#why am i at work. i should be reading comics.

[lolliepops-rox]

Please please please someone put MCU down like the sick fucking dog it is.

[ganondoodle]

(OC Lore and design time!)

(it got longer again ... sorry ... idk how to make things short, i just need to talk, but i guess if you can read the written stuff in the pic thats the barest bare bones of what i wrote here)

i was asked what new lore story stuff i had thought about that made me sad which i mentioned a bit ago, and while that is too hard to explain given all the missing context i thought i could at least talk about lore having to do with it :D

so, (Lord) Eadrya is one of my fav OCs (big blue lad, here a rough sketch in humanoid form) they are both one of if not THE most powerful demon alive and the most battle trained;

at the mid point of the story the demon world gets invaded by the celestials (the angel inspired things i talked about in the previous lore post with Xaror) and Shargon, as the king, should be their first and only frontline, but at this point his life is only being sustained by maschinery after being mortally wounded, he cannot fight (he realizes what is going on, rips himself off the maschinery to get at least his youngest child to safety, barely managing it before dying- the guardian, the demons god, takes over his body to attempt to fight against the celestials but cant keep itself alive long enough since its host is already dead) Eadrya takes the role of the frontline fighter (despite being very full of themselves and aggressive they care about their 'job' of protecting their own, also giving them the chance to show off just how strong they are); the fight was going well for them all things considered, but when the guardian activates it drains the power of all elemental lords (which Eadrya is one of, and since they have the most strength it also takes the most from them), so much so that they lose the fight and suffer deadly wounds (the worst being a spear through the chest made of a material that grows hard, root-like formations when in contact with demonic blood like a fungus but worse, also stopping any self healing processes) after the guardian falls apart it creates a huge shockwave of energy that stuns every living thing within a certain distance and possibly more-

Eadrya (in true demon form, so like a blue whale in size at least) was likely taken through an active gateway to the human world in a large tidal wave also created by the guardians fall; they wash up in the harbor of a small secluded village, the head of which is 'lady 13'; although never having seen a demon before and everyone being afraid (largely thinking its a strange hurt animal, only she suspected otherwise), they still gather all villagers to pull out the celestial spear, which is diffcult and brutal given that its already taken root, but the village lacked both knowledge and means to help any other way- doing so damaged their heart which is how they were able to collect samples of all three demonic blood types ('normal' -red like humans-, energy -essentially purely magic- and heartblood -highly concentrated energy only found within the heart of a demon and the only one to contain genetic material) (this is the start of Eadryas character arc, having to deal with the fact that their world is likely destroyed, them failing what they didnt think they could fail, having lost a battle so badly (even if not really their fault) for the first time and not knowing if literally anyone else has survived .. also being now stuck in the human world, which they dont like)

Lady 13 (placeholder name? stands for experiment 13) is a human that was tricked by demon hunters to enroll into a series of experiments trying to create hybrids of demons and humans, which they hoped would be powerful and easily controllable tools for their endeavours, though the two are inherently not compatible, they tried grafting body parts of demons on humans to make them compatible- all experiments failed except for her, more or less, though she never got to see the hybrid she carried and was then told it had died too, they threw her out believing she wouldnt survive much longer either and all such experiments were cancelled due to the high cost of human life, research material (demons are still rare) and upkeep with no successful results Lady 13 survived though (perhaps even via the pirates picking her up?) and she ended up living in said small village far away, hiding her half demonic body, though most know there soemthing 'wrong' with her (her being this tall when it doesnt fit the rest for one), only few know the full extent; she enjoys the life she has now, perhaps on the more poor side but safer and more loved than ever before; she largely lead the efforts to try and help Eadrya when they ended up in the harbor, though there wasnt that much anyone could do it was still enough- they leave immediately after waking up, but return after really having nowhere to go and struggling to deal with everything that has happened; over time (probably years) they start to open up towards the people there (though not .. very much) enough to get rather close with Lady 13 too- she actually falls madly in love but after Eadrya (extremely aro/ace) rejects all her attempts quite clearly she respects their boundaries

However, after hearing news of potential demon sightings Eadrya decides to leave in hopes of not being the last demon left after all; Lady 13 then decides to reveal her secret to them (though hearing and seeing what lengths hunters would go to for their experiments makes them absolutely seething with rage- she insists on not being out for revenge) and asks if they would be willing to donate a small amount of heartblood; shes always wanted to be a mother but is now incompatible with humans too- through things she picked up back at the experiments facillity, hers and her doctors research she is sure that is all that is needed, she dares to ask since she does not know when, if ever, she will meet another demon, much less one she could actually trust enough for this though Eadrya hesitates (why would she want to go through the same thing again that didnt work and threatened her life, if it does work, do they want to be involved with any of this? what if hunters find out it worked after all?) but after her ensuring that they would have no part in it other than giving up a little blood and would not be considered a parent in any way, nor made responsible for anything that might happen to her, but considering it all in the end they agree to it

only for her to reveal shes had a small bottle of it already, along with multiple samples of the other types, which she collected when Eadrya was bleeding out into the harbor not knowing if they will survive, though not wanting to make use of it without their consent either way (they are actuallly rather touched by this)

alot later the main group returns here and it turns out to have worked (though she is unable to walk/bedridden for a long while bc it did alot of damage to her body, which can heal since its demons parts, but only really slowly bc she does not have a full functioning system and no demonic blood of her own -she uses the other samples for the healing process-) though its a little awkward to explain, especially considering that 13.1 took alot after Eadrya xD (their theory as to why it worked so "well" that time is that even though the sample was already taken, them giving their consent for it still made it less likely to be rejected; demons dont need partners to have offspring, and all can do it, they just have to decide to- so them agreeing to it, even though its long been outside their body, still had an effect on the blood sample)

[bacchuschucklefuck]

Can you expand on what you mean by Baron being "too cool" to really fit a horror monster? It's a very interesting concept and I'd love to hear your thoughts. Is it that they're too active/involved/tangible and it detracts from their scariness?

I feel like I should preface this with a wall of disclaimers lmao 1/I am a hardcore, down-to-the-marrow, avid, deeply sincere horror enthusiast, esp. horror creatures. this usually means my mileage is vastly different from the average populace's, and my scaredy bone has been disintegrated by longterm exposure. most things in a piece of horror media won't scare me! so I practically never use that on its own as the scale to talk abt horror experiences, but when something does scare me it's always a special occasion to be treasured. 2/canon d20 is never really meant to be horror horror, and for good reasons: it doesn't fit the company's output, it takes a kind of carelessness in production estimation that is always a huge risk, it's often vulnerable in a way that kinda goes against how TTRPGs usually facilitates vulnerability, and for most people it's just! stressful! d20, even with the "horror-themed" seasons, generally just plays with horror tropes and stays focused in its goal of being a comedy improv tabletop theater show. 3/fantasy high's chosen system is DnD, which as I've mentioned before is before all a combat-based game system, which means the magic circle of play is drawn based on stats that facilitate and prioritize combat. want or not this affects every interaction you have in the game, and given fantasy high's concept from the ground up (everyone's going to school of DnD stuff to get better at DnD) it's doubly relevant. 4/This Is Fine I have no quarrel with this. my meters are internal, I do not ask this show to be anything it doesn't advertise itself to be, and what it is is fucking great! I like it! when I expand on this ask's question it will be like a physicist going insane in a lab. that's the mindset we're going in with.

disclaimers done. my stance on horror as a genre is that it's a utility genre rather than a content genre or a demographic genre; it is the discard of narratives. it's the trash pile. horror, above being scary, is about being ugly and messy, it's the cracks on the ground any story inevitably steps over to stay a genre that isn't horror. the genre's been around long enough to develop a codex and a general language that medias and makers and enthusiasts of the genre can use to talk about and build onto, but if you go into individual pieces there's really no unifying Horror Story. one person's beautiful life can be another's horror story, it's just how it is.

this makes The Monster a deeply intriguing piece of the genre. thing is a monster is in a decent percentage of any story - it's just when the antagonist force steps into something past a certain line traced out in the story's world. monstrousness is in pretty much every western fantasy story, it's in any story with a hero and something to vanquish or win; more than anything it's a proxy of that thing up there. the line in a narrative's world. the monster is the guard of the unknown lands, where heroic, civilized people don't tread.

what does this mean in the context of horror? the genre is about that perceived lawlessness, that "unknown land" so to say. we're in the monster's home. that's the literary context that we often walk into a horror piece with; the monster knows more than you about where you are. it may not understand you, but it holds more information than you, and with that it moves swifter than you, has more covered than you, and is more assured in its existence in this context than you. it's a struggle to catch up to it, it's nigh impossible to get one over it, and you're never sure it'll 100% work, because you just don't have the information necessary to.

