#which is why I think it was just better written

[alexanderwales]

I'm a big fan of wizards-as-programmers, but I think it's so much better when you lean into programming tropes.

A spell the wizard uses to light the group's campfire has an error somewhere in its depths, and sometimes it doesn't work at all. The wizard spends a lot of his time trying to track down the exact conditions that cause the failure.

The wizard is attempting to create a new spell that marries two older spells together, but while they were both written within the context of Zephyrus the Starweaver's foundational work, they each used a slightly different version, and untangling the collisions make a short project take months of work.

The wizard has grown too comfortable reusing old spells, and in particular, his teleportation spell keeps finding its components rearranged and remixed, its parts copied into a dozen different places in the spellbook. This is overall not actually a problem per se, but the party's rogue grows a bit concerned when the wizard's "drying spell" seems to just be a special case of teleportation where you teleport five feet to the left and leave the wetness behind.

A wizard is constantly fiddling with his spells, making minor tweaks and changes, getting them easier to cast, with better effects, adding bells and whistles. The "shelter for the night" spell includes a tea kettle that brings itself to a boil at dawn, which the wizard is inordinately pleased with. He reports on efficiency improvements to the indifference of anyone listening.

A different wizard immediately forgets all details of his spells after he's written them. He could not begin to tell you how any of it works, at least not without sitting down for a few hours or days to figure out how he set things up. The point is that it works, and once it does, the wizard can safely stop thinking about it.

Wizards enjoy each other's company, but you must be circumspect about spellwork. Having another wizard look through your spellbook makes you aware of every minor flaw, and you might not be able to answer questions about why a spell was written in a certain way, if you remember at all.

Wizards all have their own preferences as far as which scripts they write in, the formatting of their spellbook, its dimensions and material quality, and of course which famous wizards they've taken the most foundational knowledge from. The enlightened view is that all approaches have their strengths and weaknesses, but this has never stopped anyone from getting into a protracted argument.

Sometimes a wizard will sit down with an ancient tome attempting to find answers to a complicated problem, and finally find someone from across time who was trying to do the same thing, only for the final note to be "nevermind, fixed it".

[qqueenofhades]

I love your essays; they are fascinating. Thank you for sharing your perspective! I have a follow up question, if you have the time or energy: in your last, you said, “It's a blueprint for a tiny group of extreme right-wing theocrats and fascists to get their way regardless of what the broader public says about it…”. Who ARE the tiny group of extreme right wing theocrats and fascists? Is it the politicians whom we see all over the news, like Vance and Boebert ands Haley and DeSantis? Or are they puppets whose strings are being pulled by donors behind the scenes, like…I don’t know, the Koch brothers and the Uleins (sp?)? I feel like whoever it is must have mind boggling amounts of money, to overcome the sheer number of people who don’t think like that, even people nominally republican who believe in traditional low taxes and small government, but are not completely bananapants. Or maybe that’s why they tagged trump, bc no one before him was willing to act like enough of an outright gangster to seriously move the needle…? How much more rich than disgustingly rich do they need to be?

Perhaps surprisingly, it's fairly easy to identify the Hall of Shame who are busily trying to end American democracy, not least because they have become increasingly open about it. Their motives are diverse but all terrible. The quick rundown is as follows:

First, the alt-right billionaires club such as Peter Thiel, Elon Musk, Harlan Crow, and Leonard Leo (the last two are some of the chief funnelers of dark money to SCOTUS; Crow is Clarence Thomas's sugar daddy). They have reasons ranging from grandiose delusions about "remaking" the world in their preferred image (not at all terrifying) to attaching themselves to fascist politics in order to defeat workers' rights and labor unions, who they view as a threat to their mega-wealth. Thiel is the primary sponsor of JD Vance and the alt-right cryptobros clubs that draw the young right-wing white men who also primarily form the membership of neo-Nazi and white nationalist groups. They want to end democracy in order to punish women, minorities, LGBTQ+ people, and anyone else who Nazis always hate. Crow and Leo have lavishly funded the corrupt SCOTUS in order to influence their preferred right-wing rulings, and there are undoubtedly more who we don't even know about. This is just the tip of the iceberg and I have no doubt that it's far, far worse than anything that has been publicly reported.

Next are the extremist right-wing interest groups that have cohered around and advocated for Project 2025, which is basically just the conservative-extremist wet dream put in one place and written down. They include the Heritage Foundation (the primary Project 2025 author) the Federalist Society and the John Birch Society of right-wing judges and policymakers, and Opus Dei, the secretive Catholic right-wing influence group who are straight out of a Dan Brown novel but are in fact some of the most consequential and powerful players in MAGA World. Their name means "work of God" in Latin, which is very much what they see themselves as doing, and their reach in DC is vast, particularly in the far-right evangelical and fundamentalist Christian groups that have attached themselves to Trump as a vehicle to push through their regressive-reactionary social and cultural politics, especially on abortion, women's rights, LGBTQ+ rights, and other things that they view as "unholy." These are the diehard true believers who really, truly think that it's better for the US to be a fascist theocracy espousing "Right and Moral" religious views than a flawed, pluralist, and secular democracy. Hard Yikes.

Thirdly we have the useful idiots, such as Vance, Ron DeSantis, Boebert, Greene, basically pick-a-Republican-politician-here, who are pursuing fascist politics out of careerism, opportunism, some amount of genuine belief, and exploiting the age-old fissures of American racism, nativism, xenophobia, and other original sins that have dogged the country since its founding. Of course, Trump himself is chief among these useful idiots, because he's completely willing to end American democracy and install himself as Dictator-for-Life if it exempts him from having to face the consequences for all the crimes he did last time (and frankly, his entire life, which is now catching up with him). I don't think Trump has an actual consistent or coherent policy bone in his body; witness how quickly he was willing to flip-flop on the Florida abortion issue depending on what he thought was useful (and then after the backlash he received from his base). He's a malignant narcissistic sociopath who is incapable of complex reasoning and long-term planning. His only and overriding interest is himself, he will do absolutely whatever he has to in order to save himself, and as long as he has his death grip on the GOP, everyone who wants to succeed in the party or even have a future in it has to slavishly kiss Don Corleone Trump's ring. That is why many lifelong Republicans have been breaking ranks to say they will vote for Harris, because "being a Republican's" one and only qualification is now "being utterly loyal to Trump." That's it.

