#which makes no sense the mind can't have feelings but it still.. feels like it..

[omgfloofy]

Let's just answer the whole damn list.

1: How many fics have you worked on since January?

I've got the ever present dal segno al coda that I've always been working on this year. However, in May, I came up with the concepts that turned into The Insurgent King and this has kind of taken over EVERYTHING in my mind.

I also got a couple of Ys fics out, a pretty dark story for Van Arkride, and a couple of one shot stories for FFXV.

2: What’s something new that you tried in a fic this year?

👏 MAFIA 👏 ADJACENT 👏

Insurgent King has been SO MUCH FUN because it's really delving a lot into the dark underbelly of stuff. I also got to use my AP style from Endless History in a fic with The King's Interview in that series.

But in general, writing has been amazingly therapeutic for me. It was something I started after my mom's death in 2022 as a bit of personal therapy. I think having time to be in make believe worlds writing fantasy and adventure when it sometimes feels like my world is falling apart has helped me more than you can believe.

Additionally, an upcoming story that I've been planning for Insurgent King is straight up a heist story, ala Oceans 11 and so forth. I've never done something like this before and it has been the craziest thing I've had to plan. And it's the one story that doesn't have a shit ton of stuff already written for it, since the heist needs to be so carefully put together.

I'm SO excited for that story to finally get released. I can't wait for people to read it because it's been so much fun to plan.

3: What piece of media inspired you the most? (This can be the fandom you wrote the most for, the one that spawned the most ideas, the one you thought about the most, etc.)

Final Fantasy XV seems to be the game to keep on giving me a lot of inspiration for ideas. However, I've been finding inspiration for my stories in so many things all over the place.

Trails Through Daybreak has served as much of a supportive 'vibe check' for Insurgent King, as an example. Watching through Tower of God's S2 anime has reminded me of how COOL that comic is and since I've started writing, I've started finding a whole new appreciation for fiction and other stories all over the place. The biggest influence this year, though, has been from old TV shows ala Lost and Stargate, both of which have been an immense inspiration for the storytelling method behind Insurgent King. Look at it like a serialized TV series and the way I'm writing it will probably make a lot more sense.

4: How many fandoms did you write for this year?

For things published, three: Final Fantasy XV, Ys, and Trails.

For things that are still in my WIPs bin? Lost Universe, No Man's Sky, and Helldivers.

5: What ships captured your heart?

I adore Lunoct - but I fully understand that my bias comes from working on dal segno al coda, which is kind of my baby. I can't wait to start releasing it, because Noctis and Lunafreya are the quintessential power couple in it, and fate does not want them together because of the shit they can do when united in it.

6: What characters captured your heart?

I know this was from something I released last year, but it was at the very end of the year, and it still carried over through this year: Anemona from Ys IX. I would not have written anything for her if it wasn't for the Yuletide exchange.

I've also found myself loving the hell out of writing Gladio in my FFXV fics. He's started to become one of the easiest characters for me to write, even.

Also, writing in the point of view of Regis in The King's Gambit. I want to write something that's far more enjoyable for him than the ball of anxiety he was in that fic. Shit was going poorly and he had to change everything to make it go less poorly in that story. I just want something with him being happy.

7: Did you write for any new fandoms or ships this year?

I hadn't written/released anything for the Trails series, strangely enough, until I wrote Cannot Deny His Sleepless Eyes. I have another fic that I've been dabbling with that's Trails from Zero/Trails to Azure, but I'm not far enough to really call anything for it.

8: What fic meant the most to you to write?

The Cordelia Manifest.

This was the first fic of the Insurgent King series. Think of it like the pilot for a TV series. I wrote it based on vibes I got while listening to music from Bubblegum Crisis. While doing so, I realized that I love this setting a LOT and really needed to delve into it more and explain out how Insomnia fell and Noctis became a king of the criminal underworld in it.

9. What fic made you feel the happiest to work on?

Lost and Found.

This was my fic in the FFXV Remix event that happened earlier this year. I had so much fun reading a fic called The new guy by MiraNjell and chose it for my remix fic.

A lot of this was pulled from my own personal experiences from getting a new puppy this year.

10: What fic was the most satisfying to finish writing?

The Insurgent King.

In this case, not the series, but the fic named for the series. This is my longest published fic on AO3, and I felt so proud of actually getting it done.

11: What fic was the most difficult to write?

ad astra is one of my FFXV wips. I've come and go with it several times, but since it delves very hard into concepts that are "beyond human understanding" and kind of delves a bit into cosmic horror… it's easily one of the most difficult projects ahead of me. I want to read more cosmic/eldritch horror before I try to write more of it, and I really want to become a much better writer to do this concept justice.

With what I released, it would be Cannot Deny His Sleepless Eyes. I've never written whump before and this was somewhat uncomfortable as it has a lot of heavily implied child abuse. It's only 400'ish words, but I didn't want to expand on it any further.

12: What fic was the easiest to write?

Infiltration! I just sat on the ending for ages, and then decided "boom" and knocked that shit out in a couple of hours. A lot of Noctis and Prompto's interactions remind me very much of the same kind of 'two friends who lose all brain cells when together' friendship that I have with my best friend.

In fact, the "be quiet" aspect of Infiltration was actually based on a real bet with my best friend from years and years ago.

13: What were your shortest and longest fics posted this year?

Shortest: Cannot Deny His Sleepless Eyes - 414 words

Longest: The Insurgent King (story, not series.) - 62,638

14: What were your go-to writing songs?

I made a whole ass playlist for Insurgent King.

15: What was the hardest fic to title?

Filed Away. I still am not 100% happy with the title.

16: What's your favorite title of the year?

There's an upcoming story in my Insurgent King series called A Field of Flowers. I love everything about this title. I can't wait for people to see just why it's an amazing title, too.

17: Share your favorite opening line

Ring ring. Ring ring. Ring ring. Click. "Fisherman's Lighthouse." "Good… [afternoon], this is an automated call from Concordo Shipping. Your freight parcel has been scanned in at… [Pier Lots Warehouse] and will be ready for pick up in… [forty-eight hours]. Failure to pick up your parcel… [one week] after its release will see that your parcel is forfe–" Click.

The above is the opening from Observator, one of the side stories in Insurgent King. I love it because I think you can hear the automated voice on the line.

18: Share your favorite ending line

Voices echoed through Regis' quickly fading consciousness. He saw the flash of blue, glimmering magic in front of him. He couldn't make out the words from the woman's voice — it sounded as if he was under water. He had no time. He held his left hand up to her. He needed the ring to be noticed immediately. "Take it." His strength faded fast. "Take it to…" But Regis Lucis Caelum never got out that last word before he died on the steps of the Citadel.

The above is the ending (before the super short epilogue) of The King's Gambit, the third story of the Insurgent King series. Regis' death is a catalyst to everything in the series, and I wanted the story that was in his POV to end abruptly as he died. There would be no more 'voice' for the POV any longer, afterall.

19: Share your favorite piece of dialogue

"It's not home." Noct said as he crossed the room and started to poke through the bag. It's dinner, but instead of commenting on the food, he mused out loud, "I'm surprised, though. Ignis is usually super critical when I'm too lax about hiding my identity." "You could make it easier and introduce me to them as your cousin Gladio Gar." "No." Noct stopped, then looked up. He sounded a lot sharper than he initially intended, but continued with it, "Don't. That's my thing." Gladio leaned back with a smug grin. The chair groaned in protest at the large man's weight from the action. "Yeah, I know." He paused for a second, just for the timing of it. "It shouldn't be." "I have a good cover here." Noct mumbled as he dropped into his own chair and opened the box to look through the food. It was a burger — he was surprised it wasn't Cup Noodles. "It's about as great as a baseball cap." "It works!" Noct grabbed a fry out of the box and threw it at Gladio. He laughed as it only bounced harmlessly off his head.

The above is from A Part to Play, one of my Twilight extra stories that's still in WIP format. I have to be extremely careful with this one because it has some very technical stuff to describe and I need to take my time. It should be out soon, though.

19: Share your funniest line

This time, the roles were switched. Luna took hold of Noctis' wrist and walked ahead to lead him, instead. "What's the worst he could do to us?" "To you." Noctis didn't fight being pulled along. "He wouldn't do anything to you." A beat. "He'd just kick my ass in our next training session." "If he's kicking your ass," It was so weird to hear Luna repeat his own words. She always knew what to say and the perfect way to say it, when Noctis felt he fell short in that skillset. Luna quickly glanced back to say, "Then you just need to…" She paused, as she seemed to search for the words, then continued, "get good and show him what for." Noctis thought, at first, that he must have not heard her right. The words and Luna's voice just didn't sound right together. After running that over in his head again, he finally laughed. "I'm sorry. Who are you and what did you do with Lunafreya?"

This is from Date Night, my little 'preview fic' for Noctis and Lunafreya in dal segno al coda.

