#-like they contain important lore but is it worth it. hmm hmm

[rorydrawsandwrites]

So far I'm honestly a lot better at drawing Puzzles with the big cartoony eyes than the white dot ones for the moment

[elainsgirl]

I don’t understand how antis say that elucien has as much foreshadowing as elriel. Apart from the unwanted mating bond what romantic moments do they have.

Alright, let’s count without being biased:

Ig him giving Elain his coat in Acomaf? I think thats the absolute bare minimum but for some odd reason its romantacised?

wanting too leave Spring to see if Elain was worth fighting for Elain.

erm. Hmm. Lucien telling them to take Elain out of the house and outside…which Amren and Madja also said

”she was the most beautiful woman he had ever seen…she was nothing like Jesminda, Elain had been thrown at him”

Elain taking that halfstep towards him, it wS serving the good angst

A smile blooming on Elains face when she sees Lucien

Lucien fighting his way through the battlefield for her

and them having a conversation in the end of acowar together without anyone else present

Luciens gifts towards Elain if you ignore the fact her smile faded afterwards and she liked none of them enough to use them

I mean some *I* don’t find romantic and the books canonically does not place any significance on more then half these scenes so if we’re going by the books only and whats written to be romantic - 5-8 everything else is twisted interpretation. Now, The *only* foreshadowing that gives some leeway to elucien is Elains connection to sunlight and Lucien being an heir to day HOWEVER neither are connected together through sunlight together and you have to ignore Luciens autumn and fire imagery as that does not fit elucien in anyway. Along w Mass writing the line, “Lord of fire and Bird of Flame” between Vassien. With elucien, you have to disregard a lot of canon context to find some of their scenes romantic hence why you often find elucien’s purposely twisting quotes and scenes to show it in a better light

Ofc let’s look at some elriel scenes, *just from acowar* 1. Elain calling Azriels scars beautiful and not balking away from hin -> he blushes = romantic coded scene

2. Elain and Az chilling together in the garden -> Feyre looking at them and THEN questioning elucien’s bond, “why not make them matss?” - scene written to be significant.

3. Azriel mirroring Cass and going still at the sight of Elain -> we know how Cass feels about Nesta at this point, by having Az copy Cassians action for Elain it places both couples on the same romantic scale - again a purposeful choice by Sjm

4. “A seer” -> Az figuring out what was amiss w elain, Madja said only a mate can do so, so again written to be significant especially when you parallel it to Lucien standing there clueless

5. “You came for me?” -> significant moment for Elain, It wasn’t her mate that came but Azriel

6. Azriel cradling Elain to his chest despite swaying and bleeding

7. Elain rising to her toes and giving him a peck on the cheek -> no need for that, romantically coded again

8. The whole scene where Az gave her truthteller. THAT was written to be monumental, “Death and the lovely fawn” - I would not say this is typically romantic HOWEVER It is peak elriel foreshadowing and lore for their plotline w the prison.

With Elucien, thats all across 4 books. With elriel thats just ONE out of FOUR books. And ALL four books contain even more romantic elriel foreshadowing and plot. 1, 3, 6 and 7 are romantically coded and written. Its not something anyone can argue about. Its the standard formula for a couple written to be romantic and you can find this formula in any romance book. 2, 5 and 8 are significant scenes especially as they’re brought up again within the books, like you can’t argue against the importance of these scenes. As for 4 - its a stark parallel between Lucien and Elain, showing who understands her more.

so no. Elucien may have had some foreshadowing in acomaf and spread thinly throughout acowar but it no where near rivals Elriels scenes and foreshadowing especially as elriels’ are ones written to be remembered and significant. Eluciens aren’t.

[af1899]

FEH - "The outside world...! So vast!" (+10 WIP Sophia mini-showcase and appreciation)

So, with the [Feh Pass] subscription, I've been auto battling as much as I could while doing whatever else and gather [Hero Feathers] to get all the [HM] I had yet to get, and it was absolutely worth it, although I've already spent like 300 out of my 900+ something [Stamina Bottles] in the [Forging Bonds] lmao, I have around 660 now.

But with the obtained [Hero Feathers] I merged up Tailtiu to +6 and...

