#where the writer thinks has to be something edgy about them in order for them to be taken seriously

[thenotoriousscuttlecliff]

As much as I love The Parting of The Ways, it is still just odd how it gives the Doctor a moral dilemma where if he use this thing it will kill the Daleks and the Earth, and then just has the Daleks attack and destroy the Earth anyway meaning there is no longer a more dilemma, but still has the Doctor go on as if there's a moral dilemma if he uses the thing to just kill the Daleks.

Also weird that it has the Doctor just decide to give up and let the fascists win (really not a good look from a 2025 perspective), but mainly so it allows Rose to swoop in and save the day by doing the exact same thing the Doctor refused to do.

This is just one of the issues I had with RTD's writing during his first era, it always felt like he contrived a means for the villain to make the Doctor brood and feel bad for trying to destroy them before they destroy everyone else, to make the Doctor capable of genocide, but also not let the Doctor get his hands dirty so always has someone else come in and do the genocidal thing instead which is then just shrugged off. Just a lot of contrived writing to make the Doctor a really tragic, yet dangerous figure.

[gars-weaponeer]

The Bullied Bad Batch?

Here comes a controversial take...

But It kind of always rubbed me the wrong way to see the first episode of the bad batch and have this narrative that they have always been bullied by the other clones for being different, like some sort of Star wars Loosers club.

It really doesn't makes sense to me. Specially comparing them to their episodes in the Clone Wars.

For starters: Sure, they are called "defective clones"... but are they really? Nothing about their mutations gives them an actual defect or a weakness. The closest we have is Tech's intelligence being so great he is way to logical about everything and lacks in social interactions.

But other than that the fact that Hunter's heightened senses overwhelm him sometimes, or that Crosshair's eyes are sensitive to bright lights, or that Wrecker's Muscles are in constant pain are all fandom made.

They were not just "born defective" like 99 and the Kaminoans decided to let them out into the world see what happened. They presented "some" mutations and the Kaminoans enhanced said mutations to make them perfect soldiers.

They are an an experimental group sure, but they were treated as a clone comando squad, an elite group.

I find it very hard to believe that an "elite group" would be bullied for being "different". It's like saying the Delta Squad was bullied by the other ct troopers.

Not to mention, their actitudes in their clone wars episodes are more akin to bullies. They are arrogant, They pick up fights with the other clones, They undermined the other clone's thoughts, ideas and even abilities. They don't follow orders and do things their own unorthodox way. Hell! even the "Reg" name they give regular clones sounds almost like an insult or a slur.

So why did we suddenly pass from: "They are just Regs, they cannot compare with us" to "The regs are calling us names, we have no friends in the school cafeteria." ???

-But Weaponeer! - I hear you say - They are called the Bad Batch because they were born defective.

And to that I say, NO. They are called "Clone force 99" because they were born with mutations (like 99). They call themselves "The Bad Batch" because they are a group of edgy, rebellious, younger clones that are aware they are different from the rest.

Let's not forget that deleted scene where we learn the Bad Batch had some nose art of a sexy Padme. That reads: "Born to be Bad."

Just so you can understand their actual energy.

That said, I think the writers should have kept the Bully Bad Batch on their series. At least on the first episode, when they are still in the GAR.

IMAGEN THIS:

The Bad Batch is an experimental group that is very important for the Kaminoans. So much so that they are given preferential treatment over regular clones, even comando clones.

They have their own personal barracks, They have their own ship that is theirs, They are allowed to do as they wish during missions since Kaminoans want to test them and record their evolution.

The Bad Batch know they are the Kaminoan's favorites, so does the regular clones and they hate it.

To regular clones it feels unfair. They are the ones that run into the battlefield and fight endless hoards of droids daily just to have this bunch of reckless clones rush in, do whatever they want, explode something and receive all the praise.

Not to mention that The Bad Batch is not nice about it either, they are arrogant, they boast, they call the other clones "regs" and compare their superior abilities to the rest constantly, almost like they forget they are clones too.

Worst part is, the Regs can't really do anything about it. Pick up fights with them always ends up badly. Wrecker is strong enough to send any reg to the med bay with one punch, Hunter can always anticipate punches and Crosshair has excellent aim when throwing the cafeteria trays.

The only one there that does not condone the behavior of his peers is Echo. Despite being a Reg he was accepted by the Bad Batch thanks to his unusual appearance and skills, but Echo is constantly trying to stop them from being mean to his other brothers. Not that it does much as the Bad Batch still see Echo as the "newbie" despite him being an ARC trooper.

But they are not bad people, they do have a sense of duty and honor like any other clone and they wouldn't really cause real harm to an ally. They see Omega and treat her with care, after all she is a young girl and they are not animals. They see the "insurgents" they were sent to kill and of course they cannot do that! Killing innocents? that's not what they do!

When they rebel from the Empire and go AWOL their whole world comes crashing down.

They no longer have the protection of the Kaminoans, they are no longer the favorite clones, now they are the traitors, hunted down not only by the whole empire but by one of their own.

This sudden change would make the batch wake up and turn from unruly teens to mature adults.

Hunter now has to be the mature leader and guide his team to safety in a harsh galaxy that keeps getting more and more dangerous. He has to be more careful, to a point that he is almost afraid of taking risks, specially since he has Omega to worry about. It would give him some character arc in which he passes from being carefree, to overly cautious, to learning to balance both.

Tech would learn that even though he has all the theory, he doesn't have all the practice. Nothing is as easy as just saying it, and things that he used to take for granted are now being mayor issues.

Echo's knowledge of the galaxy and skill would be more useful to his peers, but his tendency to distrust causes him problems in the long run. Not to mention he would still not be happy about sitting down doing nothing while his brothers are suffering at the hands of the Empire.

While Wrecker is having the hardest time adapting to their new life, being the more immature of the bunch. He learns that he cannot be as reckless as he has always been during their time in the GAR, specially when they have Omega to worry about.

That's Right people! MORE CHARACTER DEVELOPMENT! I think it would have been interesting to see that sort of dynamic.

┕━━━━━━━━━━━━ ⋆⋅☆⋅⋆ ━━━━━━━━━━━━┙

Then Again, these are just my thoughts. You are welcome to agree, add your own thoughts or just ignore them if they are not your cup of tea.

If you reached all the way down here thank you for reading ♥

And may the force be with you.

[abbysworldsastage]

I don’t know if some of you guys are being purposefully dense, or if you’re just trying to be edgy, or if you’re falling for some of the bullshit the US and their funders have been spouting, but I don’t think you guys understand what is happening with the tiktok ban and why you should be worried.

“Whatever. We need an app for the people and by the people. I don’t care about tiktok.”

This ban sets a precedent for allowing them to ban any app they SAY they view as a threat. We all know it isn’t really because of ccp involvement (senator im Singaporean), but because the people on tiktok are speaking out and organizing. AND Zuckerberg, Elon, and bezos are jealous of the platform and want to buy it so they are trying to force a sale. Even if we did manage to create an app “for the people by the people” that reached that level of success, if people started being so pro-Palestine and started organizing and talking the same way they do on tiktok, the second the government got wind of it they could make up some “national security” bs and use this as a precedent for a much faster ban. Remember, they have been working on this for YEARS. And maybe some tech bro would swoop in and say “hey, I’ll buy the platform and clean it up for the government so they don’t have to worry about the threats anymore *wink wink $$* and then there goes that platform too.

“Idk why people think they are getting one over on the government by going to RedNote. Do you all think you’re actually doing something?”

None of us believed going to RedNote would be a long term solution. It is a form of protest on many levels, AND calling out the government on their  fear mongering and xenophobia. They keep using the “China will steal your data” excuse and we very vocally said “we don’t care, and here is proof.”

AND

We are making a statement to Zuckerberg that we won’t go back to meta, even without tiktok. He spent MILLIONS lobbying for this ban in order to get rid of the competition one way or another. Either it goes away, or sells. And just like vine, he would probably buy it up and either shut it down after a while to get people back to instagram, or just fuck up the algorithm to suppress the creators that actually make the app special. The writers, artists, POC, queer people, etc. who have found an audience that they never would have found on Instagram or YouTube would be pushed to the background again.

Remember how we always say “money talks”? In a world where these platforms are profiting off of our data, we are taking that “digital currency” that they have been stealing for ages, and actively CHOOSING to give it to their competitors. WHILE withholding it from the people who have been profiting off it. That includes the politicians who have been getting paychecks from meta in order for all of this to happen.

“Tiktok has radicalized so many, and spread misinformation, is too addictive, and helped trump win the election!”

I have not been on a single app or social media network in my LIFE that you could not say that about. INCLUDING TUMBLR! Are we forgetting the fucking Russian bot accounts in the 2016 election? The fucking hairless purple eye condition people actually believed? I have seen rac*sts, and bigots, and “maps” on this app for years. It is on Facebook. It is on Instagram. It is on Reddit. it is on Twitter or X or whatever you wanna call it. The biggest difference with TikTok is that it is loud. It is popular. And it is making a lot of money for a billionaire that is not from America. I have spent the same amount of excessive hours doom scrolling on Tumblr that I have on TikTok. You can do that on any app. and I am going to be real with you all for a second: As someone who has spent a ton of time on both apps, I honestly feel like the content on TikTok feels just like Tumblr except in video format. ��

I could rant for ages, but honestly at this point, I don’t know how else to tell you guys that you should care about this whether or not you like tiktok. And what TikTok users are doing in response to this ban is actually having an impact whether you want to see it or not. it might not be the thing that makes our politicians go “we are so sorry. you are right. We will fix this.” But it is making our voices and opinions on the matter loud and clear, so that when they do go against what we are telling them we want, they can’t claim ignorance for our reaction. It is forcing them to go out of their way to oppose what the people have been asking for. it is forcing them to out their true intentions to the people who don’t clearly see what they’re doing. Like there are so many layers to this and I am not eloquent enough to explain them all in a way that doesn’t make me sound like a rambling maniac please I am begging you all to take a second and think about this beyond an app. 



[mdhwrites]

Why Are Swap AUs So Easy For The Owl House and IMPOSSIBLE For Amphibia?

So first, I want to make this clear that this isn’t to knock anyone who likes Swap AUs for The Owl House. I’m actually making this blog because today I was kind of reminiscing about The Crow House, my own Swap AU and the best answer I have to the question of “What would my version of The Owl House look like.” They’re a lot of fun to consider because being in a different narrative role and the like would do to the story and world is a really interesting question. I will say that I have seen a lot of Swap AU art that is frustrating for this reason though as they feel a lot more like characters cosplaying each other, including personality, rather than actually exploring what they would be like in the other’s role.

I’ve also seen a lot less Amphibia Swap AU art... And I think there’s a good reason for that. See, with TOH, the narrative role IS also the character’s personality. Luz is the isekai’d protagonist who warms up to a mentor, changing them and the world she arrives in for the better (at least in concept). Eda is the grizzled mentor who will learn to be nicer by her student. King is just comic relief and then lore wise is important and so becomes incredibly wise to fit his expositional spot in the world. Amity is the love interest and brief rival. Hunter is that a second time but done worse and as a love interest to a less important character. The better the character is is usually dependent on how good the trope they’re pulling on, not because they themselves are really going to surprise you or stay consistent even. After all, once Eda becomes Mama Eda, she also loses a lot her snark and her criminal background because that’s no longer the trope she is despite that still having been part of her recent history. Or hell, the fact that once the curse is resolved in S1, it only is ever a plot device, including power up, for Eda’s character because its narrative role as a part of who Eda is and something that hurts her is no longer relevant to the writers.

That actually makes swapping people’s position in the plot less about what their personality does to the plot but how you justify them being in the role that the other was. You have to ENTIRELY change the show in order to make a Swap AU more drastic than that by things like having the swap with Luz be someone who doesn’t like magic and genuinely has no interest in this world so that they never connect with Eda. The person you swap with Amity needs to not be a love interest but a genuine rival who never connects with the other person. You effectively have to go with the edgy options for a lot of things and at that point you’re just kind of missing the whole retelling point of a Swap AU.

And of course there would be changes but more in dialogue and the like. This was something I struggled with with my Lumity stuff in The Crow House because I still wanted some of the highlights but with a spin by how I changed things with Amity (including in Covention actually being a real danger to Luz and that making her opt for a non-magical way to win the fight) but I was still worried about it coming off as too much like the show. Too much like things weren’t different because, well... So few characters acted particular to themselves and more to their tropes.

It’s like in Looking Glass Ruins where Amity goes “I do stupid things around you.” That is a GREAT line for Lumity’s archtype... But it’s not for Lumity specifically. Amity has actually done very few things that would be considered dumb and those that would be, she’s never faced consequences for. Even her parents or Boscha never actually get back at her for her actions against them and besides that? Usually it’s Luz who’s the fuck up but that’s just a part of her archtype. But the line fits the narrative role for where Lumity is at in their relationship, even if it hasn’t been earned, so the writers include it anyways because that’s just how the writing in TOH works.

And again: That makes a Swap AU INCREDIBLY easy. You want to say X character would act like this in this narrative role? You probably can find a moment that excuses it. I mean, we get like six different versions of Hunter in S2 because every appearance is effectively a different character than the last with MAYBE a little transitional moment like in Hunting Palisman. Like the writers did, you can just excuse a character acting a certain because they all meld together to become so similar and so functional eventually so... Why not?

This is the exact OPPOSITE of how Amphibia wrote its story though. The one I actually think is easiest to point out is ANYONE swapping with Sasha. Grime is a very strong person after all who ruled by force and fear. His soldiers were actually fairly loyal, even if they were unhappy. Anne at the start of the show isn’t the Heart yet so connecting the with the toads, who she’d find disgusting like she often found the Plantars early on, wouldn’t be possible for her. This is partially because she’s also lazy. Meanwhile, Marcy is socially awkward and somewhat absorbed in her own interests so she also wouldn’t be able to talk to the guards in a way that turned them to her side. Even if either did, they would have no control there. Grime would still be in charge: Period. They would just be the weird soldier and thus also have no power to do things like the escort Anne got or convince Grime to just raze Wartwood and instead be a bit sneaker and a bit more charismatic.

