#which is not a good ending

[liquidstar]

If my mom sees a significant amount of blood she gets lightheaded, and has fainted on some occasions. Once it happened when we were kids, I wasn't there to witness it but I heard the story from my dad. Basically my brothers, around 7 or 8 at the time, were playing outside while my mom was making their lunch, and she accidentally cut her finger. It wasn't anything serious, but it drew a fair bit of blood and she passed out. My dad saw this and rushed over, but he didn't really know what to do so he just sort of started slapping her to wake her up (not recommended, but he had no idea and panicked)

At that exact moment my brothers both came in from playing, and all they saw was our mom unconscious on the floor and our dad slapping her. So, like, without even saying a word to each other they both just INSTANTLY start whaling on him, like, full blown attack mode to defend our mom. Which obviously didn't help the situation, but she did wake up and everything was fine.

Now our dad says that he's actually really glad they attacked him over what they thought was going on, because it means he raised good boys. And I still think that's true, they're very good boys.

[time-woods]

simon doodle in honor of fionna and cake dropping, sad old men gotta b my favorite species tbh

[egophiliac]

was this anyone else's first thought, or

[uncanny-tranny]

Learning to internalize the message above, but art is in all of our bones. If you feel afraid to create art because it won't be "good enough," it's worth it to explore why you feel that fear. Creating art is one of the basic impulses of people, and if you want to create art, then you absolutely must.

[bilaudad]

wing stuff!

experimenting with a more cartoon style, idk what i'm doing loll

tagging: @goodomensafterdark <3

[hypertechnica]

happy 9th undertale anniversary, everyone. :)

[pangur-and-grim]

we’re moving forward with a publisher 😤 just gotta get all the terms worked out, and then it can be signed & we’ll do the whole announcement thing

[dcxdpdabbles]

DC x DP fanfic Idea: Side Hustle

Barry needs more cash.

It's not that he is struggling, but unlike Bruce, he had student loans, a mortgage, and all the medical bills for Iris to consider. Even with his wife working, he knew they needed to keep a tight grip on their spending to ensure they didn't fall from the yellow into the red.

This means that sometimes he had to watch Wally's face fall when he admitted he couldn't afford to give him an allowance or even some money to go to the mall with his friends. It's not that his nephew complains—Wally is a very understanding young man—but it still tears Barry up inside to disappoint him.

Significantly when, their hero work cut so deeply into their funds just to keep their speedster metabolism under control. If he hadn't done his foolish experiment, Wally wouldn't be in danger of starvation for following his example.

Blood or not, Wally is like a son to him, and the idea that he can only provide the bare basics is painful. He has a high-paying job now, but it will take a while to get all his debt from when he was a student under control.

Before he married Iris, he was okay with that. He now had a wife and son who depended on him, and he couldn't wait around, hoping things would pick up after a few years.

He managed to pay off most of Iris' medical bills, and the house was an excellent step up from the cramped two-room apartment they shared when they were engaged. Barry knew that these two things were good, but he could do better.

That's how he applied as a research assistant to a strange family company called Fenton Works. The pay was decent, and it was only a short hour's drive from his home—he speed-ran it in five, but he needed a realistic distance to keep his ID protected. And best of all?

He mostly did office work. Half the time, he was allowed to do remote work documenting research data and organizing the owner's inventions and patents.

There were many funds coming from said patents and inventions. If the Fentons weren't so busy spending the money to fund their ghost research—the power grid they needed for the portal alone was almost as much as Barry's entire mortgage—then they could easily be among the few in Bruce's fancy galas.

Barry will admit that he was surprised to learn that Mr. Fenton had a PhD in engineering, applied physics, and robotics. Mrs. Fenton had a PhD in nuclear physics, functional analysis, and renewable energy. Both were currently working on getting a PhD in some form of biology, and Barry was flabbergasted that they spoke about it the same way people casually decided to start a new hobby.

It was hard, but they had the money to just sign up for classes. He wept into his student loan reminders whenever he thought about it.

They made the perfect team- one thought up the idea, and the other created a physical form while they ensured it worked together.

He knew his bosses were certified geniuses who appeared goofy was one thing, but to be confronted with their degrees stuffed away in a storage box was another thing. He hadn't even meant to find them since he had gone in there with Danny- his boss's kid- to find some paper research Dr. Jack Fenton needed.

