#which is like. damn. as an artist

[toss-a-coin-to-your-stan-account]

saw a tiktok that was about how the OP doesn't like when villains are evil and do evil things like murder just for fun bc it's "boring" and no offense but when did you guys collectively forget/refuse to learn how to make villains sexy and cool and fun

[katabay]

WOW this has been ROUGH in the Life Events category of things, but. slowly crawling out of that. hopefully

this was the opening scene for a something I started writing after watching the Manben inverview with Nishi Keiko and thinking back to all the classic shoujo manga I stayed up reading back in the day, like damn that's so true Urasawa Naoki

it's partially a love letter to all the greats of the genre that I read, and also to the late night teleseryses that captivated me over the years lmao. it'd be nice to find the time to tackle it properly as a comic, but I'm having fun working on it recreationally :)

✨but since it's recreational, some character info✨

the first character seen is lawrence 'law' valenciano (late 30s), the one with the glasses is cris volante (mid-later 20s). law works at a karinderya, cris is an extremely broke university student.

⭐ places I’m at! bsky / pixiv / pillowfort /cohost / cara.app / insta / tip jar!

[almondcroissantsandink]

he has a certain “oh golly good gracious” air about him that is absent in the later installations of the franchise 

[sergle]

I'm thinking abt that pretty fall leaves embroidery pattern post and about how like... it is categorically a repost, it's a reupload. right? a thing that is generally disliked. but because it's credited, it's genuinely boosting the artist in question. and it could ALWAYS be like this. reposting content could ALWAYS be a symbiotic relationship, but because sourcing back to the original creator of something is so uncommon, it's just easier to ask people not to repost it at all. and people still don't understand the difference. or they'll go to the effort of cropping out usernames/signatures to repost something, which is More Effort than literally crediting the creator of something you liked enough to want to repost. Like. I literally don't actually care if my own shit gets reposted, you have to understand. I just don't want it STOLEN. But "do not repost" is easier to write on my art than "you can repost this, but don't alter the image/remove my signature, don't you dare write 'credit goes to the artist' because that is not credit, please link back to my original post or someplace that you can actually find me. please use an actual link/url instead of writing a non-clickable link of my username, because making it text instead of a clickable link cuts the number of people who will go to the effort of visiting my own page in Half." All those aggregate themed accounts, those fuckin annoying as hell instagrams and facebook groups that are like "body positive art we love wamen 💕 hashtag feminism" and then MASS-STEAL plus sized art created by women, if pages like these that always go and steal my older self-portraits and other works... If they just put a link to my prints of those pieces in the text of those posts, or, fuck, my commission info page? I would literally be living on the moon right now. I would have a house on the moon

[wraith-caller]

It costs 0 dollars to not go on art of a pairing you don't like and tell the artist "they don't belong together, actually"

[dailypokemoncrochet]

I think Guzzlord was made specifically to spite me. It's got all the things.

Mostly black yarn.

LARGE.

Many distinct parts (more than 12) (at least 22) (tail, body, maw, tusks, tongue, teeth, arms (mouth), arms (head), eyebrows (winged), wings, mini head, legs).

Many spikes Everywhere (on the end of the tail, along the top of the tail, along the top of the body, on the crab mouth arms, on the tongue, inside the maw (separate from tongue spikes), on chin, on mini head).

Teeth (separate from spikes) (four sets (upper/lower yellow/black) (another set if you count the crab arm mouths) (another set if you put tusks in this category because, they are teeth yeah)

Did I mention the mouth spikes? Which ones? The ones on the tongue? The ones IN the mouth on the palate? The tusks? The ones on the arms that are in the mouth?

Last picture I posted I had forgotten to attach the tusks so technically that was a WIP post and this is the real finished crochet post. Gonna round up the time it all took and say 16 hours. An absurd amount of time was spent on the many, many, ..many details. You can't even see them all very well in the pictures, but I promise you they are there. Spikes everywhere. In the mouth. On the tongue. On the mouth. On the body which is basically a mouth. On the arms (both sets if you count the "fingers" on the head arms as spikes). The ball at the end of the tail is covered in spikes. There's tiny wings on the sides. One set is gilded. There's another set if you count the way the eyebrows look. There's a tiny little head on top of the giant mouth head that has 4 tiny little spikes.

