#which is a really good alternative honestly!

[theneverfadinglands]

I got 'bonding and telepathy' and 'hidden talents' honestly that is something Maglor would be able to cover very well, but I am not sure telepathy is particularily hidden, I would say it is rather in your face in his family. Then, he might be bad at it in youth and later discover he is good at it, but needs a different approach to the technique.

There is also a rather grim story idea about Maglor and Maedhros during his capture, the sibling bond and telepathy. May even give alternative explanation for why Maglor did not do what Fingon did.

Anyway, I love your idea with the Agatha Christie crossover. I never really liked 'And then there were none' because I thought the story is all over the place. I came across a post, which actually mentioned a trickery of a malicious fae (or righteous) as a plot behind the book's strange events. Maybe I even reblogged it and it is somewhere hidden in tags.

This links to a wheel with nearly a hundred fic tropes for plots, settings, and more. Spin it twice.

This could also work with art inspiration, but the buttons only allow for so many characters on them. And please do ramble in the tags! I'm going to have no idea what most of you are talking about, and it's going to be great.

[elitadream]

Hi! I hope you don’t mind me asking, did you go to art school or were you self taught? Do you recommend taking art classes and if so do you have any recommendations? Also if you don’t mind my asking, what got you into drawing in the first place? I hope you’re having a good day!

Hello! :D I don't mind at all! 😊

Also I did study art! My first program was more of a general introduction where I got to try out a ton of different mediums and techniques, whereas my second one was entirely specialized and focused on the 2D aspect. 🤓

I was aways deeply fascinated by drawing, and would skim through my old illustrated books all the time when I was a kid. Being able to create the illusion of life and movement through simple lines and colors was to me like a sort of cryptic magic, and I remember I had a galaxy brain moment the very first time I realized that traditionally animated movies were actually thousands upon thousands of separate drawings shown in rapid succession! 🤯😄

I learned many things through trial and error by experimenting on my own as well when I was younger, and gradually coming up with an approach that felt both comfortable and natural to me. But going to art school was what pushed said approach a little further and allowed me to significantly improve it. 🎨

[egophiliac]

do skully have pokemon?

Pumpkaboo is the obvious one, but y'know, sometimes the obvious one is the right one! (we'll say SUPER SIZE Pumpkaboo, just for fun. big pumpkin for big skeleton boy.) and another person actually also suggested Greavard, which I somehow hadn't considered, but feels so perfect that I feel like I should have. dangit.

(they can also have little Nightmare Suit costumes :D)

[itslilacokay]

BLUEWART!!

well..................gijinka netherwarts returns i guess

and there goes gravity! /ref

inspired by this reblog lol

[toupee-or-nottoupee]

my new rot is making sharp & ronen take in sebastian at the end

[discjude]

I think I should focus more on the link between Rafal and Japeth in TCY because I was typing out a joke post that went something along the lines of "TCY is so funny because the whole division between the two Pens comes down to "omnipotent omniscient harbinger of fate" vs "some snake guy" under the assumption that the scim that was Lionsmane was just one of Japeth's, but I realised I didn't have a source for that so checked flesh and blood again and what do you know Lionsmane is apparently "made out of my father (Rafal's) spirit.". I was aware of the reference to 'Rafal's spirit' mostly because it's a concept never mentioned by name again in the series but somehow never noticed that Lionsmane WAS just. Rafal. which has horrible consequences for the Japeth Lore

Basically. It seems very important to me that the "Storian VS Lionsmane" duo can be boiled down to "Fate VS Japeth", given that a lot of Japeth's motivation comes from his desire to be able to control fate, stating in Flesh And Blood "soon I'll be fate's master, with the power to take love back (where he's talking about Aric)." . Saying that he IS Lionsmane ties into that nicely, given that he'll write his own fate with the pen that Is Him. This also fits into the "Past is Present" prophecy, given the last line of "Until you change it", being exactly what Japeth aims to do.

However, Japeth does not 'change it', because he's not the one writing his fate, because He's Not Lionsmane. RAFAL is. The fate that Japeth thinks he's creating for himself isn't the one he wants, but is Rafal's fate instead... which is exactly what ends up happening to him, given the second fratricide incident. This also works with Past is Present, because Past IS Present, given it's the same fate. Which also works as a lovely little reminder that Japeth has absolutely no control over his fate in the slightest, reflected by a few other pieces of book 6 information: Rafal's message to him (that happens before book 4) instructs him to remain loyal to his brother, and to always put his brother first. He doesn't win a single one of Arthur's Trials. It is literally stated by Rafal in a flashback that it was LITERALLY IMPOSSIBLE for japeth to end up being One True King. what I am Trying To Say is that there was absolutely no way in hell Japeth could ever have "changed it", ever. Anyway because of all of this I firmly believe that Soman should've put at least a couple of vague references to the TCY twins in the prequels given that Japeth and Rafal might have the most interesting link between them in my opinion

