#which will also make things easier for me as the seasons go on

[bizarrelovesquare]

Miraculous Ladybug

lgbt/polyam moments - seasons 1 and 2

[petermorwood]

Chuckling at this, because my Mum - in Northern Ireland, generally considered to be about 20 years behind whatever The Current Times might be in the Big Island - was adding multiple cloves of garlic to one particular soup in the early 1950s.

(Not huge amounts, 40-clove chicken was yet to come, but way more than that timorous suggestion of one clove, unpeeled, and remove it before serving in case it makes you in-Continental.)

That same tentative caution applies to other spices: for instance @dduane & I inherited some of Mum's old British cookbooks which suggest things like a scant half-teaspoonful of "paprika pepper" in a recipe for goulash. Hungarian cookery writer George Lang recommends a couple of tablespoons at least...

I posted about garlic and "foreign seasonings" aversion HERE, along with the recipe for Mum's soup.

Here it is.

*****

I'm hugely grateful that my own Mum was a good deal more adventurous than most Northern Irish housewives of her generation. Being chummy with Signora Battisti, an actual Italian Mamma whose husband ran the fish-and-chip shop down the street, probably had quite a bit to do with that… :->

Here’s a recipe Mum learned before I was born.

Back then olive oil was something you got from the chemist (Olive Oil B.P., meaning British Pharmacopoeia, not British Petroleum), pasta meant macaroni, tomato soup was far easier to find than tinned tomatoes, and buying garlic if you weren’t “foreign” (Mum told me) meant you were “odd”.

Well, Mum was odd…

Peter’s Mum’s “Italiana Soup” (courtesy of Signora Battisti ca. 1953) 2 x Tbsp olive oil 4 x cloves garlic, sliced very thin 2 x medium onions, chopped 2 x 400g / 14 oz tins tomato soup 2 x tins water 2 x potatoes, peeled & diced 2 x handfuls macaroni ( @dduane​ suggests 1 handful = 1 cup, so about 150g; she also points out that in the US, a 400g can of soup usually means Campbell’s Condensed. However Mum always used Heinz Cream of Tomato, which wasn’t condensed, so YMMV.) Heat the oil in a saucepan over low heat. Add the garlic and cook for a couple of minutes. Add the onions and cook until starting to soften. Add the soup and water. Bring to a simmer and add the potatoes. After about 10 minutes, add the macaroni. After about 10 minutes, check texture: potatoes and macaroni should finish at about the same time. Serve garnished with chopped parsley, and a stack of hot buttered toast on the side.

BTW, forget trying to keep the pasta al dente. If the potatoes are waxy they’ll have far more texture than the macaroni, but usually everything goes soft and unctuous and garlicky, hence the beneficial contrast of nice crisp toast. I have no idea what the original Italian soup might have been, and I’d long thought adding spuds was an Irish modification, but much, much later, when @dduane and I were travelling through Cividale and Bolzano, we discovered that dishes including both potatoes and pasta were correct for that region, right up north where Italy bumps against Austria.

Though we've never been to Southern Italy, Pasta e patate con pomodoro (pasta, potatoes and tomato) is a standard dish there, too. That link is in Italian, but Google Translate works fine.

(I can't recall, if I ever knew, whether the Battisti family were from North or South.) Better olive oil, chopped tomatoes in juice rather than canned soup, and actual cream, will make it taste more Italian and authentic, whatever “authentic” means here. You can whizz it canned-soup smooth with a stick mixer before adding the potatoes and pasta, but that's not compulsory.

However the original Heinz-based version is my preferred comfort food whenever I’m feeling down, or when the weather’s lousy, or when I have a cold…

Or when I want to go back in time to when I was young, and my parents were alive, and a bowl of home-made soup was enough to set the world to rights.

Side-note - if the weather's really lousy, add in a splash of Worcester sauce and a generous dash of Tabasco or similar chilli sauce. It works. Alternately, or additionally, swirl a drizzle of that better olive oil onto each bowl, add a dollop of sour cream to the middle of the swirl and dust that with chopped parsley.

The result imitates Italy's red-white-green national colours (Margharita pizza does it too) and also looks jolly flash.

This screenshot from a gardening Facebook group has been on my phone for several years and I'm not sure I'm ever going to be able to delete it. Apparently it comes from a British gardening book from the 80s. I know we all joke that the English are afraid of flavor, but I assure you, you are not prepared for this.

GARLIC

Until quite recently, scientists smiled at all the wonderful medicinal powers claimed for garlic, but recent research has shown that there is some truth in a few of the old wives' tales. Garlic, of course, has an important role in Continental but not in British cookery — it really isn't worth growing unless you are a fan.

Any well-drained spot will do. Buy a head of garlic from the greengrocer or supermarket and split it up into individual cloves. Plant them 2 in. deep and 6 in. apart in March. Apart from watering in dry weather there is nothing else to do until the foliage turns yellow in July or August. Lift the bulbs and allow to dry under cover, then store in a cool, frost-free place.

If you are a beginner with garlic, you must use it very sparingly or you will be put off for ever. Rub a wooden salad bowl with a clove before adding the ingredients. Rub the skin of poultry before roasting and then you can try dropping a whole unskinned clove into a casserole or stew, removing it before serving. If by then you have lost a little of your garlic fear, you can try using crushed (not chopped) garlic in meat etc. as the Continentals do.

[gothicfied]

Min-su bf headcanons I just need to be feed cus this poor guy barely gets anything 😔

Bf!Min-su / Player 125 Headcanons

Pairing: Park Min-su / Player 125 x fem!reader (No Squid Game AU)

Warnings: None this time! This is just pure fluff, not proof read (english isn't my first language)

A/N: he's so cute I could die😞🙏 (Also tysm for the kind words, I really appreciate that! <3)

જ⁀➴ Bf!Min-su... who you originally met at the university you both were studying at. For you, it was somehow impossible to make friends or find connections with any of your classmates, regardless of the course, so you were actually kind of glad when your professor announced a group project and randomly picked four people that'll have to work together. Usually, you'd groan just at the thought of a group project - but not this time.

જ⁀➴ Two out of your three group members were... less than ideal people to work with. Lazy, not on time, unresponsive, uncooperative. But, thankfully, Bf!Min-su, the rather shy boy that was the only one who was willing to work with you on the assignment, was there to save you from overworking yourself. In the three weeks you were given for the project, you spent most of your time with him, even outside of school.

જ⁀➴ Bf!Min-su... who had a massive crush on you since the day he saw you enter the class you had together, but was obviously too shy and tol nervous to say something. So, he always opted for watching you across the room, the cafeteria and perhaps followed you on you socials, but that was it. If he was shaking while pressing the 'Follow' Button, there would be no way for him to confess to you. Given this, he was more than happy to be in a group together with you. He even did more than what was asked from him to complete the project, just to make it easier on you.

જ⁀➴ Bf!Min-su... who enjoyed the friendship that eventually grew between the two of you. He thought that it was best for him to try and shake off any romantic feelings he had for you for the saks of being friends, but he just couldn't. And he was really bad at hiding it, too. The first month or two, you just thought he was shy like that, always flustered around you, but after a while it confused you. There was no need to be so nervous around you, so what was his deal?

જ⁀➴ It clicked when he started to make little random gifts to you — Just trivial things he overheard you talk about. You thought it was very cute and caring of him and that's where things started to make sense to you.

One evening, Min-su had invited you to his apartment, which was right outside campus, to continue watching a show you started together. Attentive as he was, he made you guys your favorite tea, gave you your favorite blanket of his and made everything cozy, as it was freezing outside. You always complained about how winter was the most boring season, so he always made the effort to plan something nice for you guys to do. It genuinely warmed your heart to see how much effort he put into this, just to make it perfect for you. After sitting and watching the show for a bit, you just couldn't help but ask: "Is it possible you like me?" Min-su looked at you like he was just caught doing something he shouldn't. "Wh-.. What? Of course I like you?" he stammered out, nervously laughing. "No, I mean that you like me." The way his face turned red told you everything you needed to know.

જ⁀➴ Bf!Min-su... who was actually your boyfriend now after months of keeping his feelings to himself. When you confronted him at first, he thought he was going to burst into tears immediately, somehow being ashamed of himself. It quickly turned into you having to comfort and reassure him, telling him that you felt the same way and that he didn't have to be embarrassed about anything.

જ⁀➴ Bf!Min-su... who never stopped being your best friend after becoming your boyfriend. It all just kind of felt the same after a few days, just with the perk of being able to kiss you and hold you and love you and... just so many things he always dreamt about. To him, you were the most perfect girlfriend and to you, he was the most perfect boyfriend. You two just completed each other.

જ⁀➴ After a month or two, you'd move in together. It wasn't hard at all to get used to each other, since before the start of your relationship, you and Min-su had spent 99% of your time either at your or his place anyway. Being able to wake up to the sight of him peacefully sleeping next to you was the best thing about living together.

જ⁀➴ Bf!Min-su... who was admittedly insecure. Not about his looks or anything, but about if he was being a good boyfriend or not. Jealousy wasn't much of a thing with him — If he saw you laughing or having a good time with a different man, platonically of course, he'd just question himself and if he was even good enough. You'd always have to reassure him, but you didn't mind it. If he needed that comfort, you'd never hesitate to give it to him.

જ⁀➴ Bf!Min-su... who was, surprisingly, a very good cook. He'd always insist on making dinner and making something new for you to try. If you liked something, which was almost all the time, he'd save that recipe somewhere and maks it for you again if you were feeling bad or just didn't have a great day.

જ⁀➴ Bf!Min-su... who you couldn't be happier with by your side. The two of you were already planning a future together just a few months into your relationship. And no matter if things went according to plan or not, you knew that you'd always want him by your side.

[courfee]

just went through all my ao3 fics and edited all the tags because i feel like i overtag a lot and it always bothered me. tbf the most overtagging happens in my relationship/character tags but i find it super difficult to judge who/which relationship is important. like friendships are So Important in my fics i dont feel like i cant tag less there? especially my longer fics. amtc james&sirius and black brothers are in my mind at least if not more important than literally amtc jegulus. i know its a jegulus fic but also jegulus is just the catalyst for other relationship dynamics. how do you tag that stuff

[arkangelo-7]

I’m sure someone’s already headcannoned this, but Bruce having pet names for the Batkids? Man, those are his babies—you can bet your ass he has pet names for them. He might not be the type of man to show much affection beyond a shoulder pat or the occasional forehead kiss, but he’s determined to parent the crap outta these orphans, and pet names are an easier medium to show that he cares.

Dick is both “chum” and “sweetheart” depending on the context. When Bruce is feeling playful and comfortable (the easy, “your mine and I’m just happy to be here with you” kind of love), he’ll stick with “chum” and Dick absolutely loves it. But when Dick’s sick or has a nightmare or got injured during patrol? It’s sweetheart. It’s default mode for Bruce, because seeing Dick in pain brings up so many raw, intense emotions (Bruce gets scared, goddamit) that it’s easier for him to say “I’ve got you, sweetheart, it’s okay, just keep your eyes on mine,” then it is to say “I’m so terrified that I’m going to loose you, I love you, you’re my everything.”

Jason is“Jaylad.” But it’s less of the name that’s important and more of the story behind it that is. For the first few months that Jason was in Bruce’s care, Bruce didn’t dare call him anything other then his name, in fear that he’d scare him away (he was already so distrusting, so hesitant, so fearful whenever Bruce talked to loud or moved to fast or got upset), but at the same time, he’d seen how pleased Dick had been at being called “chum” and wanted to bestow a similar endearment on Jason. But—he didn’t want to go to far. So instead of calling him “lad” like his own father had once called him, Bruce calls him “Jaylad.” It’s a little more impersonal, but it makes Jason more comfortable. (But when Bruce cradled his son’s broken body he said “no, darling, not you, don’t leave me—” because just how Dick is “sweetheart,” Jason has also always been “darling.”)

