#which is ....... extremely realistic actually

[vero-niche]

nightow when i catch you nightow.............

[littlespoonevan]

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[princema-k]

i would actually love to hear your thoughts on when layton would emote the ways you've drawn him! if you want! no pressure if not!

OH B OY HERE WE GO!!!!! again take everything with a grain of salt bc i Forgor bits of the series

BLANKET SPOILER FOR UNWOUND FUTURE/MIRACLE MASK MAYBE??/AZRAN LEGACY

(for reference we are talking abt this post)

SURPRISE: As we know in the PL series, it's very very hard to catch the professor off-guard in any way. Most of the things you would think would surprise him, he's already known for a long time and was just keeping quiet about it so that he could use that information at the right time.

With that being said, the times where he does seem to get somewhat surprised (or taken aback. he's so goddamn emotionally constipated) seem to be when the shocker in question has personal relation to him. Though in the series proper, none of the shocking personal factoids are ever presented in a way to make him jump. So theoretically, if any twists like Claire or Descole's reveal were presented much more aggressively, he might emote like how I've drawn him (though I kinda doubt it). Or just jumpscare him lmao

SADNESS: Obviously we know that Layton can feel sadness and cry, though even at the end of Unwound Future it's clear that he's still holding back with his crying. I'd wager that it's because he's out in public and around an impressionable individual (Luke) that he's not letting himself fully express his grief. After all, a true gentleman never makes a scene in public.

I'd say, if he were to cry like the way I've drawn him (that is, bawling his eyes out), it'd probably be at the end of UF when Luke leaves for America, and he'd have to be alone. And I mean completely alone. He'd be very careful about having anyone even remotely near him before he breaks down sobbing; he'd wait for Luke to go home, and wait a while to make sure that he hears no other footsteps around who could potentially walk in on him, before crying. And even then, he'd still repress it - trying to choke back sobs to make sure he isn't heard, pulling the brim of his hat over his eyes and covering his eyes with his hand, the works. Because sadness/crying is weakness to him, and a true gentleman can never show weakness.

ANGER: Frankly, I feel like this is one of the emotions I've drawn that I actually could see him showing in the series proper. We've seen him in Unwound Future just barely holding back his anger at Clive when he endangered Flora/started wrecking havoc on London (obviously still restrained- yadda yadda yadda "true gentleman" blah blah blah).

To get him to unrestrain it, I'd say you would have to put a lot of people he cares about (particularly his wards - Luke and Flora would likely be excellent choices) in direct danger, as well as taunt him to a personal degree enough times. Because even the Professor has limits to how much mental strain he can take, and all limits can be broken. It's just a matter of pushing the right (or wrong!) buttons on him.

FEAR: This one's tough I think. As an adult who's seen a lot (including his own death), it's pretty hard to find something that would really scare him to that degree. Throughout the series the most he seems to show in terms of fear is either: a) surprise that he quickly recovers from, or b) the end of Unwound Future when he realizes that Claire can't stay with him.

I say that theoretically (and REALLY emphasize on the "theoretically"), you might be able to get him to emote the way I've drawn him... if you subject him to anything akin to his recently unrepressed memories of his childhood, and he's rendered helpless to do anything to help but watch. But like I said, only theoretically. I'd wager that he'd probably just be angry too.

LAUGHTER: ...I honestly have no good clue to how or when he'd emote like this. For him to laugh so heartily, he'd have to be in a state of extreme emotional vulnerability, which isn't often.

I'd say it'd be at a time where he's feeling very relieved, or elated (and they'd both have to be situations that connect to him personally too; outside events won't phase him). How he'd laugh to such an extent I'm not actually sure, BUT I could paint a bit of a scenario: It's the end of UF, but Claire could actually stay without dying, and she makes a sort of lighthearted joke in light of the events. Would he laugh wholeheartedly? I dunno. But judging on what we've seen of him, it's a maybe.

