#while writing

[pellucid-constellations]

I think I'm getting my exam results back today (and by 'I think' I mean my friends are hearing rumors) and so that will determine whether if it all fell comes next or something sad and desolate

[illyrianbitch]

got a nice cold crispy dr pepper and a free afternoon. awsf? finale…im coming for you

[ehlnofay]

I Walked Into The River

The Tree of Shades, fed by a spring deep in the Shivering Isles' underground, will not surrender its secrets to one who has not earned them. The erstwhile Hero of Kvatch and Sheogorath's current grudging Champion has little left to prove and even less to lose.

I wrote this piece for the summerfest prompt "mirror" and am posting the full thing for the free day! it's my take on the doppelganger bit of that one quest in the shivering isles, which always struck me as having a lot of unrealised potential (especially in conjunction with running themes of duality the questline already has). I've had this idea for a long time now and this event finally got me to actually write it out, which was a lot of fun! if you're inclined to check it out, please do - it would give me much joy :)

[late-to-the-fandom]

[anewstartrekfan]

Spitballing Strange New Worlds s3 episode ideas, Spock edition:

(With Sam Kirk crashing the blog at the end)

Keep in mind I’ve only seen s2.

Assuming Christine is written out of the show for a little bit so the Doctor Korby romance can happen, maybe explain just how Spock was able to know that Rayna was going to die from being overwhelmed with emotions she was just experiencing for the first time in requiem for methuselah? I mean I assumed he was speaking from personal experience when I first saw it, but it could also be him diagnosing the situation based on what he was taught as a Vulcan.

So far strange new worlds (and from what I’ve heard Discovery too) has gone out of its way to show how Spock ended up in the mindset he was in about emotions and stuff. I think it would be cool if Spock either met someone else, or the events of episode 10 rekindle the Spock/Christine romance, Spock feels something entirely new, and then immediately regrets it when Chapel reveals she’s either engaged, in love with Korby, both, or some bad stuff dies down between him and whoever else he meets. This hypothetical relationship with a random alien doesn’t even have to be romantic.

Let’s say Spock gets caught on an alien world, meets a native, is stuck with them for a bit, and then in a life or death situation, the alien chooses to save Spock when we’d know that before meeting Spock, this character wouldn’t have done this, and somehow dies as a result. I’m thinking poison. Which would play into not only Spock’s actions in Requiem for Methuselah, but also Devil in the Dark. Wherein Spock at first wanted to try to reason with the Horta, but the second Jim was in danger he did a 180. It’s not that Spock would be against nonhuman entities learning human emotions. It’s that he would be far more cautious than Jim was.

“The joys of love made her human, and the agonies of love destroyed her.”

And while Spock is solidifying his stance to be more closed off, Other characters, Pike maybe? could finally open up to their friends. Maybe add some character development for Sam to explain why he’s so competitive with Kirk. Make it beyond daddy issues. Maybe make it mommy issues?

Oooo! I’ve suggested before that Jim and Sam’s mom maybe died on Tarsus IV. Maybe the reason Sam didn’t go on the command track like Jim was that becoming a xenoanthropologist would allow him to understand dead alien cultures discovered on various planets the federation may wish to occupy, or know how to communicate with living natives. And this would allow settlers/colonists to be warned about the local widelife like say, an exotic fungus that infects most of the food supply?

I work Tarsus IV into everything.

Since (in this hypothetical plot line) maybe there were native aliens to Tarsus iv, but because no one could communicate with them or even tried, the colonists weren’t able to be warned about the fungus. It would also be cool because of how it would naturally contrast Jim’s reaction to the massacre.

Jim wanted to be there when the disasters happened to save everyone.

Sam wanted to prevent the disasters from happening to save everyone.

Fun to spitball.

[spaceprincessleia]

Officially moved from my “I can’t write conversations” era to my “I always have to write the convo first” era

They’re good for structure

Also kind of makes me want to write a script one day, like the Aphra script

[cloudwhisper23]

Okay. So.

I'm in that writing rut (you probably know the one. and if you draw instead, you also probably know. actually, all art creators probably know exactly what I'm talking about here) that makes me feel like everything I've ever written is completely worthless. Do I believe this? No. I have evidence otherwise.

My issue (not that I'm blaming anybody here, I know we all have our own lives) is that I don't feel like I'm reaching people. I have one interactive reader, and I'm not entirely sure if he counts because he's my boyfriend. Some of my mutuals are reading my writing, but again, it's starting to feel very superficial because they're my mutuals. Of course they're saying nice things about my writing. They're mutuals.

