#who he has to call his girlfriend

[acowardinmordor]

Fucked up thought as I do material spec: transmasc Eddie Munson who gets bullied and called a guy because of how he dresses and acts (transphobic so bad they looped back to what Eddie wants on accident) dating Steve post S2, who knows and supports him, but still has to misgender his bf in public until they can get out of Hawkins. Eddie fails again, they get in a fight about whether they should leave, and aren’t broken up, but aren’t really together as S3 starts. So when Eddie visits Scoops, Steve is so happy to see him that he calls him Eddie and he/him in public, just like the bullies, and can’t explain to Robin, who is absolutely pissed that Steve is treating her Eddie like that.

[dollypopup]

hm. idk, maybe the reason Luke Newton isn't announcing new projects or posting any Bridgerton content is because some of you demons treated him like hot trash instead of a creative that you wanted more work from and he decided fuck it, this isn't worth the stress. you know, like a lot of creatives who get mistreated do?

like this is a man who went from couch surfing in a friend's house and bartending to make ends meet, deciding that the Bridgerton audition was the last one he'd do before he quit, to suddenly being recognized on the street because that last audition propelled him to star in a global show where fans who have zero media comprehension blamed him for his character's actions and literally stalked him at any hotel he happens to stay at. he went from being a dude doing musical theatre and shopping at thrift stores and recording random songs with friends and posting silly memes on Twitter to being harassed on his only social media page and his friends insulted and his partners bullied by his supposed 'fans' and anything he posts being so microanalyzed that he can't do a damn thing without someone coming out the woodwork screaming about how he's the WORST and won't he think of the FANS!?

like damn he can't have a girlfriend without being harassed, he can't travel without being harassed, he can't like or not like social media posts without being harassed, he can't post a fucking MEME without being harassed, he can't take a vacation or cut his hair or hold someone's hand or just live his life without being blamed for some bullshit or another. but yeah, okay, 'when will Luke Newton come back?' as if it isn't your fault he's AWOL now

[whos-hotter-jjba]

Hottest JJBA Outfit Bracket - Round 3 Match 2

[smokbeast]

poe thoughts and scribbles for my aching soul

[itz-pandora]

Huh. If my life was a quote, it'd be "one of those sad ones with a deceptively happy tune"

[hauntingblue]

Jayce telling vi she won't make it on her own.... okay mr. projector...

[pumpkinrootbeer]

Hi gay people in my phone I'm thinking about how Lip has lines like "like my life isn't a complete fucking waste" and "I don't know how to be with myself" and "how am I supposed to make it?". And him struggling with the death of his friend, and him struggling with everything with Karen, and him getting raped by his girlfriend, and him getting sexually assaulted multiple times in the show. there being lines about how alcoholism isn't his problem it's the other stuff going on with him. The sudden, violent snippets we see of Lip's childhood trauma snap back up to the surface while he fails to cope with them. how he is always in the caretaking role.

just, how every time he's at his lowest, we never see his family find out about it. they don't know what Mandy did to Karen. What Mandy did to him. They don't know the insane dynamics between Lip and both his professors. Or when he got black out drunk and broke into a house. They never knew he was put in jail because they never answered his phone call. Or that time Lip was homeless and sleeping on the L. Him getting drunk and getting beat up to cope with everything. We see him barely functioning again and again and again. the show says says all of this and then goes "he needs to get out of his way 😘🫶💫" as the final parting words on his character.

[polysyndetonaddictsupportgroup]

based on your asks responses & characterization of yuuta this is what i’ve gathered — yuuta is like that one high school senior who looked at the new coming freshman’s & just adopted them on the spot. there’s no out. now his friends sees the kid & adopted them too. it’s a family now. a very young, close in age family. (i was yuuta in this situation 😔 i was use to be megumi in this situation but i carried the tradition out. as i should. high school & middle school was wild.)

YUUJI THOUGH. we will probably never see him in your sea glass garden au but your asks is killing me. like his one sided beef with yuuta? he’s just like me fr. i too would fight over megumi if it comes down to it.

i just know yuuji thought that yuuta & megumi was a thing at first cause of the whole “his boy thing”. i know he screamed into a pillow about it. i know he went to gojo to ask for permission to court megumi & gojo was flabbergasted at such a medieval act so he had yuuji do the dumbest shit to get his blessing (ha).

i just know nanami is sighing at the idea of his son yuuji being a jealous little brat because of his other son yuuta. i just know yuuta was so confused until he witnessed yuuji & megumi awkward ass flirting. i know he acts like a little shit to get on yuuji (& sukuna) nerves.

you know what. this is my jujutsu kaisen. this is my sorcery fight. gege who? i only know you. PLS TAKE THE PEN FROM GEGE.

Yuuta is absolutely that senior who adopted that new student and made a little family. That is His Kohai now okay megumi is their collectively raised flour sack baby and they will kill for him.

