#where nothing has to be essential to anything other than what i want to read about in a given moment

[kedreeva]

did u read the good omens book? if so, what are your thoughts on it compared to the tv series?

i followed u for the steddie posts but fell in love with ur meta too 💜

I did, but honestly they're separate entities unless I want to steal something specific for a fic. They're both good, for different reasons and in different ways. They are written by different men, literally and figuratively, about different subject matters, for different reasons. You can compare an apple to an apple blossom, but even though one became the other, and came from the same tree, doesn't mean they are the same thing anymore, nor does it mean one is better than the other.

That being said, I've only read the book once, and I've watched the show over a dozen times, most likely because I saw the show first and read the book second. I enjoyed the book, but I think it was probably a better read in its day, by people who were the target audience at the time, and who didn't just read about or know the context, but understood and lived it. I can't be that, I can't go back in time and read the book before the series, I can't go back and read it in a time where it would have meant what it was intended to mean to the world it was born into.

[petr1kov]

i swear most berserk fans are the dumbest motherfuckers alive in general but especially so when it comes to analyzing griffith's character and motivations. everything that happened in the eclipse is usually just tied into a neat uncomplicated bow of 'griffith always was a sociopath with no feelings and everyone in the band of the hawk were always seen as disposable tools to him', which is such a poor reading of literally everything that happened prior to it that it drives me insane.

the eclipse is meant to be a huge sacrifice. it is a grotesque and violent ritual that has griffith completely shedding his humanity and becoming something monstrous by cutting ties with everything and everyone that made him feel human in the worst possible way. what would be the point of it if griffith was already a fully-fledged monster from the beginning? why did griffith even need to experience visions to be convinced if he was always ready to sell his comrades for a corn chip?

even the scene where he explicitly states that 'only [guts] made me forget about my dream' often gets misconstrued as being just another expression of his narcissist ego, with claims that griffith became inconsolable and reckless after guts left him only because he got mad that lost control of his 'tool', since he felt like he needed him to achieve what he wanted. obviously, griffith's egotistical nature is central to his character and plays a part in this as well, but it's still very clear that it's not just resentment that motivates him in the aftermath of guts leaving. as he stated, guts made him forget what he wanted to achieve at all, HIS DREAM, for a while - and when he thinks of that, he remembers the good times they shared, not the bad. he simply couldn't envision a future that didn't include guts, after a point in his life, and that feeling had nothing to do with any pragmatic assessment of the pros and cons of having a powerful fighter like him on his side, and he knew that. it was the depth of his attachment to guts that terrified him.

i feel that people tend to dance around the issue of griffith's emotions in general because they feel that acknowledging that he felt anything other than possessive entitlement to the members of his crew (or even just to guts) is almost the same as excusing his actions, but it's the opposite for me. believing that griffith was simply born incapable of feeling love and affection for anyone is as good as believing that he essentially had no true free will in the events that led to the eclipse; if they were all interchangeable pawns on his hand, how would he ever hesitate to sacrifice them when the time came? how could a sacrifice like this even hold any meaning, really? believing that is fully conceding that he was always destined to become femto no matter what, which runs counter to the theme of free will in the face of causality that drives the series. where is the tragedy in that? where is the betrayal? it hurts because it could, should have been different, and griffith made a terrible choice - but only because he had a choice to make in the first place.

[livingformintyoongi]

BTS fic recs

I wanted to do this a while ago, but felt like I hadn't read enough, until I checked my likes and got a shock to the face lol. I wanted to give some recommendations of some fics (and a series) that I quite enjoyed reading, plus leave a small review because I feel like it's very underrated to comment on what you like something (people, comment more, I swear it makes a writer feel so much better than a like). There's the occasional spoiler in the reviews, so I recommend you read it carefully or just skip the comment ^^.

Dawning by @wintaerbaer JJK

summary: He’s never invited into your world during these late night sessions. You always push him away or ignore him. This is new. warnings: heavy depictions of depression and panic attacks, a brief line where taehyung worries oc is s**cidal. I really loved this fic. For a moment I thought it was some kind of two shot or something, but it only has this one part. Still, I felt the author captured the emotions very well. It felt so realistic that even I was worried when Y/N disappeared lol.

Bottle up old love by @wintaerbaer KTH

summary: Jungkook may have broken up with you a year ago, but that's not going to stop him from coming to your rescue when he sees you being cornered by a creep. warnings: language, a short harassment scene at the beginning (nothing too intense), explicit content including: unprotected sex (DO NOT), fingering, praise kink, biting, marking, spanking, cum eating (sort of?), big cawk soft dom jk, cowgirl (yeehaw), creampie, cockwarming. This fic made me remember why I love the exes to lovers trope. I loved seeing Jungkook as a tattoo artist, it's like, I don't know, so him, anyway, I loved it. I just found this account yesterday in the wee hours of the morning and I'm already loving it <3.

Cat-astrophe & Cat-enaries by @dumpywrites MYG

Summary: Your pet cat keeps going to your neighbor’s apartment and it’s a problem.  I fell in love with this Yoongi like you have no idea. When I just read the first part I was so eager to keep reading, seriously, I loved it, it deserves so much love.

Two Days by @dumpywrites JJK

Summary: He just wants you to give him two days. He'll take you on a few dates and you'll decided if you actually like him? Or not? I live for Jungkook being simp of the reader, I feel it's so real lol. This fic made me feel so warm inside, it was too cute to read. It's kind of like my comfort fic.

S'more than friends by @borathae MYG

Warnings: subby!Yoongi, switchy!Reader, consumption of beer, so much awkward tension, jealousy, sex in a tent, mutual masturbation, handjob, fingering, making out aye, Yoongi loves her boobs and she loves his butt it’s a win-win, sex while other people are sleeping, public sex, she has a thing for his hands (but what’s new lmao), fluffy post-orgasm talks because I’m soft. I read it a while ago now, but I remember when I did I felt so soft. This Yoongi is just too cute.

Please don't go by @httpjungkookcom JJK

Summary | Jungkook’s never kept anything from you, ever. Not even the time where he tripped and accidentally kicked your dog, or when he fucked the most popular girl in high school and couldn’t make himself cum (poor guy was embarrassed for weeks), or when he accidentally rubbed all of his acceptance letters in your face without realizing. To put it short, Jungkook is an open book to you. So when he suddenly disappears, there’s a lot to question. Even more to question when he finally gets back and won’t tell you anything, going as far to avoid you. You’re on a mission to figure it out, even if it kills you. Index | Jungkook is so smart, but so stupid at the same time. Jungkook is not sly in the slightest. Kind of angst, fighting, arguing, bickering, etc. Criminal activity, it’s a Spider-Man fic. Injuries and mention of blood. College setting and age, reader and Kook share the same major. Some cute fluffy moments in between all of the action. Aunt Yoon is essentially Aunt May in the Marvel story line.  Spiderkook, is more needed to read this fic? It was the first one I read about this au and I was WONDERED. God, you can't imagine how much I loved it. I thought it was so cute the way Jk approached reader being in his suit….

