#which i really think is the main reason why its so hard to make a horrendous star wars comic in this day and age

[ilikekidsshows]

Have you seen the post from descendant-of-truth analyzing the problem of ML trying to cater to 2 different audiences? I think that it makes the issues with the show make a lot more sense when we pair it together with their decision to center Marinette above all else. Plus the 2 audiences feels like a better explanation of their flaws than the 2 genres others have critiqued.

---

I think it’s both, actually, but also that we need to go deeper on both of these arguments than what I've seen. I do strongly agree that Miraculous is juggling its genres poorly and that’s why the writing is consistently so weak, but I also think there’s three genres being juggled, not two. However, I also strongly agree that some of the worst singular scenes and episodes happened specifically because the writers suddenly decided to write something aimed solely at the teens and young adults in the audience. The controversial retool, in particular, turned the show to try to appeal more to the older audience, because it addresses several of their complaints. A thing can suck for multiple reasons.

The thing about combining genres is that it’s not actually that hard to do when you have specific scenes dedicated for the different genres and stay consistent on what your main genre is, romance scenes, for one, rarely get in the way of the action in an action movie, unless the out-of-place romancing is meant to be a joke because of the mood whiplash. However, Miraculous doesn’t do this. Miraculous��� genres overlap constantly, which makes the writers’ end results clash so terribly with the show itself. The thing about the magical girl warrior and superhero genres is that they have very different conventions from each other, and then we also have the school drama genre slowly rising up to eclipse these other two in importance as the show goes on.

Miraculous is, first and foremost, a superhero show with the aesthetics of a magical girl warrior show. This is what the concept, marketing and merchandise focuses on. We have cute magical creature mascots, the heroes get transformation trinkets, there’s a lot of focus on the transformation sequences, and the heroes’ get signature moves/spells that are triggered most often with some more carefully crafted stock animation. But Miraculous is part of the “Zag Heroes” branding, and our heroes are treated as no different from the heroes who just put on costumes in-universe. The Akuma victims are literally called “villains”, as in, supervillains. There’s a lot of focus on what the public thinks about the heroes and there's a bunch of secret identity hijinks.

However, it’s specifically when Miraculous tries to be more like a magical girl show in terms of storytelling that it ruins Miraculous as a superhero show. I have said, for years, repeatedly, that a superhero franchise relies heavily on having a “rogues gallery”, a collection of different villains, for longevity, but magical girl shows typically have one threat per season/series who turns innocent bystanders into temporary foes, and Miraculous decides to do the latter. Miraculous has the weakest rogues gallery of any superhero franchise I’ve seen and that’s a bad thing. Any toys of Akumas aren’t going to sell very well, because they only show up once per season or have only one appearance period, so toy companies aren’t going to be interested in making many toys of characters with weak marketing, which means kids can’t easily recreate the episodes when they play.

Superhero shows also, like, tend to give top billing to its protagonists. So, it’s the classic: “why is the show called ‘The Adventures of Ladybug and Cat Noir’ if Cat Noir is just a side character?” complaint, but framed in a way where we very clearly see what the issue is. A comic book called ‘Batman and Robin’ is about Batman and Robin, if it’s a Batman solo book, it only has Batman’s name in the title. Superhero series are also really comfortable with sharing the spotlight with other characters. Because even Batman solo series often have storylines where Robin or some other character shows up to be important, sometimes more important than Batman even. Some of the most popular superhero titles are about teams of heroes. In fact, X-Men has often been Marvel’s best-selling book and the same is true for DC with Teen Titans. It is also notable that giving one team member superior status over the others is a sure way to turn the fans on you for favoritism, so equal billing with different stories focusing on different team members is the standard.

Magical girl shows, on the other hand, are far more often about a singular main girl. Even when there’s a whole team of girls who get focus episodes on occasion, you can always spot a “main girl” in the cast, who is the protagonist and will show up in every episode and will often get some kind of purification/healing power to justify that. This relegates the other team members, naturally, but it’s a genre staple. You can see from this description that Miraculous is using a magical girl warrior genre approach to its team building, which will rub any superhero fans in the audience the wrong way, and has only showcased the writers’ favoritism towards Marinette more the more inconsequential teammates we got.

The school drama genre, ala Dork Diaries, however, has been growing into this black hole that’s swallowing both of the conflicting action genres. (Middle) school drama is the genre where petty, inconsequential nonsense like whether or not your classmate’s preschooler brother thinks you’re cringe is worth an entire episode’s plot. School drama is the genre in which “I won’t be able to see my crush for the rest of the school trip, everything is over!” is an acceptable darkest hour moment for a movie. And, if you look at the retooled seasons, you can see how school drama conventions are taking over the show and sidelining both the superhero and magical girl warrior genres.

In seasons 1-3, we got one episode about class presidency, where the whole thing is treated as wacky hijinks, and which was framed together with the villain of the week being involved in a different election, with the superhero conflict getting directly tied into the school conflict in the end by Marinette’s quick thinking in a dangerous situation winning over her classmates’ trust (a trope common for teen superhero shows). In season 5, we get several episodes building up and dealing with the end of the school year, like arranging school parties, class presidency re-elections, and filling out applications for study programs. All of these plots are played far more seriously this time around and with the civilian conflicts resolved in ways that humiliate Marinette’s school rivals (a trope common to school drama stories).

However, as I stated before, most of Miraculous’ most controversial moments are because the writers wanted to address the older audience. ‘Simpleman’, the third most-hated Miraculous episode (used to be second until the S5 finale eclipsed the recap episode in terms of lowest-ranked episode), is about the writers talking about the thought process behind the show to fans that they think just don’t “get it”. The retool that I think ruined the somewhat working system the show had going, raised the rating (slightly) to appeal more to the older fans, and, before the actual release of season 4, there were comments from the creative team about the plot being more linear now with watch order actually mattering. Continuous plots are something that notably appeal to older fans and what the older fans had been asking for online as well.

We also moved focus away from kiddie superhero action to personal drama. Instead of the heroes having fun saving the day and having endless time for wacky hijinks as civilians, Marinette is constantly whining about how being Ladybug is ruining her life. Deconstructing superheroes is something that the industry constantly tries to sell as a more “mature” take on superheroes. Speaking of those wacky hijinks, suddenly none of the classmates have anything silly kids would be interested in going on, everyone is just shipping the main ship so that the older shipper audience can project onto them, because we all know older audiences only care about shipping (sarcasm).

There are also all these deflections directed at the older fans who criticized the original show. Marinette stops “stalking” Adrien, well, most of the time at least. In fact, Marinette’s stalking was caused by Chloé traumatizing her so badly in the past it drove her into mental instability, so it’s totally not her fault and the audience should just let it go. Speaking of Chloé, she was born evil, so stop asking about her redemption arc. Cat Noir apologizes for flirting with Ladybug and just easily stops having feelings for her, despite Astruc earlier going on a several Tweets long ramble about how we can’t help how we feel when people were asking him about Marinette’s tendency to fall for any guy who prioritizes appeasing her emotions, because we gotta address the sexual harassment allegations. We even get Marinette begrudgingly acknowledging that she used to stalk Adrien while falsely insisting she never does that anymore and was more justified than anyone else.

All the classmates turning into Adrinette shippers is also something that’s clearly for the sake of appealing to fans who only care about the romance in the show, whether they exist or not. Let me tell you, preschoolers are not interested in romance stories, they think kissing is funny and makes for a funny show. So the turn into having almost all the characters constantly talk about Marinette and Adrien’s relationship just feels like ship bait written by people who have no idea what ship bait is. Also, the twist that Adrien fell in love with Marinette in the widely ridiculed ‘Puppeteer 2’ episode is absolutely moronic and only happened to be “surprising” as a reaction to so many fans hating the episode to begin with.

All the weird plot developments are just copied from tumblr blogs of older fans of the show too. The whole “love-square reversal” that led to absolutely nothing interesting is a thing the fandom has been bringing up as a way to “develop” the romance arc for years, and would you look how that was their go-to-idea when they started to devote more and more focus to the lovesquare. Similarly, the SentiAdrien concept originated from tumblr fan theories and was implemented in a way that was clearly directed at people who’d read all those same theory posts that the writers had, with everyone else, especially kids, in the audience being confused.

The issue here is, of course, that Miraculous' targeted audience is still small children, the kids who will want the toys, the costumes and the Miraculous themed bedsheets. So the show's general approach to all of this "deeper" stuff is played for laughs, dropped before the audience can dwell on it or to present it as an interpretative theatre performance where the visuals are meant to entertain the kids and none of the characters address the horror of the revelations in the play so that the supposedly deeper elements of the show remain mere implications. And these implications don't really affect anything in the show as-is. They're only there for the older fans to discuss amongst themselves. It's like they writers are doing the narrative equivalent of dangling keys but it's directed at teens and adults instead of the usual small children.

[guinevereslancelot]

decided to leave my job and i'm gonna fr gonna cryyyyy

[hecksupremechips]

My ass was trying so hard not to jump up and down with glee playing yttd with my sister and getting to the shin reveal I was like MY GUY MY FUNNY LAD MY SILLY RABBIT

[opens-up-4-nobody]

...

[windupaidoneus]

ok ive finished the dlc so now i can properly say my least favourite thing about dragon age awakening is that the women feel like an afterthought & don't fit in the group at all. & i want to care about them & their banter so much. but i really don't because the game is giving me fucking nothing

[autism-corner]

cant believe that the delusions i had at 16-18 y/o were just autism again.

