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#who would i be without you crow
barbieb0y · 2 months
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hi safar I saw you talk abt strive again and I just came here to say: strive's going to have an open beta test on the 26th of July on every platform, so if you wanna try out all of the characters you want you can play them!!! also, strive is actually pretty different from the other past gg games, so if you're rlly keen on playing just strive, i'd suggest you check out the beta test to see if you'll like the game play :3c
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chat is this real (also thank you crow)
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deithe · 2 years
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everyone who says s2 of s&b is bad is just a coward. it's fun and new and exciting bc if it followed the books to a tee you'd know everything that would happen and where's the fun in that? i personally thought it was fucking hilarious that the crows were so involved in the ravkan plot bc it's like 'here are all these characters deeply invested in ravka and the destruction of the darklin. and also these kerch thieves'. insane.
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crookedfandomquill · 2 months
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This is very situational, and sadly may not be realistic for everyone, but I need y’all to understand that a very important part of political activism is fucking talking to your conservative or moderate friends and family.
My dad voted for Trump in 2016. He’s a middle class white evangelical from Arkansas. He raised me with conservative Christian values, just like his parents raised him. When he voted Trump, he was holding his nose, but he didn’t feel too bad about it, and went on to vote red down the ticket in the 2018 midterms, as well.
But I started college in 2017. Higher education and independence changed everything for me, and I went home over holidays and summers with fire in my belly and a thousand arguments ready at the drop of a hat, to my father’s dismay.
I remember crying in my room after emotional, intense arguments with him. I told him over and over that I felt betrayed by his choice to vote for a man who admitted to sexually assaulting women, who built his platform on dehumanizing immigrants and the disabled, who spread overtly-racist rhetoric, who flouted the values of kindness and self-discipline that I’d been raised on. And my dad always had some justification about the “greater good”: fighting against abortion, bolstering the economy, getting other Christian politicians into office.
But over time, as we grew further apart and I lost my will to discuss anything with him at all, he softened. He started asking me why I thought the way I did about the things we disagreed about. He would listen to my answers without interruption, and mull them over afterward instead of expressing his own opinion. And all the while, he watched the Trump presidency become cruel and absurd and devastating.
The first time he openly expressed regret to me, I had come home for a weekend after Kavanaugh was confirmed to SCOTUS. My dad realized he had helped elect a man who preyed on women… and that man had opened the door to more predators. I can’t tell you what it felt like for him to admit that he’d made a mistake, not just in voting for Trump but in defending him for so long. We kept arguing, but it was more debating than fighting. I knew he was capable of seeing my side of things, even if it took a while, and he knew I wasn’t just a sensitive college student with shallow new ideas about the world.
And then 2020 hit. Specifically, George Floyd was murdered, and the events that followed played out on the national stage. My dad was incredibly shaken by it. He asked me if I had any books from college about racial issues. I loaned him The New Jim Crow, one of the required readings for my Race and the Law class. Then I gave him Just Mercy. Then he watched the documentary 13th. Then he joined a racial harmony group he learned about through one of the few Black families at our church and insisted our whole family come. He held up signs at a protest against Confederate monuments in our conservative southern town. In three years, he went from defending Trump’s comments about “Black-on-Black crime” to publicly advocating for racial justice and opposing the death penalty.
We went together to vote in the 2020 primaries. I couldn’t help asking who he’d voted for; I didn’t even know if he’d asked for the Republican or Democratic ticket. He admitted he’d voted for Bernie. fucking. Sanders, then made me promise not to tell my grandma he’d voted liberal. When the election rolled around in November, he voted Biden. I’m sure he held his nose to do it, just like he held his nose voting in 2016. But I know he doesn’t regret it.
I am, of course, unbelievably lucky to have a parent who loved me enough, and was empathetic enough, to choose his relationship with me over his strongly-held opinions. He kept searching for truth because, as much as he’ll deny it, he’s a very smart and curious person. No degree of intelligence or curiosity makes you immune to propaganda, especially if you were raised not to question the party line. It’s easy to dismiss our conservative, conspiracy-pilled loved ones as stupid, hypocritical, and cruel. Sometimes they are. But sometimes they aren’t. Sometimes they will bend to keep their relationships from breaking. Sometimes, if they can be made to understand that their beliefs and actions are harming someone they love, they will make concessions. And sometimes they just need one person in their life to put a foot down, to be vulnerable and assertive and argumentative, to bring the impact of their politics close to home.
As the most important election of our lifetimes approaches, do not put peace over progress. If you have someone like my dad, someone who is good-willed and smart and loves you more than their own opinions, tell them how you feel. Tell them what their choices will mean for you, for your friends, for your community. Tell them what they could lose: your trust, your affection, your respect. Don’t avoid conflict if it could be productive. Because my conflict with my dad didn’t just win him over–it won over my moderate mom and one of my conservative brothers. And it put us in community with other like-minded people and led my parents to a healthier and kinder faith.
All of this to say, there is hope in conflict. There is hope in our relationships with people who think differently from us. There is hope in exposing your fear and anger and pain to people you love. And hope is a form of activism.
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tobiasdrake · 7 months
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*deep breath* Okay. Here we go.
I don't think the Netflix Avatar show likes women very much. It's a great show for fans of Aang, Sokka, Zuko, and Iroh specifically. All four of those characters get a ton of great material. In fact, it's super great for Sokka stans, because the show takes him ultra-seriously and can't go five minutes without one character or another (usually a woman) praising him.
But the way it handles its female cast is troublesome.
Katara
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So, all three of the main trio got some changes made to their stories. They changed Aang's story so that he wasn't running away from his responsibilities; He was just clearing his head and somehow accidentallied himself into a tsunami. Whoopsy-dooodle. Aang did nothing wrong.
They changed Sokka's story so that him being a leader of his people and a great guardian warrior is treated with complete seriousness. Multiple times, characters stop to talk about how brave and noble Sokka is for taking on such an intense responsibility, and tell him to his face what a great warrior and a wonderful leader he is. Also his misogyny is erased.
And they changed Katara's story so that she directly got her mom killed because she sucks at waterbending.
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Katara tries to waterbend to attack the Fire Nation soldier but couldn't manage it, provoking the soldier to start actively searching for her and forcing her mom to fake a waterbending attack and draw his fire. They changed Katara's story so that her bad decision making fucking got her mom killed.
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This is treated with the same level of severity as "Sokka was bullied by mean kids and also his dad doesn't think he's good enough to be a leader."
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"I hoped Sokka would do better but not everyone is meant to have people's lives in their hands," Sokka's dad says of him.
Yeah, you're right, that's totally comparable to watching your mom get barbecued because you tried to waterbend in a situation you shouldn't have and then failed.
In fact, they give Sokka's greatest trauma more weight because it gets examined again with Yue next episode, while Katara actively getting her mom killed isn't brought up again at all. We get traumatized glimpses of it throughout the season leading up to the reveal, but after this scene in episode 5, it never comes up again.
But to be fair, Katara was a child. An event this significant would surely have motivated her, driving her to become the great waterbender she is now, right?
No! Katara sucks at waterbending and needs men who aren't even waterbenders to teach her how to waterbend. She requires instruction from Aang in episode 1 to learn how to waterbend, then from Jet in episode 3 to learn how to waterbend better.
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And unlike the show, her relationship with Aang isn't a give-and-take; Katara doesn't teach Aang a single goddamn thing. He never learns to waterbend. She is a strictly a pupil throughout the whole season. Though she at least gets officially labeled a master in episode 8, so there's that.
In any case, the whole traumatic memory thing isn't even the only time she's directly compared with Sokka. Episodes 3 and 4 see Katara and Sokka bicker over whose morally dubious side character is better. Sokka likes the Mechanist and Katara likes Jet.
Ultimately, Katara is forced to eat crow when Jet turns out to be the worst, while Sokka is vindicated when the Mechanist sees the error of his ways and reforms. But not before two separate arguments where Sokka calls Katara childish and accuses her of acting like a little girl.
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Arguments ultimately resolved when Katara apologizes to Sokka for not adequately respecting his very serious and ultra important role as village protector and leader. Gives him a whole speech about how great and glorious he is. And Sokka... appreciates Katara learning to respect him properly, I guess, because he never offers any similar sentiments back to her.
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The show just... They need you to know how important Sokka is, okay? It's very important that you respect Sokka.
Suki
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Suki suffers tremendously from that whole "Sokka's misogyny was removed" thing. Y'know, because they need something else to do with that episode. The show is deeply aware that Suki is Sokka's love interest, so they just do that right off the bat. Suki falls madly in love with him from the moment they meet, and spends the entire episode making goo-goo eyes and trying to get him to Notice Me Senpai.
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They still do the "Suki Trains Sokka" stuff. But Sokka is a serious, dignified manly man worthy of the deepest respect now, so of course they don't make him wear the Kyoshi uniform. Instead, the main purpose of his training is to allow them to flirt some more. It's less martial arts training and more an excuse to grope each other and near-kiss.
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Suki's just a waifu now. She still fights real good, but all of the stuff that made her relationship with Sokka interesting has been erased.
Yue
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Yue, similarly, leaps straight to shipping from the word go. They write out her fiance, Hahn, by having Yue briefly meet Sokka earlier in the season. She spends one minute talking to him in the Spirit World about Spirit World lore; In that time, she falls so desperately, madly, unfathomably in love with him that she breaks off her marriage to Hahn and devotes herself to waiting for him to one day come to her.
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"Never have I known such joys as that time you let me explain the spirit bear Hei Bei to you. Truly, we are destined to be together for life."
Like with Suki, they go out of their way to have Yue and Sokka already be a ship from the word 'go' so they don't have to spend time developing any kind of meaningful attraction.
They just. They really want you to know that Sokka is the manliest and most desirable man ever to walk this earth. It is very important that you understand how great he is. Women hurl themselves into his arms with zero effort whatsoever, because he's just so goddamn irresistible.
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Fortunately, Hahn is super okay with this turn of events. He's the most chill guy ever, he gets along perfectly well with Sokka, and he completely supports Yue's right to dump him! In the famously misogynistic Northern Water Tribe, no less! What a swell guy. Aren't men swell?
June
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June gets hit with that "rewritten as hollow waifu" stick too, but her eyes are set on Iroh. They rewrote June to be super attracted and flirty towards the man who was her unwanted sexual harasser in the source material. So that's fun.
Also, she barely does anything. Zuko hires her to find Aang, she succeeds, and then she fucks right off out of the show - But she manages to find time to express how unbelievably sexy Iroh is twice during that time.
She seriously just dropped into the show to flirt with Iroh and leave. She is unbelievably inconsequential.
Kyoshi
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And then there's Kyoshi. They really want you to hate Kyoshi. She's constantly shot from below, as if looking down on Aang and the audience. Her voice takes on a demonic echoing reverb at one point as she's screaming at Aang that "THE AVATAR MUST BE A MERCILESS WARRIOR!!!"
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She despises Aang, calling him a coward for running away from his responsibilities - Which, I remind you, is no longer a plot point because they unwrote that flaw from his character. So she's just a complete and utter asshole, shot from the asshole angle, yelling violently at him with asshole sound effects. They want you to despise this woman.
Azula
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Awkwardly, they do not seem to want you to despise Azula.
There's a lot to be said for how Ozai treats Azula in the original show. The way the favoritism he shows her is every bit as cruel and manipulative as the unfavoritism that he shows Zuko. Ozai does not love Azula. He loves the reflection of himself he sees in her eyes, and his encouragement urges her to polish herself to ensure his reflection always shines through.
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This is not that. The show instead erases the favoritism entirely. Ozai doesn't really care one way or another about either of his kids. He plays them against each other, bragging openly to Azula about how great Zuko is and unpleasably writing Azula off as weak and useless.
They've rewritten the dynamic between abusive father and his two abused kids in order to take Azula's pride away. Reimagining her from a gifted prodigy who excels at imitating the toxic behaviors of a father who doesn't truly care for her, to a put-upon overachiever tearing herself in knots to live up to the standards of her unpleasable father.
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This results in a truly wild portrayal of Azula as insecure and jealous of Ozai's seemingly love for Zuko. Here, she is simply a browbeaten child constantly complaining to her friends about how mean her father is and conspiring to get one up over Daddy's Golden Child Zuko.
Which she fails at, because she backs Zhao. Zuko deftly defeats her without even realizing they're in competition.
Conclusion
The season ends well for some of these women. It ends promising that maybe we'll see Katara teaching Aang some day. It ends with Zhao bragging that Ozai just used Zuko to train Azula so maybe we'll see the more confident and misguidedly proud Azula some day. Yue becomes the moon like she's supposed to. June's still out there so maybe she'll get to do something again some day.
Katara gets to fight Pakku and lose, but she looks pretty cool. She gets to fight Zuko and lose, but she looks pretty cool. Azula learns to lightningbend because she's just so mad about Ozai's contempt for her and favoritism for Zuko, which isn't how you lightningbend.
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But promises of future content fall flat when the content that exists is so underwhelming. This season made its feelings on these characters pretty evident, and it's unwise to expect better material from creators who've disappointed you with the material they already made.
The women of Netflix Avatar simply do not get to shine, outside of superficial moments like the "Women of Northern Water Tribe demand the right to fight and then fuck off and don't do anything for the entire rest of the episode" bit.
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"In the midst of battle, we demand that you stop being sexist and give us permission to fight! This is a way better idea than convincing you to teach us to fight before the battle begins."
The characters of this show feel as if they've been reimagined to glorify the boys at the expense of the girls. The boys are treated with a great amount of care. They're dignified and made important movers of the plot, with their rough edges sanded off. While the girls are molded around them.
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Pt III good omens but i STILL SOMEHOW haven't watched it (and i'm increasingly passive aggressive)
i'm now basically held hostage adopted as mascot by this fandom. it's fine i'm fine *SIGNALS FOR HELP DESPERATELY*
Alright fuckers I swear this time I'm going to get some shit right. Without further ado, here's my third attempt at a good omens summary:
Everything everywhere is queer all at once
Angel Aziraphale and demon Crowley on earth likey each other
The car is a bentley and it is BLACK not silver and everyone is very upset about this. my bad yall it was reflecting light therefore i guessed more silver than black but I'm not Anish Kapoor take your black.
Then it is yellow, and aziraphale likes it. crowley preferred the black because he's a flamboyant emo.
God is a deadbeat absentee parent and you are all children of divorce.
There's a naked archangel and they cause problems for the husbands somehow. By being naked? By being an archangel? By being at their doorstep? Who knows not me
They were actually married for 6000 years, they just are the last to know about it.
Crowley is on fire. Like, he's slaying for sure, but also he is literally on fire, like Aziraphale's bookstore.
The actors like I said before are Michael Sheen and David Tennant but this is the place where I finally admit that I don't actually know who is whom. I'm going to assume Michael is Aziraphale because Michael sounds angel-y and David is Crowley because uh Michaelangelo made David and was gay for him.
Terry Pratchett is not fictional.
He co-wrote the book with @neil-gaiman, who IS fictional, because he does not have social media. Several of you have assured me that he is in fact a fandom inside joke. I like to think he would be proud of me.
They adopt a preteen and Crowley gives him bad advice.
At some point a baby was delivered to someone and was exchanged for the son of Satan. Idk if the baby is the preteen, or the son of satan is the preteen, or neither. This could be a fanfic, I have no way of differentiating the fanfic from canon on tumblr, except that the canon is weirder.
Crowley does not go down a chute. He goes down a telephone cord after making himself microscopic to pole dance on a pin with shroom-induced backgrounds.
During this his stage name is Disco Tony. Get it king go slay you're making better life choices than I am tbh.
Aziraphale is a biblically accurate angel, and you have all gone to extensive lengths to prove this to me. I understood nothing, but there you go.
It's all very queer, just like the fandom.
Crowley is a retired demon but he still sins by breaking the speed limit.
They eat at fancy restaurants and bicker but like in a sexual undercurrent way.
Crowley gives Aziraphale a private dance that is not a lap dance, it is an apology dance, but not in a kinky way, until it is.
Their haircuts keep changing and range from 'this is acceptable and gay' to 'i let a drunk chimpanzee take gardening shears and a blowtorch to my hair'
It's all ineffably queer my good fellows
Everyone keeps trying to convince me Neil Gaiman is the villain yeah no guys I know it's really you. Y'all be like 'SEASON TWO BROKE ME' and then you're making headcanons to make it sadder yeah I see you mmhm.
There is a final fifteen. It is sad. What is it? No one told me.
The demon turns goats into crows and the angel turns them back and then children are turned into newts (does the angel turn them back? who cares not yall) and the demon was the snake in the Eden garden and everyone's furry game seems to be on point.
There are a rather lot of children. I have not seen them. But I am assured they are there. They are, guys. I assume they were turned into the alcohol Aziraphale and Crowley drink or something.
There was an apocalypse plotline. It was averted. It is not important. You don't talk about plotlines in this fandom, no sir.
Crowley doesn't want to go to heaven. Aziraphale is sad.
The kiss is not nice, just like this fandom. It is queer, just like this fandom. It is sad and desperate and masochistic, just like this fandom.
Aziraphale doesn't want to stay back with Crowley. Crowley is sad.
Season 2 ends. Fandom is sad.
Everyone's sanity is hinging on the promise of a happy ending in season 3. Good luck guys.
Y'all better appreciate this. I can't even boast to my mother about this legacy of mine, hey mum your son has been held hostage kidnapped inducted into a cult adopted by a fandom he's not part of look he's winning at life.
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felassan · 3 months
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June 14th 2024 Developer Q&A (from the official BioWare Discord) - Complete transcript
Under a cut due to length.
Update: This post has now been updated into a word-for-word transcript.
[Link to video recording of Q&A] | [Link to equivalent post for second Q&A (August 30th)] | [Link to video recording for second Q&A]
Update: This post has now been updated into a word-for-word transcript.
If you would like to listen to the Q&A for yourself in video format, or listen to it again, Ghil Dirthalen recorded it and has now uploaded a video of it here. This blog post is linked in the description under the video. ( ˶´ ᵕ `˶ )
Corinne Busche, John Epler, Matt Rhodes and Community Manager Katey were the devs that were there.
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Katey: Hello!
John: Hello.
Katey: Beautiful, your mic sounds beautiful. How's everybody doing?
John: Excellent. I, just as a headsup, I have some folks doing some service, in the next room so, if I, if you hear background noise, that's what that is.
Katey: No worries at all. Well I hope that everybody who's been waiting in here is really excited, because I'm super excited. I'm Katey. I'm the Community Manager. If you don't already know, you can usually see my name at the top of this Discord server. But I'm joined here with some awesome guests that I'll let introduce themselves. Let's start with Corinne.
Corinne: Can you hear me okay?
John: Yep.
Katey: Yep, we can hear you beautifully.
Corinne: Great, perfect. I'm Corinne Busche, Game Director of Dragon Age: The Veilguard.
John: Awesome. I'm John Epler, Creative Director of Dragon Age: The Veilguard.
Corinne: John!
John: Hello.
Katey: And then we've also got Matt Rhodes, who may be struggling to find the unmute button which is at the bottom left.
Corinne: Our, our resident artist-poet, Matt Rhodes.
Katey: I could unmute him, actually, I don't know if I can unmute him, but if he needs help, he can message me on the side.
John: The joys of being a giant nerd is I spend a lot of time on Discord anyway, so.
Corinne: Well there you go, right?
Katey: Fair enough. Alright, well, we have a ton of questions to answer. We probably won't be able to get to all of them today. You all have sent in so many really really great answers, sorry, questions for us to answer. And if we don't get to them today, we're hoping to be able to do things like this in the future. So without further ado, I'll get started. First question's a bit of a soft ball, I feel. If you could belong to any of the main factions shown in the game, which would you choose?
Corinne: I mean, listen Katey, you say softball, but like, this is hard! I’m gonna cheat, and I’m gonna give you two. So for fashion, the Antivan Crows, all day long. Their threads, you’re gonna love it. For vibes, though, like the ones that capture my vibe, Mourn Watch. Gimme those necromancers.
John: Those are good answers. I have, I have one for fashion, and also for, just general faction I’d like to be a part of. Veil Jumpers. Who doesn’t like a nice walk in the forest, y’know? Even if that forest is filled with horrifying monsters and terrifying anomalies, but yeah.
Katey: I love that. I know that Matt has a few technical issues – oh, he’s unmuted. There we go. Or maybe not. That’s okay, I think we can move on.
John: The Fade has taken Matt.
Corinne: That’s right, that’s right.
Katey: Yes. One quick thing, if you check your settings, the cog-wheel in the bottom left, make sure that your voice, like, your audio is all good. If you’re still hearing the music, feel free to maybe, force-quit Discord and rejoin by just joining the stage directly. And mute the music before you come in. Okay. I can move on to the next question for now. I’ve seen, so this question was from Acra. I’ve seen a lot of talk about only having two companions in your party instead of three for this game. What is the reasoning behind this and will we still get the same companion conversations and banter as seen in the previous Dragon Age games?
Corinne: Ooh, this is such a good question. Thankyou, whoever submitted this one. Yeah, I’ll guess I’ll start and then I’ll turn it over to John Epler. So, first of all, as you saw in the gameplay reveal, this is a much more intimate experience. We’ve pulled the camera in. For those that aren’t aware, the reason why is we want you to feel like you actually are in this world, right? Like, you’re walking these city streets of Minrathous, you’re looking up, seeing the buildings all around you, you’re a part of this place. So it’s much more intimate, and we believe as the narrative unfolds this creates a lot more immersion. Now, how that relates to companions is in doing this, we went back and forth on it a lot, but we actually found, with this perspective, having two companions, really allows them more visibility and presence. We’ve talked about the incredible depth and focus we’ve put on fleshing out these companions, they’re very fully-realized. So here, you really get to see them more clearly, you get to see them shine. When you see Lace Harding jump into the air and unleash a volley of arrows, you can only really get that because of that more intimate view. So I love the spotlight that’s been put on them. But, I think, in addition to the banter, one of the things that people are wondering about is, okay, but what about gameplay? So again, this has come about from our testing, working with the internal team, also our lovely Council of players. We just found that when you’re playing in the combat system, when you’re planning your strategies, two really felt like the right number to manage. So keep in mind, Rook has a lot of different types of actions, Abilities, individual attacks that are more fully fleshed-out than ever before. Timing and positioning matter a lot. So this really felt like the right balance to have. The number of inputs and actions we’re asking you as a player to take, including directing your companions, is higher than ever before. And I will also say, I engage with the companions, like I actively control what they’re doing more than I ever have before in any of the other three games. But John, I’ll toss it over to you for the banter. That’s kind of like the, we got a two-for-one there.
John: Yeah, yeah.
Corinne: I think that’s a, a great question.
John: So - it’s a great question, yeah. I mean honestly, I don’t think you could actually stop the writers from writing banter. I will say for myself, it’s, it’s one of the more light but fun things to do. You get to write little stories, little arcs between different characters. And I mean, The Veilguard is no different. Banter is still absolutely core part of it. You know, we’ve got global banter, you know, the general stuff that you get in all spaces, as well as mission-specific stuff. But, yeah, it’s definitely still a big thing. I think it’s, if anything it’s the most we’ve, we’ve ever done for pairings of companions. Beyond that we’ve also made sure, and I mean I’ve been on Dragon Age for a while, and I know there’s been issues, you know, things like, okay, well I don’t wanna miss this banter. So we’ve even added stuff like some interruptible and resumable banter as well, just to make sure that, because again, it’s a core part of the experience. Everyone loves hearing these companions talk to each other, everyone loves hearing these little stories and relationships develop over the course of the game and, as mentioned before, companions are the heart of this experience and banter is a big part of that, so, you still have it, it’s, if anything, like I said, you could not stop the writers from doing it even if we tried, so.