[rmbunnie]

I know Morrison's Batman tends to be considered one of the greats, and I am definitely warming up to it more than I did on my initial read, but there are still some elements of it I found really didn't mesh with me. I feel like I can say this a lot more concisely than I did during my initial readthrough of Batman and Robin 2009, plus I've had more time to reflect and actually form a coherent opinion that wasn't a gut reaction, and keep in mind that I've read Batman and Robin in a vacuum Morrison-wise and can't speak on it in the larger context of their Batman run, but aside from just. very odd writing of certain characters, I feel like one of the more significant things that rubbed me the wrong way with this storyline was that a lot of the "weirdness" I'd seen hyped up felt either inconsistent enough that it didn't have a significant presence for me, especially towards the end of the run, or very surface-level.

One of the runs I see hyped up as some of Morrison's greatest work is Animal Man, especially for its metafictional ending. I haven't gotten around to reading it yet, but I expect that I'll enjoy it, or find it very interesting at the least (although author-inserts can come across a bit arrogant sometimes imo.) The point is I've heard good things, that it comes down to a very interesting and one-of-a-kind conflict in the end, which made me in some part hopeful for similar with Batman and Robin, (although I do have to admit I was reading it in part to see how off his Jason really could be.) I didn't really find that, tbh. There definitely were genuinely weird plot points with impact on the story which I feel were really successful, unfortunately it seems like a lot of them were at the cost of any prior characterization for the characters involved. Damian has steel implanted into his spine which allowed Deathstroke to control his movements and set off his emotional connection with Dick, Talia just had to be written horribly for it to happen. Sasha is a really interesting parallel to Damian/Robin-in-general. The conflict around her grotesque mask permanently fused onto her face and the fear that it'll kill her completely to take it off, the scene in which she gets said mask in the first place/the dollotrons, and the concept of a villain getting their own Robin in someone completely unrelated to Batman and the impact their legacy has had is all really original and cool, it's just that it's all dependent on a bewildering version of Jason that directly contradicts all previous characterization save BftC. To me the tradeoff doesn't feel necessary, but the events are inventive and have weight in the larger story.

In other areas though, especially as the run wrapped up, the zaniness that I see hyped up a lot, while providing a unique atmosphere, felt a lot like set dressing more than anything. In retrospect, the first time I really noticed this was the Professor Pyg dance page back in issue 2 or 3, I believe? But it became much more frequent towards the end of the series. The entire city becomes infected with a viral drug by Professor Pyg which isn't a major threat and doesn't serve anything in the story much besides being wacky, letting Professor Pyg say odd things about his mother sometimes and putting Commissioner Gordon... in a dress! Zany! (Professor Pyg is eventually... presumably?... torn apart by a parade of dollotrons and his narrative importance dies with him.) Alongside the Morrison-original villains like Dr. Hurt and Professor Pyg, there's a mysterious new player in town who's been orchestrating everything, and after a dozen issues of mystery it's the Joker, but wearing a mask and making edgy "differently-abled" jokes!

Dr. Hurt is interesting, and I liked his part of the story if I ignored the panels of auxiliary weirdness thrown on to add to the vibe, and I think there's something fun and interesting there about the legacy of Batman vs. artistic interpretations with his motive of ruining the Wayne's legacy (made more apparent with his talk about the Batcave being "the way it was meant to be in his head," the manor and Batcave "his to ruin," but Dr. Hurt kind of fades out of the story as Batman returns and is defeated by Joker, laying a banana peel on the ground. In the context of the theme of artistic interpretation and Morrison's commentary that they never cared to pretend the story was going to end with anything but a return to the classic Batman, I actually find this really interesting. A character heavily defined and reinvented by Morrison's writing being defeated by one of the most iconic Batman characters with a classic comedy trick from the 19th century feels like the conclusion to the contrast between Batman's legacy and the artistic license of the authors writing the comics: you can have your personalized elements, but the legacy of Batman is elastic and unlikely to be molded by them: certainly it won't be destroyed. Despite this, it didn't change the exhaustion of seeing the Gravedigger's mask come off and settling in for another comic where the Joker is gonna be doing classic zany Joker stuff.

