#who's projecting on fictional characters?
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elodieunderglass · 22 hours ago
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I would like to know more about the common injuries that jockeys like Killie would experience, if/when you feel up to more jockey-posting.
Fictional character Killie (x, x) is an Irish-British jockey working in the UK. He’s in his thirties and races over the flat and jumps, which is slightly unusual, but not wildly so.
Most injuries are incurred by falls. Jump racing has more falls, but jockeys are allowed to be heavier; flat racing goes faster with lighter riders, and has generally worse falls.
Killie is quite short (about 4’10”) and muscular. He has an average amount of injuries - nothing spectacular, but he doesn’t get away with anything either.
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References below the cut.
Killie’s injury map was inspired by Irish jump jockey Ruby Walsh’s injury maps. As a jump jockey with a long career, Ruby got injured a lot - and in the process had several horses die under him, making him a controversial and sometimes hated figure (the rider is always blamed personally for injuries to the horse, rather than the people who create the working conditions). Ruby is shown below being partially carried off the track with a fractured leg. Unlike in other sports where you might get some sympathy and maybe a penalty shot or a gold star, jockeys with broken limbs are expected to drag themselves off the track and die somewhere else are expected to project a ruthless attitude about injury.
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(EDIT: this injury map isn’t counting Ruby’s concussions, which he described elsewhere as not counting. TERRIBLE.)
While researching jockey injuries online, news sites will constantly be refreshing with news of injuries. Yesterday (20 Jan 2025) Irish jockey Gearóid Harney was knocked out by a fall and was hospitalised, but seems to have escaped serious (permanent) injury. This is pretty much continuous.
Although overlooked by most people, jockeys are considered absolutely fascinating to sports medicine researchers, and there are TONS of primary sources to dive into. Here’s some to get started:
https://www.jsams.org/article/S1440-2440(20)30332-7/abstract
Of course, weight management, substance abuse and disordered eating are a constant source of background issues, underpinning everything from bad bone and dental health to the chronic fatigue, mental health problems and stress experienced by jockeys. Jockeys in the UK and Ireland also do not earn salaries, and are paid per ride; financial uncertainty and fear drive many of them to work while injured. The working conditions of jockeys and racehorses are inextricable and poor, and any analysis should have some class-consciousness about this!!
I don’t know exactly what dental injury Killie incurred in the image below, but it was enough to shock his nice American boyfriend (TM), so it was probably something to do with one of his dental bridges getting spectacularly destroyed.
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Thank you so much for this ask I love my ghastly little guy
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sandraharissa · 3 days ago
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It’s clear that the original idea behind Silco was to make him pure evil but that didn’t pan out that way in the end but the trio didn’t get the memo so so much of s2 feels like reveals that are supposed to retroactively redeem this guy.
They’re glimpses of simplistic ‘good’ stuff like knowing the mom/Silco turning out good in the au/the implication that being evil wasn’t his fault and that he wouldn’t turn evil if he found the letter/his ghost talking about breaking the cycle of violence, stuff that would have made a difference if he was indeed pure evil in s1, but they don’t actually do a better job at humanizing/”redeeming” him than what s1 already did. They actually make him look worse like establishing that he was actually trying to kill his de facto niece the whole s1 after her mom who was his best friend asked him to build a better future for her daughter while she was pregnant with her like sdfghgfdsasdfghgf
It’s like the original idea behind Silco was to make him pure evil in s1 and then somewhat redeem him in s2 and have ppl go ‘woah’ but they accidentally wrote him as complex from the get go so the s2 follow up did not make sense anymore. But it worked on ppl anyway cos a lot of ppl are very susceptible to vibes. So even tho a lot of this stuff in retrospect accidentally makes Silco a worse person there’s positive/sentimental framing around it like warm lighting, prettier character designs or sentiments about ‘violence bad, forgiveness good’ and so some ppl started liking him NOW. The new Silco who actually never had a backbone, was motivated by personal insecurities and was trying to kill a girl he helped raise probably (so much for his love for Jinx being a redeeming quality and his beef with Vi not interfering with that cos he didn’t know her and was able to fully project Vander onto her).
They disliked him for being a bad guy to the point they couldn’t tolerate (which is fine, different ppl like different things in fiction) but NOW they like him that he’s less consistent/well-written and an even worse and less understandable person???
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velvetvexations · 20 hours ago
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Please correct me If I'm wrong, but didn't Playdough's whole beef with Bechdel trying to reframe her as a TERF start originally because escentially she wanted to prove that HOMESTUCK is somehow more deep and influencial and important queer media than DTWOF?? It was a poll thing and people where getting mad that homestuck was beating dtwof (this is the homestuck website like cmon) so Playdough started there the discourse of Bechdel being a terf to discredit her work
I have no idea if homestuck is actually that queer in it's content, but this incident made me realize something very common about pretentious cult-like groups like TRF and Tankies.
They want to find the way to parrot that their interests are somehow morally superior and more correct than other's; forcemem can not be just a kink it's actually a culturally significant political practice and forcemasc is just a transmisogynist bastard copy, transfem headcanons can not be just normal fandom shit for enjoyment they are the more correct and intelectual reading an analysis of any character that doesn't adhere to strict tradicional cis gender roles and transmascs headcanons are anti intelectual media illiterate misogyny, homestuck can't be just a popular old webcomic you still like despite It's flaws (like srly It has a shit ton of racism and ableism, it was created on the era of the internet 4chan was more culturally relevant than ever in memes mostly so of course) no It's not a pillar of queerness in fiction and media and the comics created by a literal feminists trans ally buch need to somehow be morally inferior because they're both compiting in a Tumblr poll
AHAHAHAHAHAHA SHE'S STILL DOING IT TOO
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I'm sorry, but imagine having this much of a grudge over your fave losing a poll lmao lmao lmao lmao this is so funny oh my God.
But it's especially hilarious because all of what she wrote about June is complete nonsense that was never part of the text. Now let's look at what she had to say about transmasc headcanons:
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Welcome to projection playground, ma'am! She's literally using the idea of "legitimate analysis" just to prop up her own headcanon. This is so gutbustingly hilarious. Does she even think it's possible transmascs could have headcanons based in 'legitimate analysis'? Considering the fact that she seems to vehemently insist literally every transmasc headcanon ever is actually transfem, probably not, right? Because she doesn't understand masculinity is revolutionary and transgressive for people who weren't assigned it? Because she's a self-centered moron?
But wait, there's more!
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She's so consumer-brained and she doesn't even know it.