[themyscirah]

Just finished the Qi'ra saga (WotBH/Crimson Reign/Hidden Empire) minus some tie ins and I am....... not okay

Tragedy enjoyers you guys need to get on this one asap

[dellinah]

What language did you watch Brer Rabbit in?

I feel like you scrolled through my blog and saw a few posts that inspired asks. Not that I'm complaining, I love random asks, so thank you! :P

And I suppose you mean what language I originally watched Song of The South in as a child? Since that's the movie Br'er Rabbit is from?

If so, then I grew up with the Brazilian Portuguese version, bc that's where I was born and raised. However, I did watch the original English one when I was like... 14? I didn't speak English this fluently until I was around 17 so I needed subtitles for that. But I still consider the English version (somewhat) part of my late childhood.

Fun fact actually, since you gave me the chance to ramble about a hyperfixation of mine:

Song of The South has FOUR different dubs in Brazil due to copyright issues, I believe. I think one or two of those dubs are considered partially lost media, since only small clips of them remain and the entire movie can't be watched with those voices anymore. If they still exist, it's locked in a vault in a studio somewhere. But they're most likely all gone. Especially considering that no one seems to want to preserve this movie. I mean, I get it, but idk. I always get sad seeing pieces of media, or even just dubs, get lost to time.

I feel very lucky that the VHS version (which is the one I had as a child that is very near and dear to my heart) is the one that is the easiest to find and is not lost. It's the second one ever made, the one that starts at 1:37 in this vid comparing all four

http://www.youtube.com/watch?v=1wuZlT4Mc2g

Nostalgia aside, I also just think it's the best one. The first one has Br'er Fox voiced by the same guy who voiced Prince John from Robin Hood and it just... doesn't fit, imo. The second one just has voices that fit them better and is more energetic overall.

That being said, I love how the comparisions all show how difficult it was to adapt the word Br'er to my language, haha. The first one has Br'er Fox refered to as Comrade Fox, the second is just Fox, the third is Brother Fox, and the forth says Mister Fox. And then in VHS art and other material his name is Honest John, which bothers me to no end. But yeah, I grew up with their names being just Fox, Rabbit, and Bear. Which worked just fine in the end.

The dub I had as a child didn't adapt the songs, however. Which is why I wanted to watch the English one with subtitles when I was 14, so I could FINALLY know what the songs said. It was such a mystery for me as a child you have no idea how happy I was to finally know what the songs translated to after all those years.

So uhh yeah there's your way longer than necessary answer! I hope it was entertaining to read :P

[floswife]

SORE LOSER - T.N X READER

Pairing: Theodore Nott x reader

Summary: Theodore and Y/n learn how to better focus their hate for each other

Warnings: SMUT, oral, dubcon..?

Author’s notes: this is my first time writing smut so I honestly apologise for how inevitably bad this will be 💀

Y/n didn’t know what it was about seeing the anger flash before Theo’s eyes when she’d taunt him, but it honestly was her main motivation when competing against him.

Like now in this quidditch match as she threw the quaffle threw the goal hoops once more, she had to turn to look at Theo for a split second just for the sake of rubbing salt into the wound. She would like to lie and say she was ashamed of her pettiness but what’s the point in that?

She had been out to get him ever since he made her cauldron explode in potions, which prompted Snape to hate her even more than he usually did with Gryffindors. Which was quite a feat, she wasn’t on a Harry Potter level of hatred but on the other hand Snape didn’t have a perpetual hard on for her mother either so that probably helped her too.

In hindsight it was a petty reason to name someone your sworn enemy, but his smug smile when he saw her turn to glare at him was enough to set her eleven year old brain off. Plus she just really liked being a hater for no reason.

After successfully winning the game she went over to Theo who was leaning against the wall, looking like a kicked puppy, she couldn’t lie, seeing him like that really did numbers on her but she wasn’t about to let that get in the way of her favourite thing to do with Theo, gloat.

“How does it feel to lose yet again, Nott?” She called out cheerily, the broad grin he loved hated so much painted across her face.

He groaned in annoyance at the sound of her voice, “leave me alone, l/n, I’m not in the mood.”

He had always been a sore loser, she laughed in amusement “or what? I’m sorry but the last I checked you don’t get to tell me what to do.”

Theo glared at her as she stood in front of him, both of them still in their quidditch uniforms, he towered over her but she did well to push that thought to the back of her mind as she had been doing ever since he annoyingly hit a growth spurt in third year. She remembered how ranted about it to her friends later on, pretending to ignore her friends knowing smirks as she’d feel a rosy blush rise to her cheeks every time she had to crane her neck to meet his cold gaze.

“Why do you always have to be such a brat?” He sneered at the girl.

“Oh I’m the brat? I’m not the one sulking like a child because I lost a match.” Y/n’s continuous retorts just made him snap.

He grabbed her wrist and yanked her to follow after him, practically dragging her, and took her under the quidditch stands.

“What the hell do you think you’re doing?!” She rubbed her wrist in annoyance at his harsh grip.

“I’m gonna teach you how to shut up.” He pushed her down to her knees and she looked up at him in shock, she looked forward and saw the prominent tent in his trousers, “now be a good girl and listen to me for once.” His voice was slightly whiny as he said that, like he was begging her.

Y/n gulped, really beginning to question her morals, but all her internal monologue silenced when he unzipped his trousers and freed his member from its constraints with a throaty groan, wetness pooled between her legs at the sound and just the sight of his pretty cock. Merlin he was big.

He rubbed the tip along her lips, the salty taste of his precum invaded her tastebuds.

“Open your mouth and put that mouth to good use.” He demanded, she did as she was told and tentatively kitten licked the tip, he threw his head back in satisfaction and let out a whimper? She then wrapped her mouth around his tip and sucked.

He moaned her name out even louder, making her moan around his cock at the sound, she took as much of him down her throat as possible, she gagged when he hit the back of her throat but she powered through, bobbing her head up and down and using her hand to pump at the parts of his shaft that couldn’t fit in her mouth.

“Fuck! Just like that. Taking me so well.”

He was groaning loudly, and she suddenly gained awareness that they weren’t exactly in the most private of places, she tried to pull away to tell him to shut up but he just wrapped a hand in her hair and pushed her back down, he began thrusting his hips and fucked her mouth, tears ran down her cheeks and saliva dribbled out the corners of her mouth as he used her as he pleased. The thought of how blatantly he was using her as just an object couldn’t help but arouse her.

“Being such a good girl for me.”

He held her head down on his cock and she struggled to breath, he twitched before releasing down her throat, he pulled out and tapped her cheek, “swallow.”

He tucked himself away and she got up and stuck out her tongue to show him she swallowed.

He now smirked, “it wasn’t that hard to listen now was it?”

Y/n was still in a haze as she tried to compose herself and have the decency to at least pretend to be embarrassed and tried to pull away but he firmly placed his hands on her hips and pulled her right back against him again, “Shut up, Nott.”

He raised his brows teasingly and she couldn’t help but grow frustrated at how he had switched the tables on her so quickly when she was so clearly set up for a win.

“That’s not how someone who just had my cock down my throat should be speaking, now is it?” His voice was mocking, condescending.

She get that familiar heat pool between her thighs once more and she remained speechless, he smirked.

“Such a shame, you were gonna get a reward for being such a good girl.”

She tried to gain her composure as she scoffed, “like I’d want it.” She really did want it

He leaned in, that stupid lazy smirk on his lips again, “so you’re not soaked right now?”

Her eyes widened and he then inched his hand from her hip to under her waistband, as soon as his fingers touched her wetness that had completely soaked through her panties she moaned lightly, her eyes rolling back at the contact she was yearning this whole time.

“Theo!” She gasped.

He pulled his fingers away just as quickly as it came he pulled his finger and he brought it to his lips to suck her juices clean from it and he hummed, “so sweet.. on second thought, let’s continue this tonight, room of requirements?”

“What-“

And just like that he left her there, needy for his touch.

She really did hate him.

But he was so hot.

Looks like she had plans for the night.

Part two?

[cybernaght]

The fandom echo chamber: fanon, microanalysis and conspiracy brain 

As someone who has been in fandom spaces, on and off, for 20 years, I find some fascinating trends popping up in the last decade that I thought to be fandom-specific but clearly aren’t. So, I would like to do a little examination of where those things come from, how they are engaged with, and what it says about the way we consume media. This is a think piece, of sorts, with my brain being the main source. As such, we will spend some time down the memory lane of a fandom-focused millennial.

This is largely brought about by Good Omens. But it’s also not really about Good Omens at all.

Part one. Fanon.

The way we see characters in any story is always skewed by our very selves. This is a neutral statement, and it does not have a value judgement. It’s simply unavoidable. We recognise aspects of them, love aspects of them, and choose aspects of them to highlight based entirely on our own vision of the universe. 

Recognition comes into this. There is a reason so many protagonists of romance novels have a “blank slate” problem. Even when they do not, we love characters who are like us or versions of us that we would like to be. And when we say “we”, I also mean, “me”. 

(I remember very clearly this realisation hit me after a whole season of Doctor Who with writing which I hated utterly when I questioned why I still clung so incredibly hard to Clara Oswald as my favourite companion. Then I looked at myself in the mirror. Oh. Well. That would do it, wouldn’t it?)

Then, there is projection, and, again, this is a neutral statement. Projection exists, and it is completely normal and, dare I say it, valid way of engaging with — well, anything. Is the character queer? Trans? Neurodivergent? Are they in love? Do they like chocolate? Are they a cat person? Well, yes, if this is what the text says, but if the text does not say anything… You tell me. Please, do tell me. Because, in that moment of projection, they are yours. 

