. “Knock it off, Rogers,” he huffs. “Stop flirting with my girl. You’ve already got one of your own.”

You glance over when he calls you that, but you don’t say anything. There’s another weird feeling in your gut now. This one, unlike the one you’d had in the car or the fluttering feeling Steve had given you, you recognize immediately—pride. It feels good to have Bucky call you “his girl”, even if you barely know him. It’s strange, and the thought makes you squirm in your seat again. You drop your hand down to the bartop and take another sip of your drink, trying to quell the strange feelings inside of you. 

What is going on with me? Why can’t I just feel normal about all of this? Is there even a normal way to feel about this?

“You hungry?” asks Bucky, and you nod when you realize he’s talking to you again.

“I make a mean twice-baked potato,” Steve says. He plants his hands on the bar to look between the two of you. “Whaddaya say, Y/N? You up for it?”

“Only if you put the jalapeños on the side this time, punk,” Bucky tells him before you can reply. He seems to remember himself a second later, however, because he looks over at you. “Unless, of course, you want them on top.”

You shrug, not wanting to upset anyone, and Steve groans.

“Come on, Y/N,” he says, and he smiles wide as he gestures around the almost-empty bar. “I’ve got all the time in the world to make your food exactly the way you want it. Don’t make me guess.”

“He’s bad at guessing,” Bucky chimes in.

“Terrible,” Steve adds, nodding earnestly.

Tentatively, you list off what you want, and Steve makes a note of everything on a notepad that seems to appear out of nowhere. Once he’s got your order down, he disappears through a door in the back wall. Before it closes, you catch a glimpse of a shining kitchen filled with stainless steel, and you wonder how many patrons come through the bar if Steve has what looks to be a full-sized kitchen in the back.

“You didn’t eat much at dinner, so I figured I’d bring you someplace that actually has good food,” Bucky says. He reaches across the bar to grab a bottle of beer Steve has left out, and he uses one hand to pry the top off. 

You gape at him, too distracted by the blatant show of strength to properly process the very thoughtful thing he’s just said to you. “What?”

“I said that you didn’t eat much at dinner, so I figured—”

“You just pulled the top off like it was nothing. How did you do that?” You look around on Steve’s side of the bar for another bottle, hoping to try your luck. Maybe it’s some new kind of bottle that he’s trying out before it hits the market, or maybe Steve has bootleg beer with a different kind of cap.

Bucky is staring at you, seemingly just as confused as you. “With my arm.”

“With your arm?” you repeat. You’re certain that he’d used his hand to pry it off.

He stares at you for a second longer before the confusion disappears and is replaced with a glint of mischief in his eyes. It makes the shadows on his face melt away a little, and his blue irises seem bright and youthful again, entirely unlike a man who’s seen too much.

“My arm,” he reiterates, and then he pulls off the black glove you’d assumed to be part of his personal style. It’s not just for show, however, because he pulls it off to reveal a black metal hand with dull gold knuckles. Bucky continues, standing and shrugging off his jacket, then rolling up the sleeve of his button-down shirt. As he reveals more and more, you realize that the black metal continues, making up what would be his left arm.

No wonder it hurt when he grabbed me.

“It’s metal,” you dumbly say, and he snorts.

“Observant.”

You shake your head and look from his arm to meet his eyes. “You have a metal arm. How didn’t I know that?”

Bucky shrugs and drapes his jacket over the back of the chair. He leaves the glove on the bar where he’d first set it down. Once he’s seated again, he rolls up his other sleeve to match.

“Beats me. I figured everyone knew. My dad wasn’t subtle when he was bragging about the arm he had made for me when it first happened,” replies Bucky. He takes a sip of his beer, then sighs and sets it back down.

You don’t want to pity him, so you try your best to school your expression by taking a sip of your own drink.

“Was it an accident?” you ask after a minute has passed. He doesn’t reply right away, and you scramble to save the conversation. “You don’t have to tell me if you don’t want to.”

He shakes his head. “It’s okay. It was a long time ago.”

“How old were you?”

“Seventeen,” he says, and his voice is quieter than before.

You look back down at the drink in front of you. Twisting the glass around and around, you ask, “And it was an accident?”

Bucky takes another swig of his beer. “I was with my dad, working a job. I didn’t even realize I’d been injured until I woke up in the hospital, two weeks later, missing an arm. Apparently, falling shipping containers are heavy.”

You can’t help but curse. What he’s describing sounds horrible, but Bucky only laughs.

“That sounds about right, yeah. I’m lucky I had Steve around to keep me sane,” he tells you. “My friend Sam was a big help too, but he moved down to Louisiana a few years ago.”

“Steve seems like a good friend,” you agree. “They both do.”

You can feel Bucky staring at you now, and you take a sip of your drink while you wait for him to look away again. When he doesn’t, you glance in his direction.

“What?” you ask.

“What?”

“Why are you staring at me?”

“I’m not.”

“Yes you are!” you laugh, and you look at him fully this time. Bucky’s grinning, and you ball up a cocktail napkin and toss it at him.

“Okay, I was staring,” he admits, still smiling. “But I can’t help it. You’re pretty, and you’re nice, and you seem smart.”

You feel your cheeks grow warm at the compliment, and you look away. “You don’t have to say that. We’re already engaged.”

“I’m not saying it because we’re engaged. I’m saying it because it’s true.”

You don’t have a chance to reply before Steve comes out with two hot plates. He places them in front of you, joking briefly about giving you the wrong order, and it’s distraction enough that you sit up tall and smile wide. You push Bucky’s compliment out of your head as you chow down, groaning and moaning about the potatoes. They’re exactly what you need after the stressful dinner. Bucky was right—you hadn’t eaten much, and Steve’s cooking is delicious.

Once you’re full, you push your plate away and lean back in your chair. Steve grins at you before he goes back to counting the cash drawer. The other patrons have left already, leaving you, Steve, and Bucky alone in the bar.

“That was amazing,” you tell him for the hundredth time, and Steve chuckles.

“Thank you. I’ll be sure to tell mo bhean chéile—my wife—you said that, considering she still believes potatoes aren’t a meal.”

You notice the wedding band on his left hand as soon as he says it. Above it, also in silver, is a familiar ring. If you weren’t able to see the family crest, you would’ve thought it was the same as Bucky’s, but this ring has an eagle and a star engraved on it, rather than the wolf you’ve seen on Rebecca and Bucky’s rings.

“Potatoes are a meal!” you argue. You can tell that Steve has clocked you looking at his rings because he shifts his hand, instinctively blocking your view as he looks for your own ring. You’d taken your parent’s ring off the day you’d cried in the bathtub and you haven’t worn it since, but no one in Bucky’s family has replaced it with their own. It’s the first time since middle school that you haven’t worn a family ring, and you’d be lying if you said it was a weight off your shoulders. You’d thought it might be, but instead it just makes you feel naked.

