#which I’m glad for

[whatohitsonfirewelp]

You know what would be funny.

If they’re lying about Rudy leaving and JJ dying so that they can really keep element of surprise of JJ surviving and popping back up.

It’s unlikely, and this is mostly just my mind wandering around as usual, but it’s a thought.

Maybe for a fanfic at least

[chloesimaginationthings]

Why is he kinda...

These two asks were right next to each other, and I think that’s beautiful

[panthermouthh]

“When I run over the frightful catalogue of my sins, I cannot believe that I am the same creature whose thoughts were once filled with sublime and transcendent visions of the beauty and the majesty of goodness. But it is even so; the fallen angel becomes a malignant devil. Yet even that enemy of God and man had friends and associates in his desolation; I am alone.”

[short666bread]

nighttime routine in an au where the marauder’s map has pinch zoom

[bloobydabloob]

Holy shit I love your Dirk interpretations, it's so true and I could talk about this shit forever. I feel like another part of his character that people seem to forget (along with Roxy for some reason) is that he's from the future in solitude in an apocalyptic wasteland. I just see that part of his character always removed which is disappointing because I feel like that's a pretty big part, especially regarding his themes around technology, his brother's theme of Time, his own isolation, and how he plays in the vastness of the universe and spacetime.

Art I drew related to the subject because I like to respond to asks with art.

But absolutely. I certainly understand where the lack of discussion over his isolation + upbringing comes from, considering a majority of the fanbase that I have seen builds their ideas based on their own version of postcanon. I’m not entirely sure how that would be fixed, but certainly even in the somewhat recent past I would see a lot more content regarding his upbringing both literally and symbolically. I don’t have much to add regarding the things you’ve mentioned, because they just are what they are. Dirk being confined to a singular room left to him by a father figure he never met, in a future where the only other person left on the planet is someone he cannot pursue a relationship of because of himself, with purely 3 robots to keep him companion, one being an exact replica of his own brain who is *also* trapped inside a pair of glasses, is about as literal as it gets to me.

The contrast to me involving the flooded, organic world in comparison to the little speckle of Dirk’s apartment packed with the dude and his technics is not only a representation of his isolation and entrapment within himself, but also of his lack of control. I think his obsession with & themes of control are a direct product in the case of Dirk specifically *of* this kind of upbringing. His themes of technology are also related to his themes around control. So much of his character is actually revolved around this to me like so much. Dirk is so deeply disconnected from humanity in every way and so much of his character + symbolism is based around that.

It doesn’t even have to be about the symbolism or anything though. It’s just pretty *interesting* in the literal sense that he lives in the middle of the ocean in the future. There’s not only a lot to theorise on to do with his young life there, but on how it might affect him in the way he acts for the rest of his life. The latter part is probably what I see mentioned the most by people talking about Dirk regarding this, I’m surprised I don’t see more discussion on the former too though. I really ought to actually talk more about Homestuck stuff on here. I will do it myself.

Roxy & Dirk’s relationship is largely ignored though because there is a narrative a certain demographic spreads that Dirk resented and blamed Roxy for her interest in him, and thus too many people believe that their relationship was or would continue to be an abusive one. Realistically, I believe it’s important to acknowledge that the way Roxy treated Dirk regarding his homosexuality wasn’t right while still acknowledging the obvious amount of respect and admiration Dirk had for Roxy. I mean we have a huge piece of dialogue from their post trickster mode conversations on the quest beds from Dirk purely stating how he feels about Roxy that people completely ignore somehow. I think this usually happens to characters that are women though. I know everyone says it, but it is true. Jane gets the exact same treatment of boiling her down to solely her negative aspects. The things I see completely mischaracterising both of them are horrific.

I mean how much more explicit can it get that their relationship is obviously very important to Dirk? But I digress. I think the best or I should say “most interesting” interpretations of their relationship usually come from DirkRoxy shippers actually.

I would be interested to hear about Dirk’s relation to his brother’s theme of time though. I don’t have any thoughts on this and I don’t recall ever hearing anyone talk about it before. If you or anyone else would be willing to enlighten me I’d be thrilled.