with that framing you can kinda see where I'm coming from here: horror's often about the breaking of rules. I always think a monster's most effective when it breaks well-established rules of both existence and visual storytelling. think Possum (2018) or Undertale's Omega Flowey or the Xenomorph Queen - unique change in medium, unique change in graphic, unique change in design language, etc. in that sense I actually really like how canon baron plays out: they don't really function like anything else in the fantasy high universe, the bad kids have not managed to kill them when they've felled literal gods, their domain in fhjy literally introduces new mechanics to encompass their existence! from an experience design standpoint they slap mad shit. BUT! I can't help finding their character, like as a character riz (and the other bad kids, eventually) interact with, to be very... coherent? in design. this is kinda hard for me to articulate in words, it's more often a sense you get once you've looked at enough of these scrumptious fuckers, their general design and the way they show up is just kinda too clean, so to say. always kinda newly made? fresh unboxed. it, once again, makes sense for their lore - they are looking for more about themself from riz - and their function - they're an antagonist in a game experience, they're meant to be interacted with in a way that produces results and meshes with the existing magic circle - but that shininess takes away from the implied history they should have dominion over and the person they're haunting doesn't.

from another angle there is kinda something there about how put-together canon baron is as a concept; the domain they call home is riz's deep-seeded fears, extremely vulnerable things he's drawn borders around to quarantine and refused to walk into. things that from his perspective would irreversibly shatter certain pleasant fictions his world is built on top of. canon baron, While Extremely Cool, I feel is kinda too neat to connect with and signify the apocalyticized mess that'd result from this paradigm shift. the part where they're in riz's briefcase and looking through every mirror is Very Cool And Fucked Up! but ultimately the show draws a line around them as well, by making game-physical, tangible spaces they're in (the mirrors and the haunted mordred manor) and put riz and the bad kids there only when they need to confront stuff. riz is meaningfully narratively away from baron's unknown land for most of fantasy high.

with that and all of my disclaimers in mind my conclusion here is if canon baron wants to be a Horror Monster they'd have to cross way more lines. be a Lot more invasive. hence (holds up my class swap baron like a long cat)

[schemelin]

every now and then i experience brief moments of self-awareness telling me to make major changes to the fusionsprunt story

[bleh1bleh2]

Idk why i'm getting into so many long form pieces of media. First of all i am reading superhero comics (from the beginning, most of the time). I've gone through the new teen titans and superboy, and now am trying to get through like 80 issues of batman (late in dicks robin run through jasons death) so i can read tims robin run. So i can read huntress then the outsiders then teen titans 03 then a billion other team-ups. And also steph/cass as batgirl and babs as oracle. And dick grayson nightwing. (And probably a lot more that i am forgetting right now) and i am reading the 80s wonder woman run. I'm also considering getting into Green Lantern and/or the Flash. Also i want to know so much more about Kara supergirl ever since i read Woman Of Tomorrow (i love and adore her). Then with marvel i want to get into spiderman/fantastic 4/daredevil, plus possibly the xmen. I have been reading comics so much this past year and have so much to read before i even get close to my goals of being knowledgeable.

Then i went "yeah, i will start one piece"

[coquelicoq]

[Image description: A laundry room sign with instructions for using the washing machine, first in English and then ostensibly translated into Spanish. Next to the High Efficiency logo is the text "HE (High Efficiency) Concentrated Soap is Recommended" and below that is "Por favor usar un jabon haute efficacité". Below that is a picture of the machine with parts labeled in English and Spanish. /end ID]

it's embarrassing how long i was standing there trying to figure out how to pronounce haute efficacité in spanish before i realized that haute efficacité is, in fact, french

[todayisafridaynight]

just wanted to make a cute short comic but then i told myself i have to redraw the first half of the sceneim basing the comic off of so now it's THREE pages instead of two

[autism-disco]

ffs tumblr why did you have to dig me into a pit of old interests i have a test in like eleven hours!!! i don’t have time for this!!

anyway if they ever do release tamsin and the days as a book like with deep + dark i will loose my absolute shit. yes it has been at least like 4 or 5 years. no i don’t care give it to me phoenix comics please i need to remember what the funny pumpkin man did

[taylor-titmouse]

hey i want to talk about how you should be promoting your work as an erotic author/illustrator

i'm writing this up because the marketing aspect of my work as an erotic author/illustrator is a science to me, and also because i'm the guy who gets unreasonably annoyed when i see other creators not properly advertising their work. you presumably want to make money off your work. this post will be written under the assumption you want to make money off your work but are doing a bad job at it. it will be very confrontational. if you read this and feel attacked you're right and i am attacking you.

this is geared toward selling erotic comics/writing/books/art as products. i will probably write more than one post about this subject so if i didn't touch on something you want to know more about, comment/send me an ask and i'll keep it in mind for the next one.

i will start with my first and least specific but most important point:

DON'T GET FUCKING CUTE

hi are you paying attention. i'm gripping you by the sides of your face. do not get fucking cute with what you are trying to sell. you are not a big enough property to get cute, nobody LIKES it when big properties get cute, and you are selling porn. you have to own this. you have to be up front about this. don't be tongue in cheek, don't be all teehee i wonder what this could be~, don't be secretive. you are selling a product. you have to fucking act like it. you are an adult selling pornography to other adults. i am GRIPPING your HEAD you NEED to understand this.

and to be clear when i say 'cute' i mean coy. i don't mean cutesy, as in the aesthetic. you can be as hello kitty pastel ten emojis a post uwu as you like when you're building your audience and generating hype. but when you start trying to sell, don't be vague, don't be sarcastic, don't mislabel your work as a joke and assume everyone is on it. because they're not.

you must always assume 75% of the people seeing the thing you are advertising have no fucking idea who you are. and that includes a huge chunk of the people who already follow you. they do not know who you are or what you've been working on for two months or why they should care about it. they just got here. somebody just reposted it. they are seeing it for the first time. most people are only looking at social media for a tiny chunk of their day. they are not keeping up with you. you cannot get cute about what you are trying to sell because nobody knows what it is until you tell them.

okay are you still with me. we are going to talk about clarity now.

YOU GOTTA TELL ME WHAT IT IS

good lord the amount of times i have gone to buy somebody's comic or book and had no idea what's actually in it or what it's about. who are the characters? why should i care about them? what do they do in it? what is the premise of this thing you want me to spend $5 on? why would you not tell me? i'm shaking you again. please i have to know what i'm buying i only have so much money to spend on porn.

porn, arguably more than any other genre, relies on knowing exactly what is in it. you do not want to surprise your readers with a kink they were unaware of! and on the flip side, you do not want to miss out on your target audience! if your book contains a hot spider babe laying eggs in an elf, you have to say so. not just so people who don't want to read about eggs know it isn't for them, but so the people who are egg crazy can see that and go "oh fuck YES i love EGGS here is my $5 and an extra $2 tip for catering to me specifically". a contents/features list is as much an advertisement as it is a warning!

as for re: who the characters are and why should i care, i'm sorry but you need to learn how to write sales copy. you have to write blurbs. you have to get good at the shit that goes on the back of a book. we all hate it but we have to do it. i want to know who the characters are and what the context is. i, personally, am not interested in contemporary stories as much as fantasy and historical. please tell me what genre this porn exists in so i know if it aesthetically appeals to me. pull some books off your shelves and see how they do it. hell man go look at mine.

while you're there, note that every single book of mine has a sample of what's in it. this feels like such a no-brainer to me but again! the amount of times i have gone to buy somebody's work and they don't show me what their work looks like! you gotta give me the first page or two! just enough that i know if i like the way your writing sounds, or the way you draw your comics! i don't know you! i am not going to trust that you're good at what you do just based on a cover. the cover is to get me to this step, it is not the only step. you have to show me that you're worth spending my money on!

to put it less cynically, you want to catch my interest. you want me to go 'oh i want to see more of this', you want me to go 'ahh i want to know where this goes!' you need to get me invested and craving more. earn my $5!!!

