#which are like some of my all time favourite pieces of media

[ask-the-golden-god]

( @ask-world-of-distortions Legion @ Cepheus )

“This is a lovely place, is this your home or is this just a place to keep your records?”

Cepheus: Yo Kel! You can't keep calling every arceus you see cute! Perhaps send some love my way!

Kel: You know I always do, you goofball.

Cepheus: Heh, yeah. Alright then. As I was saying, these books are from all over. Mainly from authors I like. All of my son's books are here. Each signed copies. I kinda had to, being one of his biggest fans and all.

Kel: I've also got a rather large stash of literature here too. A much wider variety than Cepheus tends to have as I do like books which challenge my understanding of the world and the lives of mortals. Being able to think critically about a piece of media whilst also appreciating what the author was trying to say can be rather insightful. Critical thinking is always a beneficial skill to develop.

Cepheus: Yeah, you do love those vibes the most. Arguing with these books just so happens to be your favourite past time.

Kel: I just like to put my perspective on what has been said and saying things out loud helps me to fully process the arguments presented in the books.

Cepheus: Of course it does. Anyway, feel free to browse our collection. I'm very much chill with giving out my books.

[everythingsbetterunderthestars]

Also fyi I just finished reading More happy than not by Adam Silvera and I will never be the same again. My brain chemistry has been forever altered. If you even care

[gaywineauntsstuff]

Dick Grayson is my favorite lil guy

And my favorite way of consuming content of my favorite lil guy is the core 5 titans

There is also about 5 billion pieces of media where these 5 interact and some of it sucks so here I am scrapbooking canon together with glue and scissors so I can talk about how I view Dicks relationship with the other OG titans and how different these relationships are from one another while all still being boiled down to found family love

Dick & Donna: Listen. To. Me. These two aren't besties, or fav teammates or siblings. These two are the sun and earth revolving around each other except they each think the other one is the Sun. Dick Grayson and Donna Troy are the blueprint for platonic soulmates. Dick and Donna make everyone around them believe in ancient story by plato "humans once had 4 arms and legs and 2 faces and the God Zeus split them in half for their hubris and now they are destined to roam the earth forever looking for their other half". If y'all think Dick wasn't doing well after Jason died?? Donna Troys death fundamentally changed who Dick Grayson was and how he was written in teams for years. Donna Troy and Dick Grayson absolutely have debated getting platonically married (not canon but it is in my heart) and the only reason they haven't is BC if they do, Donna will kidnap Dick and never let him within 1000 feet of Bruce Wayne and Gotham.

Dick & Roy: remember how I said Dick was fucked up post Troias death in the comics? yeah? Roy Harper is the only reason he made it out of that period of his life alive. These two are like fire and Gasoline, they're quick and angry and always inexplicably near each other. They are VICIOUS with one another in a way they almost never are with anyone else. They try so hard to ruin their relationship bc implicitly they know (unless its the new 52 which I ignore for my own mental wellbeing-hey I did say this was a scrap book of canons) they'll always be there for each other. Roy Harper never misses, Dick Grayson cannot fall and yet Dick is there to hold Roy when his hand trembles and Roy is there to catch Dick when he loses his Grip.

Dick Grayson is the first person Roy calls to get Lian

Roy Harper is the designated keep Dick Grayson alive even if he has to tie the bastard up-

Dick (and wally depending on the run) help Roy with his addiction)

these two are each others roman empires

Dick & Wally: to cut back on the pretentious seriousness of this post. Every time these two are drawn together be it 80s road trips or being the most likeable part of tom Taylors run. Wally west always reads like he's about to invite Dick to swing with him and his wife. If you see them as platonic, romantic (right person wrong time is my favourite Fanon flavour but canonically I like em besties) or somewhere in between Wally West is always Dick Graysons best friend. There is something so wholesome about the fact that Wally canonically stalks checks up on Dick Grayson as much as he does his wife and twins and Dick who is a bat, notorious for expressing their love via breaking into your house and doing your casework for you. Is getting stalked checked up on by someone who loves him without it triggering his "see obviously you're not good enough they're literally babysitting you" paranoia. its like meeting your partners love language needs but its for deeply messed up individuals. They canonically call themselves best friends, and while Dick will always love Roy he always Likes being around Wally (as well as love him but that's a given)

(sidetone are you even besties if people don't think you're dating when they meet you?)

Dick & Garth: The amount of trust, love and respect that tempest holds for Nightwing melts my damn heart (but then again everything garth does melts my damn heart, baby Garth you will always be famous) they are such an underrated pairing and I love the fact that no matter the media, whether they're rivals like in the cartoons or Garth deferring to Dick as leader to the point where he disobeys aquaman (rebirth) Bc yeah THATS how much my purple eyed perfect boy trusts wing. There is always this really sweet understanding that Garth can go to Dick for advice (he asks for Donna advice in titans and advice on his relationship with Dolphin in the comics). And him and Dicks reunion post RIC? I love them sm. Its just... There was also a period of time where Garth was the only titan with sense and tbh sometimes its refreshing to see that when the rest of them (except donna she was dead at the time we never say a bad word about donna in this household) are being fucking insane

[cybernaght]

The fandom echo chamber: fanon, microanalysis and conspiracy brain 

As someone who has been in fandom spaces, on and off, for 20 years, I find some fascinating trends popping up in the last decade that I thought to be fandom-specific but clearly aren’t. So, I would like to do a little examination of where those things come from, how they are engaged with, and what it says about the way we consume media. This is a think piece, of sorts, with my brain being the main source. As such, we will spend some time down the memory lane of a fandom-focused millennial.

This is largely brought about by Good Omens. But it’s also not really about Good Omens at all.

Part one. Fanon.

The way we see characters in any story is always skewed by our very selves. This is a neutral statement, and it does not have a value judgement. It’s simply unavoidable. We recognise aspects of them, love aspects of them, and choose aspects of them to highlight based entirely on our own vision of the universe. 

Recognition comes into this. There is a reason so many protagonists of romance novels have a “blank slate” problem. Even when they do not, we love characters who are like us or versions of us that we would like to be. And when we say “we”, I also mean, “me”. 

(I remember very clearly this realisation hit me after a whole season of Doctor Who with writing which I hated utterly when I questioned why I still clung so incredibly hard to Clara Oswald as my favourite companion. Then I looked at myself in the mirror. Oh. Well. That would do it, wouldn’t it?)

Then, there is projection, and, again, this is a neutral statement. Projection exists, and it is completely normal and, dare I say it, valid way of engaging with — well, anything. Is the character queer? Trans? Neurodivergent? Are they in love? Do they like chocolate? Are they a cat person? Well, yes, if this is what the text says, but if the text does not say anything… You tell me. Please, do tell me. Because, in that moment of projection, they are yours. 

And then, there is fandom osmosis, and that is the most fascinating one of them all, the one that is not very easy to note while you are inside the echo chamber. It’s the way we collectively, consciously or not, make decisions on who or what the characters are, what their relationships are, and what happens to them.  

(Back when I was writing egregiously long Guardian recaps on this blog I actually asked if Shen Wei’s power being learning actually was stated anywhere in the canon of the show. Because I had no idea. I have read and reread dozen of fanfics where that is the case, and at some point through enough repetition, it became reality.)

We are all kind of making our own reality here, aren’t we? 

Back when things were happening in a much less centralised manner - in closed livejournal groups, and forums of all shapes and sizes - I don’t remember there being quite as much universally agreed upon fanon. Frankly, I don’t remember much of universally agreed upon anything. But now, everything is in one place: we have this, and we have AO3, and it’s wonderful, it really is so much easier to navigate, but it’s also one gigantic reality-shifting echo chamber, with blogs, reblogs, trends, and rituals. 

Accessibility plays its part, too. If you were, say, in Life on Mars (UK) fandom between seasons, and you wanted to post your speculation fic, you had to have had an account, and then find and gain access to one of the bigger groups (lifein1973 was my poison, but ymmv), and then, if you feel brave you may post it, but also, you may want to do so from your alt account if you wanted to keep yours separate, and then you would have to go through the whole process again. And I’m not saying that fan creations then were somehow inherently better for it than fan creations now (although Life on Mars Hiatus Era is perhaps a bad example - because some of the Speculation Fic there was breathtaking), but there is something to say about the ease of access that made the fandoms go through a big bang of sorts.

(I mean, come on, I can just come here and post this - and I am certain people will read it, and this blog is a pandemic cope baby about Chinese television for goodness sake.)