[cloudabserk]

it’s kind of silly but i wish people i knew irl cared about the fandom stuff i care about :(

[0hcicero]

So I just started reading A Court of Thorns and Roses (audiobook), and am I the only one who is wondering if the author did any research into poor subsistence living or the lives of peasants? Because wow, I know Feyre’s family used to be rich, but if that was 8 years ago and y’all are poor as dirt now, somehow in the intervening period you might have learned:

- trap lines in the winter are far superior to active hunting. It burns less calories, you can use it with fish and land animals, and it will save you from frostbite bc instead of sitting in a blind for hours, you can go to your lines at certain times and head home, or drive animals toward your lines.

- buying flower seeds - or any garden seeds - is a suckers game when you’re poor. You only really need to buy seeds once!! Once you harvest, you let stuff ‘go to seed’ and then you collect it and store it for the winter, often trading seeds with your neighbours.

- they let things actively RUN OUT before doing anything about it. That’s absolutely buckwild if you’ve ever been poor — when you’re poor, you know how to make a meal stretch, and you DO IT.

- there is hunting, but no gathering?? This family has not stored any veg for winter, but neither do they go gather mushrooms, rosehips, roots, tubers, nuts, or even fucking bark?? What happened to their cottage garden?? Was it just flowers?! Were they that rich that they don’t understand that a garden produces food? Did they close their eyes as they walked past all their peasant neighbours and their gardens? Bc that’s maybe the wildest thing I’ve seen from both a historical and a ‘grew up so close to dirt poor you couldn’t tell the difference’ perspective!

- She left a whole ass Giant wolf carcass when her family is starving. Nah nah nah no that is the universe smiling on you when you’re subsistence! You will make a travois or somehow find a way to tie that to you and drag it along - that’s double the food, and possibly more money, because you could live off the wolf (which I assume does not taste great) and sell off some of the deer (which is delicious).

- she didn’t at least do a basic clean of her kill out in the woods?! She did not tan the hides?! Y’all, you do not want to be cleaning any kill on the kitchen table. Why? Because cleaning involves removing the intestines and stomach. That means shit and piss and food digestion in different stages, and the gases produced. You do that *outside*, typically at least close to where you made your kill, because you don’t want to have to have any…spills, and because it makes things a bit lighter to carry. Butchering? For sure do it on a table, but cleaning is an outdoor chore. Also, tanning a hide is not just skinning a creature! It’s scraping all the membranes off it, stretching and drying it, and curing the skin - sometimes with smoke, but often with a pretty gross solution (often including brain oil, and historically, I believe urine and/or feces, and other things with the right chemical components). It’s not a simple or quick task!

- soups, pottages, stews, with dried lentils, beans, or peas would have been the staple meals (depending on the climate and environment, but it feels fairly British thus far). Just having roasted venison (def not the best way to eat venison just from taste alone) would likely be a very very rare occurrence, because, as noted earlier, they’re so poor they would need to make it stretch. You would cure it or dry it or turn it into sausage. You would use it sparingly within a meal, not to serve as the whole meal.

- the market. If you were poor, you would likely be a stranger to spices, but not to salt. Salt is deeply necessary to survive in that period, as it’s one of the only ways of safely processing and storing meat with any longevity. And? If you got the money that they did while being as poor and as starving as they were? The first thing you would do — even if you were the most stupid rich person before then — is stock up your stores of dry goods! Flour, salt, honey, dried beans/peas/lentils, vegetables that store - onions, squashes, potatoes, root vegetables like carrots. It’s straight up Maslow’s Hierarchy of Needs here - you will not give a shit about a new cloak before you give a shit about saying your hunger. They are said to be ‘starving’. Sorting out your survival comes before sorting out your fashion.

Anyways, this has been me for channel 4, reporting on anachronisms and misrepresentations in fantasy fiction. More news at 10.