YOU HAVE TO MAKE IT EASY TO GIVE YOU MONEY

hey go look at your bio right now. go look at your pinned post. do you have a link to your patreon there? do you have a link to your itchio/gumroad/whatever? do i have to click more than once to get to the places you want me to go to give you money? why? why are you making me click twice? have we learned nothing from every website making you click an extra time when they make some stupid UI update and how much it pisses us off? i have already given up, i have forgotten you, i am not giving you my $5 today. put your links in the easiest places to get to them.

god literally as i was writing this post i went to go find somebody's itchio to see how they described their work and it was not anywhere on their profile. grabbing you and shaking you PUT THE LINK WHERE I CAN FIND IT. don't make it hard! make it easy! i am a dickhead sitting on the toilet scrolling, saw your post, and was interested enough to read further. but you made me go to your bio to find your linktree and oops i have already gone back to my timeline to look at the boobies in the next post. stop wasting precious bio space on DNIs and put your fuckin links there!!!

this is more for the twitter people, but: just put the link in the damn post. just say the word commission. just say it's for patreon. "wuh wuh the algorithm" it is not the damn algorithm it's that everybody hates advertising and nobody wants to retweet ads. putting slashes in the words doesn't do anything and you look like a fool. i have posted so much art that says it's 'a commission for ___" and it did exactly as good as any other art despite having the word commission in it. and by doing the slashes you just made it impossible for anybody to search your account for your commission information (which should be at the VERY LEAST in a post under your pinned tweet if you're not actively posting about them being open).

okay that went on a tangent i'm going to back to the point of putting the link in the tweet. put it in the first post. not in the first reply. don't tell them to go to your bio. put it in the post people are actually going to share. it's fine to put more information in the thread but people are only ever going to share the first post. so put the link there. you have to make it easy. putting links in tweets can hurt you algorithmically, even in the replies. so you're better off having it in the post that actually gets seen and shared. i don't want to open the tweet and scroll to get to your sales page where i ASSUME you will have put all the information anyway. put it in the tweet that just got retweeted by itself onto my dash!

also you have to share it a ton of times. i repost my shit every few hours when i'm trying to push a new product. as i said before people are not 24/7 looking at their timelines. they missed it the first time. they missed it the second time. they didn't get paid yet that week but they were after the eighth time and you reminded them again so they finally bought it. that i will still get sales every time i repost a book ad weeks after release says there are always people who missed it, or who only just showed up.

abandon your pride and shill. shills pay their bills. anyone who gets annoyed about it isn't giving you money in the first place. don't worry about looking like a sell out. don't apologize for plugging your own work. post about it often, post about it in different ways. post about it. post about it. you are not going to make money if people don't know you have something to sell them. if you want to make a career out of it, you need to act like it.

I DON'T HAVE A FOURTH POINT

kisses your forehead. i'm sorry for yelling at you. i've been making and publishing and selling adult art for the past two-three years and have got myself to the point where it pays my rent, and i got there by paying attention to what does and does not work.

please do your best to make money. i want you to make money.

as i said above i plan to write more posts on this subject, such as cover design, how to actually write sales copy, and best practices with running a patreon, but if there's things you would want to hear more about leave a comment or send an ask! i will probably be less aggressive on future topics. these are just things that have grinded my gears for a grip.

[darlingdreadwrites]

Awkward

pairing: Ticci Toby x GN!Reader

summary: You had planned to hang out in the woods on your day off, but the sound of Toby training reminds you of an awkward encounter. Confronting him leads to other things.

contains: a nervous toby, a little bit of a confession, toby's in loooooove, kissing

warnings: toby walks in on you half naked (encounter is under the RED DIVIDER!! skip it if you don't want to read it cuz it is kinda NSFW), awkward talks

wordcount: 1.5k

masterlist

a.n: needed to feed my toby fiends (i missed writing about him). also, for the EJ request, i am working on it, don't worry babes

The dark blades of grass tickled you through your long-sleeved shirt. You could smell the crisp autumn air as the cold kissed at your skin. Today wasn't the worst, you noted. You even had the right amount of sun. The orange-red leaves were cushioning your head, and these woods had never looked more beautiful. It was perfect. 

Thwack. Thwack.

It was perfect. 

You try to ignore the sound of Toby practicing his aim. You want peace and not be reminded of the awkward encounter you two shared. You shiver internally at the memory.

Having been tasked with another mission, you wanted to throw the biggest tantrum. It felt like you had just gotten back from one. As much as you might've enjoyed hunting, your body would get so sore. 

That’s why you were petulantly - and very slowly - getting dressed. You timed it; how long you should put an article of protective clothing to drag it out as much as possible. You just had no idea that this wasn't a solo mission for you. 

You were new. At least, new to Toby. He was used to the timely manner that Tim and Brian would respond when on a mission. That’s all he would remember until his eyes glazed over, leaving him as little more than a puppet to the Operator. He honestly thought you had forgotten about getting partnered with him and about your kill. He was right about one thing. That's why, unbeknownst to both of you, Toby was rounding the corner to barge into your room and yell at you like he used to be yelled at for taking too long.

Your bedroom door had swung open, and a heavy silence came afterward. You - being in the middle of putting your shirt on - had stopped to whip your head in the direction of the now-open door. If only your reflexes had the decency to let your shirt fall all the way.

Toby floundered, his mouth opening and closing dumbly. He didn't know why he couldn't - or why he even needed to - say anything. He could just close the door and not stare at you like he'd never seen a half-naked human body before. A very attractive half-naked human body that belonged to a very attractive human he had a massive crush on. 

He realized that now as the two of you stared at each other for a comically long time. His throat felt like it was the dryest it had ever been, and he worked to stop a heart attack from ensuing - and his dick from getting hard. But his eyes were struggling to stay glued to your face and not the way that your chest was on full display. He wanted to rush in so badly and squish his face against your - nope.

“Ooooh, fuh-fuck,” he whimpered. From embarrassment, you hoped. He squeaked out an apology before slamming the door shut.

Toby almost messed up the whole operation that day. You knew it had something to do with the incident, but neither of you wanted to address it at all. 

That was the whole reason Toby was throwing his hatchets like no tomorrow. You had to stop Tim from beating him into a bloody pulp. He said that if Toby liked his hatchets so much, he should learn to not fuck up his throws. He had no idea of what nightmare he had unleashed for anyone in the younger man’s vicinity. 

You try to shut out the repetitive sound of steel meeting wood. And the heavy, breathy grunts that came out of him, but you weren't going to get into that. As much as your brain screamed at you to ignore his presence altogether, a very loud, small part of you wanted to talk to him. You only recognized that as wanting to yell at him for being annoying. 

After a few more grueling seconds, you sit up. You internally hype yourself up to confront him as you stand up. You reach behind you to brush off any leaves or dirt that stuck to you. 

You'd only made it halfway to him when he heard the crunch of leaves. He knew it was you. Jesus, had he memorized the sound of you walking? How pathetic could he be? He contemplated scrambling in the opposite direction and leaving behind all his stuff for a moment. But when he saw your face come into view, he was stuck. Rooted, planted in his spot, and at your mercy. 

You offer a small, awkward smile before speaking up. “Could you –“

“I-is it the-the…” he trails off, glancing at the hatchets.

“Yeah,” you clear your throat. “Yeah, it’s the… it’s pretty loud.”

“My…my bad.”

“No, it’s – it’s fine, really, just… ya’know…”

Toby nods, grunting softly as he dislodges a hatchet from a very abused stump. He – pretends – to inspect it for a moment. “I have to-have to practice. I can’t hhhhelp how loud it-it is.”

You blink, taken aback by his defensiveness. “I didn’t say you couldn’t.”

“I’m-I’m just sssayin’ that if it’s bo-bothering you, you cuh-can go back to the-the cabin,” he almost mumbles the last part when he sees the look on your face.

“Ooo-kay,” you turn to leave, not wanting to deal with this.

“Wait – wait!” Toby drops his hatchet and takes two big steps closer to you. “Ssssorry, that didn’t-didn’t come… out right.”

“No, I understood.”

“Then why ar-are you making thuh-that face.”

“What – “ you can feel your cheeks start to warm up. “What face, Toby?”

He points at you with a gloved finger, his right brow twitches. “That-that face.”

“I don’t make any face.”

“Yeah, you duh-do. Happens a lot-lot when you talk to mmme.”

Oh, you need to get out of here. Like, right now.

“Won’t look at you again, then.”

You go to leave again but get stopped by a hand on your arm. It’s warm – he’s warm – and your brain almost short-circuits because of it. It’s gentle, more than you thought he could be. You can feel the involuntary movements due to his tics, but you can tell he’s being careful with you.

“It’s not-not a bad th-thing, or whate-whatever,” he lets his arm fall to his side like he just realized what he’d done. “Just… nuh-notice it, ‘s all.”

“You’ve stared at me enough to notice that?” You scoff, intending to tease him, but your voice comes off a little shaky.

