#which i won't get into bc idk if it's my place to and also this is a silly fandom post and not smth serious

[confused-disaster32]

hi I'm here regarding your tags: Cara's terminal illness? He's not having a good time with it but the presence of his rash means he's in secondary stage, which comes prior to latent, asymptomatic phase. The vast majority of people who suffer from syphilis don't actually live long enough for any other reason to EVER hit the tertiary stage which causes death. I think it's safe to say Caracalla's immune system is weak as all hell and he probably won't be that lucky, but he has the best part of his infection ahead - the part where it stops existing, sometimes for decades, before coming back with a vengeance. In theory, if he made it through the fevers and the rest of all that is going wrong with him in the time we get to know him, eventually, it would ease up. For years.

Also, without Macrinus - Geta was actually coming to learn to play the crowds. He listened to Lucilla when Lucilla chose mercy for Lucius against their rhino rider. He hesitates to make the call to the archers - despite all of his rage and hurt - when Lucius refuses to execute Acacius on command. Without Macrinus egging him on, he was hearing the crowd. Despite everything.

This is such a cope but it's also all true. They had hope. They're so goddamn young, but they were going through their hard lessons, and at least one of them was learning. The other one needed bed rest and antibiotics.

Oh - the terminal part I tagged that mostly cause I saw someone else who tagged it the same way and saw that syphilis could possibly get to a worst stage which I knew you could treat with antibiotics nowadays but wasn't entirely sure what happened back then when that wasn't really a thing.. (though I'll admit that I should've done a bit more of a search before that because I don't have a very in depth knowledge of how syphilis works and didn't know how long syphilis takes to get to the terminal point) - and honestly I'm still kinda learning a lot about their characters, which is why I honestly adore your posts though I do still always feel quite awkward/bad whenever I mischaracterise them cause they're genuinely such wonderful characters and I think sometimes I'm a bit too caught up with what they were in the films (manipulated and therefore not rlly having a great time...) and I don't give enough time to think about what they could've been had things gone different ways such as if Geta had had a chance to continue to grow as a person/emperor without Macrinus messing around in the background (though I was mostly basing that tag off of the fact that on the night of Geta's death people were really starting to riot and I didn't think enough about the fact that those rioters don't even get in that night cause like the next day Caracalla has a chance to announce the new consuls and eventually continue with the games and stuff - so my brain decided to just hand me a scenario that wasn't even all that canon compliant in the first place).

Idk if I'm actually getting my thoughts down as much as I'd like bc it's a little late for me rn but

Thank u for this tho bc I much prefer when someone tells me when I'm off then they just let me be cause I hate it when I accidentally mischaracterise a character esp if I'm fond of them 😭

[tevatron]

i'm so glad i won't be working with my pi after this month. i think i've reached my limit. i just can't deal with her anymore

[zemnarihah]

i think one of the worst feelings in the world is having uncertainty about your living situation it is literally so stressful and there's like... not much i can do right now...

[daz4i]

I'm cranky again so lemme rant abt another fandom pet peeve of mine

ppl who say they love evil men but only mean like. fictional men who hurt randos or other villains and such. and half the time they're not even that evil they just kill and barely commit much atrocities beyond that if at all. but then the same people turn around and publicly hate on actual evil fictional men, which is fine, but also the people who enjoy these evil men, which is less fine. sorry for liking it when evil men are evil. it will happen again

[heartbeetz]

Going to look at a couple apartments tomorrow and the next day... the anxiety is setting in

[akuma-homura]

...honestly, people aren't wrong about the whole '>backlash >whoops! sorry, we didn't mean it like THAT!' thing being a usual song and dance for companies including tumblr, and I even did mention it in the tags of... one of the related posts...

I was still surprised they bothered responding so early, but. ...yeah, I guess we'll just have to see. The whole "Outdated" wording was extremely worrisome, so...

[taruruchi]

I've been working on this for... a while

She was making fun of his physical abilities (flight, running, yk) and he wasn't about to take it lying down

Other ver + w/o text under the cut bc I wasn't completely satisfied with this one KDKDJSKDM

[charlesxavierthirster3000]

Denim — C. Xavier

Pairing: 60s (First Class)!Charles Xavier x GN!Reader

Summary: Charles takes you out, but you're quite the fussy shopper. (Pls spare me idk how to write summaries 😥)

CW/Tags: suggestive content, pre-beach divorce Charles, no use of Y/N (there never will be on my blog), don't like don't read.

A/N: Huzzah guys I'm finally writing !!!! This prolly won't get much traction bc it's not Logan but fuck it we ball 🔥🔥 This has been rotting in Docs for like a week and I just finished it like 15 mins ago so here we go.. 😁 Also I wrote this as Fem!Reader in mind but I realised it could be GN so I'll just put it as that :3

WC: 461 / Navigation

Divider credits (They're so cute istg bro) here and here

Charles Xavier was not your sugar daddy. He could believe he was all he wanted, but your very minimal amount of dignity drew the line at that title.

The man could buy you everything you ever even thought of — which was fairly easy, considering his mutation — yet you wouldn't admit it even if you had 8 fully loaded AK-47s pointed at your face.

“Just get it, for God's sake,” Charles drawled, nodding at the pair of mid-blue bootcut jeans you'd been fawning over for what felt like half his lifetime. 

When you give the gorgeous denim another doubtful up-down, he gets up from his concerningly squeaky stool bordering the men’s section and reaches for your wrist.