DRASTIC changes happen if ANYONE other than Sasha is the one in Toad Tower. Her manipulative side, her want for control, her willingness to hurt those around her if she thinks what she’s doing is better for them, or more fun sometimes especially early on, is what makes her such a dangerous villain. However, just as Anne was affected by Sasha, it’s really easy to imagine Marcy and Anne affected Sasha back and that’s why she’s able to connect with guards and their odd interests... At least until they’re wrapped around her finger. Her viewpoint as the girl who will make her friend’s lives better and never questioning that is a large part of her arc. Her personality had to be tested and SMASHED before she could become a better person, which is why she’s actually at her most confident in S2 because S1 was a setback. She needed rock bottom to realize her convictions were wrong.

Which just in general is a masterclass in how to write a manipulative villain, let alone one that thinks they’re in the right for all their decisions. Sasha is one of the best written characters I’ve ever SEEN and I’m still only halfway through S2 of Amphibia.

But even just Reunion shows how Anne’s malleability that made Sasha able to control her is also why she was able to become a better person that Wartwood could respect and trust. How much of that can be said about The Owl House? Amity ALWAYS feels more motivated by a crush, especially in S2, in her changes than any moral position she used to hold or a specific part of her that agreed with Luz’s outlooks besides “I also like Azura.” Eda literally makes no sense because in S2 we find out she adopted King which throws her entire first season personality out the window. Hunter feels like he restarts his arc three times because Luz, Amity and Willow all can connect to him on really basic levels that have more to do with backstory than they do with personality traits.

So in short... Amphibia’s still fucking awesome, I still want to finish it by the end of the month, but TOH does continue to be better for fanfiction in one way or another with the choices it makes.

[thoughtfullyrainynightmare]

1,2,3,21,23 for Nacht please.

Nacht!!! Certainly flamelet ^^

1. Why do you like or dislike this character?

Hmmm... I would say that overall I like Nacht. He's an interesting character, and one that has a complicated "inner world". What I mean to say is that when we first see him, he's this mysterious, smiling, but brutal (by saying what he thinks without caring for anyone else) person, who 'hides in the shadows'. But little by little we see more of him, and see why he has wound into the situation that he's in. The guilt he feels is more than evident, and we learn that he has a lot of resentment, but perhaps also jealousy towards Yami for having been more of a friend, a closer person, with Morgen. Not that Nacht seemed to seek together spent time with Morgen back when they where young, prior to the tragedy. Nacht clearly loathes himself for what he did, but has found other people to blame, along with himself. And it's manifesting in a lot of ways, and overall creates a character who is fun to play around with.

2. Favorite canon thing about this character?

That he's a complicated character, despite seeming simple on the surface. He's like an... onion. There are a lot of layers, and someone might cry when you open more and more of them. Chances are that it's Nacht, at least internally, but the point is that there is a lot in him to explore. I don't think there's a particular event in canon that I prefer with him. There's certainly a lot of memorable scenes, such as the death of Morgen, Nacht learning that he's the most "suitable" head of the House of Faust, and his entrance into the series. His design is also very edgy, which is fun. I think he's not that "cool" though. It's the kind of "cool" that appeals to teens typically, but I can't say the same about myself. The kind of edgy emo who seems to be mean to people and "I don't care who is hurt by what I say" -type of a thing. But once you learn that it's partly due to his self-blame and insecurities, and not just for the show of it, it seems to fit him.

3. Least favorite canon thing about this character?

Well, because his poor life choices add to him being an interesting character, I suppose I'm most annoyed by the fact that we don't know much about his time in Spade, or the real reasons why he chose to go there as a spy. So far, I think we just know that he was a spy, but most other things are speculations; educated guesses if you will. I want to know more about him, and it's frustrating not to know.

21. If you’re a fic writer and have written for this character, what’s your favorite thing to do when you’re writing for this character? What’s something you don’t like?

Show his emotions. Talk about his emotions, and put him into places and situations where he has to come face to face with himself. This can ofc be done via just Nacht himself, via canon charcaters or ocs/x readers. But. While I enjoy having him self-reflect, I also want to give him some comfort, some forgiveness, someone to tell him that while he needs to own up to the mistakes he made, he also needs to let go of the hate and the guilt for himself and move on with his life. Because Nacht isn't a bad person. Though one might argue against. To me, he's just more... troubled. He's burdened by his guilt, but can't seem to forgive himself either. He's essentially at a loss. What to do. What to think. He's just continuing forward and waiting for something he could do, in order to be absolved, somehow. And that's what he was doing during the Spade Arc, when he was planning on imprisoning himself into that spell forever, doomed to run away from devils until they'd manage to kill him. If death would exist in that space. And what I don't like, is writing him as a malicious asshole. As in, there certainly can be themes that mimic those a lot. And he can certainly be very frank, cruel even with his words, but he doesn't seem like someone who'd seek the suffering of others. That is to say, that I don't see him going around and being mean just for the sake of being mean, or saying anything to anyone if there really is no point in it. So, he's not a malicious asshole in a lot of ways. To me at least. He might seem like it on the surface for sure, but... that's not who he is

23. Favorite picture of this character?

Either of these two

[tlaquetzqui]

Watching videos about the Amazon Wheel of Time, by fans of the books. Now their total disregard for Tolkien is a lot less surprising. Tip for YouTubers reviewing this type of shit: don’t pussyfoot around what you want to say, when you give spoiler warnings. Say it: “Not that you can ‘spoil’ carrion.” You’ll feel better.

The worst one is some girl, her accent is probably a Romance language but I can’t tell if it’s Italian or Spanish or some smaller thing. She sees the trailer and she’s super enthusiastic, innocently happy to see a work she loves adapted. And then she gets more and more disappointed and hurt by each episode, till at the end she’s just a ball of pain. It hurt to watch.

Apparently they didn’t only make the tiny isolated villages nobody ever leaves be super ethnically diverse, without having them be rabid segregationists—which is the only way small isolated communities don’t quickly all round out to one phenotype. That is but a trifle, an hors d’oeuvre before a feast of shit.

They:

Aged up all the characters by about half a decade.

Made the goofball twerp into a philanderer who steals from women he sleeps with. In, again, a relatively small community where word would get around fast. There wouldn’t even be many women who’d sleep with him at all, let alone women who wouldn’t have heard about stuff going missing. How many unattached women willing to knock boots with some rando do these writers think there would be, in a small village society?

Gave a character a wife he didn’t have in the books, because, again, teenagers. Then they kill her off in gruesome fashion to try to be edgy. (Apparently someone at Screen Rant claimed to be a fan of the books but then said “That might fly in the 1990s but not now, because Women in Refrigerators™”—homes if you’d read the books you’d know she only even existed now, step off.)

Had a character who has a family, instead be a Moses-style foundling, and deprived her of a very notable tic.

Decided that the prophesied dealy that’s always a man can be male or female. Just in general they fucked with the gendered aspect of the setting’s magic system, something even I know about. And I can only name one book in the series (The Eye of the World), and only because they name dropped it a lot in the videos.

Delayed the entrance, then utterly drab-ify, the clown dude. And not let him teach the two guys to play instruments, and earn their lodgings.

Removed the dumb inquisitor guys’ insignia and had them send people to someone they actually hate for medical care.

Turned a treasure room into a pile of trash.

Had the protagonists build a bunch of fucking bonfires while being chased by what amount to greenskins crossed with beastmen. Which is suicidal foolishness.

Had the noncanonical wife show up in her not-widower’s nightmares as a zombie getting her guts eaten by wolves.

Utterly drab-ified the nomadic people who are apparently described as wearing like “so many bright colors it hurts”.

Cast a woman described as “tall and beautiful” with a startlingly homely actor, of average height or less. She’s also gotta be pushing fifty, and her order actually basically never age due to their magic. (Canonically you can catch them in disguise because they have young faces with old eyes.)

Also they killed off one of the members of that order, her or one of the others I wasn’t paying attention, when she’s supposed to live for at least a few more fucking books.

Had characters in scenes they would never be allowed to be present for.

Deleted a male clan elder from the nomad people so they can make them a matriarchy. He’s also supposed to be a guy that controls wolves that were apparently still included in an episode even though they now make no sense.

Added a bunch of child murder, cannibalism, and evisceration, just to be edgy. Also a bunch of combat.

Put whole towns and inns that don’t exist and remove ones that do.

Removed entire romance plotlines.

Added hamfisted supervillainy to characters that were clearly already pretty one-note. Also added some weird exploitative stuff (if you think a work can’t use something to titillate while also portraying it as bad, you are unacquainted with the “women in prison” genre).

Shoehorned in a lesbian romance not only out of nowhere but between two women who fucking hated each other, whose respective branches of their order had hated each other for 2000 years.

Turned a no-nonsense tactician who rules as a mother figure into a power-tripping petty tyrant and a vindictive sadist. Though it’s been suggested the showrunner (taking bets now for how long before he’s accused of sexual harassment or worse) thinks this egotistical bullshit is a strong woman, rather than a monstrously weak and pathetic one trying to hide it.

Decided that platform shoes were sufficient to portraying a giant, and gave him honestly some of the most amateur-hour, “BBC pre-Doctor Who reboot” makeup I’ve ever seen.

Rushed through important plotlines from the book, to give more screen time to a different lesbian scene involving one of the characters from the previous one. Who is straight in the book. With a bondage-y subtext because the other woman in the second one is that power-tripping asshole from before.

Changed how the fast-transport magic statues work, fucking over the giant guy’s people to no purpose.

After the actor playing "former goofball turned larcenous philanderer” left, apparently because he didn’t want to get the COVID shot, they put in multiple monologues about what a bad person his character was. Which he was but nobody noticed till the actor left, which is to say the writers don’t know they wrote him as a reprobate, they’re just lashing out at the actor for displeasing them.

Gave a character the ability to defeat a demon creature that haunts the transport-statue network, because Girl Power™ (possibly just “we wanted to shoehorn in a fight no matter how little sense it makes”—likely both), where in the books the only way to survive is to get the fuck out of Dodge.

Changed a wooden city built into a cliffside, with roofs designed for dealing with snow, to a stone city in what looks like a subtropical desert with nary a cliff or mountain to be seen. Also made it a star fort with no artillery. Which is like a tank without a gun.

Changed the reason the protagonists go to the eponymous Eye of the World, from investigation to directly confronting the villain. Also kept a character from going there even though it’s his homeland. And he, a tracker and woodsman who’s been guarding one of those mage ladies for a decade, has to be told how to track his own liege by a goddamn farmgirl.

Changed a character’s power from seeing auras around people that seem to mean something like “something important is gonna happen to you” to having actual specific visions. Probably just for plot convenience, because her real power allows less exposition per scene.

Apparently rushed the development of the main guy’s power and the introduction of an artifact by like four books. There are fifteen of these fucking things, guys, if you’re worried about getting to them all maybe do a better job on the first one.

Randomly had the main guy go through another character’s backstory. Only for him it was the present. Because…who the hell knows.

Apparently forgot the only people with magic, with one exception, are members of that order. So it makes exactly zero sense to have a member of the order ask other people that can use magic to help them: they’re all already members, dumbass. (Oh wait, apparently they made the queen one herself. Which she is not.)

Failed to understand how a chokepoint works. In a battle that doesn’t exist in the book but is clearly intended to rip off Helm’s Deep.

Made characters repeatedly do stupid shit nobody would, just to make other characters look better when they do the not-stupid things. Which on the rare occasions they’re actually using the book, is usually something the turned-stupid character actually did.

Spent a significant portion of an episode getting a box out of a place it’s not supposed to be. Because moving containers (which are clearly empty) is good television.

Had a like group-spellcasting thing that apparently doesn’t exist, at least not like that. I would have to see the effect play out in realtime (for which I would have to watch the show, so…) to be sure, but at least one person says the spell they cast like this was clearly copying visual beats from Thor in Wakanda in…whichever of the last two Avengers movies. Which I can easily buy between “let’s force this PG-rated story to be The Next Game of Thrones™” and that Helm’s Deep shit. (Also I did see the spellcasting itself and it really does look like the Ark of the Covenant melting Nazis.)

Had an avatar of the setting’s ultimate evil, who is apparently not even encountered yet, get easily outwitted by a moderately skilled ordinary mage.

Had the main guy fake his death and infodump things he would not know.

Had the one mage, the one randomly inserted in multiple lesbian scenes, lose her power somehow.

Had someone who died come back to life, which is absolutely forbidden by the setting’s rules.

Basically, Rafe Judkins decided to deliberately fuck up his adaptation, motivated by vaguely ideologically-rationalized malice. Which is not surprising, given that a former Survivor contestant who wrote a few episodes of second-rate shows would not be put in charge of something like this on merit. He was put in place because he greased the right palms and kissed the right asses, and mouthed the right platitudes. He may be the most evil of these vandals yet, which is saying something; the sheer glee with which he deliberately ruins something people love is amazing to behold.

On the other hand I’m going to see if I can get my hands on the books, since apparently there’s a lot more there than I thought.

[shallowseeker]

I’ve come to terms with my evil finale meta where Sam and Dean kill that little family. (And also, the family is Cas, Dean or Kelly, Sam, and Jack. At first I thought it might be John, Mary, Dean, and Sam, but it's the older brother who looks like Sam and wears the exact same hoodie as Sam later in the episode.) It’s Agents Singer and Kripke. It’s right there! They’re (spiritually) possessed.

Actually, no. No, I haven't. I have things to say: (I write a lot of evil meta for fun, but THIS is one I actually believe was intentional.)

WHO'S WHO

First some notes about who we're watching here. We're watching demon roleplay ("miming") with terrible consequences:

Singer is laughing about the pie. It's Singer-Sam that pied Dean here at the pie festival.