This fic is a single night of events that just didn't fit in the full narrative of the main story and is Noctis and Lunafreya having an evening out together in Insomnia. (takes place during part 2)

I really have a lot of fun with Noct and Luna in segno. I know I said it before, but I'll say it again: I really can't wait to get comfortable enough to start posting it, because I want people to really have fun with what the two are capable of in that story.

As I said before, they are very much a power couple in dal segno al coda, except there are points here and there when Noctis and Lunafreya just have the chance to be the people they could never otherwise be.

20: What's something that surprised you while you were working on a fic? Did it change the story?

I would go as far as to say that the sudden idea behind Solus popping into my head was a big surprise. It doesn't change the overall story of the Insurgent King, but it does add more to it, I feel.

There's also a contender for biggest 'surprise' that came about from writing part 2 of segno. This wasn't this year - I think I wrote the scene last year, even - but I'm still trying to contend with it. I feel like I have to fight over 'how far is too far' with the idea.

It changed a LOT of segno and triggered a lot of rewrites, as well. However, it was very much a case of 'Lunafreya wants what she wants, and it's not necessarily what the author originally wanted.' LOL

21: What writing programs did you use? Did you write by hand?

I started using Google Drive, but I was introduced to Ellipsus this year and I love it so much. So I've started migrating my works to it.

While it's not the main parts of the story themselves, I have a plnner for dal segno al coda, that I use to keep track of dates in it and what happens around said dates.

I also have been carrying a tiny composition book in my purse to use when I get ideas while away from home.

22: If you had to choose one, what was THE most satisfying writing moment of your year?

I would actually put that towards The King's Interview and when I looked at the finished product on AO3. Not so much the writing part of it, but the design work and workskin editing. Since I have a web development background, I really love playing with AO3 workskins and think they can be a very powerful tool in storytelling.

That header image was made from two different stock images, and intended to illustrate the interview, as you would see on a news site or newspaper.

I also did something like it for the Epilogue for The King's Gambit. I made a faux newspaper front page in InDesign, complete with making a believable printed halftone look of the front of the Citadel. There's so much more of that layout than what I showed.

I've also got a story that's doing something like this further down the line in segno - so I may have just lifted that idea from there. segno's 'front page' is a little more complete than this one, however. Complete with extra fake headlines and snippets of other articles and stuff.

23: Did you do anything special to celebrate finishing a fic?

Not necessarily. I think the only real time to celebrate finishing one would be when I finished The Insurgent King - the story, not the series it's named after. This is probably due to the nature of the series, though, since I was immediately in my files and making notes of where to go with the next story and what had to be revealed in it (as well as what I can't reveal yet).

24: How did you recharge between fics?

I might just pull up a game and play a bit. Nothing too fancy.

25: Did you create fanworks other than fic?

Not really, no.

26: How many events did you take part in? (bangs, exchanges, ship weeks, zines, prompt memes, they all count!)

Just one, really. It was the @ffxvremix. I wrote Lost and Found for it.

27: If this were an awards show, who would you thank?

I'd thank, of course, @firefallvaruna for being my amazing beta reader. I'd also thank @snifftheraven. He's been the best sounding board for a lot of my ideas. He's also super honest and tells me when my ideas are too much, or if I have gone down a path that I probably wouldn't want to take.

28: What's left on your to-do list for 2024?

Sadly, my to-do list included getting part 1 of segno done. Then I got sideswiped by a whole new AU called The Insurgent King. Which is on point for that AU's version of Noctis.

I might celebrate the end of the year by working on segno a bit more and maybe pushing that 75-80% completion a little closer to 100%.

29: What would you like to write next year?

Getting segno's part 1 done and started to AO3 is definitely on my planned list for next year. I'm also continuing onward into Insurgent King.

I know the ending to both series. I should be able to make it.

A slightly revised version of last year's questions! Two ways to play: Reblog and have your followers send you numbers, or answer the whole list!

How many fics have you worked on since January?

What’s something new that you tried in a fic this year?

What piece of media inspired you the most? (This can be the fandom you wrote the most for, the one that spawned the most ideas, the one you thought about the most, etc.)

How many fandoms did you write for this year?

What ships captured your heart?

What characters captured your heart?

Did you write for any new fandoms or ships this year?

What fic meant the most to you to write?

What fic made you feel the happiest to work on?

What fic was the most satisfying to finish writing?

What fic was the most difficult to write?

What fic was the easiest to write?

What were your shortest and longest fics posted this year?

What were your go-to writing songs?

What was the hardest fic to title?

What's your favorite title of the year?

Share your favorite opening line

Share your favorite ending line

Share your favorite piece of dialogue

Share your funniest line

What's something that surprised you while you were working on a fic? Did it change the story?

What writing programs did you use? Did you write by hand?

If you had to choose one, what was THE most satisfying writing moment of your year?

Did you do anything special to celebrate finishing a fic?

How did you recharge between fics?

Did you create fanworks other than fic?

How many events did you take part in? (bangs, exchanges, ship weeks, zines, prompt memes, they all count!)

If this were an awards show, who would you thank?

What's left on your to-do list for 2024?

What would you like to write next year?

[fushiguruuzzzz]

ALL I WANT 4 CHRISTMAS .ᐟ

What are the jjk & aot boys doing this Christmas season?

Somehow, mistletoe is left in his wake like a trail of breadcrumbs. Nobody knows exactly how he acquired all of this, but as he continues to swerve the advances of anyone else he meets under the green and red decoration, his intent grows more clear. There's also a mysterious bundle of it in his pocket, which he explains as his "just in case" backup. Before you knew it he was taking you by the hand and leading you through the house, much less subtle at scanning the doorways above than he thinks. At first you're oblivious, wondering if someone had spiked his eggnog or something of the sort, but no. When he halts abruptly and you follow his gaze upwards, every oddity of his behaviour makes much more sense.

"Would you look at that? Mistletoe. Wonder how that got there."

You can still feel his proud grin against your lips, even after he kisses you.

⤷ Satoru, Jean

He’s lounging on the sidelines, eyeing you over the rim of his mug as you enjoy the winter day, unaware of his lingering eyes. The hot chocolate sears his tongue, but he can't find it in himself to react. How could he care, when you're laughing across the room? What was so funny? What was so special about those people that prevented you from talking to him? He's got plenty of other people gabbing in his ear, they always end up flocking to him, as odd as it seems. He only feigns interest in their words, but if it were you, he'd hold on to every syllable like they were life's greatest treasure. he'd take note of every shift, of every breath you took. But for now you were across the room and all he could do was stare, frozen in place.

⤷ Suguru, Eren, Toji

Ah, yes. The personification of Christmas, your very own worker elf at your side. Clad in a ridiculously festive sweater and some reindeer antlers, Santa Claus might as well have thrown up on him. You're sure that if it weren't for you, he'd be wrapped in Christmas lights and singing carols on doorsteps. "It's holiday spirit! Don't you like Christmas?" he'd say. He makes you out to be some sort of grump, but you know deep down that he's just a total dork.

⤷ Toge, Yuji, Connie

Your boy isn't one for grand gestures, he never has been. Even around the holiday season, his love is quiet; soft. His chunky sweater wrapped around your shoulders, a steaming mug in your hands because he noticed you were chilly. A batch of sugar cookies made just for you, icing of your favourite colour decorating the tops. A pretty little box with a ribbon tied into a bow (or at least it was supposed to be) atop it, even though you made him promise not to go out of his way more than he already has. He just can't help himself. A photo snapped of you when you're looking particularly docile, just for safe keeping. He looks at his little album of you when you're apart, but he doesn't tell you that part. His affection is a collection of small sweetness, like a box of trinkets filled with the little things you hold dearest to your heart.

⤷ Yuta, Armin

He’s doing all of the sappiest things without even realizing it. Who would expect this big, beefy oaf of a man to be so whipped? “Yeah, those decorations are really pretty. I’d rather look at you, though.” “Sorry for staring, baby. You just look so pretty. If you were the only present under the tree I wouldn’t mind.” He’s buying you reindeer plushies just because they’re cute, and when he gives them to you his eyes shine with something so sweet it’s hard to believe it’s him. So you take them, you accept all of it, every little thing teetering on the fence of cute and corny, because maybe that’s what love does to you.

⤷ Reiner, Choso

You know how I said Toge, Connie, and Yuji are the personification of Christmas? Yeah, he’s the grinch. No, he doesn’t need another candy cane. No, please don’t turn up the radio, if he hears another Mariah Carey song he might implode. It would be easier to hide his disdain if you weren’t so adamant, so pushy for him to “get in the spirits.” Get that damn hat away from him, he tells you he won’t allow himself to be subjected to your childish antics. But when the festive shine in your eyes dulls ever so slightly, when you retreat with a defeated huff, he doesn’t know what changes. He doesn’t understand why, but he knows he doesn’t like it. So he tugs you back with an annoyed huff, grumbling under his breath as he falls victim to your will. He always ends up doing that, somehow. Always ends up at your mercy, even though if it were anyone else he’d have blocked them out long ago.