Corinne: That’s right, that’s right. Well, John, you know, listening to you speak, one thing that comes to mind, maybe people are wondering, with two companions in the field do I get less interaction between, that, like do I get to see my companions interacting in a broader group more often.
John: Oh -
Corinne: And, the way you’ll gather them around the kitchen table, there’s just so many of those moments where they’re all interacting with each other.
John: Well, I think –
Corinne: Those are some of my favorite parts.
John: Yeah, and I think, yeah, and actually that’s a, a good call, because I think the other side of it is, we’re not talking too much about your home or anything, but, we also want to make sure that they feel like they have a relationships and a life outside of just, the times you take a certain pair of companions out on the field. So we made sure that, they have those interactions there as well.
Katey: Love that. Let’s see. Um, Matt, are we, are we all set, are we good? Yes? No? Okay. I can continue and we can come back to some of your questions. Alright. So that, I loved the answers to those. How customizable is the backstory of Rook? Will we get to determine their past in the Character Creator? And that was asked by Briar.
John: Yeah, so. Absolutely. So, one of, each, Rook has six different backgrounds that you can choose from. Each of them is tied to one of the major factions in The Veilguard and each one sets out who Rook was before they recruited, were recruited by Varric, and. Well that sets out the broad events. As you go through the game, as you’re gonna have conversations, either with members of your faction, other characters, you can define, not just what those events were, but what they meant to you, what was your motivation, what was the kind of person you are as you build up Rook, because again, we wanna make sure that roleplaying is at the heart of this experience. And taking Rook, giving them, again, giving them background to ground them in the world but then letting you decide what that means and what that says about you is also a big part of it, so. And again, there are six different factions in this game, two which, anyone who’s played Dragon Age for a while will remember. You’ve got the Grey Wardens. You’ve got the Antivan Crows. We also have, in addition to that, we have four new ones, because we’re in northern Thedas. We have the Veil Jumpers. We have the Mourn Watch. We have the Shadow Dragons, and we have the Lords of Fortune, so. Again, a lot of different options, a lot of different background, and a lot of opportunities to really define what your, who your Rook was, and who they are now, so.
Katey: Amazing. Will crafting return? If yes, has it been improved over the system in Inquisition? Asked by Some Dude.
Matt: Testing.
Katey: Oh hey Matt!
Corinne: “Some Dude”, is that, I’m gonna assume “Some Dude” is a username. Great question.
Katey: Yes.
Corinne: Welcome Matt, the lovely Matt Rhodes.
Matt: Testing, testing.
Corinne: Welcome, welcome, hello. Alright, so, will crafting return? You can absolutely improve and customize your gear, yes, that is a big part of RPG progression, so yes you can improve and customize it. I will say, though, it’s different this time around, and it does get into spoiler territory, so I, I’m gonna be a little bit cagey about it, but there might be a mysterious entity that assists you with that that’ll be an important part of the narrative.
Katey: So mysterious.
Corinne: Oooh!
Katey: Matt, I’m gonna actually go back to our first question so that you can answer, so everyone knows.
Matt: Thank you.
Katey: What faction, what faction you would choose if you could choose one for yourself?
Matt: Absolutely, oh, for me it’s definitely the Lords of Fortune. I’ve had a chance to try out a bunch of them, but I think I’ve finally settled on them. And it’s largely just because pirate-barbarian is just such a great combination of elements, so. Treasure-hunting plus beaches and palm trees and all that stuff, it’s a, it’s a really good mix, so that’s kinda my default.
Katey: I think I’m with you there, for sure. How about this one - this one was definitely asked probably amongst the most in Discord. Axolotl asks, can we kiss or romance Manfred the skeleton?
Matt: Uh, I, I would say, not that skeleton, but we’re not saying no skeletons.
Katey: I love that answer.
Corinne: This is my favorite answer so far.
Katey: Alright, so I’m gonna get back on track here. Alright. What, what were some of the development considerations that you had to take into account to ensure that this new game flows and functions with prior games, and Dragon Age Keep, if Keep is being utilized?
Corinne: Ooh, that’s a good one too. So, first of all, I would, I would point everyone to, we did an interview with IGN that goes into some of the details there, so, like, if you want a deeper dive on it, check out that article. But just to summarize, we have taken a different approach on how you import your decisions this time around. It’s now actually been fully-integrated into the Character Creator, and kinda serves a dual purpose, to be honest. I, I playfully, it’s not called this in-game, but I playfully think of it as ‘Last Time On Dragon Age’.
Katey: I love that.
Corinne: Right? Now, when I talk about its dual purpose, it’s been ten years since the last Dragon Age game released, so it serves as a refresher on critical events as well as allowing you to re-make those decisions that are critical to you. The thing I love about it is, it’s very highly visual, it uses the familiar tarot card aesthetic, so it’s actually really visual and playful experience as you go through it. It is very much important to us that it’s built into the client, though. You can play this game entirely offline. No connection. You don’t have to link to your EA accounts, like that’s been a really big request. So, the refresher plus make those decisions in-client, I think we’re all pretty happy about that. I don’t wanna spoil anything by revealing what decisions you can import, like, look, y’all don’t want the spoilers, but I will say, it’s been a really interesting creative intersection for us, because on the one hand, this is a whole new adventure. You’re in northern Thedas, these locations that you’ve literally never been to before. So that affects some of what will matter and what we’re not using this time around, as far as decisions. But obviously there’s some very, very clear connections to existing characters. It’s no secret that the Inquisitor, our dear Inky, is gonna show up, so, that’s, that’s a factor.
Katey: Peachy asks, will this next game be an open-world game, or is it just contained to Tevinter?
John: Yeah, that’s a great question. So, you are in northern Thedas, but the game only begins in Minrathous, it doesn’t stay there. I’m, I think one of the most exciting things for me, honestly, and again, to Corinne’s earlier point about spoilers, I don’t wanna get into too much spoiler detail, but getting to go to, and work with the art team, work with the narrative, work with the design team to build out these locations that we’ve talked about. Places that characters have referred to as where they’ve come from, places that characters, obviously, in previous games, have hailed from, has been absolutely exciting. So, it’s, you do start in Tevinter, you do start in Minrathous, but again, that’s not the entire game by any stretch. So yeah.
Corinne: Yeah, and the first half of it is, is it an open-world game? We’ve gone back to what we believe delivers the best, most curated –
John: Mhm.
Corinne: - intense narratives. So, this is a hand-crafted experience, it’s mission-based. Now, these locations can open up. You can go back, solve mysteries, do some really great side-content. Not fetch-quests, not grind-quests, some really great side content.
John: Mhm.
Corinne: But, I wanna be clear. It’s, it’s a really curated, hand-crafted experience.
John: And just to, just to bounce off of that very quickly. The most important thing for us, to what Corinne was saying about hand-crafted, obviously we’ve talked about how, you know, narrative, story, characters, are the most, are critical to us, and this has allowed us to build these experiences in a way that emphasize that, extremely long, while still, again, tying into the story threads and the story beats, so.
Katey: Awesome. TastefulToxel wants to know - will the companions have unique specializations like Dragon Age II, or will it be the same ones we will have access to as the player in like DA: Origins, or Inquisition?
Corinne: Oh, cool. Hey TastefulToxel. Yeah, so, cool question. I think the best way for me to describe this is that, yes, our companions will have Abilities that are truly unique to them. But also, the companions do fall into the archetypes of mage, rogue, and warrior. Like, for instance, you might be surprised to hear, because she has a bow, but Bellara is, in fact, a mage, and I, I love that. So, some of the Abilities, the bulk of the Abilities of the companions are based on their own unique personality. Like, Neve is the only mage that is an Ice Mage, so you get distinct Abilities for her. But, because she’s a mage, she does have access to Abilities that all the mages share, like Time Slow. So we really like the balance there. It’s like a good mix of representing their archetype, their class, and also their distinct specialization or personality, whatever you wanna call it.
John: Yeah, actually, I would actually say the word ‘personality’ is a really great one because that’s, again, each of these characters exists, each of these characters have a history, have a story of how they became who they were, and part of that was finding that intersection between narrative and gameplay, and making sure that, again, we, we serve the needs of gameplay but also allow these characters to breathe and exist as their own people, not just in conversation, but out of conversations, as well.
Corinne: I would also say as part of that core mage kit, healing spells are there, so any of your mages, you wanna make ‘em a healer, do that.
Katey: Lunasoul Darkmoon asks, will The Veilguard have tactical combat still?
Corinne: Ooh, such a good one, such a good one. Okay. Yes! Combat gets quite tactical, like, obviously this is an evolution of the combat system, and I talked about immersion, wanting you, to put you in the world, like you’re actually living and existing in it, but it is very tactical. And, I will say, we have a robust difficulty system. The tactics are increasingly important the higher difficulty level you go. So like, look, if you’re showing up for a highly tactical experience, I would crank that difficulty level in particular. But I wanna make clear, I’m, super, I wanna make sure I’m super clear in my answer. You saw the gameplay reveal. Our pause-time tactical mode is not overhead. It stays close to Rook. It does allow you to cycle between targets, both in and out of combat, there’s a reason for that. As the game progresses, and you didn’t see this in that opening hour of the game, but it’ll display strategic information on the enemies, so like, what are their vulnerabilities, what are their elemental weaknesses, their enhancements, what are they resistant to? So your type of Abilities, learning into elemental gameplay, matters a lot. I’d also say, this is a long answer, it’s such a good question – tactical decision-making also takes the form, I would say this is front and center, of coordinating your Ability usage between Rook and your companions to create synergies, or really devastating – we call them – detonation combos. So, let me give you a couple of examples, because it can be a little hard to visualize, so hopefully this helps. So one of the tactics that I personally enjoy in my own builds, I just recently played as a Veil Ranger, I love it, it’s one of my favorites. If I’m fighting Fade-touched enemies in Arlathan, I like to use Bellara’s Galvanized Tear to pull enemies together, it’s like a gravity well. You then Slow Time with Neve and, Slow Time affects the world around you, but it does not affect you, so you clump them up, you Slow Time, and then with Rook, I come in and do, like a devastating AOE or damage over time spell or Ability, and it’s even better if it’s a lightning-based Ability, because the Fade-touched in Arlathan are vulnerable to that. So there’s so many layers of coordination and strategy and tactics. Now we did talk about the devastating, like, detonation combos, honestly, that’s probably one of my favorite features, because that’s when you’re really leaning into explicit teamwork between your companions and Rook, or, the companions together. So when I, when I build out my team and I’m going into a mission, I try to ensure that I have at least a couple of possible synergies, detonation combo synergies within my team. Might be between Harding and Neve, or it might be between Neve and me, or it might be both. So here, I would go into battle, I’d pause time, open the Ability Wheel, get information on the enemy, and the Wheel will actually tell me that there is a synergy combo, you might have seen a screenshot that says “combo available”. It will remind you of those synergies between companions. You can queue both of those Abilities up at the same time, go, close out of the pause-time menu, they’ll both execute, both Abilities will happen, then the detonation AOE happens, applies debuffs to all the enemies in a radius of it, it’s so satisfying, it’s so satisfying, I can’t wait for y’all to see it. But the interesting thing is that too is a tactical choice. I’m choosing to use my companions to do that, and that means, in that moment, I’m not using them to heal me, or to give me that defense bonus, or to knock an enemy off a ledge, so it’s about the opportunity cost. I, I could spend the rest of the session talking about this, I, apologies for being long-winded, but this is just one of my favorite parts of, of the game.
Katey: That was a great answer. Can you choose Rook’s pronouns? If yes, being, is being non-binary an option? And also, how detailed is Character Creation?
Corinne: Hell yeah you can select your pronouns! Absolutely. You can actually select both your pronouns and your gender, because those are related concepts, but they’re not actually the exact same thing, so. It’s really cool. Yeah, you can be non-binary. We have they/them, she/her, he/him. Yes, emphatic yes. How detailed is the Character Creator? Oh my goodness, y’all. Like. Very! I don’t wanna give away too much just yet, but it’s very, very deep. It has been revealed, it’s out there in a couple of articles, about the focus on hair, the focus on skin-tones that are done respectfully, full-body customization, hell yeah, we love to see it. But we’re, we’re gonna, we’re gonna come back, we’re gonna show you a lot more on Character Creator, but we wanna make sure we have the time and space to, to do that.
Katey: Will there be a Photo Mode in-game?
Corinne: So that is something we’re actively looking into. We know there’s a tonne of interest, so stay tuned on that one. But we are very much looking into it.
Matt: I can add to that, is a feature that is, that, we like, we like the idea of, and, and, it’s not just player-facing but internally, it’s a really helpful thing for us as we’re, as we’re building things out to have that so it’s, it’s, we’ll let ya know.
Corinne: Yes, yeah, absolutely. We, we are as geeked on that possibility as you all are.
Katey: A lot of people were asking about Abilities. This one is from Clemmy. Abilities, I don’t think I saw this answered yet, but are we going to be limited in how many Abilities we can pick from the Wheel?
Corinne: Ah! Yes, yes, yes. So, Ability Wheel does have a capacity. You have to choose which three Abilities you wanna bring for Rook, which three for one of your companions, and which three for another companion. And what I, what I like about this is there is, kind of, an emergent gameplay depending on who you and your companions are coming into the mission with. Now the reason for that is, it actually creates really interesting balance of strategizing, having to do that strategy about your kit, your combat kit, before the mission. And then the tactical decisions once you’re in the field in combat, deciding what to do. But, I do wanna clear one thing up, because, while there are three Ability slots for Rook, there’s so much more than that. Other actions that you can perform directly from the Wheel include, you’ll have an Ultimate Ability, associated with your class or your specialization, so there’s variance there. There’s a type of items that you’ll get that function like Abilities, they’re typically like buffs and enhancements in form of Runes. So you’ll control that for Rook and/or the team from the Wheel. You may have also seen that you can direct which targets your companions will focus on, but what you might not know is that a lot of the companion gear really synergizes with that directing your companions. When you issue those commands, that too will proc based on the gear they have equipped. Really interesting and strategic effects. They can be more Ability-like, more, like, procced effects, there’s just so much from the Wheel, that once you get in and see everything working together, becomes more and more apparent.
Katey: We have another question from TastefulToxel which is, will Fireball and Cone of Cold be back as skills, or as spells in Dragon Age: The Veilguard?
Corinne: Ohh, I love, all these combat questions, really good. So Fireball and Cone of Cold aren’t specifically back, however, their successors are. Frost Nova and Meteor. So these serve the exact same combat role and function as those other Abilities. I would also say, it gives ‘em quite the glow-up, so. Meteor in particular, like, so satisfying nuking a group of darkspawn with a well-placed Meteor, it’s really wonderful.
Katey: What accessibility features are available? I would love to know if there’s an arachnophobia mode. Will there be mod support?
Corinne: Oh my goodness, arachnophobia. I am wicked afraid of spiders too, my partner always laughs at me. I’m just terrified of them. That said, that’s one we’re going to save for a little bit closer to launch before we’ll go into full details about accessibility features. But I do wanna assure you, we’ve spent a lot of time thinking about this topic so you can play the game in a way that really works for you. I’m, I’m excited to share that with you when the time is right.
Katey: So this one is from a username named Cookie. How long is the time-skip from Inquisition to The Veilguard? I know we’ll probably get more info on this, but I’m so curious.
John: Yeah, so, anyone who’s paid attention to Dragon Age, and I can say as somebody who’s been on Dragon Age since Origins, timelines are always a little iffy. They change, and they morph over development as we see how long events taking. But, for The Veilguard, we were actually pretty consistent from the start. It’s been about ten years since the events of Trespasser. As you may or may not have noticed, Varric’s become a little bit of a silver fox. I know, I’ve heard, seen, I’ve seen a lot of comments on that on social media, but, yeah, ten years. Solas’ ritual is taken time to set up and you’re kinda coming in at the end of that hunt, so.
Katey: Siddy is asking the hardest-hitting question which is, is Solas still bald?
Matt: Yeah. I mean, if you’ve watched the gameplay thing, we can all confirm, yes, Solas is still bald, Solas is still Solas. We’ve, we’ve, I really, I really like how Solas has turned out this time around. I will say, here’s a comment on this specific question that’s gonna sound like a non-sequitur, but, once you get a chance to play it a little bit more, maybe you’ll see it. In Thedas, ancient elves, they go bald when they’re like millennia old, so. Solas wasn’t always bald. So if you were to end up, end up seeing what Solas looked like in the past, things might be a little different. You’ll have –
John: - Now, now that said, I’m sure some of you are wondering what happened to Solas’ wig from Tevinter Nights. I’m sure he still has it somewhere, so.
Katey: He’s just taking care of it elsewhere.
John: He’s just taking care, it’s, it’s his most important possession.
Corinne: The Pride there, huh?
Katey: I have another one for Matt. This is, will we be able to, will we be able to change companions’ appearances and outfits, or are they fixed, similar to Dragon Age II?
Matt: Yeah we, Dragon Age II was, we loved how the followers turned out in that but it was, it was sad given, given our constraints that we had to keep them with just one, one basic outfit. So we really tried to make some space for them this time around. So they’re, they still have, kind’ve iconic color palettes and things like that, but they do have a wider range of appearances that you can, that you can find for them. Some, some are just cool, but then there are some that are tied directly to their, to their narrative and just kinda what’s happening in their life.
Katey: Another one for ya, which is, will we be seeing or visiting Kal-Sharok? It’s, and, Tyrant says that they’ve been obsessed with it forever.
Matt: Yeah, me too. I, I will say, what’s, what’s been really cool, so in previous games, we’ve kind’ve alluded to this before. It was a lot of fun to hint at the locations that were off the map, the mysterious places that you weren’t gonna go, you weren’t going. And so you could just bring in some props or some characters, a piece of art, things like that, and you know, even Tevinter was only vaguely hinted at and then we would just add drips and bits and pieces, so that stuff was really fun. In The Veilguard, we’re actually getting to visit, most, like a whole lot of those locations that had only been hinted at for real, so you actually do run around Tevinter and a bunch of the other locations that we’ve revealed. But this also means, like, we’re not completely filling out the map, and so that there are actually new things that we can start hinting at, that we can start drip-feeding, and so, it’s, it’s kind’ve fun. I’d say, yeah, for what we can show of Kal-Sharok, and, and other locations, it’s just, there’s, there’s more to do.
Katey: Awesome. MrFightmonster118 asks, will the dialogue wheel slash options be similar to Inquisition and Mass Effect: Andromeda in the sense that it’s more tone-based?
John: Yeah, so, we have a number of different types of wheels in our game. All the dialogue wheels are based off the same principle. Anyone who’s played a Dragon Age game remembers what they look like. In Dragon Age: The Veilguard we have tone wheels which are, you know, again, roleplaying your character, picking consistent tone. We also have emotion wheels where you can pick specific emotional reactions. And choice wheels which are, I don’t have a strong emotional or tone tie here but I do want to make a choice based on what I do. Investigates obviously return as well, but. We do want players to understand as much as possible what it is they’re going to be picking, and understand, and again, choice and consequence is fun, we wanna make sure the choice is clear, even if, again, one of the best parts about consequence is making sure that’s not entirely clear, so.
Katey: How extensive are Rook’s decision trees for dialogue going to be with the companions and also with NPCs throughout the game?
John: Huge. I mean, again, it’s a Dragon Age game, we wanna make sure you have choices, we wanna make sure you can choose both your roleplaying but also choose outcomes of conversations, choose how events unfold, so, I mean, again, it’s a Dragon Age game, we wanna make sure that we also react to decisions you’ve made, so. For example, you may be talking to a follower who is an elf, and if you yourself are an elf, obviously you’re gonna have a different perspective on events than someone who’s not an elf. Sometimes that means different conversation options, sometimes that’s going to mean entirely deep dialogue trees, as well as based off decisions you’ve made throughout the game so, again, making sure that the game feels like it’s noticing what you’re doing is a huge part of how we’ve written out the dialogue wheel, or dialogue trees, in this game.
Corinne: Blueberry has a question for Corinne. It was mentioned that there will be, that we will be able to romance who we like. Does that mean that all companions are romanceable by all player characters regardless of race or gender, as it has been in the past?
Corinne: Yeah, yeah. So, we have talked about this in some of the interviews, I’ve seen a few articles about it, so I’d recommend everyone check out those articles. But let me just give you a quick overview. Each of the seven companions have full romance arcs and they are romanceable by all genders, absolutely. But something that’s really important to, to us on the team, so I wanna make sure that we clarify and just double-down on, that doesn’t mean playersexual. And if anyone’s unaware of what we mean by that, it doesn’t mean that they can form or twist their identities to who you the player are, like they, they won’t suddenly have a preference for men or women based on what you’re playing, right? Instead, they have their own fully fleshed-out identities, they are true and authentic to that. So in this game, they are all pansexual, with their own histories of romance. Sometimes you’ll hear about preferences, or things of that nature. And what I really love is, if you don’t pursue a romance with them, they’ll actually build their own romances with each other. So, in one of the interviews I talked about Lace Harding and Taash getting together. I give that example because honestly, it’s one of my favorites. I’m gonna put a question back to the community, though. I’ve heard we’re going with “Laash” for that ship-name? You tell me, like, what is that ship-name?
Katey: That one just rolls off the tongue, I feel like that works. This next question is from FallenArtesia. What are the markings on the faces of the elven Warden and Veil hopper?
Matt: So there’s a, quite a few, probably, I think, easily more than we’ve done before, tattoos from various, various cultures. We’re bringing the vallaslin back, of course. But there’s, yeah, ton of different options, especially when we’re, again, going into all these new regions. Each, each area has its own kind’ve visual language for that. But yeah, we are bringing the vallaslin back and then a couple of the characters have them, but we’ve kind’ve customized them a little bit, they’re a bit more specific to their personality.
Katey: And this is a question for all of you. What are you, what are you as a developer most proud of about the game, and what are you most excited for players to experience when it’s out?
John: Ooh, that’s a good question.
Corinne: Isn’t it?
John: Corinne, you wanna go first?
Corinne: Yeah, sure. Gosh. So I suspect for most of us, myself included, it is really gonna be the depth and authenticity of the companions, journeying along with them on their arcs, learning about their hardships, what they care about, being by their side, that, that authenticity is just so good. They all feel like my dear friends. But, I have to say, the closest runner-up for me, has to be the Character Creator, has to be. That Character Creator, the makeup options, the range of sliders. I’m a qunari fan, so even just the, the way you customize the horns and combine that with the really great-looking hair. Character Creator has to be my, my, like very close runner up.
Matt: Oh yeah. For me, I would say, as far as, what, what I can say I’m most proud of on this one, the, I can speak for the art team. We worked incredibly hard to make the story more visible than ever. Games are a visual medium, but, you know, it’s, sometimes it’s easier to do things in text format or written in a Codex somewhere or alluded to off-screen. But we really leaned in to trying to make sure that every design, prop, character, environment, the VFX we’re choosing, everything, all, all these choices, were putting the story on-screen so that you can really see it unfold. And I think, having worked on all of the Dragon Age games, I would say Veilguard represents one of the best attempts at that we’ve made yet.