And then, there is fandom osmosis, and that is the most fascinating one of them all, the one that is not very easy to note while you are inside the echo chamber. It’s the way we collectively, consciously or not, make decisions on who or what the characters are, what their relationships are, and what happens to them.  

(Back when I was writing egregiously long Guardian recaps on this blog I actually asked if Shen Wei’s power being learning actually was stated anywhere in the canon of the show. Because I had no idea. I have read and reread dozen of fanfics where that is the case, and at some point through enough repetition, it became reality.)

We are all kind of making our own reality here, aren’t we? 

Back when things were happening in a much less centralised manner - in closed livejournal groups, and forums of all shapes and sizes - I don’t remember there being quite as much universally agreed upon fanon. Frankly, I don’t remember much of universally agreed upon anything. But now, everything is in one place: we have this, and we have AO3, and it’s wonderful, it really is so much easier to navigate, but it’s also one gigantic reality-shifting echo chamber, with blogs, reblogs, trends, and rituals. 

Accessibility plays its part, too. If you were, say, in Life on Mars (UK) fandom between seasons, and you wanted to post your speculation fic, you had to have had an account, and then find and gain access to one of the bigger groups (lifein1973 was my poison, but ymmv), and then, if you feel brave you may post it, but also, you may want to do so from your alt account if you wanted to keep yours separate, and then you would have to go through the whole process again. And I’m not saying that fan creations then were somehow inherently better for it than fan creations now (although Life on Mars Hiatus Era is perhaps a bad example - because some of the Speculation Fic there was breathtaking), but there is something to say about the ease of access that made the fandoms go through a big bang of sorts.

(I mean, come on, I can just come here and post this - and I am certain people will read it, and this blog is a pandemic cope baby about Chinese television for goodness sake.)

The canon transformations that happen in the fandom echo chamber truly are fascinating to witness as someone who is more or less a fandom butterfly. I get into something, float around for a bit, then get into something else and move on. I might come back eventually when the need arises, but I don’t sustain a hiatus mind-state. This means that when I float away and return, I find some very intriguing stuff.

Let’s actually look at Good Omens here. Season two aired, and I found it spectacular in its cosy and anguished way; deliberately and intelligently fanfic-y in its plot building; simple but subversive, and so very tender. (I will have to circle back to this eventually, because, truly, I love how deliberately it takes the tropes and shatters them - it’s glorious). And, to me - a person who read the book, watched the first season, hung around AO3 for a few weeks and moved on - absolutely on-point in terms of characterisation. 

So imagine my surprise when the fandom disagreed so vehemently that there are actual multi-tiered theories on how characters were not in possession of their senses. Nothing there, in my mind, ever contradicted any of the stated text, as it stood. This remained a strange little mystery until I did what I always do when I flutter close to an ongoing fandom.

I loaded AO3 and sorted the existing fic by popularity. And there it was, all there: the actual earth-shattering mutual devotion of the angel and the demon; willingness to Fall; openness and long heart-aching confession speeches. There was all of the fanon surrounding Aziraphale and Crowley, which, to me, read as out of character, and to one for whom they became the reality over the last four years, read as truth. 

Again, only neutral statements here. This is not a bad thing, and neither this is a good thing, this is just something that happens, after a while, especially when there are years for the fandom-born ideas to bounce around and stew. I can’t help but think that so much of what we see as real in spaces such as this one is a chimaera of the actual source and all the collective fan additions which had time and space to grow, change, develop, and inspire, reverberating over and over again, until the echoes fill the entirety of the space. 

Eventually, this chimaera becomes a reality. 

Part two. Microanalysis 

Here are my two suppositions on the matter:

1. Some writers really love breadcrumb storytelling. 

Russel T Davies, for instance, on his run of Doctor Who (and, if you are reading it much later - I do mean the original one), loved that technique for his seasonal arcs. What is a Bad Wolf? Who is Harold Saxon? Well, you can watch very very carefully, make a theory, and see it proven right or wrong by the end of the season. 

Naturally, mystery box writers are all about breadcrumb storytelling: your Losts and your Westworlds are all about giving you snippets to get your brain firing, almost challenging you to figure things out just ahead of the reveal. 

2. We, as humans, love breadcrumbs.

And why wouldn’t we? Breadcrumbs are delicious. They are, however, a seasoning, or a coating. They are not the meal. 

Too much metaphor?

Let’s unpack it and start from the beginning.

Pattern recognition colours every aspect of our lives, and it colours the way we view art to a great extent. I think we truly underestimate how much it’s influenced by our lived experiences.

If you are, broadly speaking, living somewhere in Western/North-Western Europe in the 14th century, and you see a painting in which there is a very very large figure surrounded by some smaller figures and holding really tiny figures, you may know absolutely nothing about who those figures are, but you know that the big figure is the Important One, and the small ones are Less Important Ones, and the tiny ones are In Their Care. You know where your reverence would lie, looking at this picture. And, I imagine, as someone living in the 14th century, you may be inspired to a sense of awe looking at this composition, because in the world you live in, this is how art works. 

If you, on the other hand, watch a piece of recorded media and see the eyes of two characters meet as the violins swell, you know what you are being told at that moment. You don’t have to have a film degree to feel a sort of way when you see a green-tinged pallet used, when cross-cuts use juxtaposing images, or notice where your focus is pulled in any given shot. This stuff - this recognition of patterns - has been trained into us by the simple fact that we live in this time, on this planet, and we have been doing so long enough to have engaged recorded media for a period of time. 

As humans, we notice things. Our brains flare up when they see something they recognise, and then we seek to find other similar details and form a bigger picture. This often happens unconsciously, but sometimes it does not. Sometimes we do it on purpose: finding breadcrumbs in stories is a little bit like solving a mystery. It allows us to stretch that brain muscle that puts two and two together. It makes us feel clever. 

So yes, we love breadcrumbs, and, frankly, quite a lot of storytelling takes advantage of this. It’s very useful for foreshadowing, creating thematic coherence, or introducing narrative parallels and complexity. It’s useful for nudging the viewer into one or the other emotional direction, or to cue them into what will happen in the next moment, or what exactly is the one important detail they should pay attention to.

Because this is something media does intentionally, and something we pick up both consciously and not, it is very hard to know when to stop. We don't really ever know when all of the breadcrumbs have been collected. It becomes very easy to get carried away. There is a very specific kind of pleasure in digging into content frame by frame, soundbite by soundbite, chasing that pleasure of finding. 

But it is almost never breadcrumbs all the way down. They are techniques to help us focus on the main event: the story. I truly believe those who make media want it to reach the widest possible audience, and that includes all of us who like to watch every single thing ever created with our Media Analysis Goggles on and those who are just here to enjoy the twists and turns of the story at the pace offered to them. And I think, sometimes in our chase to collect and understand every little clue we forget that media is not made to just cater for us.

One can call it missing a forest for the trees. But I would hate to mix my metaphors, so let’s call it missing a schnitzel for the breadcrumbs. 

Part three. The Conspiracy Brain. 

If you are there with me, in the midst of the excited frenzy, chasing after all those delicious breadcrumbs, then patterns can grow, merge together, and become all-encompassing theories. Let’s call them conspiracy theories, even though this is not what they truly are.

So, why do we believe in conspiracy theories?

One, Because We Have Been Lied To. 

All conspiracies start with distrust.

If you are in fandom spaces - especially if you are in fandom spaces which revolve around a queer fictional couple - especially-especially if you have been in such spaces for a period of time, you have most certainly been lied to at one point or another. 

We don’t even have to talk about Sherlock - and let’s not do that - but do you remember Merlin? Because I remember Merlin. Specifically, I remember the publicity surrounding the first season, with its weaponised usage of “bromance” and assertions that this whole thing is a love story of sorts, and then the daunting realisation that this was all a stunt, deliberately orchestrated to gather viewership. 

And, because we were lied to in such a deliberate manner for such an extensive period of time, I genuinely believe that it forever altered our pattern recognition habits, because what was this if not encouragement to read into things? Now we are trained to read between the lines or see little cries for help where they might not be. Because we were told, over and over again, that we should.

(Yes, I think we are all existing in these spaces coloured by the trauma of queer-bating. I am, however, looking forward to a world where I can unlearn all of that.)

Two, Cognitive Dissonance.

The chain reaction works a bit like this: the world is wrong - it can’t possibly be wrong by coincidence - this must be on purpose - someone is responsible for it.

Being Lied To is a preamble, but cognitive dissonance is where it all originates. In so many cross-fandom theories I have noticed a four-step process:

A) this is not good

B) this author could not have made a mistake 

C) this must be done on purpose

D) here is why 

(Funny thing is, I have been on the receiving end of the small conspiracy spiral, and it is a very interesting experience. Not relevant to this conversation is the fact that a lot of my job revolves around storytelling. What is relevant is that my hobbies also revolve around storytelling. And one of them is DnD. Now, imagine my genuine shock when one of the players I am currently writing a campaign for noticed a small detail that did not make a logical sense within the complexity of the world, and latched on to it as something clearly indicating some kind of a secret subplot. Their thinking process also went a bit like this: this detail is not a good piece of writing — this DM knows how to tell stories well — this is obviously there on purpose. It was not there on purpose. I created a clumsy shorthand. I erred, in that pesky manner humans tend to. And, seeing this entire thought process recited to me directly in the moment, I felt somewhere between flattered and mortified.)

This whole line of thinking, I think, exists on a knife’s edge between veneration and brutal criticism, relentlessly dissecting everything “wrong”, with a reverent “but this is deliberate” attached to it like a vice, because it is preferable to a simple conclusion that the author let you down, in one way or another. 