Poggers

I'm happy to have finished merging Sophia at long last which makes of her my eleventh fully merged project soon after New Year Eir, her build is pretty much done but I'd be delighted to give her more premium stuff she can use in the future and make more builds, as well as giving her the remaining [Dragonflowers (I)] but I'm so close to fully boost Sonya and then I have to boost OG and Legendary Julia because of the post-[CYL 2021] update. 🥴

But her current build does wonders already, true, she's not impervious to nearly everything as it is, but I can give her some team support and the like, she's still great on her own.

Now, onto appreciation talk which includes describing her a little and explaining why I like her. I did this in one of my previous posts but it's time to review the info we have about her and expand on it. As always, feel free to read on (long read ahead)...

About Sophia

She's a half-dragon, half-human girl with the power of foresight, she's a priestess residing in Arcadia, a village that houses manaketes that survived one of the most vicious wars from past lore (The Scouring) located in the southwestern desertic region (Nabata) in Elibe, the continent on which the sixth and seventh Fire Emblem games take place in, she's a playable [Shaman] in the former and makes a minor appearance as a NPC near the end of the latter. Her class makes of her one of the two playable dark magic users in Fire Emblem: Sword of Seals (the other is the guy you're most likely to get while pulling on red stones in FEH, a.k.a. Raigh), and she gains access to basic staves after promoting to [Druid].

In her support convo with Niime, it's revealed that Sophia's father was human, meaning that her mother was a dragon, but neither's identity is ever known to the player. But despite this, she never transforms into a dragon, most likely because she never had her own stone to contain those powers. Being half-dragon also allows her to live much longer, but not as purebred manaketes/dragons.

She's fully self-aware of her heritage and doesn't let that bother her, she accepts both halves of herself which make of her a whole person.

She's somewhat important around the half of the game's duration as she helps a gravely injured Cecilia to at least tend to her wounds while waiting for Roy's army to rescue them as they were both thrown into a prison under Bern's control (the kingdom invading the other countries during the events of the game).

Sophia displays a shy and gentle personality, showing clear astonishmnet yet in a calm way when witnessing what the outside world is like and what it has to offer (beyond the village she's been living for around a century), this is most evidenced in her support dialogues with Igrene. She even feels similarly when wearing a new set of clothes, such as those of Embla in the World of Zenith, anytime after she joins the Order of Heroes.

«As long as I am with you... I can go anywhere...even a new country...»

― Sophia

She also mentions she was raised to avoid outsiders, and in the same aforementioned support convo, it's mentioned why.

«I understand what he's saying... The Dragons' powers could easily destroy entire countries. If the outsiders found out, they would surely fight over it. I've seen many conflicts like that in my life...»

― Igrene

And it's understandable why she feels that way after being raised by the elder of the village to do as told for decades. But in the end, she wants to work towards a world of peace where both dragons and humans live together without a war ever spreading out, and befriend other people, she's appreciative of other's kindness.

So... why do I like her?

Because she's purple-haired and most of her design has purple and I love purple soooooo much, that's all you need to know. :)

...Kidding kidding, that's not actually it, but it's in part true that I find her aesthetic pleasing, partially due to my passion for this color:

(Official artwork from FE6)

Her design is rather simple but so charming, clearly evidencing her shyness (see the way she holds her book and her facial expression), and feeling clean without going overboard on details.

Also, I find long, purple hair a rather rare yet dazzling sight, I always look at it in her artwork and remins me why I love her design.

True, her neck in Zaza's take on Sophia in Fire Emblem Heroes bothered me a little, mostly because her neck is a little long as seen above, but not as slim as long as Zaza has drawn her (it's still a decent artwork and the artist has made some really nice pieces later, look at Emmeryn), the style also felt a little off to me. But her Resplendent upgrade made Sophia look more cute and still being the one we know, doning a brand new attire.

