#which is also really funny to write and doesn't even have to be in character bc it's in curt's head

[shannonsketches]

He said "Fuck this shit, I'm out" I'm crying. Toriyama's Vegeta was so top shelf 🤌

(From Neko Majin Z Chapter 5!)

[evil-ontheinside]

Forgot how much fun it is to write silly little spy stories. Heists and undercover missions and interrogations and underestimating your opponents and stupidly high risks and unspecified document retrievals. It's so much fun and just flows out of my brain like soup

[roostertuftart]

anyway though i'm gonna write an essay on why kyle isn't a nice guy/incel bc I feel like someone's gotta do it and I'm shocked I haven't seen it done already

[inkskinned]

most writing advice is good as long as you know why it is good, at which point it is also bad. the hardest thing (and most precious thing) about being an artist is that you gotta learn how to take critique. i don't mean "just shut up and accept that people hate your work," i mean you need to learn what the critique is saying and then figure out if it actually helps.

i usually tell people reading my work: "i'm collecting data, so everything is useful." i ask them where they put the book down, even though it's too long for most people to read in 1 sitting. i ask them what they thought of certain characters. i let them tell me it was really good but i like it more when they look a little stunned and say i forgot i was reading your book, which means they forgot i exist, which is very good news.

sometimes people i didn't ask will read my work and tell me i don't like it. and that is okay, you don't have to like it. but i look at the thing that they don't like and try to figure out if i care. i don't like that you don't capitalize. this one is common, and i have already thought about it. i do not care, it's because of chronic pain and frankly i like the little shape of small letters. you use teeth and ribs in all your work. actually that is very true. i don't know what's up with that. next time i will work to figure out a different word, thank you. you're whiny, go outside. someone said that to me recently and it made me laugh. i am on the whine-about-it website as an internet poet. you are in my native habitat, watching me perform a natural enrichment behavior. but i like the dip of whiny, how the word itself does "whine" (up/down, the sound out your nose on the y), but i don't know if i want to feel whiny. maybe next time i will work on it being melancholy, like what you would call a male writer's poetry.

repeated "good" advice clangs in a bell and doesn't hold a real shape, dilutes in the water. like sometimes you will hear "don't use said." you turn that around in your head and it bounces off the edges of your brain like it is a dvd screensaver. it isn't bad advice, but it feels wrong somehow, like saying easy choices are illegal! sometimes i will only use "said." sometimes i will just kick dialogue tags out to the trash. sometimes i make little love poems where the fact that i do not say "said" is very bad, and makes you feel bad in your body, because someone didn't say something. i am a contrary little shitbird, i guess.

but it is also good advice, actually. it is trying to say that "said" sometimes is clutter. it makes new writers think about the very-small words and very-small choices, because actually your work matters and wordchoice matters. "i know," you said. "i know," you sighed. "i know." we both know but neither of us use a dialogue tag, because we are in a contemporary lit piece.

it is too-small to say don't use said. but it is a big command, so it gets your attention. what are you relying on? what easy choices do you make? when you edit, do you choose the same thing? can you make a different choice? sometimes we need the blankness of said, how it slides into the background. sometimes we don't.

i usually say best advice is to read, but i also mean read books you don't like, because that will make you angry enough to write your own book. i also mean read good books, which will break your heart and remind you that you are a very small person and your voice is a seashell. i also mean you need to eat books because reading a book is a writer's version of studying.

my creative writing teacher in the 7th grade had a big red list of no! words and on it was SUNSET. RAZORS. LOVE. GALAXY. DEATH. BLOOD. PAIN. I liked that razor and love were tucked next to each other like birds, and found it funny that he believed we were too young to know the weight of razor in the context of pain. i hated him and his Grateful Dead belt, where the colored teddy bears held up his appraisal of us. i hated his no list. it is very good/bad advice. i wasn't old enough yet to know that when you are writing about death you are also writing about sunsets and when you write about love you are tucking yourself into a napkin that never stops folding.

back then my poetry was all bloody, dripped with agony when you picked it up. i didn't know there is nothing beautiful about a razor, nothing exciting about pain. i just understood sharpness, which he took to mean i understood nothing. i wrote the razor down and it wasn't easy, but it was necessary. that's what i'm saying - sometimes it's good advice, because it's not always necessary. and sometimes it is very bad advice, because writing about it is lifesaving.

hang on my dog was just having a nightmare. i heard that it is a rule not to write about dogs - in my creative writing mfa, my teacher rolled her eyes and said everyone writes a dead dog. the literature streets are littered in canine bodies. i watched the rise and fall of his ribs (there is that word again) and had to reach out and stop the bad dream. when he woke up he didn't recognize me, and he was afraid.

it is good/bad advice to say that poems and writing have to mean something. it is bad/good advice to say they're big feelings in small packages. it is better advice to say that when my dog saw where he was, he relaxed immediately, rubbed his face against me. someone on instagram would make fun of that moment by writing their "internet poetry" as a sentence that tumbles across a white page: outside it is sunset and my dog is still in a gutter, bleeding a galaxy out of his left paw. or maybe it would be: i woke the dog up/the dog forgot i loved him/and i saw the shape of a senseless/and impossible pain.

the dog is alive in this one, and he is happy. when i tell you i love you, i know what i said. write what you need to write, be gentle to yourself about it. the advice is only as good as far as it helps. the rest is just fencing. take stock of the boundaries, and then break them. there's always somewhere else you could be growing.

i love you, keep going.

[ram-bles]

HELLOOOO

I got a silly little ask, just a drabble from you would be fine 😁

Like- the reader (gender neutral) wasn't very open about their hobbies and such. One of their hobbies was like martial arts or smth (THIS IS VERY CRUCIAL ☝️☝️☝️)

Wellll, one day Jimmy (🤮) decided to try and touch the reader inappropriately and they just throw him over their shoulder saying something along the lines of "Do NOT touch me."

I KNOW IT'S CRINGE BUT PLEASEEEE, IT WOULD BE SO FUNNY 🙏🙏🙏🙏

I saw you're writing for only Curly and Daisuke, but if you wanna you can add other characters into the mix. It's all platonic, just a silly little ask cuz I wanna laugh 😁😁😁

[ Tulpar Crew & Reader ]

Oh I love this one. Also this reminded me to update my list thank u 4 unintentionally reminding me anon.,.,. ALSO DONT WORRY I DONT THINK IT'S CRINGE !

gender neutral reader, it gets silly later on i promise. not proof-read. wrote this really quick.

⚠️ tw: stalking, jimmy being a little too forward and close

The day was pretty much mundane, like always. Everyone was in their designated work stations, including you of course. Though, something felt off. It had been like this for the past week, and you hated it. You even blamed your lack of sleep for it. It seemed like there was something— someone, watching and following you when you were alone.

One time, you'd even woken up to the sound of your quarter's door closing. You stayed up all night, not wanting to inconvenience the other crew members for what you think might just be all in your head. Well, that is until psych evaluation day came and you opened up about this to Anya who so easily believed you, but seemed so uncomfortable with the topic. You decided not to pry out of respect. She offers her company when you need it.

That same night, Daisuke offered to host a game session to which everyone reluctantly agreed to.

Establishing good bonds between workers is key to an efficient working environment!

Anya, Swansea and Daisuke were sitting by the sofa, Curly dragged a chair just beside the game table, whilst you and Jimmy sat beside each other on the floor. The game involved four players and the crew decided that whoever loses first has to swap with whoever hasn't played yet for the next rounds. The game was getting heated, Daisuke and Anya, neck on neck. Unfortunately, not the only thing neck on neck. Everyone else was too focused on the game to even notice what Jimmy was doing. You can feel his breath against your skin. You eyed the others in hopes that they would see. Too busy. Annoyed and grossed out, you elbowed his ribs in warning, glaring at him. "Jimmy, don't touch me." He seems pissed, but that doesn't deter him from getting his entertainment. Jimmy presses on and you swear you felt your eyebrows twitch. The balls of this guy to even do this here.

Daisuke throws the dice, the three leans in in anticipation as they watch it slowly roll to a stop and—

CRASH!

Some game pieces flew in different directions, two table legs snapping from the force and Jimmy's weight. It was radio silent for a moment. The crew having different variations of shocked expressions. You had grabbed his arm and flipped his body onto the furniture.