Three, Intentionality 

I believe that there is no right or wrong way of engaging with stories, regardless of their medium, and assuming no one gets hurt in the process. While in a strictly academic way, there is a “correct” way of reading (and reading into) media, we here are largely not academics but consumers; consumption is subjective.

However, this all changes when intentionality is ascribed. 

The one I find particularly fascinating is the intentionality of “making it bad on purpose” because, as open-minded as I intend to always be, this just does not happen.

It certainly does not happen in long-form media. Even in the bread-crumb mystery box-type long-form media. 

When television programs underdeliver, they also underperform, and then they get cancelled.

If all the elements of Westworld Season 4 that did not sit together in a completely satisfactory way were written deliberately as some sort of deconstruction for the final season to explore, then it failed because that final season will now never come.

(There will likely never be a Secret Fourth Episode.)

And look, I am not here to refute your theories. Creativity is fun, and theorising is fantastic. 

But, perhaps, when the line of thought ventures into the “bad on purpose” territory, it could be recognised for what it is: disappointment and optimism, attempting to coexist in a single space. And I relate to that, I do, and I am sorry that there is even a need for this line of thinking. It’s always so incredibly disappointing that a creator you believed to be devoid of flaws makes something that does not hit in the way you hoped it would. It’s pretty heartbreaking. 

Unfortunately, people make mistakes. We are all fallible that way. 

Four, Wildfire.

Then, when the crumbs are found, a theory is crafted, and intentionality is ascribed, all that needs to happen is for it to catch on. And hey, what better place for it than this massive hollow funnel that we exist in, where thoughts, ideas and interpretations reverberate so much they become inextricable from the source material in collective consciousness. 

Conspiracy theories create alternate realities, very much like we all do here. 

So where are we now?

I am not here to tell you what is right and what is wrong; what is true, and what is not. We are all entitled to engage with anything we wish, in whichever way we wish to do it. This is not it, at all. 

All I am saying is… listen.

Do you hear that echo? 

I do. 

[factual-fantasy]

Can you tell us about the characters in your Amazing Digital Circus AU? I find the AU very interesting...

I'm still cooking up the AU and the characters, but I can tell you about some of my plans for them! :)

Lets start with the main cast.

Pomni is mostly the same save for some design changes and the presence of Gummigoo! Caine doesn't think of him as a human like Pomni does though. He thinks of him as Pomni's emotional support A.I. Which is actually the only reason he let Gummi stay- he hopes that letting her keep this NPC will help her adjust to the circus better.. (He's right-)

Kinger has been shown a lot of mercy in this AU <XD Queenie is still around and both of their sanity is mostly intact! The only time either of them become very stressed or appear insane is when they are forcefully separated. Caine is very careful to craft his adventures to be very accommodating to them specially. So thankfully separation is very rare. (I also intend for Queenie and Kinger to have been husband and wife in the real world! Which is why their digital forms are a matching pair of chess pieces. They renew their vows in the circus :}} )

Gangle was also shown a lot of mercy here! Early on in her stay she went on an adventure and became really attached to an NPC within it. This absolutely rotund cat that was part of the adventures plot. Caine let her keep it because it was the first thing that made her smile since she'd been here. Seeing how much this cat helped Gangle was actually what motivated Caine to let Gummigoo stay. She still has the cat NPC today and it makes her very happy :)

Ragatha hasn't changed too much. Other than she doesn't have this happy go lucky facade.. In my AU thanks to the help of Caine and the other circus members, she's a lot more sane and finds a lot of comfort and support in her friends.💗

Zooble and the other concept sketch zooble thingy..? Are best friends in my AU :) they look at their bodies pretty differently though- while the other gal likes her body and the fact that she can change its shape how ever she pleases.. Zooble still kind'a struggles. Its made a bit better to have someone just like her, and the fact that Caine is so accommodating and is constantly making new parts in hopes she'll find something she likes. My Zooble still isn't satisfied with her body to be honest.. but she's in a much better headspace thanks to all the support around her. Oh and she doesn't swear like a sailor XDD

(And before people come at me again- Zooble canonically goes by any pronouns. She/her, They/Them and He/him are all equally appropriate.)

When it comes to Jax, I mostly just made him less of a jerk <XDD in my AU Caine doesn't let Jax get away with all the crap he pulls and enforces real consequences. Jax also has Kaufmo and one of the other humans as his close friends. Having people in his corner and being properly disciplined has mellowed him out over the years. He's a much more tolerable character here <XD

Now for Caine.. its hard to explain what I did with him. He's more.. attentive.? Sympathetic? More serious..? He takes the sanify of the circus goers and their situation very seriously. And more importantly, he actually understands their situation and knows what they mean when they say they want an exit. So my Caine isn't trying to make a fake exit to please them. He is actively stretching his code out into the void looking for a real exit.

Kaufmo, the other zooble type thing, Queenie and all the other circus goers as seen here 👇

Are all unabstracted and mostly sane thanks to Caines efforts and the support they give each other. I don't have much to say about them yet as I'm trying to nail their designs first.. but what I can say is I have ideas in mind for this guy👇

What I'm thinking is that this guy and Kaufmo were brothers in the real world which is why they're both clowns with similar/the same features and body types.

Which might be nice normally.. but they had some relationship issues back in the real world..

When they entered the circus and were forced to grapple with the horror of their situation together?.. They really mended their fractured relationship and now really rely on each other. The two of them usually pal around with Jax because of their shared sense of humor. Thanks to the two of them Jax has mellowed out a lot more. (Having people on your side would make anyone feel a bit better :) )

Woof, that's a ramble. And there's a mountain of stuff I haven't addressed.. but this is a good start I think! :) I hope I gave what you were looking for!

[astercontrol]

If KOSA passes

Or if any other form of censorship (there are many in the works!) ever succeeds at stepping in to impede our ability to communicate online:

We have to make plans.

Now, I dunno who'll even see this post. The few followers I have are TRON fans (who despite the fantasy we live in, tend to have realistically dismal views IRL about Disney and the various corporate uses of software).

And this fandom, on average, is pretty tech-savvy. It's where I've encountered the most people under 20 years old who actually know how to use a desktop or laptop computer.

So, if there's any hope for what I'm thinking about, this is prolly a good place to start with it.

(As with all my posts, I encourage reblogging and containment-breaching.)

(Gifs are clips from TRON 1982, mainly the "deleted love scene," from the DVD extras.)

Anyway.

Current society has moved online communication much too far onto major social media sites for my comfort. Whoever you communicate with over the internet, chances are you do it through a service owned by a big company: Tumblr, Twitter, Discord, Telegram, Facebook, whatever. Even TikTok (shudder).

These sites, despite their many flaws, can provide experiences that are valuable and hard to get otherwise. And once all your friends are on one site, you can't just leave and stay in touch with them all, not unless they all go the same place. It's easy to see why it's hard to abandon any social media platform.

But a backup plan is important. Because, as we've seen over and over, social media sites can't be relied on. They change their policies suddenly, without good reason-- and are inconsistent, even discriminatory, about enforcing those policies.

If they're funded by ads, the advertisers are their main customers, and your posts are the product. Their goal is that the posts most valuable to the advertisers get seen by people the advertisers consider desirable customers.

Helping you communicate-- making your posts get seen by the people you want to communicate with-- is optional to them.

Not to mention that the whole business model of an ad-funded website is generally unsustainable. Many of these sites are operating at a loss, relying on shareholders in a fragile bubble, doomed to fail soon just from lack of real profit.

And the more restrictions --like KOSA-- that the law puts on freedom of online speech, the likelier they are to go down or just become unusable. Every rule a site is required to follow is another strain on its resources, and most of them are already failing badly at even enforcing their own self-imposed rules.

If we want any control over our continued ability to stay in touch with our online friends-- we need to have a backup plan. Maybe it'll be simple at first, a bare-bones system we cobble together-- but it's gotta be something that will work. For a while at least.

There are lots of really good posts about ways to build your own website, using a service like Neocities. I VERY MUCH recommend learning this skill-- learning to make websites of the very simplest, most stable, glitch-resistant type, made of html pages-- which you can upload to a host while you store backups on your home computer. If you value the writing and art that you put online, this is probably the safest you can keep it.

But that's for making your own creative work public.

As for communicating with others-- for example, receiving and answering other people's comments on your work-- that gets more complex. I personally haven't found it worthwhile to troubleshoot the problems that come with having a system that allows visitors to comment publicly on my website.

But what we do still have-- and likely will for a long time-- is email.

Those of us who came of age before social media's current hold... well, we might take this for granted. Email was the first form of online contact we ever encountered… and thus it can seem to us like the most ordinary, the most boring.

But in the current world, it is a rare and precious thing to find a method of communicating that doesn't require everyone in the chat to be signed on with the same corporation.

Email is, as of now, still perfectly legal-- as much as social media companies have been trying to herd the populace away from it. I'm sure there are other ways to share thoughts online that are not bound by laws. But I am not going to go into that here.

Email service is provided by law-abiding companies, which will comply with subpoenas if law enforcement thinks you are emailing about doing illegal things. So, email is not a surefire way to be safe, if laws become dystopian enough to threaten your freedom to talk about your own life and identity.

But it's safer than posting on a public social media page.

For now.

Email is beautifully decentralized. You can get an email address many different ways-- some reliant on a company like Gmail, others hosted on your own domain. And different people, with all different types of email addresses, hosted in all different ways-- can all communicate together by the same method.