The canon transformations that happen in the fandom echo chamber truly are fascinating to witness as someone who is more or less a fandom butterfly. I get into something, float around for a bit, then get into something else and move on. I might come back eventually when the need arises, but I don’t sustain a hiatus mind-state. This means that when I float away and return, I find some very intriguing stuff.

Let’s actually look at Good Omens here. Season two aired, and I found it spectacular in its cosy and anguished way; deliberately and intelligently fanfic-y in its plot building; simple but subversive, and so very tender. (I will have to circle back to this eventually, because, truly, I love how deliberately it takes the tropes and shatters them - it’s glorious). And, to me - a person who read the book, watched the first season, hung around AO3 for a few weeks and moved on - absolutely on-point in terms of characterisation. 

So imagine my surprise when the fandom disagreed so vehemently that there are actual multi-tiered theories on how characters were not in possession of their senses. Nothing there, in my mind, ever contradicted any of the stated text, as it stood. This remained a strange little mystery until I did what I always do when I flutter close to an ongoing fandom.

I loaded AO3 and sorted the existing fic by popularity. And there it was, all there: the actual earth-shattering mutual devotion of the angel and the demon; willingness to Fall; openness and long heart-aching confession speeches. There was all of the fanon surrounding Aziraphale and Crowley, which, to me, read as out of character, and to one for whom they became the reality over the last four years, read as truth. 

Again, only neutral statements here. This is not a bad thing, and neither this is a good thing, this is just something that happens, after a while, especially when there are years for the fandom-born ideas to bounce around and stew. I can’t help but think that so much of what we see as real in spaces such as this one is a chimaera of the actual source and all the collective fan additions which had time and space to grow, change, develop, and inspire, reverberating over and over again, until the echoes fill the entirety of the space. 

Eventually, this chimaera becomes a reality. 

Part two. Microanalysis 

Here are my two suppositions on the matter:

1. Some writers really love breadcrumb storytelling. 

Russel T Davies, for instance, on his run of Doctor Who (and, if you are reading it much later - I do mean the original one), loved that technique for his seasonal arcs. What is a Bad Wolf? Who is Harold Saxon? Well, you can watch very very carefully, make a theory, and see it proven right or wrong by the end of the season. 

Naturally, mystery box writers are all about breadcrumb storytelling: your Losts and your Westworlds are all about giving you snippets to get your brain firing, almost challenging you to figure things out just ahead of the reveal. 

2. We, as humans, love breadcrumbs.

And why wouldn’t we? Breadcrumbs are delicious. They are, however, a seasoning, or a coating. They are not the meal. 

Too much metaphor?

Let’s unpack it and start from the beginning.

Pattern recognition colours every aspect of our lives, and it colours the way we view art to a great extent. I think we truly underestimate how much it’s influenced by our lived experiences.

If you are, broadly speaking, living somewhere in Western/North-Western Europe in the 14th century, and you see a painting in which there is a very very large figure surrounded by some smaller figures and holding really tiny figures, you may know absolutely nothing about who those figures are, but you know that the big figure is the Important One, and the small ones are Less Important Ones, and the tiny ones are In Their Care. You know where your reverence would lie, looking at this picture. And, I imagine, as someone living in the 14th century, you may be inspired to a sense of awe looking at this composition, because in the world you live in, this is how art works. 

If you, on the other hand, watch a piece of recorded media and see the eyes of two characters meet as the violins swell, you know what you are being told at that moment. You don’t have to have a film degree to feel a sort of way when you see a green-tinged pallet used, when cross-cuts use juxtaposing images, or notice where your focus is pulled in any given shot. This stuff - this recognition of patterns - has been trained into us by the simple fact that we live in this time, on this planet, and we have been doing so long enough to have engaged recorded media for a period of time. 

As humans, we notice things. Our brains flare up when they see something they recognise, and then we seek to find other similar details and form a bigger picture. This often happens unconsciously, but sometimes it does not. Sometimes we do it on purpose: finding breadcrumbs in stories is a little bit like solving a mystery. It allows us to stretch that brain muscle that puts two and two together. It makes us feel clever. 

So yes, we love breadcrumbs, and, frankly, quite a lot of storytelling takes advantage of this. It’s very useful for foreshadowing, creating thematic coherence, or introducing narrative parallels and complexity. It’s useful for nudging the viewer into one or the other emotional direction, or to cue them into what will happen in the next moment, or what exactly is the one important detail they should pay attention to.

Because this is something media does intentionally, and something we pick up both consciously and not, it is very hard to know when to stop. We don't really ever know when all of the breadcrumbs have been collected. It becomes very easy to get carried away. There is a very specific kind of pleasure in digging into content frame by frame, soundbite by soundbite, chasing that pleasure of finding. 

But it is almost never breadcrumbs all the way down. They are techniques to help us focus on the main event: the story. I truly believe those who make media want it to reach the widest possible audience, and that includes all of us who like to watch every single thing ever created with our Media Analysis Goggles on and those who are just here to enjoy the twists and turns of the story at the pace offered to them. And I think, sometimes in our chase to collect and understand every little clue we forget that media is not made to just cater for us.

One can call it missing a forest for the trees. But I would hate to mix my metaphors, so let’s call it missing a schnitzel for the breadcrumbs. 

Part three. The Conspiracy Brain. 

If you are there with me, in the midst of the excited frenzy, chasing after all those delicious breadcrumbs, then patterns can grow, merge together, and become all-encompassing theories. Let’s call them conspiracy theories, even though this is not what they truly are.

So, why do we believe in conspiracy theories?

One, Because We Have Been Lied To. 

All conspiracies start with distrust.

If you are in fandom spaces - especially if you are in fandom spaces which revolve around a queer fictional couple - especially-especially if you have been in such spaces for a period of time, you have most certainly been lied to at one point or another. 

We don’t even have to talk about Sherlock - and let’s not do that - but do you remember Merlin? Because I remember Merlin. Specifically, I remember the publicity surrounding the first season, with its weaponised usage of “bromance” and assertions that this whole thing is a love story of sorts, and then the daunting realisation that this was all a stunt, deliberately orchestrated to gather viewership. 

And, because we were lied to in such a deliberate manner for such an extensive period of time, I genuinely believe that it forever altered our pattern recognition habits, because what was this if not encouragement to read into things? Now we are trained to read between the lines or see little cries for help where they might not be. Because we were told, over and over again, that we should.

(Yes, I think we are all existing in these spaces coloured by the trauma of queer-bating. I am, however, looking forward to a world where I can unlearn all of that.)

Two, Cognitive Dissonance.

The chain reaction works a bit like this: the world is wrong - it can’t possibly be wrong by coincidence - this must be on purpose - someone is responsible for it.

Being Lied To is a preamble, but cognitive dissonance is where it all originates. In so many cross-fandom theories I have noticed a four-step process:

A) this is not good

B) this author could not have made a mistake 

C) this must be done on purpose

D) here is why 

(Funny thing is, I have been on the receiving end of the small conspiracy spiral, and it is a very interesting experience. Not relevant to this conversation is the fact that a lot of my job revolves around storytelling. What is relevant is that my hobbies also revolve around storytelling. And one of them is DnD. Now, imagine my genuine shock when one of the players I am currently writing a campaign for noticed a small detail that did not make a logical sense within the complexity of the world, and latched on to it as something clearly indicating some kind of a secret subplot. Their thinking process also went a bit like this: this detail is not a good piece of writing — this DM knows how to tell stories well — this is obviously there on purpose. It was not there on purpose. I created a clumsy shorthand. I erred, in that pesky manner humans tend to. And, seeing this entire thought process recited to me directly in the moment, I felt somewhere between flattered and mortified.)

This whole line of thinking, I think, exists on a knife’s edge between veneration and brutal criticism, relentlessly dissecting everything “wrong”, with a reverent “but this is deliberate” attached to it like a vice, because it is preferable to a simple conclusion that the author let you down, in one way or another. 

Three, Intentionality 

I believe that there is no right or wrong way of engaging with stories, regardless of their medium, and assuming no one gets hurt in the process. While in a strictly academic way, there is a “correct” way of reading (and reading into) media, we here are largely not academics but consumers; consumption is subjective.

However, this all changes when intentionality is ascribed. 

The one I find particularly fascinating is the intentionality of “making it bad on purpose” because, as open-minded as I intend to always be, this just does not happen.

It certainly does not happen in long-form media. Even in the bread-crumb mystery box-type long-form media. 

When television programs underdeliver, they also underperform, and then they get cancelled.

If all the elements of Westworld Season 4 that did not sit together in a completely satisfactory way were written deliberately as some sort of deconstruction for the final season to explore, then it failed because that final season will now never come.

