#which is obviously fascinating to me

[hyperfixatinglove]

Shit forgot to mention Raiden and Anri as crushes way too many of them

anri on the left imo

[mobius-m-mobius]

#so unserious 😂💖

[drenched-in-sunlight]

Leda’s dialogue about Miquella being “the true golden child” lives rent free in my head because as much as Miquella wants to divest himself of everything regarding his roots, his most devote follower still seeks pride in his prestige as the best of Marika’s bloodline.

Also that dialogue kinda pitches the golden son of Godfrey >< the golden son of Radagon.

Even though I do believe those boys love and respect each other as brothers, their respective endgame goals do get into each other’s way, isn’t it?

Godwyn’s Duskborn Age will still have Marika as the one true God. Meanwhile Miquella’s prayers + rituals at Sol, if you think about it, will prevent Godwyn from becoming Lord of Death, thus getting in the way of said Age.

Interestingly enough, the weapon skill of Golden Epitaph - which will grant the same effect as Sacred Order and deal extra damage to TWLiD, instead of showing Radagon’s crest, it shows Miquella’s.

If we consider all those details with this one interpretation of Light of Miquella description, I feel like it explains why there are no Omens, no Frenzy Flame merchants, and no TWLiD at the Haligtree.

Those who already serve a different Lord, even if they might accept Miquella as a new God (debatable), will for sure never accept his chosen Lord (Radahn).

I used to think it made more sense for Godwyn to be the DLC final boss as there were more indication of his bond with Miquella, but now that I step back and really analyze everything under the lenses that Godwyn has been devote to his Mother all this time, it makes way more sense that he is never going to be the final boss to begin with.

[ryllen]

jade who got heartstruck by someone who listens, and trey who generally takes interest on really listening to what people have to say, about things he doesn't know yet

[gingermintpepper]

I would love to hear you talk about Kassandra???

So, what can I say about Kassandra.

Well, firstly, I've been thinking about how I want to answer this question since I got it however many months ago and I figured I wanted to speak about my own interpretation of things rather than formal stuff - half because I don't want to cite anything since going through Iliad based papers brings me little joy and half because I figure I could treat it a bit more casually this way. So here's like, a very brief selection of thoughts I have about Kassandra, Saintess of Troy.

I view her tale as a microcosm of the wider tale of the Fall of Troy from Apollo's perspective. A human is given a choice and, of their own free-will, they make the most destructive decision ignorant of the way they're sealing their own fate and no matter how much their patron will want to save and help them, they will be unable to so much as lift a meaningful finger because the choice made is one that is sealed in Fate and powers far beyond any one god. The themes of doomed love are also shared; Kassandra loved Apollo just as Apollo loved her but she couldn't be what he wanted of her. She couldn't accept what it was he was offering, no matter how much power, honour and love he tried to tempt her with and in a lot of ways, I think of her devastating visions of doom and death(tm) as a physical parallel to the feelings Helen must be tormented with knowing that she will be cited as the reason of such mass death, destruction and violence. Likewise, I see Apollo's inability to save Kassandra up until the end as representative of his wider inability to save Troy. All his love and blessing were not enough, even though all she had to do was take his hand, it simply wasn't meant to be and so I imagine that must be a fresh hurt for him with each beloved mortal he loses during the campaign.

