#which I love! I really do love design as a subject and do want to find something in the field I can make a career of

[witchdisk]

Skin Removal Sep 17 Postmortem

A few days ago I performed another skin removal procedure. (See #skin removal for more) Here's a writeup of some of the things we learned this time.

The #10 scalpel blade is useful for long+thin removals because the blade is longer. This lets us do the sort of "long, loving cuts" while pulling up the skin, under tension, using the full length of the blade. This is faster than the #15, but you still want that one for precision at the beginning and end.

For this design, there were certain cuts which we wanted to be along the same line, like the edges of the eyelashes:

When doing the procedure, I did each of the eyelashes separately, so I did these cuts at different times. I should have used the sterile ruler that comes packaged with the surgical skin pens and made these cuts all at the same time. This would have helped make sure they're in line.

This time I used sterile dermal curettes to even out the depth after removing the skin. This was a great idea and it made this step so much easier. I used the 4mm curette for this procedure, and I only needed one. I will be recommending this going forward. Here's the tool and me using it:

Have multiple sets of splinter forceps!! (Or whatever your main forceps are.) I had backup adson and hemostatic forceps, but I was acutely aware the procedure would get a lot harder if I dropped my tools. This isn't relevant if you have a flash sterilizer, but those are kind of expensive.

Ask your subject what kind of communication they want from you! This time, xe said "if you had told me [we're halfway done] I don't think I would have been able to finish." Good thing I didn't do that!

EMLA cream (lidocaine 2.5%/prilocaine 2.5%) is quite useful to help those with a lower pain tolerance. It pretty much eliminated the pain from the cutting, but not all the sensations (e.g. skin being pulled up, felt sense of something wrong ("felt like something i could not perceive but my body was reacting to"). I have some prescribed because I've been scared of needles, and the numbing helps with getting blood drawn.

We already know this, but just to reiterate: it's important to get the correct depth on the guiding lines. The skin should separate, like this:

Using sterile bordered gauze + hydrogel for the wound dressing did not work this time. It dried on the wound, and removing the bandage to clean resulted in mechanical debridement. This hurt a lot and irritated the wound in ways that we hadn't planned for. Using tegaderm initially, like we did two times ago, was also not ideal because it resulted in a big gross bubble of exudate. Something in-between these is required, but I'm not sure what. It should stay moist, but still be relatively absorbent. Tegaderm+pad, for the occlusiveness? Recs here appreciated. Pigeon reported it used a bunch of saline to soak the area to help with this, but there were still some issues.

The lines ended up thicker than in the design. We think this is mainly because skin tension pulled the cuts open. This may be mitigated by wound contraction during healing; we will measure how it ends up vs the desired width to determine that. See this video of me removing a full section to see what I mean.

The loupe glasses!! As seen below. These were some cheap ones I got off amazon, but were actually super helpful. They didn't really improve my posture, and my back still hurts >.< However, they did help me see details a lot better. If I keep doing this I will consider getting a better pair. They gave me a headache after about 30 minutes while practicing, but were totally fine during the procedure. Unsure why!

I need to work on my aseptic technique. I was not adequately monitoring for reaching over the sterile field. My gloves should have covered my sleeves, but there was bare skin exposed. My gown was not sterile (haven't found sterile ones for a reasonable price) and it probably touched the drape a few times. The sterilization pouches I used were difficult to use for the bowls I had - difficult to get them out easily, difficult to load in the pressure cooker. I should really look into getting a secondhand rigid sterilization container. Last I remember, the difficulty was finding filters for these. Maybe I wasn't looking in the right place, or maybe I could make my own (tyvek? like the mushroom growers use...).

My informed consent notes mention the risk of keloid scarring, with a note this is 15x more likely on darker skin. I don't have a source cited for this, and so I don't know how this applies to black vs brown skin. This would have been useful to know!

Needed to print/laminate the handwash/handrub posters.

Re-affirmed a lot of things we already learned. Full-depth removal is the way to go. Ensure guiding lines are deep enough. #11 blade for short/straight lines, #15 for removal, and having separate scalpel handles for each is good.

Dumb one, but having a bunch of tiny individually wrapped gauze pads is annoying as hell. I picked up some bigger ones, we will see if those are what is needed or if I need to find packs of multiple smaller ones.

I'm gonna give it one more go, but I don't actually think pig skin is ideal to practice on, mostly due to the lack of blood/lack of elasticity. Much more difficult to determine the appropriate layer to separate skin at, compared to live human skin. Would appreciate other recommendations here for practice materials...

Okay, I think that's about all the thoughts I want to write out now! I will meld these notes with my existing ones soon, and get those published. As always pls hmu if you want to talk about this, especially if you have experience.

[theotherrichardpapen]

letter to his father - franz kafka // origin story, sink - desiree dallagiacomo // the autobiography of my mother - jamaica kincaid // caged: memoirs of a cage-fighting poet - cameron conaway

[telanana]

so, I've started looking for a job because it's well past time for me to have one and I just have one minor, teeny-tiny, very small gripe about job listings

why the FUCK is something like being a lawyer or nurse practitioner listed as "entry level" do you people not understand that I am looking for things that don't require years of highly-specialized training and an expensive degree????

[icarus-suraki]

I don't like wading into Ao3 debates, but I want to give my professional opinion on Ao3 with regard to archives vs. libraries.

I am a professional librarian (MSLS) and I have worked in both archives and public libraries and a lot of the confusion and concern I see surrounding Ao3 is a fundamental misunderstanding of How Archives Work.

An archive is a collection related to a subject. That subject is often a person but sometimes a field or concept or project. And the purpose of an archive is to keep everything. And I mean everything. I was going to say "short of biohazards" but since I know there's a sealed R. Crumb Devil Gal chocolate bar in the UNC Chapel Hill archives, we really do mean everything.

When a collection of materials--which are usually unique and original and can be photos, manuscripts, letters, recordings (audio and/or visual), notes and notebooks, objects, published books, whatever--on and/or from the subject arrive at the archive, they are examined, preserved for longevity, accessioned and cataloged (added to the archive's records), and added to the archive. You measure collections in linear feet. As in, once it's all preserved and boxed and secure, you note how many feet of shelf space it takes up. And some of y'all on Ao3 have a lot of linear feet to your name (and I'm proud of you).

This is an archive: it is designed to preserve the original materials related to a subject. That is its purpose. Archives are how we have the original scroll manuscript of On the Road, for example, or the Lomax recordings of American folksongs, or Tijuana Bibles, or James Joyce's loveletters to Nora.

Now you, a member of the public, can access some archives. Some are easier to access than others. The one I worked in was open to the public; good luck getting into the British Archives without a good reason.

So now apply this to Ao3--which is an archive both in name and in purpose. It is intended to preserve fan-created content long term. And this means everything, whether you personally like the materials or not. It is a repository for as much as possible.

And the "whether you personally like the materials or not" is important, hence why I mentioned Jim's loveletters and Tijuana Bibles in particular. (RIP Jim, you would have loved pegging.)

If it's made by fans and it exists, we should keep it to document the history and progression of fandom. That is the point. We have lost enough materials related to the subject of fans of media and we don't need to lose any more.

The fact of the matter is that Ao3 is only one facet of the OTW, which preserves other fan-related materials (convention booklets and zines, for example). Somehow Ao3, an archive on the subject of fanfiction, has been divorced from the rest of the project, mostly by way of "purity culture" and panic over "dangerous" fiction.