⤷ Megumi, Levi, Sukuna

He seems like something straight out of a hallmark movie. Okay, maybe he isn’t as cheerful as your picture perfect husband, waltzing around like Buddy the Elf. Maybe he’s got that passive expression on his face, the one that’s just barely grown easier to read over the years you’ve grown to know him. But he’s cooking you meals and massaging your back, he’s sliding you his card over the kitchen counter before he leaves for work and telling you to do something nice for yourself. He doesn’t care, as long as he gets to see the results; see how happy they make you. He trusts you, he trusts that you’re just as his as he is yours, and that means all of his work benefits him just as much as you. Because he gets to see your face light up, see the subtle curl of your lips with every act of service, and knowing he’s the only one is well enough for him.

⤷ Kento, Erwin

a/n — I wrote this randomly at 4am because one of my mutuals asked if I was doing a Christmas special. Yes apparently I am. Also Gojo fit a few of these but I decided on that one :3 I was thinking about doing more fandoms but I’m not 100% confident in my characterizations for hq, hxh (been a HOT minute since I’ve watched), etc. so aot and jjk it is <3 most people are only here for jjk anyway so

[secriden]

Watching Joong's Hurt Me Please MV with the context of how episode 6 ended and how this is likely a song about Fadel's thoughts and feelings about Style after Finding Out, I wanted to take a deeper look at the lyrics.

I have transcribed the English lyrics on Youtube side by side with a fan translated version (credit: bl_zonee on Twitter) just because there's different shades of meaning between them that I find really interesting and I'm curious which one is the more accurate translation or if both are valid, but just give different nuance. (Perhaps a mutual who understands Thai would be willing to give some insight? *u*)

Verse 1 makes a lot of sense to me: Fadel must be wondering how Style could be so cruel ("unkind" / "heartless") because every instance of Style being honest and asking for honesty in return, all of Style's genuine desperation to bare his heart to Fadel in episode 5 and 6, now looks like a calculated, cruel deception.

And after being so afraid to reveal his secret to Style for fear that it would make Style walk away from him, there's a painful irony in Fadel now wishing Style had walked away before. Because the betrayal hurts so much more now that Fadel has given in to his heart.

The chorus is where the nuance between the translations gets interesting.

The Youtube version seems almost like Fadel is taunting Style, putting up a front that he can take the pain Style is dishing out and more. It's like he's hiding behind the bravado of being able to handle the hurt, and even more.

The MV also depicts Style smiling sadistically after slapping Fadel, as if he's enjoying the pain he's inflicting. Meanwhile, Fadel looks up almost in adoration, a strange softness in his eyes at odds with how cruelly he's being treated. The knowledge of Style's betrayal has turned Style into a monster in Fadel's mind, one which he cannot help but to still have soft, affectionate feelings.

But the fan translation sounds much more hurt and accusatory. Fadel is expressing his pain and anguish much more plainly and "you did this to me" is a line that demands responsibility.

In both translations, though, the last line ("can't get enough" / "enjoying the pain") gives us a hint that Fadel isn't willing to give Style up even now. Despite the pain, despite feeling as if he's simultaneously burning up and drowning, there's a part of him that still wants this. That still wants Style.

Interestingly, as Fadel sings the last line he begins to visibly struggle against the rope tying him to the chair. The soft look vanishes and in place is a determination and shadow that spells trouble for Style. The shock is wearing off and Fadel is starting to fight back.

Verse 2 is where the agony really hits, for me.

In both versions, Fadel recognises the way Style's love was (maybe still is?) precious to him ("your love feeds my soul" / "your love nourished my heart"). But because Style's love is a lie, it's transformed into a weapon ("poison"). It twists Style's love into a source of "hurt" to Fadel.

Which is why I think both versions have a line where Fadel admits that there's a part of him that wants Style to keep hurting him -- or rather, to keep loving him; because these are the same thing to Fadel now -- ("hurt me, make me feel used" / "the more I was hurt the more I enjoyed it") whilst also remaining accusatory ("the more I loved, the more sorrow/I suffered").

The lines about "nothing left to write about our love" / "our story" also feel very pointed and final. A closing of a chapter; a closing of the possibility of their former, uncomplicated happily ever after. Style has nothing left to write (report) back to his superiors (the police) because Fadel's love is already complete and his deception has reached the inevitable conclusion of Fadel being found out/destroyed.

All this happens while we see Style continuing to threaten Fadel with a golf club and an almost crazed expression of glee juxtaposed with flashes of Fadel and Style in much happier times.

Also the fact that this line comes with this scene where Fadel lets Style kiss him despite “knowing” it’s all a lie *sobs uncontrollably*:

The first chorus comes back once and the music reaches a plateau. We are clearly preparing for a drop or a modulation and we get exactly that (twice!) with the second chorus:

Here, both versions converge: Fadel is angry, he's furious. Style hurt him and he's going to repay all of it and more ("you'll hurt [by much more]" / "you must suffer more than I did"). The lyrics tell us that, while Fadel cannot take back the hurt (take back his love), he can certainly ensure he isn't alone in the suffering (this love will also hurt Style).

It is at this part where my heart sank as I realised that Fadel's "I think I love you" line in episode 6 now takes on a much more sinister tone.

Because I think that discovering Style's betrayal was also what made Fadel realise the truth of his love for Style; the very agony he was in was the sign that Fadel's heart was lost to him. But even as it is true, I also think he still made the choice to ruin Style in the same breath. Because if Style could use Fadel’s love as a weapon then Fadel is going to use it (Fadel’s love) to hurt Style too.

A decision was made in this moment, and everything Fadel does afterwards in this scene is deliberate.

There is, however, one piece of hope:

Despite Fadel's expressed fury, what the MV shows us is Fadel breaking out of his bonds, shoving Style back and punching him once and then:

For all his anger, for all his rage, for all his threats of manifold vengeance, what we see is Fadel pressing close and kissing Style; once on the lips, and once on his chest (heart), all while the lyrics makes space for one last plea:

("don't betray me")

For me, its the way the line is shown together with this direct visual parallel between the ignorant Fadel in the past (left) and the Fadel of the present who has seen through Style's deception (right) that I find particularly compelling. Even now, even at the point of Fadel discovering Style's betrayal, there is still hope for forgiveness.

Because Fadel cannot help himself. Because Style made Fadel's bleeding heart whole again; and it beats, it feels, and despite how much it hurts, what Fadel still wants more than anything else in the world -- desperately and simply -- is Style.

[sheeezu]

⋆ Shift - Energy conversion method ⋆

This method basically materialises your DR when you divert your precious mental and spiritual energy towards it.

It's a pretty easy method and the time period might vary for different people, I don't think it should go over an hour.

First, what is energy and how can you start consciously feeling the direction of your energy.

Energy and vibrations are practically the same thing. You must have heard about it if you've dwelled into astral projection or the gateways tape, where one of it involves imagining putting away your negative emotions/energy in an energy convertor box.

Although this method doesn't rely on visualising, what we're going to achieve is to take our energy, which is characterised by strong emotions, and put it towards our DR, WRs, kind of like a vending machine, you put a coin in to get your desired product.

Think of it, at all times we are putting emotional efforts into something, e.g your CR while going through your day, you feel at all times. If we talk about shifting, we have an attachment to the practice of shifting to our affirmations, towards hope of being in your DR, one day, tonight, etc. We all do this, but to shift, we need to throw this away. By following this principle of emotional involvement, and instead directing it directly towards your Dr, reality will shift for you.

Anyways, enough rambling, let me explain the method.

Basic concept of the method- in theory.

Energy, it exists in many other forms in us. But for this method we'll be taking our emotions, feelings. Feelings which are strongest in order of time, because the reality we're in and the ones we usually shift to involve the influence of time - past, present and future.

In order of the strongest feelings, we can form a direct connection to our Drs.

Past - Nostalgia.

There's nothing stronger than nostalgia, which leaves you feeling trapped in the nicest way possible, in the middle of your memories. I still remember it, my waiting room which i based off my grandparent's house, which always gives me a strange sense of comfort and nostalgia, the sharp subcontinental sunlight which fills me with warmth makes me feel familiarity which I can't describe.

In your DR and WR there must be something which causes you to be filled with nostalgia, it's perhap a memory from your childhood, or if you go into the specifics stuff like me, like how the light from the streetlights illuminate the fog on a winter day, or if you're shifting to your WR it's a special object, a place. Don't chicken out on this one, you're a living breathing person in your Dr, who has lived there their entire life.

Present - Desire, need, passion.

In the present, the strongest you could feel is having an impulse to act passionately, associating it with your DR. You're not a robot who's stuck up on affirming, you're someone who's already in your DR, so full of life.

Future - excitement.

Your plans in your Dr fuels you with excitement. Sure, you have already assumed you're already in your Dr, but that doesn't make it any less exciting to wake up and do what you love, to see the faces of your loved ones. You feel strongly regarding your foreseeable future in your Dr.