Of course any of these people, individually, can lose their email address for some reason or other, and have to get a new one. But as long as they still know the email addresses of their contacts, they can reconnect and recover from that loss. The structure of a group linked by email is reliant not on a single company-- but on the group itself, the friends you can actually count on.

This is why I am trying to promote the idea of forming email lists, as a backup plan to give people a way to stay in touch as mainstream social media sites prove to be unsustainable.

I'm envisioning a simple system of sending emails to several addresses at once, and making each reply visible to everyone in the chat by using "reply all" (or, if desired, editing the To field to reply to only some).

If enough people get used to using email in this way, it could fill most of the needs met by any other group chat or forum …without depending on a centralized social media company that's taking dystopian measures to try and make the business profitable.

So here are some thoughts about how I personally imagine it could work.

(Feel free to comment and bring up any thoughts I haven't addressed, or suggestions to customize how specific groups could set it up. This is meant as more of a starting point for brainstorming than a catch-all solution.)

As I see it, here are the basics of what you and your friends would each need to start out:

An email address. Any kind, hosted anywhere. You should use a dedicated email account just for this group, one that you do NOT use for other communication. Being in this group will result in things you don't want happening to your main email address-- like getting a TON of email, one for every post and reply. Or someone could get your email address that you really don't want any contact with. Use a burner email account (one that you can easily replace) and change it if needed.

The knowledge of how to "REPLY ALL" in your email. This will be necessary in order to add a comment that everyone in the group can see.

The knowledge of how to EDIT THE "TO" FIELD in your email, and remove addresses from the list of all recipients. This will be necessary if you want to CHANGE WHICH PEOPLE in the group can see your comment.

The knowledge of how to FILTER WORDS in your email. This will be necessary if a topic comes up that you don't want to see any mentions of.

The knowledge of how to BLOCK PEOPLE in your email. This will be very important. If someone joins this email group who you do not want to interact with, it will be up to you to BLOCK them so that you do NOT see their messages. (If they are bad enough to evade the block with multiple burner accounts, that's what you have a burner account for. Change it, and share the new one only with those you trust not to give it to them.)

Every person in the group will be effectively a "moderator" of the group, able to remove people from it by cutting their email addresses out of the "To" field. Members will all have equal "moderator" privileges, each able to tailor the group to their own needs.

This means the group may naturally split, over time, into other groups, each one removing some people and adding others. Some will overlap, some won't. This is good! This is, in my opinion, what online interaction SHOULD be like! There should be MANY groups like this!

In this way, we can keep online discussion alive, no matter WHAT happens to any of the social media websites.

If the dystopia got bad enough to shut down email, we could even continue with postal mail and photocopies, like they did in the days of print-zine fanfiction.

If it looks like the dystopia is gonna come for postal mail too, we'll use the connection we have to preserve whatever contacts we can with people who live near us.

Not saying it's GONNA get that bad. But these steps of preparation are good no matter exactly what kind of bad stuff happens.

As long as some organized form of communication still exists, we'll have a place where it's at least a little safer to be your true self…

to plan events and meetups…

and maybe even activities a little too risque to make the final cut of a 1982 Disney movie.

They're trying to censor us. We want a Free System. So we're gonna fight back.

For the Users. Not the corporations.

Peace out, programs. <3

[sc4llywag]

Since I got Tumblr and have free range to rant however I want, its time for the Assassin's Creed main characters and how they walk post!!!

With each of the games, they change the main characters walking animation to fit their vibe and I need to be able to study them beheehe

Desmond

I don't have too much to say about Desmond's other than his is simple and similar to Ezio's and Altaïr's and I like to think that this is due to the bleeding effect(it happened to me too I walk like the assassin's all the time) his is a little more confined and he keeps his arms closer to himself so he's very typical in the way he walks

Altaïr

In his walk he has a sway to his hips and steady hands(probably to keep himself ready for any assassination), but goddamn the SWAY I never noticed it.

His shoulders also sway with his walk and I love how fluid he is in general, this ties back to his robes for me and how flowy they are to show the grace of an assassin in high profile but when low profile they stay to his sides and he's all in the shadows and I REALLY love that about him.

Ezio

This gif is all I could find so i can't really remember if Ezio's walk is different in Ac2 from Altaïr's because ubisoft is the king of recycling things but whatever. He still has the outward stance but I do notice his head is pointed low to try and keep himself hidden(shadows shit be like) but ofc hes holding the apple here so it's hard to tell if he's trying to swing his arm a lot lol, anyway body language is important to Ezio so hes very good at looking broody as well as fluid in his movements

Connor

(Walk Cycle Research | PKlover4078)

My man my man my man my man😍‼️‼️

The way Connor walks with his hands stretched out and then clenching his fists every moment because he's always ready for a fight goddamn this MF could take me in an alleyway and I'd be happy. I'd like to note with this gif, it doesn't show his slow slow walk and I remember it pretty well, he has a slight cautious aura in his walk, he's really careful in his foot placement(I think) and he's super awesome and I love him a lot. Since we have him running I'd like to talk about that too. He has such an efficient sprint it's so mesmerizing, he keeps his head low and just fuckin vrooms across the colonies<3

Aveline

You can barely see her here bc the damn community doesn't care for Aveline much but I like her even tho I haven't played Liberation, I enjoy the way she walks in a proper manner and she's got that strut the runway strut is everything. I also like how she has a wider swing in her arms, more carefree and comfortable.

Edward

This is such a great quality gif thanks so much Ac fandom!!

Anyway, I really love the difference in Edwards walk compared to the rest of the assassins because he's a pirate, he hasn't had the teaching of grace and secrecy. Therefore his walk is staggering in his footwork but still proper bc he's a sword fighter and very good at it. In a longer gif you'd be able to tell but his footing is a little messy, showing that drunken sailor pirate personality shows in his walk. He has a close arm swing due to him always needing to be close to his weapons, ready for a fight(like his grandson<3)

Haytham

I can barely see how he's walking but I'm pretty sure he had his hand on his sword hilt which says so much abt his character, again always being ready for a fight. He has a very straight posture due to his pompous nature, quick in his form to be efficient because why walk if you don't look proper and efficient?

Shay

Ok he's a Templar and so is Haytham but fuck you I love them.

His walk is so GOOD his walk has a heavy step and he's very prominent, got that straight posture again, not much to say about his arm sway other than the added shoulder sway, love that for him bc he's just so intimidating.

(For reasons I'm not doing Arno, Evie, Jacob, Kassandra, and Eivor since I haven't played their games)

Bayek

Bayek's walk is very different from every other assassin and that makes me love him so much more. He feels very carefree and relaxed but when in combat good lord does he go off!! He puts more sway in his arms than his hips and that's probably why he has a combat centered walk, like Edward.

If you've reached the end thank you for reading my rambling ass get over excited over walk cycle animations :) follow for more rambling!!

[in-my-feels-probably]

Home - Benedict Bridgerton x Reader

Home

Request: Have you considered Benedict falling for a friend of Daphne's? Like if they're as close as Pen and Eloise but maybe with a little less drama? I think it would be funny for Benedict to ask for advice on how to talk to her and Daph being done. Just "you've known her for as long as I have."

Hi! Thank you again for the request, this is such a cute idea. I hope you don’t mind, but I made the reader a Featherington. I went a little off track too, it was easier for me to write that way. If this isn’t what you were looking for, I’m happy to take another request or alter this one. Sorry for the long wait on getting this out, but I hope you enjoy this :)

(Warnings: insecurity, middle child trauma, nothing else i think? idk, let me know if i missed anything)

—

Living in Grosvenor Square certainly had its ups and downs.

On one hand, you were mere steps away from your best friends. The Bridgertons lived right across the street, and you could visit them practically whenever you wanted. On the other hand—the not so nice hand—your family is the Featherington’s. Which isn’t an inherently bad thing. You loved your family, and could ignore most of the negatives. It just certainly has its pitfalls, being a Featherington daughter.

The Featherington’s—while rich and somewhat dignified—aren’t considered to be the most respectable of families. There wasn’t any one main reason why members of the ton didn’t much like your family, they just didn’t.

It wasn’t a personal grudge with you they had. In fact, you were quite liked by the ton.

More often than not, however, they didn’t pay much attention to you. It was easy to forget you were there when the rest of your family was the center of attention.

You were born soon after Phillipa but before Penelope, making you a middle child.

Your Mother seemed to connect with her eldest far more than her youngest, and that put a strain on your relationship. Not only that, you were much more akin to Penelope, having a lot more in common with her than your older sisters and your Mother combined. You were a bit of a wallflower, like Penelope, and it was a hard trait for your Mother to get past.

It wasn’t all negatives, though.

One of the biggest perks of being a Featherington was the fact that you lived directly across from the Bridgertons. You had spent most of your life over at their residence since the day you developed the ability to walk.

And, subsequently, the ability to walk across the street.

Violet Bridgerton’s first girl—Daphne—was born right around the same time as you were, and she decided Daphne was going to need a friend. Being the first girl born to a family of three brothers was a challenge, and Violet thought it best that Daphne should be able to socialize with a girl her age.

By the time you were both able to talk, you became inseparable. Just as your sister Penelope had come to develop a deep friendship with Eloise Bridgerton, you had come to develop your own with Daphne.

And by extension, you became good friends with her eldest brothers.

Anthony was the oldest, quite a bit older than you. He was already a handful of trouble by the time you showed up, and he already had plenty of practice teasing girls with his sisters as victims. In your first few years, he’d make it his mission each time you visited the house to fluster you, and annoy Daphne. It was harmless fun, and it never really bothered you, although he tried his hardest nonetheless. But as you got older, he became quite protective over you. It was like you were another sister to him, and you definitely bantered and squabbled like siblings do. As annoying as he could be, you loved him like a brother.

