#where the writer will never find me

[quillyfied]

ways in which I am tragically annoying no.452:

Have bookmarked a beautiful fic series that explores a very nuanced and interesting non-sexual BDSM qpr for the ship Radiodust, notably the only portrayal of it that I’ve been able to stand. Gorgeous. Love it.

Unfortunately, there is a section of the series where Alastor is describing what he gets out of playing with Angel where it finally clicked in my brain, “Huh. Yknow, what he’s describing would work excellently with Lucifer, too.” And that’s how I started shipping Radioapple. With rabid intensity. But I would still love nothing more than to see THIS version of Alastor going through the absolute indignity of experiencing a crush (bc I want to crush him in my jaws Angel shut up) with Angel to coach him through it while laughing his ass off. I want it like breathing. And I have forbidden myself from leaving a comment on this series bc I know something stupid about “hey your fic made me ship something completely different so thanks for that, could you satisfy my new curiosity please?” would slip out of my stupid mouth. But you don’t just say that to fic writers and I don’t think I could write it myself, or that it would be received well XDD just given context clues of the series I don’t think the author would appreciate Lucifer suddenly appearing in their soft Angel-centric world.

[welcometogrouchland]

I'm going to be so real I do not understand tim & steph shippers who feel that Steph dating Tim again would save her character. You can make an argument that giving Tim a more compelling love interest would be beneficial for him! And you can at least make an argument that the fujo mischaracterization of Steph would stop. However she'd still, inevitably, be treated as a prop character/extension for someone more popular 😭 it also wouldn't make her appear in more books! Tim doesn't have many frequent appearances at the moment either! You can just say you like the couple and want them back together without acting like you have some kind of moral stance

[jannacalendar]

I understand why it wasn't possible, but it's such a shame we couldn't get Jenny back for The Wish. She and Giles fighting a losing battle side by side and being hardened from it, but remaining each other's solace. Them piecing together the puzzle Cordelia presents to them and having faith in a world better than this, only for Anyanka to try and throw them by hinting at Jenny's death should they return. Giles faltering at the thought of losing her and Jenny, once again, sacrificing herself and destroying the necklace. The way she sees it: she'll either be dead by The Master's hand or by her own, and only one of those inevitabilities gives the man she loves a chance of survival. She kisses him as she plunges herself into the abyss, wanting the last thing she experiences to be his love.

Giles waking up the following morning, the pang in his heart he always feels whenever he remembers Jenny accompanied by a newfound feeling of emptiness, and he's not quite sure why.

[firbolgfriend]

Im just yapping but there is this fic on fimficton called Discord of Tomorrow that’s about s2 evil discord traveling forward in time right before he can be turned to stone to switch places with the version of himself (reformed discord) that exists when the elements of harmony are gone, so reformed discord gets stuck in the past and has had to snap away and hide the elements of harmony from the mane 6 so he can focus on trying to get back to the future without getting turned to stone, all while dealing with the moral dilemma of him realizing how easy it was to take the elements and how easy it would be to seriously just take Equestria over again vs being worried about what evil discord is currently doing to his friends in present time. It’s only like three chapters but I think the plot is so funny and the author didn’t even get to the part where evil discord is in the future and the mane 6 is trying to figure out wtf his problem is, thinking he has amnesia or something. I want to make a comic expanding on it so bad I’m like seriously obsessed with it I can’t stop thinking about it

[mercymaker]

to be completely honest... i think so many problems that plague fandoms would be solved if people remembered the concept of headcanons and accepted it for what it is

[1doesnotsimplyhavejust1fandam]

Watching Eddie Begins with Buddie-colored glasses on is already crazy enough, but I just caught something that I never really thought about before. Athena tells Bobby that the news crews showing up before she leaves for another call might turn the call into a nationwide story. And then Buck absolutely LOSES it when 30 feet of wet earth falls on top of Eddie. So yeah, maybe Bobby pulls Buck away to stop him from futilely digging for Eddie with his hands, but maybe he also does it because he doesn’t want his kid’s grief and fear and love for Eddie being broadcast across the country. Especially not when Bobby thinks that Eddie’s probably already dead. And not only does Bobby pull Buck away from the well, he pulls back right into his lap. This is the closest we get to Bobby cradling Buck in his arms until the lightning strike, and it’s because he doesn’t want Buck to be in pain, and he most certainly does NOT want the tragedy of Eddie’s death to be made even worse by Buck’s pain over it being broadcast to the entire country.

