#who needs blocks when you have GUN
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erachiiii · 17 days ago
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Don't bring parkour to a gunfight
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noisilyscreechingsong · 9 days ago
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Disney princess Danny
It’s known that animals can sense death. Instances where pets gravitate to someone on their death bed and dogs barking at ghosts. Danny already knew this from before he half died, so he was expecting animals to rat him out with their sixth sense or become aggressive or cower from him. Instead, they all behaved the complete opposite than he anticipated.
Stray cats come running to rub against his legs, dogs nearly pull arms out of their owners sockets to get close to him, birds bring him trinkets, raccoons lead him to trash cans full of food, and even squirrels and rats get close to just sit on his shoulders. It’s… weird, but not unwelcome. He always loved animals.
Danny had come to semi-trust the animals that come to him. They know where the good food is and drinking water, they know when to steer away from a certain area right before something happens, and they always know when a person is bad or okay. So when an animal leads him somewhere, he follows. Sometimes they need help and he’s the one they go to. He’s helped plenty of raccoons out of garbage bins and cats out of gutters to have a good relationship with the animals of the streets.
What he isn’t expecting is to be led to Robin again and again.
The first time it was a cat. A mangy old Tom cat that rubbed against his torn up jeans and looked back with - Danny swears- a raised eyebrow. Danny follows and soon enough he finds himself standing a few paces away from Robin who is kneeling down to give clean water to the momma cat and her three kittens.
Robin freezes and so does Danny. They stare at each other.
“Um, hi?”
Robin straightens immediately, leaving the water on the ground where the cats can drink. Tom cat swaggers over to guard them.
“Civilian. Is there something I can assist you with?”
The dude is probably a year or two younger than Danny himself and he has to suppress a smile at the formal tone.
“Oh, uh, no? The cat just led me here.”
He can see Robin glance at the Tom cat who was now licking himself.
“Is that so?”
“Yea. Sorry to interrupt. Animals just like me for some reason.”
The three kittens one by one all totter over to him on unsteady legs after they had their fill. The orange one starts trying to climb his pant leg with its short and sharp claws digging into the jean material.
“They really like me.”
He carefully sits down crossed legged so the others could also climb all over him. Robin watches for a moment silently and when he sees Danny react well to the little pricks from tiny claws, he seems it safe enough to return to patrol.
The second time it’s a couple of rats that lure him away to find Robin fighting off more thugs than he probably should by himself. So taking the rats’ movements as encouragement, he takes the closest thing, a piece of plywood, and hit the nearest guy over the head with it. The guy crumbles like a wet sock and Danny is moving on to the next thug.
They sweep the floor with these guys with only a few splinters and a twisted ankle.
“It was dangerous to intervene,” Robin tells him. “I had it handled.”
“Yea, I know.”
The vigilante didn’t seem to be expecting that response from his stunned silence. He straightens as much as he can with bruised ribs.
“Well, I’m glad you know your mistake. Don’t let it happen again.”
Danny neither agrees nor disagrees, just shrugs and allow the rats to climb up his leg to his shoulder. Robin looks at them curiously. Danny gives a salute before leaving. Robin gives him a nod.
The third time it happened the roles are reversed.
Some people from the local gang are bullying the lonely, homeless teen to run drugs for them. They don’t seem to understand the word ‘no’. It gets to the point where Danny finds himself with his back against the wall and all his exits blocked with a guy shoving him again and again.
“Stop it!”
“I’ll stop if you agree.”
“I’m not doing it!”
Frank the raccoon and his buddy Bobby launch themselves at the guy’s ankles. The guy shrieks and pulls a gun.
“No!”
Before Danny can dive for it, a projectile comes out of nowhere to knock it out of his hands. He can’t even process what happened before the three are running away, two raccoons chattering at their heels before coming back to crowd him in worry.
Danny looks up to see Robin with a sword out threateningly, staring at where the three fled. He sheaths the sword after a few seconds.
“Are you okay?”
Danny realizes he’s breathing a little heavy and slows down a bit as he leans over to pet the top of the two heads.
“I’m- yea, I’m okay. Thanks for the save. Those guys were jerks.”
“I’m inclined to agree.”
Robin is staring at the raccoons and it takes Danny a long moment to piece things together.
“Did- did they lead you to me?”
Robin doesn’t answer right away.
“You have loyal friends.”
Danny smiles at the weird compliment. Looking down at the two heroes of the evening Danny is also inclined to agree.
The fourth time is funny in a way Danny doesn’t know how to describe.
It was the pigeons. They were at fault of course for how Robin’s secret identity was outed. By pigeons.
The grey birds swarmed Danny and settled in a cloud of feathers. One holding something in its beak before plopping it down in his lap like a golden retriever. It flaps off as Danny picks up the obvious wallet clip holding quite a bit of cash and a student ID. The card says Damian Wayne from Gotham Academy. Just then Robin comes skidding around the corner, clearly out of breath and freezes.
Danny looks down at the clip in his hand and back up at the vigilante. He looks at the crazy amount of birds around him and again at the vigilante.
Said vigilante straightens and approaches like he called Danny there.
“If I could have that so I could return it to its proper owner.”
He holds out a hand with false arrogance, but Danny can see the nervousness in his stance. Danny looks down one last time before putting the clip in the outstretched hand without a word.
Robin nods once, pockets the ID and money, and immediately leaves.
The fifth time just cements what Danny had already figured out.
He was at the park. Not Ivy’s park of course, the one where people actually like to go. He was helping the squirrels find and hide acorns when he’s nearly knocked over by a massive black dog.
“Titus!”
The end of the Great Dane’s leash is a familiar face. Damian Wayne’s eyes widen in recognition as he finally sees who Titus was so excited to get to.
“Uh-“
Danny has to close his mouth quickly or else the massive tongue on his face would have turned into a French kiss.
“Titus! Heel!”
Danny laughs at the embarrassed blush on the other’s face, obviously not used to his companion going off the rails like this.
“It’s alright. We both know how animals like me.”
Damian narrows his eyes to analyze the teen. Danny wasn’t about to pretend and Damian looked like he was debating whether to follow his lead or not. There was literally no one within hearing distance.
“Have you told anyone?”
Danny thought about redirecting, but thought better of it. He actually liked Robin and what he did.
“Nope. I haven’t and I won’t. I swear.”
Damian tilts his head and then looks down at Titus. He seems to come to a decision before looking back at Danny.
“You’re homeless, are you not?”
Didn’t think they were being that direct but sure.
“Yea?”
“I will pay you in food and shelter to take care of my animals.”
Danny blinks. Then actually considers the offer.
“What kind of animals? How many we talking?”
Damian grins.
The family finds out pretty quickly when a teen they’ve never seen before walks into the Batcave with two pails of food for the bats, Titus at his heels and Alfred the cat perched contently on his shoulders.
Duke stares and Bruce short circuits.
“Um, who are you?”
“Hi! I’m Danny. Damian employed me to take care of the animals.”
“O…kay?”
“And where is Damian?” Bruce sounds like it physically hurts to ask and Danny does not envy Damian’s position right now.
“Upstairs. I think he said he was going to his art studio.”
Bruce marches past the boy to the stairs before stopping abruptly and turning to Danny and Duke.
“Don’t touch anything. Watch him.”
Duke and Danny blink at each other for a moment as Bruce disappears up the stairs.
“I’m Duke by the way.”
Danny grins.
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guarshroom · 1 year ago
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Today I Learned
Alright I learned 2 fairly dumb things on stream today. 1)I need to start having a "pre-stream checklist" which includes the obvious stuff of making sure all my stream info is updated and the sound balances work. This ALSO will include things like "Fucking Eat Something", "Fucking Drink some Water and have it on stand by", "make sure the cat is satisfied so he doesn't try to knock over your fucking mic" 2)Engies rely very heavily on the voice lines to know when spies are fucking with their shit, so this leads to some very funny moments when dealing with 3 turtled engies on a CP map last point with just your revolver.
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Nothing You Can Prove
Danny wasn’t having a good time. In fact, he was having a very, very, very, very, bad time.
He was just trying to walk home with his children, his very energetic chaos inclined children, when Ellie declared that she needed to use the bathroom. So, as any responsible parent would, Danny walked with her and Dan to the nearest building that would have an open to the public restroom. And while Ellie was busy using the little girl’s room, Danny focused to ensuring Dan didn’t bite anyone. Again. The last time he drew blood and Danny couldn’t apologise enough to the punk looking guy who seemed completely bewildered by what had happened.
All Danny remembered was apologising repeatedly, turning to scold Dan about biting strangers, and the young man muttering something about some guy named Tom (or was it Tim?) And how he was never going to believe what had happened.
So, safe to say Danny was more focused on watching his child and waiting for the other one than looking at the suspicious group of men that had just walked into the restaurant.
Because of course the first building Danny saw that might have an open bathroom was a fancy upscale restaurant, and not the fast food restraint two blocks down. Ellie had said she couldn’t hold it that long.
But now, Danny had a gun to his face, and his babies hidden behind him as much as he could manage while the two of them subtly tried to shove past him so they could beat the shit out of this butthead for daring to point a weapon at their dad.
Masked thug: Hand over all of valuables! Wallet, phone, everything! Be quick and nobody gets hurt!
Danny calmly reached into his pocket, and hoped that the situation would stay as calm as possible until the city’s local heir or the police could arrive. He didn’t want to have to reveal his or his children’s powers and potentially need to flee yet another city.
Danny: Here, just take it and go.
The thugs had grabbed what they could from as many people as possibly before bolting, leaving many of the patrons upset and shaken from the encounter. Danny quickly turned to his children and vegans looking them over, fussing and making sure they were okay.
Ellie: Dad you never let the guy near us. How could we have possibly gotten hurt?
Danny: With how much trouble you two like to get into, I’m not taking any chances. Now Dan-
Dan was gone. Dan. Was. Gone. Danny felt his chest tighten and his breathing becoming harder to control. Where was his son?!
Just as Danny was about to ask a waitress who had just finished giving her statement to a police officer if she’d seen where his son ran off to, Dan reappeared beside his sister with a sharp toothed grin.
Dan: Don’t worry dad, I got your stuff back. So you don’t have to be upset now!
Danny: …What did you do.
Dan, smirking: Nothing you can prove.
The local vigilante/hero watching this exchange:
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shadow4-1 · 7 months ago
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I'm just imagining having spent the night with a lover who isn't in the 141, only to wake up the next morning and there's in intervention waiting for you in the rec room.
Like, at first you're just confused. But when Price opens his mouth to ask you about how you slept...you have a bit of a meltdown. Why does it matter? Why is everyone staring at you? What's going on?
Soap grabs the collar of your t-shirt and pulls it down so everyone can get a look at the dark hickies dotting your neck. You slap his hand away, tears in your eyes.
"So all of you can do whatever you want? Sneak bitches on base and fuck around at all the bars we pass through! But I'm not allowed to do anything with someone I actually like?!"
It hurts. It feels like you're being stripped bare in front of them.
Price sighs, his gaze softens. It's obvious he doesn't want to have this conversation but something you've done has given him no choice. Soap just stands a few feet away, chest puffed out, eyeing you with a strange annoyance. You know if you try to leave he'll stop you.
"You are...not in the same position as us." Price tries and winces. He's obviously not putting his thoughts into soft enough words, but he continues. "You are...it is our responsibility to keep you safe."
"Safe? You're trying to keep me safe?" Your voice is raised higher than you've ever raised it at Price. "Safe by what? Fighting off all the guys at the bars? Safe by spreading lies about me to all of the PMCs and the other Task Forces?"
Price just closed his eyes and set his jaw. He had to know about the subterfuge you'd been experiencing for well over a couple years now. Everyone in the room was guilty as charged.
"You're and asset. And you're also a liability." Ghost speaks up, eyes narrowed, stance way too relaxed against the metal folding chair he sits in. "Do you remember what happened to the 7th Division?"
Saliva pools in your mouth, a sudden queasiness filling your stomach. Yeah, of course you remembered. Their beloved medic had been kidnapped by a group of angry drug lords using a mercenary group as their muscle. The 7th Division had gone in guns blazing to get their member back and well...they'd been wiped out. And their star medic they'd sacrificed everything for? She'd been brainwashed and inducted into the very agency that stole her away.
KORTAC
"Are you saying what I think you're saying?" You mutter. "Please tell me you're not."
"We can't have you fraternizing with anyone." Price states smoothly. "As our medic, you have a responsibility to us, your team. We can't have you getting caught up in something bigger."
"I understand what you're saying, but can't you see how ridiculous this is?" You try to reason. "I'm human, I have- god this is embarrassing. I h-have wants and...needs, just like you guys."
The silence is loud. You can't meet anyone's gaze. Price steps closer to you, swallowing hard. His next few words are spoken softly, conspiratorially.
"All of your needs will be taken care of. We will never let you suffer by yourself."
Price cocks his head to the men before you both. All of them straighten beneath his gaze. Price places a hand on the small of your back.
"Whatever it takes." He commands them. "I better not hear or see anything. Do I make myself clear?"
A trio of "yessirs" bounce off the white walls. Price just smiles and nods. He pats your back.
"There we go. You'll be fine." He sighs. "Now, if you'll excuse me, I need to talk to your guest."
Your eyes widen, your throat drops into your stomach.
"Wait!"
"We've got ye, Bonnie. You n' all yer needs."
Six hands are on you from several different angles. Their massive frames block out the fluorescent lights.
"Ah, where are you goin'?" Gaz chuckles, his arm wraps around your belly.
You try to run after Price but the rec room door is slammed shut and locked. You try to push the closest man away, but he just grins down at you.
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would love your opinion of the newest episode of DW, if you get the chance.
HAHAHAHA YES I HAVE MANY THOUGHTS
Alright okay so
I only have one complaint, which is that that wasn't a faerie ring. You could still have the shamble, no problem, but it should have been over the top of an actual faerie ring, which should be a mushroom (or, at a push, stone) circle. Not some cotton that would blow clean off the cliff edge in three minutes.
HOWEVER
This is the first time I've seen Doctor Who do a time travel story using, not Doctor Who time travel lore and rules, but Welsh faerie rules. (First time I've seen anything do it, in fact.) In Welsh myth, people who enter faerie rings or get entranced by the music become suspended in time, out of sync with the real world. They think they danced for a night, but when they return it's been 100 years, and they crumble to dust as soon as they eat/drink/step on land/etc.
In this case, this is what I think happened to Ruby. She spent that time in Annwfn, seeing what would happen if the binding on the ring was broken. When she 'dies', she returns to the spot and lasts long enough to give her younger self the warning, then crumbles to dust.
But, a time travelling Ruby is not the woman who follows her throughout the episode. That, in fact, is a gwyll.
The gwyllion were hag faeries, usually of mountain tops (though Pembrokeshire's liminal cliffs are 100% from Welsh mythology - it was said that if you found a faerie ring on one but only put one foot in, you could see the faerie islands in the sea. And that faeries used to visit the human markets in Pembrokeshire and Ceredigion. So while gwyllion are unusual there, it's not an impossible relocation.) They were malicious and sometimes vicious faeries who delighted in making people lose their way, could strike an uncontrollable and ungodly terror into travellers, and who feature in more that one myth as an old woman that someone tried to approach, but they always appeared at the same distance away, impossible to catch up.