Colin was a similar story, although you saw something more to him. It was easy to, with the way Penelope talked about him endlessly. She could ramble for hours, making you listen to every painstaking detail. You definitely understood her affection for him, though. He’s charming and kind, much like his other brothers, but he’s also fun and witty. Daphne tended to favor him the most. They were closest in age, after all. Between her and Penelope, you spent quite a lot of time with him, and you certainly enjoyed his company.

But—besides Daphne—you enjoyed no other Bridgerton’s company like you did Benedict’s.

Benedict was different. He was more.

He was just as kind and charming as Anthony, and just as witty as Colin—certainly as annoyingly beautiful as Daphne—but he was more than that, too. He was sensitive and sweet, far more so than the rest of the Lords of the ton. He was passionate about art and love and valuing the little things. He didn’t care about marrying the prettiest girl for advantage, or inheriting her dowry. He cared about pursuing his dreams, and inspiring others to do the same.

Just the way he talked about his passions and values was enough to make any girl swoon, and yet he was still genuine with his words. It wasn’t for flattery or manipulation, he meant every word. Everything he did, he did for himself and the people he loves.

If it weren’t for Daphne currently holding the number one spot, you’d consider him your best friend.

He’d consider you the same.

You spend just as much time with him as you do with Daphne, and over the years, he’d come to cherish your company.

You saw him for him, not for his title. You listened to his endearing ramblings about his passions because you genuinely enjoyed hearing about them, not because you felt obligated to listen. You treated him like a person, not a prize to be won. It was all he could ask for in a best friend.

But that’s just it. That’s all you were to him. A best friend.

He was so sure that was all you’d ever be. Perhaps one day you’d be his sister in law, considering how close Penelope and Colin had gotten. You’d be family, and that was alright with him. It was what he expected. And then the unexpected happened.

He started falling.

—

The first time he noticed his feelings for you had shifted was the evening of a ball the Queen was throwing.

You’d come over early to get dressed with Daphne, wanting to help make sure she was perfect. She had finally revealed to you her ruse she was sharing with the Duke, you being the first person outside of their agreement to know. You were shocked at first, but as you listened to her speak, you gave her a knowing smile.

“You love him.”

Her eyes widened in shock, her cheeks blushing a rosy pink. “What? Why would you say that?”

“You love him,” you said again, smiling gently at her. “I’ve never seen you speak with such passion. With the way you talk about him, there’s no other possibility. One couldn’t possibly think that highly of another without feelings being involved—”

“You speak of my brother like that,” Daphne interrupted, chuckling when you swallowed your words.

You chose to ignore her statement, continuing to advise her on the best course of action for how to get through the remainder of her agreed upon days with the Duke. If the way he looked at her without her knowing was of any consequence, you were sure he felt the same way about her. All she had to do was make him see that.

When it was time to leave for the ball, all the Bridgerton’s piled into carriages. Daphne was hurried out the door, and she left with her Mother and Anthony, leaving you behind. When you tried to head back home to be escorted by your family, Benedict stopped you.

He had opened and closed his mouth a few times before he was able to choke out any words. Normally, he found it pretty easy to talk to you. But for some reason, the sight of you standing by his front door made his knees weak.

“I’m afraid they’ve already left,” he finally said, stopping you at the door. “They must have assumed you’d be accompanied by us.”

You groaned, feeling a pit form in your stomach. “I have no other way to get there. I promised Daphne I’d be there for her. Pen, too. She seemed quite nervous about attending tonight.”

“Not to worry,” he smiled, offering you his arm. “You can ride with me.”

You sighed in relief, thanking him profusely. “Well, aren’t you a lifesaver? Thank you, Benedict.”

“Of course,” he nodded, helping you into the carriage.

As you settled into your seat, a thought occurred to you. “Benedict…why are you still here? Not that I’m not grateful, but I don’t understand. You’ve been talking about going to the palace for days to see the Queen’s gallery. I would have expected you to be the first one out the door. But here you are.”

He was quiet for a moment as he took in your words, his eyes softening on you.

There were many things he could have said to you to easily explain it away. I’ll see the gallery soon anyways, or, I promised my Mother and yours that I’d make sure you got there safely. Numerous excuses he could have come up with to satisfy your curiosity, and yet, all that was coming to mind was, I can see the gallery another time, but I may never get to see you alone and sitting in front of me looking this beautiful with your undivided attention again, and I won’t pass up on the opportunity for anything.

“I don’t know,” he finally said as he shrugged his shoulders, feigning innocence. “But here I am.”

—

He didn’t truly acknowledge his feelings for you until months later, after attempting to ignore it for so long.

The second time he noticed was when he found out that the only reason he got into art school was because Anthony made a sizable donation to the Academy.

You had found him alone during yet another ton gathering, sulking on the edge of the party. Daphne had already gone home to Simon, and wouldn’t return for some time. Besides Penelope—and occasionally Eloise—Benedict was one of the only people you actually liked enough to be around. And seeing as both Penelope and Eloise were nowhere to be found, Benedict was your only hope.

You just hadn’t expected to find him nearly in tears, anxiously tugging at the cufflinks at the bottom of his sleeve.

It didn’t take much to get him to spill, and you found yourself pulling him inside to keep him away from prying eyes while he was in such a state. He told you all about Anthony’s meddling, and you knew it had crushed his heart to find out that he hadn’t actually achieved anything on his own.

“I know he did it out of the good of his heart…but I wish he hadn’t done it at all.”

He brought his hands up to cover his face, groaning into them. You reached for his wrists and tried to pull them away, but he wouldn’t budge. He finally relented when you said his name softly, letting you take his hands in yours.

“Benedict, it doesn’t matter how you got in. You’re an incredible artist, that’s all that matters,” you said softly, squeezing his hand in yours.

He shook his head, sighing in frustration. “I’m not. My work is child’s play compared to the other artists at the Academy. They all knew why I had even been given a spot in the first place. I’m an imposter, Y/N. A fraud. It was humiliating.”

“That’s a bit dramatic, darling,” you lightly chuckled, your smile fading when his defeated look didn’t waver.

“Alright, that’s it. Fess up. This can’t be all that’s bothering you. I know you, and I know you’re not one to give up that easily. You’ve been flustered all week, so what is it? You can tell me. Not that I have anyone to tell, but I won’t tell. I promise.”

His eyes softened on you as you spoke, and you could feel his grip on your hand get tighter. “I just…I’m tired.”

“Of what?”

“Of being second.”

You frowned, swiping your thumb across the back of his hand. “I don’t understand.”

“It’s just something Anthony said,” he murmured, keeping his eyes on your joined hands. “How I may be the second son, but that it doesn’t mean I am any less required to do my duties to the family. It’s rich coming from him. I’ve been second to him literally my entire life, and he’s only recently started taking his role seriously. I’ve played Father’s role since his passing. Isn’t it just my luck that he’s getting the credit for it?”

“You may be second to him in birth, but that is the only way you’re second. You’re every bit as good as him, Benedict,” you said firmly, but you weren’t sure if your words were sinking in.

He was uncharacteristically quiet, though his grip on your hands hadn’t wavered. His eyes were still on the floor, and his shoulders were shaking as he took uneven breaths.

“I know what that feels like, you know,” you finally said, making him glance up at you. “I’m a Featherington. A middle child at that, and it’s no secret my Mother favors my older sisters.”

Benedict let out a small laugh, shaking his head. “She’s wrong to. I don’t mean to be rude, but you and Pen are worlds more interesting and gracious than your sisters. The eldest, at least.”

“You don’t even know them,” you said in shock, but you couldn’t stop yourself from laughing, too.

“I don’t need to. You’re the only one I’m interested in knowing. Middle child or not.”

You couldn’t help but smile, although his kind words weren’t enough. The more you thought about just how second to the world you were, the more your smile faded.

“It’s not just being the middle child,” you continued, speaking softly. “I love your sister more than almost anything in this whole world, but I have always been second to her, too. She was the diamond of the season the second she was let out of leading strings, and now she’s my Duchess. I’m so happy for her, but it does put a damper on your confidence. Watching your best friend grow into this person everyone loves, and it’s like she didn’t even try.”

“Y/N—”

“Sometimes I feel awful, thinking this way. I know she tried, I was there for her every time she’d get overwhelmed. But she made it look so easy. I don’t know how she did it,” you rambled, taking a shuddering breath as you stopped yourself from speaking.

Benedict’s eyes softened on you as you spoke, making you want to shrink away from his gaze. He was being kind, and you didn’t know if it was genuine or not. If he was faking it for your sake, that was much worse than his actual pity.

“I’m sorry. I didn’t mean to make this about me, let’s get back to you—”

“Y/N,” he said again, this time effectively silencing you. “You can’t possibly feel that way.”

It was your turn to look at the floor. “Why shouldn’t I? It’s true.”

“That is the furthest thing from the truth,” he said gently, taking your hand. “You’re every bit as good as my sister. I know she makes things look easy, but she spoke just as highly of you as you do of her.”

You raised a brow. “Really?”

“Really. She used to tell me how kind you were to her, even after Lady Whistledown printed her supposed scandals. You were never judgemental.”

“I have no right to judge anyone, especially not her. She’s never said a bad thing about anyone, it isn’t right that people just took a scandal sheet as truth. And, if anything, she was kind to me. She, Eloise, Colin, and you are pretty much the only members of the ton that treat me like a normal person and not an outcast because of who my family is.”