Kassandra is genuinely so interesting? Both as a character and as a narrative idea; she sits almost in the center of so many fascinating parallels and foils that it gets me so excited whenever she comes up in conversation! I've mentioned it briefly before but she forms a very neat triad with Iphigenia and Troilus which runs parallel to the three dominant male powers in Iliad - Agamemnon, Achilles and Apollo. They're what I somewhat refer to as the sacrifice trio, innocents who must ultimately be abandoned and stripped away for the sake of the desire of their sacrificer, in turn revealing something intrinsic about the nature of the man. For Iphigenia, she reveals that Agamemnon truly values his ambition over all, that his image and status as a leader is more meaningful to him than the love of his family (which, of course, dooms him in the end). Likewise, for Achilles, Troilus' sacrifice reveals that no matter the glamour or glory that crowns Achilles' head, his rage is ultimately his most powerful feeling and it burns bright and hot no matter the circumstance, opponent or arena. For Apollo, Kassandra's sacrifice (which is much more symbolic as he is a god and therefore need not actually physically kill her) reveals his position as the 'loser', one who will be scorned and reviled and lose all the things he loves no matter how closely he cherishes or adorns them. He can't protect the mortals he's blessed, he can't protect his children - he can't even save one woman. She also has that aforementioned triad with Helen and Andromache - the sequestered women; doomed to wait and pray but each, in their own ways working to save and support their own in the conflict. They're all haunted by the promise of what awaits them - Andromache's hopes and future lies with Hector and with her son yet she is the embodiment of a war-wife, solid and stoic in her support when Hector returns but suffering deeply knowing each fight could be his last. Helen, of course, carries with her both the suffering of the greek women and the hatred of their men - if Andromache fears death taking the breath from her beloved fighters then Helen bears the weight of death upon her shoulders, all grief and scorn is bore like a crown upon her head and she must bear it. It is her duty to bear it. Kassandra then becomes the suffering of the young women - they who are surrounding on all sides by throngs of death and do not know why it has come, they whose screams intermix with that of the dead upon them. There is no avatar for Kassandra to experience the war through, no reason for her to be stoic or strong or upright. She tears her hair, hysterical at the suffering that is poured into her mind day in and day out, wild and unrestrained where her elders must hold their grief and tame it. In this way, she gives voice to the voiceless, she screams for those who cannot and is reviled for it - a young woman surrounded by death yet ordered not to speak a word of its stench or horror. There's many more things I can talk about too such as the whole Kassandra as Apollo's living Palladium thing or the Kassandra-Electra-Clytemnestra trio or even Chryseis as a reflection of Kassandra and how the taking of a priest's daughter could be seen as tantamount to trying to steal away Kassandra (and how this eventually wraps back around to the actual incident of Kassandra being stolen away and ending up right back under Agamemnon's care just as Chryseis before her) but like, we would be here all day.

Y'all maybe this is a hot take but scorned woman Kassandra is like, the most boring interpretation of her ever. She has so much life and passion in her, so much joy, so much despair, so much love - making her jaded and cynical towards both her fate and her god is such a slap in the face to me of what her character could and generally does seem to stand for. Kassandra never stopped loving Apollo - likewise, Apollo (at least to me) never abandoned her. All in Troy suffer heavy, cursed fates - Kassandra is one of the few who at least had some awareness of how hers would turn out. I like that she's a fighter. I like that she screams and cries and spits and is expressive and ugly in her torment and grief when so many of the women around her cannot afford to be. I like that she said no and despite how much she suffered for it, she never begged for her yolk to be taken from her because she knew that the choice she made was the right one for her. She's raw, she's vivid, she's human and more than anything, that's what I love so much about her.

[macchiatosdumptruck]

People will see two characters who are entirely devoted to each other and whose lives are intertwined in cosmic ways, and be like "what if they were just buddies? 😊" But then one second later go ape shit about a more popular ship with less than half the chemistry, but a dynamic that is considered more appropriate for the surface level, overused, interchangeable fandom tropes that have replaced any sort of genuine character interpretation

[imminent-danger-came]

There is a distinct difference between "something good with flaws" and "something bad that's almost good" me thinks

[rbtlvr]

& by the way i literally CONSTANTLY think about how loop uses the partys titles to create distance to remind themself that those arent 'their versions' of them. that theyre not loops party anymore. and yet and yet and yet

[amtrak12]

When you know the fic will turn out so good, the writing, the characters, the humor, all of it -- but then you remember the effort that goes into writing epic-length 50k word fics

[aroaessidhe]

2024 reads / storygraph

Asunder

slow-paced high fantasy

a woman who has a contract with an eldritch entity allowing her to see the dead & survives by taking various jobs

when a job searching for stranded smugglers in a cave goes wrong, she ends up with the soul of a dying stranger bound to her shadow

along with a scholar and her old childhood friend, they travel to his home country to find a way to unbind him and save them both

dark fantasy world with gods, demonic entities, arcane magic, and semi-sentient beasts used as transport

[philcollinsenjoyer]

(SPOILERS) tashi and patrick's relationship is like mesmerizing they are like the same person going in exactly different directions they're the prodigies who ruined their tennis careers by trying too hard for tashi and not trying hard enough for Patrick while art rose above them and tashi resents him for it and tries to live his victories through him while patrick resents how it has brought them apart from each other but when they're together they're equals and they can see deep inside each other like patrick said which is what tashi hates and loves that they know that ultimately they're both losers and she can't face it