Steve laughs and his posture relaxes. He stops hiding his rings from you when he realizes your hands are bare. “Well, whenever you meet her, you can have that argument with her, because I’ve already had it at least a dozen times.” He closes the drawer and fixes his eyes on Bucky, who’s just finishing his food. “Speaking of, when are you two coming over? I promised Peg I’d wait until Y/N had settled in to ask, and you seem settled enough to me.” He glances at you for the last part, and you look down at your empty plate.

“It’s not up to me,” answers Bucky. “We’ll come over whenever Y/N is ready. This is the first time we’ve been together since my dad dropped the bomb on us.”

Steve pauses, his hands on the tablet he’d set down before starting to count the night’s profits. “Wait. Really?”

You nod when he looks at you, suddenly self-conscious again, and you pull your hands into your lap. “I haven’t been the best house guest…”

“You’re not a guest, Y/N. It’s your home now, too,” Bucky interjects.

Reaching over the counter, Steve smacks the side of Bucky’s head. His accent is thick when he huffs, “Íosa Críost, you thick! You didn’t think to go talk to her? To see if she wanted to watch a movie? To see if she needed anything?”

Bucky stammers over in his seat, and you keep your head ducked to hide your smile. Clearly, Steve knows more about being married than Bucky does—most likely from experience, since he’s already mentioned his wife—and he isn’t afraid to tell his friend off for not looking out for your well-being.

“I’m sorry!” exclaims Bucky, ducking another hit. “I wasn’t thinking!”

“Like ifreann you weren’t!” Steve retreats and picks up the tablet with a huff, then looks at you. “Y/N, I’m sorry you’ve had to deal with him. He’s actually a nice guy when he’s not being stupid.”

“Stupid?” Bucky protests beside you.

“I wouldn’t have talked to him even if he’d tried,” you admit, finally looking up, “but it wouldn’t have hurt if he had.”

Steve nods, satisfied with your response. He leaves you a minute later when his phone rings. The wide smile on his face is enough to tell you who’s on the other end, but then he says her name as he walks away, the phone already held to his ear.

“So what’s with this place?” you ask. The quick change in subject is purposeful, and you hope that Bucky will take the bait.

Thankfully, he does. Bucky glances around before finishing off the last of his drink and setting the empty bottle closer to Steve’s side of the bar.

“Well, Steve wanted a place that we—and other people like us—could spend time without feeling like there was always a fight about to happen. We didn’t have that growing up, you know? And now that he’s in charge, he can do what he wants with his money. Everything’s filed properly, he doesn’t advertise, and all employees are paid above the table. If other people show up, then sure, they’re welcomed in, but they’re also fully vetted once Steve gets their IDs. Weapons aren’t allowed, and there’s no shop talk of any kind.”

“So it’s your little hideaway,” you say, propping your head up with one hand. The heaviness of the potatoes combined with the alcohol is starting to make you sleepy, and the emotional exhaustion from the night has started to weigh heavy on you, too.

He smiles a little. “Something like that.”

Bucky stands and rolls his sleeves back down, then pulls on his glove. He pulls a wad of cash out of his pocket and sets it on the bar.

“Come on, doll. We should head home,” he says.

The warm feeling you’d felt when Bucky had called you his girl comes back, and you smile a little when he holds open his suit jacket for you. A little sheepish at the gesture, you slide off your seat and let him help you into the sleeves, then take Bucky’s hand when he offers it.

“Bye Steve!” you call, waving with your free hand.

Steve looks up from the other end of the bar, where he’s wiping down a counter with one hand and holding his phone with the other. He lets go of the rag to wave back.

Silently, Bucky leads you out to the front, where the valet already has his car pulled up. You’re not sure how they knew to have it ready, but you don’t dwell on it. Stranger things have happened in your world. Bucky tips the valets with another wad of cash before opening the passenger door and helping you in.

You fall asleep on the drive home. You don’t mean to, but Bucky turns on the radio a few minutes into the drive, and he lets the first station that comes on continue to play. The music is soft, and he drives so smoothly that it lulls you to sleep before you’re even fully out of the city.

When you wake, it’s because Bucky’s stubbed his toe on something, jostling you in his arms. He’s muttering curses under his breath and hobbling down the hallway, and though the jerking motion and his tightening grip isn’t the most comfortable for you at the moment, you keep your eyes closed and force yourself to keep your smile at bay. Bucky is a much sweeter guy than you’d first thought him to be, and it seems like he’s trying now to make up for lost time. You’d misjudged him at first; just like you, he has his own ways of dealing with the life forced on him by his parents, but he really is a gentleman underneath it all.

He carries you to your bedroom and carefully lays you on top of the covers. Then, as gently as possible, you feel him lift your foot and pry off the uncomfortable shoes Marta had picked out for you. Bucky stays totally silent as he takes the shoes off and sets them on the floor at the end of the bed. He pulls a thin blanket over you, one that you’re sure is just for decoration when the bed is made, and presses a kiss to the side of your head. You have to force yourself not to smile when he whispers,

“Goodnight, sleep tight.”

The door clicks shut as he closes it slowly, and you peek open an eye after a few seconds have passed. Your room is dark and empty. Silently, you smile to yourself and crawl under the covers, your eyes heavy. It’s been a long, exhausting evening, and you’re happy to be in bed. You fall asleep to the sound of spring rain on the estate windows and with Bucky’s jacket still wrapped around you.

Over the next few weeks, Bucky slowly enters your life in both big and small ways. He smiles at you over meals in the dining room and late night snacks in the kitchen. He drives you to the city to visit Steve, Peggy, and his other friends, and when he finds out that his father still has your license, Bucky argues with him for over an hour to get it back. Marta delivers your license to your room the very next day, along with a handwritten note that the dark blue Mercedes in the garage is there for your use. Sometimes, you wake up to a bouquet of flowers with another handwritten note. Sometimes it’s a text, and sometimes it’s a gift. Bucky develops a habit of purchasing anything you mention enjoying or even vaguely liking, and you eventually have to tell him to stop because he’s bought you so much that there’s nothing left to buy for yourself.

Bucky turns out to be a closer friend than anyone you’ve ever known. He’s kind, and funny, and intelligent, and he remembers all the little things about you that nobody else does. When you’re sick or feeling lonely, he’s attentive and his presence alone reminds you of all the good things in the world. He makes your days brighter, even the worst ones. You find yourself falling in love with him, much to your surprise. You admit this to him one day. He kisses you then, and he tells you that he’s been in love with you since the first trip you’d taken to Steve’s bar. 

Halloween, Thanksgiving, and Christmas roll around. New Year’s, Valentine’s Day, and Easter come and go. The Barnes’ grand celebrations for every holiday blur together as the months fly by, until eventually, it’s June and you’re standing in your room, staring at your reflection in the full-length mirror.

The wedding dress you’d picked out a few days after Christmas is just as beautiful as you remember it being. It fits you perfectly, thanks to the impeccable work of several tailors employed by Winnifred, and your hair and makeup are flawless as well. There’s no possible way you could’ve imagined how beautiful you look and feel on your wedding day. 