CAN YOU SEE THE PARALLELS
And the best part!! Is that this is why she defeats UNIT!!!
Kate tells Ruby that her agents have necklaces of silver and salt to keep out the supernatural, but that's just generic fairytale shit. That doesn't work on gwyllion. Salt drawn in a line would provide a barrier, but the UNIT soldiers aren't trying to trap or block the gwyll; they're trying to capture her. What works, very specifically, is a knife. Iron or steel for preference of course, but it needs to be a knife.
But UNIT has no Welsh employees and the soldiers have guns, not knives. And so they all become entranced.
(This is also what I think the gwyll 'says' to everyone to turn them against Ruby. She doesn't say anything - she sings.)
This is also the first time I've ever encountered any mainstream media doing Welsh faeries and understanding the tone to strike, which is 'unknowable, unstoppable and fucking terrifying'. I think I've only ever read it in Catharine Fisher books, and she's a Welsh author so... yeah, obviously. But I basically vibrated with delight and excitement for the entire episode.
Oh my god, hang on, Roger ap Gwilliam! Okay, I have two theories about him.
My weaker theory and the one I don't like is the kind of boring and obvious one, which is that he is himself not human. A lot of Welsh folklore features the devil, and I get that vibe from his role in the story. But, I'm not keen, because I can't see the link to the gwyll.
But my strongest theory, and the one I have chosen to believe, is that he's a human who made a deal with the Fae for power, and then reneged. There's a Metric Fuckton of stories about humans fucking up Fae gifts in some way, and the punishment is usually something ironic but always results in the loss of the gift. It could be a faerie harp that makes everyone dance, and the Fae tell the giftee not to abuse it, but they cruelly force everyone to dance so long and so hard that the faerie returns, takes back the harp, and then takes the human's ability to ever make music again, so example (by taking fingers or eyes or tongues as well, often.)
So I think Mad Jack strikes a bargain for power - but, then tries to abuse that power (nuclear war). But part of the bargain is that the Fae cannot approach him directly ever again. In the real world, they therefore tempt him into the faerie ring and bind his soul there, problem solved - until the Doctor accidentally lets him out, and gets his own soul stuck. Ruby, therefore, becomes the instrument through which they manage to take that power away once again - and then, her final Fae gift for her service is that they use the temporal anomaly of the faerie ring to send her back, at the end of her life, and give her a second chance. This time, with Mad Jack's soul left bound in Annwfn.
The fun part is, RTD is a writer who understands the power of not explaining everything and leaving some things up to the viewer's imagination, so none of this is ever going to be explained lol. But yeah, that is a gwyll. The moment she appeared, I said out loud "Oh holy fuck, gwyllion." That was a gwyll.
As a final observation, I loved seeing Siân Phillips, and I choose to believe they filmed those scenes in a pub because they could only get Siân if they agreed to just come to her local. The woman is a queen.
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simpforrooster · 11 months ago
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actually, it’s captain.
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Bradley ‘Rooster’ Bradshaw x f!reader
summary: request for @kpopgirlbtssvt. rooster’s girl is hit on by Top Gun students.
t/w: touch her, you d i e trope. cursing. mentions of alcohol.
Rooster leans against the bar, laughing at something Penny tells him. His jeans hang low on his hips, and he’s wearing the Hawaiian shirt you bought him for his birthday.
Rooster’s hand slaps the bar as he continues to howl. Penny and Mav exchange a look. Maverick murmurs something to Penny. Your guess would be “it wasn’t that funny.”
You throw back the rest of your drink. As your glass returns to the table, a group of men circle you, all clad in khaki. Must be new Top Gun recruits.
“What’s a pretty little gal like you sittin’ here alone for?” one of them asks you, his accent very similar to Hangman’s.
“Mind if we join ya?” the second asks. Before you can reply, two of the slide in across from you, while the one who spoke first sits next to you. His burly arm comes up around your shoulder. You stiffen under him, feeling small.
And not in the way you feel with Rooster. He makes you feel small, protected, but also empowered. This guy has a hold on you like he’s claiming you. Telling every other guy in the bar he plans on taking you home.
“This here’s Crane and Sorry,” he points to the two in front of you. “And you can call me Pleasure. As in, it’s a pleasure to meet you. As in, the way all ladies feel after a night with me.” He winks. He actually winks.
Your brain is so shocked, you can’t form words. You should take this guy’s arm and bend it behind your back, the way your dad taught you. You should give him on of your grade-a verbal lashings.
But you don’t. The sheer audacity of this man has you frozen.
You try to make eye contact with Rooster, but Pleasure’s frame blocks your view.
“Get your hands off my girlfriend, asshole.” Rooster’s voice makes a relieved breath come from your mouth. His tone of voice would make anyone run for the hills, but it leaves you full of wanting.
Pleasure chuckles, meeting Rooster’s gaze. “Actually, it’s Lieutenant.”
Crane and Sorry exchange an amused look. Rooster’s face is set in a hard line. He reaches for Pleasure’s bicep, ripping him from the booth.
“I said to get your hands off my girlfriend, asshole.” Rooster is a whole head taller than the aviator that just had himself draped on you.
“Shouldn’t leave your girl all alone, dick.” Pleasure tells him, bowing up. Rooster’s mouth pulls up on the left, giving him one of his infamous cocky smirks. Second only to Hangman’s.
“Actually, it’s Captain. And I hope to God you’re in one of my classes. Lieutenant.”
At this, you see Pleasure audibly gulp, knowing he’s fucked up. Rooster still has a death grip on his arm.
“Come on, man. Make my day,” the words come out laced with venom.
Before things can get out of hand, you hop out of the booth and high tail it to Penny. Quickly giving her a synopsis, she rings the bell, signaling these guys need to be thrown out. Hangman, Omaha, and Coyote each grab one of the guys and drag them to the exit.
Rooster joins you at the bar, taking your face in his hands. Those brown eyes roam over you, searching.
Your hands come up to cradle his face, “Roos, I’m fine.”
“When I saw him draped over you, I saw red. Nobody touches my girl.” He leans down to place a kiss against your temple. Rooster’s words have your toes curling in your shoes. You’ve never seen this side of him.
You lower your hands to his shoulders, threading one of them in his curly hair that’s definitely longer than Military regulation.
“You’re the only one I want touching me,” you murmur in his ear, your face flushing.
“Yeah?” he murmurs back.
Not trusting your voice to not come out completely needy, you nod.
“Come on, guys. Quit being disgusting,” Maverick says to the two of you, feigning gagging.
Penny pops his hand over the bar, eliciting a laugh from him.
Rooster ignores him, placing a deep kiss onto your mouth.
“Take me home, baby,” you say, taking in those brown eyes.
“I don’t know, pretty girl, I don’t think I can get further than the Bronco,” he winks.
masterlist.
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sistertotheknowitall · 5 months ago
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Some Guy Outtake/Prompt
Danny knew walking alone in Crime ally at two am was a bad idea. To be honest walking anywhere in Gotham late at night was a bad idea. That wasn't going to stop him from getting the ice-cream he was craving though. He was ten pages into a twelve page argumentative paper for his ethics class and he needed sugar to finish that last stretch.
Also he was Phantom, even if he was no longer an active vigilante he was still quite powerful. He had defeated Pariah Dark and his evil future self, he was not afraid of muggers.
Explaining that to the bats of the city, however, was not an easy thing. (It didn't help that they didn't know he could take care of himself but he still felt it was unnecessary.)
Danny continued to stare at Red Hood in his path. Hood stared back with his arms crossed, unintimidated by the kid a full head shorter than him.
"Oh common man, I just want ice-cream from the convince store!"
"There is an active gang abducting people and you're risking it for ice-cream?" "... there's a gang abducting people?" "Not for long. Look kid, its a bad night to be out so I'll escort you home."
"No." Danny stepped to the side and continued past the crime lord (anti-hero?) making it three steps before Hood got him by the hood (ha) of his jacket. Danny slipped his arms out and walked on leaving the other to stare in disbelief for a few seconds.
After two blocks Danny stopped, threw his head back and groans, "if you insist on following me can I have my jacket back?" It was thrown at his head and Red Hood shadowed him all the way to the store.
Danny ignored his unspoken "I told you so" when said store was held at gun point just as Danny got to the counter.
(But he still got his ice-cream so who was the real winner?)
Masterpost
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dclovesdanny · 6 months ago
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DcxDp prompt
4/4
Danny is an inventor for hire for supervillains.
Let’s back up.
Danny needed a job that allowed anonymity (you decide if bad reveal or GIW being little shits). He had just moved out from Mom, and was doing his best to avoid asking his parents for help.
Then he remembered that his parents had talked about how back in college, they had their inventions whenever they were in tight spots financially. So he gets to work.
Tucker help him with the online aspect of cloaking actually, and after a while, he has a steady business building more and more devices. He doesn’t know who his customers are, but he doesn’t really care at the minute. He’s having fun inventing! Not really paying attention to things like eating, or sleeping, or who’s getting him the money.
Batman has been trying to figure out why almost all leaks super villains have been much more destructive weapons the only one who isn’t getting any new weapons is the Joker, who is getting increasingly upset.(When Tucker created the program, he made sure that the Joker would be blocked.)
He asked Jason to try and find out how everyone’s getting more powerful weapons.
Jason finally managed to track the inventor down, and is surprised to find a malnourished, more feral version of Tim slumped over workbench, working on a new version of Mr. Freeze’s gun.
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ros3ybabes · 6 months ago
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🎀 Workout Youtubers
I currently do exclusively pilates and yoga workouts from youtube. However, I've done other body weight workouts with various youtube videos and seen results in the past. Here is my list of workout youtubers that you could check out! I will put a * next to my personal favorites! I will include a short list of my current at home workout equipment at the end as well as some items I plan on buying soon!
With any workout program or routine, always be safe, check with your doctor if necessary, and if something doesn't feel good or right, don't do it! No matter what your goals are, it's always important to be safe and stay healthy. Please always take care of yourselves and know how beautiful, worthy and valuable you are no matter what! I love you all <333
🩷 Pilates
Move with Nicole * (also posts occasionally barre and yoga videos as well! I love her videos so so much)
Madeleine Abeid
IsaWelly
Pilatesbodyraven
Lidia Mera
Lottie Murphy
Amanda Blauer
Margaret Elizabeth
Jessica Valant Pilates
Bailey Brown
Dansique Fitness
Flow with Mira
Sivi (she's began posting some pilates inspired workouts and to my knowledge is currently getting certified as an instructor)
🩷 Yoga
Yoga with Adriene *
Yoga with Bird
Boho Beuatiful Yoga
🩷 Bodyweight Fitness/Strength/HIIT
Chloe Ting * (I don't like the click bait, but I like the workouts)
Blogilates
Pamela Reif *
Madfit *
Lilly Sabri * (Some of her videos are titled with pilates, but the older ones I used to do were not pilates, so I categorized her here)
Emi Wong
Shirlyn Kim
Vivian Yuan
April Han
growingannanas
growwithjo * (I love her walking workouts)
Hinafit
Mish Choi
Sami Clarke
Elenifit
Coach Kel (she posts what looks like more barre, ballet, pilates inspored/fusion workouts it seems)
Caroline Girvan
TRAIN WITH GAINSBYBRAINS
Daisy Keech
🎀 Current At Home Workout Equipment I Own
Thick Yoga Mat - since I do mainly yoga and pilates my thick yoga may (amazon brand) has served me well. Even tho I am a heavier woman at the moment, I've never had pain or any issues with this mat, and it came with a carry strap which I love! A good, thick workout mat is definitely necessary for working out at home for comfort, safety, etc. Make sure to disinfect it on occasion, especially if you sweat on it a lot!
Resistance Bands - I have about 3 or 4 at different resistance strengths, and they're incredibly useful for a variety of movements, especially lower body ones. They add some extra resistance and make the workouts a bit more challenging when you need something more advanced. I also got mine from Amazon/Walmart a while back. I prefer fabric over rubber because I like to wear workout shorts instead of workout leggings.
Pilates Ball - not a necessity, but useful with some pilates workouts and movements. I have seen sole videos using this, but am not advanced enough to try it on my own yet. Will use for sure once I'm more advanced.
3lb dumbbells - I thought these would be useful for the pilates workouts that had some upper body focus, and as someone who wants to develop a lean and toned upper body, they are perfect for low weight high rep, controlled movements. Again, not advanced enough to use as I want to master my form, but they're gonna come in handy for sure!
Foam Roller - so so good for stretching and muscle recovery on rest days. I love mine but want one that has the bump things on it to help my muscles more. I can imagine how good it'll feel on my legs during a recovery day when I begin wieght lifting again.
Massage Gun - my holy grail for the days I am sore and needing some recovery. my body feels like jelly after using this, and it's just so nice for the days my muscles feel extra tight and super sore.
🎀 Equipment I Want To Buy
Yoga Blocks - these will help me get deeper into the yoga poses once I get more advanced in my practice
Pilates Ring - this honestly looks so fun and challenging to use, I'd love to add it to my collection of useful workout equipment!
Jump Rope - I used to love this as a form of cardio and as long as I don't move into an upstairs apartment, I'm definitely buying one
Pilates Bar - still iffy on this one, it's supposed to mimic a reformer but I want to get better at mat pilates and see if I even end up ever needing or seriously wanting to buy it, its on my list tho
Ankle/Wrist weights - these are gonna be so useful for workouts where hand held dumbbells aren't useful. Want to buy some low weight ones just to help with resistance and extra strength during pilates workouts
Kettlebell weight - I think this would be useful for a workout at home type situation if and when I switch to not doing just pilates and yoga. I know these are useful in their own right, but not needed in my current fitness stage of life.
Core Sliders - these look fun and interesting. They're on my lost for sure, but not sure about the practicality of their use in my life just yet.
That's all that's currently on my at home workout equipment list! As someone who primarily works out at home, the things I currently own are most useful and most of what's on this list is for fun or extra challenge. Just not necessary yet.
hope you enjoyed this list! if you have any questions about my favorite youtuber workout instructors or favorite videos, please feel free to ask, I've tried so many and can give some guidance from my own experience and research.
til next time lovelies 🩷
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aperrywilliams · 6 months ago
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Has a Nice Ring to It (Spencer Reid x Fem!BAU!Reader)
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Author Masterlist
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Pairing: Spencer Reid x Wife!BAU!Reader.
Request: Hi, I would like to request one where the reader and Spencer adopt a 4-year-old boy that they rescued in a case.
Summary:  It's pretty much the same as the request says, but focused on how they met with the boy and took the decision to adopt him.
Word Count: 3.9k
Warnings: Hurt/comfort and angst with a happy ending. CM typical stuff, murder, unsubs, death of relatives, orphancy. Pregnancy and adoption are discussed. I don't know how the adoption system works in the US, so bear with me.