It's a shame we never get to see him emote so colourfully in the hexalogy proper, but as I've stated before in another long-winded half-legible ramble character analysis, he's SEVERELY repressing his emotions due to Claire's last words/"gentleman" values/positive reinforcements from his peers and environments for successfully hiding his emotions. Poor guy.

[grumpyoldsnake]

One of these days. One of these days, I will figure out what the hell makes the tipping point beyond which either a) there’s socialization that I feel insulated from and kind of numb about and too tired to pursue, or b) socialization where the very notion of so much as expressing one (1) internal thought or emotion suffuses my whole body with adrenaline and blaring Nope instincts.

[thatscarletflycatcher]

One of the biggest problems of writing that Frasier post is that the logic of 90s comedies is not real life logic. It's not just that you can just pick which exaggerated thing to believe more (and sometimes you need to outright pick between two mutually excluding canon facts), but also the degree to which you believe anything. Which is fun for theorizing but also terrible for theorizing because to argue one way or another you need to create the fiction that the coherent narrative you are pointing out has value of truth in a universe where the value of truth is the rule of funny.

[sunsetzer]

On one hand, I want a final fantasy 6 remake, because the game is criminally underrated and the amount of fan content (which is all absolutely fantastic btw) is Not Enough for my neurodivergent, hyperfixating brain.

On the other hand, that would inevitably encourage more people to join the fandom, which would be great, except it seems these days the bigger a fandom gets the more toxic it becomes, and I really like what we have going on over here in our little corner. We all just love the game and its characters and nobody fights about who should and shouldn't date who or who you shouldn't like because they're ~problematique~. Nobody's trying to make one ship morally better than another, nobody's calling anyone names or threatening to doxx people who don't agree with their opinions. It's so peaceful and I love that for us. We're just vibing. Moisturized. Unbothered. In our lane. Flourishing.

[enchantedephiphany]

There are people who see the world as it could be/should be, and people who see it as it is-- and people who see all realities/potentialities at once which torments them to insanity

[deadboyswalking]

just caught up with the leaks

girl what the fuck

[genshin-projection]

had a dream last night that Sunday became playable and i managed to pull him but he hated my ideology and portrayal of him so much that at the last second, instead of joining my character roster, he jumped out of the character splash art and into the void of space, erasing himself from existence forever. what on earth was that

[unabashedmoonlight]

[lucalicatteart]

Poll adventure (paventure? lol) Day 13: read the small story tidbit below the poll for more details, OR just vote based on initial impression

(✦ see past poll results + further information HERE (link) ✦)

Yesterday's poll decided that The Adventurer should just start crying whilst being robbed in the abandoned barn ...

~

(----- tw for mild violence (he gets into sort of a fight) until after the next orange text section in parentheses -----)

Not sure what else to even do, The Adventurer simply collapses into a ball on the floor and starts sobbing, screaming, and rolling about. The hooded figure pauses in confusion at first, but.. apparently is not very sympathetic to his plight.

They rush over, grappling with him as he cries, fighting to pry the backpack out of his hands. The Adventurer continues screeching frantically, and during some of his flailing accidentally swings his arm up, elbowing the hooded figure in the face. They let out an exasperated sigh, knocking him against the wall then firmly yanking him up by the hair, securing their arm around his throat to restrain him as they grab for the backpack. He kicks a few times, struggling, clawing at the hooded figure's arms, but just isn't strong enough to free himself.. There's a thwack and a sudden sharpness in the side of his head, the backpack pulling away from his shoulders, cold ground, and then… nothing at all..…

(------------------- mild violence tw over -----------------) ...............

