#which I am not very good at and do not have much experience in

[chobunz]

Who in enha mtl enjoy giving head/who you think would be the best at eating 🐱

ngl this one was kinda hard cs i feel like all of them would rlly enjoy giving/receiving head but i (tried) my best nonnie !! >_<

pair: legal line ㅊ f!reader | warnings: smut, oral (f. rec), d/s dynamics, fingering, overstim, edging.. i might’ve missed smth but its 2 am and i’m hella sleepy soooo

eating you out is heeseung’s favorite pastime. that boy practically lives between your legs in his free time. he could be having a bad day and he swears that giving you head is the remedy to cure everything. i think sometimes, he’d bring you to his studio and ask to eat you out when he’s having trouble with his creative flow/when he needs some motivation, idk he’s just kinda silly like that lol. plus he’d look all cute while he’s begging to and looking up at you with the most precious doe eyes, asking for one (1) single orgasm to get his brain going. just really loves knowing that he can always please you with his mouth, often getting hard to the thought of the view you’ll bless him with while he’s down there. proudly obsessed with your pussy and would do anything to get to taste you on his tongue <3

jake is theee pleasure dom. eating your pussy just makes him feel good along with you, getting a sense of accomplishment after making you cum a few times with his tongue only. often has wet dreams of like.. just eating you out. wakes up and makes it his mission to make you cum as many times as he can using his mouth. i think he’d be very strategic (?) with how he eats you out, wanting to figure out a way to make you feel the best you can which leads to many sessions of him just experimenting and observing the way you react to him ?? results in jake ‘accidentally’ teasing and edging you for what feels like hours, feeling mean when you whimper and deciding to reward you with anything you ask for. you’ll have to speak up though or he’ll just continue his teasing ! ><

jay is just very sexy idk, i feel like he’d love giving you head a lot. the feeling of being sandwiched between your plushy thighs turns him on badly, loving all the praise he gets while he licks and sucks you to your liking. i think he’d also very much love when you use his mouth to get off.. like hips pushed up against his face when you get whiny and desperate. or maybe he’s in a different mood and would lightly tap your clit with three fingers when you squirm below him as a warning— it depends tbh. i put him here because i think he’d like using his cock the most to pleasure you, often getting up from your cunt to fuck you because he’s also very desperate….. T-T

sunghoon mainly uses his hands to get you off. prefers being hands on with you. like he loves to taste you but i think he’d definitely also enjoy fingering you more because it’s more intimate in a way (?) like he gets to kiss you and feel your hands all over him while you moan into his mouth.. it’s heaven for him he thinks. he just loves how you feel cumming around his fingers, kissing the temple of your head when you cum for the nth time that night despite you constantly begging for his cock that’s pressed painfully against your side. he gets you to quiet down with his other hand, covering your mouth because only he’s allowed to hear you like this. sunghoon’s main goal is to make you squirt with his fingers so he’s determined…

jungwon’s the type to get pussy drunk, then would try to manipulate you into believing you’re the one who’s needy when he’s literally the one acting like a starved man. his tongue lapping at your pussy and moaning into you with his arms locked around your thighs to keep you in place. i think that eating pussy isn’t something he does as often because of the way he loses self control, which is why i put him here on the list. but even when he’s pussy drunk, jungwon is pushing your limits by making you cum over and over despite your pleas to get him off your overstimulated clit.

sunoo will give you anything you want. i can picture him with a very spoiled, bratty sub, whining about wanting to be eaten out and complaining when he gets up from being buried in between your legs after generously giving you orgasm after orgasm. he’s always eager to please and doesn’t waste a second to give his princess whatever she wants !! like he wouldn’t even punish you for being super bratty, just listening to what you ask of him and allowing your hand to push him into his place <33

๑ ๑ ๑

i have a lot asks like these in my inbox so i’m gonna try n get thru them all as quickly as i can + i like doing short stuff like this to help me ease back into writing again ! also, if you wanna send me a short request like this feel free to ^_^

[catis15]

I'm in gen Z and I've got friends who think like this

I wasn't too sheltered as a kid or a teen so like I don't agree with some but I can see the reasoning. Though the asking to masturbate one is wild, like wtf dude that's just like... A weird thing to ask. Also thought it was like a canon event for some ppl to masturbate to like the idea of ppl they found attractive. I've never done that cuz yeah it feels really fucking weird like dawg I know that person, but ASKING is so fucking wild man 😭

And actors younger than 18 what's that about? If it ain't got sexual content I don't see the problem as long as like workplace abuse isn't happening because it's pretty common to my knowledge in the industry.

Like how am I on the other side of my own generations BS 😂😭 I think I should be grateful??

Don't think not smoking and drinking is a bad thing though lmao. But I know a lot of my friends and I were shamed for sex related stuff by our parents. I mean when I was i think 16 or 17 my mother went through *private* ifykyk messages and continued to shame me for things that were said for a month or so after, even getting my MUCH younger sisters involved by telling them "Leaf is doing nasty things' or "Leaf is doing things she knows she shouldn't" and then she'd directly quote things I said to my partner as a way to embarrass me. Kinda weird looking back on it but my mom's kinda fucked up lol

But I had a lot of friends with similar experiences. It doesn't really create a safe place for what are pretty normal feelings :/

But then on the complete opposite side we have shows like Big Mouth and sites like AO3 where it's a very normal thing to be horny and have kinks and it's not shamed, sometimes even encouraged. We grew up wack y'all lol

So lines had to be drawn SOMEWHERE and for a lot of ppl my age it gets to be a little much

Like I have a friend who hates like any sort of sexual reference to underage characters. Which is totally fair they're underage it's whatever. But it's to the point he gets like defensive about it. And he's the dude who's pretty steadfast in his beliefs, but it got to the point even i thought it was a little weird. Like sometimes he'd get mad about making out or slightly heavier relationships between minors, eich again I can see the thought process, but also ppl are having sex by 16 or 17, and it makes sense that characters those ages would be doing similar things. I grew up reading books where teenagers did teenager things, and I feel like there is a level of age appropriate stuff? Like no dawg don't make full ass bdsm shit for teens but I feel like referenced or even vanilla type shit is fine????

I don't have a license so I can't talk-

Working on it though ;v;

And yeah lmao masturbate it's good for you (no literally there are studies saying it's good to do lmfao, like drinking a single glass of red wine before bed once a night is good for you... Unless your a recovering alcoholic then maybe not)

Sorry went on like a whole tangent lol but I'm bored and wanted to throw my two cents as someone who's got friends who think like op mentioned but I... Don't lol.

weird anti ideology finally leaking out into the mainstream

[octahyde]

Ok actually one thing that really really bothers me about how widespread people are negatively reacting to the anime just for the fact that anime onlys are going to be in the fandom is like

This is going to make TWST so much more accessible

Like… not everyone can sit down for several hours and read a visual novel. It’s very time and focus intensive. Not everyone can read logs of the dialogue on wikis, either. There are several people who are unable to enjoy this story based solely on medium. A good example is my qpp; he loves TWST. He loves the story. He loves the characters. But he can’t get past Book 3 because the format is completely inaccessible to him. He’s tried. I’ve tried with him. He just… cannot do it. The novels are a godsend because it’s a way he can finally read the story in a format that works for him. The anime will also help a lot because he’ll be able to hear the voice acting, which is a very important part of TWST’s story telling.

Or even just in general, I don’t think I need to post about how I Like Horror, but I am unable to read anything longer than a short story. In particular, I am almost fully unable to read King because of how incompatible his writing style is- despite really wanting to. I have tried and failed to read Pet Sematery more times than I can count. The 80’s movie, though? I love it. It lets me experience a very important work to the genre in ways I would otherwise be completely unable to. Same with Misery.

Like… it’s super frustrating to see people advocate for story accessibility in things like video games, only to turn around and say “except for things I LIKE, they’ll get my favs wrong!!!” Especially when it’s in a fairly inaccessible medium.

I especially have a bone to pick with Idia fans I see on Twitter doing this. There’s a lot of fear “normies” will be ableist about their favorite cartoon character, while… in the process being extremely ableist to actual human beings. It’s extremely frustrating and upsetting to see people prioritize their (heavily mentally disabled, I might add) favorite fictional character over actual irl disabled people. I don’t think people, especially autistic people who can’t do VNs, should be limited from a beautiful story just because other people you can block Might Make Incel Jokes.

(My qpp? He’s autistic. And schizophrenic. And has CPTSD. He relates a LOT to Idia just from what I’ve told him about her and her arc.)

Like… get your fucking priorities straight. I was hyperfixated on Danganronpa when the DR1 anime came out. I was hyperfixated on Persona 4 when the P4 anime came out. Ace Attorney has been one of my absolute favorite series since middle school, and I was going through my obligatory hyperfixation phase I have every few years when the AA anime came out. I massively prefer the YuGiOh manga to the DM anime.

Anime onlys are EXTREMELY easy to avoid and are not the fucking end of the world.

Especially in a fandom with so many autistic people. Have some empathy for disabled people who have different symptoms than you do.

[felassan]

David Gaider on Shale, under a cut for length:

"Oops! I realized I'd moved on from DAO but missed one of the companions I'd written. Which checks out, honestly, because I almost didn't write Shale and, even after I'd written her, she almost didn't happen anyhow. Then she did. Prepare yourself for... PIGEON QUEST. 🦤 So... I'm wracking my brain, but I don't recall how Shale began. I have this vague memory of us wanting a "weird" party member who didn't conform to the normal classes (this was back when Dog didn't need to be in the party), and I think my mind drifted to an old indie comic character named Concrete."

"Now, your reaction to that is probably "who?" That's OK. When I explain that HK-47 in KotOR was inspired by an old Canadian TV show called the Littlest Hobo I get the same perplexed response. 😅 In short: Concrete was just a regular dude. Who happened to also be a walking hulk of rock. Cue hi-jinx. The problem here is I don't remember whether the Concrete thing was part of the original inspiration or something I thought of at the point when I started writing the character. Because I didn't, at first. That was later. Shale was initially taken on by Jay Turner, then one of our junior writers. Jay had an idea to make Shale more of a robot, an emotionless automoton killer... think HK-47, but without the layer of sarcasm. I was leery, and told Jay he'd have to be very careful. "Emotionless" can very quickly turn into "boring", after all, unless you're VERY careful. But Jay was determined. Sigh. This was a fail on my part, as his lead. There's been a couple of times in my career when I've let a junior convince me with their enthusiasm to take on something my experience said they shouldn't. And then watch their confidence crumble despite every effort I made to reassure them it was OK. This was one of those times. Jay, no idea if you'll read this but: I'm sorry. Even an experienced writer would have found that a daunting challenge. Tonia, my other Big Fail on a similar situation in DAI: I'm sorry. Both times, I should have known. You did your best, but I set you up to fail. 😔"

"Jay did his best, and this version of Shale was certainly interesting... but, when he was done, it was one of those peer reviews where every writer had that look of "I'm REALLY sorry to say this..." It felt flat. Jay tried numerous revisions, but the issue wasn't his ability - it was the concept. I only allowed my writers a certain number of tries before I take it away. This hearkens back to an earlier time at Bio when writers would hack away at something that wasn't working 6, 7, 8 times or more until finally their soul was dust. Mike Laidlaw can attest. Revision isn't always the answer. So I moved (a much relieved, I think) Jay onto something else, and the question arose: what do we do with Shale? Do we cut it? It was already very late. Then Shale dropped in my lap. I don't remember if it was me refusing to let it go or maybe Brent (Knowles, Creative Director) giving it to me. I suspect it was the latter, because I recall being a bit bitter about the whole thing. WHAT am I going to do with this character? At the time, they'd moved me out of the writers pit to instead be in a big office with the other leads. I had this corner desk by a window (yay) with an awful view (ugh) What was so awful about it? It looked out onto the neighbouring roof, where there was only an HVAC unit to see. In the winter, pigeons would gather around it. They pooped all over everything - there was this alcove around the access door, right? The pigeons roosted there and it was POOP FAUCET city."

"Not only that, the pigeons used the HVAC like some kind of sex den. Angry, ugly pigeon sex. The only respite was when a hawk would appear and the pigeons scattered. Then I'd get maybe a day when there was a single pigeon corpse, like an exploded ball of down, to act as a scarecrow. Good days, those. What does any of this have to do with Shale? Well, there's me, staring out the window trying desperately to think what I'm going to do. But I CAN'T stare out the window because, gross. But what else am I going to stare at while I think? It was making me furious. I hated those pigeons SO SO MUCH. And then it hit me: Shale is basically an animated statue, right? Something that pigeons are rather notorious for also gathering on? And so I wrote. I wrote like the angry, angry wind. I had zero time to do this so it was basically me vomiting all my annoyance at everything into a single character. Not that it helped much. There was a battle going on over Shale - first, as I recall, it was the art team. They were going to make every doorway in the game EXTRA HUGE because they were worried that Shale was too large and might clip. So, yes, let's alter the whole world to fix that. Good idea. 🙃 Eventually, they compromised by making Shale smaller. Sten-sized. Or Brent went Akira mode, but I don't really know. This was a battle happening above my level. Yet Shale got cut anyhow. There wasn't time to do her abilities and we were short on cinematics time. There was never enough time on DAO."

""Oh well," I thought. "That's that." I did what I could, but cut content is almost never resurrected. The idea was floated of making Shale into a DLC but I scoffed. Yeah, right! But... it happened. That's why the "almost" is there. Enough of the team liked Shale they made it happen this one time. This meant I could finish up the writing once we'd more or less wrapped DAO, and the rest of the team (cinematics, in particular, who were pressed the hardest for time) could move onto the Shale DLC once they were ready. It was supposed to come out well after release, but you know. Shenanigans. This particular shenanigan was EA deciding to sit on the finished DAO a few months in order to delay the release. Why? Again, not my level. To get closer to Christmas, maybe, or maybe for sim ship. It did mean Shale ended up being ready for release day. Unexpected confluence of events, honestly. Cue some fans getting upset that "cut content" was sold to them separately, which... fair, I guess? The alternative would have been that Shale was simply cut, period, and it just worked out this way but... yes, fair. This was back when DLC was the main beef of hardcore gamers. Oh, the good old days. Overall? I have a soft spot for Shale. She has no soft spot for anyone, being... you know... made of rock. It's why I put her in Asunder, and why she was also going to be in the - apparently now notorious for its Fenris murder - cancelled fourth DA novel. Also, if you're a pigeon fan: not sorry. 😇"

[source thread]

[eerna]

i was one of the people who saw the early leaks post and i remember trying not to read too much of it but i had a moment of being like wow this cant be real but also it definitely could be. i remember reading about the damn caitvi sex scene and i thought to myself thats so ass why would they do it in a prison and then i realized the writers probably thought it was some meaningful parallel or something about vi being able to transform being imprisoned with something good

then the act dropped and i saw the damn parallels with cait finding her in the cell and i was like ok yeah. they basically had that as an idea. amanda overton was talking about it in a watch party and said they love their parallels and it was meant to symbolize vi addressing her trauma and im like. i see what they were going for and i get it I GUESS narratively but i really feel like this is such monkeys paw shit like we got this scene at what cost. and like the scene ITSELF was very good and sweet and lovely but like could it not have happened ANYWHERE ELSE?

i feel like the biggest problem with arcane s2 was that the creators rlly wanted to push the bar with animation storytelling. amanda talked about this too and like i feel like it kind of highlights the problem. where bc this show is so amazing graphically the animators wanna highlight that with as much action as possible instead of focusing on smaller scenes and more intimate quiet moments. i watched arcane s1 all at once after it came out and there were def parts that felt a little rushed in certain acts but it was nothing like s2. it just feels like they had all these story beats they wanted to hit but didnt give it the time it deserved and it sucks bc they said they always meant it to be 2 seasons so like why does it feel like this. they wrote them back to back around the same time what happened between s1 and s2. i just feel like the caitvi sex scene is a microcosm of the larger problem. they had these emotional beats and story moments that in isolation are really powerful but its almost like we didnt get a proper A to B transition. its like we skipped several steps for sooo many story beats.

such complex characters with real ass lives causing real ass problems. cait's privilege being an issue, how gratifying that could be to have explored. viktor's experience being explored more in depth. just so much more about zaun. like all of it was there in tiny slivers but it was never given the depth to GROW or properly BREATHE bc five million action scenes and plot points had to be squeezed in.

ultimately i love arcane overall. i think it has broken boundaries and done some amazing things. but its blemishes are really... painful at the same time. and knowing how the writers did such a good job in s1 makes me just like. cmon guys. you had it. YOU HAD IT

anyways sorry for blowing up your ask with so much rambling i just... idk. what are your thoughts on this stuff do you agree with my assessment or do you think the culprit is something else

No prob, welcome to the symposium~ Yeah, I totally get what the writers were going for with Vi. Which is why I am so shocked they thought it was a good idea. Like, okay, she is addressing her trauma in the sex scene... But why should her trauma get addressed by being locked in a jail cell by her sister, who just spent days being wrongfully imprisoned in there by the girl she's about to have sex with, and who then told her she was gonna off herself. If anything, the thing I was feeling was pain because it happened again, a Zaunite was thrown in jail by the Enforcers after she helped and saved them without any rights, and she was reminded she was less than them and her life is worth nothing... Mmmmm, the perfect memory to overwrite prison abuse!