[deoidesign]

Well here's an Art vs artist meme with some art from this year!

I don't think I've ever done one of these before, but I really like this jacket. It's a marlboro jacket but I don't smoke and I already feel bad telling people I don't have a light and that will be bad x100 when I'm literally wearing a cigarette jacket so I tried to cover the patch up with one I made. cause I really like this jacket

[yukipri]

Fordo wants to show you his General!

~~

PLEASE DO NOT REPOST, EDIT, TRANSLATE, OR OTHERWISE USE MY ART. To share, please reblog! Reblogs and comments greatly appreciated!!!

❀ You can see the rest of my art through the Masterpost pinned to the top of my blog!

~~

Inspired by the Hot Toys new design for General Kenobi:

[freakartack]

bit sad that your distaste for rhythm heaven means that spitz' weird badminton cousin or cricket's rival he forgot can never be real here but I respect having beef with random video game series you've never played for no reason (in spite or because of your fondness for similar series). i have that with crash bandicoot when i see that fuck it's on sight

Oh all of that is absolutely real to me i just can't bring myself to actually play it. Despite my beef I do think it is hilarious that young cricket & master mantis emigrated from Rhythm Heaven World and i welcome that with open arms. (It's also kind of hard to ignore Cicada at this point LOL.) Similarly, while I don't think that Forthington is related to spitz like some others do, unlike dribblenspitz I do think that dog and that cat are gay married & filthy rich

(what can i say; I can forgive anything if it has enough teeth)

[toasted-buguette]

I see your (fucking adorable btw) pawn Checkmates fankids and raise you monarch butterfly Checkmates fankid.

Her name is Viceroy and she's Kinger and Queenie's gay ass hacker daughter that they had before The Horrors. She misses her parents, Tails. She misses them a lot.

[souenkun]

My tiny little kantrio besties to keep me company in my journey! Made by the amazing @okiroash 🥹🫶

[justskyla-art]

really rough chainsaw devil sketch i made in ms paint last night

[butchrindou]

i’m so pressured with improving myself as an artist and it’s making me lose it because i’m not even doing art for my career but i love it so much. Like i kinda feel useless doing it sometimes, especially since i see other artists and i know damn well i will never achieve that level and im not saying this for people to feel pity but idk i feel like my art style doesn’t fit tr.???3! or like idk. Sometimes i’ll literally cry because i feel like my art style doesn’t fit rindou and she’s literally my muse, she’s the reason why i get so excited to sit down and draw everyday yet i feel like im just stuck sitting somewhere where i can’t do anything special to show my love for her and it sounds silly.. bc that’s a fictional character but still, ive liked this character for so long and i see improvement just from drawing rindou non stop but i still feel like im just barely touching the surface of improvement. Also i feel like i care too much about what others may like vs what i want to try and draw.. i want to draw her raw and literally how i perceive her, her character, her body, every single aspect of her and why she’s so important to me. Yet i can’t do that because i get so scared of the outcome/how my artwork looks/ how others will perceive it. And im not saying im not happy with my art, i am but there’s just ways i want to do it i feel like wont stick out to others which scares me or it will seem ooc of rindou. literally because of this i always have the urge to delete my account and restart and continue doing that till i feel like i perfected her yet i dont think that’ll ever happen even with how much love i have for that character

[xullianspamnoham]

Wip of a thing for a stinky guy. You should check him out y. YOU SHOULD CHECK HIM OUT!!!

(Stinky guy is @/ iatetheglue)

[swagworm99]

the thinker

[deoidesign]

Hi, how did you learn to draw Steve's physique?

Ohh what a complicated thing to answer...

When it comes to how I learned to draw anything, it's hard to say anything too specific since it's always a culmination of many years of assorted study and practice... but I can try to do my best to explain some of the biggest things that helped me learn, some tips I keep in mind, and maybe at least some places to start/delve further.

(just a little disclaimer it's not like my drawings here are going to be 100% medically accurate.. they're just to illustrate concepts!)