(❶ Original by Zaza. | ❷ Resplendent by Miwabe Sakura)

But for me, it's pointless to be pretty if there's not a likeable personality behind the character in question, and Sophia has been proven to be really interesting, often a mysterious but shy girl, she's capable of kindness and finding comfort with outsiders like Kiran or Roy, when I see her, I always feel that she's so nice, never feeling bitterness towards any of her allies, just being shy due to how she's grown, but with a desire for friendship and peace pushing her forward, even slowly but surely, she's so lovely. 🥰

What's more, some of her quotes show she has a protective side, determined to stand up to help her allies but specially those she's close with, this eventually includes Kiran themselves.

Her voice in Fire Emblem Heroes is also really soothing, Wendee Lee has made such a delightful work giving new life to Sophia through her voice acting, there sure are differences between her work back in 2017 (Sophia is a launch unit, meaning she's been around ever since the game was live) and the work on the Resplendent in 2020, yet both are pretty consistent and equally pleasant to hear. But if I have to vouch for one or another, I give a point to the Resplendent voice acting, her voice can be heard with a little more depth and calmness to it than the original, which feels more natural.

And she's a dark magic practitioner but that doesn't make her evil at all, she's really pure actually. But I actually find dark magic most appealing out of any kind of weapon I have ever seen, the whole concept is cool, being always creepy and nefarious in nature, often portrayed in hues of black and dark purple.

And like, c'mon, this thing is amazing:

I wish that [Apocalypse] was her PRF weapon in Fire Emblem Heroes but neither Raigh nor Bramimond who's its OG owner got it and just got random PRFs instead.

Anyway, in short, I adore Sophia and it always makes me happy to turn a seemingly weak unit into a tough to crack cookie, love for favorites sure can take them far.

"And... as a unit?"

I've been trying her mainly against the foes she has advantage with, but I've been also trying her against red/blue units and sometimes she does a nice job holding them at bay, she has low speed even after all this investment but with buffing it's somewhat usable.

Yet I prefer to focus on her strengths, not weaknesses, and she stands as a fairly good magic tank, with the few extras she enjoys as a launch unit and full demote plus Resplendent skin since around the first weeks of the [Feh Pass].

I actually tried her here some time after posting this because I didn't notice the [Limited Hero Battle] for today requires you use FE6 units, so I went with my faves in the game and it was rather easy. 🙂 But it still took a little thinking.

"Who's the next +10 you have in mind?"

Hmm... actually gonna (at least try to) work on Lilina, another one of my Elibian favorites. I also have her Resplendent upgrade and could revamp her kit. 🤔

But she's currently +3 so her turn might take longer or someone's else may come before, Idk.

And then, hopefully someone I like out of the next potential Resplendent Heroes...!

[yasuda-yoshiya]

I haven't delved much into KH lore, but I think there's something wrong when the main character is shoehorned into a plot that's essentially the same from the previous arcs repetitively along with a character that seems to be the love interest, while several others you never got to play as (or very temporarily playable), gets much further characterization and their new resolutions. The only ones that are interesting in Sora's party is Donald and Goofy btw. Anything about Riku and Mickey though?

Hmm, well, strictly from a storytelling perspective, I think I basically agree with you! Pretty much all the really interesting plot developments and character moments in KH3 are completely divorced from the person whose PoV you’re stuck inhabiting for most of the game, and Sora pretty much spends the whole game doing absolutely nothing of any importance while all the actual plot progression happens away from him. And in terms of what makes a good story, yeah, that’s basically terrible, but I honestly feel like I can basically understand why they did it because frankly, Kingdom Hearts as a series is in a very weird position at this point. The main appeal of the series to the vast majority of the casual audience is its supposed “Disney magic” and getting to explore the worlds from various Disney movies, but the actual main plot of the series at this point is an absolutely impenetrable and convoluted mess of original characters and plot threads that’s about as far away from any kind of “Disney magic” as you could possibly get.