Basic concept of the method- in practice.

You could do this at anytime, but it's best to do this when you're relaxed. Your tiredness level doesn't matter, nor does your position while laying down, it's best to just not move, but if you're not comfortable with it, you can move around but try to not focus on it, focus on what's going on in your mind, because that's what shifts you.

Close your eyes, the best thing you could start off with is light daydreaming about your DR, for better or quicker result during the whole method it's best if you think of more decision/consequences based scenarios, afterwards, or during if you're going to affirm, I'd recommend visual affirmations (go around a specific place in your DR, see affs written around in any way you could think of).

We're checking into our DR. Now you're going to tell yourself that you are present in your DR fully, physically, mentally in your 4D, so you're supposed to remind yourself that 3D follows right afterwards.

Now, we're going to do a little on our own to attract results in 3D instantly by converting our energy, and expressing our DR in emotions.

All those emotions I've mentioned before, you're supposed to practice them in order of time, time does not exist anywhere else, just in your DR.

You could this by visualising scenarios where these feelings are induced naturally, for past, you can flash nostalgic images in your mind, or by listening to nostalgic voices relating to your DR as if listening to an old tape.

For present, if you're laying next to your S/O, do you feel desire to just roll over and just hug them? Other than that, you have a need to sustain yourself, your humanely need to stretch in bed, get up to eat, look out the window into the morning sky.

For future, if you work an engaging job, you could get excited about it. Other than that, hype up your future goals, aspiration.

If you've done this by adopting the nature and characteristics of your DR self, you can shift easily. You can add a wider variety of emotion. Importantly, don't fall into any doubts about you not being there, about you still being here, if you can't get over the gut feelings or if the shifting symptoms are intensifying periodically than you can keep repeating your scenarios/words/voices which induce these emotions for you.

...

Before I fall into a deep contemplation on how I could've improved this post and my explanation I am just going to go watch dead poets society because I miss it.

...

[tori-artemis]

Oh this is a great question to think about! Tbh I had a lot of hopes back when the series was premiering (and before when it was just announced), so to go off of those... well first off, I really really wanted an exploration of Loki's trauma, his past and even his psyche. Like I know a psychological thriller/horror probably wouldn't have been in the cards for a Disney+ show, but tbf I feel like the creators of Wandavision touched on aspects found in those types of genres (if in a PG 13 kind of way) so I don't think I was too off base for hoping to see something like that for Loki. (Not to mention the ridiculous comparisons to films like Se7en and The Silence of the Lambs that Mike Waldron kept making... but I'm not gonna get into that rant again.)

I think I would've put a lot of focus on what the hell actually happened to Loki when he fell into the Void and disappeared for an entire year or so, and how he ended up encountering Thanos and the Black Order, how that all went down, etc. Either through flashbacks, or (possibly altered) memories, or Loki recounting those events interview/interrogation-style (and being an extremely unreliable narrator in doing so, like for instance saying something like "I made a deal with Thanos and worked with him willingly" and then at some point you see into his head through flashbacks/night terrors and realize that clearly wasn't the case, just stuff like that). The possibilities were endless tbh, like there's just so many creative opportunities to explore that one aspect of Loki's backstory. And since that's such a burning question to me (and many other fans tbh) still to this day, I feel like that'd be the first thing I'd want to tackle.

Another important thing I'd want to include would be Loki's gender fluidity and his bi identity. Like I don't think it necessarily has to go with Loki referring to himself as bi, like I don't think he has to say the actual word "bi" in order to give any meaningful kind of rep?? Especially now that Agatha All Along has come out, I feel like I'd want to approach Loki's identity in a similar type of way, just unapologetic, and as authentic as possible to his comic book counter part. Like hell, he can have hang ups with those parts of his identity (which would actually make sense, being from Asgard and since he already has a lot of self-loathing issues in general due to being Jotun).

I wouldn't mind that, especially if it was done in a non-typical way, like maybe it's not being sexually intimate with men/males that's looked down upon on Asgard, but - similar to the Norse apparently - it's on what role they play, or basically who's the "bottom" - that gets shamed, or maybe same sex relationships aren't looked down upon at all on Asgard, but giving birth/getting pregnant while being/presenting as male is, bc it's seen as unnatural, and then let Loki go through an experience where he develops deep rooted insecurities about those aspects of his identity due to Asgard's cultural prejudices. And like this doesn't even have to be explicit (tho after the birth scenes in both Wandavision and especially Agatha All Along I can't help but roll my eyes at ppl having a hang up with Loki going thru something like this, especially if they were totally okay with Wanda and Agatha having birthing scenes, but anyways). It can be something as simple and as subtle as Loki finding out he's pregnant (maybe he can magically feel the fetus growing inside him, or he can hear the heartbeat/etc, or maybe it's as simple as having morning sickness and/or a change of diet). And it just ends up with him drinking tea/potion (due to pressure from Odin/Frigga/society, or maybe he's not ready and seeks it out himself) which gets rid of the baby, but again it's done in a very non graphic way. Of course the whole mpreg thing is just an example, and doesn't have to be in a series about Loki (that's what fanfic is for!) but basically: let Loki be queer, he can have hang ups about being queer, and tbh I'd want the hang ups to be kind of different from the usual discussions/portrayals of queerness in media mainly bc Asgard's an alien/fantasy society so I'd want their cultural norms to be pretty different from ours (human society in general), but overall just let Loki be queer, goddamnit!

Furthermore, I'd want to explore Loki's self loathing in particular, and see his view of himself change as he develops and grows throughout the series. If he encounters other versions of himself then I'd want to see what that would look like... and preferably done differently from how the show approached it (regarding Sylvie). Like I don't want him to just, I don't know, praise his other self up the way he ends up doing in the series (I know he also fought with Sylvie at the beginning but tbh I couldn't really take their rivalry seriously, it felt very sibling-like - which I actually enjoyed at the time, mind you, but a reflection of one's internal self-hatred it certainly is NOT, and like overall the whole dynamic just didn't work for me bc I find those two characters so undeniably different from each other and therefore it doesn't really work as a metaphor for self hatred/self love, but that's neither here nor there).

Like - let it be messy! Let it actually be vitriolic and hateful if that's what the series is trying to convey. Let Loki be angry, let him rage, let him lash out - at versions of himself and at other characters, like c'mon! This is a character that has a lot of inner darkness and has suffered through a lot of trauma and has difficulty trusting others due to said trauma (especially if we're going with Avengers era Loki) so how about we Show That.

Tbh I wouldn't have minded for Loki's main villain (both in the series overall and wrt the lead character) to be a version of himself. (As long as it was portrayed in a thoughtful way, like don't just make him evil please, in fact he doesn't even have to be evil at all - he doesn't have to destroy or conquer other worlds, he could literally just be out there destroying all versions of Loki, which would force our protagonist to fight/confront this person hunting him down). Like I think there would be so many possibilities for all of the ways a protagonist could deal with a "villain" - or rather, an antagonist like that. Some far more darker than others, depending on how you want your story to go. Like it could end similarly to the Agent of Asgard comics (where I believe Loki ends up forgiving and embracing his "evil" self... tho I've not read the comics so please feel free to correct me if I've gotten something wrong). Or if I were writing this series, I would've just had Loki forced into a position where, after being worn down to reaching his emotional breaking point, and in a fit of sheer rage, he'd end up brutally murdering the antagonistic version of himself, in the ultimate form of self destruction, and then I'd have him reeling from the internal consequences of such an extreme form of violence done against himself - but that's just my ridiculously morbid psychological-horror-loving ass for you. I'd just want to completely unravel him ngl, before having him overcome the impossible by rebuilding himself once more (w/ a little help from his newfound friends)...

If the TVA had to be involved in some way, I'd want to approach them as an ominous totalitarian organization, and if Loki were to be tortured by said organization, it most certainly would NOT be portrayed as some throw-away-attempt-at-comedy-type-of-scene (AHEM). I'd go for a darker tone overall, and Loki's torture at the TVA would be portrayed with all of the horror demanded by those types of scenes dealing with that kind of subject matter.

Tbh I have so many ideas for a Loki-centric show, some that involve the TVA and some that don't, but there's just so many threads and I don't want to make this any more convoluted than it already is, so to put it simply: I'd want the focus to be on Loki first and foremost. If it's called Loki, then it should be about the main lead, similar to how Agatha All Along was about Agatha, and Wandavision was about Wanda. (Which means, if the TVA has to be involved, then they would be secondary to the series' main focus - which would be on Loki and his relationship with himself.) Secondly, I'd want to see his trauma not only brought up, but fully explored. Which includes his traumatic upbringing (Odin's A++ Parenting, Frigga's enabling, family dysfunction, Asgard's toxic social/cultural norms) as well as the horror he experienced in the Void and on Sanctuary, maybe even some events in the first Avengers film, but seen through Loki's eyes this time. And I'd just want Loki to be queer, so if he's bi then let him have previous (or current!) relationships (or flirtations) with men (or attraction towards men) as well as women, if he's gender fluid then Show. That. Whether he physically transforms into a woman at times, or through his inner monologue where he refers to himself with different pronouns even if his gender presentation hasn't changed, or even his ambivalence towards being trapped/labeled in a one-gender-ticked-box, but Show. It. That part of his identity deserves to be shown, especially in a series where Loki's the central character.