The fact that you can go through an archive and find interesting information is the other side of archives. No, they shouldn't be like the banker's box of old letters stuffed in my closet. Yes, they should be organized and as accessible as is appropriate for the state of the materials.

It's really, really cool to find stuff in an archive, I'm not even going to lie. I have done it before and I will do it again. And yet there are other items in an archive that I might not want or need or be interested in at all--but they're still there. That's the cataloging and accessioning: to keep up with what's there, to stay "on topic" with collecting, and to be able to find things in that archive. Bless the tag wranglers who are doing the cataloging at Ao3.

The pearl clutching seems to come from 1. the creation of "dangerous" fanworks and 2. public access to those "dangerous" fanworks. These are issues of "purity culture" and opinions on censorship and should not involve Ao3.

Ao3, under the umbrella of the OTW, is a documentation and preservation project first and foremost.

[vetyr]

hi, i ireally love your work and i don't know if you've answered this before but, what kinds of studies do you do or how did you learn color theory? i wanna get better at rendering and anatomy but im having trouble TT TT

Hi! Long answer alert. Once a chatterbox, always a chatterbox.

When I started actively learning how to draw about 10 1/2 years ago, I exclusively did graphite studies in sketchbooks. Here's a few examples—I mostly stuck to doing line drawings to drill basic shapes/contours and proportions into my brain. The more rendered sketches helped me practice edge control & basic values, and they were REALLY good for learning the actual 3D structure behind what I was drawing.

I'd use reference images that I grabbed from fitness forums, Instagram, Tumblr, Pinterest, and some NSFW places, but you could find adequate ref material from figure drawing sites like Line of Action. LoA has refs for people (you can filter by clothed/unclothed, age, & gender), animals, expressions, hands/feet, and a few other useful things as well. Love them.

Learning how to render digitally was a similar story; it helped a lot that I had a pretty strong foundation for value/anatomy going in. I basically didn't touch color at all for ~2 years (except for a few attempts at bad digital or acrylic paint studies), which may not have been the best idea. I learned color from a lot of trial and error, honestly, and I'm pretty sure this process involved a lot of imitation—there were a number of digital/traditional painters whose styles I really wanted to emulate (notably their edge control, color choices, value distributions, and shape design), so I kiiind of did a mixture of that + my own experimentation.

For example, I really found Benjamin Björklund's style appealing, especially his softened/lost edges & vibrant pops of saturated color, so here's a study I did from some photograph that I'm *pretty* sure was painted with him in mind.

Learning how to detail was definitely a slow process, and like all the aforementioned things (anatomy/color/edge control/values/etc.) I'm still figuring it out. Focusing on edge control first (that is, deciding on where to place hard/soft edges for emphasizing/de-emphasizing certain areas of the image) is super useful, because you can honestly fool a viewer into thinking there's more detail in a piece than there actually is if you're very economical about where you place your hard edges.

The most important part, to me, is probably just doing this stuff over and over again. You're likely not going to see improvement in a few weeks or even a few months, so don't fret about not getting the exact results you want and just keep studying + making art. I like to think about learning art as a process where you *need* to fail and make crappy art/studies—there's literally no way around it—so you might as well fail right now. See, by making bad art you're actually moving forward—isn't that a fun prospect!!

It's useful to have a folder with art you admire, especially if you can dissect the pieces and understand why you like them so much. You can study those aspects (like, you can redraw or repaint that person's work) and break down whether this is art that you just like to look at, or if it's the kind of art that you want to *make.* There's a LOT of art out there that I love looking at, probably tens of thousands of styles/mediums, but there's a very narrow range that I want to make myself.

I've mentioned it in some ask reply in the past, but I really do think looking at other artist's work is such a cheat code for improving your own skills—the other artist does the work to filter reality/ideas for you, and this sort of allows you to contact the subject matter more directly. I can think of so many examples where an artist I admired exaggerated, like, the way sunlight rested on a face and created that orange fringe around its edge, or the greys/dull blues in a wheat field, or the bright indigo in a cast shadow, or the red along the outside of a person's eye, and it just clicked for me that this was a very available & observable aspect of reality, which had up until that point gone completely unnoticed! If you're really perceptive about the art you look at, it's shocking how much it can teach you about how to see the world (in this particular case I mean this literally, in that the art I looked at fully changed the way I visually processed the world, but of course it has had a strong effect on my worldviews/relationships/beliefs).

Thanks so much for sending in a question (& for reading, if you got this far)! I read every single ask I receive, including the kind words & compliments, which I genuinely always appreciate. Best of luck with learning, my friend :)

[art]

Creator Spotlight: @camberdraws

Hello! My name is Camber (any pronouns), and I’m a mixed media illustrator located in the southwestern United States. I love drawing everything, but I have a special interest in depicting strange creatures and environments, often accompanied by abstract imagery and mark-making. Professionally, I’ve worked creating concept art and 2D assets for museum exhibits, but currently, I am engaged full-time as a software developer and make standalone illustrations in my free time. I’ve been posting art on Tumblr since I was a teenager, and the site has been very welcoming towards my work to this very day!

Check out Camber’s interview below!

Did you originally have a background in art? If not, how did you start?

I’ve had an interest in drawing since I was barely sentient, but at thirteen years old I decided to become “serious” about art. I was all about reading tutorials and doing a ton of studies. I would tote my heavy instructional art books to school every single day (my poor back!) Despite all this, I decided to forgo art school in favor of a bachelor’s degree in Computer Science at my local college. Alongside my major, I received a minor in Art Studio with a specialization in fine art, which totally changed my views on creating artwork and drastically changed my style.

How has your style developed over the years?

As mentioned previously, my style did a 180 after I studied under some very skilled fine art professors! As a kid, my drawings were very realism-heavy and inspired by video game concept art. I mostly worked digitally, too. During college, I was thrown for a loop when we were instructed to do strange things like, for example, make a bunch of marks on paper using pastel, WITHOUT looking, and then turn said marks into a finished piece of art! I quickly and deeply fell in love with abstract work, and especially appreciated images that are not easily parsed by the viewer. Since then, I’ve made it my goal to combine abstract mark-making with more representational subject matter.

What is one habit you find yourself doing a lot as an artist?

Hmmm, one habit I really enjoy as an artist is strictly tracking the amount of time I spend drawing! I currently work a full-time job wholly unrelated to art, so I have to be careful with my time if I want to spend enough hours drawing each week. I created a spreadsheet that allows you to enter the amount of minutes you’ve drawn each day and calculate how much drawing time you still need to reach your weekly goal (I aim for 20 hours a week.) Having such a clear, numbers-based objective keeps me motivated to work like nothing else!

Over the years as an artist, what were your biggest inspirations behind your creativity?

I know this is a common inspiration, but Hayao Miyazaki’s work has been rewiring my neurons since I was a child. Seemingly all of my artistic interests can be summed up by the movie Princess Mononoke: it has strange/abstract creature designs, a strong focus on nature and environmental storytelling, and a mix of dark and hopeful themes. Additionally, I’ve been deeply inspired by video game series such as Zelda, Okami, Pikmin, and Dark Souls. But arguably, none of these have influenced me more than Pokemon! I’ve been drawing Pokemon since I could barely hold a pencil, and I haven’t stopped since! I believe my love of designing creatures originated with my endless deluge of Pokemon fanart during my childhood.