There... just seems to be a disconnect. I don't have readers, or at least, I don't have vocal readers. Anon is turned on for a reason, but nobody wants to talk to me about my writing, aside from the aforementioned people. No asks, no comments, nothing. Maybe you're sick of hearing me say that I don't put much stock in likes (similar to other users on this site) but honestly, that's the truth of it. What's a like to someone who feels inadequate in their writing? To me, the answer is nothing. A like doesn't say much.

Sure, it says "Hey, this was cool." Does is say anything else? Not really. Does it tell me that you want to see more? No. Of course not. Let's say it's a series of chapters and books on Ao3 not getting any indication that people actually want to see it through to the end. What does that mean? The author probably will move on to other things, regardless of the pressure to actually bother finishing something through to the end. That was my goal, but it's starting to crumple. And if people don't care about my writing, then I'm going to stop posting it. The ask-box one-shots have been giving me more energy to write than anything else. Heck, I might just focus on turning some of those into proper stories. I certainly have ideas for how I could. I probably should, quite frankly. I've got time before my current readers even reach the end of what I've write (looking at you, Discord). And they may be disappointed that I didn't give them what I've been talking about forever (which if I listed here would be spoilers, not that you seem to care), but I can still write those excerpts, even though the story is frozen.

You just won't get to see them anymore. And you probably won't care. So I may even deactivate @thereareothersfnaf if this goes long enough. Which it might.

[pellucid-constellations]

Hi I miss you all 🫶 I want to answer all of my asks and I want to write sooo so bad I've been feeling that creative itch again I just need a sec <3 I think it would help to know what everyone would like for me to write first so let me know what series/new oneshot/whatever it is you have been hoping for :)

Sorry I died for a sec love you

[snowstories]

My biggest tip for fanfic writers is this: if you get a character's mannerisms and speech pattern down, you can make them do pretty much whatever you want and it'll feel in character.

Logic: Characters, just like real people, are mallable. There is typically very little that's so truly, heinously out of character that you absolutely cannot make it work under any circumstance. In addition, most fans are also willing to accept characterization stretches if it makes the fic work. Yeah, we all know the villain and the hero wouldn't cuddle for warmth in canon. But if they did do that, how would they do it?

What counts is often not so much 'would the character do this?' and more 'if the character did do this, how would they do it?' If you get 'how' part right, your readers will probably be willing to buy the rest, because it will still feel like their favourite character. But if it doesn't feel like the character anymore, why are they even reading the fic?

Worry less about whether a character would do something, and more about how they'd sound while doing it.

[technovillain]

crown jewel/stained glass jello cakes are like beautiful angels to me. it's fruity and delicious. it's retro kitsch. it's an edible example of midcentury minimalist art in every cross section.

i understand the 50s housewife appeal here. if i rolled up to the potluck with a fugly cobbler and my neighbor brought one of these i may have to end my stupid sloppy fruit life.

[noperopesaredope]

I wish we had more female characters like Eleanor Shellstrop. One of the most unlikable people you've ever met. Read a Buzzfeed article on most rude things you can do on a daily basis and decided to use that as a list of goals. Makes everyone's day worse just by being there. Dropped a margarita mix on the ground and tried to pick it up, only to get hit by a row of shopping carts which pushed her into the road where she was hit by a boner pill delivery truck, killing her instantly. Cannot keep a romantic partner despite being bisexual. Had a terrible childhood but will die before she gets therapy. Best employee at a scam company. Just the worst but also can't help but root for her to improve.

Absolute loser. Girl-failure. Bad at almost everything. Literally perfect female character.

[words-and-coffee]

Alice Te Punga Somerville, Always Italicise: How to Write While Colonised - Kupu rere kē

[ID: A poem titled: Kupu rere kē. [in italics] My friend was advised to italicise all the foreign words in her poems. This advice came from a well-meaning woman with NZ poetry on her business card and an English accent in her mouth. I have been thinking about this advice. The convention of italicising words from other languages clarifies that some words are imported: it ensures readers can tell the difference between a foreign language and the language of home. I have been thinking about this advice. Marking the foreign words is also a kindness: every potential reader is reassured that although you're expected to understand the rest of the text, it's fine to consult a dictionary or native speaker for help with the italics. I have been thinking about this advice. Because I am a contrary person, at first I was outraged — but after a while I could see she had a point: when the foreign words are camouflaged in plain type you can forget how they came to be there, out of place, in the first place. I have been thinking about this advice and I have decided to follow it. Now all of my readers will be able to remember which words truly belong in -[end italics]- Aotearoa -[italics]- and which do not.