A/N: I loved the request. Dad!Spencer lives rent-free in my mind. Tell me your thoughts.
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‘(Y/N)? What's your location and status? I repeat, what's your location and status?'
Hotch's voice echoes through your earpiece, but you are not able to speak. Not when the scenario in front of you is so overwhelming.
Although in your eight years working at the BAU, you have seen the most horrendous things one human being can do to another, from time to time, some cases can still paralyze you.
Like now.
As you look around, you can only think of the terrible minutes those who lived in this home must have gone through when the unsub forced its way in.
But something snaps you out of your stupor, and it's not Hotch's voice shouting in your ear; it's the sound of sobs.
The sobs of a child.
You take off your earpiece to get a better notion of where the sound is coming from, and you notice that at the back of the room, there is a closet with its door closed.
You quickly run over there and open the door, only to find a little boy sitting on the floor, hugging his knees and with teary eyes. When he looks at you, you can see the shock and fear in his eyes. The little one must be four years old at most. It breaks your heart to see him like this, but it immediately makes you go into alert mode again. You holster your gun first so as not to scare the kid.
"Hey, sweetheart. It's okay. My name is (Y/N), and I'm a cop. Everything is okay. You're safe," you tell him with a reassuring voice and kind eyes while you crouch to get to his level.
His hazel orbs are glued to your form as he blinks a few times.
Before you can talk again, he launches to wrap his little arms around one of your legs. With an arm, you hug him back as you block his view of the room with your body. He doesn't need to see the same you did as you got there.
"I've got you, sweetheart. You're okay," you repeat him as you put on your earpiece again. "I'm in the master bedroom. No unsub, but I found the kid," you murmured into the com.
Yet crouched, you lean back to look at the boy. "I'm gonna get you out of here now, okay? But I need you to keep your eyes on me until we get outside. Can you do that for me?"
The kid nods timidly. Removing your FBI jacket, you take him in your arms, covering you both with it as you make your way out. A bunch of agents enter the room at the time, but you keep your eyes on the boy, using your peripheral vision to keep walking and not fall.
Spencer is waiting for you at the base of the stairs. Concern is visible on his face when he sees you coming down with a child. When you reach the first floor, you withdraw the jacket that covers both of you.
"Good job, honey," you say to the boy with a smile. And then you briefly exchange a knowing look with Spencer. He nods, and you continue your way out of the house with the kid in your arms.
---------------
It turns out the child, named Elliot, is the son of the unsub's two recent victims. Unsub that you have been chasing all over DC for three days now.
You get confirmation of this information from Garcia by phone as the EMTs are checking Elliot in an ambulance parked outside the house where you found him.
It's still unclear what really happened inside. Still, it's likely Elliot's mom hid him in the closet before the unsub got upstairs. You don't know for sure because the little boy hasn't said a word to anyone yet.
And although it's heartbreaking, you know you have to make him talk about what he saw and heard.
Hotch, a few meters apart, beckons you to approach. 
"I'll be right back, okay?" You say to Elliot. But as you're about to step away from him, he starts crying and grabs your sleeve so you don't go. You look at your boss, confused as to what to do, and Hotch nods, showing you his cell phone, a sign that he'll text or call you so you don't have to leave Elliot's side.
A ping of your phone signals a text from Hotch.
'We need to know what he knows. You'll ride with him to the quarters. Spencer is going to drive you.'
You think it's reasonable due to the rapport it seems you already have with the boy.
"It's okay, Elliot. I'm not leaving you. But we need to go to another place now, okay? So we can be more comfortable. It's getting cold here," you point it out as the reason why you need to leave and not because he needs to be questioned. 
A faint 'okay' escape from the boy's lips, and it's the first word you hear him say. And a lump forms in your throat, acknowledging the vulnerability of that little human being.
From the corner of your eye, you see Spencer getting closer, presumably having talked to Hotch.
"Elliot, this is Spencer. He will drive us to a comfy place. He is a good friend and will take care of us," you announce.
"Hi, Elliot," Spencer says as he waves.
"Hi," the child murmurs as he waves back.
The ride to the station starts mostly quiet. You are in the back seat with little Elliot as Spencer drives. From time to time, he looks at you both from the rearview.
Spencer knows you are trying to come up with a strategy to talk to the child, so he takes the lead in doing the small talk to give you some insights.
"So, Elliot. Can I ask you a question?" Spencer starts, and the kid perks his head up and nods, with a 'yes' slipping from his lips.
"What is your favorite food?"
The boy pouts a bit while contemplating his response. "Pizza," he decides. "I like pizza."
"Pizza is cool," Spencer agrees. "Would you like some now? I can stop by and get one," Spencer offers.
"With ham?" Elliot quirks an eyebrow questioningly.
"If you like ham, then ham it is."
"I like ham and tomatoes," he adds. Spencer smiles.
"Did you know pizza with ham and tomatoes is (Y/N) 's favorite?" Elliot's gaze turns to you, asking for confirmation. You nod, backing Spencer's statement. A timid smile crosses Elliot's face, and you could have melted right then and there.
Spencer continues asking the boy little questions; that's how you know he likes airplanes, his favorite color is green, and he prefers Hulk over Ironman.
At the BAU, you head with Elliot to one of the meeting rooms—the most little and cozy so that the boy could settle in a less intimidating environment. Spencer follows you back, stopping by to grab from Garcia the pizza box and drinks he asked her for earlier.
"Here it is. Pizza with ham and tomatoes. I got some drinks, too," Spencer announces, placing everything on the table. He knows you have to talk to Elliot about what happened in the house, so he suspects you need privacy with the kid. He stops at the door and looks at you. You stand to approach him while Elliot is occupied with a slice of pizza.
He grabs your hand and, after kissing it lovingly, gives it a reassuring squeeze.
"You're doing good. It's for the better. He trusts you. We need to catch the guy."
It's just what you need to hear. You're still unsure about the whole situation, and Spencer, as always, can see it. Your husband of two years can read you like a book, and it's not because of his profile skills. You both have been through a lot together in the years of working together, being friends at first and then as a couple.
You nod, and Spencer kisses you on the cheek before letting you alone with Elliot.
---------------
It's shocking the wretched details that a 4-year-old's mind can retain and still see the world innocently. In some way, you're grateful Elliot can't understand everything that's happening around him.
You pass the information he gives you on to the team to improve the profile and get better clues about how to catch the guy. Spencer was right; Elliot trusts you, and that's why you feel responsible for his well-being. After tiring hours, he falls asleep on the couch, where you tuck him in and watch him sleep.
Spencer peaks into the room. He wants to talk with you.
You leave the little one sleeping while you go out and leave the door half open.
"You need a break. You hadn't eaten or slept in hours."
"I'm okay," you say flatly. Spencer raises an eyebrow. "I can't leave him, Spence. You know that."
"Baby, I know you're worried for him, but you need to take care of yourself too. I can stay with him for a couple of hours."
You know Spencer is right, but you don't want to admit it. Instead, you try to change the subject.
"Did Garcia locate any relatives?"
Spencer sighs. He knows the answer to your question, and it's not a good one.
"There is literally no one in his family except those who were in the house: his parents and an aunt. There is a distant cousin, but she lives in Sweden, and she doesn't even know his existence. And even if she wanted, she could not do the adoption procedures because she lost her American nationality."
That means Elliot will fall into the system, waiting for someone to adopt him. You don't even know how to respond to the news. They are devastating and break your heart.
Spencer looks at you with concern.
"Are you okay?" your husband cautiously asks, although he knows the answer from the look you return to him. It's a look that says, 'I'm not okay, and there is nothing I or you can do about it right now.'
In silence, he envelops you in a tight embrace that you reciprocate, hiding your face in his chest.
"I'm sorry," you mumble after some minutes. Spencer leans back to look at you.
"Why are you saying sorry?"
"Because I should be working my ass right now to catch the son of the bitch who did that to his parents," you pause to control the anger that starts bubbling inside of you. "Instead of being a mess and useless here."
Spencer cups your cheeks so you can look at him.
"Hey, don't say that. You are doing even more than it is expected from our job here. You are the only one Elliot has talked to about what happened, and it has given us solid leads. Beyond that, you are helping him, caring about him, and being by his side in this horrible time."
"It's so unfair, Spencer."
He knows what you are talking about and nods in agreement. You continue talking.
"And I know there are so many other children that have to go through something as horrible as this, and they, too, have no one to take care of them. But with Elliot, I - God, I don't know why it feels different with him. The mere idea of him in the system makes me sick."
Spencer feels his chest tight, but he doesn't want to be vulnerable when you're the one who needs to be comforted. He pulls your body towards him again, holding you tight.
---------------
A whole two days have passed, and after much insistence and even convincing Elliot to tell you not to feel bad about leaving him for a few hours, Spencer gets you to take a break. So you can take a shower, eat and sleep.
The rest of the team works full-time and around the clock to catch the unsub. With the new clues you had him identify, it was only a matter of hours before they could finally get him.
Spencer is with Elliot while he colors with crayons. On the sheet, he is painting the sky blue.
"Do you know why the sky is blue?" Elliot asks Spencer, whose lips quirked up in a smile.
"Well. It's because of something called the scattering of sunlight by the atmosphere." Elliot's eyes widen in confusion.
"Scattering of sunlight? What's that?"
"It's like when you bounce a ball off a wall, but with sunlight and tiny air particles."
Elliot giggles, picturing what Spencer just said.
"So the sun is playing ball with the sky?"
Spencer laughs, amused by the kid's imagination.
"Haha. Well, sort of. You could say that."
An excited Elliot decides what he wants to do next.
"I wanna play ball with the sun too! Can we?" 
Spencer raises an eyebrow, contemplating his response.
"Maybe not with the sun directly, but we can definitely play ball later. How about that?"
"Yes! Can I get my red ball? It's my favorite!" Elliot chirps and Spencer's heart swells.
"Sounds like a plan, buddy."
Spencer's answer seems to satisfy Elliot, who continues coloring.
He doesn't have the heart to tell the kid that maybe he will have to leave soon once a child service professional gets assigned to his case.
After a while, Elliot finishes his drawing and passes it to Spencer, who examines it curiously.
In it, there is something that resembles a woman holding hands with a child. Next to it is a sketch of what appears to be a tall man, and in the blue sky, two winged figures.
Spencer asks him who they are, pointing to the drawing.
"She's (Y/N)," Elliot points to the woman holding hands with the child.
"That's me after she found me," he explains, putting his finger over the drawn kid. "That's you," he continues, indicating to the tall man.
"I look really good here," Spencer jokes. "And these? Spencer now points to the figures in the sky."
"Mom and Dad," Elliot says, and Spencer's breath hitches in his throat. "They are in heaven now and look after me. They sent (Y/N). Mom told me."
Spencer doesn't know how to respond to that, although he's curious about the last thing he said.
"What did your mom tell you?"
"When she left me in the closet. She told me I was going to be fine. That good people would find me and take care of me. And (Y/N) found me. She's good people."
Spencer's heart protrudes with pride and love as he sees how the boy recognizes you as a good person and seems to appreciate you much more than he thought.
"She is," Spencer concedes, with a little tremble in his voice.
"You like her?"
Spencer's cheeks blush. Even a 4-year-old can catch how hooked he is for you.
"What makes you think so?"
"You look at her like dad looks to mom. And my mom told me when people look like that is because they like each other."
"You're a very clever boy, Elliot. And you're right. I like her. We are married, actually. Do you know what is that?"
The kid nods, pointing to the gold band adorning Spencer's ring finger.
"Exactly."
---------------
After a few hours, you return to the BAU and find Elliot asleep in Spencer's arms, who is lying on the office couch.
A sad smile crosses your face. On the one hand, the image triggers so much sweetness, seeing your husband, the love of your life, taking care of a little one who needs so much love and care. But on the other hand, the certainty that there is nothing you can do to change the destiny of that little boy who, at such a young age, has already experienced such terrible things.
You are so absorbed in the image that you don't hear Garcia until she is next to you.
"This pair hasn't wasted any time. Elliot colored for a long time while he asked Spencer everything he could think of. Of course, Boy Wonder was fascinated to answer all his questions. Afterward, they gave a tour of the floor; they even ran through the hallways. They even went to play football in the parking lot. That's why they are both exhausted."
"My husband running through the hallways and playing football? Who would have thought," You joke. Garcia nods, smiling and placing a hand on your shoulder.
"How do you feel?" She also realizes how difficult this case has been for you.
"More rested, although until this is over, I don't know how I'll really deal with this."
You wouldn't have to wait long to get to that point. Just as the social worker comes to check Elliot's case and, inevitably, takes him away, Garcia gets a call from Hotch saying they have the unsub in custody.
Everything happens too fast to process, and the only thing you manage to do is sit next to Elliot while Spencer talks to Nancy, the social worker, and tells her the details of the case. The kid is awake now and telling you everything about his afternoon with Spencer.
When Nancy and Spencer peek in the door, you know what it's about. Turning to Elliot, you talk to him softly.
"Sweetheart, this is Nancy. She wants to ask you some questions. Is that okay with you?" you probe. The kid lifts his gaze to the woman at the door and frowns.
"About mommy and daddy?"
He's too smart and perceptive for his own good, you tell yourself.
"A few, yes. But you can say only what you are comfortable with, okay?"
Elliot does not look very convinced.
"Can you stay?"
Your eyes soften as you exchange a knowing look with Spencer.
"I'm sorry, dear, but I can't."
"And Spencer can stay?"
"I can't either. I'm sorry, buddy. But we promise we are going to be right outside," Spencer affirms.
Elliot reluctantly agrees, and you leave him with Nancy. Once you're out of their sight, you feel tears begin to roll down your cheeks. You turn to look at Spencer, and you see his glassy eyes, too.
He takes your hand. "Let's talk in a more private place," he tells you, entering another of the offices nearby.
Closing the door, you give free rein to your emotions and begin to sob. Spencer hugs you tight, and he cries with you. You two know you need to hold each other up right now.
When you feel you have released some of the tension, you both separate from your embrace and sit in chairs adjacent to each other. Spencer holds your hand.
You still can't believe the little boy is going to get into the system. You bite your lip in pure frustration.
"I know," Spencer says. "I don't like the idea either, but someone has to take care of him. More so now that the case is closed."
"Does the bastard even understand the damage he has caused?"
It is a rhetorical question because even if the answer were positive, it does not change the fate of little Elliot in any way.
Spencer is affected, too. During the time they spent together, he became fond of Elliot and stole his heart in the same way he did with you.
To be honest, in the last few hours, Spencer has been mulling over an idea, but he needs to talk to you first. Although he already guesses what your position could be in the matter.
"Maybe we can do something," Spencer muses, and you look at him baffled.
"We do?" you question. Spencer nods, smiling at you.
You are trying to read your husband, but his warm smile and understanding eyes won't let you anticipate what he will say to you.
With a hand stroking your cheek, he spoke next.
"Well, if you ask me, Elliot Reid has a nice ring to it."
Your eyes widen at his words.