John: I’m gonna cheat, because I’m going last and I get to do that when I go last, and kinda combine both Corinne’s and Matt’s answer. Honestly, the companions are, for me, the absolute highlight of, just, being able to work across all the disciplines, building characters who look and sound and behave in very specific and characterful ways. These are the deepest companion arcs we’ve ever done. Not just on Dragon Age, but at BioWare in general. Each, each companion has their own story arc, you can go through decisions you can make, they really do take center-stage, and I think, as you play through with them you see the care and love that the team has put into each and every one. I mean there’s, there’s moments in each arc that make you cry, make you angry, make you excited and, and the way that they integrate into the story as a whole is just, for me, something that’s been really fun. Finding ways to bring these characters together, finding ways to make this, this narrative, this story of, you know, you need to put together a team and stop the end of the world, it’s just been absolutely exciting and thrilling. And again, you see the team’s love in every single piece of it. As for what I’m most excited? For me, I’ve been, I mean Dragon Age has been part of my career, part of my life for literally the last decade and a half. I’ve worked on it since Origins and there’s something about The Veilguard that feels like a amazing mix of, novelty but also familiarity. It’s like coming home in a way that I think is going to be very exciting for people who are existing Dragon Age players, but there’s also so much here that’s just new and exciting for people, new players and old players alike. And going to parts of the word, seeing things we’ve never seen before, and just getting to take this amazing world, this amazing series and expand on it and build on it in ways that have just been, honestly, an absolute thrill, the best part of my career. And I’ve been in games for seventeen years now, this has been the absolute highlight for me, so. That’s what I’m excited about.
Corinne: John, that was, that was such a good answer, and I just, I just wanna “yes, and -” that. It, I so completely agree with you. There’ve been times in the companion arcs where even, knowing exactly what’s going to happen, we work on the game, with some of these decisions, I, I’ve had to set down the controller, let out a heavy sigh and go “oh my god, what am I gonna do here?” Yeah, the depth of them is wonderful. And, I do wanna say, I, I’d be, I wanna put this out there, when we talked about as a developer, what are we most proud of, can we just give a big shout-out to the dev team? I am so proud of them. This team has poured their heart and soul into this.
John: Absolutely.
Corinne: Anyone from BioWare who’s listening in, thank you so much, y’all are just the best.
John: Hear, hear.
Katey: I absolutely love that. I knew that question was going to have some of my best, some of my favorite answers, and it delivered, so thank you three. This one’s a fun one. Why does Varric have dark hair now? I feel like John mentioned this a little bit earlier, but.
John: Just for [inaudible].
Matt: He’s been, he’s been adventuring for a while now. His hair is, is more gray, but he’s been in very dark scenes so far, so. We’ll see him in some more contexts.
Katey: In this question, we actually took from Tumblr, because there were a few really good ones in our ask box. Will the Inquisitor be appearing in the flesh, or are we just choosing their major Dragon Age: Inquisition decisions?
Corinne: Alright! Yeah, yes! They will. The Inky does appear. We know how attached y’all are to the Inquisitor, I’ve seen the love for your OC. Yes, the Inquisitor shows up. Now, we, we’d already confirmed that in a few places, so, let me just say, you can also customize them, includes some of our new customization options, yeah, they’re gonna show up and they’re gonna be your Inquisitor.
John: And I think, I think beyond that, I mean, the story of Solas and the story of the Inquisitor, obviously are tied, they’re tied together as much as any story, so. It would have been strange for us not to bring them in for this one. They have, they’re gonna be a part of the story, so.
Katey: Will there be any planned DLC? Just curious, as I always love the DLCs. Oh, and transmog armor. This one came from Lavell.
Corinne: Oh, heck yeah, good question. So, right now, our focus is entirely on the quality of the game. Like, it’s so important at this stage for us to be all-in, all attention on, just, finishing this game and delivering on the quality, the promise of it. So honestly, like, that’s all I can really say about it. We’re 100% focused on this being the most complete game we can make it. I will say, kind’ve related to that though, and I just wanna underscore this, I wanna emphasize it. There’s not gonna be any microtransactions, there’s not gonna be any battle passes, you don’t have to connect online, our focus is making this the most complete singleplayer game we possibly can. Now, this was kind’ve a two-for question, I love when we do that. Will there be transmog? Hell yeah. I’m the kind’ve player that, that believes fashion is the real end-game. Yeah, there’s a transmog system, absolutely, it’s sick.
Katey: And then this next question is from Scott. I was asking if any of the characters will be explicitly asexual, or on the ace spectrum?
Corinne: So good. Such a good question. So, look, I’m just, I’m gonna be really forthcoming with y’all and a little bit vulnerable here. I’m ace, I’m a gray-ace, I don’t mind sharing that, I’m kind’ve public with it. I will say though, that none of our companions this time around are explicitly ace. When we look at the characters, their motivations, who they are, we always assess, like is, is this the right time? This time it wasn’t. But what I will say for everyone on the ace spectrum out there, I would love to represent an ace relationship sometime in the future when it feels like the most authentic fit for a companion, when we can do it best. Oh, and I do see some questions, you know, some questions, what do we mean by ace? Asexuality. We often refer to it as the ace spectrum.
Katey: Can mage Rook do blood magic? Will blood magic be a skill tree separate from regular magic?
Corinne: Okay. Um, this gets a little spoilery, so let me just say, Rook has some pretty good reasons to avoid blood magic. Rook is not gonna want to be interested in that. But I will say, the mage skill tree is packed with all kinds of spells, traits and perks to give you a ton of flexibility in your magic. Gonna go off-script just a little bit, because –
John: Oh no.
Corinne: I’ve seen, like, can you tell us about the specializations for mage? I’m not gonna tell you the deets, but there is a necromancer one, there is an elemental one, and there is one that’s actually more of like a combat mage, it’s my favorite.
Katey: Can we name the griffon? We also have a griffon emoji now in this Discord server.
John: Excellent. So, someone on your, in your party, again, spoilers, may have already named the griffon, but, don’t worry, Assan is a very good boy, so.
Corinne: All these griffon emojis are, y’all are killing me.
Katey: Yeah, I love that, griffons in the chat. Let's see. Will we have a camp/home/headquarters that we’ll be able to customize?
Matt: Well this time around, in Inquisition you had Skyhold. In this case you have a headquarters called the Lighthouse. More to be seen on that. But, it’s, it, narratively it, it serves kind’ve a different purpose but also the same purpose. As far as customization goes, there are elements of it that change over time, and some things that you can adjust. I, I don’t know how much we’re really going into that at the moment.
Katey: This one is –
Matt: But yeah, I would say, it’s like, there’s some, it, one thing I like about it is it definitely does start to feel very much like a home over time.
Katey: Sorry for almost cutting you off there Matt. We have another very hard-hitting question, if I'm, if I do say so myself.
John: I love this one.
Katey: We need to - Same. We need to know, does pasta and noodles exist in Thedas? Thank you.
Matt: Well, and I’ll take it as a chance just to geek out about worldbuilding, because, again, we’re, The Veilguard for us is a really kinda dream opportunity to go to places that we’ve only ever heard reference to, or we’ve seen hints at. And so, in going through the worldbuilding process and trying to, trying to build these places out, not just as neat things from the IP but also as, you know, if you’ve, if you've read about this stuff, if you’ve been following along, you’ve got your own version of it in your head. You’ve imagined what it might be like, you’re, and probably hoping for something spectacular. And our brains are always far better at creating this stuff than any game developer, any artist, or anyone can really do justice to, so you really have to swing for the fences to make something very satisfying and exciting. You know, is, that can be everything as big as architecture and landscape and biomes and ecosystems, but it does get into things like art and culture, costume design, and also food, and this time around we did, you know, that was one of the many things that we, that we did, looking to, just to try to catch the character and the feel of a place to make it feel believable and lived in, so. That’s my really long answer for, yeah, I’m sure, I've, at least one place does have pasta.
Katey: I loved that. This next question is from Spectre Karro. Are we getting a mabari?
John: Ooh, that’s a good question. I will say, you’re spending most of the game in the north of Thedas. Mabari are not nearly as big of a thing up there, so. In this particular instance, no, you will not get a mabari, sadly.
Katey: Honestly, I should’ve pulled this one up to where we answered the first question about the griffon, but, can we pet the griffon?
Matt: You, I’m really sorry to have to be the one to tell you – nah, I’m kidding, yes you can. But it’s not even just petting the griffon. I’ve, this isn’t a spoiler, I think you can actually, I’ve actually hugged the griffon, so, that feels like, even there, a step up. Yeah.
John: There’s lots of opportunities to interact with the griffon.
Corinne: Can we see, can we see Assan in chat if we wanna see him in the Lighthouse hanging out?
Katey: Assan in chat everybody.
Corinne: Assan in chat, alright!
Katey: I love it.
Corinne: Okay, y’all this was so important to the team too. Like, this is the team’s like, just such huge support for this feature, so props to them.
Katey: This one is from Coriander. Will we get to see any of the Character Creator before the game releases?
Corinne: Yes, yes you will. We’ve got a, you’ve probably seen, we’re laying out a roadmap for, you know, what we’re gonna show and when we’re gonna talk about, so, yes you will see it as we get a little bit closer to launch.
Katey: And then we’ve got this question which is, will we be able to play as a qunari, dwarf, elf, or human?
Corinne: Hell yeah, hell yeah you will. All four, and all four have that full-body customization. I already talked a little bit about, I mean listen, I’ve always loved the qunari. I will say in Dragon Age: Inquisition it was hard to get a good-looking qunari hairstyle, so yes you can play as them, you can customize them, the horn options are rad, the hair options are rad. And also, I guess related to this, your lineage gives you a lot of really unique dialogue options, so that’s a really lovely aspect of choosing your lineage as well.
John: Yeah, I would, so to actually just to bounce off that, to an earlier question about backgrounds, each lineage, there, depending on the lineage you choose and the background you choose there are some specifics call-outs to, for example, if it’s the Mourn Watch, the Mourn Watch being a faction from Nevarra of mages, you play as a dwarf, obviously your experience in that faction is going to be different than, say, a human or an elf, so. There are also specific call-outs tailored to those combinations and, with again, giving, the intention of giving each lineage their own little flavor as to how they're, they fit into that faction as a whole.
Katey: Okay, John, I’ve got a question from someone named Joe for you. Where is Barkspawn and is he okay?
John: That’s a Great question. Barkspawn is safely gnawing on a bone next to a fireplace somewhere in Ferelden, don’t worry, he’s fine. You may question, ask yourself, but John, it’s been so long, in which I say, mabari live exactly as long as they need to.
Corinne: Getting into the deep-cut questions now.
John: Deep-cut questions, yeah.
Katey: Yeah. We are really speedin’ through these. Let’s see. Will Rook have a set of default name?
John: Yeah so, Rook’s last name is defined based on their faction, again, we wanted to tie that into your backstory, but also, there’s a, that’s a name generator that can give you a selection of first names. Obviously if you want to make your own first name, that’s definitely something we support as well. If you’re somebody who maybe has a little bit more difficulty coming up with a name, so for example you name every single character “Bob” because that’s the only name you can think of, we also give that opportunity for that generation, so.
Katey: I definitely always have trouble coming up with what I wanna name my characters, so that’s great. This next question is, when will the voice acting cast be announced?
John: So, we worked with a lot of very talented actors on this one. I am super excited to talk about the voice acting cast. We’ll be talking a bit more over the summer, we’re not quite ready to announce names yet.
Katey: And I think we have a similar answer to this next question, which was, will there be a Collector’s Edition? When can I pre-order?
John: Yeah, same answer, we have, we’ll talk more about the different editions of the game soon.
Katey: Are there any special musical guests writing the sound-track? Will tavern songs return.
Corinne: Oh my goodness, yeah. There are tavern songs. And huge credit to the audio team and performance teams because they’re pretty great. There’s one in a little tavern in Minrathous called The Swan, and the song you hear there might just, it might be, it’s up there, it might just be my favorite of the tavern songs.
Katey: Let’s see, are there any – ope, I have just asked that one. What are the required PC specs?
John: Much like the other two, we will have more information on required PC specs soon.
Katey: Saph from the Discord server noticed that two, Dragon Age II’s main theme from the soundtrack brought back much of the iconic thematic material of Origins’ main theme, but I heard less of it in Inquisition’s. Can we expect The Veilguard’s main theme to recall more or less of that original thematic material than Inquisition?
John: So we’re not, we’re not quite ready to talk about music yet in specifics, but in broad strokes I can say the process for us is always the same. Working with the composer, working, figuring out themes, figuring out what kinds of elements we want to keep, tying specific elements to, maybe specific characters. It’s a really in-depth process and a really collaborative process. We have some fantastic audio people on our team that have done an amazing work, amazing job, working with composers, and, with the team as a whole to make sure that, again, we said earlier about cohesiveness. Making sure that the music feels like a cohesive part of the experience.
Katey: And this one, I see is also for John, but I think anyone can answer this. When writing the overall story of this game, what themes did you want to have as the prominent focus?
John: I mean again, it’s interesting, so it’s interesting, because when we were writing these games, and this has been true on every Dragon Age I’ve been part of, what you start with and where you end up aren’t always necessarily the same. Sometimes you start writing out a theme, you realize actually it’s more interesting if we attack from this angle, or maybe if we twist it a little bit. I will say for Dragon Age: The Veilguard, from the beginning one of the biggest themes has been regret. How regret’s shaped peoples’ lives, how people deal with their regrets, how people maybe move past their regrets and, each of the characters, you know, the stories as a whole, have elements of this tied throughout. We really wanted to have that thematic, that cohesiveness to the game’s story and the game’s writing so.
Katey: And I know that, you know, we’ve, we've kind’ve already answered this a few times, but can we play as dwarves and does the world react to your race and backstory? Probably be good to just directly answer that one.
John: Yes you can play as a dwarf. Yes the world does react to your race and backstory. And, again, you’ll have unique dialogues or unique conversation options based on that, on that backstory and as well as that race.
Corinne: I’ll give you a little nugget here, because I saw it scrolling through real quickly. Do you have beards, like. So when I think about can I play as dwarves I think about, do we have glorious fantastic beards? Hell yeah, we do.
John: Yeah, I can say, as somebody who plays a lot of games with character creator, the beards on, I don’t know what magic the character art team did for the beards, but they feel like a beard should feel like, it’s great. They look awesome.
Corinne: Just saw somebody say “it’s beard time”, I love it. It’s beard time!
Katey: Will our heroes and companions leave us if we go against their wishes?
Corinne: Oh my good – do y’all just love pain? Do you want us to make you cry? If you go against their wishes, if you make decisions they don’t like, I will tell you, you can piss them off, you can, they might not agree with you and they, they will take some time away. That said, this is the biggest threat to Thedas we’ve ever seen, so they’re, they are always gonna be willing to show up to defend Thedas but, yeah, you can piss them off and they’ll leave for a minute. As it relates to them showing up to defend Thedas, well yeah, they will, unless…
John: No spoilers Corinne!
Corinne: Aughhh, I’ll leave it there, I’ll leave it there.
John: No spoilers.
Corinne: Okay, alright, alright. But they want it!
John: Yep.
Matt: Don’t try to stop me, Smee!
Katey: This one’s a fun one about some inspirations for the game. Dracanmo would like to know if any songs, books, movies or anything have had inspired any of the writing for the characters?
John: I mean, honestly, the thing about art is, art is always a synthesis of your own experiences both in the real world but also the art you consume, the art you pay attention to. I don’t think that any characters have what I would describe as, this character was a direct reference or direct inspiration but, I mean, yeah, they’re all inspired by the things that we do, the things, both, again, in the real world, and also in the media we consume. And you’re gonna see elements of characters that, yeah, the things that we’ve enjoyed, the things that’ve shaped us, show up in these characters. I think, for me, it’s, it comes down to, and I, I, writing is a deeply, can be a deeply personal experience, so even if you don’t intend for it to be the case, things, parts of you are going to show up in your character, I think that’s true for all the characters in The Veilguard. And, you know, sometimes it’s, exploring, exploring the, y’know, things that, about yourself that you may like or may not like, and it’s also about exploring things about characters that you like or don’t like, so. That’s kinda my long-winded way of saying yes, it’s impossible to not have that happen when you’re creating art. But I wouldn’t say that there’s one where you can say, oh this is this character, this is this character.
Katey: What was the thinking process behind making Harding a companion this time around? Was she always going to be one or did it evolve into one because she was such a lovable character?
John: Ohh, yeah. So Harding, I mean. When we released Inquisition, it was impossible not to see the love that people had for our murderous girl next door dwarf. She’s always been a fan favorite obviously, but I think beyond that, it’s something that there, that Harding’s writer wanted to explore. There was more of a story to tell there, more perspective, and beyond that, Harding obviously has a strong connection to Solas, and to the, to Varric, and to the events of the past ten years, so. I wouldn’t say it’s always been, but I’d say Harding’s probably one of the first ones we settled on as like, yes, this is a character we want and the writer had a story that they wanted to tell with her, so, it just made sense.
Matt: You know, I think actually, to piggyback on that, that’s something I hadn’t really even thought about that much, but, and it’s not a huge part of her character, but, she tends to be one of the people that have the most insight into he was.
John: Yeah, that’s exactly it, that’s exactly, and yeah, that’s a great way of looking at it too. It also provides you with a little bit of that, that perspective. For players who’ve been around, you know, who played with previous Dragon Age games, but also for new ones, who was Solas? What kind of character was, was he?
Matt: Yeah.
John: Yeah, it’s a great, it’s a great, using characters to provide windows onto the world is honestly one of my favorite things.
Matt: And, and when I say was, I just mean, in Inquisition.
John: Yes, that’s, that’s exactly it, yes. Thank you for correcting that.
Matt: Yeah.
Katey: And what approach are you taking to quest and world design in The Veilguard?
John: I think for us it just comes down to relevance and narrative heft. We want to make sure that each quest provides either a perspective on the world or perspective on the characters, or feels immediately and obviously relevant to what you’re, what you’re doing here. You’re here to save the world and, again, at the end of the day, one of the things that we heard, we heard loud and clear, was some feedback about how relevant, or in this, in our case, not relevant, previous quests have felt, so for Veilguard, we really wanted to make sure that these quests felt like something that you, somebody faced with the end of the world would believe was necessary and important. So, again, there’s quests of all sorts and sizes, but all of them share that same feeling of, this is the kind of thing that The Veilguard would do. This is the kind’ve thing that my hero would do, especially faced with the end of the world.
Corinne: Yeah, that’s, that’s really good John. That’s so right. I would just, again, double-down on how hand-crafted all the quests are, and whether, whether you’re doing, like, the main story, or you’re journeying with your companions, or you’re out exploring and you encounter a mystery. Everything’s handcrafted, intentional. We spent a lot of time listening to what y’all said, and of course everyone has slightly different tastes, but, you know, you’re not gonna be gathering shards in the Hinterlands. Everything is built with intention, and, you know, a dev there lovingly handcrafting the experience.
Katey: Are there any locations in the game that can only be accessed by making specific story choices?
John: So I don’t wanna get too much into spoilers here because this does start getting into spoiler detail, but I will say that locations can fundamentally change based on decisions you make. Some of the parts of the world that you go to, you can have, the decision, the choices you make have an impact on how these spaces exist and develop, so, yeah, and again, don’t wanna too many into, into story spoilers, but, your decisions do impact how the world shows up.
Katey: And will we be able to control our companions in combat through tactical mode, or if the PC, or player character, gets KO’d, like in previous games?
Corinne: Right, so. If Rook gets KO’d, your player character gets knocked out, this time around it is time to re-load your save, or better yet, the companions have really interesting progression, you can spec them out to be able to revive you, but that’s, that’s if you’ve invested in their own progression and what they can do. And that said, I, I mentioned this earlier but I, I personally spend more time in the nature of this combat system when everything comes together, interacting and directing the companions than I have in any of the other games, so, like, like that, that interactivity between them, once you play it you’ll see how, just engaged the team is.
Katey: A user named It’s Sarah said, my real most important Dragon Age question is, will Solas still occasionally or dramatically speak in iambic pentameter?
John: You know, I was, I actually spent a little bit of time trying to figure out if I wanted to answer this question in iambic pentameter and then I very quickly gave up. Massive kudos to Patrick who, who always writes Solas so well. Again, Solas is a returning character, it’s the same Solas you know and love, or hate, depending on who you are. Same writer, so, I think, this has been, the answer is, well of, yeah, it’s Solas.
Katey: Will our decision of who in particular was left behind in the Fade be important?
John: So, while that decision does not show up, that – sorry, let me, restart. Not for The Veilguard. That decision doesn’t show up here. Now, that said, that doesn’t mean that’s that’s not a decision that will ever be important in the future, so. Again, not for this one, though.
Matt: I’m glad to hear you say that, John, because one of my favorite stories was Bob getting stuck in the web in reboot and it just feels like -
John: That’s a, that’s a deep cut!
Corinne: Very, that’s a deep cut.
John: Holy smokes.
Corinne: My goodness.
John: The sound of my childhood.
Katey: Will we have mounts again? If so, any hints to what types we’ll have?
Matt: So no, no, mounts, excuse me. Mounts were, they were, they addressed a need in Inquisition that we don’t have in Veilguard, and you’ll see why, when you get to play.
Katey: LightningStar asks, how is the side quest design? Will they be mostly story-based, or will there be a lot of radiant quests or resources or Power, like in Inquisition?
John: We talked about it a little bit earlier, but, no, they are all hand-crafted and story-focused. Again, narrative, the companions, not just the companions but the characters in the world as a whole are so much at the core of The Veilguard that, anything other than hand-crafted quests just felt like it would be a disservice to the game we were building.
Corinne: Yeah. And maybe, we can clarify as well, because, like Power was such a divisive mechanic in Inquisition. There’s no mechanic like that that blocks your progression until you fill a bar, right, like that’s just not a thing in this. You have the autonomy to engage in these, these quests as you like. There’s no, like, y'know, grind-out gates before you can progress.
John: That’s right, yeah. Again, we wanna make sure that, again, that doing this content feels as natural and part of the logical flow of the story as possible.
Katey: So, it looks like we only have time for three more questions, so I’m going to get through those. With this next one, is from someone named Jason. Will there be a similar system to the War Table missions?
Corinne: Ooh, interesting. So, we haven’t talked much about the player’s base, the Lighthouse. And we’re gonna save that for a beat, but what I will say is that the Lighthouse, your headquarters so to speak, it has its own unique purposes and functions this time. So that’s an area that we’ll, we’ll leave for you when we talk more about the Lighthouse, and then when you have a chance to hop in, you’ll be able to see what those unique purposes and functions are.
Katey: If there is dual-wield for warriors, will it rely on dexterity or strength?
Corinne: Ah, okay, yeah, yeah. So we did wanna bring dual-wielding back. It is part of the rogue kit this time. So warriors are really focused on mighty two-handed weapons, can’t wait til you see, when you swing and connect with those weapons, there’s, there’s a real heft to it. And then of course sword and shield, so. We’re leaving the dual-wielding to the rogues, but you, you can see just, the amount of hits you can get in in rapid succession dual-wielding as a rogue is really satisfying.
Katey: And the last question that we’re able to get to today, is, what have been some of the challenges and advantages of working on a single, on a single game for so many years? How did you sustain the work in yourselves and the process?