Yuuji came back to life finally met the second years had just leveled up with his cursed energy and gained a new dad got his old friends back he was so so ready to go live his best life and then his new self appointed brother opened his mouth and started rhapsodizing about some impossibly beautiful and perfect man named okkotsu yuuta and yuuji is absolutely whacked in the face a la rubber squeaky hammer that there’s some gorgeous son of a bitch out there already living his best life.

His death sentence was overturned. He’s so powerful that he can save everyone if he wants. He is the legally adopted child of Nanami Kento. The curse attached to him 1) actually liked him and 2) moved the fuck on which some people (Sukuna) could take a few notes on.

Fushiguro Megumi is his boy.

This could not have devastated him more thoroughly. Even his newly acquired self appointed brother thinks okkotsu yuuta is the perfect man, which he manages to express at length in between warnings from the second years that Yuuta’s going to fly back from Africa purely for the sake of kicking his fucking ass for touching His Boy, which yuuji simply cannot handle.

Yuuji lowkey had a new lease on life and thought “hey! Fushiguro tried to kill someone with an elephant for me! Maybe I have a shot and he’ll let me hold his hand!” and then there’s god’s perfect man off in Africa who’s enticing megumi away from movie marathons with his fucking FaceTime calls right when yuujis almost hyped himself up enough to try the yawning arm stretch thing.

He spends at least three weeks trying to figure out if Megumi’s His Boy because they’re in a long distance relationship and it only ends because maki starts finding it more annoying than funny and establishes that it is not in fact a romantic arrangement. She thinks. (Okay it’s still kind of funny.)

Yuuji resorted to a terrible wikihow on how to get someone to date you and it insisted “get their parents approval” was his in and gojo could NOT have been more of an asshole about it. Nanami had to intervene to get it to stop. He is very tired and very confused. Why are you so upset about okkotsu he’s a lovely young man why is this making you more upset

Of course if yuuji ever found out that megumi became Yuuta’s boy after Yuuta personally restarted his heart he’d instantly understand why everyone acts like Yuuta’s the best thing since sliced bread. He is that amazing.

Yuuta and Megumi are completely oblivious to all of this.

Gege pls call me I just want to help gege pls

[weallpartyatybcpatricksfuneral]

new pfp! who’s the new guy?

ASH <3 my bloody beloved loser from the evil dead franchise. he's just like ybcpatrick because he's stupid and silly and covered in blood and tortured by demons except ash's demons are REAL and OUT TO GET HIM

[glsneeg-enthusiast]

guys ☹️

[redhotarsenic]

Man imagine whining because I called you a moron when you’re in fact being a moron

[breitzbachbea]

@fvriva Copying this out so I can do more stuff -

But yes! One of Charlie's many exes, only two of whom have ever received a name, is a guy called JJ! His full name is Jacob Johnson and I once posted some old pictures I had of him here .

They used to date when Charlie was pretty young and just out of school and were part of a bigger gaggle of gay guys. Guys who were just experimenting and finding themselves ... and who thought it'd be funny as fuck and their good right to fancy Charlie's father substitute Paddy. Charlie didn't find that shit funny at all, but kids can be so cruel. (I also bet like some were like "Ohhh, he's from the North and he's kinda badass, do you think he's an ex-Provo?" because these boys are pulling a Michelle from Derry Girls. And saying "He's a Prod from Derry" has zero effect, because then it's "Oh my god, that means he doesn't got all that repression! I bet he's a real Casanova!" at which point Charlie was ready to either eat the Abrakebabra tray himself or shove it down someone else's throat.)

However, Charlie's boyfriend JJ never participated in that tomfoolery. Because he was a clever young man, who knew if he kept it to himself, he could date Charlie, partially to get closer to that hunk of man. Enjoyed it very much whenever he was with Charlie and Co. and Paddy was around.

However, JJ overall didn't feel like Ireland was a great place to live and wanted more opportunities, so like many young Irishman, he went away to America. And before he left, he did the kind thing of breaking up with Charlie ... and also the not so kind thing of telling him the truth in regards to Paddy. Rough breakup.

JJ gets to America, things don't really turn out as they are ought to be and America has more or less just the same problems he wanted to escape, be it in a different costume. Poor JJ falls in with the Mob to get by and after seven or eight years, he is like "Hey. I am not gonna snitch on you, I am not gonna cause trouble, but I just wanna go home. Could you arrange something for me?"

And his boss, a young man called Alfred Jones, is like "Hmm, sure! I think I know someone you could work for, someone to keep eyes on you and who takes care for you in Dublin! Harry O'Connel's the name!"

And JJ does think. Hey, that's the name of Charlie's childhood friend. Even the surname is spelled that weird way ... But he shrugs it off, because maybe someone just left an L off the end and there have to be plenty of Harry O'Connell's in Ireland.

And Harry thinks the same when Al talks to him about an Irish guy called Jacob Johnson, like yeah yeah sure. Fork found in kitchen situation.

And then JJ arrives back in Dublin, goes to the office after some preliminary meetings with other subordinates or so, walks into Harry's office ... and Harry's face is not one that you forget. Not much has changed since puberty is through. And thusly Harry also learns that he has hired Charlie's ex as a new subordinate.