If you yourself could’ve directed/wrote the Loki series, what would you have done differently? What would you have wanted to see in a series about Loki? What would you have focused on? Would the series take place somewhere other than the TVA? Which characters would you include? What would be the end goal? What aspects of his character would be explored?

[kimoralov3]

lay all your love on me 24

jj maybank x heyward!reader

<- previous next ->

"y/n come on, we're gonna be late if we keep waiting on you!" pope calls from outside your door. you roll your eyes at that, putting on one more swipe of mascara.

"stop rushing me! i just need like two more seconds!" you call back as you apply your lip liner and lip gloss. you give yourself a final once over, making sure you look decent before grabbing your sandals and sliding them on as you hobble over to the door.

when you open it pope is still standing there, arms crossed over his chest as he shakes his head. you stick your tongue out at him before taking the steps two at a time to meet everyone else outside in front of the twinkie. sarah wasn't feeling well today, so it'd just be you, pope, jj, cleo, kie, and her girlfriend lex going to the party at the boneyard today. sarah and john b were sitting on the front porch when you got out there, so you stopped to talk to them.

"hey guys. are you two sure you don't want me to stay home? i wouldn't really mind." you ask as you stand in front of them. sarah waves a dismissive hand at that.

"yes yes, we're sure. besides, you have more important things to worry about." she says as she and john b wiggle their eyebrows at you. sarah was pregnant so you couldn't exactly hit her, but you sure as hell did give john b a good punch in the shoulder before walking away.

ever since you and jj had fallen asleep together outside, the pogues would not leave the two of you alone. i mean, it's not like it meant anything. just friends helping each other out. friends who had been doing a lot of... hanging out lately. the kind of hang outs that felt like dates. but they weren't! jj was just trying to make up for being an ass. in a very rom-com way. but still! the two of you were just friends. much to your dismay.

you all had been at the boneyard for about 3 hours now, and it was really starting to crank up. not that you could really focus on that, though, because you had spent basically the whole time running and hiding from jj.

"y/n, would it really be that bad to talk to him?" aubree asks as rafe comes back with her drink. rafe immediately wraps an arm around her, and you get the sense that that should make you upset or something but it doesn't. you've both moved on for the better.

"obviously. don't wanna embarrass myself. besides, he seems a little... preoccupied at the moment." you say as you tilt your cup in his direction. he's currently talking to some girl that went to school with you guys- her name was like, ashley or something? doesn't really matter, what matters is the fact that she has jj's full attention and not you.

"aww, are you jealous because he's talking to other girls?" kiara asks teasingly, causing lex to elbow her in her side.

"i am not jealous. if he wants to talk to other girls, he's very free to. it's not like we're dating or anything." you say as you take a sip of the beer you'd been nursing since you got there.

"but you want to be." rafe says. it's a statement and not a question, which makes you even more frustrated with all your friends. why couldn't they just butt out of your love life?

"i'm leaving." you say, walking away quickly before any of them could poke fun at you again. as you're walking towards the water you hear someone calling your name, and you turn to see jj jogging towards you. just what you needed, great.

"hey, y/n! haven't really spoken with you since we got here." he says once he catches up with you. you force a smile on your face as you try and come up with a response.

"yeah, sorry about that. to be honest, i'm not really in the partying mood tonight." you say with a shrug. "i'll probably head home soon, anyways."

"you're gonna walk all the way back home by yourself?" he asks as he shoves his hands in his pockets. it's a nervous habit of his that you've always found cute, but you can't help but wonder what could possibly be making him nervous at the moment.

"yeah. don't wanna ruin the fun for everyone else." you say with a light chuckle as you kick up some sand.

"i'll walk with you." he says as if it's the easiest decision he's ever made.

"what? no, jj. you stay, i'll be fine." you say quickly. "you love parties."

"yeah, but i'm not really feeling this one. 's kinda lame." he says with that boyish smile of his. god, he's making this really difficult.

"alright, fine. if you insist." you say as you toss your empty cup somewhere. (sorry kie!)

"lead the way, m'lady." he says as he tips an invisible hat at you. you roll your eyes, shoving him gently. he just laughs, seeing as your little push didn't do much in the way of moving him.

the walk back home is pretty much silent, save for the late night sounds of the town. you almost wish that it could be like this forever, the two of you just enjoying each other's company. but there's this thing that keeps floating around in your head, and no matter how hard you try you just can't seem to rid yourself of it.

"so, i saw you talking to ashley earlier." you say so quietly that jj didn't hear you. "the two of you looked pretty cozy."

that causes jj to stop walking, looking at you as if you had grown three extra heads. "huh?"

"you and ashley. the two of you were talking at the party. are you into her? it's totally cool if you are. i mean yeah, she was kind of a bitch to us in high school but i'm sure she's changed-"

"and they call me the oblivious one." he says with a chuckle. he was looking around as if he thought he was being pranked.

now it was your turn to be confused. "what?"

jj looks at you for a moment, almost as if he was studying you. "y/n, do you honestly think i'm interested in any other girl besides you?"

had you drank more beer than you thought? was it actually beer in your cup, or had you been drinking something else the whole time? because that was the only logical explanation for what you thought you just heard. "huh?"

jj smirks, taking a step closer to you and using his finger to push your chin up. "close your mouth, mama. wouldn't want bugs getting in there would we?"

you couldn't believe it. had jj really said what you thought he said? "i'm sorry, could you repeat that please?"

"i'm in love with you, y/n. have been for a while now. and i know that i acted like a total fucking asshole about the whole rafe situation, and there will never be enough time or enough words for me to properly apologize for that, but i want to be with you. genuinely. in fact, i don't think i've ever been so serious about something the way i'm serious about you." he says as he gently takes your hand in his.

"b-but, you were talking with ashley and it looked like-"

"i was talking with ashley because i was buying something from her. something for you." he explains as he reaches in his back pocket and pulls out a braided bracelet. he slides it onto your arm, making sure it's secure before removing his hands so you can get a proper look at it. it was fairly simple; peachy colored thread holding up a bead with the letter j on it. "i was gonna give it to you when i asked you to be my girlfriend."

"i don't know what to say." you whisper, still in awe. you hear jj laugh at that, and when you look up he bring a hand up to cup your cheek.

"just say yes, y/n. say you'll be my girlfriend." he whispers as he brushes his thumb across your cheek.

"yes, jj. i would love to be your girlfriend." you say with a smile. the biggest smile you'd ever seen broke out across jj's face, so big you're surprised his face didn't split in half. he brings his other hand to the other side of your face and pulls you in for a kiss. it's a lot more gentle than you would've expected from someone like jj, but you wouldn't have it any other way. his lips were soft, almost cloud like and he tasted like cheap beer and his favorite spearmint flavored gum.

you honestly couldn't tell how long the two of you kissed for, but you didn't want it to ever end. unfortunately the two of you needed to come up for air and when you did, jj pressed his forehead against yours.

"i love you too, jj." you say, pressing a small kiss to the tip of jj's nose. he smiled again, but this time it was charged with something else, something you couldn't quite put your finger on. but if you had to guess, it was somewhere between love and admiration.

"good. now let's get you home." he says as he grabs your hand, lacing your fingers together as the of you finish the walk back home.

taglist: @arkofblake @ivysprophecy @murdockcastleslut @queenvane64 @yoongling @cassiewritessalot @iloveeejjjj @divierses @dreamybabbyy @freyawhitexxx1 @sheisntyou @212-apricity @beeskisses

[blueepink07]

My interpretation of Diana's character

(spoilers for chapter 1 and fte!!)

I find it interesting how many people believed that Diana is the mastermind, when the prologue released, and still believe that she is hiding something, especially since we see the events from Damon's perspective. And for me it's really odd, because I feel like Diana doesn't act with other ill-mannered intentions in mind, but out of consideration for others. So much so that I think that she has become a people pleaser. 

Starting with her animal motif, the chameleon, everyone knows it for its ability to change its appearance as a form of protection, in order to survive. Many people tied the chameleon with her ultimate talent, because as the ultimate cosmetologist she can change others and her appearance with make-up. But I think it goes further than this. Her personality is rather unpredictable. Of course, she is usually bubbly, and very talkative, however, it seems she cares a lot about what others think of her. 

At the end of chapter 1, after the trial, the conversation she has with Eva, highlights some interesting details about her character as a whole. She wanted to make both Wolfgang and Eva happy. However, these two had contrasting beliefs, two sides of the same coin. She was forced to choose between two different points of views… But she wasn't able to. So she tried to support both of them, the best she could.