Kripke-Dean (machete) killed the cute family’s dad

Singer-Sam drained the dad's blood for bullets.

Singer-Sam cut out the mom’s tongue (little blade).

Singer-Sam shot the vampire-that-looks-like-John in the head, the same way Bobby Singer* did to his dad.

Jenny is a reference to Dead Man’s Blood, so it’s trying to draw your attention to the fact that Singer-Sam drained that man for his bullets.

Singer-Sam was the most different in character from Sam as we know him. It was an acting choice.

The Ghostfacers music over the murder scene and the general shadowey nature of the mimes with masks are trying to show you who the killers actually are.

THE CHUCK OF IT ALL

Maybe Chuck-Carver-Edlund did want better for the boys, after all. His ending was better for the legacy of the boys as heroes. At least it wasn’t character assassination.

ROBBIE?

I pray that vampire-John is a nod to #TheWinchesters and he's Robbie Thompson speaking out to us with a nod to all the Charming Acres coding and simply taking the narrative back to Safe House with soul eaters and reliving traumatic things.

They’re not dead

They’re with the nest

We…take a harvest

Every few years, grab a couple kids, raise them up, feed them right, juice them.

We don’t do fast food.

GOTCHA! THAT'S SO META!

I mean, we ALL know we're watching a story. As story-god, you either let the universe's rules be a certain way, or you don't. The in-universe rules sort of reflect the meaning and the morality of the story you're experiencing.

You could show a story of trench warfare, for example, and show all the compelling things that happen good and bad during war...and then you COULD pull out to show a single man stabbing himself and killing all his puppies. Right? But that would be...stupid. And really, really pretentious.

It could make a good short story, but not a fuckin 800-page novel. Get me?

You could also show someone one of those "I can't believe it's not cake" shows and switch it out the cake-dog with a real-dog so when you cut into it! Ha! I got you! That's a REAL dog! How meta is that thing I just did? *indulgent, self-serving smile*

METAWRITING IN GENERAL IS FAST-BECOMING "MEH"

It’s so, you know, edgy. Like a fifteen-year-old writer who spent a couple hours navel-gazing and decided, “Hey, I wanna teach everyone that stories are delusions. Yeah. That’s gritty, man. Deep.”

But your story is on the CW, man. If I order a cheeseburger, do not serve a pretentious something else and pat yourself in the back for the sleight of hand. Being “meta” isn’t the genius you think it is. It’s fast-becoming a mark of a lack of integrity and the educated overwriter.

DANGERS OF METAWRITING

Metatron toed the line, and so too did Chuck, but it's because the characters still appeared to be struggling within the framework. Whereas having Sam and Dean murder a family just to save it? Eh. Many viewers left feeling, "Who gives a rat's ass?" and "What's the point of watching the whole thing now?" -- This is why. Viewers could FEEL that Sam and Dean were the killers, even if they didn't pick up on it immediately. (TBF, many didn't bother rewatching it.)

KNOW YOUR AUDIENCE

Here's an example of what this whole thing feels like: "See that girl over there? She's allergic to shrimp, but she's eating at a restaurant. Doesn't she know restaurants can't be trusted? They lie about their ingredients! Know what we should do? GIVE HER SHRIMP. Then she'll know restaurants aren't to be trusted! I'm so benevolent to teach her this. Don't worry, she's got an epi-pen, so she'll be fine. What a memorable LESSON I'll leave her with!"

But I ordered a cheeseburger, dude. I've had a long day at work, and I don't want an existential lesson. I just want my damn cheeseburger. I get enough hard knocks in...actual life.

You made it too much about yourselves, my dudes. Some writing works through insights about trauma, and then there's writing that feels so overwrought and pretentious, you get the sense they've never actually struggled with anything in their lives. They just like the power of writing and trying to be callous and appear intellectual with bleakness like, "Gotcha!" There is a trend, especially among pulp and comic book writers, to keep on dumping in hopelessness and bleakness and depression like it's salad dressing and will make the story more meaningful. Or that sprinkling satire and intellectualism concerning craft will somehow make it more.

I didn't start reading Candide, dude, I'm reading Frankenstein. I'm watching a show on the CW. Miss me with that Don Quixote pretentious crap. UGH

And you ruined Sammy and made him into an obsessed, delusional madman that lives in a bunker and either dreams or roleplays all this crap. That's just sad, man. Why bother watching the show. And I mean, it was there, kinda there, with Thinman, Slumber Party, the Ghostfacers, and Everybody Hates Hitler... But I think GOING there with Sam and Dean was a bad move. The tension was that the main character fought the real stuff because they'd been cursed by the audience-gods and stuck in a story.

That was better than the Sam delusion "it was all a dream" shit they pulled. It's like they fucking wrote to the stupid Kansas song. "Get a glimpse beyond this illusion. Yeah. That's deep. I can't believe how clever I am, man."

I will now accept nothing LESS than the headcanon that the mime stuff were just Kripke and Singer roleplaying. Good riddance.

P.S. If you're a GIF maker, I'd LOVE the scenes I mentioned here:

[stop-breaking-my-heart-telltale]

Top 5 Character Deaths That Made Me Side-Eye the Writers

There are a lot of character deaths in TWDG... obviously. It a series about the literal dead walkin’ around and eating people, so as you’re playing, one of your favorite characters is bound to meet such a fate. To give this series credit, it does have quite a few well-executed deaths that, while I hate them, they have a purpose in the story that works. 

The best example of this is Lee’s death-- we all hate that Lee dies, but it’s well-done. It serves its purpose, it acted as both a shock and a slow-burn for the player, and left us all an emotional mess. 

However, we’re not talking about the “good” deaths today. No, we’re talking about the character deaths that are poorly executed, cheap, lazy, and just plain dumb... they’re the deaths that make me side-eye the writing team and wonder what the fuck happened there. 

By the way, it was reeeeeeal fun narrowing it down to only five deaths, because it seems like for every great death, there’s at least two bad ones.

5. Mariana and her death that ruined ANF’s potential story

I’ve talked at length about Mariana’s death and how much I hate it. Like, I get it TWDG... you love your sudden deaths and you’re so edgy for killing off a child character because you’ve never done that before... but maybe consider things a little further before pulling the trigger?

Yeah, killing off Mariana the way they did got a reaction outta people when it happened, and we got the burial scene if you stayed with Clementine... but you didn’t consider the future of this storyline? You pretend you did by name dropping Mari when it’s convenient, but then throw it out the window when it comes to characters like David or Gabe.

Listen, I know that ANF is a mess and what’s the point in telling the mess that it’s a mess? Well, I’m still annoyed at the writers for wasting the biggest opportunity for this game’s story, something that could’ve saved it from being a mess.

And I get it, you gotta make a death quota, so instead of killing Mariana off... why not kill Kate off instead? Oh no? We don’t get the stupid love triangle that no one actually enjoys or is engaged in?

Instead of this dumb story about Javi falling in love with his sister-in-law but oh no David’s back.... we could’ve had a story about Javi losing Kate and being left to care for two children by himself. Mariana and Gabe are all he has left, and he going to do whatever he can to keep them safe all while the three of them are mourning Kate.

Then David comes back, and he immediately takes these kids away from Javi.

There is no stupid storyline with Kate, but an actual conflict between two brothers who were never on the same page and two kids caught in the middle.

Plus, Mariana herself as a character really could’ve brought something to the table. She could’ve brought out a lot in David’s character since she seems to be more like Javi.

Her death is just... annoying. It’s frustrating when you know they could’ve told a better story with her alive, something ANF desperately needed.

My side-eye is one of disappointment and annoyance.

4.Luke and his easily preventable drowning

Ugh.... where to even begin? 

Luke really just gets butchered as a character throughout the second half of S2, and the writers end up demolishing the set up they placed at the beginning of the season for a Luke vs Kenny thing. 

Why? Well, Luke vs Kenny was the initial ending they were gonna go with, but because this season went through all kinds of bullshit, they scrapped that and replaced Luke with Jane... and it’s so dumb.

Hell, it kind of ruins a lot. Not only did it ruin Luke, a character that many players loved, but it forces the new character of Jane, who we only get two episodes to get to know, so they can fade Luke out. 

But that’s not all. 

His death is so... ugh. It’s stupid, okay? Stupid and easily preventable, but noooo... we gotta kill Luke off for reasons because all we know is that S1 killed off a lot of characters and we’re gonna do that again but worse because we failed to understand what made those deaths impactful in the first place. 

Lots of character death and despair = good game. 

Yep, uh-huh. Okay. 

So we all know that Luke’s leg is hurt, yeah? Great, so you’d think that the group that has an injured man and a new born baby would be extra cautious and go around the frozen lake. Yeah, Arvo says that it’s safe but let’s not take any chances. 

But no. We gotta go across like a group of dingdongs and whattya know-- the ice begins to crack beneath Luke’s feet. Now, even here, we coulda got him outta there safely... if Bonnie wasn’t a dingus. 

Think about it. If we shot the walkers who were coming towards Luke with all their weight, he could’ve slowly scooted away, even if he’s already fallen through. BUT NO. Bonnie either guilts Clementine into going towards him, adding more weight to the already fragile ice as Luke tells her to stop, or Bonnie will go over there herself... and she’s a full grown woman soooo her weight breaks the ice. 

Good job, you dipsticks. 

When you have to make your characters into morons in order to move the plot along and kill off characters....maybe do some rethinking, yeah? 

 3. Mitch and his shock-value death

This death is so dumb... so incredibly, dumb. Even now, I can’t help but give full side-eye to the writers every time one of them tries to justify this death. 

I’m sorry, but this death didn’t have the impact you wanted it to have. And because there’s always someone who says, “Mitch didn’t die for shock value, you just can’t tell the difference between a good and bad death” lemme tell you a thing. 

What was the point of killing of Mitch? Well, according to those who worked on TFS, it was to show that Lilly and the delta are serious. This is when shit gets real, and when Lilly is established as a bad bitch who will do whatever it takes to get what she wants. We should be scared of her now. 

Except no. 

This scene doesn’t tell me that Lilly is a bad bitch. It tells me that she has good reflexes, and going off her reaction after killing Mitch.... I’m not fucking scared of this dumbass. If anything, this scene says more about Mitch than it does Lilly. It says that Mitch is also a dumbass for running at her like he did. 

Y’know what would’ve been more impactful? If Mitch didn’t immediately get stabbed in the throat, but instead, actually got her on the ground and struggled with Lilly. Then, Lilly gets the upper hand and when you think she’s about to send Mitch to the cart, she fucking murders him in front of everyone to prove a point. 

There’s no remorse, it’s slow enough for Lilly to actually process what’s happening and show that she does know what she’s doing. That would scare me. That would show me that these people aren’t fucking around and they’re willing to kill some of them if that means getting the rest for their army. 

You still get your shock value death but it actually does something other than kill a character off. 

I’m really supposed to believe this is the same Lilly who can order to have Louis’ tongue cut off? 

But it doesn’t end there. No, no... there’s another part to Mitch’s death that annoys me, and it’s how insistent everyone was that his death is going to have a greater impact on the second half of the story. It had a purpose within the story, we did it for a reason.

...I mean, it has an impact on Willy and his arc for the second half. 

But that’s it. 

Oh... oh, what’s that? Oh, you were referring to those throwaway lines about Tenn? “He was screwing up again, just like when he got Mitch killed.”

OOOOOH.... I see, that’s what Mitch’s death was really amounting to... some lines dealing with whether or not AJ shot Tenn. Well, I guess I was wrong. Mitch’s death wasn’t just shock value. It really had a big purpose. In fact, Mitch’s death has the biggest impact on the series. Fuck Marlon and Brody’s deaths, and Lilly and James, and hell, fuck Tenn’s death, too. They’re meaningless compared to Mitch’s death. You did it, guys. You really did it. 

....Okay, I’m done. I’m just... salty, I fully admit. 

Being serious again, Mitch’s death is probably the worst in TFS as far as unpreventable deaths go and the real reason I side-eye the writers is because they tried to tell us it was going to have this huge impact in the future and it just... didn’t. 

2. Nick and his offscreen death.

I’m sorry, but what the fuck happened here? Why- what are you- how the hell did this happen??

I’m actually baffled. 

Someone wrote this. 

They set up at the end of ep3 that Nick is shot.... then ep4 comes and we find him like this. I just... did someone on the writing staff not wanna do their job that day? Someone was working on the story and at the last minute forgot Nick was a character, so they were like “Eh, he’s not important anyway, and it adds to the shittiness of everything so we’ll pretend this was 100% intentional.” 

Nick was one of your more interesting characters and you really thought killing him off like this was the way to go, huh? 

Like, his first death is shitty, but in the very least it kind of makes sense. 

But this? 

This is horrible. If I wrote this, I’d be embarrassed. 

I just... I’m so tired of S2 right now. 

This is at #2 because it’s just lazy, bad writing. At least with Luke, Mitch, and Mariana, we got to see their deaths and they had some, even if just a little, impact on the story afterward. 

But Nick? 

Nothin’.

Even Luke, who is the closest person to Nick, name drops him maybe twice? It’s just.... nothing. 

And yeah, you can come at me with the “oh well not every death has to have meaning!” 

This is a story, okay? This is a story crafted with characters who have arcs by people who wanted it to be a success, and usually that means having satisfying conclusions.... or, intentionally unsatisfying if that acts as a natural conclusion to their story or is a reoccurring theme. 

Nick’s death is just the writers falling flat on their faces and hoping no one would notice. 

1. Sarah and both of her shitty deaths. 

Ugh. UGH.

Okay. 

I’m not even side-eyeing anymore-- I’m fully glaring.

I don’t have to tell you how shitty both of Sarah’s deaths are. We all played S2, we all know that no matter what you do, Sarah dies in ep4. You can try to save her, she lives a little bit longer, and then falls to her death... and both deaths have her being devoured alive by walkers. 

