fuck man.
what a hollow fucking ending to an album that - in my most uncharitable yet instinctual read - displays a complete lack of self-reflection.
throughout my initial listen, i felt this lifeless resignation to performance, to creating art to speak truth to experience. i felt the labor in the construction of each song, and not in the good, 'each piece of this puzzle was masterfully maneuvered into its place' way. in the 'i fought tooth and nail against my writer's block to make this happen' way.
couple that with lyrics like i just don't work, not without you, which surface-level* read like they're addressed to the porcelain of our story (snarling at that finale evocation of 'ever after'), and it underlines the way our protagonist hasn't matured even one bit over the course of six albums. stagnation is the underlying theme of this record. actually, it's more regression than stagnation. at least in phantoms (2019), our protagonist recognizing that he's hanging onto a ghost of love means he can't also romanticize the healing power of that love.
topping all that off by throwing up his hands and accepting that this life and mindset works as well as anything, sold to us with a triumphant swell-and-settle of the orchestra...
fucking hollow.
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Me, after forgetting to cut the top off an onion before dicing it: “Aw dammit”
The Gordon Ramsey that lives in my head: “Don’t worry there, this mistake isn’t going to ruin anything. No need to be too hard on yourself”
Me: “Wow, that’s…not what I was expecting”
Gordon: “Of course, you ought to know by now that I don’t shout at cooks just to do so. I do it because the people in hit television show Kitchen Nightmares are putting their services out into the public and claim to be good enough to have the title of head chef. You’re just some guy in your twenties making beef stroganoff for yourself and your roommate. I’m kind of a dick, yeah, but I’m not gonna scream at you for a minor mistake like this”
Me: “Oh….well…thanks”
Gordon: “You’re welcome…cunt…”
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Put thee not on Silent
[ID: A 4 panel comic made of digital paintings of a zoom meeting between the knights of the Round Table.
Sir Galahad, Queen Guinevere, Sir Gawain, Sir Lancelot, Sir Bedivere, have their own individual screens, and one screen shows a conference room with King Arthur, Sir Mordred, and others who are not named.
Both Sir Lancelot and Queen Guinevere have their cameras turned off, and microphones muted, the entire time.
Panel 1 shows King Arthur with a few of his knights, with Sir Mordred brooding beside him in shadows, and a hand reaching from offscreen to steal snacks from a bowl.
Sir Galahad has his microphone muted, and is in a forest, looking up and to the side. He has brown hair up above his head and very pale skin.
King Arthur asks, "Sir Gawain, canst thou see the PowerPoint slides?"
Panel 2 shows Sir Gawain, who has brown skin, black hair, green clothes, and heterochromia, with one green eye and one dark, replies, "Verily I cannot, I think it be a miasma of the sight."
Behind him for the background is a section from the Green Knight manuscript, showing faded lettering and a green knight on a green horse standing in front of someone with a large axe while a crowd of spectators watch from the sides.
Sir Galahad's screen is now slightly motion-blurred, showing a reddragon's open mouth in front of Sir Galahad's face.
Panel 3 shows Sir Bedivere, labeled Tech Support, who wears a blue shirt and a plumed knight's helm, looking exhaustedly into the camera, pushing his helmet visor up with one hand. He is lit by blue light and has bags under his eyes, asking: "Hast thou sharest the screen?"
His background is of a library. Sir Galahad's screen is now taken up by the motion-blurred side of the dragon that is attacking him.
Panel 4 shows Sir Gawain turned slightly to the side, looking derisively at the camera, saying: "Yea, but I cannot hear Sir Galahad."
The only thing left in Sir Galahad's screen is the motion-blurred, spade shaped tail tip of the dragon chasing him.
End ID.]
Description very kindly added by @describe-things
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Donna Noble really got in the TARDIS and on trip number ONE like ONLY the FIRST trip she was like we are going to change history to save a single family because that is how it should work so that is how it does and then on trip number TWO on the SECOND trip she was like we are going to destroy an entire culture of slavery because it is right I don't care if we're two people and then on the THIRD trip she was like I am going to be unbelievably brave to save my home and everyone I love and then on the FOURTH trip she was like no living breathing thinking creature is less than a person and how dare you try to dehumanise someone like that how dare you not give her a name and the list GOES ON this woman NEVER MISSED there goes one of the kindest bravest most constant women you might ever meet and she's a temp from Chiswick
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