Next image is the futurama meme: to shreds you say...]

(Image ID by @bisexualshakespeare)

[gumy-shark]

writing fanfiction is the most fun awesome thing on earth. also terrible horrible awful one thousand agonies

[rayveneyed]

nanami kento is the kind of man that makes people swoon without even realising it.

he's the kind of man to walk into a luxury store after work, suit jacket folded over one arm and a bouquet of flowers in the other -- his blonde hair still mostly perfect from the high-end pomade he uses. he scours the shelves, frowning to himself, while the attendants whisper and giggle amongst themselves near the tills -- an argument over who will be the one to talk to him, because he's intimidatingly pretty.

("just look at him," one whispers. "he's definitely buying something for a girlfriend."

"a wife," another disagrees. "c'mon. he's giving husband vibes."

someone hums. "but i can't see a wedding band."

"his mother, maybe?" says one other. "oh, i love when guys come in shopping for their mother."

"nobody's mother is getting a bouquet of a hundred red roses--")

eventually, one of them is volunteered as a sacrifice -- smiling and sweet as all attendants should be, she clears her throat. the others, crowded around the till, watch the exchange closely. "excuse me, sir. is there anything we could help you with today?"

her mouth is dry and her hands are clammy -- and when he fixes her with those narrow, burning eyes, her throat bobs.

"ah, yes." and his voice is deep and gravelly and drawling, and her stomach turns. she can only imagine what her coworkers are thinking -- hell, she can only imagine what she's thinking. her mind has stopped short. "my girlfriend likes this brand quite a bit. i thought i'd pick her up something..."

disappointment brews in her stomach -- and it's stupid, she knows it's stupid, because obviously a guy like that is taken. and -- she glances down at the roses -- obviously he treats her super fucking well. of course he does, because why wouldn't he? "oh, perfect! do you have anything in mind?"

"well, actually..."

he ends up buying one of the priciest gift boxes available -- fancy body care and perfume laid out in their signature boxes, decorated with ribbon and dried lavender -- no argument, no fight. he doesn't look for something cheaper, doesn't try to haggle or remove something to decrease the price. he adds, and adds, and adds -- and when she mentions a special offer at the till, a little add on for an extra 2000 yen, he accepts it readily. he inserts a black card into the card machine (of course, a black card), takes the beautifully wrapped bag, and thanks the girls for their services -- and just as he's leaving, his phone rings.

of course he answers the phone with hello, darling. of course he begins to ask his girlfriend about her day, the girls think with some amount of annoyance -- of course. maybe the curse of retail isn't entitled assholes expecting you to wait on hand and foot for them -- maybe it's the handsome men coming in to splurge on their girlfriends while you're painfully single and working for pennies.

[egophiliac]

hear me out

silver vanrouge ❌️

silver draconia ✔️

malleus beats lilia to the punch

[yeyinde]

my body sleeps on your boredom

SUGAR DADDY!PRICE X READER

18+ | sugar daddy/baby relationship. age gap. (implied) mafia au. dom!Price. (slight) dubcon breeding. breeding kink one so insane you can hear Mormons applauding in the distance. contraceptive control. implied financial control. rough sex. infidelity*. dad!John Price. cheating (not between reader and John). Old Money Rich.

What you have with Price is entirely transactional.

His job—the nuances of which he keeps out of the bedroom, the bed—eats up the bulk of his time, and you—pretty little tchotchke that warms his sheets, keeping him cradled between soft thighs, head nestled on the enticing swell of your chest (weary heads and all, you suppose); a homecoming he can sink his stress into—lap up the scraps.

It's an arrangement that works for both of you, really.

Your rent is paid. Closet bursting with clothing. Always tripping over more shoes than you know what to do with. Food in the fridge. Financial worries are swallowed down quickly when they arise (along with a whiskey-tinged glob of spit when he grips your throat and tells you to open wide). He takes care of you. And you—

You take care of him, too.

a simple creature, really: he just wants dinner on the table when he comes over (home), a pretty thing to stare at while he eats, humming around a mouthful as you prattle on about your day (non-negotiable—his appetite is archaic, oppressive: the man grunts around a piece of meat his woman cooked for him as her bare feet slide teasingly up and down his leg, and she fills the stifling silence with inane chatter), and at the end of the obligatory meal, he gets to vent his frustrations out on the wet, warm embrace of your cunt as it squeezes his bare cock (also non-negotiable).