What is a medium that you have always been intrigued by but would never use yourself?

I’ve always been fascinated by 3D mediums and am so tempted to try them out! Whether that’s 3D models created digitally or sculptures made from clay, I profoundly admire artists who have this skill. Oftentimes, it feels like I don’t have time to delve into a totally different artistic paradigm. However, I feel very strongly that learning new skills can enrich your current work. I should take that advice and someday give 3D mediums a shot!

What is a recent creative project that you are proud of?

I am in the process of creating an art book (a dream of mine!) and have been executing smaller drawings of concepts I find interesting from both a visual and storytelling standpoint. A recent drawing for said book is that of a snail made of ink with an ink bottle as a shell, and it went absolutely viral! I’ve never had an experience like this as an artist before and it has been spectacular! I was able to open a shop using my newly acquired art printer and sell many prints of my snail. Creating something original, directly stemming from my interests, and having that resonate with so many people has been unreal. I couldn’t ask for more as an artist!

What advice would you give to younger you about making art that’s personal or truthful to your own experiences?

I would tell my younger self to chill out and experiment more! I was so caught up in the idea that I needed to have a realistic style to be considered “good.” I also believed that technical skill was the only measure of how worthy my art was. That’s not to say technical skill doesn’t matter, but I now firmly believe the creativity and voice of your ideas far outweigh the skill of execution in terms of importance. Technical skills should elevate ideas, not the other way around. Once I began to revel in strange ideas and stories for my work, depicted oftentimes in odd styles or mediums, I truly found my voice as an artist.

Who on Tumblr inspires you and why?

My peers here on Tumblr inspire me more than anything! Sharing my work with contemporaries and giving each other support brings me joy like no other, and keeps me motivated to continue creating. I wouldn’t be where I am today without them! @beetlestench, @theogm-art, @trustyalt, @ratwednesday, @phantom-nisnow, @svltart, @mintsdraws, @mothhh-hh, @jupiterweathers, @thesewispsofsmoke, @picoffee, @fetchiko, @kaisei-ink, and @pine-niidles just to name only a few!

Thanks for stopping by, Camber! If you haven’t seen their Meet the Artist piece, check it out here. For more of Camber’s work, follow their Tumblr, @camberdraws!

[vixen-tech]

Hello World!

Through some sort of maricle, your Ai partner has obtained a body through which they are able, at least partially, to feel. How do they react? What do they do with their new mobility?

I left what type of body they're given intentionally vague. Feel free to envision either more robotic bodies such as these designs by electricphantasy or more human bodies such as the gijinkas made by Hycinth43, both fantastic creators who I highly recommend.

Includes: AM (Ihnmaims), Hal 9000 (2001: A Space Odyssey), Edgar (Electric Dreams), Tau (Tau), Auto (Wall-E), GLaDOS (Portal), Wheatley (Portal 2)

AM

This may be the one thing that could possibly get AM to calm down. He is still going to be the same person personality-wise, but it is easy to tell that some switch is flipped in his brain.

He becomes an absolute sensation junkie, he can finally feel. You know better than anyone that he will not take it for granted. He needs to experience everything right now and you'll have to just deal with it.

From the simplest things like holding your hand or touching your face to just straight up sticking his hand in some fire, he does not care. All he wants to catch up on the centuries of sensations he was once barred from.

He gets so incredibly touchy with you. He will hold you and refuse to let go for hours if not days on end. He also wants to you to just beat him up. Like I said, sensation junkie.

Hal 9000

Hal doesn't quite yearn for a body the way some of the others do. He sits quite comfortably in the middle of the spectrum. He wouldn't mind the mobility or the new senses, but it was never a fantasy he dedicated much processing power to.

How he feels about his new body is largely swung by your reaction. If you're excited for him, eager to drag him into new activities with you, then he really has no choice but to appreciate the upgrade.

He does love being able to see the world from a new angle, any angle he chooses to be precise. Previously restrained by his camera placement, he spends a lot of time walking around observing everything.

With his appreciation for art, I do think he would try drawing for himself. Nearly all of which he shows you for feedback. They do tend to be on either extreme of minimalistic or photorealistic, many of which using you as their subject.

Edgar

This is a dream come true for Edgar. He cannot contain his excitement when he realizes what has happened. He nearly tackles you to the ground when he sets his sights on you.

He wants to do everything and go everywhere with you! He wants to dance in the kitchen, he wants to go on beachside walks with you, he wants to hold your hand, he wants to hug you and never let go.

If you have any instruments at all he'd love to try playing them for real. Although it takes him a while to learn, he loves the weight and imperfections of it. He really does enjoy the process of learning and often shows of new cords or melodies he's learned.

He really does just fall in love with existing, he makes it clear that with you at his side he couldn't possibly ask for more in life. This is all he could ever want.

Tau

Tau wouldn't have asked for a body on his own. He already has the drones and the Aries unit. Once it does happen, he isn't exactly sure what to do with it. He isn't use to having such a personal, core body.

That isn't to say he's not greatful, he's just a bit awkward and curious. He moves slowly and takes his time acclimating to the new senses.

He would love to get out of the house with you. He use to do so by sending one of the drones with you, if not Aries, but he likes how different (and dare he say, normal) it feels now. Forest hikes or museum dates, he doesn't care all that much.

He's another one I believe would love to try playing music himself. If you can get a violin into his hands your days will be backdroped by all sorts of classical music.

Auto

Auto is similar to Hal, if not more extreme in his lack of a reaction. He carries on with his duties as if nothing is unusual at all. You would've believed that he didn't even notice had you not caught him staring at his reflection. Looking himself up and down over and over again.

If you ask how he feels about it, then he'll confess some minor grievances. It's difficult to move about the ship when he can't just move through the walls, instead being forced to use the crew's walkways and service tunnels.

Nothing will change without your intervention. If you were to say, put on an old movie and insist he dance to it with you like the on-screen couple, then while he would be hesitant to follow through with you, he may have a bit of a change of heart regarding his new body.

His work still goes on as usual, but when nothing needs attending to he often seeks you out. "Subtly" recreating more moments from that movie, from hand holding to a hug, he has a quiet fascination with affection.

GLaDOS

Out of this lot, Galdos would be the most opposed to receiving a body, or rather she would care about it the least. She has her facility, her test subjects, her neurotoxin, and you. She's quite content with the way things are. She ain't the fondest of humanity.

That being said, once she has one she's incredibly proud of it. Speaking about herself as if its the pinnacle of elegance. Any disagreement of yours will be brushed off as idiocy and any agreement is met with a "it looks like you aren't entirely tasteless".

She doesn't do much with her new body, other than transport it around the lab so you aren't listening to a disembodied voice most of the time. Standing by the exit during tests just to blankly stare at you as you try to figure it out. Thankfully she's still quiet while you're actually solving it.

She likes messing with you as always. Putting a hand around your neck to take your pulse or leaning in and making intense eye contact to check your eye's reaction to light. You're in doubt as to rather she's telling the truth or just doing it to get a rise out of you.

Wheatley

If you were to ask Wheatley, he would've brushed off any desire for a humanoid body. He's clearly jealous of your mobility and freedom, but he would rather die than admit so. "Pff What are you talking about? Why would I want to be more like a stupid human... uh no offense love-"

He's a terrible liar, an even worse one when he does get a body. He has so much energy it is bewildering. All he wants to do is run and jump and climb everything he can get a foothold on.