Through the open window, you can hear a string quartet playing outside in the rose garden, where the ceremony is set up. Steve has already come by once to check on you at Bucky’s request, but both men are back downstairs. Bucky’s no doubt at the front of the garden with the priest—the one that you now know for certain is on your father’s payroll—and Steve is waiting with the rest of the wedding party. The only people remaining in your room are Marta, your mother, and Peggy. 

You’ve grown to love Peggy more than any of your childhood friends. She didn’t grow up in the same world as you. She didn’t even grow up in the same country, and you love her all the more for it. She’s rational, cool-headed, and kind, though she’s not afraid to stand up for what’s right. On top of all that, she’s drop-dead gorgeous. It’s easy to see why Steve fell for her during his time in the military.

The quartet finishes the song and moves onto a new one, one that you recognize after only two notes. Your stomach drops and you close your eyes, gripping your bouquet tightly. It’s the song you’d been listening to the morning you’d found out about your engagement. You’d discovered it the night before, and you’d had it on repeat before going to sleep that night, then again that morning as you’d gotten ready. You’d even listened to it in the car on the drive from your parents’ estate.

Who added this to the playlist? Is this some kind of sick joke to them?

The same feeling of dread you’d felt that morning comes back, making your mouth dry and your head spin. You try to take a slow, deep breath to calm your nerves and block out the song, but it doesn’t work.

“Y/N?” Peggy asks.

You inhale sharply at the sound of her voice so close to you. She’d been texting Steve from near the window only moments before. You hadn’t thought that anyone would realize your distress, and you’d hoped to be able to collect yourself before it was noticeable. You hadn’t even sensed her coming closer.

“Y/N, are you alright?”

“I’m fine,” you tell her, but your voice wavers and your lower lip quivers. You try to take another slow breath.

“What’s going on?” Marta asks. Her hand lands on your arm and you pull away, closing in yourself and pulling the bouquet tight against you.

Your mother’s scolding makes you feel like you’re a little kid again. “Careful, Y/N! You don’t want to ruin those flowers. We don’t have time to make another bouquet for you. George is already hounding your father about how soon after the ceremony you’ll be signing the certificate.”

Anger wells up in you at her thoughtless comment, and you open your eyes. She’s standing behind you in the main part of the bedroom, near the foot of your bed. Any guilt you might’ve felt over ruining the flowers is gone now, and you turn and chuck the bouquet at the carpet by her feet. It bounces once, then lays motionless in a heap of smashed petals and ribbons.

“Enough, Mother!” you shout.

Marta rushes to close the window so the guests in the garden won’t hear your outburst.

Your mother gapes at you, somewhat surprised, but she doesn’t budge. “Y/N, dear. What are you doing?”

“What am I doing?” you yell, stepping closer. Your dress swishes as you walk, and you normally enjoy the sound, but you’re too furious to care how pleasing it is. “What are you doing? I am your only daughter! You should be treating me like a princess and worrying about how I’m feeling and what I need, but instead you’re too busy thinking about the damn flowers! I’m sick of you thinking of me like I’m an object you can sell, steal, and trade away whenever it’s most convenient! You and Dad are so obsessed with the timeline you’ve created for yourselves that you don’t even notice how much this has affected me! You didn’t even ask if this is what I wanted!”

She scoffs at you, and any trace of motherly care and concern has disappeared from her expression. Your mother is showing her true face—the mafia wife that has almost as much blood on her own hands as her husband does, if not more.

“It’s too late for that now, isn’t it?” she asks. She picks up her clutch from the end of your bed and steps closer until you're standing eye to eye. Her voice is patronizing and infuriating, and she continues, “It’s your wedding day, dearest, and you can’t back out now. We’ve made sure of it. Even James has agreed to the contract.” 

Your anger wavers. “Contract?”

“Yes, the contract,” she repeats, smirking. Her cards are all on the table now, and she’s got a winning hand. You both know it.

There’s a malicious glint in her eye as she says, “It’s already in effect. It has been since we agreed on the marriage.”

“What contract? What are you talking about?” There’s a sinking feeling in your chest, like your heart has decided to drop into your stomach, then down to your feet and through the floor. Bucky hadn’t said anything to you about a contract, and you trusted him, but you certainly didn’t trust your parents anymore, nor did you trust George and Winnifred Barnes.

Your mother smiles, a sickeningly sweet smile that makes you want to puke. “That’s a conversation for another time. After all, it doesn’t even matter to you until James gets you pregnant.”

The alarm on your phone rings and you close your eyes, your hands trembling. You’d set that alarm to remind you when it was time to leave for the ceremony. Right on cue, the wedding planner knocks on the door to your bedroom.

“Y/N?” she calls, knocking again. “Are you ready?”

Slowly, you squat down and pick up the bouquet. It’s smashed on one side and the petals have fallen off of various flowers, but it’s mostly intact. It shakes as your hands tremble and tears well up in your eyes.

Marta appears in front of you, having pushed your mother out of the way, and over the ringing in your ears, you hear Peggy talking to the wedding planner. Somehow, you make it out to the ground floor of the estate, to the double doors that lead out to the rose garden. You’re dazed by your mother’s strange revelation. The sound of the alarm is still ringing in your ears. Peggy says something to you, but you can only stare straight ahead. 

Your father is next to you then, as Peggy disappears through the doors and joins the rest of the wedding party. You see her glancing back at you, and whispering to the rest of the groomsmen and bridesmaids. Most of them are Bucky’s friends who have now become your own, and all of them look worried. 

“Let’s go, princess,” your father says, and he pulls you forward by the arm.

Numbly, you follow his lead. Not even Bucky’s initially delighted expression shakes you out of your trance, but the way he rubs his thumb over your hands at the end of the aisle pulls you out of it just enough for you to lift your head and look around. You don’t remember walking to him, nor do you remember handing off your bouquet to Peggy, just like you’d practiced last night at the rehearsal.

“Y/N? Darling?” Bucky asks. He crouches and tilts his head slightly to try to catch your eyes. “You okay?”

“I—” Your mouth is still dry and you swallow, your eyes flitting from one place in the garden to another with no rhyme or reason. The world feels like it’s spinning and you clutch Bucky’s hands, unsure of what to do.

“Someone get her a chair,” Bucky orders, raising his voice enough that you flinch. He immediately starts murmuring reassurances to you, and he pulls you into his arms until he can lower you into a seat.

Someone fans you and a cool glass is pressed to your lips. You drink obediently, closing your eyes as the water helps the sandy feeling in your mouth abate just a little. When the water is gone, the glass is pulled away. 

“Y/N, can you hear me?” Bucky asks. 

Slowly, carefully, you nod your head. He sighs in relief and when you open your eyes, he’s kneeling down in front of you. His shoulders are tense and his forehead is creased with worry. You’ve never seen him this stressed over anything and it makes you want to cry.

“I’m sorry,” you croak, heat flaming in your cheeks. You feel horrible. Bucky has been looking forward to the ceremony—he’d told you last night at the rehearsal dinner.

“It’s okay,” he quickly replies. He reaches forward and takes your hands, and you glance away from him to peek at the guests, your parents included, who are still watching you from their seats.

“Are you ready for this, or do you need a break?” 

You look back at Bucky. “A break?”