For Tim… it’s more complicated. He shoved his way into Bruce’s life and he’s forever grateful, but it wasn’t the same as it was with Jason and Dick. He sees Tim as his son, of course, but their relationship was built on the darkest, most despairing part of Bruce’s life. But even in that terrible season, Bruce would look over at Tim working on a case or cleaning his suit and say, “Good job, sport.” It doesn’t happen often, but Tim is “sport.”

Cassandra is “love.” Bruce has never said it to her, aloud, but he knows Cass can read him well enough to hear the unspoken endearment, to see how much he longs to protect her, bring her joy, fill her heart with all the love she’s filled his with.

Steph is “duck.” And not necessarily because Bruce decided that it was, but because 9 times out of 10 he finds himself screaming, “Robin, get down!” because Stephanie will not for the love of God follow his orders, and end up right in the line of fire. To save time he eventually just started saying “Duck!” It keeps Steph from getting whacked to high heavens and saves Bruce (another) heart attack, but over the years it’s also become somewhat of a ritual to say “duck” whenever Steph walks in the room. Bruce secretly wants to call her “ducky” (which is what his mother called Kate), but he’s never worked up the nerve.

Duke is “kid.” By the time he’s in the family, Bruce has loosened up and lightened up, especially with everyday affection (which is to say, he’s not avoiding it like the plague). He’s quick to say “Good job, kid” whenever Duke had an accomplishment or ask “how are you today, kiddo?” when they see each other in passing in the Batcave.

Damian, lastly, would never allow Bruce to call him anything other then his name. But every once in a while, Bruce can get away with saying “son.” And it’s the best thing in the world.

[saudadeko]

ADHD tips from a girlie who was diagnosed in her late twenties and has had little to no support since and is being so brave about it:

1) Make it easy, make it accessible, and make it appealing. If anything this is the most important thing, all tips going forward are based around this concept.

2) That thing you think would help you but you haven’t bought/done it yet because you’re technically surviving without it? Buy it, you need it. It doesn’t matter if people around you might think it’s wasteful or that you’re lazy, you’re not, just do it, trust me.

3) Expanding on tip #2, if you’re like me and eggs are your main source of protein because they’re quick and easy and feeding yourself is a near insurmountable task- buy yourself an electric egg cooker, make a bunch of hard boiled eggs and keep them in your fridge for quick and easy protein to add to any meal (handful of crackers, a hard boiled egg and a banana? 5 star meal right there. Or mash them up with some mayo for egg salad sandwiches). Other easy proteins include: potstickers (put them in instant ramen), edamame (they have microwaveable snack packs), chickpeas (put in salads!), beans (can of beans microwaved with shredded cheese and some tortilla chips), peanut butter (with crackers, apple and cheese, adult lunchable style), and tofu (cut into cubes, throw them into a ziplock with some seasoning and potato starch, shake that shit up and bake it until crispy).

4) Spend a little extra (if you are able) on daily use items that excite you, it will make you more likely to remember/want to do said daily task. For example: the only reason I remember to use sunscreen is because I bought some fancy japanese sunscreen that smells like roses so I get excited to use it, same for laundry detergent and body wash! there’s a gajillion different body wash scents out there, switch it up!

5) If there’s a task you continuously struggle with take a moment to think about which part of the task is making it difficult, it could be something even as small as “I don’t put my dirty clothes in the hamper because my hamper has a lid on it and lifting the lid is one step too many-”, sounds a little stupid huh? But trust your gut, it’s not stupid if it works. See tip #2 and BUY A HAMPER WITHOUT A LID.

6) If you are having trouble starting a task, break the task down further, sometimes the way I start a task is just by going “Ok step 1) stand up-“ and so forth. Don’t worry about the task as a whole just take it one step at a time.

7) If you’re halfway through a task and have to stop, leave it out. All this, “Put things away when you’re done with them.” is bullshit. you will be much more likely to finish the task if restarting it is easier because you left it out plus it’s a visual reminder. You can also create faux deadlines like “I gotta finish this project before my friend comes over on tuesday because after I finish it I can clean off the dinner table.” etc.

8) It’s okay to outsource tasks and don’t let anyone tell you otherwise, humans are designed to ask for, and to require help (what do babies do when they’re first born?? cry for help!!) ask for help and receive help without shame, if it makes your life better, you are WINNING.

9) If you have one big overwhelming task that you think you need to get done before anything else, but you feel motivated to do other tasks, do those other tasks first, it’s okay. Otherwise in all likelihood (at least in my case) you’ll put everything off until the last minute and then have to do said overwhelming task and those other tasks won’t get done at all. Doing those smaller tasks also lowers the mental load and you can use them as a motivation launch pad to tackle bigger things.

10) If you notice you tend to not put something away/forget to do something, perhaps consider moving and storing the item closer to where it ultimately ends up or where you are more likely to see it. For example, my makeup, pills, and mail are all stored on my desk because that’s where I tend to do my makeup, take my pills and deal with my mail. I used to store my pills in my bathroom medicine cabinet but all too often I would forget because they weren’t in my line of sight. Now that they’re on my desk, I have multiple chances per day to pass by them, go “oh I gotta take those.” and take them.

11) Open storage, open storage, OPEN STORAGE.

12) Motivation can look like all kinds of things. sometimes the only reason I get out of bed is because I remember I have a fun snack and I get to go eat it if I get up. It’s okay to lean into those simple “animal-brain” type motivators, you’ll eat because then you can use that fun new kitchen gadget you got a daiso? Neat. you’ll shower because then you can paint your nails that fun new color you got? Fantastic. You’ll go to the dmv and do that annoying thing because you’ll take yourself out for boba after? Superb. Lean-IN to those small motivators, they aren’t stupid or childish, they are VITAL.

13) Don’t buy into the cult of “if it’s worth doing, do it properly” it’s guaranteed to set you up for failure. If it’s worth doing, do it in whatever capacity you are able to. I put sunscreen on once a day because that’s fucking better than not doing it at all and I sure as all hell will fail at reapplying it multiple times a day. If it’s worth doing, do it half-assed babieeee.

Go forth and prosper!!! xoxo ✌️🩵

[johanna-swann]

I actually have sooo many issues with 911 lately that haven't even got much to do with any ships.

Like. They wrote out almost all of the side characters. Chris is gone, Linda and Sue are gone, Athena's kids are gone (even though Harry just moved in with her and Bobby again? Seriously, where is Harry?), Ravi is gone, Carla is gone. I know the GA maybe don't care that much, casual viewers might not even have noticed that this many characters have just vanished from the show, but in my opinion this is one of the things that give a show running as long as 911 life. Having a big cast is a good thing. Otherwise things are going to get very monotonous very soon.

Actually, that's my second point. They keep repeating storylines! Every season Hen and Karen have to fight a custody battle over one of their kids.

Every season Eddie ends up realising he has a lot of repressed trauma and issues which keep him from leading a healthy happy and free life.

Every season Bathena realise that they have communication issues and they fight about it, but then something traumatic happens and they forgive each other without ever really talking things out.

Every season we are reminded that Maddie's most prominent character trait is "traumatised", the writers just alternatingly bring up Doug again and sometimes the ppd arc.

Every season we see Buck being somewhat restless, looking and searching for something that will bring him true happiness and cycling through love interests that never stick around and each time when you think "oh, there it is, he's getting somewhere now" the writers go "BEEEP! WRONG!" and we start all over again. [This is not just about recent events aka Tommy, the break-up and Buck potentially going back to his 1.0 ways, this also happened in season 6 when he had his "it doesn't matter what other people see in me, I'm enough" revelation only to suddenly be like "omg, Natalia just sees me".]

And Chimney- he had his moment last season with the wedding episode, Kenneth Choi really ate that episode up, but his most prominent character trait is "Maddie's supportive husband". There's really not that much going on with him otherwise.

Another point I briefly touched upon above is consistency. Like Harry moving back in with Athena and Bobby and then just vanishing. Or Gerrard being more like a slightly unfriendly grandpa than an actual antagonist in season 8 when he was still spouting slurs in season 7.

And the timeline! We talked about this before ("last March", Mara's fostering to adoption timeline, Tommy tranferring to harbour "5 years ago"), but the newest "Tommy was actually Abby's Tommy" twist just adds to that. Tommy was with Abby for over 2 years. They were engaged. This was at a time when he was still at the 118. Tommy dated Abby presumably because he was in denial or maybe because he was hiding. In either case, wouldn't his team at least have heard about his fiancée, Abby the dispatcher? Wouldn't that have rung a bell when Buck eventually brought her around only a year or two later? Tommy did talk about his private life at least a little at work, even under Gerrard. It just doesn't make sense. (Not to mention this seems wildly out of character for Tommy who around the same time also said about himself "being single is easier".)

Then there's the pacing. This was a huge issue in season 7. They jumped from one personal soap opera drama to the next without taking any breathers, had almost no procedural in their drama the whole season, still somehow decided to spend one third of the entire season just on the opening disaster and also squeezed in a "Bobby begins for the third time now" episode. But okay, it was a shortened season, there were strikes, they switched networks, they were under a lot of pressure - I'll cut them some slack. At least they set up a bunch of interesting stuff for the following season.

But we're in season 8 now. The renewal was announced very early, they had a lot of time to plan this time. Also they have almost double the episodes they had last season, there's really no need to rush any of the major plots. I am done cutting them slack.

They wanna do a 3 part opening disaster again? Okay fine, you have the time now. I feel like they could've easily done it in 2 episodes (especially 8x02 felt a little "eh"), but okay. Better than the breakneck speed you were going at befo- Oh, what's that? 8x04 flying in with a steel chair. You resolved 70% percent of the plots you set up last season in one single episode with no build up, no emotional pay off and no lasting consequences? And you also squeezed in multiple unrelated calls at the same time? Damn, okay then. Good-bye potentially interesting storylines. Fuck me for being invested I guess. I thought there would at least maybe be some follow up in 8x05, but no.

Now that Halloween episode wasn't bad, it was actually the best episode of this season imo, but instead of following up on previously established conflicts and developments they just hit us with new Wilson family trauma and conflict that was also immediately fixed again. And now 8x06 has speedrun and dumped another storyline that had potential to go to deeper and interesting places. Not gonna talk too much about that though because this post is about the show as a whole, not ships.

And I am not yet convinced that there will be much more to come on the only thing that's left from last season: Eddie's deep dive into his trauma and repression. It's totally possible at this point that being told "you deserve nice things" by a random stranger actually solved all of his problems, it would be very in tone with 911's new style.

What are they even gonna do with the rest of this season? Revisiting the Hotshots set sounds fun, but ultimately inconsequential. You know what's great about a regular old procedural drama with ~20 episodes per season that comes on weekly? You have time. You can let the viewers sit with their emotions and thoughts for a week and keep them engaged by stretching things out a little.

But why should I bother getting emotionally invested in problems the characters are gonna solve within the same episode anyway? Or rather, even if I wanted to, how am I supposed to care if you don't give me the time to develop any feelings about anything that's happening? "Henren lost in court and are now completely forbidden from seeing Mara at all!" Damn, that must be so har- "JUST KIDDING! Ortiz is exposed and everything is perfect again now." Oh. Okay then, I guess.

Bottom line: The characters are all stuck in their own hamster wheels, they keep cutting side characters that could bring a breeze of fresh air (I'm honestly surprised they even kept Josh until now), they rush through all the storylines a such a ridiculous speed that I don't even have time to feel any sort of way about it, they don't even try to keep a consistency or sensible timeline going and they seem to strongly prioritise random funny bits that'll entertain the very casual viewers right now in this moment (tiger call, Billy Boils, Bee-nado, the 'Stache tm, "wait, it's the same Abby?", Gerrard being a fangirl at heart) instead of playing the long game and catering to people who actually pay a little attention to the show.