John: That is a fantastic question. I will say for myself, I’ve often joked, and I don’t know how much of a joke it actually is, that when this game is out and I suddenly don’t have to keep all these pieces of game and lore and story and everything straight in my head, I’m suddenly gonna be able to speak Latin or something because there’s gonna be a ton of brainpower freed up. But for me it’s just, you know, it's, the thing that keeps me sustained is just knowing the game that we’re building is the right one. Knowing that the beats are coming together, and knowing just how much people care about this franchise, care about these games, and how excited people are going to be when they get to see the fantastic work that the team has, has been doing. And that really is, I can say, I’ve been on this project since the start, and even today, I see things on a daily basis, I’m like holy – smokes, sorry, I almost swore, I can’t believe what the team is doing, I can’t believe the, how good this looks, I can’t believe. Because it’s a huge game. There’s pieces that I, I don’t see every piece of the game every day so, I get pleasantly surprised on a daily basis and that, I will say, you know, confession, sometimes if I’m having a particularly long day, I’ll spend about an hour late at night just watching cutscenes coming in, watching the work coming together and just, sitting back and being like, holy smokes, I cannot wait for someone who hasn’t seen this every day for so long as I have to experience this and just be blown away by the work, so.
Corinne: It's, it’s been very real, hasn’t it? And, and I will just say, speaking on behalf of the dev team, everyone’s working so hard, they’re putting so much passion, so much of themselves into it. Like this is a franchise they truly love, and seeing your support, cheering us on, it’s just meant a lot to them, so, let me just say thank you to all of you.
Katey: And I wanna say thank you to you three for taking the time to do this. I know that it matters a lot to the community to be able to, you know, get some time with you guys and, you know, make sure that some of their dying questions are, are answered, so thank you so much for taking the time out of your day to do this. For anyone who’s still listening I promise that I’m that I’m working on a way for these questions to be immortalized somewhere. Stay tuned for that so that you don’t have to worry about this, just, you know, disappearing into the ether. So, stay tuned, thank you all for your time. Anything else we wanna say before we jump off?
Matt: Thanks everyone.
John: Thank you. Yeah, I’m super excited to show more of this and, yeah, this is gonna be, hopefully this is the first of many of these opportunities to talk to you all directly. Again, it’s been a while, and getting to talk about this game has been absolutely exciting. I know for myself, as well for the rest of the team, so thank you all.
Corinne: Just thank you, it’s, the Dragon Age community, how much it means to you, how much it means to us, it’s just wonderful to see you all so invested and excited to come here and talk to us. Thank you again, truly.
Katey: We'll hopefully do something like this again soon. Okay, cool, have a great day everybody! Talk soon!
John: Bye y’all!
Matt: Bye.
[source: The dev BioWare Discord Q&A on June 14th]
Update: If you would like to listen to the Q&A for yourself in video format, or listen to it again, Ghil Dirthalen recorded it and has now uploaded a video of it here.
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stephobrien · 7 months
Text
Is your pro-Palestine activism hurting innocent people? Here's how to avoid that.
Note: If you prefer plain text, you can read the plain text version here.
Over the last few days, I’ve had conversations with several Jewish people who told me how hurt and scared they are right now.
To my great regret, some of that pain came from a poorly-thought-out post of mine, which – while not ill-intentioned – WAS hurtful.
And a lot of it came from cruelty they’d experienced at the hands of people who claim to be advocating for Palestine, but are using the very real plight of innocent Palestinians to harm equally innocent Jewish people.
Y’all, we need to do better. (Yes, “we” definitely includes me; this is in no small part a “learn from my fail” post, and also a “making amends” post. Some of these are mistakes I’ve made in the past.)
So if you’re an advocate for Palestine who wants to make sure that your defense of one group of vulnerable people doesn’t harm another, here are some important things to do or keep in mind:
Ask yourself if you’re applying a standard to one group that you aren’t applying to another.
Would you want all white Americans or Canadians to be expelled from America or Canada?
Do you want all Jewish people to be expelled from Israel, as opposed to finding a way to live alongside Palestinian Arabs in peace?
If the answer to those two questions is different, ask yourself WHY.
Do you want to be held responsible for the actions of your nation’s army or government? No? Then don’t hold innocent Jewish people, or Israelis in general (whether Jewish or otherwise), responsible for the actions of the Israeli army and government.
On that subject, be wary of condemning all Israeli people for the actions of the IDF. Large-scale tactical decisions are made by the top brass. Service is compulsory, and very few can reasonably get out of service.
Blaming all Israelis for the military’s actions is like blaming all Vietnam vets for the horrors in Vietnam. They’re not calling the shots. They aren’t Nazis running concentration camps. They are carrying out military operations that SHOULD be criticized.
And do not compare them or ANY JEWISH PERSON to Nazis in general. It is Jewish cultural trauma and not outsiders’ to use against them.
Don’t infuse legitimate criticism with antisemitism.
By all means, spread the word about the crimes committed by the Israeli army and government, and the complicity of their allies. Criticize the people responsible for committing and enabling atrocities.
But if you imply that they’re committing those crimes because they’re Jewish, or because Jewish people have special privileges, then you’re straying into antisemitic territory.
Criticize the crime, not the group. If you believe that collective punishment is wrong, don’t do it yourself.
And do your best to use words that apply directly to the situation, rather than the historical terms for situations with similar features. For example, use “segregation,” “oppression,” or “subjugation,” not “Holocaust” or “Jim Crow.” These other historical events are not the cultural property of Jews OR Palestinians, but also have their own nuances and struggles and historical contexts.
Also, blaming other world events on Jewish people or making Jewish people associated with them (for instance, some people falsely blame Jewish people for the African slave trade) is a key feature of how antisemitism functions.
Please, by all means, be specific and detailed in your critiques. But keep them focused on the current political actors – not other peoples’ or nations’ political or cultural histories and traumas.
Be prepared to accept criticism.
You probably already know that society is infused with a wide array of bigotries, and that people growing up in that environment tend to absorb those beliefs without even realizing it. Antisemitism is no exception.
What that means is, there’s a very real chance that you will screw up, and get called out on it, as I so recently did.
If that happens, please be willing to learn and adapt. If you can educate yourself about the suffering and needs of Palestinians, you can do the same for Jewish people.
Understand that the people you hurt aren’t obligated to baby you. Give them room to be angry.
After I made a post that inadvertently hurt people, some were nice about it, and others weren’t. Some outright insulted my morals and intelligence.
And I had to accept that I’d earned that from them.
I’d hurt them, and they weren’t obligated to be more careful with my feelings than I had been with theirs.
They weren’t obligated to forgive me, trust me, or stop being mad at me right away.
I’ll admit, there were moments when I got defensive. I shouldn’t have. And I encourage you to try not to, if you screw up and hurt people.
I know that’s hard, but it’s important. Getting defensive only tells people you care more about doubling down on your mistake than you do about healing the hurt it caused.
Instead, acknowledge that they have a right to be angry, apologize for the way you hurt them, and try to make amends, while understanding that they don’t owe you trust or forgiveness.
Be aware that some antisemites are using legitimate complaints to “Trojan horse” antisemitism into leftist spaces.
This is a really easy stumbling block to trip over, because most people probably don’t look at every post a creator makes before sharing the one they’re looking at right now.
I recently shared a video that called out some of the Likud and IDF’s atrocities and hypocrisy, and that also noted that many Jewish people are wonderful members of their communities.
I was later informed that, while that video in particular seemed reasonable, the creator behind it is frequently antisemitic.
I deleted the post, and blocked the creator. I encourage you to do the same if it’s brought to your attention that you’ve been ‘Trojan horse’d.
EDIT: Important note about antisemitism in leftist spaces:
While it's true that some blatant antisemites are using seemingly reasonable posts to get their foot in the door of leftist spaces, it's also true that a lot of antisemitism already exists inside those spaces.
This antisemitism is often dressed up in progressive-sounding language, but nonetheless singles Jewish people and places out in ways that aren't applied equally to other groups, or that label Jewish people in ways that portray them as acceptable targets.
If you want to see some specific examples, so you can have a better idea of what to keep an eye out for, I suggest reading this excellent reblog of this post.
Fact-check your doubts about antisemitism.
Depending on which parts of the internet you look at, you’ve probably seen people accused of antisemitism because they complained about the Likud and/or IDF’s actions. So you might be primed to be wary, or feel unsure of how to tell what counts as real antisemitism.
But that doesn’t mean antisemitism isn’t a very real, widespread, and harmful problem. And it doesn’t mean many or even most Jewish people are lying to you or being overly sensitive.
So if someone says something is antisemitic, and you aren’t sure, I encourage you to:
A. Look up the action or thing in question, including its history. Is there an antisemitic history or connotation you aren’t aware of? For best results, include “antisemitic” in your search query, in quotes.
B. Understand that some things, while not inherently antisemitic, have been used by antisemites often enough that Jewish people are understandably wary of them. Schrodinger’s antisemitism, if you will.
C. Ask Jewish people WHO HAVE OFFERED TO HELP EDUCATE YOU. Emphasis on WHO HAVE OFFERED. Random Jewish people aren’t obligated to give you their time and emotional energy, or to educate you – especially on subjects that are scary or painful for them.
@edenfenixblogs has kindly offered her inbox to those who are genuinely trying to learn and do better, and I’ve found her to be very kind, patient, reasonable, and fair-minded.
Understand that this is URGENTLY NEEDED.
In one of my conversations with a Jewish person who’d called me out, they said this was the most productive conversation they’d had with a person with a Palestinian flag in their profile.
THIS IS NOT OKAY.
I didn’t do anything special. All I did was listen, apologize for my mistakes, and learn.
Yes, it feels good to be acknowledged. But I feel like I’ve been praised for peeing IN the toilet, instead of beside it.
Apologizing, learning, and making amends after you hurt people shouldn’t be “the most reasonable thing I’ve heard from a person with a Palestinian flag pfp.”
It should be BASIC DECENCY.
And the fact that it’s apparently so uncommon should tell you how much unnecessary stress and fear Jewish people have been living with because of people who consider themselves defenders of human rights.
By all means, be angry at the Likud, the IDF, and the politicians, reporters, and specific media outlets who choose to enable and cover up for them.
But direct that anger toward the people who deserve it and are in a position to do something about it, not random people who simply happen to be Jewish, or who don’t want millions of people to be turned into refugees when less violent methods of achieving freedom and rights for Palestinians are available.
Stop peeing beside the toilet, people.
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milkis-deepspace · 2 months
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sylus x reader - period pains
a/n: this is very self-indulgent^^ features established relationship and just fluffy goodness
being on your period is never fun. for around a week you have insane cravings, unbearable cramps and some major mood swings. truly horrible in all honesty. but the most embarrassing part was how needy you were especially now since you were in a relationship.
sylus is prepared for anything when it comes to you. ever since you've stayed over at onychinus' head quarters - he has made sure that anything you would ever want or need, would be at your disposal.
heating blanket? bought already.
pads and tampons? they’re placed in the cabinet under the sink, right besides sylus' skincare.
medicine? you knew where they were.
a massage? that... that was unexplored territory. while you and sylus were in a relationship and were quite touchy-touchy, asking for a massage seemed intimate. but then again, this might be the hormones talking. but would he think you were weird for requesting that? probably not, sylus would without a shadow of a doubt accept (almost) any of your requests. but would you really ask the mr. sylus qin - the already extremely busy leader of onychinus who had mephisto track your every move? speaking of the damn bird...
“i got a call from a little birdie saying a certain person has been in pain all day and didn't want to quote unquote bother me,” sylus enters the bedroom and takes off his jacket.
tsk, of course mephisto had tattled on you! that damn crow, someday you would make the crow heed under your command but today was not that day…
“sometimes it isn’t this bad, so i thought it would be okay,” you mumbled, curled up on sylus’ bed. it seemed as if the cramps intensified and sylus went over to sit beside you, his eyes filled with worry.
"tell me, how can i be of help to you?”
you glanced at him and shyly considered your answer. “well, uhmm, do you mind if- uh could you maybe give me a little massage…?”
sylus chuckels and easily complies to your request.
with a heating blanket placed under you to relieve the stomach cramps and sylus' warm hand massaging your back, you couldn’t help but to feel so immensely content. his big hands were perfect to warm you and his soothing voice was an anchor to keep you sane.
“you tell me if it’s too hard alright? i don’t want to unintentionally hurt you,” his thumbs pressed into your lower back, making sure to focus his strength on the tip of his fingers. his thumbs worked in circles, hands moving up and down, getting every tense spot.
his fingers worked like magic on your back. every touch, every caress made you fall into a state of heavenly bliss. just how did he learn to massage that well?
"do you want me to go harder? or softer? you need to remember to tell me, sweetie,"
"mngh, it's good. keep going," you replied with your eyes closed. you didn't want to break this moment - and you almost felt tempted to stay in sylus' bed forever - as long as every worry you had dissappeared.
"shh, just relax. i got you,"
his hands move up to your upper back and massages between your shoulder blades. a couple of days ago, you had remarked about how sore you were - it was meant as a fleeting comment - but it was something sylus was determined to remember. who was he if not the person to take away your pain? just mention whatever you want and sylus would make sure it would happen.
your pain eased away and pleasure replaced it. he noticed how much more relaxed you were now, and proceeded to lie down besides you. while you had fallen asleep, sylus gently played with your hair. it was still a wonder to him that you were here, in his bed, just making yourself at home.
after what felt like 9 hours were merely half an hour and you were still cuddled up with him and as the pain subsided you noticed how tired you truly were. a yawn escaped from you - and sylus' chuckle almost brought you back to reality.
“you’re welcome to fall asleep again sweetie,”
sylus saw the pure look of exhaustion and adorned your face with kisses and gentle touches. from your forehead to your jawline, sylus adorned your every feature with careful, loving pecks.
you fell victim to the lullaby that was sylus' heartbeat and when your breathing turned even, sylus too decided to join you in dreamland.
1K notes · View notes
spider-stark · 3 months
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THE BRIDGE
Benjicot Blackwood x Bracken!Reader
Summary - Your wardship with House Blackwood was meant to bridge the chasm between your families. Years later, you return to Stone Hedge as the whispers of war spread—only for Lord Tully to call for a hunt.
Warnings - fem!reader, complicated sibling relationship, fighting, (probably excessive) mentions of blood, talks about hunting/killing wild animals, !angst!, adult language, reader def suffering from identity crisis, probably deviates from canon some, kieran burton fan cast for benji, all characters 18+
Word Count - 5.6k
!MINORS DNI!
// masterlist // send me your thoughts // comments & reblogs appreciated! //
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When Grover Tully, the Lord Paramount of the Trident, sent word for each of his bannermen to send forth a handful of their finest House members to a most desolate area of the Whispering Woods, no one thought it wise to object. 
“Lord Grover is an ornery old crow,” your father, Humfrey Bracken huffed as you readied the horses. “But you would do well to earn his respect.” He clamped a hand on your brother’s shoulder, pride gleaming in his eyes as he said, “Whatever he’s planning, I want you to show him that House Bracken stands strong. Understood?” 
Keeping his chin held high, Amos hesitantly mutters, “If you wish to impress Lord Tully, you might think twice about sending her.” 
Even with your back turned, you could feel the weight of your brother’s stare, his eyes boring a hole into the back of your head. 
Your father shrugged, a disinterested gesture. “Grover said to send our best,” he said, “and when it comes to a bow and arrow, no one's a better shot than her.” 
For the next day-and-a-half, you rode at a distance from the group your father selected—your brother, Amos, and two of your male cousins. And while they laughed and jeered and yapped, you remained stuck in your own thoughts, playing your father’s words on a loop. 
It’s the only compliment he’s ever paid you. The closest he’s ever come to acknowledging you as Bracken. 
You hate him sometimes, you think. For agreeing to peace all those years ago—for sending his only daughter to ward with his rival of all people. He must have known it was futile. Must have known that one girl could never bridge such an ancient chasm. 
He must have known—and yet he sent you anyway, only to call you back years later, tearing you away from the only home you had ever known and leaving you to feel like a stranger in your House. 
Grover said to send our best. 
Are you a Bracken, then? Is blood all that determines a House? 
No one’s a better shot than her. 
But your skill is that of a Blackwood, born under their tutelage. 
Deep within the Woods, a steady mist of rain falls from the sky, leaving your skin uncomfortably damp. In the distance, a low hum of chattering voices signal that the four of you are drawing close to Lord Grover’s camp—and that the other House’s have already arrived. 
Your thoughts shift, wondering who Lord Samwell sent to represent House Blackwood—fearing that you might already know the answer. 
A strange tightness floods your chest, coiling around your lungs. 
It’s been months since you last saw the heir to Raventree Hall. Many, many months—and you can’t help but think any reunion might end in bloodshed with Amos by your side. 
As if he heard his name ring through your mind, your brother slows his horse to gentle trot beside yours, cocking a neatly groomed brow at you. “Tell me, sister—were you always this dour?” He asks, feigning intrigue. “Or did half-a-decade with the Blackwoods simply drain the joy from you?” 
You don’t pry your eyes from the path ahead, refusing to look him in the eye as he continues without waiting for an answer. 
“I wouldn’t be surprised—a mere day with those insipid cravens would have me wishing to swallow my own blade.” Removing a hand from the reins, he pantomimed the act—gripping an invisible hilt and shoving it towards his lips, letting a dramatic choke rip from his throat. 
Riding a bit ahead, your cousins chortle at his jest, shooting amused glances over their shoulders. 
“No need,” you answer without thinking, your tone impassive. “Aly would have an arrow in your eye before the day was up.” 
Your cousins fall silent. 
Amos stiffens, jaw clenched tight. “She could try.” 
You know Black Aly would try if given half the chance—and you have no doubt that she would succeed, too. She was the one who taught you how to string a bow and sharpen arrows, how to aim and never miss. 
When you don’t respond, Amos pulls his horse in closer—as close as he can get without spookings yours. “Look,” he utters, low enough that your cousins can’t overhear, “I don’t know how things were done at Raventree—but you’re home now, and you would do well to remember where your true loyalties lie.” 
Again, you don’t speak. Don’t think, either. 
Amos sighs. “Your blood runs gold, sister. You’re a Bracken, through-and-through. Take pride in that—and don’t bring shame upon our name. Understood?” 
Strange. 
You had seen your own blood before—more times than you can count, actually. Scars mottle your skin like stars in the sky, a reminder of the years spent training and the memories of nights spent with friends who were supposed to be enemies. 
Never once had it looked gold to you.
Only red. 
“I understand–” a pause, a breath, a heartbeat– “brother.” 
Nausea twists your stomach. The familial title curdles on your tongue even as Amos grins at you. There’s nothing affectionate about the gesture—how could there be? He doesn’t know you. Not really. 
Blood or no, you’re little more than strangers to each other—and yet, even so, you can see he’s trying. Trying to know you. 
Ahead, the camp comes into view. Banners hang above tents: white for the Mootons, blue for the Pipers, purple for the Mallisters. 
And red—for House Blackwood. 
Amos gives you one last glance, a pall mimicry of what you believe is meant to be love in his eyes. “You’re home now,” he reminds you again, as if you need to hear it,“be glad for it.” 
With the Tully’s guards now in earshot, Amos doesn’t bother with waiting for a response. He snaps the reins, urging his gelding back to the head of your group, already bellowing his greetings. You watch him go, transfixed on the yellow-gold of his tunic—identical to yours. 
Approaching the guards, you tell yourself that your brother is what home is supposed to look like. That if you were to slice your veins, gold would pour from your wrists. 
Not red. 
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After checking in with the guards and tying your mare up in the makeshift paddock, there was no time left to freshen up before you were expected to join Amos and your cousins. With all the Houses now gathered, Lord Grover wasted no time in calling you all to the heart of the camp. 
Still, you try to make yourself presentable—using your fingers to comb through tangled, windswept hair and smoothing the wrinkles from your gold tunic, careful not to disturb the ornate brooch pinned above your heart. 
According to the guards, everyone was given one upon arrival. “All Houses are required to wear them,” they explained when Amos pressed them on it, “Lord Tully’s orders.” 
They were all different, it seemed. Yours was a delicate thing, fashioned from silver and pearls in the image of a blooming dahlia, while Amos’s was clunky and shaped like the sun. He’s still fumbling with it when you finally push through the small crowd, taking your place at his side. 
To your left, separated only by a group of five Frey men, you feel the wary glances being cast your way. You almost turn your head—almost glance back at them, if only to see what they might do. What he would do. 
Would he even acknowledge you? Or simply look away? 
The answer, thankfully, is one you don’t have time to learn. A servant garners attention, dragging a simple, plush chair to the group’s center. Following suit, another two servants assist the aged Lord Paramount from his tent, guiding him into his seat. On his right stands his eldest grandson—and your favorite Tully. Tall and dark-haired, Elmo looks more fearsome than he actually is, sparing you a quick, discreet wink when he spots you. 
“You may all be wondering,” Lord Grover wheezes, his lungs fighting for breath, “why I have called upon you all today—the many great Houses of our land.” 
As he speaks, old, gnarled hands punctuate his words, gesturing out to the many men gathered ‘round. His fingers shake with effort, his shoulders bowed beneath the weight of his many, many years. But his chin remains high, and his tone commanding—if a touch quavery. 
“I hear rumblings,” he continues, “from the South-East.” 
Lord Grover’s eyes, milky with cataracts, shift in the direction, staring blindly into the towering trees of the Whispering Woods. Beyond them, even. 
“Whispers of a great danger brewing in the Crownlands—within the King’s own court, if rumors are to be trusted.” 
Your spine turns to steel. 
Those rumors, you know, are as true as they come. Over the past several months, they had moved through the realm like a venomous serpent. Slithering from mouth to ear, hissing tales of the two factions that now divide King Viserys’s council. 
The Blacks and the Greens. 
The rightful heir and the first-born son. 
And the very reason your father had called you home. 
“War is coming,” a deep, foreboding warning, “and should it reach the Riverlands, I wish to know that we might stand united in its wrath. That we will not allow petty rivalries–” a pointed glance at your brother, and then to your left where, without looking, you know the Blackwood heir stands–“to tear us apart from within.” 
A heartbeat passes. Then another. 
The forest holds its breath. Cradles the Lord Paramount’s words in the air, weaving them around the many great Houses of the Riverlands. 
You wonder if this is what strength looks like. What it sounds like. 
You fear you already know which side of the war Lord Grover’s strength might fall—and you pray that you’re wrong. 
Placing a firm hand upon his grandfather’s shoulder, Elmo takes a step forward. “In an effort to promote civility between our Houses,” he announces in a tone that demands respect, “we have arranged for a hunt.” 
Your brow furrows. A hunt? 
“You will be divided into two person teams, working with an individual outside of your own House.” His gaze shifts to you, dark eyes gleaming with mischief. “Teams have already been decided. Upon your arrival, each of you was given a pin—your partner will bear a matching one. And while there will be no winners or losers, you should know that once you leave camp, you will not be permitted to return without a trophy of some kind.” 
Discontent spreads. Low murmurs fill the air. 
Amos voices his frustration louder than the rest.  “And when is this hunt to take place?” 
Elmo grins. “Now.” 
Instantly, murmurs grow to shouts. 
“You cannot be serious, my Lord!” 
“It is already sunset!” 
“Is this a jest?” 
Elmo’s grin never wavers, unphased by the protests—and Lord Grover appears content to let his grandson contend with everyone's bickering, exhausted from what little talking he had already done. 
“Might I suggest you move quickly,” Elmo speaks over the crowd. Glancing upwards, he squints at the black clouds rolling overhead, an amused lilt to his voice as he adds, “Lest you wish to be caught in the coming storm.” 
