#which i feel is a little obvious

[chloesimaginationthings]

Who do you want FNAF to collab with?..

[dhmis-autism]

been thinking about them lately ok

[lunarin64art]

That feeling when he can't stand to see you that way, no matter what you do, no matter what you say😩😭💔

[puppyeared]

i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you

[vigilskeep]

ranking da love interests on a scale of how unhinged theyd be if their beloved was made tranquil (they would all be maximum unhinged its just a matter of deciding what flavour)

[aroaessidhe]

2023 reads

The Spider And Her Demons

YA Australian urban fantasy/horror

about a Malaysian-Chinese girl who’s half spider-demon, just trying to keep her head down and survive high school

when she accidentally kills and eats a man in front of the most popular girl at school, they strike up a strange friendship and she starts to learn more about herself and the supernatural world

aroacespec/sapphic ish

[rushingheadlong]

You know something I don't think I've ever seen people talk about is how Freddie changed the lyrics for Big Spender.

Because in case you don't know, all original versions of the song are sung by women - and it is made very clear that they are singing to men:

The minute you walked in the joint I could see you were a man of distinction A real big spender [....] So let me get right to the point: I don't pop my cork for every man I see Hey, big spender Spend a little time with me

Probably not too surprising, then, that when Queen performed this song in 1974 Freddie had to do a bit of a gender-switch on it:

Though, it would probably be more accurate to say that Freddie made this song gender-neutral because he didn't change it to be about a woman. He eliminated the first use of "man" entirely and then sang "I don't pop my cork for everyone I see" (instead of "every man").

And honestly there's probably a whole dissertation you could write just about those changes alone, but what I really love is when Queen brought the song back in 1986 and Freddie changed the lyrics again:

Because yes he still dropped the first "man" but the "everyone" is changed and Freddie instead sang "every guy" with just the barest hint of a "-rl" sound at the end to give him plausible deniability if anyone asked about it.

So much of Freddie's music speaks to his experiences as a queer man but, because of the nature of the times in which he lived, he couldn't always be directly open about that fact. Most of his love songs are intentionally vague, and he sang about "somebody" or "you" to avoid having to use gendered terms as much as possible.

Freddie singing "I don't pop my cork for every GUYrl I see" wasn't just an adjustment to the original lyrics, it was a specific change from how Freddie had sang it before in order to make it more gay in a way that he could rarely be with his own music, and that is what I adore about this. It's such a little thing, but it gives such a unique insight into how Freddie balanced his sexuality and his stardom, and how the relationship between those two changed over the nearly 12 years between these performances.

[doccy]

I'm ngl how some people have reacted to mammon being confirmed ace is strange. most of yall have been cool asf with it I should clarify, but I've seen some people way too disgruntled abt it still on tumblr/twitter/etc. a character isn't suddenly "ruined" because they're aro and/or ace. you can still make risque fanart and fanfics and still ship him if you really want to no one is stopping you 😭

and idk as someone who IS aroace, it makes me happy getting rep. we don't really get rep! and there's so much misinformation and misconceptions on aro and/or ace people in general, y'all act like we can't have sex or be in relationships, etc at all. and his romantic orientation isn't confirmed. y'all can still draw whatever I promise. just don't erase his asexuality n research into how aspecs handle relationships

[fruityumbrella]

can never really stop thinking about the core difference between zoro's sacrifice at thriller bark vs the other major crew sacrifices (robin and sanji) but i can never really articulate it either like. idk. despite all three coming from a place of 'you mean so much to me that im willing to die in exchange for your safety', robin and sanji are both clearly acting under the influence of decades of self-worth issues and being told the world would be better off without them in it, and wanting to be useful in their final act, whereas zoro is...something else entirely.

it's in the way zoro's is an act of defiance right until the end, vs robin and sanji's capitulation. and thats not to say that their sacrifices were lesser or that they just 'gave up' or whatever. robin and sanji were both in awful situations where they were undoubtedly boxed in and had to make snap decisions, but there is something to be said for how they both feel like they have no choice but to shoulder the burden alone and in silence, without giving the crew even a chance to have a say. conversely, zoro makes the offer to kuma when every other avenue has been exhausted and the crew is totally out of commission (though they all made it explicitly clear theyd rather die themselves than hand over luffy).

there's something about luffy (and the crew)'s life being as important to zoro as his ambition, vs luffy (and the crew) being more important than robin/sanji's own lives. as in, the most important thing in zoros life has always been his goal, and he raises the crew to that same level (and luffy even higher) of value, which speaks volumes given his character, as opposed to the others who have never really learnt how to value themselves, thinking of themselves as the outsider that can be easily cast off for the greater good. like...bringing someone up to stand where you are vs pushing someone up above yourself yknow...