“It would take immense effort to make me go bankrupt, sweetheart.” He places his credit card in your palm, gently forcing your fingers over it with a short smile. It's not the first time he's done this, and it most definitely won't be the last.

“I have a pair just like thi—” you try to argue weakly, but the gloved hand over your mouth leaves you no choice but to shut your gob. God, this man was direct.

“Uh-uh, not hearing it. We both know exactly how much you want it. End of discussion. Go pay.” 

He carefully nudges you forward in the direction of the distant cashier, but you blatantly refuse to move an inch. He stares incredulously at the back of your head and you have to bite back a laugh beneath the confines of his palm. 

You should’ve expected it, but the British in your brain still catches you by surprise. Damn colonizers.

“Get the damn pants. Your ass would look lovely in them,” he pats your ass with his free hand as punctuation, attempting to urge you forward yet again.

“All you care about is my ass,” you retort mentally.

“Yes and no. It's definitely up there.”

“I'm gonna bite you.”

“Kinky. But keep it in your shorts ‘til we get back, yeah?”

He takes his hand off your face and gets out of your head. You whip your head around to silently complain at him, but he's staring right back at you with a smile that, to the normal person, would look as if he'd done no wrong. But to you, it was only making your situation worse.

The same smile which was pissing you off in ways you didn't even think possible morphs into a genuine laugh delivered softly, and for God's sake, you can't keep your stomach from doing a brief flip at the sound.

“Fine. Pretend you don't want them. But you're going to pay with my card, and I'll show you exactly how much you won't regret buying them when we get back to my office.”

[nightsmarish]

Summary: as summer at hogwarts approaches, both you and Regulus build up your walls again, lose sleep, and are warry of saying yes to the offer to go to Potter Manor.

A/n: might write a pt.2? Would we like that? Maybe? Idk, I lost the plot halfway through and u can tell lmao. Also, have not written for this specific ship, so I may not be as good as the queen of this ship

Update!: pt2

Poly!moonwater x gn!reader (Remus lupin x regulus black x reader) | 1.6k words

Tw: allusions to toxic family, losing sleep, snippy bc of losing sleep, negative thoughts, anxiety, a nap dude

⊹₊ ✰ ⋆⊹₊ ✰ ⋆⊹₊ ✰ ⋆⊹₊ ✰ ⋆⊹₊ ✰ ⋆⊹₊ ✰ ⋆

History of Magic is usually an easy subject. Sit down, take notes, look over the assignment, complete it during dinner or before bed, and you're done.

But today everything but that is happening. You managed to get all the way to sitting down and pulling out your parchment and quill before the words Professor Binns says all mesh together. Nothing makes sense.

And you know it's due to the ache behind your eyes, the pounding in your head and the ache in your bones.

The last few nights you haven't slept, not really at least. It's nearing the end of this year at Hogwarts so everyone is preparing to go home. Planning what they will do with one another over break before the new year starts up. Talking about their family traditions, and a feeling of excitement takes the castle.

Despite this, a feeling of dread has been following you like your own personal rain cloud. The knowledge you'll have to return home eating you alive. Knowing you won't be able to contact Remus or Regulus, less your parents find out you're dating them, making you feel like you're choking on your heart.

The memories you've made this year really should weigh out the weeks you will spend with your family. In the stiff place, you're forced to call home with strict rules and expectations. Yet, you feel horrible. And it's been causing you to force yourself into your studies for the upcoming tests. Avoiding sleep due to nightmares that have recently plagued your mind.

Which leads to now, the room spinning slowly on an axis, ans Professor Binns slightly to blurry, even for a ghost. You know you need to zone back in, drink some water, take a vitamin potion or even visit Madam Pomfrey at this rate. Yet you can't make yourself do it.

Continuing to stay in your zoned out state till the end of class. And that's when even you draw the line.

Standing up from your seat as everyone filters out, albeit a little you're moving a little slower than usual, you exit in search of your boyfriends. Either or both. And it's not exactly a very long search, quickly finding yourself face to face with Regulus Black and Remus Lupin.

"Hey, dove." Remus' voice is sweet, per usual, like the comfort of a spoon full of honey on a sore throat.

Regulus doesn't speak for a full moment, analyzing you. To anyone else it would look judgmental, but the softness in his eyes and slight pull at the edge of his lips tell you differently.

"Hi, Rem." The boys look at one another, an unspoken conversation playing out.

"Why don't we go to my dorm?" Remus looks back to you, "haven't had much time for the three of us. James and Sirius have quidditch, and Peter is going to his study group."

"I'm down." Without another word, the three of you walk towards Gryffindor tower.

ᯓ★

Remus knows that Regulus tends to be a little quieter the closer to the end of the year, having been around the other Black brother for a while now. Already knowing how closed off Sirius would get when he still lived at the Black Manor, building up the walls early to protect himself when he left.

Even now, Sirius does it. Remus isn't sure if it's a habit or the fact that Regulus has been refusing to take the offer to stay at Potter Manor as well.

But you? You, he's not sure. Remus knows you and Regulus have known one another longer than he's known you, and that's never really bothered him. Remus knows all three of you love one another, and he's never felt left out. But know? Know he wishes you'd talk about your own home life.

Regulus doesn't like talking about his experiences at home; the only thing Remus knows is from old stories from Sirius. And Remus will never pry, not wanting to force either of you to do anything you don't want to.