These are all actors based more or less in the US, but we also can't forget the fact that basically the entire Republican Party is in deep, deep hock to Vladimir Putin and other foreign autocrats (but most especially and dangerously Putin). We just had the DOJ indictment of MAGA influencers who were taking Russian black cash by the bucketload in order to spread damaging lies about Biden/Harris and pump for Trump, and this is consistent with Russia's pattern of extensive interference in American elections going back to at least 2016. It is hard to overstate how much Putin hankers to end American democracy for many reasons. He is a former KGB agent trained in the black-and-white us-and-them logic of the Cold War where the US was the USSR's archenemy, his constant mourning for the USSR's collapse has been well documented, and it would be the absolute defining and singular achievement of all of post-imperial Russian history for Putin to effectively end American democracy with a second Trump term.

This is for the simple reason that Trump is utterly in thrall to Putin and will do whatever he asks, whether it's cutting off aid to Ukraine and forcing them to accept annexation by Russia, pulling America out of NATO and letting Putin set his invasion sights on Poland and the Baltic states, and anything else. That is genuinely terrifying but very likely if Trump was re-elected, aside from the end of American democracy and the worldwide ramifications it would have to empower fascist authoritarians everywhere. Putin is trying to achieve this through a combination of good old-fashioned Soviet-style dezinformatsiya, paying off MAGA influencers, putting the entire resources of the Russian state into defaming Harris-Walz, and recruiting useful idiots like his asset Jill Stein, who has extensive Russian ties and only pops up every four years for idiot leftists to spoil their vote and ruin Democratic electoral prospects. So. Again. Hard yikes.

So that's the quick rundown of the people who are vested in Trump and Project 2025's success and why, and as you can see, while they're all different, they're all terrible. But yes: that really is a very, very small group of people, relatively speaking. And a vote for anyone except Kamala Harris and Tim Walz is a vote to empower them and also to ensure that you will never have the chance to vote again, due to living in an authoritarian fascist regime. Choose wisely.

[twopoppies]

I’ve been thinking and have seen so many theories about what “Boyfriends” can be about, personally I think it’s about Louis, the “secretly drinking” and a few other things.

I do think they’ve been through things we will never know and I also think they’ve made some compromises to stay together, even Louis has said (about BTY) “that one person in your life you keep going back to.” Too Young he said “was about meeting the One at 18 and not being prepared and going down a few wrong paths to realize what he had and what he thought he lost” So many of his songs make it seem like there was a little back and forth, a lot of the “I screwed up they left, I have hope, we’re together.” Repeat.

Harry didn’t sing Girl Crush and write “just a Little Bit of Your Heart” just for a paycheck or for fun. People analyze clothing but a lot avoid those two songs or write them off and definitely won’t add “Boyfriends” to that mix.

Not saying they aren’t together now, but I think it’s been harder and rockier than people think.

I think people really romanticize their relationship and see it as fanfic soulmates I met him and life is perfect. I agree with you that it’s probably been rocky at times. But I think neither one has ever wanted to give up and I’ve said for years that I think both of them know they’re it for each other. These days I feel more confident they’re still together than I have for a while.

Boyfriends I think is about both of them. I don’t think Harry would shy away from looking at his own bad behavior in a relationship.

But before Boyfriends we had Falling, To Be So Lonely, Cherry… (although, I think Boyfriends might have been written at the same time. I can’t remember now). Anyway, he’s not always writing something autobiographical, but I think he’s certainly using a lot of his own experiences.

Louis recently covered Chemical which is really BTY in a different form (“‘Cause I couldn’t leave you if I tried / Tell you that I'm sorry, tell me what I gotta do / ‘Cause I can't let go, it's chemical). He’s clearly been singing “I love HIM, I hate it”. He’s used references to the other person being like a drug more than once.

But I think looking at songs like this as proof that their relationship is toxic is not seeing the bigger picture of what they’ve been through and why they’ve struggled. And it ignores every song they write with lyrics about not giving up, not being whole without the other person, apologizing for hurting the other person, working through trying to heal a relationship and learn to communicate, etc. What I haven’t seen is them writing songs about feeling empowered by letting go, feeling better now that the other person is gone, etc.

[deathmetalunicorn1]

Straw Hats x Eri Reader- Grandparents Day

I missed it!! I was going to post something for Grandparents Day!! Well better late than never!

-You twirled, in awe of your new sundress Nami had surprised you with, looking at your reflection with a big smile on your face, “It’s so pretty!” Nami and Robin were both taking pictures, smiles on their faces, seeing you so happy.

-It was Grandparents Day, a holiday to celebrate grandparents, and you had written letters to all three of your grandpas, wanting to spend the day with them, wanting to have a picnic with them.

-They, of course, all answered, telling you they would be there, and you had been up early to help Sanji prepare the picnic, as you wanted to help, which Sanji adored.

-You were meeting on a small but beautiful spring island, perfect for a picnic and your crew arrived first and they all helped you set up the picnic on the island, while they were going to have one on the deck of the ship.

-Whitebeard and Garp both arrived at the same time, and while both crews were enemies, they had been told that they weren’t here for the pirates, they were here for their adorable little granddaughter Y/N.

-That didn’t stop Garp and Whitebeard however, as they docked on either side of the small island, away from each other to discourage fighting, but as soon as the two saw each other, they started to chest up on why the other was here.