Accidental roommates by @jjkeverlast JJK

summary: moving apartments is stressful and difficult enough as it is. all the planning and packing and multiple moments of rearranging furniture; all you crave is peace. yet it seemed like peace was far within reach as the owner of the apartment had left out one tiny crucial detail from the ad — a ripped tattooed adonis, coupled, with a tiny baby daughter will come as your roommate. warnings: second hand embarrassment | jungkook's abs | annoying antics | suppressed feelings | both of them are stubborn and petty (it's gets tiring lmfao) | mentions of past relationships | a lot of time stamps | sexual tension | ft. namjoon 👀 | !constant change of perspective between reader and jungkook. I have a tremendous weakness with dilf, no matter who it is, I just love them. I think this was the first one I read by Jungkook. It was so fun and easy to read that the 14.7k words flew by for me.

Silk & Stones by @taegularities KTH

Summary: “Taehyung was a writer… he was a writer indeed.” Kim Taehyung knows his way around words – they cast a spell on your heart and mind, leave you gasping dangerously fast. Until the mystery behind his persona unveils and his touch, along with his words, becomes a vivid memory. warnings: writer + violinist tae 🥺 who’s a gentleman in the 19th century, brief mention of injuries/a mental institution, misunderstandings, heartbreak, secrets, grief, much poetry (and my attempt at writing a poem, pls spot), much disgoosting fluff, flirting and lots of sexual tension; explicit sexual content: 2 sex(y) scenes, fingering on a boat, choking, teasing, begging, praising, soft dom!tae, big dick!tae, tiddie fondling/sucking, some manhandling, dirty talk, they’re just so cute :((, oral (f. and m. receiving), some masturbation, oc is into neck kisses, some biting, fingering, hair pulling, asking for permission :(, multiple orgasms, unprotected sex (it’s the 19th century...), aftercare; there’s quite some angst ok; lmk if i forgot smth !! This was a work of art for me. I felt so immersed in the story, so confused by the time changes and everything surrounding Taehyung, but I loved it, one of the best stories I've read of Taehyung since I joined tumblr.

17 going on 27 by @hansolmates JJK

summary; one second, you’re sobbing at prom because the most popular guy in school dumps you due to your relationship being a little prank to break your heart. the next? you’re a creative editor at Ego, the hottest young adult fashion magazine. as you try to figure out what’s the deal with this sudden time skip into adulthood, you come across relationships and friendships that are made to be cherished and made to be broken. genre/warnings; fluff, crack, future enemies to lovers, teenage and adulthood angst, time skips from high school!au to late twenties!au, 13 going on 30!au, all your romantic movie tropes come to life! a really big mess honestly, various movie and music references, mentions of sex, use of alcohol, everyone give jin and jimin a big ol hug, language, a surprise guest from the queen of england. I love adaptations, especially ones that add their own touch, and the writer did it so well. She made me hate Jungkook, and then love him, and then hate him again, in the end I ended up resenting him, I wanted reader to stay with Jin lol, but I still loved it. Definitely my favorite part was having Jimin as a best friend, I loved watching him take on Jungkook in the car. We all need a friend like him.

Hot Bot by @httpjeon JJK/PJM/KTH/JHS

JJK: You order a sex robot online after getting a coupon for half off. however, there’s something strange about yours. PJM: Fear is primal and causes one to make stupid decisions. KTH: Your parents have a gift for you, however, there’s been a mistake. JHS: As a product tester, you have one of the most sought after temporary positions in Hot Bot Inc. This is a series that has smut, I think the name gives it away. It's rather sad that the writer is on hiatus, but he left the gems of his works open to the public. The series is pretty good, I fell in love with Jungkook (and Yoongi kskjdsksjds). Highly recommended.

The proposal by @hansolmates JJK

summary; Jeon’s the editor-in-chief for Big Hit Publishings, a closet romantic with a penchant for antagonizing his assistant on the reg. When his work visa is in the process of being renewed and he takes a trip to Norway, his eligibility to stay in America is on the line. However Jeon Jungkook doesn’t go without a fight, and in order to save his job he offers you a proposal you can't refuse. genre/warnings; the proposal!au, fake marriage au, enemies to friends(!!!), friends to lovers, bouts of flangst, dry humping, slight blood but not too bad, lang, alcohol, poor jjk discovers he has the ability to feel emotion, poor y/n is in the middle as always. I was looking for an adaptation of this movie for so long that when I found this one I almost cried with emotion. I LOVED the movie and the concept it had, and I was so happy to read this fic that captures that very romcom essence that the movie has. I loved it.

Marshmallows and report cards by @untaemedqueen KTH

Warnings: Impreg Kink, Marking, Cunnilingus, Fingering, Birthday Sex, Spitting, Begging, Praise, Fellatio, Face Fucking, Big Dick!Tae, Multiple Orgasms, Unprotected Sex, Possessive!Tae, Cock Warming, Creampie. I already confessed, this kind of fics get to me. I remember reading it and melting with the ending. I read it a long time ago, so I can't give a longer opinion, but I do remember that I loved it and came out internally squealing after I finished it.

Orange tulips by @kainks JJK

Summary: You’d remember Jungkook with every life you lived. Only he’d never remember you, never recall how your fates were written in the stars since the beginning of time. Genre: Angst. Fluff. Light Smut. The anxiety and helplessness I felt reading this fic are on another level. This scarred me, I read it once and I was never the same person again. It was wonderful, I felt so many things and I was so nervous during the whole reading that I almost didn't even realize when it was over. It is a very enjoyable fic.

What if I love you too much? by @taleasnewastime

Summary: Jungkook. It’s only a name you learn after your son kicks his ball over the fence. Before that you only knew him as the hot new neighbour who mows his lawn topless. And though you have no intention of getting to know him anymore than that, inevitably you do. You don’t necessarily fall, it’s too slow for that, but you definitely develop feelings you don’t intend to feel. Because you know men like him, and you know that whatever you’re feeling, he’s probably not feeling the same. All the same, however hard you try, you can’t help yourself. Warnings: Single mum, small fights, explicit sexual content, oral (f receiving), safe penetrative sex, reader thinks Jungkook is cheating/playing the field, angst, but also fluff, child gets injured (though not seriously), talks of cuts and a small amount of blood. This fic left me feeling bad, it even made me question some future decisions regarding my relationship with my future partner and the necessary communication that must be had in a relationship from the beginning, especially if there is a child in the middle. It was something I really enjoyed reading, and even though I had my internal dilemmas with Jungkook, the drabbles in the story helped me a lot to let go of my grudge (I swear I have nothing personal with him sksjkajskajsj).

[crowleysgirl56]

Ok, so I wanted to do a deeper dive into this particular passage of Good Omens:

For context, this is at the climax of the book, they’re at Tadfield airbase, the horsemen have been dispensed with, Aziraphale has his body back, and Satan is about to claw his way out of the pit.

In most of the proceeding chapters involving Crowley it talks a lot about how scared Crowley is. He is very scared of Hell.

One could perhaps say maybe he is scared of them due to The Arrangement, but that is never explicitly stated. I think it has more to do with Hell is bad, and Crowley has spent the majority of the book being yelled at by some entity through the radio or TV telling him how he’s going to be in super amounts of trouble when they get their hands on him. He is just scared of what will happen. When he comes across the book shop burning he doesn’t cry for his lost friend. He curses Aziraphale, and I think it’s because the one person who may have been able to keep him safe and protected from Hell is now gone.