"What? Are you saying that we- Spencer, you are suggesting that we -"
It's not that it hasn't crossed your mind. But you didn't think it was something Spencer might have considered. Although thinking about it and knowing your husband, his heart and kindness have no limits.
"We can do it. I mean, it's not going to be easy, but we could try. I think Elliot is worth it the effort."
For a moment, you're at a loss for words. Shaking your head, you are debating the idea.
"Spencer, if you only are thinking of doing this for me, it's not fair."
This time, he shakes his head before cupping your cheeks with both hands.
"Hey. If I'm suggesting the idea, it is for all of us. Elliot needs who can take care of him. And we talked about having kids a while ago, remember?"
It's true. Before getting married, you talked about it and agreed it was something you both wanted, but not yet. After two years of marriage, you had not discussed the topic again because it was tacit that you both wanted it eventually.
"Yeah, but what we talked about was me getting pregnant. This is different."
Spencer chuckles. You're right about that. But for him, it doesn't change his mind about it.
"The method? Yes. But the outcome is the same. A family. Our family."
"Are you serious about this?" You ask him, locking eyes with him as you hold his hands, pulling them out of your face.
"Absolutely," Spencer replies right away. "Is this something you want too? It won't be easy, though. There will be a lot of paperwork and interviews, and we'll have to make adjustments to our routines. And if everything goes well, we could move to a bigger house, in a neighborhood with good schools. I could lower my workload here and start teaching," he rambles, and you start giggling out of nervousness and excitement.
"I want to try this. And there is no other person more perfect than you, with whom I want to try it. I love you, Spencer Reid."
"And I love you, (Y/N) Reid."
A tender kiss seals the moment, and you're sure you've never felt so confident about doing something like this. Or at least try.
---------------
Spencer was right. 
It took time and work. 
Months passed before you got the news that you could actually adopt Elliot.
However, while the process was happening, you became Elliot's temporary home.
If Hotch did something to make that happen, nobody mentioned it.
With periodic visits from the social worker, you showed how well cared for he was and how good he adapted to your family.
You stopped working at the BAU and started teaching. Something Spencer had suggested for him, but you decided to give it a try first.
And you never have regretted your decision.
Elliot is now part of your family. The boy you found scared inside a closet can now smile again and feel safe with you and Spencer next to him.
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Spencer Reid's Taglist: @dreatine @nomajdetective @jayyeahthatsme @rosalinasam2 @averyhotchner @lovelyxtom @princessmiaelicia @pastelbabygirl19 @reidsbookclub @alexxavicry @gspenc @spencerreidisbae123 @calmspencer @pauline5525mgg @anamiad00msday @milivanili99 @laylasbunbunny @leahblackk @miaxx03 @missabsey @taintedstranger @khxna @hiireadstuff @pleasantwitchgarden @dysphoricsanity @levi-of-starz @themoonchildwhofell @silver138 @lovelybaka @shinytinywhispers 
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envy-of-the-apple · 6 months ago
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Ruptured Amethyst; Splintered Tanzanite
Dark!Satosugu x reader - Yakuza Au
Synopsis: In hopes of paying off your debt, you start working for two dangerous men. Soon, you realize they want more than money.
Word count: 9.2k
(Warnings: dark content, sexual coercion, dubcon, noncon, oral sex, piv sex, threesomes, gun, blood, violence) Ageless blogs will be blocked. Minors DNI
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In this job, you quickly learned that it's better to just keep your head down. 
Do what you were called for and leave. Do nothing but sit on your computer and look at numbers. Stepping out of your makeshift boundaries led to nothing but trouble.
It worked perfectly like that for the first few weeks you were brought here. The other workers never bothered you, and it took you a moment to realize they were in the same boat as you were: owing a debt. You wouldn’t quite say things were peaceful; every so often, one of Geto’s men would hurl someone through a table, but things were manageable.
And then Gojo came back.
You hadn’t met Gojo, yet. He was overseas on a business trip when Geto brought you in. You hadn’t met him, but you’d heard enough to make you want to stay away from him. Ijichi had told you enough stories to make you want to sink into the floor altogether. You just had until the end of the year until your debt was paid. It was the beginning of September, right now. Surely, you could avoid him until then, right?
“Ah, you’re the one Suguru was talking about.”
It was your fault. It was entirely your fault. Ijichi had begged you to stay after work for a bit longer and desperate to pay the debt off, you had agreed. No one else was supposed to be in the office besides you and him.
But Gojo didn’t follow other people’s rules. It'd take you a while before you fully understand that.
You could do nothing but stand there, wobbling in your heels as Gojo loomed over you. His sunglasses were tilted, cresting over his nose as he scrutinized you. You clutched the laptop closer to your chest, as though it’d save you somehow.
Gojo didn’t look dangerous. If you had seen him on the street, you would have assumed he was a model. Tall, long hands, pretty features. Gojo doesn’t look dangerous. Gojo is dangerous. He doesn’t need the gun (casually on his side, right in your line of sight) to prove it.
You say nothing. You don’t know what to say. So far, you’ve only dealt with Geto. Geto with his fake smiles and soft words of thinly veiled threats. As intimidating as Geto was, you felt safe enough with him to answer his questions. Speak when spoken to.
Gojo was uncharted territory. Should you speak? Should you greet him? Should you get on your hands and knees? Gojo was new. You had to deal with something new, alone.
You opt to stay silent, hoping that’s the best move. It’s not. Above you, Gojo’s clicking his tongue. He leans down, stooping his head low to get a better view of your face. You stare at him until it gets too much and you’re turning away. He likes that even less, grabbing you by the chin so you’re facing him again.
“You mute or somethin’?” He asks, tilting your head like he’s assessing you.
“No,” you finally murmur. It was a question, correct? He won’t get mad if you answer his questions.
He doesn’t seem mad. But he doesn’t seem happy, either. If anything, he looks a little disappointed.
“I really don’t get it,” he’s talking, but it’s more like he’s saying his thoughts out loud, “Suguru would not shut up about you. Thought I was gonna see something more exciting. You’re so...”
He trails off as though even describing you would be a waste. The thought that Geto speaks about you to his partners scares you, but you’re wise enough not to pry. Instead, you wait. Waiting often works. You’ve been cornered by Geto’s men (before they knew he was the one who brought you), most just want to intimidate you, they get a kick out of fear. When you give them what they want, they usually leave you alone.
Gojo doesn’t leave, even when you’re sure your horror is printed on your face. Obvious to even the blind. Instead, he leans back, eyes trailing down your outfit. Despite how most of the stuff done here was off the record, Geto still prioritized a professional workplace. You were expected to put on a clean blouse and skirt every day.
You yelp when Gojo tugs on the fabric of your skirt, bunching the material on your thighs. Forgetting where you are, who you’re with, you grab his wrist.
“Don’t be like that,” Gojo chides as though you were being the unreasonable one, “I just wanna look. Seriously, what was that guy going on and on about—”
“Satoru.”
Geto’s voice stops the both of you. He’s leaning against the wall, watching the two of you with a less than impressed look. You’re relieved when he’s more focused on Gojo than you.
“Sugu!” Gojo cheers, a complete 180 from his past demeanor. He lets you go and you sink against the wall in relief. “I’m home!”
“I can see that,” Geto retorts, but there’s an odd fondness laced in his tone that you’d never heard before.
The kiss they shared was violent. Tongue and teeth and messy. Gojo reached up, scrunching Geto’s hair, dragging him closer. Respectfully, you glanced away. You don’t yet leave. You know better than that, especially now that Geto is here.
“How many times have I told you to stop harassing our employees?” Geto sighs, once he’s pulled away. His tone is filled with exasperation, as though he were talking to a child.
“I didn’t do anythin’,” Gojo responds. When you finally turn back, Geto is shaking his head.
He smiles at you.
“Apologies, my dear,” he states, “you can leave. Remember to tell Ijichi you’re going.”
You eagerly nod before scurrying away. You can hear Gojo scoff, another murmur from Geto. You couldn’t care less what they’re saying, more than happy to grab your things, bid Ijichi goodbye, and leave.
Keep your head down, and don’t ever bother with what they are doing.
Technically, you weren’t in debt, your father was.
He had close ties to the underground. You weren’t sure of the details, you were so young when your mother left with you in tow. She was always stingy with the details, but she never failed to remind you that your father was a stupid man who worked with dangerous ones. She passed away right after you graduated from college. You’d mourned her.
Now, a part of you felt grateful she passed just before she saw your life fall apart.
They came in the middle of April. You remember that day purely because of the flower blossoms littering the sidewalk, the first sign of blooming spring.
There were three other men besides Geto that day, and you hadn’t known his name back then—just the man with long, pretty hair. They were all waiting for you, loitering right beside your home. When you hesitated, slowed to a stop, the man with long hair smiled at you. Geto calls your name. When you don’t respond, his smile widened.
“That is who you are, isn’t it?”
“Yes,” you nervously said, “sorry, but—but who are you all?”
He introduces himself. The other three don’t bother. You don’t yet realize that they’re only henchmen, mere puppets for Geto.
“Apologies, but this is a rather sensitive subject. Can we talk someplace private?”
You don’t want to let these men into your home, but his soft words and intimidating company coax you into agreeing. You lead them up the steps, praying to God that you were wrong about this—whoever they were. When you unlock the door, only Geto follows you. The rest wait outside. You don’t know if that’s better or worse.
He seats himself right on the sofa. It’s your apartment, and yet his mere presence makes you feel like he’s the owner. You loiter next to the door, twiddling your thumbs.
“Would you like tea?”
He tilts his head. “Aren’t you a polite one?”
It was more for you than for him—scurrying to the kitchen, away from his searing purple eyes. It’s a reprieve to start the burner, pour water into the pot. You take as much time as you can, but eventually, you have to come out.
Geto says nothing when you place the cups down. He takes it, humming at the taste. You don’t touch your cup.
His tone is soft. His words aren’t.
Your father did far worse than work with dangerous men. He’d stolen from them. He was already dealt with, his punishment had sent him careening off the Earth far sooner than your mother. Still, the topic of the missing money was still there.
Something that had fallen onto you, his next of kin.
You were already crying once Geto finished. Your body is wracked with sobs. You can barely suck in a breath.
“Please—please,” you’re already saying, “he—we—I swear we never received any sort of money from him.”
He takes your hand within his own, curling his fingers around them. Coming from anyone else, it would have been a nice gesture.
“I’m aware,” Geto comforts, “we know you haven’t been in contact with your father for more than a decade.”
His fingers are warm. They trace your cheek as he gently wipes away your tears.
“But in this line of business, family matters, no matter how estranged, my Dear.”
You look at him through your tears. He’s beautiful. Long black hair. If you touched it, you bet it would feel like silk within your fingers.
It’s his eyes that truly suck you in. Purple. It’s a rare eye color, you’ve never seen someone with purple eyes until now. They resemble amethyst, unpolished, but still just as beautiful.
“My partner would have much less...humane ways of dealing with this situation,” Geto continues, “but I think you could be far more useful warm rather than cold, do you agree?” You shrivel in your spot, already having an inkling to what he’s saying. It’s not like you haven’t already figured out where this was going. You’ve heard the stories of what dangerous men do to those who’ve wronged them—to the vulnerable girls who accidentally trip and fall into their trap, forced to work in brothels and debase themselves all for the sake of keeping them rich.
He laughs right then. It’s rich, deep, startling you out of your misery.
"Come now, it's the 21st century."
Geto smiles. Fake. Unsafe. 
"Women are worth far more than just their bodies." 
It turns out that even the Yakuza had paperwork.
It was a menial deskjob, on the surface, at least. If you don’t think too hard about who you’re working for, it could be a regular office. It’s not like any of the work you are provided with is illegal, but you doubt you’d put it down on your resume.
Your education had saved you. Ironic that it was your father who instilled your desire to learn.
If you don’t think too hard about it, your new ‘job’ wasn’t horrible. As notorious as they were, your new employers weren’t downright cruel. You still got paid. You had a contract. Things could honestly be a whole lot worse.
It was still very hard to get used to, especially in the beginning.
Something you learned very quickly was that the men around here did not like it when women had an attitude. You were far too meek to have one, but the other few women who worked with you became your teachers, showing you exactly what the men would do if you didn’t stay in line. You were more than happy to listen, and even then, your eagerness to learn didn’t help. In order for the lesson to truly sink in, you needed trial and error. 
You stepped out of line exactly once. And then you never did it again.
It had been an accident. You’d forgotten that Geto had an important meeting that day. You knocked on his door, shuffling some documents in your hand. It was muscle memory to just go in because he’s never said anything but come in before.
They’d all stared at you, eyes lingering up and down your body. One of them grins. Immediately, you look at Geto. Horrified. Ready to grovel at his feet if need be.
His eyes flashed dangerously. Purple turned into sharp magenta knives. Geto tilted his head.
“Come here, dear.”
You take one step. Another. Then another. The way they look at you makes your stomach twist and sink but Geto only looks at you expectantly. When you linger at his side, his lips quirk.
His grip on your waist is gentle as he guides you into his lap. Your cheeks burn, but you don’t dare move, not even when the men start laughing at the free show. Geto only curls a hand on your waist, keeping you in place as he leans back again.
“Continue, gentlemen.”
The rest of the meeting continues with you on Geto’s lap. You don’t look at any of them, hands balled into fists at your sides. You feel naked. The air within the room is stifling. You refuse to look anywhere else but the floor.
The conversation goes back to business. Despite the compromising situation, he put you in, Geto’s hands don’t wander. He's content to keep his fingers on your waist until the room filters out and everyone leaves.
“I’m sorry, Mr. Geto.” You murmur, your voice barely louder than a whisper.
He doesn’t answer, at least not to that. He just sighs, sinking into his seat. Still, Geto doesn’t let you get up. Not yet. He waits until you’re looking at him, still smiling that fake smile.
This had been a punishment. The next time you made a mistake, you doubt you’d be let off so easily.
“Learn quickly, my dear.”
You nod. You apologize again. When Geto finally lets you go, you are quick to stumble away, pushing your way out the door. Purple eyes follow you out. You don’t think they stop looking until you’re out of the room, curled into your desk, steadying your heartbeat.
You stepped out of line exactly once. You never did it again.
Despite being under Geto, technically, Ijichi is your direct superior. You thanked the Gods for it. Ijichi was the only person here you were certain didn’t have blood on his hands. He was in a similar situation as you were; stuck working off a debt that he didn’t owe. You two bonded on your shared misery. He was the one reprieve you had in your new life.
Unfortunately, now that Gojo was back, Ijichi was far busier. It gave you little time with him. You suppose you were always welcome to join them, but considering your first encounter with Gojo, you’d much rather not.
It’s not like you hadn’t had similar encounters before Gojo's arrival. In the very beginning, one of Geto’s men tried something remarkably similar. You can still remember his hand on your hip, his other hand slowly unbuttoning your shirt while other men stood to the side laughing.
It hadn’t lasted long.