(There will likely never be a Secret Fourth Episode.)

And look, I am not here to refute your theories. Creativity is fun, and theorising is fantastic. 

But, perhaps, when the line of thought ventures into the “bad on purpose” territory, it could be recognised for what it is: disappointment and optimism, attempting to coexist in a single space. And I relate to that, I do, and I am sorry that there is even a need for this line of thinking. It’s always so incredibly disappointing that a creator you believed to be devoid of flaws makes something that does not hit in the way you hoped it would. It’s pretty heartbreaking. 

Unfortunately, people make mistakes. We are all fallible that way. 

Four, Wildfire.

Then, when the crumbs are found, a theory is crafted, and intentionality is ascribed, all that needs to happen is for it to catch on. And hey, what better place for it than this massive hollow funnel that we exist in, where thoughts, ideas and interpretations reverberate so much they become inextricable from the source material in collective consciousness. 

Conspiracy theories create alternate realities, very much like we all do here. 

So where are we now?

I am not here to tell you what is right and what is wrong; what is true, and what is not. We are all entitled to engage with anything we wish, in whichever way we wish to do it. This is not it, at all. 

All I am saying is… listen.

Do you hear that echo? 

I do. 

[iwrite-sinsandtragedies]

Day 1 — Soulmates ₊˚✧ ﾟ

Submission for @goldengroovy's @olnfweek2024

MC: Micha

Long ass ramble under the cut 😂

Okayokayokay SO-

I love soulmate au's. I cannot tell you how many fics I've read or how many prompts I've played with or media I've consumed or how many bullshit ideas I've come up with in my own head for them, I CANNOT.

It's just - hhhhhhhhhhhh- Soulmate au's and Time Travel au's are just the shit that gets me out of bed some days 😩💖my world weary soul drinks that shit like medicine, okay?

That all being said, it's probably a little ambiguous which au I picked to some, so let me explain: There are two au's I'm mashing up here really, both are from fics I've read back in the day. One being a Clack fic and the other a Thilbo one 🤷‍♂️kind of calling myself out here but w/e, they were good fics.

The Thilbo one is easier to explain - the concept is "Heartsong" which is, literally what it says on the tin. You find out who your soulmate is the first time you hear them sing (and no, that does not mean everyone is just a naturally good singer - they can be ass at music but, the point is, when you hear them their song is the perfect song for you and your heart knows that). There's a lot of little nuances to this one - things like you hearing your heartsong when you dream so you always know the moment you find them. Also people who have quiet dreams because their heartsong died, sometimes before ever even meeting them. etc etc. The heartsong also seems to expand, in some respect, to instruments (as Thorin plays his harp one night and Bilbo starts to hum without thinking about it because it sounds wonderful to him and that's how Thorin finds out).

Overall, it's a very soft and sweet concept to me and as someone who has a deep love of music, it's also one of my very favourites.

The Clack one is a little less easy to explain? I think. Maybe because it's nuances are so round about but I'll do my best. The concept for this one is "I Only See Colour When I'm With You" - anyone who knows how Clack fics usually go knows where this is probably headed 😂 and I am sorry to have hurt you but, overall, the idea is: You live in a noir-esqu world where everything is black and white. This only changes when you find your soulmate, of course, who brings the world into full saturation and lets you see colour for - possibly - the first time in your life (I say possibly because I genuinely can't remember if you start out colourblind or if it's an age cap thing).

Unfortunately, for as much as I adore this concept, it's been a long damn time since I read the fic and I don't even know if it still exists somewhere. So I can't actually recall if it was a 'you have to touch them' or 'you have to hear them' thing but the fic takes place with Zack on the cliff right before Midgar where he holds Cloud and looks at the sky - so I'm willing to bet it's a touch thing.

I also really loved this fic because it was the first one I'd read that brought in the concept of multiple soulmates to me - As Cloud later sits with Aerith and sees the colour he couldn't see with Zack, meanwhile Aerith only sees black and white, because she was only able to see colour with Zack (who was never able to see colour with her, because he needed Cloud for that).

Essentially, they all needed each other to see the world in colour. As a polyam person who didn't quite realise I was poly back then, it was a very comforting (and now dearly cherished) fic.

Anyways! Now that you have the background on the two concepts, you can kind of get what I'm going for with this piece.

Tamarack, Micha and Qiu are all soulmates in a fuzzy, desaturated world (I'm sorry, I'm not cruel enough to but them in complete greyscale LOL) and the way you find your soulmate is by hearing them sing and, when they do, your world is suddenly vivid and bright and beautiful. Suddenly, you can see things as they were meant to be seen and it's a permanent change (unlike the Clack fic) but things are always clearest and brightest when your soulmate speaks or sings 💖

I get a real kick out of the idea that Micha's known for fucking months that Tamarack is his soulmate (if not years) because he's always listening to her play but never says jack shit about it because he's emotionally constipated that way 😂Though genuinely, it's probably because he just doesn't think he's her soulmate and he's a bit against finding out he's right honestly.

Joke is on him, he's Qiu's and Tamaracks soulmate! And he couldn't have picked a better moment to grow a pair an take the risk 🥰

[writingwithfolklore]

How to Nail your School Essays

                Not to brag, but I’m kind of a big deal when it comes to essays at my school. Since I started highschool I haven’t received a grade less than 90% on an essay—so I’m here to share my secret. This works for the classic essay, but you can also use the same advice and fit it to formal reports or other academic writing.

1. Your essay is about 2 things, demonstrated 3 or more times

This is how I’ve always thought about essays. They’re about two ideas, demonstrated as many times as you need to fill the wordcount. Shakespeare + Feminism, Media + Truth versus Misconception, etc. etc. If you’re lucky, your teacher or prof will give you one of your elements. You’ll get assignments like, “write an essay about Hamlet” or “write an essay about the American dream” lucky you, that’s your first thing—now you need to connect it with another.

This connecting idea is my favourite part because you just get to choose a concept or idea you’re interested in. Here’s a tip, if your first/given topic is something concrete, choose an abstract connecting idea. If your given topic is something abstract, choose a concrete.

So, Hamlet (concrete) could be paired with any abstract concept: Loyalty, Truth, Feminism, etc.

However, if your prof gives you something like, “truth” or “race theory”, you’ll find it much easier to connect that with a more concrete thing, like a book, movie, or other piece of media, or even a specific person.

If you are luckiest, your prof will give you both things, “write about the American Dream in The Great Gatsby” in this case, you’re onto the next stage.

2. Stick to the formula

Tried, tested, true. Nothing wrong with a formula, especially not when it gives you A+ grades. Typical essay structure is:

Intro with thesis

2. 1st Body

2a. Evidence that proves it 1

2i. Justify its relevance

2b. Evidence that proves it 2

2ii. Justify its relevance

Etc.

3. 2nd Body

3a. Evidence that proves it

3i.Justification

Etc.

4. 3rd Body

4a. Rise and repeat, you know where this is going.

5. Some may argue…

6. Conclusion

Let’s break it down.

Thesis:

                Thesis completely outlines all your points, or the three+ places you’re demonstrating your connection, and why it matters.

                Here is an intro + thesis I wrote a couple years ago:

“This literature review will explore the impacts influencer marketing has on the children that regularly consume social media content. Specifically, this review will focus on how influencers can impact children’s brand preferences, dietary choices, and lastly, the influx of children taking advantage of this system and becoming influencers themselves.”

Or

“Burned discusses the human aspect of sex work and reverses reader’s expectations on sex workers, while Not in My Neighbourhood discusses prostitutes as victims of a system created against them. Both challenge readers’ perceptions of sex workers, effectively drawing attention to the ethics of displacing sex workers from their cities.”

                So you have your connection (children and social media)/(Burned and Not in My Neighbourhood and sex work), and the different ways you plan on exploring or proving that idea (children’s brand preferences, dietary choices, children becoming influencers.) etc.

                You may also have a more specific stance in your thesis. Such as, “In Macbeth, ambition is shown to be Macbeth’s ultimate downfall in these three ways.”

The Body Paragraphs

                You start out every body paragraph with the point of the paragraph, or what it’s aiming to prove. Such as, “Influencers often include advertisements within their content, which can encourage children to feel more amiably to certain brands their favourite content creators endorse frequently more than others.”

                After this claim, you spend the rest of the paragraph further proving it through examples. This will look like citing a specific source (a book, academic journal, quote, etc.) such as, “The authors claim likeable influencers can associate their likeability with the products they use, influencing children’s perception of brands, referred to as ‘meaning transfer’ (De Veirman et al. 2019)” (super important to always cite these sources!)