I love that her whole personality is structured around being the world's most obnoxious Homestuck fan who uses academic language to build a comfort blanket to soothe her insecurities and lash out at others because it's gender validating if she gets to lash out at trans men the way cis women are allowed to with cis men. Except I've never seen a cis woman do it this ineptly, or so blatantly the product of issues they desperately need to work out.
Anyway, back to Bechdel...
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I know I've been ranting about this subject in a general, undirected way all morning, but I'm going to tell you that this is a problem with Plaidos, specifically, which she passes on to her audience:
They don't know what TERFs are.
A TERF has defined political views. There is a lot going on with them. You cannot take one belief or action in particular, such as Bechdel softly supporting some sex-segregated spaces, and call her a TERF when she's praxis in much bigger, material ways. It's not just about Homestuck with Plaidos, or TERFs in general. It's also about the fact that Bechdel ever did anything that had anything to do with the idea that some people are more wymynly than them, which they take personal offense to that overshadows, oh, I don't know, loud and consistent advocacy for children having access to HRT? Any real transfeminist would recognize that matters infinitely more. But with these people, that's not the issue. They don't care about anything but how badly it hurt them to hypothetically not be welcome to a shitty music festival, and Bechdel having went - even if she criticized it's policies - is basically the same as having flaunted her gender assignment to intentionally make them dysphoric.
But Bechdel supports minors getting HRT. She supports them being in women's bathrooms. A lot of TERFs have identical conversations about her.
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So what makes her a TERF? Because she went to a party you weren't invited to?
Do you understand how pathetic this makes you look?
It's gross and TERF-y to say trans women as a category are jealous of people AFAB on some level but when you prioritize like this where being let into the club is the one big all-consuming deal over things like Bechdel repeatedly going to bat for minors having HRT, and they obsessively treat trans men the way they do...
Like, listen. TRFs. My friends. You're women. I promise you you're Trve Wymyn. Please get over not having been AFAB. Come to peace with it and accept that people who got what you want are on your side and are happy to support you in being recognized as a woman in spite of what was on your birth certificate. Get over it.
Just get over it.
And also get over your transfem headcanons not being any more textually supported than transmasc headcanons, losers. You're so obviously the ones addicted to seeing yourself reflected in every piece of media you consume if you have to write essays about how it's bad literary analysis to not believe in your strings-on-a-thumbtack-board shit and run down anyone else having headcanons related to their identity. You're not doing literary analysis, you're playing pretend with cartoons for children and getting upset when you see other people having their own fun without you.
One last thing:
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EXTREMELY holy shit racist. Do you see what I mean? How TRFs care so much about slights to their Trve Wymynhood over all else that they say shit like this? Like yeah Michfest was basically the KKK, you're right, unimaginably stupid White woman. Remember when Lisa Vogel hung all those trans women to warn us not to vote?
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lala056 · 1 day ago
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Exhausting
I have no respect for billford shippers that look down on stancest shippers.
Oh what, you’d have me believe a genetic tie to a partner is somehow worse than being with someone that stabs through your hands, forces you to swallow live spiders, and also SA’s you by having yourself forcibly strip down in public and swing your clothes over your head like a helicopter? (sorry but anyone that forcibly removes your clothes and exposes your body, even if you’re a guy/lacking breasts and it’s just your chest, is committing SA against you. They’re exposing your body against your will plain and simple. Try to write that off how you like but that’s the facts)
The logic behind this baffles me honestly.
There’s a reason Alex titled that kissing drawing as "the worst drawing in the world" and then linked to an amazon BIBLE page (yeah I know that was part of a joke well guess what he frequently uses the bible joke for shipping in general so yeah).
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Because he knows it’s BAD, TOXIC, PROBLEMATIC AS YOU GUYS LIKE TO LABEL THINGS. What I see people incorrectly accuse PROSHIPPERS to REPRESENT rather than the actual representation of the LIVE AND LET LIVE CREDO OF SHIPPING.
Ever stop to consider that maybe Alex didn’t do stancest or art involving Wendy/Dipper because he simply a) didn’t like those ships, which is valid since everyone has their own tastes, and he did base some of these characters on his own family so it’s close to home for him, or b) knows how toxic and chronically online a lot of haters are? That he wanted to avoid drama for this stream that he’s trying to milk every cent out of for CHARITY? (It's ridiculous how many times he felt obligated to say "REMEMBER IT'S FOR CHARITY" when shipping came up just to try and prevent any meltdowns from uptight fans and viewers. And even then he still didn't do some because he knew the fact of it being for charity still wouldn't fly for some- because a lot of people would rather watch REAL PEOPLE SUFFER to preserve their fictional sensitivities)
Not to mention he still works with Disney (chibiverse hello), any backlash (the form of false pedo accusations or incest apologist accusations being what happens to be thrown around all willy nilly nowadays over fictional bullshit) could get him blocked not only from working with the company ever again, but lose any input he might have over his beloved passion project and baby Gravity Falls itself?
This is a man who has said COUNTLESSLY that he doesn’t care about ships, has even encouraged people to "be weirder" and made omelet hypotheticals for how much HE DOESN’T CARE BECAUSE FICTIONAL SHIPS DON’T MATTER.
Alex Hirsch is a KING.
And it’s sad to see that so many of his loyal subjets are so bigoted and blind to ignore his own feelings in order to justify their own, or to somehow perform the mental gymnastics in order to absolve themselves of "thought crimes" so that they can feel like they aren’t bad people under the imposition of conservative purity culture.
The terms "cest" and "age" are trigger words now. If those show up in any form, pitchforks come out and roofs get burned. Companies overreact and overcompensate. He said Disney people were watching, so of course he’s gonna say and act in what is deemed an appropriate manner because even companies apparently prefer abusive relationships to ones that have a blood tie even if blood ties are wholesomely depicted.
The age old double standards.
And don’t get me started on bringing up Dipper Goes To Taco Bell. Alex and cast know of that story, they’ve made references to it in a video game and such, immortalized it. They engage with all corners of their fandom, also shown by Jason’s "saving the town" reference on stream.
Another thing, anyone notice how they laughed off the Dipper and Wendy suggestion Jason made, rather than exploded? BECAUSE THEY DON'T CARE IT'S NOT THAT SERIOUS - and most likely turned them down because they know there's more drama about characters being aged up and crap so it wouldn't have mattered if they're adults now, there are people who will always see them as "kids".
Point is - If there was such a strong hate on Alex’s part about the darker side of fiction or taboos he’d do all in his power to make sure they were never mentioned again and be active against them. 
He’s a kind, caring man that obviously likes to just get along with people, but he does put his foot down when he feels something is awful. He’s made political posts about presidents he feels are corrupt and spoken out against social injustice. You honestly think he wouldn’t speak out about those taboo ships in frank language if he thought that they shouldn’t exist and that the people who create for them are awful?