"Fuckin' pervert. Are you deaf, or what? I said do NOT touch me."

Daisuke threw his hands up in the air and settled it on each side of his head, frustrated. "Oh, come on, man! I was so close to winni—!" His whining ceases when Swansea nudges him, instantly shutting up and processing what had just happened. It took a few blinks for him to register and he eventually bursts out laughing and pointing at Jimmy. It took everything from Swansea not to burst out laughing as well. Instead, he crosses his arms and huffs with a proud smile. 'Atta' kid.'

Anya on the other hand slips out a gasp, covering her mouth. Mostly out of shock, and no sympathy for the man whatsoever. When the other intern started laughing, she had to bite her lip and look away to suppress her own fit.

[ History of glenohumeral joint subluxation.

It happened way too fast for Jimmy to even process what just happened. He spits out something hard, probably a tooth. His shoulder slightly stings as well, probably dislocated. He'll get back at you some other time, he can't get back at you when everyone else is here and that pisses him off even more.

Curly had mixed feelings. But of course, he prioritizes his role and he has to mediate everything first and foremost. Rubbing his face, he sighs and stands up, putting his hands on his hips. He calls your name and you tilted your head to look up at him. "I have to discuss... this with you later on. Please drop by the cockpit, yeah?" You roll your eyes and nod, pouting. "Swansea, could we borrow your intern real quick?"

"Shift's over, go ahead."

He gives the eldest a nod. "Daisuke, please assist Anya. Help her bring Jimmy to medical."

"Youuuuu got it, Big C." He finger guns towards the captain then stands up to hover over the co-pilot. Curly could only give Daisuke an awkward smile at the nickname.

"Never call him that again."

"El Capitano." Daisuke helps Jimmy up, making sure he's pulling them up by the injured arm, making the man grit his teeth and groan in pain. Before the guy could even cuss at the intern, Swansea continued bickering.

"Do your damn job."

"Yessir. Swansir."

Anya and Daisuke finally went off the bring the poor injured co-pilot to treat him. And if you'd like to know, Anya taught Daisuke how to pull Jimmy's shoulder back to place. Yes, everyone heard him when it happened.

You helped Swansea clean up the mess by the lounge and in apology, offered to help repair the table the next day. He agrees and even offers Daisuke to assist you.

Curly had to lightly reprimand you for your actions, but you'd explained to him what happened. The best he could do for you for now is lie on the report.

Sustained through occupational accident.

Employee confirmed inebriated while working.

Property damage docked to Jimmy.]

[cheapshrimpysheep]

Meaningful Kiss 4

SUMMARY: Would they make Public Displays of Affection? If not, are they protective instead? And how do they show you how much they truly love you through their kisses? 💋

CHARACTERS: Cater, Trey, Floyd, Rook

TAGS: Fluff; GN Reader; Established Relationship, Kissing, Flirting, Slightly Suggestive

WORD COUNT: An average of 430 words per character.

COMMENTS: The last part of the Meaningful Kisses series. These were the four least voted characters, however, I had a lot of fun writing them.

I hope you enjoy reading it too. 😘

Meaningful Kiss (Riddle, Leona, Azul, Jamil, Vil, Idia, Malleus)

Meaningful Kiss 2 (Ace, Deuce, Jack, Epel, Sebek)

Meaningful Kiss 3 (Ruggie, Jade, Kalim, Silver, Lilia)

CONTEXT: This can be seen as if you were at the beginning of the relationship, or already in an established relationship.

Cater is into PDA for sure! He likes to be lovey-dovey and flirtatious. And especially enjoys showing it on his social media. EVERYONE knows about your relationship. You are "that" couple. Or at least that's what Cater's photos and PDA suggest.

Whenever you two are together, you are glued to each other. He will always have one or both arms around you. Especially if you are on a date. Of course, if you're not that into PDA yourself, he'll respect it, but in that case you'll have spoil him with cuddles in private, kay~?

However, this fact that Cater likes to show his feelings for you in public and on social media will end up bringing you some "hate". People saying he's only with you because your relationship is aesthetic pleasing. That you like to have coordinated clothes is just a facade for an exaggerated and false romanticism.

He gets a little sad and hurt when people say bad things about him in the relationship, like when they imply that he's just using you. But whenever an attack is directed at you, like when saying that a person like you doesn't deserve a boyfriend like him, the people pleaser side of him disappears. And he starts using his social and conversational skills to defend you, even if he has to insult the other person to do so. This is if it is IRL, which rarely happens. On social media, he just deletes the comment and blocks the person. Good vibes only.

But of course you also feel bad when you read or hear things like that. A lot of people criticize the fact that Cater only shows the good parts and that's why it's all fake. Of course he only shows the good things, that's what social media is for. He likes the popularity and all that, but, unlike certain influencers, he knows what limits are. He would never publish anything bad about you, much less humiliating like an argument or you crying. Mainly because at these times, if they happen, he will be more concerned with consulting you or making you feel better to the point of forgetting his cell phone somewhere.

This can lead to his most meaningful kisses. The ones he gives you when these things affect you, to prove that those things people say are lies and they don't know anything. When he is hugging you and saying cute and funny things to make you feel better. Everything he does in public he also does in private, including kissing your cheeks and lips. But this specific kiss is one that is exclusive to the private sector.

It's not extravagant like the ones he usually gives you, this one is soft, sensitive, and slow by his standards. Basically the opposite of what he usually shows himself to be. You feel that they are calm and that he is enjoying the moment.

Trey is not really into PDA. I mean, it's not like he's averse to it, but it's just not his thing. He is a simple man, he shows and knows how to see love in small things. That and he's not, shall we say, the flashy and extra type. Too much attention can embarrass him.

However, even though he's not much of a show-off, he thinks it's fun to mess with you in public without anyone seeing. Like kissing your cheek discreetly and casually when no one else is paying attention to you and surprising you in the process. Beside that, you continue to behave like good friends. Nothing very different from how he would treat any other friend.

In private, it often doesn't change much. Just like I said, he's a guy who likes his peace and quiet. So the two of you end up looking like a long-term couple even if you aren't yet. However, it is also in private that he feels most comfortable hugging and kissing you. He's more welcoming to you doing the same to him.

If there's one type of surprise he's a fan of, it's you hugging him from behind when he's cooking. Many of your cutest moments happen in the kitchen. He likes to have you as a tester to his food and sweets.

The problem is when he feels more naughty and takes advantage of your trust in him to use his signature spell to change the flavor of what you taste to play a trick on you. For example, you're expecting to taste the sweetness of strawberry cake, but instead you taste the saltiness of an oyster. He will laugh at your reaction and your sulky face.

Then he will apologize, without regret for what he did, and that won't be enough for you. By feeling comfortable being himself with you, you'll end up getting to know his cheekier side. He hugs you around the waist with his rare smug expression and his gaze fixed on you. He's "really sorry" but maybe he can redeem himself. He runs his thumb over your slice of cake to remove some of the icing and puts it on his own lips. Why don't you try it again? No tricks this time, he promises.

And this leads to his most meaningful kisses. Not the soft, sweet, affectionate ones he usually gives you in private, but the ones that show that sassy side of him that most people don't think exists.

It depends on Floyd’s mood, obviously. But as a general rule, he likes PDA, more giving than receiving. He likes to be in control of these things, he doesn't like to be the one being "squished", you know.

He does what he wants, if he wants to hug you, he will hug you, if he wants to kiss you, he will kiss you. And no one will even have the courage to look at him the wrong way. No one wants to get in trouble with an Octavinelle student, especially Floyd Leech. This ends up guaranteeing you instant security and a sense of immunity. Everyone will know that you are together, not in a gossip way, but more in a sense of warning other students of the danger of messing with you.

He will hug you and kiss you however he wants, whenever he is with you. This part doesn't differ much from public to private (with one or two exceptions of course, chill!) If anyone can be embarrassed by PDA here, it's you, because he's never embarrassed. If others have a problem with it, that's their problem, and if they upset him... well... let's just say it will be the first and last time.

His affection only fluctuates when he is in a bad mood, and he becomes even more unpredictable. You can never predict whether he's in an "I want to be alone" bad mood or an "I want to hug you like a stuffed animal" grumpy mood. Either way, you don't need to know because he'll tell you. When he's in a bad mood he's not one to make people guess what he wants, he'll tell them directly and specifically.