[On that last remark: I'm not talking about hardcore fans who analyse every single frame here, I mean casual fans who've watched the show on and off again for a while and who may not be involved in fandom but genuinely care about the show.]

I mean. What am I even still doing here? The show is treading water and I end up disappointed more often than not. I'm still holding out a little hope that they actually will do something interesting with Eddie and his sea-monkeys, but I wouldn't be surprised if they didn't.

[sandraharissa]

I think one of the many things wrong with Jinx this season is how like, half of her personality was cut off and thrown out.

Like her reaction to grief. We see her suicidal after Silco’s death and she’ll be again very suicidal after Isha’s death. Makes sense. Don’t have notes on that part. However I have so much notes on her rage. In s1 we see Powder sometimes responding to bad situation by being shy and sad, but sometimes she reacts in a more adversarial way, like complaining they should try fighting Piltover or trying to stand up to Mylo. But we also get these moments like when she’s left behind and has an absolute meltdown and starts wrecking shit but more importantly her reaction to Silco. He says they’ll show them all and she throws the audience the most rage fueled look you’ve ever seen. When really pushed beyond her limits this is Powder’s emotional reaction to tragedy/being wronged. We see that all throughout acts II and III and we see it when she blows up the council after Silco dies. And that’s the problem cos that’s the part that’s missing from s2. They cut her personality in half and only kept one half. Anger as part of her personality and reaction to grief was discarded when writing her in s2. Even tho she goes through a lot of grieving in s2.

Another example is Isha. Jinx prioritizing family and just chilling? Wanting affectionate interactions with family? Having an easier relationship with a younger family member cos there aren’t any expectations or need to prove anything or gain anyone’s attention? No fear of abandonment/betrayal? She just has this kid who hero worships her and follows her around like a puppy so no stress? No notes. However I have a lot of notes about Jinx’s paranoia and how not normal and possessive and toxic she is about relationships. And I have notes on the generational trauma. Where did all that go? That’s not how ppl work. Living in a messed up society and Silco’s parenting won’t just evaporate like that cos Isha is just so overwhelmingly cute. It’s more likely that Jinx would corrupt the kid. (which you could argue on paper she does cos the kid in the end thought that suicide was dope but why did the narrative frame it as this beautiful thing lol)

And on the topic of fighting Piltover where did “we beat the enforcers with just the four of us imagine what the whole Lanes could do” go? Jinx definitely prioritized family more but she wasn’t neutral or indifferent on the Piltover matter. The enforcers wrong her/hurt her/threaten her family yet again, they kidnapped Isha, and she just acts panicked and sad, but also jokes and quips while on the mission. Where’s the rage and hatred and desire for revenge on the ppl who wronged her? Sometimes it’s just ppl around her being mean or lying or smth, anyone could be her enemy, like Sevika, Silco or Vi, but a lot of the time it’s Piltover, they killed her parents, they were her fathers’ enemies and drove them to hate each other, they chased them as kids and tried to arrest them, they kidnapped and abused Vi in prison all her adolescence, they would have killed Vi so she blew up the whole blockade, Council tried to turn Silco against her and now he’s dead so she bombs them, all her life she can see that the quality of their life is bad bcos of Piltover, she’s in Jayce’s apartment and immediately goes for the sandwich. Jinx doesn’t come off as a very politically/ideologically motivated character but what happened to all her personal beef with Piltover?

They also inexplicably just ceased to write her fucking up all the time. what about her y’know, being a jinx? In s1 even in acts II and III when she is proficient in fighting and bomb-making they still constantly show her being more of a burden and fucking up in other ways. While never explained (which was good) to me it came off as a symptom of trauma and being neurodivergent, like how ADHD kids can’t escape the allegations that they’re lazy, but on a meta level it did make it feel like she was supernaturally cursed. Part of what felt so profound and empowering about s1 finale and her embracing being jinx it that it was her embracing that she’s different (and ‘wrong’ in some ways) and can never live a happy life in the society she lives in and so she lashes out. Now she just chills and nothing ever doesn’t go her way (ig until Isha died but that wasn’t even directly her fault, Isha just acted on her own choice and agency). Suddenly her mental issues don’t exist or get in the way of her socializing and being a part of society. This bigoted, violent and unfair society.

Don’t even get me started on her mannerisms. Remember how she would bite her lip? I’m not sure if she does that even once in s2. “Sister, thought I missed her”??? let Jinx rhyme sometimes and in general say weird shit, not one-liners.

So the only way for the writers to have Jinx do nothing, heal up completely and just chill with a kid in her lair (and really everything else she does (or doesn’t do) this season) is to get rid of half of her personality, the traits that would dictate she take action and feel wrath and lash out/hurt her loved ones in the process.

All of her tragic traits from s1 that made her Jinx were just erased, not changed throughout the course of an arc, absent from the get go, so that they can have her say that Jinx is dead and have it make sense in the context of s2 cos from her very first appearance is s2 this Jinx was devoid of pretty much all of her jinx-y character traits from s1.

[denimbex1986]

'...“It’s fun playing bad, but actually he’s not,” the actor says, smiling as he reflects on his character, Crowley. “He’s a villain with a heart. The amount of really evil things he does are vanishingly small.”

...As it always has, “Good Omens” dissects the view of good and evil as absolutes, showing viewers that they are not as separate as we were led to believe growing up. Aziraphale and Crowley’s long-standing union is proof of this. The show also urges people to look at what defines our own humanity. For Tennant — who opted to wear a T-shirt emblazoned with the words “Leave trans kids alone you absolute freaks” during a photocall for Season 2 — these themes are more important now than ever before.

“In this society that we’re currently living in, where polarization seems ever more present, fierce and difficult to navigate. Negotiation feels like a dirty word at times,” he says, earnestly. “This is a show about negotiation. Two extremes finding common ground and making their world a better place through it. Making life easier, kinder and better. If that’s the sort of super objective of the show, then I can’t think of anything more timely, relevant or apt for the rather fractious times we’re living in.”

“Good Omens” is back by popular demand for another season. How does it feel?

It’s lovely. Whenever you send something out into the world, you never quite know how it will land. Especially with this, because it was this beloved book that existed, and that creates an extra tension that you might break some dreams. But it really exploded. I guess we were helped by the fact that we had Neil Gaiman with us, so you couldn’t really quibble too much with the decisions that were being made. The reception was, and continues to be, overwhelming.

Now that you’re no longer bound by the original material that people did, perhaps, feel a sense of ownership over, does the new content for Season 2 come with a sense of freedom for you? This is uncharted territory, of sorts.

That’s an interesting point. I didn’t know the book when I got the script. It was only after that I discovered the worlds of passion that this book had incited. Because I came to it that way, perhaps it was easier. I found liberation from that, to an extent. For me, it was always a character that existed in a script. At first, I didn’t have that extra baggage of expectation, but I acquired it in the run-up to Season 1 being released… the sense that suddenly we were carrying a ming vase across a minefield.

In Season 2, we still have Neil and we also have some of the ideas that he and Terry had discussed. During the filming of the first one, Neil would drop little hints about the notions they had for a prospective sequel, the title of which would have been “668: The Neighbour of the Beast,” which is a pretty solid gag to base a book around. Indeed there were elements like Gabriel and the Angels, who don’t feature in the book, that were going to feature in a sequel. They were brought forward into Season 1. So, even in the new episodes, we’re not entirely leaving behind the Terry Pratchett-ness of it all.

It’s great to see yourself and Michael Sheen reunited on screen as these characters. Fans will have also watched you pair up for Season 3 of “Staged.” You’re quite the dynamic duo. What do you think is the magic ingredient that makes the two of you such a good match?

It’s a slightly alchemical thing. We knew each other in passing before, but not well. We were in a film together [“Bright Young Things,” 1993] but we’d never shared a scene. It was a bit of a roll of the dice when we turned up at the read-through for “Good Omens.” I think a lot comes from the writing, as we were both given some pretty juicy material to work with. Those characters are beloved for a reason because there’s something magical about them and the way they complete each other. Also, I think we’re quite similar actors in the way we like to work and how we bounce off each other.

Does the shorthand and trust the two of you have built up now enable you to take more risks on-screen?

Yes, probably. I suppose the more you know someone, the more you trust someone. You don’t have to worry about how an idea might be received and you can help each other out with a more honest opinion than might be the case if you were, you know, dancing around each other’s nervous egos. Enjoying being in someone’s orbit and company is a positive experience. It makes going to work feel pleasant, productive, and creative. The more creative you can be, the better the work is. I don’t think it’s necessarily a given that an off-screen relationship will feed into an on-screen one in a positive or negative way. You can play some very intimate moments with someone you barely know. Acting is a peculiar little contract, in that respect. But it’s disproportionately pleasurable going to work when it’s with a mate.

Fans have long discussed the nature of Crowley and Aziraphale’s relationship. In Season 2, we see several of the characters debate whether the two are an item, prompting them to look at their union and decipher what it is. How would you describe their relationship?

They are utterly co-dependent. There’s no one else having the experience that they are having and they’ve only got each other to empathize with. It’s a very specific set of circumstances they’ve been dealt. In this season, we see them way back at the creation of everything. They’ve known each other a long time and they’ve had to rely on each other more and more. They can’t really exist one without the other and are bound together through eternity. Crowley and Aziraphale definitely come at the relationship with different perspectives, in terms of what they’re willing to admit to the relationship being. I don’t think we can entirely interpret it in human terms, I think that’s fair to say.

Yet fans are trying to do just that. Do you view it as beyond romantic or any other labels, in the sense that it’s an eternal force?

It’s lovely [that fans discuss it] but you think, be careful what you wish for. If you’re willing for a relationship to go in a certain way or for characters to end up in some sort of utopian future, then the story is over. Remember what happened to “Moonlighting,” that’s all I’m saying! [Laughs]

Your father-in-law, Peter Davison, and your son, Ty Tennant, play biblical father-and-son duo Job and Ennon in Episode 2. In a Tumblr Q&A, Neil Gaiman said that he didn’t know who Ty’s family was when he cast him. When did you become aware that Ty had auditioned?

I don’t know how that happened. I do a bunch of self-tapes with Ty, but I don’t think I did this one with him because I was out of town filming “Good Omens.” He certainly wasn’t cast before we started shooting. There were two moments during filming where Neil bowled up to me and said, “Guess, who we’ve cast?” Ty definitely auditioned and, as I understand it, they would tell me, he was the best. I certainly imagine he could only possibly have been the best person for the job. He is really good in it, so I don’t doubt that’s true. And then my father-in-law showed up, as well, which was another delicious treat. In the same episode and the same family! It was pretty weird. I have worked with both of them on other projects, but never altogether.

There’s a “Doctor Who” cameo, of sorts, in Episode 5, when Aziraphale uses a rare annual about the series as a bartering tool. In reality, you’ll be reprising your Time Lord role on screen later this year in three special episodes to mark the 60th anniversary. Did you always feel you’d return to “Doctor Who” at some point?

There’s a precedent for people who have been in the series to return for a multi-doctor show, which is lovely. I did it myself for the 50th anniversary in 2013, and I had a wonderful time with Matt [Smith]. Then, to have John Hurt with us, as well, was a little treat. But I certainly would never have imagined that I’d be back in “Doctor Who” full-time, as it were, and sort of back doing the same job I did all those years ago. It was like being given this delightful, surprise present. Russell T Davies was back as showrunner, Catherine Tate [former on-screen companion] was back, and it was sort of like the last decade and a half hadn’t happened.

Going forward, Ncuti Gatwa will be taking over as the new Doctor. Have you given him any advice while passing the baton?