As much as I'm frustrated with the way Talia and Jason are written during this run, I didn't entirely hate it, and the more I think about it, the more I find things I like. Some of my frustrations come down to taste, and are an unavoidable product of my personal taste differing from a pro comic author who had an established writing career while I was going to elementary school. I feel like some previous Batman comics were referenced in really exciting ways, for example the combination of Bruce's absence, a drug being used to gain control over citizens, an odd demonic presence, an imposter cult leader (If you can call Dr. Hurt that) prolonging his life through magical rituals, the background detail of complete chaos in the city, and one of the main villains being torn apart by a crowd of his followers, from the limited number of straight-up-Batman storylines I've read, felt pretty strongly like a nod to The Cult. But even considering the commentary on creative license vs. the consistency of Batman as a pop culture icon, the feeling of reading the comic was frequently that I was being convinced of a weirdness that didn't extend through the story down to the actual structure or plot points of the issue I was reading (with exceptions, such as the Sasha + Professor Pyg thing,) and although I appreciate the message of the return to status quo in the ending, with the hype of the story's inventiveness and uniqueness on my mind, it was kinda disappointing to realize halfway through that for all the weird window dressing, the story would be commiting to a much more traditional turn than what I was expecting.

[beneaththebloodylake]

i really cant buy the headcanon that phoenix and edgeworth were romantically interested in each other as kids or that they were in love for the 15 or so years they didnt see each other, like it just doesnt make any sense or work at all. but i dont think this actually contradicts the way i think some of those scenes in the anime felt a bit romance coded, or like viewing phoenixs becoming a lawyer for edgeworth as like a romantic gesture? like it wasnt actually motivated by romantic feelings at all but the actual motivations and everything that happens ends up contributing towards a romantic storyline? (from a shipping perpesctive that is obviously)

[hide-your-bugs-away]

i had a dream last night that there was an alternate cut of the NME Poll Winner's Concert (1965) that captured different angles of the bands performing and the Animals' portion of the show was an unchanging, straightforward shot of the whole band and i could see each and every moment Alan looked up at Eric (no jump cuts required) 😔🙏

[astersatdawn]

FFXIV Write Day 2: Horizon

Climbing up the trees in the shroud in the dark would be a horrific idea to some, but to Ellida, it’s ritual.

Even more so now, when patients, desperate, come to their small, tucked away clinic desperate for aid, praying for a miracle to be found in the most obscure corners of the shroud from the most unknown of resources. But all they find is a simple clinic, with a recently bedridden mother, and her children, half of which were adopted after the calamity and were still settling in. 

There’s little solace, anymore, with Ellida taking care of every soul who comes their way and then those who live inside the cabin too small for five. The days are long, and her studying has more real consequences now that she has taken up the responsibilities her mother can no longer tend too, and the nights are spent tending to nightmares.

Tonight, they’re her own.

It’s another night of nonsense, of a battlefield scorched red and the scent of iron clogging her sense of smell. In her dreams, she moved as if weighed by steel, so grounded in that reality, if not for the fact all the faces around her were passing blurs at best. If she thinks on it too long, she might start picturing the faces of her family in their places, moments before their deaths, and after having lost their father that night was enough that she needed to shut it out entirely, even if it meant coming here, before dawn, stumbling half-asleep but just as desperate to reach her goal as she had been in her dreams.

So she climbs. It’s the same tree, it’s always the same tree she runs to every night she has a nightmare of her own that needs to be hidden away. The route is so familiar that she wonders if maybe one day she’ll find herself here before she even wakes, sleepwalking through the shroud like it was that battlefield, navigating to a predetermined destination only known by few. 

There’s not much to do once she arrives at one of the highest branches besides wait for dawn. It’s a peaceful wait, though. One accompanied by the soft noises of the dark: crickets and the frogs, the not-too-distant rippling waters and rustling of leaves. 

It may not have been so terrible place to nap, but she intended to stay awake, comfortably curled up and leaning against the trunk, battling the urge to sleep by watching the distant stars far beyond her reach. It was only the numbing chill of the early morning and her own determination that kept her awake.

She doesn’t know how long she sits there like that, letting herself fade into nature rather than the woes of man. 

She does know when they’re minutes from dawn, if only because when she hears movement beneath her perch, she knows the second half of the ritual has begun.

Like clockwork, she lifts her head from the trunk and scoots over, rubbing her eyes in a desperate bid to look more awake than she feels. Moments later, her twin brother, Aze’a, climbs into the spot next to her, hesitant and cautious, as he always is, but still knowing without a word he is welcomed.

“You okay?” He asks, voice soft.

“Fine,” she replies. She looks at him with a smile. If her regular lie has ever registered as such, Aze’a never calls her out for it. “Did you sleep well?”

“Well enough,” he murmurs. 