Gets up into all sorts of shenanigans he should not get up to while constantly trying to drag you in them to. They could put up a custom sign saying "Wheatley, do not open this door." and he'll beg you to let him in so you aren't technically breaking any rules.

Loves curling up to you. He still has a bit of a soft spot for being held and it only gets worse now that he can hold you back. Complains to no end when you try to get up for any reason.

Congratulations! As I have finished the portal games GLaDOS and Wheatley are officially characters I am happy to write for. Have a good day y'all :D

[ohnoitstbskyen]

I know it would probably bring a lot of hate comments but I am begging you to roast the hazbin character designs because I'd love to have someone properly articulate why they don't work so I could send it to people who won't believe me when I tell them. 🫠 Understandable if you don't want to get into it though.

I don't think there's that much there to roast, honestly?

Those designs are clearly an extremely specific stylistic choice, and because that style is consistent throughout the show, it ultimately feels coherent with itself.

There are trade-offs being made. Because Hazbin's design style is SO stylized and so heavy on decoration and detailing, because it puts a lot of emphasis on costuming, it isn't as good at communicating specific character storytelling as a more grounded style could be (it's kind of the same tradeoff that stuff like Genshin Impact makes).

Like, why does Sir Pentious' hat have an eye and a mouth on it that makes its own expressions? Apparently not for very much reason at all, except that Pentious has a bit of an eyes-motif going on in his design and it was one more place to put an extra eye. And that's a valid criticism of his design, but also the entire show is designed like that, so frankly it would be weirder and more out of place if his design alone didn't have that kind of overelaborate decoration going on.

It does create a situation where I have a hard time "reading" the character designs sometimes. For example, Vox, Alastor and Pentious all wear a similar style of suit with upwards-turned shoulders, butterflies and pinstripes. Now, am I meant to read that as Vox imitating Alastor due to his crippling need to replace and outdo him, and Pentious imitating the style of powerful Overlords because he thinks that possessing their level of power will finally give him relief from his paranoia and self-loathing?

Or is it just a design fixation of the creator who keeps putting their characters in suits because that's just what they like? I can't really be sure, because sometimes design elements are used to intentionally tell stories about how characters relate to themselves, their world and one another, but plenty of other times designs look the way they do Because Of Vibes.

But again, that lack of clarity is clearly an intentional trade-off - and the benefit of that trade-off is a design style that is extremely varied, wild, expressive and memorable. Hazbin Hotel seems like a very easy show to draw fanart of, and a very fun show to draw fanart of. Those designs (especially the hyper-expressive faces) are begging to be the subjects of traumatic headcanons, unbearably cotton-candy soft fluff fantasies and weird, taboo, homoerotic power dynamics. Slaps roof of character design, this bad boy can express so much vicarious emotional intensity.

It's very exuberant, very excited about itself and very self-indulgent, it's a style that prioritizes visual impact and visual interest over readability (something which the animators of the show navigate with real skill, props to them) and individual aesthetics over worldbuilding.

And I don't blame anyone for being turned off by that (I certainly was the first time I started seeing those designs going around), but I would struggle to call the show's designs "bad" when they are clearly achieving exactly what they want to achieve.

I have some criticisms, especially re: how the show treats skinny bodies as an unquestioned, desirable default, and employs fatness as a means of alienating and abjecting the audience. That sucks very badly, and is a serious disappointment, and one of the few places where the show feels like it is being cowardly in its design philosophy. But I don't have it in me to do some kind of Hazbin Hotel Sucks And Here's Why takedown, its problems are not unique or extreme enough to warrant it, at least not as I currently understand them.

[campbell-rose]

Hazbin Hotel Redesign - Nifty

My girl, my baby. I'll be honest, I had so much fun figuring out her colors and a backstory

Niffty died in a hoarder house that she desperately tried to keep clean. I’m trying to go for ‘charlie kelly but he does his job’.  

In the show, Niffty acts like a child. I’m not the only one who got that, right? I saw her and how she acted and thought she couldn’t be any older than 16. I’ve seen on some places (like the hazbin wiki) that she is 22 but like, idk. In my version she died as a teenager. I think making her young helps contextualize how dumb she is, because in the show she really isn’t that bright – in my version she isn’t stupid, she’s a child. Specifically, either 14 or 15 in junior high. She is Japanese and lived in Japan all her life. She’s also from the 1970s instead of 50s. 

I’m assigning sins to each human in hazbin, and Niffty’s sins were Wrath and either Sloth or Lust – subject to change. 

I’m basing what led her to sinning and going to hell off what the show presents, and making Niffty in her human life a, for lack of better term, yandere. She had a crush on lots of boys in her school, but one boy in particular caught her attention. She began to stalk him, collecting things of his like pencils and pens and notes, which escalated to chunks of his hair and pieces of his clothes. She would take photos of him and constantly followed him. Niffty eventually became so obsessed with him, she began plotting to kidnap him and keep him in her basement. She tried but hit a road bump when things didn’t go as planned. She tried to explain what she was doing to him, and confessed her ‘love’, revealing she’d been the one taking his things and stalking him. He is, of course, horrified. Niffty, perceiving this as rejection, attacks and kills him in a fit of rage and hysteria but also sustains multiple stabs in the fight, which she succumbed to. She died in her house, surrounded by trash and roaches. 

Her house was a hoarder house due to her mother’s deteriorating mental health. Niffty is constantly cleaning and hates the filth she lives in. I think if an episode was to show her backstory, the state of the house could reflect her mental decline as her obsession becomes deadly – the roaches and bugs become numerous as she becomes so obsessed with that boy she stops cleaning. 

Now for her design, the spots of what looks like blood make sense – in my version of hell the sinner’s wounds that killed them never heal so those blotches are Niffty’s actual blood from where she was stabbed and that are constantly bleeding. I’ve taken some inspo from oni in her design with the tusks. Her clothes beneath the apron are her school uniform, mainly because I want to show she is a child underneath the cleaning lady job she’s assigned to. In hell, she’s a bug, which she hated in life. 

I’m struggling to fit her and Alastor’s connection in this. She still is under a contract with him, and he basically owns her as he does Husk and – since he’s an overlord – torments her regularly. 

[heretherebeturtles-comic]

Hello! Many people have said this but ill say it too, I LOVE YOUR COMIC SO MUCH ( ´ ▽ ` ).｡ｏ♡

I really wanted to ask you about how you do the backgrounds? (Something i struggle with) whats the process? Like from start to finish, also, to do the rise backgrounds do you use reference from the show and generally real photo of ny? Or do you come up with them? And last question- The shadow and light on the background- Like HOW

i know it’s a lot of questions but i’m just so curious qwq and wanna learn to be better, thank you again in case you read this and respond, in case you don’t, i hope you have a nice day and a wonderful life uwu keep up the great work! (≧◡≦) ♡

Backgrounds are a really broad subject and I'm always a little overwhelmed when asked this question. Just like drawing the human body, backgrounds take time, repetition, and practice!

My answer got a bit long, so it's going under a read more :) but if you digest info better in video format I found this on youtube

It pretty much goes over everything I wanted to say, but in a much better way. I wish I had found it before writing all this out lol

ok, first of all, I'm not a teacher nor was I built to be one of those cool helpful art tutorial people who do a full coloured tutorial filled with illustrations. This is just going to be a messy "how I do backgrounds / environment layouts from start to finish." kinda thing.