Toby doesn’t respond immediately – he just shifts a little to get closer to you. He doesn’t trust himself to speak because he knows he would’ve immediately said yes.

Yes, he stared at you enough to notice that. Yes, he actually, really liked your face. Yes, he’d thought about kissing your face many times. Yes, he couldn’t stop thinking about the sight of you when he opened your door.

But he couldn’t just say that. You always seemed annoyed, or tense, when he talked to you. And even then, you two didn’t talk a lot. Toby, not fond of being in the cabin for too long, was always outside. He noticed that you mostly stayed inside – preferring the comfort of your room. Part of him wanted to experience that with you. He hadn’t had any type of comfort in a while.

Toby realized that he must be freaking you out with how long he was staring, but – wow, when had your face gotten so close? Toby couldn’t believe that not only was he leaning in, but so were you. It seemed like an invisible magnet was pulling your faces closer until he could feel your breath on his face and smell your heavenly scent. A scent that he would only be blessed with every time you walked by. But now it wasn’t a fleeting aroma. No, it was so much stronger than he ever hoped it could be.

For a moment, all you could hear was the wind and the rustling of the trees in response to it. You couldn’t help but feel it all be stripped away. As if everything had disappeared, leaving just you, him, and this moment. You both paused before any contact could be made. Your eyes flickered up to Toby’s, and he did the same before your gaze fell back to his mouth. You always admired how pink they looked, so kissable. Oh, god, were you going to kiss him?

He steps a little closer – he’s inches away from you now – his head tilting slightly. His lips part, and it causes you to swallow involuntarily. Your brows pinch together, and you look back up at him. The sight has him yearning to grab your face and planting a long, bruising kiss to your lips.

You feel your pulse thrumming as he leans in to close that last inch. His lips press onto yours softly – almost tentative – and then his hand finds yours. The rough texture of his glove rubs against your skin as he pulls you closer. You can just feel how much he’s holding back – holding everything in his power to not brush his tongue against your bottom lip.

When you finally break apart, neither of you speaks. He smiles widely, his eyes crinkling at the corners, and he almost looks absolutely adorable. Until he opens his mouth, that is.

“I knew-knew you liiiiiked meee,” he sang, shimmying his shoulders a little.

You almost punched him.

But, in the end, kissing him again would satisfy the two of you way better.

[parfaitblogs]

waiting room ❀ s. reid x reader

in which he breaks up with you, and your life slowly falls apart. so obviously you should see him?

pairing: ex!spencer reid x reader genre: angst tags: implied alcohol reliance? lots of nothing happening not even a gun to my head could get me to write action... do not read if emotionally stable because i sure wasn't when i wrote this. word count: 1.9k a/n: i never write in second person so if there's a cheeky she her they them somewhere in this ignore it!!! i do not know what i am doing!!! probably not proofread enough. also no happy ending i hate those let the people cry i say! i haven't posted my writing in like three years be nice...

also posted here on my ao3 !

"Hey."

"Hi."

Awkward silence. Horribly awkward silence.

Your eyes darting around a bar that you found all too familiar, with decor that you could paint on a canvas with your eyes closed, and such a distinct smell that you could imagine it from miles away. You didn't think you'd ever forget the way the air moved in this bar, or the sound of the same three bands singing every Friday night on repeat. You knew all the words to their songs by now. And the bartender knew your name, embarrassingly so. 

And even over the sound of patrons talking, and the clinking of glasses and every other overwhelming sound that drove you crazy, you felt like you could hear your heartbeat slamming against your chest. Your lips chapped, never wetting no matter how many times you produced the saliva in your otherwise dry mouth to lick them. Hands wrapped around an ice cold glass that did nothing but numb some part of your body, to accompany the numb feeling in your chest. 

You looked better than you felt, but he was knocking both parts of you out of the park. Maybe that's why your mouth was so dry. You'd tell yourself that it is, at least. He's too attractive to talk to. But you could talk to him. You did talk to him. All the time. About everything, and nothing. Because that's what you two did. 

And yet; the awkward silence. 

He cleared his throat, and it prompted you to take a sip of your drink, mixed alcohol falling down your throat and leaving a burn that shouldn't comfort you, but did. You didn't pull a face at the taste of it the way you used to, and you found yourself wishing that part of you that you despised was back. 

Maybe he would tease you for it again.

"How's work?"

The words felt foreign on your lips. It wasn't really what you wanted to ask him, but every inquiry you had died on your tongue before you could ask them, nothing feeling good enough. 

"It's good," he answered, eyes studying you in a way that made you want to shrink into nothingness. 

"That's good," you said, and you saw the small twitch of his lips — brief, before they fell back into their natural downturned shape. 

It was almost comical how much silence sat between you two. Two people who would talk until people around them were groaning and regretting asking them a question, falling silent in the presence of one another. 

He cleared his throat again. Maybe you should offer him some water, but then you realised this wasn't your house and he was fully capable of getting his own water. And everything else in the world.

"How's work for you?"

"It's good," you answered, half-heartedly, because you really didn't know. You hadn't been in months. 

You didn't really realise a breakup would affect you this much. You had always been good. Good at putting emotional turmoil on pause for your busy life. You never considered the possibility of putting your busy life on pause for emotional turmoil. 

But then Spencer Reid left you. You never considered the possibility of that happening either, until it did. 

"Is it?" he asked, and you watched his body shift slightly in his seat, almost leaning closer to you. 

And unfortunately, you can only pretend in front of the man across from you for so long. "No," you said.

"Why not?" 

"I'm not going." Your voice was embarrassingly quiet, but you knew he heard you, because his eyebrows furrowed ever so slightly, and his lips parted for a second. It made you want to take the words back; to lie again. "I got laid off a week ago."

He slowly nodded his head in recognition — that would explain your sudden request to meet. "I'm sorry."

You could imagine a million things you knew he'd be saying the words for, but not one part of you really believed it for any of them. So you only nodded your head, gaze dropping from him to the glass in front of you, the paper straw disintegrating in the liquid — something you weren't used to; you would finish drinks too quickly for that to happen. 

You didn't come here to mope. You do that every other Friday night. You didn't need to do that tonight, when the man you were spending your nights sobbing and your mornings numb over was right there with you.

"How's your mom?" you ask instead, lifting your head back up, and you watched his Adam's apple bob as he swallowed. 

"She's okay. Same as usual," he said, and you nodded your head. Short answers seemed to be the only thing you guys knew how to do. "How's yours?"

"Good," you answer, because the question doesn't really have the same weight as it did when you asked him; he only did it to be courteous. "She misses having you over."

That brought a small smile to his face. "I miss being over."

You can come back, you want to say, but you know that isn't true. 

You don't know how much longer you two sit in silence before he breaks it with a sigh that, if you didn't know better, you'd think was irritated. But it wasn't; simply exhausted. 

"Why did you want to meet me?" he finally asked, and your lips parted, before shutting again, because you're not too sure the answer is something you're allowed to say aloud. 

You say it anyway.

"I missed you."

You watched his facial features soften, his shoulders relaxing slightly, and that only seemed to bring more nervous energy to you. 

"You shouldn't," he said, and if your heart had anything left for him, it probably would have cracked again. 

You knew that you shouldn't. You had told yourself to get over it a thousand times before. Your go-to mantra was grow up. But you couldn't. Your brain wouldn't let it go and your eyes could just never stay dry for long enough to think it's finally over. It was almost pathetic. 

You swallowed the lump in your throat, nodding your head, slowly, and you were pretty sure tears were welling in your eyes, which felt even more pathetic in front of him. 

"I'm sorry."

This time it was you to apologise, and you knew he didn't believe your apology either. Not when you didn't even know what you were apologising for. Missing him, meeting him here, ever even dating him in the first place.

"It's okay," he said, instead, and you watched him exhale shakily, his lips rubbing against each other — usually a telltale sign he didn't want to be wherever he was any longer. That broke your heart too. 

Words died in your throat as you abruptly stood up, the stool you were perched atop wobbling slightly with your sudden movements. 

You stared at him for another moment, committing his face to memory, before you nodded your head to him in acknowledgement, pocketing your phone. You forced a smile, and left. 

Maybe not the best move you've ever done in your life. Not the move you wanted to do. But certainly the smartest. 

Because the second the cool, early fall air hit your skin, so did your tears, and you found that even ordering an Uber was difficult through blurry vision. So you decided to walk. Walk where, you didn't know. Away from the bar. Through the people-filled square; people as drunk as you wished to be, people out with friends and partner's, to have fun. People having a much better night than you, clearly. 