                The last part is after each example/proof--you need to justify why this proves your point/is important. So, “This proves children are more influenced towards certain products depending on how close of a relationship they perceive to have with the influencer.”

                Typically, your evidence will all lead into each other so you can transition to the next piece of proof, then the justification, rinse and repeat until you’re finished your paragraph. You can have as many pieces of evidence as you want per paragraph, and the longer your word requirement, the more you’ll want to fit into each point (or the more bodies you want to have.)

                Piece of evidence + why it matters, rinse and repeat.

Some May Argue:

                This is a small paragraph just before your conclusion where you anticipate an argument your readers may have, and disprove it. So, for example, you’d start with, “Some may argue that with parent supervision, the impacts of influencers on children could be lessened or moot. However…” and then explain why they’re wrong. This strengthens your argument, and proves that you’ve really thought out your stance.

Conclusion:

                Lastly, you want to sum up all the conclusions you came to in a few sentences. Your last line is one of the most important (in my opinion). I call it the mic drop moment. Leaving a lasting impact on your reader can bring your essay from an A to an A+, so you really want to nail this final sentence.

                My final sentence was, “Ultimately, it is hard to know in advance how technology and social media will impact the development of children who have always grown up with some form of screen, but until they grow up, parents and caregivers need to take care in the content their children consume, and their very possible exploitation online.”

This sentence is backed by the entirety of the essay that came before it, and usually leaves a little something to chew on for the readers.

Any other tips I missed?

[a-sock-in-a-sandal]

What is happening in Czechia right now - heavy rains and floods

So as a Czech citizen I felt like saying something about it here so here you go, it's mostly my experiences and some official data.

For context, the first week of September 2024 (2nd to 8th) in Czechia was a burning hell - the temperatures were around 30°C or even above for the entire week. Some schools even ended their classes earlier because of the hot weather - they usually ended before afternoon when the weather was worst. So when we found out that everything will stop the next week, we got happy. We were told the temperatures are gonna get under 20°C, sometimes above, but usually under, it's gonna rain and it's gonna get windy.

All of it happened. The first few days of this week (plus maybe the weekend of the previous one) were chilly, windy, and cloudy - it did sometimes rain, but usually only for a few hours a day. Sooner it started to rain more, for more hours a day, somewhere even for the entire day.

But then the Czech government scheduled an emergency meeting because they were worried about the rains - and they had a reason to. Such rains could cause major floods that already happened in Czechia twice. So they didn't want to waste any time on preparing.

The weather progressively got worse - in my region, it rained the whole day for like three days and it is still raining now. The wind is strong and cold and the temperatures are very chilly. I live right next to a stream at the lowest part of my village in lowlands and the water has risen a few meters (like 2 or so).

The worst situation is in Moravia, which is where I live, but where I am it is still good, only heavy rains and the water levels rising but not as much as to cause a trouble - however there is a few places in my village where it is completely underwater, but not anyone's house or cellar. But Northern Moravia/Silesia is flooded, especially parts like Jeseníky and Opava. The more it gets on west the better it is, mostly a few regions on the north-west are the safest ones. It is usually the Karlovarský/Ústecký and maybe a piece of Plzeňský kraj that is safe.

Most events got cancelled and/or delayed due to bad weather and flood warnings. However the schools are still opened, and it's kind of a meme between students that "we're gonna kayak into our schools on Monday!" Electricity stopped working at many places, including my village. When I woke up today there were firefighters in my street but nobody knows why but I heard that someone's cellar might be flooded.

Our Czech subreddit r/Czech is "flooded" (I couldn't help myself) with maps of flood situation and tips on what to do in case you have e.g. an animal in floodplains. If you switch on the news channel ČT24, you get 24/7 segments and reports from different parts of Czechia, interviews with meteorologists, politicians talking about it and such. Most channels stream as normal but there are some emergency broadcasts. Social media is filled with it.

However, there is a group of mostly older people who are those old conspirators and are strongly against our government because their favourite politician isn't the prime minister (the situation is more complicated but that's enough for this), and they claim that all this is fake and "it's actually to keep people at home before elections (there are ones to happen soon) so they can't meet and talk about the politics", or that "it's a punishment for sending help to Ukraine" (Czechia has sent a lot of help there and these people are mad for some reason) and such. It makes me sick because some people already died and many are injured and many homes can be destroyed.

Czechia has already had two major floods in the near past - in 1997 there were ones in Prague and in 2002 over the entire Czechia. They were catastrophic, people died and were injured and lost homes. So that's why everyone is scared and the government tries very hard to keep us safe.

I already shared my experience, but I just talked on a group chat with my friends from different villages in my region so here goes what I found:

Electricity is out on most places because it is flooded near some important place for electricity

Plenty of places are flooded with like 10-20 cm water, people can still walk in it and some cars drive in it

A football pitch right next to a stream in my village is completely flooded, only the nets are visible

Plenty of bridges are closed and plenty of them are also underwater

We're debating whether or not our school is gonna be closed since most of us take bus to school and we don't know if it would be able to arrive, plus electricity isn't working in the town where we have school, but we'll still see, we didn't receive any news about the school closing

It's starting to get clear (less cloudy) as I'm typing this but I hope it'll get better, the rain is not as heavy as it was

I just hope it's gonna get better ❤️ I'll update you tomorrow or even today if anything major happens

[copperpipes]

Hey Copper, which are your favourite spec bio/spec evo projects?

OH THERE'S A COUPLE (not a tier list)

1. The absolutely wonderful BIRGWORLD by @/iguanodont

2. the future is wild from bbc was my first exposure to spec evo in general, it still got my heart :,)

3. subnautica, of course, can't have a spec bio list without it.

4. 'dinosauroids' by our beloved C.M. Kosemen and Simon Roy whom I totally agree with in regard to human centric intelligence.

5. project: creation by the artist Charlotte Veldhuizen was so fascinating to me! I loved the parallels between the layers of one of the planet’s atmosphere and the different layers in the ocean.

6. The epic of Serina took the seeded world idea and ran with it so beautifully.

7. the birrin by @/alexriesart my beloveds. It's so detailed and fascinating and it makes me cry a little bit every time I come across a new piece of information. I strive to take my projects this far in terms of details.

8. When I was younger I came across a spec bio project that asked what life on Jupiter might have looked like. I remember some details and that it had balloon plants but I couldn't find it anywhere :(

these are all i can remember that i sometimes reread/rewatch, and they will forever remain some of the greatest pieces of media in my eyes

[lurkingteapot]

Every now and then I think about how subtitles (or dubs), and thus translation choices, shape our perception of the media we consume. It's so interesting. I'd wager anyone who speaks two (or more) languages knows the feeling of "yeah, that's what it literally translates to, but that's not what it means" or has answered a question like "how do you say _____ in (language)?" with "you don't, it's just … not a thing, we don't say that."

I've had my fair share of "[SHIP] are [married/soulmates/fated/FANCY TERM], it's text!" "[CHARACTER A] calls [CHARACTER B] [ENDEARMENT/NICKNAME], it's text!" and every time. Every time I'm just like. Do they though. Is it though. And a lot of the time, this means seeking out alternative translations, or translation meta from fluent or native speakers, or sometimes from language learners of the language the piece of media is originally in.

Why does it matter? Maybe it doesn't. To lots of people, it doesn't. People have different interests and priorities in fiction and the way they interact with it. It's great. It matters to me because back in the early 2000s, I had dial-up internet. Video or audio media that wasn't available through my local library very much wasn't available, but fanfiction was. So I started to read English language Gundam Wing fanfic before I ever had a chance to watch the show. When I did get around to watching Gundam Wing, it was the original Japanese dub. Some of the characters were almost unrecognisable to me, and first I doubted my Japanese language ability, then, after checking some bits with friends, I wondered why even my favourite writers, writers I knew to be consistent in other things, had made these characters seem so different … until I had the chance to watch the US-English dub a few years later. Going by that adaptation, the characterisation from all those stories suddenly made a lot more sense. And the thing is, that interpretation is also valid! They just took it a direction that was a larger leap for me to make.

Loose adaptations and very free translations have become less frequent since, or maybe my taste just hasn't led me their way, but the issue at the core is still a thing: Supernatural fandom got different nuances of endings for their show depending on the language they watched it in. CQL and MDZS fandom and the never-ending discussions about 知己 vs soulmate vs Other Options. A subset of VLD fans looking at a specific clip in all the different languages to see what was being said/implied in which dub, and how different translators interpreted the same English original line. The list is pretty much endless.