Now, this is enough to annoy me. First off, I guess my choices don’t really matter. Sure, you can justify this as one of those “sometimes you can’t save someone, no matter how hard you try” ...and fine. Sure, if they had bothered to execute that point well, then great. 

But I disagree that the writers had that in mind when they were killing Sarah off. 

In fact, I know what what going on in their brains-- “God, can’t wait to kill Sarah off! Give us any reason to do it! She’s so damn annoying!”

The writers have openly admitted that a lot of the team were just waiting to kill Sarah off, waiting for any reason, so when the major part of the community who take everything at surface level because why think? kept complaining about Sarah, they jumped on the opportunity to kill her off.... but the deaths are dumb.

Listen, this isn’t like when the writers planned on killing Lee off. You can plan a death and even be excited about it because you’re excited about the story and execution of it all. You can be excited to see the heartbreaking end of this character’s story that you crafted because you know you put everything you had into it.

These deaths were lazy and the product of a team who didn’t care about the character. Sarah dies and no one cares. 

Sure, you leave her to die the first time and Jane does her thing about how you can’t save everyone, she talks about Jaime, and then Luke exposes himself as the fake Luke by agreeing that leaving Sarah behind was probably the right thing. Like what?

Now as much as I hate that first one, the second one is even worse. 

For some reason, Sarah is standing in the corner while they’re trying to fight off the walkers instead of being inside with Rebecca... y’know, where she would be if this was logical. 

Then the deck breaks and Sarah falls, trapped under a pile of wood. Jane, despite being the one who sees Sarah as a liability, goes down there to try and help her after Clementine begs her to. 

But because the writers don’t know what they’re doing, Jane gets hit by a random piece of wood and can’t get Sarah out in time, leaving her to be eaten alive by walkers. 

Then AJ is born and no one cares about Sarah ever again. 

I just.... 

Could’ve had an interesting story arc with a character who just lost her father in such a gruesome way, a character that already deals with anxiety and other problems that you never bothered to explain other than “she isn’t like Clementine” and you could’ve had her grow. 

But I guess that would’ve taken effort.... and screen time away from Kenny, and god forbid we ever do that. 

---

Honorable Mentions

-Ava falling to her death in the most comedic way possible, made even more hilarious by David’s two seconds of mourning. -Omid.... because hope is dead. Do you get it? Hope? is dead? Because Omid means hope? Do you get it?? -Honestly you could put most of S2′s deaths on this list because oh my god. -Ben because I’m still a salty bitch.  -I also wanna add Louis and Violet’s deaths on the bridge mostly because they die, Clem is sad for two seconds, Tenn says sorry, and then no one cares. Yeah, yeah, they mourned off screen and I call that lazy bullshit. -Hell, throw Tenn’s death on here, too, for similar reasons-- no one but Louis/Violet and AJ seem to care. Even Clementine is like “whatever” after it happens. 

---

Y’know, picking this one seemed like a good idea at the time, but by now I’m just annoyed by all these dumb deaths. So, what are your thoughts? Are there any deaths that make you question the writers that didn’t end up on the list? Do you agree or disagree with my list? Lemme know, we can have a friendly discussion about it. 

Have any suggestions for future T5F’s? Feel free to send ‘em in! :D

---

Next week’s T5F Top 5 Favorite Louis Moments

[kanohivolitakk]

Some ramblings about Memory and why I’m happy it wasn’t canonized

Honestly the more I think about the story, the happier I am that Memory (a winner of the Memories of the Dead canonization contest) was never officially canonized. And Im saying this as someone who absolutely adores Nidhiki as a character and would've liked to see more content of him, especially one that explores his psyche in a nuanced manner.

Before we go on a few disclaimers. First off, yes, I'm aware that Memory is fan-made and that some people see critiquing fanfics as bad, at the very least unless the author personally requested it. And I completely understand that sentiment given that fanfics are hobbies and the writers may not always want critique on stuff they worked on for personal fun and passion. Thing is, Memory was not only submitted to a canonization contest, but was one of the winners. The only reason it (and the other winners of the contest) weren't canonized was because Greg wasn't allowed to visit BZPower anymore (or had it to do with LEGO quitting Bionicle g1 completely in preparation for g2, don't remember tbh). In other words, Memory was this close getting canonized, and was only left out due to external circumstances. That makes criticizing Memory fair game in my opinion.

Secondly: I actually like Memory as a story. It's well written, explores Nidhikis character in an interesting way and has a really interesting theme of how some individuals are forced into roles they didn't want to by circumstance. I think it fills in gaps from the lore nicely (especially the ending). And not only does the story use Mimic (a Dark Hunter I desperately wish was used in canon) it characterizes and uses him rather well. Him acting as a pararell/comparasion to Nidhiki is a solid way to showcase the storys central theme. All in all, it's a solid story in vacuum. Even as part of the larger Bionicle mythos I do like some elements of it and have adopted them into my headcanonverse.

That being said, I have one major issue with the story specifically regarding how it relates to the greater Bionicle canon. And that is, giving Nidhiki a "my original teammates were killed by Dark Hunters and now I desire revenge" type of backstory doesn't work for his character and arguably makes him less interesting.

First off, I understand why the writer chose to do this decision, to paint Nidhiki in a more sympathetic light. In canon, Nidhiki isn't really a sympathetic character (or at the very least wasn't intended to be one, ymmv whether or not he can be seen as one). He is selfish and his reason for betraying toa Mangai boils down to desire for glory and self-preservation. So wanting to give Nidhiki a more sympathetic backstory in order for the reader to understand why he is like that and thus sympathizing with him makes sense especially given how Bionicle doesn’t really have that many sympathetic villains to begin with and Nidhiki is one of the few who could easily be written in a more sympathetic light without making his character worse thanks to his backstory being rather tragic and there being a few hints of him being a more sympathetic character than the canon presents.

Thing is, by giving Nidhiki a desire of wanting revenge against Dark Hunters, I feel the writer misses a major part of Nidhikis character, one that could be easily expanded on to make him a more sympathetic and understandable character: his pragmatic opportunism born out of survival instinct.

Nidhiki is largely driven by pragmatism and self-preservation, by making actions that benefit him. This sense of pragmatism most likely comes from him coming from Tren Krom Peninsula: a harsh climate where you had to be pragmatic in order to survive. Pretty much everything from his characterization boils down to this survival instinct, this desire to survive taught by harsh living conditions. This is the core of his characterization and something worth keeping in mind  both when trying to understand him and writing him. And while the writer of   Memory does understand this to some extent, I feel they only saw it as part of his character rather than the main core of his characterization and driving force of his actions.

While Nidhiki loosing his teammates does add more fuel into him not trusting anyone and developing this pragmatic mindset (something Memory does pretty good job showcasing), I also feel that it's kinda unnecessary. It feels as if it exists as this big push, this big traumatic event that shaped Nidhiki's mindset into this pragmatic self-survival we see in canon and I just...don't feel that suits him. It makes more sense if rather than one big traumatic event that made him what he was it was a series of smaller events, it was him living in a place with a certain mental climate that forced a certain mindset just so he could survive.

The backstory also feels that like it exists largely to give Nidhiki a history with and grudge against the Dark Hunters which just...doesn't make sense at all when you give more context into canon. Like, if Nidhiki had a grudge against them I doubt he would've interacted with Lariska the way he did in BOADH let alone agreed to betray his team, no matter how good opportunity it felt like. Well at least it gives him one more reason to despise TSO and his organization and that’s always a plus if you ask me.

However,the main reason I don't really like this is because it feels kinda cliche and makes Nidhiki less interesting than he could be. Like, it feels that the easiest way to make your audience to sympathize with a villain is to give them a tragic backstory of them loosing a loved one that made them bitter and cynical. It just feels like a cop-out, an easy shorthand. It feels such "been there done that" and does more harm than good for Nidhikis characterization, feels like its there to make him more sympathetic through tried and true means than actually trying to understand him and what makes him tick, and building up a more sympathetic portrayal from there.

What makes this all worse is that I do think you could make Nidhiki a more sympathetic character without resorting to cliche tools like that. And thats by focusing on expanding on whats already there: his desire for survival and self-preservation. While it does make him rather selfish, its also what makes him understandable and (for lack of better term) real. While we want to talk about how self-righteous and good we are, truth is that desire for self-preservation and survival is a driving force that can override (or at the very least heavily affect) our moral compass, especially if you come from a traumatic upbringing. And like I said, the harsh survival of the fittest nature of T.K Peninsula certainly was that kind of place where Nidhiki was essentially forced to adapt a certain mindset. It’d be cool to see him slowly develop this mindset from the environment he grew up in, to have whatever potential goodness and optism he once had be eroded through him having to come in terms with the messed up nature of the world. it would’ve made him much more interesting, sympathetic and tragic character than he is in canon, all while feeling unique

That being said, I understand why the writer did the way they did. Like I said, Nidhiki isn’t exactly the most sympathetic character in canon, and wanting to give him a backstory that’s easy to sympathize with is an easy and good way to do that. It’s also worth pointing out that Memory was an oneshot, so the writer didn’t have time to go through everything Nidhiki went through before becoming part of Toa Mangai and as such, it’s easy to understand why the writer choose to give one big event that changed his mindset. I also dont think giving Nidhiki revenge motive is inherently bad (I mean its basically canon he wanted revenge against Lhikan), nor is making him more emotional and not just a pragmatic opportunist (if anything making him emotional is more than welcome in this house). But I feel that Memory just kinda, changes his character in such a drastic way that didn't sit with me, at least not completely. It kinda makes him an archetypical "I'm aloof and refuse to work with others because I lost my friends against these villains" type of character. Not only is that rather cliche that's also not what Nidhiki is like...He's more interesting as an opportunist who became such due to the harsh nature of Tren Krom Peninsula rather than your archetypical edgy shonen anime rival whos aloof because tragic backstory murder.

So yeah, Memory is a good story but I’m happy it isn’t canon because while it was an interesting take of my favorite Bionicle character, it being canon would’ve done more harm than good for his characterization as whole I feel. Also you can make a character sympathetic without having to resort to “they saw someone close to them die and desire revenge because of that”, especially when it doesn’t fit to that characters characterization as whole.

[mashi-sims]

Ranking AHW's S5 Episodes

I know that ranting about how bad some of the episodes this season were isn’t going to change the fact that they were, in fact, bad, but I still wanted to do an overview of this season in my opinion, and I love ranking stuff, so here it goes:

Also, I should mention that, yes, this is Cooliver biased, although I did take other plotlines into consideration, but mostly Cooliver. Also, lol, I could only add 10 photos so the #13, #12 and #11 don't get one, also they don't deserve it.

Tier 1: I wish they could be un-written, please.

13. 5x12 How Oliver Got His Groove Back

I’ll start with my least favorite episode, and the one we all wish we could unsee. This is the episode where Oliver is feeling down because the girl WE, THE AUDIENCE, just realized he liked, doesn’t like him back (which is a whole other thing), so Katie gets him a date with this girl that’s never been introduced in the show before. Oliver doesn’t want to see her, but he still does, and then he realizes she’s nice, and just like that, he’s happy again. I feel like this plot would not have been that bad if it hadn’t been so out of character, unexplained, and utterly designed to be filler for the season. Worst episode from my perspective, wouldn’t watch it again, barely watched it the first time, ugh, next-

12. 5x11 The Guardian

Same thing with this one, very uneventful episode that talks nonsense, introduces the idea of Oliver liking Lindsay and thinking they’d been dating, but nobody knew about it! How convenient! And again, doesn’t progress into anything, and it just feels out of character, forced, and like they didn’t even try to hide that it was a filler episode. Wouldn’t watch it again, I don’t even think about it, I’ve erased it from my mind. The only reason why this episode is ahead of 5x12 is because of Kathryn and Anna-Kat, and JD trying to find his egg donor, other than that, still pretty ugh.

Tier 2: Did the writers really look at their script and think; “ah, well done”?!

11. 5x07 Under Pressure

I kinda enjoyed this episode even if it didn’t include any Cooliver. I liked Anna-Kat’s storyline about not feeling her popularity and sticking to Franklin, I really really love these two together! So cute! Also, Taylor helping Oliver relax and not stress out that much was nice, although not amazing. Katie and Greg’s double date that led to a city council rivalry, I don’t care for it. Overall, I don’t know if this was intended to be a filler episode, but it totally felt like one to me; a nice episode but not one I’d watch again.

10. 5x05 Kids These Days

Eh, pretty uneventful. Katie wants Franklin and Anna-Kat to be more edgy and to take more risks, ends up in completely nothing. Oliver wants Boosterin and he accidentally drugs Greg, also ends up doing nothing for the storyline. The only thing I liked about this episode was seeing how Cooper cared about Oliver and how Oliver said “Your boy is doing both”, the Cooliver content was still good; other than that, eh. Also, the strange order in episodes this season really threw me off.

9. 5x04 Homeschool Sweet Homeschool

Nice episode, but not one of the best. Mommy blog, Cooliver moves to the basement, Andre shows up and it’s all weird now, eh. I enjoyed this episode because of the Cooliver’s interactions more than anything, but it’s not the greatest in my opinion.

Tier 3: *Sits down on the couch with popcorn and a blanket*

8. 5x06 Mother’s Little Helper

I also enjoyed Cooliver this episode. Although their drinking arc was pretty pointless and, again, ended up being nothing!!, I liked seeing them together, and that shaking they gave each other was funny. This is the episode where Tami was introduced, and I really liked her from the beginning, although I do wish they would’ve given Katie’s original second breakfast club some sort of closure so I wouldn’t feel so guilty about liking Tami and JD, eventually.

7. 5x02 Psych

This episode always made me feel stupid because I never understood what was going on with Taylor, why she didn’t take her gap year, why she never told Katie and Greg that she had gotten in, or at least make something out of it, why she decided to go to another college or if Greg got her in just so she didn’t have to take a gap year, bUT THEN I realized they didn’t actually talk about it, so I’m not the stupid one, I think.