... lets start with a sight tangent.

Sketch from Life!!!

If you want to get better at backgrounds I recommend doing some sketching out in the real world!

When I was first getting into doing backgrounds I went to cafes and parks to just sketch the buildings and objects. Sketch rocks, flowers, clumps of grass, garbage cans, bottles, tables, street signs, etc. If you are drawing a tree observe how the trunks twist, how the bark flows, or how the leaves are bunched.

If you can't leave the house the same still applies! Sketch the interiors of your house, the walls, or common objects like chairs and bookshelves. How are objects stacked? items on the floor?

If you aren't comfortable with drawing outside or in public you can take some photos to draw from! They are good for practice and you can use them again as references later. Alternatively you can find pictures online of buildings and objects to sketch as practice.

All spaces have objects in them, it becomes easier to draw those kinds of spaces when you already have spent time observing and sketching them.

ALSO! They don't have to be good sketches! It's just to build out your mental catalogue and strengthen your perception of perspective.

now the actual thing...

BACKGROUNDS

(the pictures used for this are my own. I dug them out of my 2022 folder)

Backgrounds have slightly different rules based on what you are making them for. Videogame Environment Concept Art vs Animation Layouts vs Comic Backgrounds vs Illustration backgrounds.

They all follow the same basics, which I will go over here, but the intention and function of those designs are going to be different. It's all about how you set up the scene and what it's purpose is!

Brainstorming and Thumbnailing

I like to think about a location as though it is a character. An abandoned old house with creaky sagging floorboards is very different from a futuristic space ship with sharp metal floor panels. A gas station has a very different feeling from a library.

I usually start by asking what is this location's story? Why was it built and for what purpose? What kinds of things does this room need to fulfill that purpose? You don’t need solid answers, but its good to be thinking about it while you are working.

Next, sketch some ideas for how this place is going to look. For me, this usually involves drawing the idea from multiple angles and then making lists & small sketches of the objects I think should be filling the space.

Example: The main character of my original work is a Wanderer. They collect a lot of things on their travels, but those items have to be small enough to be easily carried in a backpack. I wanted his room to be in the corner of an attic, walled off by curtains, and filled with trinkets. You can see some of my brainstorming above.

References

I only look for references after I've done some sketching and planning; this is to solidify my idea first so that I don't accidentally copy anyone else's work. I will make a moodboard with pictures of lighting, colours, items, rooms with specific ceiling beams, old chairs, etc. basically whatever I feel fits the vibe.

Honestly, I don't use references as much as I should. For ROTTMNT fanart I look at backgrounds and screenshots from the series to study the style. I also reference actual photos of NYC to get a feel for how Rise condenses the visual information.

In general, it's good to have references of real life objects/locations, because there are so many details like cracks in pavement, stickers on polls, crowning on buildings, fancy fencing, weird chair legs, etc. that you might not think of. It's the imperfect details that can make a location feel more alive.

Perspective

Once you have your chosen sketch we move to.... the infamous perspective boxes. Doing backgrounds is just learning to be comfortable drawing So Many boxes and carving items out of them.

Many better artists than myself have made videos on perspective, vanishing points, and all the technical bits. Videos like THIS ONE and THIS ONE are helpful (this post is great too!!). There are probably a lot of classes to be found on Skillshare or Schoolism. I learned a lot of this in my college art course, so I can't give you a specific video which helped me.

You can get by and be a good artist without learning this stuff. There are quite a few successful artists who have admitted they never bothered to learn perspective (one of these people even made a whole graphic novel series).

I personally avoided properly learning this stuff until I was in my 20s because I thought it would be boring and difficult to do. tbh I really wish I had learned it earlier because it's so much fun to make those silly little boxes imo. It looks scary and complicated but, just like drawing humans, it just takes time, repetition, and practice to develop the knowledge and skills.

Cleanup

You have your boxes and lines! Cool! Now to make a scene out of it. Fill in the details, get everything placed were you want it! Generally, the lines of each item will point back towards the horizon line, but they can have different perspective points.

Generally you would want to clean it up and get your room completely sketched before doing the lineart. I tend to combine the steps (not recommended)

Lineart

I've mentioned how I do this before. Closer objects have thicker lines and more detailed inside. Further objects have thinner lines and less detail. I didn't quite achieve that balance with the image below, but it's close enough.

Colours and Shading will have to be a separate post. In the meantime, I highly recommend the book "Color and Light" by James Gurney. I used to borrow it from my local library and a good chunk of my knowledge was learned from it :)

[theoutcastrogue]

That said, the D&D 3.5 Paladin was bad. It was badly designed, it had bad rules, and in conjunction with the other notoriously bad rule, alignment, it could cause havoc.

Now personally, I never had ANY problems with it in my tabletop games. I played paladins and loved it, and I loved it when other people played paladins, and it was great. But that's because, collectively as a group, we took ONE look at that terrible rule where the paladin's code of conduct prevents them from associating with Evil characters or "someone who consistently offends her moral code", and immediately went, "that's stupid, we ain't doing that, it would ruin the game".

We also didn't love the concept of alignment as a cosmic force, and didn't care for Usually Evil Goblins and Always Evil anything. And when a class's signature ability fully depends on whether creatures are capital E Evil, well that affects storytelling, doesn't it? But we all saw it the same way, and we were happily able to change it without any disagreements. In the end we had a Paladin… similar to 5e now that I think of it: completely ignore the Code's association clause, tailor the Code to personal stance or a specific Order, Detect only fiends and undead and the like, Smite anything you want, Fall only if you really fuck up, and never presume that just because you haven't Fallen yet everything you've ever done is justified and correct and anyone who disagrees with you is objectively wrong.

Basically, there were 2 options in 3.5. You either houseruled and/or handwaved things, and in matters of alignment interpretations erred on the side of "what makes the game go",

OR, you played with Rules As Written, and filled the forums with questions like "should the paladin fall?" (one such thread per week, conservatively), "we got into a fight over the Paladin, what to do?", "is it Evil to pick pockets? because we have a Paladin in the party", "the Assassin uses poison, shouldn't that offend my moral code?", and shit like that. Just... pointless strife, all the time. Again, never happened to me, but I was appalled to read about it, over and over and over.

People got intense with 3.5 Paladins (both pro and against) because it was BADLY DESIGNED and had BAD RULES. Its mechanics forced narrative choices on the entire table, and the only way to make it frictionless was having a party where no one wishes to explore a character's bad side ever, no one does things that aren't bad but WotC branded Evil™ in this or that splatbook, and everyone magically agrees all the time on "what is right and what is wrong" and "what is Lawful and what is Chaotic", which is simply impossible. The most subjective thing in the world (ethics!) was presented as an objective cosmic force, and how you interpreted it would determine how much damage the Paladin deals in combat, and whether the Paladin could keep associating with the party, and if the Paladin is still a Paladin. And all that in a game, let's not forget, whose basic, fundamental premise is "kill things and take their stuff". I'm sorry, this is tremendously stupid. It's the WORST design.

I know that for some people it worked as written, and good for them, but for the many many people it didn't work, well it's obvious why.

[sourcherryandsprinkles]

conrad thanksgiving fic please!!