But Merlin, he feels nearly useless right now, wishing to see the tension in your shoulders calm, wishing to see you and Regulus calm again. Wishing Regulus would take the offer to join them at Potter Manor. He wishes for both your safety more than anything.

The walk to the dorm is quite, but not peaceful. Everyone trying to stay calm and wishing someone else would say something. But no one knowing quite what to say to break the silence.

Once you do get up to the dorm, the Gryffindor's dorm, Regulus sets his bag by Remus' nightstand, you following suit, the emblems on your bags a contrast to the surrounding room. Regulus goes to find clothes he's left in Remus' closet before, while you sit on the lycans bed to slip off your shoes. Remus sits next to you, his hand resting on your lower back.

And finally, after far too long, Remus breaks the silence. "Dove..."

You glance up at him as you slip your shoes under the edge of his bed. "Yes?"

Remus sends a quick glance to Regulus, who's slipping on a long black sleeve shirt, one more comfortable than the previous Slytherin uniform. "I understand if you aren't comfortable with it, but..." He pauses for a moment, glancing back to look into your eyes, his thumb rubbing gentle strokes on your spine. "If you want to, you know you're welcome to stay at James' house."

Under his hand, Remus feels you tense, and from his peripheral, Regulus paused to listen.

"That's- that's okay, Remus. But tell James I appreciate the offer, please." You stand up far too fast for your lack of sleep, causing you to fall right back where you were sitting. Alerting both boys.

One of Remus' hands stay glued to your back, the other on your shoulder, as if your keen over. Regulus is quick to stand infront of you.

"Love, you should stay with them." Regulus' voice is full of worry. "It's better than any other option."

"You're not going." Your eyes shoot up to Regulus', far more defensive than you mean to be. Remus' hand, which was previously on your shoulder, moves down to the bed, the other hand continuing to run against your spine again.

"That's doesn't mean you shouldn't go." Regulus matches your defensiveness out of habit.

"You both should come." Remus talks before you can shoot back, hand on the bed finally moving to Regulus' arm, never seeming to catch a break.

There's a heavy pause. One that goes on for an uncomfortable amount of time.

"I'll think about it if you do." Your voice is more timid as you hold your stare at Regulus' eyes, his boring right back into you. Intense, deep, and so, so, loving.

Regulus sighs, "fine."

"Thank you, both. Seriously, you should come. James and Sirius want you guys there. Not to mention James' parents, they love new people." Remus kisses your hair line, standing up, hand leaving your back, before kissing Regulus on the lips. Both your bodies lossen.

Remus moves to change out of his uniform, and you quickly stand up to join him. Regulus' hand comes out to make sure you're steady as you grab a pair of sweats that no one truly knows who belongs to. They were probably once James, but at some point Lily stole them, and at a different point Sirius stole them back, and now so many of your friends have worn them at some point, it's probably weird.

Grabbing those and a jumper belonging to Regulus, you turn back to see Remus already curled around Regulus' back, who lays with enough room for you to join them. Both trying not to show just how eager they are for an afternoon nap.

You climb onto Remus' bed as well, using your wand to close the curtains, magically dimming the lights in the room before placing it on the bedside table. Curling into Regulus' front, leg thrown over his hip, you tuck your head into his neck. Yet your eyes remain open.

You definitely want to sleep, and you know you should, Remus is likely already asleep, knowing the bastard sleeps like the dead. Yet the knowing you could have another wretched nightmare makes you stay awake, staring over Regulus' shoulder the the golden brown hair tucked into his back, belonging to Remus, and letting the black hair belonging to Regulus slightly tickle your cheek.

"Go to sleep dove. Both of you. Please, you can't function without it." Remus' voice seems to startle both you and Regulus, both believing he was asleep, and believing the same about one another.

You pull back from Regulus neck, facing him, seeing the features of his face barely visible in the dark room. "We will, baby." Your voice is soft, as if you were telling a secret.

Remus merely hums and shift slightly before relaxing back into Regulus' back.

"Get some sleep, darling." Regulus kisses your cheek, "it's going to be okay in the end."

"I know. I know. We both need sleep; Remus is gonna kill us." Softly connecting your lips with his, slow and lazy, both smiling at the hum from Remus, confirming the empty threat you made for him.

You return to your being tucked into Regulus' neck. "'M sorry for being snappy with you." You mumble against his skin.

"You have nothing to apologies for, I understand where you're coming from darling." His hand rests on your hip and lower back, relaxing further into you and Remus, closer and closer to having a lovely nap. Of which, you join with the hopes of no nightmares.

[holycrimin]

Is It Casual Now?

12!Donnie x Reader

(Friends-to-Pining-Idiots)

AN: wrote this on a whim bc I'm bored and am procrastinating. and also because we don't get enough friends-to-lovers fics lmao (also might make a sequel?). also might be ooc? idk

warnings(?): not alot, mild cussing?, might be a little ooc, mention of apritello but only brief,

_______________

It was a warm summer night...

Actually, who were you kidding? It was freezing. Okay, wait, maybe a bit of an exaggeration. It was still cold though, you stand by that.

"Want me to lower the AC? You look like you're dying."

"hrnn... But what about your experiment-thingy-thing? Wouldn't that like... affect it or something? Or was that the other one?" You ask, sniffling. Oh yeah, did you mention you were sick? Because you're sick. Sick as hell! Haha! haha...