I too felt s1 had some strange pacing choices, Vi and Jayce teamup comes to mind first, and that was, surprise surprise, a fight scene. But those were pretty minor, and still left time for other scenes to develop properly. It only becomes a real problem when it happens scene after scene, character after character, until no one is acting in character and you constantly feel like you have skipped a scene or two. I too remmeber them saying they wrote the seasons back to back, but. Dare I say it. I think s2 was so majorly rewritten by the time it went to recording that only the bare bones remained. In fact, that might be why we feel this way - maybe they DID have a frame they wanted to follow, but the rewrites warped and twisted the characters so intensely they ended up making no sense in the context of that frame. That's right, I'm talking about the way they decided to more closely follow and collaborate with LoL in s2. Jayce's final speech to Viktor only makes sense for game Viktor, and goes completely against s1 Viktor. Vi deciding police brutality doesn't really matter all that much makes sense for game Vi, and foes completely against s1 Vi. Jinx giving up on ever being loved or accepted by others makes sense for game Jinx, and goes completely against s1 Jinx.

So yeah my thesis is: Arcane knows it looks good, and sometimes it prevents it from being well written. It also decided to throw in its lot with LoL in s2, and no amount of good intentions from the writers could have saved it from crashing and burning.

[38sr]

same anon that asked about shadows ! , i have another question , how does different budgets for different animes change the way it is drawn , animated etc , like how does it go from average to ultra quality like demon slayer for example ..

Ah so with anime it’s a very nuanced topic. Firstly, I want to preface that what I am about to say is strictly from my experience working in anime for three years now and even then I would highly implore to study the Animator Dormitory Project to learn from animators who are PHYSICALLY dealing with the imbalanced system that is the anime industry. ALSO, it is important to clarify more money does not equal better art visually. More money means more time and resources. How you use said resources and time is what determines the quality of art (as well as the quality of work environment for the people making said product). If we were to follow the logic that more money equals better art, that would mean the average Family Guy episode should look like an average Demon Slayer episode. That is simply not the truth because 1) every production is different therefore their needs and overall artistic vision will differ 2) you’d be surprised on how the money is actually spent versus what you think it should be spent on (ie American animated films choosing to do celebrity voice casting which eats up a shit ton of the budget when that could have gone to the production crew’s schedule and needs). So with that, please understand money does not play in the ways you think it does (ie if it makes the drawings better) but it cannot be denied it’s one of many factors. Alright?

Basically, anime is funded through production committees which are a group of investors (such as manga publishers, merchandise manufacturers, tv broadcast executives, etc). In America, we have a similar system known as the AMPTP however unlike America where an investor can invest in cross industry projects (ie. Mattel can invest in toys and film entertainment) in Japan they can only choose one industry. This leaves budgets for anime to not become incredibly inflated like we have here in America (ie most blockbuster movies nowadays). BUT because of this rule along with the rule of budget caps, the actual budgets of full seasons of animes have not changed much since maybe the 1960/70s. To bring it back to Family Guy, the average episode of that show from script to final broadcast has been reported to cost anywhere between $1-2 million PER EPISODE. If you multiply that with the full episode order (let’s say 13 just to match the average season of anime), you’re working with $13-26 million FOR A SEASON.

Anime, specifically TV anime, is not seeing that. Shinkai’s Your Name was reported to have $4.5mil for actual movie production (not including the advertising budget which would make it 7.5 or roughly 8mil). $4.5mil. For an anime film.

$4.5 million is a good (and rare) budget by American TV animation standards for PER EPISODE. Unless you’re like, Disney or something you can afford to do that but most average American TV animation is anywhere between $1-3 million per episode. And the average anime is seeing that $1-3mil PER SEASON due to budget caps. So if we do the math of dividing that $1-3mil across 13 episodes (and I’m gonna do this evenly because this is a hypothetical and in reality some episodes do have more money put into for more TIME and RESOURCES)…that would mean your average anime episode, from script to final broadcast, is only seeing a couple hundred thousand dollars unlike here in American where we have a couple million.

And so at this point you’re probably thinking, “Wait, this doesn’t make sense. How can Your Name look like the way it is if that’s what America could spend on a single animated episode? Why is there such a wide disparity between the actual budget versus the final product’s visuals?” And that, my dear Shadow (sorry if that came off weird) is where we have to talk about communication. You see, even though Demon Slayer might not be seeing the same episode budget like we do in America what Japanese studios have in spades that American studios spent over 2 DECADES eradicating is in house layout and animation teams.

The reason why anime looks the way it is on such smaller budgets is quite honestly because they are communicating with each other in real time. In America, we ship our storyboards to a studio overseas (usually Korea, Philippines, India, etc) where we are basically playing a gambling game of whether or not the overseas studios produce the desired work we want. And spoiler alert: it hardly ever truly happens because of language barriers and these overseas are often not given enough money (remember that means time and resources) to actually succeed. Hence, you go into retakes which cost money and spend it back to overseas which cost money, and then it comes back and retakes are still needed which cost money yet again and I think you’re beginning to see why this system in American studios is awful.

Because the amount of money you spent doing that back and forth with retakes and shipping with an overseas studio who was not set up for success could have been spent on having an in house layout and animation team like they do in Japanese studios.

As someone who has freelanced on animes as well worked at vendor overseas studios for American made productions, I cannot understate how having that instant communication (as well as cultural understanding) can drastically change how things get animated. Being able to talk to your director about their intent for a scene at an instant is much more productive than waiting 6-8 months for a Russian roulette bullet. So my point is, the direct communication Japanese studios have within is the true unsung hero as to why 1) visually beautiful shows like Dandadan or Demon Slayer exist 2) they are able to have such a wide variety of visual styles under the anime umbrella because Japanese studios do value auteurship just a tad bit more than American studios who as of late is homogenizing our media cause it’s “safe”.

Also, another component that can factor into why anime looks the way it does despite smaller budgets is because Japan as a society heavily values reputation. On one hand, it’s cool that artists are willing to come together to bring the vision of an artist they admire to fruition. But on the other, it is often used to exploit these artists into very shitty work situations (ie me when I worked on JJK). It’s such a hard thing to talk about because as artists we do tend to sacrifice our well being for the sake of art but I could understand why someone on the outside might feel confused (or frustrated) that we would choose to put ourselves in a poor situation. Sometimes, you’re just willing to take a lesser pay and tighter deadlines to work on a project that speaks to you creatively. And it really do just be that. But for the case of anime, it is often because these artist want to work with a person they admire so who I am to judge them when I’ve done the same haha. But my point being, because Japanese studios have that in house communication and are more open to artist auteurship there’s just more room to have visually distinctive episodes, animated sequences, designs and so on despite the budgets not being the greatest (if we’re going by American standard of living because it is objectively true that Japan is not as costly as places like NY and LA).

I could go on and on about this but I think this answer has become way too long haha. But in summary, Japan isn’t seeing as big as budgets as you think you are from an American perspective. Anime budgets virtually have not changed that much for decades despite it being mainstream and incredibly profitable. I will add that studios like Kyoani and Ufotable have the advantage of potentially self funding their projects, which allows more creative power to the studio itself rather than having to comply to the production committee’s whims. But those studios are like….rare gems ‘cause they chose to nurture talent and be selective with their art over time as opposed to Mappa who is spreading the talent and production crew super thin by adapting too many shows. What makes the art in anime look that way is more so a result of passion and respect for the craft (as well as they’re just open to a lot more versus American execs who are risk-adverse). It would be great if they were given more money so they weren’t producing episodes on such tight schedules (usually a handful of months before official broadcast) but it’s really a testament of how they effectively allocate the money where it’s needed as well. It’s truly an amazing balancing act in a system that’s equally imbalanced.

Phew, that was a long one but I hope I answered your question. And with that, always remember kids that money does not equal better art. Money means more time and resources and how you use it is what determines the overall artistic vision of a production.

[cicaklah]

get ready for my thoughts on yaoi UBI

So I’ve kvetched about UBI in the tags for long enough someone finally asked me what I was going on about so here we go! 

I will start with some caveats: 

I am British, and so I can only speak about the British specifics.

I have for the past twelve years worked as a professional health economist, and health economics is based on social welfare theory (specifically growing out of Arrow’s work in the 1960s and Sen’s work in the 80s/90s). I literally could talk forever about this, but I won’t. If you want to know more, read the pretty good wikipedia article on welfare economics.

But fundamental to welfare economics is two things: if we make a great big change, do the benefits outweigh the costs? And does the change make a fundamental change for good? (aka cost-benefit analysis and pareto efficiency).

The other thing you need to know about me is that I don’t like activists very much, because they never have to show their working, and my entire professional life is showing my working, and critiquing other people’s working. We all have ideas mate, show me the plan! I love a plan! and this isn't coming from anything but personal experience; I have been to talks by UBI activists before, including ones by economists, but I have never had the case made to me that UBI would be either cost-beneficial OR approach pareto efficient. In fact, it usually reminds me of arguments that are based on some other imaginary world, and then I get so annoyed I want to scream. 

In the early 2010s when I was first starting working as an economist, I was asked to build a model to see whether switching a disability benefit from government administered to individual administration would be cost-effective. Essentially, if you were newly in a wheelchair and you needed a ramp building up to your house, would it be better for the government to organise a contractor, or for you to be given a cash transfer and organise it yourself? The answer was that it wasn’t, but anyone who has ever had to hire a builder could have told you that, and the government didn’t have to pay my firm £30,000 to make that decision. But that is what UBI essentially is; a cash transfer where you get cash and the government gets to enjoy less responsibility.

There are 37.5 million people of working age in England. (Nearly) every single working person gets what's called a tax free allowance, where the government doesn’t claim income tax on the first £12,570. (Once you make over £120k, your allowance starts to decrease, and you lose it entirely at I think £150k)

Let’s assume that instead of just not claiming tax on this amount, the government switched to making that £12,570 your UBI. That is £471,375,000,000 just for England - just under half a trillion pounds. In cash, or nearest as in our modern economy. And not one off - Every year. 

Okay, let's say that the country does have a spare half a trillion a year (in cash) lying around. What is the benefit to switching from tax free allowance to UBI? Well, let's assume that no one stops working, so there would be the tax receipts from the 20% income tax on the £12,570, and that’s just a shade under £100 million. Not bad.

But if you’ve seen a UBI post, you will know that people like the idea because they will be able to work less. Which probably means that UBI will need to be paid for in some other way. Perhaps by cutting existing benefits. The universal credit cost is around £100 billion. So we’re still £300 billion short, and honestly, you wouldn’t cut all of universal credit anyway, probably only the unemployment benefits, but I’m not digging into the maths on that tonight. 

But, look, I am sympathetic. I am a welfarist. I genuinely believe that the economy is not just money, that welfare is happiness, it is utility, it is all the stuff that makes life worth living, and it is the responsibility of the government to maximise the welfare/happiness/utility/quality of life of the country through efficient use of taxation and other sources of money. So people give the government money and it spends it on goods and services and then people get utility, and then they spend their own money to get more utility, and ultimately we can gain intangible things that are incredibly valuable. 

But the problem is that cash is cash, cold and hard and very real. I don’t know how unlimited spare time translates into half a trillion real pound coins. I wouldn’t know how to build a model that complex and uncertain, especially as this all assumes that you can live on 12k a year, and that whatever replaces progressive taxation is equally progressive. I haven’t even touched on how having a convoluted welfare state insures it somewhat against being entirely destroyed after a change in political opinions, aka what I call the daily mail test. You think the narrative about people on welfare is bad now? But also, how would you deal with people who didn’t manage their UBI money well? What happens if there is a personal crisis?

The more I look at it, the more the existing system is actually remarkably good value for money. Individualism is expensive. Collective decision making and spending is just cheaper. 

Ultimately I don’t see the additional benefit of UBI, requiring a pie in the sky change, when it is far, far, far more cost effective to strengthen the existing regime across the board; taxation law, social safety net, childcare, working laws, education and health - all systems that are already in place, and have a thousand times higher likelihood to be pareto optimal and cost effective than trying to find half a trillion pounds of cash round the back of the sofa, while torching 150 years of progress so middle class people can write their book without having to have a job. If I was conspiracy minded I would say that UBI feels like a psy-op, trying to shut down old fashioned progress in favour of ripping it all out and starting again.

Ultimately, that is my real annoyance. It is far, far, far cheaper for the government to provide you with your new ramp for your house, and that is done through politics, but not fun moonshot politics, the hard shit that isn’t sexy.

[gwemmieee]

Yeah. I have a big bone to pick with women who go out of their way to gatekeep someone out of our club. Most of them are cis and straight, but trans fems who do this unfortunately exist. That instance looks like some disgusting hypocrisy to me, because most baby trans fems really emotionally lean on the willingness of this community to emphasize that you are your gender and you are valid no matter how many steps you've already taken and been successful with. That is a crucial, supportive message, and suppressing it in any way is tantamount to pulling up the ladder behind you. Which, yeah, every community has its assholes who pull up ladders.

It is also a tough line to walk sometimes for women, because most of us have learned that there are certain ways we can't entirely just open up to most masculine folks and let them into our entire lives and every space. Not without a lot of pain. So we are incentivized to wait until someone makes it clear that they're safe, before they're let into our inner lives more. This function has caused me SO much strife, because before I was accepted as a woman, it kept me outside in the cold, alone, really close to an early grave, but now that I am fully living as a woman, and even before I was doing that, my efforts to ignore this function entirely and just let any masculine person into my heart, my inner world, and my safest spaces, have not always gone well, and sometimes those efforts have backfired, made me unsafe, and deeply traumatized me.

These days, the only conclusion I've been able to find is that women need to work on what we recognize as red and green flags, for who is safe. It's pretty easy to see that the average set of red and green flags you see most non-queer white women adhere to are... crap. Truly crap. Delusional, not based in reality, etc. And that sucks because it isolates them more and it gives them more excuse to be really shitty to people, or to gossip about them in ways that really aren't fair to them.