It's an effortless synchronicity.

When you need money, you send a picture of yourself in lingerie he bought above a coy pretty please, daddy to soften the grump up, and after a few exchanges of him lamenting the unnecessary purchase (a part of you, wishful, idealistic, clings to the idea that maybe he just wants an excuse to talk to you, to let you lap at more of his time than think he can afford to give), he relents. The money is sent to your account. You walk out of the department store with an ache in your belly that no amount of expensive wine or truffle could ever hope of filling and bags dangling on the crook of your finger, and he gets to thicken in his trousers over the idea of spending his money on a pretty little thing he can bury his cock inside of whenever the mood strikes. A patriarchal sort of preening. Masculine ego stroke. The role of a dutiful provider all wrapped up nice under the hum of ownership, sex.

(Then he really gets his money's worth when he bends you over the settee. Bought and paid for.)

And you're fine with it. It works. It makes sense because this is the only way that the two of you, together, do.

He's older than you are (salt peppers his hairline; wisps of smoke slither out of the tips of wry, umbre curls. No laugh lines, but his eyes crinkle when he smiles). He has a career. A good one. The second bottle of Violet Sapphire he bought on a whim for you after you whined about running out of the first (a gift—sales lady said you'd like it, sweetheart) isn't cheap. Neither are the handbags. The Tuscan leather shoes. The teardrop pearls. A good man, too. Upstanding citizen, and all that—

(the thin line of pale, creamy skin against ripened peach: a married man. a crayon shoved in the pocket of his trousers: a father.

blood under his nails. ghosts in his eyes. the smell of gunfire and madness clinging to his skin: a monster, too.)

—and you barely finished community college. Scraped by with a degree you're almost entirely certain he paid for, too. But you get to float around a meaningless job doing empty, vapid things to fill your days when he isn't around. 

(An ornament doesn't serve a purpose if it isn't being gawked at.)

An imbalance, you suppose. Or a ballad: the timeless tale of a stupid, greedy girl sinking her teeth into a grown man's wallet like a dog with a bone. In his hand, the leash. A tug. Be good.

And you are.

You let him slide inside of you as many times as he wants, and pretend the burnished seaglass staring down at you isn't filled with longing. Kneel on your satin cushion at his feet as he stretches out on his throne, and guides your pretty, empty head to his cock. Good girl.

Always.

Even when you shouldn't be. Even when he's gone for long periods of time. don't wait up, peppering the air as he goes. Nothing but an empty bed. Rumpled sheets. The scent of sex and tobacco. Leather and motor oil. Smoke. Sage and stale sweat on your pillowcase. An ache between your thighs. The tattoo of his teeth seared into your skin. An envelope full of cash (just in case). The card he left behind (anythin' you want).

Little tchotchke put back on the shelf. Tucked away so the reason for that pale strip of skin and the broken crayon in his pocket won't ever see you. A dirty secret. Another skeleton in an overstuffed closet.

Predictable, really.

You know your place in his world even if he doesn't say it.

(until he does—)

Just not in so many words—a paradox considering how much he loves to boss you around, growling commands under his breath (on your knees, open up, suck my cock, pretty girl, want me bad, mm, missed my cock inside your cunt, didn't you? show me how much)—in fact, they don't even come from him.

It comes from the pharmacist when you duck inside to pick up your prescription for birth control, and instead of handing it over, he just shakes his head.

"You don't have any refills for this month."

He's gone for two months.

MayoClinic warns that this is the estimated window needed for the hormones to dissolve from your system. The risk of a pregnancy after this, it reads, is likely.

You ponder that in a penthouse suite, sitting pretty amongst shredded wrapping paper. A Dior Turtleneck Sweater wrapped around your throat instead of his hands. An apology—according to the embroidered card, the tight, messy pen strokes mention something about an unexpected business trip.

The return address on the box is in Liverpool.

It's listed for sale on Zillow. The asking price is just over a million dollars. A family home on a vast plot, it reads. Six bedrooms—five in the main home and an additional inside a detached coach house. A gated driveway. A secluded courtyard with a suntrap. Something called a self-contained annex seems to be the main focal point of the sale. It has five reception rooms and a sprawling garden.