Benedict smiled, squeezing your hand. “I would never dream of treating you any other way.”

You fought the flush that crept up to your cheeks, feeling the heat settle in them. You cleared your throat, shaking your head.

“Anyway,” you smiled, meeting his eyes. “I don’t mean to keep you away. Should we go back to the party? Someone may be looking for you. You’re quite popular, you know.”

Benedict couldn’t help but smile. And as he watched you look up at him through gentle eyes and an open heart, he couldn’t bring himself to move. It was like his feet were stuck to the floor, and he didn’t want to do anything to pull them up. He shook his head, keeping his hand in yours.

“No,” he finally answered, taking a seat. “Let them look. I’d much rather spend my evening with you. If you’ll allow me to, that is.”

You shook your head, taking a seat next to him. “I’ve got nowhere I’d rather be.”

—

The third time he noticed was when you, Daphne, and he accompanied Penelope and Colin to promenade throughout the square. She and Simon had come to visit, and she wanted to spend time with you and her family.

This time, he couldn’t ignore his feelings.

You followed behind Colin and Penelope, giving them enough room to speak privately without feeling like their older siblings were on their backs. You smiled as you watched Penelope look up at him, Colin being as gentlemanly as ever.

“It took him long enough,” you said, making Benedict chuckle.

“I thought he’d never figure it out.”

“Me either,” you agreed, grinning as you watched Colin smile down at your sister. “I should bash him over the head. I’ve listened to Pen spend countless hours rambling on about how utterly oblivious Colin can be. He owes me a debt.”

“He isn’t the only oblivious person I know,” Daphne piped in, making your eyes widen.

You had told her countless times about your feelings for Benedict, and how he never seemed to reciprocate them.

What you didn’t know is that he had done the same, on more than one occasion going to his siblings for advice on how to address them. Pushing them down until he couldn’t feel them seemed to be working, at least until now. And as far as he knew, you didn’t reciprocate his feelings either.

“I’m sure I don’t know what you’re talking about,” you said nervously, silently pleading with her to drop the subject.

“Neither do I,” Benedict added, making Daphne chuckle.

She just grinned, ever so slightly raising a brow. “I mean Anthony, of course. It took him quite a while to realize that what he felt for Kate was much more than rivalry. I practically had to beg it out of him.”

“You’re a little matchmaker, aren’t you?” You asked, smiling at her. “Who’s next? Eloise, perhaps?”

“Perhaps…you?”

You immediately stilled, making them stop, too. “Me?”

“Don’t look so surprised, Y/N. You’ve been my best friend for ages, and I know what’s good for you. You’re lonely. And as awful as it is, the ton will start to talk. If the only people you talk to outside of your own family are Benedict and I, they’ll begin to notice.”

You frowned, nodding. She was right. Harsh, but right. The threat of becoming a spinster was looming over your head every season, and it had only gotten worse after Daphne married in her first season. Your second season came and went, and you were now in your third.

Without any prospects.

And it was looking like your baby sister was going to beat you to the punch as well. You were silent, a small frown on your face.

Thankfully, Benedict broke the silence. Just the thought of you marrying someone—especially someone who didn’t deserve you—made his skin crawl. He felt like he could keel over, and by the look on your face, he could tell you were feeling similarly. He couldn’t keep himself from turning you away from Daphne’s advice.

“Why settle?” He asked cautiously, giving you a sympathetic look. “Don’t let the ton pressure you. You’ll know when it’s the right time.”

You had fully made it around the square, now back in front of your house. Penelope was saying goodbye to Colin, at least for the moment. His Mother invited you and Penelope to dinner to welcome Simon and Daphne home, and so they’d see each other again in mere hours.

You gave Benedict a grateful smile, nodding. “You’re right. Thank you. If you’ll excuse me, I think it’s time to pull our siblings apart before they actually become attached at the hip. Mother wants us home before we join you later.”

Daphne chuckled, taking your hands in hers. “I think you’re right. I’ll see you soon, dearest.”

You squeezed her hands in yours, before going to gather your sister. You gave Colin a knowing smile, turning and heading inside with your sister in tow. The Bridgerton’s did the same, filing into their house one by one.

The second Benedict shut the door behind him, he collapsed against it, groaning. “What was all that for, Daph?”

“What? I was simply giving you both a little nudge. God knows you needed one. You’re even worse than Colin was, brother.”

“I don’t need a nudge. I’m perfectly capable of taking care of myself.”

Colin laughed, taking off his coat as he headed up the stairs. “I could hear your stuttering. It was laughable.”

“Oh, piss off,” Benedict pouted, waving away Colin as he chuckled the rest of the way up the stairs.

Daphne offered him a small smile, letting out a sigh. She took his arm, leading them to the sitting room. After promptly sitting down, she gave him an expectant look, and he reluctantly sat next to her.

“Out with it,” she urged. “Why did our conversation with Y/N bother you so?”

“I don’t know,” he huffed, shaking his head.

Daphne narrowed her eyes, speaking gently but firmly. “You do know, Benedict. Admit it. You feel something for her.”

“Does it matter? She doesn’t feel the same way.”

“How could you possibly know that?” Daphne exasperatedly asked, nearly bursting at the seams.

She knew of both your affections for each other, and yet, she couldn’t bring herself to tell either of you about the other. It didn’t feel right, going behind the other’s back. She had decided the moment she knew of each of your feelings to let the matter run its own course. What she hadn’t anticipated was it taking this long.

It was getting near impossible to keep the secret, and she decided a little meddling was excusable.

“She’s never said anything to me that would allude to her feeling anything for me. What would you have me do? Ask her directly?”

“There’s an idea,” Daphne shrugged.

Benedict sighed, trying to shove down the anxiety he felt at the thought of confronting you. “You saw me out there. I wouldn’t even know where to start. How do I talk to her?”

“You’ve known her as long as I have, brother. She’s your best friend! Just talk to her. She’ll understand, I promise. She won’t hurt your feelings if that’s what you’re worried about. You know she won’t.”

“Then why do I feel like I’m going to be sick at the mere thought of talking to her about it?”

Daphne smiled, her eyes softening. “Because you love her.”

Benedict’s shoulders fell, like Daphne just saying it out loud was the first time he was admitting it to himself. Like his feelings hadn’t fully sunk in, and now they were hitting him all at once like a freight train. It was a realization for him, and it both excited and terrified him at the same time. His emotion was clear on his face as his mouth fell open, making Daphne’s smile widen.

“Don’t worry, brother,” she reassured him. “It will all work out. I truly believe that. Take the afternoon to yourself, and keep your mind off of it till dinner. You’ll know the right thing to say when it’s time.”

—

That evening, you returned to the Bridgerton’s residence with Penelope.

The family gathered in the sitting room before dinner was ready, but Daphne pulled you away before you could follow. She took you all the way to the backyard, sitting down on the swing. She motioned for you to follow, and you took a seat on the swing next to her.

“I wanted to apologize about earlier,” she said softly. “I saw your face, I know I upset you. That wasn’t my intention, and I hope you can forgive me.”

You shook your head. “Don’t apologize. I needed to hear it. I might not like it, but I needed to hear it.”

“It hurt, Y/N. You don’t have to minimize that to spare my feelings. It’s alright to admit it. Do you…do you want to talk about it? I think there’s something more to it that’s bothering you, love.”

She was right.

Of course she was, she was always right. You sighed, turning to look back through the window into the house. You could see Penelope standing with the rest of the family, laughing at something Colin was telling her. He was smiling down at her like she had hung every star in the sky, just so he could have the chance to watch them sparkle. It was beautiful.

And it was painful.

“I just,” you started, keeping your eyes on Penelope. “I’m happy for her. I’m so happy for her. But I’m feeling a bit left behind.”

Daphne took your hand, leaning closer. “What do you mean?”

“I feel so selfish saying this, but…it’s what I want. She’s getting all that I want. All my life, I’ve wanted what you and your family have. You’re all so loved, and you love each other so deeply. Pen deserves that, I want her to have that. And I have no doubt that by the end of the season, she’ll have it. She’ll marry Colin, and officially be a Bridgerton. Part of the family. But she won’t be mine anymore. And I won’t be hers.”

Daphne frowned, squeezing your hand in hers. She turned you to meet her eyes, giving you a knowing look.

“I have a feeling this has more to do with a certain brother of mine. And I don’t mean Colin.”

You frowned, and she knew she was right.

“This is about Benedict. With Penelope being with Colin, it’s a reminder that you’re not with him. And you want to be with him.”

You couldn’t deny your feelings any longer. “I do. God, I really do. But it’s more than that. I want to be his family. I want to be your family.”

“And you’ve had to silently watch Penelope get what you’ve been waiting for,” Daphne said in realization, her heart breaking when you nodded.

Daphne stood up, pulling you with her. She wrapped you into a tight hug, refusing to relent until you hugged her back. You sighed in frustration, letting her gently rock you back and forth.

“Y/N,” she said softly, pulling away. “You’re already my sister. Regardless of who you end up with, whether it’s my brother or not. Wherever you end up, it doesn’t matter. You will always be my sister. You never have to worry about that. Not ever.”

You smiled softly, squeezing her hands. Just as you opened your mouth to speak, a throat cleared behind you. You quickly turned to see Benedict standing at the door.

“Mother told me to come collect you both. Dinner will be soon. Daph, Simon is asking after you.”

Daphne nodded, turning back to you. “Come along, then.”

“Actually,” Benedict interrupted, his eyes falling on you. “Could I have a moment alone with Y/N, please? If it’s alright with you.”

“Of course,” you said nervously, nodding towards Daphne.