Earlier in my transition, I still had it internalized that I had had so much trouble because I wasn't good enough, because I didn't do enough, and that's why women didn't let me in. But I was literally running around freely saying out loud that I was genderfluid, that I had no concept of manhood and little concept of gender, that I thought it would be cool if I was born as a woman, that I wanted other pronouns to be used on me, that I could be pretty gay/queer, acting pretty gay/queer, openly rejecting most masculine behaviors and modes of thought, constantly openly celebrating femininity, experimenting with gender presentation... I was a very queer little dude. And I've only been able to recognize that in retrospect. Because nobody let me in. Trans fems may have let me in, but they weren't around much in the late 00s and early 10s. I never met one. But I did meet and usually deeply connect with countless fellow eggs, before any of us knew. In situations like mine, trans fems generally didn't even get to find themselves until a bisexual cis woman took it upon herself to date them as a perceived man, and then recognize their queerness and allow them to explore gender with her acceptance and assistance. Because being allowed into womanhood was so rare and taboo that it had to happen behind closed doors as part of a romantic relationship. I was aro/ace, and I unconsciously looked to get the same experience out of a platonic friendship, but all I got was led on. Told I was a close friend but still treated like a stray animal compared to their feminine friends. Not let in.

Meanwhile, cis women, and fem-raised queer folks who at the time universally saw themselves as, yknow proudly not quite men at least, universally treated me like a burly cis man deserving of none of their support or curiosity and all of their suspicion and gossip about how "he's creepy." Consistently. Until I finally came out as a woman in 2022. And that's so 100% on them. They went out of their way to not see me for who I was and just keep me out in the cold. So yeah. The state of gatekeeping of womanhood is *bad*. And in my experience, most of it comes from people who had/have easy access to unquestioned claims of womanhood, whether that's because they're AFAB or because their transition into womanhood was really fast and made them really conventionally attractive.

But what about trans fems? Well, we aren't perfect with our red and green flags, either. It's hard to be. Personally, I've noticed there is a small contingent (VERY small) of trans fems my age who operate more like the old world transsexuals in that they really are truscum gatekeepers, often also ableist, and borderline psychopathic in the level of emotional labor they expect from you as a friend vs. what they're willing to put up with in return. And that is very unfortunate. My early transition saw a lot of them genuinely help me as incredible new friends, but then hurt me badly and burn bridges for no good reason. And I feel that there is a bit of a schism in the trans fem community between elders who usually just want to stealth out--who look down on baby transes and cringe and don't help us, or even if they do talk to us and help, there is still a very clear line denominating their actual friends and community that we never get to cross into--and the rest of us who openly embrace being queer and not assimilating all the way. But, frankly? Most trans fems I've met are the most welcoming and least gatekeeping folks on the planet. Most are that latter, queerer camp. And we operate exactly the way that we should: we let anyone safe into our inner world, even if that safe person happens to be a man. And some of us STILL see that backfire. And so even we can't be completely carefree. But we can always learn and grow and get better and better at what we actually identify as red and green flags.

wait where are all the trans guys

Historical-anthropological research, especially the work taking place before the 21st century or outside the West, tends to focus entirely on transfeminized groups. So when reading these works it’s pretty natural to ask — wait, where are all the trans guys? This is a reasonable question with a few clear answers; this post is something quick I can point people to.

The central condition of transfeminized groups' absorption into feminist activism has been to accept a kind of symmetry with select TME groups through the understanding of trans femininity as "gender variance." Under this framework, transfeminized groups' social position can be understood as a consequence of gender variance and some abstract violation of cis norms; this was proposed by people like Susan Stryker and Emi Koyama [1], among others, and continues to structure trans inclusion today. It also fails when considering several basic aspects of these groups:

Transfeminized groups are associated with hyperspecific labor practices, most frequently sex work, but also hair styling, drag, makeup artistry, acting, and other forms of 'gender work.'

Metropolitan transfeminized groups appear in the archive as highly clustered and active groups connected with, but usually intensely split from, the masculine men they fucked.

Transfeminized groups become a kind of 'third gender' on an epistemic level; they are Known to wider society before and after “coming out” in a way that USAmerican transmasculinity has only recently vaguely approached.

Transfeminized groups are heavily clustered in labor practice, social organization, and epistemic position, although this is not universal -- certain strains of USAmerican transfemininity have become a bit more labor-agnostic in the last two decades, not-so-coincidentally alongside more general currents of gender-labor liberation. The messy strains of trans male identity recovered from the archive and from current practice tend to lack labor, social, and epistemic coherence. As Aaron Devor notes in FTM, his 1997 history of FTM men, trans men in the 20th century tended to transition out of cities and into the countryside, finding low-profile places they could exist in. These practices, and the earlier "female husband" practices described by Jen Manion, relied on the labor-agnostic nature of transitioned manhood in order to disappear from public life. Transfeminized groups, on the other hand, are categorically restricted from the main form of economic life historically available to women -- marriage. Their labor practices are heavily constrained and have almost always revolved around some form of 'gender work:' as Susan Stryker put it, you need to get people to pay you for being a trans woman. Transmasculinity pushes away feminized restrictions on labor; trans femininity is labor.

Because transfeminized identities are so often labor-identities, and because their specific brand of 'gender work' and hormonal/silicone/surgical embodiment usually requires both specialized training and community support, nearly every metropolitan center in the world developed highly centralized transfeminized groups over the course of the 20th century [2]. As Ochoa notes, this visibility is partially due to epistemic visibility (everyone knows what a trans is), partially due to group structure (people work and train each other), and partially due to the selectively visible demands of finding clients. Fledglings come in with a way of being that is always already visible to society, but changing the body to match and learning how to fully enact and slowly contest the third-gender labor-identity they've been given takes a lot of community support.

So as labor-identities, transfeminized groups tend to a level of labor/community/epistemic coherence that has no clear counterpart. The news archives we have of trans men (as seen in Manion) position them as singular and easily absorbed back into the female gestalt; the cisgender feminist/gayguy/AIDS researchers that form the bulk of historical-anthropological work saw them as unnecessary to their grand theories of gender; the communities themselves have been materially fractured and, for the groups that rise out of lesbian-feminist activism, only partially committed to their own existence. The result of all this is that there is no clear equivalent to the "transfeminized groups" of Jules-Gill Peterson; there is no symmetry to trannydom, and while additional work to unearth trans manhood in the archive remains extremely valuable, sometimes the necessary level of label-coherence and social existence just isn't there.

[1] Stryker, "My Words to Victor Frankenstein Above the Village of Chamounix: Performing Transgender Rage," Emi Koyama, "The Transfeminist Manifesto" [2] As seen in Namaste, Invisible Lives, Prieur, "Mema's House, Mexico City," Kulick, "Travesti," Newton, "Mother Camp," Ochoa, "Queen for a Day," Hegarty, "The Made-Up State," and plenty more. Most of these works came out in the late 80s and 90s due to a combination of the feminist "third gender" craze, the burgeoning field of masculinity studies, and AIDS.

[literary-illuminati]

2024 Book Review #63 – Saga, Book 1 by Brian K. Vaughan and Fiona Staples

I first starting reading Saga a literal decade ago (I think literally because Rachel Maddow recommended it on a podcast? Which, god, what a 2010s sort of sentence). I absolutely loved it at the time, and read intermittently until it went on an extended hiatus. So extended, in fact, that I’d kind of assumed the series was dead and only learned it had restarted a couple years ago quite recently. So, seeing as I am now in need of a new comic, I figured I’d restart from scratch and work up to the new stuff. It holds up! (and the letters to the editor are a fascinating cultural time capsule).

The series follows Alana and Marko – star-crossed lovers who eloped together from opposite sides of a brutal and galaxy-spanning race-war – and their newborn daughter Hazel as they evade the numerous forces trying to see them all murdered before than can become an embarrassment. The first arcs of this are most one long blind panic finding transport off-world and only afterwards deciding upon a destination, it’s only in the last volume (with the pointed assistance of Marko’s parents) that there’s any thought of finding stability or a status quo. Along the way, both the family and the series collect a wider and wider circle of colourful hangers-on – and the narrative begins switching focus to give real narrative focus and character arcs to three different groups that find themselves tracking down the family. None of them are particularly happy lives, but they all make for very compelling drama.

The best way to describe this is I suppose a ‘science-fantasy dramedy’. Which sounds viscerally and violently wrong, but the comedy and the drama are both absolutely vital motors keeping it running. And this is the incredibly rare work that actually makes them work together seamlessly. It’s an incredibly vulgar book in a dozen different ways, but the characters are all plausible and compelling, and once you have granted the slightly contrived explanation for why both governments care so immensely about Marko and Alana the plot coheres enough to never take you out of the story. Which is helped by the pacing being fast and tight in a way that always kept me (at least) engaged. I do deduct points for the wise author character basically looking directly at the fourth wall and saying ‘and the profound message of my work is-’ (moreso because said message is truly eye-roll-inducingly vapid and dumb, granted), but that’s easily forgiven.

The comedy was...more hit-or-miss. There is a lot of clever wordplay and funny, high-context character beats. There are also a bunch of just absurd or striking visual gags or background details that really work. And then there is the giant with balls so big and hideous that they almost crush someone to death.

It’s been said (by people with far more knowledge of and investment in the medium than I) that mainstream American comics are these incredible wells of repressed sexuality – full of physically implausible women dressed for a burlesque and with panels framed by a particularly sleazy tabloid photographer, but oddly coy about actually talking about or including sex itself. Which tracks with my limited experiences, but might just be bullshit I don’t know – what I do know is that Saga is basically the exact opposite of that.

Which is to say, this is an intensely sexual comic, but an atypically non-sexualized one. Which is a bit of an odd distinction, but compare how Saga shows an uncensored orgy and how any given artist at a con draws prints of Power Girl and you’ll get the idea. This is on balance a very good thing, occasional junior-high-level visual gags and gross-out humour aside. Sex is a part of life, of varying importance to different people but something present and shaping the world regardless (and Marko and Alana very much do believably seem like a couple that’d have a kid together without a huge excess of planning beforehand).

Aside from Alana, Marko and Hazel (and hangers-on including a phantom babysitter and Marko’s somewhat-approving parents), the various groups hunting them get a really surprising amount of page-count – The Will, Lying Cat and Prince Robot are all basically main characters in their own right, and Gwendolyn, Sophie, Upsher and Doff aren’t fair off. It’s an immense accomplishment that a series of 28-30 page comics manages to bounce between so many characters and always keep them all moving, both physically and emotionally. (The character work and character design of this is worth at least the price of admission on its own, really).

The thing that most makes me love the comic is, I think, how it will introduce characters and tell you explicitly they are murderers and monsters – and then show them struggling and risking their life out of guilt or altruism or love, show them falling for people and being part of rich social worlds, show the trauma and baggage and shitty relationships that made them who they are. Make you care about them and root for them, want them to accomplish what they need to to get a happy ending – and then have them destroy something or kill someone else you’ve grown to care about. Aside from the really obvious stuff about intolerance and war, it’s one of the most consistent themes of the series that monsters have lives and loves too, which is frankly something I wish more stories (and just, people) took to heart.

The setting is glorious, in a ‘mural on the side of a stoner van’ sort of way. Laser guns and spaceships that are giant flying trees, a kingdom of robots with TVs for heads and the planet-sized egg of what’s basically a living black hole – nothing that’s designed to bear scrutiny, but endlessly inventive and evocative and clearly very fun for the artist.

The most striking thing is that – even for now, let alone fucking 2012 – the comic is just incredibly diverse. Even leaving aside the really weird or cartoonishy exaggerated species there’s more diversity in body type and silhouette in one crowd scene of Saga than in most Hollywood movies I’ve seen recently. Same with race and sexuality—the whole setting seeming functionally queernorm except for the one couple whose character arc requires that they come from Planet Homophobia is slightly eyeroll inducing but again, compared to the early 2010s norm it’s soaring so high above the bar you can’t even see the ground.

So yeah, have fallen entirely back in love with it. Can’t wait to start in on Book Two.

[shinigami-social]

This is probably going to be massively controversial, but I just feel like it needs to be said at this point. I desperately need people to read this very carefully and approach this in good faith. General blanket warning for intersexism, transphobia, and intersectional misogyny with both of these I just wonder how many people in the intersex community just like… fundamentally don’t understand the way being intersex impacts your gender. I know that sounds fucking wild because obviously being intersex impacts your gender but like… it feels like a lot of people reach for comparisons to the binary over just, like, the label intersex itself. The thing on my mind in particular is the stark difference in what transfemininity seems to mean inside and outside the intersex community. This isn’t to refer to AMAB and/or CTM intersex transfems, but in particular people who were AFAB and/or CTF.

I want to clarify before I get into the main body of this post that I fully believe people can be AFAB and/or CTF and be transfem. This post isn’t to say that this never happens, no one ever experiences the combination of these two* things, or that people who identify this way are wrong for it. I just want to open up a discussion about why people are identifying this way, I guess. It’s not about invalidating anyone or their experiences, on the contrary, I really want to discuss the varied nature of the intersex experience.

I was AFAB, and I would generally consider myself CTF. I have simple virilizing classic CAH. I experienced many of the events which a lot of people talk about as why they relate to the transfem experience or consider themselves to be transfem. I grew up with a tenuous connection to girl/womanhood at best, I had the locker room harassment, I was widely rumored to be a hermaphrodite and transgender (no one could decide in which direction), I was put into situations specifically to attempt to uncover my “real” sex/gender. Even when I was seen as a girl/woman, I was Wrong about it. When I was seen as a boy/man, it was before I had ever come to terms with that identity for myself, and it was instead something thrust on me against my will for being a girl/woman Wrong. I was, for much of my life, locked out of womanhood in various ways.

I can very easily understand why people with experiences such as these would relate to transfemininity (and on a “relation” basis, yes, I would say I relate), and perhaps even identify with it based on how these sorts of things impacted them in particular. That being said… I have never understood why people think this is somehow not just being intersex. I’m not trying to say it can’t possibly be both, but sometimes it feels like people just refuse to acknowledge that this is a very common experience of the intersection of misogyny and intersexism. There are certainly transmisogynistic elements to it, I think transmisogyny and intersexism are deeply intertwined and always have been, but like… to act like this is solely transmisogyny feels like a denial of the intersex experience. For intersex people who were AFAB, are CTF, and/or likely some other types of intersex people depending on their circumstances, this is entirely par for the course because they are intersex. The things I described are, above all else, intersexist in nature. They happen to people for being intersex. There are aspects reminiscent of transmisogyny and perhaps even motivated by transmisogyny in many cases, but this distinct experience that I see many, many intersex people have experienced, it is to me such a classic experience of growing up intersex.

This is to say nothing of the appropriation of the transfem experience (no, I’m not accusing you or anyone else specifically of doing this, if it doesn’t apply to you, it doesn’t apply to you, but yes some people are objectively doing this). I am not focused on that. It is its own separate issue, but the thing I am trying to communicate here is why people struggle to find themselves in the word intersex when the thing that caused them these traumas is being intersex. The denial of intersexness and intersexism as explanations for the experiences directly caused by being intersex. The need to use terms broadly conceived of within perisex communities to describe perisex experiences of sex and gender to describe experiences inherently outside of the perisex view. To me, it seems like there is a very clear difference between using intersex transfem to describe “I have Klinefelter and also I am a trans woman” and “due to my experiences with PCOS, my relationship with femininity is deeply complicated and I use transfem as a sort of code for reclaiming my womanhood that I feel has been denied to me.” And like. I am not saying that these couldn’t possibly both be transfem experiences! I am not the decider of what makes people transfem, and it’s not really my business at the end of the day, but these are still just like, objectively different concepts being described. This is what I meant at the beginning of the post by the inside-outside usage of the term. It feels like transfem, in intersex spaces, is often used as a shorthand to describe a specific relationship to femininity and womanhood and this relationship is not necessarily “transitioning to femininity.” At the same time, it feels like it is being used this way because in some way, perhaps, the community is lacking in language that adequately communicates “my being intersex locked me out of womanhood, even though womanhood is what I was assigned and expected to conform to” which is, to me, a fundamental difference between most (not all, I’m aware we cannot ever make absolute statements when it comes to intersex experiences) AFAB/CTF and AMAB/CTM transfem experiences.

To me, I feel that intersex does adequately express these sentiments. Or, at least, it can if you let it. Intersex people pretty much inherently experience a complicated relationship to their sex and gender, and I wish we were allowed to talk about this without there being an obligatory comparison of how every intersex experience is always analogous to some equivalent transgender experience. Intersexism is intersexism, and intersex people experience it because we are intersex, and maybe we should fucking talk about that sometimes.