Oh God, what a force of nature. I’ve caught a little bit of him at work and it’s pretty exciting. I mean, what advice would you give someone? You can see Ncuti has so much talent and energy. He’s so inspired and charismatic. The thing about something like this is: it’s the peripherals, it’s not the job. It’s the other stuff that comes with it, that I didn’t see coming. It’s a show that has so much focus and enthusiasm on it. It’s not like Ncuti hasn’t been in a massive Netflix series [“Sex Education,”] but “Doctor Who” is on a slightly different level. It’s cross-generational, international, and has so much history, that it feels like it belongs to everyone.

To be at the center of the show is wonderful and humbling, but also a bit overwhelming and terrifying. It doesn’t come without some difficulties, such as the immediate loss of anonymity. It takes a bit of getting used to if that’s not been your life up to that point. I was very lucky that when I joined, Billie Piper [who portrayed on-screen companion, Rose] was still there. She’d lived in a glare of publicity since she was 14, so she was a great guide for how to live life under that kind of scrutiny. I owe a degree of sanity to Billie.

Your characters are revered by a few different fandoms. Sci-fi fandoms are especially passionate and loyal. What is it like being on the end of that? I imagine it’s a lot to hold.

Yes, certainly. Having been a fan of “Doctor Who” since I was a tiny kid, you’re aware of how much it means because you’re aware of how much it meant to you. My now father-in-law [who portrayed Doctor Who in the 80s] is someone I used to draw in comic strips when I was a kid. That’s quite peculiar! It’s a difficult balance because on one end, you have to protect your own space, and there aren’t really any lessons in that. That does take a bit of trial and error, to an extent, and it’s something that you’re sometimes having to do quite publicly. But, it is an honor and a privilege, without a doubt. As you’ve said, it means so much to people and you want to be worthy of that. You have to acknowledge that and be careful with it. Some days that’s tough, if you’re not in the mood.

I know you’re returning to the stage later this year to portray Macbeth. You’ve previously voiced the role for BBC Sounds, but how are you feeling about taking on the character in the theater?

I’m really excited about it. It’s been a while since I’ve done Shakespeare. It’s very thrilling but equally — and this analogy probably doesn’t stretch — it’s like when someone prepares for an Olympic event. It does feel like a bit of a mountain and, yeah, you’re daring to set yourself up against some fairly worthy competition from down the years. That’s both the challenge and the horror of doing these types of things. We’ve got a great director, Max Webster, who recently did “Life of Pi.” He’s full of big ideas. It’s going to be exciting, thrilling, and a little bit scary. I’m just going to take a deep breath.

Before we part ways, let’s discuss the future of “Good Omens.” Gaiman has said that he already has ideas for Season 3, should it happen. If you were to do another season, is there anyone in particular you’d love to work with next time around or anything specific you’d like to see happen for Crowley?

Oh, Neil Gaiman knows exactly where he wants to take it. If you’re working with people like Gaiman, I wouldn’t try to tamper with that creative void. Were he to ask my opinion, that would be a different thing, but I can’t imagine he would. He’s known these characters longer than me and what’s interesting is what he does with them. That’s the bit that I’m desperate to know. I do know where Crowley might end up next, but it would be very wrong if I told you.

[At this point, Tennant picks up a pencil and starts writing on a hotel pad of paper.]

I thought you were going to write it down for me then. Perhaps like a clandestine meeting on a bench in St James’ Park, but instead you’d write the information down and slide it across the table…

I should have done! I was drawing a line, which obviously, psychologically, I was thinking, “Say no more. You’re too tempted to reveal a secret!” It was my subconscious going “Shut the fuck up!”

[sweetsaladpainterranch]

The Rival

Summary: Alastor sought to possess one of the only does in Pentegram City for the rut season, however, you wanted a mate, not a master. But what happens when a handsome new buck shows up one day and tries to capture your attention away from the Radio Demon. Who will you choose?

(Just some practice at writing drama but I hope you enjoy)

You weren't stupid. You knew that Alastor would call upon you only because he needed a warm body to ride out his rut and not out of any naive sense of romance. Every few months you'd receive an unsurprising visit from the Radio Demon casually resting in your hotel room before whisking you off for a vigorous week of reliving both of your heats. His earthy pheromones having triggered your own. It was usually obvious when Alastor would arrive because you could always feel fiery red eyes on your form and often noticed a dark presence shifting around in your peripheral vision. Of course, this would have freaked you out but it was also nice that you didn't have to go out of your way to avoid the numerous male cervid demons suffering through their own rut cycles of the season. Having never seen another female deer demon, you realized you were probably in for a bad time if one of those desperate bastards got a hold of you. So you didn't mind a little extra security as you went about your business. 

The very moment you walked through your door, an almost overwhelming scent of a warm, mossy, musk invaded your senses as waves of static washed over you. "Ah, there's my pretty doe. How was your day out my love?", Alastor greeted you in his typical cheery voice that made your heart flutter, but you knew the sweet-sounding pet name was only a product of his possessive manipulation. He knew very well how you reacted to his charm and he had no qualms about using it to gain your sexual compliance. "Oh, you know, quiet as Hell can be." You sat across from him on an armchair and smirked at the bittersweet domestic feeling as his shadow appeared next to you with a tea cup and a small bowl of sugar cubes. You scratched its shadowy scalp with gratitude as you took the offered drink, "And thank you for the company lately", you cooed to its delighted purrs. 

Alastor cleared his throat to get both of your attention as he began, "Yes, well”, he suddenly appeared in front of your chair and bent down to your eye level, "your protection would prove much easier if you would simply make a deal with me so that all of those pathetic weaklings would know who you belonged to." You didn't miss how his voice deepened into a static-filled threat but that didn't stop you from brushing away his outstretched hand as you stood up to put away your things. Of course, Alastor had been trying to get you to agree to a deal since the beginning of your...relationship(?), however, you had seen and known many people who deeply regretted making a deal with him. You knew he only wanted the same thing as every other cervid guy, regardless of how you felt about him. He didn't want a mate to love and protect. He wanted to possess the rare commodity of a breedable doe for himself.

 "I don't belong to anyone, Alastor.", you snapped, "You already give me protection from other males in exchange for my working you through your heat." He let out a dismissive chuckle when you shimmied your ample chest, but you saw the slight blush creeping across his face at the visions likely dancing through his mind. 

God, sometimes you wished there were more women deer around so that you could just live your fucking afterlife in peace. (But then, what if you'd never met Alastor and he had found another to see his ruts through?)

***

As you both headed downstairs to dinner, Alastor more so following you as was his habit during the season, you could hear Charlie loudly speaking to someone.

"Great! Well let's head o-", she was cut off by your entrance into the lobby which revealed a large figure sporting an impressive set of thick antlers. You could feel Alastor stiffen and tighten his hold on your shoulders. The scent of the visitor told you why. It was definitely another male deer, also nearing his heat like Alastor, and it was obvious that he must've followed your feminine smell here. Charlie began to walk towards you with a large smile, "Oh, hey there! I was actually just about to show our newest guest", she gestured in the stranger’s direction, "a tour and I'd love you to join us as other deer demons." She had a hopeful bounce in her step, "This is James.", who nodded and began to look you up and down with intensity. 

"Yes, I'm very interested in what your hotel may offer, Ms. Charlie." He was wearing a loose-fitting flannel shirt with his sleeves rolled up and a pair of worn jeans, but you could tell that he was absolutely jacked. His forearms alone looked like freaking tree trunks and he was easily taller than even Alastor with an equally enticing scent that made your stomach flip. James had begun to move further in your direction, however, a loud growl ripped through the lobby as ear-splitting static made everyone turn to its source behind you. 

"I'm afraid we've no vacancies at the moment.", he snarled, "Allow me to escort you towards the exit." Alastor had already begun to grow into his demonic form and used his shadow tendrils to violently eject the large buck onto the front lawn before anyone could make a sound. 

Charlie quickly darted after the two males, followed by you, only to be confronted by an impossibly odd sight. James stood tall without a scratch or sign of fear on him in the face of a giant, demonic Alastor. He even looked like he was all too happy to clap back with a strong, demonic aura of his own. However, the princess halted Alastor's intended strike with a burst of flames and a disappointed comment at his attitude towards a potential guest. And immediately apologized to James as she whirled around him checking for injuries, but none were to be found. 

Did Alastor take it easy on this guy? Why? He's always simply killed potential rival suitors, this one in his territory no less, so, why was he still alive?!

Charlie returned to the lobby, leading James by his massive arm, and proceeded to ask, a very pissed-looking, Alastor to fix the now broken doors as she led the two of you on a tour of the hotel. You could feel both James' smile and Alastor's silent rage boring into the back of your head as you walked with a clueless Charlie.

***

The intense air of murderous intent in between the two male cervids had only gotten worse over the next week after freaking deer Paul Bunion was placed in a room next to yours, which was across from Alastor’s. Charlie thought you'd be able to better connect another deer demon and maybe help him if needed, though she had no idea about the conflict she had placed in your lap.

James commented, during a group share circle, that he assumed that he was a Canadian reindeer, who was relatively new to Hell. He also made it clear that he simply didn't know, or care, who the Radio Demon was. The two constantly locked horns, both physically and metaphorically as the countdown to the rutting season was running out. You also found out through Angel Dust that Alastor was absolutely forbidden from using his power to injure a resident of the hotel. 

Which you assumed was why he didn't simply wipe James off the concrete outside like a pancake off a hot griddle. 

However, this didn't stop Alastor from staking his claim on you in other ways. For instance, he always had to have a hand on you somewhere. On your knee during group talks on the lobby couch, on your shoulder while you ate a meal, and on your lower back when he walked you from room to room. James didn’t seem to give too much of a fuck as he frequently kept at your other side and proceeded to continuously compliment you, give you small gifts, or make a particularly chapped joke that you couldn’t help but giggle and blush at. Of course, that usually resulted in being pulled closer into Alastor’s side away from the other male as he snarled and rubbed his face into your hair to try and mark you with his scent.  

You couldn’t lie. You very much enjoyed the attention of the two strong males as they vied for your affection and mating rights.

One early morning, while Alastor was forced to leave your side, in order to attend an overlord meeting, James found you in your rose garden behind the hotel and offered to help you plant your new buds. After a few minutes of digging and placing the rose roots, he spoke up, “Can I ask if youse and Alastor are an item?”. He smiled at your blushing expression and continued, “Not to offend ma’am, but I’d like to show you what a true buck is.”

Your eye twitched a bit at the insult towards Alastor, but you remained calm, “It's… complicated between us.”. James simply leaned in and smiled encouragingly, “Alastor isn’t exactly into relationships, but he takes care of me during the rut season.” 

“What about the rest of the time?”, he asked while bringing his face practically an inch from yours, “Does he make you feel like the forest queen you are? Or does he simply forget you until he needs something from you?” His steel eyes brightened in victory at your affirming face toward his questions, “I-I…um…”, you tried to defend your reasons for continuously coming back to Alastor again and again even though he couldn't care less about you during the rest of the year. 

He held your hand tenderly in one of his, while also cupping your cheek with the other and whispered, “Let me give you what you deserve, sweetheart. Love not possession. Tenderness, not indifference.” You were so absolutely enthralled by his deep voice and his potent musk that you could only stare blankly as he finally leaned in and softly pressed his lips against your own.

***

Hey, Again this is just some drama and relationship writing practice for a beginner class I'm taking.

-SSPR

[yolli-es]

Hi! This is my first request also i love your writing so much! I've been looking everywhere for a nsfw alphabet headcanons for jinx there isn't any can you please make one i don.t think anyone understand or describe her the way you do

Also don't push yourself!