Perfect for a family, it adds.

You thumb the alpaca wool on your knit sweater, and wonder if this is the leash being cut—

Or pulled tighter.

He doesn't bring it up.

And so, neither do you.

It sits like an oafish, gaudy elephant in the background as he walks into the apartment, fingers digging into his tie. Ignored. Dismissed. He grunts when the knot loosens. Shoulders falling lax. Calmed without the clench of something around his neck.

You place his plate on the table when he wanders closer, offering one of those simpering 50s era housewife smiles when his big, bearish hand swallows up your waist. The scent of char and gunsmoke clings to his collar when he leans in, pressing a kiss to your temple. Acrid. Metallic. Beneath it, you catch stale sweat. Animalic. Unwashed man, leather.

And nothing else.

There's old, greasy sweat on his nose. His hair is slicker than usual. Darker. Blood under his nails. Smoke between his teeth when he hums, offering a low, rasping missed you, sweetheart that scratches along your skin.

He didn't shower before he came to see you.

You hide the notion of it behind your teeth, letting it grace your smile with something that feels less plastic, rigid. More real. Artless. Clumsy. Like the dress he sent ahead of himself and the matching pair of designer heels that still sit inside their box. You'd never wear shoes in the house, but John Price isn't a man who does things in halves.

(a purse sits on the settee: a complete set.)

His eyes are dark—pelagic: the ocean at night; all dark, no stars, moonless—and when he looks at you (in the clothes he bought, in the penthouse he owns, cooking the dinner he wanted), something ripples across the surface. A frisson. Underwater quake. Deep and dark, and darkly possessive. Hungry. 

You like the look on him right now. Maybe even more than anything else he'd ever bought for you, done to you, because Price is, above all else, fundamentally human.

He has rules. Expectations. It's rare he's ever driven by instinct beyond anger—that thrilling thing you'd only ever glimpsed when he peeled back the curtain, tearing the skin he wore with you kneeling at his feet and growled into the phone at whoever stroke his ire. He's controlled chaos. Gruff and uncompromisable.

But the look on his face right now splits that staunch control down the middle until it falls, shattering into pieces at his feet.

He growls m’hungry, sweetheart, and you barely have a second to push the risotto aside before he lifts you onto the table, barely sparing a minute to swipe his hand across the surface, sending dishware and untouched food tumbling to the ground with that same little growl he gave to the man on the phone who disturbed him from the comfort of keeping his cock warmed on your tongue all day long. 

You're laid over the jacket he'd thrown down—rich with gunsmoke, tobacco, and something sharp and metallic—legs squeezed together, ankles tossed over his right shoulder.

It's messy. Artless. All animal despite the cocoon of finery bracketed around you.

Plates shake from the jarring force of his thrusts. Cups tip, spilling your glass of Roumier across the table. Something shatters when it hits the ground. But he doesn't stop. Doesn't even notice the chaos happening around him—as if the world ceases to exist beyond the sight of you taking his cock like a good girl. Spread out for his leisure. His pleasure.

He certainly looks like a hellish king as he stands above you. Towering. Terrifying. One hand wrapped around your throat, keeping you still as he slides his gaze from the tilt of your thighs to the tears puddling in the corner of your eyes as he stretches you open with the thick of him. The other looped under your knees, holding firm. Fingers digging into your flesh. Tight. Rutting like a beast.

There's sweat on his brow. His chest heaves. The hand around your throat slides down your collarbones in a damp spill of heat that makes your toes curl above his shoulder. Rough. Sticky with sweat. With you from when he pried your cunt open on three thick, scarred fingers, grunting at the sloppy mess he found between your thighs. Always so fuckin' wet for him.

It wasn't enough, but you think he likes that. Indulges in something archaic, sinister, when he catches the wince on your face as his too-big cock notches against your too-tight hole. Forcing himself inside with a grunt that sometimes sounds like a laugh when you whimper. When you cry and claw at the sheets and beg for mercy—just a minute to adjust, a second to get used to the burning stretch. The poignant ache when he slides down to the root—so deep, you sometimes think you can taste him in your throat.

He gives no quarter then, and he doesn't now.

Price likes fucking you rough. Edging on painful, bordering on too much. It's the juxtaposition, you think, from the way he treats you like a spoiled little princess who has daddy wrapped around her finger to the dressed up little whore he lays out on a table, bends over a settee, and brands your throat with the clench of his paw as he pounds into you like a beast. A little mean, a little cruel—just enough to balance out the rasp in his voice when he hands you his credit card and says buy whatever you want, sweetheart.