[jq37]

Descendants: The Rise of Red is kind of a bizarre movie to talk about critically because, imo, it almost doesn't make sense to talk about it in the usual terms of good vs bad or enjoyable vs not enjoyable when the way more obvious tension is finished vs unfinished.

Because, more than any other movie I've ever seen, it does *not* read as a full movie. And I don't mean in a "this movie has a cliffhanger" kind of way. The Empire Strikes Back and Across the Spiderverse fit that description. They end on big dramatic cliffhangers that point to a resolution in the third installment.

But Rise of Red just sets all this stuff up and then...ends without concluding anything. It doesn't feel like the first movie in a trilogy (or duology). It feels like the first act of a two-act musical. It very specifically reminds me of the end of the first act of Into the Woods where all the main characters sing the song Ever After about how they all fixed their problems with magic and nothing bad will ever happen to them again and then the narrator ominously says "To be continued" before the curtain drops. But in Into the Woods you know there's a second act and this movie wasn't sold as the first act of a bigger story. Like sure, it has the, "You didn't think this was the end" tag at the end like all the other movies, but those movies were complete, self-contained stories even though they had sequels. This was NOT a full story. It's half of one story.

Like, if we're supposed to take this as a full story, there are so many bizarre choices:

Why did they make sure to mention that Cinderella and Charming fell in love at the ball at the top if it wasn't meant to set up Back to the Future style, "Oh no, I accidentally got my mom banned from the ball so she's not gonna fall in love with Dad and I won't be born" shenanigans?

Why did Maddox very pointedly have that bit about "you could lose your mom completely" if that was never going to come into play? Red never did anything to endanger Bridget or endanger her own birth so it doesn't make sense as a warning in that way.

Why was there all this focus on this Carrie on prom night moment for Bridget if we LITERALLY NEVER SAW CASTLECOMING? Why dance around this moment and talk about it all cloak and dagger with no specificity if they weren't building up to some big reveal that it wasn't as straightforward as it seemed? And like, they leaned in HARD with making Bridget the nicest, sweetest, cotton candy princess as a teen so I need WAY more than, "She got pranked by known bullies she's been enduring with a smile very handily up to this point" to buy that she went from that to "murderous dictator". And even if she did become murderous, I find it insanely hard to believe that she'd include her best and only friend on the list of people she wants to suffer unless there was a betrayal. I find it INSANE that there wasn't a falling out scene at any point in this movie with how thickly they were laying on the admiration and camaraderie.

(Note: And adult Cinderella def has guilty vibes re: the Queen at orientation. Which I know I'm not imagining because it's literally spelled out in the Jr Novelization!)

Before the time travel element of the movie started, I thought they were going for something like they go to the past and realize that Bridget was bullied not by the VKs but by the spoiled royals, and Ella ends up joining in the bullying once she gets with Charming, betraying Bridget and justifying her whole "Love Ain't It" philosophy. Or Ella ditching her at the last minute to be with Charming meaning she has to deal with the monster prank alone and it was the being alone rather than the prank itself that hurt her (though that is NOT a good enough reason to go all off with their heads on your subjects). The fact that, as far as we know right now, it literally was just a relatively mild and reversible prank that caused all of this is just, such flat storytelling, you know?