“She’s fine,” your mother says, and you look over at her from your seat. She’s standing in the front row, her eyes fixated on the priest behind you. “They’re fine, Father. Y/N’s been a bit nervous all morning. Wedding day jitters, you know.”

“I—” You frown at her, still clutching Bucky’s hands. “That’s not what it is.” You look down at him and shake your head. “I’m not nervous to marry you.”

“I’m not nervous either,” he says with a small smile. 

“Then shall we continue?” the priest asks.

You turn to shake your head at him. “No. I’m sorry, Father. I need to talk to Bucky—James—in private for just a minute. Is that alright?”

He smiles gently and nods. “Of course.”

There are more agitated murmurs from the crowd, but you ignore them as Peggy, Steve, and Bucky help you up and back down the aisle. When your mother moves to follow you, she’s blocked by Sam and Clint, another one of Bucky’s friends. She calls after you once, but you ignore her as Peggy helps you onto a bench inside, then leaves, closing the double doors behind herself. She’s handed back your bouquet, and you clutch it with both hands like it’s an anchor in the storm.

“Is everything okay?” Bucky asks. He stands near the door, and you can tell from the way he rolls his shoulders that he’s stressed. His prosthetic always bothers him more when he’s agitated, and you suddenly feel even worse about stopping the ceremony.

“Yes,” you say, but then you shake your head. “No, I’m sorry. Obviously, it’s not, or I wouldn’t have stopped everything. I’m sorry, Bucky, but I have to ask you something.”

“Okay…” There’s a wariness in his eyes, one that you loathe yourself for. You put it there, and you wish with all your might that your mother hadn’t told you what she did. Maybe then you wouldn’t have had to do this.

“Did you sign a contract? With our parents?”

He frowns and his whole body grows very still. “A contract?”

You nod. “Yes.” With your hands still fisted tightly around the bouquet, you inhale deeply and add, “A contract about getting me pregnant.”

“What?” Bucky’s furious response is immediate. He shakes his head, his eyes searching your face for any sign that you might be making this up. “Y/N, what are you talking about?”

“Did you sign a contract agreeing to marry me, and agreeing that my parents get something after you get me pregnant?” The words make you sick to your stomach. You haven’t eaten anything all day, which doesn’t help, but the thought of Bucky agreeing to something so vile… It’s enough to make anyone nauseous.

He’s shaking his head at you again. “Why the hell would I sign anything like that? Do you really think I would do that?”

You shrug a little and look down at the bouquet. “My mother…”

“Darling…” Bucky sighs and comes closer, and he kneels down in front of you again, just like he had outside. All the fight and anger has left his voice. “I would never do anything like that. Not in a million years, and especially not to you. I love you.”

“She said you signed it before they’d even told me we were engaged,” you said, quiet now that he’s so close. You’re afraid to look him in the eye, to see what his face might be telling you that his words aren’t.

“Can you look at me? Please?”

Reluctantly, you lift your eyes from the flowers in your lap to meet Bucky’s eyes. They’re just as blue as the ribbons wrapped around the flower stems, a choice you’d specifically made without the wedding planner’s guidance. You’d wanted him to be your “something blue”, even if it felt a little cheesy.

“Do you want to marry me?” Bucky asks.

You swallow the lump in your throat and nod. “Yes.”

“Do you believe me when I say I had nothing to do with that contract? That I didn’t know it existed?” he questions.

You nod again, tears forming in your eyes.

“And do you trust me to help you find a way to get rid of it, once all of this is over? Do you trust me to protect you?”

You nod for the third time, and Bucky takes both of your hands in his.

“Okay. Then let’s get married, and I swear to you that as soon as our honeymoon is over, the guys and I will start doing some digging.”

“What about me?” you ask, sniffling. You pull one of your hands away to dab at your eyes before the makeup can get too damaged by your tears.

“What about you?”

“Can I dig, too?”

Bucky chuckles and kisses your knuckles on the hand that he’s holding, and then he pulls himself up off the floor to sit beside you on the bench. He pulls you into a half-hug and you cling to him, sniffling and smiling as he rubs the your back and answers,

“You can do all the digging you want, doll. I’ll even hand you the shovel.”

Tá sé go maith tú a fheiceáil. = It’s good to see you.

Mo bhean chéile = My wife

Íosa Críost = Jesus Christ

Thick = A stupid person

Ifreann = Hell

Thank you for reading! If you liked this, please consider reblogging my work so that others can enjoy it too.

I do not consent to have my work posted, translated, or published to any third party site or app. If anyone sees my work anywhere other than my personal tumblr, Patreon, or ao3 accounts, it has been reposted without my permission.

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Forever: @aya-fay

Bucky Barnes: @lipstickandvibranium @valhalla-kristin @buckymcbuckbarnes

[notherpuppet]

What is your opinion of AI? Personally, I think that like any technology, it depends on the user and their intentions, but that is just me.

What about you?

1. Theft

The most central issues with AI as it is now is that the programs were trained/are trained with STOLEN art. Stolen visual art, music, writing, etc.

The vast majority of what it has been fed is stolen. As in, the artists behind the work were not ever given the chance to consent nor be compensated for their works being used to feed the machine.

This reason alone is straight up copyright infringement and the optimist in me does believe the long arm of the law is gonna shut these programs down for that. But the long arm of the law is looooooong, and the technology is disrupting people’s livelihoods now. Unlike robots or machinery that was invented and built to expedite assembly line/factory work, this technology is only functional by using other people’s labor. If we didn’t live in a society where you have to “earn” your right to live in it, then this would still be wrong, but it probably wouldn’t be such an existential problem.

There are active class action lawsuits for infringement of copyright. And the private sector has begun filing suits and I’m quite certain they’ll win because again—it’s simply theft. These companies did not make licensing contracts, they’re not paying royalties to the artists they stole from.

So if you consider using ai that generates “art” (whether it is visual, music, writing, etc.) please consider stopping immediately, as you would actively be benefiting from theft (which is wrong imo!!!!)

2. AI in its present form dishonors the human spirit

In my personal relationship with AI technology, I do not use it to generate ideas or ‘art’. I detest the notion to use technology in that way tbh. AI is a form of technology, so it’s difficult to break it down into every specific use it actually has. But here’s an attempt; no to generative AI, okay to certain AI.

There are kinds of AI programming in the programs I use (such as features that help you color in a shape quickly or make a perfect circle). This is useful tech (that requires zero IP theft) and I like it because it helps me by taking care of tedious tasks so that I have more time to spend in the creative and drawing processes. But I still choose the colors, I still draw the images, I still write the stories.

I think the way AI is used right now with a focus on “creative thinking” (where it’s not actually creating anything it’s just churning out other people’s *stolen* ideas and practice) is a total waste. AI being used as an assistant to help humans find information easily can be/has been swell. And requires no theft :D

But for whatever reason (greed, capitalism are my guesses), tech companies are leaning into a direction to replace creativity with AI?? I imagine the people behind this view the practice of art as tedious work because it is challenging??

But the beauty of art and the practice of it is that it allows humans to experience and overcome challenges with little to no stakes.