The Adventurer slowly opens his eyes to a quiet foggy morning.. Tiny particles in the dusty barn air gently flutter to and fro, dancing around in the streams of early sunlight trickling through the slight crack of the front doors. With a groan, he rolls over, suddenly feeling every ache in his body. His head, his wrist, his leg injury from crashing the raft.. He spends a while just laying on his back, watching the dust and gazing hopelessly at the moldy boards of the roof, mustering the strength to sit upright… What can he even do next? He's failed.. His first EVER actual quest of his adventuring career, and he can't even keep a stupid egg safe for more than a few days! What type of adventurer is that?? Maybe he should just give up.. Go back home and do nothing with his life, just as he was meant to... He sighs, turning back onto his side and curling into a ball to sulk even more dramatically. The cat trots over to him to interrupt his swirling thoughts, pawing at his face, then directing him towards a small stack of hay in the corner where... there it is! His backpack!! He scrambles over, immediately digging through to check for his belongings.. To his surprise, everything it still in it's place. His food, his money, all of the cool shiny rocks he's collected so far.. And tucked away in the very bottom, the Mysterious Egg box remains, completely undamaged.. somehow with the egg still inside! And... a note? He shakily unfolds a crisp sheet of pale yellow paper dotted with a few scribbly letters: "I took care of her for you. Be more careful next time. Just get where you have to go."

Well...... He supposes that if there's apparently going to be weirdos following him around anyway, maybe he's lucky at least one of them seems nice. Better than trying to ROB him, at least.. Even if it is a bit creepy. He realizes now that his injuries have been bandaged as well, and that when he woke up, he was wrapped in a blanket, and.. where is the hooded figure? What does the stranger mean that they "took care" of her?? He turns to the cat for answers, as if they'd be able to clear up his confusions, but they simply make a "mrrp!" noise and stare blankly in response. Figuring that it's all far too much to think about first thing in the morning (especially with the headache that he has), he just decides to be thankful he at least still has the egg, and thus can continue on his grand adventure!! He will NOT let himself fail again! Sore and limping but full of renewed motivation, he leaps up (at least as best he can) and continues back onto the road. After walking only a few hours, he comes to a clearing at the top of a large hill, overlooking the next stop on his journey (then double checks the map just to make sure it actually IS the next stop). This is a much bigger area than the previous villages he's been to, possibly large enough to even count as a small city. With a wider variation of shops and attractions available to him than usual, he wonders if he should just take a break and relax the rest of the day.

He's too tired to walk much today anyway, soo.. maybe it'd be good for him to spend some time in a safe public space, doing something to help take his mind off of this morning's drama… But, what should he do?

-

-

Additional Information

the adventurer's current main quest: follow his map to reach the abandoned castle ruins and see the rare animal specialist about the mysterious egg he has

[upsidedowngrass]

was looking at some wiki pages, and saw it noted that season one wouldve only had 2 episodes. and. that made me think about how, if THATS how one was presented, if those two had been given episodes on their own? as an object show, without any other context? i think thatd like. legitimately be extremely horrifying

(put under a readmore bc it IS a bit lengthy. notes are ALSO a bit lengthy bc i am talkative)

like, airy is already a terrible host, but hed be even LESS good at it than in the actual series. the plane in season one doesnt seem to even have the grass blades, so i imagine theres no trees anywhere, either (geographic details and weather, stuff along those lines, seem to have been hard to figure out, given that he seems excited to add the clouds, and likely wouldve added them already if hed already known how to make them), which, with the added realism to the characters, would probably be far more uncanny (assuming theres also a stinger showing one-two of the contestants Actual life). it doesnt stand out much in terms of object shows, of course, but if presented with the reality of how empty it is, and how odd it is compared to real environments? i think that it wouldnt seem Right

nobody would know why theyre there, and probably wouldnt want to be there. at the very least, airy had concepts and lines to tell the contestants in the series. judging by what he says in ep 17, though, they didnt get this. there is even less clarity. add to that that julien is likely Extremely Confused And Alarmed, the others would probably be more inclined to share that stress. there would be.. a Lot less clarity, and a lot more unease among the contestants. add to that, that based on what oscar says, airy kept almost accidentally killing them. without any reassurance that theyll be brought back