But! All of this makes way more sense if this is meant to be the first act of a single contained story. And I don't wanna be all "Pepe Silvia, secret good 4th episode of Sherlock" about this but I did see this picture:

Which seems to indicate that this was written as a Part One. Which, if so, idk why they wouldn't advertise it that way but whatever. The point is, if that's the case then it means that we're potentially in bad pacing territory rather than straight up bad storytelling territory. Because this isn't a bad place to be halfway through your story:

The heroes, warned that time travel is dangerous, have gone back in time to change the heart of a brutal tyrant before she can stage a coup. They seemingly succeed in their mission and when they come home, everything is great! But then, the side effects of time travel start to catch up with them. Chloe realizes that, in breaking the vase, she prevented her mother from going to the ball and falling in love with her dad (who was conspicuously absent from the final scene btw) which means she's starting to be forgotten and erased from the timeline. And Red realizes that though this new version of her mom is as sweet and kind as the teen she once met, she's a complete stranger to her (fulfilling the Hatter's warning that she could lose her mom completely). So they have to go back in time once more to make sure the Ella and Charming fall in love again, perhaps at the cost of whatever bad thing that happened to Bridget happening again and bringing back the original version of her future self. But, now with more context of how her mom became that way, Red can now talk to her mother and persuade her to give people another chance.

Boom, that gives us time to go back and hit everything we haven't yet hit. We can pay off the time travel tropes that were set up but not explored. We can go to Castlecoming which feels so obviously set up to be the centerpiece of this story (like, come on, Back to the Future literally does the school dance thing. This is Time Travel Storytelling 101). We can actually get info about what the prank was and why it affected Bridget so completely.

(Note: This is a side thing but it really strikes me as so crazy that Bridget would so SUCH a big 180 here. Like, I know the Queen of Hearts is a silly, goofy, campy villain, but she straight up murders people and there's no way to get around that if we're taking her out of the surreal story she comes from and putting her in a (comparatively) grounded story. If I wasn't doing a betrayal plot, I would make the twist that the spell that turned Bridget into a "monster" didn't just have a physical effect, it had a mental effect and it magically twisted her personality to be the way it is now. So they broke the physical half of the curse, but neglected the other half and it's been festering the whole time, turning her as evil as she was sweet. Because like, a simple physical transformation isn't that big of a deal to have such heavy security--Bridget made cupcakes with a transformative effect and that was totally fine. I'm not saying that that's what's gonna be the case. I just think it would be an explanation that makes sense for why she changed so crazy much that makes more sense than a simple prank or even a betrayal. Her mom wasn't even evil! How did she go from zero to murder without even an evil mom to push her onto the path? But I'm super digressing right now.)

(Note #2: OK, one last thing. The trap on the book presumably would have hit the VK's and trapped them in Merlin's office regardless of what Chloe and Red did, right? That's like, net zero influence on the timeline. I genuinely can't tell if that's a straight up plot hole or set up to be like, "Oh no. Actually when she said that she was turned into a monster in front of everyone it was meant in a less literal way." Like she was just made to look bad and that was the real thing that pushed her over the edge. Like idk. It really feels like the only thing they really did that would change the timeline was get Ella banned from the dance and presumably out of the way where she couldn't hurt Bridget. OK NOW I'm done.)

Anyway, my point is that this is not how I would have structured my movie and I think this was a super weird way to go into the second era of Descendants movies, but they can still tell a complete story if that's their plan. I'm genuinely really curious to see if this pans out to be a fairly competently told story that just happens to be split over two movies or a complete fumbling of the narrative bag because it could really be either at this point and it's fascinating to me.

[gojoest]

not to be tmi about it, but once upon a time life presented me the opportunity to have a fiery romance with my favorite journalist with whom i have a 25 yr age gap and who is a dilf

[swan2swan]

If there's one thing the Jurassic World franchise was going to do while on Isla Nublar, it was going to be to anticipate the audience's Dumb Nitpicks and address them preemptively.