With no more than a curt nod to the crowd, Elmo turns on his heel, already veering off in the direction of his own tent as servants begin to help Lord Grover rise. 
“This is absurd,” your brother grumbles. 
You ignore him. Storming right past him, you make a beeline for the fleeing Lord. 
“A hunt?!” 
Fond as Elmo is of you, you know better than to shout at the future Lord Paramount of the Trident. Your voice remains no more than a harsh whisper, even as you shoot daggers into the back of his head. 
“At night, no less! In the middle of a gods-damned storm! Have you lost your mind?” 
“What? You think it’s a bad idea?” He chuckles, keeping a steady pace. “Of all people, I thought that you might appreciate the challenge of it all.” 
You stay on his heels. “Who is he?” 
“Who is who?” 
Further from the crowd now, you grow bold. You reach out and snag his arm, forcing him to stop and face you. “Ignorance isn’t a good look on you, Elm.” You grind out, “Swear that you didn’t pick him to be my partner.” 
A wrinkle forms between thick brows, feigning innocence. “What makes you think that I chose your partner?” 
“Because I know you. You’re always scheming—jutting your big nose into places it very well does not belong!” 
Elmo opens his mouth—hesitates—and then frowns. “Am I truly that transparent?” 
“You may as well be made of glass, Elm.” 
His pout deepens, still dancing around your question. “Well, let's say that I did choose your partner—theoretically, of course!” Your eyes roll. “I think you would find my choice to be quite suitable. If anything, you might even thank me-” 
“This isn’t a game, Elmo!” Desperate now, you can’t stop your voice from rising. “If you paired me with him, then Amos will–” 
“Kill him?” Elmo ventures. 
“Yes!’ 
Pursing his lips, Elmo’s gaze falls somewhere over your head. “Well,” he sucks in a breath, “it seems we may be past the point of stopping that from happening.” 
Your mind goes blank, your thoughts scattering like shards of glass. 
You spin on your heel, head whirling around in search of Amos in the throng. Less than a second and you spot him—not because your gaze was drawn to the familiar gold color of your own House, but because of the wall of stark scarlet standing before him. 
Blackwoods. Two of them on either side of the Raventree heir. 
And Benji—his hands pressed to your brother's chest, roughly shoving him back into one of your cousins. 
“Do me a favor,” Elmo's sigh cuts through your panicked haze. “Keep the two of them from plunging a sword in the others’ belly, would you?” 
Any other time and you might have told Elmo off, cursed him for putting you in this position—future Lord Paramount be damned. 
But not now. Not when centuries of rivalry serve as proof that nothing is more dangerous, more unpredictable than this—
A Blackwood and a Bracken—your brother and Benji—standing toe-to-toe. 
Mindless adrenaline is all that thrusts you into motion. Mud splatters up the legs of your trousers as you practically run in their direction, demanding as soon as you’re in ear shot, “What is this?!” 
Amos doesn’t acknowledge you. Neither does Benji. 
Chests-puffed, they remain locked in their foolish staring match, neither of them willing to be the first to back down. 
Finally, one of your cousins sneers, “Seems that Benji-boy here thinks we’re gonna let him take you out into the woods.” 
A sharp, nasty laugh rips from Amos’s throat. “As if I’d let that happen!” 
“We’re partnered for the hunt, you imbecile.” Benji’s tone is that of lethal calm, even as he glares down his nose at your brother. You look to his chest—spotting the silver dahlia pinned at his breast. “If you have a problem with it, take it up with Tully.” 
“You think I’m stupid, Blackwood?!” 
Benji’s brow lifts a fraction of an inch, as if silently proclaiming—I just said so, did I not? 
Scowling, Amos juts his finger against Benji’s chest. “I refuse to give a Blackwood an opportunity to defile my sister!” 
Benji’s answering grin is something wicked as he purrs, “Oh, if I wanted to defile your sister, Bracken, I could’ve done so a long time ago.” 
Your pulse pounds—caught somewhere between offense and desire as Benji’s words echo in your head. 
Both feelings fade to fear when Amos reaches for the hilt of his sword, wrenching it from the sheath at his hip. In a blink, more weapons are drawn—your cousins holding swords, the Blackwoods holding daggers. 
Not Benji, though. 
Benji doesn’t flinch, even with your brother's sword poised at his throat, ready to kill. Something flickers in his eyes—a shift that you know all too well, sending ice skittering across your bones. 
“I won’t have this,” Amos seethes. “You will find another partner—or I swear on my House that blood will be shed!” 
Benji leans closer. Let the tip of the blade dig into his flesh, a rivulet of blood rolling down his throat. 
Red. 
“Is that a threat, Bracken?” 
You can hear your brother swallow—feel his panic as if it were your own, as if it was his fear coursing through your veins. Still, his voice remains steady. “Consider it a promise, Blackwood.” 
A blink and steel was glinting before your eyes. A single breath and Amos was out-maneuvered and out-matched—the clash erupting and subsiding in one seamless heartbeat, ending with your brother's sword in Benji’s hand. 
A shuddering breath slips from your brother's lips as Benji presses the steel to his throat, a perfect mirror of the position they were in just moments ago. 
“What’s the matter, Bracken?” Benji croons sarcastically, head hilting. “Do I frighten you?” 
There’s a lull to his voice—an eerie stillness that sends a chill scuttering down your spine. 
Amos was ignorant—to pick a fight with Benji, to think he might actually win it. But he’s your brother, too—and you know that if he were to be slain right now—right here—an even larger chasm will take the place of the one you were once meant to bridge. 
“Stop.” 
The demand is no more than a breath. A soft, terrified sound. 
Yet still, it makes Benji’s focus waver. 
“Leave him.” You force yourself to speak louder. Stronger. “Now.” 
You take a step closer—a hand outstretched, reaching towards Benji. His attention shifts, settling on you. He blinks—his stormy eyes, dark with rage, finally starting to clear. 
Benji’s movements languid as he steps away from your brother. Your cousins rush to Amos’s side as he stumbles back, frantically checking the heir of Stone Hedge for any sign of injury. 
They found none. Not even a scratch upon his throat, where his own sword had just hovered. 
Benji passes you the sword—a silent conversation passing between the two of you. 
You could have killed him, you glare. 
I could have—Benji agrees with a small, self-satisfied smile—but I didn’t. 
One of your cousins, bold and stupid, steps forward. “Is that all it takes to keep you at heel, Blackwood?” He glances between the two of you, his lip curling into a sneer. “A dog and his bitch,” he taunts, “how sweet–” 
A cry rips from his throat, cutting his insult short. You expect it to be Benji, having noticed the way his fists had clenched from the moment your cousin so much as looked at you. And perhaps it would’ve been—if your brother hadn’t grabbed the fool by the scruff of his neck, yanking him backwards and shoving him to the muddy ground. 
“Say what you want of him,” Amos tells your cousin, his voice gruff, “but you will mind how you speak of her.” 
You don’t know what to make of that. Of Amos defending you. Of knowing that if he hadn’t, Benji would have. Or that, even after that, Amos doesn’t quite know how to look you in the eyes, looking to the grass and the sky and anything that isn’t you. 
You’re a Bracken, through-and-through. Take pride in that. 
But did he take pride in you? 
If you wish to impress Lord Tully, you might think twice about sending her. 
“What’s done is done.” With a pointed look towards Lord Grover’s tent off in the distance, you say, “Now is not the time nor the place. If you wish so badly to fight, save it for when the war begins.” 
On one side of you, Benji remains silent, watching you with a curious glint in his eye. On the other, Amos hesitates. 
“I don’t trust him,” he says. 
You wonder if he doesn’t know how to say: I’m worried about you. 
“You heard our father,” you tell him, chin high, “when it comes to a bow and arrow, no one’s a better shot.” 
Perhaps there are things you don’t know how to say, too. Like: But I do. I trust him with my life. Maybe even with yours, too. 
Begrudgingly, Benji meets your brother's gaze, fighting the urge to scowl at him. “For years, no harm befell your sister under my watch—and you have my word that none shall befall her now,” he vows. “I swear it upon the Old Gods.” 
“And the New?” 
You consider stomping on Amos’s foot. 
Ignorant. To continue pushing— 
“Fine.” Benji’s brusque answer takes you by surprise. “Upon your false Gods as well, then.” 
Amos, to his credit, argues no further, only echoing the Raventree heir. “Fine.” 
For a fleeting moment longer, they stand there, eyes locked. Amos is the first to turn—the roaring tension dissipating into a hushed hiss as him and your cousins storm off. Benji stays, even as his own men begin to back off, as if listening to a silent command to go find their own partners. 
You look at him. And he smiles—a shy, awkward thing. 
“I’ll wait for you,” he says, a barely perceptible pause in his speech. “At the edge of camp—you can find me whenever you’ve gathered your things.” 
You open your mouth to speak, to say something—but the words take root in your chest, leaving vines to crawl up your throat. If you speak, you worry about what might come out. Worry it won’t be as delicate as the dahlia pinned above your heart—above his, too. 
So you close your mouth. Say nothing. Nod—and turn, trying to keep your legs from shaking as you walk back to the makeshift paddock to get what you would need for the hunt. 
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True to his word, you find the heir of Raventree at the edge of camp, leaning against a towering oak and using the tip of his dagger to idly pick dirt from his nails. 
You brought only what was necessary—your bow, strapped between your shoulders, and a dark-leather quiver slung over your shoulder, stocked with already-sharpened arrows. 
Light rain mists over your face, the sky groaning with a low rumble of thunder. The forest floor squelches beneath your feet as you trudge towards him. Forever on-guard, Benji wastes no time in pushing himself off the tree, adjusting the dagger in his palm so that it can be easily plunged into another's belly if necessary. 
But then he sees you, dressed in Bracken gold with damp hair sticking to your cheeks, and looses a breath. Relaxing at the sight of you—his rival, according to centuries of precedent. Your rival, too, you suppose. 
Benji doesn’t look like your rival, though. 
Sheathing his dagger at his hip, you see no trace of the lethal Lord who, mere moments ago, was willing to go head-to-head with the heir to Stone Hedge. This boy—stuffing his hands in his pockets, a light flush crawling up his throat—is not Benjicot Blackwood, the heir of Raventree Hall. 
He’s just Benji. 
“Ready to go?” He asks when you’re closer, his voice a familiar caress so unlike the eerie lull it held earlier. 
It takes everything in you to erect an icy wall around your heart, colder even than Northern winds. You shove past him, your shoulder knocking into his as you go and earning a perplexed stare. “Let’s get this over with,” you snap, plunging into the depths of the Woods and leaving him to follow behind. 
Ten minutes pass. Twenty. 
Dusk crept swiftly through the Riverlands, casting a pall shadow over the Whispering Woods. Overhead, dark clouds seem to grow thicker, obscuring what little light the moon has to offer. 
A fool’s errand. An impossible task. 
That is what Elmo Tully had arranged—not a hunt. 
With the sun hidden beyond the horizon and a near-constant rumble of thunder, any animal in these Woods would either be asleep or hiding by now, trying to escape the incoming storm. To find a trophy to bring back to camp—even something as simple as a hare—was unlikely. 
Still, knowing the guards won’t let you back in without one, you keep walking. Keep plunging further into the Woods, praying to the Gods that you might find something to take back to camp. 
Twigs snap a few paces behind you, wet foliage squelching beneath purposefully heavy steps. A low, careless whistle tests your patience. 
With your bow hanging from your hand, you grumble, “You’re being too loud.” 
Benji feigns innocence. “Am I?” 
“Yes,” you hiss through gritted teeth, never slowing your pace. “Be quiet—unless you wish to scare off any game and spend the night sleeping on wet soil.” 
He chuckles—loudly. “Have you looked up lately?” Benji asks. “The sky looks as if it’ll crack open any minute now! Any animal with sense is hiding right now, anyway.” 
True. 
“Then we find one without sense, then.” 
Benji snorts. “The only thing without sense in this forest is Amos Bracken.” 
Without warning, you stop dead in your tracks—leaving Benji to nearly stumble into you. You cast a glare over your shoulder, cold enough that a chill seeps right into his bones. “You’d do well to keep quiet, Benjicot.” 
His lip curls, revealing a flash of slightly crooked teeth. “And since when do you call me Benjicot?” He asks, a ribbon of disbelief lacing his own name. 
Your jaw tenses, a muscle feathering there. 
I don’t know, you think, a pang of uncertainty cracking the ice wall around your heart. 
You reinforce ice with steel—turning fully now so that you’re face-to-face, dropping your bow to the ground by your feet. “I won’t let you speak of him that way,” you say, ignoring his question. “My brother is the heir to Stone Hedge–” 
A bemused laugh cuts through your words. “Oh, he’s your brother now, is he?” 
You speak over him, voice rising. “To insult him is to insult the whole of House Bracken–” 
“Fuck House Bracken,” Benji growls. 
He takes a half-step closer, towering over you with no more than a foot between you. You don’t falter—don’t look away. 
“I am a Bracken."
His head tilts. “Are you? Last I checked, you were practically raised on Blackwood soil.” 
“Perhaps,” you admit. “But my wardship is over–” 
Benji cuts you off. “Tell me, where was your brother all these years, then? Your father?” He doesn’t let you answer. “No more than a brisk-fucking-walk separating you and yet neither one of them cared to visit with the forgotten daughter of Stone Hedge!” 
You’re a Bracken—
“You don’t know them,” you protest weakly, your resolve crumbling. 
—through-and-through. 
“And you do?” He challenges. Another step, his chest inches from yours. Warmth radiates from his body, seeping into yours and melting melting melting. “Why did your father call you home?” 
His words are no more than a breath fanning across your cheek. 
Vulnerability permeates your gaze, bearing an unspoken truth. Because war is coming, you convey with no more than a flicker of your lashes, and fate has already decided my role in it. 
Benji’s lips tighten to a thin line—and you would’ve thought him ashamed of you, if not for the pain glimmering in his stormy-eyes, lined with silver. “Your father,” he utters, “he will declare for Aegon Targaryen—won’t he?” 
You’re a Bracken—
You debate the merits of telling him the truth. Of betraying the plans of your house. 
—Take pride in that. 
“Aegon Targaryen is the King’s true-born son.” You speak, though you know the words are not your own. “To sit the Iron Throne is his birthright.” 
The birthright of a drunken craven. 
The betrayal of a beloved princess. 
Benji blinks. Shakes his head, his tongue darting along his lips. “He called you home to fight. Humfrey Bracken’s forgotten daughter—useful at long last.” 
Rage coils in his tone. Instinct makes your muscles tense. 
Nothing is more dangerous than this, your thoughts whisper, a Blackwood and a Bracken, toe-to-toe. 
There’s nothing dangerous about the way Benji’s looking at you, though. His gaze soft and tender, calloused hands clenched at his sides—holding himself back, you realize. Not from fighting, but from reaching out to touch something he’s not certain is his. 
“Will you do it?” Benji asks, hesitant. “Will you fight for the pretender?” 
I don’t want to, you think. 
It’s your brother's words that slip past your lips. “I have no choice. My blood runs gold, Benji—a Bracken, through-and-through.” 
His brow furrows. Then a hand shifts to the sheath at his hip, sliding his dagger free. “Give me your hand,” he orders, nodding to where they hang at your sides. 
You remember his vow to your brother—that he would let no harm befall you. Even without it, you would’ve trusted him. Wholly. Unconditionally. 
You lift your hand and, without hesitation, he grips it on his own, pinning the steel tip of his dagger against your palm. 
You hiss—hand stinging as the blade drags along your flesh, leaving a thin, shallow cut. 
“You’ve always had one foot on either side of the boundary,” Benji starts, his words rushed. Carelessly tossing the dagger to the ground, he grabs your wrist tightly, lifting your palm up towards your own face. “But your blood,” he tells you, his eyes desperate, “has always run red.” 
It drips down your wrist—a rivulet of crimson, spilling between his knuckles as he refuses to let go. Red as the color of his tunic—as the specks of blood dried on his own throat, drawn by your brother's sword. 
Gold on your back. Red in your veins. 
A Bracken by name, but… 
“It’s not too late,” Benji says, his words slow and cautious, still cradling your hand in his. “You can come back to Raventree.” Thunder rumbles. Storm-cloud eyes fall to your lips. “You can come home.” 
You think of Amos. Of your brother. You’re home now, he had said, a shadow of love in his eyes, Be glad for it. 
But home was ancient stone, crawling with moss. Home was the deep, muddy moat that you always threatened to push Benji into when he was getting on your nerves. Home was Black Aly’s voice, scolding you whenever your arms were still too weak to string a bow. 
Home was a dead weirwood tree and a boy with stormy eyes. 
But duty… 
That was something else entirely. 
Closing your hand around Benji’s, your chest fills with water as the last of the ice melts. Hard steel turns impossibly soft, your feet shuffling until your body is flush against his—still-entwined hands pinned between your chest, trapped between fabrics of gold and red. 
Benji leans down, his forehead pressing against yours. There’s nothing dangerous about him. Nothing unpredictable. 
You know him—from the crook in his nose to the scar above his lip. From the lull of his voice to the weight of his steps. His quick temper and his shy smiles. 
High above, the sky cries out. Thunder booms, lightning cracks. Misty rain turns to a violent downpour. 
And he leans in, oh-so carefully. A trembling breath against slick skin, chapped lips hovering over yours. 
“You can come home,” Benji whispers, repeating himself. You can’t think—can’t breathe, as he utters against your mouth, “Let me take you home.” 
And he kisses you. A tender, desperate kiss—the kind that drives your lips apart with the sheer force of it. He tugs his hand from yours, slips it out from between your bodies and brings it to rest on the back of your neck, tangling his fingers in damp, rain-soaked hair. 
Restraint is no more than a breath in the wind. Desire curls in your stomach. Your pulse pounds in your veins, rich with red red red. 
But then there’s your brother’s voice in your head: I don’t trust him. 
And you know what he meant was: You’re my sister—my blood, red or gold—and I’m worried about you. 
You pull away, breathless and broken, one half of your heart lying on either side of the boundary stones resting miles and miles from here. 
Lips still close enough to brush against yours, Benji pants. “Say yes.” The love in his eyes isn’t a shadow. It’s a bright, blinding light. A proud declaration and a howling plea. “Say you’ll come home.” 
You look down—to the sigil embroidered on your tunic, to the still-drying blood on your palm 
An estranged brother and a forbidden lover. 
And you. 
The bridge to a great chasm. 
The futile remedy to centuries of enmity. 
You take a step back—reaching inside of yourself, pulling shriveled vines up your throat, knowing that the words hammering in your chest will be anything but delicate. That they’ll taste of rot in your mouth. 
“I’m not sure I have a home, Benjicot.” Pain echoes across his face, each syllable a rusted dagger in his heart. Another step back, grabbing your bow from where it laid in the mud, abandoned what feels like a millennia ago. “Not anymore.” 
When you turn to leave, thunder crashing overhead and a sob caught in your throat, you go alone.
The heir to Raventree Hall doesn’t dare to follow. 
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You walk in silence, your bow hanging at your side. Behind you, there are no snapping twigs and no low, careless whistling. There’s only rain and—
A branch creaks overhead, halting your steps. Your bow is drawn in a single breath, the cut on your palm stinging as you  slide an arrow from the quiver slung over your shoulder, readying to shoot. You look up, drops of rain splattering against your cheeks as you scan the trees. 
There. 
Perched on a wet, mossy limb was a pair of beady eyes staring down at you. A raven, letting out a low, curious croak. 
A single shot and you could go back to camp. 
A single shot, you tell yourself, and your blood might finally run gold. 
A breath—and then the bow string goes slack. 
You slip the arrow back into the quiver.
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a/n - does any of this even make sense? idk, you tell me lmao. overall, just wanted to play around with capturing the confusion that might ensue for a reader who has no clue where their loyalties lie anymore, lost in who they are and who they think they're meant to be--anyways, hopefully the ending makes sense to you because it makes sense in my brain
anyways
benji tag list (so sorry if I missed you!) - @jacaerysgf @lenasvoid @valdezthg @xzydra11 @snixx2088 @lianna75 @kennafild @ghostinvenus @heystaystray @but-i-write-so-i-must-count @a-song-for-ages
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ponderingmoonlight · 3 months
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Hashira reader smacking Zenitsu and sending him to her crush Iguro to teach him a lesson
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original idea and inspiration by none other than queen @sitarawrites and this post right here
Pairing: Obanai x fem!hashira! reader
Word Count: 1,1k
Warnings: Zenitsu being a creep and getting payback for it
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„Please, you have to give me a chance!“
„Zenitsu, I think that’s enough-„
„You have to be the prettiest girl I’ve ever seen! Let’s marry as long as we’re still alive!”
“Why can’t you just leave me alone, you creep?”
“I’m so so sorry for his behavior-“
“What’s going on here?”, you interrupt the little chit chat in front of you sharply.
You sign to yourself. Just like you expected, another wave of losers that just arrived. 2 girls, a few of those basic guys and…
You furrow your eyebrows, a wave of nauseous disgust getting a hold of you the second you see him. That blonde haired guy who looks at you as if you’re a piece of meat.
“Oh, who are-“
Without even allowing him so finish his sentence, you grab his blonde hair with one hand while smacking him flat-palmed with the other.
“Just let me make a few things clear before we’re even starting”, you hiss, mindlessly dropping his crying figure to the ground.
“If you didn’t catch it already, I’m a hashira and you are here to train under me. But I’m not like Mitsuri or my former master Himejima-sama. We won’t pray around here, we won’t laugh. But most important of all, don’t you dare to piss me off by disregarding me in some sort of way. Got it, Blondie?”
“I think he understood, (y/n)-san!”, the red-haired boy next to him shouts immediately while throwing his unconscious body over his shoulder.
“I know you’re still listening. If I catch you hitting on a corps member like that one more time, I’ll burry you under rocks before sending you over to Igoro-san”, you bark at the boy who again, screams out in sheer fright.
Apparently, his horrible behavior towards females isn’t the only annoying thing about that guy named Zenitsu. If it wasn’t for Kamado, he’d hide inside his room the whole day while crying his eyes out.
“I promise he acts different when he’s unconscious!”
“Do I have to slap him again, then?”
“YOU CAN’T DO THAT!”
Urgh. If it wasn’t for that crow sent by Ubayishiki-sama himself, you would have drowned that boy in the river nearby immediately. And that nice little interactions with a certain someone.
“If he doesn’t treat you right, send him my way. I’ll make sure he’ll never cry again.”
“Nice try Iguro-san. But Ubayishiki-sama forbid me to hurt him and I’m sure the same goes for you, unfortunately.”
“Is he still looking at you all the time? Then it might be worth it.”
“Don’t worry, he doesn’t. But if I catch him crying around like a baby one last time, I’ll send him to you personally.”
“I’ll take that as a promise, then.”
You smile to yourself while reading those well-written lines. Igoru-san…truth is, you definitely kept an eye open for him these past months. Out of all the hashira, he’s the only one you’re really keen to talk to.
“Ahhh, it’s so cold!”
“Zentisu, calm down. Don’t you remember what (y/n)-san told you about-“
“I NEED TO GET OUT OF HERE! THIS IS LIVING HELL! THAT WOMAN IS THE DEVIL HERSELF! I CAN’T DO THIS ANYMORE TANJIRO!”
“Please calm down-“
“I’M SURE THE GIRLS AT THE BUTTERFLY ESTATE MISS ME, I’LL JUST RETURN TO AOI AND THE GIRLS-“
“You’re not going anywhere, you fool. I’m having enough of your bullshit”, you interrupt his pity party along with a harsh bow into his stomach that surely makes him see stars.