In the end, this choice led Eva to not trust Diana's kindness at all, because she knew Diana was never fully on her side. She would still agree to what Wolfgang said, which implied going against her. What comes next is more concerning, however. And I’m not talking about the fact that Diana might become the antagonist in the future chapter, but strictly about what it will become of her character. To throw away your sense of self so easily and to state that you will live to fulfill somebody else's wish, that she will change to become more like Wolfgang and continue on his footsteps…

And then, I've completed her two fte's and realised that her decision to continue Wolfgang's legacy makes sense. Damon, in the second fte, asks her why she never told anything about herself, but insisted for him to open up more. From Damon's perspective, of course he finds her behavior suspicious, because considering the context and the fact that they are in a killing game, Diana is at advantage, not sharing information about herself.

So I've decided to look again at Diana's first fte and this part was truly interesting. 

She asks if Damon wants her to become his follower. The report card summarizes the conversation by stating that Diana asked Damon what he wanted her to be.

Considering all these aspects, I have reached the conclusion that Diana doesn't really have a "sense of self". She is always seen changing the way she behaves in order to please the person she has a conversation with or is seen asking how she can improve in order to meet the expectations. The reason why she even went to the boiler room was also because she didn't want to disappoint Wolfgang. Diana's always thinking about how others perceive her, so much so that, with time, it seems she has lost her sense of self.

That’s why, the moment when Damon wants Diana to talk about herself, she is restless. Diana has no idea what to say. The only thing we learn about her is the fact that her family is nice and supportive and she never had to worry about money. But she didn't continue on with the conversation, because she felt like she was bragging.

Moreover, she always seems to see the good in people, but is harsher on herself.

Despite Eva being the culprit, Diana considers that it is solely her fault for not saving both her and Wolfgang. Even after the way Eva treated her, she can't see her as a bad person. Diana acknowledges that nothing will ever be the same, but is still standing strong, wishing that her actions will give hope to others. She hasn't just  covered the wound that she received from Wolfgang, but, indirectly, also her trauma and her negative thoughts about herself by stating that she will change, in order for others to not suffer anymore. 

Maybe I'm just biased, but I can't see Diana having any bad intentions. She is just a 17 year old, who experienced something very traumatic, and is trying her best to help the people around her by putting her own needs aside, changing the way she behaves so the others can feel comfortable around her. 

[yuujiheart]

Still can't believe gege became our secret santa and blessed us with this official yuji sukuna art...

Such a wonderful way to end the series and the year... It still feels like a dream ....i think it's safe to say that none of us had never expected that he would do something like that.

when the manga ended I was satisfied but still had this desire to see sukuna reciprocating/acknowledging yuji's kindness but not in the subtle way like he did in the last chapter by accepting to change and not cursing others ... So I was kinda sad and disappointed when there was nothing like that in vol extras...

Then this illustration came out and OH MY GOD.. Sukuna dancing with yuji although irritated still holding yuji by waist , fingers interlocked, mind you this is the same sukuna who doesn't like physical contact but still is as involved in it as yuji.... And then there is yuji my baby happily enjoying the dance or maybe it's sukuna's grumpy face that made him laugh looks so angelic in the snow...which immediately reminded me of this ozawa's epilogue where yuji admitted how snow is still special to him.

... Pretty sure gege did that to tell us that it's because of sukuna yuji finds snow special and to make the art meaningful....

And that quote...in which sukuna is admitting yuji's soul provides him the comfort / has this warm presence .. Which in my opinion is just him calling yuji his home as after yuji's declaration to live with him sukuna has gained a place/ home to which he can always return as yuji would always accept him even if nobody else does....

Btw I saw some jp fans analyzing the quote and the result was this

Gege has used a pretty strong word to describe sukuna's feelings for yuji ... Although it does make sense considering yuji literally offered the king of curses the option to live with him which really shocked him coz all he has ever received is rejection since the day he was born I guess so it was hard for him to accept that there is someone so kind who can accept and wants to share his life with him .. And was the only one who he couldn't break as he never once threw his ideals in search of strength and turned those very ideals into his strength that rattled sukuna to its core....

And there is that acknowledgment that i was really looking for...... After reading this quote, in my mind there was no doubt that yuji and sukuna's bond has turned into something special which can't be replaced by others and shouldn't be restricted to only familial, romantic, platonic love... Their souls are intertwined . Atp they are literal soulmates..

Tbh when I see the art I can't help but think there's more.. There's no way that's it...but even if that's not the case I am fine with it.... I can't be greedy now that I have literally got what I really wanted for my two fav characters..... As a reader I do have problems with some aspects of story but I guess gege already knows that so I guess he will be working on it through anime ..

[eri-pl]

So… what's the idiot envious of, exactly???

So I noticed it when reading BoLT, but the Silm also says (back in Ainulindale) that Melkor was

envying the gifts with which Ilúvatar promised to endow them [Elves and Men]

OK. Which gifts? Professor, sir, which ones? The only thing that makes half of a sense here is the out-of-Musicness of Men, let's leave this for later.

Elves' harmony with Arda? Melkor is an Ainu, he has this innately.

Elves' cool skills? See above.

Them liking each other and being able to have a normal social life? Nah, the Valar (those who aren't jerks) have this too I suppose. He would be envious of them too.

Men being able to leave Arda? Again: as an Ainu, Melkor is innately bigger then Arda… OK, I suppose he would like to come and go as he pleases, go to Arda and be as harmonized as Elves, and then leave freely… but nobody has that! I mean ok, I can see how he overestimates what the Incarnates have and talks himself into envy, but this feels somewhat stupid and counterproductive even for him. (Ofc if we were to assume that Men originally had both, it does become easier to understand… But then also we're getting near the "aren't Elves kinda nerfed?" landmine, which gives me some trouble in general)

OK, now let's talk about the out-of-musicness. I think Melkor assumes that he's got this too, I think? "It came to Melkor's mind to add themes of his own invention" or whatever the wording is. And tbh all the Ainur have the quality of "having existed before the Music", so… OK, I can see how he maaybe would be envious of the Men being able to ignore the Music after it was sung, and maybe he is (subconciously, I think) aware that he can't do so. And this fits well with the story of children of Húrin, which is basically "Melkor proving to Húrin that Men are bound by doom too". So… it's not like the Men have a lot of this ability, it seems. In general it does not feel like a wholly satysfying explanation.

Still, why is he envious of the Elves too? Because Féanor made will make the Silmarills? This sounds like a stupid reason even for Melkor.

And don't tell me about the Second Music, because then we're back to the category of "Melkor is an Ainu, he has that innately". Well, had until he got himself kicked out from the orchestra, but this happenned a lot later.

Unless it's the "I was here first and I'm better, so why do they get to have the cool stuff too?!?" which I feel is a slightly different vibe of envy (is this even proper envy or just jealousy?) than what Tolkien was going for. (But the "why new baby so loved?" syndrom about Manwë and then about incarnates makes Melkor even more similar to Feanor, which I like).

Like… there is the vibe in the Silm that Men-and-Elves are getting sooo muuuch and so of course Melkor is jealous… but when I unpack it, what are they getting exactly that he did not? Professor?

Oh, and also in BoLT Ainulindale: "the giving of that gift of freedom [to Men] was their [the Valar, in modern terms: the Ainur] envy and amazement" — what. The other Valar were envious of it too? Which ones? Names, please. (Makar I suppose but tbh he's to dumb to appreciate it)

Seriously, sir, what.

It almost starts feeling like "the Men are more real and the fairies and spirits get envious of that"

[chillenby]

It's 2 am so um sorry if this doesn't make much sense..

I know a lot of people hate Jimmy and rightfully so. I mean he's a bad person, raped Anya, was too much of a coward to face his own actions so he decided that he should write a tragedy, then fails at it, only to be the reason why everyone died one by one and then finally killing himslef and giving Curly extra 20 years to be saved to once again avoid conciquences and to be the 'hero' he so much wishes he could be. He is selfish, greedy, a bastard and genually an awful human being. I understand that fully.

And yet, he is my favorite character along with Curly (and I don't mean only the pre-crash 'hot' Curly, but also post-crash Curly). You know why? He's so complex and interesting to think about. From psychoanalysis to just trying to figure out how he would interact with characters outside of what we see in the game.. it's all interesting. And it doesn't help that he is the reason for what happens in the game and I cannot explain how much I love the plot (the best way to describe it is that Jimmy is the core of this game, he is connected to everyone and everyone connects ro him, so in my mind, if I want to appreaciate this game fully, I need to extend it to that asshole, because we out him there would be no plot or those hard hitting messages). I love him as a character, I love how fucked up he is, I love that we play as him, I love his dialoge scenes and lastly I love his delusions because I love metaphores and I love that he is one of those characters that makes me think.

I know people shit on him and you know what? Fair. I sometimes do that to characters that've done nothing wrong, but I think they're cunts. But it sometimes just saddens me how people just ignore him or just make stupid jokes like 'sorry you had ro draw Jinglebells'. I know they are jokes, but I don't know, I'm tired of seeing them everywhere and being fed a lot of 'I hate Jimmy' stuff.