You heard your name. And something in you screamed to not turn around, to not give in to the caller. Probably the logical part of your brain. But your heart ignored it, and you halted in your tracks, turning to see him walking towards you, eyebrows furrowed in so much concern you think you'd crack further than you already have. Maybe if you split yourself down the middle it would finally stop hurting. 

"I miss you too."

Four simple words that could be heard even over the mixed songs playing from the clubs around you, even over the beeping cars and the chattering people. 

"Please don't lie to make me feel better," you croak, and you're acutely aware of the tears on your cheeks. 

"I'm not lying," he breathed out, and you were far enough away from his body to see his hand twitch. For whatever reason you didn't know. "Sweetheart, you're breaking my heart, here."

Oh.

You swallowed down a sob, swiping another set of falling tears before they could get too far down your cheeks.

"Spencer, please," you said, so desperately that you wanted to shoot yourself. "I shouldn't have asked you to meet."

"No, you shouldn't have," he agreed, and your heart stuttered in your chest, because he was telling you things you shouldn't do. Again. "Not that I—" he cut himself off with a sigh; frustrated, this time. "Not that I didn't want to see you, because I did. You're the only person I want to see recently. But I was getting better, and I know I've ruined all that by being here with you tonight."

I was getting better. The words echoed over and over in your brain. If he was just as bad as you were, maybe it would make this easier. Maybe you aren't as pathetic. 

"I hate this," you settled on, fidgeting awkwardly with your fingers. 

He didn't respond for a few too many moments, and it had you wanting to take back your words. He rubbed his eyes with another sigh. 

"I'm not going back on my decision," he said, and you didn't need to ask what decision; you had an idea, and your stomach twisted uncomfortably. 

But you did anyways. "Which decision?"

"Breaking up with you."

You were silent for a few moments too. "I'm not asking you to—"

"—No, but you want me to," he cuts you off. "And I'm telling you I won't. You know why I did it. That trumps whatever feelings I have for you."

Have.

"I don't know why," you said, shakily. You did. He gave you a reason, and if you had to explain the breakup to someone, you could tell them why. But the ongoing conflict in your brain confused you anyways. 

"Yes you do," he answered, his jaw tensing. When you shook your head, and went to respond, he cut you off, stepping closer. "I can afford to lose you. I can't afford for the world to."

He had said something similar the day he left. Something about a fear of you dying. Something you had tried to reassure him of, failing to do so clearly. 

"What about me?" your voice cracked and you cursed it.

"It will get better."

You could've cried all over again, in the middle of the square. Everything always for the better. Never for the right now, for the things you both wanted. But for the everlasting fear Spencer had in his brain, that you didn't know how to help. 

"Apparently," you replied, sniffling as you took a step away from him. "I think I should go."

If he wanted to protest, he didn't show it. He simply nodded his head, lips parting in a silent exhale. 

And so you did, with wet cheeks, and a quiet, "Goodbye, Spencer."

loml (part 2) ♡

your reblogs and replies are always appreciated dearly ♡

[dceasesd]

why juni ba’s the boy wonder has my favorite jason characterization of any contemporary comic run: a needlessly in-depth analysis (pt.3)

go check out part 1 and part 2 if you'd like! this is a long one, sorry guys.

if you haven't already i'd recommend you check out pt. 1 & pt. 2 (linked above), but if you haven't checked them out i've been going over some of the main things people have been criticizing ba's characterization for: 1. the typical boiling down of jason's character to "the angry one" 2. his lack of strategy going into the fight with the demon is out-of-character 3. the neighbor's kid interaction

alright, so this last point is purely based off of one page of the entire comic: the one where the child of one of jason's neighbors is dragged inside his home when his mother see's jason coming.

first off, i love this page. it might be my favorite page in the entire issue. everything about it is great. just thought i needed to say that.

anyway, there's some people who are seeing this page and reading it as "jason protects kids! that's one of his big things! why are they scared of him?"

here's the thing, though: the kid isn't scared of jason, the mom is. the kid is literally playing dress up as the red hood-- he's not scared of jason, if anything he's trying to replicate him. little kids dress up as their heroes all the time; why is this kid any different? it doesn't really make sense for the kid to dress up of something he's scared of (not everyone is as weird bruce wayne), especially a real person that could be a real threat rather than a concept. i doubt you see many kids in gotham dressing up as the joker or something, because that's just asking for trouble.

the dress-up honestly seems like a ploy for attention to me. the kid clearly knows that red hood lives in his building (which is honestly so funny. take off the mask jason you're giving you're position away (actually this is a really good instance for analysis but i'm determined to not go on a tangent)). if the kid knows red hood lives in his building, what better way to get his attention that dressing up as him and playing pretend? if the kid was scared of him, he wouldn't want to draw that sort of attention to himself. if he had a sort of hero-worshippy thing going on like i suspect, then he would want to get jason's attention. to sum it up,

it's the mom who pulls him away when jason nears, because she either a) perceives him as a threat, b) doesn't want her kid to try and replicate him even more, or, the most likely option, both! the kid isn't scared of him, but the mother believes they should be.

once again, we come back to the whole perception vs. reality theme i talked about in part one! we've come full circle, everyone!

when looking at the neighborhood's perspective of the red hood, ba gives us a few contradictory examples. there's the kid and the mother, obviously, but there's also a slew of other citizens who interact with him at the beginning of the issue, both in fear and camaraderie.

the unhoused man and the people outside of his building clearly have a familiarity and are comfortable with him, while the shopkeeper is terrified and literally has a banned poster on his wall featuring jason (i am so curious what he did to deserve that, if he even did anything at all). from this, it appears that jason's reputation teeters between fearful and familiar-- a sentiment that also colors jason's relationship with his family.

furthermore, this concept underscores just how lonely jason is-- one of the only good relationships he had in his current life was his fucking landlord, for gods sake, and he's dead.

i think it's important to note that jason doesn't respond to the friendly greetings from the men-- he could attempt to build camaraderie, the roots are there, but he chooses not to. he could work to try and show the mother that her son is safe with him, but he chooses not to. why? jason is obviously lonely (as ba states in the panel below) and he caves pretty easily when damian asks him for help (both of them are so desperate for human interaction its tragic). so why does he distant himself from the community?

obviously it is in part due to the vigilante lifestyle, but it is also jason's perception of himself and how he believes others perceive him, especially in regards to his family (ba is literally hitting readers in the head with that theme baseball bat).

he doesn't see that the kid with the mask looks up to him, all he sees is the mother pulling him away. he sees the banned poster in the store. and, as ba narrates, "he was sure he'd been forgotten about" by his family. utrh is jason's twisted way of attempting to reach out and connect with bruce, and obviously that doesn't work-- so he chooses loneliness over rejection.

like in part one, though, damian refutes this idea by describing bruce's perspective, showing how what jason believes differs from actuality. bruce hasn't forgotten about him and doesn't hate him, as he suspected, but instead harbors guilt over the situation and desires to make it better, which jason must come to understand to be able to open the locked door and begin to move past his trauma.

so, that's what the little kid in the red hood outfit looks like to me. i actually have a lot more i'd like to say about the boy wonder, especially in regards to the whole "door to my past life" thing and what ba does with lighting and blocking in his artwork, so i may do a little post on that as well! i was gonna try and shove it into this one, but i've run out of room! i hope you guys liked my analysis, if you'd like to chat about the boy wonder or any other comics, my dms, asks, and reblogs are happily open! thanks for reading! :)) <3

pt. 1 / pt. 2

[tpwrtrmnky]

The problems with the 'infighting' comic

So I deleted the infighting comics. Fundamentally, the reason why is that I think I did a bad job with them. Clearly this wasn't a popular decision, and I did say I'd elaborate on why when I had time, so let's talk about the problem with the infighting comic.

Just to get this out of the way, the problem is not that the 'wrong' demographic liked it, or anything of the sort. What I don't like about the comic, and what keeps coming up, is that the way I frame it and how I execute the attempt at doing something with the never-ending churn of Discourse in the queer community is that it:

Fails to state what I think the problem is. "Infighting" is vague, it can mean basically anything, and unfortunately a very common use of the term is "literally anyone in the community criticizing anyone else in the community for any reason whatsoever." The comic fails to do anything to communicate whether this is the intended reading or not. This is a problem because the most common targets of bad-faith infighting accusations are also the most marginalized in the community, and the fights start as completely unjustified backlash to marginalized people criticizing marginalization.

