i mean. the thing is that it isn’t that cass is bruce’s favorite kid or the best sibling. she’s the best bat, which is fundamentally a different thing.
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i needed to express a sentiment in the creative stylings of @dunmeshiminimumwage
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back when i worked at [large chain coffee store], i tried to unionize my workplace. my manager sat me down and gave me a very guilt trip-y talk. lots of "but i thought we were a family :(" and "you don't *really* know what unionization does, do you?" i played dumb and managed to avoid being fired, but. chilchuck momence.
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okay but the unexplored potential of a revali and purah dynamic
revali is so keen to be the best of the best and push himself past all conceivable limits, and purah wants to find the limits of sheikah tech and magic only to barrel past them and nearly become god
so one day, purah comes to revali "how high can medoh fly?" and he pauses bc he hasnt thought about that much, which he realises is asinine how has he not thought of taking her higher "well her resting altitude is x but its possible to go higher, though i dont know her limits" and they just look at each other bc well now they have too know-
and it continues like that, purah coming to revali with questions about medoh or the rito or his wind magic or eventually just requests for assistance "i need you to fly this up there for me, clear out this monster camp, ect ect" and revali loving the attention and the chance to show off, and that hes able to prove himself as truly better (he often tries to rope in the other champions to compare) and purah is loving all the data and the chance to work so closely with a pilot and they both compliment each others personalities quite well, both sassy and intelligent and where purah is overbearing and bubbly revali is insecure and sulky
anyway this is all pre calamity stuff, i want them to be very good friends and cause chaos together and push each other to constantly better each other, and purah would scoff at revalis creative insults but internally laugh and file them away to use later, and revali may act uninterested when purah talks for hours about conclusions shes come to and different approaches they could take hes actually paying complete attention and thinking of ways to use this knowledge in piloting or training
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The Return of Raggapuppy! Now with more fluff!
Click for better quality cuz tumblr clearly doesn’t like my camera
Ok so when @ask-the-rag-dolly briefly blessed us with more werewolf Ragatha I had the urge to draw her again. But then I went back to the first sketch that I had of this and thought “Yeah, this could be better” So I updated doggo Ragatha to look fluffier and fit closer to a werewolf design and I fixed Pomni up while I was at it. I’m a lot happier with it now.
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Me when they confirm in Roku's 2nd novel that Ta Min has had the hots for Roku since school started (or sooner) but didn't say anything because of Sozin or somthing, and thus perpetuating the Ta Min/Rangi and Sozin/Yun parallel:
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you know, an interpretation of ct that I don't see that I personally really love is that she's a fuck up. like yes she's cool and she has some good fight scenes, but a huge part of her character is that she makes mistakes. the mistakes that she makes are ones that on their own aren't the end of the world, but she keeps making these little mistakes, and they eventually add up until she's out of room to make any more.
a really good example of this phenomenon in action is the actions she took leading up to her final confrontation with carolina and tex.
strike one, she thought she saw something in the water, but when asked by the leader what it was, she brushed it off as nothing when even if it had been nothing, it would've been smart to tell him what she thought she saw.
strike two, she didn't sense or notice florida's presence when the leader did, and she looks at the leader twice, once as she pulled out her magnums, and again after she did a scan of the room, almost like she was looking at him for guidance before he finds florida and takes him out with one good axe throw.
strike three, she couldn't convince the leader to leave when they had the chance to get away, and her cheap tricks were not enough to hold off either tex or carolina in a fight. they were only good for incapacitating her opponents enough for her to get away, which doesn't work when she has no escape.
ct is not tex, or carolina, or south. she is not a one woman army who can get herself out of trouble when she's stuck in tough situations. she needs people who can watch her back, she need a team who can cover her when she does mess up, and the leader and his team were not those people. she couldn't bring herself to trust them, and they couldn't bring themselves to trust her, and that cost all of them their lives.
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Usopp's constant negativity and anxiety are something useful and "positive" at the end of the day (eg: fight against Perona) because he doesn't necessarily need to change his views, he just needs to trust himself and his abilities more and he just uses what he has at the moment which is, you know, negativity. It is not something positive but it does keep him safe from danger and he will end up being proud of himself and stronger than he could ever imagine, but that doesn't mean he'll stop being negative. It's just another personality trait a lot of people have, and Usopp using it for his advantage is something great, I feel. He takes pride in being like that. He's loud and shameless about it.
Unlike Sanji, who dwells on his negativity on his own. Quietly. And lets it consume him without having any power over it. His self-sabotaging and self-sacrificing behavior often comes from a place of giving up out of fear of others getting hurt to save him because that's pretty much his core fear. Being a burden/Not being able to save the people he cares about from himself and his past. It's not something the manga shows that much in comparison to Usopp's negativity, but Sanji's pessimistic views are pretty much one of the reasons why WCI happens and why he puts himself in the worst situation in Wano.
And I think (this is why I'm writing all of this) that they're perfect for each other because Usopp could show him that being afraid and negative isn't something so bad. After all, at least Usopp is aware that if he can't do something, the crew will help him out no matter what. Usopp's negative, yes, but it's alright because he doesn't go through it on his own. Even if he does look shameless and "selfish" when desperately asking for help (he isn't, by the way. It's actually pretty reasonable to act like that). Sanji needs to learn to ask for help shamelessly too and he needs to stop putting all the weight of the world's negativity on his shoulders. They need to carry it together.