[hephaestuscrew]

When Minkowski hugs Eiffel in Ep31 Sécurité, she just grabs hold of him without making a sound, and the listener only knows about the hug because of the "oof" noise Eiffel makes in reacting to having "the wind knocked straight out of him", and the script directions say that Minkowski has "tears silently streaming down her face", and Eiffel is the one who directly acknowledges the hug verbally ("Don't apologise for hugging"). If all we had was Minkowski's side of the interaction, we probably wouldn't know that they hugged. 

When Eiffel hugs Minkowski in Ep54 The Watchtower, he first tells her "C'mere, give us a hug!", and he makes a happy sound of effort as he squeezes her, and Minkowski - under the influence of Pryce's restraining bolt - doesn't seem to have any reaction at all, which Eiffel doesn't appear to notice. Once again, if all we had was Minkowski's side of the interaction, we wouldn't know that they hugged. 

The question of 'in what ways is the hug made audible?' feels much more significant in audio than it would in any another medium, and I do think it reflects something about these characters and their willingness to be open with their affection. Minkowski "grabs him and hugs him" hard enough to knock the wind out of him, but she does so silently. In a somewhat similar but also very different moment of reunion, Eiffel "embraces her" and he's not quiet as he does it. There's something about how Communications Officer Eiffel is always the one who verbalises their physical affection, whether or not he's the one who initiated the hug. The closest Minkowski gets to verbally acknowledging a hug is through an apology; Eiffel is the one who makes the hugs real for the listener.

[michaeljoncarter]

ALSO, like with just about everything about wyll in the full release version i m o, the way his interactions with mizora throughout the game were just sorta ported over without much tweaking to make them fit in with the new version of his character is so weird and clunky and just.... uncomfortable

the fact that mizora was mortal in the original version of the story was kind of an extremely important detail that not only wyll's entire character quest but also their entire relationship and history hinged on. the ea version of mizora was half-human, not a full devil, and according to dnd rules as i understand them, that means she would've had a regular human lifespan. (eta: yes, she's still called a cambion in the full version, but my issue is at some point between ea and full release, all the differences between cambions and devils apparently just up & vanished) so if ea mizora and ea wyll, who were around the same age, met when wyll was 17, that means they met when mizora was also somewhere in the range of her mid/late teens

there's obviously still an unhealthy power imbalance there with her being his patron and all, but there's a pretty big difference between a teenage boy being manipulated by an equally as young teenage girl into signing a pact vs a teenage boy being manipulated by a fully immortal & presumably-already-grown-at-the-time woman into signing himself into her service

and the flirty/sexual dialogue being left in makes this 100x worse. originally, mizora and wyll were explicitly in a romantic relationship that had just ended right before the game started (like literally right before. as in he told you that the nautiloid snatched them up WHILE he was in the middle of giving her his breakup speech (lmao)), but there is literally ZERO reason for the full release version of their relationship to have such a weirdly charged undertone to it??

you can't just take the dynamic of "toxic high school sweethearts who just had an insanely messy breakup 3 days ago after dating for 5+ years" and slap it onto "grownass woman who manipulated a teenage boy into signing his life away to her 5 years ago" with zero acknowledgement of the fact that that changes literally everything??

like sorry, this isn't just petty exes bickering anymore. this is now reading as nonstop sexual harassment, and to someone without the context of this happening due to a messyass rewrite (or even with it tbh), it's weird as fuck that some characters get entire arcs dedicated to unpacking the trauma that comes from being trapped in this exact dynamic, but with wyll, neither he nor the player ever get a chance to try to stop it or even really acknowledge the fact that it's happening in any significant way

the sloppiness of this whole rewrite is actually insane to me

[rexcaliburechoes]

gale is ambition, so he has both crippling self doubt and debilitating pride in his work.

gale is ambition, so if a character tries to undermine him by one-upping him, he'll think he's not nothing left. more else can the orb destroy that it hasn't already?

gale is ambition, so if a character tries to undermine him by one-upping him, he'll vehemently deny that. he's the wizard of waterdeep. he was mystra's chosen. he was her lover. who could be any better than that?

gale is ambition. it's his greatest flaw and his greatest asset.