[balkanradfem]

So my roommate flopped. She moved her things in, and then I haven't seen her for a week. She didn't contact me either. I figured something went wrong, and that she's probably not going to live here, and then she called me, telling me she's moving out. Turns out that day after she moved in, she got fired, because she was an extra to the company, and she has to move back home with her parents.

I wasn't too upset because I did not enjoy her company at all, but, I did have to go back to searching for a roommate. The plant lady helped me this time, and she found a woman who needed to house an immigrant worker who worked for her – a woman from Nepali. I immediately said yes to this, because that is too cool, I would get to talk to her in english! And I would learn something about a foreign culture, I love that. Her employer came to see the place, and did not give me a good vibe. She asked if heating could be turned off to save on bills. I shut that down quickly, our heating is charged by the square meter. She told me very sternly to save as much as possible on utilities, which I already do, but then to also tell her employee to save up too. I didn't like that.

She came to move in the next day, and I was nervous. But then I saw her and she is so sweet! She struggles to speak english, but could understand what I was saying very well. So while she knew exactly what I was saying, I had to ask her to repeat things to me multiple times, sometimes missing the meaning because I couldn't grasp her accent. She asked me if I could teach her Croatian, and I said yes.

I took her to her workplace to show her the quickest route, and she told me that she has a working husband and two children, so she's working in here and sending her salary back home. Her mother is taking care of the kids because they're both working. She kept asking me if I'm married, or have a boyfriend, or children, and why not, and I could not put any nuance in my explanations, so I just said I liked freedom.

Then she asked me what age I was, and I already knew that we're the same age, because her employer told me she's 34 as well, but she didn't know my age, and was shocked when I said 34! She thought... she thought I was 17 T_T. It must be cultural differences because I do not look like a teen, I swear. I was wearing a silly hat, I think that must have done it.

I was showing her how to use everything in the kitchen and bathroom, and realized it's almost time for winter decorations; so I asked her what winter holidays she celebrated. She didn't know how to answer that, so I asked her if she celebrated hindu holidays, because I had read that 80% of Nepali people practiced hinduism. And she goes 'No, I'm Christian', and I'm like WHAT. What were the odds of that? So then I had to explain to her that I am the one out of two of us who doesn't celebrate Christmas, which is so funny, and ironic, but it's where we are. I'll put up a little tree anyway, I'll just say it's for the Winter Solstice.

I'm pleased with my new roommate. I made sure to learn to say her real name – she uses a simple made-up name because most Croats struggle to pronounce the real one. I'm constantly worrying she doesn't have all she needs so I am giving her gloves and clothing and letting her use my stuff until she has her own, but it's also fun for me to be able to interact with someone who came from so far away. All my experiences with foreign women are so nice! 

[gem-de-lune]

New Jeans Updated Reading 11/24

As we know, things can shift. Since my original reading in early September, a lot of unexpected things unrelated but still adjacent have transpired. Due to this, the situation with New Jeans has developed this way, and we are now on another timeline here.

Permission/Energy Pulls (all yes)

Hanni- 4 of Pentacles

Minji- The World

Danielle- Ace of Chalices

Haerin- 8 of Wands

Hyein- 4 of Chalices

All of them are feeling relatively positive and active to a degree/waiting for things to be finalized, it seems. They have a lot of faith and trust in their situation right now.

How Hybe is feeling:

7 of Wands + 2 of Wands

They are genrally planning ahead. Ofc they may have been discussing their options around keeping New Jeans and doing as they asked- but it is simply extremely unlikely. If it does happen, it would be really unexpected and not at the choice of current leadership OR with other stipulations that benefit the company and hurt or limit Nwjz in some way.

Will NewJeans really leave Hybe?

Queen of Pentacles

Will they do so with the help of a new company/join a new company? What company?

King of Chalices [Knight of Chalices + Ace of Swords]

Will Min Heejin be involved?

6 of Chalices

Yes, yes, and yes. They are leaving due to finding a sponsor of sorts for their situation, a woman due to the feminine energy here. Though the woman is not Min Heejin for obvious reasons, Min is still involved and will continue to be involved.

As for the new company, it will be a large Korean company shown by the Ace of Swords. This company would have a lot of power in the industry. It is not a new company that MHJ made. Due to this change, should they continue making music together, their sound and style would certainly shift or change. They may experiment with a different genre which I will get into later.

I did ask the chances of it being xyz company, and i only asked regarding the other big 3. SM is a no, due to history and their lack of promotion/already debuting a girlgroup soon, and they are just not interested in scooping up groups like that due to their own "holier than thou" executives.

JYPE is a closer option. Very iffy. Also not good promoters, but still a maybe- but its largly due to spite and not actual good intent. The most likely option turned out to be YGE, which was surprising but interesting. Specifically 2 of Chalices came out symbolizing a good synergy between the group and company. I think YGE has a much more lenient approach in their contracts and idols have a lot more freedoms. When I thought of it this way it made more sense to match them up.

Now this doesn't mean they are going to any of these companies at all. They could go to a large company not mentioned here at all. I just asked the chances out of these ones. So SM= 35%, JYP= 60%, and YG= 78%. All maybes.

Going back to Hybe, would they attempt to block NewJeans in the industry? Would they succeed?

Ace of Pentacles + Queen of Chalices + Strength

Yes, they would. They would succeed in that they would try very hard in the places they can, but I think it will take a larger toll on their resources than it is worth in the end. They may end up realizing how petty it is and moving on- but it will depend on the next development I'll talk about.

Disclaimer: Do not take my next bit here as my personal opinion about Min Heejin. I am just reading the cards.

Will MHJ win her lawsuits? Is the negative public opinion regarding MHJ the absolute truth?

The Hierophant + Knight of Pentacles [The Devil]

It looks like it may take some decent amount of time and patience, but she is likely to win with the evidence she has as long as she is thorough and checks all her bases. It will be very straightforward but not super quick.

As for the devil card, there seems to be an obsession with painting Min to be a certain person. The devil card urges us to take a step back and reign in indulgence. Here, the indulgence and addiction to fixating on Min is unhealthy and leads to delusion. In other words, not everything is as it seems, no matter how much we want to believe it and it makes sense.

In addition here, it is likely that as long as Min wins the lawsuit, any blocks placed by Hybe will be rendered useless and New Jeans may regain the rights to all their music and name.

Their current path/outcome:

3 of Pentacles + The Chariot + Queen of Wands

They are doing the right thing. The main things that have shifted this outcome are their outlook on Hybe and how willing Hybe will be to not compromise but listen to them in any capacity. Had they backed down regarding anything at all, the previous outcome would have been more likely. But the way things have shifted compared to previously is that the girls have very much so decided to forge a path here rather than sit around waiting for adults to do the right thing by them. This is why my initial thought was that this looks like deception- but in reality, it is them carefully crafting an escape route. They have a lot more people on their side than they had ever imagined and feel incredibly empowered. Due to the assembly and the revelation of Hybe's monitoring notes being so controversial, this helped them in that many were willing to help them, and many more are now on their side than previously. The current outcome for them looks just fine, maybe even better, but it will just take some time to travel to their destination.

Final Notes:

Let's follow the situation closely. I know we are all very opinionated on how we feel abt the New Jeans case. But just know that there is a lot of support here not just from us but from other idols and other industry verterans who know things we do not. Let's trust that whoever else is guiding them besides MHJ has their best interest in mind. This may be the beginning of a new era for them. And I see that no matter what, the truth will prevail in the end.

[theriddleskeeponriddling]

Rambling : Riddler : Empathy And Riddler’s View On Relationships

I was speaking with my friend about how my Crowverse version of riddler handles friendships, empathy, disorders, ect. I really enjoyed voicing it there, and now I wish to voice it here so I can look to it for reference and whatever. Thank you @a-sxft-chaotic for helping me by psycho-analyzing my Riddler, Much love to you silly Crane2.0. This post may be updated tomorrow when it’s not late and I can think better. Suggestions to anything mentioned here are welcome

Edward has several disorders. Autism, maybe Ocd, Npd ect. He is already born with lower levels of empathy, but with added traumatic childhood experiences, it has only gotten worse. He rarely had any friends has a child. He was too honest. Blunt. And stood out for not expressing sadness or care like other kids. After elementary school, he never made any more friends.

E (Age 7): “Did you not see the sign?”

(A kid, at an indoor pool, sitting with family and crying from a bad knee scrape after running and slipping on a puddle)

L: “Eddie! Just go and ask if he is okay..”

E: “Why are you mad? I told him there was a no running sign. It’s a pool. I told him, so he can be more aware”

L: “I’m not mad, I understand that Eddie just- It’s his birthday I think he would appreciate people checking in on him.. Not telling him he should look for signs next time”

The first closest sort of friend he makes, is a girl named Destiny. A girl often bullied for being of color, and requiring a wheelchair. She is similar to Hannah in the ways of being very empathetic and supportive, traits that Edward finds foolish but admirable in a way. He doesn’t make much effort to be her friend, giving her schoolwork anytime she is away for surgeries; Lending her books that she sees Ed reading; and whatnot. Destiny views Edward as a close friend, and believes he is nice for his treatment to her and the several times that Edward ‘mysteriously’ got her bullies to back away. (blackmail) He slowly starts to get used to her, but the girl, so morally righteous, finds that Edward bought a laptop using money stolen from his father and tells Mr. Nashton, Unaware that Edward would receive a bad fracture to his leg the following night.. This is the first point in which Edward truly starts finding friendships as an inconvenience.

Riddler calls everyone ‘friend’ even after saying how much he despises every person in the Rogues Gallery. He jokes about not having friends, and always claims it as his biggest strength. He doesn’t have anyone to be used as blackmail, He doesn’t need to worry about anyone other than himself, he doesn’t need to worry about losing anyone.. It sounds easier to him. It is a mix of pushing people away, and being overly egotistical that causes Riddler to have no real friendships. Riddler grew up accidentally appearing rude and emotionless to everyone around him, So now he believes it himself. He believes he doesn’t care for anyone, and refuses to make any real connections or offering genuine kindness. His common response to being asked why he is how he is.. “I have always been like how I am today. I’ve always been the best, so why would I change?”

Jon: You think you are the best thing on this planet. That you’re better than everyone else. You say you are too good for relationships but really Edward, you are just a scared man. You want attention. You love it. But if you care for those giving it to you.. you back away. You don’t want the people you care for to leave you Ed. You are scared of being alone, but you think that because you are so much better than us all, you would rather choose to be alone, than have friends leave you just so that your fate is your own doing and not ours.. What? You think that’s some advantage? Choosing to not have friends? Because all I see, is you screwing yourself over the assumption that nobody could possibly care about you.

Riddler is rude for three reasons.

1) His autism prevents him from understanding why he should change his blunt and honest mannerisms, which appear as insults to anyone who is faced with them.

2) He thinks he is better than everyone else, and as such, his opinions matter more than anyone’s emotions. He has so much pride, that he refuses to change anything about himself for the benefit of others. He also sees that caring for others is a weakness. It means putting emotion over strategy and logic, and in his line of work, there is no room for such a risk. Edward believes that nobody should even like him. That he is so rude and emotionally absent that anyone who cares about him, is foolish and makes no sense.

3) He refuses to keep anyone he cares about close.. Caring for himself alone is easier, and if he thinks everyone will leave him in the end, why risk the relationship at all? He is already well disliked, but if he starts becoming fond of anyone, he starts pushing them away with more negativity in the hope that they will leave him now, instead of leaving him later when he is more attached. Choosing the lesser pain.

Riddler’s sisters, Hannah(2-) and Lydia(6+), are the only two he has consistently cared for. After leaving for Gotham at 18, he cuts ties with them, thinking to reconnect again only once he makes a name for himself.. But when the name happens to be for a well known costume criminal, he further refuses to speak with his sisters. He figures they are safer in their hometown, and it means that he doesn’t have to think or worry about them at all.. When he finds out his older sister Lydia moved to Gotham as an officer, Riddler can’t handle the concern that he has avoided, and begs her to leave so that he can forget about her more and so she isn’t at risk. If she is in danger, Edward knows he would risk himself to help, but because he loves himself so much, he hates the idea that he could ever consider sacrificing himself for anyone else..

This is the end of this Rambling session, for now. I do plan to change the little speech for Jon, I need to flesh his character out more, but other than that, this is pretty much all I have going for Edward.

Edit: This Riddler Is Asexual or Demisexual. That form of relationship hasn’t existed for him. Romance is being thought of story-wise, but hasn’t happened for him at any point before age 27

[squeeb100]

I'm trying to parse through why I don't like Jayvik as a romantic ship, and thought I could type it up to maybe offer a counterpoint to people who are writing this viewpoint off as homophobic or ableist. Yes absolutely those are reasons people might not love this ship, but I don't believe either of them is a reason I don't.

So. Heads-up for some Jayvik negativity and some other general criticism of the energy in the fandom (I'm not gonna try to be nasty but I am, by the very conceit of this post, going to have opinions), and a disclaimer that if Jayvik makes you feel seen or happy or anything else that's not bad and I'm not saying this ship is bad and you need to stop talking about it and liking it. I'm just saying I, an individual person, don't particularly care for romantic interpretations of these two, and I don't interpret their interactions as romantic or sexual.

Actually before I talk about anything at all I really like this post and this person has said things a lot of things smarter and better than I will about sex and sexuality and Jayce and Viktor https://www.tumblr.com/ohnoitstbskyen/768136874376232960/asking-sincerely-do-you-see-a-romance-between?source=share

I feel like I'm within the Jayvik demographic. Viktor is my favorite character in Arcane, despite quibbles with how he was handled. For over half my life my major OTP has been KuroFai, which has a pretty similar vibe (storywise, not characterwise) to Jayvik in the back half of the series they're from. The are-they-aren't-they discourse surrounding them was also quite similar for many years. I'm not gonna talk about them really, but here they are.

[image: an illustration of Kurogane and Fai from the manga Tsubasa: Reservoir Chronicle. Fai is a light-haired man with blue eyes, waving at the viewer with a relaxed expression. He has an arm around Kurogane, who is a grumpy-looking dark-haired man with red eyes and Fai's arm covering his mouth]

I'll admit to not having an incredibly good story reason that Jayvik SHOULDN'T be a thing, and I'm not going to present a good analysis really because I think I need to rewatch Arcane more than once to really have a solid grasp of it or a good read of the things that went "right" or "wrong" with the storytelling. This is literally my feelings-based opinion.

I like the idea that Jayce and Viktor have a deep-running love for each other that maybe defies attempts to define it as just friendship or brotherhood or romance or anything. I personally thought, in their final scene together, that the forehead touch was a far more heart-tugging, raw display of intimacy than a kiss would have been, and I genuinely didn't want them to kiss. I hope I've established that this is not because I don't like the idea of men kissing.

This may derive from the fact that I, like everyone, experience attraction in an individual way. For me, to extant, not-fictional people, almost never. I'm not uninterested in the idea of a life partner, and in fact would really like to have a person who I love more than anything in the world to go through life's hardships with, but I have rarely found an individual who I was interested in "romantically." I didn't experience adolescence the same way many of my friends did, and don't experience attraction to others in a way that seems "typical," if we can really define anything or anyone as typical. I have not been in a romantic relationship, not for lack of chances and not because I don't care about people - I have family and friends who I love very very much.

I think it is beautiful, the idea that two people can love each other, and support each other, and be soulmates and die together --- and not be in what mainstream society defines as "romantic love." If you want them to fuck nasty on the lab table that's okay too.

The second reason/cluster of reasons I don't really like romantic Jayvik is a little bit bitter and jaded and I'm sorry. It's the energy in the fandom and I can feel myself being pushed further into a stubborn opinion by the fact that I find this frustrating.