It was even more shocking to find that Dr. Jack had sold some of his systematics to Wayne Enterprises and that Bruce had used some of his robotics theories in his Batman gear.

It also seemed that most of the Amity Park were unaware of how intelligent the Fentons were. When he was out and about in the city, he kept getting pitying looks for working for the local freaks. It was honestly shocking.

People talked about Jasmine Fenton's bright future, the only hope among the family, in the same breath as calling Jack Fenton an idiot or Maddie Fenton a washed-up housewife. The things they had to say about Danny Fenton were far more disheartening.

Barry knows a thing or two about troubled youths as the Flash, and no matter what the town told him, Danny Fenton was not one of them.

It seemed to Barry that Danny was suffering from blatant bullying and the pressure of his family's shadow. Adding to the confusion of being in the middle of puberty, it created the perfect recipe for Danny to be spirling. It was a rough patch, and it led to him skipping class, dropping his grades, and ignoring his responsibilities.

He overheard the Fentons talking about Danny. Dr. Fentons was starting to grow worried since Danny had never behaved this way before high school while Jazz attempted to defend her brother and excuse his disappearance.

She seemed very aware of why her brother seemed to change.

On the other hand, Dr. Fenton wasn't and mentioned more than once that she and Danny were very close when he was a kid, but lately, he seemed to be shutting her out. Her husband admitted that he figured Danny had gotten a girlfriend- someone named Sam?- but he started to notice his son kept coming home with what appeared to be injuries.

Barry wasn't sure if they were aware that Danny was getting bullied. He was carefully filing some of the old cabinets when it clicked.

"Jazz?" He called out as the Fentons finally stop talking about Dnany's behavior and moved down to the lab. The teenager poked her head into the file office with a curious smile.

"Yes, Mr. Allen?" No matter how often he told her to call him Barry, she seemed determined to keep that barrier between them. Which was fair. After all, he was only around the house three or four times a week for a few hours.

"I have a question, so please feel free to not answer." He starts carefully to keep his tone light. Her smile turns strained at once, and Barry almost tells her to ignore it, but the thought of Wally being Danny's place makes him push on. "What is your family's stance on gay rights?"

Jazz blinked slowly, tilting her head. "I don't mind, and neither do my parents, I think. Why sir?"

"Just curious," Barry said, but mentally, he wondered if Danny knew that.

Jazz didn't look convinced, but she didn't push the issue as she wandered away with a respectful by-your-leave. He waited until she was upstairs before abandoning his work to find the Fentons.

Carefully, he started by updating them on his work, then casually dropped the mention of taking Wally to Pride so he wouldn't be able to work the following week. Neither Dr. so much as blinked, telling him that it was fine.

Barry felt it safe to keep pushing just a little.

"Yeah, I still remember how nervous Wally was about telling me he liked girls and boys." He chuckles. "As if though I didn't notice the signs."

Dr. Fenton raises a brow, face twisted in confusion as the large man turns to Barry. "What signs?"

"Mostly, he is trying to think of excuses to be with his friends more. He wasn't sleeping a lot, got into a bit of trouble in school when some kids were giving him grief, and oh, the way his eyes followed young men about." Barry said as casually as one could.

Dr. Fenton looks pensive. "Interesting."

Ah, it seemed she had picked up on the possibility of Danny not being as straight as he claimed. She thankfully didn't seem bothered by it.

"Jack, honey, you don't think Danny could be....?" She asked carefully.

Dr. Fenton ran a hand through his hair. "It could be. But why didn't he tell us?"

"Oh geez, I wonder why!" Jazz suddenly yells from the stairway. Barry twists around to find her standing there with a defensive glare. She has obviously been eavesdropping, but for how long? "What did you two expect with the way you talked around the house?!"

Dr. Fenton looked mystified. "Jazzy-pants, what are you talking about?"

His daughter only raises her fist, lowering her voice to mimic her father. "What are we doing today, Maddie? I know; how about we rip the ghost boy molecule by molecule!"

Barry's eyes grow wide. He had been working for the family for about six months and had encountered Phantom more than once. He even fought him off as Flash a few times since the ghost was hell-bent on robbing and property damage but was less dangerous than his rouges.

Dr. Fenton's face went pale as she clutched to the table. "Jazz you mean....Danny and Phantom...."