So when he thinks to himself (as shown in the above screen shot) that there is now nothing left for him to lose, this is why I never thought (upon reading the book the first time that is) there were any romantic feelings between him and Aziraphale. I know that technically he had already lost Aziraphale. But by this point he was back again, and back in his body. If there truly were romantic thoughts between them surely the idea of losing him again would come up.

I have read so much fanfiction, some old, some new, and what they all have in common is the detailed inner monologue of Crowley’s turmoil over his feelings for Aziraphale and how he doesn’t feel like he can act on them. In the book we get nothing of the sort, from either character. Even when they’re separated there is hardly ever any description of them thinking of the other except occasionally to frame a short reference to something. Reading the book I never got the impression that there was anything more than two ethereal beings spending time and proximity to each other and doing work for each other for no other reason than they’re essentially a bit lazy.

I think they’re only queer coded for the fact that there’s the line about Aziraphale appearing “gayer than a tree full of monkeys on nitric oxide”, and Crowley is, well, very Freddie Mercury coded. Them being seen as gay together and all the gay slurs in the awful racist scenes of Aziraphale body hopping about in culturally indigenous people after the bookshop fire has more to do with the very typical 80’s/90’s trope of “being gay = comedy gold”, than them actually being together romantically.

I think the reason why they were shipped so much after the publication however is for the same reason we ship so many male couples (or female couple) in modern media, why we’ve always shipped them: because of the complete and horrid lack there of, of proper queer representation.

If you’ve ever seen the magnificent Russel T Davies TV series It’s a Sin, there is a wonderful scene where the character Ash starts a job in a school library and the headmaster asks him to go through all the books and find any book that has queer love scenes so they can be removed. Ash then gives a most beautiful and impassioned speech (albeit it turns out the speech is just in his head) of how there is nothing. Absolutely nothing. There is nothing to the point where they are nonexistent. They are invisible. They are not seen. (Or like, something to that effect. I tell you though, it’s bloody brilliant).

So I think that’s rather the point really. You have two iconic characters, albeit supporting bit characters practically, and I think a lot of our minds automatically get drawn to wanting to put them together because of the sheer lack of queer couples. People have been doing it for years from Frodo and Sam, to Harry Potter and Draco (or Ron I guess), to Sherlock and Watson (even before the Benedict Cumberbatch show. Also as an aside let’s not get into how obsessed people got about Sherlock Holmes back in the day when those books were first published. The obsession was the reason Doyle killed the character off the in first place, then after getting letters from people telling him they were literally going to kill themselves, the reasons why he resurrected him again. Don’t tell us that modern day nerds are weird and obsessive. We’ve ALWAYS been like this).

It’s for this reason why queer representation is so god damn important. Why I still support the idea of Good Omens season 3. Because regardless of how the characters were originally intending to be represented in the book, it’s very clear now that they are so much more than “Just friends”. And we NEED that! Whether you subscribe to the idea that they will be physically intimate with each other, the fact remains is they love each other. They love each other immensely. And that comes from years of Terry Pratchett (and the other guy) accepting that canon and telling fans that it’s true. Because Michael Sheen made a choice and held a belief about how he saw his character and then David Tennant followed suit. That literally tens of thousands of fanfiction writers have decided the same.

So that’s my take. I don’t think loving each other was ever intended that way in the book, but in the last 35 years their story has morphed into the ineffable husbands that we now know.

What are your thoughts? Have I rambled on long enough to make any sense? Do you agree? Have I missed something completely obvious and gotten it all wrong? Keen to hear thoughts.

[justmeinadaze]

3, 2, 1... (Eric from AQPD1 & You)

A/N: Some people asked if I was going to write for Eric and its about time I do something for one of Joe's other characters. Please enjoy this treat I bear you! <3

Warnings: Eric from A Quiet Place: Day One and Fem Y/N, SMUT, very loving, FLUFF, established relationship, ANGST, obviously apocalypse, anxiety and PTSD mentioned, nothing too drastic (but I can make a part 2 that's more angsty if you want 😈 )

Word Count: 3240

Donate to me :)

You missed so many things since the world went quiet. 

You missed the bustle of students arriving on campus for class at the law school you attended. You missed the sound of the music playing at the café where you studied for exams or case notes for your internship. You missed watching movies at the drive in you took your boyfriend to on the rural side of New York and the way his eyes lit up at the sights around him. The way he would laugh with a loud “HA!” that had you giggling at the noise. 

But more than anything… you missed the sound of Eric’s voice. 

The way he would excitedly tell his parents about his day at school over the phone or when he would answer a question the professor asked with a little nervous stutter afraid to get the answer the wrong. The anxious little flutter of his lips when he would tell you that you were beautiful before blushing even though you two had already been together for over a year. You missed the soft way he would whisper to you in bed every morning as he tenderly pet your head and kissed your face. 

Hell, you even missed the shouting matches during a fight when he would scream about something that hardly matters now before a few hours later sliding into your bedroom so you two could talk it out. 

Now neither of you said a word as you roamed the streets of the city looking for supplies and a safe place to stay. 

Ironically, last night you found a library to rest in and woke up early to read one of the books you found on a shelf nearby. It took you a moment to realize Eric was watching you and when you did you beamed his way as he quietly stretched and rubbed his eyes. 

Nodding his head your way towards the book in your hand, you flashed him the cover.

“Sign Language for Beginners.”

Your boyfriend smiled wide as he reached for the whiteboard beside him you two had been using to communicate. 

“What have you learned so far?”

As you slowly sign with your hands, he watches you carefully as you mouth along with the movements while spelling out your name. Without his palms touching, he claps seemingly impressed with your new skills. After grabbing your own whiteboard from your backpack, you scoot closer to him till your knees are touching as your cross your legs. 

“Want to see another thing I learned?”

When he nods, you take his hand in yours, maneuvering his fingers till they’re the way you want, and your eyes meet his as you silently mouth what it means. 

“I love you.”

A gentle smile paints his lips as his other palm cups your cheek and brings your mouth to his own. Matching your fingers to his, you press them together as he mouths his love for you in return.  

After eating and getting your things together, hand in hand you moved about the city. Pharmacies were something you insisted you two always go into because not only did it have medication you may need down the line but it had supplies like batteries, everyday essentials, and water. 

Eric most of the time just followed your lead but occasionally he would slip away when he found something he thought would make you smile. One day while exploring, he tapped your shoulder and bowed before handing you a rose that had you grinning. Another day, he found some of your favorite chocolates that you loved, immediately devouring it as he silently laughed at your eagerness. 

Normally when he detached from you, he didn’t go far but when you turned to leave the area he wasn’t anywhere to be seen. Your instinct was to shout his name but you couldn’t. Fear flooded your body as you panickily looked around for any sign of him and finding nothing. 

Your brain began to shut down as tears fell down your cheeks and you collapsed to your knees. Your chest was hyperventilating at the notion of being alone in this chaos…being alone in a world where Eric didn’t exist… 

As you heavily inhaled, a palm covered your mouth and you opened your wide eyes to meet your boyfriend’s equally terrified gaze.