Newsflash, he would. Yes, he’d isolate a sadly small part of his fanbase, but he’s shown time and again he doesn’t care about being liked. He cares about what’s right.
And abusing others over which made up character kisses who, isn’t.
If you’re someone that mislabels proshippers too, to mean "problematic shippers", then as a billford shipper you’re one by definition. And yes, I'm including you AU billford shippers too because there is always some degree of toxicity.
Knock the hate and abuse off. People that go off about why their ship is justified and another isn't are the reason people leave fandoms and leave amazing works often unfinished, even Gen writers and artists.
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crowleycringe · 2 days ago
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Of course i’d join in on this trend who do you think i am
Me when i form an attachment to a fictional character so much i project my lack of affection onto them
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bogkeep · 2 days ago
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this is not universal for aroace people, but i personally have had a very fraught and contentious journey with the concept of Shipping, as you might imagine. there is so much to be said for how alienating shipping culture can be when you're aro or ace, and it felt like a betrayal of the self when i started to find my personal joy in participating in it, and finding a balance between the conflicting feelings is an ever ongoing project. it is not a quandary with a Right or Wrong, it is not even that deep, it's literally just about how you prefer to play with dolls inside your brain. i like to think i have found a synthesis between my anti-amatonormative principles and my personal enjoyment of stories, and accepting that there are many things i vastly prefer to experience through fiction and not at all in my own life. it's enrichment and i do it in my special little aroace way!!!!
all this to say that sometimes i end up in interactions like these:
me: anyway i think these two characters should kiss about it. i think that would be a great way to solve that particular plotline
a queer friend who is neither ace nor aro: tbh i think that character shouldn't end up in a romantic relationship, i think that would diminish their personal arc
me, pained, falling to my knees, face in my hands: no you're right. you're correct. you have seen the truth. i can only defer to your wisdom
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youchangedmedestiel · 3 months ago
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Dean is sitting next to Cas on the dinner bench they picked up to eat after wrapping up their case with Sam.
He doesn't know what is happening to him tonight, but it's like his body wants to melt with Cas's. He wants to lean against him, he wants to touch him. He also wants Cas to touch him, and melt under that soft and comforting touch.
It's like every cell of his body is calling for Cas's. And when their elbows touch because Cas leans his back against the bench backrest and Dean shifts a little, Dean feels the serotonine spreading in his whole body.
That brush is barely perceptible, though Dean thinks Cas is sending him some signs to cuddle up against him. And Dean wants it. Oh yes, he wants it so bad that he needs it. He'd like to take Cas's hand in his. He'd like to cup his jaw and kiss him softly. He'd like Cas to hold him tight. He'd like to pet Cas's hair or have Cas pet his. Cas could be so submissive under Dean's stroke. Or Cas could be so dominant that Dean would do whatever he wants, he could even sink down on his knees under the table and take him in his mouth while Cas's firm hand would grab his hair.
Dean would moan at that and Cas would come in his mouth, groaning and holding him tighter.
Dean needs this so bad, but instead a brush of his arm against Cas's will have to be enough.
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satsuha · 2 months ago
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one of the reasons i like what aa6 did for apollo so much is because i feel like he's accidentally a really nice example of a third culture kid and i......... never really thought i'd see that kind of experience in the kind of media i like. apollo returning to khura'in and all his conflicting feelings regarding dhurke and khura'in just make me Feel something
it's a lot of projecting from my part but i don't think apollo fully views either khura'in nor japan/US as home, there's just something about viewing a place as your childhood home and even if it is the place you imagine yourself returning to, things are just... different now. he's different now, and the literal home (dhurke's mountain hut) he'd wanted to return to just isn't there anymore... khura'in might've been his entire childhood, but the experience he got was so different from the other locals that he really doesn't know much about the average khura'inese lifestyle at all... khura'inese is probably his mother tongue, but he's so out of practice that he has to relearn it from scratch
i think again, i prefer apollo being japanese because i can just imagine that it was so difficult to fit in when you're so different and you're just so unfamiliar with the same experiences that everyone else had growing up... it's the kind of environment where i can't blame him for growing up not wanting to ever talk about his past, not when he's finally managed to fit in and seem Normal for the first time in his life...
i just feel like it's... easy to say that apollo is returning home to khura'in but there are so many loaded feelings that came with that and the idea of home is such a subjective one that i don't like the answer being so clear-cut. it's more like, on a good day apollo probably considers both khura'in and japan/US his home but on a bad day he thinks about how he'll never really belong in either place. it's another thing when i wonder if apollo ever resented dhurke for the decision to send him away even when he knows it was good for him... or even his real parents for taking him to khura'in in the first place? just imagining, or wishing even, that he could have been fully khura'inese like nahyuta or japanese/american like clay then maybe his life wouldn't have turned out this way.....
i don't know LMAO apollo eventually settling back in khura'in is so cathartic yet so tragic to me at the same time. it's a really weird feeling to not have a citizenship or to speak the language in the place you consider home... heck he doesn't even have a physical home in khura'in when he decides to stay?? it's just. i have a lot of thoughts about this. third culture kid apollo is important to me...
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redinthesea · 1 year ago
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Here's this year's annual birthday illustration!!! I think this one is my favorite one so far, happy shared birthday Miss Crown Prince! Spare me some of your long lifespan... 🥂🎂🎉
(+stupid silly discord interaction doodle featuring improvised funny touhousonas under the cut)
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potatobugz · 1 year ago
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eek! scary!
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stolenviolet · 3 months ago
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how tall do you think harry is? 🥹
Three apples tall.
But like really big apples, y'know? Think fuji picked at peak season. Yeah, three of those bad boys stacked on top of each other and that's how tall I think he is.