Floyd’s good-mood kisses range from casual and lazy kisses just because to passionate and cheeky kisses to mess with you. But surprisingly, his most meaningful kisses are when he's in a bad mood and wants to be with you.

Just like he secretly likes to entertain and cheer you up when you're in a bad mood, he loves that you can do the same for him. He can be very clingy when he's in "I want you to hug" grumpy mood. He likes that you let him hug and kiss you however he wants to make him feel better.

This may lead to him starting to kiss your cheeks, moving on to your neck and finally your lips. His kisses are like his mood, in this case, grumpy, but not for long. Kissing you is fun for him, so you'll start to feel the kiss change at the same time as his mood. His pout starting to change into a lazy smile. And if you're not “careful” and he ends up in a REALLY good mood...

If words of affection could be considered PDA, well, I think you know. Rook is a man of words and everyone knows it. Some even know it too well. Prepare to receive the same treatment as Vil.

Surprisingly, he's not much of a toucher. He’ll never think twice before greeting you with charming words and a tender kiss on the cheek, or on the back of your hand like a prince, but never on your lips. At least not initiated by him.

He won't take the initiative to hold your hand or hug you. He will only do so if you ask or in response to your initiative. In this case he will gently hold your hand and caress it with his thumb, or hug you gently as if you were a precious little thing.

And why? One of the reasons is because he likes it when you ask. There's something about the need for his touch that he enjoys. Luring you with words to deliberately make you fall into the “trap” of wanting his touch. And the more “difficult” you are, the more he loves it.

Another reason is that, when hunting, touching the prey is usually the last step, right after finally catching it. He's a hunter, not a pet owner. He uses words because they are his bait, physical touch is the prize. And he likes that each other's touch is as much a reward for you as it is for him. He wants to make you want him as much as he wants you.

And that's why true physical touch only happens in private. He likes to show through words how much he likes something or someone, but he is also a man of secrets, and how he enjoys the prize of having you in his arms is one of the secrets between the two of you. Especially because his touch manages to be as flattering and appreciative as his words.

He likes to run  his hands over you like someone appreciating a work of art. Kiss your neck and lips like someone savoring an exquisite delicacy. And these are his most meaningful kisses. Kisses of appreciation, of care, of passion and at a certain point, of desire, for a prize that can slip out of his hands at any moment because you have your own free will and that is exciting.

If you would like to read more from me, you can find it in my pinned post: INDEX

[ask-the-rag-dolly]

after listening to an among us song i was given the drive to reboot this au so ,

originated from a doodle that spiraled , SPREAD THE INFLUENCE is an au where ragatha is the ( unwilling ) host of a parasite called ' the influence ' which is a virus that only wants to spread and survive . she wasn't compliant about it at the beginning which was ' fixed ' with an itty bitty bit of psychological torment !

also yes i know the abbreviation is unfortunate and i do not care it's funny

even though ragatha's still our usual sweet little optimist , there is this persistent feeling of wrongness . too positive . too affectionate . it's like all of her humanity has been scooped out and you're left with the mask she made for others in the circus .

which is how the virus spread in the circus - they preyed on vulnerabilities which was what their host is perfect for . striking when the victim puts their guards down , making them submit under the guise that their problems will be fixed ... unfortunately it's a monkey's paw situation .

of course , that's only for this particular instance of the influencer ! something to note is that the virus takes a lot from the host's personality , so t.i's mellow and passive , only resorting to violence whenever necessary . t.i's not really an opposite ragatha she's more like a Dark , Fucked Up Version of ragatha the amazing digital circus . she cares a lot for everyone she considers a part of her hive , but it took a lot of manipulation and gaslighting for them to get infected .

caine is left uninfected because " i would do that if my goal is to destroy this place ! " t.i's ultimate fear has always been dying . it'll do everything to not die , to the point it's trying to spread out of the circus ( <- honestly take this info with a grain of salt i wrote this before i fully developed the story ) . unfortunately there's this jester who's resisting the virus with pure lesbian rage and is trying to stop her .

now rags would eventually get de-influenced and the circus will no longer be infected , but we will talk about the extremely rocky journey of recovering from knowing you harmed everyone you cared about Later

was this ' the influence ' that amanda ( ragatha's va ) keeps referencing ? sighs ... yeah . ( feels so surreal that i can say i have their seal of approval for this )

why ragatha ? in story , how is she not the perfect host ? metatextually , this is an au of an au - this came from a blog about ragatha getting a virus that is inconveniencing her life . i simply thought of an idea of ' hey what if the virus took over her body ' one day . then this abomination was born . i would reveal the why and how she got infected ... eventually .........

is she still afraid of centipedes ? is it a ragatha if she doesn't have a fear of centipedes

does pomni still use a taser ? yeah

could i use / be inspired by the influence for my au ? i did not invent the concept of Computer Viruses so feel free to be inspired by it , no credit needed . for t.i as a character specifically , please credit me !

are there ships ? just pomni x ragatha

is suggestive content of t.i ok ? just don't send them to me , tag it as #tw suggestive or #suggestive so i could filter it out

is nsfw content of t.i ok ? my tiny artist hands are powerless against the unstoppable force that is the internet so my answer will not matter . that being said , i recommend that they're not put in the main au tag so people won't unexpectedly come across it . and no i do not want to see it please do not send them to me

could i draw fanart / write fanfic of this au ? 100% yes you could either mention me or tag it under #tadc influence au

does this au have an ask blog ? nah just a normal blog lol

READ THE COMIC ... I GUESS ... !!

the main story

oh boy a prologue

[tossawary]

A quote and thoughts regarding Shen Yuan's opinions on Liu Mingyan and the "sexiness" of the Liu Mingyan versus Sha Hualing setup. He knows what he should be feeling in this situation as a "normal straight guy", but I don't think he's actually feeling it.

"Shen Qingqiu was very fond of this female lead, and it wasn't only because Liu Mingya's beauty points were the highest. It was also because she had great poise. She always understood the big picture and grasped the general situation, and her conduct was fair and honest. Even in Luo Binghe's gigantic harem, a wife with both intelligence and moral character was rare.

There was one more appeal factor. Liu Mingyan was the only female character for whom Airplane Shooting Towards the Sky didn't write detailed sex scenes. Many readers had been highly dissatisfied with this arrangement, to the point that they spammed the comments with their ranting, but this had given Liu Mingyan something no other female lead had: an image as clear as ice and pure as jade!

Can't be helped, the unobtainable ones are always the best.

[Sweatdropping shrug kaomoji that I can't type out.]

This was what made the second match worth watching. An evil demoness naturally demanded a righteous saintess as a rival. Every man dreamed of being caught between an angel and a devil. To watch them jealously vie with each other over him one moment, then risk life and limb for his sake in the next - that was the highest, most sacred, perverted fantasy of every male organism. He could drunk off the wild, untamed charm of the wicked seductress, and at the same time his heart would ache for the austere taste of the pure saintess who kept pulling him closer only to push him away!

One had to admit, "Great Master" Airplane was genuinely good at nailing what people found satisfying. Shen Qingqiu couldn't help giving Luo Binghe another glance.

Luo Binghe found it very hard to not care about that gaze. Why exactly did Shen Qingqiu keep looking at him? Was it possible that Shizun... really had an interest in him?"

Volume 1, Chapter 2, pages 111-112.

I'm not sure where to start with this! It's a lot! I'll just work backwards: it is very funny to have Shen Qingqiu repeatedly looking towards Luo Binghe, trying to see Binghe's reactions to Sha Hualing and Liu Mingyan, and Binghe's just like, "Shizun is looking at me???" I think "interest" in this case just means interest in Binghe as a disciple with potential, rather than anything else. Binghe is not paying any real attention to Sha Hualing or Liu Mingyan's attractiveness.

Oh! A rare compliment towards "Great Master" Airplane! Shen Yuan, don't strain those rarely used muscles!

I do find it amusing that Shen Yuan refers to Liu Mingyan as "moral" and "righteous" and "pure" here. The vibe I got with Liu Mingyan is that she sided with Luo Binghe to take down her brother's murderer, which I would agree is righteous and abides by a set of morals. But the first few pages of SVSSS inform us that PIDW Luo Binghe viciously destroyed the great cultivation sects, which means that PIDW wife Liu Mingyan either helped or stepped aside when a whole bunch of murder happened.