You were so overjoyed to see him but your internal panic was still on overdrive. That’s one thing you and Eric had in common. You had PTSD from certain events in your life that only he knew about that left you debellated sometimes. Eric had massive anxiety that was exacerbated after he moved down here from London to attend law school. You both hated being alone and depended on each other at times when things got bad enough. 

Placing his finger over his mouth in a shushing motion, he carefully dug into his bag and pulled out a little prescription bottle, handing you a tiny pill and some water that you eagerly accepted. Miming with his hands, he signaled for you to slow your breathing and when you were finally calm enough to focus he hugged you tightly to his chest. 

#################

Even as you clung to his arm, he could tell you were still fuming. You two had learned a while ago that you could make noise under other sounds like rain and running water so unbeknownst to you, Eric took a detour to a building you two had been a couple of times on dates before the end of the world. 

Gently opening the door, he guided you in and as soon as you entered you heard the sound of water falling. Glancing around, you noticed he had taken you to a greenhouse as the strong smell of flowers hit your nose. 

After taking a quick look around, he brought you to the waterfall fountain that was in the middle of the room under a glass dome illuminating the sky above. His doe eyes followed you as you took a seat beside the falls and stared at the ripples that flowed. 

As he sat beside you, it took him a moment before he finally spoke. 

“I’m sorry, Y/N. I didn’t mean to frighten you.”, he whispered. 

Your glassy eyes met his but instead of verbally replying, you hand loudly smacked his arm. You continued to hit his bicep as the tears fell and he allowed it knowing he fucked up. 

“We’re supposed to tell each other where we go!”, you murmur heatedly. “What was so important that you had to have it now and scare me half to death?”

Digging into his backpack, he produced a little blue box and opened it for you displaying a beautiful silver, diamond stud engagement ring that had your eye lids flutter at the sight. 

“Before all this bullshit, I had begun saving to buy you something like this… I should have started saving sooner.”, Eric shrugged as he shifted his gaze away from yours. “I don’t know why I even risked scarring you to get this. I don’t think there are any priests or anything. Plus, you deserve a white dress and—”

When he turned back to focus on you again he was met with your lips. 

“I love you, you idiot.”

He smiles wide as he pulls you into his embrace and kisses your forehead. 

***

A couple of hours later, Eric awoke to your hand gently jostling his arm. Prepared for the worst, his eyes anxiously glanced from left to right looking for the threat before landing on your beautiful face in front of him. 

Standing to your full height, you showed off the white sundress you found when you snuck to the clothing store beside the building you two were in. As you tilted your head at an angle, you gestured towards the veil that was held in place by a headband. Utilizing the water in the greenhouse, you had washed your face and put on some make up you found as well illuminating all your best features that he loved so much. 

Since you were a bit further away from the fountain than before, Eric lifted his whiteboard, scrolling across it before displaying a message. 

“You look gorgeous.”

Falling to your knees, you took the marker from his grasp and he waits as you write your reply. 

“Thank you. I got you something to.”

His chocolate eyes follow your finger as you point towards a suit on a chair nearby.

Excitedly, he jumps up and hastily begins removing his clothes making you silently laugh at his earnest energy. The outfit was a bit too big on him but you didn’t care. To you, he looked absolutely perfect.

Placing himself in front of you, his amused irises watch with anticipation as he waits for you to show him what you’re writing. 

“Family and friends, we are gathered here today to witness the union of Eric and Y/N…blah blah blah.”

The man’s smile widens as you smile back, erasing what you put and continuing your ceremony. 

“Eric, I have loved you since the moment I saw you shyly answer Professor Flick’s question in our ethics class. You were always a bit nervous but your heart was always so big. You were the sweetest person I had ever met. Even before the end of the world, I felt safe with you and I hope you know that your body and your heart are safe with me. I love you.”

As he read your vows, a tear left his eye before he leaned towards you to kiss your lips and take back his board. As he wrote, you imagined what it would have been like to have a real wedding. His parents would have wanted him to go back to Kent to have a massive sized ceremony there. Eric told you his parents always had high expectations especially coming out of “high society”. They would have invited a ton of people their son didn’t know and most likely not even consult with you about the arrangements and wedding itself. 

Your parents hadn’t been in your life in a long while and since then you always avoided thoughts like who would walk you down the aisle or who would you have in your family section. You didn’t have a lot of money nor come from any so you wouldn’t be able to have a big wedding or even a tiny wedding with friends especially not here in New York where everything cost a fortune. 

You imagined it would have most likely been a stressful situation for you both and you didn’t want that; not only for you but for the man you loved. It would be his day to and he deserved to look as happy as he did now as he turned the whiteboard to face you. 

“Y/N, I remember that day when you offered to study with me so I wouldn’t feel so nervous. I couldn’t understand why a beautiful woman like you was offering to help a dork like me. The first time I heard you laugh I knew I wanted to marry you. I miss the sound… but I love that you’re still here with me and marrying me. I promise I’ll ALWAYS keep you safe, baby. I love you to.”

Beaming up at him, you kiss his lips as his hand cups your face and his thumb wipes away the one tear that had escaped down your cheek.

After taking the board back, you hand him the blue box with the rings and hastily scroll on the board. 

“Do you Eric take Y/N as your wife to have and to hold for richer or poorer, in sickness and in health, for better or worse, and other things I can’t remember, till death do us part?”

Tenderly smiling, he takes out the diamond ring and places it on your finger as he leans forward till his lips are right by the shell of your ear. 

“I do.”, he whispers so softly that a tingle runs through your body, biting your bottom lip as he kisses your cheek before playfully tugging the board from your grasp. 

Replacing the names, he flips it your way and you retrieve the gold wedding band and place it on his finger as you tilt up on your toes to reach his ear. 

“I do.”

You don’t bother taking the board back as he scribbles something quickly down, flashing it your way when he finishes. 

“By the power vested in me by the end of the world, I now pronounce us husband and wife and now I’m gonna kiss my bride.”

You stifle your giggles into his lips as they crash to your own and he lifts you off your feet into his strong arms. 

#####################

Eric continues to sneak love filled glances your way as you both share the cake you had found in a bakery within the building. Jerking your head his way, you nod, silently asking what’s running through his mind. 

Smiling, his pointer finger touches your chest followed by the rest of them swishing around his face, mouthing along as he signs. 

“You are beautiful.”

Quietly laughing, you find your whiteboard and scribble across it with your marker. 

“Have you been looking at my book?”

“Maybe.”, he writes back. 

After placing his fingers on his chin, he brings them down before gesturing at the area around you both.

“Thank you for this.”

The sound of thunder makes you both jump before silently exhaling as you lean your head on his shoulder and hug his arm that had promptly shot out to protect you. Images of dates to movie theaters where you would squeak and cling to him as something scary popped out on screen filled your mind. The warm fuzzy feeling it gave you when his palm would grip your thigh as if to say, “I got you.” Before his gorgeous eyes would glance down at you like they were now. 

Placing your palm over the back of his, you guided his fingertips along your thighs taking part of your dress up with it before disappearing under the fabric. Eric shifted his body closer to yours as his lips softly kissed your temple and trailed down to your cheek. Biting your lip, you stifled your moan as his fingers moved the cotton blocking your core to the side and effortlessly glided through your folds to slowly massage your clit.