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charrfie · 10 months ago
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ghostofsnails · 19 days ago
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so did you guys know theres this character called tristan vik disventure camp and
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#disventure camp#disventure camp fanart#tristan vik#disventure camp tristan#ghostofsnails#my art#It would be SO tedious to post all of these separately but to be honest ive been dead for so long that i think its just funnier like this#like. yeah. just in case you guys have been wondering what i've been up to.#I have like 2 more i think but i'll give them their own post so i can explain them#ive never hyperfixated on a character like this in my entire life. usually a character hyperfix is super intense and lasts like 2ish weeks.#GUYS ITS BEEN 2+ MONTHS. AND I STILL CANT THINK ABOUT ANYTHING EXCEPT FOR CARTOON GOTH NONBINARY SILLY PERSON#actually fuck you can i write an essay in tags about why i love them. this is tumblr. and whose even gonna read this anyways. fukit we ball#i followed dc kinda casually as a guilty pleasure for a while but i was instantly drawn to tristan when the designs for the s4 cast dropped#i was like You're telling me there's a GOTH who is UPBEAT and isnt designed like a flawless elf TWINK and is NONBINARY? ME FR????#LIKE OHH THE GOTH NB GETS TO LOOK A LITTLE WEIRD. THEY GET TO BE UNCONVENTIONAL. my aesthetic attraction to them goes crazy. vampire style.#i remember when they got revealed people redesigned them to look more generically pretty & it PAINED ME bc it missed the point SO. BADLY.#ik some people find them boring also & even tho i disagree i can see it if u dont rlly care abt alt stuff. but for me the fact theyre so#kind & upbeat & extroverted WHILE being a SUBCULTURAL GOTH is the draw bc while i do get a kick out of the exaggerated depressed goth#stereotype - its not exactly true to life and so seeing a character that looks and acts like me and real goths makes feel so seen and happy#they also capture my desire to have goth friends SO BADLY im projecting on them SO HARD. They are such top tier friend material you guys...#AND THEYRE A FASHION DESIGNER WHICH FEELS SO IN THEME WITH BEING GOTH THAT IT MAKES ME SO JOYOUS AND CRAZY.#its all so funny because im 100x more excited about getting good goth rep than nonbinary rep LMFAOOO but them being nb is SO important too#Not to mention their voice actor is FANTASTIC and elevates them SOOO MUCH. Also the amount the va is obsessed with them fed my obsession -#sooo insanely you guys.... i feed off of other peoples emotional attachments. AND THEIR ACTING FOR TRIS ADDS SO MUCH DEPTH TO THEIR#CHARACTER IF YOU LOOK FOR IT. I COULD LITERALLY WRITE ESSAYS ABOUT TRISTAN YOU GUYS. IM NOT INSANE.#god you guys this is the first time ive ever had a genuine “i feel seen” feeling from a fictional character I KNOW WHAT IT FEELS LIKE NOW.#i LOVE NONBINARY PEOPLE EXPRESSING THEMSELVES. I LOVE HOW QUEERNESS AND GOTH CULTURE INTERSECTS AND HOW THATS REPRESENTED IN TRISTAN#THEY MEAN SO MUCH TO ME. AND I KNOW THEY MEAN SO MUCH TO SO MANY OTHER PEOPLE. WHICH JUST MAKES THEM MEAN EVEN MORE TO ME. I LOVE LIFE.#its an endless feedback loop i fear. im trapped in it & loving every second. i will be drawing them until i am in my grave & maybe after.
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shakingparadigm · 7 months ago
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okay but seriously all jokes aside I really do understand ivan. like having a schedule so packed and busy is so insanely draining no matter how long you've conditioned yourself to endure it. sacrificing certain things like lunch or sleep just to gain the slightest bit more time for yourself is something that feels almost essential to keeping yourself together and not feeling like you're losing yourself in the cycle completely. it's like its own little act of rebellion in a way, something along the lines of you can drown me in work and monotony but I'll keep carving these little spaces of time for what little I have for myself, even if I have to carve them out of my own chest. I will sacrifice parts of myself to ensure that I don't fully succumb to whatever you're trying to make me into. I am human, this is the proof, I will make time even if it ruins me. you know?? yeah. you get it
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formosusiniquis · 8 months ago
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have your cake
So way back in August 2023 the steddiemicrofic challenge was Cake and 311 words, my head empty brain came up with one thought and it was Steve Munson having a bakery called Mun's Buns and so many months later I finally got around to finishing my vision
Ships: Steve Harrington/Eddie Munson; Tommy Hagan/Carol Perkins; implied/past Tommy Hagan/Steve Harrington/Carol Perkins WC: 6408 | T | tags: Future Fic, the lightest of post homoerotic friendship breakup angst, fluff, Tommy POV AO3
The bakery has a stupid name, is the first thing Tommy thinks when Carol tells him where he's supposed to meet her on his lunch break. He’s still thinking that, when he sees the place for the first time through his rain speckled windshield. It's a modest storefront, small for what Carol says is a booming business, tucked in next to a used bookstore and a music shop. There's a baby yellow awning hanging from the front just underneath a sign lettered in soft blue that reads Mun's Buns.
He's late, is the second thing he thinks after pulling up. Caught up in some stupid bullshit for his dad he hadn't managed to slip away until 12:30. Even then it had only been because Tommy had told him he was going to be late for their cake tasting. He'd rolled his eyes when his father and Greg, a guy that Tommy only considers a co-worker in the sense that they are technically on the same payroll since Greg in every other aspect is incompetent and an idiot, had winced. Shooing him away like a kid who'd just admitted that he's already twenty minutes past curfew. But catching sight of the way Carol has her arms crossed, tapping her foot fast enough to kickstart a motor, while her hair hangs limp in a way that it hadn’t this morning a third thought crosses his mind: maybe he should have been a little more worried.
Waiting isn’t going to make things any better. So he steps out of the car, let’s the misty damp cling to him in a way that makes his dress pants and button down feel like a poorly tailored second skin, and takes his licks like a man. "Late, thirty minutes late. Christ, it's the only thing I've asked from you Tommy." Her right hook stings just as badly as it did sophomore year when she punched him for asking out Erin Murphy instead of her.
Shit like that is probably why no one expected them to make it this long or this far.
When they went away to college; different schools, hours apart. His parents had been gleeful as they'd warned him that high school relationships didn't always last. That he should keep his options open, he didn't want to miss out on the love of his life just because of comfort. He didn't get offered the family ring when he decided to propose right after graduation. Carol has always been particular. Wanted the house to come back to before the wedding could happen, wanted a long honeymoon. That meant saving, a lot of it. Tommy knew and Carol did too, they'd overheard his mother and aunt gossiping in too loud voices after too much wine that they hoped the long engagement meant they were both trying to figure out a good way to break it off with one another. 
Still, over the course of their now five year engagement no one's asked once if they wanted to trade for it.
Carol thought it was horrendous anyway. She’d had her ring picked out since ‘85, styled her class ring so it would look like the oval cut diamond she wanted. Had him slide it on her finger the second it came in.
Cause in the politest of terms, Carol could be a raging bitch. She was Tommy's favorite person in the entire world.
There’s going to be a bruise on his shoulder tomorrow, even if she’s guiltily smoothing a hand down his arm now. Thrust toward the door first in offering, Carol is sorry she hit him but she’s not apologetic. “I’m serious, Tom, if we lose this appointment and have to go with Sweet Treats for our cake I'll- I'll-"
Whatever threat she was preparing is drowned out and then cut off by the echoing TONG of the door chime. A light in the back shifts color for a second, out of place enough that he wonders if he even really saw it. Head tilting toward Carol, his question catches in his throat when he notices her pinched off appraising. Better not to add to the ammunition she might already be building.