So poor JJ, comes home from his failed American Dream, learns that his ex's childhood friend is a mobster and THEN learns that the same holds true for said ex and has always been the case for the middle-aged guy he fancied.

JJ has learnt a lot about himself since he went away, especially about his priorities in life, so he now also realizes that Paddy was just some embarassing Teenage infatuation and nothing genuine at all. Not to mention that he may have a soft spot for Charlie still, but no old spark that is still alive. Charlie does make a bit of an ass of himself for wishing it was the case and being thoroughly disappointed when he gets mercilessly roasted by JJ and not even a little bit fancied. Sir, you are getting steady now, you don't NEED your ex-boyfriend for approval.

That's Jacob Johnson! Poor lad, deserved better :/

[mariocki]

Play for Today: Evelyn (BBC, 1971)

"Do you ever get the feeling you're cracking up?"

"Do you?"

"Well, I - I was asking you."

"It's your birthday."

"Oh, I don't have birthdays anymore, I stopped having birthdays a long time ago."

"You're forty."

"That was a very cruel thing to say."

[theres-whump-in-that-nebula]

Uh… sorry about your boyfriend. He was bitten by a spider… yeah, we had to amputate his leg… But we also taught him how to swim and fight to the death; he’s a pro at it!

[merumis]

i hate my man roommate and his bitch girlfriend so much

[daisyachain]

there’s one version of an f/m/m triangle that crops up so often I’m surprised there isn’t at least a tvtropes/vernacular name for it. Miyokichi/Kiku/Shin. Molly/Fitz/Fool. Asuka/Shinji/Kaworu. Futaba/Taichi/Touma. not-really-but-you-could-shove-it-in-here Luthien/Beren/Finrod. Utena/Touga/Saionji is a twisted spun-on-its-head version of it. Specifically comprising:

masculine male character A: either is the protagonist or a character on to which male viewers can project.

female character B: a secondary character and A’s official love interest, often kept apart from A by story/circumstance/gender roles. Shows some resentment of the trials she’s put through by the story in being A’s lover such as being shoved to the side, cut out of his life, or put in danger.

less masculine male character C: another major character, A’s devoted sidekick, feminine and/or conspicuously cold toward women or sexuality, somewhat ill-used by A but not resentful about it, as a contrast to B.

The dynamic is used pretty equally by female and male creators, though probably with different purposes. Outside the story, there’s a clear explanation for how the roles are divided: men are main, women are peripheral. Obviously the female love interest has to be on the margins of the story. Obviously the male main character has to have an ally in-story who can bounce dialogue back. Any human person has to have a best friend (for men, has to be male) and a lover (for men, has to be female). The major character male bestie and the minor character female gf is the minimum character dynamic you need to sustain the main character as a believable construction.

Except within the story, the dynamic begs far too many questions. On B’s part: her other half and love interest uses her for sex once every few chapters and dumps her to go off on another plot-relevant adventure. She’s kept in the dark, talked down to, pushed away, and distrusted. Her place at her sweetie’s side is occupied by Some Dude and no matter how much she puts into their relationship, she’s always going to be a prize for after the mission. Why does she stay with him? What could possibly attract her about this bestubbled grunt machine whose passion for the sword outmatches anything she’s given him?

On C’s part: he gets used as an emotional support crutch, designed to service his best friend’s every need at the expense of his own goals or story. He’s a housewife, he’s a domestic, he does every thankless story task with a smile because he has to provide the exposition/set up the plot/set the plan in action that carries the main male character to victory. He doesn’t have a love interest of his own, meanwhile the most important person in his life is obsessed with a woman he barely speaks to. Why should he care so much about someone who only takes? Why is he committed to this one-way friendship? What does he think of taking the backseat, providing support, submerging his own will for the sake of a person instead of an ideology?

On A’s part: if he’s a red-blooded heterosexual male character who pursues a woman as is acceptable, why does he dig himself so deep in with his designated ally? Through dialogue and because he has to in order to show the audience, he exposes his heart and soul to C and keeps him in his pocket for as long as we are watching, so why then does he cast him aside so easily? He invests the most time and energy into his relationship with C, cultivating love and loyalty there, but he draws the line so firmly in the sand that the audience is sure he’ll never, ever step aside for one minute to follow the friend. Why does he choose a man for his emotional battery? Why doesn’t he communicate with his supposed partner? Why does he choose to use B and C for sex and solace respectively, and why don’t they ever mix?

The gender dynamics wrap around to simple: women aren’t up to being equal partners to a cool guy, so you need a male wife to do everything for you and appreciate the protagonist’s sick abilities. romance with a man is perverse and impossible, so you need a female love interest to prove that the protagonist isn’t gay and fulfil the audience’s needs. But in-between all of that you could ask some interesting questions of the spoke character, A, the male protagonist whose actions are taken as normal. the question being: bro. what’s wrong with you