The comic doesn't sufficiently communicate the intended idea that these are marginalized people with actual problems. The complaints of the characters come off as trivial due to how they are only presented in an oppositional context, with no frame of reference given as to whether their complaints are equally legitimate, whether one of them is right and one is wrong, or whether they're both just saying some nonsense. This is a fundamental flaw in the premise, because depending on which real-life situation the reader assumes it's about, the entire meaning changes. Regardless of what I say I actually intended this is bad enough that by itself, it drags down the whole thing.

The framing that the bigot character doesn't care about the difference between the groups. This only works if you're operating under the assumption that the comic is talking about groups that are routinely conflated by bigots, which at the very least is a detail that should be clearly stated in the premise, not in the second comic, and again leads to a very artificial framing of the supposed "infighting."

The main character being presented as a neutral observer with no stake in the argument themselves is weird.

The follow-ups do very little to address any of the above issues.

The comic is spread over four separate posts, which means even if the above issues were meaningfully addressed, the circulation of parts of the comics without those problems dealt with would continue, with all the problems retained.

There are more criticisms, and I am not going to argue with them because I don't want to defend the comic as I made it. I don't like it. I am tired of seeing the arguments that come from it. I apologize for how it was made, and I will not attempt anything to replace it until I can meaningfully address the problems with it.

There are additional structural problems with the Pills That Make You Green comics that have become more and more apparent as I've kept making them. I think failure to meaningfully address these issues is going to keep causing comics to fail in similar ways, and so I am thinking that a serious change to how I approach these needs to happen if I even want to make them anymore.

[yandereend]

Yandere Househusband

The wedding

P. 2/?

TW : normal yandere stuff, dubcon, reader is into it?, Tyler talks about children, both are like 18 or 19

Btw English is not my first language so please keep that in mind

🩵Also thanks to everyone who wrote nice comments under the first post🩵

You sometimes watched those trashy shows about the bridezillas who were obsessed with their weddings and made everyones live hell. Like many people you hopped to never be in a situation like this. But here you were sitting besides your fiancé while he discusses flower arrangements, acting like a giant brat.

Is it so hard to put together bouquets with ALL pink flowers?!

Sir we dont have enough pink lillies for all your decorations. You should reconsider some of your choices-

I‘m surrounded by idiots!! My spouse wanted pink lillies so i don’t care if you don’t have them stocked!! Just buy them!

That would be even more expen-

Just do it !!!

And with that Tyler took your hand and you both exited the flower shop. It was almost comical how such a small thing could affect a grown man so much, but hey it’s his day. Tyler had a big pout on his face so that called for your attention and pampering.

Tyler don’t be upset.

But its our day my darling, everything should be perfect! We spend so much time picking out your (suit/dress/whatever you want its your wedding) and my suit. The flowers have to match or everything was for nothing my dear!

Not everything has to be perfect.

Oh yes it does! Have you never been on pinterest ?

That was the whole wedding planning in a nutshell , just an avid pinterest user placing together the wedding of their dreams( yandere style). Sometimes it was cute seeing Tyler being so invested in the wedding, other times it was more than annoying to cater to his perfectionism.

You also often thought about how quickly things progressed. I mean you just graduated high school and are already engaged and working for your fiancés father. Tylers father, Eric, was a great boss, you often wondered why people were scared of him. It’s just your nice father in law! Always explaining everything to you and hyping you up as the next in line of the family business. I mean you’re almost a part of it.

And Tylers mother, Ramona, was the same, always acting like she’s your real mother and caring for you. Not to mention Tyler himself. You were not suprised when he didn’t went out to look for a job or university, he always promoted the idea of a traditional family with you as the breadwinner in the center. And hey, his parents gifted you a house as an engagement gift, so its safe to say that you wont suffer in the presence of those saints.

At least that’s what you thought of them, little did you know that they were the reason why most of your friends cut contact and your family hardly called after you moved out. But hey who needs them anyways.

So while all these thoughts ran through your mind here you were, walking down the aisle with your father and finally seeing the man of your dreams in his perfectly tailored suit and styled hair, with tears in his eyes witnessing your beauty.

Your wedding vow was rather short but still packed with the love you felt for your husband. And after he put himself together, because of his happy tears, he read the most beautiful wedding vow you ever heard touching your heart and everyone else’s in the chapel. So when you finally get to put the rings on each other’s fingers you both stand up there with tears in your eyes.

And when you both finally unite in a grand kiss your fate was finally sealed. Tyler had you finally completely in his grasp, even if you didn’t realize it. And he,as well as his family, will never let you go. So enjoy your wedding party with your family and friends, you won’t get to see them any longer my dear.

Till death do you apart.

🩵Thanks a lot I hope you enjoyed it, I am planning on making this a series so please comment ideas for your life with your new husband 🩵

[elsa-fogen]

Why would you make something like this of Alastor and Rosie killing Velvette. This is such a sick minded thing to make. And the way that you drew it implied that Alastor and Rosie stripped her down?? what the actual fuck?? that is SO odd... I dont know, this entire comic is something that is just so off putting and I dont want to imagine what kind of things are going through your mind to make something like this. Poor Velvette. And why the fuck is valentino biting his lip seeing Velvette dead?? Overall this comic is so gross. Get a new hobby. Go touch some grass. Read a book. Do all that, but stay away from Velvette please. Biggie.

Oh no, i'm deeply senserely sorry! How could I even think of such a thing?!! I'm a monster, the most horrible creature on earth, and your words have opened my eyes! I'm now realising how horrible and fucked up of a person I am! All this time i lived in the darkness, pitch black pit of evil, but now I see the light and this light blinds me, burns me! I know now that me, such a disgusting offspring of the dark and unimaginable horror cannot live under the light of this world and therefore doesn't deserve it! I don't deserve to do art, i don't deserve to live! Thank you, moonyxshunsuke-forever, i have seen the light and now it's gone, and i can't live without it! Knowing that such light can never shine inside my corrupted and twisted soul! I should never draw again, delete my blog and kill myself! To stop the darkness of my soul poisoning this pure and perfect world! In 24 hours this blog will be deleted and you'll never see or hear from me ever again!

✨✨✨S A R C A S M ✨✨✨

yeah nno buddy, that doesn't work this way. I draw what i want and i'm not gonna stop because some sensitive vanilla flower didn't like it. It's fictional characters, dude, I do what i want with them and i don't care if it's immoral. Novody's harmed in real life. Block the tag of the AU if you don't like it, block me if you hate my art in general and fucking move on

And fair warning, if you or anyone else keep sending me shit like this, i'll find more creative and horrible ways to torture your precious little Velvette, just to spite yall.

Masterpost of the most twisted and gross AU on Tumblr

[gffa]

It is still absolutely a marvel to me how much BATFAMILY fic I have been reading and enjoying, it's been awhile since I've gone at such a sustained fever pitch so consistently, which is because this fandom keeps putting out fic that makes me fall in love all over again, along with all the comics I've been reading and enjoying. I am so delighted by how I can bounce around various eras or characters (well, let's be fair, I still have a Dick Grayson Problem That I Am Making Your Problem Too) and there's so much to read that I'm having trouble keeping up!

Join me in having the best problem: Too much good fic to read, because I swear that even when I'm crying because fic has punched me in the feelings, I'm still having a great time and it's definitely not a trap to lure you all into crying with me. Well, unless you're into that. And, in that case, READ AND CRY AND/OR MELT INTO GOO WITH ME, BECAUSE FANDOM IS PROVIDING.