NSFW Jinx alphabet🔥

Tags: NO spoilers for season 2

I did!! It was an interesting experience for me and thanks for the kind words. In fact, I have a problem with understanding the characters and it is very nice to hear this 😅

PERSON WHO ASKED SOMETHING SIMILAR: Are you still waiting for an answer to your request? Most likely, I will write the same thing 👉🏻👈🏻 You can also answer anonymously.

Aftercare (what they’re like after sex)

Jinx spends most of her time proving her love for you. Sex is no exception. It's just another of the many ways to say: "I don't just love you; I obsessed you." That's why, in the moments after intimacy, Jinx finally calms down. She just spent all her energy on pleasing you and got it in return. There is no better confirmation of your feelings for her right now. You can just look at each other; she won't rush at you to touch you like she would at any other moment.

Don't worry, she'll do it later.

Body part (their favorite body part of theirs and also their partner’s)

Choose and Jinx are not compatible. She will never tell you what she likes most about you; it's too complicated. Hands, neck, legs, hair, belly, and absolutely everything will be honored with attention from Jinx before and after sex. She also sincerely does not understand why others choose a favorite part of their beloved if they can fuck all parts?

It's much easier for her to say what she doesn't like about herself. Her breasts are her main complex, and if you say something like "I like big breasts,"  "my exes had huge breasts," or simply "between big and small, I'll choose big," expect a bunch of strange decisions from Jinx to hide her "flaw."

Cum (anything to do with cum, basically)

She will never think twice before cumming. Jinx doesn't care where, how, or where she does it. If you like it when she does it in certain places, she will remember and will definitely do it... However, if you don't like it when she cums somewhere, then... accept it; she will simply forget about it until you throw a real tantrum and you won't start threatening her.

Jinx has trouble remembering "no" and is great at focusing on "yes."

Dirty secret (pretty self explanatory, a dirty secret of theirs)

Jinx has a strange turn on when playing with her guns. She has imagined you saddle her with a gun in your hand more than once. She finds it oddly arousing to think about the possibility of a purely accidental death or injury while you're so close. The possibility of being blown up is also close to her.

But all of this will remain a fantasy. You are unlikely to agree to point a gun at her, which Jinx is well aware of. Besides, it's too dangerous for you. What if you go crazy and shoot yourself in the foot?

Experience (how experienced are they? do they know what they’re doing?)

You are her number one in everything, and she will do anything just to keep you from finding out. Jinx thinks that her lack of experience will make her a terrible partner in your eyes—a bad choice, and you will absolutely never fuck her. You will definitely understand that she is inexperienced when Jinx cannot pull off your bra. She has never worn one, and I swear she was ready to burst into tears at that moment.

After a couple of "training sessions," Jinx becomes the best lover possible. She learns quickly and does exactly what you want her to do because of her excellent understanding of people and her huge intellect.

Favorite position (this goes without saying)

She likes everything as long as you touch her. Jinx won't mind hanging upside down if it means constant physical contact.

Goofy (are they more serious in the moment? are they humorous? etc.)

Until Jinx gained enough (by her standards) experience, she took any joke in bed personally. Don't joke with her in the beginning; it might trigger voices in her head.

Later, when her skills allowed her to make mush out of you, Jinx began to like sudden stupid phrases. Especially while you were riding her. Jinx is not very goofy, but she starts to enjoy breaking your serious mood with the stupidest joke. You can start so hot and continue so intensely, but at some point Jinx will whisper in your ear: "What do you call a person who runs away from a cannibal? Fast food"

She lost a couple of orgasms, but you laughed! It's a small loss for a great cause.

Hair (how well groomed are they? does the carpet match the drapes? etc.)

Jinx's hair is really long, and I believe that her pubic hair was just as long. Okay, not that long. But Jinx has definitely never shaved. One day she got the idea to paint them green, but she got a minor chemical burn, and now she is afraid and ashamed to do anything with them.

You can ask her to shave, and then do it yourself, because she will definitely cut off a piece of herself without help.

Intimacy (how are they during the moment? the romantic aspect)

Jinx is focused on your feelings and simply adapts to them. If you want it hot and fast, she will do it; if you want it slow and gentle, she will do it. You don't even have to ask. And believe me, she will like it. Jinx will definitely not deprive herself of pleasure; she can just enjoy any interaction as long as you are delighted.

Jinx herself doesn't put much meaning into sex; there is no special romance in it that she could not achieve without getting into your pants. After all, she grew up in a city where they make a living from it.

Jack off (masturbation headcanon)

Jinx did this a couple of times as a teenager, mostly out of curiosity. Mylo ruins her mood every time, and it never worked.

After her first orgasm with you, she tried to repeat something similar on her own. She missed your hands, your breath, and your giggles. She couldn't cum.

Jinx will quickly stop doing it.

Kink (one or more of their kinks)

Jinx is obsessed with you. She spends most of her time expressing her gratitude to you for all the good things you give her.

And she loves you even more when you do the same.

It's okay if you get cruel and a little over the top at this point; Jynx will still love it. She will never feel as loved and needed as when you are completely obsessed with her. Sincerely, not when she asks you to. Bite her to mark her, dominate her, and constantly whisper: "You are mine, and that will never change." Oh, she will cum so hard.

Location (favorite places to do the do)

On the table in her workshop. Jinx will also call you her project or her favorite gun.

Motivation (what turns them on, gets them going)

When you take the initiative. Any touch to her with a subtext will be met with active actions. She feels your mood well.

Jinx will also try to tease you if she feels like you've been too cold towards her lately. She firmly believes that this is a radical way to love and will definitely remind you of her devotion.

No (something they wouldn’t do, turn offs)

Want to pick a fight with Jinx? Ask her for group sex.

Jinx won't share with you. Forget about a threesome.

Oral (preference in giving or receiving, skill, etc.)

Jinx will always be the first to initiate oral sex. She enjoys it while she's doing it and goes crazy when she's receiving it. It's her favorite. She's also damn good at it; oral wasn't bad even the very first time.

It must just be a talent—another one in Jinx's stack.

Pace (are they fast and rough? slow and sensual? etc.)

The one you need. She won't be too shy about being rude to you if you moan louder and rub against her more actively.

Quickie (their opinions on quickies, how often, etc.)

Jinx herself is very active, and her life is quite eventful. And yet this does not mean that she is a fan of it.

Usually you have quick sex just because you want it; Jinx prefers to wait for the moment when it will be possible to do everything she wants. Bite, rub, look, and lick, enjoying the moment, not just to stop the itching.

Risk (are they game to experiment? do they take risks? etc.)

Experiments? Yes. Risk? Never.

You will try everything; Jinx is a searching nature. She will definitely tie you up, spank you, not let you cum, and try different toys on you. You will go through all this together and more than once.

But Jinx would never risk the safety of your pussy. To do so much for your safety, only to be able to lose you so stupidly? No, never.

And no threesomes either.

Stamina (how many rounds can they go for? how long do they last?)

Jinx runs around Zaun with three guns and a bunch of bullets. She's incredibly resilient. You'll sweat more with her than you would on a Silko or Sevika mission. She won't leave you alone until she feels satisfied. Just when you feel like you're getting used to long sex sessions, she finds a way to knock you off your feet again. You tried to wear her out by having Jinx lift you.

Fatal mistake, terrible decision. That's why Jinx is a genius in your little family.

Her body got used to your weight pretty quickly and only strengthened her, making your sex not only long and exhausting, but also a little more difficult for you.

Toys (do they own toys? do they use them? on a partner or themselves?)

Jinx only uses them when she thinks you're getting bored in sex. Jinx will also definitely make a couple of sex toys, more for the sake of interest than sexual desire. She won't use it on her own, but how can she deny you the pleasure of torturing her a little with a toy? She'll definitely enjoy it too much, and control of the situation will pass into her hands as quickly as it left. 

Unfair (how much they like to tease)

For Jinx, teasing = prelude. She won't start until she realizes how hard you're want to coming. Sometimes it can go on too long, and you'll be hysterical and start crying. Jinx didn't want that; she just got carried away, so she'll definitely pay for it tenfold.

Volume (how loud they are, what sounds they make, etc.)

Scream or she will make you.

Your moans and screams are the only way to show others that you adore her without endangering the lives of others. It's also a great way to relieve stress.

Jinx will definitely enjoy it; don't hold back.

Wild card (a random headcanon for the character)

One time you accidentally called her by her real name in the midst of oral sex. She immediately stopped and just looked at you for a few seconds before she started crying. You didn't finish that time.

"Powder" has become your stop word.

X-ray (let’s see what’s going on under those clothes)

5.25 feet of slender body, long fingers, and a nimble tongue. There's a lot to work with.

Yearning (how high is their sex drive?)

Jinx has a low libido, and before meeting you, sex was not a concern to her. Even as a teenager, when hormones were raging, Jinx remained indifferent to intimacy. Now, you can excite her with just a hint. A light touch, a piquant pose, or an ambiguous phrase will make Jinx immediately become active.

Other people doing similar things irritate her.

Zzz (how quickly they fall asleep afterwards)

After sex, Jinx will lie next to you, just watching. She will be strangely silent and soothingly sweet. Very soon it will stop stressing you out and make you calm down. She will not close her eyes until she is sure that you have fallen asleep. This will last for a couple more hours before she can fall asleep.

Jinx always had trouble sleeping, but when she's next to you, her problem disappears.

I hope the topic of sex is covered and I didn't miss anything 🙏🏻🙏🏻

[lovelettersfromluna]

Here are a few Love Island!Ellie head canons because god…with how this season is going so far? I need it.

an: This is truly written from a place of fun! This isn’t to be taken seriously AT ALL! This is a funny little Drabble I whipped up in line twenty minutes because I thought it would be funny after my post I made a day or two ago. This isn’t for anyone and is 100% geared to a very specific audience 😭 also if any of you are watching this season of Love Island USA, can we please chat about it in the comments??? What are your thoughts???? Anyways, enjoy!! 🤍

• First of all…queer Love Island??

• I know there’s a queer Ultimatum but…the chaos of Love Island is just something I need to see with a house full of women instead

• Let’s start things off by talking about you

• Your intro is most definitely the one that catches everyone’s attention out of all the other girls. You have a personality that hasn’t exactly been seen in the seasons prior to yours and something about you just feels fresh you know?

• Your intro song is After Hours by Kehlani don’t fight me on this

• I really like how this season started with the girls arriving at night rather than in the middle of the day? Makes an easier transition I feel, so it’s the same for this too I’d say

• You aren’t the first to arrive, so you and the other girls (who you are losing your mind over they’re all so gorgeous and you’re already mentally taking note of who you want to pull for a chat later) when the last few singles arrive.

• They save the best for last of course

• Ellie’s intro 100% paints her out to be the bad girl of the season. Like come on, those tattoos? That fucking face?? The icing on the cake is that her intro song is Bandit by Don Toliver

• When she’s making her rounds of introducing herself to everyone, her eyes on yours immediately.

• Because she knew there would be hot girls in the villa, but Jesus fucking Christ???

• Now, contrary to what you might think, you and Ellie aren’t actually coupled up that night.

• Because you’re here to explore connections! And as much as Ellie literally takes your breath away with that fucking look in her eyes when she first spots you, there are other girls here that you like too.

• And you can also tell Ellie’s type from a mile away, and you’d rather steer clear of that before making any permanent reservations and making yourself look like an idiot for millions of people all over the world to see (we see what Leah is going through with Rob 🫠 let’s avoid that shall we?)

• Ellie though, is relentless.

• Because in her mind, she sees things completely differently.

• Why the hell would she waste her time talking to other random girls whenever you’re right here! Sleeping two or three beds across from her with some idiot instead of her.

• She’s shameless with it honestly.

• She’s always pulling you to chat with her, long fingers lingering on the supple skin of your thigh as you two are sat in the big swing or on the bean bags.