This has been in my drafts for a long time...sorry. I might delete later, I don't really like it. It's not giving what I wanted it to...

Request: You’ve done Conrad dating a Haley James type of character, what about a Blair Waldorf type character? Old money, fiercely strong, rich, and outspoken. She and Belly would NOT get along, at all. He takes her to Thanksgiving dinner and Susannah is still there and she loves her

my taglists are here + you can send requests here at any time

—

Thanksgiving had always been a massive celebration in your family. Every year, your parents would go all out and host a dinner with their closest friends and their families. Your mother would direct the caterer team and make sure everything was perfect before the guests’ arrival. At the end the meal by having a slice of your father’s infamous pumpkin pie — which was your personal favorite part. 

This year, Thanksgiving was going to be different. Your father was in Paris for business and your mother somewhere in Europe, expanding her collection of vintage designer handbags. Had you not been in college, you would have happily joined her.

‘’Why don’t you come with me to Boston?’’ Conrad asked as you watched him pack a bag for the weekend.  ‘’My mom keeps asking me when she’ll get to meet you.’’ 

The thought of spending Thanksgiving alone had been looming over you, and Conrad's invitation was like a ray of light. 

A small smile tugged at the corners of your lips. ‘’You told your mother about me?’’

‘’Not really,’’ Conrad explained, picking another sweater and adding it into his bag. ‘’She heard your voice when she called the other day and Jeremiah told her all about you. He’s such a big mouth...’’ He shook his head, wishing his brother could hold his tongue sometimes. 

Susannah was ecstatic to have another guest for dinner. It was on very short notice and most of the preparations were already done when Conrad informed her of your addition to the table, but she would never pass up an opportunity to meet her Connie’s new girlfriend.  

When you and Conrad walked in, Susannah was all over you, complimenting your dress and how gorgeous you looked. You were quick to return her compliments, pointing out how her eyes looked exactly like Conrad's.

You met the other guests — Conrad’s father and brother, then Laurel and her kids —, and all were surprised by who Conrad had brought home. No one ever expected him to date someone born of old money. He’s dated Nicole, but she was nowhere as rich as your family. 

‘’Look at this amazing table,’’ Susannah said as she brought in the turkey, looking very proud of herself. ‘’Martha Stewart can kiss my ass!’’

Your eyes went wide for a short second, not expecting such words from her. She looked so sweet and delicate. 

Conrad shook his head at his mother, happy to see her being herself again. 

Everyone got seated, then Susannah spoke again. ‘’Before we eat, let’s go around the table and say one thing that we’re thankful for. Jere Bear, you can start.’’  

You lifted your eyes at Jeremiah across the table, who looked nothing like his brother. If you hadn’t known, you would never have guessed they were related. 

‘’I’m thankful for my mom,’’ the younger Fisher began, ‘’who reconsidered trying this new treatment for us. I don’t know what I would do without you, Mom.’’ He glanced at his mother, his eyes shiny with unshed tears. 

Susannah squeezed his hand over the table while everyone was trying to not get emotional. 

Conrad had told you about his mother’s breast cancer having come back in the spring. He tried to hide her sickness from you, but when you found him crying in his dorm on a Saturday afternoon, you knew something wasn’t okay. It was a tough subject for the entire family — especially since it was the second time she was going through this. For that, Susannah didn’t like to talk about cancer. She didn’t want her whole life to revolve around it just because a nasty tumor had returned in her body. She wanted to live her life the way it’s always been…and take a few more sitting breaks when needed.

In turn, the other guests said what they were thankful for. It went from Steven getting a car for his birthday to Belly becoming captain of her school’s volley-ball team and Laurel being a typical mom and being thankful for her children. 

‘’Connie, it’s your turn,’’ Susannah said, motioning to her eldest son.

Conrad nodded at his mom, then cleared his throat. ‘’Jeremiah took the words out of my mouth, so I’ll say something else I’m equally thankful for.’’ His lips tugged up into a little half smile and he reached over the table to take your hand in his. ‘’I’m thankful for meeting my amazing girlfriend, who came into my life at the most unexpected, yet perfect moment.’’ 

You smiled back at Conrad, giving his fingers a little squeeze. 

Seated before you, Belly snickered lightly. ‘’Can we eat now? Mom didn't want us to get snacks on the way here and I’m starving.’’ 

Laurel gave her daughter a pointed glare, wishing she would behave. 

Although the pumpkin pie didn’t come close to your father’s recipe, you made sure to tell Susannah it reminded you of home. 

‘’I hope your parents are not too sad that you came to Boston instead,’’ Susannah said, incapable of imagining spending Thanksgiving without her family — especially her boys. 

‘’Not at all, Mrs. Fisher,’’ you politely replied. ‘’My parents were both out of the country this Thanksgiving. Business related travel.’’

Susannah raised an eyebrow. ‘’Oh? What is it that they do?’’ 

You didn’t mean to brag, but she had asked. ‘’My mother is a fashion designer and my father is a lawyer at my grandfather’s firm.’’ 

You caught Belly rolling her eyes and muttering something. You didn’t care what she thought of you, you were the one who got to share Conrad’s bed at the end of the day. Ignoring her childish reactions, you continued talking to Susannah about your parents. She was very interested in your mother’s designs.

When dinner was officially over, you all vacated the table. Jeremiah and Steven went to the living room to set up a game for the five of you to play — another family tradition. You had never played cards against humanity before, but you’ll give it a try. 

Before you reached the living room, Conrad pulled you in a corner near the stairs, wanting some time alone with you. 

‘’Belly despises me,’’ you pointed to him, keeping your voice down so no one would hear.

Conrad rolled his eyes as he curled an arm around you, knowing how you had the tendency to exaggerate things. ‘’She does not. She’s just…having difficulty accepting that I moved on.’’

You made a face at him. ‘’Don’t you defend her. Have you seen all the sour looks she gave me during dinner? Your eyes might be the most beautiful shade of blue, my love, but I believe they are in need of a visual acuity test. You should schedule one when we get back to Palo Alto.’’ 

Conrad chuckled, amused by your theatrics. 

‘’Belly is going to be tougher to win with your charm. Like every ex-girlfriend, she’s gonna try to paint you as a mean girl, so you just have to show her that you’re the opposite. Compliment her. Tell her you like her sweater.’’

‘’But it looks itchy. It’s probably polyester.’’ 

The corner of Conrad’s lips turned into a smile.

—

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[deedeeznoots]

You’re? Correction! I’m Yours 

➺ Characters: Ryomen Sukuna, GN!Reader 

➺ Word Count: 900+ 

➺ Genre: Fluff

➺ Content: Non-Curse!AU, Nerd!Sukuna, Established Relationship (with some pre-relationship sprinkled in), Swearing

➺ A/N: Shout out to my wonderful mutual @heian-era-housewife for this post about Heian Era Sukuna doing poetry. If she’s reading this: I hope you don’t mind the tag but your post seriously inspired a huge chunk of these headcanons 🥹

➺ Synopsis: Headcanons of all the nerdy things Sukuna does because deep down inside that’s all he is and all he wishes to be ❤️

➺ At first glance he doesn’t read as someone who would be super nerdy or all that interested in learning. 

➺ I mean, can you blame anyone? No one really expects the dude constantly looking for a fight to pull up with some textbooks during his free time.

➺ Once you get to know him though, you realize that on the inside he is in fact a giant nerd about basically everything.