(I am putting on my "hypocrite" shirt)

Arcane has a really diverse cast. There are lots of women. There are lots of nonwhite characters. There are multiple prevalent, plot-important, kickass black characters. There is a canon wlw couple who make out on screen and then definitely fuck offscreen.

I know Jayce isn't necessarily meant to be white. Other than that. I think the fact that the Arcane tag is overwhelmingly Jayvik is just a little suspect. I told you it was a little bit bitter and jaded. I am not seeing the same level of fanart and analysis of specifically women and black characters, and I think that's an interesting energy this fandom is bringing to the table. I am not exempt from this criticism.

The longstanding argument that the reason we don't see more obsession with sapphic ships and characters who aren't (white) men is the lack of them in source material is feeling really hollow right now.

Anyway that's my two cents about Jayvik and if people care, cool, and if they don't, that's also cool. Please refrain from speculating about my sexuality in the comments. Peace and love.

Go donate to a palestininan, sudanese, congolese or lebanese family if you're able. Consider a donation to the Native American Rights Fund or another reputable organization, this week and always. In the wake of this election, you might consider mutual aid programs to help people in and around your community. It's cathartic to get drawn into fandom discourse, but there are bigger fish to fry.

[citrus-moonlight]

Tara, I love this chapter so much!!! The way that you manage to create such a tangible desire between the two of them even though she doesn't even know what he looks like (and as far as she knows hasn't met him yet 😏) is incredible.

Reader being able to have a different type of release first when she blocks her mother's number was so satisfying. I love how she's finally able to let go of that part of her as she realizes that it isn't worth it anymore, that she is worth so much more than someone who didn't and doesn't want her, now that she knows what it's like to have someone who does.

"You smile at your phone. Your eyes are watery, your cheeks are warm, and your lips are lopsided and trembling. You can blame all of that on the wine, but the way your heart is battering against your ribcage? You've got it bad for some words on a screen, a hand, a pair of shoes, and a ghost."

I love how gone she already is, how everything is building so intensely and she doesn't even know what he looks like yet. And then when she finally lets herself go to the thought of him, and the realization that the relief barely lasts because now the floodgates are open and she only wants more?? LORD. The tension is so good, and I love how delicious it feels as he metes out little details in pictures and words and how they're all so precious to her as she tries to form a picture in her head to focus her desire on (and I am forever screaming at "I'm not going to describe my cock to you" 😂).

"Well then. I'll keep that in mind. I really liked the maroon silk one, personally. I bet it would feel nice on my skin." >I agree, it would feel very nice on your skin.

Good lord, that man is so smooth. And I am also enjoying that she picks out a maroon one (because now I am thinking about that silk robe, and how they would go so well together 😏).

You're done hesitating. Of course you are. But when you take that step, it's going to be on your terms. You know, instinctively, that you should never give up too much power to him. Both because it would be so easy to lose yourself in him—which you don't want to do now that you've finally found yourself—and because he would delight in never giving it back.

The duality that of him that you show is so good, how he swings from >I could have you however I wanted, couldn't I? to the vulnerability admitting that he wants her to touch his face, the "but I think I will if you do it." I love that contrast between the predatory part of him, the part that's truly so dangerous (and yet so intriguing), but then you continue to show how needy he is underneath that, something he's trying to hide under his own mask (he's so pathetic and touch starved, I need him).

And then of course the smut is always so incredible, the way he talks I am just 🥵🫠😵‍💫. The >Only me. Only I can see you like this and >That's right. I'm going to make you sob my name. He's so possessive and demanding I'm going to lose it.

>It's all I've been able to think about for months. It's going to feel so fucking good to finally get to fuck you and come with my cock buried inside of you. And I'm going to do it over and over again until I physically can't anymore. >Do you understand? I NEED you. Fuck!

Ok, knowing it's speech to text makes this is so fucking hot, imagining how desperate his voice must sound, and then THE FUCKING PICTURE?? EXCUSE ME???? And her almost tipping and that feeling of freefall adding to everything when she comes, oh my god that was such a perfect parallel to this whole experience with him, LIKE JESUS CHRIST TARA THIS IS SO GOOD.

Seriously, I am always beside myself when I come back to this chapter, your dialogue and all of the interactions are always so dynamic even when their just talking and exploring. I am so excited to see where things are going to develop and evolve once she finally meets him! (truly I am gnawing on the walls, your slow burns are always so amazing, it drives me crazy and I love every minute of it!) 💖

Seriously, I am always beside myself when I come back to this chapter, your dialogue and all of the interactions are always so dynamic even when they're just talking and exploring. I am so excited to see where things are going to develop and evolve once she finally meets him! Truly I am gnawing on the walls, the way you write and and slowly ratchet up the need and tension is always so mind meltingly good, that slow burn drives me crazy and I love every minute of it! 💖💖💖

The Devil Makes Us Sin

Fandom: Luther, Luther: The Fallen Sun

Pairing: David Robey/F!Reader

Chapter 4/? (12.8k words)

->start at chapter 1<-

<- Chapter 3

AO3 Link

Summary: Your life isn't perfect, and you don't enjoy moonlighting as a camgirl for so many repulsive men, but you need the money and it's yours. You're getting by just fine. You're content.

At least you thought you were. Then you get a strange text message. And you aren't sure if you're horrified or intrigued.

Warnings: Explicit rating, smut, stalking, spying, blackmail, manipulation, dubcon, dubious consent, Dom/sub, sadism, masochism, unprotected sex, oral sex, masturbation, mutual masturbation, choking, dirty talk, praise, humiliation, possessive love, yandere, minor description of gore, minor description of violence, murder, discussion of murder, shame involving sex work, light shaming of sex work, emotionally abusive mother, troubled mother/daughter relationship, sexual harassment, workplace sexual harassment, alcohol consumption, religious trauma

A/N: To all of my fellow readers with mother issues, this chapter is for us 💖 Because those troubled mother/daughter relationship and emotionally abusive mother tags hit real hard this chapter (I'm not projecting, you're projecting). But I eventually make it up to you, I promise. (As a reminder from my notes last chapter, David uses voice to text when they're chatting 😏) Also, I changed the formatting for texting conversations because eventually there will be texting while there is external dialogue, and I don't want it to be confusing. So his texts continue to be in italics and Reader's are in italics AND quotes.

Work title is from "Paradise Circus" by Massive Attack. Chapter title is from Tanaka Mhishi's poem in Literary Sexts II. Text divider 1 is from Francisco de Goya's Witches Flight. Text divider 2 is from Caravaggio's Sacrifice of Isaac.

Chapter 4 - I am fragile and unholy. Open. Ravage. Eat.

That night, after calming down from your conversation with David, you finally do the thing that you've been putting off for far too long. The thing that causes panic to swell in your chest and your mind to recoil whenever you start to examine it. 

You think about your mother.

So you pour a glass of wine, set your phone off to the side, flop down on your couch, and you begin to metaphorically unpack.

You've always prided yourself on being an intelligent woman. You know, logically, this will help you feel better in the long run. It will help you heal. Help you grow. And right now that's what you yearn for—to know and embrace yourself as you truly are, not who you pretended to be for so long that you almost believed it. Not your mask.

The mask that you built because of her, you think. One crafted out of fear and shame. Other people may have honed it, but she laid the foundation.

You also know she's the reason you have so many hang ups and difficulties forming connections with people. You know it's part of the reason you've been miserable for so long. You know this needs to be done. You know that.

It still…well, it hurts.

You learned at a young age to be fiercely independent because you couldn't count on her for support. Or encouragement. Or warmth. Her answer was always the same: "Pray or go to confession." As if all of your problems were your own fault or stemmed from a lack of faith.

And the message was clear—The only love you'll ever get is God's love. Maybe he can fix you.

You wanted it, though. God, did you want her to gather you in her arms and tell you, just once, that she was proud of you. That she truly loved you. You did everything you could to please and placate and impress her, hoping if you were good enough or hid well enough, you might finally get all of that. You got good grades, you were well-behaved, and you went to church, even when you stopped believing. You gave up your dream of being an artist for her, for christsake!

Sure, a part of that was because she tainted the piece of yourself you turned to for expression and escape. But since you're already unpacking every horrible bit of this, you can finally admit to yourself that you also gave it up for her.

For nothing.

Because it didn't work. Getting a business degree and an office job didn't make her proud, it only created a new direction in which you were lacking. You lost a part of yourself and got nothing in return. The thought of it makes you so angry that hot tears prick your eyes.

You get up to pour yourself another glass of wine.

You don't even know why your mother treated you the way she did. You think that if you could at least know why it might be easier to stomach. Then you wouldn't feel so confused and lost. Sure, it would hurt, but it would be something solid you could sit with.

Perhaps she saw that you weren't what she would call normal, and she hated it—wanted to spurn you into changing and hiding. It's ironic, then, that her disgust just fueled that darkness within you. Gave it the sustenance it needed to grow, devoid of warmth, in the corners of your heart and mind.

Maybe all of this would have turned out differently, if only she had loved you.

Or perhaps that's just who she is, and, even if you had been everything she wanted, it still wouldn't have made a difference. Still wouldn't have been good enough. You got it from somewhere, after all.

You'll never know either way.

What you do know is this: If you couldn't count on your own mother, then why would you ever think you could count on or trust anyone else?

Why wouldn't they brush you aside eventually as well? Why bother getting close to anyone—assuming they didn't bore you in the first place? Why wouldn't they see the real you and look just as disgusted as the one person that should have loved you unconditionally? 

And people continuously proved you right by walking away when you didn't thaw under their attention or they caught a glimpse of that darkness—until David. Until he looked and saw the real you, and it only made him want you more.

Well, you're thawing now.

No.

You're melting.

You wonder what your mother would think of you if she could see you at this very moment. On one hand, you've laid waste to the life you built for yourself for a man that stalked you. She'd have a few choice words for you there, such as disappointment and embarrassment. "What will people think?" But on the other hand, you finally have someone and he's rich, which would go a long way towards forgiveness. Because, even though she prides herself on her piety, pride is her greatest sin. She would tell everyone she knew, as if it were her achievement, while conveniently leaving out the rest of it. Like the fact that you're happy.

As you're pouring your third glass of wine, you debate calling her. It's not too late. She should still be awake. You can finally ask her why. Why nothing you've done has ever been good enough. Why she cared about God and what everyone else thought more than her own daughter. 

You can ask her why you can't remember the last time she hugged you or told you she loved you. Because a daughter should be able to recall that, shouldn't she? Oh, she said it plenty in front of other people. She gave you scraps with no meaning behind the words or warmth in her eyes. But in private, where no one else was watching her performance? You got nothing. You starved for affection. Maybe you can ask her why.

But you know that's the alcohol talking.

And it wouldn't do any good anyway. You won't get the answers you seek or the apology you need. You won't get promises to do better. You won't get a mom.

This was all for nothing.

Instead, you pick up your phone and block her number.

No contact. A clean cut. Never again.

You expect that to hurt, too, but for the first time since you started this, you feel lighter. Because you're finally done looking for hope where there isn't any to be found. You're also finally acknowledging that you deserved everything she never gave you. And that isn't a failing on your part—it never was. It's her failure. Another one of her sins. Now it's her loss.

Maybe you should have done that years ago, but you're doing it now. You're moving forward and letting go, and that's what's important.

While your phone is in your hand, you check your messages to confirm that David hasn't sent you anything. You aren't surprised. You hadn't expected him to. But that doesn't mean you didn't want him to.

You want it all the time now, you realize. It's only been a couple of hours since you ended the call, but you'd still love nothing more than to get back on and talk to him again until the early hours of the morning.

You may have been able to stop yourself from angrily calling your mother, but the combination of wine and your already weakening grasp on your self-control when it comes to him means you're typing before you even realize it.

"Thank you. For everything. I can never say it enough, David, because you've done more for me than any person in my life EVER has. I mean it. Truly. I'm so grateful."

"Also, for the record, I'm certain I could pick you out of a crowd now."

You're welcome. Always.

And I'll keep that in mind the next time I need coffee.

You smile at your phone. Your eyes are watery, your cheeks are warm, and your lips are lopsided and trembling. You can blame all of that on the wine, but the way your heart is battering against your ribcage?

You've got it bad for some words on a screen, a hand, a pair of shoes, and a ghost.

The next morning, you sleep in until a gloriously late hour. Just because you can. And because last night was emotionally exhausting—you're certain the wine didn't help either. Even when you're no longer tired, you lie in bed, wrapped in the warmth of your blankets, and bask in the knowledge that you never have to go back to that office ever again.

Or speak to your mother, you think with a contented sigh.

You feel untethered, but not adrift. No, you know exactly which direction you're headed, and now you have the freedom to do so.

Eventually you resume your search for a new bed on your phone as well because you start to think about how blissful this lounging would have been on a comfortable mattress. With silk sheets. And a new nightgown... Oh, now there's an interesting thought. You could get something new and sexy. Maybe something with lace. Or more silk. Or, even better, something sheer that barely covers your ass.

You also think about how much David would enjoy all of those things.

You start off looking at sleepwear that leans more sensible than sexy, but as you begin to wonder what he would think of each one, you quickly find yourself clicking on more and more revealing pieces.

It's when you're looking at a see through, drapey number that comes off with only a clasp between your breasts that your phone buzzes with a new text message.

You grin. You wondered how long it would be before he reached out to you. Now you're absolutely certain he's keeping tabs on you and saw how racy your searches were getting. Part of you was doing it on purpose—baiting him until he couldn't resist any longer. Even if it gave him away. You know better than to trust a coincidence.

Are you enjoying your first day of freedom?

"Immensely. I haven't even gotten out of bed yet." You're smug as you hit send because now you've added the thought of you in bed to his mental image of the lingerie.

Is that so? Sounds as though you're having a lovely morning.

Any other exciting plans for the day?

"Not unless you count a date with a book on my nightstand."

Depends on what kind of book.

"Well, there are two of them for me to choose from. One is a murder mystery. The other is a steamy romance novel." It's a lie. You have two art history books and an Amedeo Modigliani biography on your nightstand.

I see. Two very different types of thrilling.

"Exactly. On one hand, the murder mystery would stimulate my brain."

It takes a minute longer for you to get a response to that.

And what would the romance novel stimulate?

"My heart, David. What else?" You bite your lip in excitement as you continue to type.

"Now tell me which one you would like best."

If I had to choose between the two, I would prefer the murder mystery.

"Of course you would. But I meant which of the lingerie you would like best. Because I know you were watching me."

There's another pause.

All of them.

"All of them?! But there were so many!"

I'm certain. I liked all of them.

Especially since you'd be the one wearing them.

A pleasant heat unfurls in your chest and creeps up your neck at the thought of him sitting there, watching you browse, picturing you in every outfit…and maybe even saving a few of the links for later.

"Well then. I'll keep that in mind. I really liked the maroon silk one, personally. I bet it would feel nice on my skin."

I agree, it would feel very nice on your skin.

Fuck.

The mental image of his hand trailing up your thigh—pushing the hem of the nightgown higher and higher while the fabric and his palm slide over your quivering flesh—flashes vividly through your mind.

You had been enjoying a morning of relaxation and contentment just a few minutes ago. Even with a bit of light teasing about the lingerie, it had been peaceful. Now? Now that feeling has been reshaped and is nothing more than a memory. Now a slick heat has ignited in your core, and you're left nearly panting and writhing in your blankets from the intensity of it.

How quickly he can send you reeling.

God, you're definitely buying that one. Later. Right now, however, you finally have the chance to flirt with him—really flirt—and you're going to take it. Because you know where this is headed. You know where it could have resolved yesterday but didn't because you were at work.

And you're so glad you're not at work right now, stuck squirming and struggling at your desk as you try to ignore the swollen ache between your legs. Instead, you're squirming in the privacy of your bed, and you no longer have to ignore anything. Now you have no intention of stopping.

This is how you want to respond to him.

You're also really enjoying feigning innocence, and you're curious to see how much longer he'll play along. Because you have no illusions that he's buying a second of it.