And that's … idk if it's fine, but it's what happens! A lot of the time, concepts -- expressed in language -- don't translate 1:1. The larger the cultural gap, the larger the gaps between the way concepts are expressed or understood also tend to be. Other times, there is a literal translation that works but isn't very idiomatic because there's a register mismatch or worse. And that's even before cultural assumptions come in. It's normal to have those. It's also important to remember that things like "thanks I hate it" as a sentiment of praise/affection, while the words translate literally quite easily, emphatically isn't easy to translate in the sense anglophone internet users the phrase.

Every translation is, at some level, a transformative work. Sometimes expressions or concepts or even single words simply don't have an exact equivalent in the target language and need to be interpreted at the translator's discretion, especially when going from a high-context/listener-responsible source language to a low-context/speaker-responsible target language (where high-context/listener responsible roughly means a large amount of contextual information can be omitted by the speaker because it's the listener's responsibility to infer it and ask for clarification if needed, and low-context/speaker-responsible roughly means a lot of information needs to be codified in speech, i.e. the speaker is responsible for providing sufficiently explicit context and will be blamed if it's lacking).

Is this a mouse or a rat? Guess based on context clues! High-context languages can and frequently do omit entire parts of speech that lower-context/speaker-responsible languages like English regard as essential, such as the grammatical subject of a sentence: the equivalent of "Go?" - "Go." does largely the same amount of heavy lifting as "is he/she/it/are you/they/we going?" - "yes, I am/he/she/it is/we/you/they are" in several listener-responsible languages, but tends to seem clumsy or incomplete in more speaker-responsible ones. This does NOT mean the listener-responsible language is clumsy. It's arguably more efficient! And reversely, saying "Are you going?" - "I am (going)" might seem unnecessarily convoluted and clumsy in a listener-responsible language. All depending on context.

This gets tricky both when the ambiguity of the missing subject of the sentence is clearly important (is speaker A asking "are you going" or "is she going"? wait until next chapter and find out!) AND when it's important that the translator assign an explicit subject in order for the sentence to make sense in the target language. For our example, depending on context, something like "are we all going?" - "yes" or "they going, too?" might work. Context!

As a consequence of this, sometimes, translation adds things – we gain things in translation, so to speak. Sometimes, it's because the target language needs the extra information (like the subject in the examples above), sometimes it's because the target language actually differentiates between mouse and rat even though the source language doesn't. However, because in most cases translators don't have access to the original authors, or even the original authors' agencies to ask for clarification (and in most cases wouldn't get paid for the time to put in this extra work even if they did), this kind of addition is almost always an interpretation. Sometimes made with a lot of certainty, sometimes it's more of a "fuck it, I've got to put something and hope it doesn't get proven wrong next episode/chapter/ten seasons down" (especially fun when you're working on a series that's in progress).

For the vast majority of cases, several translations are valid. Some may be more far-fetched than others, and there'll always be subjectivity to whether something was translated effectively, what "effectively" even means …

ANYWAY. I think my point is … how interesting, how cool is it that engaging with media in multiple languages will always yield multiple, often equally valid but just sliiiiightly different versions of that piece of media? And that I'd love more conversations about how, the second we (as folks who don't speak the material's original language) start picking the subtitle or dub wording apart for meta, we're basically working from a secondary source, and if we're doing due diligence, to which extent do we need to check there's nothing substantial being (literally) lost -- or added! -- in translation?

[twistedwonderlandshenanigans]

"Gingerbread Houses" -HCs

Finals did not, in fact, kill me. Anyways, depending on how things go this may be my last real post of this year, so happy holidays and happy New Years if I don't see y'all til January ^^ --------------------------------------------------------

Heartslaybul

Riddle

He's never made a gingerbread house before OTL and his perfectionism will be his biggest pitfall. At least he's using Trey's cookies and icing so that it's not a matter of the quality of materials, but it's still something he's going to spend HOURS on, making sure every line is perfect and sharp. He's seen the sets before in stores, so he will pull up a reference photo on his phone to try and match the box as closely as possible. By the time he's finished, he's a mess. There is icing everywhere. He is ready to pass out. His hands hurt from piping. And he realizes too late he could have decorated the inside just for fun. He still enjoyed it, but he's going to aim for an easier design in coming years. He also only takes a few pieces of candy and a gingerbread man, before letting the first years eat it. (He got a picture before it was devoured though).

Trey

Oh he's so tired of baking. Are you kidding me. This time of year COULD be fun but he has finals on top of being resident big brother AND BAKER to a dorm just to go home and be Big Brother with his siblings. He's so tired. He will bake everything off for people after they submit what shapes they want/need for their creations and then while everyone is making their gingerbread creations he's going to his room and taking a fucking nap. Good for him. He'll munch on left overs if he feels like it, but he knows there's going to be mom and dad's baking at home so he'll just wait. Once he does go home though, it's a competition, half the family against the other half to make the largest, most impressive gingerbread creation. They may involve the community to vote on which one is better, and then they just let the elementary school kids in the area eat them both.

Cater

He buys one of the boxed ones just to put it together for the sake of social media. Makes it all cute and near perfect, it takes significantly less effort for him to do so than Riddle, mostly because he has some artistic background. He knows between that and Trey's baking, nobody is really going to want to eat it so he brings it to PMC for Lilia lmao. He already knows he's going to do the same thing again when he goes home, so his mom has something to post on social media.

Deuce

He's also never made a gingerbread house! His mom didn't have the means to buy all those ingredients or to buy a set she knew he wouldn't eat, so they always made stuff out of rice krispy treats. They're easier to mold into the shape you want anyways, especially when they're warm, so it prevented tantrums when he was younger too. He still does it, not just for traditions sake but because gingerbread just...isn't his favourite flavour.

Ace

Growing up, his mom was the only one really capable of cooking or baking, so when she passed (HC), his brother would just take him out to the dollarstore to buy a SHIT TON of different wafers and candies. They would make a candy wonderland of sorts before gorging themselves on their creations. Ace doesn't mind gingerbread all that much, but he likes how stable the wafers are in comparison when it comes to attaching them with icing. Sometimes he'll build a foundation with wafers and then attach the gingerbread to the wafers so it has something stable to lean against. It's really just an excuse to eat more candy. He also decorates the inside of his builds, usually using gummy bears as people. When he was a kid he used to bite off their heads and then scatter them around the build 💀

The rest are under the cut!!

Savannaclaw Leona

Could not give a flying rat's ass about gingerbread creations. The closest he gets is Cheka spamming his texts with pictures of his creation. Leona ends up paying Ruggie to make one so that he can send one pic back and the rugrat will stop bothering him 💀

Ruggie

They never really made anything like sculptures. Latino Ruggie is real in my heart, so Christmas time is when they would have saved up as much as they could to have a massive feast with the community. That being said, he can't exactly build with them but empanadas, you know the plantain ones with custard filling and a sugar coated outside??? Those ones? FUCK ton of those. Sometimes though, when Sam has leftovers in January of the kits, he'll take the kits back to the kiddos to enjoy.

Jack

Oh his family loooooves making gingerbread houses, the only rule is, no rectangles are allowed >:) (squares are technically a form of rectangle too) so every year his mom heads up the competition. Jack tries to help his younger siblings but he tends to break things by accident and they get mad at him lmao. He never makes a house himself, he just grazes on the candy, and eats his siblings houses after they've picked them clean of candy, leaving him with plenty of cookies to eat. His siblings also use a lot of coloured icing to decorate the "lawns" outside of their houses. (His mom always includes "ducks" on hers)

Octavinelle

Azul

Having been from under the sea, he hasn't made them before either, nor does he really want to. To me, he does not like the texture of icing. I think that would be gross to him. And why would he want to eat all that candy? He would rather go home and eat a dessert Nonna's whipped up, or even attempt to make cannoli's on his own. He may host a competition at the mostro lounge with a bring your own supplies event and whoever wins a competition gets free meal vouchers for a week.

Jade + Floyd

They also have not made gingerbread anything before, but wHEN they do. Jade meticulously puts his together, every detail, every drop of icing, everything is planned. He has a sketch he did in a planner next to him and he's GOING to replicate it. He's grumpy at Floyd because he's eating gingerbread over his shoulder and it's crumbling and falling onto his work space and into his shirt but if he acknowledges it he knows it's going to get worse. Floyd does not have the patience to put his together. He essentially makes it one giant cookie/poptart thing and layers candy on top. He does ask if he's allowed to break Jade's when he's done (they will brawl after when Jade says no and Azul has to rescue Jade's creation for the sake of keeping what little semblance of peace he has.)