[graff-aganda]

No no ikr. The ENT fandom is so quiet around here. And honestly I'm just excited to see art of my favourite dudes, because we rarely get fanart around here, and when we do it's usually Trip or T'Pol solely. Malcolm gets left in the dust quite a lot so I'm happy you drew him as well - and so well done too!

Anyway, ramble over, lol.

OMG... Well I think I can see why a lot of fanart is of Trip and/or T'pol (those two seem like they're doing some heavy lifting for the show/are just a lot of people's faves. I've got a few half baked ideas in mind for them myself.) but the rest of the crew as a whole do deserve more love I think! :]

[beastsovrevelation]

My Good Omens fanfictions are kicking off. Or, should I say, Lady Crowley is. In one of the stories, she was supposed to end up with Hastur. No, she decided she wants to be with Michael.

I guess, I'll need to come up with a seperate F!Crowley x Hastur storyline, because I'm not letting go of that ship.

F!Crowley x Michael... I like the sound of that. I really do.

Has happened to all of us, hasn't it? Your superior in the military waltzes in, and seduces the love of your life. Not to mention, that's his pregnant girlfriend, and when he finds out, it's too late.

Whatever, Calla Crowley can still end up an astronomy-obsessed, equestrian pastel goth, if General of the Heavenly Host is her stepmother.

I must say... In one story she's with Satan, in the other she'll be with Michael... Lady Crowley, honey, you keep pulling the Olympians. Good for you.

P.S. - I don't know how accurately to Good Omens I'll portray Michael, since I haven't seen season 2, and it doesn't matter. I have a very particular way I like to see the figure. Honestly, if she isn't the General, and the leader of angels in Good Omens, it's a crime. Because, if she is, why haven't I seen her in armour/uniform in any of the screencaps?.. Either way, her version I intend to paint is amazing.

[dyketennant]

oh i can already tell i’m about to have some really unpopular opinions about the edge of sleep tv show

[youchangedmedestiel]

Ask Game!

25 & 29

25. Have you ever upset yourself with your own writing?

I don't remember feeling upset as I wrote something. At least not yet. My writing actually helps me process things and deal with feelings. I tend to write happy endings but if somehow I end up writing a fic that doesn't, then maybe I'll be upset. If I manage to write about widower arc Dean one day, I'll probably be upsed, maybe that's why I don't write about him (yet).

29. Share a bit from a fic you’ll never post OR from a scene that was cut from an already posted fic. (If you don’t have either, just share a random fic idea you have that you don’t plan on getting to.)

It's a fic that happens after 8x22, one chapter is actually a fic I read and inspired me to write more about it and then it turned into something with more than 40k words. It was one of the first fic I wrote. I was experimenting my writing actually and words just kept flowing at me. I was just trying, okay? I just finished the show I had to let this all out and I was exploring their relationship. Anyway, don't judge me please. The scene I'm sharing with you happens in Dean's room at the bunker, there you go:

“Cas, what are you doing here?” Dean asks frowning, clearly still mad at Castiel’s reaction toward the flirty waitress. Castiel stands up and presses play on the stereo to start the song “The Rain Song” from Led Zeppelin. Dean looks at the stereo with his eyebrows still frowning, not understanding what is happening, since Castiel doesn’t answer his question.

“I need to tell you something, Dean.” Castiel starts smiling, walking toward Dean, while Dean just stands there, where he is looking at him. “I know you like this band and this song. This is why I chose it. And I know you know the lyrics but please listen to them. You will understand what I want to tell you.” Dean tilts his head and parts his lips, surprised. Even though, he doesn’t remember all the lyrics, not remembering every exact word, he knows what it is about. Plus, with the worry face Castiel makes, Dean understands what is happening. This is scaring the hell out of him but it is happening and he can’t stop it, he doesn’t really want to anyway. So, he smiles at him.

“Cas” he starts, wanting to apologize for doubting him with the waitress, but Castiel stops him instantly.