And if Carol is looking he better do it too. She'll want to debrief when they're having dinner tonight, just like they did with the florist, the caterer, the three wedding planners they'd met with, and each of the venues that they'd visited. And it wasnt because she was demanding, fuck you Greg. It wasn't because she was being nitpick-y, alright it was a little bit because she was but he liked being particular with her. He liked being involved in his wedding.
So he looked around.
The way they utilized their space -- a building that big and there's barely enough room to stand, we want someone who knows how to work with limited space for the venues we're looking at -- was the reason their first wedding planner hadn't gotten hired. Small, but not cramped. There are a handful of tables scattered in the open space in front of the counter. It’s the kind of small town cozy that Hawkins had tried for and he doesn’t see very often anymore now that they’ve moved out to Indianapolis.
It’s lunchtime, still too early for people to be seeking out the rows of deserts in their neat glass counter and too late for the breakfast crowd. But one of the tables is occupied by a teenager with long, black braids scribbling in a notebook while a slice of ice cream cake melts on a plate by her elbow. 
Everything was neat, organized, and compliant with health code regulations -- they hadn’t even made it in the door of the first caterer’s when she noticed a trail of ants and roaches marching into the open kitchen door.
Carol had always been quick when she was making up her mind about something. Like those Sherlock Holmes stories they’d had to read in school, in a couple of seconds she could spot everything she needed to make a decision. After a decade Tommy still couldn’t keep up; but he was always best at following someone else’s lead.
The smile she’s got frosted across her face is as sugary and fake as the roses on the cupcakes he can see behind the low topped counters as she approaches the only visible staff member. A girl, young in the way that nebulous way anyone younger than him was now, with thick squared glasses that magnified two distressingly blue eyes. The counters looked like they were designed to sit low enough that she could easily see over the top while in her wheelchair.
“Welcome to,” her customer service tone borders on bored. Two words into a clear script and she sighs, as if saying the name physically pains her, “Mun’s Buns. We’ve got a special series of summer flavors: Strawberry Lemonade, Lavender Mint, Chocolate Fudgsicle, and,” she sighs again, “for the grownups a boozy Blue Moon with orange zest.”
“How about a wedding cake.” He’s impressed. Carol made it through the speech without interrupting.
“Do you have an appointment?” the girl raises her voice, enough to make them both flinch back. Customer service isn’t a requirement for this part of the job necessarily, but Carol had bailed on two venues because the staff hadn’t been polite enough.
Her smile doesn’t crack though, “Yes.”
Even though he’s pretty sure this girl has to be basically blind with the inch thick frames, she levels Carol with a lethal stare. “Not you.”
From the open entryway behind her Tommy had been able to make out what sounded like the highlights of yesterday’s game. He assumed that space had to be the kitchen where these rows of deserts were made. He’s still surprised when a guy’s voice is shouting back, “I don't know, Max, do I? Why don't you check?”
“How am I supposed to do that?” Max shouts back, glowering at then in stand in for her mystery boss.
“With your finger, asshole. It's in braille. When I gave you this job you said you were actually gonna work.”
“Douchebag." Her eyes never leave them, while her hands rummage around in a space beneath the counter where the cash register sits. Max offers no explanation or apology for her shouting or for her boss. A large red appointment book gets slammed down on the nearest counter, making Carol jump but the neat two by twos of chocolate frosted cupcakes don't budge. He watches, a little fascinated by the way her finger scans the page before slowing. "Did you write this or did Dustin?"
Carol has always valued gossip over professionalism, he thinks that’s why she’s done so well as a hairdresser even though she was always awful at chemistry. It’s also why he’s held off from pointing out that they could solve this a lot faster if this guy would come out from the back. "Why?" 
“Cause one of you can't spell and one of you is trying to invent braille shorthand. So I'm not really sure what to do with TomGan Wed.”
“It might be Thomas and Wedding.” Carol leans over the appointment book as she says it, using a tone of voice he has never once heard her use in the entire time he’s known her. He thinks it’s supposed to be helpful.
“Wedding sampler.” The girl calls toward the back, “It's getting late.”
“I’ve got it,” the voice from the back shouts back.There’s an effortless assurance Tommy can hear from where he’s standing. It hits him with a wave of nostalgia so strong he grabs Carol’s arm on instinct.
“Really,” she says, cutting her gaze over to him. He’s not sure what she sees. “If we could hurry this along, it's just we've only got an hour.”
“You're late.” The glare she gets shuts Carol down faster than he’s ever seen.
“Right.”
“Okay I've got it.” The voice from the back is now the voice in the doorway. Hidden for a second by a serving tray loaded with samples of rich looking cake, it’s the first time since arriving that Tommy has actually wanted to be here. Not just because he can make out strong shoulders and a body of a man that’s still very fit but clearly enjoys his work too; the hint of love handles above strong thighs. Only then that tray dips, and for the first time since 1985 Tommy finds himself looking at the shocked hazel eyes of Steve Harrington. “Oh.”
Carol reacts for him, taking in a breath sharp enough she might puncture a lung. They’ll both wind up suffocated on the floor of this stupid bakery with an awful name, because Tommy can’t manage to breathe at all looking at Steve. Still unfairly handsome, faintly pink at the shock of seeing them too he imagined.
His hair is long, is the first real thought his half fried brain manages to put together. Soft looking even where it’s damp at the temples where sweat has pooled. He has it pulled back with a couple of the same butterfly clips that Carol likes to use.
His second, somehow more hysterical thought: this wasn’t how Steve Harrington was supposed to be included in his wedding.
Tommy was six years old and knew he wanted to marry Steve. When he’d told his mom -- to ask for her ring, Steve thought it was romantic like princes and princesses that they had a special ring that they got married with -- she’d grabbed by his arm so hard it’d left finger shaped bruises. So he’d held that certainty quiet in his heart until he was ten, and suddenly it was okay to want to play with girls on the playground -- he thinks it’s because Steve got tired of there never being an even number when they tried to play kickball, he had a way of making everyone want to do the thing he was. Carol wasn’t afraid to tell Tommy C. that he was dumb or to tell Mark L. that he hadn’t actually made it to the base, Steve liked her fast. Too fast, and Tommy had to tell her that one day he was going to be able to keep Steve all to himself. But he knew that it wasn’t right to say that now, even if he wasn’t all the way sure why it wasn’t. He was ten, but he would be eleven soon, and he took this part of him that he’d kept secret for so long and he whispered it to Carol under the slide while Steve tried to convince Brad P. that he could too pick two people for his kickball team first.