(and miss you, sweetheart—when he's tired and alone and already four glasses of whiskey deep; voice ground down to ash from the cigars he burned through. As soft as a man like him could ever get. Can't stop thinkin' about you, sweetheart. Need to see you, sweetheart. Need your pussy. Your cunt. Your mouth. That tight little ass. Want to fuck your throat until you can't speak for days, sweetheart.

(Want to push m'self so deep inside of you that you forget yourself, love. Forget who you are without my cock inside of you. Can't—can't live without me—)

Ash and soot. The next morning, another ten grand sits in your account. A knife slides cleanly, neatly, into your guts when the accompanying text says for listenin' to the nonsense of a drunk old man. don't take it to heart.)

Balance, maybe.

the thin strip of skin on his finger. the broken crayon in his pocket.

Maybe tonight was supposed to be the end. A clean break.

It makes you wonder if she found out about the tchotchke he keeps in his closet. The pretty little thing he begs to stay when he's drunk and alone, and then rips into pieces the next morning when money is promptly deposited into your account. A cruel-edged don't forget yourself, sweetheart.

But he's snarling as he peaks, grunting above you as sweat drips down his brow, heaving. Panting. Lips twisted up into a snarl. Eyes furious. Mad. His hand is a brand over your mound, possessive as he holds you in his palm, feels the way his cock splits you apart. Owned.

Bought and paid for.

Another grunt, and his thumb dips down to rub at your clit, barking at you to come—come on my cock, sweetheart, need to feel it—until you howl, clenching up so tight around him that it rips a molten, liquid purr from his chest. A throaty moan that breaks you into pieces. Tears the veneer of flesh and bone from your consciousness until your body liquifies, spilling out over the table, mingling with the Chambolle Musigny Amoureuses soaking into your back. Wrapped tight around him, as he batters into you without any finesse. Clumsy ruts. Sloppy. Animal. And then—

His cock swells. Throbs.

Over the roar in your ears, you hear him groan low in his throat, deep and brutal; the rumbling of a well-fed bear burying its dinner in the dirt. It sounds like mine now. Like ain't you, mm, sweetheart? gonna keep you nice and full. got all those rooms to fill, don't we—

wishful thinking.

But he comes inside of you. Bare. Raw. Your hands untangle from around his wrist, palm still wrapped around your throat, and drop down to your belly.

Price sees it and groans—

"that's it, sweetheart—"

(ain't gonna be empty for long.)

He's always had this little fantasy of knocking you up.

Used to growl in your ear about how badly he wanted to see you swell with his babies. Little broodmare he'd keep chained to his bed like a queen. Giving him five sons and five daughters because he could never seem to make up his mind on what he wanted—only that it was a lot.

(An improbable thing, really—he might yank on the leash, but you easily talked him down to four; two boys and two girls.)

He comes back (home) some days with fire in his eyes and sets on you like a man possessed, starved. Smothering you into the mattress with the thick of his body, grunting into your ear about knocking you up. Getting you fat and needy with his babies until you forget what it felt like not to be nursing, to be pregnant.

A terrifying concept. Something that made you rush a little faster to pick up your contraceptives, comparing the pill in your palm to pictures online just to make sure they were the same. And maybe at some point, it just became a game.

He'd press you into sheets and fuck you all day long, making you keep count. Each time he came inside of you was another baby to this empty house. A crazy thing, really. Midlife crisis, perhaps.

But you indulged.

Let him press his hairy, thick chest against yours as he folded your knees up to your ears and pounded inside of your aching, messy cunt, gasping out a tally into his sweat-slicked jaw. Laughed as he kept your legs bent and your hips tilted up, eyes riveted to the split of your sore, aching cunt. Growling an awful amalgamation of primal, masculine satisfaction at the sight of him spilling out of you and in anger at the fuckin' waste.

("gonna plug you up next time," he seethed, two fingers buried inside your bruised hole to stem the flood. "Wastin' it all, sweetheart.")

But that was before.

When he'd shower before he came to see you. Sometimes waiting days after he landed before he was back in your bed, grunting around the idea of another trip you wanted him to take you on, pretending to think about it despite the tickets to Egypt already booked. When he'd play house with you. I Love Lucy on the television, dinner in the oven. His hand curled over your nape as you bobbed your head up and down his cock. A dutiful wife taking care of her overworked husband.