“I’m sending you to Iguro myself.”
Another well-placed hit, a passed out Zenitsu before you even get the chance to hit him.
“Please, allow me to go with you, (y/n)-san. I don’t think Zenitsu will survive the training of the serpent hashira on his own”, a gently voice speaks out next to you.
Urgh. You hate to even consider Tanjiro’s words. But there’s nothing you’re able to teach him anyway. No matter how much you hate to admit it, but that Kamado boy definitely is something special.
“Fine”, you grumble.
“But only because I want to get rid of you.”
“That’s totally fine! Thank you for teaching me hand to hand combat anyway!”
“Yeah, whatever. Just carry that prick and follow me.”
Your heart beats a little faster with every step you come nearer to the serpent hashira’s estate. How is he doing? Is he excited to see you, what will he say? You haven’t seen each other since the last hashira meeting, didn’t have the chance to speak properly since forever as it seems.
But now is your chance. When it means seeing Iguro-san, that douchebag did have a purpose after all.
“Did you take out the trash, (y/n)?”
Your breath gets stuck in your throat. You didn’t even sense him until he stands in front of you, both eyes set on you with his arms crossed in front of his chest.
“I can’t take that whining baby anymore. Make sure to treat him right”, you explain briefly.
“Oh, and I took Kamado with me.”
“Tanjiro Kamado”, Iguro-san hisses, his eyes shooting pure venom Tanjiro’s way.
“Bring that useless boy inside and get some rest yourself, Kamado”, you instruct the boy next to you who springs into action immediately.
“He’s doing pretty well”, you mumble more to yourself than actually talking to Iguro-san.
“Doing pretty well?”
Faster than you’re able to react, you find yourself breathlessly pinned against a nearby tree with his eyes almost piercing trough you.
“I mean…yeah”, you breathe out.
“But I actually came here because I missed you”, you add with unusual low voice.
Is that blush creeping up your cheeks? The serpent hashira almost doesn’t believe his ears. You, missing him? He never thought you’d actually like him, that feelings like missing someone like him could actually exist. But you hold his gaze with reddened cheeks. And you’re here, between his arms.
“I…”
He kind find the words. In fact, it seems like his mind and body aren’t able to function normally anymore.
“I need to go”, he presses out.
“But Iguro-san, I-“
He’s gone as fast as he came, leaving yourself leaning against the tree like an idiot.
What was that?
-bonus-
“I’ll let you suffer for making (y/n) uncomfortable. Did you flirt with her?”
“W-what? Me? I’d never d-do that!”
“I’ll kill you-“
“Please don’t kill him Iguro-san!”
“I’ll kill you as well. You made eyes at (y/n)-san.”
“We’re so screwed”, Zenitsu hisses through gritted teeth.
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Tags: @chilichopsticks @hellkaiserinphoenix  @ynackerman9499 @keepghostly @beatrexworld
@froufrousnowman @hidazinie @tomiokathedepresso  @poketrainer2270 @chaoticwinnercupcake
@lees-chaotic-brain @wordskeeper @polarbvnny @sugu-love @ryva @baku2345
@komelrebi-san @kentocalls (your fic will be next) @barbuse @sunshine7queen @lavenderdrxp
@yaninnaacu @hopefulbelievertimemachine
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i saw your prompt list and was hoping for number 6 with Aegon <3
‘’Don’t cry. I hate it when you cry.’’
Request: Aegon married Rhaenyra's daughter. When the king dies, Alicent lock her in the dungeons so she won't go to her mother and ruin the coronation. Aegon ask where his wife is and get you out himself. Tells the guard that his wife is not to be made prisoner
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You always knew Alicent had madness running through her blood, but you never thought she would have you taken to the dungeons and imprisoned. 
After dressing in your day dress, you were walking down the corridors, looking for Halaena when you heard voices coming from the small council chamber talking about sending men to Dragonstone to kill your mother and Daemon. Before you could get to your bed chamber and write her a message to send by crow, one of the guards saw you and brought you to the dungeons. 
You tried to scream for help, but the sounds were killed by the stone walls. So you sank to the floor and curled on yourself, praying to the gods that someone would come get you out. Someone must have noticed your absence. 
At his return from the dragonpit, Aegon walked into your chambers and called to you. He assumed you were with his sister, so he went to Halaena’s chambers, but she told him she had not seen you. On his way back from his sister’s chambers, Aegon heard the servants whispering about ‘the blacks’ daughter’ and stopped them. 
With fury in his eyes, the prince stormed down to the dungeons. He didn’t have his sword on him — only Aemond wore it on the daily —, but he had his dagger. Whoever would try to oppose freeing you will end their day bleeding out. Aegon was not afraid of a fight. 
His footsteps echoed off the stone walls and the torches flickered as he passed. As he reached the entrance to the dungeons, Aegon clenched his fists, the muscles in his jaw tight with determination. Without surprise, two guards were stationed at the entrance. They moved to block the way when the prince approached. 
‘’We cannot let you go past, my prince. Orders of the Queen,’’ one of them said.
‘’The King’s dead, which no longer makes her Queen. And as the rightful heir to the throne, it is my command you obey.’’ Aegon tried to go past them, but the other guard pulled out his sword. ‘’I could have you removed from the kingsguard for pointing your sword at your future King.’’ His jaw clenched, his grip tightening on the hilt of his dagger as he stared the defiant guards.
The threat hung heavy in the air, a silent warning of the consequences should they continue to defy him. After a tense moment, the guard who had brandished his sword reluctantly stepped aside.
‘’My wife is not to be made a prisoner,’’ Aegon declared, his voice ringing with authority, holding his dagger at the guard’s throat. 
The guard gulped. ‘’Yes, my Prince.’’ 
Aegon walked past them, wondering how his own mother could do this. A part of him was not surprised, though. Her determination often goes too far. 
Finally, he reached the row of cells. All were empty, except one. His heart was pounding in his chest as he saw you sitting with your knees pulled to your chest on the cold stone floor. He said your name and you looked up, tears welling up in your eyes as you stood and reached out to him. You knew he would come for you. 
‘’Aegon!’’ Your voice held relief. 
He grabbed your hand through the bars, cold from being down here, holding it. ‘’Don’t cry. I hate it when you cry.’’ Aegon reached out to caress your tear-streaked face, his touch a tender reassurance in the midst of chaos. 
Using the keys he stole from the guards, Aegon unlocked the door, a harsh creaking sound echoing in the silence of the dungeon when it opened. Without hesitation, he pulled you into his arms, holding you close as if afraid to let you go. 
‘’Are you alright?’’ he asked, stepping back to look at you. 
You nodded. You were cold, and very thirsty, but not hurt. ‘’I heard your mother and her father speaking to the Lord Commander. They sent men to murder my mother,’’ you said, a tear slipping down your face. ‘’I was sent here so I wouldn’t write to her and risk ruining your coronation. I need to get to the dragonpit. I have to go to Dragonstone and save my mother.’’ 
House of the dragon taglist: @khaleesihavilliard @domoron @ididliquorice @lover-of-helios @lover-of-helios @shine101 @tanyaherondale @mikariell95 @serrendiipty @lantsovheiress @gilliananderfuckme @shine101 @tetgod @clayzayden@memeorydotcom @tnu-ree @futuregws @blackravena @winxschester @mysteriouslydelightfulchaos @xxlaynaxx @secretsthathauntus @pilarxxxaguayo @emmavan39 @stargaryenx @erylilly @bbblackmamba @rainedrop97 @dreamer087 @gothicgay14 @ashlatano7567 @superkittywonderland @justaproudslytherpuff @evesolstice @buckysmainhxe @padfootsvixen @scarletmeii @evesolstice @dkathl @kaywsworld @tetgod @padfootsvixen @domoron   @weird-addiction @angeliod @xjennyx2 @adaydreamaway08  @mymultiveres  @secretsthathauntus  @puffycreamcakes@thirsty4nonlivingmen@naty-1001@katiepie67@moshpot24x@hc-geralt-23@lovelynerdytraveler@saturn-sas  @zgzgh @sssjuico10@tabloidteen@timetoten@deekaag@wondxrgurl@aerangi@strmborns@astridyoo15@daemonslittlebitch@queenbeestuffs@severewobblerlightdragon@agentstarkid@msliz@vane1999-blog@fairyfolkloresposts@todaywasafairytale07@otomaniac@zgzgzh@thebeardedmoon@golden-library@kikyrizuki@hnslchw@camy85@winxschester @armstrongscommentsection
All and more taglist:  @kenqki  @hawkegfs  @gillybear17   @black-rose-29 @fudge13 @cece05 @laylasbunbunny @gemofthenight @beautyb1ade   @mellabella101 @vxnity713  @bisexualgirlsblog @queenofslytherin889 @thatbxtchesblog @softb-tterfly @ethanlandrycanbreakmyheart  @xyzstar  @graceberman3   @mikeyspinkcup @jackierose902109 @daisydark @laurasdrey @mischieftom @fanatic4niall @peterholland04 @idkwhattonamethisblogs  @lexasaurs634  @notasadgirlipromise @zoeynicolas @thejuleshypothesis @multi-fandom-bi-bitch @lexasaurs634  @notasadgirlipromise @thejuleshypothesis  @katherinejess  @rafesgirlstuff   @lafleshlumpeater @iamluminosity  Anouk nani-2305 @books0fever
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evermoreal · 21 days
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here’s some more outlaw!au <3 thank u guys sm for all the love u showed on the first part of this. makes me so happy knowing people enjoyed the silly little idea that’s been terrorizing my brain.
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the ride was long and wearisome. the adrenaline, like milk left on the counter, quickly began to sour into terror.
after gaz tied your hands behind your back and handed you off to a grinning price, he’d positioned you over the saddle of his horse — a broad, chestnut roan — climbing behind and wrapping his arms around you to steer the thing. his chest was shoved against your back, holsters poking against your spine and suffocating you in with an unappealing cocktail of leather, tobacco, dirt, and blood.
beyond lessons as a child, you’d never ridden a horse — not how they did, at least. the gnarled terrain made for a rough ride, and within the hour your thighs began to ache. you kept quiet, listening instead to the trotting of hooves and the sporadic remarks thrown between the men.
the men who now held your life, your will, in their hands.
you’d done your very best not to think about it — tried not to think about anything at all. you’d kept your gaze on the passing wilderness, studying the shapes of trees and wildflowers, imagining what lay beyond. the shadows, the shrubbery. coyotes, perhaps. foxes and deer.
it could only keep you occupied for so long. the silence pressed in, and it clawed it’s way to the forefront of your mind.
the gunshot still echoed off the walls of your skull.
“yer shakin’, swee’eart.” price’s breath was warm against your throat, and his voice was rough. “havin’ regrets, are we?”
swallowing whatever fretful sound that tried to escape, you answered honestly: “no, sir.”
“sir.” his tone was mocking, edged with a low chuckle. “so polite. how could a sweet thing like you be so willing to kill, hm?”
your breath shook, and you knew he’d heard it, no matter how much you hoped he didn’t. “i didn’t kill him,” you said. “you did. sir.”
“oh, lovey. i was jus’ holdin’ the gun — you told me where to aim.” his chest flexed against you as he heaved a sigh. “all i wanted was the money. without yer insistence, poor fellow’d still be ‘live an’ breathin’.”
the words knocked something loose. for all intents and purposes, you were a killer.
and worse, no matter how desperately you search, you could not find any regret.
“tha’s right,” he murmurs, as if you’d voiced the thoughts aloud. calloused fingers grip your chin, turning your face towards his. a light spattering of dirt covered his face, crawling along his crows feet and laugh lines. “just like us, ain’t you? dressin’ y’up in this pretty little outfit can’t change wha’s underneath.” he tugged at your dress. “‘s a good thing we found ye, ain’t it? what if ye’d made it to yer honeymoon an’ he’d tried to touch you? what would you have done?”
uselessly, you tried to pull away. price held firm, gripping you tightly. “answer me, sweet thing. what would ye have done?”
an ache had begun to thrum along the side of your throat; his fingers were calloused and tight around your jaw. your breathing was jagged around your words: “i wouldn’t have — i wouldn’t have let him.”
“no?” his voice was softer, like he was pleased. “how would you have stopped him?”
the terror was red-hot, and the acceptance was a balm. “he keeps — kept — a gun in the closet. no matter where we were staying.”
“yeah?” though he didn’t release your chin, his grip gentled, and he traced his thumb back and forth along your jaw. “you ever shot a gun before, love?”
“no,” you answered. “i’ve watched my father load them enough times, though.”
his lips had curved ever so slightly, and his eyes had softened, like you were proclaiming your love for him instead of explaining how you’d planned to kill a man.
“you’d have made such a mess,” he said tenderly, gently. “you don’t know the first thing about gettin’ rid of a body. his blood would’ve been everywhere, swee’eart. all over this pretty face, these clothes.” his thumb traced your bottom lip. “y’don’t have ta worry ’bout that now, though. y’ve got us for that, yeah?”
as his eyes bore into yours, brimmed with something you couldn’t quite read, you belatedly realized he wanted an answer. though your mouth had gone dry and a heavy pit had formed in your stomach, you nodded along to his words, murming a quiet, “yes,” before you could think any better of it.
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inkskinned · 8 months
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crows use tools and like to slide down snowy hills. today we saw a goose with a hurt foot who was kept safe by his flock - before taking off, they waited for him to catch up. there are colors only butterflies see. reindeer are matriarchical. cows have best friends and 4 stomachs and like jazz music. i watched a video recently of an octopus making himself a door out of a coconut shell.
i am a little soft, okay. but sometimes i can't talk either. the world is like fractal light to me, and passes through my skin in tendrils. i feel certain small things like a catapult; i skirt around the big things and somehow arrive in crisis without ever realizing i'm in pain.
in 5th grade we read The Curious Incident of the Dog In The Night-time, which is about a young autistic boy. it is how they introduced us to empathy about neurotypes, which was well-timed: around 10 years old was when i started having my life fully ruined by symptoms. people started noticing.
i wonder if birds can tell if another bird is odd. like the phrase odd duck. i have to believe that all odd ducks are still very much loved by the other normal ducks. i have to believe that, or i will cry.
i remember my 5th grade teacher holding the curious incident up, dazzled by the language written by someone who is neurotypical. my teacher said: "sometimes i want to cut open their mind to know exactly how autistics are thinking. it's just so different! they must see the world so strangely!" later, at 22, in my education classes, we were taught to say a person with autism or a person on the spectrum or neurodivergent. i actually personally kind of like person-first language - it implies the other person is trying to protect me from myself. i know they had to teach themselves that pattern of speech, is all, and it shows they're at least trying. and i was a person first, even if i wasn't good at it.
plants learn information. they must encode data somehow, but where would they store it? when you cut open a sapling, you cannot find the how they think - if they "think" at all. they learn, but do not think. i want to paint that process - i think it would be mostly purple and blue.
the book was not about me, it was about a young boy. his life was patterned into a different set of categories. he did not cry about the tag on his shirt. i remember reading it and saying to myself: i am wrong, and broken, but it isn't in this way. something else is wrong with me instead. later, in that same person-first education class, my teacher would bring up the curious incident and mention that it is now widely panned as being inaccurate and stereotypical. she frowned and said we might not know how a person with autism thinks, but it is unlikely to be expressed in that way. this book was written with the best intentions by a special-ed teacher, but there's some debate as to if somebody who was on the spectrum would be even able to write something like this.
we might not understand it, but crows and ravens have developed their own language. this is also true of whales, dolphins, and many other species. i do not know how a crow thinks, but we do know they can problem solve. (is "thinking" equal to "problem solving"? or is "thinking" data processing? data management?) i do not know how my dog thinks, either, but we "talk" all the same - i know what he is asking for, even if he only asks once.
i am not a dolphin or reindeer or a dog in the nighttime, but i am an odd duck. in the ugly duckling, she grows up and comes home and is beautiful and finds her soulmate. all that ugliness she experienced lives in downy feathers inside of her, staining everything a muted grey. she is beautiful eventually, though, so she is loved. they do not want to cut her open to see how she thinks.
a while ago i got into an argument with a classmate about that weird sia music video about autism. my classmate said she thought it was good to raise awareness. i told her they should have just hired someone else to do it. she said it's not fair to an autistic person to expect them to be able to handle that kind of a thing.
today i saw a goose, and he was limping. i want to be loved like a flock loves a wounded creature: the phrase taken under a wing. which is to say i have always known i am not normal. desperate, mewling - i want to be loved beyond words.
loved beyond thinking.
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secondlina · 16 days
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Do you like people who dub your comics with real voices then or do you just not like dubs in general?
At this time, I would prefer if voice actors would not dub my work unless I asked them / am working with them.
Between the AI dubbing, the multiple repost accounts, and a few folks dubbing my comics regardless of whether I say yes or no (I've turned down or ignored most requests and videos still went up) - I've grown cold to the idea. Also, in my experience, they often credit poorly, not including links, not mentioning the series title, only typing my user name in the description as a word without context. A few dubbers also took me agreeing to one comic dub as them being allowed to dub ALL of my comics.
That being said - It's still incredibly flattering when budding voice actors ask, and the love they have for the comic is very touching. I'm exceptionally lucky to have people reach out like this, and probably seem like I'm complaining about something that is actually rad. Because having people want to contribute to your work as an artist IS rad. But when enough people seem to do it as a vehicle for their business rather than out of passion, it's weird vibes.
I hope to get back into a mindspace where it is fun again. I hope to collaborate directly with some dubbers one day, so I can make videos that fit my ideal. And I hope that nobody I turn down thinks it's their fault. There's just too many toads in the well.
I kinda wish wellness pages also didn't repost my fox + crow comics next to ads where they push ad supplement gummy yoga new age bullshit. I've also had some folks clone my instagram account to hit up people for scams. Protecting one's identity as an artist online these days is getting harder and weirder.
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happysnowseal · 2 months
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Deals and Desires (final)
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Sylus x OC | Midnight Stealth!AU
genre: smut, lil’ comedy, enemies to enemies who fuck
rating: explicit
description: You fail to find the brooch within 24 hours, so the twins suggest you offer Sylus something else in return for getting into the auction—your body. Turns out, your desires are aligned, no matter how twisted they seem. 
word count: 8.8k
warnings: IMPROPER use of Evol, tentacle smut, “rope” bondage, lore from Midnight Stealth and the two chapters we meet Sylus (duh), Luke and Kieran being instigators, mentions of hentai, OC’s turned on by Sylus and his Evol and is conflicted, rough sex, breast play, fingering, oral sex (male and female receiving), double penetration, unprotected sex (this is fiction), standing 69, mirror sex, sneaky sex, electrostimulation, cum eating, multiple rounds. 
a/n: IT IS DONE. IT IS HERE! I made a post saying imagine Sylus manipulating his Evol into tentacles to fuck OC with… and voila! This was born. I incorporated a lot of the game dialogue/events but also put my own spin on it. Asks, comments, and reblogs are much appreciated! 💌
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You must be sick in the head. 
Ever since you witnessed those black-red tendrils dissipate the man in black who abducted you into nothing but mere crimson specks, something strange awoke in you. Witnessing such a cruel death shouldn’t pique your curiosity, but beneath your horrified expression was a deep fascination for the leader of Onychinus’ powers. Not that you’d ever tell him.
A simple flick of the wrist or snap of the fingers is all it takes to summon those menacing black-red tendrils. The powerful mist would coil your vulnerable body, manipulate it, bind it—all for his intentions of resonating with you. 
However, as the shopkeeper had stated, you can’t resonate with him. On a subconscious level, you’re rejecting him, scared of him, or disgusted by him. So you wonder: is it possible to fear him yet desire him also?
When Sylus proposed a deal that would aid you in your quest for the Aether Core, you couldn’t resist. You had twenty-four hours to find a brooch he had hidden somewhere in Onychinus’ base. Yet despite searching every nook and cranny, you came up short of nothing. 
The first time Sylus caught you, he was reading a book on the couch. His calm demeanor didn’t match his appearance, which screamed sin. The gold-rimmed glasses on his face matched a gentlemanly scholar's, but his body was adorned in a lavish red robe, with a V-line low enough to expose his toned pecs. Seriously, who was he showing off for? 
“Get out.”
Once you were caught snooping, the same black-red mist formed make-shift handcuffs that bound your wrists. You groaned, dwelling on your loss. 
The second time he caught you was when he was dusting his shelves, his back toward you. He was no longer in his robe, having changed into a black dress shirt and matching slacks. Without sparing you a glance, one word left his lips. 
“Leave.”
The black-red tendrils were back around your wrists and you whined. “Ugh… I was caught again…”
Third time’s the charm, right? You had your gun loaded and after cocking it, you said to yourself, “This time for sure, I’ll…”
A pair of black slippers showed up in your peripheral and you slowly looked up to see the same, steeled expression in those crimson eyes and that cursed red robe again. It was like a second skin on him at this point. He let out a weighted sigh, which diminished your confidence.
“... I know. I’ll go now,” you said, defeated. He didn’t use his Evol this time, and you’re at war with yourself as to why you even noticed. Or why it mattered so much. 
The last time Sylus caught you was the worst. He was in the shower, so you seized the chance to search his bedroom. Desperate, you even sunk to the low level of animal abuse when you shook Mephisto, his crow with mechanical wings, like a piggy bank for answers. 
That’s when Sylus turned off the water and panic struck you, so you hid. There was a small window of opportunity to escape, but a phone call came in, deterring your plans. He answered, you eavesdropped, and when things were getting juicy, he noticed your presence and chuckled.
“Mr. Sylus?” the man on the call said. 
“It’s nothing. Just a stray cat who happened to barge in.”
This time Sylus not only apprehended you by the wrists, he lifted you in the air as black-red mist swirled around his left hand. The call ends as he sets you down on the bed, and you wish the floor would open up and swallow you whole. Not because you failed, but because you didn’t want to face the humiliation of how his Evol brought back a certain spark you thought fizzled out.
Sylus’ back was turned, selecting a record before placing it on his record player. 
“Have I underestimated your determination or overestimated your intellect?” he asked. You stared at your bound wrists, trying to ignore the shiver that ran down your spine.
“You’re the one who suggested a deal. But here you are making things difficult—” you said, fiddling with your thumbs. He approached you, a stern look flashing across his sharp features.
“You’ll have to work harder.”
He grabbed one of your wrists, and red sirens went off in your head. Your mind raced a mile a minute, wondering what his intentions were as he dragged you off the bed. You commanded him to let go, and he obliged, but only after he shoved you out of his room.
“Leave,” he said, his head gesturing to your right, “I’m going to bed.” 
At least he kicked Mephisto out too, so you didn’t have to face the loss alone.
Which brings you to the present. You’re scribbling doodles of the bastard as an outlet for your anger, making the stylish choice of adding devil horns on top of his head. 
It’s bad enough you’ve been trapped in Onychinus’s base for who knows how long. The man who’s held you captive should be your worst enemy, yet every encounter ignites an inferno in the pit of your stomach. Try as you may, but the dark thoughts you shove in the back of your mind are bubbling to the surface. If anything could anchor you back to reality, it’d be this—remember the mission. 
You were to get into the auction to find the Aether core, which you can’t do without his help. But you couldn’t find that stupid brooch, so you’re back to square one. You scrawl over the sketch of Sylus, the pressure harsh enough that the paper threatens to tear until only a tornado of black ink is left. 