Nevertheless, I really enjoyed this episode. I like Katie’s storyline of getting involved in other people’s lives after she sells her lasagna business (again, did they ever talk about that or am I stupid?)

This is the episode where we can see the change in Cooliver’s dynamic (a good thing), and the iconic line “stop bothering our boyfriends” saved my life. Having Taylor And Trip with Cooper and Oliver hanging out in the same frame is one of my favorite things and adds a few days to my life.

Franklin and Anna-Kat’s relationship also picks up in this season, and I really enjoy them in this episode. Also, Greg was very funny here, and I am grateful lol.

6. 5x08 Encourage, Discourage

I really liked how this was a Cooper-centered episode, really diving deep into his character instead of keeping him as a shallow side-character. By the way, how did Cooper get so much development and Oliver lost most of his? What was that? Anyway, Cooper saved this episode. I would’ve liked for Oliver to be a more supportive friend in this episode, but he was still there, at least.

Also, Cooper doesn’t think he’s too good for Oliver! Bless his heart.

5. 5x10 Getting Frank with The Ottos

I liked this episode very much! Again, Anna-Kat and Franklin melted my heart, but Oliver and Cooper squeezed it with Cooper’s realization of not wanting to go to Harvard, but Oliver eventually understanding and supporting him? Please, get married. Also, Oliver saying “We’re Cooliver”, and Trevor asking them if they were breaking up made my day. Could’ve been better and a bit more eventful, but it was good nonetheless.

4. 5x13 The Election

I really liked the finale, despite not having any Cooliver at all, the ending was pretty awesome, and I believe it really sets the tone for what could potentially be a great S6, that is if that’s actually happening AND if the writers stop it with the bullshit. Franklin and Anna-Kat getting engaged was very sweet, I adore them! Taylor and Trip getting really engaged was a bit cringe, but still adorable, and I love it! I just wish they had paid more attention to Oliver in this episode, but well, I guess his bang is not here yet and not every episode can be a banger. I hope that whatever comes next will be good enough that the wait will be worth it.

Tier 4: *Chef’s kiss, no pun intended*

3. 5x01 Graduation

Although this episode doesn’t really belong to this season, and it doesn’t share the same 〜vibe〜 with the rest of the episodes, since it has more of a S3-S4 energy, it’s still in S5 and I wanted to include it, too.

Not my favorite, but it’s one of the good ones imo. So much stuff happens in this episode that it almost feels cramped and overwhelming to me, with the graduation and the wedding, but I get that it was necessary to set the scene for S5 and close S4 even if it didn’t turn out the way they’d originally planned, and it came out fine considering the situation the producers were in, which can’t be said for every episode this season lol.

Taylor and Trip were adorable in this episode, Cooper was amazing, Oliver moping around was something I didn’t know I needed in my life, and Lonnie’s speech about not wanting his relationship with Greg to end, even if I never cared for his storyline, was really nice.

This episode made me think that S5 was headed toward amazing things, but not everything was good.

2. 5x09 The Heist

I love this episode because of Cooper’s development. Again, why couldn’t Oliver get that too? However, I did like how they made Oliver seem like he might’ve been a bit thirsty for his fellow Cooper over there, telling him multiple times that he’s good looking? Come on, tell us what you really mean.

Anyway, Cooliver really shone this episode, round of applause.

1. 5x03 Coupling

This episode is superior, bite me. I love everything about this episode, not only Cooliver. Katie and Greg trying to be supportive of their kids having sex with their boyfriends? Yes! Parallels between all four couples? Yes, please! Cooper and Oliver having their first married couple fight, Cooper feeling like he’s being replaced, but Oliver is doing it for the both of them and their future together? Yes! Masterpiece of an episode. I have no more to say.

Hands down, my favorite episode this season. Too bad mostly everything went downhill after that. I hope we do get a season 6 and that things pick up. This series deserves redemption, and Cooper and Oliver deserve to be happily in love together. Thank you.

[sometipsygnostalgic]

Steven Universe - How the show fails to handle emotion, irrationality, and trauma

I have a better understanding of why SU is the way it is now. Why it is very dramatic, and why the characters often act in ways that are entirely out of proportion

When making a critical post about the handling of Flame Princess in Adventure Time, /u/samhadj01 attributed part of the problem to be that Rebecca Sugar was responsible for Flame Princess’s conceptualizing, and wrote her and Finn the same way that she writes SU characters - in a heightened emotional state, where they are feeling the EXTREMES of their emotions at all times, yelling at the top of their voice when angry, crying their eyes out when sad, and hurting each other. The reddit user said this made it difficult for the writers to figure out where to take Flame Princess next.

I challenged this reddit post’s claim that Rebecca writing FP’s first episodes meant that the crew didn’t know what to do with her. There is a lot of oversight in the AT crew, and Rebecca was just one cog in the wheel, even if she was full of ideas that ended up getting used. If she came up with a bad idea it would be the responsibility of her colleagues to put it back on track, and I don’t even think FP’s initial portrayal is the problem - the issue is she was completely marginalized after the fact, and bizarrely rewritten to lose her early immaturity without there being enough progression into that new stage. Following this she was basically written out of the show, with the exception of when she’d be useful to show off another character’s development (Finn, PB, even Cinnamon Bun).  

WITH THAT BEING SAID, I thought Samhadj made a good point about SU.  

Rebecca Sugar always loved writing music into her stories because it was the purest form of expression. You can hear how much love she puts into her music. She wanted to create a show where she could really sell emotions, where she could fill it up with songs that the characters would sing to express themselves and their troubled feelings. She wanted all the characters to be expressive, emotional, angry. She wanted Steven to be a character that helps everyone else learn to deal with their emotions, much like how her brother Steven helped her, as she’s said before. 

The issue is that, in order to facilitate this, she would need to write characters who would BE in these conflicts, feel heightened emotions at all times. 

So Rebecca conceptualized the gem species. 

Even though they take the form of adults, the gems are incredibly stunted. They remain the same for thousands of years. They are not equipped to process emotional trauma, having lived in a society where you have to cover up all your flaws and feelings at the risk of being shattered.  The show follows several Crystal Gems who rebelled against this system, but still haven’t figured out what it means to be free from this systematic oppression. They’re trying to live peacefully, but they’re prisoners still, in their hearts. 

Steven is the catalyst for change that points out the things that upset them, and forces them to deal with their emotions. He acts as emotional support and encourages the crystal gems to grow.  Steven also has much growing up to do himself. He has to confront the truth about what it means to BE a crystal gem, to have inherited the gem of the person who started the revolution, and Steven over time learns how messed up everything is. He is overcome with the desire to fix it, while still learning about himself.  

Why is this sort of storytelling a problem?

For the characters to have heightened emotions all the time, it means they have to keep getting in conflicts that reveal these emotions. It is these conflicts that make the show feel overdramatic and edgy - how characters will lash out and hurt each other, all the time, because they had a bad day, or something reminded them of something that hurt them. 

More urgently, who they are lashing out against. While the Crystal Gems hurting each other in season 1 makes sense, it is when they start taking things out on Steven himself that things become straight up toxic. 

Steven has to bear the brunt of EVERYONE’s problems, AND his own. He chases after Pearl in “Rose’s Scabbard” and nearly falls to his death while she ignores him, he fights with Amethyst when she is insecure about Jasper, he has to deal with Ruby and Sapphire’s fighting. He has to deal with all the townies and their stupid conflicts as well, Lars and Sadie’s fighting, so on. And ON TOP OF ALL THIS, people are trying to kill him all the time!!!!! But he is getting absolutely no meaningful support, and this is obvious, because the show itself acknowledges this later on. 

You start to ask the question, is this even worth doing? The characters around Steven display incredible immaturity, and after a certain point, they stop feeling like heroes.  They feel like leeches who are taking advantage of a young boy. 

Things get RIDICULOUS in the final season. Even after the episodes where Amethyst acknowledged the shitty status quo of everyone leaning on him, Steven then has to deal with the emotional problems of the Diamonds themselves, who it turns out lashed out the entire GALAXY because they didn’t know how to talk about their feelings?! For millions of years?!?! To be turned around by one teenage boy, even after a revolution where many of their gems expressed why they were wrong???!!!  

I think it was these final episodes of Steven Universe that completely shattered any remaining suspension of disbelief about the diamonds.

I’m no alien to ancient, immortal characters in charge of millions demonstrating incredible immaturity. Look at Princess Bubblegum and Marceline. Marceline would lean closer to the Amethyst side of the spectrum where she lashes out against everyone, while PB would be on the Pearl or Diamonds side where she’d pretend to act all rational and coolheaded and then do something insanely bad like crash a wedding or manipulate children. Pretty yikes, even up to the finale.  However, the difference is that AT is a more lighthearted wacky show where immaturity can slide for jokes, and most of the issues these characters have are inward facing. They identify and work on their problems themselves, with some support but not much interference from outside. They also do NOT act crazy all the damn time, and have plenty of moments before, during, and after their development where they are fully supportive friends. I enjoyed learning more about these characters and their pasts, because the immaturity never broke my suspension of disbelief.

The DIAMONDS, on the other hand, never get any sort of character development. I was excited to learn more about their creation, and how they came to be these insanely powerful beings that controlled a fascist society where emotion is not allowed. Why is it this way? Why do they want to keep it like this?

We never find out. We just see Steven embarrassing White Diamond after she attempts to murder him, and then she immediately goes full 180 redemption. It makes no damn sense! 

Steven Universe Future attempts to address the issues with everyone Steven knows being emotionally dependent on him, but Future forgoes genuine themes about healing in favour of its edgy focus on how Steven has become “damaged”. 

I was shocked watching SU Future’s first few episodes. I was astounded that the show would deconstruct itself so thoroughly, and have Steven address the exact things that were on MY mind. He realised that he’d been used.

How ballsy is that for the show to have the protagonist literally tear it to pieces in the final few episodes? 

However, any hopes for Steven directly addressing these issues, communicating with his friends and HEALING were dashed about half way through, when he only kept escalating.  Steven got so outraged that he shattered Jasper, and attempted to kill White Diamond while also injuring himself. He started to see himself as a monster. He becomes a murderer. He turns into a kaiju at the end since that’s how his perception of himself is different.

I was really disappointed that the show had wasted its entire runtime to build this up. 

The emotion that Rebecca Sugar was trying to capture was Steven’s pain, anger, the disconnect he had with his friends.

Future did not spend ANY time in demonstrating that Steven’s friends were acknowledging his pain. In fact, quite the opposite - they kept dismissing all of his feelings about Ruby and Aquamarine, and Greg was revealed as The Literal Worst when he thought his perfectly normal conservative upbringing was way worse than Steven literally getting tortured by aliens every other day and having no friends or education.  When Steven has his breakdown, they all cROWD him and start yelling at him. They have absolutely no regard for Steven’s boundaries at all. It’s almost like Steven’s friends are P-zombies at this stage. 

I did not like how Steven was portrayed as a dangerous, out-of-control killer. It’s not just that he SAW himself as this - it’s literally what he was.  You can do bad things because of your trauma, but it won’t turn you into a monster. If you act like a monster, that is your responsibility. 

And then the series ends with the hug, but we do not see Steven’s actual healing process or reconnecting with his friends. We only get a brief goodbye episode. 

After watching Obsidian, I cannot help but compare these scenarios. Obsidian was about Marceline healing from her emotional trauma. It was still very much a part of her, but she was learning to recognise when it was damaging her life, and communicate with others about it. It’s about learning to accept your cracks.

If SU Future had been about dealing with trauma properly and healing, it could have been the best series on Cartoon Network, and fully redeemed the weaknesses of the original show. 

However, Rebecca and the SU crew decided to focus too much on Steven’s pain, and Future ended up exacerbating the issues of the show. 

[crusherthedoctor]

Can we have some unpopular Sonic opinions?

I tried to cram in a lot, so I hope this satisfies you. :P I tried to stick to the ones that I haven't brought up quite as often, since by this point, we all know that I think IDW's storytelling is dire, SA2's story is overrated, X Eggman is an embarrassing portrayal (at least from season 2 onwards), Blaze shouldn't be handcuffed to Silver, Shadow's backstory had issues with or without the Black Arms, Neo Metal Sonic looks silly, etc. But anyway, here we go:

- Knuckles may be tricky to incorporate into plots that don't relate to Angel Island, but making him obsessed with his duties is no better than having him forget about Angel Island entirely.

- I like Marine, and never found her annoying. Oh, I understood what they were trying to do with her, but I honestly wasn't put off by her, and found her Aussie lingo more endearing if anything. Since her debut was during the period in my life where where I couldn't stand Sonic himself, I instead thought he was irritating (and hypocritical) for getting annoyed with her for doing shit he would often be guilty of.

- Silver is just as guilty of being shoehorned into games and plots as the Deadly Six are. Having more fans than the latter is irrelevant, since we're still talking about a character who constantly has to time travel in order to be present.

- Speaking of Silver, if he has to stick around, please do something different with him. They've pulled the doomed future routine multiple times now, and it's been boring every single time. I wasn't interested when it involved Iblis. I wasn't interested when it involved Knuckles drinking the edgy Kool Aid. I wasn't interested when it involved a council of dumbasses... give it a rest already.

- The Tails Doll can work as a mildly creepy thing, with maybe more to it than meets the eye when it's time for a boss fight or what have you. But the memes about him stealing your soul are just dumb, and I thought it was dumb even back in my teenage youth.

- “Eggman is supposed to be clownish!” Yeah, well he's also meant to be a genuine villain with a 300 IQ. These qualities don't have to be mutually exclusive.

- “Sonic is supposed to have attitude!” Yeah, well that's not the same thing as being an absolute cunt. Sonic was only ever meant to come off as having an edge compared to Mario. He was never meant to be a GTA-tier protagonist.

- Rouge is not a villain, and never was a villain. Literally the whole point of her role in SA2 was to reveal that she was working against Eggman and Shadow the whole time, albeit using sneakier tactics to do so. You'd think all those people who exult SA2's story would remember this, but apparently not. She barely even qualifies as an anti-hero, since aside from stealing the Master Emerald, she rarely does anything morally questionable otherwise. She's got a lot more good in her than people give her credit for.