There’s nothing more to say, then, as it has been some of the days they find themselves here. It does not change the fact that the silence is comfortable as together, they look out onto the horizon, waiting for the sun to rise again. 

[orcelito]

Ykno the suckiest thing about being broken up with for someone else is that like. Well I'm doing generally fine, all things considered, but I Am kinda sad thinking about the things I've lost and all the casual affection that I can't have now.

But she's out there having all the affection she wants from her coworker, and it's just like. Damn this feels so skewed and SO unfair.

[denkryn]

no but it’s about her previous selves asking her what she did with this life and amalia responding, “i told someone our name” could write a literal essay about how zephyr has always tried not to get attached or make any real connections with anyone because she knows all too well how easily people go and how much it hurts but somehow 2 lives later, and hundred lives lost around her, she finds herself making the truest (no pun intended) relationship she’s ever had in all her lives.

[disappearingcigarette]

yeah shit is gonna be rocky I think with the friend I’m staying with

[krysmcscience]

At long last: either an alternate explanation for or continuation of my prior comic regarding how Bill was ABSOLUTELY naked in Ford's karaoke night drawing. (Because errors in art do not exist. Artists do not make mistakes. So if you see any in this comic, No You Do Not.)

I am so normal about these old dorks.

I'm not really clear on exactly when Bill started throwing his desperation book at Ford just like a needy ex do, but I find it extremely funny to imagine it happening literally the day of or after the makeshift funeral. Bill just gets this weird sense of 'Ford is taking steps to move on' and CANNOT FUCKING ABIDE.

I hope you enjoy all the goofy things I added to each page of Bill's sad spieling. (Everything SHOULD be readable so long as you view the full size, but I have added basically this whole little fanfic in the image descriptions, LMAO, which lays out all the little written notes and such.) Also don't ask how Bill managed to sneak that vampire pen in there. I have no idea, and honestly? I don't wanna know.

Oh, and a little bonus comic:

Of course Bill would take it as flirting. Because between the two of them, Bill is the bigger masochist By Far. :)

Also I have continued applying The Good Place logic to any of Bill's attempts to swear. Case in point, one last bonus image, this time with a motivational line from my slapdash Theraprism OC, EV-01:

Yes, its name is just 'love' backwards. No, I will not be taking any feedback on this. Yes, EV-01 was only ever assigned to Bill's case due to the Theraprism being desperate to make some progress in rehabilitating him. No, it did not work anywhere close to staff's expectations - Bill didn't even appreciate EV-01's matching fondness for bowties! (He claimed the fondness to be "cultural appropriation" and insisted he'd been traumatized by it.)

Anyway, if you like my stuff, reblogs are very much appreciated, and if you really really like it, perhaps consider my commissions or yeeting a teeny tiny tip my way? I am trying to recoup over 500 dollars in vet bills, ahaha... 🙃

In other news, I loved all the fun tags people added to the prior naked-karaoke comic (such as 'the hat and bow-tie stay ON during sex' and the classic '[insert keysmash here]', as well as the many amused/bewildered remarks about how I either made the bricks a piece of clothing or just straight up peeled Bill's skin off). However, I think my favorite thing by far was the several people losing their shit over the fact that I gave Bill toes. Like, excuse me? The magical talking triangle can have fingers but not toes??? Since when was that a rule????? 🤣 (Also the one person who reblogged with the cropped panel where Bill's fishnets pants are falling off to ask why Bill peed himself. Dude, I want to examine your brain...?)

Okie-dokie, I'm sick of looking at all of this stuff now and I'm off to go to work, after which I will either scribble some more goofy "Billford" comics or perhaps draw my lame human!Bill in Situations, idk yet. Maybe I'll even finally draw more than just a single other person's human!Bill...? Who knows, but I sure hope I can mix it up a little and not turn whatever I draw into a month-long fukken project. >:\

[yoshifawful64]

okay seriously, why is there such a huge difficulty spike between gold 1 and platinum 4 drafts. even at the top of gold i usually do at least perfectly fine most of the time, but the moment i’m in plat i can barely even get a 2-3 for the life of me

[pathologicalreid]

caretaker | s.r.

in which you take care of your fiercely independent boyfriend after he gets shot in the knee

margotober

who? spencer reid x fem!reader category: fluff content warnings: canon compliant injury, gun violence, alludes to spencer's past addiction, alternative pain relief, spencer's anthrax poisoning word count: 1.03k a/n: oh spencer reid who at certain points had to raise himself and never learned to let himself be cared for. i love you. this was a request <3. i hope you enjoy

A crash very rudely wakes you up, sharing the same level of poise as a cartoon cat while your heart very nearly bursts out of your chest, you jolt up from the cushions. Trying to catch your breath, you scramble on the couch and peer over the back of it, looking to the ground to find your boyfriend with a desolate look on his face, “What are you doing?”