I mean there are Jimcurly fans which have amazing art and they sometimes get one thing correctly (in my tastes, this is all a personal opinion and I just want to yell it out into the void called internet) is that it hurts. Jimmy hurts people and hurts Curly, and in a lot of fics and art Curly just lets him. And I like that, as much as usually I like silly and wholesome stuff, for this game specifically I want it to hurt. I hope it hurts. Because that's the theme of the media, it's hard to consume and it hurts, it's dark and fucked up, it talks about our society and the people in it.

...

Also the aus and stuff can be fucking wild. Like there are amazing ones like surviviors au comic where instead of crashing the crew is stuck in a wormhole (I love it so much, genually can't stop thinking about it and rereading it, so beautiful and so good, didn't knew that was exactly what I needed until I read it) and like anti-tulpar (which I'm just receantly getting into and it's odd but in a good way, it's funky). But one the other side we have like lobotomy au and hypno au (the hypno au I read is like on the fence of being uncomfortable and not too bad, since the hypno used makes Jimmy docile and truthful, but on the inside he is still the same person, and like I read a smut and I was left wondering is it rape or not..). I just found out about lobotomy au and as much as I like fucked up shit that to me feels like crossing the line especially since I heard that it's usually used in a sexual manner(I don't have twitter so luckily I managed to escape most of it, but I heard a few things and I have certain opinions I just want to yell out, but if my info about this is wrong feel free to inform me :)). On that I have only one opinion, what is wrong with people? Like I get it, he is a bad person and has done awful things, but to do something to dehumanize him to the point of not being able to have deeper thoughs and not being able to take care of himself, then put him in a sexual manner where he gets practically raped since he can't consent? Why? Do people actually find this attractive or is it some type of letting out your anger? I think it's fucked up

But yea.. if anyone reads this thanks I guess? I just needed to spew out all my thoughts and make them make sense. Form them into proper words and ideas instead of unprocessed junk

So as a closing thought, please apreaciate Jimmy more and make more complex jokes. (Or at least don't like hate on this post too much aand don't post those stupid jokes under this post too much, I'd make my day if none of that would happen)

[privatebooth]

Yay sexy times!

Someone requested something specific for once...

Noting their physical difference, Fenris prepares himself for intercourse before Hawke takes over and stretches him properly with his thicker fingers.

I figured it could actually be incorporated in their first night, when they aren't yet familiar with each other's bodies, only starting to get to know each other intimately. Makes sense that they'd be more tentative about it!

Particularly it works for Hawke who is not exactly eager about the whole thing, only doing it in the hopes to be closer to Fenris and make him feel better.

Hawke took out the lube, which showed that he'd understood Fenris's desire, but he's also not about to take the lead. He tells Fenris that they'll do whatever he wants and he can have Hawke in any way he chooses. Hawke hands the bottle over to him.

Fenris is probably confused by the leisured development, but Hawke had made it clear that he wants him, so he doesn't let it bother him. He says that he wants to feel Hawke inside him. Hawke is sorta relieved at that because he had never before been on the receiving end, but he was totally willing to try.

Fenris lies down, pours some oil in his hand and starts working himself out. Hawke settles nearby and holds him close to make him feel safer in this vulnerable state. He nuzzles Fenris's hair and face, occasionaly planting light kisses here and there, and reminds him that there's no rush, and asks Fenris to take his time. Fenris reaches for Hawke's hand because he wants more physical contact and reassurence

When it feels right Fenris urges Hawke to use his fingers, and Hawke adds more oil and does as asked, very slowly and carefully, but it's enough to make Fenris moan.

(there's another shot with their busy hands touching that probably doesn't make sense, but I still wanted to add it, and it was the one thing tumblr decided to flag, so you can still access it here if you are a member of that blog. If you're not - it's fairly easy to become one https://www.tumblr.com/mhawkeandfenris18plus/750863261916938240)

I am no writer and can't relay what Hawke is going through. He is not looking forward to pulling out his dick, but having Fenris (normally so reserved and composed) in his arms like this, so open and completely defenceless, understanding how much Fenris must trust Hawke to let him in on this, seeing his reactions to Hawke's touch and feeling his want (hello, empathy) - all that is turning Hawke on and gradually awakens his own desire - that weird forgotten itch spreading in his lower regions. Most of all he is affected by the sounds Fenris is letting out. Hawke is doing it to him, Fenris allows it, and it blows Hawke's mind.

Despite Fenris insisting that he gets to the point already, Hawke does not take off his pants until he's certain that Fenris can take him safely. (i mean, he knows his own dimensions)

Annnd now they are ready to get down to business

And since we raised that topic

if you want real quality smut for the first night, I will once again recommend adelaiderain's Remembrance, because it is the hottest take on the subject, and my absolute favourite thing to return to! Don't miss out.

[dirtheran]

I get the sense that while they had planned for that piece of lore to be true, they didn't want to go all in until they were really confident they had it nailed down, which makes it even funnier that it turned out so poorly in Veilguard, imo.

For example, the two biggest "reveal" banters - both Cole's, regarding Solas not wanting a body and burning Mythal off his face and wanting to give wisdom rather than orders - are in Trespasser, rather than the base game. Obviously that doesn't make them less canon, but it does mean that they nailed down that particular plot thread with the certainty that it was something that was worth noting, rather than hinting at. If there's a gun here, it's this lore reveal.

And then! In Veilguard! Bioware made the narrative choice to confirm a huge amount of lore analysis with something very close to objective truth (Solas relating his own memories to no one but himself - no potentially unreliable narrator in an artist that worshipped him here like in the Trespasser frescos, this is The Guy) in the format of a series of very long, very visually flat cut scenes where there was absolutely no ability to react in any meaningful way to any of it.

Does it make sense from an in-game perspective? I mean. Brother, I fucking guess. Technically there's a reason Rook and the Team™️ want those memories, but jesus it is weak. MAYBE there is something in the memories that can MAYBE redeem Solas and get him to change his mind, forget that he has had these memories all along and presumably he's grappling with them in his own regret prison (look away from that plot point, do not ask questions about that plot point). Technically at this point he's still trapped and not at all a danger, but sure. It works out for Rook and Co because of course it does, but a narratively tight choice it is not.

From an external perspective, it is absolutely brutal. It is an incomprehensible choice, in my opinion, to have the worst things that have ever happened to a man played out in a disjointed sequence, and the man himself doesn't have the chance to. Weigh in. Comment. Mention it. Provide context. God for-fucking-bid Solas get any amount of agency when we're talking about the worst things he feels he has participated in.

And you know what - I could forgive even that (in my opinion) extremely bad narrative choice if we could have the characters question in any way what they're seeing rather than summarizing and then doubling and tripling down on 'so this WAS all Solas' fault!!'

All of that criticism applies infinitely to the Wisdom confirmation, because not a single character involved can use their brains long enough to say 'oh, wait, when Solas says "my people", he can mean spirits too, huh! and they ARE suffering behind the Veil! Suddenly his prevarication about who he's doing all this for makes sense!"

But they can't do that, because Bioware won't write that, and Bioware didn't write that because they really, really, really don't want you to ask if the Veil should come down. They don't want the characters to have the voice to say "maybe Solas has a point" because they're not taking the Veil down and they don't want you as an audience member to stare directly into the question of 'but why?'. You might do it anyway, but it is a very uncomfortable position to put your unequivocally Good Guy characters into if you don't want them to experience any kind of moral quandary and suddenly they're on the side opposite a freedom fighter who wants to tear down the Veil not because he hates the people in this world but because the broken status quo is something that he considers his fault because - indirectly - it is!!!

The Wisdom reveal is a symptom of a long list of things that had narrative support but jesus, the way the characters reacted made me wish they were just still mysteries.

It feels like Bioware built a deck of cards of every single question they made you ask about Solas and Elvhen history and spirits in general and then instead of playing a game with you to show them they threw them all on the table and said, "there, happy?"

If I'm being honest, man, not really!

i know that this is a deep cut, but when people justify a terrible writing choice by saying 'no see there's evidence in the text' it's like. yeah i Know there's evidence in the text. its not a question of whether the thing is true, it's that its stupid.

like yeah i Know that theres a codex entry about how the venatori came to accept being led by the evanuris. i can read that codex entry and still say 'well that was a goofy ass writing choice'

[elviraaxen]

Maaan.... I'm still in a pretty bad rut. I might just need to play webfishing this weekend. Sorry guys im just not doing so superdeeduper.