-Whitebeard dealt a fatal blow to Garp, “I was her grandpa first- you second place old man!!” the two were fully ready to start throwing hands when you arrived with Robin and you beamed, “Grandpa!!”

-The two turned, their anger falling as they were both smiling brightly, bubbles surrounding them as they both kneeled as you ran to them, getting a group hug with them while Robin giggled, thinking it was cute, taking a photo.

-Robin gave you the picnic basket and pecked your forehead before she headed back to the ship before you turned to them with a bright smile, “I helped Sanji make a picnic for us! We just have to wait on the last grandpa to arrive.”

-Garp froze, hearing there was a third, while Whitebeard was a little less annoyed, as he knew who it was and as Garp grinned down at you while you put the basket down, anger marks on his cheeks, asking you who it was, a cheerful voice called out, “Grandpa’s here Y/N!”

-You turned, seeing your third grandpa and beamed, running over, “Grandpa!” Garp was beside himself, seeing Rayleigh there- realizing that you had two pirates for grandpas- he had to save you from this fate!!

-Once on the blanket you opened the picnic basket, revealing sandwiches and some pieces of paper that were folded, but you took those and hid them behind you, holding a finger to your lips, like how Usopp taught you, “That’s a secret for later!”

-Gawd you were so precious they were going to die from cuteness overdose.

-The sandwiches were delicious and you were glad you made a whole bunch, as you knew that grandpas needed to eat a lot as you sat on each of their laps, spending time with each of them as they told you what they had been up to lately and you told them what adventures you had been on as well.

-When the food was gone you handed each of them a handmade card, “These are for you- because you’re my favorite grandpas ever!”

-Whitebeard and Garp fell to the ground, clutching their chests while Rayleigh had a hand to his mouth as tears poured down his cheeks.

-Once they were all up, they opened their cards, which just had flowers on the front, finding a crayon drawing of the two of you and ‘I love you grandpa’ written above the figures.

-Franky was looking out, standing watch, “Looks like Y/N gave them their cards- all three of them are down.” Luffy was laughing loudly, finding it hysterical, as did Ace, seeing these three grown men, notorious pirates and marine, all so whipped by you.

-They helped you pack the picnic up and you made them all pinkie promise to do this with you next year, something they swore to do, and you started back towards the ship.

-Rayleigh grinned brightly, pocketing his card, “Well- as Y/N’s favorite grandpa- I’m heading out first.” Instantly the other two were glaring at them, arguing that they were your favorite.

-You turned, hearing the shouting before Zoro hopped down, picking you up as the three men got into an all-out brawl against one another, each one saying they were your favorite.

-Once back on the ship you looked up at Luffy and Ace, “Why are they fighting?” they just ruffled your hair, telling you that grandpas needed to exercise after eating, and fighting was a good way to exercise.

-You were happy that you got to see your grandpas and that they enjoyed themselves.

[nonbinarypirat]

Hello! I really like your character analysis from m!ik. I wanted to ask you what do you think of Amerie? And her influence on Iruma? And their relationship?

Great question! Okay, I’ll go in order of your questions since you have a few for me :)

Okay, so I have issues with how Ameri is written on the character, some of the few issues I have with Nishi’s writing thus far. But before I talk about the negatives I want to focus on the positives of Ameri and her character because I do think she has a lot of potential that I hope we get to see! Ameri is a classic capable but soft character type that we see in both her romance fantasies but also her deep care for her fellow students. She isn’t just a student president because of the prestige or power it could give her, it’s because her ideal is for every demon to be proud of themselves and their authentic selves. And this is a quality in her that I find deeply profound and beautiful. She’s proud of herself and she wants others to be proud of themselves as well. And what I like about Iruma and Ameri is that she encourages him to strive for more, more than he ever could have dreamed of in the beginning. And he makes her enjoy herself more rather than overworking herself. He makes her be still more, stop to appreciate the little things. She also has the power to inspire others, a nature born leader, and one that is willing to do anything for her fellow students. Not to mention she has given her fellow student council members a place to belong and by doing so, they have deep respect and loyalty to her. And for demons who are inherently selfish and idealistic, this says a lot. They aren’t with her because of her strength, they care for her and I think that speaks volumes in itself.

What I have a problem with is how much her growth is tied to iruma. I think in this Nishi failed at making her an independent character. For instance, we don’t get to see her work towards rank 7, which would help her in her main ambition. We know she wants to take over for her dad, but we don’t know why that’s so important to her yet. And we don’t get to see the steps she takes towards that goal. Her growth is her progress in her relationship with Iruma and I think that’s a let down. Like I said, I love how she inspires and pushes iruma to be a better version of herself. I enjoy that a lot about their relationship. But I don’t find myself interested at all in the romance aspect of the two, mostly because of how they met each other. The trope is that in so many animes and mangas (and the romance genre in general) have two characters run into each other and instantly fall for the other. They went for the trope, we had some laughs about it, but then it kind of just… stuck around? It’s making fun of the clique while also adhering to it and to me it just didn’t land. I think for the joke to work and to make the relationship flow better, the immediate attraction should have quelled and from there a more slow burn of feelings for Ameri. I think if she didn’t become so Iruma crazy so soon into the story, it could have made a more compelling relationship compared to the current one we have. Right now, besides motivating each other I don’t see much in the way of their relationship? I think it’s also hard because we see so little of her in the actual plot and story so the relationship feels like it’s going at a snail’s pace while also going too fast when we do get to see them interact again to make up for the lack of Ameri. It’s weird, they’ve gone on three or four dates (or at least, we can categorize them as dates even if both characters haven’t called it that) but at the same time it’s like nothing has happened for them. I guess besides Ameri realizing her feelings, Iruma blushing when hugging Ameri, and the talk with Henri. I wish the relationship was more friendship focused or the feelings took longer to develop. Because she’s a busy woman and she’s a year above Iruma, we don’t see her actively take part of the plot often and it just makes it hard to get to know more personal stuff about Ameri.