Your eyes wander to his knee, secured with a complicated black brace, which he was supposed to be staying off of for the next week so that it could properly heal. “Lying on the floor,” he answers, staring blankly at the ceiling as he does.

Raising your eyebrows, you start to untangle yourself from the crocheted blanket you fell asleep with, “Why?”

Spencer sighs from his spot on the floor, “Felt like it,” he mumbles, bringing his arms up to cover his face.

“Did you fall?” You ask, getting off of the couch and crouching down next to him, noticing the way one of his crutches was twisted in the tassels of your area rug. Quietly, you pick both of his crutches off of the floor, resting them against the arm of the couch before reaching out and gently shaking his shoulder. “Do you wanna get up?”

All you receive in response is a groan, so you sit fully on the floor, maneuvering your hand around his arms so that you can smooth his hair back. “I want to walk,” Spencer complains, putting his arms down to his sides.

You frown at him, your ministrations on his head faltering, “Well, I can help you walk back to bed.” He insisted he was fine when you left him to go lay down on the couch, but obviously he had decided he needed something else.

“I want to walk alone,” he corrects himself, finally glancing over at you.

The tears in his eyes are enough to break through your cheery demeanor, “Oh, Spence.” You pout at him sympathetically, reaching out your arms to help pull him to a sitting position. “I’m sorry, baby,” you whisper, cupping his cheek in your hand.

He simply held no familiarity with being taken care of. Spencer was an independent being first. Once a caretaker, always a caretaker, but now, the roles were reversed, he simply couldn’t get around without your help. “I just wanted to do something on my own,” he admits mournfully, “I can’t even get a book without…” his voice trails off, “Did I wake you up?”

You shake your head quickly, “No.” The lie easily slides off of your tongue, saving him from the guilt of waking you up. Honestly, it was time for you to make your way to bed anyway. “Ready?” You ask him, eyeing him cautiously as he leans to the side in order to put all of his weight on his good leg.

Taking both of his hands in yours, you pull him gently to a standing position, helping him hobble over to the couch so he can lean on the back of it for support. “Thank you,” he mumbles bashfully, ducking his head so that his hair covers his face.

“Do you want some tea before bed?” You ask, skimming your palm up and down his upper arm. You had scoped out a tea that was used in herbal medicine, ordering a bunch of it off of a sketchy website to help Spencer try and manage his pain.

He foregoes a response, shaking his head, “I can make it.”

You smile softly at him, “I’ll make it, Spence. I know you don’t like it, but I really need you to rest.” You squeeze his upper arm comfortingly, “You got shot a week ago, please let me take care of you.”

He looks up at you, “I don’t want you to have to take care of me.”

“Fine,” you acquiesce, “but you owe me.”

Spencer raises his eyebrows in confusion, “I owe you? What do I owe you for?”

Crossing your arms in front of your chest, you tilt your head back slightly, “Letting me take care of you is the ‘My co-worker had to call my girlfriend on a seemingly random Tuesday afternoon to tell me I had been shot in the line of duty’ tax,” you inform him dutifully.

“Okay, yes, Garcia could have worded that phone call better,” he cedes, flicking some of his hair over his shoulder.

Looking at him in disbelief, you cock an eyebrow at him, “Yeah, it’s right on up there with the anthrax poisoning phone call. You’re already on thin ice with me,” you warn him, mostly meaning it in jest.

Each of these phone calls had sent you into such a tailspin that the BAU had to send someone to get you, and they weren’t experiences you were likely to forget. “I’m sorry,” he whispers, studying your expression with sad brown eyes.

“Don’t be sorry,” you instruct him, “Just let me take care of you! You take care of me all the time—it’s only fair.”

He chuckles lightly at your comment on fairness, the sound enough to make the butterflies in your stomach flutter, “Okay,” he says, “Okay.”

Ducking your head and having him loop his arm around your neck, you beam up at him, “See how much easier things are when you agree with me?”

He lets out a breathy laugh, using you and the wall as support as the two of you make your way back to the bedroom, getting him down on the mattress with practiced dexterity. “I’m certainly seeing the benefits,” he says, smiling up at you as you sweep his hair behind his ears.

Leaning down, you press a tender kiss on his forehead before stepping away, “I’ll go turn on the kettle. What book were you trying to get? I can grab it and maybe you can read me to sleep tonight.”

“You want me to read you to sleep in Russian?” He asks after rattling off the title to you, a smile on his face even though you can’t see it.

You laugh from your spot in the kitchen, “God, yes. I can’t think of anything better.”