It had been so long since you were able to be intimate with each other with the fear of death always looming in your minds but when heavy rain loudly tapped against the glass above you, your eyes rolled back as your mouths connected and all you could think about was the man you loved. 

Eric panted against your tongue as your palm rubbed against the growing bulge in his slacks and you groaned in response when in return two of his thick fingers slid into your heat. 

“Eric.”

“Fuck—I missed the way you moaned my name.”, he whispered as he thrust his digits into you at a steady pace, slowing only for a moment when you hastily unbutton his pants to pull out his cock. His big, lust filled eyes watch as you run your tongue along your hand and wrap it around him, mewling as you begin to stroke his length. “Feels so fucking good, baby. I h-hope this rain lasts because I don’t wa-want to hold back too much on our wedding night.”

A pant mixes in with your low laugh as he smiles against your lips at his comment. His kisses travel to your neck and your pussy tightens around his fingers as he pumps into you, tapping into that sweet spot inside you that only he has ever been able to reach. 

Thunder bangs above you both as your climax washes over you and you moan as your free hand grasps desperately at his button up shirt, trying to pull him as close to you as you can. 

“Fuck…please, Eric… I need you…”

Quickly moving away from you, he reaches for his suit jacket and places it behind you as you peel off your panties. With his hand on your lower back, he guides you on top of the fabric and after positioning his body on yours, you help push his pants further down till their resting just under his ass. 

As you craned your neck to watch between your bodies, his humid breath fanned your face as he gradually guided his cock into your entrance. 

“Oh my Gooooood, Y/N, baby.”

Eric’s head fell into the nook between your neck and shoulder as he did little thrusts to allow you both time to absorb the feeling of each other again as he stretched you open and your fingers threaded through his hair as your legs circled around his waist. 

Through the glass above you saw the lightening flash brightly almost blinding you as you began to count. 

“3, 2, 1.”

Eric stilled for a moment as he listened to you whisper before thunder shook the building surrounding you. His palm slid down your side to your hip, holding you as his maneuvered his waist till just his tip was inside you.

“3, 2, 1…”

As soon as the thunder clapped, his hips snapped into yours pushing his cock deep inside you causing a loud moan to leave your lips matching the sound of the rumbles in the sky. You both worked in tandem as you watched the lightening and counted as he waited for the thunder so you could scream as loud as you needed to. 

Even he knew though that storms wouldn’t last forever and he desperately wanted to hear you come undone. Pushing up onto his forearms, he pounded into you as his eyes remained locked with yours.

He didn’t need to say anything…. You knew what he wanted without saying a word. 

After nodding your head, his forehead leans against your sweaty one and you cling to his shoulders as you wait, fending off your orgasm as best you can until you finally see the flash of light. Eric takes note of it as well as it reflects off the floor around you but he waits for your count.

“E-Eric…3…2-2…1.”

The thunder crashes so loud it was as if mother nature was on your side as you scream his name again and the coil snaps as you cum. A loud grunt mixes with your shout of pleasure before Eric pulls his cock out of your quivering cunt and strokes his hand quickly along his shaft, milking his release as it lands on your thigh. 

Grabbing the napkins from the bag nearby, he cleans you both and collapses at your side. Rolling to face him, your husband reaches over to move your hair behind your ear. 

“Are you alright?”

“Yeah, are you?”, you whisper back.

“Yeah.”, he murmurs as he listens to the rain begin to lighten outside. Extending his arm for you to use as a pillow, you smile as you move closer to him and his utilizes his other arm to rest his on your side. “I love you, Y/N.”

It was so low he didn’t think you heard him but when your own palm landed on his lower back and your nose grazed his, he melted into you when he heard your equally quiet, “I love you to, Eric.”

[been-around-seen-things]

Dusting off my Tumblr for some post-U.S. election reflections.

I keep thinking about Vico’s call to keep creating, among others I’ve seen:

And—in a word—yes. Art of all kinds is more, not less important at times like these. Bare survival will be harder for many, and we need to do everything we can to help each other survive. But they want to silence us completely. We can’t let them.

Creative acts literally make something out of nothing. Or, if not exactly nothing, they make something that amounts to far more than the raw materials. And/also, the things we create are literally us. Our minds and hearts on the page/screen/stage/etc. When we create, we’re bringing all of our identities and experiences to that process; all of our personal lenses; our individuality. No one else could make that thing exactly the way we do. It means something to do this, regardless of how large or small the thing is that we create.

And, on the topic of art mattering: I’ve always resisted the thought of ofmd as “mere” escapism, even if DJ has framed it that way himself. It’s not. Art lets us imagine other possibilities for the world and ourselves. Realities other than the (horrifying) one we have. If we can’t even imagine other possibilities, there’s literally no hope of ever bringing them into being.

A world on screen where queerness is the default and not an outlier matters. Where people don’t punch down; where individuals are allowed to learn and grow and change; where there is no requirement to meet someone’s definition of “good” to deserve love and membership in a community. Where no one is truly unlovable or unsalvageable, unless they choose violence for their own ends (or to serve the state). It matters deeply that this piece of media exists.

Today I feel like I’m experiencing multiple stages of grief at once. Rage that this is our world; despair that so many of my neighbors are so full of hate, fear, and ignorance; disbelief that the election outcome was as catastrophic as it was. Doing anything at all is an enormous struggle. But I know that art matters and making things matters. We’ll all be on our own timelines for creating and engaging, and holding space for that is important. But I don’t think anyone should think any of it is frivolous. Humanity has been making art and telling stories for as long as we have been able to sit by a fire to do these things. It’s essential. It’s baked in. It’s what we do.

All my love to anyone who reads this ❤️

[taradactyls]

The full Bennet Family Finances endnote from Ch33

I’ve been doing some more maths (ch26 has the initial discussion) on the savings that our characters might do/should’ve done since it’s fascinating to me and some of the comments I’ve been getting have been making me think more about it. One of the common themes is surprise at just how negligent the Bennets were at saving, instead of merely being stretched thin by expenses. I understand this completely, as it isn’t something that’s explicit in an easily recognisable way for modern audiences.

So, where could they have been more economical? They don’t go to London, no one has a gambling addiction, all travelling (which was EXPENSIVE) is done cost effectively, and they certainly didn’t spend all the money on tutors and the like for their daughters. I’m sure there’s actual academic papers by historians on this (I miss my uni access to those so much) but I can take some educated guesses.

We know Mrs Bennet is just bad with household management. Part of which might mean ordering too much food (it’s mentioned she keeps a good table, so this is as close to canon as we can get) and perhaps not being efficient with what she does order, ie wanting different meats from night to night, instead of having the leftovers served as stews or whatnot, not keeping an eye on the prices of sugar, salt, etc to buy when they’re cheap, making special orders instead of purchasing what’s readily available, etc. We know none of the Bennet women assist in the kitchen (as the Lucases do) so that’s more work for servants and thus likely to contribute to the need of an extra servant or higher wages. Household management could also be more innocuous things like always buying the expensive bees-wax candles, instead of using tallow when guests aren’t around or in out-of-the-way rooms. And being inefficient with candle usage (this is likely a Mr Bennet flaw too, if he enjoys reading in his library at night) in order to have a room better lit than strictly necessary. There was a reason families all tended to gather in one room after dark, and the Bennets notably don’t. Also having fires in all the principal rooms instead of just the ones likely to be used that day. If there’s ways to be inefficient with funds when it comes to cleaning, I’m sure they found a way there, too. Basically, anything that requires forward planning to help with economy would be lacking.

