#which will hit me like a truck I know it

[ohitslen]

Confession time: I’m just at chapter three of Trigun, the first volume OANSNKW

I meAN, I’ve been meaning to read forward, but I know it’ll leave a gaping hole inside my heart and I need to FUNCTION you know, I have to pull the last push of the semester and Trigun is already occupying too much of my mind, can’t imagine what will happen once I read the manga. So that is that.

[all-my-ocs-are-evil]

Grojband, but as a band from an early 2000s shoujo manga

[theoneringpop]

…She saw a future in which he was captured by orcs and still handed him the ring anyway. The level of trust

[africanmorning]

I find it funny to imagine that you can tell which marginalized identity someone identifies with the most by which aspect of the Murderbot casting they're most upset by

[jalboyhenthusiast]

-

[the-sage-libriomancer]

i try not to overthink the worldbuilding in Scoob and Shag because it's a thin premise that can't withstand much scrutiny (especially stuff relating to Toone), but i did have some thoughts that don't blow up the story's logic, so.

-first of all, the concept of "cartoon characters = actors" is inherently fascinating. especially since a lot of the actors seem to be government workers as well, implying the government used their own staff along with professional actors (like Yoge). what was the criteria? did they just have to look human? did Toone write show premises around whatever "characters" they had available? maybe that would explain some illogical plots and clunky lines in saturday morning cartoons - the actors didn't have much acting experience, and for all we know the writers were entry-level accountants.

-ballyhoo is also fascinating. it's basically a living metaphor for how an audience can influence their media: a toon's ballyhoo is directly empowered by how much love the human population gives them, just like how enough love of a fictional character makes them popular enough to keep appearing in media. it increases their strength (bc they have influence over the world) and extends their lifespan (bc they don't "die" until people stop caring about them), and all the ballyhoos are named after tv/movie terms like Picture in Picture or Jump Cut, implying that using tv/movie screens as a medium influences what sort of abilities they can get.

-the fact that too much ballyhoo causes you to instinctively, uncontrollably break the fourth wall is super fun and super fascinating and (as Bugs demonstrates) super horrifying. too much energy from meta sources causes the confines of your narrative to break down, leaving you in a weird spot in-between your world and a world you can't see.

-i can't stop thinking about The Inspector's backstory. it's just so tragic. born an android, given a literal soulmate shortly after creation, constantly looked down upon for not having a ballyhoo, losing his soulmate to old age, then losing his home to a war caused by the very thing you were devalued for not having. Bugs said that a toon's ballyhoo can extend their lifespan (likely bc a character who's beloved by fans doesn't really die), so the fact that Penny got old and died means she wasn't popular enough with the humans, which makes sense - Inspector Gadget is the iconic one after all. he's the one who everyone loved and remembered, and it was completely useless to him because he didn't have ballyhoo. no wonder he never smiles.

-i just realized that the Inspector was forced to leave Penny's grave behind when he escaped Toone. he can never visit her again :(

-speaking of screen partners, i love thinking about how the dynamics in cartoon series translate into real life and vice versa. it's a chicken and egg question: did certain characters land roles together because they were friends, or did they become friends because they worked together as actors? were Spongebob and Patrick actually buddies? did Felix the Cat work with Mick back in the beginning days of sending broadcasts? what's Scooby's professional opinion on Scrappy-Doo?

-(i wonder if you could justify the short period in Scooby-Doo history where Shaggy and Scooby were the only members of the gang regularly appearing in shows as "the government needed a way to keep the dangerous terrorists busy so they literally Could Not let those two stop appearing in things" asjhshbjahsjahsja)

-i I love that all the commanders are cartoon characters who were so popular/beloved that they seeped into (usamerican) popular culture: Mickey Mouse, Homer Simpson, Bugs Bunny, etc. They were the most powerful because their cartoons became the powerhouses of their respective eras - you can't get more loved than them.

-i wonder if the Simpsons were basically an ageless family back on Toone because they're still popular even after 40+ years, halting their aging. actually, i bet a lot of toons stopped aging after ballyhoo became commonplace. if your lifespan was defined by how loved you were by a fickle human audience, how do you think that affected relationships? it must've been hard if you had a tangible, literally life-affecting gauge of how popular you are according to alien beings you've never met.

-i was thinking about why Kermit is included as an mc when he's a muppet and the other toons are strictly western animation characters. the doylist explanation is that the author hadn't decided to limit the media used (similar to how Mario and Goku appear in early episodes), but i have a watsonian theory. i think Kermit is from the old Muppet Babies saturday morning cartoon, all grown up. he might've been a child actor who stayed with the government even after aging out, possibly explaining why there aren't any other muppets: they left the business and probably didn't escape Toone as a result.

-relatedly: my headcanon is that traditional (i.e. not toon-led) animation IS possible in this universe, and any animated project not usamerican is created that way. so anime is to the toons as a cg character is to humans, and the Goku pic is the equivalent of...i dunno, a photo of Avatarized Jake Sully lol.

-the fact that anime characters apparently didn't exist on Toone is probably for the best. can you imagine how powerful characters like Sasuke and Bakugo would be lmao.

-lastly, i was thinking about the old gods (or whatever they are). i'm pretty sure they're beings who exist behind the fourth wall. when Dee is pulled into the purple one's domain, she at first sees it as a wide open area in space, but then she starts processing it as more of a glass cube, with one huge window screen, large tubes, and wires running through the floating spheres - not unlike being held inside a tv. the purple god even says that staying too long will cause her mind to "shatter under the weight of reality" which...i think discovering you're actually a fictional character in a webcomic would do that to you. so the gods "interfering" is them going against the story's narrative to give the characters a boost. (this might tie into who Bugs is talking to when he/she addresses the camera - it's not technically us, it's the gods behind the wall.)

i have other thoughts but uh. this post is probably long enough.