"I don't think I'll be getting the black one with the sheer lace top, though. It didn't look very comfortable. I wouldn't be able to wear it for long."

Before he can reply, you quickly type out, "Wait. You're not busy, are you? I should have asked first before carrying on about my online shopping. That was rude of me."

I'm not anymore.

"Just get out of a meeting?"

I just canceled my last meeting because I've suddenly found something much better to do.

"Is helping me pick out pajamas really that thrilling?"

You can stop playing dumb now. You and I both know exactly what you're doing.

"What am I doing?" You straighten up and hold your breath in anticipation. You must be getting to him. You expected him to hold out just a little bit longer. Not that you're complaining. Not when you know you have his full attention.

You're trying to get me bothered as payback for yesterday.

"Is it working?"

You know it is.

"And just how bothered are you?"

Very.

You let out a shaky breath as you sink back into your pillows and begin to settle in. "Good. But that's not the only reason I'm doing this, David."

Is that so? What other reason do you have?

"Because I want to. Because I'm enjoying having the freedom to respond to you the way that I want."

Intriguing. And how are you doing that?

"I'm sure you'll find out soon enough." You shift your phone to your dominant hand to keep it steady. Then your other hand disappears beneath your covers and continues traveling down to the waistband of your panties.

Will I?

"You will. As long as you continue to please me." You nudge the fabric out of the way to give yourself the access you need and eagerly slip your hand inside. When your fingers finally brush over your arousal, you groan with relief.

There's nothing I want more than to please you.

"Is that so? How are you going to do that?" You repeat his words back to him as you rub a little harder along your damp folds. The added pressure makes your eyelids go heavy with lust. You spread your legs wider, seeking even more of that friction.

By giving you what you need.

God, you want that. From him. The thought of it makes you ache. Your fingers move to circle over your clit, dragging some of your wetness with them, and you moan into your empty bedroom. You shakily type out, "And what do I need?"

Me.

Shit. You had planned to go slow and tease yourself. You wanted to draw out the banter so you could savor your first time touching yourself to him. Because, despite the fact that he's turned you into a horny wreck several times already, you've held off until now. But as you read his text—that single word—it's as if your body has been doused in kerosene and lit on fire. Your hand speeds up.

"You seem awfully sure of that."

I'm very sure.

Are you going to tell me that I'm wrong? Or are you going to be honest?

You quickly debate finding a way to deny it. To get him to push harder because his arrogant confidence is stoking the flame in your belly and you want more. But every response you come up with sounds so flimsy. You know it won't work. He'll just call out the lie. He knows exactly how you're responding to him now, and he won't let it go, like a shark sensing blood in the water.

Well, if he wants to circle, then you'll give him prey instead—something he can't resist.

"Honest."

There's a good girl. Then be honest for me. Tell me what you need.

You cry out and your hips roll to meet the rhythm of your fingers. Your other hand is still gripping your cell phone, holding onto it for dear life so you don't drop it and miss a single word. "You."

That's right. And are you thinking about me right now?

"Yes." You are. You're thinking about his hands all over you, driving you wild and breathless and working needy little whimpers from your throat.

Very good. I hope you're thinking about all of the things I plan to do to you when I finally get my hands on you.

"Tell me. Please." More, you think. God, you need more.

And spoil the surprise? You'll have to use your imagination for now.

You grunt in frustration. "That's a little difficult when I don't know what you look like."

That is unfortunate, isn't it?

He's so god-damned smug! Jesus, it's infuriating!

There's a responding surge of wetness beneath your fingers, and the slick sound becomes obscene in your quiet bedroom.

"I've told you, it's unfair."

Nothing about this is supposed to be fair.

Your grip weakens and your phone nearly slips from your grasp, but you frantically right it. You're getting so close… "David, please!"

I promise when we move forward, you'll find out for yourself. But only when you're ready.

Unless you're done hesitating?

You know he's dangling that in front of you, tempting you with what you want so you'll say yes. You want to say yes. You want to call him right now and let him hear you say it as you moan and beg into the phone.

But that's giving him too much.

You're done hesitating. Of course you are. But when you take that step, it's going to be on your terms. You know, instinctively, that you should never give up too much power to him. Both because it would be so easy to lose yourself in him—which you don't want to do now that you've finally found yourself—and because he would delight in never giving it back.

"I suppose we'll see, won't we? I would hate to ruin the surprise."

Now who's being unfair?

"I'm only playing by your rules."

Clever.

My clever, beautiful girl. I can't wait to see you like this. I bet you look so good for me right now. Don't you?

"Yes!"

That's right. So fucking good and needy for me. God, I want you so much.

Your grip goes slack again, and this time you do drop your phone onto the bed. But you don't stop to pick it up. You're too far gone now, and you couldn't type even if you wanted to. Instead, you redouble your effort and greedily chase your orgasm, your hand moving in rapid strokes against your clit.

It's fast and messy and desperate. You haven't masturbated like this in years, but the tension has been building inside of you. It's grown under all of his teasing, his suggestive comments, his perceptive observations, and his unrevealing photos until you couldn't ignore it any longer. Now you need to release it at last—to immolate yourself in your desire.

For him.

"David," you moan. His name rolls off your tongue for the first time in ecstasy. It happens so naturally, as if you've said it that way a hundred times before. As if your mouth knows the way to give shape to your longing.

Hearing his name, when you're already poised on that edge, is your undoing.

You throw your head back into the pillow and arch off the bed with a cry as that tension finally snaps, sending a white hot fission through your veins in its place. Your toes curl and your newly freed hand bunches a fistful of your sheets, pulling them taut while your whole body shudders with every violent swell of pleasure.

As you come, all you can think about is him. "Fuck!" The movement of your fingers over your clit becomes jerky, but never slows. You're determined to make every second of this feel so fucking good. "David!" It rolls and rolls and rolls through you, weakening and yet seemingly without end as you work every last bit of rapture from your sensitive flesh—

Until, finally, you collapse against the bed with a whimper, and your hand flops weakly down onto the mattress next to you. You lay there, gasping for breath, your eyes closed, and your limbs and your brain and your belly humming in the heady afterglow of your release.

By all accounts, this should bring you a bone deep satisfaction. It should have quelled the fire that burns for him, even if only temporarily.

But as your mind clears, you feel quite the opposite. As if something has awakened inside of you, stirring from a deep slumber in that same way he roused your darkness.

And it's ravenous.

You grope along the bedspread for your phone.

When you pick it back up, your hands are still trembling from the intensity of your orgasm.

"I think I'm rather enjoying my new freedom."

So am I.

A groan is wrenched from your chest as you glance up at his previous messages and wonder just how much he was enjoying it. You have a pretty good guess.

"God, David. I miss you."

I miss you, too. But not for much longer.

"Would you like to chat now?" There's a renewed flutter of interest from your swollen sex as you think about doing this again, but for him.

There's nothing I want more. Unfortunately, I have some important personal matters to take care of this afternoon, but I promise the evening is yours. How does 6 o'clock sound?

There's a pang of disappointment in your chest. That's hours from now! But before you can pout, you remind yourself that you're an adult. You can control and entertain yourself until then, for christsake. Besides, he said the evening was yours. You'll have plenty of time to talk to him later.

You also really want to ask what sort of personal matters because you're curious about what they could be, and about him in general, but he would have elaborated if he wanted you to know. The word personal also denotes a certain level of privacy. So you leave it be. For now.

"That sounds lovely. I'm looking forward to it."

Me too. In the meantime, I hope you enjoy your date with the book on your nightstand.

"I've changed my mind there, actually. I have a lot more shopping to do instead." You give your phone a little grin.

Oh?

"Yes. It's been so productive and satisfying thus far. Who knows what other wonderful things might result from it?"

I see.

"I hope you enjoy your afternoon."

I'm certain I will. Enjoy your shopping.

You end up purchasing some of the lingerie that gets you particularly worked up whenever you think about him—especially the maroon one. Then you spend the rest of your day purging your wardrobe of your boring work clothes and whatever else reminds you too much of your old life. The result is a sparse apartment and an even barer closet, but you like it. It's a reflection of where you are in life and of all the room you have to grow and rebuild the way you want.

You may occasionally take breaks from downsizing to browse for new outfits and dresses, but it's to figure out what you like so you can eventually replace what you're getting rid of. It's definitely not to keep David intrigued throughout the day and looking forward to talking to you again. Not when he's so busy. That would be cruel.

You can't remember ever smiling this much.

You log on several minutes early. You don't care that it's probably a little pathetic. You don't even care if it lets him know exactly how eager you are for this. You've been checking the clock since five and you were getting impatient. You can only pace so many circles in your living room before you lose your mind. Not that sitting there and staring at your own face is any better, but at least it gets you closer to him.

To your relief, he logs on a few minutes early, too. Possibly because he knows you're already here, but you hope it’s because he was impatient as well. The electronic chime makes your heart swell in your chest.

"Hello, David."

Hello, darling.

The image of you on the screen practically swoons at his greeting. There's no other way to describe the gentle tilting of your head, your dreamy smile, or how your eyes soften with affection.

You barely recognize this woman.

You're not sure you've ever made that face before now. Or if you have, it was when the National Gallery rotated Cornelius van Haarlem's Two Followers of Cadmus devoured by a Dragon back into display after you hadn't seen it in a while. Never for another person. Certainly not for a black square not even three centimeters wide.

This man is dangerous.

Getting impatient, were you?

"I knew you were going to say something," you grumble as you fight off a sudden wave of embarrassment.

How could I not? You have no idea how lovely this feeling is. It's gratifying to have such a beautiful woman wanting to talk to you.

You lean in close and lower your voice. "In that case, I was very impatient."

Hmm. I'm so very pleased to hear it.

Did you have a productive afternoon?

"I did, actually. I accomplished quite a bit."

Good. And did you have fun shopping?

"You know I did." You give the camera a heated smile. While it wasn't as risque as the lingerie, the clothes you were looking at—low cut silky blouses, high slit skirts, backless tops, skin tight pants—were still sexy, just in a more subtle way.

Do I?

You roll your eyes and ignore the obvious bait—something that would have irritated a response from you just a few days ago. "How was your afternoon?"

Also productive, despite the circumstances.

"Circumstances?" You cock an eyebrow, no longer able to ignore it. He really does know how to push your buttons, after all, much to your chagrin. "Do you mean with your personal matters or do you mean spying on me?"

Both, but I wouldn't call it spying.

"Well, I would! So it serves you right." Despite your fake outrage, you're thrilled he was still paying attention, even when he was busy.

Do you want me to stop?

You pause to consider your answer. You think you should probably be unsettled that he's monitoring all of your activity. If any other man did that, you would be furious and horrified, but he's not any other man. He's also not holding it over you, making you feel bad, or controlling what you're doing. So far—your answer would change if he were. He's simply looking.

And you enjoy knowing that he's looking. In a strange way, it makes you feel connected to him, even when you aren't chatting, as if it's just another aspect of your relationship. It also makes you feel like you're the most important and interesting thing in his life—you'll admit that particular feeling has become quite addictive. You enjoy being able to take advantage of it as well, like you did this afternoon.

However, there may be times when you do want privacy for a specific reason. He certainly doesn't need to know every detail about your hygiene purchases or your embarrassing Google searches. Well, future embarrassing searches, anyway. It also makes it very difficult to surprise him if he can see what you're up to.

"No, I don't want you to stop." Your lips curl into a seductive smile. "I like it quite a bit, in fact. I just have one condition."

What's that?

"If I do ever ask for privacy, you give it to me. No questions asked and no looking."

Of course. Then you'll have it.

"I mean it," you say seriously. "I need to trust you'll respect my wishes."

You have my word that I will give you privacy whenever you request it. You only ever need to ask.

"Alright." You relax in your chair, mollified by his response. Because you believe him. "Thank you, David."

You're welcome.

Now tell me about your productivity.

"That's not a very exciting topic of conversation, I'm afraid. In fact, most of it was quite boring."

Tell me anyway.

"Well, I went through my flat and got rid of everything that felt like it belonged to the person I was pretending to be and not me."

I see. That doesn't sound boring. You shed another one of your layers.

I bet it felt good.

"It did! It felt freeing. I didn't realize before how much my place felt like a stage. As if the performance didn't stop, even when I was alone. And when I had a roommate? God, no wonder I was always so miserable."

It's also probably why you grew to resent every roommate you've ever had, no matter how much you didn't mind or tolerated them when they moved in. It didn't matter if they were quiet or cleaned up after themselves. Their presence meant the only place you could truly let your guard down was your bedroom. It was exhausting.

"But now the set dressings are gone. No more calf length pencil skirts or tacky lingerie. No more gifted kitchen gadgets and holiday candles. No more cheap art prints of pieces that I don't even like.” Then you grumble, “God, I swear I had like, half a dozen versions of Irises.”

No more mask.

"No more mask," you repeat out loud with a sigh of relief. Even saying it feels incredible. "Speaking of, you'll be pleased to hear I've also been doing some reflecting since we talked yesterday." You can't help the smug grin that creeps onto your face.

Oh?

"Yes. I've figured out where my reflex to apologize when I think I've upset or inconvenienced someone comes from."

Have you? Does that mean you're ready to talk about your mother?

You huff out a laugh and shake your head. Of course. You should have seen that coming. "You're frighteningly good at that."

It's a gift.

You can feel his smirk through your screen. "So it is. And I'm glad to know that I'm predictable."

I never used that word.

"It's true, though." You shrug, unbothered by your own statement. "It's a behavior that's usually learned in childhood. In this instance, I'm not particularly unique."

I disagree.

"I just meant that a lot of people have troubled relationships with their parents." A lot of them developed the same issues from it as well, you think to yourself. Granted, the cliche is that women in the sex work industry have daddy issues, not mommy issues. So perhaps you're not entirely predictable.

And yet, they're not you. They didn't become what you are.

"And just what am I?" That's another thing you haven't looked at too closely. You've been so consumed with the "who," you haven't really considered the "what."

You're something entirely different. Something more like me.

"That's not an answer."

I assure you, it is.

"It's not, David," you insist. "I still don't fully know what that means!"

If you're expecting me to pathologize you instead, I'm not going to.

"Why not?" You tilt your head curiously. You weren't actually expecting him to, but now you're intrigued as to why he won't.

Because that's not an answer to your question either. Those terms and labels are just more costumes that don't suit you. You're far more than that.

Before you can object that you disagree and that it might actually help you understand yourself better, he continues on. As if he anticipated what you were going to say.

It would also imply there's something wrong with you. But there's nothing wrong with you, despite what anyone may have told you in the past.

"You really do have me all figured out, don't you?" There's more affection in your voice than you intended.

I told you. I see you.

"You do. And I'm guessing you see my text message history, too." You raise an eyebrow at the camera in challenge, daring him to deny it.

You thought a lot about what else he would have access to after he blindsided you with the knowledge of your side bank account. Reading your texts would be absurdly easy in comparison, so of course he knows about your relationship with your mother. It's also how he knew that threatening to tell her your secret would be so effective.

That as well.

"I think that's the first thing I know you've seen that I feel embarrassed about."

Why?

"Because it means you've seen the worst of my mask," you say quietly.

I wouldn't say that. I saw a daughter desperate for her mother's affection and approval.

"Oh, god," you groan as you rub a hand over your face, completely mortified by his phrasing, but unable to find fault in it. "That's exactly what I mean!"

You're not the one who should be embarrassed by those messages.

"I'm the only one that is. Or will be. Trust me, she thinks everything she's ever said to me was righteous and justified, and you can't get blood from a stone." You flop your hand back onto the desk—a little harder than you meant to—and it makes your webcam shake.

You can already feel that mixture of hurt and anger rising in your throat and threatening to spill out. You quickly swallow it down and take a deep breath to regain control over your emotions. You're not going to have a breakdown on camera because of her. You're done letting her hurt you.

It's not righteous or justified, but I'm guessing you know that already.