“Listen, Dean.” During the first lyrics, Castiel comes closer to Dean and extend one hand toward him. “I would like to dance with you,” Castiel offers. Dean hesitates while staring at him and puts his hand in Castiel’s. Both smiles as they lean in at the same time. Dean removes his hand from Castiel’s and puts his hands on his lower back, while Castiel puts his arms around Dean’s neck. When the first lyrics are sang, he rests his chin on Dean’s shoulder, while they dance slowly together.

“Listen,” he tells Dean again, whispering in his ear.   

It is the springtime of my loving

The second season I am to know

You are the sunlight in my growing

So little warmth I've felt before

It isn't hard to feel me glowing

I watched the fire that grew so low, oooh, oh

“You helped me grow. You changed me, Dean.” Castiel starts when the first lyrics are over and only the melody stays, moving back his head to stare into Dean’s eyes while he cups his head with his hands. “You taught me so many things, you taught me how to feel. You taught me about free will. And I believed in it, I have faith in it, I have faith in you. I would do anything for you. I would die for you. I never used you, Dean. I never will.” Castiel says finally calling back to what happened in Dean’s first fantasy.

“Cas –“ Dean starts, swallowing his tears. “I know that now. I should have never doubted you, I’m sorry.” Dean says lowering his gaze, but Castiel lifts his head up a little bit, already missing looking into his eyes. Dean’s eyes are back staring at Castiel’s blue.

“And I’m sorry I gave you some reasons to believe I would do this to you.” Castiel’s eyes starts to be fill with tears too.

“You didn’t Cas, it’s not you. It’s me. I always think people will leave me.”

“I never will, Dean. I couldn’t. You hear me? I always come back to you at some point. When you told me that we were family, that you needed me in that crypt. You broke the hold Naomi had on me, Dean. Don’t you understand? I can’t stay away from you for too long. If I do it’s because I have no other choice and it’s to keep you safe.” Castiel’s heart is racing, carried away by the emotions invading him.

“You had a choice in Purgatory, and you chose to stay. You chose to let me leave without you.” Dean throws, remembering how hurt he felt at the time, when Castiel showed him what really happened at the gate, he even altered his own memories to avoid knowing Castiel’s left him on purpose.

“It was different I was feeling so much guilt about the Leviathans, about what I did to people, to angels and to you. I didn’t deserve to go out with you. I didn’t deserve you. I don’t deserve you.”

“You do, Cas. I’m the one that doesn’t deserve you. I always get angry and end up hurting people I care about. Hurting you.” 

“It’s not true. You are not like that. Not at all. You see yourself how our enemies sees you but they are all wrong, you too. And you do, Dean. Deserve me.” Castiel says resting his head again on Dean’s shoulder, with his face buried in his neck this time. “Now, let’s dance slowly again. I like doing that with you. And listen to the song.” Castiel smiles against Dean’s neck.

It is the summer of my smiles

Flee from me, keepers of the gloom

Speak to me only with your eyes

It is to you I give this tune

Ain't so hard to recognize, oh

These things are clear to all from time to time, ooh

Oh, oh

“You are not like you said you are, Dean. When I look into your eyes, and after all these years, all I see is the most caring human in the whole world looking back at me. You care about people, ready to risk your own life to save them. You saved the world so many times. You saved ME too.” Castiel says moving his head back again to stare into Dean’s eyes, showing how much he deeply thinks what he is telling him.

Ah, talk, talk, talk, talk

Hey!