[faggotryandtransjesterism]

'maybe you can seduce her with your sad eyes and she can keep you as a pet' is an insane thing to say to your new employee after feeling up his shoulders for a completely unwarranted moment, but it's even more insane given every other interaction they've had so far. 'would you kiss me? would you? if i asked you too?' 'i'll look after you.' 'i have the virus don't i?' this man is blindingly jealous and thinks he can fix it by marking his territory on him like a proverbial fire hydrant

[orcelito]

ok I don't think we as a fandom talk about the way Vash cries blood enough

we only see it once or twice from what I remember, the one definite time being here ^ when the puppet attack first begins & he's dealing with the emotional agony of seeing so many of his family turn into puppets.

so it's clearly something that comes out only when he's in severe emotional distress.

the interesting thing is that Wolfwood is fucking TERRIFIED of him bc of it.

whatever this moment is, Vash is giving off the same sort of oppressive energy that Wolfwood's experienced with Knives. it's the first time during their travels that he's really been forced to recognize What Vash Is. he knew it of course, saw him in Jeneora, but he's such a goofy guy it's easy to forget.

but whatever Vash is doing here, it makes Wolfwood Incredibly aware of what he is.

so the real question i think is What exactly is going on here? is it unintentional? is it simply a response to the emotional agony?

Vash isn't the type to indiscriminately terrify everyone in the vicinity on purpose. he wouldn't be doing this purposefully out of anger while Wolfwood's there. no, in this moment, he's not even angry at all. he's Distraught.

going from This

to this

in just a moment.

yeah. that's some fucking emotional agony. i dont think Vash is doing this entirely on purpose.

but THEN...

as both Leonof and Wolfwood stare at him in fear, Both feeling his oppressive energy, Vash then lets out some sort of blast that blows against everything between him and Leonof. it doesn't destroy anything, doesn't even injure him, but it's a physically tangible effect that scares the Shit out of Leonof & spurs him into motion.

there may be some anger involved in this moment, but it's not the hair-trigger rage you would expect from seeing his family turned into puppets. it's something Quiet, something almost cold. he's distraught, Resigned, & retaliating just because he has to.

Vash hates all of this. he doesn't want to fight him. he fucking Knows this guy too, knew him as a kid, & none of this makes sense. but he knows that he needs to fight him, & doesn't have any kind of choice.

but he's not happy about it. not in the slightest.

[thaliagrayce]

y'know what we don't talk about enough? Hazel died. We talk about how she grew up in the 30's and 40's and we talk about how out of place she feels in the modern world, but! She died! She was dead! She has spent more time dead than alive, and not by a close margin!

How does that effect a person??? We got some of it in the flashbacks, but once those caught up with her present timeline and she shared them, they just kind of... disappeared. And she was a regular girl with some weird past experiences. That's one way of doing it, sure!

I think it would have been a lot cooler if she was just a touch creepier. If she felt a little bit Wrong. Yeah, in general she's more approachable than her brother, she's more sociable and less closed off, but. If you actually spend any time with her, it can be difficult to tell which child of the underworld is actually more unsettling.

Hazel is bright of personality and has a dazzling smile, but sometimes she'll just... shut down. She'll go completely blank for like half an hour and nobody knows what to do with it. Sometimes she forgets she's alive. Sometimes she'll spout the grimmest shit you've ever heard like it's nothing, she won't even notice it's weird until the room goes quiet. She spent decades in Asphodel, which is designed to make people forget about themselves and wander around for eternity, only she didn't have the luxury of forgetting! Wild! After she comes back to life, sometimes she forgets that she's allowed to Do Stuff now. She can spend so long sitting and staring at nothing. Sometimes she'll start crying on cloudless days because it hits her again that she can actually feel the warmth of the sun on her skin and she can hear birdsong. Every little mundane experience is a blessing and she will make you remember that in the most foreboding way possible.

[drzone]

really big fan of the similarities between naomi and esteban. much to think about

[gr8ntaire]

sometimes I think abt the fact the first thing abt motogp I ever reblogged on here was that girl so confusing Valentino + Lorenzo edit and upon consideration I rlly think I started in the best way possible LMFAO