Scarabia

Kalim

The concept is new to him but once he's introduced to it - he loves it. And not a surface is safe from flying icing. He wants icing in every single colour and all the candies from all over the world. He'll try dipping gingerbread in eggnog. These traditions aren't widely celebrated back home, so he's going to make the most of it while he's with friends! He ends up eating so much candy he throws up rainbows. Sorry.

Jamil

He has no interest. You thought Leona was disinterested? No, Jamil is. He'd rather be doing nearly anything else.

Pomefiore

Vil

When he was a kid, it was tradition for him and his dad to decorate lebkuchen together. He looks forward to it more than he'd care to admit, because it's the one constant date he knows both he and his dad work to ensure they have free. Neither of them are very GOOD at decorating, but it's more of an excuse to catch up with each other. The nostalgia also just generally helps Vil show a little more holiday spirit and loosen up a little bit.

Rook

:) He and his sister never really got those kinds of things, but they loved making paper snowflakes together.

Epel

He never had the patience for gingerbread houses when he was a kid, so his meemaw would only make gingerbread men for him while his parents built a house. He would squeeze icing bags so hard they popped, and layer on the subsequent icing in a thick, uneven swab to the point when he went to go eat it it made him sick. He loved it though. Nowadays he tries a lot harder to make them pretty just because he thinks it's a fun activity, like apple carving, where every little detail can make a huge difference on the overall composition. Meemaw's baking is peak, and not even Trey can beat it.

Ignihyde

Idia + Ortho

When they were kids, they loved the pomegranate smashing tradition their dad used to do. Their dad would also make kourabiedes - while not exactly ideal for building with, they were delicious. Instead of building things out of food, they would build a "karavaki" (wooden boat) out of scrap metal as a family instead and decorate it instead of a tree. It's been a long time since Mama and Papa Shroud have managed to convince Idia to celebrate...anything with them, but this year they started a new tradition with Ortho, with high hopes for years to come. This year, they designed and built a cat cafe gingerbread house, just for the fun of it, but there were still plenty of kourabiedes to go around. (Mama Shroud is NOT allowed in the kitchen but she would make little reindeer button cookies if she could. However, that is one field of chemistry she just can't seem to handle OTL)

Diasomnia

...uh

Diasomily

Because of Lilia's many travels, he picked up on different traditions and cultures over the years. As a result, every year (that they've all been together), they celebrate a different tradition from around the world. Yes they've made gingerbread houses before. Malleus has gargoyles on his. Lilia's is completely inedible. Silver has icing on half his face bc he passed out. Sebek essentially made a giant cookie-face of Malleus and got pissy when he ran out of black licorice to make his horns. They're so sillayyyy

------------- LMAO I lost the plot about half way through but we bring it back

anyways

@nemisisnemi @fluffle-writes @my-cursed-brain @distant-velleity @elenauaurs @lumdays @starry-night-rose @theleechyskrunkly

lmk if you want to be added/removed

happy holidays and please take a fat nap on my behalf at some point lmao

[becausegoodheroesdeservekidneys]

Hey, sorry if you already answered this question before, but I would like to enjoy some Welsh media, like songs, tv-shows/movies or books. Do you have any recommendations? Also, happy holidays and a happy new year!

Hello! I hope your holidays were happy.

I'm assuming you're asking for Welsh-language media specifically, so that's what I'll offer; if you want anything from the rest of Wales, give me a shout.

Music - so, my personal Welsh-language playlist on Spotify is here, which may contain things to interest you as a sort of jumping-off point to explore an artist more. I'll also put my Welsh music tag on this post, though, so you can check that and see what recommendations others have made on my posts in the past. You'll find people recommending Adwaith and Gwenno and people like that, see, neither of whom I particularly like and so don't have on my list, but are pretty popular. The true cultural tour-de-force for young Welsh speakers is Sebona Fi, by Yws Gwynedd - if you listen to no other, listen to that one.

TV and Film - tricky because availability is difficult. I gave some recent recs here; others to consider are Ar y Ffin (the big current drama on S4C), 35 Diwrnod (sort of a thriller - each series focuses on a murder, which you see in the opening minutes, and then rewinds to 35 days before it happened. You then watch the events play out. Kind of murder mystery, but no detectives), and...

Actually, maybe check out Hansh across its various platforms? It specialises in little short pieces (a few minutes each) that could be comedy skits, documentary shorts about a social issue, cultural round ups of the various gigs happening this week in Wales, etc. Very diverse. Their target audience is, basically, Millennials And A Bit Under. They also do longer form variety things on S4C, but the shorter stuff is on FB, YouTube, etc.

Oh, and my husband has a kids variety show coming out in the next few months! I don't know what I'm allowed to say yet, but I'll definitely blog about it closer to the time.

Books - Obviously I don't know your tastes in books, but my recs:

Absolutely anything by Mihangel Morgan. He's the gold standard if you're learning, because his language is lovely and accessible; but also if you're a fluent speaker, because he writes mundane sci-fi and slightly absurd horror and things like that, all with an undercurrent of social commentary, and his stuff is absolutely fantastic. Dan Gadarn Goncrit is my husband's favourite book of all time in any language; meanwhile, I was given Saith Pechod Marwol at A Level and fucking loved it. I believe he's had one book translated into English, too - Melog. I've not read it in either, but I've heard great things.

Y Llyfrgell, by Fflur Dafydd (the author is also on my music playlist). Here's the blurb:

On a cold February morning, in the year 2020, Dan, a porter at the National Library of Wales, is committing his daily offence against the regime. Greeting him at the door is Eben, a biographer, itching to be admitted. But, they are both unaware that Ana and Nan, two librarians intent on revenge, are on the brink of changing the history of the National Library of Wales forever. This novel transforms the peaceful atmosphere of the National Library into a theatrical set full of possibilities - where bullets cut through the silence, the Reading Room is a cell, and the Library itself is an anti-hero of our literature...

Spectacular book, won the Gwobr Goffa Daniel Owen at the Eisteddfod in 2009.

I hope anything in there is useful!

[nastasya--filippovna]

So I finally finished Rivals

so here's my review followed by my episode-by-episode, PowerPoint presentation, Danny Motta style reaction (which no one asked for)

⚠️so massive spoilers heads-up⚠️

WHAT A WATCH! for the first time in, well, forever I did not binge the show immediately after it came out. I gave it time. Watched one episode each day and I think I liked the experience! I remembered a lot more stuff that I do when I binge things. But that's not what I'm here to talk about. Pfft let'g get into it huh!

So I read the book like ages ago when the show was first announced and though I remembered some stuff from the plot, I mostly let myself be shocked by it. Would I have watched it if David Tennant wasn't in it. Hmmmm? Probably not!

I mean this show....ugh... man there's no one word to describe it, is there! It's not all romp and pomp although it may seem like it. The strangest part is that for a show that's dealing with some really dark matter it (for some darn reason) refuses to take itself seriously (as @davidtennantgenderenvy wonderfully put it). I mean one minute we're dealing with woman rights, the other Matador Ole is playing while Rupert and Cameron stare each other like that.

I think it's unfair that the media constantly limited the premise of the show to its sexual aspects. The story is a clear socio-political critique of the power politics, sexual politics, and elite culture of the time and it's still quite reflective of the same things in our time too. In fact, the very fact that it disguises itself as a period piece makes it all the more applicable to our time. While watching the show I felt as if each character represents a different segment of the upper class; like Antonio Gramsci said the capitalist class is not a unified group. We have Rupert who represent the political elite, the ones that come from powerful families and then we have Declan who's the intellectual elite, Tony who's one of those new-money business elite people who will never really fit into this cult, Fred the technology millionaires, and Monica who represents that fading, waning part of old British aristocracy that was all about decorum and honour and values and virtue, something that is no longer valued in all the new kinds of elites that are springing up.

It's a very turbulent time. We're on the brisk of turning the world into the way we have it now, pulling it out of another era that is now fading away.

Rupert.... um man! Alex Hassell should be banned from playing this character because he injects more charisma in it that he deserves. I almost started liking him. And it's weird to me that his character development is fine, it's great it's wonderful, he goes from a careless heartless scoundrel to a nice caring person. The only problem I have here is what he did to Taggie in the beginning. How can someone ever possibly expect a woman to forgive a man for s3xual abuse or harassment. That's like major rizz-killer. But his friendship with Lizzie was one of the things I really liked. Made him seem so much more human.