And the "my favorite wife is the one with no (or limited) sex scenes" is a classic Shen Yuan moment and one of the reasons he reads as being strongly on the asexuality spectrum to me. The way that he talks about heterosexual "male" desire gives me the same vibe. Like he's separated from it. Like he knows this is what he's "supposed" to feel and he just... doesn't... and it's possibly hard for him to recognize what sexual desire feels like (as opposed to, say, general sexual arousal that doesn't necessarily have a target) if he's never actually experienced it himself. He knows what he should be feeling if he was the "every man" reader of PIDW.

Even when he talks about Sha Hualing and Liu Mingyan's appeal, he says "wild, untamed charm" and "pulling him closer only to push him away" as the key components of the fantasy. Like, "being flirted with" and "being fought over and fought for" and "appreciating a distant beauty" are more important than "having sex". "The most appealing thing about Liu Mingyan is that she wouldn't actually go through with trying to have sex with me," says Shen Yuan.

He's like, "Oh, I can recognize that Liu Mingyan and Sha Hualing are physically attractive, that probably means I'm an Ordinary Straight Man." Even though the way that he talked about Liu Qingge's looks in the Ling Xi Caves was... not very heterosexual... and here, he mostly seems excited just to see one of his favorite characters.

Admittedly, Sha Hualing appears 15-16 here and I think Liu Mingyan is around the same age (she doesn't have her spiritual sword yet), so Shen Yuan is probably also not attracted to them just because they're teenagers. (I do not interpret him as sexually or romantically interested in Binghe at all at this point in time.) I headcanon Shen Yuan being 20-ish at this point in time, so he's probably not that much older than SHL or LMY, but they're probably around his younger sister's age (Shen Yuan's younger sister was old enough to be reading non-con, gay, BDSM erotica.) Sha Hualing shows up half-naked and Shen Yuan is just like, "Where are your shoes? Did you walk here like this? Wasn't that painful?"

In my opinion, Shen Yuan seems a little... relieved... to think that no one could be sexually or romantically interested in the scum villain. He does lament that it's hard to get a girlfriend like this, sure. He does think that he's going to die and that he'd eventually lose any woman to Binghe, so there's no point in trying. But he really, really does not try. "Oh, I can't pursue anyone because they'd never be interested in me! How frustrating! ...Anyway! Moving on to enjoy the many other little pleasures of life! Like food and monsters!" I think the closest he comes to flirting with anyone is when speaking to Liu Qingge in the Ling Xi Caves, while Liu Qingge is coughing up blood, and that did not seem intentional.

I think if he had transmigrated into any other character, who wasn't an "unappealing" villain, Shen Yuan still wouldn't pursue women. I think he'd be like, "Well, I want a beautiful woman, because I have standards! But all beautiful women belong to the protagonist, and no one is better than Binghe, there's no way I'd win that competition, so there's no point in trying!" At which point, it's just like, "Shen Yuan, anyone becomes beautiful when you love or like them; I don't think you actually want to fuck women."

I think if Shen Yuan had transmigrated in as Luo Binghe, he still wouldn't try to pursue women. He'd be like, "I'm just raising my standards for the harem! Some of those wives were not very intelligent or in possession of good moral character! Nearly three-digits is disrespectful to the better wives! I'm only interested in especially beautiful and skilled women, like Liu Mingyan, who's perfect! (And also won't try to have sex with me.)"

Like, I am not against a bisexual Shen Yuan. I am willing to be persuaded to go along with many different interpretations! But he does read to me generally as a gay asexual / demisexual who hasn't yet realized that a desire to be fawned over and an ability to recognize beauty is not necessarily the same thing as sexual attraction. (I do think he is attracted to Binghe after Binghe gets back from the Endless Abyss, but his feelings there are tied up in his very real, reasonable fear of murder and mutilation.)

[sparrowlucero]

i enjoy ur bird abode thoughts! I was a genuine enjoyer of the show when it was airing, I’m no die hard fan though and love to see ppls personal takes on the overall story/plot. Im curious if you also would agree or have any thoughts on the impacts The Mouse’s cancellation had on the shows ability to be more than it was? srry im not super eloquent with my words, but basically ur response to that ask got me wondering if part of the reason the show like genuinely wasnt all that ground breaking or unique in the end plot wise (other than the villain faces consequences in the end ig) as far as YA/Teen animation goes, was because of The Mouse’s inability to let the writers flesh out the show before gutting it? i have a negative bias toward The Mouse franchise and obviously dont know anything about how writing a show under the eyes of a franchise that big would work, its just smth that rattles around in my head and wanna know what u think!

Well to an extent, but I think it's much more the effect the studio had on how the owl house started out as rather than it not getting a full season at the end - It didn't escape my noticed that the show was initially announced as being a "horror comedy" when it doesn't really seem like either, especially by the second season, and yeah, the original pitch bible is obviously aiming for that much more than the show proper is as it goes along (and is honestly seems quite a bit more funny, weird, and dark, with an overarching plotline about a giant bug being used to religiously suppress people, eda able to cure her curse by killing luz, and one of the major characters being a teen boy awoken from a sleeping curse who ends up being a weird little bigot because he's from the 13th century, among other things)

(side note, i just noticed they actually specifically describe the thing i assumed the show was gonna be about here. huh.) but ultimately the bulk of the show that was actually made seems very influenced by a writing team that was genuinely interested in making a tropey YA fantasy story rather than just being mandated to. I mean even in what aired you can see the show sort of settle in ways that feel less like studio interference and more like, you know, art students creating their ideal fantasy show, like how King is clearly Eda's roommate who's funny because he looks like and sounds like a little dog despite being an adult man at the beginning but by the end they've made him her adopted sad backstory son who's explicitly a child. While I think a third season would have made the show as it existed better, because they clearly didn't get to finish the plot they wanted to (frankly to the point where some major aspects of the show are a bit confusing, I'm still not sure what a grimwalker is), I don't really fault the show for that but also don't think that hypothetical season (which pretty clearly would have been mostly about the magic school teens going to normal school) would suddenly flip around into something that I personally found interesting and subversive. Nor should it, really; again, it being Queernorm Harry Potter thing is clearly the intended appeal of the show, it's not really a flaw but just not a genre I'm personally interested in when compared to what I initially expected the show to be.

HOWEVER I will say they robbed little weird girls of their representation and that can't be forgiven

[felikatze]

THE ISLANDER EUPHRASIE THEORY: THE CRACK HEADCANON THAT RUINED ME FOREVER

HI. you might know me as the kingphie divorce guy. or as the guy who wrote the 6k ludonarrative essay. Today i am going to introduce to YOU @the-bitter-ocean's fantabulous ISLANDER EUPHRASIE THEORY!!!

DISCLAIMER

This post contains SPOILERS for ALL of In Stars and Time. INCLUDING THE ACT 6 SECRET!!

You have been warned.

ALSO!!!!

The original headcanon/theory is VERY MUCH Ocean's fantastic work! I am merely rehashing all the arguments for it that have been laid out across various chats into one cohesive thing people can look at. Also citations! Who doesn't love those.

WHAT IS IT?

Well, it's quite simple. It's the theory that Euphrasie, love of my life and Head Housemaiden of Dormont, is from the forgotten island, same as Siffrin and the King.

(Yes, this is why divorce AU exists.)

WHY DO YOU EVEN BELIEVE THIS?

Quite a lot of reasons, actually.

It's really funny

Let us begin with: the basics.

SUPERFLOUS AESTHETIC DETAIL

HAIR COLOR

This is Euphrasie. She's very pretty. I love her.

You might notice several things about her, like her fantabulous white hair.

Well. What other characters have white hair?

You have guessed correctly. The ONLY OTHER white haired characters with actual artwork are Siffrin and the King, both from The Island The World Forgot. Thus we can assume that it's a typical hair color for islanders. Makes it stand out very much that Euphie also has it.

(What about the beautiful one- sh sh sh he's blonde. He's blonde.) (Well, actually, considering that they are the only one who acknowledges that Vaugardians are also weird, what if he's from the island as well? Checkmate atheists.)

EYELASHES

(EDIT!!!!! FINALLY PUTTING THIS ON THE MAIN POST!!!