With that in mind, it pretty much makes sense to me that they’d want to just shove the main plot out of the way entirely for most of the game and just focus on Sora’s random adventures in Disney worlds, because it’s honestly gotten to the point where the presence of the main plot actively detracts from the supposed central appeal of the game for most people. It allows KH3 to be enjoyable as a stand-alone experience to the average person who doesn’t give a crap about the overarching mess of the Kingdom Hearts plot and just wants to enjoy some Disney fanservice (and let’s be real, this probably describes at least 80% of the people who actually bought the game). Games like KH1, Days and BBS could manage to do a passable job of integrating some characterisation and plot development into the Disney stuff without being too jarring to the casual audience, because those games told basically self-contained stories. You don’t need to be a KH Lore Maniac to follow, say, Ven’s character arc through BBS. But KH3? KH3′s plot is all about tying up loose ends and resolving the stories of various characters from other games. Nothing about KH3′s plot makes any sense or has any real impact as a standalone, and it would probably be a fool’s errand to even try to make it work as one, because it just has way too much baggage from the ongoing series-wide plot that it has to resolve. So rather than trying to give Sora a quest that actually ties into the main plot in some way, they just decided to put the plot to one side and lean into unapologetic filler instead. I can sort of respect that.

The way I see it is… well, let’s put it this way. As a Kingdom Hearts fan, I could totally draw up an alternative outline for KH3 that has Sora making more of a meaningful journey and progress throughout the game, and integrates the main plot into the Disney stuff better. The focus of KH3 is about Sora saving the hearts and healing the pain of the people connected to him, the people whose pain was forgotten until now. So why not make the plots of the Disney worlds focus more on having him come to understand these people better, to get more of a focus on why it’s so important to bring them back? Let’s have the Olympus Coliseum chapter involve a subplot where, say, Sora finds out from Phil about the time Roxas spent training there in Days, and Phil talks about how much potential he showed and how he really misses the kid. Let’s spend more time explicitly drawing a connection between the toys having hearts in Toy Story and the way Xion developed her own heart despite being an artificially created puppet. Let’s parallel Rapunzel’s situation in Tangled with Namine’s in CoM, and make the plot of that world about Sora regaining the memories he lost from CoM (heck, Marluxia’s even right there and briefly brings this up in the actual game already!), reminding him of just how much Namine suffered and how much she deserves to be saved. And so on, and so on.

And that would probably make for a much more solid and cohesive game, and give the overall plot a lot more weight… but could you actually realistically present that kind of plot in a way that wasn’t totally alienating to the casual audience? Are you really going to be able to give enough emotional context for the average uninitiated player to grasp and care about all these different plotlines just through flashbacks and exposition? Are there really that many people who actually want to see the plot of Tangled used as a vehicle to revisit the plot of a 2004 GBA game, or are people just going to be frustrated at these hugely popular Disney movies being taken over by weird anime OCs they don’t care about? Professional reviewers are quite understandably panning the game already just for the very minimal intrusions of the convoluted main plot into the Disney stuff “breaking the magic” as it is, so it’s hard for me to imagine that any more of that would really be well-received by and large, however much the story might technically benefit from it. This is the sort of problem we run into when a game has to try and simultaneously appease two distinct audiences with entirely different priorities. Giving the main plot a very minimal presence for most of the game and then shoving the entire resolution into the last few hours is an imperfect solution, but I’m also not really sure what else they could realistically have done, given the setup KH3 had to work with.

In the end, I’m basically content with the compromise. I think they did a decent job of making a game that stays mostly enjoyable and accessible as a wacky Disney adventure for the casual audience, while still tying up most of the big overall plot threads that needed to be tied up in a reasonably satisfying way (a few very questionable writing choices aside… but it’s Kingdom Hearts, what else is new). It would have been nice to have had more build-up and substance to these characters’ resolutions, and to actively focus more of the game on them, as you suggest - but the more time the game spends pandering to overall series fans, the more time it also spends alienating everyone else. I think in the end we just have to accept that the build-up and context for their resolutions was in the previous games, that the people who really care about the series’ story will have played those games already, and for the people who haven’t, it just probably wasn’t worth devoting too much effort to trying to make them care within KH3 itself. That’s my take on it, at least.