by the end of the first episode, nobody is dead, of course. but its unlikely that anyone is especially happy with the situation theyre in (even if airy brought up a prize, he wouldnt be reassuring, and there is far more risk than there was for the actual series’ contestants, so even a contestant who wants to compete would probably not feel especially safe). i cant imagine what a post credits scene would involve, but it probably wouldnt change much in terms of tone

the second episode would certainly start out normally. oscar would go home, cool. no new contestants are introduced, so airy starts the challenge. and then they all die. and the episode ends (there COULD be a post credits scene, but i dont imagine it could be reasurring)

and that would simply be the end of it.

[skrunksthatwunk]

damnnn that manga about making manga got me acting funny (making 5 year plans)

[angelstrawbabie420]

this feels so insanely weird

[paragonrobits]

some important calvin and hobbes facts in case you haven't read the original comic strip in a long time or only absorbed stuff on it from memes and out of context bits on here:

Calvin's last name has never been given, and neither has any of his parent's names. This was actually why his uncle Max only showed up for a brief storyline; the creator of the comic, Bill Watterson, ultimately felt that while it was fine to have him as someone for his parents to talk to, it felt far too awkward to never have Max refer to them by name and he never made a return appearance.

The general tone of the comic is fairly light-hearted, with a big emphasis on goofy slapstick comedy contrasted by clever wordplay and often surprising adult-centered jokes that'll hit you like a slap. A big part of the comedy is, as Watterson put it (paraphrased) "It's really funny to me when people express deeply stupid ideas with really fancy terminology." One notable example you might have seen is that one bit where Calvin asks his mom for money to buy a Satan-worshiping rock album and his mom replies that there's nothing genuine about them and they're just putting on the attitude for shock value, and comisserates with Calvin as he deplores that mainstream nihilism can't be trusted. He concludes that childhood is disillusioning.

There is a LOT of criticism of the extreme materialism and selfish mentality of the late 80s, when the comic was initially written. This may go a long way to explain how its aged so well; much of what it criticizes resonates well with people today.

Bill Watterson views comic strips a legitimate form of artwork, and repeatedly fought to have more space to draw more beautiful and artistic backgrounds, which was a very hard fight and unpopular even with other comic strip artists. He eventually did win some compromises and a lot of Calvin And Hobbes' artwork shows it, with the use of space to indicate time as well as a sharp contrast between the often plain environments of mundane life contrasted by the wildly beautiful imagery of Calvin's imagination (which often sports realistic depictions in an art shift of sorts).

Hobbes is explicitly not an imaginary friend, by word of Watterson himself. We don't know WHAT he is exactly, and Hobbes is apparently unaware of the strange nature of his reality; people look at him and only see an ordinary stuffed tiger plushie, but he has a tangible effect on the world that would be physically impossible for Calvin to do on his own. He's apparently been around for a while, and was apparently around when Calvin was a young baby.

On that note; Hobbes has implicitly killed (notably treated as both a gag and also with the vibe of 'he's a tiger, duh') and while he doesn't do it again on-screen, he doesn't have any moral issues about it. Calvin claims that he's never had trouble bringing Hobbes to school because the last time he did, Hobbes killed and ate a bully named Tommy Chestnut and simply comments that it was gross and he needed a bath. Calvin's tried to repeat this again, but Hobbes was grossed out at the thought having to eat a kid raw and not being allowed to use an oven first, or complaining that children are too fattening.

Hobbes became gradually less human-like in body language and more like an actual cat in both body language and behavior; this was due to Watterson drawing more inspiration from his cat, who also inspired a lot of Hobbes' running gags, such as pouncing on Calvin when he got home. Several years into the syndication of the strip, Watterson's cat passed away, and he did a tribute to her with a comic strip of the two of them agreeing to try to dream together so they can keep playing when they have to sleep; Watterson's commentary (if I recall right), remarks on his cat: "We can see each other again in dreams."

[touchlikethesun]

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