BATFAM FIC RECS - BABY DICK IS THE CUTEST FERAL ROBIN I'M NOT HEARING ANY ARGUMENTS: ✦ Step One: Learning to Catch by TheBlueMoo, dick & bruce, 2k     “Okay, now extend your arms.” It was jarring, Bruce reflected, to be taking instructions from his nine-year-old ward. He was trying to think of it as receiving lessons from an expert gymnast instead, but it wasn’t really helping. or Dick freaks out during training one night, and Bruce isn't entirely sure why ✦ the quiet noise by orphan_account, dick & clark & jim (& bruce), 3.4k     When Batman is in surgery after a stab wound to the lung, Commissioner Gordon sits with Robin at the hospital as they wait for someone from the league to arrive. ✦ The art of falling in the rain by Bob_the_bastard, dick & bruce & alfred, 3.4k     Ordinarily it wouldn’t have been an issue, ordinarily Bruce would have taken a few steps back, caught his breath and continued on. But that night wasn’t normal. ✦ Our roots will not whither away by KrazySuperGirl, dick & bruce & alfred & cast, 6.4k     Bruce and Dick return to Gotham. There are plenty of problems and plenty of good days. ✦ Will Protect You From All Around You by zombiesbecrazy, dick & bruce, 3k     Bruce has always expected that one day he'll wake up and feel like a Real Adult, but it hasn't happened yet. Why had he thought that this parenting thing would be easy? ✦ Fly South by SonoSvegliato, dick & bruce & alfred, 1.9k     Birds fly south in winter. Robin leaves in the summer. ✦ Vertigo by tinycrown, dick & bruce & ollie & cast, 1.8k     After being ambushed by Count Vertigo's men, Batman's partner isn't doing so well. Green Arrow observes. ✦ Friends by mx_chrx99, dick & bruce & alfred, 2.3k     The manor loomed large, surrounded by acres of manicured grass and trees bursting with autumnal colors that made Dick feel like he was gazing at a forest on fire. He was distantly aware that the scene in front of him was incredible, something out of a storybook. He should have been amazed and even grateful, but all he could think was, 'Mom would have loved this.' ✦ There For You by Val_Creative, dick & bruce & cast, 2.4k     Snapshots of how Robin came to be Batman's trusted partner and how Dick became Bruce's beloved son. /Standalone. No pairings. ✦ tummy troubles by brandywine421, dick & bruce & alfred, 1.5k     Bruce sat down on the edge of the bed and warily pulled back the covers. Dick blinked at him with wide, sad blue eyes. "What's wrong?" "Don't feel good," he murmured, scowling when Bruce curled his hand against his cheek. "My stomach hurts." ✦ Stay a Child by ijustwanttodestroy, dick & bruce & alfred, 2.2k     “Redo it,” Bruce orders. “Aw, come on!” Dick dares to pout — a thing that he uses often, and would work on anyone but Bruce and Alfred. Sometimes. Bruce gives him a look. “I’m not going to do it for you.” “I’m going to misdo it until you do,” Dick threatens. ✦ Whole, but not hale by Fae_Winter, dick & bruce & alfred & clark, 1.5k     Bruce was never listening to Clark again, damnit ✦ Head, Shoulders, Knees, and Toes by catboysam, dick & bruce, 1k     Bruce wishes, as he has wished every minute of every day for nearly 20 years, that things were different for himself. But now he also wishes that for Dick. No child should have to experience what they have. But he really is selfish, it seems, because at the same time, how could he possibly want to give up a single second with this little miracle in his arms? ✦ yet to be friends by rxsecret, dick & bruce & clark & cast, 2.3k     It's the annual Wayne Gala, and one of the few reporters allowed at the event just so happened to be from Metropolis. ✦ And I’ll look into your eyes to find out if I’m real by Fleur_de_Violette, bruce & dick, 1.6k     Bruce wants a lot of things. A bath. Seeing his family. Not having been missing for a whole year. He wants Dick to wake up and realize he’s not a hallucination.

BATFAM FIC RECS - ADULT BATSON AND BATDAD ARE MY KRYPTONITE, I FOLD LIKE WET CARDBOARD FOR THEM: ✦ medicine by daringyounggrayson, dick & bruce, ~1k     “We have to get out of here,” Dick says, trying and failing to sit up. “Before, before they get back.” “Dick, listen to me. You’re sick,” Bruce says, running a hand through Dick’s hair. “You’re in an isolation unit at the Watchtower’s medical bay.” Dick shakes his head. That can’t be right. “They’re trying to, to poison me.” ✦ Someday All Of This Will Go Away by WanderIntoFics, dick & bruce, alternate version character death, 2.3k     Bruce never stopped telling Dick he loved him. It takes a heart-wrenching and terrifying experience with an alternate future Bruce for Dick to realize that maybe he stopped being able to hear it. ✦ vacation town by daringyounggrayson, dick & bruce, 1.6k     Normally, Dick wouldn't enjoy recovering from a stab wound from a poisoned knife, but he has to admit, it's nice to be home. ✦ all i can by emavee, dick & bruce, 1.7k     Whatever they injected Dick with is taking away his senses. Bruce tries to hold on for both of them. ✦ my arms will hold you, keep you safe and warm by emavee, dick & bruce, 5.6k wip     Five times Dick held Bruce's hand, and one time Bruce held his. ✦ Moving on by Fleur_de_Violette, dick & bruce & cast, 2.7k     When he’d been called to Gotham, Dick had expected to do the job and then get moving to the next thing, and then the next, and then the next. An abrupt meeting with the side of a building interrupts his plans.

BATFAM FIC RECS - EVERYBODY LOVES DICK: ✦ Chatterbox by Ptelea, bruce & dick & jason & tim & damian & donna & roy & cast, 24.7k     "Yeah, I'm fine," Dick said. Then he frowned, because he had not just meant to say that. Or: Eight times that spells or serums affected Dick's ability to speak and / or their aftermath. ✦ Misremembered and Misnumbered by miss_aphelion, bruce & dick & jason & clark & diana, 1.9k     Dick may not actually be quite as old as he told everyone he was. In his defense, it wasn't so much lying as that he sort of just forgot. ✦ WE'LL LIVE IN SPACES BETWEEN WALLS. by orpheusaki, bruce & dick & jason, time travel, 4.6k     (Something is different about Dick. Bruce notices.) ✦ Tonight Will Be a Memory Too by Sohotthateveryonedied, dick & cass & bruce, 1.2k     They don’t happen often—once a month or so, with varying degrees of spottiness. Sometimes Dick will walk into a room and forget what he’s there for. He’ll forget the locations of things, like where he left his keys or where the refrigerator is. Once he forgot his own name. Even if the episodes don’t occur often, that doesn’t make them any less terrifying. ✦ Can I Sleep With You? by Lady_of_Lorule, dick & bruce & damian & titans & cast, 2k     “Dick? What is it? Are you okay?” he asked. “‘Had a nightmare,” the boy murmured, wiping at his nose quickly, then sending a darting look at Bruce. “Can I...can I sleep with you?” ✦ Broken Silence by Geeves, bruce & dick & cast, 1.3k     Bruce reflects on how quiet the manor used to be. It could be painful at times, but it's not like that anymore. ✦ the care and keeping of your baby talon by quandaries_and_contradictions, dick & bruce & jason & tim & damian & duke & alfred, reverse robins, talon!dick, 6k     In which everyone is more than a little cautious about the talon Duke brought home. Featuring chandelier swinging, Secret Garden reading, ill-advised sleuthing, and more. ✦ One, Two, Buckle My Shoe by Anonymous, bruce & dick & jason & tim & damian & alfred & cast, 11.3k wip     Dick was twenty-eight. The boy in the mirror most certainly was not. ✦ Iron Bound by coyote_nebula, bruce & dick & jason, 3.1k     Batman never ran out of solutions. He just ran out of ideal solutions. Nightwing finds himself in a tight spot involving a compact car-sized paper roll. ✦ The Mantle by ValleyOfKings, dick & clark & diana & justice league (& bruce) & cast, 2.9k     Batman ‘dies’ and Dick must takes his place. He doesn't want the job but he knows that it is what he must do. He must accept the mantle and protect Gotham. The Justice League must also accept their new Batman. It might have helped if they knew that Batman didn't work as alone as they had once thought. ✦ Bravery, and everything that looks like it by Fleur_de_Violette, bruce & dick & steph, 3.4k     Bruce had promised Dick a fun and chill weekend. Instead, they find themselves in the middle of a burning chemical facility. When he thinks everyone should have been evacuated, Nightwing finds a scientist trying to secure some sort of container. She’s either very brave, or she has a death wish.

BATFAM FIC RECS - JASON TODD IS AN ASSHOLE CAT, I'M GONNA THROW HIM AT DICK BECAUSE IT'S FUNNY (AND MAYBE SOME OF HIS OTHER SIBLINGS TOO): ✦ Superhero: Dick Grayson by batmoniker, dick & jason & cast, 5.3k     In which Dick shows up at the school to pick Jason up after he gets into a fight. ✦ Homecoming by sElkieNight60, dick & jason & bruce, 1.2k     Jason's doped up on pain-meds. Dick's holding his hand while he's bedside monitor. Bruce probably wishes he had a camera. ✦ I do not have wings love (I never will) by dizarys, dick & jason & bruce, 2.5k     Jason Todd was alive. He was also bleeding out on Dick Grayson’s apartment floor. How 'Under the Red Hood' might have ended if Dick was at Bruce and Jason's final warehouse confrontation.