Turns out I was incorrect in this. Some characters (Mira, Isa) also have eyelashes on SOME portraits. The mentioned chars r still notable for Always Having Em, + the Loop lashes are like, literally intended as plot twist foreshadowing, but, hey.

That's what you get for writing essays at 1am.

IN RETURN!!! Someone pointed out to me [i forgot who sorry] that Euphrasie's capelet.... has stars on it!! It's speckled like the starry sky!! Now isn't that a neat coinkydink.)

(Original text left up because I respect my past self's artistic vision. And his lunacy.)

Correct. Eyelashes.

Going back to our portrait of Euphie, she is drawn with precisely three eyelashes. Why is this notable? Because Siffrin and Loop are.

So much so, that being drawn with three eyelashes, is specifically an element of foreshadowing to Loop's true identity.

(squints at character portraits) literally no characters besides Siffrin, Loop, and Euphrasie have eyelashes? Oh my god. What? Nobody has eyelashes? What the fuck? (okay, some moments later: Mirabelle has eyelashes in some battle artwork, but these three are the only ones specifically with eyelashes in dialogue portraits, which is still incredibly odd.)

SPEAKING HABITS

(EDIT!!! Another Point that is Kind Of Off, in that other characters [e.g. Odile] also do this occasionally. Again, keeping the text for my creative vision.

In return I get to inform you that the King makes the "not so bright, Bright One" pun TWICE in different loops, thus implying the King likes puns. Take this as you will. That's been my psychic damage, buhbyeeee~)

Hey, so, you know when you talk to people in Dormont, a lot of the NPCS will have a nametag that just says "[something] One" right? Daydreaming One, Castle-Loving One, Beautiful One?

And I've seen people wonder, are these titles? Nicknames?

And I bring you this: Siffrin addresses these people with these epithets in his head, because they have no fucking clue what anyone's name is.

So Siffrin just naturally lapses into this style of nicknaming strangers.

Which two other people also do.

Bright one... ...... Do you remember? Traveling one! Are you done talking with your companions? Yes, wonderful, wonderful!

Funny little tidbit that these three characters all speak alike isn't it :)

Okay. With aesthetics out of the way, let's move onto the next tier of this iceberg:

THE MECHANICS OF FORGETTING AND BEING FORGOTTEN

I realize in the process of writing that we must outline the nature of the curse. What gets forgotten and what gets to stay?

The particularity that's important to us right now is: what people get forgotten?

All evidence points toward this: an entire person is only forgotten if they were physically present on the island when it vanished.

I'm pulling up two example cases to prove it: Siffrin and the Daydreaming One.

The thing with Siffrin is: we know he witnessed the exact moment the island vanished. And, very notably, Siffrin was in a boat.

You can get the dialogue that proves this only in ACT 2 in a secret room most people don't find on their first playthroughs, which is both very funny and very evil. Here's the dialogue.

Siffrin: "I ran away from home once!" [...] Siffrin: "And so I took our boat! Got to the beach, rowed away from the shore a bit. I was going to come back right away, I just wanted to scare my parents a bit!" [...]

Siffrin: "I started to row back towards the shore... And then, I... I... ..." Isabeau: ... Sif? Siffrin: (Woah! What?) "Um, yes?" Isabeau: Um... You were telling us how you ran away from home? Siffrin: "I... was?" Odile: You... Were. Bonnie: DID YOU FORGET WHAT YOU WERE TALKING ABOUT WHILE TALKING ABOUT IT?!?

Siffrin is from the island, but was not physically present when it disappeared. This resulted in Siffrin forgetting their entire identity, including given name and spoken/written language.

Additionally, this is confirmed via Word of God to be the exact moment the island disappeared, so here's proof I'm not reading into it:

Shoutout to bibliomaniac's insane google spreadsheet for the easily searchable screenshot. god bless. Brinny, ily.

On the other hand, with the Daydreaming One, we have proof of a person who is not originally from the island, but was physically on it at the time of disappearance.

Siffrin: "Don't you have a sister?" Daydreaming One: I... I don't? I just said I'm an only child, silly!

(For her to forget someone like her sister, so easily... Her sister must've traveled to...)

Secondly, we know that remnants of the island were not completely forgotten immediately.

Memory faded gradually, starting with the ability to still speak and think about it with accompanying headaches, until it ramped up in intensity and everything is simply gone.

The Sparkling Diary in the library is more or less proof. Memory of the island was gone, but... people still remembered that they forgot something. People still knew what they were talking about, (an island north of Vaugarde), just without the specifics.

"Urgh. Also, Dad noticed no one can say the name of the island north of here anymore?" "I tried to say it yesterday and I got like the WEIRDEST headache for HOURS."

And Odile also remarks the following

Odile: We also know that people could remember that country clearly, before.

This will be relevant later. Moving on.

CONTRIVANCES

THE HOUSE'S OBSERVATORY

SO. The House of Change of Dormont has this funny little room on the third floor. It's an observatory. To look at stars with. When entering this room for the first time, Mirabelle says this:

Mirabelle: What...? Was there a room like this in the House? Y-yeah, I remember! Someone was working here... Studying... They looked like... ... Um... Sorry, I can't remember.

This reveals to us several things:

This room is innate to the House, and not brought here by the King's weird redecorating

Someone from the House was using it for study

All memory of who or what was studying and being studied was erased alongside the island's existence

Of course we can say, "yo, what if Euphrasie was using this room and just forgot?" but that is. a headcanon. I ADMIT! It is a stipulation

However, I find the general presence of the Island written all over the House incredibly interesting.

Inside the Observatory, there's a pile of papers with messy handwriting. You can't read these in until ACT 4. Even in ACT 4, you can't read them. But you do learn what's written on them.

(A pile of papers.) (It looks like someone was trying to write your country's name.)

Inside the observatory is also a globe. Upon repeated interaction in... act 4, i think, you get this:

(You see a spot on the globe where the paint has started wearing out, like someone kept dragging their finger on it.) (You drag your finger there too.) (Erased. You almost want to look for lightless paint.)

BOOKS

During the various quests to discover the truth of the loops, you run into a lot of books, written in the forgotten language. Now, Dormont is not close to the island. Dormont is not close to the coast.

Bambouche is. That's why Bonnie has heard about the island before and knows it was a big deal - they lived really close to it.

Bonnie (and then1): I think, I think my village was really close to it!!! My sister said it was all everyone could talk about for weeks!!! Mirabelle (anxious1): That's so frightening... I'm glad that whatever happened, she didn't get caught up in it!

As we can see in this map, Dormont is in the southern half of the country, and very centrally at that, meaning it has basically maximum distance from all waters and ports. So why does this landlocked small town have so many books in this language?

These aren't just dry books, either. In Dormont's library, there's actually a translated version of volume 2 of The Cursing of Chateau Castle.

(You take the book out again.) (You can read its title, now...) (Your heart is beating, badump, badump, badump.) (It's...) (... A translated copy of "The Cursing of Château Castle", issue #2.) (You start laughing.)

CONCLUSION OF THIS SECTION

Islanders lived in Dormont. Maybe even multiple! We've established that whoever is in Dormont when it vanished would not simply disapper, instead

they forgot where they're from.

One day, the islanders in Dormont could no longer remember being anywhere but Dormont. Being anything but Vaugardian. The observatory fell into disuse, as the person studying there gradually forgot what they used it for, even as they desparately tried to hold onto it, boring holes into the globe, and scribbling its name over and over until its unintelligible.

And, in all likelihood, eventually that knowledge was just gone forever. They simply became part of Dormont, none the wiser to their own history.

Books slipped into cracks. Rooms fell into disuse. Nobody remembered to clean out the remnants.

Now. The real cinch of this.

Why, in particular, do I think Euphrasie is one of them?

Answer me this, then.

How does Euphie know what Wish Craft is?

1. How could she read it?

Euphrasie knew specifically that Wish Craft exists, when all books on it are written in a language nobody can read.

The book in the storage room? The diary in the room behind the star door? The book in the secret library? None of them are legible.

There are no legible records of Wish Craft.

2. What about the Favor Tree?

Euphrasie knew specifically that Wish Craft is related to the Favor Tree. It's also a Vaugardian practice to make requests of the Favor Tree, but they're just that - requests. Nobody thinks they actually have power.