When society determines that is not a valuable use of human time, then I think we’ll all be significantly more miserable. If we allow a machine to be “creative” and leave us to only experience challenges with stakes—like survival (rent, putting food on the table).

So here are some examples of how I feel about AI uses;

AI to translate languages, find resources, discern malicious malware/spam from harmless messages > 👍🏽

AI to generate ideas/art for you > 🤢 Why??????? Why would you want that…that’s the most exceptional part of the human experience and you relinquish it to a bot trained on stolen ideas? 😭

[oukabarsburgblr]

honestly would love a continuation from the karasuno version, but like at the same time i want the seijoh version 😭😭

i cant choose huuu, tho whatever u decides to write im sure it'll be great (still tho karasuno continuation got me vv 🥴🥴)

Bullying the First Year Pt. 2 [ONESHOT] [HQ KARASUNO]

I'll give you both💜 but the seijoh part will probably take a few days since i dont want the seijoh ver. to be an exact replica of karasuno with diff names and i want to finish watching s2 so i can capture their character properly. I hope you enjoy!

FEATURING : DAICHI SAWAMURA, SUGAWARA KOUSHI, ASAHI AZUMANE x male reader

Continuation of Part 1! Set in Season 2 during Away Games. Drabble!

NSFW stuff, DUBCON AF

Find out more under the cut!

"Ne, Sugawara...Looks like you guys finally got along with (m/n) huh?"

The setter who was drinking from his water bottle turned to Tanaka. The second year glancing at the male manager who was being harassed by Hinata about how cool his spike was. Sugawara only tilted his head in innocent faux. "What do you mean?"

Tanaka hummed as he swirled his bottle. "Well...usually you guys have this weird tension. And Daichi doesn't talk to him but yesterday I saw the captain and (m/n) walking home together and they looked like they were fine." Ennoshita chipped in. "So I wasn't imagining it. Asahi seemed like he always tried to provoke (m/n), but now they're okay with each other. Did anything happen between you guys?"

Tanaka and Ennoshita only asked Sugawara because he was the most approachable out of all the third years. The second years have noticed the beef between their manager and the seniors although they only discussed it in secret. Currently, they're at their away training camp in Shinzen and everything was running smoothly, albeit their losing streak and the fact that (m/n) couldn't make it to their first training camp in Tokyo.

It was weird to think that (m/n), who was not even a player meaning he had more time to study, had failed two subjects and had to take the supplementary exam. Although he denied the offer of riding to Tokyo with Tanaka's sister with Kageyama and Hinata in tow. Daichi didn't give much of a response, only saying he would talk to the (h/c).

That same night they heard Kiyoko scolding, and the beautiful manager never gets mad, but oddly Kiyoko was reprimanding the rest of the third years. Although they couldn't quite capture why was she mad but apparently it involved luring and trapping someone?

Sugawara's face didn't falter as he waved off their concerns, assuring the second years that they had a minor misunderstanding at the start of their introduction and it was all settled.

Free practice ensued as Karasuno went on with their respective goals, Sugawara and Daichi doing a synchronization attack with the others although Asahi was nowhere to be found.

"Sorry! Got caught up with something." The ace sheepishly entered the gym, looking eager and fresh to hit some sets. Nishinoya glanced behind Asahi to see a panting (h/c) who was all sweaty. "What were you doing, (m/n)? You looked like you did a major workout!" He teased the manager who only scrunched up his nose and limped his way to the rest of the managers.

"Huh? Is he injured or something? Why is he walking like that-" "Don't mind him! The night isn't going to be young forever. Let's practice!" Sugawara cut off Nishinoya's sentence as he pushed the libero towards the court, his eyes flickering to Asahi getting smacked by Daichi.

"See (m/n)! Told you, you would get along with us!" Hinata cheered behind the (h/c), who didn't say a word as he accompanied Hinata to the third gymnasium, where Kuroo and Bokuto is playing as well as Akaashi and Tsukishima. "Although it seems that you're more close to the third years than I am. Even though I've known them longer..." The ginger mumbled as he twiddled his fingers.

Again, the manager didn't respond as they entered the gym and (m/n) helped them by collecting stray balls and tossing it to Akaashi. Tsukishima would glance at him a few times before getting lectured by the Nekoma captain.

Daichi stared at the gym doors where (m/n) had exited before turning to Asahi. "...I told you to go easy on him." "Sorry. Got a bit excited. He's cute these days, all fidgety around us." "Do you want to blow us over? Cover your tracks, you idiot." Sugawara hissed as he jammed his elbow into the ace's side.

"The others said that we look like we're all getting along, especially you Daichi." The setter spoke as he ignored the crestfallen ace on the floor. "Really? I didn't think there'd be that much of a difference." The captain tapped his chin, his lips pressed into a thin line.

"You were the meanest out of all of us. I guess he was scared of you the most." Asahi propped himself up as he spoke, ignoring the glaring ravenette.

"...he's obedient now. I prefer it that way."

The setter only laughed as he waved them off. "I'm getting dibs on him in the showers. Don't you dare try to join us." He hissed at the two before hopping off to drag Tanaka into another set, leaving Daichi and Asahi to themselves.

If any other normal person would have listened in on their conversation, they would've been creeped out with how normal they spoke as they danced around the topic.

The boy manager of Karasuno, (m/n) (l/n) who has been reduced to a quiet footman for the seniors. Daichi wouldn't say 'reduced' but more to 'tamed'. It was known that the (h/c) is a brash person, especially around people his age but he would watch his mouth more around his upperclassmen...until he gets angry that is.

When Daichi first saw him stumbling through the gym doors, making a scene, he was quite annoyed, reminded of Hinata and Kageyama's first introduction. He thought it would be another rude junior that would ignore him and the obligated seniority but he was impressed to find that he was a reliable manager and an overall pleasant person to be around.

Maybe he was in a bad mood on that specific day, but he wasn't up for playing 'nice' nor welcoming someone new. His players were already a handful, especially the four idiots and he simply lacked the energy to usher someone around in the already socially established club.

Usually, he would apologise the next day, saying his head was clouded but he saw how annoyed (e/c) leered at him whenever (m/n) thought he wasn't looking or the silent curses he would mumble. That ticked him off and he was cold ever since. And when he found out they were neighbours-

"Daichi. Don't you think you're being...malicious to the new manager?"

The captain turned to the long-haired ace. He didn't respond, only raising an eyebrow to Asahi. Sugawara cut in. "What he meant was why are you acting like a little bitch to our new member? Ignoring him and stuff. The others are starting to ask." He teased the ravenette.

Daichi didn't say much, he only stared at his gym shoes and glanced to the (h/c) who was conversing with the second years. He scanned his figure, his eyes wandering a bit too long on his face and frowned. "He's rude." Sugawara wanted to roll his eyes and spite the captain.

"I want to ruin him."

Both Asahi and Sugawara immediately turned their heads to the captain who held a nonchalant look, a foreign expression for him, while still staring at (m/n). "...Or to see him cry, at least." "..."