• “why didn’t you wanna couple up with me out first night?” She hums out softly, her head resting on one of the brightly colored pillows as she pulls your legs into her lap (while the girl you’re couple with and the girl she’s coupled with are literally across the villa)

• You giggle softly because she’s wasting no time in trying to get you comfy enough with her to choose her for the next re-coupling and it’s making your head spin.

• In all honesty? You didn’t choose her because you knew the moment you coupled up with Ellie, you’d be spoiled for everyone else.

• And shit hits the fan basically overnight here in the villa, so you’d rather not put all your eggs in one basket on the first fucking night (you refuse to have your family watch you be an idiot at home)

• She groans when you explain that to her, pressing her forehead to your shoulder as her teeth nip at your skin, which makes you nudge her playfully because she is getting way too close and the girl you’re coupled up with is shooting daggers with her eyes at the both of you.

• It also is not helping that Ellie is wearing the cutest black triangle bikini top with a pair of shorts and it’s just…god…her body is fucking insane.

• Later that night it’s the same, you’re upstairs doing your makeup with some of the others girls, having a bit of a recap of everything while spilling a bit of tea and gossip on what you’ve all gathered throughout the day.

• The topic of you and Ellie is top of the list on what the girls ask you about the moment you settle down in your chair to start getting ready for the night, and it makes you smile shyly as you try to find the words to say.

• Especially since the girl thats coupled up with Ellie could walk in at any moment….

• “Yeah uh…I dunno….I really like her but I feel like I need to also explore connections, you know?” You explain, your words a bit muffled as you apply your lip liner onto your lips.

• “With the way she looks at you? Exploring connections won’t be that easy” one of the girls hums out, causing the others and yourself to erupt in a fit of laughter.

• Ellie is quick to snatch you away once again when you and the other girls come downstairs to meet with their couples, barely giving the girl you’re actually coupled up with the time to give you a proper hug and kiss after you’ve all cheered to your second night there.

• I’d like to think that Ellie really values her privacy in the villa, and even though it’s damn near impossible to actually get away from all eyes and ears, she tries her best any way.

• Her hands are interlocked with yours, your heels clanking against the wood of the stairs as she pulls you up to Soul Ties (YUUUPPPP IYKYK)

• She’s staring deeply into your eyes as she brings her cup to her lips, taking a sip of her wine before she settles back against the mountain of pillows behind you, her hands toying with the frilly fabric of your dress.

• “You know I wouldn’t wanna be with anyone else in here but you…right?” She hums out softly, fingers dancing along the exposed skin of your thighs.

• And you can’t help but bite back a laugh, because this seems soooo illogical to you! Like it’s only been two days at this point?

• Ellie groans when you try to explain this to her. “Yeah but it’s different…I’m with you all the time…it isn’t like things on the outside” she pouts out, clearly annoyed with the fact that you’re still keeping walls up with her.

• It makes you sigh softly, because at this point you know you’re only holding yourself back from possibly having the strongest connection in the entire villa, but you want to play the game right! You want to explore the connections that have been placed before you without any regrets.

• But then Ellie’s eyes are going low, and you can see her leaning in closer, her legs interlocking with yours as her hand comes up to tuck a strand of hair behind your ear, and you already know what’s coming.

• Her lips are so soft, and she’s probably the best kisser you’ve ever had. It’s slow and sensual and the champagne in your system already has you buzzing a bit, a soft moan leaving your mouth as your hands go down to tug on her shirt slightly, her tongue working against yours.

• it’s easy in that moment to forget that you and her aren’t mic-ed up and there aren’t about a hundred different hidden cameras pointing at the both of you catching every angle of your face, because it just feels that good.

• But you’re quick to break the kiss once you remember that everything is being recorded, and you’re still in a fucking couple

• And even though you’re honest with the girl you’ve coupled up with about the kiss, and you explain to her that you’re still opened to getting to know her, in true Love Island fashion, your time with Ellie doesn’t stop.

• It goes on that way until the next re-coupling, and obviously your choice is saved for last because the anticipation of it all has been growing and your storyline seems to be the one that the viewers at home have been the most eager to watch.

• Of course, you choose Ellie.

• Not only because you feel the best when you’re with her, but also because leading people on just feels icky, and you don’t want anyone to perceive you as that sort of person.

• Ellie is over the moon of course, her hands wrapping around your waist and pulling you in close the second she’s sat next to you around the fire pit.

• And even though you’re sharing a room with like twelve other people, you get the best sleep you’d gotten in months when you’re sleeping next to Ellie.

• not before a kiss or two is shared before you sleep though 😌

• And that’s how things go for a while! You and Ellie are viewed as the most solid couple for quite some time, the camera always catching you and her lounged out by the pool talking about your families, or her bringing you breakfast in the morning when you’re getting ready with the others girls.

• “Yeah…my dad would love you. I bet you he knew I’d go for you the second he saw you” she hums out as you two are cuddled up on the swing, which makes you giggle softly. (Joel 100% struggles watching his daughter make out with someone else’s daughter every night but he does see how much Ellie likes you)

• Ellie frowns deeply as her eyes scan the fridge and the pantry of the out door kitchen as she’s outside with some of the other girls. “All they have are fuckin’ avocados and eggs?” She huffs out in annoyance before she settles on whipping you up some avocado toast and filling up your water bottle.

• She’s awkward when she brings it up, shy smile on her face as she peeks into the makeup room, eyes scanning the space for you. Her expression instantly brightens when she spots you pulling your hair up into a pony tail, making her way to you to press a kiss to your head before setting your breakfast down in front of you.

• “Didn’t know if you were hungry…so…yeah…” she mumbles out softly, which makes you giggle softly before thanking her and pressing a kiss to her cheek.

• The viewers at home and your fellow islanders quickly mark you and Ellie as the “married couple” of the villa.

• HOWEVER

• What’s Love Island without a couple of bombshells?

• You can’t stay too comfortable in a place like Love Island, especially when you hear that familiar ping coming from someone’s phone.

• It’s yours, and it happens when you’re out by the pool with a few other girls, trying your best to give advice with the relationship issues that they’re having.

• “I’ve been keeping an eye on you from the outside…but now it’s my turn. Meet me out by the beach for a surprise. And wear something pretty…..

Xoxo Abby”

• The girls you’re sitting with erupt in squeals and giggles, grabbing you and shaking you as you sit there in awe, your mouth hanging open as you stare down at the phone, reading the message over and over again.

• Ellie is on the other side of the villa looking as if she’s ready to kill someone, because who the fuck is Abby?

• You obviously have no choice but to go, and while you’re upstairs getting dressed with the other girls you feel a bit excited? Nervous? It was your first time outside of the villa in almost two weeks and it was for a date with a fucking bombshell??

• Once you’re finished getting dressed, you make your way downstairs to talk to Ellie, because you know you have to.

• Wrapping your arms around her waist and pulling her close makes you feel bad, because it’s easy to forget that the producers are obviously trying to test your relationship with Ellie and see which one of you will break first.

• But that doesn’t make it feel any better.

• “I’ll miss you…I’m sure it’ll be fine…she probably just wants to shake things up here” you assure Ellie with a soft kiss to her cheek.

• She frowns softly as she nods, pulling you close to her chest before she sighs, her feelings clearly in shambles as she stares into your eyes.

• “Yeah…have fun…” she mumbles out softly before she presses a soft kiss to your lips, letting it linger for a moment before letting you go.

• You desperately hope that this girl is a raging asshole who you’ll hate the moment you see her.

• But would she even be a bombshell if she wasn’t perfect?

• Abby looks like a fucking goddess sitting on the beach waiting for you. You aren’t sure you’ve ever seen muscles like hers before, and something in you wants her to show you if they’re just for show or not.

• WHAT IS WRONG WITH YOU, YOU ARE SPOKEN FOR

• Abby hits all the marks. She makes you feel comfortable, she makes you laugh, and she manages to make your cheeks and ears warm up every time she sends another flirty compliment your way.

• “So…I see you’ve been coupled up with Ellie…how’s that been?” She asks you gently, the gentle ocean breeze blowing through her pretty blond hair, making your head fucking spin.

• You’re honest with her. You tell her that you and Ellie have been very solid since the moment you’ve coupled up. You explain to her that you didn’t choose her in the beginning for the sole purpose of knowing just how attached you’d get to her when you were actually coupled up with her.

• “Yeah um…I think I’m falling for her actually” you mumble out shyly as you stare down into the bottom of your glass, watching as the bubbles of the champagne rise to the surface only to fizzle out shortly after.

• Abby hums softly as she nods at your words, taking a sip of her drink before she speaks. “She seems cool…but it’s early days, yeah? Still exploring a bit?” Abby asks hopefully.

•When you look up and lock eyes with her, you feel the air leave your lungs, because god she is so fucking pretty. Her pink lips are tugged between her teeth, and it makes you have to swallow back a whimper.

• And like an idiot that is charmed by the beauty of this actual goddess, you fucking nod.

• She chuckles softly before she nods with you. “That’s good to hear baby…” she hums softly before she leans in and kisses you.

• Would she be a bombshell if she didn’t kiss you on the first date???

• Back at the villa, Ellie is losing her shit.

• Because everyone is asking her if she thinks you’ll fold, and if she thinks this is a test to your relationship that you’ll pass, and it’s making her want to fucking throw up.

• And now she’s starting to feel the heat of this fucking show, because none of this would’ve been a problem if she had met you on the outside.

• She’s in the middle of pacing when you and Abby come back to the villa later that night, the sound of the group of friends you’d made squealing once they spot you and Abby coming in through the balcony.

• Hand in hand.

• That’s right, Abby brings you back into the villa, with her fingers interlocked with yours.

• Ellie wants to throw herself into the fucking ocean at that point.

• Her confessionals are filled with her groaning and bitching about how she could never compete with Abby, and how her muscles are probably fake anyways, anything to discredit the girls goddess fucking physique.

• you obviously pull Ellie for a chat once the others pull Abby to get to know her, because even though she chose you for the date, the others want to get to know her the moment they see her.

• But even as you talk to Ellie and try to console her feelings, it really all boils down to you and which one you feel the most connected to.

• So? Who would you choose?

[kattyysims]

Autumn Core Challenge | The Sims 4

don’t click me

   With my favorite season being fall, I wanted to create a mini cozy challenge to do a let's play with! This "challenge" will take you through an autumn bucket list, and all the cozy aesthetics ~ meant to be played during the rainy fall season (at least where I'm from).

Required Packs: Seasons, Discover University, Spooky Stuff.

Extra Packs: Get to Work, Cats & Dogs, Paranormal Stuff, High School Years, Movie Hangout Stuff, Get Together.

~ Not a must have but required for some objectives.

Aspiration: Best Selling Author

Traits: Bookworm, Creative, and 1 free trait.

Sim Likes: Rain, baking, sweaters, candles, baths, movies, lofi, reading, cafes.

Skills: Baking, writing.

Season: Fall

~ Options Menu > Game Options > Environment > Seasons _ Seasons Length > 28 Days

Mods (Optional): Shorter University Degrees by The Peridot Project.

~ Not required but makes it easier ~ since the normal 12 credits takes up so much time.

Assets: Small cozy home, a cat, a small bakery.

Business: Bakery (Optional)

~ If you'd like an extra challenge, own a bakery on the side!

Education: Major - Communications or Language & Literature, Elective - Baking

Holiday: Spookyfest

~ (Open the seasons calendar, and create a holiday - add Spooky Spirit, Trick or Treat, and Wear Costumes.

   Your sim LOVES to read, write, and bake, she also has a small furry companion. Growing up she always loved reading books which led her to majoring in language and literature, with dreams of one day being a best-selling author. She loves all things fall and cozy, and thrives during the season. But not without conditions, she must drink at least one cup of coffee a day and loves visiting new cafes.