No but seriously, you felt like you were dying. You bet it's not even that cold.

"Nah, don't worry that was the other one. It's in the freezer."

"Aw dude, Mikey might eat it or something."

"No he won't, there're like, a million warning stickers on that thing, he wouldn't—" You gave him a look,

"Crap." He ran out of his lab and went straight to the freezer.

Wait a minute, why were you here again?

Oh yeah, the project. And to hang out with Donnie, sure that too.

He came back with his experiment-thingy clutched in his arms. You sniff, "Dude—" "—Gross,"

"Shut up, anyway,"

"Why didn't you put it in your freezer? You literally have one right there." You pointed at the small metal box (that you're pretty sure he built himself) next to his desk.

"Because there's ice cream in there, and I don't want to share with my brothers."

"So what's your plan now?"

"What?"

"Should we like.. eat some of the ice cream to make room for your weird jelly-thing, orr..."

"Well I didn't think that far, sure, why not." He places the container down on his desk and takes out a small tub of vanilla ice cream.

"Ew, vanilla? that's so... Vanilla." You smile,

"Excuse you, that's for me. This, is for you." He says, taking out an equally sized tub of cookies and cream.

"Bro that vanilla has nuts in it, you like your ice cream with nuts? Ew."

"Oh nevermind, guess this is going back in the freezer," He takes the tub of cookies and cream ice cream and tries to put it back in his freezer.

"Wait, hold on, your honor I'm innocent!"

He chuckles, you smile.

"Shut up, dork, take the ice cream."

"Speak for yourse— Oh, oops, nevermind I forgot you had full control of my ice cream privileges."

"Mhm, yeah, that's what I thought."

He hands you a spoon and you notice a little red button at the bottom of it.

"What's this for?"

"For heating up the spoon so that we wouldn't have to wait like, half an hour to eat the icecream."

"God, that's such a good idea, you're a genius."

"Yeah, I know right?"

The two of you laugh as you both open your tubs of ice cream. Well, it was more of an attempt in your part. You eventually got Donnie to open it for you.

"Oh wait, my project... Whatever, it's the weekend, I'll do it tomorrow."

"And that's why you end up pulling all-nighters and get all grumpy on us when we talk to you on schooldays."

"Shh... SShhhut up. Eat your ice cream."

He chuckles.

It's quiet.

"Soo... How're things with April?"

And that is definitely not the way to start a conversation.

"Eh.. You know. The same it always is."

"Yeah?"

"Yeah."

And back to quiet. It's nice, but you wish it wasn't so awkward.

"..I should've given you soup instead. Giving you ice cream was a bad choice on my part." He stand up to take the ice cream (which was already a quarter finished, by the way) from you.

"Aww, come on Don. I can have the— ha..." You sneeze, "..have the soup later. After ice cream."

He snorts, "Come on," he gently puts the back of his hand on your throat, then your forehead.

"Oh damn, I did that as a joke, but you're seriously burning up. Yeah, no, I'm getting you soup."

You let out a whine of defeat as the tub of ice cream gets taken away from you, and hey, was it this cold before?

"I'll get you a blanket too. Why'd you even come here anyway?" He smiles a little, "And don't say that you needed help with your schoolwork. We already covered that like, a week ago? Get some rest, man." Before he leaves, he puts the experiment-jelly-thingamabob in the freezer.

"'Kay."

Why were you here?

Easy, you liked hanging out with him.

Why?

Because.

..Because?

Because he's fun to be around?

Might need to think deeper than that.

Who are you, my therapist?

You're literally talking to yourself.

Whatever. Because... I don't know, he makes me.. happy? that sounds weird.

Yeah. Keep going anyway.

This self analysis thing is getting weird.

And he's back. You smile.

"I got some hot chocolate too. Had to be quiet though." He covers the both of you with the blanket, and hands you the soup.

"Damn, you're cold too?"

"Yeah duh, turtles are cold-blooded."

"So you've said."

He leans back,

"You gonna finish your little experiment here?"

"Maybe. I'm tired."

"What time is it?"

"Uhh.." He checks his t-phone, "1:10 AM."

"Whatt... You're telling me I've been here for six hours?" It's fine, your parents were out of town. You liked it better here anyway.

"Also, I really don't think you should get that close to me dude. I'm, in your words, 'seriously burning up'."

"Ughh.. but you're warm. And I don't wanna get up." He dramatically lays his head on your shoulder, fake-snuggling up to you.

He gets a laugh out of you, he grins.

"I'm tired."

"Yeah, me too." Donnie yawns, pressing a button on his remote. Suddenly, the lights started to dim.

You let out a breathless chuckle, "When'd you install that?"

"A couple weeks ago. You said you didn't like how bright the lights were. So I made this remote to dim the lights, then I got distracted and made more options, then turned it into a slider... then just... booshhh... yeah."

"You remembered that?"

"Of course."

That's actually pretty sweet.

You smile at him. "Yeah?"

"Mhm. I'm gunna.... sleep. G'night."

"G'night."

And like that, he was out like a light. You just realized how close he was to you.

He's next to you, head basically on the crook of your neck. Both of you sharing the same thick blanket, with the empty bowl of soup that you didn't realize you had finished, and the half empty cup of hot chocolate.

And now, you start thinking to yourself,

Is there more to this?

No, you're just friends. Right?

But that tiny voice in your head that's getting increasingly bigger as the minute passes, is asking you:

Do friends do this for eachother?