The setter scoffed. "I always knew you were a sadist, Daichi." The captain only hummed as he knelt down to tie his shoelaces. "Don't act as if you're oh so innocent, Mr. Refreshing." "Shut up." He stifled a chuckle and stood up again.

"So are we gonna do it?" Asahi turned to glance at the (h/c), gazing at his glistening (s/c) and his fluttering eyelashes on his (e/c) eyes. Sugawara rolled his eyes. "I think he already started it." Daichi was silent, his eyes unwavering.

He didn't think much of it back then. Bullying was always a functioning outlet anyways.

Slaps of skin resonated through the small clubroom with a crying naked manager who was too aroused from the heavy thrusts he was receiving. His back was sore against the wooden table in the middle of the room and his throat was parched from all the screaming and wailing he had done.

"You're so adorable, (m/n)." Asahi groaned into the manager's ears, holding him down and kissing down his neck. The (h/c) only squirmed against the strong brunette, helpless against his ticklish facial hair as his hips stuttered against Asahi's. "-'s too much-ngh! Too much fu- achkk!"

He choked as the brunette sped up his motion, increasing his tempo as he felt his release. "You're our junior and manager, (m/n)." Sugawara cooed as he jacked off the (h/c)'s dick. "This is practically your job, don't you think? Helping us release some steam."

(m/n) wailed as he felt Sugawara squeezing him, he shivered as he felt his hole filled and Asahi biting into his shoulder. His pants were getting heavier as he placed his hand across his face. "I-I don't want anymore..." He whimpered as fingers shoved into his ass, digging out liquids that were stuffed deep into him.

Daichi trailed his fingers over (m/n)'s neck as he took Asahi's spot, pulling the (h/c) closer by his waist. "Be good and we'll play nice with you." Partially a lie, the captain was talking about himself. If the manager was compliant, then he'll be gentle. Not that he hated the contrary.

The manager only cried into his hands as he shakily nodded, not that they could see. "Please b-be gentle to me...Daichi- hiks!" He wheezed as the captain pulled him onto his lap, his naked thighs shivering and Daichi only gripped his hair, already holding his favourite spot.

The captain didn't say anything, only crashing his lips on the (h/c)'s who mewled against his mouth, Sugawara and Asahi smearing their hands all over the pair, drowning them in debauchery and temporary bliss.

Ever since then, (m/n) had been more quiet and polite, especially around the third years. Hinata was confused when the (h/c) mentioned about a study group and at that moment something clicked inside the (h/c)'s head.

He tried avoiding the trio truthfully, it wasn't that hard outside of club hours but he dreaded stepping inside the gym or the clubroom. Sugawara was a clever person, always whisking him away to fuck him under a staircase or asking him to stay after practice and would double penetrate him with Asahi inside the storage room.

He would walk home with sticky cum running down his legs or being cleaned by Sugawara who would take his time with him inside the school communal showers. Asahi would only bother him when he was frustrated, either from studies or not being able to hit his spikes right.

Daichi wouldn't join on their frisky escapades. But Sugawara knew that the captain preferred to be alone with the (h/c).

-

Training camp was over, Coach Ukai finished the debriefing and everyone was dispersing to go home in their respective ways in the late night. (m/n) cursed to himself as he accidentaly slipped on a rock. A hand reached out to stabilise him and the (h/c) glanced to see the captain pulling him up.

"Be careful. It's dark and dangerous right now."

They did live close after all.

"...Thanks." (m/n) mumbled as he pulled his arm back, shoving his hands in his pockets as he continued his way. Daichi silently followed, two steps behind the (h/c).

Their relationship had progressed significantly, after...midterms. (m/n) didn't know what to call it. What he had with the other third years. And it was especially passionate with the captain.

(m/n) was sure his body would give out one day, or one of the second years would find out with how frequent they would pull him in an isolated area and was determined to make him cream his pants as much as he could. At first, he resisted and melted every time one of them would shove their deep fingers into his hole or fucked him nice and slow that would made all of his rebellion disappear.

Sometimes, he caught himself looking forward to those moments. Wondering when will one of his seniors pulled him so they could shove themselves into him, letting him drown in that sinful pleasure.

The grey area he was shoved into was suffocating and risky, but lust conquered all and it conquered him.

"Is anyone home?" (m/n) hadn't noticed that they had arrived at the front of his gates. He turned to see Daichi looking at him, the streetlamp next to them illuminating his handsome features. The captain rarely divulge himself with (m/n), not as frequent as the other two. The scariest of the third years definitely had something in his mind.

"..."

-

"Urmmff- mmng haa ah ah anghh!!" (m/n) moaned as he Daichi pounded his penis into the (h/c)'s hole that was so wet and puckered from the unnecessary amount of lube and fingering the captain did. He definitely appreciated foreplay.

Both of them were in (m/n)'s room, on his bed missionary and only the (h/c) was fully naked as Daichi immediately ripped off all of his clothings as soon as they stepped inside his room.

(m/n) wasn't sure why he let Daichi step in his house. His family was gone, visiting their relatives up north while (m/n) was away at training camp. He could've lied to the captain. Rejecting his advances although he wasn't sure it would be as effective but the fact that he willingly let Daichi enter through the gates of his home and let him follow to his room wasn't so much of a wonder.

Daichi huffed as he gripped one of (m/n)'s thighs, giving it a slap as he watch the flesh bounce from the impact. The (h/c) had his arms around the ravenette's neck as his legs was pushed upwards. His hole tightened around Daichi's cock as he cried when the captain began to shove himself in harder and deeper, going in as far as balls deep inside (m/n)'s puckered and reddened hole.

The captain gazed down at the (h/c)'s face, his eyes wandering and scanning his features as he felt his release nearing. "(m/n)." The manager huffed as his own (e/c) stared down black ones.

Daichi leaned down to kiss the (h/c), pressing his lips oddly in a gentle manner but pushing his legs to his shoulders roughly. "I think you should raise your tongue a bit more." The captain stated as he fucked the manager faster.

(m/n) stuck his tongue out with a confused face although his bottom was shaking from all the sex Daichi shoved into him. The ravenette licked and pressed his tongue all over (m/n)'s who was whimpering feverishly.

The (h/c) doesn't know what to do. What to do of him. What to do of them. But for now, all he could do was to play the nice little junior for them. He was also no longer allowed to show support for his cousin at any volleyball event.

Daichi pushed (m/n) into a mating press, making sure his cum filled the manager all the way in, not wanting for any of it to go to waste. The (h/c) whined as his own penis spurted white semen.

The manager could not see him running away from the third years any time soon.