BATFAM FIC RECS - BATKIDS ALL HAVE MANY SIBLINGS AND THEY'RE ALL PETTY ASSHOLES AND/OR WONDERFUL BABIES AND I LOVE THEM WITH MY WHOLE BEING: ✦ cashmere-soft and irresistible by victoria_p (musesfool), cass/steph, ~1k     Cass and Steph and dumplings and lipstick. ✦ Picking Up Pieces by Cephalogod, bruce & steph & dick, 4k     “Bruce!” Steph called as she approached, weaving between people. His head snapped towards her, and the stark relief in his expression almost stopped her in her tracks. That was just...wrong. Bruce wasn’t supposed to be relieved to see her. He was supposed to be annoyed or resignedly amused, not looking at her like a life raft in the ocean. ✦ Make an Ass of U and Me by Huntress79, Sevidri, bruce/clark & dick, 11.2k     Bruce neglects to explain exactly who the attractive young man that seems to know him so well is, and what their relationship entails. Naturally, there are some misunderstandings. ✦ Presque Vu by PechoraFlow, bruce & dick & jason & tim & damian & cass & steph & alfred & cast, 17.4k wip     Bruce gets amnesia and the Batfamily conspires to keep their vigilante side secret from him. They were just trying to keep him home, safe until he recovered. They expected that Bruce would pick up on clues and put together The Batman secret on his own. They didn't expect him to form a different picture entirely. They didn't expect Bruce Wayne would come to hate the Batman.

BATFAM FIC RECS - I CUT MY TEETH ON DICK & TIM AS CLOSE BROTHERS AND NO ONE WILL NOT TAKE IT FROM ME: ✦ spread your wings by wingedgrace, dick & tim, 2.1k     “Why did you give Robin to Damian?” Dick pinched his nose. He’d started to pick up some of Batman’s habits, whether he realized it or not. “Tim, we’re not talking about this again. We’re talking about how you’re off on this… quest, to prove that Bruce is still alive. And I just want to talk. Come home.” ✦ Time Loop vs Ethiopia by AJElementus, dick & tim (& bruce & jason), 9.1k     In one universe, Jason died while Dick was on a space mission with the Titans. In another? There’s a time loop. In which Jason doesn’t die, Tim joins the family early, and Dick... well... Dick's just trying to figure out what's going on! ✦ so won't you stay, won't you stay (with me?) by dizarys, dick & tim, 1.3k     Tim's having a hard night. So where else does he go but to his big brother's apartment? ✦ under the wing by acrobats, dick & tim & cast, 1.4k     “Sometimes being a brother is even better than being a superhero.” – Marc Brown

BATFAM FIC RECS - I WILL DIE ON THE HILL THAT TIM DRAKE'S TRUE LOVE INTEREST IS CONNER KENT AND NOBODY CAN STOP ME, NOT EVEN GOD: ✦ buy back the secrets by sundiscus, tim/kon & bruce & clark & jason & cast, 71k wip     He takes a long, slow breath. Ignores the glares from the other students. “Superboy,” he murmurs. “It’s me. If you’re listening, I could use some help.” Or: 5 times Superboy saves Tim Drake, and one time Tim Drake saves Superboy. ✦ Can't Shake the Feeling by Hayleythewriter, tim/kon & tim/bernard & cassie & bart & dick & damian & cast, 17k     Tim introduces his boyfriend to his friends. Almost everyone likes him. ✦ The Electric Pull of Spring by Merelymine, tim/kon, nsfw, 4.3k     "I feel fine," Kon says, breathing deeply. He leans towards Tim and takes an even deeper, longer breath. "I feel really, really good, actually. And you smell—you smell really good." ✦ A No Good Very Bad Day by mademoisellePlume, tim/kon & jason & lois, read the tags, 3.7k     You’d think drugging a half-Kryptonian into sleep would be half as easy as taking a full Kryptonian out of commission. But no, life couldn’t be that simple for Jason, could it? He watched Superboy stumble down the hallway in his pyjama pants, eyes half-lidded and sweating like Two-Face when a flipped coin balanced on its edge. ✦ Pandora's Other Box by FridaysChild, tim/kon & dick & bart & kate & ma kent, 2.5k     Prompt: "Kon and Tim identify as straight. After realising their mutual attraction, they both freak out in different ways."

BATFAM FIC RECS - I SAY THIS IS A BATFAM REC LIST BUT SOMETIMES YOU JUST GOTTA SHOVE THOSE ASSHOLES OUT OF THE WAY AND READ SOME SUPERFIC: ✦ Adoptions by Kannika, clark & conner & cast, 2.7k     Clark prepared for a lot of things, getting closer to Conner. This is not one of them. ✦ Aftershock by sElkieNight60, clark/lois & conner & jon, 13k wip     He knows this is awkward for Clark. It’s awkward for them both. They were gonna start slow. Warm up to each other. Maybe go apple-picking in the summer. A movie, a restaurant, bowling, or something. But a sleepover, really? That wasn’t going slow. ✦ IS IT JUST YOU AND ME IN THE WRECKAGE OF THE WORLD? by orpheusaki, clark & conner & bruce & diana & jason & cast, 2.2k     "You look happy, Kal." She's right, Clark is overjoyed. In between shopping for children's clothes with Lois (after she'd gotten over the shock of it all, which was surprisingly quick. Clark thinks Lois might prefer Conner to him now, not that he blames her for it) and wandering around the Fortress of Solitude with a small palm tucked into his own, Clark hasn't stopped grinning, "Superman is no longer the only Kryptonian alive." (Clark saves Conner from CADMUS as a child AU.)

BATFAM FIC RECS - TAKE THE ANGST DIAL, TURN IT UP TO ELEVEN, AND BREAK THE KNOB OFF, THAT'S WHAT I'M HERE FOR: ✦ oh but if I could choose, I would choose not to feel by dizarys, bruce & dick & donna & cast, 1.4k     His eyes flicked over the long room, evaluating and searching. When he finally spotted him, Bruce’s heart plummeted. Dick Grayson was slouched at the crumb flecked bar counter, staring blankly into a barely touched pint with a hand twisted in his hair. Misery personified. ✦ batman by hellsreluctantheir, dick & jason & tim & bruce, 57.3k     Dick came back from a trip to space to a dead father figure, a grieving, guilty little brother, and a legacy waiting for him. Suddenly he's moving back to Gotham, playing Bat, trying to keep Jason from spiraling, trying to keep himself from spiraling, with the added bonus of a kid stalking him at the grocery store. It takes two years before things start to feel like they're getting better. Which is right about when the Red Hood comes to town. ✦ Day 3 - Nightmares (2.2) by fanfictiongreenirises, bruce & dick & tim, 3.3k     Bruce is resigned to the nightmares after their most recent kidnapping. But that doesn't mean they don't have an impact on him. ✦ My Brother's Keeper by Chemical_Processes, dick & damian & tim & cast, 6.2k     Tim gets hit with Fear while on a league mission, and it's Damian's job to get him home in one piece. ✦ Pale Reflections by BearlyWriting, bruce & dick & jason & tim & cast, 2.6k     ‘Bruce blinks again. A chill breeze brushes against him, searching for a way through his uniform. Concrete, Bruce tells himself, it’s concrete, not sand. It’s water, not blood. It’s Dick. And yet, he’s as still as Jason was then, as lifeless. Bruce moves without thinking. He isn’t thinking. His mind is utterly blank, a void in his head.’ ✦ love brought weight to this heart by dizarys, bruce & dick & john & mary & damian & duke, 1.9k     Of course Dick came by every time Haly’s was in town. But he loved when his family was able to join him. And now, with lights illuminating the big top, performers streaming into the ring with flashy costumes, and his family enthralled, Dick felt at peace. Both sides of his life were together. It should’ve been perfect. And looking back, he still wasn’t sure what pushed it off course. But it might have been the fire. ✦ what's in a name by envysparkler, bruce & dick & jason, 4.5k     Kidnappers strike at a gala and abduct two of Bruce Wayne’s sons. Or at least that’s what they think. ✦ I’m gambling with the sun (on which one of us dies young) by dizarys, dick & jason & donna & roy & tim & damian & cassandra & cast, 6.9k     The Justice League have been wiped from existence by Pariah, leaving Nightwing to once again navigate the death of Batman. But this time, even with his siblings and friends rallying around him, the cracks start to show ✦ (someone told me) love would all save us by YouAreTheBrightest234 (TransLucas), bruce & dick & tim, 1k     Dick is floating in an abyss of black. It is not peaceful, yet not malicious. It simply is. ✦ Slipping 998�� by CKBookish, bruce & dick & tim & cast, 2.5k     When a house fire turns deadly Bruce wonders if he will be too late... again.