You didn’t realize he was shot until he was already on the ground, twitching in pure agony. He screamed and cried louder than you had. Blood was already dripping to the floor.
Geto had already tucked away the gun, striding away as though nothing happened. He didn’t say anything, the incident was never mentioned. Even to you, his statement rang loud and clear.
You were off-limits.
Clearly, Gojo didn’t care about the unspoken rule.
So far, Ijichi hasn’t acknowledged him. If anything, your superior is hunched behind his computer, typing away, rarely taking his eyes off-screen. You admired his concentration, but it was hard for you to follow suit, considering that Gojo had taken a seat right next to you.
His stare is impossible to ignore. You can feel it even as you desperately try to focus on the screen in front of you. As if he can tell you’re intimidated by his mere presence, he leans over, shoulder pressing against your own. You could practically hear the grin in his voice.
“Watcha’ workin’ on?” He asks as though he can’t already see.
Still, you falter. “Um—”
“Um’” he repeats, “that’s all you’ve been sayin’. Hey, Ijichi—” The man in question jolts up, eyes already panicked.
“Your assistant always this jumpy, or is your personality just that infectious?”
“Sir, uh—” Ijichi starts before getting cut off by a tsk.
“See? Again,” Gojo sighs, “I see why you two get along so well.”
You and Ijichi exchange glances, unsure what to do. When Gojo says nothing more, you decide it’s okay to resume work again, typing away.
Childhood friends, Ijichi told you back when you were still morbidly curious. Gojo had come from a lineage of powerful businessmen. Geto had more or less worked his way up. They became partners somewhere along that time.
It’s hard to imagine them as friends or as anything more. They’re so different. Geto is so controlled, measured with every response he takes. Gojo is more like dynamite, ready to go off at any moment.
You suppose the only similarity is how unreadable they are. To this day, you can’t tell whether Gojo dislikes you or not. Every action you take seems only to disappoint him, yet he constantly hovers around you.
It takes another minute for you to be on the keyboard before Gojo decides he doesn’t like you working peacefully. The chair creaks under his weight as he shifts closer. His head rests against your shoulder. With his new position, you can feel his breath on your collarbone as an arm casually wraps around your shoulders. You don’t dare react, but you send Ijichi a panicked look. He looks sympathetic, but he doesn’t move to help you. You can’t find it in yourself to fault him for his inactions.
“You never answered me, by the way.” He murmurs, quiet enough that only you can hear.
You respond as diligently as you can, making sure you use as few word fillers as possible. It’s clear Gojo doesn’t like that. Or rather, he doesn’t like the nervousness your voice exudes but you doubt you could fix it, especially with his presence around.
“Sounds boring.” Gojo interrupts your rambles. “You don’t do anything else more entertaining?”
“No, sir,” you reply, “I’m only in charge of paperwork.”
Despite the other co-workers you have, you are still an anomaly. Everyone here has had an experience holding a gun—even Ijichi. It’s clear Geto ‘hiring’ you was a change in pattern, something you would always be grateful for. If he hadn't, you wouldn’t want to know what was in store for you.
That’s probably why Gojo was so curious about you. However, considering how close they were, you were now wondering why Geto hadn’t explained it.
“How long have you been working here—hey,look at me when you’re talking.”
You turn, and for the first time, you willingly face Gojo Satoru. His sunglasses are tilted down, and you can see his eyes now. They are blue, so painfully blue, like an ocean, curled up tightly within his eyes. Glittering tanzanite stares back at you—beautiful gemstones that glisten beneath the fluorescent light.
Gojo tilts his head, and you remember that he asked you a question.
“Three weeks, Sir.”
He doesn’t seem all that pleased with your answer. You wonder if you should have lied instead. He’s embarrassingly close, and the position he’s forced you into doesn’t help.
“That quick, huh?” Gojo murmurs, and he sounds a little impressed, “how many times have you and Suguru fucked?”
You gape at him, horrified at even the insinuation. It takes a while for you to even find your voice. 
“I—we’ve never. Never.”
Gojo narrows his eyes. “You don’t have to lie to me. C’mon, I'm just curious.”
It feels even worse that Gojo's question isn't even unreasonable. Geto has always treated you differently. Softer. Kinder, if you wanted to be charitable. It isn't a stretch to assume you've been doing favors for the man, in this line of work, it must be a normal occurrence. Yet, you haven't. Apart from that one blunder weeks ago, Geto has never touched you inappropriately. 
Still, you shake your head rapidly, feeling heat flush in your cheeks. Being cornered and interrogated like this is humiliating, especially in front of everyone. Ijichi is nice enough to look away while you’re being humiliated, but you know he’s listening. You know everyone’s listening.
Thankfully, Geto intervenes.
“You.” A sigh of exasperation. “Get off.”
Gojo rolls his eyes, but you almost cry in relief when he pushes away and stands up.
“We were bonding,” Gojo argues, though, like everything he says, it sounds like a tease.
Geto’s murmuring something else, and it’s clear that this interaction between them is normal. It's almost a repetition of what happened last time. Both times, you’d been the commonality.
Gojo leaves eventually, shooed away by his partner. The office finally grows quiet when the white-haired man disappears to God knows where. You feel like you can breathe again, but Geto still has not left.
When you look, he’s pinching the bridge of his nose, and you’re strangely reminded of a stressed mother. Finally, he lets out a breath, opening his eyes and staring down at you.
“I apologize for his behavior, my dear,” he says. There’s a hand on your shoulder, mirroring the touch Gojo gave you.
“He’s excitable, like a dog.” You don’t think that part was for you, though you don’t think you could ever even fathom comparing the terrifying anomaly that is Gojo to a mutt. You don’t respond. Geto squeezes your shoulder.
“Come to me if Satoru goes too far. I always take care of my people, don't I?”
He doesn’t leave until you give a nod. His hand finally retracts, allowing you to sink into your seat. You watch him until his figure disappears from view.
“I’m taking a break,” you say, not even a minute later.
Ijichi gives a nod as you push yourself up away from the computer. You spend your break the way you usually do: tucked inside the bathroom, trying to wonder how your life turned out this way.
Sometimes, you accompany Geto on his trips.
You don’t want to, but it’s not like you can reject his ‘requests.’ It’s part of the job, whether or not you can refuse is up to Geto’s whims.
The trips aren’t too bad. Most of the time, it’s a meeting with other dangerous men. You mainly just sit in a corner, peering down at the ground, trying your best not to be noticed. It works, most of the time. The few perks of this new life is how seldom the people of the underground want to associate with you, especially when you're with Geto. His presence is everywhere, a blanket of protection bestowed only to you. These days, you feel safe even when walking home alone at night.  
The trips aren't too bad, but Gojo's insistence on tagging along changed even that. 
You should be sitting up front. There's a perfectly vacate passenger seat, right beside Ijichi, the least dangerous man in the vehicle. Gojo had practically dragged you into the car with him, holding you hostage. Geto slid into the seat beside you, effectively trapping you between the two men. 
Despite your attempts to keep your body to yourself, every other minute, your thighs brush against theirs. It's a miserable affair, but neither comment on your breach of personal space. They're both too invested in their own little worlds. Geto peers peacefully out the window, enjoying the city life pass by. Gojo is glued to his phone, tapping away every so often. 
It's tempting to sneak a peek at them in their natural states, relaxed, unbothered. You don't stare for too long. 
Every so often, their worlds will collide. Geto will point out a cat. Gojo would reach over you, showing Geto something funny on his phone. Unfortunately, Gojo catches your lingering eyes.
"Wanna see?" He doesn't bother to hear your response, shoving his phone in your face. 
It's a cat video, of all things. You almost wanted to laugh at how normal it is, but you're too intimidated to do anything but give a strained smile, more designed to please. You expected something darker. More blood. More screams. On the screen, the orange kitten lightly bats at a ball of yarn.
"Got a cat?" Gojo asks, tucking away his phone. 
"No, Mr. Gojo." 
He tsks, but before your blood can freeze, he says, "I told you: It's Satoru." 
He's been insistent about it these past few days: Satoru. Satoru. Call me Satoru, as though you'd even dare. Beside you, Geto rumbles out his disapproval. 
"Don't be childish, Satoru." He chides.
The car rolls to a stop eventually. The relief in your lungs expands. Ijichi gets out first, followed by Geto. Before you can move, a hand grabs you by the chin, halting your movements. 
"You're not leaving this car until you say it, pretty thing," Gojo tells you. "C'mon. Sa-to-ru." 
Behind you, Geto sighs, but he doesn't move to stop him. Right, Geto promised he'd step in only when Gojo goes too far. Clearly, this is within his bounds. 
You wilt under the hardened tanzanite. 
"Satoru." You mutter. 
Satisfied, Gojo releases his hold on you, hopping out the car, humming a happy tune. 
Geto holds his hand out to you. You'd be an idiot not to take it.
"Bear with him today, dear," he tells you when you step out in the pavement, "he's in a mood." 
Amythyst sears into you. You can only nod. 
Even then, Geto doesn't release you. He gently maneuvers your arm until your elbow is interlocked with his. He takes his time, walking into the building, mindful of your heels. Ijichi and Gojo are already ahead. Gojo takes a look behind him, spots the two of you, scoffs, but doesn't do much more. 
It's another thing you don't know how to feel about. The two have always instigated less than friendly gestures toward you. Yet, neither of the two have expressed any kind of jealousy. You know they are clearly lovers, yet the way they allow their significant other to behave with you makes you feel a bit nauseous. 
 Most likely, they see you as a pet. Not even a threat to their relationship. It makes sense. In their eyes, you're probably a scared gazelle in the middle of a lion's den. Cute. Something to play with. 
There's another theory in your head that you're pushing away.
You follow the same procedure you've always followed. You stay still and silent, like a doll, right beside Geto. Strange men come up to him, greeting him with smug smiles. They barely give you a glance. That's good. It means they know you're one of Geto's. 
Gojo being there changes the dynamic. He's more serious, in this setting. You sit right next to Geto's side, listening as Gojo talks. They both do that a lot. Talking. Negotiating. Scheming. You're a bit disappointed in yourself at how easy it is to let the words swirl around until there's nothing left to understand. It's easy to ignore them now. The horrors they partake in. The horrors you are indirectly part of. 
Are you allowed to be innocent now that you work under these people? You've never pulled the trigger yourself, but is that an excuse? Morally speaking, you're the same as the men you are terrified of. 
How laughable. You came to that conclusion right when they were discussing the price of narcotics. 
Sometime later, you find yourself alone, roaming down an unfamiliar hall. It's foolish to be out without Geto or Gojo or even Ijichi, but Geto had an errand he wanted you to run. Now that it was complete, you needed to return back to him. 
Except, you had no clue where he was. 
You were lost. You should have known this would happen. Why didn't you pay more attention to where you were going? This wasn't any old building. Dangerous men lurked around, even the weaker ones carried guns and weapons. 
It was only a matter of time before one of them caught you. 
"Hey. You." 
You were considered one of Geto's, but without him in sight, you were nothing. You knew that. It's why you cower immediately. 
"I'm busy," you speak quickly, "My boss, Mr. Geto, he's—" 
His hand is rough and scared and filthy on your skin. You are basically thrown against the wall, cornered against this stranger. He smiles. His teeth are yellowed and filled with tarter and plaque. 
"C'mon, there's no need to rush. 'Just wanna have some fun. How much?" Disgust rolls off your tongue, but you don't have the courage to reveal it. 
"I'm not like that," you mutter, "I'm not for sale." 
But, aren't you? You've sold yourself to Geto, haven't you? Underneath his thumb, his whims. What makes you so much different from a hooker?
"Sure." And then there's a shift in his eyes. His face scrunches up, like he's just tasted something sour. 
"Hold on...you're—you're that bastard's kid, aren't you?" 
He says your last name, the name your father gave you with so much spite that you nearly flinch. In that moment, you realized that your father had messed with a lot more people than just Geto. 
"Yeah yeah, you're a spitting fucking image!" He gripes you harsher. "Your daddy fucked me over while you're sitting over here nice and pretty? What the fuck?" 
He's dead. He's dead and you hadn't spoken to him in over a decade, but his ghost still wants to punish you for being his kin. And this man is his executioner. 
You're expecting something violent. Something that hurt more than his hand's squeezing your bicep. Perhaps he was, perhaps he would. Unfortunately, for him, Gojo interupted his plans. 
You didn't even know that it was him, at first, on the floor, on top of the man. Gojo, despite his hungry smile, eager eyes, was always so angelic. He isn't supposed to be using his hands. He isn't supposed to inflict violence, not by himself. 
He's punching him. The man isn't a man anymore, reduced to a mere punching back. Gojo doesn't stop until he breaks skin. He doesn't stop until you can hear a distinct crack. 
Satoru doesn't stop until Suguru tells him to. 
"Don't kill him." Geto warns. "It'd breach the agreement." 
You can feel his presence, always silent, never revealing himself until he wants to be known. So unlike Gojo, who is hungry for even a second of attention. More than happy to spill blood over it.
Gojo grits his teeth, as though he's debating to even listen. He stands up eventually, chest heaving. His knuckles are caked in blood. It's not his. His glasses are off. His eyes are blown wide open like he's just hit the greatest high of his life. Geto calmly hands him a clean towel. You don’t want to know how many times this situation has repeated.
"Who gives a shit." Gojo bites out, his eyes , trailing to you, and you flinch away. He looks like a wild animal, growling and spitting. You don’t want to be next on his plate. Geto steps in front of you, barricading you from his sight.
The man on the ground had recovered enough to pathetically crawl away. It such a stark change to how he was just a few minutes ago, when he was lording over you, drunk off of his power. 
Gojo steps on his calf. The broken thing gives a strangled scream. It only makes Gojo’s manic grin wider.
"Let him go. You made your point," Geto says, "calm down." 
Firey blue eyes. Bright and violent. You don’t know how Suguru is able to withstand the intensity. Even you’re wilting when it’s not even directed towards you.
"Calm down?” Satoru asks. “You want me to calm down? Did you see what that bastard was gonna do to our—" 
"Satoru." You've never heard Geto use this tone before. "Not here. Not now." 
A silent battle warred between them. Tanzanite bore into amethyst. Which gem would rupture first, splinter into defeat? 
Eventually, Gojo looks away, cursing. He glares down at you, as though he were blaming your weakness of all things. In a way, he’s not wrong to.
"I'll wait outside." 
And then he's gone, striding down the corridor. Geto watches him go, before glancing down at you. 
"Did he hurt you?" He asks. 
You're not supposed to lie to him. You nod. 
Geto pulls on your sleeves until he can see the imprints. Light bruising, nothing too horrible. You'll survive. Geto looks less than pleased. He glances down at the remnants of the man, the imprints of blood on the floor. You pitied the person who'd have to clean it up. 
"I apologize, dear." He sighs. "I should have kept an eye on you." 
He stares at the blood some more. Then, he smiles. 
"Perhaps, it's better if I just let things run its course, this time." 
You blink at him. He ignores your silent question. Instead, he wraps his arm around your shoulders, gently leading you outside. The car is already running. This time, Geto silently ushers you into the passenger seat. You take it immediately. Gojo hadn't taken his eyes off of you. You're grateful for any barrier. 
