#which can be done ofc

[markantonys]

For a moment Rand was silent as well, looking around at the faces turned to him. At last he said, “I hope to return, but who can say what will happen? The Wheel weaves as the Wheel wills.” He hesitated, with every eye on him. “But I will leave you something to remember me by,” he added, sticking a hand in his coat pocket.

Abruptly a fountain near the Roof burst to life, water gushing from the mouths of incongruous porpoises standing on their tails. Beyond that, a statue of a young man with a horn raised to the sky suddenly was putting up a spreading fan, and then two stone women farther on were casting sprays of water from their hands. In stunned stillness the Aiel watched as all the fountains of Rhuidean flowed once more.

“I should have done that long since.” Rand’s mutter was no doubt meant for himself, but in the hush, Egwene could hear him quite clearly. The splash of hundreds of fountains was the only other sound. Natael shrugged as if he had expected no less.

It was at Rand that Egwene stared, not the fountains. A man who could channel. Rand. He’s still Rand, despite everything. But each time she saw him do it was like learning that he could all over again. Growing up, she had been taught that only the Dark One was more to be feared than a man who could channel. Maybe Aviendha’s right to be afraid of him.

But when she looked down at Aviendha, open wonder shone on her face; so much water delighted the Aiel woman as the finest silk dress might have Egwene, or a garden full of flowers.

– Robert Jordan, The Fires of Heaven

[blanketforcas]

i think the way misha jokes about destiel (for shit and giggles but also to take away tension around the topic) has made people forget he can also be quite serious and earnest about it. he will talk about the social climate on set/in that industry then vs now and he will talk about how there used to be censorship at cons and how he prepared for cas' final scene etc. we just more often see the things he says that push the boundaries or seem really funny cause that's what goes more viral. and i do think he opts for that chaotic approach a bit more in comparison, cause it feels safer to hide behind hyperbole and witty remarks. he's also an entertainer and humor is his go-to way to make himself feel a bit more comfortable in such an extrovert-forward social situation. he's talked about this before more or less, and how he does kinda have a public persona to protect himself (which all of his coworkers do too). he will often genuinely forget stuff but he also pretends to forget sometimes, either to give himself more time to think but mostly to seem more distanced from it than he actually is. misha and jensen both care in similar ways, but they approach it differently and make different choices. and i think both serve a purpose, even if i wish they reversed roles sometimes.

[melvinthedepressedrobot]

IT IS DONE!!!!!

I'm so glad to finally have them all up on display, some of them have been in boxes for years

edit: I've given my doll blog a dust off, so I'll be posting more pics and stuff over at @adollable-j /o/

[fumifooms]

When Marcille roleplayed as Chilchuck’s wife because it’s a normal way to engage in gossip of course of course, her appearance is really just her as a half-foot in a common dress and two braids. Uncharacteristically simple for her, though she did wear those as a half-foot too. At the end of canon, Chilchuck, implicitly by the text ~filling the hole in her heart~ by doing her hair for her when she lost the will to care for it herself, puts it in two braids.

She’s one step closer to her "I wonder what Chilchuck would be like as a husband" fantasy…. Don’t give up girl dreams come true, keep asking him about spending the rest of your daily lives together Mfw his love language is acts of service

[liauditore]

cw// implied character death, double life nonsense

because you are love itself.

[cyellolemon]

Failed boy

oc: Emi: (he/it)

[valewritessss]

This fandom is so nit-picky that I’ve seen more criticism on every little thing about wottg (a book that came out 2 days ago) than people saying things they liked about it

Edit: someone has already gotten mad so I repeat this is a joke and not that deep❤️

[ineed-to-sleep]

What if we fell in love and you died LMAOOO what then

[b4rk1ng-l0t]

Headcanon for Toki

Has no idea what "pussy" is slang for.

He's sitting there towards the end of dethhealth in tears liks "i switched piss with mys pussys and now she ams dead 😭" and everyone is wheezing.

Pickles had to explain to him, after a solid 5 minutes of laughing, only because he was on the brink of murdering them all.

[princelancey]

This is what the media complaining about Lance not engaging with them looks like to me

[ananke-xiii]

Rowena and the thick, bloody umbilical cord between choices and faults.