[transmasc-rose]

Amy/Rory I Saw the TV Glow au:

Amy as Maddy/Tara, who ran away and never came home, who talks about things that can't be real (the TV show, the TARDIS, a world where they're strong, a world where they're something better).

Rory as Owen/Isabel, meek and yet loyal and yet terrified of his best friend and what she means. And what she says. And what she shows him.

Doctor Who, the TARDIS, the Doctor, all wrapped up into the role of the Pink Opaque, the TV show from their youth, and something Amy grasps onto and never let's go. Something Rory abandons for a normal life.

And yet.

[bunnihearted]

🫎

[imabiscuitinthousandworlds]

I LOVE going everywhere by bike. Don't need to wait for a bus. Don't need to cram myself into a bus with (urgh) people. Or even worse, what feels like every single student in town. I still get home in about the same amount of time. I'm so so flexible including with places. Like yeah sure, let's go there! I don't care if the next bus station is far away. Doesn't matter to me.

Stayed out late with friends recently. Two of em had to get their family to come pick them up because that's too far to walk and it was too late for buses. A different friend lives like 30 minutes away but always walks and their way goes through a small park where literally no one is at with few lanterns so it's pitch black and I could literally just walk them home and then take the bike which is faster and has its own light and feels and probably is safer than walking those dark ass streets at night alone.

Like. I can just do all that. And yeah, sometimes when I'm not doing too well I feel like collapsing afterwards and yeah, maybe my fingers feel like falling off a lot at this time of year but that's like. SO worth it. I have no idea how people can live and NOT go everywhere by bike. Like if it's more than 20-30 minutes maybe but even with hills.... I fucking love my bike.

[aropride]

my childhood best friend is active on instagram again she doesnt post but sometimes she likes my stories and i see her in the comments of posts and its actually ruining my life because i want to talk to her again i want to be friends but its been so long i have no idea how to explain. where i went. i guess

[leojurand]

—Elizabeth Wein, The Winter Prince

[martyrofacrimescene]

flat nosed buses my absolute beloved

[heyitslapis]

I need to get more Normal

[payphoneangel]

Vinny's 2023 fics!!

I'm so proud of all the writing I did in 2023!! I learned so much that I'm so excited to apply to my projects for 2024 <3

Not Whole, Not Holy Rating: Explicit Word count: 2,752

Moody, quiet, and introspective, this piece explores endverse!Cas and endverse!Dean finding a little bit of solace in each other among their crumbling world. Best described by the tag: Not hurt/comfort, not hurt/no comfort, but some secret third thing.

A Midsummer Night's Dean Rating: Teen+ Word count: 16,948

A wild ride of a casefic loosely based on Shakespeare's A Midsummer Night's Dream. Featuring love potions, Dean having chronic foot-in-mouth-disease, Cas being SO down bad it's dangerous, and Sam wanting to be literally anywhere else but here. I've been told this fic has made people laugh so hard, it has awoken children and brought concerned family members a'knocking on doors.

Innervate A series currently containing two fics, with a few more additions planned! This series follows Cas' developing relationship to his body and how he navigates through the world with it. It's full of fun science and anatomy, alternate angel lore, and LOTS of UST between Dean and Cas (don't worry, it will get resolved... eventually lol. This is a series-long slow burn)

Check out Prelude as a sampler for vibes (full disclosure-- this was a WIP for a LOOOOOONG time so while this fic was uploaded in 2023 the writing is far older than that)

Then for a more cohesive story (and tbqh way stronger writing), pop on over to Ask Me Why My Heart's Inside My Throat

Spellbound Rating: Explicit Word count: 4,764

A one-shot exploring the Master/Apprentice relationship of Sam and Rowena. Let's be real here. They have insane magic sex and I feel like not enough ppl talk about it. EYE barely even scratched the surface with this one. The quickest summary I got for this one: Sam's cardinal virtue is that when a hot woman speaks, he listens.

Long Black Cloud Coming Down Rating: Gen Word Count: 3,540

Taking place prior to s1, teen!Dean has to act quick and think fast when Sammy suddenly comes down with a fever. He can't let his thoughts race too far though, or he just might start believing that whatever's going on is more than just a fever and a snow storm.

[shoutsindwarvish]

you know, most of what i've reblogged on here lately re: current events has been about antisemitism when in my personal life i've had at least as much emotional energy taken up by exhaustion and anger at zionist rhetoric (depending on the day, significantly more)

but i don't feel comfortable talking about those feelings outside of antizionist jewish spaces or a very select group of people because i don't want a post to break containment and i do not trust just about anyone right now and don't have the energy for the bullshit i might end up having to dodge from all sides (especially fear of my words possibly being used out-of-context to justify an antisemitic worldview)

so. anyway. know that i am grieving and i am angry and i am exhausted and i don't post about it anywhere near as much as i talk about irl.

[whysamwhy123]

Ugh. I’m struggling to make any real progress on my various WIPs and I’m pretty pissed off about it. So, I’m gonna do The Thing again. Send me a word and if it pops up in any of the monstrosities I’m currently trying to get off the ground, I’ll post a snippet here and maybe that’ll help me get the creative juices flowing again?? *shrugs*