This time, the car ride was silent. You don't relish in it. If anything, it just feels like the calm before the storm.
Soon, what Geto was talking about became apparent. 
The man who had nearly been killed by Gojo had talked. You don't know what your father did to these men, perhaps you never will, but they didn't let you forget his crimes. If they couldn't get to him, then clearly, his kid was the next best option. You know it was them. It would be no one else. 
Someone broke into your apartment one weekend. Everything was ruined. The TV was shattered and broken. Your mattress was tossed onto the floor. Every plate, cup, and bowl was smashed onto the floor. They took nothing, but they broke everything. 
You hadn't been home that night. Ijichi needed more work from you. If you had, if you had come home that night, alone, locked the door, slept in that bed, then what would have—
Geto finds you on the stairs of your apartment, curled into a ball. You watch with bloodshot eyes as he observes the damage, clicking his tongue. He doesn't look particularly shocked.
You do nothing when you feel his hand on your shoulder, brushing against the sleeves, a feign of sympathy. You don't even care to ask how he came even though you never called him. Geto has a keen sense for you. 
"It'll get worse." His voice comes. Soft, and sure. 
Yeah, you knew that. You'd been naive, following after Geto with wide eyes. You thought that if he was untouchable, then so were you. 
He speaks about an enemy group, people with debts with your father, just as he did. Of course, he knows who did this to you. You’d be more surprised if he didn’t.
You don’t care. His words go in one ear and out the other. The reasons don’t matter. Your home is still destroyed. It’s no longer yours.
"They got my phone, too," you mention to your discarded cell phone. "My emails, messages." 
You're trapped, with nowhere else to turn. All the doors are shut and bolted, and only one remains open. 
You turn to the devil. 
"Can you...help?" 
The angler fish uses its darkened habitat to its advantage. Hundreds of miles beneath the water's surface, it produces its own light as an olfactory bulb. It's an excellent predator, swinging its bio lantern around in the dark sea, the only light around for miles. 
Geto tilts his head, a smile on perfect pink lips. 
"You want my protection? It's a steep price, darling." 
You feel like an empty well, forced to give and give until you're all dried up. Who could be so greedy? Who could be so willing to take?
"I've given you everything." It's barely a whisper. "What else do I have left to offer?" 
He doesn't say anything to that, not at first. Geto kneels in front of you, a slender hand lifting your head up by the chin. Fingers trail down to your neck. Not choking, just holding. His thumb lightly presses into your throat. 
"Not everything," Suguru says quietly. 
He's right. You hadn't given him everything. So far, you have always been one of Geto's people. You were Geto's employee. You were indebted to him, but you weren't conquered by him. 
Not yet. 
He's kneeling in front of you, holding your soul in his hands and demanding for your heart. In a way, you find it a bit funny. You just don’t have the will to laugh anymore.
He's smiling again when he can tell you're finally starting to understand. "We couldn't have been that subtle, were we? Satoru never failed to express, at the very least." 
No, they never tried to hide it. Even in the beginning, when you first met Suguru, you saw the hunger. You just tried to ignore it. You tried to keep your head in the sand, hoping it would pass. It makes you wonder if you had just agreed on that very night, led him into your bed, and bared it, would things have been different? 
"I can leave. We can pretend this never happened," he coos, "it's all up to you, sweetheart." 
He's making it seem like you had a choice. In a way, you did. You're choosing between two monsters. A known and an unknown. It takes longer than you'd like to figure out which one scares you more. 
You take the bait. The angler fish siezes its prey. 
"One night?" You're trying not to beg but it's coming out anyway. "Just—just one night?" 
Geto leans forward, pressing a kiss on your forehead. It’s not an answer.
Despite the many months you've worked with him, you've never been to his home before. 
It's not a house. A villa maybe. The property stretches itself stretches for miles. Filthy rich. Bleeding gold. 
Geto—
("Suguru," he corrected you in the car, "considering this isn't really business, anymore.") 
—had ushered you throw a double-door entrance. You couldn't even admire the architecture. Not when Gojo was already standing there. His eyes were hidden away, tucked underneath his glasses, but you still felt his stare. And all too wide smile stretched on his lips. He greeted Suguru with a kiss. For the first time, you looked down at their hands. 
Matching rings. 
You felt sick. 
'It's all up to you, sweetheart' Suguru's voice rings through your head all through a dinner that's really nothing but a flimsy padding for the rest of the night. Food was served, wine was poured, all in a bid to ease you into it. As of right now, it's still your 'choice'. You know, without a doubt, if you backed out now, they'd let you go without a fuss. Suguru or Satoru themselves might drive you home. You'd crawl into bed without a scratch.
But you don't. You stare at your plate, picking at it when they ask questions. Satoru's in such a good mood he offers to feed you. 
It's mostly because it doesn't feel real yet. You feel like you're watching yourself go through the movements. Eat. Speak when spoken to. Smile when prompted. Empty. 
You only come back when you're standing in their room, and the door locks with a click. 
The window blinds are drawn, but there's no light to seep in. The moon is already out. You wonder how many hours you've already spent here. 
You take another step towards the bed. Then, you turn around. 
Satoru and Suguru stare right back. You feel their heavy gazes immediately, flicking your eyes down to your feet, playing with your sleeves. 
Satoru laughs, perceiving the terror as shyness, or maybe he doesn't care. He steps forward first. 
"Don't be like that." He lightly chastises you, tucking one arm around your waist. "We'll be nice. Promise, baby. We're gonna be so so good for you." 
He finds your lips, then. Satoru kisses like the sun, all fire and passion. Sinking into you, wanting to melt. It's impossible to turn away and ignore his presence. He gropes at your chest, your waist, trying to feel all of you at once. When he finally lets go, you feel dizzy. 
Suguru's kisses ground you, makes remember where you are, who you're with. He's like the Earth you're crashing back into from your high. You hurdle through the atmosphere as his hands grasp at your throat. He never squeezes, but it's more than enough to sober you. 
"You smell so nice, baby," Satoru says from his place at your neck. You flinch when teeth sink into your sink, but you don't complain. 
"That's creepy, Satoru." Suguru chastizes him.
Serpentine eyes stare into yours. You don’t get the chance to hide before you feel his breath on your cheek. Suguru tugs at the hem of your dress.
“Take this off.” He whispers into your skin. “And get on the bed for us, sweetheart.”
This is the lesser monster. It’s a mantra you repeat in your head as you pliantly nod, hesitantly gripping the fabric of your dress. It’s horrifically easy to take it off and let it drop by your feet. You can’t bear to look at them anymore.
The soft duvet sinks under your weight. It looks expensive. Silky pillows. On either side is a nightstand covered with trinkets and personal items. You spot one of Suguru’s shirts on the floor, and it takes you a second to realize this is their room, not an impersonal guest room they use to fuck the less fortunate.
They stop paying attention to you. Satoru moans loudly into Suguru’s mouth. Suguru fiddles with the buttons on Satoru’s shirt, close to ripping it off entirely. Satoru palms at the tent in his pants as he unbuckles his pants. Suguru loosens his tie. They’re so violent with each other. Dread soaks through your palms, and you curl even further within yourself. You prayed this was all they wanted from you—someone to just watch, someone less interactive.
It’s not. When they pull away, their lips are swollen. Satoru leers at you, licking at his busted lip. You can’t seem to cry anymore.
They’re both half-naked. You can see the tattoos spread on Suguru’s hand, crawling up to his shoulder. Another peeks just behind Satoru’s neck. You only get a glimpse before he’s on top of you, eager for a continuation.
“Shit, you’re so soft.” He hisses as he squeezes your bra-covered breast. It doesn’t stay on for long. You wince when his fingers trace over your sensitive tits.
Your hands squeeze into fists, because you choose this, choose them. Satoru’s more than happy to sink into your breasts. His warm tongue swirls around a nipple before fully taking it in his mouth.
“Like a baby,” Suguru says. Satoru scoffs, tossing him an impressed look.
“Shut up.” Satoru releases your breast with a wet-sounding pop. They’ll be marks there tomorrow.
His fingers trail down your breasts, your ribs, your stomach. They linger on the band of your panties.
You can’t help it. It’s instinct.
He freezes when your fingers snap around his wrist. There’s no strength behind your grip, he pauses more out of surprise than anything.
His eyes, filled with hardened tanzanite, shoot up to yours. You think, if they’d be anyone else’s, you would have envied them.
He doesn’t say anything. Neither does Suguru. The silence is crushing.
“Sorry.” You feel pathetic apologizing, but it’s outweighed by the fear. “I—I’m sorry. I was just—”
“It’s okay, dear,” Suguru coos. “Satoru just scared you, hm? He’s such an idiot, isn’t he?” He violently smacks Satoru on the head. You flinch at the sound. Satoru just whines, rubbing at his temple.
“Mean.” Satoru childishly says, but he’s slower now, rolling down the hem of your panties.
Suguru is quick to distract you. He’s busy with his own bottoms before he’s taking you by the chin.
His cock is already leaking precum. He’s big, and you don’t think you’ll be able to do want he wants. Suguru smiles down at you, he doesn’t need to say anything. You’re swallowing down your self-hatred before opening your mouth.
You take him in just when Satoru buries his face between your thighs. The two of you have very different reacts. Satoru just hums, finding your clit to lick. You gasp, your legs jolting as you accidentally take Suguru even deeper.
He’s nice enough to let you go at your own pace. There’s a hand on your head, petting you, easing you through the process. Even then, your mouth is stretched uncomfortably wide. Tears prick at your eyes. Suguru’s face gets blurry. You don’t think you want to look anymore.
Below you, Satoru is enjoying his meal. He’s slobbering on your pussy, eating you out like it’s his last meal. His hot tongue finds his way into your sopping hole. You squeeze your eyes, a muffled whine comes from your mouth. The only loss of control Suguru shows was how he ever-so-slightly gripped your head.
By then, you’re unintentionally squeezing Satoru’s head in between your thighs. It’s so much. Pleasure tingles up your spine as Satoru continues to worship your pussy. His nose grinds into your clit and, for a moment, you’re wondering how he’s even breathing.
Suguru’s close. You can feel it every time his balls slap your chin. He’s speaking now, words stilted and heavy. It’s the only hint you get that he’s only holding his control by his teeth. That thought scares you. At any moment he’d snap, choking you with his cock, let you suffocate while he fills your dying mouth with his cum.
“Good,” he’s hissing out, “so good—good for me. C’mon, baby, take it.”
Satoru’s hand squeezes your ass, urging you to arch off the bed. You come like that, pressing your thighs around Satoru’s head, moaning around Suguru’s dick.
Suguru barely gives a grunt before something salty fills your mouth. You have to swallow it down. It burns your throat.
The air tastes sweet by the time Suguru’s cock leaves your mouth. You’re sucking in deep breaths, breasts heaving. Incidentally, you hadn’t suffocated Satoru. He’s kissing his way up your body. A trickle of Suguru’s cum had escaped your lips. His tongue presses against your chin before he pushes it back into your mouth. You can taste your tangy essence on his lips.
“Gotta’ swallow it all,” Satoru says with a teasing lilt, “he gets mad when it’s wasted.”
You can only nod. He gives you another wet kiss before he pulls away.
They switch places, Suguru moving over until he’s between your thighs. His large cock lays on your cunt. He’s still hard, his cock twitches when he angles his hips down, letting the head run over your leaking slit.
“The only reason he's going first is ‘cuz he’s been pining for you for months.” Satoru murmurs into your ear. Strangely enough, Suguru doesn’t comment. Your brain can’t work fast enough to comprehend what that means.
You hold your breath just as he presses himself inside. You’re almost grateful Satoru took the time to prepare you. His salivia, and your stretched walls make it easier for Suguru to bury his length inside you.
It doesn’t mean it doesn’t hurt. You hiss. Satoru feels enough sympathy to coo at you, kissing your neck, trying to distract you from the pain. It doesn't help, not even when Suguru presses light circles into your clit, easing his way through.
Suguru’s giving a harsh laugh when he’s fully seated inside, his hips meeting yours.
“Feel good, hm?” Satoru goads, reaching up to nibble on Suguru’s ear.
“Shit, so tight—fuck.”
Your hips twitch and you’re clenching down on him. Suguru doubles over, gritting his teeth.
“Oh, darling.” Scarred hands grasp your neck. “I’m going to ruin you, aren’t I?”
Your bottom lip wobbles. He’s eyeing you like a piece of meat. A gazelle in the lion’s den. To them, to men like them, you suppose you’re nothing more.
“Suguru.” You whisper because your voice is failing you. “You-you promised you’d be nice.”
Silence. And he’s laughing so hard his shoulders shake. They both are.
“We did promise that, didn’t we?” Suguru glances at Satoru. “Next time, then.”
He pulls his cock out of you slowly, dragging his head through your cunt. He’s so slow and deliberate that you think it’d feel better if he just went ahead and fucked you already.
And he was, technically. His hips rolled back into you, his cock disappearing inside your wet pussy with each thrust. It’s so much that you’re willingly arching your back, trying to do anything to alleviate the intensity.
Beside you, Satoru is pulling out his cock, his eyes never leaving the lewd sight of Suguru fucking himself into you.
“Fuck fuck fuck,” he’s cursing under his breath, fisting his cocl in one hand, “so fuckin’ hot.”
Suguru growls, grabbing Satoru’s stiff cock, crudely pumping his hand up and down. His movement are getting more erratic losing his pace, his patience. You’re at your end too, almost crying when someone squeezes your sensitive tits.
“How does it feel, darling?” Suguru asks with a ragged breath. His eyes are blown, you don’t even think he’s looking at you, anymore.
When you don't give an answer fast enough, Suguru snaps his hips punishingly in response. You give a sharp wail.
“I said.” Suguru hisses through his teeth. “Tell me how it feels.”
You can barely suck in a breath. You’re losing oxygen too fast.
But you’ll die if he keeps doing this.
“Good.” You tell the truth. “It—it feels good, Suguru.”
He grins, serpentine. You’ve lost a game you didn’t even know you were playing. His fingers descend on your clit.
“That’s my perfect darling.”
You sob when your walls clench around his cock, milking him dry. Your orgasm triggers his own. He curses, and something is spilled into your used cunt. Out the corner of your eye, Suguru and Satoru are kissing, going together like rabid dogs. Satoru shudders, and then all three of you are a panting mess.
You take in deep breaths, barely caring when Suguru lets out an exhausted laugh, collapsing into your chest. He licks at your sweaty skin. You just sink your head further into the pillows
It was over. It was finally over.
“You got it everywhere.” Suguru suddenly says, disgusted. He wipes Satoru’s cum off your stomach.
Satoru just snorts.
“I didn’t have a hole to dump it all in.” He snarks back. “Twice, by the way. So selfish, Sugu.”
“Quit whining.” Suguru groans. “You have your chance now, don’t you?”
What? Exhaustion blinks away.