In a previous post of mine I’ve explored a little bit how Mary and Kelly represent a sort of “missed opportunity” for, respectively, Sam and Jack.

At the beginning of s13 Sam resents the fact that he hasn’t been proactive in seeking to create a relationship with his mother and now that she’s (presumably) gone he doesn’t want to deal with that reality. He had wasted his second chance. Jack, on the other hand, never even had a first opportunity to begin with but, unlike Sam, has experienced a sense of unity with his mother so extreme that one of the first things that he tells Sam is that he was his mother(!!!).

S13 reinforces the Mother-Son symbolism because, after Jack’s birth, a rift is opened in space (apparently not in time?): Kelly stays (dead, rip girl I love you) on one side of it while Mary crosses it and finds herself in Apocalypse World. To make things even more clear, this is no random parallel universe: this is the alternate reality where Mary didn’t deal with Azazel. So mothers and their choices/faults are a central theme in this season. Or, well, more or less.

To complete the mothers’ trimurti or, better, tridevi we’re missing the final mother, the destroyer who is, of course, Rowena. It’s therefore quite apt that Rowena reaches her highest potential this season and even confronts Death. What motivates her in an interesting blend of (missing)love and (lacking)power. Lucifer is as part of her story as Kelly’s and Mary’s. Unlike these two, though, she doesn’t have a son who resurrects her, nor a turned-benefactor cosmic being who offers her resurrection as a gift to her son. Rowena has to resurrect herself. Not once but twice. She is, perhaps, the loneliest character in the whole series.

This is actually quite ironic because, if we look back on previous seasons, her “choice” to kill Oskar, her putative son, was what triggered the whole chain of events (the freeing of Amara first and Lucifer second) that directly link Rowena with Mary and Kelly.

It’s only natural, then, that s13 Rowena keeps representing the reversal of the Mary and Sam/ Kelly and Jack relationships because there is no son who’s looking for her, rather she is the mother who’s looking for her (dead) child. Like Sam, she also needs someone who can access another dimension to bring Crowley back but, unlike him, she’s not successful. Now, ngl, this pisses me off to no end, like of course I can understand the real reasons why Crowley couldn’t be brought back, still I kinda hate how it was narratively framed.

When, in "Funeralia", Rowena says that life is unfair she is right but not in the general, pessimistic sense of the phrase: she's right because in-universe some deaths are more important than others and people get back on board depending on whether or not they're still a role to play for them. Rowena's faith in magic is actually justified because magic is the only thing that can help her. And the tragic thing is that it's also what damns her in the process because it's the only form of power she can have access to. There are no angels or cosmic entities looking out for her. She's just... alone.

So, perhaps, it's not that I necessarily hate how her failure to bring Crowley back is described, I just see it as further proof that Rowena is the best example to show how in Supernatural the game is rigged from the beginning and we didn’t even need an interfering and pervy God to realize it. That's all we've been seeing it since S1. All those infinite, booooring talks about being good/evil or doing good/bad actually mean nothing because, at the end of the day, in this show what really matters is how useful you can be, to whom and why (and this is way less booooring, you learn a lot of interesting things about these characters if you go down this road, it's grim but it's more rewarding).

S13 is also when the final connection between Rowena and the Winchesters, Sam to be more precise, is established which is indicative of the fact that she will inevitably die. Before S13 her story was her own, after “Funeralia” it cannot be extricated from Sam’s. To some degree, it’s quite similar to what happened with Crowley and Dean. What’s more, just like Crowley’s powers and shrewdness are what really carry the plot from s6 to s12, magic and spells (and therefore Rowena’s role in the story) will be the key for many plot points from s13 to s15. But there is a big difference.

Both Crowley and Rowena’s sacrifices are described as heroic but, let’s be honest, only Rowena’s was. Crowley’s demise was a clean-up after his own mess at best. It also proved to be unnecessary. Rowena and that awful MBOL’s egg thingy would have managed to confine Lucifer, like, they actually did it. It was Crowley who perverted the spell for reasons that I personally find OOC. I would’ve liked the Crowley vs Lucifer power struggle but not the way it was done in s12 because it felt very nonsensical to me. As in: I can see you need a reason to keep Lucifer around and this is what you’ve come up with but it’s still quite illogical.