This isn’t to say I’m a Ameri x Iruma hater, I just don’t find their relationship a fun part of the story. I do also admit to having a bias for the love trio when it comes to Iruma ships. But I do hope that the relationship develops more in an in-depth way because I could see her and their relationship becoming more interesting if Nishi takes the time to write her (in my opinion) better.

[autistic-cat-with-a-book]

Hello there. I have written a story, which I am now sharing with the keepblr fandom. Enjoy it. Please. (It's a slightly alternate ending for Neverseen, if you were curious.) Tagging @permanently-stressed because I've been torturing her with crumbs of this for the whole week, so it's only fitting she gets tagged.

okay bye

Sophie was about to step into the shimmering beam of her pathfinder when she noticed the small yellow crystal in Keefe’s hand. She barely hesitated before grabbing his shoulders and letting the light carry both of them away.

“WHAT WERE YOU THINKING?!” Keefe shouted as they reappeared by a lake the color of blood. Tall, foggy mountains surrounded the area, and the whole place gave Sophie the creeps. Nothing good could come of this.

“I could ask you the same thing!” She snapped. “Why are you leaping–illegally– to the Forbidden Cities? Are you seriously going to try to break into an ogre prison?” 

Keefe turned away. “Go home, Sophie.”

“Not unless you explain what’s going on here!”

Keefe opened his mouth to say something but was cut off by three flashes of light. Three dark cloaks with a white eye symbol on the sleeve.

The Neverseen were here.

“Keefe,” Sophie started as the figures slowly walked towards them, “What did you do? What did you do?”

“I…” his voice trailed off.

“How are we going to escape this?” She hissed.

“Simple answer,” said the first figure, throwing back his hood. “You don’t.”

With growing horror, Sophie found the name the voice belonged to. Fintan was here. So were Brant and Alvar. They were trapped.

Fintan held up his hands, a smile spreading across his thin lips. “My, my, Keefe. You’ve really outdone yourself. Sophie is such an excellent addition to our bargain.” His eyes narrowed as he said that last part and a chill went up Sophie’s spine.

What bargain is he talking about? Sophie transmitted.

“She is not part of this deal. Let. Her. Go,” Keefe said, ignoring Sophie’s question.

“Tsk, tsk. If only we could. But now that she’s here, I’d be so sad to see her go,” Fintan said, glee dripping from every word. A small flame flickered to life in Brant’s hand, and Keefe shrank back.

“If you hurt her, I won’t give you the cache!” Sophie heard this but didn’t have time to react before strong invisible arms wrapped around her neck in a chokehold. 

“Keefe,” she gasped hoarsely, “What are you talking about?”

But she has a sinking feeling in her stomach. There are better, safer ways to rescue your mom. You don’t have to trade the cache for this. Please, Keefe. A tear rolled silently down her cheek.

This is the only way, Foster. You wouldn’t be here if you had just gone home!

You know I couldn’t do that.

Fintan ordered Keefe to get the cache, and Sophie watched as Keefe quietly said, “Two twenty-one B Baker Street,” shock and betrayal coursing through her veins.

The cache popped into Keefe's hand, and Alvar immediately grabbed it, tucking it into a concealed pocket on his robe.

How could you? Sophie’s mental question was more sad than angry, but Keefe still didn’t respond.

“Miss Foster, I assume you and Mr. Sencen are communicating telepathically. Much fun as it is to watch you silently struggle, this would go a lot quicker if you would both listen to the terms at hand.” Fintan said, gesturing to Brant.

The scarred elf stepped closer, the heat of the Everblaze in his hand making Sophie sweat. “All you have to do,” he said to Keefe, grabbing Sophie’s monocle pendant and holding it in his fire, “is take this pretty little swan and brand your moonlark. If you do that, we’ll let her go free and you come with us.”

“If not,” Alvar interrupted, “Fintan will start giving Sophie some very painful scars.”

Keefe’s face crumpled and he transmitted, I’m so sorry. I know you’re going to hate me now.

I could never hate you,  she assured him, although she grew less and less sure of that as he took the pendant and stepped up to Sophie.

His ice-blue eyes were glassy with unshed tears, and Sophie tried one last time. “Please, Keefe. Why are you doing this?”

“Last night…I got more memories back,” he whispered. 

“I still don’t understand why you would join them,” she said. Alvar was nearly choking her, and she was getting very lightheaded. 

“You were raised to be the hero. I was raised to be something…else.” He brushed his hand over her necklace. “I wanted you to have this, in case someday–”

“Heartwarming as this is,” Fintan cut in, “We’re running out of time. And patience.” The last word had a deadly undertone and the tears in Keefe’s eyes spilled over as he raised the pendant to Sophie’s face. It was glowing red from the Everblaze. Sophie didn’t want to imagine how much pain it would cause.

But she didn’t have to imagine. 

All of a sudden, Keefe squeezed his eyes closed and pressed the red-hot swan against the side of Sophie’s neck. She screamed, thrashing in Alvar’s arms, but he held her tight. Bright white pain exploded behind her eyes, and she wanted it to take her far, far away.

 To a place where she wouldn’t have to deal with the Neverseen, or the Black Swan, or Keefe.

The white light promised rest.

Calm.

Peace.

But all too soon, she was ripped back to reality. Sophie could feel blisters bubbling up on her skin, and when she opened her eyes, Keefe had dropped the pendant. Smoke was rising from it, and her mind shied away from picturing what her neck looked like. 

Brant still had a sphere of Everblaze floating above his palm, the flames crackling ominously. 

“Okay,” Keefe said, his voice shaky, “I did what you asked. You have the cache. Now please, let Sophie go home.” 