Yes.

Are you sure?

What else could it be? What else could we be?

Do friends go out of their way to show up to your school in a disguise while it was pouring out to take you home?

He's just like that. He's nice, he's caring.

Do friends install fancy advanced remote-controlled lights just for you because you mentioned once how the lights were overwhelming?

..He's my friend. I'd do the same for him. Well, If I had the smarts.

But the difference is that you know how you feel.

Well.. Yeah.

Do friends leave lingering touches?

...

..Didn't he say he had a heater in here?

[backwardswalks]

the passenger - screening and q&a with carter smith | horrorigins fest 9/28/24

so there was a screening of the passenger at horrorigins fest in tucson, az over this weekend that had a theater screening of the passenger and then a live q&a with carter smith afterward!

there were some really good questions and there's some video on horrorigins instagram (here and here, they haven't posted a full but i know there were several people recording and the festival is ongoing through today so they may post full video later) but some highlights:

he reiterated a lot of things that he's said in interviews about the script (so i won't go into detail about that)

he talked about his background at FIT and how benson's wardrobe was extremely intentionally chosen, and that the costume designer wanted to kill him bc the exact shade of his cardigan took three times to dye to get it right, it's also acrylic and very itchy (he has one too lmao)

he said that he gave johnny and kyle freedom to improvise on the script as much as they needed/wanted but that for the most part they stuck to it

burgers burgers burgers was a convenience store that they cleaned out and the stuffed animal place was in an actual empty mall that was "abandoned" (he mentioned there were like 7 empty malls they could have used, this one was completely empty so they didn't have to shut it down but idk if it was abandoned in the traditional sense)

he talked about the close ups and how much he loved kyle and johnny's faces and how he could shoot the whole thing in close up

the script was originally called "Randolph Bradley" which he did like but marketing didn't think would grab people and he also likes The Passenger for the movie they ended up making

i wish they had given the audience members mics when they asked their questions bc i'm watching the recording back to make sure i don't misquote something so i can't really hear some of the questions :( they also didn't upload the whole thing as of yet so the rest of this isn't verbatim but:

he agrees that at its core its a love story! when i asked my question i said "i wanted to touch on the love story comment from earlier" (bc someone else briefly mentioned it before asking a diff question) and he was like "i ALSO want to talk about the love story more!!" and was very excited that i brought up that "there's obviously a queer undertone to the film" and he just talked about what he saw in the script and how that came about, again said that jack stanley was like there's no romance but carter was like ummm anyway

he said that "this was the best thing to happen to either of them" (randy and benson) and agreed with someone who had described them as two sides of the same coin

he said that blumhouse also wanted them to lean into the weird romance aspect of it (or were okay with it), kyle was incredibly down to lean into the weird romance and was like "can we make it MORE gay"

afterward the fest went to a bar and mostly everyone went! so we actually got to hang out with carter just me and my friend and we talked a little bit more about the film and just other movies that he's enjoyed, we talked about his weekly newsletter, just random stuff like that. some highlights of that:

he said that kyle was all in on the queer undertone and was like can i touch johnny MORE

he said that there is a scene where benson touches randy again in a way that is similar in vibe to the scene in the mall parking lot where he touches his neck/wipes his tears but that they ended up cutting it because he (Carter) felt like it would undermine the emotional impact of that particular touch! he didn't expand on what the touch was or where exactly it went (he said it was after the teacher but didn't specify if it was after shepherd or mrs beard but i imagine he meant shepherd)

carter said that he would absolutely do a full up and down queer movie with kyle (if it was ever the right fit rather than writing a role for that reason)

it was really great and so interesting to hear his thoughts on the film and on filmmaking as a whole! he is really friendly and super nice and really knowledgeable. he had so much good stuff to say about the industry and he couldn't get enough of praising johnny and kyle both for their performances (rightly so) and what a good time he had making the movie.

bonus:

carter was kind enough to sign my poster (which he reposted the picture of on instagram). (i go into more detail about this event and stuff here) he also gleefully took photos of the saint randy and saint benson candles i made (because i am insane) and said he was going to send them to johnny and kyle because they would love them. kyle also reposted the picture of me and my friend the festival posted of us with the candles so now i am just dryheaving in my room. <3

anyway! support your local film festivals!! without horrorigns this wouldn't have been possible so support local and indie filmmakers and local and independent film festivals! <33

[meanderfall]

Been watching the 2003 tmnt show, and obviously I went in with some knowledge of who the turtles are and their roles and personalities, but it's been kind of fascinating to notice how Leonardo is actually pretty restrained in acting as a leader, at least in the more traditional sense (and from what i've seen so far in the first 2 seasons).

The moments where he actually directly takes charge of a situation and tells his brothers what to do, or puts his foot down on what he thinks is best, are actually few and far between. It usually only really crops up in life-or-death situations, or if his brothers are arguing over a course of action and he has to intervene.

To be honest, I think his more common leadership moments are understated to the point of barely being noticeable, and it's whenever they have a problem or situation to deal with and he turns to his brothers for suggestions on what to do. And the reason i consider this to be leadership moments are threefold:

First, by doing so, he's actually helping direct their focus on possible solutions or weak points, because his questions to them are never "what do we do" but more like "how can we distract the guards" or "is it possible to take down this machine", and like, listen. Listen. As someone who works with the general public and is one of the "leaders" of my department and has to guide my co-workers, the ability to assess a situation and even just know what kind of questions to ask to reach a solution is genuinely an underrated skill that far too many grown ass adults have not cultivated.