I've felt the coldness of my winter

I never thought it would ever go

I cursed the gloom that set upon us, upon us, upon us

But I know that I love you so, ohhhh, oh

But I know that I love you so

These are the seasons of emotion

And like the wind, they rise and fall

This is the wonder of devotion

I see the torch we all must hold

This is the mystery of the quotient, quotient

Ah, upon us all, upon us all a little rain must fall

Just a little rain, oh yeah

Uhh, ooooh, yeah yeah yeah

Castiel pulls back for the third time to look at Dean again. Dean is used to it now and he knows it means Castiel still has something to tell him. “We have been through so much together, you and me. Despite or thanks to all that, today I am able to say that –“ Castiel stops taking a deep breath to put all he feels in three little words as much as possible. “I love you”. He finally confesses, letting a tear run down his cheek. Dean swallows hard and wipes it with his thumb. He guessed what Castiel wanting to tell him, knowing the song, but he needed to be sure, he needed to hear what he had to say and he needed to hear that he loves him.

“I love you too, Cas.” Dean grabs Castiel’s neck with one hand and pulls him closer. He brushes their lips together, a desperate and passionate kiss, saying ‘I love you’ in another way again. Dean is overwhelmed by Castiel’s love and kiss, not controlling what is getting out of his mouth, his emotions, his feelings for him are getting the upper hand. “My mom used to tell me that angels were watching over me. I couldn’t believe her anymore when she died. But then, I met you Cas. And you gave me faith again. You always took care of me. You always watch over me, even when I sleep.” Dean chuckles and continues his speech, more seriously, putting his heart out. “Then, I fell in love with you as I never did before. I didn’t believe I could love someone like I love you. Cas, you are the light in my life, never think otherwise. You are my angel, you always have been.” Castiel smiles fondly at Dean’s confession, feeling his heart exploding in his chest, wanting to go out of it.

“I’m all yours and you are all mine.” Castiel declares with some lust replacing the happy tears in his eyes. “The song is already finished.” Castiel observes, looking at the stereo disappointed, while the music has ended a few minutes ago, but they were too focus on each other to notice.

“The song last more than 7 minutes, Cas.” Dean reminds him, chuckling, despite he didn’t notice when it ended either.

“I know, but it’s not enough. I like dancing with you, holding you in my arms.”

“I agree, I like it too.” Dean declares smiling fondly, stroking Castiel’s jaw with one hand.

“We should do that again some time.”

[slytherinshua]

someone tell me how to enjoy smaus

[cocolacola]

do not even talk to me about any "my fav is doomed by the narrative" shit unless u witnessed the Sylvanas Incident of 2018-2022 because that was my final straw

[tacticalgrandma]

You probably already talked about her but I can't find it, so can I ask if you have opinions/ideas around Orin? It's so rare to find other who like her!

I am always down to talk about Orin, thank you anon!!

Basically I think the durge storyline accidentally creates this theme of female abuse victims, but is too cowardly/too ttrpg-space misogynistic to actually handle it (see tag rant). Repeated cycles of abuse is an overall theme in BG3, but with all the Durge’s victims being women, and with Orin and Helena both being abused by Sarevok—there is this pattern that comes up. You can see this echoed with how Ketheric feels entitled to abusing Isobel as well.

There have been a lot of posts going around talking about how tragic Orin is in that Durge gets a chance at redemption because of her, but she never gets that same chance—that tragedy is definitely compelling. But I don’t know. I really like writing angry women. And Orin’s storyline shearing away from how gendered her victimization is, not giving her more than a breath of acknowledging her abuse, not letting you be angry on her behalf—that makes writing for her, to fill in those gaps and explore those parts of her character, really attractive to me.

Anyway. BG3 stuck some fridged ladies and crazy-incest-bitches in its story because those are high fantasy tropes and they didn’t want to actually address the sexism in them. I think with a female Durge especially, you can make a nice and angry revenge story for Orin from all that. I see some of that stuff in this fandom & it inspires me to make fanworks too. She's that sweet spot of compelling enough in source material for her to be interesting and defined, but with blank spaces in her story that are just dying for transformative fandom.

Also I’m a sucker for villains who are friends with each other, and none of my other most recent fandoms have given me a villain roster that I could really hc into that. Also she has done nothing wrong in her life, ever.