“Oh, did we say anything about letting her go home?” Fintan asked the others with a laugh. “Mr. Sencen, we merely said we would free her. We never specified where she would be released.”

In one fluid motion, Alvar let go of Sophie, pulled out his Pathfinder, and said, “Have fun, you four!” Then raised the crystal to the setting sun and stepped into the beam of light.

While that was happening, Fintan had summoned a ring of fire around himself, Brant, Keefe, and Sophie, and the flames were taller than she was. 

No escape.

It was hard to think through the searing pain, but she was able to stay standing. Keefe held her shoulders and yelled, “You promised!” at the ancient Pyrokinetic.

“Come on,” Fintan scoffed, “Surely you’ve known us long enough to know that we don’t play fair.” With that, Fintan pulled Keefe away from Sophie and Brant took a small cloth out of his cloak. Sophie could smell the stench of the sedative, and she tried to run, but there was nowhere to go. Brant grinned as he pressed the fabric over her nose and mouth, flooding her brain with the sickeningly sweet smell. 

The last thing she saw was Keefe’s anguished face, and his thoughts whispering, It’s for the best, as he and the two pyrokinetics lept away.

Then she collapsed as the ring of fire grew even taller around her.

Heat. So much heat. Her neck, her arms, her back. They were all so, so hot.

 Sophie peeled her eyes open, coughing on the smoke and ash. She managed to sit up on the gritty sand, noting that she wasn’t actually on fire. But the Everblaze was raging all around her, making its way to the mountains in the distance. She guessed that a few hours had passed since–

Nope. She was not going to think about Keefe. Sophie cautiously reached up to feel her neck, then winced as she brushed her fingers over the blisters. That was going to be a permanent scar. 

“Help,” she croaked, pushing herself off of the ground. The lake was nearby, promising cool water, but she didn’t trust the bloodred color. “Help,” she repeated, louder this time. Her throat scratched and her muscles ached and her mouth tasted all kinds of disgusting, but that didn’t stop her. 

Anything, anyone, would be a welcome presence. With the moon high in the sky and the smoke billowing through the air, the whole place was even creepier than it was in the daytime, which was saying a lot. 

She crawled to where Keefe had been standing and noticed… what was that?

Sophie picked up a small glittering bead, noting the way it shimmered in the moonlight. Was this a leaping crystal? Why had he left it–oh. It must have been for her, in case she followed him here. 

Sophie let out a bark of laughter. This would have been useful a few hours ago before she got the sign of the swan branded on her neck. But…what if it wasn’t from Keefe? Maybe it led to a trap. The Neverseen could have left it here, hoping she’d leap right into one of their hideouts. But then why wouldn’t they just take her along with Keefe?

She brought the bead closer, looking for a clue. It seemed pretty ordinary, just an orb of shimmery compacted powder, but there– she saw a tiny, tiny K painted on the side. 

It was from Keefe. Wow. He really thought of everything. 

She held the tiny crystal up to the moonlight, hoping hoping hoping that it would work. A weak beam of light appeared, and Sophie nearly cried in relief. She stepped into the path, concentrating on the warm feathery rush of the leap as her body dissolved. 

She re-formed at the entrance to Havenfield.

Home, home, safe, safe! Her mind cheered. She limped up to her house, every muscle aching. Edaline and Grady were sitting on the enormous couch, and they both leaped up when she pushed the massive doors open. Edaline rushed to give Sophie a hug while Grady said, “What happened to you?”

“I…” her voice trailed off, a lump forming in her throat. “The Neverseen,” she whispered, gently removing herself from her adoptive mom’s embrace. 

“Oh, Sophie,” Edaline said, running a hand over Sophie’s cuts and bruises. She avoided the burn on her nack, and Sophie was hit with a rush of affection for her mom. 

Grady rushed to their extensive medicine cabinet, grabbing an armful of elixirs and balms. Soon enough, Sophie was lying on her bed, and Elwin –in his fuzzy T-rex pajamas– was treating all of her injuries. He thankfully didn’t ask too many questions, instead letting her relax and calm down from the day’s events. 

After Elwin left, Grady and Edaline brought up a cool cloth for her neck and a small vial of shimmery liquid. “It’s somnalene,” Edaline explained. “It’ll help you sleep. You need it.”

“It’s not a sedative, right?” Sophie asked.

“No, kiddo. These are like sparkly eye drops that make you feel very peaceful,” Grady explained, filling the eyedropper and positioning it over Sophie’s eye. 

“You sure you’re okay with this?” Edaline asked, concern clearly written all over her expression.

“Yeah, I’ll be fine, Mom.”

Grady squeezed the somnalene into Sophie’s eyes, and immediately little twinkling colored lights appeared in her vision. Shortly after she settled down, her parents left, leaving her with her thoughts– and Iggy’s lawnmower-esque snore. Despite her long–long– day she was asleep in minutes.

The next morning, Sophie somehow managed to get dressed, eat breakfast, and meet with the Collective without collapsing or breaking into a fit of tears. Her neck still throbbed and her back hurt and her heart was broken, but she was going to be okay. 

She was the Moonlark. 

“So,” Mr. Forkle said with a sigh, “Let’s go through this again. Keefe took you to the Neverseen–”

“He didn’t take me, I grabbed onto him as he was leaping away,” Sophie interjected.

“Right. So then the Neverseen forced him to hand over the cache, and made him…” He looked quickly at the burn on her neck, his voice cracking.

Everyone got silent after that. After a moment, Granite continued quietly, “So Fintan, Brant, Alvar, and Keefe all light leaped away while you were sedated and surrounded by Everblaze.”

Grady and Sandor both looked like they wanted to punch something, so Sophie said, “But Keefe didn’t know that would happen! It was my fault.”

Edaline hugged Sophie, whispering, “What happened was not your fault. It never will be, so please don’t blame yourself.”