On Riku and Mickey... hm, well, aside from them obviously being OTP material as always, neither of them really got to do much in this game? So I don’t really have much to say about them in particular. I thought the idea of Riku feeling a personal connection to Aqua’s plight as someone trapped in the darkness was sweet, but then they didn’t really do anything with that or let them actually interact at all in the end, so it felt like wasted potential. The BBS characters in this game were just a big disappointment in general, really! They could easily have done much more with them than they did, without even changing the structure of the story much... but, uh, I’m talking about Riku, sorry. I feel like Riku’s never really done much for me as a character, beyond like, KH1 and maybe CoM. I can see the outline of his arc on paper, and it seems fine and potentially interesting, but the execution has always felt pretty by-the-book and lacking in nuance to me. They talk very generally about him “falling to darkness” and such, but they don’t ever get beyond that into actually having him wrestle with his guilt over specific things, like his time working with DiZ or kidnapping the princesses or contributing to Roxas and Xion’s sacrifices, so it all feels a bit too broad to particularly connect with - and it’s sort of hard for me to really give weight to things like “I wore a blindfold for a whole year because I couldn’t stand looking at myself”, when that’s juxtaposed with him flipping right back to being a perfectly functional and confident hero without much apparent struggle or lasting difficulty after just a few platitudes from Sora. It’s sort of like they flip between being broadly melodramatic about his issues and shrugging them off completely? So he’s never really clicked with me, personally.

Meanwhile, Mickey is kind of hard for me to take all that seriously as a character beyond the memes, since... I mean, he’s Mickey Mouse, so there’s a big mental block there, lol. But even if I put that aside and look at his writing in KH in isolation, he never really felt like a particularly deep or interesting character or anything, I think? His relationship with Riku is very sweet, though!

[feynites]

Can you do a top 10 assholes of Dragon age and give us the reasons why their on the list and why some are worse then others?

Hmm.

Okay. I thought about this, and I realized that it would be very hard to quantify a lot of this stuff, because most characters in this series are assholes in at least some way. And how anyone would rate their asshole tendencies is bound to vary a lot based on personal values and perspective. For example, someone might find Aveline’s tendency to kinkshame Isabela much more asshole-y than Oghren’s inappropriate sexual overtures. And someone else might just be like ‘okay but Sten killed an entire family for no good reason’. Which would then lead us straight to A List villains, basically, because if we’re getting into the really ugly stuff, that’s who we’ve got.

So, I’ve decided to try and rate this list by two major deciding factors.

One is consequence - i.e. how many people did they get killed, how much stuff was destroyed, how much suffering was created.

The other is remorse/motivation - i.e. why did they do things that led to pain and suffering, what (if any) regrets do they have, and do they go about attempting to atone for it?

On that note, the list is below the cut. To disclaim - obviously this is going to contain some character criticism. If you see a character on this list and don’t want to read about it, feel free to skip their entry. Or skip the whole list altogether. This is by no means an attempt to shame anybody for liking certain characters or anything along those lines.

10. There are too many assholes who could fill this bottom slot, honestly. Petty, individually horrific people whose only saving grace is that they were ultimately not that important. Vaughan Kendells, Quentin, Magister Erimond, Bartrand Tethras, Bhelen Aeducan, the Viddasala, etc. So this is actually just going to be a reserve slot to acknowledge that there are a lot of assholes in Thedas. You’re all Number Ten in my heart.

9. Loghain Mac Tyr

Turning away from a questionable battle situation is a debatable tactic. Not wanting to permit Orlesian forces across Ferelden borders? Also worthy of discussion. Selling alienage elves into slavery and framing and putting out a bounty on the only people who are capable of dealing with the darkspawn threat at your doorstep, on the other hand, are pretty hard actions to bounce back from. Especially when you are a man who is absolute shit at going ‘whoops, my bad’. Nearly causing the destruction of Ferelden gets Loghain to Number Nine, but no higher.

8. Rendon Howe

I mean… if someone were to distil ‘essence of asshole’ into its purest form and inject it into a mosquito, I’m pretty sure the end result would be something like Rendon Howe. Spiritually, he should be top of this list. Fortunately for the rest of Thedas, though, he ultimately lacked the power he’d need to get there.