Objectives:

Master the baking skill. (Get to Work)

Graduate with at least a 3.8 GPA. (Discover University)

Own a 4-star bakery. (Get to Work) (Optional)

Publish 3 successful books.

Finish reading 4 books.

Become companions with your cat. (Cats & Dogs)

Drink one cup of coffee a day.

Have a 3 sim friend group.

~~~

Go to a cafe at least once a week. (Get Together)

Host a Spooky Party and get gold reward. (Spooky Stuff)

Go to a pumpkin patch (you can download one from the gallery). (Spooky Stuff)

Carve pumpkins (pumpkin carving station). (Spooky Stuff)

Go to a haunted house. (Next to the ferris wheel in Copperdale ~ High School Years.)

Befriend a ghost.

Play in a pile of leaves. (Seasons)

Watch Sims of the Dead. (Movie Hangout Stuff)

Go to a movie theater.

Stay the night in a haunted house residential. (Paranormal Stuff)

Commune with the departed. (Séance Table) (Paranormal Stuff)

Have a picnic.

Find a partner to go skating with. (Seasons)

Harvest an apple tree.

episode 1

[xenteaart]

when you're feeling weak, i'll be the words if you can't speak

pairing: chan x reader (i wrote it with idol!chan or producer!chan in mind, but it can fit any au, really) genre/warnings: er, angst, hurt/comfort, implied suffering w depression and anxiety. reader is feeling off and insecure. also kinda going almost non verbal author's note: a short lil songfic ig coz it's inspired by Isak Danielson – I Can't Lose You. basically channie being a comfort boyfie material

to put it simply, you were never not anxious or insecure. but stepping into the big adult life, you sort of learned to conceal it well, even from your own self. the fake it till you make it thing, and you could even say you've "made it" with a small exception of the days where your brain and your entire nervous system randomly circled back to your default settings. "so what are you gonna eat, baby?" chan asks with a cheerful soft tone, glancing over the menu and then back at you.

today's a good day. you haven't been too overwhelmed with work, nothing out of the ordinary happened. so naturally, a pinch of guilt somewhere deep in your guts makes you feel like a bother to be around, and today — for no good reason.

"are you okay?" he notices your slightly spaced out gaze when you're trying to read the menu but not really reading, more like frowning and getting nervous.

"yeah.. no. no, i don't know," you murmur barely audibly, losing your focus for the tenth time in a span of the last five minutes. brain fog takes over, making your vision blurrier than normal and your thinking all floaty and hazy. as if you're looking at the world through dirty lenses, but also the lights are too bright and your surroundings are loud.

"i dunno, i just..." can't even speak for myself today and choose a meal and say it out loud because suddenly everything is embarrassing and difficult.

chris looks slightly worried because you might be in pain or feeling unwell, but nothing hurts except your pride. because you're a big girl, you have been for years, and now you want to cry on the spot because you can't choose between pasta and soup all of a sudden. it makes you feel even more stupid.

"can you please choose and order for me today? my brain just can't," you try to explain, visibly stressed and overwhelmed by a simple mundane task, "i want somethin' warm and filling," you specify to make it easier for chan.

he doesn't make a big deal out of it, just nods and meets you with a gentle 'course, baby. he then talks to the waiter and makes sure they don't ask you anything which feels like a relief. sometimes it's nice to feel invisible, especially in a vulnerable state.

after the horrifying deed is over with, chris leans in a little closer to be able to speak in a softer, quieter voice.

"d'you wanna just have dinner in silence and head home?" he asks while massaging your palm with his fingers soothingly, so calm and nonchalant as if you didn't just obsess over the smallest thing to the point of making yourself filled with shame and insecurity.

that's how chris always does it. by showing you that whatever it is that's bothering you is not a burden to him. he's got you. it's okay if you want or rather need him to do something for you. he's happy to be your strong shoulder to lean onto and not think about a single thing while he takes care of whatever it is at the time.

"yeah. or you can tell me about your day and stuff. i wanna know and i'm okay with listening. just not... responding, maybe?" you give him an awkward smile as he nods understandingly and plants a little kiss on the back of your hand. a modern gentleman and a caring lover.

somewhere in the middle of a story about how cubase was lagging and almost crashed mid producing session today, the waiter brings your meals. it's two pumpkin cream soups, some grilled and seasoned breads and a fresh greek salad to share.

oh, to be loved like this.

your stomach growls at the smell of food, and a bright proud smile is instantly painted over chan's features.

[snoopyhq]

˚ ♡ ⋆｡˚ ❀ eres mi regalo mejor, querido

type: viktor x reader

summary: viktor with a reader whose love language is gift giving

word count: 1250

First of all, why?

Not that he’s ungrateful or anything! Far from it, in fact

See, he just isn’t used to receiving gifts “just because”

Growing up in Zaun, moving to Piltover, and now dedicating his life to Hextech meant that he doesn’t exactly have time to enjoy the little things. He has no desire to be speaking in front of crowds. His comfort zone is being in the lab, his focus on his latest passion project, and he has control over what he’s doing and what he knows

Also, he’s not used to surprises. Didn’t reckon he would ever be fond of them

And I’m totally projecting here, but Viktor is also one of those people with the really awkward reaction to receiving gifts. He doesn’t know what to do or say that would seem appropriate enough, you know? He’s extremely touched that you thought of him and not just that, but saw it fit to get/make him something

Over time, accepting that he’s loved through the means of gifts becomes easier

He’s not the best at it to start with, because most his purchases have strictly been on a “necessity” basis

But he isn’t one of Piltover’s brightest minds for nothing

Babygirl’s hypothesizing, observing, and applying. Got that scientific method approach when he’s getting you gifts

Overall, you’re both doting on each other now in your ritualistic exchanges of presents

It’s a mix of hand-made and bought, and both forms of acquisition doesn’t matter when the thought behind the choice is explained with such love 💕

˚ ♡ ⋆｡˚ ❀ DRABBLE TIME !!!

While the holiday season was a time of rest and relaxation for most people, things within Piltover's labratories were in complete mayhem. The department's end of season party was quickly approaching, which meant Viktor and Jayce were consumed with decorating the halls. That was their assigned task, and they were determined to do a good job.

Sky had went home to her family a week earlier. You and the boys had bid her a sweet farewell, sending her home with a collaborative handmade stopwatch. It had a GPS built in (thank you, Viktor), a widget for the weather and traffic predictions (shoutout Jayce), and you had drawn up the blueprint for its internal mechanics.

Viktor returned home a little after 6:00 PM today. It was well beyond dark outside, even with the lamps lighting up the streets. This was the last breather before the actual event in about three hours.

"Here, eat something," you encouraged, handing him a bowl of soup you'd made earlier.

"Thank you. You always know just what I need," he smiled wearily.

While he got to work on the meal, you went about getting ready. You were Viktor's plus-one, and while most of the department knew your name and face from your frequent visits to see your beloved, you were still nervous. Even so, you were determined to enjoy yourself, and hopefully Viktor would too.

He wasn't too fond of crowds, and for the first time in your life, you found yourself the people person in a duo. That was working out well. You have slowly gotten better at getting out of your shell, and Viktor too, began to pick up on your mannerisms when around others. He has now talked to a handful of people of his own accord, an accomplishment you were extremely proud of, and him pleased.

"Oh, and before we go! Our gift exchange," you piped up. That caught Viktor's full attention.

Right! Your gift exchange was today. He was nervously excited, despite himself. He had put in much thought and effort into your gifts, and while you would never have a negative reaction, he couldn't help the small anxieties that repeated in his mind. But it would be alright.

You went first. Handing him a deep green paper bag with white snowflakes around the border, you waited with bated breath.

"This was the color you said looked good on me, yes?" he raised an eyebrow.

"Yep! Ok, now open your gifts," you encouraged.

He did, eyes widening in delight. There was a clothing set, made in soft, fine material that felt like flowing water between his fingers. There was a rich, brown dress shirt, with forest green silk vest, a black leather belt with silver gear buckles, and brown pants to match the dress shirt. While those articles were commissioned from a local tailor, you had added in a handmade lapel in the shape of narcisscus. The flower for his birth month.

That wasn't all. You had included a candle scented with coffee and a muted hint of pine. Then there was a copy of a philosophy book, writtern by an academic you knew he was fond of. The author had done a recent meet and greet at one of the bookstores downtown, and you had made sure to clear your schedule that day in order to attend.

"Look on the inside!"

He did, and nearly cried. There was a note in the author's handwriting, signed off too.

To Viktor,

I was heard that you were fond of my works. I hope this latest volume of mine brings you as much joy as I felt knowing I had such a devoted reader like yourself. Best Wishes!

"How did you even- I mean, the event was all booked when I tried to get a spot," he laughed breathlessly.

"Why did you think I stayed up all night?" you grinned.

"All of this is so much," he whispered. "God, I feel so...,"

"No, none of that now," you chided. "Whatever you got me will be just as wonderful because it's from you. Don't compare your hard work to mine, Viktor."

He took in a deep breath, and let it out slowly.

"Thank you. Will you open your presents now, love?"

You were more than ready. The bag he handed you was a simple brown one, belying the efforts within. The first thing you got was a copy of a newly released book, one you had been eyeing for ages. Not only that, there were stickers and tabs throughout, and when you opened to a random page, you were met with his familiar handwriting, meticulously annotating in the margins with his commentary. It was a dream. You basically get to read this treasure alongside his thoughts. You've mentioned on multiple occasion how you wanted to start annotating your books, but never quite found the time. Now Viktor had went above and beyond.

"Viktor. Have I ever told you how much I love you?"

Not waiting for his response, you reverently set the book down and went to open the rest. There was a custom CD! The tracklist was accompanied by another note, explaining that he wanted to chronicle the love he has for you through music. Jayce, Mel, and Sky had been great helps in finding him some of the songs and getting it all burned and made into a disk.

And then there was his letter. Beautiful swirls and some words crossed out, the multi-page declaration of adoration was something you couldn't wait to sit down and read fully.

You were pulled from your thoughts when you felt Viktor's hand around yours.

"Before we go to the party tonight, I want to tell you that you will always be my greatest gift. I may not be perfect at showing it to you quite yet, but I have found myself more and more at ease in this love we share. Happy holidays, moje miláčku."

[cybernaght]

The fandom echo chamber: fanon, microanalysis and conspiracy brain 

As someone who has been in fandom spaces, on and off, for 20 years, I find some fascinating trends popping up in the last decade that I thought to be fandom-specific but clearly aren’t. So, I would like to do a little examination of where those things come from, how they are engaged with, and what it says about the way we consume media. This is a think piece, of sorts, with my brain being the main source. As such, we will spend some time down the memory lane of a fandom-focused millennial.

This is largely brought about by Good Omens. But it’s also not really about Good Omens at all.

Part one. Fanon.

The way we see characters in any story is always skewed by our very selves. This is a neutral statement, and it does not have a value judgement. It’s simply unavoidable. We recognise aspects of them, love aspects of them, and choose aspects of them to highlight based entirely on our own vision of the universe. 

Recognition comes into this. There is a reason so many protagonists of romance novels have a “blank slate” problem. Even when they do not, we love characters who are like us or versions of us that we would like to be. And when we say “we”, I also mean, “me”. 

(I remember very clearly this realisation hit me after a whole season of Doctor Who with writing which I hated utterly when I questioned why I still clung so incredibly hard to Clara Oswald as my favourite companion. Then I looked at myself in the mirror. Oh. Well. That would do it, wouldn’t it?)

Then, there is projection, and, again, this is a neutral statement. Projection exists, and it is completely normal and, dare I say it, valid way of engaging with — well, anything. Is the character queer? Trans? Neurodivergent? Are they in love? Do they like chocolate? Are they a cat person? Well, yes, if this is what the text says, but if the text does not say anything… You tell me. Please, do tell me. Because, in that moment of projection, they are yours. 

And then, there is fandom osmosis, and that is the most fascinating one of them all, the one that is not very easy to note while you are inside the echo chamber. It’s the way we collectively, consciously or not, make decisions on who or what the characters are, what their relationships are, and what happens to them.  