- Captain Whisker is a better Eggman Nega than the actual Eggman Nega. And as far as robot characters in this franchise go, Johnny's design is pretty underrated.

- I don't like Iblis or Mephiles, but I DO like Solaris, and it annoys me that it was out of focus for most of the story due to all the time spent on its less interesting halves. Had they kept the backstory with the Duke and his experiments, and worked from there, I think they could have provided an interesting contrast with Chaos (since Solaris can also qualify as a monster with a sympathetic backstory) instead of recycling the surface level schtick.

- Black Doom may technically be just as bad as Mephiles, Nega, Scourge, Mimic, etc, since he's yet another villain with one-note characterization and fucked over Eggman. But because he never gained a disproportionate fandom, he doesn't annoy me to the same extent. It's easier to ignore him by comparison, and his Dr. Claw voice and face shaped like a lady's delicate part make him enjoyable to mock.

- Likewise, while Lyric is also on the same level as these other villains, it's easier to dismiss him because I was never invested in the Boom games anyway, and being an obvious alternate universe (compared to Sonic X or IDW, which retain the Modern designs and plot elements), it never had an effect on the main series. I also unironically like his design, and if nothing else, at least this snake didn't start a hypnotism fetish across the internet.

- Sally - and the rest of the Freedom Fighters for that matter - have had their importance in the franchise severely inflated. They may have been lucky to be the face of popular media (SatAM and Archie), but they're not these magnificent entities that the game characters are but a speck of dust in comparison to. Having a “legacy” doesn't make them more entitled to shit than any other character, old or new.

- Conceptually, the treasure hunting gameplay is one of the better alternate gameplay styles IMO. But it was let down in SA2 by its one track minded radar (the levels may have been big, but I don't think that would have been an issue on its own if the radar was better). If they brought it back and made it more like SA1's treasure hunting, I'd be all for it, although it would probably be better suited for a spinoff title.

- This goes for a lot of games, but when it comes to 2D, I prefer sprites over models. Not that the Rush models are bad (though the ones in Chronicles sure as fuck are), but the sprites in Mania and the Advance trilogy are just so charming and full of character.

- I actually like Marble Zone. Yeah, the level design is a bit blocky, but I love the concept of an underground temple prison, mixed with lava elements in a zone that otherwise isn't a traditional volcano level.

- I also like Sandopolis Zone. Again, completely understand why it's not the most popular zone around, but I've been a sucker for the Ancient Egyptian aesthetic since childhood (you can thank Crash 3 for that), and Act 1 is visually stunning.

- I prefer the JP soundtrack for Sonic CD over the US version overall... but I also prefer Sonic Boom over You Can Do Anything.

- SA2's soundtrack isn't bad by any means - I love Rouge's tracks, and The Last Scene is one of my favourite pieces of music - but as far as variety goes, it's a step down from SA1's soundtrack.

- If Sonic X-Treme had been released, it probably would have been unenjoyable and confusing. Whatever your thoughts on SA1, it was probably the better option between the two as far as Sonic's first legitimate translation into 3D goes.

- I have no qualms with Modern Sonic and the other Modern designs and characters, but I also fully acknowledge that changing gears from Adventure onwards - and doing it with a great amount of fanfare - was always going to create one of the biggest divides in the fandom, and fans shouldn't act surprised that this happened. The fact that they felt the need to hype up a new design and direction in the first place (compared to Mario, who has mostly been the same since the beginning, with only the occasional minor change with little fanfare) also indicates that they weren't confident enough in Sonic and his universe being the way it was, which often gets ignored by all the “SEGA have no confidence!!!” complaints you see with their recent games.

- Unleashed did not deserve the incredibly harsh reviews it received back in the day... but it doesn't deserve its current sacred cow status either. It had more effort put into it than '06 to be sure, and I can respect that, but much of it was misguided effort, and even if you like the Werehog, you have to admit that the idea came at the absolute worst time. The intro cutscene may be awesome, as is the Egg Dragoon fight, but 2% doesn't make up the entire game. Chip was also quite annoying, and I wasn't particularly sad when he pressed F in the chat at the end.

- On the other hand, while Colours definitely has its shortcomings, and people have every right to criticse those shortcomings, a lot of its most vocal detractors tend to have a stick up their arse about the game because people actually enjoyed it, and it had a gimmick that people actually liked. Yes, it may have been the first game to have those writers everyone hates, but then SA1 was the first game to give the characters alternate gameplay styles and have other villains upstage Eggman, so...

- Forces is absolutely not on the level of '06. It's nowhere close. A game being flawed does not make it the next '06, clickbait YouTubers. Or should I say, the game they want to retroactively apply '06's reception to, since they've been trying hard to magically retcon '06's own quality...

- To echo @beevean, ALL of the 3D stories have their issues. SA1 is probably the most well-rounded of them on the whole, but even that one isn't perfect.

- To echo another opinion, although I do love SA1, I'm not crazy over the idea of a remake, and would prefer them to just take Sonic's gameplay from SA1 and work from there. Because with a remake, you're stuck in a hard spot: Do you keep it the way it is bar the expected graphical upgrades, and risk accusations of not doing anything to actually improve the experience? Or do you try to address past criticisms, and risk the wrath of the fans who will inevitably go on a #NotMyAdventure crusade about it? What people fail to consider is that the Crash and Spyro remakes were accepted gracefully because their original iterations were still unanimously beloved for the most part, whereas SA1 - and especially SA2 - have always been divisive, and have only gotten moreso over the years.

- People take their preferences for the character's voice actors too seriously. I have my own favourites like anyone else, but I don't make a big deal out of it.

- And with fandom voice actors, they usually focus too much on doing a basic impression of their preferred official voice actor, and not enough on the acting. So you end up getting a lot of fan voices who sound like decent impressions of Ryan Drummond or Jason Griffith on the surface, but they sound utterly empty beyond that impression, because there's no oomph or depth to the actual emotions. They think about the actor rather than the character, when it should really be the other way around.

- The thing with Ian Flynn is that he is capable of telling a decent story, and he can portray some characters well. But he's proven time and time again that everything will go off the rails if he's given too much freedom (ironic, given how quick he is to point the finger at mandates when something goes wrong).

- Ian Flynn and Shiro Maekawa are not the only people in the world who are allowed to write for Sonic. I understand that one should be cautious when seeking out new writing talent, but for all the fandom's accusations of playing it safe, they sure aren't in a rush to experiment outside of their own comfort zone.

- And of course, the big one: You don't fix the franchise's current problems by crawling back to its previous problems. It's much more helpful and constructive to discuss the good and bad alike with each of the games. Less “THIS GOOD, MODERN BAD”, and more “This could work, but maybe without that part...”

[andreas-hangout]

poe party : the musical

i’m SO sorry that i keep talking about anything BUT kaamelott but HEAR ME OUT poe party........ as a musical, aka I’m Just Spitballin’ Here

(LONG post ahead)

-Edgar’s song is this opera-esque opening intro song, it’s very slow and intense 

-Lenore occasionally butts in, adding quips of her own

-it’s also chock-full of unnecessary edginess, prompting Lenore to address the public and tell them she’s sorry they’ve got to go through this

-there’s a reprise at the end, except this time everyone sings and it’s catchier 

-Ernest’s song is more of a patter-song than an actual song (think I Am The Very Model Of A Major General or Gaston)

-it’s very catchy, has a lot of rhythm

-it’s one of the shorter songs, fittingly 

-it has a very, uh, imperious rhythm

-it goes fast, there’s no real pause

-Charlotte’s song is this classical opera song

-ternary rhythm, reminiscent of a waltz 

-crystalline piano sounds

-there’s also a reprise where she reveals she’s the murderer

-Oscar’s song is very light and catchy, easy to dance to

-indulges in over the top disney-esque long notes (you know the ones) 

-destroys the fourth wall completely 

-upbeat violin, classical instruments, higher key than Charlotte’s song

-Mary’s song starts off as her retelling the events of the party in a spooky storyteller voice

-then goes on to be a song, full of terrible puns and tongue-in cheek humour

-the song itself starts off slow, then picks up in pace quickly 

-(insert a line ripped straight of from her own book)

-George Eliot’s song is just… over the top

-it serves as an fun interlude 

-Oscar occasionally joins her in for some lines

-it ends up being the song people meme about the most

-Emily’s first song is very, very short

-it ends up blending in with one of the other songs

-like she starts singing and the music slowly shifts 

-just gives the audience a confused look and gets on the side

-she gets a proper song, and it’s quick and angry 

-because its the “i’m not nobody!!” part

-Lenore’s first song is quick, very catchy, one of these songs that are hard to sing along to but the tune stays stuck in your head

-just overall a fun song!!

-the second one is where she tells HG what happened with Guy de Vere and it’s slower and dreamier 

-it’s also a duet! (with HG)

-something something “i’m already dead” being either a lyric or just a catchphrase

-Louisa’s song is this like, light summer song

-i don’t know how to say it but it’s a very bright and easy to sing along to

-when she dies, probably gets a reprise by Mary, this time in minor key and in the form of a eulogy

-cue the ‘i’m just really good at eulogies!’ line

-they all have a collective song and it’s the ‘right in the soup!’ scene

-it’s chaotic, everyone’s singing at the same time

-the genre never stays the same 

-everyone fights for musical dominance

-HEAVY foreshadowing given by the order everyone sings in 

-they all start to sing in the order they’re gonna die (so for example, Mary starts off)

-Agatha has a leitmotiv that’s played everytime she’s mentioned, foreshadowing a song, but there isn’t one 

-Fyodor has this quiet, slow song

-the vibes : calm and kind of sad

-maybe with sort-of hopeful vibes?

-he also has a fast, catchy russian folk song, complete with the vodka

-Eddie’s song comes much, much later at the end

-it’s chaotic, and very intense

-likely just a sung version of the ‘you fancy me mad?’ speech 

-the telltale heart beats very, very faintly while he sings

-then it starts beating again, louder, after he dies, while everyone sings the finale 

-HG’s song has a very irregular vibe

-he almost stammers half of his lines

-gets more confident and sings faster when it’s about his inventions

-has a duet with Lenore (the song about Guy)

-someone in the cast constantly has to tell him to sing louder or to mind his tempo

-there’s a song where they just argue about who’s the best writer

-lines are quoted, quips are thrown

-Oscar has the best stealth insults

[thenightling]

Why I do NOT think Over The Garden Wall’s ending is secretly sad

Recently I came across a comment from someone who believes Over The Garden Wall actually has a sad ending and Greg and Wirt and doomed, that the ending is false because of the lyric “Loveliest ...lies of all.”   I have to admit I was initially worried about this being potentially true too.  But then I remembered a few things that reassured me. A few things made me certain the end is not false.

1.  The phrase “Loveliest... lies of all”:  At first this worried me too that the frog was giving a wink-wink / nudge-nudge that this wasn’t really how it ended but how the boys would have wanted it to end but then I realized something.  He actually sings "Loveliest lies of all" at the start of the first episode too.   So if the end is a lie so is the whole thing.  So this makes the concern moot, doesn’t it?

2.  “What is a story but a lie?”:  Some people call fictional stories "lies" and The Unknown is a land of stories. A similar reasoning is how Marvel evolved Loki from God of lies to God of Stories in the comics.   

3.  The Over The Garden Wall comics are supposed to be canon:  The Over The Garden Wall comics (from the same writer) indicate all the stories ended the way the afterward claimed.  

4.   The end scene is supposed to show how the boys touched the lives of those in The Unknown:  We have been told that the ending is supposed to show how the boys impacted the lives of those in The Unknown.  Why do that if only that one part is a lie? 

5.  It was all real on some level:  The Bell still being in the frog’s stomach indicate that the adventure was at least partly true.

6. The opening and closing bookends:  There are things tied together that the boys would not have known in order to imagine the happy endings for the lives they touched.  For example, the fact that the gristmill (now mostly repaired) was owned by Beatrice’s family and the dog from the first episode was hers.  The boys didn’t know Beatrice had a dog.  The boys also didn’t know what the woodsman’s daughter looked like. We only saw her in the preview segment of the first episode.  And Lorna’s ending was the most probable since Auntie Whispers turned out to be a fairly nice person (even if she didn’t think of the obvious way to get rid of the spirit).   There’s a preview (in the opening segment of the first episode) that ties directly to the ending and the boys wouldn’t have been aware of either.

7.  A sad conclusion doesn’t match the rest of the mini-series:  All of Greg and Wirt's adventures ended mostly happily already (”O Potatoes and Molasses: The school is saved via fund raiser and the gorilla was Jimmy Brown all along,” the frog choosing his human companions over fame and fortune, the Potsfield folk just letting them go after their two friends were dug up, Adalade defeated, Lorna de-possessed and deciding Auntie Whispers is her family after all for loving her and looking after her through the ordeal, And the crazy old tea seller (who might actually be the ghost) finding love with his business competitor.  So there's no real reason the ending should be false considering how far fetched the previously established stories played out. 

8.  Purgatory isn’t a bad place by its original definition:  Yes, I’m aware that there’s a high chance the boys are in purgatory, or some place between realms.   There’s also a chance they are in The Dreaming (realm of dreams and stories) or a combo of the two.   But purgatory is not necessarily a bad place and you sometimes CAN return to the land of the living from purgatory.  It’s not like the Dante’s Inferno video game or Divine Comedy (which is Bible fan fiction, by the way).  Even if Dante’s Divine Comedy did influence Over The Garden Wall so did Goethe’s Faust  (part 2 of which had a sweet ending) and a bunch of other classic stories.  And purgatory is supposed to be a place between here and it is indicated that it is where forgotten stories (folktales / faery tales) must play out.  And most of those were designed to have happy endings.  