Only Euphrasie does. She thinks it's the key to defeating the King.

(This is... A list of people who wished to save Vaugarde!!!) (You look around her desk, trying to find out more.) (Why would she record the people who wished to save Vaugarde?) (... There!!!) (It's a little notebook, jammed between random boring paperwork...) (In it, the Head Housemaiden talks about Wish Craft... How in the days before the King attacked, she noticed everyone was wishing to the Favor Tree for the same thing:) (To save Vaugarde.) (And she started wondering if this wish could be the key to the King's defeat, somehow...) (So the Head Housemaiden knew about Wish Craft!!!)

Except, when Isabeau talks about it...

Isabeau: Well, it's just a random big tree. But when you're a believer of the House of Change, the biggest tree in a certain place is called a Favor Tree! It's like, it’s the tree with the most power, so you can ask it things? As a favor?

He struggles a little to explain it. Almost, as though the tradition came from some other culture, imported into Vaugarde, and no one can definetely remember where it came from.

To note, here, is that the Favor Tree is hugely associated with Loop, and wishes in general. Wishing on a Favor Tree is such a hugely powerful ritual when executed correctly, that it caused the entire timeloops.

And I'm not even gonna break out citations to prove that Wish Craft is associated with the island. Come on. You know that. You played the game. It's required to beat the game.

If you haven't beaten the game, what the fuck are you doing here. Go back and play it, baka.

3. Something's breaking, failing, rotting

At the end of ACT 4, when Siffrin confronts Euphrasie about her knowledge of Wish Craft, Euphrasie is distinctly aware of this: the people of Vaugarde are wishing wrong.

It's true. All of Vaugarde wished to the Favor Tree, wished for us to be saved. We wished for a savior. A way for us to win against the King. And Wish Craft gave us the means to do it, didn't it? Made sure it'd work? [...] But... But something went wrong, didn't it? Something goes wrong, every time!!! [...] The only answer I can find... Is it's because we did it wrong. I don't know what happened But we must've done it wrong!!! None of us in Vaugarde knew the exact ritual, but-- But we must have done it so wrong, it broke, and it doesn't answer to us at all anymore!!! [...] I don't know, I don't know, I don't know!!!

There's only one person who knew how to make a Wish correctly. And he made it by sheer instinct. Something they could not place even if they tried. Just... a forgotten ritual, dredged back up by muscle memory. Something he's probably been doing since he's a little kid, something that's so backed into their habits they use Wish Craft to carve figurines out of wood.

To end, I leave you with this. Dialogue you get when you try to talk to Euphrasie again, before you talked to everybody else.

If you talk to me... REALLY talk to me... It's all over. What "it" is, I have no idea... I know... I can feel that... I couldn't change whatever comes next, even if I wanted to. But I know it is the will of the Change God. Or, no, perhaps... The will of something even bigger... ... Something will end, once you talk to me.

There is a way for Euphrasie to know all of this. To know Wish Craft exists, to be aware she's doing it wrong, but not knowing, remembering quite enough to get it right.

If she knew it all beforehand already.

[pygmi-says-hi]

how to write romantic tension

we all love enemies to lovers but some of you get to the lovers part so fast you don't even finish typing 'enemies'. enemthey'refuckingnow to lovers. which is ok if that's what you wanna read but personally, my favorite part is the tension.

So...

Off we go!

What makes a good enemies to lovers story?

Believable tension, likeably irritating themes, and potential. Among other things, but this is what I want to talk about with the 'tension' perspective. There needs to be a good reason, obstacle, and rapport. If they're mad at each other just because, idgaf.

I want to write this but I dunno how to frame the tension?

It's kind of a tricky trope, to be honest. Enemies/rivals/foes however you wanna pitch it, takes an interesting twist on seductive emotions.

pride. a feeling of self-sufficiency, power over somebody else, or superiority. How would this play into a relationship type deal? Well:

Pride in a relationship or in regards to another person can involve a feeling of equivalence. "Do I feel unworthy of them?" "Are they out of my league?" "will the way people perceive me change if I go for it?" Social insecurity is a big aspect, and so the frustration that comes with that leads to friction because of the character's insistence on keeping their dignity. which leads me to the next point...

vulnerability. Attraction to another person is accompanied by a feeling of vulnerability and openness. This is always a hard position to be in, especially if extenuating circumstances make honesty impossible (power imbalance, politics, etc). If a character feels too vulnerable and exposed, they might shield themself with aloofness and sharp words.

desperation/yearning. They have to want each other. the only thing stopping themselves is each other. It's overcoming the above emotions to reach the point where they have no choice but to accept it. Throughout the whole deal, there should be an undercurrent of desire.

When all of those come together, it creates an emotional battle. This battle has several war tactics (hittin with the allegories today dayum)

banter. a favorite of all. wonderfully tense and combative conversation that highlights the reason for disagreement and the romantic tension. 10/10

self-sabotage. like, ohthey'resoclosetheirhandsaretouchingoooohnope. someone chickened out, heard something from someone that made them reconsider, plans changed, they felt angry and ruined the whole deal. back to square one. it's like edging your readers. (ew but you know what i mean. bring em up to bring em down)

miscommunication. "I thought you hated me." "only because I thought you did too..." love it. beautiful. or, there was miscommunication years ago that led to a deep rift when actually, it was entirely unfounded.

and many more...

Another important point:

There needs to be progress. Slow and steady wins the race, but even slow means going forward. If you throw too much tension and obstacles in the way, it gets old really fast. Give them baby steps to take. It'll keep people interested.

Internal turmoil:

Oh, that wonderful period when they know it's inevitable but they're so terrified of it happening....pick an emotional direction.

Are they scared? Hiding from their attraction? Are they angry? Frustrated that they can't have them/became attracted? Are they desperate? So in love that they act out of pure lust?

What is the character's opinion of what is going on? Pick reactions and convo that corresponds with that. Enemies to lovers doesn't always mean sass-battles and hate sex. It can also be someone cold and cut off slowly warming up. Or somebody shy and critical becoming relaxed and open-minded. there are sooooo many opportunities for good emotional depth, spice it up a little!

Things to improve on:

Working on banter/bickering. This is really funny, but the banter should have some kind of meat to it. random back-and-forths are a nice palate cleanser, but so often it just sounds petty. Incorporate plot and past disagreements with it. it'll add depth to the relationship without needing to do a prologue or exposition paragraph.

Not just making them hate fuck and then be head over heels. (I mean if you wanna write/read that, go ahead, but if you're frustrated with the transition stage, I gotchu.) It is a weird moment of going from 'fuck you' to 'fuck me' to 'ilysm'. AWKWARD STAGES ARE OKAY!!!!! It's gonna be a bit of a new thing, esp for the characters. Great opportunity for wholesomeness; if they're trying really hard to get better but don't know how?? UGHH I EATTT IT.

hopefully this provides some pointers?

xox keep writing, comment/message any questions or requests!

[victimsofyaoipoll]

Finals

Propaganda Under Cut

Sakura Haruno

Her husband is gay and her author doesn't know how to write women. So many people say she's the worst but she. DESERVES. BETTER!!! Save her from this franchise.

My baby girl my bestie my best friend. She committed the crime of um being written by kishimoto who both doesn’t know how to write women and somehow writes men in the gayest way possible specifically naruto and sasuke. Like the thing is naruto and sasuke ARE gay and also she gets so much hate for the crime of kishimoto writing her one dimensionally in love with sasuke. I know her personally she is a butch lesbian to me just trust me she’s in love with Ino and has a lesbian thing going on with Karin okay just trust me. My everything. She needs to divorce the loveless lavender marriage she’s in 

What is there to say, even? The OG Threat to my 90s anime brain, the only woman I've ever hated with such a passion she made me turn away from the color pink. I used to write fics with my friend where she got left behind on purpose so our OCs could join the Naruto and Sasuke team instead. I loathed this bitch until I was 16 and realized the author simply couldnt write women and decided it was time to make peace with Sakura. It is not her fault she's vaguely written and obsessive over Sasuke. She deserves better. Sasuke and Naruto still should be together and Sakura shouldnt be with Sasuke but I no longer believe this because I hate Sakura, it is because I love her. She deserves a spouse who will actually put in the time to treat her like the hero she is.