Jazz looked ready to fight them all as she bit out, "If you try to do anything to Danny, I swear-"

"We would never Jazzy-pants." Jack cut in, looking off Kindle. "To think my son was dating a ghost behind my back and I...I didn't even notice."

"Oh, Jack, we have to apologize," Maddie started. "Who knows if Danny could ever forgive us?"

Barry was thinking Flash also had to apologize. Based on their last encounter, Phantom would likely not be willing to hear him out. He quickly pulls out his phone to see if Wally and his team could get close enough to have him consider speaking to Barry.

None of the adults noticed the way Jazz froze in confusion, nor did they notice the slow horror growing on her face as they came to terms with Phantom and Danny dating.

[lucabyte]

i feel like people are sleeping on the occam's razor situation of how buckwild it is to outright accuse a guy of being a clone of your friend even if you DO have a lot of circumstantial evidence. there's other options is what im saying. they could just be like. a guy. that's a sensible deduction. you should explore that deduction. ignore my shirt that reads I <3 RED HERRINGS.

i still think odile has the correct theory on lock but she's smart enough to know it needs like... a real smoking gun to be able to bring it up without sounding insane.

anyway. (mirabelle voice) i know its rude to speculate but has anyone else noticed the grieving? they seem to be grieving. does anyone have any thoughts on the grieving? i have some thoughts on the grieving.

[letitbehurt]

Whumpee being manhandled into restraints:

Shoved up against a wall and handcuffed.

Pinned to the floor and handcuffed.

Fighting for each limb as they’re forced down on a table, slowly secured by leather restraints.

Overwhelmed by multiple Whumpers, each one working to subdue them.

Yanked back by their hair so a collar or rope can easily be fitted around their throat.

Pinned while in combat (double points for being caged against a wall or trapped in a chokehold)

Improvised restraints like belts, sheets, or clothing when Whumpee won’t be still enough to retrieve proper ones.

Manhandled in a hospital bed, held down for the duration of a procedure.

Injected with a chemical restraint, a sedative or numbing agent that quickly bleeds the fight out of them.

Struggling as a muzzle is wrestled over their head and secured.

A blow to the head that knocks Whumpee out or makes them too dizzy to fight anyone off.

[bixels]

tarpit site.

[jonnywaistcoat]

Greetings Mr waistcoat

So I run these ghost story periods at the summer camp I work at. Last time I read Do Not Open (with a few tweaks because kids) and the cabin was not impressed (no taste ig). What statement would you reccomend for 10-13 year olds for ghost stories?

I dunno, mate, honestly. I wrote Archives for depressed, burned out millenials like me and the fact that it took off in a bunch of high schools will forever be slightly baffling to me. I try to write good, interesting Horror and I like to think I broadly succeed, but as far as figuring out whats gonna be a hit with The Demographics, your guess is as good as mine!

I would say you don't need to tone em down, though. Kids are absolute sickos, in my experience, and can't get enough of the gruesome shit.

[corpsentry]

a glass sun 1/2

[u3pxx]

KIM KITSURAGI - “Is that. My kineema.”

COMPOSURE [Medium: Success] - Something in him is about to break, *big time*.

EMPATHY - And it’s not going to be pretty, do something!

- DRAMA [Formidable] - Everything is fine!

- “Sure is.”

DRAMA [Formidable: Failure] - Surely he’s aware that he’s not the *only* person in the world who owns a Kineema?

YOU - “Is it really *yours*? I mean, plenty of people have their own Kineemas, right? Like working men, government offices, uh, firefighters I guess, maybe even animal control people? Exactly! A million different people who could’ve driven it into the uh…”

DRAMA - Pause, my liege! Ixnay on the Ineemakay!

YOU - “It could even be our *mysterious* joyrider!”

KIM KITSURAGI - Your frenzied babbling falls deaf to the lieutenant's ears. Instead, he approaches the broken vehicle, sunken in the ice. He moves with a caution and gentleness you haven’t seen him display before.

INLAND EMPIRE - It must be cold and lonely down there, in the icy water. Maybe he could sense its sorrow, calling to him…

PERCEPTION (SIGHT) [Easy: Success] - His hands, which are always stiffly placed behind his back, are trembling.

ENDURANCE - This is the shuffle of a tired, tired man.

HALF LIGHT - He’s going to do something drastic because of you. Oh god, terrible! You’re a terrible liar! You can’t look at this, you just can’t!