“You’re pulling your hair out over this, huh?” Kieran says, sitting atop a table with his back towards you. He looks over his shoulder, so his voice will reach better. “If you want to do something, maybe we can help you.”
“What do you mean?” you ask, casting the notebook aside.
“If you want to conquer our boss’s heart, you’ll have to use a different approach,” Luke says, leaning back in his chair. 
“I’m not trying to conquer his heart. He’s trying to conquer mine if anything,” you retort, folding your arms across your chest as you stand. Luke pulls a book from underneath the table and slides it across in your direction. You walk over, pick it up, and drop it just as quickly like it was a ticking time bomb. “What the fuck?!” 
“Strike when he’s off-guard!” the twins chorus with Kieran leaning forward as Luke makes claws with his hands.
“Yeah, I suppose anyone who receives a hentai novel would be caught off-guard! What’s wrong with you two?!” You have to tear yourself away from looking at the erotic cover, depicting an anime girl being fucked by black tentacles belonging to what seems to be a demonic being. He had it all: horns atop his head, ebony eyes, endless tendrils, and a smokin’ hot bod like Sy—wait. No. Don’t look at it anymore. Even sparing it another glance feels like corruption and sin. 
Luke chuckles, taking the explicit material back and flipping it open to a specific page. “For some people, they get bored once they have everything. So only those who dare to challenge their authority can catch their interest,” he reads. 
Kieran’s sharp memory allows him to quote the story without having it in his hands.  "When you're dealing with such a person, you bow down and submit or take them out in one go."
“What are you on about?” you ask, exasperated they’re quoting the pornography like it’s a holy scripture. Luke shuts the book and slides it towards you again, but you grimace like it’ll taint your soul.
“If you don’t want to conquer his heart, perhaps it’d be smarter if you conquer his… desires.”
“If you bow down and submit, maybe our Boss will have a change of heart and help you get into the auction. I mean, no one’s ever offered him their body,” Kieran adds. Your hands fall to your side, balling into fists until your knuckles turn white. 
“I’d rather take him out in one go,” you say through gritted teeth. It’s not like you haven’t tried. However, the crazy bastard used you to shoot himself in the chest and you haven’t been the same since. Man thinks he has regenerative healing properties and he’s all that. Pfft. “You two are insane if you think being promiscuous is the solution.”
“In the end, Boss wants to resonate with you. You don’t have to like him, but your body can. Think about it,” Kieran insists, tilting his chin down slightly. The mask he wore shields his face, but you can imagine the impish grin from his inflection. “There’s nothing more intimate than spending a night together.”
“Read the comic,” Luke says, and you can tell from his tone he’s smirking despite the matching mask on his face. “Maybe you’ll find it enjoyable.”
“N-No. This is insanity. You’re telling me your Boss wants to fuck someone with his Evol as… tentacles?”
“Now you see why no one’s ever offered their body,” Kieran says matter-of-factly.
“This is stupid,” you mutter, clasping a hand to your forehead. “I’d rather die than fuck Sylus.”
“She might die even if she does fuck Sylus.” Kieran’s quick to elbow his brother in the side, and your heart is lodged in your throat, beating so loudly like it’s about to burst. He’s right. You could. You’ve seen what his Evol could do to a person.
But you’ve also thought about what it could do for a person. For you. 
“Just… think about it,” Kieran says, his voice gentle like he’s coaxing a kitten out of its hiding spot. “If you give our Boss his ultimate desire, I’m sure he’ll do the same for you. You’ve never once thought about him in such a way? You’re not a tad bit curious?”
Luke and Kieran were treading dangerous waters. These two instigators somehow burrowed into your subconscious, forcing you to come face-to-face with your depravity. 
You roll your eyes to maintain aloofness, but the book ends up in your possession seconds later. “I’m taking this for research. You’re sure this belongs to him?”
“Absolutely!” they chorus and you’re not sure hearing double aids their credibility. 
“Boss is least guarded when he’s sleeping,” Kieran informs. Aren’t we all?
“You only have one shot,” Luke says, emphasizing his point by sticking up his forefinger. “Don’t waste this chance. Just do it!” He gives you a supportive fist pump and you peer down at the lewd book cover again.
What choice did you have? The twins presented a rather salacious solution, but Sylus was your only means of getting into the auction. As Luke said, if you can’t conquer his heart, perhaps you can conquer his desires.
No matter how twisted.
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Three hours later…
Time slips away from you as you’re engrossed in your “research.” Not only was it full of filth, but the plot (if you can even call it that), was eerily similar to your situation. The girl on the cover was a demon hunter who fucks a demon to get him to do what she needs. Every drawing is breathtaking, detailed, and graphic. The way his tentacles bent her body to his will, the various positions, how it slithered around her body—it awoke the same feelings you had the night you met Sylus. 
The dialogue instilled shame, lust, and more than enough sexual tension to charge a lightning storm. You had to pause every few pages, fanning your face until your cheeks cooled enough to continue. An earthquake couldn’t pry this masterpiece from your grasp and you were determined to finish it. 
Once you’re done, you slam the book shut. You take a deep breath, regaining a sense of clarity when a realization dawns on you.
This was why Sylus’s Evol fascinated you. How every time he manipulated your body, a surge of adrenaline coursed through your body until your heart nearly gave out. You indeed feared him; everyone did. But fear was a mask you’ve clung onto so desperately to disguise the dark truth.
Sylus could’ve killed you at any time, but he chose not to. Sure, he has ulterior motives, but the control he has over his power is undeniably sexy, and knowing he can’t kill you meant you had control over him too. 
You’ve hidden your desires under revulsion and endless banter when maybe he was right. You’re two kindred spirits, who are more alike than you want to admit. Someone created this book to satisfy the same urges you’ve been depriving yourself of and if Sylus indulged in these fantasies, then you’re not insane for wanting the same thing.
You’ve made up your mind. 
If you offer your body to Sylus, it’s a win-win. You’ll get into the auction and you no longer have to feel ashamed about wanting him. 
For the mission of course.
You head to Sylus’s bedroom, standing outside the wooden double doors. A pair of Evol-sealing handcuffs are in your possession, courtesy of the twins. You place them in your back pocket and rest your hands on the gold handles, giving yourself a mental pep-talk.
All or nothing!
You turn the handles and march in, seeing Sylus sleeping in his canopy bed with his back against the plush headboard instead of the mattress.
Is he a vampire? Eh. Red eyes, white hair, gorgeous—might as well be.
Climbing onto the bed gently, you watch his chest heave, his breathing evident but it’s so light that you’re tempted to press your ear against his chest to ensure he’s alive. 
“Sylus… Sylus?” you say, confirming his dormant status. A soft chuckle escapes you as you whip out the handcuffs, lifting his wrist and attaching it to the golden vintage bed frame. “This is what you get.”
Now that he’s immobile, you can’t help your feasting eyes from ogling his exposed skin. That red robe was both a curse and a blessing, a warning of caution, yet you choose to ignore it. You hover your finger above his abdomen, contemplating whether to make contact when a hand snatches your wrist, lifting it to eye level.
“Showing up uninvited at this hour… Want me to tell you a bedtime story?” he says before tossing your wrist aside. You place both hands on either side of his head and his eyes slightly widen, but he remains composed. This would be a lot easier if you straddled him, but patience was a virtue.
“These handcuffs nullify a person’s Evol for an hour,” you declare. He stares at the restraints, his face devoid of emotion before settling his attention back on you. “No matter how powerful you are, you’re helpless as of now.”
“Really?” he asks, the corner of his lips hinting at a small smile. It’s subtle and leaves as soon as it comes. “What do you plan to do then since I’ve become your prey?”
You remove your hands and lean back to sit on your knees. “You’re going to listen to my counteroffer.”
To your surprise, he nods like he has nothing better to do. Maybe the cuffs weren’t necessary. “I’m intrigued. Continue.”
Clasping your hands together, you clear your throat like you had prepared a speech when in reality, your brain is scrambled. What are you supposed to say? 
Hey Sylus, do you want to fuck and use your Evol on me like tentacles? It’ll help us resonate!
You might as well put a big fat sticker on your head that says “FREE $.99! FUCK NOW!” and get it over with.  
“I’m getting bored,” he states, stirring you from disorganized thoughts. You press your lips into a thin line, mustering whatever courage you have left. 
“Look… from the beginning, you trapped me here, forced me to resonate with you, and even said ‘we’re the same’...” You wet your lips out of habit to calm your nerves, and he doesn’t miss it. “I couldn’t find the brooch in time and need your help to get into the auction. And you want to be able to resonate with me. So…”
“Get to the point.”
“I’m offering you my body for the night,” you blurt out. He raises an eyebrow and his usually calm demeanor breaks for the first time as a flicker of confusion dances across his face. You would take pride in that, but his face quickly morphs, so you jump out of bed with your hands up, worried he’d deny you. “Hold on. Let me explain.”
Not like he had a choice. The fact he was handcuffed eludes you for a moment, but once you remember, it eases the tension in your shoulders. He waits for you to continue, the smug look on his face not helping to ease your nerves. 
“I don’t like you and you don’t like me. But you want to resonate with me, so if we sleep together, maybe… I’ll hate you less. Besides, we have similar desires. I’ve seen the way you look at me.”
His eyes glint a haunting crimson from the golden glow of his night lamp. “Do tell. How do I look at you?”
Your knees almost buckle from his deep, smooth voice. “Like… Like… you hate me.”
“Astonishing misunderstanding. Yet somehow you’ve concluded this means we should sleep together?”
You might as well die of embarrassment. “If it’s for the mission, I can detach my personal feelings. We do this and there’s a chance I’ll be able to resonate with you better. After all, what’s more intimate than spending the night together? It’ll work unless… you’re inadequate in bed.”
It’s brief, but you’re sure Sylus clenches his jaw as his lips press into a slight frown, his eyes narrowed on you with laser-like focus. You turn away from him, smacking your cheek like a spanking for being stupid enough to question Onychinus’ leader’s skills in bed.
“Are you done?”
You whip your head around. “Um… yes.”
An exasperated sigh escapes him. “You say you failed to locate the brooch, but your twenty-four hours aren’t up yet. There’s still time.”
You place one hand on your hip while the other waves him off, dismissing his words. “I’ve searched everywhere already!”
“Everywhere. But not everyone.”
The light bulb in your head goes off and you’re back by Sylus’ side on the bed, holding your palm out like an entitled brat. 
“Where’s the brooch?”
His smile reaches his eyes and he gestures his free hand across the expanse of his body top to bottom. “Help yourself.”
“Don’t mind if I do.”
You run your fingers along the black lapels on his robe, checking the inside layer first. The fabric is silky smooth to the touch, but you’re distracted by how hot his skin is on the back of your fingers. No brooch though.
Next, you check the outside of the lapels and sure enough, you feel a hard, circular object. Pulling it out, you see the crow brooch with a lustrous ruby in the center. You giggle with glee. 
“Do you really think I hate you?” he questions. 
“Now it doesn’t matter at all. I won!”
“Deals have conditions and my condition wasn’t met. The offer has expired already.”
“But you said…”
Shit. The handcuffs on Sylus start to glow red, similar to how blacksmiths heat materials in a furnace. The metal soon melts, allowing your once prey to become the predator.
Your attempts to escape are futile, given Sylus’ quick speed, and you’re thrown onto the bed. He hovers over you and your fight-or-flight instincts kick in as you throw a punch, but he catches your wrist and pins it down without batting an eye.
“You’re pretty good at running away.”
“Let me go. I already have the brooch.” He pins your other hand down, enveloping his large hand over your clenched fist.
“I told you. My offer has expired already, so the real question is… when does yours?”
Sylus is staring down at you with crazed, crimson eyes as the sound of your heartbeat rings in your ears. His hands are warm, too warm. Like they’ll burn you alive or maybe that’s your body heat rising exponentially from how close he was. His scent wafts over you, filling your nose with pleasant notes of cardamom and something herbal, which soothes your nerves and helps you rediscover your voice.
“I… I…”
“Use your words.”
“I only made you that counteroffer because I thought I failed. The brooch has been found. Who cares about the rules? You’re the leader of the N109 Zone. You break them all the time.”
“Careful, sweetheart. My patience is running thin. I’m only keeping you around because you’re still useful. And…” He squeezes your fist like he wants to pry it open. A warning. “I truly enjoy seeing my little prey struggle.” He brings your enclosed fist in front of his chest. “Especially when it thinks it can get away from me. Now tell me… what similar desires do we share?”
Okay. Maybe if you scream loud enough, Mephisto will fly in and—
“Answer me.”
Who were you kidding, Mephisto would sell you out in a heartbeat. That damn crow better not have seen you reading pornography. And those twins… they better start counting their days.
You pull your lower lip under your front teeth, hoping to seal your answer shut for good. But Sylus’ right eye glows red, and you writhe underneath him, turning your head to the side. His Aether Core will reveal your deepest desires if you make eye contact. 
Sylus grabs your chin and forces you to look at him, probing into your subconscious and witnessing all your shameful thoughts. Eerie voices fill your mind, their murmurs are difficult to understand, but the pain they bring is borderline unbearable—an unfortunate side effect of Sylus’ intrusion. Once the glow in his eye fades, you feel like yourself again. But the twisted smile on his face let you know things were far from over. 
“So that’s what you mean by shared desires… You want me to use my Evol on you. No… you want me to fuck you with it.”
“That’s not true! Luke and Kieran—”
He runs his thumb across your lips, an effective solution for your yapping mouth. “Such improper use of an Evol could have devastating consequences. You are too gullible, kitten.”
Damn it. Those two…!
“Don’t call me that,” you bite back. 
“Oh? You have quite the mouth on you today. First, you make a big show of offering your body to me and now you don’t have the guts to tell me exactly how you want me to take you?” He leans closer, his lips ghosting above your own with the slightest touch. “Confess your true desires, [Y/N].”
“N-No. The twins set me up.”
“That book may not belong to me, but I assure you… my desires are all my own. And they align with yours. All you have to do is confess.”
He doesn’t move and prolongs eye contact to where you feel stifled, trapped, and heated in places you shouldn’t. The leader of the N109 Zone doesn’t play around and knows what he wants and the means to get it. But you like challenging him. You like being challenged by him too.
You stay quiet because giving in too easily is what he wants. 
“That look in your eyes… Are you trying to seduce me?” You form what you believe is a scowl, but it results in another teasing smirk. “As long as you have desires, there will always be deals to make. So what will it be?”
“I want to get into the auction,” you say, uttering the same script to maintain a semblance of professionalism. “That’s all.”
He sees the brooch jutting out from the space between your forefinger and thumb, easily able to lift it from you. “Don’t move.”
To your surprise, he pins it on your shirt and sits on the edge of the bed. You sit up and lean on your elbows, tilting your head at his sudden behavior change. 
“Technically, you did find the brooch. I won’t go back on what I promised you.”
“Wait, that’s it?”
“You sound rather disappointed.” He gets up, and you follow suit off the bed like a lost kitten. “If getting into the auction is all you desire, consider it done. You can leave now.”
His back is facing you, and you can’t help but wonder if he’s disappointed too. You fidget with the brooch, running your thumb across the smooth jewel. Without thinking, your hand latches onto his like a magnetic force. Sylus spins around, glowering as you intertwine your fingers through his.
“Let me resonate with you.”
“So brash… you’re getting more and more interesting.”
He entertains you and utilizes his Evol, the black-red mist wrapping around his forearm like sprouting vines as he brings your entwined hands up to eye level. He closes his eyes as more mist envelops where you two are connected, and you watch with bated breath as scarlet specks float inward. 
Devour him… he’s yours. He’s right there before your very eyes.
Those eerie voices are back, and you’re strangely compelled to heed their words. An ivory glow shines where your palms meet before an explosive burst of energy emerges, a spiral of lethal scarlet and radiant white from your combined powers. Sylus opens his eyes and lets go of your hand, allowing ivory flakes to cascade down like confetti. 
“It’s a shame. But not a surprise.”
“We can try again. Let’s—”
“I admire your tenacity, kitten. But I think we’ve had enough excitement for one night.”
Your insides feel like an unattended kettle, whistling from immense frustration and on the verge of exploding. You can’t leave now. Not after he gave you what you wanted. There is a thing called give-and-take, and you’re not one to only take. The guilt would eat you alive. 
“I don’t want to owe you. Here,” you grab both his hands, “one more time.”
Sylus lifts his arms and pins you against the nearest wall with hands above your head. Your breath is knocked out of you when your back collides with it, the impact causing the lamp to nearly topple over. His glare is murderous and your sick mind dared to find it incredibly attractive.
“Your stubbornness is what’s going to get you killed someday,” he warns. You see him lean back and remove his hold over you, but when you try to move, you feel restrained. His powers; they’re bounding you. “Is this what you want? For me to use my Evol on you?”
“Isn’t that what you want? I don’t want to owe you,” you repeat. “So I’m ready for whatever’s going on here. You can… use me for the night.” The last part was barely above a whisper, but Sylus’ hum as he folds his arms across his chest lets you know he heard you.
“Do you know what you’re requesting, little one? My Evol is dangerous,” You feel the restraints tighten and they only stop when you yelp in pain. “Yet it’s almost like you welcome it. Even if it hurts. Do you like it when it hurts?”
The tension is thick enough to cut with a knife, so you kick in his direction with all your might. Hunter instincts, if you will. But the black-red tendrils around your ankle make you sweat as he lowers your leg without breaking eye contact, pinning both ankles to the wall.
“Feisty kitten thinks she’s a tiger now, huh?”
“Why don’t you get on with it already?” you snap, impatient. Sylus grabs your face, squeezing your cheeks until your lips pucker like a fish.
“What makes you think I won’t kill you?” Like his razor-sharp words, you feel something akin to a collar around your neck. It prickles your skin while restricting the flow of oxygen to your lungs and you gasp like you’re trying desperately not to drown. You feel light-headed, but his Evol takes mercy on you and grants you enough air to breathe, though you know it comes with the price of answering his question.
“Because you would’ve done so already,” you answer, though your voice is shaky. Sylus nods, as if satisfied with your reply.
“Do you trust me?”
“No.”
“Clever girl.” The praise sounds delicious rolling off his tongue. “One final question.” He releases your face and bends down to meet your eye level. “Do you desire me?” 
Having been inside your head, the answer was obvious. He’s looking for confirmation, a verbal confession to make whatever feelings you have for him tangible. The man is a walking red flag, and you’re about to wave a white one in surrender.
“If I don’t?” you question, challenging his authority one last time. 
“Then I’ll release you.”
“And if I do?”
“Then… I hope you’ll allow me to have you. All of you. Deal?”
A beat passes and you gulp, your head saying no, but your body and heart screaming, “Yes.”
His hand comes up to caress your face, almost lovingly. “Yes, what?”
“I desire you.”
Sylus gives you a full smile, the corners of his eyes creasing. “You’re aware of the risks, right? With the snap of my fingers, I can tear things to shreds,” He carries out the action and as promised, his robe is shredded to bits of black and red confetti. Your eyes trail down his well-developed abdominal muscles and pronounced V-line until they settle on… “Enjoying the view?”
His teasing lilt reminds you to close your gaping jaw. Hell yeah, you’re enjoying the view. Not only was this man well over six feet, his body rivaled that of a Greek God, and he was blessed with a massive cock too? Of course. Things had to be proportionate.
“I… you… that robe was expensive, wasn’t it?” That was quite possibly the lamest response you could’ve come up with.
“It seems like the little kitten is distracted. Probably needs a toy to keep her occupied.” Sylus flicks his fingers, commanding the whirl of black-red mist to rip your clothes and you shriek in surprise. The brooch falls to the floor with a soft clink, and he picks it up, gently putting it on his nightstand. His attention returns to you and your exposed body, and you take pride in how his cock throbs at the sight. “So she likes lace. Pretty.”
You bite back a scream when a black tendril with cracks of glowing red light slithers up your body in between the valley of your breasts, tearing your bra right off. Another one coils around your thigh before it rips your panties off too. The appendages seem to multiply, wrapping your body in an intricate pattern similar to shibari. There’s no pain and they feel smooth, cooling your heated skin.
“I can manipulate things at will with the flick of a wrist. My powers are pure energy meant for destruction, and you’re here wanting to use them for pleasure.”
He leans close to your ear and nibbles the shell of it. The sensation tickles, but you’re too tense to move a muscle. His voice is husky as he whispers, “I could kill you right now. It’d be so easy…”
You hold your breath when he leans back enough to scan your face, relishing the turmoil in your eyes. “I-I trust that you won’t.”
“You know…” His index finger travels alongside your neck, then to your breast, tracing your areola in circular motions. “As soon as my Evol makes contact with anyone, people would die almost instantly and experience the most excruciating pain.”
He’s now rolling your nipple in between his forefinger and thumb, pinching it enough to hurt and elicit a whine from you. “S-Sylus…”
“But that’s not the case with you. Do you know the violence it took to become this gentle?”
You don’t know why your heart swells, but his words were sweeter than any confession. “Thank you…” 
His eyes widen slightly and he stops his actions, tilting your chin up instead. “Say that again.”
“Th-Thank you… for being gentle with me.”
He closes his eyes and shudders like your gracious manners sent waves of pleasure throughout his body. A sharp inhale comes, and then he’s staring deep into your eyes like he could see your soul.
“What a good girl you are thanking me… but I must warn you. I meant what I said about having all of you. You’re not the only one with fantasies, [Y/N]. And mine are anything but gentle.”
“I can take it.”
He gives you a half-smile. “Is that so?”
“You doubt me?”
“No. But I think you might underestimate me. After all… I’m possibly ‘inadequate’ in bed.”
Shit. Maybe you shouldn’t have challenged him. But your bratty nature couldn’t leave you well enough alone. “Prove me wrong.”
Sylus’ resolve crumbles and he holds the side of your face as his lips meet yours for the first time. His pressure is gentle like he doesn’t want to scare you off, and once you two find rhythm, he deepens the kiss and you moan as the taste of cinnamon overcomes you. Spicy, very much like him.
His tongue prods its way through once your body relaxes, sliding across your own, the action far more lewd than romantic. He groans and carefully takes your bottom lip in between his teeth, pulling back in the most sexy manner. You moan and he swallows it, kissing you again with more fervor as his hands explore your body. 
First, he traces your curves and trails down until his hands cup your ass, squeezing the soft flesh. Then he brings them back up, kneading your breasts and you mewl at how rough he handled them. Eventually, the kiss breaks, leaving a thin trail of saliva that connects your lips until it eventually severs.
“Beautiful…” 
One word and you’re all heart-eyes for the man as heat rushes to your cheeks. If he wanted to tease you for it, he restrains himself and takes a nipple into his mouth, sucking harshly before releasing it with an audible pop. His tongue pokes out, swirling around the bud while his hand tends to the other. Your back arches involuntarily, but you’re quickly reminded of your immobility, which causes more arousal to drip down your thighs.
Sylus stops messing with your pert nipples to suck harshly between the valley of your breasts, inevitably leaving a nasty hickey. He pushes them together and then lets go, loving how they jiggle. 
“I wonder…” he muses, taking two fingers to tease your folds. “Oh… you’re so wet and I haven’t even put them in yet.”
You squeeze your eyes when he inserts them in slowly, your slick making the transition smooth as he stretches you out. “Fuck… Sylus, please.”
“What? Are my fingers not enough?” He stills and the lack of movement frustrates you to no end. You want to thrash around, but you’re still glued to the wall. 
“N-No. Please… please move them.”
“You beg so prettily,” He pulls them out and begins fingering you at a snail’s pace. “But it’s not enough. You can do better.”