 But that’s all ‘essentials’ just done inefficiently, what luxuries might they have had? They have the income to warrant their carriage, horses, and it seems Mr Bennet does hunt, but that’s also a standard expense for his wealth, so let’s focus on what might be pushing them to their limits. Other than the over-provisioned dining table, which we’ve mentioned, nothing about their socialising habits seems excessive. Mrs Bennet’s love of fashion could be pushing her wardrobe bill up, Mr Bennet’s love of books could be a VERY expensive hobby, and of course – five daughters out at once. Having five daughters out (especially unnecessarily as Lydia and even Kitty were quite young to be out) cost a LOT of money. Lady Catherine was rude as anything, but her surprise at the fact was warranted. Other than money, it also meant the daughters were in direct ‘competition’ for the same limited amount of suitors, which theoretically might hurt the elder girls’ chances. Five distinct wardrobes for young women which needed gowns for all occasions, going through dance shoes and gloves very quickly, bonnets, etc, all added up. At the start of the book multiple hundreds of pounds a year would be going to keeping their daughters looking the part while mixing in society.

But Jane’s only twenty-one or twenty-two at the start of the novel, and came out at fifteen at the earliest. Yet the Bennets still never saved money, and never overspent their income, so there were other expenses they were able to drop which had been preventing them from saving money for the first sixteen or so years of their marriage. I think it’s fair to assume there’s random, one-time bigger expenses that were undertaken with any substantial spare money: perhaps the hermitage Mrs Bennet mentions is a newer addition, was the coach (which are normally ordered around the start of a marriage) refitted more recently, how often is the décor of Longbourn updated (and on that note, are things like the sofa reupholstered or completely replaced), do they impulse buy vases and sculptures, make sure whatever alcohol they do buy (which appears to be a reasonable amount for their class) is the expensive stuff, etc. Whatever it is, it’s a both parent problem. Mrs Bennet is bad at money management and instead of changing her habits or preparing her daughters for financial hardship puts pressure on them to marry (preferably rich, but she doesn’t seem to have a complaint about Wickham in that regard). Mr Bennet is smart enough to see that there is a problem and how to fix it, but after his first idea fails (have a son to break the entail and thus provide for his widow and other children – which doesn’t even necessarily mean the girls would get a dowry, just that they would never live in poverty) does nothing to reassess the issue or find a solution. He essentially shrugs his shoulders and lets his daughters shift for themselves. One parent is too stressed about money and only addresses it negatively, and the other isn’t stressed enough and doesn’t address it seriously at all. Neither do anything productive, even though changing their habits would be enough to fix it. I love them, but MASSIVE parenting failure on their end; and hinted to occur because the parents were too used to comforts and different themselves to be able to work together and act on a solution.

Now for some actual MATHS! Which, yes, I realise I am strangely excited about.

The idea that most of the Bennets’ money is spent by having so many daughters out at once seems to keep popping up in my time on the internet. So, I thought it would be interesting to see what their dowries could be if that five-daughters-out-at-once money wasn’t spent on other things before any daughters were out. Costs of this could vary a bit between families, and though we know Lydia’s expenses were almost £100 per annum that includes board and food as well as little gifts from Mrs Bennet, so we can’t simply multiply that by five and be done with it. But, given Mrs Bennet’s desire for fashion and the poor financial management we see from her and some of her daughters, it’s quite possible clothes were being bought new rather than pulled apart and remade more than they ought to be, so spending £50 to £60 a year on each daughter being ‘out’ seems reasonable. For the purposes of this, let’s look at a total of £250 and £300 a year for all five, and in the 4%s because that’s where the money settled on Mrs Bennet apparently is. After sixteen years of marriage (when we will assume Jane comes out) that’s £5,456 or £6,547. Meaning that just doubled their dowry, even if they save nothing else after that. If the interest is left alone, that’s more than £1,000 that’s added to it before the novel even begins. Suddenly Mr Bennet dying at the start of the novel would leave his widow and daughters with between £11,500-£13,000 instead of the meagre £5,000 they actually have.

And the girls didn’t all come out at once, so just to put some numbers to it for math purposes, let’s say Elizabeth came out one year after Jane, Mary two years after her, Kitty another two years later, and Lydia the following year. For simplicity, each girl coming out is going to remove the same amount of money (when realistically it’s likely Jane, who needs everything new, and Lydia, who’s spoilt, would have cost the most). With the lower estimates of expenses, that’s £8,062 saved at the time of the novel, taking the total for Mrs Bennet and the girls to £13,602 or £2,612 each, assuming nothing else is saved. At the higher cost for the girls being out, that’s £9,676 saved and £14,676 that they’ll eventually inherit a share of. Still below what they should have as dowries, but a vast improvement, and proof of why having five daughters out at once was an additional strain but not THE strain. It was just another element in a mountain of problems.

“But what if it was in the 5%s?” asks no one but me. I think they would stick to the more stable bonds Mrs Bennet’s dowry is in, but if they didn’t, the same situation as above would save £9,243 (or £14,243 total) or £11,090 (£16,090 to share or £3,218 each).

For pure funsies, the numbers if Mr and Mrs Bennet had also saved the interest of the £5,000 settled upon her (which by itself would grow to £12,324 in the 4%s) in addition to these savings are:

£20,387 (£4,077 each at the start of the novel) with the £250 expenses estimate. At £300 for all five daughters out, we get to £21,998. Both of these numbers suddenly mean the Miss Bennets would never have to fear poverty when Mr Bennet died and they would individually each be as rich as their mother was, and though they wouldn’t be counted as rich themselves, would at least have something respectable. They might not cost their husbands money to marry.

AND THEN if everything is in the 5%s but that original £5,000, and the interest it gains is also moved to the higher interest account, the grand total would be either £22,528, again assuming the £250 expenses, and £24,376 at the £300 estimate.

I’ve been doing some equations for Darcy, too. So, let’s talk about that next chapter, to give me time to really figure it out.

[stayinlimbo]

Returned Call

wc: 765, genre: exes to lovers(?), warnings: cursing in beginning, slightly unedited

note: although i feel this could be read as a stand-alone, here is the sequel to Missed Call you guys were asking for. i hope you enjoy ♡

Your call has been forwarded to an automatic voice message system: You know. Lee Minho. Not available. Voicemail. Speak. 

Fuck you, Lee Minho. No, seriously, fuck you. 

Tell me why I was contacted by not one but three of your dancing buddies within the past twenty-four hours about how you’ve been moping around and trudging through your routines for the past week. 

They were all essentially the same. You haven’t been the same since we broke up, is there any way we could reconnect, give you one more chance, blah blah blah. 

You must be doing really bad if one of them was Hyunjin, of all people. 

Two months too late, don’t you think?

As if any of this was my fault.