Daphne smiled, nodding back. She patted Benedict on the shoulder as she headed back inside, closing the door behind her.

When she was gone, Benedict gave you a sheepish smile. He motioned for you to sit down, and you took a seat on the swing. He sat on the swing next to you, turning his body so that he was facing you. His knees brushed yours as he settled.

“What is it?” You asked, giving him all your attention.

“I just wanted to make sure you’re alright.”

Your eyes softened on him, and you laid your hand on his arm. “I’m alright, Ben. Better now, since you’ve arrived.”

“Cheesy,” he smiled, but his heart was fluttering in his chest. “You know how to make a man smile, don’t you?”

“I didn’t think I was doing anything in particular,” you shrugged.

Benedict’s smile widened, and he couldn’t help but ponder his feelings for you. From the moment he found you alone on his doorstep, to when you took care of him at his lowest. From the way you treated his family, to the selflessness you never failed to put before your own wishes. From the way you made him feel, to the way he so desperately hoped you felt. He couldn’t stop himself from confessing, hoping his words wouldn’t come back to haunt him.

“I have to tell you something,” he murmured, taking a shuddering breath after he realized what he said, and what he was about to do.

You nodded. “What is it?”

“I think—and in case this is a huge mistake on my part, please forgive me—but, I think…I think I’m in love with you.”

You stiffened, standing up from the swing. “What?”

“I,” he stuttered, standing up as well. “I’m sorry, I don’t know what I was—”

You cut him off, taking his hands in yours. “Say it again.”

Benedict’s eyes widened, and you had caught him at a loss for words. He felt like you had punched him in the gut, sending him to his knees. But he nodded, squeezing your hands in his.

“I love you,” he said again, softer this time as he looked at you through gentle eyes. “I’ve loved you from the moment you got into that carriage with me, and I’ve loved you every moment since. I love you.”

Your shoulders fell, and you could feel the tears welling in your eyes. You let out a breath you didn’t know you were holding, clinging tightly to his hands. You felt like your knees could give out, and the only thing holding you up was him.

“You’re not lying? You’re serious?”

Benedict almost laughed, nodding. “Yes, Y/N. I’m serious. Do you really think I would jest about this?”

You couldn’t help but laugh as well, bringing a hand up to cover your mouth. “All that time. All that time, and you couldn’t tell me? You certainly waited long enough.”

“I’m afraid I don’t understand, darling,” he said, cocking his head in confusion.

You were starting to worry him now, concern written all over his face. It made your heart clench in your chest.

You smiled, wrapping your arms around his neck. You were so happy, you couldn’t help but hold him close, smiling wider when you felt his arms wrap around your waist, despite his confusion. You held him tight, standing up on your toes so he could hear you loud and clear.

“I love you too, Benedict.”

He instantly pulled away, holding you back at arms length. “You what?”

“I love you,” you said again, taking his hands. “And I’ve been waiting ages for the day you’d finally tell me you felt the same. I never thought I’d hear you say the words, but I am so happy that you did.”

It was his turn to ask. “You’re serious? This isn’t a joke?”

You shook your head, and he squeezed your hands. You brought one of your joined hands up to press a kiss to the back of his, smiling up at him.

“I’ve never been more serious about anything in my entire life.”

—

A/N - Hi! I’m so sorry this took so long, it took me a long time to figure out what I wanted to write. Not sure why this one was so difficult, but I finished it! I hope you enjoyed it :)

[bogleech]

Guess I have to make a main thread about this. Someone decided to fight with me in the notes on this post just yesterday about Gaza and made select responses of mine into a callout thread here, where they say my anger towards the IDF is all a cover for antisemitism. This didn't make any sense, because they said they were also against the IDF killing civilians, and I repeatedly said that Jewish people aren't to blame for the IDF or represented by the IDF in any way, putting us supposedly both on the exact same page. What gerry leaves out of their own screenshots, and I'd actually forgotten, is that at first they came at me from an angle that I was disrespecting the victims in Gaza.

So this implies they feel gaza is being subjected to a genocide, and a pretty big one, since they're upset my language made it sound "smaller and tamer." When it becomes obvious that I do in fact consider it a serious genocide, that's when they switch over to saying that my criticism of Netanyahu or the IDF is inherently an attack on Jewish people.

Notice I never actually said "zionists" in this screenshot, even, but that I defined "regular humans" as humans who don't want to kill innocent families. That would automatically include Jewish people since they overall do not wish to kill anyone, but have in fact spent quite a lot more time trying not to get killed. I believe there may be entire books about this fact! I think there's even whole museums about it, if I'm not mistaken?!

So then they pivot to saying I'm an antisemite because I said the IDF and its supporters can "burn in hell," and they say "invoking hell" is an antisemitic dogwhistle, which is definitely news to me?!

So I tried to clarify, again, that I'm only angry at the people who are themselves killing civilians and the "pro-genocide maniacs" who defend the killing of civilians, which they responded to as if I had "lumped them in" with those. You can just see right there that I didn't make any assumption that they were a part of that at all. Thanks to their earlier comments I still thought I was speaking to someone 100% against the IDF's actions, but every time I said that the killers and their advocates alone are bad, they've framed it in some new way as me just not liking anyone Jewish. So now that you have that context:

...In a response to an ask, they finally just say they hated me to begin with and set out with the intention to "bait and sealion" me (their own words!!) into saying something they hoped would be antisemitic, which they believe was successful despite me never saying anything about Jews other than "this isn't their fault." They saw what they admittedly wanted to, so strongly, that they show me saying "this isn't the fault of Jews" as evidence that I blame Jews. But speaking of people "going mask off"

In multiple more recent posts and asks, this person appears to say that they simply do not believe the IDF is really targeting children or ambulances or relief aid, that "none of those are true," and the deliberate targeting of any children is supposedly just a conspiracy theory??? So I guess they did successfully troll me and I feel like a real gullible dumbass, because the only reason I continued responding to this person in the first place was that they said they were in fact against the ongoing massacre. Instead, these comments sound like they think the IDF is being unfairly vilified by dishonest propagandists, and that's why they hated me enough to try and fish for callout fuel. That's the nastiest fucking thing anyone's yet pulled on me about this and it's not one that I'm just going to ignore. I should have smelled a troll early on and just blocked them, but it's SO hard for me to suspect ulterior motives. I always go in thinking people mean well, and that there's just a miscommunication we can work out. I almost feel like this individual noticed that and tried to exploit it?!? Unfortunately I'm sure this kind of thing will happen again simply because I don't intend to obediently shut up about what's being done to Gaza. It's not logistically possible for the death and destruction to all just be accidental collateral damage. Don't let anybody ever fool you into thinking the IDF is the face of the Jewish community or vice-versa, just as you can't let anyone fool you into thinking Hamas represents all Palestinians. Especially don't engage this person, stop doing so if you have been, and block them.

[hoodedjelly]

Nicktoons unite main 4 in their respected styles ( minus jimmy neutron i'll explain more below)

i feel very mixed about these but it was still fun either way studying all of these cartoons respected styles. the final does make me happy, seeing all of them together ^__^ 💞

below i will explain my thought process working with each style so get ready for a wall of text:

first before anything you may be asking: why no jimmy neutron style!? it's because i tried and gave up! i was starting the rendering process for timmy and i hated it so i just didn't continue! no point of making myself miserable for something thats harmless fun style studies. but have these as a little treat:

Fairly Oddparents style: the easiest style to work on and research for, fop style is not that complex. i should also add i didn't draw each style in one sitting i drew each character together and then edited them all, so that might be the reason why some look better then others, i just got good. but i'm saying that because the character i started with was spongebob! specifically because i was tired of ppl thinking dp style and fop style are the same and how spongebob would look the same in both styles, just a flat square. which is wrong! fop style is very different! i would prob describe it as a flat paper style. has sharp and rounded thick lines. the main source of research i used for it was the designer for fop was Ernie Gilbert. he has designed a lot of iconic characters for the show and i highly would check out his work, this is his website

Danny phantom style: now this one was tricky, prob the hardest one to figure out and i honestly don't think i really DID figure it out. the possible reason is i am still trying to go through the show atm myself, but i'd doubt it. they all just look off to me, just a little. which no need for me to work myself in a circle trying to make it "perfect". im no professional character designer! especially not Stephen Silver.

Spongebob Squarepants style: this one was tricky but in the opposite way to dp style, where i didn't know what to reference! to start off the show is mainly nonhuman characters, so finding character refs were hard. the refs i did use were the mermaids and the superheros, so i used that for timmy. but in the middle of working on jimmys i was watching a video of someone ranking every single spongebob ep and TURNS OUT in the later seasons, i think season 13, there were human designs! (technically elfs but whatever).

and weirder thing is how they draw patchy but im not going to get into that. i am assuming that style is for characters that are supposed to be real life humans up on land in that universe (but why not just use real life humans? idk, maybe tom kenny is getting to old for the role). BUT ANYWAY, i used the elfs for a main source for jimmy and danny, they turned out a lot better then the timmy in my eyes. i wanted at least one of them to have the black eyes but they all have bright blue eyes and the show usually always colors blue eyes. i get ahead of myself cause there was a lot more factors i still had to figure out. like the line art. the show doesn't have a clear line style like dp or fop, its just relatively consistent medium lines. so i just went with more recent show stuff then older stuff since it's HD.

ok but thats basically it, i can prob go on more but i'd feel no one gaf. i made these for fun and it was fun making them! i love all of these shows a ton so it was nice looking up the designers and artist for these shows. support the artists!!! fuck bitch fartman!!!!!