[marc--chilton]

(mgv) wilson in pre-rut and still working but it being more and more obvious to the ducklings (who are not in tune with his cycle like that freak house is, thanks) because he starts following house around more than usual, sometimes even getting physically closer to him when it's not necessary (and house lets him most of the time too. not all the time though. if he gets especially annoyed he'll snip at him and wilson backs off with his head ducked which is..... atypical pre-rut alpha behavior but also their friendship is atypical so whatever)

it's so bad sometimes they even catch wilson smiling while he pretends not to notice while house steals his wallet so he can empty out the vending machine for his favorite snacks. later when they're alone in house's office, house pulls out a couple bags of wilson's favorites he got while he was raiding the machine and tosses them over. the look on wilson's face is so dopey that house can't help but snicker and tell him to put in his notice of leave for his cycle soon because he is really swimming in it now

[puppyeared]

fuck it. plaguesona

[orchideae]

A little unpopular opinion on something I've seen happen more commonly throughout November/December and wanted to address quickly for my own blog: Please never hesitate to reblog anything from me. You see me reblogging a sentence starter list that you like? Go for it and reblog it from me directly without any pressure on you whatsoever to send anything into me before doing so. You like a GIF-set or musing that I reblogged? Nab it from me, it'll brighten my day to see that we share an interest in something. I like to see interaction between me and anyone who follows me. I like to see that little activity notification light up.

Honestly, it simply reminds me that we're all part of a community, and more specifically, a fandom that consists of characters and nations that we all came to love and then share that amongst ourselves. And honestly, seeing a reblog happen shortly after me but it's from the source, creates (in my opinion) an odd sense of chosen disconnect between people that can feel awkward, it's as if we're walking on eggshells as to not rub each other the wrong way. But what's wrong about going 'Hey, I see what you reblogged, I like it too!', it even gives you potential common ground to start a conversation. We're a community, and I don't know about you, but I like seeing people interact with each other beyond merely threads and notes. It's the little things that matter, after all.

[loopdile]

transcription under the cut!

The worst ship chart ever.

Ship name: Loopdile

[insert very tiny math] Ages: 43 and 31? Age difference: 8?

Portrait of Odile with an eyebrow raised saying "I'm not telling." Name: Odile. Gender: trans woman (maybe nb but idrc rn). Sexuality: Aro lesbian.

Portrait of Loop with a finger raised saying "I'm not telling~" Name: Loop. Gender: Nonbinary (??? what is identity). Sexuality: Ace bi

General sliders. "Relationship starts quickly vs the slowest burn you can possibly imagine" is marked fairly close to slowly and trails off towards slow burn. "They'll be together forever vs They'll break up after 2 months tops" has two marks, one at 2 months and one really close to forever. "Cute couple vs dear god they're ugly" is marked a quarter slider away from cute. "Reasonably healthy and normal relationship vs They're dying and getting killed and hurt man" has a wide mark all the way from the halfway point to a quarter away from healthy. "Extremely popular ship vs literally no one ships this but me" is marked fairly close to no one.

Specific sliders. "Giddy and happy to be in love vs they just killed themselves 40 times in their head at the idea of being in love" has loop at died and odile fairly close to died. "The madoka vs the homura" has loop at homura and odile a third of the slider away. "Telling anyone who will listen about their partner vs rarely brings up that they're in a relationship" has loop a quarter away from telling anyone and odile fairly close to rarely. "eats and/or encourages a healthy diet vs eats dry instant noodles only" has loop at noodles and odile a third away from healthy. "crazy ass vs truck freak" has loop at crazy ass and odile fairly close to truck freak.

Tell me why your ship is interesting... go!

What draws them together? Odile is the only motherfucker that can handle them; Loop is weird and intriguing.

What stands in the way? Poor communication skills; Loop is clingy but Odile often needs space; Loop lashes out and self-isolates.

What are their good traits? They're both hilarious and dedicated to the bit; they're both devoted to their loved ones.

What makes them hopeless at romance? Odile is aro-spec and uninterested in romance; Loop both hates/fears and craves romance; Luckily they can just be something stranger!

Describe them with one trope: found family, deadpan x emotional, secret third thing, I'll protect you from yourself.