Misa Amane

she gets treated in-canon the way fandoms treat female characters that Threaten an m/m ship. it's like, "oh why don't you go sit in the corner and be pretty, misa, while the Men have intelligent conversation and pretend they aren't ten seconds from fucking each other, doesn't that sound nice?" it's infuriating. and MAYBE it's better now but i remember her getting treated the same way in fanfiction too, like we all need to do just as badly by our female secondary characters as fucking tsugumi ohba, but with the added insult of making her be alternately oblivious of the relationship between light and L or actively trying to sabotage it—incompetently, of course, because god forbid misa be allowed dignity or moments of cleverness.

she's one of the first characters I think of when I consider old school fandom misogyny. The annoying bitch and clingy crazy gf allegations were AFTER HER ASS. She's also a lot more intelligent than people gave her credit for, but most seem inclined to take the Very Biased word of our unreliable, narcissistic narrator and his homoerotic arch nemesis and claim that just because she's bubbly and into romance that she's also a complete moron. Which is blatantly untrue. Everyone was afraid of Misa girlbossing too hard. Killing people and devoting yourself to the deranged twink of your dreams even though you know he'll never love you back??? Having a hardcore goth aesthetic and being so Hot even literal Death Gods are into you?? God forbid women do ANYTHING!

Not only is she the victim of yaoi culture, she is the victim of early 2000s misogyny by an author that wanted to introduce a girl character because he knew his male rivals were getting too homoerotic. She is a goth bimbo icon who portrays what I think is one of the few callouts for stan culture and what parasocial relationships can do to both the stan and the idol. The fact that she is a toxic fan of Kira and also hot, funny, sociable is tragic in its own way, which I think the author did try to touch on but was too misogynistic too really get through. Of course, she was reduced to villain status by the fandom and anime alike because she got in the way of the supposed romance in their psychological horror anime

[sorcerersandskillusers]

Card Meanings in the new, The Day I Picked Up Dazai art.

Ok so im currently still in shock that were getting new day I picked up dazai content so bare with me, but onece again Asagiri has included playing cards in his art so of course I have to break down what they mean.

Lets start with side A (the right side):

First we see a joker:

While Gogol is the obvious fit for the joker, the card also describes Dazai extremely well. He is almost always acting like the fool in any given situation, even in the mafia he loved to be as weird and funny as he could as well as tease and annoy the people around him, something jesters famously did.

In fact, his dynamic with Mori is very close to how a king and a jester used to work, where the jester was the only person who was allowed to openly mock the king and would usually heckle him. They also played a key part in psychological warfare, which we see Dazai specialises in.

I think the whole; wit, intelligence and unpredictability kind of speaks for itself.

Next card is the four of spades:

This one is also really fitting, it shows how after the day I picked up Dazai side A, Dazai settles into his little routine of going to bar lupin with Oda as well as how he finally has someone who he can trust and be comfortable around. Finally, it is a clear message of optimism, something Dazai never shows before he meets Oda.

Next the two of hearts:

This one is pretty obvious, it's Dazai and Oda spending time at bar lupin. It actually fits so well, there's not much I can say about it other then how it shows the love and care Dazai and Oda had for each other (platonically)

Now for Side B (prepare to cry)

The first card is the three of spades:

Whyyyyyyyyyy... why Asagiri. This one is also fairly obvious but it has multiple meanings. It most clearly represents Dazai suffering in side B as he has to run the mafia without odasaku and live in utter loneliness while destroying all the connections he never got to have for the sake of a friend he never got to meet.

“It was hard,” muttered the young man. “It was really hard fighting Mimic without you in the organization. I had no choice but to take over for Mori and make enemies of everyone around me to expand the business. Everything I did was for this world’s—”

It also represents the moment on the platform where he nearly tells Odasaku the truth and goes with him to bar lupin, the horrible decision to abandon everything for Odas future

The next card is... the ace of spades:

The ace of spade has many meanings, most of which involve change or transition, but by far its most famous meaning it death. I really don't think I have to explain this one, Beast Dazai having the card of death has a pretty clear meaning.

But the ace of spade does have a secondary meaning, and this one is a little more hopeful, as it shows Dazai passing the safety of this world onto Atsushi and Auktagawa.

Finally, (it's a bit hard to see) we have the ten of diamonds:

I want to focus mostly on the highlighted part because it's what really applies to BEAST Dazai, he lived his whole life to create a world where what matters most to him, that Oda gets to be happy and write his books, becomes real. This card doesn't apply to Dazai directly, more to the fact that he made succeeding in his mission his only priority and discarded everything else.

Bonus round Odasku card; the king of clubs

the only card thats seen on Oda's section and one that clearly represents Odasaku as a character.

"King of clubs represents a dark man, who is loyal and kind. He is a good businessman, shrewd with money and investments, but isn’t selfish. In fact, the King of clubs is a very devoted father, husband and citizen. In a broader sense, the King of clubs encompasses idealized qualities of a fatherly figure. This card is universally considered as a very good omen."

I feel like this sums Odasaku up very well, the devoted father and loyal friend parts are just him to a t.

(this is also the card I think best represents Fukuzawa)

Right, I think I got everything, if you disagree with this or find something I missed, please reblog or comment with whatever you want to add, or send me an ask. I love discussing, and hearing other people's views as long as they're respectful.

If you add something, please add it in the post not the tags, so I can reply to it (or in the tags if that makes you more comfortable)

[celestica-1988]

An headcanon for every Tokyo Revengers character. Some are funny, other are not.

Mikey favorite holiday is Halloween cause he can eat as many sweets as he wants and nobody can tell him shit.

Draken secretly wants to go to a spa with Emma. Draken babysits Toman, Emma takes care of the Sano household and they need to rest. He gets flustered if he thinks about sharing a bed with her or taking a bath together at the offsprings.

Baji feeds stray cats and others animals. Animals are naturally drawn to him for some reasons.

Chifuyu likes to watch TV programs of plane crashes. He dreams to be a pilot and he wants to learn how to avoid situations like the ones in the programs.

Takemichi started reading and watching thrillers in the hope they help him sharpen his ability to investigate

Kazutora still has nightmares of his father beating his mother.

Mitsuya keeps himself updated on what is popular amongs kids so he can sew cool things to his sisters like clothes or stuffed animal.

Hakkai is secretly learning Italian since he loves the Godfather series.

Taiju favorite film is Shark Tale.

Pahchin sleeps cuddling his dog.

Pehyan reads scientific books so he can came up with more witty come backs on Pahchin brain.

Angry is really loved by the elderly people in his neighborhood because he's always ready to help them in any way despite his grumpy face. One of the grannies taught him the perfect recipe for ramen.

Smiley is an hardcore naruhina shipper and won't hesitate to fight if someone insults his otp.

When Mucho saw Sanzu for the first time he thought he seemed like a stray cat. That's why he approached him with food aka cheesecake.

Sanzu would like to fix his relationship with Senju but he doesn't know how. Senju is always with Takeomi and he hates Takeomi. He's also scared that if he stops checking on Mikey, even for a second, something bad will happen to him and Shinichiro would have died in vain.

Kisaki has an album of pics of Hinata that he took when she didn't notice.

Hanma really loves movies with a lot of action and comments loud every scene of violence saying what he would have done instead if he was the protagonist.

Kokonoi talks about his days and his thoughts to a framed pic of Akane. He feels like she's still with him.

Inui plays guitar and he's interested in spiritism.

Izana throws darts to a Karen Kurokawa pic pinned on the wall because she ruined his life and his relationship with Emma and Shinichiro.

Kakucho shaves his hair by himself. He's not comfortable with people touching his scar.

Shion is unexpectedly good with children. He's a bit chaotic but overall a good babysitter.

Mochi is really good at cooking and he's proud of it.

Rindou started going to the gym because he was tired of being teased for his chubby cheeks. His guilty pleasure is eating Mac Donald food.

Ran loves 70s lamps, the one with bubbles that are moving up and down inside. They help him sleep.

South loves to dance Latin dances like samba, cha cha cha, rumba etc...

Wakasa has got some fishing trophies in his apartment.

Benkei appears as a tough guy but he loves to sleep with plushies.

Shinichiro has got an organizer that uses as his diary in which he writes his thoughts and notes all of his siblings birthdays.

Takeomi is always scolded by his relatives because of how he wasted his life, raised Haru to be a lunatic and ruined the relationship between Haru and Senju.