Like- There's just something so personal in Usopp going "Yes! I am scared. Frightened even. Please, help!" because he might not like that part of him and he's trying to be stronger and more independent every day, but he acknowledges that things can go south and his reaction is very fight or flight but pretty mostly flight to be safe. While Sanji's response is always to fight because he refuses to let others know he needs help in case something happens to them (and also because he feels ashamed of feeling weak). Usopp shares the responsibility and accepts that he's kind of a loser sometimes but Sanji refuses to do so.
This is just a thought about Sanji learning that being a coward and asking for help isn't bad because they're meant to do stuff like that, and Usopp growing to be stronger and independent but not necessarily stop being pessimistic because sometimes you just... Are like that. Sometimes you're scared. Sometimes you have anxiety. And that's alright. You can be strong anyway.
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so hey guys i finished dungeon meshi yesterday and i'm still thinking about it
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hi mr mailman! i know you arent a part of the writing team, but is there any specific reason why pacesetter and firestarter ended up paired together? you've mentioned both of them having musical/metal inspo, was that part of it? or was it more of just throwing darts at a board? love your work!! <3
thank you!
this is just my personal/non-official/non-lore perspective on it, but I see a lot of character relationships in media that have some obvious shared theme, like fire and water, which is cool…
But Pacesetter and Firestarter, despite being seemingly unrelated at a glance, actually have subtler things in common (shared music taste being among them… PS probably enjoys hearing about drama from FS too). their personalities complement each other well despite the visual differences. firestarter needs the confidence; pacesetter needs the appreciation, validation, and probably many other things… maybe he could learn some patience too…
as for the real-world reason why they're in a relationship… well… my memory is bad, but IIRC, it came up a year or two ago... I believe the idea for their relationship existed before either character had a tie to music, back when they just had personalities and designs (which are essentially the same as they are now), so in that way, the initial idea was very personality based
of course the previous paragraphs relate to it, but let’s say this– they told me personally that they wanted to be together
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The resistance has fallen. Mac and Layla and their friends have been driven out of Los Angeles and are hunted down by Matrix Corp, the corporation now proven to have played a rather antagonistic part in the pandemic that unleashed bloodthirsty zombies upon the world. With no foot to stand on and no safe home to fall back on, the group has to trek back into the wasteland to reunite with some old friends— in hopes to find the stability they need to work on a plan to take Matrix down once and for all.
But strange things are happening in the wastes of the United States. Ghouls are becoming smarter, and stronger— and the sudden appearance of a series of strange and hostile settlements tells the group a new player has entered the game, and they are out for blood.
[SEASON ONE HERE] // [SEASON TWO HERE]
taglist (opt in/out)
@shellibisshe, @florbelles, @ncytiri, @bialanwake, @stars-of-the-heart;
@lestatlioncunt, @katsigian, @radioactiveshitstorm, @estevnys, @adelaidedrubman;
@celticwoman, @rindemption, @carlosoliveiraa, @noirapocalypto, @dickytwister;
@killerspinal, @euryalex, @ri-a-rose, @velocitic, @thedeadthree;
@kanos, @swordcoasts, @ordinarymaine, @claudiawolf, @strafethesesinners;
@mnwlk
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Miwabiwis.......
I actually do like her official outfit! I just... had a deep need.... put that girl in a nightgown and slippers RIGHT NOW‼️‼️‼️‼️ Also it is admittedly so much easier to draw 🧍
I did try to keep in line with most of her official look though! Or add more emphasis to little details, like the red berries... other details I added, like the bloomers, keep the roundness of her og dress! BUT ALSO.... they are just so cutes.... I imagine they're made of rose petals...... I was also thinking angelic motifs. With the dress shape, and the smaller wings shaped as such!
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had some brainworms about transfem furina.... can anyone hear me.
i feel like this would have really interesting implications in her story, much as she loves acting, but struggles with it due to the 500 years she spent being forced to act, would being a woman be the same for her? she doesn't know where the act ends and where her actual identity begins. is she a woman because she wants to be, or just because she had to be one. even if she enjoys it more than the alternative, does she actually enjoy it? or is it just because she was one for so long that she enjoys it?
i can imagine that focalors likely didnt care much about her identity/presentation as archons have been shown to be able to change their forms at will basically, but furina is the human counterpart of focalors. she doesn't have that ability to change herself just like that. i imagine gender identity would be much more important to a human, especially one that must keep up an act at all times, than a god, and thus something that would affect her. something she would think about. a lot.
maybe post-prophecy, she would experiment. figure out if femininity is in fact something she wants. maybe she would try to go back to being "cis" and then realize it wasn't right for her. and i imagine that she would flourish more being able to properly express her femininity rather than doing it just because it was apart of the role.
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i don't remember how i stumbled across this interview but i've never seen anyone mention it so i'm dropping it here <3 it's a little dated but still like super valuable and a decently in depth look at higuchi-sensei's previous works and how she works and thinks as a mangaka... personally i think it's the most i've ever learned from an interview of hers. super interesting stuff :0)
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