7. Magister Danarius

Slave owning rapist who is entirely sane and acting of his own volition and cruelty? Why isn’t he higher on this list? Well, mostly because of scale. But scale’s also part of the reason why I wanted him on here. Danarius may not have had the opportunity or means that some people on this list have had to inflict his dickishness on vast swaths of people, but he embodies a certain irrefutable, personal kind of evil that is inextricably tied to such things. And, y’know, he did his best to be the worst kind of human he could be with the tools he had. Honestly, he is probably far worse, as a person, than a lot of people higher on this list. He would have been Corypheus if given half a chance. But he wasn’t given that chance. I knew he definitely needed to be on here, though.

6. Solas

Solas gets to a middle point on this list, and he is mostly here for his actions regarding Corypheus, Felassan, and Briala’s eluvian network, and the far-reaching scope of basically everything he does. His future actions are still up in the air, and his confirmed up-to-date actions contain a balance of significant good and bad, and he shows a lot of remorse (though it’s not always clear what for, precisely). Because of his mystery, it’s hard to rank the full consequences or asshole-ness of his character, yet. He’s the guy who put up the Veil in what was probably an act of desperation, he may have saved the world (possibly more than once), and he has also threatened to destroy it. So, he’s at Number Six for now, because man is this a steep competition.

5. Grand Cleric Elthina & Meredith Stannard

Posts five and four on this list are going to double-up, if only because a lot of the crimes, consequences, and attendant assholery were group efforts. Together, Elthina and Meredith both sought to seize control over Kirkwall, with Elthina’s eye likely towards being named Divine in the long run, and Meredith’s interest mostly veering more towards being able to kill and torment any and all mages as she pleased. Not only did an entire city suffer under their combined hubris and cruelty, but Meredith’s use of red lyrium and the subsequent social conflicts ignited by their actions have had negative ripple effects throughout Thedas, with neither of them showing the least bit of genuine repentance or remorse. 

4. Empress Celene & Gaspard de Chalons

There is something especially asshole-ish about people who will throw countless other lives to the winds for the sake of being the winner of a game, and Celene and Gaspard are pretty much this concept distilled and flavoured in ‘diplomacy’ and ‘military’ forms. Still, they only just beat out Elthina and Meredith, and in part because the both of them had much more power and influence to leverage in their actions, with an entire empire at their fingertips, rather than a city. The corruption of Orlais persists, and the plight of the elven people has worsened, thanks to these genocidal reprobates.

3. Mythal

Now, this is Mythal I am talking about - the ancient elven ‘goddess’, not Flemeth. Flemeth is surely an asshole, but the jury is largely still out on how much of an asshole. To some extent there are still a lot of questions about Mythal, too, so this entry is really more of a joint effort between Mythal and the other ancient elven gods of her crew. But she gets to hold the name slot until we know more about them, as well, because all evidence points to Mythal having established the ancient slave empire of the elves. And while she seems to have eventually come to regret it, the fact that she probably got the ball rolling on everything from slavery to darkspawn to magical corruption, puts her here for now.

2. Corypheus

Corypheus is an asshole in so many senses that, as a character, he’s almost dull. The dude has zero remorse, his actions have quite probably directly resulted in the current Blight situation in Thedas (though it’s doubtful he’s actually responsible for the taint), he’s a prick who owned slaves and murders people left and right, and even the other assholes in this list would probably think he was worth killing. The only reason he’s not number one is because, as much chaos and suffering as Corypheus has caused, there’s one other individual who has managed to have a worse impact on the world - though the jury’s still out on what his personality was actually like.

1. Emperor Kordillus Drakon I

One of the biggest fucking assholes in Thedosian history is the guy who founded the Orlesian Empire and the Chantry, and cemented nearly every reprehensible tendency of the current power structures of the world. Drakon is not technically even a minor character - he only exists in the lore - but I hate him. I hate him so much. In a post-Andraste world where slavery was out of fashion in most of Thedas and various faiths and tribes were making their way, Drakon rose up, and like most conquerors, immediately began murdering the shit out of people who couldn’t fight back, and creating institutions of slavery that used more tactful turns of phrase to disguise what they were. The consequences of Drakon’s rise to power, and how he went about it, are defining conflicts throughout Thedas even so long after his death. Thedas is, in no small part, a violent, war-torn nation thanks to the institutions which Drakon put in place, and he had no reason for doing any of it except that he really liked the idea of being God King of Everything.