At its hidden and secret core S13 is the season of the “let’s reframe the sons’ stories and blame it on the mothers”. Just like Kelly is blamed for Castiel’s ideal vision of Jack and Mary’s "choice" is established as the most important point in the whole show, Rowena-as-Mother must face the same fate: it was her fault if Crowley, Fergus!, ended the way he ended. It’s a naaaaaaaaaaaaaah for me.

This is what we’re told in “Funeralia”:

Rowena: Oh, but it is. Death has something I want. Sam: What’s that? Rowena: My son. After you told me he was gone, how he died, I had an unexpected reaction. We had our differences, but it’s my fault he went down the path he did. I left him. Dean: We’re talking about Crowley-- demon, King of Hell? Rowena: We’re talking about Fergus-- a man abandoned and loveless, tricked by a demon, died in a gutter. He deserved better from the world. From me.

Now, just to be clear: yes, Rowena had the responsibility to do better; yes, she was the absolute worst; yes, she played no small role in her son’s story. However, I personally don’t like all these negative associations between “worlds” and “mothers” as if every fucking thing in the universe is dependent solely on them. How did we end up here? It’s almost as if absent fathers are, like, not THAT bad after all (and the show, as far as I'm concerned, ultimately approves of and absolves absent fathers). So I’m very suspicious of the way motherhood is portrayed specifically in s13 and Rowena’s attempt at redemption well demonstrates that there is reason to be so.

This dialogue in “Funeralia” confirms my gut feeling:

Sam: You know, what happened with Crowley? That wasn’t your fault. Rowena: He never had a chance. Dean: He made his choices, just like we all do. Look, every one of us has done something that we have to live with, that were trying to make up for. Every one of us. Sam: Even without all that extra juice, you’re still the deadliest witch around [Sam's flattering Rowena. He's gonna ask for her help in 3,2,1...]. Rowena: Flatterer. Sam: Yeah, well, we, um... we may need your help [Here we go!]. To save our family. To… hell, to save the world. Dean: You wanna be redeemed? This would be a pretty big step. Rowena: And do you think I still can be? Dean: Yeah, I do.

I mean, not to be rude, but who the fuck cares if Dean Winchester thinks that Rowena can be redeemed? Like, how is Rowena’s redemption (which is strictly connected to her being a bad mother and not, among other things, a zero-regret murderer, which she also happens to be, for instance) connected to saving the Winchester’s family? Don’t get me wrong, I understand that this is SPN and that Sam and Dean’s problems are Apocalypse-level problems (lol, they really did that, when I say that their story is like a cosmogony maybe I’m not that wrong) but, as I’ve said, I cannot help but notice the similarities between Rowena’s arc this season with Mary’s and Jack’s, i.e. you can be redeemed if you either do something useful for the Winchesters or... realize that it's not your "fault" that your sons suffered terribily because "choosing" to deal with Azazel was actually the right choice... for the world. How come fathers saving the world are framed as heroic while mothers actively creating worlds by making hard choices that benefit the greater good need redemption?

So to sum up: while fathers invade S13’s main storyline as solvers, restorers and fixers, mothers are the bones of the story, they carry its weight and its sins but get little if nothing in return: Kelly stays dead, Mary ends up helping out a world that absolves her of her Original Sin but that’s nevertheless a mess (you can never win lol) and Rowena can’t get her son back (but she can save Sam and Dean's family the world!). Looks good, right? Hurray mommy!

[xx-just-a-demon-xx]

a joker drawing to christen my new tablet

[xxplastic-cubexx]

just read the new mutants issue where Charles chose to stay behind in space and my god the juxtaposition between Charles trusting Erik and Erik joining the hellfire club and wondering at his own trust worthiness. I wonder how much of Charles decision was him ultimately trying to avoid the fact that his first class had seemingly betrayed mutant kind and not be willing to face them and how much of it was Dani and Illyana's reaction to him having Karma mind control Illyana. the fact that Illyana was depending on him to ease her mind through limbo and in choosing to stay he forced karma to do it instead, probably fucking up their relationship in the process.

I love him, this is crazy, how much of this is him trying to runaway and how much is this him not trusting himself to fix things and how much is it just him trusting Erik?

i keep trying to put into words my exact thoughts about the sitch but there really is a lot for one issue aintit... oh charles you and your brain...