Hinata secretly trains in martial arts to help Takemichi, even though she knew he probably won't let her take part in a fight.

Emma often thinks at how good it would be if Izana lives with them. She wants him to have a family.

Yuzuha listen to heavy metal as a let out of her frustration for living with Taiju.

Senju sometimes wants to be adopted by Wakasa so she won't have Takeomi around and maybe Sanzu would visit her. She also hate Concordes.

[tocomplainfriend]

HAZBIN AND SA (+HB)

TW: SA and RAPE

THIS ITSELF DOESN'T TALK ABOUT THE SCENE! But the surrounding context.

So I really hate everything about how this has being treated. I am a SA victim and wanna talk about some stuff. If you didn't know, in episode 4 (I think) there is an exploration of Angel Dust SA, before going to do that lets see some stuff first:

She made a "cumming" joke about the song Poison (that accompanies the SA scenes)

This person over here worked on HH/HB (draws r-pe/non-con)

BLURRED AND CUTTED IMAGES: (Some are more or less explicit)

You know, that whole thing of shipping, and drawing porn of the canonical sexual abuser with the victim?

They also left this comment, under a comic where Val threatens brutal r-pe on Angel.

This person also worked in/directed the scenes of Angel dust Sexual abuse in the episode. The person that ships a r-pe ship and does all this shit is the one to work in this scene?????

ALSO????

Like??????? What happen here?

Also...

(The pinkie pfp person is 15 here too)

Why does Angel sexually harrases Husk non-stop (which is acknowledged by Vaggie)? Why is Moxxie SA by the succubus played for laughs? Same with Chaz or Blitz harassing him sexually or touching him without consent? Why did Stolas do so many unwanted advances towards Blitz, and that's literally the endgame couple of the show? (All of this are jokes, or by the Husk x Angel shit "ship moments"

WHY THIS TOO?

And yes you are "correct", something like Hypersexuality Trauma-should not being shamed. You are not a bad person, for dealing with this. BUT HEY, that doesn't mean you get to sexually harass people like Angel does to Husk or anyone.

Also, the problem is not having an SA victim's story. The problem is how it is treated and all the context that surrounds it. All of this above is that context! Why is so much SA jokes in Helluva? Why is that funny? You want to tell a story of SA, and anyone calling out the problems with it is deleting victims feelings and stories... YOU AND YOUR STUPID FUCKING JOKES DO THAT ALREADY. WHEN SA IS A JOKE FOR YOU, YOU ARE DIMINISHING SA AND R-PE.

There are also a lot of random fans saying that "Viv is an SA victim too"- #1 Where the fuck did she say that, cause you randomly saying that she said it doesn't mean shit. #2 DOESN'T DELETE THE WAY SA HAS BEING TREATED! THIS IS NOT EVEN CLOSE TO MAKING A JOKE AS AN SA VICTIM ABOUT YOURSELF- SHE/AND OTHER IN THE TEAM ARE WRITING CHARACTERS GETTING SEXUALLY ASSAULTED AS THE JOKE. -OR NOT UNDERSTAND LEGIT POWER DYNAMICS AND THE GROSS THING THAT STOLAS DOES TO BLITZ. OR THE LITERAL "SHIP COMPILATION" THAT IS PURELY ANGEL SEXUALLY HARASSING HUSK.

"Is important to represent SA survivors stories- specially men who-" BROTHER ALL YOUR OTHER MALE CHARACTERS SEXUALLY HARRASS/ASSAULT OTHERS AS A JOKEEEE. "They are in hell" BITCH A HUMAN, A REAL PERSON WORKING ON THE SHOW WROTE hahaha Moxxie gets violated by the succubus so funny lol. IT'S NOT "LOONA IS A BAD PERSON FROM HELL THAT'S WHY SHE MADE FAT JOKES AT MOXXIE" NO IT'S WRITTEN AS IF THE SA WAS FUNNY IN ITSELF!

This is also not a scenario where there was a realization of the problems in HB with all those jokes and the harassment, so it was trying to be fixed with a serious story in hazbin. NO, THAT'S NOT IT!!!!

If there was an apology of how the sexual assault was treated in previous works! "We'll make up for it!" (the fact of that was a thing in the first place, it's still bad). That would be a little different. BUT NO, IT'S NOT! IT'S HYPOCRITICAL AND GARBAGE BULLSHIT.

I think purely by the context already given here that I think the representation it's bad. I don't feel like it comes from a good place, due to the hypocritical shit, the comments, and the artist who directed it.

We could go really back and forth with the direct scenes of the episode. BUT THIS IS ABOUT THE CONTEXT SURROUND IT rather than the scenes themselves. (Which is partly connected to the fact that it's incomplete)

Here is the scene "Tuca and Bertie". Is Bertie telling her friend of her assault. It's amazingly respectful and well written. It's not graphic, and tells the story really well.

[randomhealer]

types of kisses

something cute, improvised (very improvised), no revision, I'm doing this without glasses and I'm very sleepy, sorry for disappearing and I wanted to add other characters but I'm dying now, anyway I tried my best today to write this, my mind isn't working very well...sorruh

Pomefiore + Savanaclaw

✦ Pomefiore

Epel definitely gives you soft kisses in the presence of others, he really likes giving kisses just as he loves receiving them, he can give you soft and affectionate kisses when you are around someone especially other pomefiore students but when you two are alone he loves Long, heavy and messy kisses, it's a real achievement for Epel to see you breathing heavily and your lips swollen beneath him, he also loves biting your lower lip just to tease you. a session of small kisses at the end of class always ends up turning into a little messy and carefree make-out session with you and Epel which always results in both of them having a flushed face and irregular breathing, messy hair and slightly wrinkled clothes.

Vil always asks you to help him test new lipsticks, and how do you help him with that? well...you stay there and serve as a guinea pig while he kisses your face with every new lipstick he tries. Now...does he use you as an excuse to test which lipstick transfers or doesn't or does he use the lipstick excuse just so he can kiss your cute little face? who knows... but he loves kissing your cheek because he thinks it's soft and if you've been using any of his skin products you'll be even happier, You are his favorite guinea pig because he loves seeing your eager little face when he approaches to kiss your face again, and he loves your flushed face even more after he pulls away, at the end of it all when he is done and your face is dirty. with some kiss marks from different lipsticks he will give you a light kiss on the lips as a good job.

Rook loves kissing you randomly at any place, time, time- in short he loves stealing kisses from you at any time, it's a blessing and a misfortune for you, it's as if he watches you 24 hours a day (and he does that but that's a topic for another day) just to give you a kiss when you're unprepared, does he also give you a kiss at all times at any event, before classes? after classes? after the break? when he randomly sees you around? entering your dorm without you noticing? yes he will kiss you or steal a kiss from you, He also loves letting you curl up in his arms so he can finally claim your sweet lips properly.

★ Savanaclaw

When you give Leona little kisses he thinks it's cute and/or maybe even a little funny how you give him affection...it's like a little mouse taking care of a big lion...Leona prefers to kiss you hard and take the opportunity to bite you here and there, not just your lips but your neck too, you can literally become his little biting toy during this time, he's not content with just your lips he kisses your neck and chest too, making sure to leave bite marks where he kisses, Leona just like Epel likes to see you with your lips swollen and your face flushed and messy beneath him, he finds this the most fascinating thing he has see.

Jack and you are a cute dynamic, Jack loves your kisses because for him it's like a reward and a form of love, as he makes a promise to run several kilometers so that when he reaches the end he receives a kiss from you as a reward, he loves being together. cuddle with you and snuggle into you and tuck his face into your neck as he kisses your neck and you rub his ears, you can see his tail wagging behind him excitedly, He might end up being too happy and reflexively end up biting you (he'll apologize for that, okay) You are the reason he trains for two extra hours, in fact there is nothing better for a well-trained dog than a good treat.

Ruggie loves it when you give him tender kisses whether wet or not he likes it anyway, he just melts like butter when you kiss his ears or his face, pick him up, squeeze his cheeks and fill his face with your kisses okay ? Is this his biggest request, or when you let him rest on your chest while you caress him and kiss him? This is his paradise, he will steal kisses from you during the day because well...it's his right...he will remind you (and demand) affection and kisses at the end of the day.