He was ten and Carol said they could share. Boys can’t marry boys, but girls can. So they could both marry her and live together forever.
It became a joke when they finally shared it with Steve, thirteen and boys going out with girls wasn’t funny the way it used to be. Sarah Jane asked Carol if she had a chance at going steady with Steve. She told Tommy about it later and they both told Steve that he was too good to date any of the girls in their grade. “Well I’ve got you guys,” his voice cracked when he said it, throwing an arm around both of them. Carol didn’t care as much, but even she’d noticed the way Steve was changing from boyish to handsome.
They were sixteen and disaster was just around the corner, not that he knew that. Steve dated around but he always came back to them. The head, the heart, the body. They don’t feel complete without each other -- at least Tommy doesn’t. Mr. Kripke, who was hungover more often than he wasn't, passed out ten minutes into study hall. Carol didn’t even wait to see if he’d wake back up before she left her assigned table for theirs. She smoothed out a lined piece of notebook paper for them, and Tommy scoffed like he was supposed to. “Aren’t we a little old to be playing MASH?”
“It’s dirty MASH, and I thought you’d think it was funny.”
“I think it’s funny,” Steve had said, “that you’re getting eiffel towered on your wedding night. Who else is joining in, Carrie?”
“We couldn’t agree on who got you for their side of the aisle. So we’re taking you to bed instead.”
He was sixteen and the way that the two of them looked when they shared a joke was the hottest thing in the world. The way their smiles mirror when they turned to him, sharp and ready to flay open the softest parts of him.
Tommy’s two days older when Steve lets him kiss the taste of Carol out of his mouth.
It was three days after he turned seventeen and he had to pretend he didn't want to die when he saw how Steve looked at Nancy Wheeler. Like he didn’t want to rip his hair out because Steve was fucking infatuated with this mousy little teacher’s pet and wouldn’t even look at him anymore.
He still doesn’t like to think about the breakup. He pokes it like a fresh bruise. Less often now, but when he does he digs his fingers in. Baits Carol into fights he doesn’t mean just so he can pretend like he hasn’t lost something that hurts like a limb.
Steve Harrington turns twenty-eight next week, and he’s standing in front of them both holding pieces of what might turn into their wedding cake.
“Wow I can’t believe you’re in Indy!” False excitement grates, but at least Carol has gotten herself together enough to speak. He thought he’d have at least another few months to prepare for the thought of seeing Steve, by their ten year reunion he was going to be married and happy and over it.
“Yeah, this is- Married, wow! I kinda can’t believe you haven’t already.” He says it to Carol, his platitudes had always been for Carol, but his eyes find Tommy. 
While Carol chatters at them and for them both, nervous, he knows she’s nervous. The situation is sudden and strange and fraught. But Tommy just looks at Steve, who looks at him. He’s getting married in three months, one week, and two days from now and for the first time in eleven years Steve is looking at him.
"Takes a while to save up for when you want the best of everything. Dad's still the skinflint he always was, I think he'd pay me less than minimum wage if he could get away with it."
And those soft brown eyes look so sad, looking at him. Sometimes he thinks no one will ever understand him the way that Steve did.
"There's nothing wrong with wanting the best, or having a long engagement." Carol defends. It's the same line she's been giving everyone. Defensive of him and herself and the choices they've been making. He can't believe Steve is someone she thinks they have to defend against.
“I really hope you're happy, man," he says, and the sincerity is a balm on the sting of this conversation. He pushes his hair back from his face, the way he always has when he's uncomfortable and trying not to make it obvious. And there's a fresh new hurt when Tommy catches sight of a plain gold band on Steve's finger, shining bright between the golden highlights of his hair.
“I’m happy about this,” he can say honestly. Carol is one of the only things he’s ever been sure about. She held him steady as she could when his other sure thing left him with a cracked foundation in a convenience store parking lot. “What about you? How long after meeting the future Mrs. Harrington did you wait to put a ring on her finger?”
“Tommy,” Carol chides as the teen in the corner snorts. To anyone else it would sound like a reprimand for being nosy, he, and he suspects Steve, knows she’s telling him to stop worrying a scab that has no hope of healing right.
Married and they didn’t know. Wouldn’t have found out until the reunion. It’s not like he expected an invitation, maybe an engagement announcement sent to their parents’ houses. They’d sent one to Loch Nora when the real ring had finally made it to Carrie’s finger. It was equal parts olive branch and offering. They’d gotten it back return to sender with no forwarding address.
The bell above the door tongs again, loud enough to make Carol jump. The platter of cakes doesn't shift at all in Steve’s hand. His arm shows no sign of fatigue. It’s almost distracting enough that he misses the obvious. The bell signals someone is coming into the store.
“Sorry, Sweetheart. I know I said I wasn't gonna be late but Mike…” There just inside the door is the Freak. Undeniable even with his head down as he digs through his shoulder bag. From the riot of poorly maintained tangles that still hang around his shoulders to the expanded mess of tacky ink on his arms. The only thing that’s changed is the age in his face and the band on his shirt.
“Munson?” Carol has the reflexes and the personal grace to address him first. Shock more than the disgust it might have been when they were still kids.
Tommy feels like a kid still. Looks to Steve in an instinct he’d thought he’d stamped out years ago, only to be met with wide eyes and teeth grit tight enough to draw out the square line of his jaw.
“Christ, I still get nightmares that start like this.” Munson says, eye darting between the three of them. “Max, am I naked?”
“Don't know, don't wanna know.”
“I thought you'd be able to tell by the energy in the room.” He wiggles his fingers, still bedecked in silver, like they can divine the vibrations or some witchy shit.
That’s enough to make Steve break just a little. A soft, exhaling scoff before he finally starts to move out from the counter. Tommy catches, and he doubts Carol misses it either, how Steve passes the closer tables to set his tray down between them and Munson.
“I can tell I don't want to be here for this.” Their redheaded audience member says, “I'm taking my 15.”
“Don't go harass Mike, he's finally working,” Munson says.
“Will and El are on shift on the other side,” Steve calls out, not looking at any of them as he moves cakes from his tray to the table. A deliberate selection he seems to be making.
“Whatever, I’m gonna call Lucas and break up with him so he can play better or whatever.”
“Don’t be too harsh,” Munson calls out, “I’ve only got him on a five point spread.”
If Carol’s nails break from how hard they’re digging into his arm, somehow it’ll be Tommy’s fault. Not the fact that they’ve advanced the worst part of their ten year reunion by months, and also Munson is here and knows shit about basketball.