…

I was getting better before you called, you know?

I finally fixed my sleep schedule. I won’t lie, it took longer than I’d like to admit to break the habit of staying up late for you. At least I was already used to sleeping alone. 

I reconnected with some old friends since I couldn’t talk to Jisung as much without being reminded of you. They can still read me like a book, even after all these years.

I even went on a date. 

Granted, it was with myself, but I like to think it still counts.  

…

You know what I realized on my “date?” And while out with my friends? And on the sleepless nights I spent staring up at my childhood bedroom’s ceiling?

I had forgotten what it felt like to be seen. To be appreciated. To be loved. 

It seems like you’ve come to that conclusion as well, because you’re right. I deserved better. I deserve better. I may have ended our relationship, but I wasn’t the one who left first.

I remember our last kiss, paired with another one of your lies I foolishly kept believing in until I finished the movie night you promised you’d be home in time for. And I remember waking up on the couch with a sore neck to see your fatigued silhouette entering the front door, barely sparing me a glance as you dragged yourself towards the bedroom. 

You didn’t even look sorry. 

How could you, I guess, if you left everything back at the studio?

…

I used to admire your passion, Minho. I hate that I still do. You pour everything you have, everything you can possibly give, into what you love. So why couldn’t you do the same for us? For me?

You say you love me, but why does it feel like I lost something I'm not sure I ever had? 

…

Where did we go wrong? What did I do wrong? I gave everything to you. I gave you my heart, my body, my entire being. I gave you everything until there was nothing left to give.

I never asked for anything outlandish. I think it’s reasonable to want to talk with your partner, to share your lives with one another. I think it’s reasonable to ask about when you’ll be home for our anniversary without being yelled at in front of your friends. 

You want me to be proud of you? You want me to be happy about one of the very things that ripped us apart?

Yes, you’re selfish, but I’m no better. 

…

Maybe this is my fault. After all, no one should feel obligated to love someone. I just never thought it’d apply to us. 

…I wish I could hate you. I really do. 

But all I see is your stupid face smiling at me when I close my eyes. I hear your laugh ringing in my ears when I remember the ways you said or did something ridiculous to make me feel better after a stressful day. I still feel the warmth of your body wrapped around mine when we did wake up next to each other, our legs entwined together to where it was impossible to escape. Not that I ever wanted to. 

I want you to keep smiling at me. I want you to hold me. I want you to miss me. I want you to want me. 

Because I still want you. 

…

I want to give you a second chance, Minho. If things could be different this time, if we could be different. If we could share ourselves, wholeheartedly, as lovers, and not strangers.

I want to fall in love with you again, Lee Minho. 

…

Call me back, when you get the chance. You can keep the shirts for now.

Just please, don’t make me regret this.

liked this work? want to let me know how i did? please like, comment, and/or reblog; they are greatly appreciated my asks are always open ♡

taglist: @linospuddin @linocz @spicyhyunn

ending note: I hope this didn't disappoint. I really tried my best to make it work with all the angst in here :D. I also tried incorporating parallels from Missed Call so hopefully that wasn't too annoying or anything <3

[andhumanslovedstories]

I was in the ICU last night taking care of medsurg overflow patients—that’s when you aren’t sick enough to be in the ICU anymore but we don’t have a bed anywhere else for you yet. I don’t like floating to the ICU. It’s such a coin flip as to whether you’re gonna have a hard night or an easy one. You almost never get a full load of four patients, and that’s so nice, but the one or two or three patients you do have are all sick enough to have needed intensive care six hours ago. They’re usually still not doing amazingly. But they’re floor status now, so it’s medsurg patient ratios. But if you were a medsurg floor, the charge would probably be like “let’s not give three patients of this high an acuity to one nurse.”

Also some of them are NOT floor status. They’re just “slightly less likely to die in the next 12 hours status.” What we really need is a step down unit which is somewhere between the extreme high acuity of the ICU and the catchall category of medsurg. Instead we have a couple units that are “essentially step down units,” which means they are just medsurg units but you know your night is probably gonna be so hard.

Besides the patients, the ICU is just so spread out and lonely. Most critical care patients have a 1:1 ratio—one patient to one nurse. That’s on account of how intensive the care is, you see. But it also means whenever you’re like “I would love some help,” everyone else on the floor is like “if I step more than six feet away from my patient, he will die so badly.” It makes it really hard to casually engage in conversation, especially since I’m not qualified to do like anything in the ICU rooms, so I would clearly be going over there to expressly talk to them. And I don’t want to have a conversation! I just want to establish some rapport. I love bounding ideas off other staff! I love being about to shoot the shit a lil bit and then be like “well I have rounds” when one of us has to wander off. No one here has rounds. They are already Right There.

Anyway then the shift ends, and it’s time to pass off your patients. If you’re lucky it’s to another medsurg nurse who also looks a kid realizing too late into the lecture that this is not their class. But sometimes you give report to an ICU nurse who asks questions that are so pertinent and are so fair to ask, but they’re also like. the kind of questions you ask when you expect the person you’re getting report from is another critical care nurse who only has one patient. At a certain point, I just wanna be like “what do you want from me, dude. i’m stupid. every lab you’re asking about is in the chart and you understand them better than I do. can I go home”

That also means when they give you a real softball like “and how many IVs does he have” and you’re like “uhhhhhhhhhhhhhhhhhhhhhh let’s go count them together shall we” you feel like the biggest dipshit in the world. And then they ask you three more questions each easier than the last as you have traumatic flashbacks to nursing school, specifically the parts where you failed a quiz and also misspelled your name. It just ends the shift on a bad note. Not even a bad note. Real burp of a shift change.

I’m feeling particularly salty because I overheard a couple critical care nurses last night joking about how medsurg nurses are so nervous about the medical boarders and basically saying that we’re always freaking out over nothing while being completely oblivious to the actual symptoms that matter. And as a nurse who once called rapid response because my patient’s heart beat weird for about twelve seconds, I was like “hey. you’re correct. but also must be nice to have just one patient and all shift to read every single thing about them and to sit outside their door next to your fully stocked equipment cart, and to be able to watch them all shift.” And it’s like yeah, critical care nurses can take all the blood out of a person and then put it all back better than before. But I know to turn off lights when I leave a patient room at three in the morning, and apparently in the ICU that’s an even more illusion trick.

But anyway it’s twelve hours later and I’m on the other side of a good good sleep, so I’m less cranky, and back to being appreciative of the specific skills critical care nurses being that are so essential, and also I was like, how pressed can I really be about one group of nurses joking about another group of nurses. that’s like 25 percent of my blog at this point.

[ao3-shenanigans]

Hi! Just a thing I wrote in honor of Comment Day. Maybe you might want to read/share it?

Every writer I have never known a writer is always happy to get positive feedback, but some readers believe if they leave kudos or a comment, they’re bothering the writer. Here’s a comparison that might explain why that isn’t the case.

Imagine that the fanfic is a play, and the author has worked really hard on the whole thing: costumes, scenery, the plot, characterization, everything. It’s opening night. The stage manager (AO3) gives the author the headcount (hit number) of the audience (the readers). The writer is now able to imagine 10 or 100 or 1000 people sitting in the audience, watching what they have created. While a big number is fantastic, most writers are thrilled anyone wants to see what they’ve made.