“I’ll try not to,” she whispered back. 

Sophie straightened up, clearing her throat to prepare for what she was about to say. “Do you think Keefe is….bad?”

“I think Mr. Sencen is confused, and desperate, and afraid. But I do not think he is bad, Miss Foster,” Mr. Forkle assured her. 

“So you think his guilt is making him do this.”

“Yes. He has chosen a difficult path, but I think he knows that what he is doing is incredibly reckless,” Wraith added.

“I wouldn’t be too quick to trust him,” Grady advised from the corner.

“Especially not after–that thing,” Squall said, pointing her frosty fingers at Sophie’s burn.

“What about the cache?” Sophie wondered aloud.

“We’ll deal with that later. For now, there is news I must share with you all.” Mr. Forkle said. 

Sophie's mind flashed through dozens of possibilities, but nothing could have prepared her for what Mr. Forkle said next. 

“Prentice is awake.”

[the-blossica-fan]

Blossica and A Nightmare At Green Lake

An analysis made by THE Blossica fan

Why do I love Blossica? Why is it so important for A Nightmare At Green Lake? Would the story be the same without it?

In this long rant I call "Analysis", I will tell you my thoughts, the reasons and MY opinion on this ship and its importance to the entire event.

It can not be yours, and I'll gladly listen to your thoughts and reasons, but here's why it is so important and the story wouldn't be the same without it.

It has been edited, there might be some more changes if I see any inconsistencies.

Let's start by what most people call this ship, Childhood friends to lovers. I've seen a lot of people call it that, and while it's not wrong, it's also not right.

The better term Is "Childhood crush", as Blonney (Jennifer) is Jessica's childhood crush.

Must take into account that Blonney never knew of Jessica's existence, the OG Jessica was Blonney's imaginary friend, Changeling/Jessica just happened to hear it and thought it was Blonney giving her a name.

Why childhood crush? Well, it's pretty easy to know that Jessica's infatuation that persisted through the years is far more than just friendship. From things like reviving all the stories she told, retelling them and even exhausting them for everyone else.

It's also not a secret that she has probably been looking for someone to replace Blonney's space in her heart, which is why no one has ever seen as interesting in her eyes.

In Vertin's words "What happened to those people that accepted to stay with you? When you ran out of available games, they were no longer adored by you. I can stay longer than them, but with no exceptions. I'll become boring one day." These words are a hint to something.

No one can replace Blonney's place in Jessica's heart.

And, what about Blonney?

Blonney is definitely a lesbian, but this is no headcanon, in fact, I'd argue this is definitely canon. From design hints like those hair clips (this is Bluepoch, they pay heavy detail to their models, this is definitely not a coincidence), to even more hidden hints in her stories.

Since a child, Blonney has been writing in her diary stories, but you know what's interesting? Blonney describes the women as beautiful, like in the story about the dead bride.

A bride that looks for other happy brides? Mmm, doesn't it sound weird?

Blonney also describes Anne/Anna in extra detail, as if she had some sort of fixation with her. Let's remember that this description of characters is not only a script, but Blonney's own thoughts written on paper. When she criticizes herself, saying she'll pay for her doings one day, it feels crude and out of place because that is what she thinks about herself: That she'll pay for being a liar and mean (an arcanist and a lesbian)

The event itself also tells us enough for it to not be speculation, but absolutely straight up in your face.

Blonney's denial of her arcanist self (she punched Jason and yelled that she was not an arcanist, for those with internalized homophobia, this is a common reaction. Anger), the iconic couch scene and later on, her discussion with Jessica.

"How many times do I have to tell you how much I hate being called an arcanist", this is similar to a reaction I had before, denial and anger. In this case, and during the entire event, "arcanist" is used as an allegory.

For fuck's sake, Blonney was CUDDLING with Anne right BEFORE the iconic couch scene. Jessica/Anne is the one that made Blonney start to accept that side of herself, alongside with Tooth fairy's guidance; a professional lesbian.

"You seem to really like me. You would jump off a car to rescue me, you protect me, praise me. You would even be happy because I was happy." "Because I've never seen anyone as pretty as you are. You're special, you're different to the rest of us"

Oh God do you see that? This is flirting.

And while some might say Jessica doesn't know what romance and what liking romantically means, I'd argue otherwise.

Jessica does know what romance is

Let me tell you quickly. Jessica said in "The nightmare of green lake", she has met a couple of people who have different relationships with each other. She has even interacted with them, as in, she HAS talked to them. She has 6 people (excluding Michael, Jason and Freddy) in a cave, she knows some stuff.

When she says "I like you", she knows what she means. Her desperation to get Blonney to stay is not only because she doesn't want to be alone, but because she wants Blonney and ONLY Blonney to stay.

It's possible she's not sure she's in love, but she knows her feelings go far more deep than just a normal friendship. Plus, she has lived with Blonney's childhood stories, and those horror stories do have romance (The pathetic bride includes romance, Jessica is the one behind the pathetic bride, she knows). She's not oblivious nor stupid, she's just inexperienced. She knows she likes Blonney more than a common friend (based on how she treats others), and I think she would never like anyone that's not Blonney.

And what about their relationship?

People think they're master and pet, owner and pet, and I don't think they realize how deep that goes. Blonney is definitely in need of a person like Jessica, who fully supports her and her unique ideas. Jessica loves Blonney unconditionally, there's no reason to not think so. Their relationship is perfectly healthy, Jessica loves being adored and treated as a pet by Blonney, and Blonney is happy to see her happy.

That line of dialogue about a collar, despite how sexual it might be, is made out of innocence. They're not just master and pet, they're girlfriends and, don't we all have weird relationships with each other? They're happy, they're good for each other and are what the other needs.

So... What's their importance to the event? Are they really that important?

Yes.