VOLITION [Formidable: Success] - It's not *you* who drove his kineema into the sea. You have plenty of faults, but this one is decidedly not yours.

KIM KITSURAGI - He kneels down with his head bowed, casting his face in shadow. He plants a hand on the ice to stabilize himself, squinting to get a better view of the motor carriage. “Detective, it says ‘57’ on it.”

YOU - Sweat drips down your brow, and you feel a terrible headache coming. “Maybe our joyrider has an affinity for that number?”

LOGIC - He's not stupid, he knows that it's not that.

KIM KITSURAGI - “57.”

YOU - “What about 57?”, you brace yourself.

KIM KITSURAGI - “Precinct 57.”

YOU - You wince. “Kim, look-”

KIM KITSURAGI - “When I woke up in the Whirling-in-Rags with no memory of what happened during the days before, I've taken note that something of mine has gone missing.” He grits his teeth. "A very. Important. Something."

He runs his hands over his face, messing his already unkempt hair in the process. Regret creeps up on his features. “God. Fuck. They’re going to fire me over this, they’re not going to hear me out.”

EMPATHY - Desperation settles in the lieutenant's tone. Sadly, you find yourself in agreement, even if you don’t want it to be the truth.

YOU - “People are more valuable than machines, Kim.”

KIM KITSURAGI - “Not people like me.” He rasps.

YOU - “…”

KIM KITSURAGI - Before you can say anything more, you fail to notice the lieutenant carefully walking onto the edge of the ice. He looks over the frigid water, a dizzying blue that mirrors and distorts his exhausted face back to him.

YOU - “Kim?”

KIM KITSURAGI - Seconds pass as he looks to be contemplating something. Out of nowhere, he casually takes another step where the ice ends and the sea begins. It happens all too quick for the lieutenant to even voice a call for help— if he even wanted to — his body plunging into the cold water before your eyes.

YOU - “KIM!!!!”

uhhh bonus stuff? sorry i have swap au brainworms pfttt

(im not sure what skills kim has at the moment so rn he only has narration as his inner monologue ok whoops, i would like to keep harry as the guy who thinks in dialogue trees so im still figuring it out pfttt)

also, this was done bc i wanted to expand on these old scribbles of mine, just like an idea, i just think that he'd be having an even worse time wheezes

[imaginederror]

Sequel to Sunshade

[sage-nebula]

Thinking about how important it is that Wendy is a part of the Pines family. (Because she is, as much as Soos is. It's why she's in the family photos, such as the one representing Ford's happiness at the end of The Book of Bill.)

We don't know too much about Wendy's home / family life. Unfortunately, we don't a single Wendy-focused episode, and we don't get to learn too much about her outside of how she interacts with the main characters. But here is what we do know:

Wendy is the oldest of four siblings, with three little brothers. Wendy herself is 15. We are never given ages for her brothers, but given the photo that she shows Dipper of her younger self in "Double Dipper", I'm guesstimating that the youngest Corduroy brother (Gus) is about 6 in the present day. This is because young!Wendy was wearing braces and also noted to be "freakishly tall" for her age, and Gus was wearing a diaper in the photo (but standing on his own). Braces can take two to three years to be removed, and Wendy doesn't have them in the present day, meaning she was probably around 11 or 12 in the photo. Meanwhile, Gus was in a diaper but able to stand, meaning he was probably a toddler, likely around 2. So in the present day, Wendy is 15, Gus is around 6 (depending on if Wendy was 11 or 12 in the photo), and Marcus and Kevin (the middle brothers) are between 14 and 7.

Wendy's mother died when she was young. Given the age of Gus in the photo, we can estimate that Wendy's mother died when Wendy was, at youngest, 11 or 12 -- so, three or four years pre-canon. (Because any earlier than that and Gus couldn't have been born.)

Wendy's father is Manly Dan, who shouts just about every line of dialogue he has and routinely breaks things, including in his own house, albeit sometimes by accident. He also spends most of his time in a biker bar, though we do know that he does love his children. (e.g. is seen with the boys on both family fishing day and Summerween, is seen taking Wendy out for breakfast in "Dipper vs. Manliness").

Dan is the reason why Wendy has a summer job. As she says in "Gideon Rises", "If I can't work at the Shack, my dad's gonna force me to work at my cousin's logging camp up north." This implies that Wendy has to work somewhere, per a rule of Dan's.