Making babies in the dead of night. When he'd grunt say it, sweetheart into your ear, and you'd beg him to give you another one. Tears in your eyes, lachrymal, as you tried to convince your husband that the baby you put to bed in the empty room needs a sibling.

His hand on the leash, but your voice in his ear—paper soft—pleading don't make our child grow up as an only child, John.

(two weeks in Portofino booked. First class. Luxury resort. A Wolf & Badger swimsuit laying on your bed, one with a gold zipper on the front that he wears out by the sixth day and has to run to town to buy you a new one.)

But that was before. When it was just a rich, dangerous man's fantasy. When you had birth control to keep the unrepentant baby fever he had just a dream. Never a possibility. Never a reality.

MayoClinic says the possibility of conception is high.

The period tracker you glimpse on his phone one evening warns that you have two days before it comes.

When you swallow around the idea of it, half dizzy, half sick (six bedrooms), he rests his hand over your nape, tugging on the leash. His eyes are dark again. Midnight blue, almost black. Hadal.

He keeps them fixed on you. A ravenous black hole. Calmly closing the app as if nothing was wrong, as if he didn’t have your cycle locked into his phone. Rough, calloused thumb brushing over the soft patch of skin beneath your ear. Steady and soothing. Like calming a skittish mare. 

Unflinching. Unbothered. Entirely unconcerned when he kicks his foot over the line of what's expected, what you want, and fucks you again that night, bare. Raw. Groaning when he comes. Huffing into your ear about how he'll take such good care of you—both of you.

And when he tucks a pillow under your hips, you drag your hand down to your wet, swollen cunt in a clumsy, enticing attempt to keep him inside of you until he fills the empty space with the thick split of his scarred knuckles.

A performance, you think, when he groans like you gutted him. Bought and paid for. 

That's all this is.

But he doesn’t book a trip for this performance.

And he's gone when you wake (business, he says, in a messily scrawled note left on the end table), but there's a gift bag on the dining room table, sitting next to the stain you left when he pulled out of you. Dried come. Slick. Tinged slightly pink because he was rough with you last night. Hurried. 

The black box inside is an apology for hurting you even though you know he likes it when his come is a little pink as it leaks out of you. When you wince when you sit, and have to press a icepack against your sore, swollen cunt.

(it doesn't surprise you to find a pack already left out for you. coffee in a pot. breakfast warm on the stove.)

But the next thing he left is the real gift.

Divorce papers—already signed by him, the gold band he never let you see on top—sits on a stamped envelope, awaiting another signature. It just has to be mailed out. When you sift through them, the cause for the divorce is irreconcilable differences.

Balm to the shame is the little fact that he hasn't lived with his wife for the last year. The date of separation coincides neatly with that drunken phone call when he told you he wanted to bury himself so deep inside of you that you couldn't breathe without him saying you could. 

Domineering. Grossly possessive. 

He has you already, but that's not enough. 

It'll never be enough.

("wanna—mm, wanna give you everything, sweetheart. and I want everything, too. every part of you. wanna change your fuckin' name to mine—")

You tap your nail against the page labeled custody agreement, not even a little surprised that this docket has everything outlined, itemised. The table of contents says you'll find the prenup on page fifty-six and the proposed split of assets on page sixty-seven. It's thorough and every bit as intimidating and uncompromising as the man is wont to be. 

He's serious.

And John wants his kid. Non-negotiable.

That, too, doesn't really surprise you. Even when you were playing house, he'd always been a rather doting father—

("I don't want them to just have a sibling," he'd growl, firm and immutable, adding (intractable as always): "I want them to have a fuckin' team.”)

The address he gives for his primary residence, however, does give you pause. Liverpool. Chestnut Avenue, Moor Park. Six bedrooms. A guesthouse. 

The envelope is filled out, too. All it needs is to be tucked inside and mailed out. 

Already separated, his lawyer says, neat and tidy, like everything else in the pages. This was the most inevitable course of action, and my client, John Price, is ready to move on with his new life. 

Ready to move on. You scrape your tongue against your teeth, hand settling over your belly as you think about that. It's just—

He's always been a rather obstinate man. Stubborn. Once he gets his head around an idea, very little can change his mind. You'd seen it countless times before, but never this cold. Callous. 

Dismissive. 