(Back when I was writing egregiously long Guardian recaps on this blog I actually asked if Shen Wei’s power being learning actually was stated anywhere in the canon of the show. Because I had no idea. I have read and reread dozen of fanfics where that is the case, and at some point through enough repetition, it became reality.)

We are all kind of making our own reality here, aren’t we? 

Back when things were happening in a much less centralised manner - in closed livejournal groups, and forums of all shapes and sizes - I don’t remember there being quite as much universally agreed upon fanon. Frankly, I don’t remember much of universally agreed upon anything. But now, everything is in one place: we have this, and we have AO3, and it’s wonderful, it really is so much easier to navigate, but it’s also one gigantic reality-shifting echo chamber, with blogs, reblogs, trends, and rituals. 

Accessibility plays its part, too. If you were, say, in Life on Mars (UK) fandom between seasons, and you wanted to post your speculation fic, you had to have had an account, and then find and gain access to one of the bigger groups (lifein1973 was my poison, but ymmv), and then, if you feel brave you may post it, but also, you may want to do so from your alt account if you wanted to keep yours separate, and then you would have to go through the whole process again. And I’m not saying that fan creations then were somehow inherently better for it than fan creations now (although Life on Mars Hiatus Era is perhaps a bad example - because some of the Speculation Fic there was breathtaking), but there is something to say about the ease of access that made the fandoms go through a big bang of sorts.

(I mean, come on, I can just come here and post this - and I am certain people will read it, and this blog is a pandemic cope baby about Chinese television for goodness sake.)

The canon transformations that happen in the fandom echo chamber truly are fascinating to witness as someone who is more or less a fandom butterfly. I get into something, float around for a bit, then get into something else and move on. I might come back eventually when the need arises, but I don’t sustain a hiatus mind-state. This means that when I float away and return, I find some very intriguing stuff.

Let’s actually look at Good Omens here. Season two aired, and I found it spectacular in its cosy and anguished way; deliberately and intelligently fanfic-y in its plot building; simple but subversive, and so very tender. (I will have to circle back to this eventually, because, truly, I love how deliberately it takes the tropes and shatters them - it’s glorious). And, to me - a person who read the book, watched the first season, hung around AO3 for a few weeks and moved on - absolutely on-point in terms of characterisation. 

So imagine my surprise when the fandom disagreed so vehemently that there are actual multi-tiered theories on how characters were not in possession of their senses. Nothing there, in my mind, ever contradicted any of the stated text, as it stood. This remained a strange little mystery until I did what I always do when I flutter close to an ongoing fandom.

I loaded AO3 and sorted the existing fic by popularity. And there it was, all there: the actual earth-shattering mutual devotion of the angel and the demon; willingness to Fall; openness and long heart-aching confession speeches. There was all of the fanon surrounding Aziraphale and Crowley, which, to me, read as out of character, and to one for whom they became the reality over the last four years, read as truth. 

Again, only neutral statements here. This is not a bad thing, and neither this is a good thing, this is just something that happens, after a while, especially when there are years for the fandom-born ideas to bounce around and stew. I can’t help but think that so much of what we see as real in spaces such as this one is a chimaera of the actual source and all the collective fan additions which had time and space to grow, change, develop, and inspire, reverberating over and over again, until the echoes fill the entirety of the space. 

Eventually, this chimaera becomes a reality. 

Part two. Microanalysis 

Here are my two suppositions on the matter:

1. Some writers really love breadcrumb storytelling. 

Russel T Davies, for instance, on his run of Doctor Who (and, if you are reading it much later - I do mean the original one), loved that technique for his seasonal arcs. What is a Bad Wolf? Who is Harold Saxon? Well, you can watch very very carefully, make a theory, and see it proven right or wrong by the end of the season. 

Naturally, mystery box writers are all about breadcrumb storytelling: your Losts and your Westworlds are all about giving you snippets to get your brain firing, almost challenging you to figure things out just ahead of the reveal. 

2. We, as humans, love breadcrumbs.

And why wouldn’t we? Breadcrumbs are delicious. They are, however, a seasoning, or a coating. They are not the meal. 

Too much metaphor?

Let’s unpack it and start from the beginning.

Pattern recognition colours every aspect of our lives, and it colours the way we view art to a great extent. I think we truly underestimate how much it’s influenced by our lived experiences.

If you are, broadly speaking, living somewhere in Western/North-Western Europe in the 14th century, and you see a painting in which there is a very very large figure surrounded by some smaller figures and holding really tiny figures, you may know absolutely nothing about who those figures are, but you know that the big figure is the Important One, and the small ones are Less Important Ones, and the tiny ones are In Their Care. You know where your reverence would lie, looking at this picture. And, I imagine, as someone living in the 14th century, you may be inspired to a sense of awe looking at this composition, because in the world you live in, this is how art works. 

If you, on the other hand, watch a piece of recorded media and see the eyes of two characters meet as the violins swell, you know what you are being told at that moment. You don’t have to have a film degree to feel a sort of way when you see a green-tinged pallet used, when cross-cuts use juxtaposing images, or notice where your focus is pulled in any given shot. This stuff - this recognition of patterns - has been trained into us by the simple fact that we live in this time, on this planet, and we have been doing so long enough to have engaged recorded media for a period of time. 

As humans, we notice things. Our brains flare up when they see something they recognise, and then we seek to find other similar details and form a bigger picture. This often happens unconsciously, but sometimes it does not. Sometimes we do it on purpose: finding breadcrumbs in stories is a little bit like solving a mystery. It allows us to stretch that brain muscle that puts two and two together. It makes us feel clever. 

So yes, we love breadcrumbs, and, frankly, quite a lot of storytelling takes advantage of this. It’s very useful for foreshadowing, creating thematic coherence, or introducing narrative parallels and complexity. It’s useful for nudging the viewer into one or the other emotional direction, or to cue them into what will happen in the next moment, or what exactly is the one important detail they should pay attention to.

Because this is something media does intentionally, and something we pick up both consciously and not, it is very hard to know when to stop. We don't really ever know when all of the breadcrumbs have been collected. It becomes very easy to get carried away. There is a very specific kind of pleasure in digging into content frame by frame, soundbite by soundbite, chasing that pleasure of finding. 

But it is almost never breadcrumbs all the way down. They are techniques to help us focus on the main event: the story. I truly believe those who make media want it to reach the widest possible audience, and that includes all of us who like to watch every single thing ever created with our Media Analysis Goggles on and those who are just here to enjoy the twists and turns of the story at the pace offered to them. And I think, sometimes in our chase to collect and understand every little clue we forget that media is not made to just cater for us.

One can call it missing a forest for the trees. But I would hate to mix my metaphors, so let’s call it missing a schnitzel for the breadcrumbs. 

Part three. The Conspiracy Brain. 

If you are there with me, in the midst of the excited frenzy, chasing after all those delicious breadcrumbs, then patterns can grow, merge together, and become all-encompassing theories. Let’s call them conspiracy theories, even though this is not what they truly are.

So, why do we believe in conspiracy theories?

One, Because We Have Been Lied To. 

All conspiracies start with distrust.

If you are in fandom spaces - especially if you are in fandom spaces which revolve around a queer fictional couple - especially-especially if you have been in such spaces for a period of time, you have most certainly been lied to at one point or another. 

We don’t even have to talk about Sherlock - and let’s not do that - but do you remember Merlin? Because I remember Merlin. Specifically, I remember the publicity surrounding the first season, with its weaponised usage of “bromance” and assertions that this whole thing is a love story of sorts, and then the daunting realisation that this was all a stunt, deliberately orchestrated to gather viewership. 

And, because we were lied to in such a deliberate manner for such an extensive period of time, I genuinely believe that it forever altered our pattern recognition habits, because what was this if not encouragement to read into things? Now we are trained to read between the lines or see little cries for help where they might not be. Because we were told, over and over again, that we should.

(Yes, I think we are all existing in these spaces coloured by the trauma of queer-bating. I am, however, looking forward to a world where I can unlearn all of that.)

Two, Cognitive Dissonance.

The chain reaction works a bit like this: the world is wrong - it can’t possibly be wrong by coincidence - this must be on purpose - someone is responsible for it.

Being Lied To is a preamble, but cognitive dissonance is where it all originates. In so many cross-fandom theories I have noticed a four-step process:

A) this is not good

B) this author could not have made a mistake 

C) this must be done on purpose

D) here is why 

(Funny thing is, I have been on the receiving end of the small conspiracy spiral, and it is a very interesting experience. Not relevant to this conversation is the fact that a lot of my job revolves around storytelling. What is relevant is that my hobbies also revolve around storytelling. And one of them is DnD. Now, imagine my genuine shock when one of the players I am currently writing a campaign for noticed a small detail that did not make a logical sense within the complexity of the world, and latched on to it as something clearly indicating some kind of a secret subplot. Their thinking process also went a bit like this: this detail is not a good piece of writing — this DM knows how to tell stories well — this is obviously there on purpose. It was not there on purpose. I created a clumsy shorthand. I erred, in that pesky manner humans tend to. And, seeing this entire thought process recited to me directly in the moment, I felt somewhere between flattered and mortified.)

This whole line of thinking, I think, exists on a knife’s edge between veneration and brutal criticism, relentlessly dissecting everything “wrong”, with a reverent “but this is deliberate” attached to it like a vice, because it is preferable to a simple conclusion that the author let you down, in one way or another. 

Three, Intentionality 

I believe that there is no right or wrong way of engaging with stories, regardless of their medium, and assuming no one gets hurt in the process. While in a strictly academic way, there is a “correct” way of reading (and reading into) media, we here are largely not academics but consumers; consumption is subjective.

However, this all changes when intentionality is ascribed. 

The one I find particularly fascinating is the intentionality of “making it bad on purpose” because, as open-minded as I intend to always be, this just does not happen.

It certainly does not happen in long-form media. Even in the bread-crumb mystery box-type long-form media. 

When television programs underdeliver, they also underperform, and then they get cancelled.

If all the elements of Westworld Season 4 that did not sit together in a completely satisfactory way were written deliberately as some sort of deconstruction for the final season to explore, then it failed because that final season will now never come.

(There will likely never be a Secret Fourth Episode.)

And look, I am not here to refute your theories. Creativity is fun, and theorising is fantastic. 

But, perhaps, when the line of thought ventures into the “bad on purpose” territory, it could be recognised for what it is: disappointment and optimism, attempting to coexist in a single space. And I relate to that, I do, and I am sorry that there is even a need for this line of thinking. It’s always so incredibly disappointing that a creator you believed to be devoid of flaws makes something that does not hit in the way you hoped it would. It’s pretty heartbreaking. 

Unfortunately, people make mistakes. We are all fallible that way. 

Four, Wildfire.

Then, when the crumbs are found, a theory is crafted, and intentionality is ascribed, all that needs to happen is for it to catch on. And hey, what better place for it than this massive hollow funnel that we exist in, where thoughts, ideas and interpretations reverberate so much they become inextricable from the source material in collective consciousness. 

Conspiracy theories create alternate realities, very much like we all do here. 

So where are we now?

I am not here to tell you what is right and what is wrong; what is true, and what is not. We are all entitled to engage with anything we wish, in whichever way we wish to do it. This is not it, at all. 

All I am saying is… listen.

Do you hear that echo? 

I do.