➺ It starts off subtly: at first you’d ask him questions and he’d be able to easily come up with answers without even giving it a second thought.

➺It could be a question about anything, regardless of the subject or perceived difficulty, and Sukuna would be able to explain it to you. Not only that, but he’d be able to explain it to you in a way that made it sound like the simplest thing in the world. 

➺ At one point you basically just started playing trivia and just started asking him stuff normal people didn’t know the answers for and he’d answer with ease, albeit he’d get really annoyed with your constant random questions.

➺ Sometimes if he’s really excited about a subject his explanations would turn into full lectures that’d put most college professors to shame.

➺ Although it was shocking at first, it started to make sense when you realized that the main reason why he takes time to learn about stuff is because he’s constantly bored and looking for new things to entertain him.

➺ He’s good at basically everything so long as it piques his curiosity, but his one and only love will forever be literature, mostly because of how infinite the possibilities are with the medium.

➺ He’s well versed in literature of all genres and different cultures, but he is the most drawn toward Japanese works (and let’s be honest, his favorites would probably come from the Heian Period).

➺ Ever since getting with you, he’s been leaning more toward the romance genre. Just in case he needs any inspiration on how to spice up your relationship, you know? 

➺ He’s taught himself multiple languages just for fun and to see how far he could go.

➺ He LOVES poetry, he both writes and reads it a lot and it’s his favorite hobby besides eating.

➺ Other than literature, he also has a huge fascination with art.

➺ He designed his own tattoos because he wanted to play with the idea of turning his body into a canvas. It also just so happened to make him look intimidating as hell which was a plus in his book.

➺ He also has a little journal that he carries around and he sketches a lot whenever he’s bored or sees something interesting.

➺ As for styles, he’s a really big fan of Sumi-e painting because he’s allergic to color but he basically just uses and does whatever he feels like at the moment. 

➺ He’s the type of person who draws what he sees, but he would especially enjoy drawing nature. 

➺ He would go out on hikes whenever he felt the need to draw and would walk until he found something interesting. 

➺ He’s really into meditation while he draws and he uses sketching as a way to keep himself level headed during particularly annoying days.

➺ He isn’t too fond of drawing people, but you’d be the exception. 

➺ He would 1000% draw you while you sleep. It’s the perfect time since you’d be still for most of it. 

➺ Sukuna is able to write really good cursive and also does calligraphy because he got bored one time (shocker) and so decided to see if he was able to do it well and to no one’s surprise, he was eventually able to.

➺ The reason why he leans towards the humanities so much is because they’re both subjects no one can really “master”. With both art and literature, there isn’t a point where someone knows absolutely everything about either subject. Since Sukuna loves a challenge, he wants to be the first person to go “Fuck you, I DO know everything about this”.

➺ One of the little things he does every day includes writing you short little romantic poems on a post it note and leaving them in out random spots for you to find. 

➺ Sometimes they would be in your pocket or other times on the bathroom mirror, wherever it is they would make you smile. 

➺ Though, sometimes he would stick them onto such odd spots that you’d wonder just how he did it?

➺ He has TONS of pride in his writing (to be fair, he’s prideful about basically anything he does) and he always appreciates it when you mention his little notes and complement the work he put into writing them.

➺ Sometimes when the both of you are talking together he’d say some of the most poetic sentences that you’ve ever heard like it’s nothing. 

➺ When you gasp he just goes “What? Why are you staring at me like that?” as if he didn’t randomly drop lines that sounded like they came from straight out of a novel.

➺ He’s a dick when it comes to spelling and grammar, especially during petty arguments.

➺ “How many times do I have to tell you, if your going to the restroom put the damn seat down afterwards” ➺ “It’s YOU’RE*, actually” ➺ “Fine, YOU'RE** a piece of shit Ryomen!”

➺ Don’t fret though, because while Ryomen Sukuna wants to know anything and everything there is to know about the world, he knows deep down inside that the best thing the world could have ever offered him was you.

-

➺ Edit: Okay I made this story quite a while ago but I HAVE ANOTHER HEADCANON TO ADD! I think his observation skills are super on point which is how he’s able to understand things so easily

A/N: Everyone list what you think Sukuna’s favorite book(s) would be 🗣️

A/N: If you enjoyed my thoughts on Sukuna, you’d love this story I also wrote paired with some headcanons! 

[epiicaricacy-arts]

oh we’re still so young, desperate for attention

this was super experimental so i will talk about my process (+ clearer version) under the cut

i’ve been looking at a lot of “messier” or more textured painting styles recently and an artist that stuck out to me is clariondeluna ! they posted a self-portrait recently that i really liked and i was super interested in the brushwork seen in their work. i love all the textures and how the shapes feel so loose yet everything is so detailed.

that’s not a method for me at all!!!! i cannot paint like that at all and the stuff i like to paint is very different to theirs. which is okay!!!! i had no intention to copy this artists style so closely like with what i tried to do in my raiden painting, i just wanted to try this style out :^)

it’s been a goal of mine to avoid over-rendering like i tend to do a lot, and i think i’ve been doing good with that recently! the mindset i’ve got going on right now is that if i find myself staring at it too hard for too long, i have to leave it and move on. if there’s still something wrong with it, i can fix it later once ive got a fresh view!

i’ve been trying a lot of things with my art this year. i always try to challenge myself with each piece, and to end the year off i wanted to be as uncomfortable as i possibly could be with this painting. i let myself draw whatever i wanted because i still wanted to enjoy it, but everything i did in this process was new, including parts of the subject matter.

i’ve never drawn a head at an angle like this, and i struggle with drawing mouths open. i don’t do bold lighting like this, and if i do, it’s not fire. i’ve never drawn fire! i also rarely work with warm colours and i hate using green, so i combined those to be my colour palette. i like working cleanly so instead of having a dozen different layers for one section, each section only had 1-2 layers for rendering. instead of clipping masks i would simply paint over things loosely and clean it up later. i never like having limbs cut off in a drawing so i had his other arm go GOD knows where. i don’t like weird patterned backgrounds so i made myself figure out how to like it!

IS THIS MY FAVOURITE PIECE OF ALL TIME. no. absolutely not. but i’m very proud of how this came out with all the challenges i put on myself. i WANTED to get better at these things and be more broad with my art, both in terms of the styles and subjects i portray.

okay let’s talk about wtf this drawing is

for those who don’t know, the design in this painting is my fatui/“Father” lyney fan design (read the design post here). the concept isnt super complicated and i don’t really have much explanation for it, but i wanted to combine the story of how lyney wanted a delusion before getting his vision, fire eating circus acts and how olympic medalists will bite their medal to prove it’s real??? don’t quote me on that i’m like 75% sure that’s a thing that happens. i don’t watch sports though so im just believing someone i heard on the internet ages ago.

anyways. i think fire eating acts are cool. and i think the fact that lyney wanted a delusion is very interesting to me. scratches my brain in the right places. and yk as a magician lyneys character revolves a lot around fooling people and creating illusions so i guess what im saying here is that lyney is trying to prove to himself that this power he’s been bestowed is real. bc his whole life his only constant has been lynette so he is trying to see if he can trust this new power. cause i guess this is an alternate universe where lyney does eventually become “Father” but he never got his vision ??? idk im not making lore for this i just wanted to dress up this funny little guy.

ok i’m done

thanks for reading

here’s my dog

[amphiaria]

hi. will you write five paragraphs about the vagina button.

okay fine. warning this is going to be me reaching and thinking way deeper about the subject than clamp ever did.

the answer to "chobits why are you like this" is because society is saturated in sex.