The event wouldn't exist without that crush and romance. If Jessica didn't think romantically of Blonney, the event would be different, she wouldn't try hard enough to just keep Blonney and much less plan to get rid of everyone around Blonney so it's just the two of them.

If Blonney wasn't in denial of her homosexuality (and arcanum?), the event wouldn't be about accepting yourself as you are, it wouldn't be a story about coming out and the morals wouldn't be as impactful.

It would be a lackluster event.

Their relationship with each other is of heavy importance because it's that crush and denial that make up the entire story. The horror is just a side dish, the murderer and all of it, because this is not a horror story.

It's a love story

"I don't care whether my parents allow it or not!"

"I will quickly reveal this true look of mine, and everyone will look at me as if I've done something wrong"

Huh? Are we still talking about arcanists?

These lines are out of place for a 'friendship', or a discussion about staying or not. This is romantic, and especially in the homosexual way.

This true "look" of mine, doesn't it mean love? People do look at same-sex couples as if they've done something wrong, and while Jessica is talking about her changing abilities, we all knows this is about her crush on Blonney and how society would look at her wrongly.

Because, if she truly didn't know about her crush on Blonney which is the basic of all; everyone knows about crushes and romance, then how would she know people would look at her wrongly?

"I don't care whether my parents allow this or not"? Is a line said in ROMANCE. All romance stories with a 'secret romance' have this sort of line, whether straight or gay, this is a basic must-have in this sort of relationships.

She's not only talking about Jessica's changing abilities and arcanum, she's talking about her own blossoming love.

Especially when Jessica asks if Blonney liked her story, she's seeking approval and a hint Blonney will stay by her side, this is a confession. Which is why she gets so down when she gets a "yes, I like it very much". That's not a yes, it's a dismissal, a 'not so important' thing. This is a rejection of her feelings, even if on accident.

And, why does Vertin intervene? Why does she have the talk to Jessica about staying?

Because Vertin more than anyone knows what it's like to let go of a lover, she knows about not being able to confess in time and she knows that if she doesn't intervene, this will be like her and Schneider all over again. Regrets. She's being supportive, she's trying to do what she couldn't do. She's playing cupid.

A place where no one would judge Jessica for her looks, also known as the homosexual suitcase. We all know that no one in Reverse is straight, or at least, 99% aren't. We all know no one would bat an eye if a deer girl was kissing an 80's horror movie girl in the middle of the wilderness.

This is the perfect place for both, Blonney and Jessica, a place where they can be together while not being judged.

And what about Horropedia, Sonetto and Tooth Fairy? What part do they play in this Horror story?

Oh, they're very important as well. In fact, all of them are.

Horropedia, despite interrupting the girls RIGHT BEFORE KISSING, is the reason they're there. Without him, this would be a psychological horror story. And Blonney and him are the wlw and mlm hostility, they're so hating on each other but they do care. Sonetto has helped Blonney in silent ways, not only by helping her become more herself and supporting her fully, something she needed, but she's also an example of someone who's tied down. They've become good friends because they both used to be in similar situations mentally and emotionally.

But out of the two, Tooth Fairy is definitely the most important. She has gone through the same experiences as Blonney. Arcanist living in human society and a lesbian. She knows what Blonney is going through so she's helping, in her own way. She's the one who makes Blonney start to accept herself, to accept the fact that she is the only one Jessica wants and the one who understands her the most. Blonney softens because of both, Jessica and Tooth Fairy.

Tooth Fairy was the key to Blonney's acceptance, and it's because of her talk to Tooth Fairy that Blonney treats Anne better, that she's willing to share more of herself, that she's more physical. It's not a coincidence that after slowly accepting the fact she's an arcanist (lesbian) that she gets more flirty and physical with Anne/Jessica.

This entire event was a way to talk about coming out, and I've watched this event so many times I wrote this out of memory. It feels this way because it's INTENDED to be that way. It's real, it's crude. It's so direct because that's what it is.

A coming out story, a horror story

A love story

[all-pacas]

i think you're deeply in denial about being a chase/cam shipper or you gotta change your definition of shipping or something. because whatever you're doing here absolutely 100% looks like shipping them. to the untrained eye

in reality i have this very multi long paragraph disclaimer that's too convoluted to even explain but here ya go:

they are my two favorite characters

i like seeing them interact because of this fact

i find their deeply complimentary set of flaws fascinating. i love seeing cameron in a Relationship because she's such a fucking unreliable narrator about herself. i like seeing chase in a relationship because the very concept of "putting someone besides yourself first" is so antithetical to him and the opposite of what he has learned his whole life. i want to put them in a room together. i want cameron to talk at glowing length about her soulmate dead husband and how she watched him die and i want chase to talk about watching his mother die and how much he hates and resents her. i don't know where that conversation would go but i Want It. it's like how i want chase and 13 to talk about murder and redemption together. it is a platonic smashing together of fake people, not about making them kiss

i think they were badly written in the sense that like. there's no writing. they're just together. now they're not. now chase has feelings. do we see them? no. now cameron has feelings. do we see them? no. now they date for three years. as someone who likes writing and narrative this drives me insane because it's so lazy.

i think i could do it better, not in a "because i want to write uwu fixit fanfic where they kiss" way but in a "this sort of writing drives me insane" way. like. huddy was badly written too but it very much existed. cameron and chase are just "oh btw chase fell for her at some point for some reason during fwb." why???? we can handwave but there is NOTHING IN CANON. cameron likes him too! why??? WHO KNOWS

however i also find it annoying when people go "solution: they never dated, we pretend it never happened" because that's ALSO lazy and retcons several years of canon including cameron's exit from the show. including the actual character development chase gets, which i actually do like. i think i'm a rare person who almost prefers late series chase. i like short haired chase. and i don't like the idea of erasing all that canon development just because "uwu i don't like it" (or, more petty, because "uwu i think cameron should have kissed x -- usually house -- so i hate this canon relationship that like it or not did exist")

this ties in to my actual fairly complicated feelings about cameron and how a lot of fandom tends to Girlboss her up in obvious and admirable contrast to her years of reddit-ish character bashing. where i admire the Spirit but deeply dislike this Girlboss characterization.