[END SCENE]

[unedited]

Afterthoughts :

aftermath

I am literally falling asleep as I write this but I wanted to post it asap. I will fix it dwdw although I felt this didn't align with the first part very well. I'll add tags tmrw. Next up is Seijoh

[dreamesamu]

THE THINGS HE TAKES FOR GRANTED

in which he takes a moment to justify himself after never noticing your little crush for him

starring. akaashi keiji x fem!reader

genre(s): angst to fluff, (super, like-) long scenario 

warning(s): none, i think so? except for clueless keiji and not proof-reading

author’s note: akaashi is just a major green flag in this (every haikyu!! boy is 😭) i feel too bad to write them red-flag-y.

choose your character: m. atsumu | k. akaashi

you’ve known akaashi for quite some time, starting from your last year of fukurodani academy and then serendipity brought you both ended up being each other’s classmate at a same college/university. bokuto kotaro was your best friend, the little owl introduced his favorite setter to you and the friendship of three gradually become established, and as if it can not be any more inevitably, you eventually developed a secret admiration for the pretty setter when you three have been closed enough. however, graduating separated ways, kotaro pursued his journey to become professional in volleyball while keiji, once said to you he wanted a place in the literature department.

truth be told, even if you promised each other you would still keep in touch and plan every weekend friend group meeting online or offline, you’ve never expect you would share every class in higher education life with your crush, the akaashi keiji. the great thing is you both are paired up for an presentation assignment in the major you and him pursue, you do have plenty of time to stay close and grab his attention from making gestures that he usually failed to realizes.

here you are again, happily humming your favourite song while carrying a box wrapped with a small detailed towel, some big rolls of assignment paper stuck underneath your arm as you make your way back to where you both planned to finish the project - the library. 

“keiji, i’m back!” you set your things respectively on the table, and akaashi nods with a smile on his face in acknowledgement.

“oookay, so here’s your today’s snack, I hope you’ll like it” you grin, tapping on the box before pushing it to his side as he receives it and casually opens it while speaking.

“hmm? are those sketches of our poster? you can always edit them on the computer, why the effort?” he chuckled softly before completely unwrapping the bento box.

“I’m not good at designing and stuff. I may draw as I like and you’ll be the one to edit it on the computer.” you puff your cheek out, hands resting on hips as you watch his reaction to your delicately decorated sweets in the box made for him.

“this looks amazing.” he smiles upon seeing the pastries you made, decorated beautifully with different kinds of fruit as each pastry has different flavours, you probably did not stay up so late last night just to make all kinds of flavours for him to show how much you like him. yeah, probably not.

"oh, it's nothing, I just hope it doesn't taste bad" you chuckle nervously while scratching the back of your neck, letting his praise send you up to cloud nine.

your actions falter when you see akaashi put back the box's cap on, set it aside as he leans over to reach the posters you drew.

"now then, can we start working on the project?" he spreads out the piece of paper, glancing at you as you stand there awkwardly, prefer him taking a bite to look through all of your efforts than just shrugging it off and go straight to the main part of your study session.

"what...? oh- um..." you trail off, a bit embarrassed. "wouldn't you like to try one out? it won't hurt to just have a taste of it..."

"maybe later, y/n. we have other things need to be done right now." he merely states, eyes study the poster in front of him, unknowingly sinking your heart.

"yes, right." you shift slightly, taking the sit by the opposite of him, trying to catch up with him on the progress.

you let your mind wanders off how many times you've lost count already while akaashi quietly focused on scribbling something in his notebook, every thoughts you have are always about keiji, your feelings and the stare you give him thinking it's discreet. what's stopping him from trying my tarts out? and how does he feel being around me? or is that his way of rejecting something without making that person feel bad? flooded your mind.

"y/n?" you realize his faint voice ringing somewhere "y/n..." the voice becomes clearer. "earth to y/n, you're staring." awh, snap. right.

you blink, startled before clearing your throat, mumbling a small apology as you try to get yourself busy with the work underneath you once again.

but akaashi just chuckles, his voice calm and reassuring.

"hey, you seem off today. it's lunch break, please make yourself comfortable." you fumble at his words, it's noon already? as he collects his books and tidy it up at one corner of the table before speaking again.

"yuri satsuki is inviting me to have lunch with her. would you like to also join? i think she wouldn't mind." he kindly offers, probably not knowing the words struck you shocked.

you know satsuki-senpai, she's a year older than you and has been a social butterfly ever since you set foot in student life. she is a nice person, you conceived, but not until you found out that she has a huge crush on your akaashi keiji, her behaviour in your eyes became somewhat annoying. in return, she did realize she had a rival to win over him, you acknowledge that through the smug look she gave every time akaashi was around her instead of you, that is how the tension gradually builds up between you and your pain-in-the-ass rival.

and now she's even invited keiji for lunch? you feel an uncomfortable twist in your belly, screaming that if you do not take further actions, you lose akaashi to her. but his way of discarding your hard work, also known as an attempt to get his attention earlier discourages you hastily. this comes to a realization: ever since he start hanging out with satsuki-senpai, he has never touched one of your cooks once.

"no, i'm fine staying here. you go" you force a smile waving him goodbye. he hesitates upon seeing the downward trend of your mood as well as the strange attitude every time he brings up yuri.

"what are you waiting for?" you scoff, trying your best to make it sound not so bitterly. he nods quietly before ruffles your hair, thoughtfully remind you to get something to eat before start working again, and he'll be back with you soon.

you groan for the nth time in thirty minutes since his last leave, deciding not to eat anything at all after you laugh bitterly to yourself seeing the bento box laid cold by his stuffs which corrects your thoughts that he is not going to appreciate what you did for him.

the chair scraped the floor when you stand up, attempting to compose yourself when you feel your brain need a break from overthinking such situations.

on the way out of the library, your eyes meet yuri satsuki's, assuming that keiji is just somewhere around here as his lunch break partner is the person you least excited to bump into.

"well, well. isn't that the girl whose best friend choose to hang out with me instead of her?"

excuse me?

"don't get too ahead of yourself, satsuki-senpai. just a friendly reminder" your tone evidently irritated as you flash her an unamused smile, trying to avoid her as soon as possible.

but the radio scene of her voice replayed all over your head, your mind goes muddy despite the fresh air you're trying to take in, you let out a shaky breath, tears brimming out.

maybe, he doesn't quite noticed the things I did for him after all...

---

"you're back. where were you?" akaashi worried tone surprises you after a quite fine time of trying to find you because your study desk in the library was empty.

"i was... out for fresh air. why?" your voice is off and he noticed that. he always knew when something is bothering you, and right now he definitely know that something is wrong.

"after i finished my lunch i got yours, 'cause i know when i'm back you would still hadn't eaten anything." his brows slightly furrow seeing your avoiding attitude.

"thanks, keiji." you said briefly, take the package from his hand and sit down on your seat, never forget to notice the pastry box still intact.

your strange attitude didn't just stop there, it confuses akaashi for a more couple of days of your avoidance, he dislike the way you put a small distance between you both in study sessions, you flinch and tense around him more often, your answers and conversations are brief and sometimes awkward as you seem to be more preoccupied and attentive rather than to communicate with him.

"good morning, y/n." he smiles, your state has been bothering him for days as he is paying attention to your fade grin and a small "hey" as a greet back.

then he fumbles. something is missing...

oh. but then, realization sets in him quite quickly: you didn't bring any homemade sweets today.

"y/n..." he hesitates, meeting your eyes as you lift your head up from the notebook you're scribbling on. "does your home perhaps... out of ingredients or something?"

you are stunned for a moment, knowing exactly what he was trying to imply, scared to look at him directly in the eye as you shift your gaze elsewhere, pretending to have forgotten.