Talking of Lizzie. My girl. My favourite character. Although if I'm being honest EVERY single woman in the show was impeccable. Every one of them ten thousand times more complicated than any male character. We need more women written by women. Sarah looks like a dumb blonde but she's not. She's just a woman who's trying to make something of her life in this male dominated world. Cameron Cook. Absolute goddess. She's powerful. She knows what she wants and how to get it. We just don't have enough ambitious women in media portrayed as "good". Ambitious women are always shown as bitches. And she's not passive in regard to her sexuality. It's her weapon and she uses it with her full agency. Monica, what can I even say about her. Perfectly embodies the crumbling grace of old aristocratic families. Beautiful performance, beyond words. Maud. Oh boy. I lowkey hated her for a bit but her last scene was so amazing.

Aaaaaaand Tony. Tell you what they should NOT let David Tennant play bad people. 'Cause he's gonna do it so good it will give you nightmares for ages. I love that he is always in command of the kind of response he wants to elicit from the audience in regard to his character especially when playing an antagonist. I mean if we compare them, Des makes you feel like you're gaping at the fucking abyss, Tom Kendrick is just awful and scary like a bad father, Kilgrave is (like the character's personality) the kind of performance where you want to hate this person bcs you know they're awful but something about them is sucking you in and you hate that feeling but you can't stop it somehow (cz that's what Kilgarve does!). For Tony he knew what he was doing. He knows how to turn on maximum rizz and then turn it off. He reels in the viewer, making them think oh this is the most charismatic human being I have ever seen (just like Tony does to other characters) and then he strikes when you're in deep.

Another interesting bit about this character was how (esp in eps 7 and 8) there's bits where you think that maybe he's not altogether bad, that maybe there's a bit of kindness and love hiding there somewhere. But then you realise there isn't. All that tenderness is deliberate. He does it on purpose because it draws people in. He cannot love because he doesn't have it in him. Everything is, for him, about social status and winning. He doesn't love his wife. He doesn't love Cameron. He just wants to have them because she feels like he didn't have the things he deserved at some point so now he's gotta have everything. Like he says "just let me have this one"; it's all about winning. Heard someone call him a cartoon villain. Nope guys he's very real. Also the only time you feel like he's being genuine is when he's being a sopping wet pathetic mess in the end.

And he's also very relatable to some extent. I get that what he goes through. His insecurities and whatever complex he has. I do. I go to a university with rich kids from filthy rich families. My parent's parents weren't rich. They just made their fortunes in the last generation and even though I get to be in the same circles as these rich pricks, I feel always (or they make me feel) left out. Like I'm an imposter. Like I could never really have any real class. And that itches a very particular itch in my brain.

As an afterthought, I think you can measure men's personalities and worthiness in terms of DT characters: On a scale of Alec Hardy to Tony Baddingham what kind of man are You!"🫵

On the whole it was a great show. Lovely music. Loved the introduction of each character and how it just lets you know what kind of person this guy/gal/person is! Wonderful cinematography and visuals. Gripping sub-plots. An what an ending! Perfect cliffhanger. And tbh I'd really like it if they left it here. To me a good story doesn't always need to be resolved. There's something to be said for those little ambiguities and uncertainties in life and all the thigs left unsaid. [and if someone is really anxious they can go read the book] Remarkable watch. ★★★★★ (5/5)

And now the reaction!

(Tap for full picture and better quality)

Anyways, here's some memes I made while watching Rivals

Episode 5 Live Reaction:

[alonetimelover]

Could I request a dadrry instagram blurb?? That other one was amazing!!! Doesn’t have to follow on from the last one❤️

pairing: Harry Styles x famous!reader

summary: A little instagram blurb with dadrry, a new pleasing drop, and babies' drawings.

masterlist taglist

famous!reader 1 2

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pleasing

liked by harrystyles, yourinstagram, annetwist, harryupdates and 1 028 302 others

pleasing Fancy Friends are here and presented to you by our littlest ambassadors - Andy and Franny.

Behold and wait for the posts about all 8(!) new colours straight from our ambassadors' painting room, made specially for this occasion.

Find your pleasing.

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harrystyles All smiles ♥️

yourinstagram My smiley baby!!!! 🥹

harryupdates whhhhaaaaaatt??? ambassadors???

ynupdates some cute babies

hArrysbtch oh my gooood

harrysmoustache i waited months and months for a drop that would cave me... I'm so buying all of the colours

user49 babies for ads?

user84 im conflicted now

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yourinstagram

liked by harrystyles and 7 202 403 others

yourinstagram rocking that farmer fit

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harrystyles My two favourite girls

⤷ yourinstagram which ones exactly?

⤷ harrystyles No answer will be good

harryupdates weren't they just born?

⤷ yourinstagram that's how it feels! and now she walks

hArrysbtch i hate kids but i love all the clones from yn and harry

⤷ yourinstagram you make us look like a factory or smth

⤷ harrystyles or mad scientists

⤷ hArrysbtch im gonna take a social media break, you're right

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harryupdates

liked by hArrysbtch, ynupdates and 10 303 others

harryupdates HARRY and his older daughter at the Pleasing facility today in London!

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hArrysbtch CEO!harry having a premiere in real life???

⤷ harrysmoustache weren't you supposed to take a social media break?

⤷ hArrysbtch shhhh

ynupdates ceo and ambassador are having a meeting

stylesbabie yeah. I'll be the one to start talking about his back, won't I?

⤷ harrysfan92 i mean, its right there

ynsmybestie taking care of business

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pleasing

liked by harrystyles, yourinstagram and 2 002 202 others

pleasing Andy and Franny present you first three drawings that inspired Fancy Friends collection. Pieces are called respectfully: 'Mummy and Daddy', 'Daddy('s) house' and 'You and me'.

'Just, just tell them that they, they all can paint nails. It's funzy!' said Franny while incorporating her work.

Find Your Pleasing.

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harrystyles yourinstagram I love your hand

⤷ yourinstagram it's called perspective

yourinstagram My two artists!!!

annetwist ❤️

hArrysbtch MoMA is waiting for them

harryupdates This. Is. Art.

ynupdates well hello you

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harrystyles

liked by yourinstagram and 10 302 202 others

harrystyles 'Daddy I did you on paper.'

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yourinstagram 1:1 perfect drawing with full details

⤷ harrystyles Perfect.

hArrysbtch that's the same picture!

ynsmybestie these babies are spending days and night at that painting room

⤷ yourinstagram I wish. It was a 5 minute drawing cause 'i love daddy and kiwi'

⤷ ynsmybestie ohhhhhhh

ynsmymama melting

harrysfan82 this pleasing promotion is going HARD

⤷ harrysmoustache everything is sold out

⤷ hArrysbtch those babies are making more money than i do, man. that's unfair...

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yourinstagram

liked by harrystyles, annetwist and 4 302 202 others

yourinstagram here's to the best father i know

(yes, i was terrified for the joints to stay in place. yes, babies found this as the best play in the world and repeated ten times. yes, his back looks gooood.)

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harrystyles That's a lot coming from the greatest mother in the World.

⤷ yourinstagram your mum is right there

⤷ harrystyles Obviously, you're sharing the No. 1

⤷ yourinstagram ObViOuSLy

hArrysbtch 'yes, his back looks gooood' girl, you don't need to shout it to our faces

⤷ yourinstagram HIS BACK LOOKS GOOD

⤷ ynsmybestie i love her

harrysmoustache still not used to the fact that he is a dad

harrysfan82 I've never asked: do your kids know you're the Disney Princess?

⤷ yourinstagram they watched Tangled and didn't notice even after my live performance

[ashs-nerd-den]

Gearrscannán ar YouTube

Short films on YouTube

(Don't worry, everything has English subtitles in the videos themselves)

Fán https://youtu.be/e3xnvkMp_1Q?si=i-4pmljDbzA8bRtu

Created by the incredible @nibmoss, an absolute queen (Bánríon). It is a short sapphic story about 2 best friends who end up together and it is my favourite short story ever!!! It is also my favourite piece of Irish media in existence!!! I love it!!! It is incredible!!! BEYOND AMAZING!!!