basically i am a deeply contrary person by nature

so whenever i see this ship i go IT COULD HAVE BEEN BETTER, and OUT OF SPITE I WILL DEFEND IT, which is a whole perpetual motion machine of feelings

i honestly could not care less about them kissing. except for the specific episodes where they allude to having a sex life and foreman all but flees the room. i actually care quite a lot about that, i think it's super funny. so in that context (in front of foreman, to troll him) i want them to make out.

i've gone and read old ffn stories from when the show was airing that featured them as a couple. like from true fans and believers of the ship. i disagree with almost all of it and think usually cameron and usually chase are ooc in these stories. but in different ways. this also triggers my spite

so sure. yes. i ship it. probably,

[ahoyimlosingmymind]

i just feel like the Sokeefe confession should have been more spontaneous. A running into each other's arms, blurting out "I love you"'s, out of breath, faces flushed, tears in eyes-- there's a pause where they take the time to really look at each other, to see and feel how different this 'i love you' feels, followed by a kiss. And it's still just them alone, and they still discuss what they did in the books, the whole "I don't want to ruin our friendship" "Too late now" "Don't let me mess this up" segment- you know, the stuff that stands out from that confession.

The in book kiss and confession just had too much prep imo. I don't ship them anyways, but I really wasn't a fan of the way it was written. Like Sophie planning on it for days, the pages of build up- it kind of took something out of it for me. One of the shining parts of Sokeefe, even though I don't like them together- is how they live in the moment with one another, the affection comes easy, and the kind words aren't scripted and planned. The confession didn't feel how Sokeefe feels- which is spontaneous and comforting. The original scene had the comfort without the spontaneity.

I get that Sophie's a character who overthinks and all, but we've also seen her rush into things she's passionate about without a second thought, even when she knows there's danger. That's the way that her and Keefe are similar, and that aspect of their relationship was just missing in chapter 42.

I may not ship them, but I wish it had been written differently.

and maybe I just don't get it BECAUSE I don't ship Sokeefe, maybe I don't really understand their characters and their relationship because I haven't really psychoanalyzed it the same way someone who ships them would.

[gammija]

ok since the Magnus Protocol is confirmed AU from tma, and jonny and alex have purposely not said that their voices are not reappearing in TMAGP, consider:

evil AU jon and martin. mostly because I just know jonny and alex would have such a good time acting that out. And also because i want to see a completely unhinged jon and a web!martin used to their full potential damnit

[intramoon]

Nes + Erin: partners in crime & platonic soulmates & always dressed coded (+ Erin all grown-up. ;-;)

[right-there-ride-on]

Gyjo in the fandom

cw: light discussion of ableism

Gyjo… what am I thinking about gyjo…

I like them. I like them a lot, actually. They have paralleled narrative arcs, they complement each other nicely, the romantic subtext is incredibly obvious to the point that even the most homophobic fan you know will admit they understand why people ship it… so why do I also have a problem with it?

There’s a lot of good fanart. Hell, I’ve reblogged plenty. Maybe it’s just something that’s more pronounced in fic.

I’m trying to word this correctly. My issue with gyjo has nothing to do with the text itself. I think my problem is just how people portray it in the fandom.

Maybe it’s because it’s so popular, or maybe it’s the sheer prominence of applying ‘Character A’ and ‘Character B’ dynamics without considerable regard for the characters involved, but I feel gyjo is very prone to flanderization. I believe the intersection with how ableist people are toward Johnny (intentionally or not, subtly or not) and the old tropes these two get shoved into makes it so I have trouble enjoying fics in the fandom.

I’m not saying it’s bad to enjoy certain tropes. I’m not saying headcanons are bad either. What I am saying is that writing is hard, but if you’re going to write fanfiction please have consideration for the characters you’re writing. The arcs of these two are complex and multilayered, which is why I think they have such staying power, but I also think they also provide a good opportunity for us as writers and artists to examine our biases when it comes to the portrayal of certain groups, personality types, mental illnesses, queerness, disability, etc. and maybe come out better people for it.

[4esthetic-dissonance]

I'm working on a fic and was like 'how in the hell do you make LINGUANG JUN the least bit redeemable?'. I mean, /Linguang jun/ who tossed a developmentally four year old Mobei Jun to a pack of humans? The kid could have died. And then I saw a translation of the extras. It describes lgj as mbj's 'young uncle', says that he 'wasn't that much older than him (mbj)'. And I just- its a hell of a lot different, a Scar type tossing his nephew to the proverbial wolves than it is for a maybe dumb, maybe petty, maybe developmentally five or six year old to shove their annoying technically-nephew-who-in-age-and-context-is-more-like-a-brother-than-lgj's-actual-brother into a situation that the text implies was more frightening than actually /dangerous/. And that- well I can work with that.

[dykedvonte]

If Ulysses has a million haters, then I'm one of them. If Ulysses has one hater, then I'm THAT ONE. If Ulysses has no haters, that means I'm dead. If the world is with Ulysses than I’m against the world.

[deadandphilgames]

oversharing in the tags time :)

[lord-squiggletits]

"Rodimus is a better Prime because it didn't hurt for him to bond with the Matrix while for Optimus it did" headcanon/theory my beloathed.

One day I'm literally gonna snap and make a whole post addressing why what's wrong bc I'm tired of the inaccuracy and tired of ppl not understanding the Point TM of IDW and its version of the Matrix/Primacy and even more tired of people putting down Optimus in favor of Rodimus by essentially arguing that being unworthy means you deserve to be punished/put in pain bc you just weren't good enough to hold the Symbol of Ultimate Authority