Not to you, anyway. Not that you can remember. It's always been silk sheets, gifts from stores that would deny you entrance based on your credit score alone. A new wardrobe. A new place to stay. And that's—

That's kind of odd, you think. Maybe. 

He cut your lease the day after you dragged him home from the bar, back when he was just a bad choice after a terrible night out. Had the locks changed. A new lease in your hands—in his name—and a key under the mat beside a housewarming gift. An expensive espresso machine that would be a little too bourgeois in Starbucks. A penthouse that overlooks the ocean. Members only. 

There's a valet. A gym. A swimming pool. He joked one night that you'd feel right at home with the sauna it housed. Jus’ like a lodge, mm. 

You're not sure how he knew. It's one of those things that he just does. Like your name. The real one you grew up hearing before you moved to the city and changed it to fit in. How many siblings you have. Your parents. Their birthdays. A gift always sent out in your name, arriving just on time. 

All of your old things were donated. You didn't need them anymore—not when he ordered a whole new wardrobe from Loro Piana for you. Handed you his card and told you to fill the house up with whatever would make you happy. 

(Fitting, you suppose, since you barely have to think about anything except how to make him happy.)

He turned in your resignation less than three hours after you fell asleep on your lumpy mattress, worn out after a night of drinking. A night of him. More animal than man. Too tired to kick him out before you passed out under the weight of him still burying you into the mattress, hips flexing as he fucked you again for the third time. 

(the fourth, fifth while you were still sleeping. waking up to the sixth: him inside of you, a slow grind as he rocks in and out; he's bigger than you. too big. with your thighs wrapped snug around his hips, the top of your head barely clips the ledge of his shoulder. he wrapped an arm around your upper back, the other reaching out, gripping the pillows above you. panting into the thick bed of curls covering his chest as he threads his hand over your crown and presses you tighter against him. groaning into your ear. ducking his head down to rasp out how badly he wants to feel your messy little pussy squeeze him tight—

before he leaves, he hooks two thick fingers inside, and fucks his come into you. makes you come on his cum-soaked fingers before he wanders off with a small smile, the scent of tobacco and sex pungent in the air.)

And the ring—

You thought he never wore it because of some misguided sense of propriety. Decorum. The Madonna—a thin strip of pale skin, waterlilies and cashmere, a crayon in his pocket; tabloids dressing her up as a modern day Diana; a divot between his brow that grows and grows and—

and the Whore—

A penthouse. Dior sunglasses. Cucinelli heels. Colombo jackets. Loro Piana outfits that cost more than your parents make in a year. His credit cards left on your bedside table. Trips in a snap of a finger. Luxury a phone call away. 

(his voice pitched low. a smoldering rasp. stay, sweetheart, don't go. don't leave—)

—the divot melting into a brooding, heated stare. Desire drenched across his brow; want so thick, so palpable, you can feel his need throbbing between your legs. Dissolving into ash after, when he loops an arm under your body, cradling you close to his sweat-slicked chest as he leans against the headboard, smoking a cigar. Basking in the scent of sex. Satiety. Your finger curling around a thick whorl of damp, coarse hair. Content. 

It’s selfishness. Teeth digging into the man, refusing to let go. But beyond that, you know you’re good for him. 

Better for him, you think, and jog the papers on the table, right above that ugly little stain, to neaten up the pile. 

It takes five minutes to slip them inside the sleeve, peel the adhesive off of the sticky tab, and walk them down to the mailbox just outside of the lobby. Five minutes to initiate a divorce. 

If you had any qualms about falling into bed with a married man—not that he really gave you much room to think about it since he never showed up with his ring, just the mark of her around his neck like a noose; a constant guessing game—it’s put to rest when the metal flap snaps shut. 

Shame feels like an elephant. Something in the background. Ignorable. 

And besides—

(you place your hand over your belly and hum)

—you have other things to think about, to worry over, than a crumbling marriage.

He must have gotten the notice that you mailed the documents because a text comes later that night. Simple. Succinct. 

Good girl. 

The elephant slinks away into the moonless night as you pull open the catalogue of engagement rings he left on his bedside table, and circle a few that catch your eye. 

All of them sapphire. The same blue as the broken crayon in his pocket.

(The period tracker on his phone chimes a few weeks later.

You don't even bother peeking over his shoulder to know you're late.

You have more things to worry about, after all. Like moving to Liverpool next week when his divorce is finalised, and planning a wedding for the spring.)