[un-pearable]

so sonic prime part 2 is looking great

come on wildbrain. TWO multiverses??? (cross-fandom context: sonic prime and ninjago are produced by the same studio. ninjago just revealed it’s latest season is ALSO about multiverse stuff. shenanigans abound.)

[tulchip]

Bernkastel

[dekusleftsock]

I think that there’s a fundamental misunderstanding of what exactly is…happening with Izuku’s character. Specifically in regards to chapter 425.

I’m glad that a lot more people generally recognize that Izuku is not a character that can be read at a surface level, given that he’s both a repressed person with built up emotion of basically everything and also a very glaringly HUGELY unreliable narrator, but that doesn’t necessarily mean I agree with the ways I’ve seen this most recent chapter spoken about.

I see posts, comments, etc with ideas like “Izuku don’t suppress your emotions! Open up with people! It’ll be okay I promise!” When that’s fundamentally not what is happening here.

There’s always always ALWAYS been a distinct difference in character throughout horikoshi’s writing when he is showing that a character is:

A—Avoiding emotions, thoughts, ideas less than ideal for them. Not opening up when they probably should about their problems given that they’ve been handed the space to do so. Just genuinely not acknowledging, feeling, or expressing emotions that they don’t want.

B—Reflecting on the ways they feel about the world, themselves, or other people given their new perspective on a situation. Not outright reaching out to others to talk about these problems/feelings, but instead waiting until the moment they feel they have the most confidence to do so with their new outlook on their own life.

And genuinely, guys, to grab your BkDk attention rn, this is the exact reason why Ochako’s reflection on her feelings for Izuku and thereafter decision to pull away from them WAS NEVER GOING TO END IN OCHAKO EXPLODING WITH HER LOVE FOR HIM.

This was another common interpretation I saw of Ochako and Izuocha for a long time. That because she pushed these feelings away, they were somehow going to explode in this unbelievable way and she would “get the boy” because of it. That her arc would surround accepting her romantic feelings and that she can’t just push away how she feels for a career.

But yk. That didn’t happen. At all. Nowhere close even.

The same kind of goes for Katsuki, allmight, etc. They all had moments in their arc where it was spent genuinely reflecting, and the only reason we as the audience never connected it in the same ways we do ochako or Izuku was ALWAYS BECAUSE the narrative showed their inner thoughts while doing so (mostly because Allmight’s arc after losing OFA and Katsuki’s arc on what it means to be a hero were so intrinsically tied, both starting at the same time and ending at the same time during the final war. And because they were so tied this caused their own reflections, development, and thought process to be broadcasted to us frequently throughout their arcs… to each other. They also somewhat shared aspects with Izuku, but these were cherry picked more often than not, like dvk2 for example).

To us Katsuki never seemed to be.. idk, suppressing his anger in any way because we were always told what he was doing and why (side note: this is why I’ve always thought arguments against Katsuki were so weird, bc unlike characters like endeavor or Ochako he wasn’t like… hiding who he was and how he was changing. Ever. Like the audience knows at all times past basically season 3 what Katsuki is thinking and doing. Like how do you watch this happen, stare me dead in the eye, and tell me how much of a terrible and awful teenage boy he is. Like damn I didn’t think we were this dumb. This is also my theory as to why he’s most popular, his arc is very… in your face if that makes sense). Katsuki’s entire mini arc on reflecting his mistakes and his childhood and his future is spent TELLING YOU that it’s what he’s doing. (I’m referring mostly to the endeavor internship arc, the provisional license exam makeup, and basically everything in the war arc related to him leading up to bakugou Katsuki rising here)

And see, Horikoshi will stare you dead in the eye, tell you “this girl has taken into consideration that she doesn’t want to waste her time training her career focusing on a boy because he kinda caught her fancy”, and y’all will still say that this will explode in her face.

Y’all this is a series about learning how to manage emotions, maturity in relationship to one’s emotions, how to feel an emotion, but in a way that is helpful. Horikoshi isn’t telling you “go buck wild, feel everything all the time and always express it”, in fact he explores why you DONT do that! Through Toga or Shigaraki, they show how grief and anger can genuinely consume you. But he also shows why you shouldn’t just put everything in a box to never look at or acknowledge, or why you shouldn’t just let your grief destroy the world around you, or pretending that some emotions simply don’t exist.