"I do, but I appreciate the reassurance anyway." You give him a soft, grateful smile. Then your face falls as you glance back down to your keyboard. "What else did you see?"

Most of your text conversations with her are arguments. I suspect your phone conversations are similar.

"They are," you confirm without hesitation. "I don't think we know how to communicate any other way."

But you're not the instigator, are you?

"No," you sigh heavily. "I do everything I can to avoid an argument because I'm just so tired of it, but it usually doesn't matter. She can always find fault with my tone or something I've said. And of course there's also the fact that I don't go to church, don't have an important career, haven't gotten married, and don't have or want children. You can imagine her disappointment."

I shudder to think.

What an exhausting, horrible woman.

"That she is," you can't help but laugh. Despite the heavy topic of conversation, his irritation on your behalf is endearing. "I hate calling her or answering the phone. And God forbid I need something! You'll note that when I needed money to keep my flat, I became a camgirl before I even thought about asking her for help."

I had noticed you never considered doing anything else. Then I read your messages and it wasn't difficult to understand why.

You try not to feel mortified once again at the reminder that he's seen those. Instead, you tell yourself that he saw them and he kept looking. They didn't disgust him or scare him off—from you anyway. Even after reading them, he still wanted you.

You truly understand now what he's always meant when he says he sees you. It's a very assuring, lovely thought.

"It turned out to be a wonderful decision, at least." You give the camera a coy smile in an attempt to lighten the mood.

I would have to agree. A very wonderful decision.

"She wouldn't have helped me anyway, so I knew it was pointless. The few times she did, she lorded it over me constantly. As if I should be forever in her debt because she paid for my university textbooks years ago."

Is that another reason you were so afraid to take my money? Or why you were worried about feeling as though you owed me?

"Huh…" You lean back in your chair as you mull THAT one over. You hadn't quite connected those dots yet, but now that he's pointed it out, you have always been bad at accepting any help or gifts. Every single one felt like it came with an unspoken expectation or debt of some kind that would be called upon later. Now you know why.

You briefly wonder what other sort of connections you'll make in the future. Because you're starting to realize there are still plenty of them left to be uncovered.

"I think that was part of it, certainly, but you have to admit, the circumstances were also a very big factor as to why I didn't want your money."

Of course. You thought I was trying to buy you.

"I absolutely did! And in a way, you were," you tease. "It was just my attention you were paying for."

I made no attempt to hide that what I wanted was you, but it really was a gift. I knew the money would give you the freedom to think about everything I said, and once you did, you could no longer ignore your mask. Then maybe you would finally rid yourself of it. I wanted that for you.

And I wanted to see what would become of you when your strings were cut.

"Well, are you pleased with your handiwork?"

Quite pleased. I'm enjoying seeing the real you and how beautifully you've flourished in the light, now that you're no longer hiding.

"I have flourished, haven't I? I feel at home in my own skin for the first time in my life." You arch your shoulders, stretching lazily as if to savor the truth of your statement, before resting your forearms on the desk. You look quite pleased with yourself as well. "For so long I've been afraid to peel back all those layers and confront what's underneath, but now that I'm finally realizing who I am and what I want, I can't stop picking. I like what's underneath."

So do I.

You deserve to be proud. You've been working very hard to find your truth.

A warmth radiates through your chest at his praise.

"I have." Then you smile sadly. "Unfortunately, the truth hasn't always been painless."

No. It's never that.

"But every second has been worth it to have this." You glance up at the camera and let the double meaning hang in the air.

I'm glad. And I would have to agree. Wholeheartedly.

After a hesitation, you say, "One of those painful truths was realizing that my mother probably had a big hand in making me what I am."

Darling, NO.

The only thing she had a hand in was making you feel ashamed of yourself or like you had to hide what you are. She tried to destroy something exquisite and she failed. You are what you are despite her.

Do you know why? It's because you're better than her. You always have been and she knows it. Why do you think she treats you the way she does? That woman is a monster and she doesn't deserve any part of you.

Your eyes immediately fill with tears as you read the chat box. No one's ever told you that before. You may have come to the same conclusion last night, but you had no idea how much you needed to hear it from someone else, so to speak. Now hearing it from him?

"God, David. I've never…" you trail off, your voice choked with emotion. It takes you a second to get control over yourself enough to continue. "Thank you. And you're right." You sniffle and quickly try to blink away the tears. Then with more force, you say, "I've endured her for too long. Thankfully, I never have to again. I blocked her number last night and I'm cutting her out of my life."

You did?

"I did. Once I realized there was nothing good there to hold onto, even the idea of removing her from my life brought me more peace and happiness than having her in it ever did."

Good. I hope it does.

"So far, so good." You give him a teary smile.

I'm sure that couldn't have been easy.

"It wasn't. Or at least the process of coming to that conclusion wasn't, but it was all far more anticlimactic than I thought it would be."

Is that why you sent me that message?

"Oh, god." Your face begins to burn with embarrassment as you remember texting him while more than a little tipsy. "Yes," you finally answer sheepishly while you glance up at the ceiling. 

Why are you embarrassed by that?

"Because, if I'm being honest, I was two and a half glasses of wine in when I sent that."

Were you now?

"I was. I knew it was the only way I would be able to cope with that whole process."

And did it help?

"I think it did. I got through it, anyway. I'm just glad that I didn't call or text her. God, that would have been a trainwreck." You glance suggestively up at the camera and lower your voice. "I have far less self-control when it comes to you, apparently."

You have no idea how much I enjoy hearing that.

"But we should both be grateful that I didn't send you anything messier than I already did."

I don't know, sounds intriguing.

"See, you're thinking about me sending you something sexy, but I'm worried about sending you something frantic and emotional," you laugh. "Which would have been far more likely given the circumstances."

Hmm. I see your point.

"So anticlimactic really was for the best all around. And it's done now."

Good riddance.

"Do you want to know the worst part, though?" This time there's a bitterness to your smile, and it doesn't meet your eyes. "Through all of this, I never stopped wanting her to love me. I tried so hard. I never stopped trying, but she did. A long time ago. She'll never be the mom that I want, just like I was never the daughter she wanted. I know that now and I've finally made peace with that reality. Plus, realizing I would never understand or get any sort of closure was another big catalyst for me to finally pull that trigger the way I did." Your face finally softens. "But I never would have confronted any of that if not for you."

You would have gotten there on your own. Eventually.

“Possibly. I was getting exhausted from it. To the point that everytime my phone rang, I considered tossing it out the window rather than answer it.”

I could make her life miserable, you know.

If you asked it of me.

"Tempting." You let out a chuckle and wipe away the remnants of a tear drying on your cheek. "But I'd rather her not be in my life at all, even through you. I'm making a clean cut so she can no longer use me to build herself up, and for her that will be a worse punishment than anything you could think of."

I don't know. I have a very vivid imagination.

But I will leave it be unless you change your mind.

"I do appreciate the offer." You smile gratefully. "That's twice now you've given me the opportunity for vengeance."

It won't be the last, should you ever feel the need for it.

"Is it strange that I find the thought of you wanting to make someone miserable for hurting me sweet and endearing?"

No.

I would hurt anyone you asked me to, even if all they did was annoy you.

"You would?"

I would. Without hesitation. For you.

"Fuck," you gasp as you squirm in your seat, suddenly very turned on. "I really like the thought of that."

Do you?

"I do." 

How much?

"This much." You bite your lip as you bring your hands to your top. Then you begin to slowly unbutton your blouse. The heat that started between your thighs rises to your belly. This is finally happening.

There's a pause.

You're sure?

"Yes. I'm so sure you didn't even have to ask." Your fingers continue to methodically work each loop as you speak, driven on by determination. "I'm done hesitating. I want this, David. I wanted it last night before I got interrupted, and I wanted it this afternoon."

You’ve found closure for so much of your past—all the ties to your old life, your social media, your friends, your job, your mother—and you're done looking back. All you want now is to move forward. After all the emotional turmoil you went through to get to this point, all you want is to fall into him.

Once you’ve finished, your top spills open, revealing the cups of your bra and your bare stomach on the screen. The chat box sits, unmoving, and you realize he must be watching very carefully. So you slide the fabric down your arms, seductively arching your chest towards the camera to make a show of it, until it comes free. You toss it to the side without looking. Then you're left in nothing but your bra and skirt.

"I want you to see me. All of me. I want to show you what you're missing, hiding from me behind that screen. You could be here with your hands and your mouth on me, instead, you know. I want you to think about that, and I want you to touch yourself while you do." You look directly into the webcam with all of the desire, need, and heat that has been building up inside of you for the past week. "Because I plan to as well. Again."

You have no idea how much I’ve resisted doing all of that. It's taken every ounce of my self-control to resist you.

"Why can't we just give in then?" You beg for the camera. "Why can't we just skip this part? Come here now. Tonight. Touch me instead."

You aren't ready for that yet.

"I strongly disagree!" You scoff, almost offended at the implication that you don't know what you want.

Besides, I get to see you like this first, remember? I get to see you in a way no one else ever has. I've earned it.

"You have," you sigh in acceptance. You knew it was a long shot, but it was worth a try. "Don't worry, I'll give it to you. Not just because I'm too fucking horny to argue with you properly right now, but also because I said I would, and I'm still going to enjoy letting go for you. Just know that it's a poor substitute for you. Because what I really want is to hear your voice as you tell me how good it feels to fuck me. I want to hear the way you moan and gasp when you lose control of yourself inside of me. I want to know your face when you do. Because I want you, David."

It takes a moment for him to reply. You're aware you'll never get to know exactly how he responded to you. You'll never get to see the look on his face or hear the sounds he made as you said those things to him. But, you think with no small amount of smugness, you can take a very good guess.

Then you'll have me. Soon.

Until then, show me what I'll have.

Take off the rest of your clothes. I want to see you.

You stand up from your chair to do as he instructed. The angle of the camera means your face is no longer in view, and it reminds you so much of your streams that it's momentarily jarring. But once you unzip your skirt, you bend forward to push it down your hips, and the sight of your own face brings you back to the moment.

The one where you're stripping for your stalker slash blackmailer, and it's the sexiest, most romantic thing that's ever happened to you.

Your skirt hits the floor with a soft thump, and you step out of it as you nudge it to the side with your foot. If you remove one more thing, it will be the most he's ever seen of you. Now each step forward is not only new, but is one step closer to getting what you really want: Him.

The thought is thrilling.

So thrilling that you waste no time. You hook your thumbs into the thin elastic of your panties and slip them—slowly, inch by inch to continue teasing him—to your knees, baring your lower half to him.

You stand there for a few seconds, letting him take it all in. That's what he wanted, after all. To see all of you. For you to show him all of you. Every moment between you has been leading to this, and you won't deny him now.

When you sit back down, you slide your panties the rest of the way off. They get thoughtlessly added to the growing, scattered pile. Then you stay there on your repurposed dining room chair, bare skin on wood, and you wait.

As you do, you're very careful to keep your legs closed. It wouldn't do to rush this and give everything away all at once. Especially not when you currently hold all of the power. He may have earned this, but so have you. And you’re going to relish it for as long as you can.

Except there's still nothing new in the chat box. You tell yourself he's probably just settling in and enjoying the view, but the silence is unnerving. You have no way of knowing what he's thinking right now, if he's even enjoying it, and that makes you feel exposed. You’ve gotten so comfortable with the back and forth—of getting some feedback—that not getting it is a sobering reminder that you can't read his expressions or hear the tone of his voice. All he really is to you is text on a screen.

“David?” You call out hesitantly.

Another minute passes and you start to wonder if he's intentionally trying to make you squirm. He does enjoy it, after all. Or perhaps he recognizes how the balance of power has shifted, and he's trying to take some back for himself. It does seem like a very David thing to do.

Then, without warning, your mind offers up the possibility that he's disappointed. That you aren't what he was expecting and now he’s—

God, you’re beautiful. I knew you would be.

Relief courses through you, alleviating the weight that was settling in your chest.

Or maybe he was just taking his pants off, too.

I want to see the rest of you.

That's all the reassurance you need to banish that momentary doubt completely.

You reach behind yourself to undo the clasp of your bra. Rather than remove it, you hug the material loosely to your chest and give the camera a coy glance.

“You mean like this?” You tease as your fingers play with the straps.

Yes.

Take it off.

You slowly lower your arms, letting it fall away from your breasts. And just like that, you're naked on screen—something you never thought would happen. Something you swore would never happen. But there you are, running the tips of your fingers enticingly up the tops of your thighs and over your bare hips. For him.

Seeing you like this was worth every second of waiting. You're stunning. Just perfect.

“Thank you, David,” you say softly, touched by his compliments. It’s sweet, but if he keeps this up, you’ll be feeling more affectionate than horny.

You have no idea how much I want to be the one touching you right now.

That's better.

"Oh, but I think I know exactly what it's like to want you to be the one touching me. Do you have any idea how much I've fantasized about your hands on me since you sent me that picture? God, if I hadn't been at work, I would have made myself come so many times."

That's why I didn't want you distracted.

"I wasn't distracted this afternoon," you say in a husky voice.

No you weren't. 

Did it feel good to finally give in?

"Yes." You bite your lip as you remember the way that growing tension in your belly finally gave when you moaned his name. "It felt so good to respond to you."

Did you think about me touching you like you wanted?

"God, yes. In every way I could think of."

Where did you imagine me touching you? Show me where you like to be touched.

You run a finger from your jaw, down the column of your neck, and then trace along your collarbone. "If you kiss me here, I'll be weak in your arms. But if I feel your tongue here, you'll have me begging."

Then I'll have you weak and begging.

Is that all?

"I was getting there." You smile playfully. “So impatient.”

You continue to run your fingers down your sternum, letting your knuckles skim against the swell of your breasts. You stop and move to cup the soft flesh with your hands.

“I want your lips and your hands here,” you moan as you start to gently massage yourself. Your nipples harden under your palms as you rub over them, causing a pleasant shiver to snake its way through you. Then you arch into your own hands as you think about what it would be like to have his hands here instead. Whether his touch would be gentle like this, or harsh as he wrenches a shudder from the sensitive peaks.

I'm going to enjoy doing just that. Especially if you'll be this responsive for me.

“More so,” you vow, breathlessly, "because it would be you. Are you touching yourself now?"

Yes.

“Fuck,” you hiss. "Are you imagining that it's me instead?"

You know I am.

"Good because I want it to be me. I'm aching to put my hands on you, too.” Your hands lower from your breasts to brush across your stomach. “Where do you like to be touched, David?"

By you? There's nowhere I wouldn't want your hands.

Intriguing, but you know he can give you more than that. "Then where should I start?"

There’s a brief pause that almost feels like hesitation.

My face.

"Your face?” You blink in mild surprise. You weren't expecting that answer, but now you understand the hesitation. He was preparing to admit something vulnerable to you. “That's very intimate."

Is it? Maybe that's why I've never liked it before, but I think I will if you do it.

Despite how sexy all of this is, your heart flutters at the sweetness of that line. He wants intimacy with you, not just the sex. You're reminded of what he said to you yesterday: ‘I want you to be mine in every way it's possible to want someone.’

“I like the thought of that.” You lean in towards the camera, letting your eyelids go heavy as you lower your voice to something both seductive and tender. "Do you want me to cup your cheeks and stroke my fingers over you as we kiss?"

Yes.

"Then maybe I could…” You drop to a half whisper, “kiss along your jaw as well."

It's like you read my mind.

There's a pleased flush in your chest that creeps onto your face as the hint of a smile. "Do you have facial hair?"

No.

"Good to know." You imagine your lips moving over smooth, tanned skin. You wonder if it will be soft, or a little rough with age.

Do you prefer beards?

"I don't have a preference. What looks good depends on the person." You tilt your head curiously. “Have you ever tried growing a beard?”

Once. It didn't suit me.

“Then I'd prefer you without one.”

You're assembling these new, small pieces together with your existing mental image of him. It's like staring at a magic eye puzzle—if you look hard enough, you can almost swear you see the shape of him. But then you blink and it's gone.