“Sorry, think my hearing’s going, sounded like you said you want him to lose and he’s getting kicked from the next one shot. I’ll let him know.”
“She gets that from you,” Steve and Munson say in sync. Glaring playfully at one another the way Steve used to with Carol.
“I’ll tell Robin you were-”
“Do not sick Buckley on me, Max made the deaf joke not me.”
“Weird, that’s not what I heard.” Steve has always claimed his hair as his best feature. It isn’t -- Carrie liked his eyes, Tommy his hands -- but it’s hard to deny that it doesn’t look good, flipping over his shoulder. His smile is private, just for Munson, soft the way he got whenever he picked up a new girl. Carrie taps the back of his hand, two sharp smacks, their signal for years that he needed to pay attention and notice something she had. Wide, nervous eyes dart to Steve -- like he hadn’t already been looking at Steve -- so he does his best to assess the way Carol would.
Jealous, viciously, Steve had been theirs in every way that mattered since they were ten years old and Carol had never liked sharing her toys with anyone but them. She watched his face for any sign of unhappiness anytime a new girlfriend came along, and when she found one she passed it along to him. So he could pick and joke until Steve was all theirs again.
So he checked the face. Tried to ignore the way Steve was lit up from the inside out with a joy he could barely remember, and then he saw the hearing aid.
He tapped back, three times. O.M.G.
“The 1985 Homecoming court here to reveal that this has all been a long con, Stevie?”
“Yeah I faked the name change paperwork and picked up a fake ID, sorry I took my business somewhere else.” Steve says it with the sincerity he’s always made those kind of jokes with, his strange sense of humor never coming across when he always sounded so serious. 
Munson gets it though, snorts loud and ugly, before a smile pulls wide across half his face the otherside taught with a gnarly scar. “Now I know why my fake ID business went belly up when we got to the city, not like I only sold three in high school.”  He gestures to the three of them in a wide arc.
Sophomores, they had decided it was time to throw their first real party now that Steve’s parents had moved out of Hawkins in all but name. Steve was a latchkey kid of new proportions and took to self sufficiency in a way that had seemed adult to him then; and in hindsight looked more like a child fighting for his life. Steve bragged how he’d been saving up the weekly checks they’d sent to ‘sustain him’ while they worked in the city during the week. His contribution to Tommy and Carol’s vague plan to throw a kegger by the pool. When they’d floundered, immediately, with the hows, Steve had been the one to suggest going to Munson.
“Love this preview of the reunion,” Carol cuts in, there’s no bite but Munson bristles anyway like she’s being rude for reminding them that there are customers present. “Steve?”
It’s funny, Tommy thinks, the way Steve still straightens his back at Carol’s tone. All this time and he can’t fight the old ingrained instincts either.
“Dustin made the appointment,” Steve apologizes, even as he’s posture perfect and preparing his pastries. The unsaid, ‘I definitely wouldn’t have’ doesn’t go unheard and it doesn’t sting any less even this far from their last interaction.
“Munson could join us,” Tommy offers, a new olive branch since their last one was never seen. Even if it does raise three sets of brows and makes Carrie’s nervous smile tighten even more in the corner of her mouth.
“Well at least one of us has to,” Munson, Eddie, says. Just says, tone like it was meant to be something said under his breath.
He's grown up a lot since high school, they both have. Still, he's only got twenty minutes left on his lunch break and it's been a long day. "God, is that why it's called that?" Growth, he doesn't say that Steve Munson sounds a lot dumber than Steve Harrington.
"It's charming," Carol and Steve both say. Though Carrie is definitely lying and Steve barely gets it out from between his gritted teeth, a sore spot. He's always been good at finding Steve's bruises.
"It's charming," Tommy agrees, like he always did when he was out voted.
Eddie has a smirk spread across his face and a ‘too proud of himself’ look in his eyes. Mouth open to make some quip that Tommy is going to pretend is funny, for Steve’s sake. Now that they’re here, he’s going to do something to show that they could talk to one another again. Steve clicks his tongue, taps his index and middle finger down to his thumb two quick times before he can.
He turns to the girl in the corner, "Erica, scram, go help Robin and the kids with the new donation that just came in."
The teen continues to scribble in the notebook in front of her, bulky headphones over her ears, she makes no sign that Tommy can see that she's heard Steve speak. "Erica, go, or I'll tell your mother you moved out of the dorms. You're 20, it's not child labor, and you've got a timecard."
She sighs and wordlessly packs up her things, she gives Steve a scathing look that takes Tommy back to high school. The withering eyebrow and rolled eyes would have been just at home on Steve’s own face in 1985, but she marches behind the counter, the sound of her dish rattling in the sink before she disappears out the same door that the redhead had gone out.
Now that the room has been cleared, an awkward silence has found the space to squeeze in. Munson, the original, still standing in the doorway and Steve standing between his unlawfully wedded husband and the two people who had lost their chance at him years ago.
The wedding and the reunion both on the horizon had dredged up a nostalgia that Tommy and Carol had been dealing with in their own ways. Dredging up old yearbooks, Carol had found a shoebox of old notes that she’d kept. Conversations written in three different inks by three different hands, nonsensical after all this time. Tommy woke up from dreams that he hadn’t had in years. Always of Steve and Carol, a study in opposites, but similar where it mattered.
“Well,” Steve says, taking charge of the situation like he always would when the other two faltered, “you’re here for a reason. We might as well get started on it.”
Steve’s fingerprints are still on them, just like he’d noticed theirs on him, molded as they were together. They’ve always bowed to his expectations, and his whims. When he ushers them to the table with a spread hand, Tommy and Carol go where they’re beckoned.
And so does Munson.
They keep an empty chair between them, an artificial divide for Tommy’s sanity, but with the sprawl of Munson’s legs their knees still occasionally brush together. Carol had taken the spot closest to Steve, who has stayed standing. He is their gracious host, marking the head of the round table.
“I pulled out the full sampler before I realized it was you,” Steve says. Even with as off balance as the interaction has felt, Tommy doesn’t feel his hackles raising. While it’s possible he’s gotten more subtle with his digs, Steve’s vicious tongue was usually unmistakable. “I can tell you about as many of them as you want though if you want to pretend like we don’t already know what I’ll be making you. I’m sure neither of you have eaten lunch yet.”
“You are going to take us on?” Carol asks. Shock always gives her tone an extra edge, defensive and catty, even if she’s really just waiting to see if another shoe will drop.
“Obviously,” Steve says, placing a faintly orange square of cake in front of her. He slaps Eddie’s hand away from another piece without looking away from either of them. “That’s as far as I’ll be going in participation though.”