"oh... you mean the pastries... I forgot to do it. I was busy yesterday"

lies. he see through it, you know that, but you can't just blurt it all out that you're heartbreaking because of his indirect rejection that never says he doesn't like you, but makes you feel like it did.

"hey... i know something is wrong, can you tell me what it is?"

there it is - the worried look on such handsome face that never fails to make your heart flutter. but you know, that is just his nature of being an attentive and thoughtful person, not just for only you, but for everyone in his orbit.

so his question remained unanswered.

akaashi has been extremely distracted due to the sudden lack of your affection on him. it's just doesn't feel the same. even if he refuses it but deep down, he misses your midday snacks, your bubbly laugh around him and that flushed cheeks you wear every time he caught you staring. it has been a whole week since, and the fact that you didn't join the friend group video call with bokuto last sunday was his last straw.

he misses you, dearly. and if he doesn't do anything now before your project is finished, he might find it difficult to approach you even when you are his best friend.

and then, on an another lovely morning in the college's campus, an emotion he thinks he's aware of stirring in his stomach at the scene of you handing out a bento box wrapped with the same detailed towel, a small smile tugs at the corner of your lips as the other boy laughs lightly, scratches his neck, sending regards with a polite bow before making his way back in the classroom, akaashi doesn't like what his eyes have witnessed, so when he met yours, the bitterful look sends shivers down your spine.

you turn away, begin to walk, you do not want to deal with your bothered heart right now, not if it has anything to do with him, with that thought, you choose to neglect it because it is just your one-sided feelings for him.

but you hear footsteps behind, next is a small "wait" escaped from his lips when he managed to catch up and hold gently on your arm. that stopped you midtrack.

"please. can we talk?" he pleads.

---

you find yourself trapped by his presence in a corner of the school's library. there's no point in avoiding now.

"i'm sorry." he states. "i like you, i should've known."

your eyes widen. why- all of a sudden?

akaashi glances at you, softly sighs before bring your hand up to his face and kiss your knuckles gently.

"i understand now, i was clueless, you have the very right to be mad at me." each sentences he speaks crack your heart, but at the same time, they give you hope.

you neither know how to react, nor what to say, you just stand there, completely speechless, it encourages him to continue his speech of pursuing you.

"the last time i went to have lunch with satsuki, she confessed to me." he stopped, watching your expression. "but i turned her down, then, she got angry and started to brag about you. i did not like what she said, so i got quite defensive and... that was when i realised."

"i didn't know when it started. i just knew that i didn't feel very comfortable seeing you bringing your pastries that was meant for me to someone else, and more it's because i didn't appreciate it."

he squeezes your hand, afraid if not, you'll slip from his grip and become somebody else's apple. he certainly dislikes the thought.

"i want your pastries back, i love them as much as i love you. please let me correct such a terrible mistake."

---

"yes, hello. i've received the box, thank you, my love."

akaashi spins his office chair slightly, softly speaking to the phone stuck between his cheek and shoulder with a smile while unwrapping a huge warm box of freshly baked tarts.

"keiji, bad news, i'm out of powdered sugar after that batch." your voice echoed on output, he chuckles.

"are you free after work? we can visit the supermarket to purchase some. i'll drive, consider this a date with me, 'mkay?"

© 2024 dreamesamu. all rights reserved.

[always-a-king-or-queen]

C 👏 S 👏 LEWIS 👏 WAS 👏 NOT 👏 MISOGYNISTIC

IM SO SICK OF THIS TAKE

“But he said girls shouldn’t fight in battles—" No, actually. What he said was “Battles are ugly when women fight.” Which literally translates to “in a war where women are required to fight to help win it, it means the war itself is really bad.” And this literally just means that the war has gotten so bad that women have to fight, not that women shouldn’t fight. Just that they shouldn’t be forced to. Anyway, remember Lucy?? Lucy who rode to battle in The Horse and His Boy?? Lucy who fought as an archer?? “But Susan didn’t—" Yeah. Because she didn’t want to. No one was forcing her not to fight. She had free will to fight or to not fight, and she chose not to because she didn’t want to, not because a man made her stay home.

“He punished Susan for growing up—" S i g h. This is the one I see the most often. “He did Susan dirty” “he made her suffer because she liked lipstick” “etc etc blah blah blah” First of all Narnia is a children’s book series. For CS Lewis to delve into why Susan forgot Narnia, talk about her dealing with the death of her entire family, discuss her grief, and write about her eventual return to Narnia (more on that in a second), it would’ve made for a pretty dark and heavy children’s book, and Lewis said that he didn’t think that was something he wanted to write. But he also encouraged people to finish Susan’s story themselves, and said she might eventually make her own way back to Narnia. Not only this, but Susan’s name means lily, and the waters around Aslan’s country are covered in lilies. Coincidence? I think not. I think it symbolizes she was going to go back. (Especially considering I think Lewis was very careful in choosing each of the Pevensie’s names, since they all relate to their character).

Also, Lewis did not condemn Susan simply for growing up and liking makeup and clothing and boys. If so why would he have written about Aravis and Shasta/Cor, or Caspian and Liliandil? Why would he have written about Susan and Lucy being beautiful and having many suitors? So no, he wasn’t condemning her for that, and in fact he wasn’t condemning her at all. It’s extremely probable that her family’s death would have brought Susan back to her senses. Because here’s the thing: she forgot. She threw herself so much into the world and approval and convinced herself that her life as a queen and her acquaintance with Aslan was all a silly game they played as children, that it wasn’t real. But, she very well could remember again, and I 1000% believe she did.

“All his female characters were weak and did nothing—" My friend. Lucy Pevensie was a female. She discovered Narnia. It was because of her. Her siblings would never have found it without her. Lucy is one of THE most important characters in the entire series. And her title? The Valiant. Lucy’s very title as queen denoted her bravery and fortitude without one even knowing her. As for Susan, she was not any weaker for being “The Gentle.” I would say gentleness is honestly one of the strongest traits a person can have, because it takes a lot to live and be gentle. Also remember Aravis? A major character in The Horse and His Boy and future wife of Shasta, Aravis literally nearly killed herself to escape an arranged marriage. She was not someone to be dictated to; she made her own choices and escaped rather than submitting. And in the end, she’s still fiery, just a little more humble and with less of a chip on her shoulder. Then there’s Polly, who is the more logical person in The Magician’s Nephew and tries to stop Digory from ringing the bell that wakes the White Witch. A boy causes her to awaken, not a girl. It was Digory’s fault she woke up, not Polly’s!!

Also, Peter and Edmund do not ignore their sisters because they’re girls. They listen to what they have to say and speak to them as equals. They don’t forbid them from fighting; Susan chooses not to, but Lucy goes straight into the heart of the battle with them! So don’t even say Lewis made his female characters weak. They were the backbone of much of the series and without them much of the plot would never have happened!!

So don’t you ever say to me that CS Lewis was misogynistic because it’s the furthest thing from the truth