Suguru stays by your side. Gojo is the one moving, rising from the blankets. He places his hands on either side of your hips, spreading your legs.
Geto catches your panic, easily catching you before you can even do anything. He hushes you while Satoru settles himself between your thighs, his cock pressing right at your slit.
“The night’s still young, dear.” He sounds almost sympathetic. “Be good for just a bit longer.”
By the time they’re finally done with you, it’d been hours. You can’t count how many positions they put you in, how many times your holes were filled by their cocks or their fingers or their mouths. You’re barely coherent by the time Suguru is tucking you under the soft duvet.
You feel sore and used and dirty. His soft words, filled with praises, just make you feel worse. Despite how exhausted you feel, you’re just waiting until they finally get bored of seeing your body and kick you out.
You’ll call a cab home. You’ll cry yourself to sleep. You’ll be okay.
They’re taking a while to get to that part. They’re mumbling soft words too each other, it sounds too intimate to be something you should be overhearing. Satoru’s at your back, hands curling around your waist, another brushing Suguru’s mussed hair. You can feel his soft breath at the nape of your neck.
Suguru’s eyes are on you. Amethyst watches you intently.
"Satoru,” he finally says, “go uphold our end of the deal." 
Gojo groans, annoyed. He snuggles closer to you. "Why me? You go do it." 
An adoring smile crinkles on Suguru’s lips. It makes him look younger.
"Because I don't trust you alone with this one for the night. Go."
“Ass.”
He sighs, but Gojo sits up, letting the covers shift off his naked body. 
"Stay right here for me, baby, 'kay?" He leans over, pressing a delicate kiss on your hairline. Despite everything that happened tonight, this was the most intimate thing he'd done to you. It's too...loving.
When Satoru leaves, you wait for a few moments. Suguru had yet to tell you to go. It probably meant that he didn’t want to waste his breath dismissing you. You take the hint, rising from the bed.
His fingers snap around you wrist just as your feet touch the floor.
“Where are you going?” His voice doesn’t sound accusatory, but you flinch anyway.
A wobbly smile makes its way across your face, you hope it comes across as submissive. Weren’t you done? The deal was made, that meant you could leave now, right?
"I—I need to go home?" Suguru gives a doting smile, as though you said something adoringly naive. He barely pulls on your hand, gently leading you back under the covers.
You follow because the gun glints by the nightstand. 
“Is that the best idea right now, dear?” He asks, “Who knows if those men have come back? I’d hate to see them find their target, wouldn’t you?”
He draws you into his chest. Your head is tucked underneath his chin.
“And besides, Satoru will be disappointed if you left without saying goodbye. It’d be horrible to deal with one of his tantrums so late at night.”
He buries his face into your hair, inhaling your scent.
“Why don’t you leave in the morning? I’ll be sure to drive you back myself. By then, I’m sure Satoru will have made the proper arrangements. Don’t tell him I told you this, but—” Suguru drops his voice as though he’s scared someone might overhear”—he tends to be more efficient when you’re in the picture.”
You don’t know what he means by that, and you don’t think you want to know. Still, you lift your head, finding the courage to stare at him.
His eyes are such a beautiful color. Glittering purple in the moonlight. You’d stare at them all night if you could.
“I can leave in the morning?”
Suguru hums, kissing your forehead.
It’s not an answer.
1K notes · View notes
petermorwood · 3 months ago
Note
I have a sword question, if I may. Or more of a sword confusion Im seeking clarification on.
In my mind a fantasy european standard sword (that obviously doesnt really exist, but like, when a knight or someone in a story has an unspecified sword), I always imaged a straight blade with a triangular tip, both edges sharp cutting edges.
Then at some point I learned about eg scimitars that have a cutting edge and a ...blunt edge?
I was looking at your recent addition to the post about the Turkish sword, where you distinguish between an inner cutting edge on a sword v an outer cutting edge.
And then Im thinking of those enormous zweihander types that are all about momentum and do those even need a particularly sharp edge? They seem in dnd parlance to be a bludgeoning weapon not for slashing.
And while Im asking, like. Rapiers are very stabby weapons, do they have sharp edges at all or judt a sharp point?
I guess my overall question culminates something like "what parts of swords are designed for what damage and why? Is there anything all swords have other than blade and handle like can they all be used for stabbing or do some have very blunt points etc? Is it a big deal for a sword to be double-edged, does that necessitate specific training? Whats up with different sword blades?"
I realise thats a pretty enormous question that might be unreasonable to ask. Im happy with whstever response you are or arent willing to give. Hope you have a good day :)
Sharp edge / blunt edge is the setup on any kitchen or table knife you've ever encountered, and being able to put a hand on the blunt "edge" - usually called the back of the blade - not only helps when mincing herbs or garlic, but also features in some techniques of swordplay.
Other techniques employed non-blade parts of the weapon, using the pommel like a mace and the crossguard like a pick-axe.
*****
Whether swords should be straight or curved, single- or double-edged, was an argument which continued as recently as the early 1900s.
The last swords issued to cavalry for combat use (modern parade swords don't count) were both remarkably similar designs, straight-bladed for thrusting, adopted by the UK in 1908...
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...and the US in 1913.
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There was, of course, strong opposition from those who insisted cavalry swords should be sabres curve-bladed for cutting instead.
Equally of course, both sides failed to notice - or ignored, since a certain kind of cavalry officer was only bright as regards boots, buckles and buttons - the uncomfortable fact that machine-guns and repeating rifles had made the whole ta-ran-ta-rah "cut them down with your swords, men!" cavalry charge an exercise in futility.
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D&D, unless they've considerably upped their accuracy game, isn't much of a reference for weapon realism.
"Enormous Zweihanders" and other big swords such as the Montante were a lot lighter and more nimble than they'd seem from reading an encumbrance chart.
They had their own techniques to take best advantage of length, leverage and momentum and were indeed sharp. Given a choice between a sharp combat weapon and a blunt one, sharp makes far more sense.
In addition, a sharp blade is lighter than a blunt one simply through having less metal. It may only be a few grams of difference, but it IS a difference.
That's also the reason behind a fuller, the groove(s) along a blade.
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They're not "blood gutters", tough and cool though that may sound, but a way to reduce a sword's weight while preventing its blade from getting excessively flexible.
Finally...
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The re-enactor is wearing half-armour, but these big swords were also meant for use against unarmoured opponents. Bodyguards often carried them (they looked impressive) and those sweeping strokes could block an entire street while The Boss got away.
That's when an ability to cut rather than merely bludgeon makes all the difference. Determined assassins might try to rush a blunt sword, but a sharp one would give anyone second thoughts...
*****
Double-edged swords versus single-edged ones seem to vary depending on cultural preference - also on period of history and intended function.
Bronze Age European swords had straight or leaf-shaped blades with double edges...
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...while Ancient Egypt had the curved, single-edged khopesh, a shape which also turned up in Ancient Assyria (this one's in the Metropolitan Museum, New York USA).
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It's listed as a "sickle sword", an incorrect term which I wish would go away because sickles are sharp on the inside of the curve while swords like this - their grip-shape shows how they're meant to be held and swung - are sharp on the outside.
And just when "the Ancient Middle East used curved single-edge swords" looks like a handy generalisation, along come straight swords, one from Ancient Egypt...
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...another from Luristan, now part of modern Iran.
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This next one comes from Ancient Iberia (Spain), right at the other side of the Mediterranean. Evidence of trading links? Your guess is as good as mine.
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Iberia went on to use the falcata, a short single-edged forward-curved sword.
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Those extra bits round the blade are scabbard metalwork; the wood and leather scabbard is long gone. This repro shows how they would have looked when in place.
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Iberia also used a straight double-edged sword which so impressed the Romans that they adopted it, refined it and used it for several centuries. Here's one of the several Roman versions of that gladius Hispaniensis (Spanish sword), double-edged, mostly meant for stabbing but capable of very effective cuts as well.
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Here's my repro of a similar sword, the elegant "Mainz" pattern with its long point and waisted blade. Very pretty, and pretty wicked.
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*****
"Curved single-edged swords are Eastern, straight double-edged swords are Western", is another generalisation that won't work.
Here are Eastern straight swords...
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...and Western curved ones.
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Viking swords were all double-edged...
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...except when they weren't.
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Many rapiers could cut. Smallswords, which came later, couldn't.
Earlier rapiers with broader blades cut better than later ones with narrow blades, but IIRC even the later Italian and Spanish rapier styles include cuts directed at the opponent's face and sword-arm.
I have a notion that the modern thing about cutting with rapiers is based (like back-carry) on seeing it done in movies. IMO - more about it here - that's actually more a modern stage-combat safety thing than a period real-combat move. A fumbled cut is bruising and unpleasant even with a "safe" prop sword, but a fumbled thrust into the eye-socket or throat with that same "safe" sword can be fatal.
Even those early rapiers wouldn't sever a head or limb - a finger maybe, hence the elaborate hand-protection of swept and cup hilts - but blood from a forehead wound running into the eyes was, and in boxing still is, an efficient way to finish a fight by ensuring the opponent can't continue. One of the duels in "The Duellists" ends this way.
This example is a bit optimistic, IMO...
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...but a longsword (double-edged)...
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...or a messer (single-edged)...
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...was quite capable of disarming an opponent in a very literal way.
*****
Some swords had minimal points, being intended mostly for cutting. One example of this is the Indian khanda broadsword. The second example is also very clearly single-edged.
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Another cut-only sword without a point (but with double edges) is the Richtschwert (justice sword)...
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...though this was a single-function (and hopefully single-cut) tool rather than weapon, neither balanced for nor intended for combat.
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Hope this has helped answer the questions!
796 notes · View notes
miley1442111 · 22 days ago
Text
protective- a.hotchner
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summary: aaron (literally) fights for you
pairing: aaron hotchner x bau!fem! reader
warnings: angst, talk of abuse, violence, general cm topics, crying, reader is a victim of DV (not aaron), gross men (i think that's it?)
not entirely proofread
------------------
Aaron Hotchner was a leader that you’d known from the beginning. He was your team leader, he was calm, collected, and calculated in everything. His lunch was the same everyday, he didn’t drink, didn’t smoke, didn’t swear all that often, and he wore the same sequence of shirts and suits every week. He was organised. 
Mondays was a blue shirt with a black suit, Tuesdays was a white shirt with a navy suit, Wednesdays was a white shirt with a black suit, Thursdays was a blue shirt with a grey suit, and Fridays was a white shirt with navy suit. Everything was fine and dandy, you trusted him, and you enjoyed his company. Everything was fine, until it wasn't. 
One stupid day, 8 whole months after you and your ex had broken up, he just so happens to be at the same bar you and the team are celebrating in, and he must’ve made it his personal mission to find you, to shout at you, to get you back. To piss you off. It hadn’t exactly been a good week, but then again, what week is when you’re dealing with murder cases? 
“Y/n,” Penelope sighed, looking out at the rest of the team on the ‘dance floor’. “I don’t understand,” she drew out the ‘understand’ to a ridiculous length, purely to annoy you. “How are you two so perfect?”
“Keep your voice down!” you hissed, turning back to her again. “We may not be at work but this is a work dinner.”
Did I mention he was your boyfriend too? 
“Have you seen yourself?” she gawked. “You’re gorgeous! He’s gorgeous! You two would make perfect babies” 
You chuckled. “I thank you for the flattery, but we can be honest here, he’s fucking gorgeous, and yeah, I’m alright,” you laughed when she hit you lovingly. “And, we’ve been together for 6 months, not 6 years. No babies for like… a while at least.”
“Y/n!” Charles’ voice rang out in the bar, meaning everyone around you turned to your group. “You fucking blocked me?!”He came up behind you, placing a tense hand on your shoulder, gripping the skin there until it hurt. “What kind of bitch does that?”
“Me, I guess,” you answered simply, staring straight down at your drink. Charles hadn’t been a very good boyfriend, nor a good person, and you didn’t really understand why you’d stayed for so long. Something about watching women get killed by their partners kind of snapped you into reality. Not that he was that bad but, he wasn’t good.
“Yeah right, you bitch. Unblock me, we need to talk about this!” 
“About what?” you scoffed, rolling your eyes. “We broke up 8 months ago, let it die Charles.”
“Baby, I miss you,” he leaned in closer, his breath heavy with alcohol. “I miss that pretty pussy too.”
You shuttered with disgust. “Get the fuck off of me,” you punctuated each word carefully and spoke slowly, making sure he heard you.
“Don’t be like that baby,” he smirked, tightening his grip. “Or it won’t end well.”   
You felt it. The gun in his holster. He wasn’t past killing you, you knew that. You knew he wasn’t safe. He never had been. He just wanted to get you home and into his bed, and you’d rather that than dead. 
“Get off of her,” Penelope demanded. He turned his attention to her, and you instinctively reached for your gun, only to remember that you left it at home. You weren’t about to let him hurt Pen. “And who may you be?” he asked. “Don’t,” you gritted out. “You’re here for me, not her.”
He turned his attention back to you. “I know that sweetheart, I don’t see why I can’t chat, do you?” 
“Let’s just go,” you told him. He nodded, a smug smirk on his face. You got up, his hand stayed on your shoulder the whole time, his other hand on his hip. 
“Good girl,” his laugh was dirty. Everything about him was dirty and sleazy and it made you sick. But again, better you than Penlope. 
Penelope’s eyes searched for someone, anyone to see you. He needed Morgan, o-or Hotch, or just anyone. “Hotch!” she called when she finally caught his eye. He rushed over to her. 
“Are you alright?” he asked, searching her for injury or signs of upset. 
“Y/n a-and this tall guy, he was talking to her and then she just got up a-and left. She looked scared. I-I didn’t know what to do,” she stuttered through her sentence, tears building in her eyes. 
You. Scared. You. Scared. You. Scared. You. Scared. You. Scared. You. Scared. You. Scared. You. Scared. 
It played in his head like a sick mantra until he finally did something. He rushed out of there as fast as he could. He had to find you. He needed to find you. 
He ran down the alley beside the bar, nothing. Ran down the road with Morgan on his tail, nothing. Cars weren’t even moving, it was just a regular night. 
“Y/n!” Spencer called out to you. 
There you were. Leaning against a car with him standing over you. 
The three of them rushed over, ready to just take you back inside. They didn’t know how dangerous Charles was, how obsessed he was. 
“Stop!” you warned them. “Go back inside, I’m alright, I promise.” 
“We’re not leaving you here,” Derek argued. “Man, get off of her-”
Charles scoffed. “She wants this, she’s into it. It’s just some harmless fun!” 
Aaron almost recoiled out of disgust. He knew what you were into, and he knew it wasn’t this. It had taken you almost the full 6 months you’d been with him to even be comfortable enough to kiss or touch him in public. You didn’t talk about it but… it did come with the territory of being a behavioural analyst. He noticed how you shied away from the way he touched you sometimes, he noticed how you refused to drink a drop of alcohol, he noticed how you flinched at big noises, he noticed how you held his hand during sex. All of these little things, it led him to one conclusion, you’d been abused. 