He doesn’t miss the way Steve’s mouth twitches up with the joke, a filthy smirk that leaves Tommy flushing hot. Too warm to not be a bright and obvious red at the acknowledgment of that old private in-joke.
It doesn’t get better when Carol moans, “Oh my god, Steve!” Even if it is about the cake.
He laughs, and Tommy suspects the two are actually trying to kill him. He chances a glance over at Munson who looks like he doesn’t care at all that his husband has made Tommy’s fiance moan. He is watching Tommy though, an inquisitive look like the one Carol gets when she happens to catch a nature documentary.
“Yeah,” Steve agrees with Carol, “I’ll do something small with that citrus cake for you and Tom so you’ve got something you’ll actually eat on your wedding, maybe a pineapple buttercream on top like that nasty Juicy Fruit gum you like so much.”
“I mean it’s really crazy how you’re so good at this when you’ve never had any taste,” Carol compliments, she never did learn how to be nice.
He could probably count Steve’s teeth in the answering smile. Tommy can feel it like an ache in his chest how much he missed this. He snatches another cube of cake off the tray just so has something else to focus on.
“That’s the fancy one for the people who hate their guests,” Munson says as the cake has settled on the flat of Tommy’s tongue.
“It’s lavender,” Steve corrects, and the floral flavor is lodged in the back of his throat at least gives him a reason now to feel so choked up. “And it is for a particular sort of bride.”
“Are you saying I’m not fancy and particular, Munson?” Carol asks. 
She’s obviously talking to Eddie Munson, who lifts his hands up in answer. But it’s Steve who says, “If you tried to feed that to Gail she would leave the reception bitching the whole time.”
“Well go on,” Tommy finds himself goading now that he’s swallowed, “finish calling your shot, Stevie. You said you knew what we were walking out of here with.”
Carol reaches across the table, locking eyes with Eddie as she snags the piece closest to him. The one his fingers had been inching toward like he thought Steve wouldn’t notice him trying to take it.
“I’ll make a small citrus cake for you, Carrie, we’ll hide it in the back of the larger cake so you can get the pictures of you cutting it and smashing into each other's faces-”
“We will not be doing that,” she interrupts, the warning for him and also unnecessary. He already knows how she feels about being embarrassed in public.
“Then the big cake for your guests will be a chocolate cake, I can cover it in a buttercream or a fondant icing also chocolate, because it’s the only kind of cake the Hagan family will eat. Even though I’m sure John hasn’t given you a dime for the wedding, he’ll complain until Hannah gets married if he doesn’t like the cake.”
“Really,” Steve continues, “the only thing up in the air is how many people you were able to get away with not inviting, Care.”
The two of them start talking actual wedding logistics, and as Tommy grabs another bite of cake -- this one looks like it might be a normal flavor -- he figures the real show of good faith would be talking to the only other person at the table while he eats what Steve correctly dubbed his lunch.
“Y’know he never actually answered me,” he says in an undertone.
Munson seems surprised at being spoken to, only widens his eyes in response to Tommy’s unasked question.
“I asked Steve how soon after the first date he proposed, he never actually answered.”
Eddie softens at the edges before he can even say anything. Steve had a way of doing that, bringing out the romantic in a person. He loved with a passion that demanded it be matched. “Technically I proposed to him, but he says it doesn’t count because we weren’t together and I was high on morphine after a major surgery and thought he was Apollo, come to whisk me away.” The smile on Munson’s face looks dopey and drugged up now, like the very memory of whatever hospital stay is so ingrained in his mind he can feel the high now.
“But,” he goes on, “he told me we were getting married whether it was legal or not about three months after he got legally married to another woman.”
“Stop,” Steve has always been able to sense when he’s about to be the butt of the joke. He has a finger pointed at Eddie like a teacher delivering a lecture. “You can’t tell people that. It was for tax reasons, I’m not cheating on my wife.”
“You say tomato, I say whichever one of us is your least favorite has to be the extramarital affair.”
“I say, you’re the most obnoxious person I’ve ever met.” Tommy can hear the warm affection behind the insult, the way their picking is a safer way to express their passion for one another.
He thought he would be jealous of whoever finally managed to reel in Steve Harrington for good, and he is. The emotion is there, present in the snarling tangle of emotions that this encounter has left in him. One that he and Carol will have to slowly tease and pick out tonight when they’re home in bed. Trying to make sense of what each thread is and what it means for them. But the one bright pulsing thread he can make sense of is happiness. He’s happy for Steve, happy that he gets to see an old friend so at ease and obviously cared for.
And he’s sad that his time is up, his lunch hour so close to an end he’ll be late getting back to the office. Something he can already hear his Dad and fucking Greg giving him shit for. Which means they have to end their time here.
Steve walks them to the door, flips the sign to mark them closed for lunch.
“Congratulations again, you two,” he says, “I really am happy I can get to be a part of this with you all. Even if it’s a little different than we used to imagine.”
Carol reaches out for the both of them, puts her hand on his arm. Tommy finds that he’s the one who actually says, “We’re glad you found someone who makes you this happy, dude. You deserve it.”
“Yeah, he’s alright most of the time.” It's said with such fondness it becomes a declaration. It’s hard to imagine how they thought they could ever be the something that could make Steve this happy. But maybe in a different life, under different circumstances it could have been.
There’s a minute where they all stand in the doorway. He wonders if they’re all afraid that this might be the last time they see each other, speak to one another, until Steve is delivering the cake on the day of the wedding. Maybe it’s just him, he was the one who pushed back the hardest after things ended.
Someone finally gives in and pushes the door open. It’s TONG a death toll for their current conversation. But it also sends a jolt through Steve, he straightens to his full height like a shock has gone through him. “Here,” he says, “here, um.” He digs around in his apron until he finds a pen and a receipt pad. Jots down something before tearing it off and putting it in Tommy’s hands, “It's our home number, in case you have any cake emergencies or something.”
They really can’t stay any longer.
Carol takes the note, better at keeping track of these things than Tommy is. It’s hard to know if they’ll actually use it, maybe after they talk about it, but if they do she’ll be the one to do it. She’s always been braver than him.
There’s no way of guaranteeing anything but the fact that they’ll have a cake on the table on their wedding day. But he hopes that Steve might stay for the ceremony once he brings it, he can even bring Eddie if that’s what gets him there. 
Alone in his car, Tommy lets himself take a minute to think about Steve Harrington one last time. He isn’t going to get what he wanted as a kid. Doubts that he’ll ever be as close to Steve as he’d been in childhood, too much time has passed and too much has changed.
But there’s an opportunity to get to know Steve Munson, and he isn't going to pass it up. Even if he doesn’t know how to name a bakery.
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vamptits · 2 years ago
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wtf..party little poison
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