Second, he's actually keeping the line of communication open between him and his brothers. Sure, Don is usually the turtle who provides an answer, but Raph and Mikey are always welcome to speak up too and sometime they go with their ideas! I also think this makes them comfortable enough to speak up during more high pressure situations that aren't going great when they have a plan, bc they have full confidence that Leo and the others will back them up bc Leo really is always encouraging them to think and help him figure out what to do,

Which brings me to my third reason. By asking them for their thoughts and advice, it shows that Leonardo is willing to admit that he doesn't know something and he isn't afraid to look for them for help (at least in this regard lmao). And idk about yall but I'm much more willing to follow someone who won't pretend he has all the answers and is willing to seek advice, over someone whose ego is so big they can never admit to being wrong or humble themselves to ask for help.

And, like, I don't really know what came first, if, growing up, they were so close and good at working together that it never occurred to Leonardo to be more authoritative with his brothers now that they're a team, or if because Leonardo spent so much of their childhood more concerned with running after them and bailing them out of whatever scraps they get into and low-key knew telling them what to do wouldn't work that he just naturally fell into a more communicative and "we're all in this together, let's figure out what to do together" style.

But it does give off the impression of the brothers being a tight-knit team that pretty much work as one unit. Any friction between them is minimal at best (with most of it actually being between Mikey and Raph who take any opportunity to mess with the other). They don't really need to outline plans bc they're usually on the same page in the first place, and they have complete trust and faith in one another in getting the job done. No one is really in charge until it's necessary.

And, finally, all of the above combined is why I think his brothers usually listen and respect Leo on the rare occasions he does put his foot down on something. They know he wouldn't do it unless he was serious about what he's saying. Pretty much the only times they don't are when all 3 of them are united on wanting to do something and Leo was already kind of wavering on what to do, so they know they can rush ahead and big brother will rush after them to make sure they're okay. Or if they are also absolutely serious and fully believe in their own opinion on an issue (see the City at War arc where Leo and Raph are on complete opposite sides of the issue at hand).

but i still got 2 and half seasons to get through so maybe that changes!

[toorumlk]

Hi I'm so freaking obsessed with your twitter.

Also what's your favorite Romione moment in the books and why?

ohohoho thank you, friend, i’m quite proud of some of the stuff i’ve posted on there B)

and as for my favourite romione moment in the books, when i read the question i first blanked out for a couple minutes, thinking of a bunch of smaller, sillier scenes. but then i remembered that i do have a favourite and it’s from chapter 11 of DH, when remus visited the trio at grimmauld place and filled them in on he goings on of the war -including the implementation of the muggle-born registry. ron’s response upon hearing this (after his immediate outrage) was

and it’s not just the hand holding and the “‘you won’t have a choice’ said Ron fiercely” that played out so vividly in my head like this:

but this scene demonstrates so perfectly the political weight of this pairing (muggleborn/blood traitor) which i think is the immovable narrative foundation of romione. all of their silly moments and idiosyncrasies aside, there is genuine narrative purpose behind this love. ron has always had an astute understanding of the blood supremacist politics of the wizarding world (need i remind that he was ready to curse shitco at the ripe age of 12 for calling hermione the in-universe slur) and just how wrong it is. ron is a pure-blood wizard and by design has so much privilege in this society bc of it, but by virtue of having parents like arthur and molly, he’s grown up knowing the importance of fighting against blood supremacist ideology. always.

so, after hearing about the completely horrifying muggleborn registry ("People won't let this happen," said Ron. "It is happening, Ron," said Lupin.), he immediately turns to his muggleborn best friend and love of his life and says “i’m making you a family member, i’m going to use the protection my family-name has and use it to protect you from the awful injustice of our situation, no you won’t have a choice but to let me help you”

i remember having such a… visceral reaction while reading this scene like holy shit .. these kids, THESE KIDS!!!!! this is the bone-marrow-deep love that makes me feel insane. this dynamic of the blood traitor/muggleborn always there, from CoS all the way to the epilogue. We get to see that romione is the story’s pure blood/muggleborn that finally made it (rip jily and tedromeda :(). we see it in hermione keeping her muggle last name after they get married (oh my god these two actually got married) and we also see it in the hyphenated Granger-Weasley (granger being first!) in their kids’ last names (oh my gof these two had TWO kids). they are a true symbol of change and progress in their world.

also this is one of those moments where i’m so glad that our only window to romiones relationship development is through harry’s narration because it so brilliantly shows the readers this blossoming love story instead of just telling us about it because harry obviously doesn’t have access to the inner thoughts of his two best friends, he can only witness them fall deeper in love. showing the audience acts of love is always more powerful and my god is this an act of showing your love to your beloved.

(and not to go on an unrelated tangent, but this is exactly why i could never ship my girl hermione w any DE or DE-adjacent character. no fucking way. not when the concept of a muggle-born registry exists in this universe, not when the antagonists in this story wish to eradicate people like her from their society. idk about the rest of y’all but im going to keep taking the narrative seriously bc the worldbuilding obviously has real world ties/implications and i like engaging with the canon. tangently to the tangent, i saw someone (a ron basher) on twitter say that ron, OUR RON FROM THE ABOVE EXCERPT, was “one bad day away from becoming a death eater” ohhhh ohhh i ought to beat you with sticks bc HUH? this is the same kid who said he would’ve boarded the train back to kings cross if he got sorted to slytherin, the house notorious for birthing DEs, at the tender age of 11)

anyways, all this to say is that romione is incredibly, realistically, materially romantic and i love them and i love their love <3

[chronologically-challenged]

Everything around the Isabeau confession is so well written.