“Please!” you exclaim. “I need more…”
“God, you’re dripping on my hand and I haven’t done much.” He moves faster, his fingers knuckle deep and curling in spots that have you clenching hard. It’s like he’s coaxing out more of your essence with each stroke and then challenges you with a third finger. “Does it feel good?”
You can hardly respond with how stuffed you feel, your lust insatiable as he speeds up.
“Yes? No? Maybe so?” he asks, amused by your struggle. 
“Y-Yes… good… so good…”
Your pussy is making obscene noises and you’re feeling a warmth building in your abdomen, especially when Sylus kisses your neck. His lips are scorching hot, almost searing as if you were being branded. You submit and let him mark you, focusing on the pressure within as your high is approaching. He uses his free hand to hold yours, interlocking your fingers together. 
“Fuck!” you shout, feeling like you couldn’t breathe fast enough to keep up with his bruising pace. “I’m going to come, I—”
He seals your words with another kiss, and your scream is muffled when your orgasm hits you like a gunshot. It’s brutal and intense, causing you to see stars for what feels like the longest minute of your life. 
At the same time, your interlocked palms glow bright red and ivory. Unlike before, this explosion caused a surge of power to pass through his bedroom like shockwaves, destroying most things that came into contact. The roar is deafening, but all you can focus on is Sylus and how good he made you feel. 
“Come back to me.”
You don’t realize when he stopped kissing you. Or when he removed his fingers. Or when you stopped being pinned to the wall. Sylus is holding you up and when you see how his eyes softened for the concern for your well-being, you’re smitten.
“I’m okay…”
His demeanor shifts, the change so sudden that it is like a phone going from light mode to dark mode. The man manipulates your body with his Evol and throws you onto the bed without a second thought. Black-red mist envelops your body again, this time cuffing your wrists in front. Tendrils wrap around each breast, your torso, and your neck, constricting tightly until you resemble a beautifully decorated present. 
Sylus joins you on the bed, settling in between your thighs as he lies on his stomach as if he were a sniper. He has his Evol pry them wider, so your pussy is exposed for his feasting eyes. His arms are secured under your thighs, an extra precaution to hold you in place. 
That’s when an untimely knock comes.
“Boss? Is everything alright?” 
“We heard a loud crash!”
Damn it. Luke and Kieran have impeccable timing. And the way the corners of Sylus’ lips tug into a smirk instills panic in you.
“Answer them. Make it convincing,” Sylus whispers. You watch as he dips down until his white hair is all you can see. His lips latch onto your lower ones and you’re choked up, trying not to moan too loudly as he tastes you. 
“We’re… We’re fine!” you exclaim, though your breathy tone is far from convincing. Sylus grunts in disapproval at your poor performance, and the vibrations are a suitable punishment. “Sylus and I have are having a disagree—ah!—ment.” 
Fuck, why does he have to lick your clit right at that moment?!
“Oh no, you two are fighting?” Kieran asks, his voice cracking slightly from his concern.
“Give up, [Y/N]! Our boss is relentless!” Luke adds with a faint snicker. Tell me about it.
Sylus continues to give you kitten licks before licking a long stripe across your labia folds. You’re bucking your hips because you want more, but you’re also trying to close your thighs to escape the pleasure. It’s no use when you’re restrained and have no choice but to let him eat you out to his heart’s content. It’s when he inserts a finger to join in his salacious tongue that your eyes are rolling to the back of your head.
“Fuck, fuck, fuck,” you breathe. “Sylus, if you keep going… they’ll hear me.”
“Then I suggest you stay quiet. What would your colleagues say if they knew the best hunter in Linkon is lusting over the leader of Onychinus?”
“I’m-I’m not!”
“Keep telling yourself that, sweetie,” He gives you a short break to clean your juices off his fingers, sucking them like they were a popsicle. “And oh how sweet you are, indeed.”
“Don’t kill each other!” the twins chorus. Sylus chuckles and shakes his head, pinching the bridge of his nose with his forefinger and thumb.
“Leave us,” he demands. “We have ways of… negotiating. Even if it takes all night…”
There’s some shuffling before you hear their footsteps recede down the hallway until silence remains. 
“That was mean,” you whine. He tilts his head, swiping his upper lip with his tongue ever so slowly.
“You think that was mean? Oh… you underestimate me.”
He rises from your thighs and kneels on the bed, but his large frame still towers over you. “Wait, I—”
A snap of his fingers seals your mouth shut. You see the crimson specks floating around your mouth and protest, but they’re reduced to muffled squeals. 
“Like I said before… you have quite the mouth on you today.”
Your eyes enlarge when you see a black-red tentacle rise from between your thighs. It sparks at the tip, which transforms into a cock-head to simulate a human penis. It’s not too thick, but it still makes your heart beat erratically. 
Sylus takes both your hands and squeezes the right one first. “If you want me to keep going, squeeze your right hand,” He squeezes the left one next. “If it’s too much and you want me to stop, squeeze your left.”
His thoughtfulness brings those butterflies back. You squeeze your right hand and he nods, commanding the tentacle to run its tip up and down your folds. It brushes your clit every so often, which makes you sigh in pleasure. Then it enters you slowly, your arousal making things run smoothly. 
It penetrates you about six inches deep before pulling out halfway, only to slam back into you with greater force. Your cries are muffled, but Sylus can tell you’re enjoying yourself by how your eyes roll back. The appendage thrusts into you at a maddening pace, your body rocking back and forth from the notion, and Sylus enjoys seeing the erotic sight of your tits bouncing. The tendrils around your breasts constrict while smaller ones branch off, wrapping around your nipples and teasing them too. 
The make-shift gag around your mouth converts into another cock-head tentacle, forcing its way in so you’re sucking it off. Sylus groans at the beautiful sight of you submitting to it so willingly. 
“You’re so pretty when you submit… I can’t imagine how sexy you’ll look when I take you,” he praises. 
So many parts of you are being stimulated and you’re sure you’ll come again soon with how each thrust, both in your pussy and mouth, speeds up. It’s almost like they were losing control, taking you with them. It’s not until you feel a small spark from below that you yelp. 
The sensation was like static electricity that you get if you rub your feet on a carpet. Not life-threatening, but a nuisance that stings for a brief second. 
“My Evol is energy manipulation… that energy is hard to control sometimes…” Sylus says in a low voice. “It might even shock you.”
You can’t hear much over the squelching noises from your pussy and mouth as the tentacles work into you, hungrily, greedily, until the build-up from below is enough to cause your whole body to shake involuntarily. Your orgasm approaches and then is heightened when a small jolt of electricity shocks your clit. 
The tentacle in your mouth removes itself, so you can scream until your voice gives out. The other one leaves your pussy once you stop shaking, and you are still on the bed, catching your breath. However, you feel something warm and wet on your stomach, so you lift your head enough to see spurts of cum leaking from Sylus’ cock.
His hands are still holding your own. Did he come from simply watching you?
“I’m not going to apologize,” he says without a hint of remorse. “You excite me.”
You’re flattered, truly. Especially when his cock is still erect, almost angry with need by how much it throbs. You wonder if it’s painful.
The mist around your wrists vanishes, but your body is dragged off the bed to the opposite side of the room, where Sylus’ grand wall mirror reaches the ceiling. You’re suspended in front of it and he wraps his arm around your waist from behind, twirling your hair with his other hand. 
“Do you know how irresistible you are? Such temptation… that’s why I’m taking my time,” He takes his finger, swipes across your stomach, and gathers enough cum to coat his digit before lifting it to your mouth. “Open.”
You obey and he lets you taste himself, the action so wicked. So dominating. So sexy. His cum is salty and slightly bitter, but addictive. 
“Good girl. Are you ready for what’s next?”
“Yes.”
His Evol controls your limbs and suddenly, you’re flipped upside-down with Sylus’ cock in front of your lips while your pussy is facing his. Your legs are wrapped around his neck and you’re taken aback at the extreme position. 
“I’ve always thought Standing 69’s would be… enthralling. Always wanted to try it.”
The blood rushing to your head blurs your focus and your adrenaline spikes at the thought of possibly falling. But Sylus’ powers are strong and you’ve yet to see them falter. As if he can read your thoughts, he says, “Don’t worry, kitten. Rest assured I won’t drop you on your pretty little head.”
“It’s still scary…”
“I know. But isn’t that what makes it thrilling?” He pulls you closer by placing his hands on your ass, placing a chaste kiss on your cunt. “The sooner you finish, the sooner I’ll have you right-side up.”
Another challenge you can’t back down from. You take Sylus’ cock in your mouth and it reaches the back of your throat quickly from its impressive length. It’s also thicker in girth than the tentacle you sucked off earlier, which makes you gag. 
Sylus throws his head back, panting from how soft and warm your mouth feels. He snaps his fingers to release your wrists, allowing your hands to find purchase on the back of his thighs.
“If it becomes too much, squeeze twice.”
You respond by bobbing your head up and down, which earns a sharp inhale from him. He isn’t one to fall behind, so he indulges in your sopping cunt like a glutton, moaning and grunting into it like an animal. Meanwhile, you relax your jaw so it becomes easier to adjust to his size, swirling your tongue as you maneuver up and down.
Your eyes shift to the mirror, seeing your compromised position and lewd actions. You barely recognize yourself or Sylus for that matter. He’s so engrossed in eating you out that his eyes are closed like he’s enjoying heaven on Earth. It pushes you to work harder, keeping up with his pace.
Right before Sylus is about to reach his peak, you hear another snap. He stops eating you out and you feel something bumpy rub itself against your pussy. Then Sylus’ fingers spread your ass cheeks and you feel it probing around your other hole.
Your mouth stills and your eyes widen at the sight of a black-red tendril that’s now ribbed at the tip. It slowly enters, stretching you to take each ribbed section, simulating the action of being fucked repeatedly. Sylus is back at work, inserting his tongue into your vagina in hopes it’ll distract you from the burn, but it only makes you clench harder.
“Relax…” he reminds you before diving back in again. He’s bucking his hips to remind you to continue, and you do your best as saliva pools so much that it drips down near your eyes. Everything feels too much, too tight, especially when the tentacle starts fucking your asshole. The ribbed texture only adds to the intensity and hits spots that border pain and pleasure. 
Sylus’ hips begin to stutter and you’re seconds away from passing out from the light-headedness. Fortunately, he finishes in your mouth, the thick viscosity of his cum coating your throat while you orgasm for the third time tonight. 
The noises he lets out are feral and if you had the chance, you’d record them so you could get off to them another night. You feel the pressure in your ass disappear and as promised, you’re right-side up again, but your limbs feel like jelly. Sylus wraps his arm around your waist, his hold secure as he flashes you a satisfied grin.
“Open.” You’re still in a daze, but the command gets through to you and you show him your mouth. When he sees you have swallowed, he hums in approval. “You really do hold up your end of the bargain. I suppose I’ll finally give you what you want.”
He grabs your hand and places it on his dick, which is slippery from your saliva. He’s still semi-erect but a few strokes is all it takes to get him up and running again. The man’s a beast and refuses to be in a cage.
Guiding you to the bed, he lays down first on the mattress, his hands clasped behind his head as he rests on a pillow. In the blink of an eye, you’re suspended over him, the black-red mist parting your thighs and slowly lowering you until your pussy barely grazes his tip. Your wrists are bound behind your back now and you’re like a puppet, bent to his will. 
“What do you desire, Kitten?”
“You,” you beg. “Please.”
“You wish for me to take you raw?”
You’re nodding like your life depended on it. “Yes.”
“You wish for me to use you?”
“To your heart’s content.”
He says nothing else and sinks you onto his fat cock, and despite the many sessions he’s used to prep you, there’s still a slight burn from how much he stretches you. It feels incredible as he bottoms out, knocking the breath out of both of you. 
“Oh god…” you say, trembling from how full you feel. “You’re so big…”
“And you’re so tight. It’s like your pussy doesn’t want to let go of me. So greedy.”
The mist controls your pliant body, helping you bounce up and down without pausing for a break. Sylus does a jazz hands motion with the widest grin on his face. 
“Look, kitten. No hands.”
You almost growl at his cheap jokes, but his throbbing cock deters you from your thoughts, almost impaling you from its brute force. Sylus reaches out and pulls you so your chest meets his, his arm hooked around your back to hold you in place, giving you a short moment of reprieve. 
“Raise your head,” he commands. You feel so drained, but you force yourself to do it and he gives you a quick smooch. “I need you to relax.”
The ribbed tentacle is back and you feel it gliding in between your ass cheeks, prodding your rim every so often like it’s mischievous. 
“S-Sylus, it’ll be too much,” you say. 
“You can handle it. But let me know now if you want to stop.”
You bite your lower lip, considering his words. “No. Don’t stop.”
“That’s my girl…” The tendril pushes into your asshole, taking its time as each ribbed section feels like a repeated attack, pushing the limits of your body. You’re utterly stuffed once it’s in as far as Sylus allows and you feel his cock throb in your sore pussy. 
Sylus jerks his hips first and then the tentacle joins as they pump in and out of you, alternating and becoming more violent. You’re biting down in the juncture between his neck and shoulder to steady yourself, and he lets out a strained fuck, yes, thrusting up into you so hard that you sob, tears pricking your eye. 
Just when you think there aren’t any surprises left, a second tentacle sneaks around to your lips, seizing its opportunity to enter when you gasp. It gags you and now all three of your holes are being used and abused, bringing you closer and closer to the edge. The stimulation is overwhelming, the pressure bottling, your pussy squeezing Sylus’ like a vice—you’re both not going to last much longer.
“That’s it, that’s it—fuck, I adore you,” he pants, closing his eyes and focusing his energy to give you his all. The tendril occupying your mouth releases you, allowing the mantra of Sylus’ name to fall from your lips as euphoria greets you. 
You’ve come many times tonight, but this one saturates you in overwhelming pain and pleasure. Everything is sore and you can’t stop seeing four of everything until Sylus lifts you by the hips, coming on his stomach and not inside you. You collapse onto his chest when the mist dissipates, the two of you catching your breath. 
There isn’t enough money in the world to convince you to move, not after what you’ve experienced. Yet something lifts you off Sylus and you’re about to cry again.
“No, no more…”
“Hush now,” The mist positions you in Sylus’ arms bridal-styled as he gets off the bed, his strong arms securing you. “We’re going to the bathroom to clean ourselves up. You’re staying with me for the night.”
You nuzzle into his embrace like a kitten, and a fond smile rests on his face. 
“Okay.”
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A/N: You made it to the end! Yipee! Thank you for giving my writing a chance. PLEASE let me know if you enjoyed. 🌹
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barleyo · 4 months
Text
Rural Bliss.
Real Dad! Leon X F! Reader (smut)
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A/N: You, as a reader, are responsible for your own media consumption. It is up to you to read the tags that I have provided and determine whether or not this is a piece of writing that you would like to partake in. If not, scroll on by, if you do, please enjoy! Remember, I am not responsible for any discomfort you feel if you choose to read this.
Tags: incest (daddy-daughter), dub-con, oral (f receiving), LARGE AGE GAP (18 and 40+), pwp (light plot), mentions of predatory behavior, mutual creepiness, dark and disturbing content, choppy ass writing
Wordcount: 1.8k
!!! DEAD DOVE: DO NOT EAT/DARK CONTENT !!!
Your mom had finally done it. She found a halfway decent guy and let him wife her up faster than you could say 'I do.' You weren't exactly mad about it. He was a decent enough guy, and he made your mom happy, so whatever. The only part that you were against was the fact that you would be staying with your estranged father for the rest of your summer until your mom and her boy-toy got back from their extensive honeymoon.
Your dad fucked off pretty quickly after you were born. Moved himself far away into the middle of nowhere, not once reaching out or keeping in touch. A small part of you wanted to know him, but a larger part of you was pissed that you would have to now temporarily live with a man who you could just barely remember the name of. 
What was it again? Leonard? Lucas? No, no, that's not right. Leon? Yeah, something like that. Leon. 
Leon, the man who left you and your mom. The man who, instead of raising you, decided to lick his wounds in the deep country, likely making a meager living off of growing potatoes and carrots. The man who was a stranger, connected to you only by blood. 
The man whose front porch you were currently standing on, banging on his door without a care in the world. You looked around while you knocked. It was a large bit of land. A few neighbors nearby, but not within spitting distance. At the very least, this town had a few stores with maybe a few people your age lingering around them. 
"I'm coming, damn it!" His steps were loud, you could hear them from all the way outside. The heaviness of his work boots must've weighed him down quite a bit. The screen door flew open and his face softened. "Oh, hey kid. Didn't know you'd be here so early. Come in." 
You followed him inside, letting your eyes trail his face and frame. You'd only seen a picture or two of him before. He wasn't quite what you were expecting. He looked a lot older now than he did in the photos. More tired, less lively. His crow's feet and smile lines stuck out, but if the lonely, uncomfortable vibe of his house was any clue, you assumed he hadn't been smiling much in his life. 
He wasn't bad looking, though. Time hasn't weathered him, and you could tell he took care of himself. His arms and chest looked strong, clearly he had found some way to stay fit out in his desolate chunk of farmer-country. You could see why your mom picked him. He looked like a good one, despite his fleeting nature. 
"You're gonna be stayin' for a few months, yeah?" Leon didn't seem uncomfortable with your presence, so you felt a bit more calm.
"Yeah, I guess so. Mom didn't really give me all the details, just kinda sprung it on me."
"Believe me, I know," he said under his breath. "Well, this place isn't much, 'm sure it's not what you're used to." He locked the door behind you and flashed an apologetic look. 
"It's fine. I'll make it work." You looked around. It looked lived in, strangely worn despite nobody else ever living there.
He led you down a dimly lit hallway, the floorboards groaning beneath their weight, until they reached a single room. It was a small bedroom, adorned with faded wallpaper and completely wooden furniture. The single window offered a glimpse of the bare, green landscape outside. 
"This'll be your room. You can unpack your things."
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Hardly a week passed by and you were already sick to death of living with your dad. His jokes were bad. His cooking was shit. His attempts at bonding with you were creepy at best and damn near-assault at worst. He let his hands drift all over you when he pulled you in for hugs and tried pecking a kiss on your mouth before you went off to bed each night, and damn it, you let him.
Again and again, every night, letting that old man press his chapped lips against yours, holding back your urge to force your tongue into his mouth.
He bought you gifts that no other fathers would think about getting their daughters. Skimpy little clothes that left nothing to the imagination, while he wrote it off by claiming ignorance.
"That's what girls your age wear, right? I can't keep up with what you kids are into," Leon would say, covering his ass with feigned dopiness. 
His only redeeming quality was that he was hot and mostly oblivious. It was fucked up to think about it that way, but without having much other male contact during your stay, Leon was starting to becoming quite the piece of eye candy. The best part is that he thought nothing of it, acting like his teenaged daughter spending hours staring at his half-naked, sweaty body while he worked in the hot sun was normal. Just another day. Nothing special. 
He didn't make you work on the farm with him, so you got to do all the watching. You got to see those strong arms lift hay bales for the horses and chop trees for firewood. Most of your days were spent watching him from the front porch, mentally cursing yourself out when you felt your thighs clench together instinctually at his sexy movements. 
What was wrong with you? 
Were years of fatherlessness finally catching up to you? Couldn't muster any real love for the old man, so sexual yearning was the next best thing? Eye-fucking your dad and sharing touches that lasted too long were the cost of him skipping out on you.
You rationalized it the best you could. Maybe you didn't actually want him, maybe the solitude of the countryside was getting to you. Maybe there was something in the air, some kind of sex-pollen floating in the breeze that made you wanna get bent over by a man twice your age that just so happened to be related to you. Closely related.
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Leon didn't really know how to treat a woman well, but he tried his best with you. It was his first time really being a dad, but honestly, he hated it. Being a 'dad' sucked, especially when he'd rather have his daughter as his girlfriend. 
You made him so frustrated, so unsure of himself. Leon's only experience with girl's your age was in getting them liquor they couldn't legally buy themselves, fucking them like plastic sex dolls, and leaving them for someone else to woo and screw. 
He couldn't quite do that to you, though. He couldn't get you drunk and take advantage of you, pumping and dumping in you without a care about your pleasure. He had to take care of you, your health and comfort. All he really wanted was to take care of your body.
You were his little girl. He'd fuck you like he actually gave a damn about you if he ever got the chance, and he most definitely wouldn't be leaving you for anyone else.
That type of thinking brought him here. 
"Daddy, please..."
The walls in his house were too damn thin. He could practically hear each thrust of your fingers into your cunt from his bedroom. Your bed screeched agonizingly against the floors, punctuating your moans and hisses of pleasure. 
He saw his opportunity and took it. He had waited long enough, and this was the least he could do, right? You needed him, right? Right.
He pushed your door open, not having the decency nor the self-restraint to knock. You felt your body go still, but kept your hands between your legs. 
"If you needed me, coulda told me. Don't like t'hear you in here whining." Leon sat on the edge of your bed, crawling his way between your legs. "Fuck, that's pretty." 
He took in the sight of your fingers stuffed into your pudgy cunt, slick dripping between each digit. 
"No, you're—! this isn't what it—" you tried prying your fingers out, but a strong hand wrapped around your wrist to keep you in place.
"Isn't what it looks like? How about what it sounds like, huh? Sounds like you want your daddy to dull that ache in you." 
He was so far gone. He normally never did this. Leon was a man who took. He took younger girls virginity, mouth, pussy, or other. He was the one that got sucked off and got his perv dick wet. But for his baby? You, the little nymph who fell gracefully into his grasp? He was foaming at the mouth for a chance to slurp your pussy.
"Open up, come on. Got nothin' to be shy about," he urged, forcing your legs open, pulling your fingers out, and shimmying closer to you. "Nothin' I haven't seen before."
That was somewhat of a lie. Sure, he saw pussies all the time when he bullied his cock into them, but he was normally never nose to clit, ready to lick.
He stuck his needy tongue out, lapping up the juices that you worked up when you rubbed yourself raw. He swirled around you clit as a test, trying to see what felt good for you. He soon settled on puckering his lips around your bud and sucking, swapping his spit in and out of his mouth to keep you lubed up. 
Your voice broke with hushed whines and chants. Yes's and oh's rang out, filling Leon's ears and his ego. 
He pulled his head back and lob a wad of spit onto your clit, chuckling when you shivered. 
"Feel good?" His thumb traced your clit in little figure eights. 
"Mm, s'good." Your hands trailed through his thick, soft hair. You gripped it tightly, pulling his head back to your cunt. "No, don't stop, jus' need your mouth again."
His sharp, strong nose bumped against the top of your pussy while he munched down on you greedily. His tongue traveled around you in an indecisive manner. One moment, he was using flat strokes to lick on your swollen nub, then pointing his tongue while he fucked it in and out of you. 
Despite the sporadic nature of it, the warmth and wetness of the contact of his mouth on you felt like heaven. It didn't matter what he was doing, as long as he was looking up at you with his piercing eyes and swallowing down your slick, you were satisfied.
"Dad, oh my God, yes!" It felt like venom coming off of your tongue when you moaned it, but tasted like honey at the same time. Something about it was so wrong, but felt so natural.
As your legs tightened around Leon's head and trapped him between your thighs, you knew it was meant to be. You were meant to be your daddy's princess. You were meant to feel like mouth on you, to be spoiled by his tongue, words, money, and his cock. You had been missing out on it for so long. 
You spent the rest of your summer making up for lost time, discovering just what having a daddy was meant to feel like.
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