In "Into the Bunker", Wendy has this to say when she comments on how she's excited to be going on an adventure with Dipper and Mabel: "It beats cleaning up after my dad at home." She says this with a frown, in a grousing tone. We're then treated to a clip of Dan breaking apart the cabin as mentioned above.

In "Society of the Blind Eye", before she's about to have her memories erased, Wendy confesses thus: "I'm stressed like 24/7. Have you MET my family?"

Wendy dreams about her mother every night. The glimpse of her dream that we're shown depicts her receiving a comforting hug from her mother.

The conclusions that I draw from the above are thus: prior to her mother's death, Wendy had what amounts to a normal family life in Gravity Falls. The Corduroys were a two parent household, her mother was there to help balance Dan out and raise the kids (Wendy included), and Wendy could, well . . . be a kid. It's possible, even, that some of Dan's more worrying traits (such as spending the majority of his time at a bar) didn't exist when Wendy's mom is alive. It's pure speculation on my part, but it's possible that Dan feels compelled to go to a bar to be aggressive (and drink, even if we don't see it because it's a kid's show) because that's how he processes his grief over his wife's death, away from his children's eyes and ears. He's trying to be a responsible father and not hurt his kids, while at the same time still not handling things in the most healthy way.

But back to Wendy. Once Wendy's mother died, the dynamic in the Corduroy household shifted. Dan was hit by the tidal wave of grief that comes with losing a spouse, as well as the sudden onslaught of being a single father to four children, one of whom was very possibly still in diapers. And if my speculation is correct and that he took to going to the bar to deal with his grief, then who is left to change Gus' diapers and get him potty trained? To operate the stove or oven or microwave to make sure that the boys (who would all be under age 10 at this point) got fed, and to make sure she got fed herself? To, in her own words, "clean up [her] dad's messes" when he was at home to make them by breaking apart the house with his own head?

Wendy.

Wendy was a child herself when her mother died, but she was the oldest child, potentially freshly into middle school while the boys were still in elementary, and the oldest daughter to boot. The girl, expected to know how to do "girl things" like cook and clean. I'm not saying that Dan told her to do these things, but we know from Wendy's personality that she is protective of those who need it (e.g. Dipper and Mabel) and, more importantly, that's her home and her family, and she does love them (she makes this clear in the Weirdmageddon episodes numerous times). She wouldn't let her little brothers starve, wouldn't let her youngest sit in a filthy diaper, would try to pick up the house if her dad and brothers wouldn't. Wendy would step up to do it out of necessity, even if she hated it and felt stressed out about it, especially while also feeling the crushing grief that comes with having lost her mother.

So Wendy, having lost her mother at a young age, probably had to step up into a pseudo-parental role in her own house, trying her best to fill the void that was left by her mother's passing even though she was only a child herself. And this is why she's "stressed, like, 24/7." Because not only are her father and brothers loud and chaotic (especially with Dan raising the boys into miniature versions of him), but because it's her responsibility (spoken or no) to keep the house in as much order as she can. It's little wonder that, outside of the movie that she and Dipper are watching in the beginning of "Into the Bunker", Wendy seems to spend as little time as possible in her own home.

So, how does this fit into it being important for Wendy to be part of the Pines family? Or, worded in a better way, why it's so important that she has the Pines as a second family, and the Mystery Shack as a second home?

As I said above, once Wendy's mother died, her ability to be a child in her own home effectively ended. Again, to make it clear, Wendy doesn't hate her family. In fact, it's the opposite; the Weirdmageddon episodes make it clear that she still loves her father and her brothers very much. But "Society of the Blind Eye" also makes it clear that they stress her out. She has a lot of complicated feelings, something that's understandable given her complicated situation.

But because she has to help keep the house together when she's at home, that means she can only really be a kid (or teenager, as the case may be) when she's outside of it. She has a lot of fun doing this with her friends, but sometimes a teen does need a home to relax in. And for Wendy, that home is the Mystery Shack -- and yes, that includes when she's on the clock.

Now, I know what you may be thinking: it's stated that Stan is a terrible boss, that he barks orders, that he yells -- how is that any different from her father? Well, I'll tell you how: the only time we actually see this is in "Boss Mabel", in which Stan being a boss who yells and barks orders at his employees is a plot point meant to create the conflict for the episode. Otherwise, we never really see Stan being an awful boss, and in particular we never see him being hard on Wendy. In fact, I would argue we see the opposite.