9.  The references and homages don’t fit a bleak ending:  Yes, some old Grimm Faery tales have very dark endings but the raw blue print for Over The Garden Wall comes from American folktales, vintage New England post cards, and 1920s to 1940 cartoons, which usually were whimsical and had happy outcomes.   You can see the likes of Betty Boop, The Wizard of Oz, and even Shirley Temple’s Animal Crackers in my Soup in loving homage.  

10. Tome of the Unknown: They were helping forgotten stories reach their conclusion.  That’s why the original working title was “Tome of the Unknown.” (Which Lorna is reading in her final scene, by the way.)   The fact that Lorna is reading the Tome of the Unknown (the book of stories the Unknown characters are supposed to be from) suggests that the boys actually helped these characters play out their stories like faery tale characters in an Enchanted Forest.

11.  A sad ending doesn’t really match the established tone. They were mostly sweet forgotten stories and folktales too from the looks of it.  If Beatrice was turned into a bird by a bird for throwing a rock why is it so hard for us to accept a witch’s scissors could turn her back?  I was worried the scissors would actually mutilate her too but I think we’re just too used to that sort of thing today.  Older stories were not so cynical which brings me to point 11.         

12.  Projecting cynicism and dark expectations: I saw similar projected darkness with some people watching The Shape of Water and thinking the end was wishful thinking even though we had already seen “The Asset” use healing powers.   And Guillermo del Toro said it has a happy ending.  The Rugrats aren’t dead and Angelica is not just imagining them either.  Sometimes things actually just are wholesome.  They don’t need to be edgy.  

13.  I’m aware of what was considered early in the production:  Just because an author considered making something darker than what was made doesn’t mean the finished product is darker too.  People also like to bring up that in the “original“ Peter Pan the boy was a villain and did awful things but that is not the version that became a beloved play and children’s book.   That was essentially a prototype version that no one cared for.   

14.  Sequel?: Though it’s not likely the show’s creator (Patrick McHale) will do it, there were sequel considerations for Over The Garden Wall, which would require those stories to have ended the way we saw them. 

15. “If Dreams can’t come true then why not pretend?”  I’ve heard this lyric used to try to claim the ending is false but one could argue that all of the stories the boys encounter in Over The Garden Wall are dreams.  And what is the sure way to make a dream become real?  “Fake it until you make it.” In other words... Pretend.  So the boys may have turned those stories (including their endings) real.  Pretending and belief.  Believing something strongly enough that is how you make an ideal real.  

To quote Death in the novel Hogfather by Terry Pratchett.:  “ THEN TAKE THE UNIVERSE AND GRIND IT DOWN TO THE FINEST POWDER AND SIEVE IT THROUGH THE FINEST SIEVE AND THEN SHOW ME ONE ATOM OF JUSTICE, ONE MOLECULE OF MERCY. AND YET”—Death waved a hand. “AND YET YOU ACT AS IF THERE IS SOME IDEAL ORDER IN THE WORLD, AS IF THERE IS SOME...SOME RIGHTNESS IN THE UNIVERSE BY WHICH IT MAY BE JUDGED.” "Yes, but people have got to believe that, or what's the point—" MY POINT EXACTLY.”   He goes on to say people need to believe in these things in order for them to “Become.”   

This is how you make concepts real, through pretending and creating belief in the idea.

So in a sense what he’s really saying here can be seen as “Make it real.”

[dappercritter]

Invader Zim: Taller Tales of Terror - The First Fic That Wasn’t

This was going to be my first fanfiction that I ever published, but things came up and I found other story ideas and fandoms to get into. However, because there’s nothing I hate more than leaving a story untold and forgotten.

 So like a writer jilted by a big name studio working on a big superhero movie that went terribly wrong after they left, I’m going to share it with you good folks to see if you still think there’s hope for it in some capacity. If so maybe I’ll choose to revive it in some capacity, or one of you kind folks can adopt it. Whatever you think of the once untold tale I’m about tell you, I hope you enjoy it.

The fic would have been either a mini-series/anthology or a movie-esque sequel—or two—to Enter the Florpus.

It would have followed the stranger further misadventures the kids would go on as teenagers, all of which have at least something to do with getting taller, literally or metaphorically.

 Although I'd do my best to recreate the series' darkly comic tone, there'd be more to the story than just that. I'd like to do a sort of character study with my fanfics and explore what they would do as they got older, how they would change if they could change, if they'd mature and try to connect with each other more, or if they really do just hate each other. It'd be like a coming-of-age story but done in the style of Invader Zim.

 But don’t be fooled, folks! It's not going to be one of those big dramatic fanfics with high stakes (nor any smut) thrown in. At it's core it's still just a fun, dumb, mildly disturbed "What if?" sort of fic. There would be a bit more emphasis on character and plot than normal, because I do love me a good character-driven plot, but still plenty of room for (what I hoped would feel like) the usual weird dumb creepy fun that original series excelled at.

 The story is set in basically the same continuity (or at least the closest thing to a continuity that can exist in Invader Zim) as the show and comics. The only difference is that the Battle of Meekrob actually happened—but not really.

 Long backstory short, there was a big showdown between the Irken Armada and the Meekrob-allied Resisty, but Zim and Dib missed it because a food fight got them stuck in detention. Zim tried to get Skoodge (who was rooming with him at the time because the scrapped Season 2 episodes were sorta canon here) to cover for him until her got there, while Dib tried to get Gaz to take Tak’s ship to provide support against the Irken. By the time they got out, however, the battle was over, Gaz blew the whole thing off to get a new game, Skoodge and some other Invader became the war hero Zim always aspired to be, and The Almighty Tallest decided to cancel Operation Impending Doom 2 because after the big exciting space battle they felt like they couldn’t top anything after that. Suffice to say, Zim took it pretty hard. Dib however would have seen this as something of a win since Zim still failed in a sense. Albeit it was a very anticlimactic win, even to him.

The actual story would have taken place about 5 years after the Battle of Meekrob, where Zim, Dib, and Gaz have made it to high school (or “hi-skool” as this is the Invader Zim universe, after all). Setting wise, things haven't changed much but the characters have made a few surprising or not-so-surprising developments. The most important of all, so important that it would be the focus of the entire story, in fact! would have been Zim developing a brand-new disguise utilizing an exoskeleton, based partially on the Almighty Tallest, in attempt to make him look like a normal teenager AND impress superiors. Naturally, things go horribly yet amusingly wrong for everyone involved.

 Now just where and what has everyone been up to/going through in those five years? Here’s a rundown:

-Zim spent those 5 years obsessing over his crushing failure, begging the Tallest to give him another chance, which they refused every time. Being stuck on a planet of smelly, stupid, and increasingly annoying creatures for so long without any real victories has left him bitter and frantic with more shmoopiness than usual. Even the little "VICTORY FOR ZIM!" moments he used to have got harder and harder to come by. By the time he reached high school, he was so messed up he didn’t realize his classmates had all had growth spurts until Dib easily overpowered him in one of their petty fights and points it out to the whole school. Thus, leading to the new exoskeleton and subsequent schemes to redeem himself in the eyes of the Tallest while looking normal in the eyes of his human classmates. Unfortunately, due to his desperation and general lack of understanding about the human body, the exoskeleton comes out looking like a lanky robotic nightmare with clawed fingers that jerks around like a big cybernetic marionette.

-Dib meanwhile has been doing slightly better. He and his paranormal research are still looked down upon, but he's persevered through the hope that someday he'll prove he's right. After (indirectly) stopping Zim from joining the Battle of Meekrob, Dib got a small confidence boost, thinking of it as a big step to exposing for Zim real now that he’s effectively trapped on Earth with him now. Although, following a rather blunt intervention from his family, he's started thinking about what he’ll do with himself once Zim is gone. He still hates his guts and he's still hellbent on beating him, but he's also started getting out more and trying to socialize more—however awkward his attempts may be. That he's also gotten taller and his head isn't quite as big compared to the rest of his body has been good for his self-esteem too. But make no mistake—when he's not going for runs, working shifts at his dad’s lab, or looking into a “totally normal” science major, he's toiling away on improving his array of anti-Zim strategies and defenses.

-Gaz is doing pretty good but she is totally done with Zim and Dib's junk. Although she's still her old apathetic self, she's doing everything in her power to broaden her horizons so she doesn't end up in the same, stupid rut that they ended up in. She would have gotten into indie art and game development; although her work is still fairly obscure, it's quickly gaining attention for it's macabre, edgy, punishing and geeky nature. (Imagine the works of Jhonen Vasquez, Toby Fox, Hidetaka Miyazaki, and Hideki Kamiya mashed together.) She also participates in e-sports tournaments on occasion, if only because crushing countless so-called “gamers” brings her amusement. Her psychic powers have also gotten stronger with her age, and she likes to experiment with them whenever she can—usually when somebody really annoys her. She's doing fine in the story until, after a run-in with a certain unkillable spoiled brat at an e-sports tournament, sends her over the edge and she trashes the place in a Carrie-esque episode. This gets her sent to anger management therapy, and now she's trying to find a way out to avoid sitting through an endless slog of "sappy" sessions.

-Gir would still be insane.

-Minimoose would still be the ultimate techno-lifeform Minimoose.

-Zim's Computer is still tired.

 -Prof. Membrane is still the greatest and most powerful scientist who ever lived but he’s also trying to make time for his family more and mentoring Dib to be the successor to his legacy he always thinks he was meant to be. That is if is experimental new immortality machine doesn’t work out. May or may not have to fend off Clembrane whenever he comes to visit.

-The Almighty Tallest are still living content, tyrannical lives. They didn't take canceling Operation Impending Doom 2 very hard because, as it turns out, they just got bored with it after a while. (Of course, Zim's repeated interference didn't help keep their spirits up either). However, they'd come up with the perfect plan to obtain absolute control of the universe AND get the feeling back: by making Operation Impending Doom 3 a thing and setting up a huge hype campaign for it. Thing go pretty well for them until Zim calls them and tells them about his new exosuit. They believe that Zim is trying to make himself look like a Tallest so he can lead a rebellion against them and get revenge for treating him like garbage. (He's not, obviously, but they're too dumb and paranoid to realize this.) So, they pretend that they're ok with it and let him carry on his merry way while they figure out how to dispose of him without making him look like a martyr figure of some sort, thus giving the other Irkens they mistreated any ideas.

-Tak would show up again in the second half and this is where it gets spoiler-y. She would come to Earth on the Tallest’s orders with a squad consisting of a reformatted Mimi, rogue SIR units, as well as Tenn and Skoodge who she had recruited to aid in her vendetta against Zim. She would subsequently reveal that after drifting through space in an escape pod, she crashed landed on Meekrob just as the battle was about to begin, and using the element of surprise, rescued Tenn from captivity and assisted Skoodge and the Tallest in devising a battle strategy so brilliant that it crushed the Resisty and Meekrob’s alliance and earned her the status of Irken Elite. She grew comfortable in her new position but could never get over her fear that Zim would eventually ruin it all again, so she waited and prepared for the day she would strike back. I don’t know how or if she would adopt an updated disguise (perhaps a hologram of her older humansona projected over her, Tenn, and Skoodge standing on top of her shoulders?) or hide in the shadows while Tenn, Skoodge, Mimi and the berserk SIR squad did her dirty work.

 -Skoodge would have gone from aspiring to be Zim’s friend to being his worst enemy after Tak turned him to her side by digging into his past with him, making him realize how little his supposed old friend cared about him. Despite this he still keeps an unusually cheerful disposition—even repeatedly apologizing to Zim whenever he attacks him—and acts as the heart of Tak��s squad. He thinks of them as his real friends, so he always goes out of his way to help them out or keep the energy up. Even though Tak looks down on him because of his size, she appreciates his gullibility and unquestioning loyalty. Tenn just thinks he’s nice, especially since he’s good at keeping the SIRs in check.

 -Tenn has recovered from the traumatic escapades she endured on Meekrob at the hands of the rogue SIR units and imprisonment under the enemy, returning to her usual competant Invader self—something Tak values quite a bit in an armada largely composed of egomaniacs and morons. Tenn values Tak’s companionship even more, viewing her as a conquering hero who not only won the most important battle of Irken history, but also, her heart. …Not she’ll ever act on her feelings. That would inconveniance the mission! (Although Skoodge has picked up on this and gladly supports her, thinking they’d make an adorable couple.) After investation revealed that Zim was supposed to receive the rogue SIR units instead of her while he trashed the Megadoomer that was rightfully assigned to her, she bought into Tak’s view that Zim’s very existence was a threat to all Irkenkind, gladly assisting her efforts to eradicate him.

 -Mimi and the rogue SIR units have been reprogrammed to be less insane and follow orders again thanks to Tak and Skoodge’s efforts. However, Tak also had a berserk mode installed specfically for eradicating targets with optimal, brutal efficiency. Mimi still tends to glitch though. In addition to Mimi retaining her cat holo-disguise, the berserker SIRs would gain new disguises resembling either feral cats or rabid teacup poodles. (I hadn’t decided yet.) Tenn still gets anxious around them.

 -Gretchen might show up again and would possibly get to reconnect with Dib, maybe even finally be honest with him about her feelings for him when she surprises him with her surprising new position at Membrane Labs: the janitor.

 -Keef will… er, uh… actually, don’t get your hopes up.

 Well, I think that’s everyone important. Okay back to the plot now!

 So, right up front, the biggest part of the plot as well as the biggest reason why I got uncomfortable with the whole thing was there wiould be some romance in here between a few couples and that it would have figured into the plot. The most significant of all: ZAGR (a.k.a. Zim and Gaz Relationship). But I wanted to make it feel organic and even sweet without sacrificing the feel of sardonic madness but also keeping it in the wholesome zone.

 I always felt like Zim and Gaz were a natural fit for each other (like quite a few other people, admittedly) because I always felt like their personalities were a good fit and they could have a lot in common. The story would follow them as they unexpectedly developed a romantic friendship, bonding over their resentment of the Earth and humanity, their absent family members, a love of technology of questionable intent, and subjugating those who anger them. It would all start with Gaz agreeing to help Zim improve his suit and his unassuming human act just to get back at Dib for annoying her. At first they’d be acting entirely out of spite and necessity, but as they spent more time together, they’d start to enjoy each other’s company more.