[mad-hunts]

barton, over here in one of my threads right now, after simping so hard that he's willing to just start killing 'bad people' instead of killing innocent people to stay with his partner and remain as a family + so he's trying to come up with a new identity with her:

[spotaus]

Hey i am back with a thought.

I know we already mentioned like. The future future plans concerning kids in the New Age storyline.

I was thinking. Who would carry/get the kid in the couples? (Yes this implies mpreg. If this aint your thing no worries you can just ignore everything else :3 )

As you mentioned before. Nightmare and error would most likely adopt.

Between dream and blue i think blue would end up carrying the kid. Dream would feel too locked up and locked down if he had to take it easy. Also. Let this man pamper Blue. He deserves that.

Ccino and Killer. Ccino wouldnt want kids for a LONG time and even just the idea would be slow going. But killer has his soul situation (is that also a situation in this story?) And he is a knight being out and about. Ccino is safely at home and would be the safer option. But they would need a long time before ccino would feel comfortable with the idea.

Horror and Crop. Crop. Hands down. Horror with his work and Crop has help on the farm. But i doubt thwy would get a kid because they have along distance relationship.

Cross and Lust it depends on who wants it more. I can see both being the one who does it mostly because i can see pros and cons for both sides.

Reaper, Geno and Dust. Only one option. Reaper. Dust doesnt have a healthy enough soul and that with his spell around it? No way he can carry a kid. Geno meanwhile only has a soulshard so he isnt healthy enough to carry a kid either. Leaving only Reaper as an option.

Okay that was it. :D

Haha! Omg I keep forgetting this is smth I can think about! Usually it's not my scene so it might not cone up much in-stiry but it IS how I picture the cast having kids in this one, so!!! We're diving in!!

Like u said, those boys are adopting hehe-

With Dream and Blue it's a bit hard, because I think that Dream would be really really worried about Blue the entire time. Like, terrified his magic would accidentally trigger the whole Twin thing. But, ultimately, yeah, probably Blue! Dream *would* get too restless, and Blue rlly does deserve to be pampered hehe- (I just think Blue would have to really really talk Dream into it. Dream does NOT want to be like his mother anymore.)

Killer and Ccino... let's go with a yes on Killer's soul situation, so Ccino would be their only option. But, like you said, it would be ages before they even thought about discussing the idea, let alone actually having a kid.

Ohhh yeah. I see Horror and Crop as the ones least likely to have kids (as u said, long Distance relationship, but also they just have to much on their plates? They're practical guys and focus on their work and existing families first. Plus, someone has to be the cool uncles to their nieces and nephews!) But definitely Crop. Especially because Horror is pretty low on natural magic as-is and even though his soul is healthy, his body might not even be able to form a firm ecto, let alone anything safe to harbor a forming soul. (Unlike Ccino, Horror was born that way, and the injury didn't help lmao-)

Cross and Lust? I think they'd both regularly get baby fever, but neither of then would be ready to settle down for a *while* in that way, so I think they'd push off the question until years later. Then when it comes up, they 'fight' over it. Insisting that they should carry- I think they'd end up choosing Cross though! As much as Lust seems like the more convenient option, as he's not a knight, Cross is just built different and insists that if anything goes wrong he wants to be the one it happens to. Which, ofc, leads to him doing training whilst in the early stages until someone (probably Killer or Dust) notices he's a little off and then Cross admits he's got a soulling. He did not expect to immediately get horrified looks (because they were fighting someone with a lil guy inside them, not because he has a lil guy) or to immediately get ushered out of training and to his room because??? Idiot??? What were you thinking??? Cross is the worst at staying off his duties, but his brother's have him covered, thank god-

And yep, put perfectly! Reaper is so genuinely the only option! It leads to some odd interactions, since Reaper can't exactly stop being King, but he manages shockingly well and has Geno there to help him (and probably later on Dust, since Night isn't about to leave Dust out of that due to work-) And. I like to think these three in particular have multiple kids perhaps, Kane and then another, and it's kinda a running joke that Reaper's the one hauling them around lmao- (Also very convenient! Because Reaper is the one with death magic in his soul, the kids are effectively immune to it! They were made from that stuff basically, so ofc they're fine!)

[non-un-topo]

I ordered more tattoo needles & supplies. This is gonna be huge for me and my partner.