The main thing about learning various physiques is understanding anatomy. Which feels obvious, but I don't mean proportions; these are important, but perhaps more important is understanding the skeleton and how it moves and learning where muscles connect to bones and where fat grows on the body. When you understand how these function on a more mechanical level, depicting form and movement in a way that feels natural comes in tow.

For instance, understanding things like the pronation and supination of the radius and ulna, as well as the fact that muscles can ONLY contract or relax, will help you understand a bit better which muscles will be flexed and which will not while someone moves. It's inherent to the positioning based on the structural makeup of the body... It's not like you NEED to memorize all the muscles and bones, of course, but understanding and gaining at least a passive familiarity with the concepts really helps.

In tandem with this concept is the way parts of the body flow into eachother. Muscles ALWAYS come in groups because they can only contract. Whatever muscle is there to lift something, there is a muscle on the other side to pull that bone back down. What this results in is a series of straight edges next to curves, which gives us a lot of really lovely "s curves" and dents and folds and so on and so forth just naturally occurring.

I would suggest at least learning the "bony landmarks", which are bones (usually) visible on the surface of the body. things like the iliac crest, the great trochanter, the 7th vertabrae, the acromion process... These can be used to help you understand the parts of the body as angles and relationships, rather than trying to remember lengths and sizes, which vary immensely... (since you asked about steve, he can be our model... also study these on your own don't just take my word for it haha, these are the ones I personally keep in mind)

I've done the same thing with body hair... learning where it grows and in which directions... It helps me make up variations without needing reference, because I have a set of rules I can follow.

The biggest thing that helped me understand all this on a much deeper level was my ecorche course. I sculpted this guy. We started by sculpting the entire skeleton to understand the bones, and then we added muscles on top. Not every single muscle, of course, but the "artistic muscles" AKA the ones which directly affect the surface of the body. Doing this let us see where muscles connect, because we would make a shape, put it on the bone where it actually goes, and then you get to see how other muscles overlap that.

This helped me, perhaps, more than anything else. But I also didn't just start with this course, I had been drawing for years before I even took it. I had been in school for years before I took it. Not that I think it wouldn't be helpful to someone just starting out, but I do think that the more you know going in, the better an in-depth course like this will help you and stick with you. Classes are also expensive, though so I'm not really like... recommending you pay potentially thousands of dollars to take one... But it did help me a lot, personally.

I also, of course, have done many figure, gesture, and master studies...

These just help you quickly gain a stronger understanding of generalized anatomy, and gives you real life examples of and practice with of how people move and balance.

What all this does when combined, is gives me a very solid ability to depict movement and form in a way that feels relatively natural from my subconscious without the need for reference.

The rest of how I've learned to draw his physique is honestly mostly just stylization. I understand the body, and this is how I am depicting it for his level of musculature.

And as I move into depicting him in other ways, either moving in comics or in animation, realistically rendered, or extra stylized, these concepts inform every step of that process for me! When he keeps the same/similar relationships between parts, he gets to still look like himself.

It ALSO really helps when putting clothes on, because the way cloth falls and bunches and lifts is all directly related to the form it is on... So the more you understand that form, the more you can depict clothing and movement in a way that feels natural.

This is all, of course, true when I draw anyone, you asked about Steve so I'm trying to mostly show with him! But because I'm just drawing from raw information of general anatomy rather than trying to study one body type at a time, it allows a lot more "give," I think!

Like, here's most of the cast from TTA so far... actually, they're not as varied as I thought they were nevermind LMAO ignore this part

But, it also makes monster and alien design much easier! It's a lot easier to come up with non-human anatomy when I understand human anatomy, because I can manipulate the knowledge I have...

There is infinite more to study in the world of anatomy... The complexity of the human body goes extremely deep. For our purposes as artists, we need only depict a fraction of it, but more information rarely hurts the process.

I'm sure there's something in here that's wrong on a technical level, I'm mostly going off of memory. But that's kind of my point - I understand enough generally and conceptually that when I am missing something and need to find reference for it, I understand what I'm looking at. It's much easier than trying to learn AND draw at the same time.

I hope even one thing in here helped you! Sorry it's so long.