He promised himself if he ever got to meet the fucker, he’d hurt him, if not kill him. 
Then in came Charles, and thus began the night Aaron Hotchner ended up in jail for aggravated assault. 
------------------
You sat in the police station, your head hung low. This was all your fault, none of this would’ve happened if you’d just-
“It’s not your fault,” Aaron whispered as he sat beside you, putting his cufflinks back on. Of course, you’d bailed him out and he’d gotten off with a warning and a fine, which was pretty good considering what he did to the guy. “Please don’t blame yourself.” 
You shook your head, willing yourself not to cry. “Aaron you got in a fight because of-”
“A choice I made to provoke a dangerous person,” he finished. “A choice I made.”
You nodded. “Aaron, your lip,” you placed a gentle hand on his cheek which he leaned into. His lip was split, he had a bruise forming on his head, and you knew his back was sore from the fight. You knew how hard Charles could hit. 
“My lip is fine, I promise. The paramedics gave me some painkillers. Are you alright?”
The dreaded question. No, you were hilariously, awfully, un-alright. You had to see Charles again, he touched you again, he talked to you again. You shook your head, tearing up.  Aaron didn’t shy away. He held you as you sobbed in that police precinct. He didn’t care about anyone staring, he didn’t care that the team was waiting outside, he didn’t care. He cared about you. You were all that mattered in that moment, and every moment after it.
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criminal minds masterlist :)
navigation for my blog :) (criminal minds, obx, the bear, marvel, top gun, the hunger games :)
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flamingpudding · 1 year ago
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He's my clockwork appointed babysitter, not dad.
They failed, even they managed to beat all the cultist in time. The ritual was still completed. The leader was laughing like a maniac until Hood hit him hard with the butt of his gun, knocking the guy out cold finally. With held breaths, they watched how smoke rose from the ritual circle higher and higher until it started to form a black shadow with stars as eyes and too many teeth and limps. Batman was on his way with Constantine. Maybe they could at least contain whatever that was until they arrived.
"Who in the name of all good and holy dared to summon me?!" A static scratchy voice echoed in their ears.
No one dared to answer at first but of course Red I-fear-nothing Hood had to open his mouth earning him death glares from his siblings. "Aren't you like a demon? Why would you mention anything good and holy?"
That think was blinking at them and Tim did a double take when that think moved its many limps like it was rubbing the back of its neck.
"In the name of all bad and cursed then?" It sounded unsure still a booming echo like voice but unsure. They shared a look. Dick opened his mouth, ready to say something when suddenly a familiar voice shouted from behind them.
"Cut the crap kid! They are the Batsie and his birds belong to the good!"
They turned to see Constantine marching in with Batman right behind him. The man was throwing the but of his cigarette way as he went right up to that demon. Which apparently was not one because right as the Brite was up to it a puff of greenish some blocked their view for a moment before a white haired child stood where the demon had been seconds ago.
"The hell you doing out here kid. I told you to stay at home."
"You try resisting a summon when your all new to the fact that you can get summoned!"
"Your going to make my hair gray faster, you little chaos gremlin."
"Aw love you too!"
"Uh Constantine?" They had question of of them was that Constantine was apparently familiar with that child, demon, whatever.
"Right." The man lit another cigarette but before he could even take one drag of it he side eyed the child staring up at him before he flicked it to the side. "Bats my demon son, Danny the Bats."
"Demon son?"
"Actually I am-" They watched how Constantine covered the child's, Danny's, mouth with his hand shushing the boy.
"What did I tell you about interdimensional secrets? That's right, do not talk about them to just anyone. We are not repeating the Green Lantern incident."
Should they feel offended? It felt like they should. They weren't just anyone.
"Constantine." Batman gruffly warned, but the man held up one hand towards them. Batman was definitely offended that Green Lantern got to learn something he wasn't getting to know on Constantine's watch.
"One moment Batsie. I need to- did you gremlin just lick my hand?!"
The moment Constantine removed his hand the child stuck his tongue out at the JL Dark member and made a break for it to hide behind Batman.
"Get back here you little..."
"No! I am always stuck at home, and you promised me I would get to see the watchtower at last month!"
Batman blocked Constantine from getting to who was apparently the man's demon son. Staring at the man as the boy grinned in triumph.
"Mate get out of the way, this kid needs to get grounded again."
"For what?"
"Being a chaos gremlin that won't listen."
The rest of the batfam had only one burning question on their mind. "Which demon was willing enough to have a child with Constantine?"
Well, except for Tim who had caught the little tidbit of interdimensional secret and was wondering who Danny really was.
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messenger-of-babel · 1 month ago
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Reborn
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Summary: Jason did what he swore he'd never curse upon anyone. It just so happened to be you he cursed in the process.
Word Count: 2.3K
Notes: Character death, greivous injury, language. I was actually so happy writing this one, I was thinking I was going to struggle with the prompt but it actually came to me with a lot less struggle than I was expecting. I'm a big Jason girlie so maybe this had a trace of self indulgence in there.
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"Hurry the fuck up!" Jason yells at Tim, hands pressed on the centre of your chest, blood trickling through his fingers. He hates the way the warm liquid seeps into the fabric of his gloves, sticky and wet.
"I'm trying the best I can," Tim grits back out, relaying something through their coms line while he runs to your side, dropping to his knees beside your body in the car wreckage. "Holy…" he breathes out, eyes flicking over your form in concern. Your eyes are hazy and your face is ashy, paling from the blood loss.
"Jason, I don't think we-" he says, picking up one of your limp hands in his own, looking to his adoptive brother with pity.
"Shut up and do it." Jason grits back.
He wasn't going to lose you. Not like this. Not before him, not because of him.
Drop you to work, that's all he was going to do. That's all he was going to do. It was late at night, and he had patrol anyways. You were going in for a trial shift that night at the security company, something that could land you an executive manager role and get you out of that shitty job waiting tables. Something that could get both of you into a better apartment, more independent, the start of your life together. When you first started dating he was more than happy to throw Bruce's money around, the billionaire had more than he needed anyways, he wasn't going to miss it. Yet you had begun refusing after the first month, saying you wanted to be independent, and he fell in love right there.
And is this where it got you?
No. That was still all him. He had picked you up in a simple car since he was staking out some gang causing issues around West End and needed to go on stakeout. No reinforced glass, no secret bat gadget hidden in the glove compartment, just some tinted windows. So, who even saw you getting into his car? Well, what was supposed to be just dropping you at work turned into a car chase while you held onto anything you could, screaming in terror. It wasn't often that Jason would be the one getting chased, and under any other circumstances he would have thrown the car into gear and flipped the tables on them.
But you were in the car.
So, he threw it into reverse and ran as fast as he could. It had all been for vain, a burst tire and shattered windshield sent the car spinning out to a side street, flipping as it hit the curb. The screech of metal was deafening to his ears, the crunch of glass ringing out around him as the world flipped one… two…three…times.
His lungs burnt as he struggled to escape from the seatbelt, head throbbing from the collision on the dash before he looked over to you. His heart stopped in his chest, unable to even respond to the calls of Red Robin over his com link, who he had contacted the moment a gun had been fired at the two of you. "Sweetheart?" his voice cracked slightly, unable to go louder over the ball of fear in his throat. You didn’t respond as he clambered from his seat, arms coming around your back to support you and drag you from the car. he hated the way the image of you, splayed over the glass covered dash, had burnt into the deepest part of his mind. He had dragged you to the shelter of the car, blood boiling in his veins.
Anyone who had come to follow up was laid across the floor in seconds, Jason standing in front of your body like a guard dog. He blocked as much of your features as he could, taking out each gang member that came to inspect the crash with frightening efficiency. By the time Red Robin had arrived on the scene, Jason was already cradling your body in the shadow of the car, desperately trying to stop the bleeding from the bullet wound in your sternum. The bullet wound that he might as well have put there himself.
This was his fault.
"This isn't your fault, Hood." Tim says, laying his other hand on Jason's shoulder, muscled tensed and ready to snap. "None of us could have predicted-"
"Shut up and help," he hissed, fighting to stop himself from crying behind his mask. He hadn't felt this terrified since he was a kid, back in that warehouse. He was stronger than that now. Strong enough that surely, he could help you.
Jason wasn’t oblivious to the pained and pitiful look cast his way. "Hood, they're already gone." he whispers softly, hands coming down to gently cover his still compressed on your chest. Jason shakes his head. "No." he chokes out. "No, no, no, no, no, no, no."
"Yes." Tim says firmly. "I've…I've got the car. I'll bring it round before the GCPD shows. We can handle this. We can take them back to the cave, clean them up like they deserve-"
"I said No." Jason snaps, blood rushing in his ears. He knew you were gone. He could tell from the way your blood went tacky on your chest, the stream trickling into a standstill. The way your face was devoid of colour, making you look shades lighter than he knew you were. Your hands were limp, head tilted. What was the worst was the way your eyes stared up into him, glassy and fogged, as if cracking open his soul.
Why did you kill me?
Why me?
Why didn't you save me?
He knew you wanted to live, god, he knew you loved life. Loved life with him, and he loved it back in return. If only you had been given the chance he once was. "Bring the car." he chokes out, eyes burning with a fierce determination.
"What are you planning?" Tim asks, hesitant as he sees the way Jason's body is coiled, ready to strike.
"We're going to save them." He says softly, hand squeezing your lax one tightly.
God, he just hoped you weren't going to hate him.
─── ⋆⋅☼⋅⋆ ───
"So, you tracked us down to ask for our services?" Thalia scoffs, circling the two of them. "Didn't think I'd have two birds on our doorstep, didn't your mentor teach you better?" she says disdainfully, eyes raking over Tim and Jason. Jason just holds your body closer, wrapped in a white sheet and cradled in his arms. Tim shifts uncomfortably, making Thalia's eyes gleam when she detects the weakness. "Oh," she purrs, almost delighted, crowding into Tim’s space. "You're off the record."
"This doesn't involve Batman." Jason gruffly says. "This involves me. This is my request."
Thalia's eyes flick back to him, but Jason doesn't flinch. He'd dragged Tim along as an accomplice, going dark on the radar as he returned to the alps, the one place he had sworn to never return to. To do the one thing he had told himself he would never force on anyone.
But he couldn't lose you.
"So, you think you can just show back up and ask to use the pits?" She asks, eyes flicking to your form in his arms. "My, you really are as dumb as you are bold, aren't you?" She hums. Jason remains still, eyes focused on the hooded woman in front of him.
"I'll owe you a favour." he says, without a beat of hesitation.
Red Robin's eyes widen behind him, domino mask unable to hide his surprise. "Hood, are you kidding? you can't just-"
"Shut it." Jason hisses back. "This isn't your decision. This is mine, consequences included."
Tim backs down only slightly. "You know what Batman will say. We can't trust these people; they'll use that favour to burn down Gotham. Think."
Jason tries to, he really does. He tries to see the big picture, but all he can see is fragments of you and your life together that was smashed the second he put you in that passenger seat. "I am." he says softly.
He could walk away now and save Gotham for sure, or he could stay and save his world.
Thalia sidles up to him, lips pulled into a smirk, like a snake rearing its head. "I could do you a deal if that's the case." she says, eyes sparkling like emeralds. "But you have to make good on it. You of all should know how we handle broken promises in the League."
Jason considers it for a second, before steeling himself. There was no other option for him.
"You have a deal."
"I knew bringing you back would be worth it." she smiles, like a cat batting a mouse between its paws. She turns, gesturing for them to follow her with two fingers. "Come." she commands, beginning a clipping pace through the carved stone hideout. Jason follows wordlessly, and Tim soon does a moment after.
"How long have they been dead?" she calls, not even looking back.
"Less than a week." he replies almost immediately. Thalia smiles at that, dark and curious.
"Oh? Snappy, I see. Who exactly is under that blanket to make you run to this corner of the world so quickly?" she grins, stopping at the entrance of a deep set of stairs. She stalks closer, steps echoing and deliberate. With a quick motion she pulls back the sheet from your stiff corpse, eyes raking over your face.
"A lover?" she asks, eyebrows raised at the way Jason holds you closer instinctively.
"None of your business." he replies gruffly, making her roll her eyes.
"We should've taught you how to be subtle." she murmurs, beginning to descend the stairs. He follows into the darkness, shadows beginning to give way to a soft green glow, bouncing off the carved stone walls. Tim takes in the room they step in to at the bottom, a grand, ornate space, yet somehow still appearing crude. Death clings to the atmosphere, cold and uninviting.
"Hood, is this where-" he begins quietly, but Jason cuts him off.
"Yes." he says as he follows Thalia deeper, feet stopping by the edge of the glowing green pool. Panic swirls in his gut, making his senses set themselves on fire. His mind races as he tries to control his own fear, to stop the metallic taste from rising in his throat. Flashes of his own time in the pool pry themselves into the forefront of his memory, making his fists clench in your sheet. He pushes them all down, taking a deep and shaky breath.
This was for you.
"Don't forget, you owe me." Thalia warns, gaze haughty as he kneels by the pool, unwrapping you from your blanket. His heart wrenches seeing your stiff body, eyes still open as if to judge him. When he's untangled the sheet from you, he slowly begins to slip your body into the water, Tim running his hands through his hair in worry behind him.
"Jesus…" Tim breathes, anxiety radiating off him as he watches your body submerge under the green glow of the Lazarus Pit. Jason doesn't move from his kneeling position, Thalia beside him as he scans the water for a sign of life, a sign of movement. A sign of you. After a few tense moments, it happens. A hand breaks through the surface, making Tim jump. Your fingers are clawed in pain, but he chooses to focus on the way your colour returns to the digits. You appear from the pit like you're drowning, eyes rolled into the back of your head as you breach the water. Your mouth is open in a wide gasp, screaming in unmeasurable pain. His heart tears itself in two and his stomach is in knots hearing you make that kind of noise, writhing and clawing at your face.
Thalia watches you scream and double over in the pit, making a mocking pout as madness clouds your eyes. "Aww, how cute. You're just like each other, a match made in hell."
"Shit…" Tim exhales, pacing back and forwards behind him. "Batman isn't going to like this. This isn't right, this isn't right…" he mutters, panic written all over him. Jason drowns both of them out, extending his hand softly towards you, leaning precariously over the waters to gently grip your wrist and guide you his way. He could fix you. he could fix this. He could make it all better.
He guides you until you're in front of him, the familiar burning smell of the Lazarus pit stinging his nose, a smell he struggled to describe yet it haunted him on random nights. His eyes soften under the mask as he sees the panic in your eyes, the shock of coming back paired with the madness fighting to grip your mind. The sound of your cries and screams echoed around the room, a sound so full of pain and fear that he couldn't help but flinch.
He could teach you, the way he was taught. He could help you get your feet back the soft way, a way he wished he could have been offered. He'd do everything in his power to make your second chance as painless as possible. He'd nurse your mind back if that's what it needed, calm the rages late at night if you had them. He'd take you in any form you came to him, growing pains and all. He'd teach you how to live again.
He only hoped that you wouldn't hate him forever for bringing you back.
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