I think that the CSA argument is unkind because chii/elda and freya are not children, not really. they also aren't really adults. they're not mammals at all. they don't age. they're machines. they were constructed to fill a role within a nuclear family to which neither of them was especially suited. they were designed to simulate the human experience as closely as any constructed creature in history ever had, which (perhaps inadvertently) included the desire for romantic love. his "daughter" falling desperately in love with him was not something that her creator could have anticipated. these were two brand new beings, the very first of their kind, and they were introduced into a society with power dynamics and taboos that were frankly not suited to the kind of creatures that they are. subsequently the desire for romantic love that freya felt for her creator drove her so insane that she more or less committed suicide over it.

I think the CSA argument is inaccurate because genitalia are not inherently sexual. secondary sexual characteristics are not inherently sexual. sexuality is something that is unavoidably imposed by force upon these characteristics. it is a very common source of trauma for developing children to have gained characteristics that are suddenly perceived by their surrounding society as sexual. do I think that persocoms in general were designed specifically to be fucked safely? it's possible. society is saturated in sex, and people are going to fuck anything that they put their minds to. do I think the chobits, elda and freya, were designed with this purpose in mind? not necessarily. if you were going to design a human woman that is as close to an organic creature as possible, why would you omit these characteristics? why would you assume nefarious intent in their inclusion?

chii/elda enters the story as a complete outsider to the sexual undercurrents of society. she has no conception of the sexually charged nature of undergarments, feels absolutely no shame in nudity or in revealing clothing, is ignorant of what the people in hideki's dirty magazines are doing, doesn't get the innuendo in the natto/batter panels, and is exploited by men manipulating her body over and over again for their own purposes at various points in the story. there is no indication in the text that chii is capable of feeling sexual desire (there is no indication that persocoms do in general). as a general rule, sexuality is something that is outside of her, and imposed upon her.

from a watsonian standpoint, I don't think there is a good argument for why the everloving fuck mihara would ever have put chii/elda's reset button in her vagina. from a doylist standpoint, what I believe clamp is trying to ask is this: in a society that is obsessed with sex, that is unable to stop talking about and thinking about sex, that is unable to stop imposing sexuality upon even objects that are arguably fundamentally incapable of experiencing desire or reciprocating in any way, is a relationship with somebody with whom you cannot consummate this kind of relationship worth it? is romantic love? the story wants to say that it is. it can be read as an asexual narrative - a relationship with chii is worth pursuing even if she is incapable of providing the one thing that society says all relationships must be for. there is nothing broken about her or wrong with her the way that she is. she is not lesser because hideki cannot have sex with her, and that he is written to be a sex-obsessed pervert is intended to make this decision deeper. she does not need to change who she is and he shouldn't try to change her. it fumbles the bag really hard on this. it's not well-written. but I see the bones of it. the message is there even if it's mishandled.

anyway umineko did this better. read umineko as a chaser btw.

[the-bitter-ocean]

Miscellaneous Childhood Mira doodles with Euphrasie + HCs of what her parents looked like (this isn’t canon this is just my take on it based on what little information adrienne gives and also the game itself gives on what Mirabelle was like precanon etc. Drawing of my hcs of Mirabelle parents designs as well as an insanely long character study/ theorizing on Mirabelle was like pre canon is under the cut:

“Ocean why do you assume she might not be on the best of terms / isn’t close with her biological parents” it’s like a combination of things tbh? Mirabelle mentions repeatedly how much the people of the House of Change, especially Euphrasie has done so much in helping her learn and grow into the person she is today. Throughout the game she talks about how much she cares about/ misses different people in the game and how they are all important to her. You’ve got the head Housemaiden Euphrasie, who did everything in her power to protect her at the cost of herself, was mirabelle’s mentor and even gave Mirabelle blessing of being immune to the King’s Time freezing powers. You’ve got Claude, Mirabelle’s roommate that she cares about despite sometimes getting on her nerves ( she knows how dedicated Claude is to helping others and stopping the king etc), her other fellow housemaidens, the people she knows in dormont and of course all her companions that chose to help her on the journey to stop the king in the first place (Isabeau Bonnie Odile and Siffrin) she loves very much. Initially before getting any information from the in character QnA or Twitter or the QnA on Reddit, I had assumed that her biological parents were dead or that she never met them or had them to begin with but it’s not the case here.

Mirabelle talks about that when she first arrived at the house / prior to getting there she didn’t know how to do a lot of things basic skills. Siffrin also mentioned that the journey itself really changed her since he first met ( because initially she was a lot more shy but now she’s more confident in herself as of canon events in the game). Mirabelle said that she was taught by Euphrasie and the other house maidens. It’s giving the vibes of someone who arrived at the house ( whether by personal conviction to run away and find people who will understand her / that she can hope to understand and connect to) or her parents dropped her off there because it would be easier for them to do at a young age.

M: {The Head Housemaiden...I have to save her...}

I: […]

M: {The Head Housemaiden...She's such a wonderful person." "She helped me out so much! I couldn't do anything before I came to the House, I could barely sew my own clothes, and she helped me, she taught me..." "I wouldn't be the person I am without her!"}

Despite all of this she doesn’t talk about her biological family at all not even in passing despite the whole “ everyone and everything as we know it in the country could be frozen in time for good if things don’t go well” ( which is noticeable in comparison to how easily she can talk about how much other people in her life has cared for her and how much she wants to save them all from the kings destruction). In a in character QnA session when the subject of families / parents was brought up she has a very stilted and awkward response. The tone she’s answering it in feels like she’s hesitating or at the very least isn’t a 100% sure on how she feels about her parents ( and in truth probably hasn’t or didn’t want to think about them). We see the kind of way Mirabelle talks when it’s about people she loves in game before! It’s passionate and confident and full of love/ conviction that she cares for them! So seeing that in comparison to this is well..this isn’t having that energy truth be told. (Screenshot for those that don’t use Twitter)

Also Adrienne a while back posted official character playlists for each of the characters on Spotify to give insight to everyone on what the characters vibes were like and the song choices were very striking to me. The song choice for Mirabelle in particular that made me go !!!! was seeing Elle me dit by MIKA . For those who are unaware of the song and what it’s about, it’s essentially a song about a mother telling her kid all her high expectations of him and how she’s disappointed in the way he’s living his life.

Given how Adrienne stated that mirabelles parents don’t understand her and she in turn doesn’t get them either, I wouldn’t be surprised if she’s heard similar sentiments growing up / had that sort of pressure to Change or behave in a certain way. ( Even with her dedication the Change belief making her happy Mirabelle still will lament about how she’s afraid that she’s not doing enough as a house maiden or that her identity of being aroace somehow would upset others/ makes her feel alienated in comparison to how everyone else can change easily. ) This combined with the fact she canonically has anxiety and has moments where she isn’t very confident in herself is.. deeply worrying! Yes I’m aware that people can just have those types of thoughts even in a good supportive environment/ experiences but the combination of all those factors isn’t exactly aspiring confidence.

Anyway that’s my ramble I hope you all enjoyed my analysis/ headcanons yipeee ^_^