Here are things we know about Wendy's behavior at work, and Stan's response to her behavior at work:

Wendy constantly reads magazines while working the cash register, often right in front of Stan. Stan never tells her to put the magazine away.

Wendy often puts her feet up on the counter. Stan never tells her to take her feet off the counter.

Wendy goes up to the roof "all the time, every day" to the point where she has a chair and cooler up there. ("The Inconveniencing"). We don't know if Stan knows about this or not, but it's hard to believe he wouldn't if Wendy goes up there as much as she says she does.

When Stan told her to hang signs up out in the woods, she said, "I would, but I can't . . . reach . . ." while making no effort to get up to get the sign, and not removing her eyes from the magazine or her feet from the counter. Stan simply said, "I'd fire [. . .] you if I could." i.e. she got away with it 100%. ("Tourist Trapped")

When Stan double checks with Wendy and Soos that they'll wash the bathrooms while he's gone, Wendy says, "absolutely not" with a salute. Stan laughs and then says to stay out of trouble, not caring at all. ("The Inconveniencing")

Wendy was supposed to work the ticket stand all night at the party. She quit about ten minutes in and blatantly joined the party. Stan had to have seen her. He did nothing. ("Double Dipper")

Wendy claims in "Boss Mabel" that Stan doesn't let her have friends at work. In contrast, we see Robbie visit her at work all the time throughout their relationship (e.g. "Fight Fighters", "Boyz Crazy"), and Stan even comments on "is that the guy that's always making googly eyes at Wendy?" but otherwise has no problem with it. So again, it was a conflict invented for "Boss Mabel" that otherwise doesn't exist.

And that is just off the top of my head. The point is, Wendy is perhaps treated the easiest of the staff at the Mystery Shack. She's blatantly lazy and snarky and the most Stan ever does is grouse that he would "fire [her] if he could."

And this is a good thing.

The Mystery Shack, even if when she's on the clock, is clearly a place where Wendy can relax. It's somewhere she feels comfortable, rather than stressed. Yes, she's working -- but she's putting in the barest minimum effort because the stakes are the lowest they could possibly be. Because even though Stan grouses and complains about how little she cares, he won't fire her. He says he can't, but let's be honest, he could. One could argue that he'd be out a cashier, but he already is when the school year starts and Wendy has to go back to school. The Shack doesn't close down then, so it wouldn't close now if he fired Wendy.

But he won't fire her, because he knows that if he did, she'd be sent up north to her cousin's logging camp, a job she would hate and that would add on to the stress she already has from her home life. Stan has been in Gravity Falls for 30 years; he's been there since before Wendy was born. He knew her mother. He remembers when her mother died a few years ago. He probably saw how Dan's personality changed, how Wendy's personality changed from a more carefree little girl to a little girl who had to act more carefree than she actually was because she won't ever dare let anyone know she's anything but tough as nails, kinda like the guy he sees when he looks in the mirror. So he'll grouse at her about her laziness, and she'll complain about how much she hates having to work, but he'll also never hire another cashier even during the school year when the Shack maybe could use the extra help, and she knows that he both has an orthopedic back pillow and where it's kept, and that's as much as either of them will say about it. (Source for the orthopedic back pillow: "Soos and the Real Girl").

Wendy spends time at the Shack that would otherwise be spent at her home. When she decides to leave Tambry's party early, she goes to hang out at the Shack and watch movies with Stan, before the twins or Soos arrive ("Summerween"). She's likewise hanging out with the Pines and Soos watching television despite work clearly being over in the beginning of "Dreamscaperers". Wendy can relax at the Shack, can be in a home environment where she has no responsibilities, where she can simply be a teenager without also having to be a pseudo-parent. She can be a big sister figure to Dipper and Mabel without the added responsibilities of having to make sure they're fed and brought up right. She can be snarky with Stan, and he'll be snarky back, and there are no risks or consequences at all.

It's important that Wendy is a member of the Pines family, because here there are no complications for her. She loves her original family, but things got difficult when her mother died, and they won't ever stop being difficult. But things aren't difficult with the Pines. In a way, being with the Pines is as comfortable as the hugs she gets from her mother in her dreams every night. Being with the Pines feels right. It feels safe.

It's good that Wendy has them. It's important that Wendy has them. And fortunately, she always will.