Firstly, the set up. When you're playing the game, killing the King is just a vague goal. A natural one! But other than the vague desire to hit an end point, there isn't really a strong emotional reason compelling the player forward. But Isabeau!!! Telling you he will tell you something once you beat the King!!! That!!! That is a tangible goal to lean onto especially over time as you get more and more endeared to the whole party. Even if you're not aware of it being a love confession, getting to Isabeau to hear what he has to say is still a compelling reason get to the end.

And if you're Aware of how these things go for stories like these, you may also say, "Well shit, we're not gonna get a confession until the end of the game, are we?"

Second, the interruptions. The order of the interruptions are so quietly brilliant. I can't get over it. Bonnie interrupting first is such an excellent choice. You know Bonnie!!! Bonnie has been jumping into conversations all game so far. So interrupting Isabeau doesn't seem all that out of place. Then Mirabelle interrupts next time. And you go, okay. Thats two of three.... but surely Odile won't interrupt, right? By this point, the player has seen Odile tease Isabeau multiple times about him liking Siffrin, so surely she won't interrupt... right? Right??? But she does. And despite it being obvious that she would, the player is still left in tension if she would.

The way things are set up, there's a plausible deniability each time. You don't expect the first interruption, Bonnie naturally would interrupt so Mirabelle could be surprising, and Odile interrupting feels so outside of what she'd usually do that you don't expect it.

And yet!!!! Saying all this!!! This is very tropey!!! Very time loop tropey!!! Stopping people from messing things up so you can have your moment is quintessential time loop tropes and yet!!! It doesn't feel tropey due to good characterization and story structure.

(And if you do realize that all three are going to interrupt from the beginning, you get a wave of DREAD when you realize that you're going to be here. Again and again. That you have to beat the King again and again and again... and as you watch the confession fizzle, seeing the Head Housemaiden there, despite Siffrin's happy demeanor, you can't help but feel it all about to crash down before it even happens. In that moment you have a taste of what the game is about to put you through).

Third, the family quests. I have two points here. Firstly, "yelling at your screen like it's a telenovela" is the best summary of my feelings on the stargazing scene. Even if you KNOW Isabeau isn't going to confess until the end of the game bc that's how these things go, it won't happen until the end because that's how good writing works, You Still Want It To Happen. So Badly. You want Isabeau to confess to Siffrin!!! You want that tension to release!!! But you have to watch and see that perfect confession slip away every time and it hurts to watch, especially if you do the quests multiple times. Second point is the fact you can't continue the Isabeau confessions on a family run kills me. It's so good. Like you're never going to get everything in one go no matter what you do so you have to pick and choose. And!!! That plays into Siffrin feeling like he's manipulating Isabeau!!!

Of course Siffrin isn't actually manipulating Isabeau but when you're so aware of what you're doing and how events could have played out, it's difficult not to see a situation where you changed the outcome as manipulation. Which... of course leads us to Siffrin's feelings at the end of trying to stop the interruptions...

Fourth, Isabeau stopping himself when confessing. It hurts so good. Idk just. Denying the player that payoff. Denying Siffrin that moment of confession. Because really Siffrin didn't learn the lesson needed to actually get this moment of vulnerability between the two of them. It's such a genius choice that brings that awful dread and hopelessness. And in the end, I suppose all five of them stop the confession from happening because from that point onward, Siffrin interrupts the confession every time. Siffrin doing everything they can to get what they want only to accept that they're never going to get it. Never CAN get this because he doesn't deserve it.

Finally, bad touch. People have talked about bad touch enough, so I dont need to go too far with it. I will say I appreciate how much it doubles down on subverting the "romancing someone in a time loop" narrative. These loops while in some ways made Siffrin more perceptive, they're also PAINFUL. They mess with his head, lean towards making worse and worse decisions, and a large part of that is his role in his family's lives. Especially with Isabeau!!! So yeah. Of course the surprise kiss doesn't go well. Especially with the context that Isabeau doesn't think Siffrin wants to be touched let alone kissed? It ends in disaster just like most of the sidequests do.

In general, the ongoing Isabeau plot is very well implemented. The seeds for it are planted immediately, and it takes a lot of commitment to see all the parts of it. As a result, unless you try to do a ton of runs in act 3 immediately just to get the confession, it's a very slow burn part of the story, doing well to parallel Siffrin's mental state and the growing hopelessness in the loops. It grounds the story in a tangible goal from the beginning and in many ways, once you get to the end of it, get to bad touch, you're left bereft. Something... lost after you spent so much time being aware of Isabeau. That tangible feeling that you're slowly running out of things to do, of ways to spend these two days.

(And of course, then you have act 6 confession, and the pure relief, the joy in finally having the confession after it being set up from act 1. Siffrin doesn't need to reciprocate for it to have its impact. Something has CHANGED they have changed. And finally FINALLY after all this time, the moment can happen. And it's beautiful).