 Gaz would be the first develop feelings, since she voluntarily rejected the concept of love instead of being programmed to reject it like Zim, as she slowly realizes how much they have in common—much to her horror. Zim would take more time but when he begins to understand how he feels about and just what these DISGUST feelings are, he’d handle it just as poorly. (e.g. I pictured a scene where Zim has such a hard time admitting his feelings for Gaz that he ends up vomiting black goo like he’s possessed or something. For comedy of course.) But they’d both start to open up to each other in the end, if only because they’re the only two people in the universe they can stand. Gaz would try to help him overcome his anxiety and stop caring as much about what humans think of him, while he would be someone that she can actually relate to.

 Dib, however, would take sincerest offense to it. He’d be totally freaking out, nearly diving off the deep end to put his plans to defeat Zim into action and expose him before he could be exposed. He’d also make a point of demanding what Gaz could see in a monster like him, even reminding her of everything that Zim had done. Probably in an exchange like this:

 DIB: He stole our organs! He tried to crush the planet with Mars! He kidnapped me and threatened to turn me inside out! He tricked me into helping him teleport Earth into outer space so his rulers could destroy it! He turned me into bologna, Gaz! (*holding back tears*) BOLOGNE!

 GAZ: I thought you got over that.

 DIB: Well, physically I did, yes, but not mentally.

 Gir would be pretty on board with it though.

The other biggest plot of the series would have been Tak’s return and the reveal of her and the Tallest’s master plan to destroy Zim once and for all: kick off Operation Impending Doom 3 by placing Zim on trial, executing him, and completing Tak’s plan to turn the planet Earth into a snack bowl for the Tallest (which she still insists is a good plan, she just never got to complete it) big enough to feed them while they watch the conquest of the rest of the universe in style. Zim and the Membranes get through to her and her squad, and possibly the other Irkens, by turning them against the Tallest to stop the Irkens once and for all. Maybe.

Finally to wrap this little nightmare up, here’s a vague outline of the stories I had planned for this wannabe whopper:  

 -A Whole New Nightmare – Following an amusing prologue about how Zim and Dib ended up missing the battle of Meekrob, Zim finally realizes that his natural Irken height threatens to expose his façade to all the classmates who have reached proper adolescent human height. He creates his exosuit then proceeds to cause a scene when he calls the Tallest and goes to hi-skool. Meanwhile, Gaz bugs Dib about still wasting his time bullying Zim. Zim then challenges Dib to a contest of normalcy: a series of challenges that are just overhyped normal teenage things like loitering, hanging out with friends, and finally a dance-off. Whoever loses has to admit they’re a complete weirdo and admit they’re most embarrassing secret. Dib wins the first round, but after he blows off Gaz to hang out with the other kids, she and Zim strike up a nice conversation and he wins the second round. The final dance-off ends in a draw when Zim and Dib both end up looking like total dorks. The story ends with Dib and Zim standing up for themselves against their judgemental peers, but Zim ends up overtaking his big speech and convincing his classmates to completely forget about his bizarre new appearance.

-Gaz the Befriended - Zim and Gaz make a deal: Gaz helps him fine tune his suit while posing as his "NORMAL HUMAN!" friend, and in return he helps her figure out how to control her powers while posing as her friend so she won't have to go to anger management counselling. While they do drive each other nuts, they eventually learn they have a lot in common and start acting like real friends. Dib grows suspicious of their "friendship," sets out to uncover the truth.

 -They Follow - Dib goes on social media to share his findings on Zim with the world in an attempt to verify all his evidence via wisdom of the crowd. Zim finds out and retaliates by joining social media as well to make himself look like a hard luck case in an effort to gain sympathy from the (basically ignorant) public. As their war of words escalate and their follower bases grow, they end up starting a flame war that threatens to destroy society itself.

-Star Dib - Hoping to find some real help, Dib sends a message to outer space looking for reinforcements. He ends up with what remains of the Resisty, who dissolved after their crushing defeat on The Battle of Meekrob. Taking pity on them, he volunteers to become their new leader. Shenanigans ensue on a galactic level.

 -C for Conspiracy - Dib stumbles across a mysterious conspiracy involving Earth tech being backwards compatible with alien tech. He wants to take it on himself, but realizes that he might actually need Zim’s help. So he has to swallow his pride and ask him for help, and as if that weren’t enough he has to put up with his and Gir’s (who tagged along) antics.

 -Night of the Living Prom-goers - Prom night comes along and all the hormonally-imbalanced kids are ready to go, except for Zim, Dib, and Gaz. Until Gaz works up the nerve to ask Zim out, which he actually accepts. While Gaz prepares for her perfect tolerable evening, Dib desperately tries to convince her that Zim’s up to something while trying uncover his true motives, only for her to snap at him and challenge his views on Zim. Little do either of them know, Zim plans to use the prom as an experiment to harness Gaz’s power for his own ends. But at the same time, he ponders whether his friendship with Gaz is just a means to an end or something more. Either way it will be a night they will never forget. Or survive! Probably.

 -The Return of Tak’s Revenge Rises - Tak finally returns to take her revenge on Zim and the Membrane siblings. Striking them when they least expect with the aid of an upgraded MiMi, a squad of berserk SIR units, and two fellow invaders Zim had wronged in the past.

 -Doomed Together - Following Tak’s strike, the Almighty Tallest kick off Operation Impending Doom 3 with a mission of utmost importance: sending in the Irken Armada to ensure Zim is destroyed once for all so they can finally proceed with absolute universal domination. Now, Gaz, Dib, and some unlikely allies must come up with a plan to save their even more unlikely new friend and the rest of the universe from the most fearsome force in the universe! It’s basically the grand finale.

 And that is all there is, or was, to Taller Tales of Terror. I can’t guarantee I’ll ever revisit it, what with all the other stuff on my plate right now, but I’m glad to have finally shared the story of my first fanfic with y’all.

 So, tell me, my filthy monkey maggot mutual friends. After all that horrible rambling, what did you think?

[ryttu3k]

Already finished Coteries of New York, so on to Shadows of New York! I’ve seen the first bit in an LP, at least, but the bulk of the story will be new. This will have two playthroughs, one for each ending, since at least it has them XD First up - the ‘good’ ending!

Oh dang I like the music.

Julia is a bit on the edgy/cynical side XD

Yeah, she’s got a shit deal :-\ And what’s worse is that it’s all planned out.

Interesting note - at Lodestar, there were shadowy figures in the background, but you could rationalise it as people on the other side of the windows. On the train, you only see the shadowy features, and it’s otherwise empty, so no obvious figures casting them...

I guess if you choose the ‘don’t shoot’ option, Julia gets drained and it’s an early game over?

God that Embrace scene is intense. I got goosebumps!

Spirits, huh? Oh yeah, Obtenebration became Oblivion and is now connected with necromancy, IIRC?

I’m glad she had a good few nights XD;;

Valerie Duval, she was... the scourge in CoNY hunting down the Red Hook killer?

Nice to meet you, ‘Katherine Wiese’ XD

Cool ponytail, Qadir! I really dig the relationship between him and Julia, it’s fun. ‘sup Aisling, how’s Agathon? A blood hunt, really? Y O U. Okay yeah probably better for Julia’s long-term survival for Arturo to ignore her XD;; Samira’s so pretty. Ooh this guy is Hope’s sire, yeah?

“You wanted to hear about which member of New York City's Camarilla I dislike the most?"

"Yes?"

"Too bad. They're all my dear colleagues, and I deeply respect every single one of them."

"Sure you do. Wouldn't want to blurt out something that could lock you out of Mr Vanderweyden's legal services, would you, you ass-kisser?"

"I do expect to find myself in need of a good defense attorney when my broke, incompetent, and foul-mouthed assistant finally pushes me over the edge."

THEMST.

Benoit hi!! “Got any news about Sophie Langley?” *sharp intake of breath* Benoit backstory, that’s rad. I wonder if it’ll be uncovered in-game? Like we know Arturo is still around, Panhard is still around. Presumably Adelaide Davis is still around. Callihan... well, I know what happens to him. I think Torque ditches the scene before Sophie dies?

Father Leonard seems like a good sort. I wonder what his deal is?

Dakota is adorable. I’m going to do the ‘good’ end first even though I know it’ll make me feel horrible, but dangit, the ‘bad’ end is totally going to be my canon.

...Vin Diesel? XD

DING DONG THE DOUCHE IS DEAD. ...Deader than usual, I mean.

jfc Panhard that is pretentious as hell. Both the party description and the costume, actually XD Qadir’s mask is kind of funky. Oh my god Arturo you are a Toreador is that the best you can come up with?! Nice horns, Aisling.

...Thought, given their clans, Samira/Aisling could be interesting as hell.

Man, Arturo and Panhard must be pissed off XD Unless they’ve already picked their replacement stooge?

And here’s where the plot starts! Hey, isn’t that the priest’s house? Ohh, they’re meant to be meeting with Mia. I guess they’re just reusing assets.

“It’s a list of four names. ‘D’Angelo. Hope. Agathon. Tamika.’“ *SHARP INTAKE OF BREATH* Okay, that could be the list Sophie gave the fledgling. Which one did Callihan get it from?

Oh criminy Dakota don’t tell me you’re into that Q-Anon shit XD;; Ooh okay that makes more sense. Neat.

Ahhh man I was hoping to get a lead and instead Julia has to punish this poor fuck XD;; Yeesh. Okay, Bunny as a Reporter it is, then.

Almost run over by a limo, huh? *chinstroke*

Oooh this is the lead to Hope! Yeah, I’d say she has a connection with a Montgomery XD Wonder if she did end up eating her? Huh, contact used LeakyGutSyndrome... didn’t Hope end up having to retire that one, or was it the other one? Let’s just... Dominate this guy. Sorry dude it’s for your own good.

Agathon’s missing? :( Damn, he’s like one of the only decent Tremere. Oho, a diary! Oh sweetheart :( Oh, Silvia died :( Damn, interesting past, though... and a reference to CoNY again.

Fucking shadows, I literally glanced over my shoulder.

S C H E M E S. And yeah, looks like I’m on my way to the ‘good’ end :-\

Oh shit, Adelaide or.... whatshisname, Kaiser’s dude? Oooh man who to meet first... Kaiser’s dude. Oh. That was a bit anticlimactic XD

On to see Hope at Double Spiral. I think this is one of those choices that leads to one of the endings, so what’s more ruthless and Camarilla... busting in it is.

Nastya isn’t having a good night, is she XD;; Also Hope’s suit is badass.

...huh. Sounds like she’s actually managed to get shit sorted decently XD

Interesting... the coterie members were a list of heroes for hire that multiple people had, including Sophie. Well, that widens the scope a bit! Anonymous information broker, shall I assume that’s Kaiser? OH. No, it’s her sire!

“The story going around is, he left me alone and I hate his guts. Well, at least half of that is true.” Which half, though...

Aww man I wish I had saved some of those websites! I miss SciFiVine...

You know, I’m not 100% sure Carter’s the murderer (my main suspect is Arturo at this point tbh) but damn, the bit about Stern’s show kinda makes me want to slap him anyway XD;;

Queer Catholic blues, huh :-\

“Haven’t you noticed what’s going on in the news? People are going absolutely insane about this virus, cancelling trips and orders and --” Ahh. We’re in that 2020 XD;;

Okay the scene with the kid meeting his girlfriend was cute but then spooky time?? jfc was that the Abyss?!

Ooooh did she just find Tamika solely by accident? Thanks, Abyss XD I love how Julia’s first response is ‘shit, she’s hot’. And she took out a whole SI squad herself? Nice. Calebros mention! Huh, so the SI are maintaining the status quo... they became an issue because the Camarilla tried to sic them on the Anarchs and Sabbat and it backfired, maybe it actually succeeded here?

Ooh, a history with Torque. Neat. Also not sure with the art, but are those tattoos on Tamika’s arm, or fur? I mean, Gangrel beast marks and all.

Sorry Torque I’m just trying to get the ‘good’ end :(

Mention of the fledgling! Officially ‘disappeared’, that leaves it fairly ambiguous at this point.

Oof. The Circulatory System are... not cool. And yeah Julia’s just been called tf out, I do look forward to this scene in the ‘bad’ end XD;;

COVID strikes back. The Big Beat Burger is closed :( Charlie is sweet, at least! I hope his mom is okay.

Well that rat bit was weird. Hi D’Angelo! Oh my god blood doll rats? Drunk blood doll rats?! Still a damn good detective, though, that’s good shit. On to Kaiser and some answers! ...Yeah, okay, he’s a prime suspect too.

Kaiser, you are a deeply unpleasant person :-\

...good to know pepper spray still works. And, uh, probably satisfying to beat him up XD;; And yeah, there’s the last choice for the ‘good’ ending. Sorry dude.

...huh. Okay, I was at least partially right XD;; Oh Qadir, not you too :-\

Well that’s a bit... weird of Dakota, yes.

lmao oh Benoit you absolute mess. Religion as A E S T H E T I C XD I have a theory he’s from Michael’s line and I also quite sincerely believe that Michael would take one look at him and bitchslap him into the next millennium. He’s a Path follower, isn’t he?

Father Leonard is okay. I wonder who the ‘friend’ is?

This is very Agatha Christie, revealing the killer in the midst, except I have the horrible feeling Qadir’s going to go with ‘it was suicide’ and not ‘it was everyone’.

Denouement! Before it ends, Julia’s traits:

Loyal only to myself

Glass half-empty

A little abuse of power never hurt nobody

You can’t be a writer and not lie

The ends justify the means (duh)

Honestly she may have just blackmailed her way into power, set up Carter to take the fall, and sent poor Dakota to final death, but the drama was impeccable XD Good luck not ending up in the Abyss, Julia!