Yu Ming is ainm dom https://youtu.be/JqYtG9BNhfM?si=jnZjP4LozqOhNxkI

This is a classic. Ive had 4 different teachers show me this over the years, and my first year Irish class studied it exam style. It was the first piece that we studied and everyone LOVED it, people were quoting it all the time. Every second conversation had someone using a line from it. It's a crows pleaser and simple to listen to even without the subtitles provided. It also has a great storyline about a man who is fed up with his life in China and learns Irish to move over here, and well (bhuel) , I won't spoil the plot twist for you

Lipservice https://youtu.be/4QP0eEhhTSo?si=1DLvo_ECRhwGI5s8

It's the day of the oral exams and everyone is terrified (bhí imní an domhain ar gach duine), people are rehearsing in the bathrooms and speaking French instead of English, the stuff that half of them come out with is absolutely gas, this one is such a bit of craic, I was in stitches. And the bit at the end is so sweet. Is breá liom an gearrscannán seo agus beidh mé mo scrúdú béil i dhá bhliain 🙈🙈🙈 (I loved this short film and I've my speaking test in 2 years🙈🙈🙈

Filleann ar feall https://youtu.be/Tay7eMxas2k?si=q3ksVJVYJ7E_xxoa

IT'S CILLIAN MURPHY AG CAINT AS GAEILGE!!! You can't beat a bit of Cillian, he's a national treasure. And this is 2000 Cillian, he's so young (this was before I was born) he's in the Gaeltacht for his holidays with a grumpy friend, on a job to sell some Putchín, and he is everyone's favourite sweetgeart, a bit of a himbo, and a respecter of old ladies. Agus deir duine sa sna tuairimí (a person in the comments said that it's like Breaking bad, but with an Irish teacher that instead of a chemistry one (I've never seen Breaking Bad, so I don't know how true that is, but I do know that this was AR FHEABHAS!!!

Rúbaí https://youtu.be/jjYx5v2BUWo?si=tFu1ektBvHNkoQFB

This is a short story about a little girl (cailín beag) who's class is about to make their 1st Holy Communion, but she doesn't believe in God (ní creideann sí i nDia). She's everyone is trying to convince her that god is real and she's just like "nope, read a bit of Darwin, he's great, I'm off to collect worms", even to the priests face and towards the end there's a bitter sweet twist which gives a LOT of background. This was a nice, easy watch, the little girls was so cute, there were a couple of laughs (cúpla gáire) and the vocab was nice and simple

Gaiste https://youtu.be/Xr-V7vg_Y2Q?si=cMMNqPLkmtugbg8t

Very simple vocab, good message, kind of like a fable, big "One of us is Lying" vibes. Nice short film overall

Fíorghael https://youtu.be/t3Kv4fZ2SOE?si=bHibiFJyRUcvZ-TZ

This ones a bit older, but it's still a good bit of craic. You need to wait a couple of minutes to get into it, but the end is brilliant (Caithfidh tú cúpla nóiméad a fanacht chun dul isteach ar, ach tá an chríoch go hiontach)

Sylvia https://youtu.be/fi_4aweOP4w?si=ZCfUAfYaD73IVn8r

There are plot twists, and then there plot backflips, this was the later. This is so weird, but I really enjoyed it at the same time

Ciúnas https://youtu.be/cGfuQ-HeTmk?si=WRPGmo-UNQ0bw9mA

There's not much dialogue, but all of it is very casual, so you still get to pick up a few words that you wouldn't find in a textbook. The storyline is quite sweet, but please be careful watching because it although it centres around her family's love for her, it is set on the way home from the hospital after she tried to end her own life

[olderthannetfic]

Yeah, no, this recurring "if you posted it to the archive you OWE ITS PRESENCE TO US FOREVER" take people keep regurgitating is some absolutely entitled bullshit no matter how you dress it up as ~*respect for art and the artist.*~

Ok, I never wanted to wade into this never ending wank about deleting fics because I didn’t think I had anything to add, but this comment in the comment section of one of the most recent asks on this topic sparked something for me. Probably it’s not even an original thought, but here I go.

Is it ok if an author doesn’t like their book any more, so they just start going into libraries and destroying copies of it?

That’s a bad analogy because the library paid for those copies and the author was presumably paid for their work? And also it wouldn’t even be legal for the author to do that? I hear you. I still think it holds some merit in terms of helping us think about this in terms of libraries being a place of preservation for the community, which is how people who are complaining about fics disappearing view fic archives (thus, “archive”), but I do see the flaws in the analogy.

What if a friend crafted you something as a gift, and you absolutely love it and treasure it, and you tell them so at every opportunity. Is it cool for them to take it back and throw it away because they don’t like it any more?

That analogy makes it too personal and doesn’t really work because “people should just download copies of every fic in anticipation that the author might delete it, and authors aren’t breaking into people’s houses to steal back copies of fics they have saved”? Ok. That’s fair. But I think that analogy at least conveys how personal the disappointment of a fic disappearing feels for many fans. Especially if they voiced their support to the author, it’s a big bummer when the author receives that support and then turns around and says “well I don’t think it’s good enough any more, and I’m taking it down so no one can enjoy it.” But I agree, that’s not a perfect analogy either.

How about an analogy I think I have heard before, one in which an artist created a piece of art and donated it to be displayed in a public space for the community to enjoy, then subsequently decided they wanted to remove it from view and destroy it. I think even if they were legally within their rights to do it, most people would still look at it as a pretty lame thing to do. This analogy doesn’t fully satisfy me, because public art on display doesn’t feel fully analogous to fic in an archive for me, and depending on the piece and the setting there may not be the same expectation that it’s going to be preserved there.

I think all of these analogies taken in combination kind of start to convey why this is a big deal to people. And as many have said, it’s not that we don’t acknowledge it’s the fic writer’s prerogative to delete, or that we feel entitled to the work, or that we don’t realise we can and probably should download our most favourite fics. None of that changes the fact that to take down a fic is taking back a gift and removing something from a community archive dedicated to preserving that media. Anyway. This is my beer-fuelled rant complete with three separate analogies that really contribute nothing to this very done-to-death discussion. I’ll go be quiet now.

--

Eh. I don't think people are confused in quite this way.

Some of them are upset because a few "Never delete!" people actually say aggressive or aggressively stupid things.

A lot of them want to never feel judged, and that includes by hearing that other people are upset.

But a poisonous and idiotic breed of them don't value fic and are mightily offended that other people do.

I get these clowns on here all the time. I haven't blocked all of them, but they're all dumbasses and they all sound the same. "Ooh, it's just casual!" "Ooh, I'm so mature for not having feelings and it totally isn't a mental illness symptom, how dare you?!"

Listen, dudes, wanting to destroy your hobby stuff is not a moral failing. But treating your hobby as "just a hobby" and "It doesn't matter" means you're a boring person. Come cry in the notes, but it won't be any less true.

Art is something to be passionate about. Preservation is something to be passionate about. Life in general is something to be passionate about.

Destroying art is sometimes part of art. Thinking it's pretentious to care deeply, however, makes you a loser.

[anima-nostrae]

Why shipping is so intensely hated in older fandoms?

Because of my person being entrenched in both the Rings of Power and Star Wars (sequel trilogy and the Acolyte specifically) fandoms and conversations online, I have noticed a curious thing happening. Now of course, I am aware all of it has been taking place for a long time before that, but recently a pattern has been developing.

Notably, the hate “shipping” or “shippers” had been receiving in online spaces.

Using both fandoms I already mentioned as a sort of trial group, let me illustrate what I mean by a “pattern” - but first, let’s try to define the whole shipping thing.

The basic thing to understand about it is that not everyone would explain it the same way. I would assume the most universal understanding of it would mean “shipping” to be simply wishing for two characters to become a couple at one point or another in the story. In that understanding, this might also manifest in some people’s minds as “I want these two to kiss” as well as “I want these two to have sex.” Which is true.

Which is also a very flattening description of the phenomena.

People are shipping characters that canonically hate each other, that don’t know each other, that come from two different media altogether. People are shipping characters that have minimal interactions, but these in themselves have that specific element about them, that little umph that normal people would call “chemistry”, so they want to see more from them. Most of the time, and I do mean most of them, not all, these opinions and jokes on the internet are just that.

There was a post about it, one which I cannot find anywhere but in the recesses of my mind, but it made a point to say shipping wasn’t this overly sexual thing where the fans partook in the practice simply to see their favourite characters engage physically before their eyes, but because there was something about the both of them, some strange, mirroring quality that made their interactions simply irresistible to witness, be them anything. A fight scene, a conversation, a mention.

Ones that come to mind are, more recently, Haladriel, *Rings of Power’*s Galadriel and Halbrand-version-of-Sauron, Oshamir, The Acolyte’s main characters, and Reylo.

Of course, Reylo.

We have noticed this, yes? How, most of the time, people that enjoy dynamics between various characters are called “insane”, “stupid”, “child-like”, and how they are blamed for writers partaking in generally controversial choices because “they are just caving-in” and “pandering to shippers”?

This is a feminism - adjacent piece, and quite a short read actually!