I can’t say this enough, so let me say it now, mha is about the extremes of your psyche. That you should control something, but not too much. Everything can be harmful. Everything can be good.

Izuku is not controlling too much, he’s expressing just enough.

I LOVE shaming this dickhead at all times in all my posts. I love saying he’s an ignorant dipshit with a weird amount of distaste for a girl who just confessed to him. I’ve joked that chapter 348 is basically an entire chapter spent on Izuku calling Himiko a mean dyke. And yet I also believe he’s doing nothing WRONG here.

In fact, I’ll even say that this moment right here?

ISNT EVEN IZUKU DOING THE SOCIALLY APPROPRIATE THING ABOUT IT! But he’s still TRYING to reach out to someone he thinks MIGHT be able to understand. (And frankly, this moment is far deeper than what it’s being made out to be, to me it reads more like an unrequited friendship that Izuku both desires and has thought of them to have, while simultaneously showing the distance Ochako has successfully wedged between them for her own sake. Maybe it was always there though, maybe in weird, miscommunicated Horikoshi fashion, this is a representation of how Ochako always read all those “fun friend hangouts” as a little more than that, and without those feelings the friendship never really held any substance to her in the first place. Where Izuku saw his first real friend at UA, she saw little more than acquaintance)

Simultaneously, Izuku is genuinely reflecting on what it means for the world to change, to be a hero, to live after loss—and trying and failing to gain the connection he desires from individuals who can not and will not afford him that.

Izuku is ready for the world to change, a few select characters are also ready for the world to change (mirio, for example), but not nearly enough are. So maybe I’ll have to take this back if I’m proven wrong and I accidentally looked into this far past what everyone else did for no reason, but I genuinely believe with moments like this

And this

Aand this

That Izuku has come forward with that aspect of his character development. He’s reflecting on his new beliefs, not repressing his emotions for them.

[independent-fics]

The Leverage OT3 in Every Episode

Leverage: 01x01 The Nigerian Job

[chloesimaginationthings]

HBEBEBEBEBEB UR WILLIAM DESIGN IS SO SILLYYYYY THAT SKRUNKLY OLD MAN IS GETTING THE CHAIR <3333

The worst man ever 💜

[daeyumi]

this year’s self indulgent holiday pic (we went on a date to see xmas lights) 🎄❄️

[buried-l0cket]

Final version of this sticker sheet!!! Was gonna have the legato + elendira be a mystery bonus sticker for people who bought them as a set but decided against selling individuals this time around.

It’s currently up on kofi !! <3

[sirazaroff]

Night Stalker

[secretmellowblog]

I really do love how Javert is the ultimate physical embodiment of the word “bootlicker.”

His entire personality is composed of “respect for authority and hatred of rebellion;” he grovels before anyone of a higher legal/social status, and thinks they can do no wrong. He puts all of his faith into the institution of policing. He worships his superiors in the police force and the legal system. He would sell out anyone who committed any infraction to the police, and would do it with smug glee.

I honestly cannot think of any fictional character who embodies the word “bootlicker” better.

I’ve mentioned before that one of my favorite small Javert moments is when he’s attempting to get Madeleine to fire him, and….he gives Madeleine a salute even when Madeleine’s back is turned, and he can’t see the salute. To me it shows how much Javert’s bootlicking is genuine. It is earnest. He earnestly believes in his own inferiority and the necessity of constant groveling respect to authorities. They don’t need to police him— he polices himself. He grovels even when their backs are turned.

He doesn’t just lick boots for show; he licks boots because he genuinely believes it is the morally correct thing to do, that an “inferior” is legally bound to grovel before their “superior.” And he enjoys this groveling; he experiences a savage glee at his usefulness to authority; he loves the taste of boot leather.

He’s a bootlicker all the way to the bottom of his soul.