[bethanysmiled]

uughghg I feel so disconnected from this username but I'll put it under a cut. CW: suicide/death mention

As an artist, I'm always changing in some way. I always accept the changes wholeheartedly, bc that's what growth is. I feel this username is associated with a part of me who is gone now and I worry sometimes people except a certain sort of content, which I obviously wouldn't force myself to produce. I heavily associate this username with a horrific time in my life bc things began to get really rough around the time I began to use this username and then ofc I went on long hiatuses during the use of this username. My sister's death was not an overnight event. Her physical and mental health deteriorated over the course of years. During those years, it consumed me entirely. Mind, body and soul. That's when I became less and less active. That chapter of my life was horrific, but it has passed. When I say 'passed', I mean to say that my sister is gone and will never come back to me. I am existing in a way I never have before, I'm learning to cope and carry on without someone who made up half of my fucking soul and shaped me in too many ways to count. I'm now in a new place mentally and physically, and using this old username really just reminds me of the difficult times and the art I had created back then. I also draw Fortune much less bc my sister and I heavily bonded over her. She became a comfort character for my sister, and she drew her almost daily for me and made me various other gifts. I often see Fortune now as someone who harbors sadness and loss. It's not entirely the case, but in a lot of ways its hard to draw her now. She was my happiness, and I am blessed she was happiness for my sister too. Now, it's hard to find that comfort in her. Anyway, those reasons are why I want to change my username but have no ideas! ALL of my usernames have been inspired by BMSR/Tobacco in the past but I haven't really connected to any songs lately. WOW rant but it's been on my mind for years. If I go with a new username, I won't abandon this account or anything. At least I'm super happy to say I've finally connected to a new nickname! I have been going by Pony for a long time now, I wish it were my real name lol But it's really really nice to have found a connection with a nickname. Anyway thank you for reading and for following me through all my ups and downs and hiatuses and changes.

edit also:

I still heavily associate with the word ‘hole’, so it would be cool to find username with that word. I love the idea of holes and not knowing what is in them. I also have a connection to sunflowers in more recent years, but the word is so long. Idk! Usernames tend to just come to me, so that’s partially why I haven’t officially moved on from this username even tho I have tried 💀 I always revert back bc others didn’t feel right. Anyway.

[misqnon]

Thoughts on Sanji enjoying feminine things?

short thoughts: i love it and think he should do it more often esp because i feel like he definitely does in canon and just won't actually let himself do so. i don't draw him in drag all the time for no reason

long thoughts: [breathes in]

i could write an entire essay on sanji's character in terms of femininity, queerness, and misogny BUT we don't have time for all that so let's just focus on the fact i feel like there's actual evidence he enjoys traditionally non-masculine things and oda actually puts him in situations to highlight this pretty frequently

-i am guilty of calling sanji a metrosexual . it's a stupid word but it fits him. he's the only guy on the ship that showers every day and the only other ppl on the ship who do this are the two girls. man also wears suits like mad and has a fairly...daring fashion sense outside of that (granted, most ppl in one piece do.) but he just cares about these things more than most guys! and that doesn't even seem like something that came from his upbringing at baratie bc...no one else dressed like that. he just does that himself. i also can't stop thinking about the sbs where someone suggested sanji would be a stylist in real life and oda went "yes agreed"

-the kamabakka moment...okay terribly offensive and transmisogynistic (won't get into it bc i have several times before) BUT if we can take one thing from that it's that sanji *did* dress up in makeup and a dress and like. frolic with the okama. it's framed as "against his will" but he definitely could have torn that shit off quickly and easily enough, yet oda decided to imply sanji enjoyed it for at least a time before he chickened back out and called the place hell for 2 years. yea, it was probably for oda's idea of 'comedic effect' but this is, once again, one piece. sometimes the humor is part of the plot. sometimes very real information is given through the guise of humor. going off of this u could mention that (also offensive but meant to be funny) joke with the blood donation scene from fishman island

-idk just something about the way oda writes him fighting lots of queer or non-conventionally masculine characters. i feel like it says something about sanji having his own internal struggle about his masculinity- which we know must be true bc of his whole list of virtues he never breaks a la women because of his upbringing with good ol' fashioned zeff and uh. "men should be war machines" germa over here. he fights bon clay and queen for christ sake.

-the scene where he's like happy as a clam to be in nami's body in punk hazard is another comedy gag that's also a little . interesting. I could say oda just keeps accidentally coding him but I feel like oda's very intentionally with his characterization and the subtlety of it

-overall he's just clearly so interested in masculinity since zeff raised him to be that way and he holds zeff in such high regards in combination with his background with germa, his mother and his sister, leading to a I Have To Be A Perfect Gentlemen And Also Respect Women by Putting Them On the Highest of Pedestals. and this in turn has made him reluctant to engage with femininity in any way that could be perceived as Not fitting this manly persona he's made for himself, yet he keeps getting put up against it in various small moments in the series whether comedic or not. I don't think oda frames sanji's relationship with masculinity entirely as a character flaw or weakness to be fixed, bc oda seems to respect sanji's views/they align with oda's own views. BUT I do think he knows it's partially susceptible to change and....he makes Sanji encounter these things so often for a reason. does that make sense?

in my ideal world sanji 20 years in the future is a bit more feminine even if he's still a casanova ladies man. like he accepted the okama influence in his life, he's just more quiet about it, lmao. I mean did u see his hair for oda's 40 yr old design

so yeah. he does, I think. quietly and deep down.