You need more.

“Where would I touch you next?”

My chest.

"Is that so?"

Yes.

"Please tell me you don't shave your chest, too. Promise me you have chest hair."

I promise I have chest hair.

"Oh, thank god,” you sigh with relief. “Because you have hair on the backs of your hands and wrists and it's so fucking sexy. I can only imagine how sexy the rest of it is."

You like that, do you?

“Yes.”

Then I think you’ll be pleased.

"Christ, I like the sound of that.” You squirm a bit in your seat. “Where else do you like to be touched?"

My cock.

You nearly choke on a whimper. 

Up till now, this felt like an exploration—or as much as it could be with only you on the screen. You were expecting a buildup of teasing and touching and sharing before you both truly let go. Instead, he sent you reeling. Again. He must be getting impatient.

As you stare at that line, there's a painful ache of arousal between your legs. You unconsciously grind yourself down onto your chair to alleviate some of it. The seat is going to be a mess by the time you're done, you think.

"I plan to touch you there a lot."

Yes you will.

"Are you circumcised?" You can't help the curiosity that seeps into your voice.

I'm not going to describe my cock to you.

"David!" You pout at your screen. "I'm not asking for numbers, here. I just want to know what it would be like to stroke you."

And you'll find out eventually.

“That's not fair.” You are completely naked, after all.

I already told you it's not supposed to be fair.

“Yes, yes, you’re very mysterious,” you huff in disappointment.

Like I said, you’ll find out eventually.

“Soon, I hope.”

Soon.

Now I want you to go back to showing me where you want my hands.

“Do you?” You lean back in your chair. “You want more to think about while you're touching yourself?”

That's exactly what I want.

“Hmm, how can I ever say no to that?” Then you lean even further back so you can caress over the curve of your hips. “You can run your hands along here as you feel your way over my body. It will feel lovely, but I'll enjoy it even more if you grab me instead. Because I want to feel how much you need me.”

That's good because I want to grab you by the hips to hold you still as I slam my cock into you.

“Fuck, David!” You cry out. Your hands reflexively grip and squeeze your own hips at the mental image, your fingers digging almost painfully into the bone. Your sex clenches in anticipation, hoping you’ll get what he said would come next.

If he was there with you and not still on the other end of the call. God, you wish he was there.

After that, you also know the teasing and buildup has come to an end. You can't hold back any longer, and he's made it very clear that neither can he.

"Do you know where else I liked to be touched?" Before he can reply, you finally tilt your hips and spread your legs wide, exposing your sex for the camera. You settle your knees on either side of the seat of the chair with your calves tucked against the wooden legs.

You like to think, if he were there in person, he would have been opening his mouth to answer as the words died on his lips. Instead, you imagine his fingers frozen over his keyboard as he gets to see the part of you he's been waiting for. You're certain he's been going slow—stroking himself enough for it to feel good, but not so much that he loses control. Not until he gets what he wants. Not until he's gotten this.

You end the exploration of your body by reaching between your thighs. Then you cup your mound and begin teasing your fingers along your folds. God, you're already so wet. "Right here. Especially by a hand that knows what I need."

Show me what you need.

You plunge a finger into your entrance and moan at the intrusion. You can't remember the last time you did this. Usually you focus on just your clit with your fingers or your vibrator, eager for the release and not caring much about indulging in the process. You didn't have a reason for it other than getting off to relieve some tension.

Now, as you slide your finger out and draw it over that sensitive nub, you want it back inside of you. You want to be full as you think of him. So you press two inside of you instead.

"I want to know what you look like so badly," you gasp as your fingers begin to work your cunt.

Do you?

"I do. And I want to know what you feel like."

You will, that I promise you.

"God," you whine and slip a third finger into your opening. "This feels so good. I haven't fingered myself in a while."

Why not?

"I haven't wanted to. I just wanted a quick orgasm."

Then I continue to keep my promise, don't I? I made you want to.

"Yes! Christ, I want to," you gasp and rock your hips up to meet your hand. "I want to touch myself like this for you. I love knowing that you're watching me, David, and that you're getting off to it. But more than that, I love pretending that it's you."

If you're pretending that it's me, you need to go deeper because I intend to fuck you properly.

You slam your fingers into yourself as far as they will go, and your head falls back with a cry. “God, I want you to fuck me. Please!”

While I grab your pretty hips and make you take every bit of me?

“Fuck! Yes, exactly like that!” You whine. “I can't believe you're going to make us wait for this! Because you don't have to. You could have me now."

I could.

I could have you however I wanted, couldn't I?

You glance down at the camera, your eyes heavy with lust. "Would you like that?"

You're not answering the question.

"That's because I know better than to say yes," you pant. Your fingers are still working inside of you, stretching you in a way that is both satisfying and not nearly enough. It's driving you crazy.

What does that mean?

"We both know that if I bare my throat to you, you won't be able to resist ripping it out."

I would never hurt you unless you wanted it.

"I believe that you would never want to, but I see you, too. You couldn't help it.” Your hand slows, and you tilt your head as you consider your computer screen. “Could you?"

There's a moment of stillness from the chat box, and you briefly wonder if you've upset him, even though you know you're right. You know there's something about him that’s dangerous and predatory. He admitted as much himself. And it’s not like you feel the need to be overly careful or afraid of him. The thought doesn't bother you. You simply know that you can never tempt him by actually offering yourself up as helpless prey. Or he might just get a taste for it. 

Because you can love a predator as long as you never forget, for even a second, that it's still a predator—no matter how much it shows you its belly and loves you back.

You know all of that. Instinctively. Logically.

And yet.

You do so love being his favorite little prey.

"It doesn't scare me, David," you say quietly to break the silence.

No?

"No. Quite the opposite." You draw your fingers out of yourself to rub over your clit with a moan. "It intrigues me."

I know it does.

Why do you think I’ve done all of this? I knew, from the moment I saw you, that you could want what I am.

“And what are you, David?”

Darling, did you really think I would answer that question? Where's the fun in that?

“But I want to know.” Your fingers speed back up against your bundle of nerves. “I want to know everything about you.”

You will.

“And I want to know every secret you keep from the rest of the world.”

Don't worry, you’ll know me completely.

Eventually.

His words feel like a promise and a threat. You shiver with pleasure.

You shift down far enough in your chair to get a better angle. Then you bring your knees up and plant your feet wide against the edge of your desk. You know this has the added bonus of giving him an even better view of your opening. It also gives him a hint of what it might look like when you finally lay back and spread your legs for him.

"Can you see how wet I am?" You drag your fingers over your clit with a gasp. “Can you see how much I want you?”

Yes. I can see exactly how eager you are.

"Good. As you're stroking yourself, I want you to think about burying your cock right here.” You move your other hand between your thighs. Without hesitation, you plunge your fingers into your entrance again. Now you’re pleasuring your clit while also getting that enticing fullness you ache for, and it feels fucking incredible. The sight of both of your hands moving on your screen only adds to the indulgence.

As if I could think about anything else.

"I wish I was watching you right now instead of myself."

You want to watch me stroke my cock to you?

Your whole body shudders, and you bite your lip to stifle a whimper. "Yes! I want to watch the way your hand slides over your cock and how it throbs and twitches in your fist. I want to see what I do to you."

What you do to me…

You drive me insane. I've never needed to fuck someone like I need to fuck you.

"Jesus!" You wail as your hips jerk forward, and your knees start to shake. “David!”

That's right. I'm going to make you sob my name.

"If you keep talking like that, I'm not going to last long,” you pant.

Good. I want to see you let go for me.

“But I want you to enjoy this!”

You think I'm not enjoying this?

I finally got to see how responsive you are to my words and hear the sounds you make when you're like this. This is everything I wanted. Better, even. Now I can't imagine how much better it will be in person.

When you're full of my cock instead of your fingers.

“Fuck!” You’re driving those fingers in and out of your cunt with purpose now. You're no longer giving him a show. This is you feeling your orgasm closing in on you and scrambling for it, desperate and needy.

Fuck, that's good. Look at you. You're so god-damned beautiful as you fuck yourself for me.

"God, yes!" You gasp as you arch in your chair. "For you."

Only me. Only I can see you like this.

Say it.

"Only you, David."

That's my girl.

Now you're going to come for me.

“I'm so close,” you whine.

And I'm going to come as I imagine your tight little cunt.

“David,” you gasp, barely able to speak now through your ragged breathing. “Please.”

It's all I've been able to think about for months. It's going to feel so fucking good to finally get to fuck you and come with my cock buried inside of you. And I'm going to do it over and over again until I physically can't anymore.

Do you understand? I NEED you. Fuck!

“Yes,” you barely whisper. You're not even sure the microphone picked it up, but you have nothing more to give. The tension building inside of you is becoming nearly suffocating as you read every word. You feel you might drown in it before you ever find release.

As you continue seeking your own satisfaction, a photo pops up in the chat.

At the top of the photo, there’s the edge of a laptop keyboard, which is sat on top of a very ornate and expensive looking wooden desk. But that's not the point of the photo. No. That's not what strangles your breath in your throat or sets a flame in your chest that licks at your cheeks.

The polished surface of the desk is streaked and splattered with come. His come.

You imagine him standing in front of his computer, urgently stroking himself until he's shuddering out his orgasm and spending himself across the surface. All while his eyes never leave you on the screen.

You made him do that.

Your hand speeds up—the circles your fingers are rubbing over your clit are becoming almost brutal and painful, even as pleasure rakes up your belly and your whole body starts to tense. You're so close. So fucking close. You didn't know it was possible to balance on that edge for so long without falling in either direction.

You can't tear your eyes away from that ruined surface or get the thought of him fucking his own fist out of your head as you keep chasing oblivion and—

This is what you do to me.

Oh.

You bury your fingers into your cunt just as your walls clench down around them, and you come undone for the second time that day. To him.

You open your mouth to cry out, to wail his name as part of your release, but it gets choked to nothing more than a thought as your climax slams into you so hard that it knocks the wind out of you. You throw your head back from the force of it. As you try to ride each pulse of ecstasy out against your fingers, the muscles in your legs tense. Then you're involuntarily pushing against your desk with your feet.

The front two legs of the chair lift off the floor.

For a brief moment, your stomach lurches and you think you're going to topple backwards. Instead, you stay like that, hovering between stability and free fall, letting a wave of fear and adrenaline wash over you. Perhaps that should have ruined this, but the additional sensations only heighten and sharpen every breathless shudder until all of your nerve endings thrum. You’ve never felt so painfully, blissfully, alive.

Once you're fully spent, you carefully let the chair fall forward, returning to its proper position on all four legs. Then you bring one of your own legs down to plant a foot onto the carpet to ground yourself and stop that feeling of weightlessness still lingering within you.

God, you're stunning. The most exquisite thing I've ever seen. You were wonderful for me.

You sit there, bonelessly draped back in your seat, sweaty, your arms hanging at your sides, with your chest heaving as you struggle to catch your breath. And you try to smile for him anyway because, between his praise and your orgasm, you swear you’re glowing.

But you didn't scream my name.

You let out a breathless sound of protest. “Couldn't. I tried. Seeing what I do to you…it was too good, holy shit." You swallow hard and shift forward into a more comfortable position in the chair. "But I thought it, David. You were the only thing I knew while I came for you."

Mmmm, that's very good. But you're still going to do better next time. I’ll make sure of it.

"With you?" You ask hopefully.

With me.

FOR me.

Your face burns, and there's a weak twinge of arousal between your legs. Even though it's a mere shadow of what you’ve already experienced today, you’re amazed it's even possible after that.

…You still don't even know what he looks like, you think.

God, he's dangerous.

Won't you?

"Yes," you moan. "I promise I will scream your name until my voice gives out, as long as you're the one coaxing it out of me."

Yes you will.

You whimper. "When?"

Soon.

There are some things I need to take care of first. Then I will send for you.

Your heart begins to pound with nerves and anticipation. This is really happening. "How long?"

Only a few days.

A grunt of shock is ripped from your throat. "Days?!"

Now who's eager?

"I can't help it," you purr, softening at his teasing as you run your hand along your still trembling inner thigh. "I want to see you. And I want you inside of me."

You'll have that.

I'LL have that.

"How many days?" You're almost afraid to ask.

I'll have a car pick you up Monday evening.

There's a heavy drop of disappointment in your stomach. "That's three days…" 

Enough time to have all of my obligations done and taken care of. I want to be able to focus entirely on you once I have you. Like you deserve.

“But that's so long!” It's taking everything in you not to pout. You realize now you’ve been interpreting “soon” to mean you might finally get to see him, say, tomorrow. Or maybe even still tonight. It never occurred to you that it might be longer and that you’d have to wait for him.

I know, darling. I don't like it anymore than you do. And I would never make you wait if it wasn't important, but I have promises to keep.

“Alright,” you sigh. You find that you're, once again, reminding yourself that you're an adult. You can be patient.

And now that you're thinking about it, this gives you plenty of time to prepare as well. You don't have promises to keep, but you can certainly think of a few appointments you should make. When the time comes, you want everything to be perfect.

Besides, after that you’ll never have to wait again. Will you?

“No, David.” You lean forward as you stare into the camera. “Once I have you, I intend to never wait again. Because once I have you, you’re mine.”

That's my girl.

Later that night, when you go to sleep, you take your laptop with you and leave it open on your dresser, facing the bed. On your side table, you prop your phone up into its charging stand and make sure it's positioned just right as well. You want to give him two angles to enjoy this time. Then you sprawl out on top of your covers, still completely naked.

On your phone, you carefully type out, “I hope you didn't think the show was over. Because I still have more I can give you, and it would be such a shame to waste it. Enjoy, David. X”

As you hit send, you reach into the top drawer of your nightstand and pull out your vibrator. Then you settle back, and—with a desire that feels nearly insatiable now—you work several more orgasms from your clit while you gasp and moan and scream his name.

All while you know he's watching.

A/N: See? Who needs therapy when you have fanfiction?? 😌 (Christine please ignore the 🚩💕) I debated about whether or not to write a phone call with her mom, but I realized I don't actually want to give her a voice. Because this story isn't about her or even the reader's past. It's about healing from trauma, moving forward as the worst version of yourself, and falling in fucked up love with a stalker/serial killer. 😌

[elodee]

HERMIT A DAY MAY - DAY 10

Stressmonster x Cucumber Quest

For Stressmonster I chose the wonderful webcomic Cucumber Quest!

I chose this design for her because I thought her colors and aesthetic would work wonderfully with the art style. I also think she would probably appreciate how cute the comic is if she were familiar with it.

This one was very difficult for me and I'm still not entirely satisfied with how it turned out. The rendering for this comic uses a very different style than what I'm used to, and I had some trouble reverse-engineering how the visuals are created, so it didn't turn out as on model as I would have liked. But, that being said, I think she looks adorable anyway. I also totally made up how the kitty would look, since as far as I can remember there aren't any kitties in Cucumber Quest, so I came up with her design from scratch.

To learn more about Cucumber Quest and see my style references, adventure below the cut! (The funds are still raising for Gamers Outreach!)

Cucumber Quest is sweet, beautiful webcomic by the artist Gigi D.G. It follows the adventures of a young rabbit boy named Cucumber and his sister, Almond, as they go on a quest to defeat the Nightmare Knight. Unfortunately Cucumber Quest will not be finished as a comic, due to changing circumstances in the authors personal life, but the story will eventually be concluded as an illustrated script and every one of the over 800 pages of the comic is more than worth reading.

I cannot say enough good things about Cucumber Quest. It has a charming, engaging story, beautiful art, and fun, memorable characters. Please give it a read if you have the chance, you will not regret it. Style references:

The comic uses a lineless style and soft color palettes. The shading changes drastically with the lighting, but I tried to mimic the style as it looks with flat lighting (such as in most panels of the above example).

Here's an example of a character rendered with more dynamic lighting (this is Peridot, she is a witch)

Cucumber Quest title banner