[moe-broey]

Close ups on the pocket details!!! I'm SUPER happy w how the top pockets look 😳😳😳

I think the variety of pride pins with the moral panic button/Mr Faggot beadwork just. Really sells it. Shadow the Hedgehog voice Pee Your Pants. If you're going to be a shithead about me I'm going to be really annoying and do a bit about it. Plus the little golden angel pin... ALSO really pulls the whole thing together. "God help you" Right in front of my guardian angel? Really? 😒And how could I not make mention of. The Skull. I love you The Skull. It's a button (not sewn on yet, pinned) that I filled the details in w nail polish. Oh yeah! Besides the bottle cap pins (acrylics sealed with mod podge and a prayer), the biggest addition there is the chain lining the pocket flap! I think it looks SO SLICK

The pansy was gonna go on the queer side, but then I got the boutonniere idea! And I think it looks nice! Kinda adds to the asymmetry of the floral print/plaid blocking. And... of course.... I have... my friends...... 🥺 Biggest additions here are the glow-star pentagram pin, soda tabs and the heart locket!

I don't really have many new additions to the bottom pockets. Not yet! The only thing I did was stitch one side of the handcuff chain, and rearrange the pins holding up the other side. The cuffs/scorpion was just an impulse addition before going to a concert. But I do like it! And it looks even better now! Meanwhile, that other pocket, I actually have no idea what I'll do. Sakura is just there cause she matches really well, esp w the angel pin actually!

[skrunksthatwunk]

idk if i've discussed it before (i have certainly THOUGHT about it) but someone on my kuwa suffering ep 89 comp mentioned it and i just had to go off about it like. ok. sensui tells yusuke something along the lines of "you heard itsuki" when itsuki's inside the uraotoko, implying that not only can sensui hear those inside the uraotoko, but that he expects yusuke to be able to as well. which means that yusuke Almost Certainly Heard And Kind Of Ignored kuwabara's prolonged mental breakdown and wailing about how much he needs yusuke to live etc. which. guHHH i hate him yusuke you ass but also listen.

the only acknowledgement yusuke gives to this (if any) is when he says something like "sensui you're sooo fucking cooked this plan's going perfectly (my friends are going to get strong and kill you when i die)." he's trash talking to sensui, ignoring the others because, i think, he doesn't want to acknowledge what he's doing to them.

yusuke is explicitly recreating the experience he had with kuwabara's "death" at the hands of toguro, complete with the announcement of intent (and power) to kill, the inability to impede the threat in any way (barring a power-breakthrough), and the target in some way racing towards/volunteering for their death. yusuke learns through doing, and through tough love-style approaches. it's only effective if it hurts. watching kuwabara die like that was devastating to yusuke, but it sure as hell fucking worked. he beat toguro because of that maneuver. so even if he has to (re-)traumatize his friends in the process, this method will make his friends stronger, and he feels confident in that. but he never had to live with the consequences of kuwabara's death, not really. that's something hiei makes clear before they enter the cave as well, that there are no fake-outs ready to make him or anyone else stronger. the only deaths here will be real. the only power gained will come at a high, permanent cost. hiei's warning is an attempt to keep everyone alive, to keep yusuke from being stupid. and then yusuke decides to take that fatality into his own hands, but it's kind of his friends who would pay the price. he's going to make them live through the days, months, years without him, the actual permanency of loss (assuming they survive for that long), something he never experienced with kuwabara (a new facet of that traumatic scenario), AND he's escaping the emotional fallout of this choice through death. he doesn't have to see them mourn, won't get yelled at, won't watch them fail to move on. he's tapping out and choosing to believe they'll be fine.

but i think he feels guilty. just a little. i mean, yusuke couldn't even believe that people cared about him enough to want him alive in episode one. he's staked everything on his friends, which means he still kind of... doesn't value his own life, at least not compared to theirs. but he believes his friends love him and want him around, and we know that because he has to, or else he wouldn't make a plan that depends entirely on that love. he is actively leveraging the care he doesn't think he deserves, trying to hurt them in a way he is intimately familiar with (only worse), for.... what, exactly?

this is kind of my sticking point tbh. i don't think the answer is... super clear, but let's start with what it's not.

yusuke is not doing this because it is the most practical way to save all of humanity; that would be the mafukan, which he stopped. it could be a gamble to save all of his friends? the mafukan strategy would guarantee koenma's death/eternal imprisonment, whereas this strategy gambles all of humanity on the chance that his friends come out of the Easy Break Oven strong enough to avert the end of the world. if the sacrifice of even one friend is completely intolerable, perhaps he'd accept those slim odds and their steep consequences. yusuke tends to take risks like that, especially when he's got fight-induced tunnel vision. he doesn't think things through too much; his schemes are usually dependent on surprising his enemy enough to oneshot them. truthfully, i think this is the closest we'll get to an answer, and it's a more conventional one for this kind of story. but there is another layer i haven't been able to get from my mind.

i think yusuke is gifting each of his friends an honorable warrior's death.

so, in case it needs saying, yusuke, kuwabara, kurama, and hiei all (at least once, if not several times) exhibit a desire to die in combat in a way they deem noble to give their lives purpose (usually by self-sacrifice, but sometimes by another metric of honor, like hiei's duel with shigure and his desire to die in mutual defeat against an evenly matched opponent; or even kurama's decision to fight shigure in his human form, displaying a sort of passive suicidality via placing being true to himself in this (somewhat symbolic/inconsequential) way over survival). they need to make their lives count for something, because they feel guilty for being alive (kurama and hiei feel guilty for their past actions (hiei's is most evident in his distance from yukina, though that's not its primary reason), hiei, kuwabara, and yusuke have all been ostracized and made to feel like burdens on/unwanted by their caregivers and general society; all four of them have felt profound isolation even from their loved ones (yusuke and hiei are rather obvious; kurama can never tell his mother about the majority of his life nor what she truly means to him in the context of it; and kuwabara is separated from his peers for his spiritual awareness and his "stupidity" (plus his parents aren't around? and he is Desperate to define manhood/manliness through a broader pop cultural one which includes the warrior sacrifice thing bc he has no male role models BUT that's for another post) (i will admit kuwa's the most tenuous one here irt isolation)). they want to die for a cause so badly it's actually physically painful to me. it is passive suicidality, and they define their lives and identities by their relation to, engagement with, and skill at doing violence, etc. they live to die by the sword. anyway. nobody talks about it but i think it's very important to understanding what yusuke's doing here.

because i think he knows that about himself and his friends. they're kindred spirits. at the very least he knows this about kuwabara, who literally made a speech about this before diving into toguro's fingers In The Event That He Is Recreating Explicitly. he is dying nobly like they all want to on the chance that they'll get to break out and fight sensui rather than dying without even getting to take a swing. it's about his pride and theirs. but i don't think yusuke necessarily believes they'll win. he knows better than anyone how strong sensui is, and how wide the gap is between sensui and team urameshi. his stated position that humanity is doomed and that he doesn't care about its fate is, i think, not completely genuine, but if we take it at face value, he's not killing himself so that his friends can survive the end of the world. something's going to come around and kill them eventually. he's doing it so they can survive long enough to fight sensui. he needs them (specifically kuwabara) to be strong enough to free themselves to begin round two. but he's given up on their side winning, on humanity surviving, on his own victory---why should he think his friends are capable of winning? this could be another case of yusuke's fight-blinders. it could be another gamble, more blind faith put in his friends. but honestly it reads more to me that yusuke's giving them a chance to die together on the battlefield. them winning would be great, but it's not his goal. it's a pipe dream.

he knows he's going to be killed. they're probably going to be killed, too. but to make it so they last a little longer against sensui, to make the odds a little more even, so they are killed not like livestock, but like worthy fighters, he'd die a little faster. it's the best kind of death someone like them can have; and he'll deprive himself of it just to make their ends a little sweeter. even if the road to that is far more bitter.

but it's not like yusuke's friends know what he's thinking or agree to it, and he can't exactly make his case for it in the moment. he's making that choice for them. whatever his intentions, whatever odds he thinks they have of beating sensui, he's kind of sealing all of their fates. so how the hell is he supposed to acknowledge kuwabara screaming at him not to die, trying desperately to express what yusuke means to him in what could be their final moments together? this plan is going to hurt his friends terribly. it is already doing so, and he can hear it. his choices to stop koenma from using the mafukan and to die for his friends' strength are both selfish in some way, no matter how you read the scene. if yusuke comforts kuwabara, he might not get strong enough. if he twists the knife, well... how could he forgive himself? and either way by responding he would have to face them all and say yes, i'm doing this regardless of your feelings (with the intention of hurting you). so i think he does what he often does. he avoids it. he lets that emotion glance off him and his bravado and his one-liners so he doesn't have to deal with the fact that he's hurting people, that he's scared and guilty and unsure of himself. that he's about to die again, about to put kuwabara through the grief he saw at his wake again, only worse; about to put his quieter friends through something similar.

yusuke is confronted with the responsibility one has to the people who care for them, and he runs from it in an attempt to give them some small peace. just like when he died before and thought hey, at least my mom and keiko won't be burdened by me anymore. because the only thing he can really do for them is die.

[britneyshakespeare]

the middle school principal wants to hire me in a full-time position so bad.

and who can blame him? i'm that substitute 💅