When the play is over, the writer comes out to take a bow.  One hundred people are in the audience.

Two people clap (left a kudos).

Everyone else gets up and walks out in silence.

Obviously, the writer is happy these two people clapped, but they’re also thinking, “Did… did the other 98 people hate it? Were those pity claps? Was it that bad?”

That’s what’s happening on AO3. A fantastic single-chapter fic will get over a thousand hits and wind up with maybe 5 to 10% of those readers leaving kudos. The other 90% could include people re-reading, and numbers get more complicated with multichapter fics since readers can leave kudos only once.

But essentially, a lot of readers see a fic as being more like a movie, where the audience just leaves at the end. It’s even harder for an “older” fic (“older” can sometimes be applied to fics posted only a month ago), where the “play” has been running a while, the author is still there doing everything, but now people decide since it’s not new, there’s no point in showing they liked it.

Maybe one in a hundred readers, sometimes fewer, leaves a written comment. This is like hearing someone in that theater cheering. If it’s a piece of feedback that’s more detailed than a keysmash or an “I like this,” that person is giving the author a standing ovation. And if someone recommends the fic somewhere, maybe saying so in a comment, it’s like getting a rave review on the cover of the New York Times!

All of these are happy things. Kudos, comments of any length, recs, all of them make an author’s day shiny and happy. They’re absolutely fantastic! No writer is bothered by anyone doing these things.

Maybe you’re still thinking, okay, I can see I’m not bothering the writer, but does just writing “I really enjoyed this fic” do anything?

Yes. Because there are the other, less happy responses. Some comments might be demands, making the comment less about thanking the writer and more turning it into a to do list for them. Some authors see their work has been bookmarked only to realize it has a note like “this is awful” or “TLDR” or “started okay but was stupid by the end.” The default for bookmarks is everyone can see them. Finally, anyone who has written fic for any length of time has dealt with flames. These aren’t constructive criticism; they’re flat out abuse, ranging from name calling to highly detailed insults that are the exact reverse of a long, happy comment. Authors look in their email, see someone has commented on their fic, and are thrilled, only to read the comment and be told they are worthless, stupid, untalented. Everyone gets these sometimes, and writers should ignore them, but most of us have sometimes cried over them. Picture that same theater full of silent people, with one or two people clapping, and suddenly someone stands up and starts booing and hurling rotten tomatoes on stage. Readers might not even know it’s happening since writers usually delete those comments. But they still sting.

Kudos and compliments are not annoying anyone. Flames, on the other hand, are awful. The difference is the polite reader who chooses to say nothing out of shyness backs away from doing something that will make the writer happy, while the rude reader actively goes out of their way to make the writer unhappy.

I’ve been in fandom quite a while. Interaction has dropped since the old days, and it’s even dropped off over time at AO3. I’m not sure why, unless it’s that readers regard hits as being like views on TikTok. Since TikTok’s algorithm chooses what will show up more often in people’s feeds based on views, that makes some sense there, but AO3 doesn’t do that. There is no popularity contest writers are winning through views. Unless you tell them, they may think you hated what they wrote and that the flames are the genuine overall reaction.

The moral? If you love something, or even like it, show the writer some appreciation. The second it takes to leave a kudos might make them feel happy the whole day.

Comments and Kudos are probably some of the best gifts to give your favorite artists and storytellers (they’re free and easy too!)

[bookshelf-dust]

let the light in

steve harrington x fem!reader

word count: 2,177

warnings: (this is a heavy fic! please be aware before you read if any of this is triggering for you!) swearing, reader suffers from depression/is in a depressive episode, allusions to passive suicidal feelings and self harm (not explicitly stated), trouble eating/drinking, wooziness, side effects of self-neglect, trouble with self care, one use of y/n, slight hair description—essentially reader is just very depressed

a/n: hello! it’s been quite a while since i wrote anything, but alas i have remembered how. i used this fic as a way to deal with things i’ve been going through and provide myself some comfort, but i’m hoping that it will reach anyone else who needs that or understands these sort of feelings. i really need a steve, and maybe you do too. please be kind! this is a tentative attempt at getting back into writing. also as a small note, this is meant to bet set in the mid 90s, so reader and steve are in their twenties. happy reading <33

————

The phone is ringing again. For the third time. 

You know who it is without having to answer. It’s not like there are a plethora of people with your number anyway. 

But for the third time, you let it ring. When the shrill noise stops, you think you’re in the clear—only for the sound of Steve’s voice to reach your ears. He’s leaving you a voicemail.

Fucking answering machine. 

You stare at the wall, your arm dangling off the bed, while you listen to him say everything you knew he’d say. That he’s worried. That he’s coming to check on you because your lack of an answer is freaking him out. 

And you gave him a key all those months ago, so it’s not like you can stop him. You wouldn’t have the energy to anyhow. 

You roll over and tuck your hands under your cheek. You have no idea what time it is, but the little light your curtains had let in is gone, leaving your room dark. There is a small night light though, just under your window, that Robin bought you because it looks like your favorite flower. Other than that, your small apartment has succumbed to the darkness of a winter evening.

That pressure behind your eyes builds, and without knowing why, you begin to cry. Steve is going to see you like this, and you want to be alone. You don’t have it in you to talk about it or be berated for letting yourself go. 

But you’re also angry. You don’t understand why he gives a shit about you, or why he can’t just leave you alone. Why he can’t just let you go. Why he won’t let you go.  

Most of all you’re angry at yourself for being this way. For being so fucked up. For being alone and for having to watch everyone else be happy and content. 

In your emotional haze, you fall back asleep. You’re not sure how though, considering you shouldn’t even need the rest anymore. But that tired feeling ever goes away, does it?

You wake to the sound of footsteps, to the feeling of your mattress dipping behind you. There’s a gentle weight on your side. Steve.

“Hey, honey,” he starts. “Did you get my message?” 

Steve’s hand rubs softly back and forth over the dip of your waist. You hate the pitying tone in his voice. Even if you know it’s not pity. It’s pain. He’s too big of an empath, and he hates seeing you this way. It breaks his heart, not knowing what you’re feeling and having to see you in a way that embodies nothing more than a shell of the you he first met. 

“You need to go home, Steve,” you say, refusing to face him. He’s turned your lamp on, and something about that pisses you off. 

Your voice is pleading, and it brings tears to Steve’s eyes. He pushes his glasses up onto his forehead. 

“You know I can’t do that. I won’t leave you here like this.”

You roll your eyes and shift onto your back. Steve’s stomach drops at how drained you look. 

“I want you to leave. I need to be alone,” you say, staring at his hand where it’s moved to your stomach with the change in position. 

Your words are harsh, thick with emotion, and you look at Steve like you’re begging him to see how much you’re hurting and need him to go away. You want him to listen and leave you here to slowly disappear. That’s all you’re asking for. So why can’t he give you that much? 

It’s killing him to see you like this. To watch you try and push him away. He knows that’s part of your plan. That way it’ll be easier, in the end. But this is not the you he’s always known. There was a time before it got this bad. Before you lost yourself in it. 

“When’s the last time you ate?” he asks, rather than fueling your frustration. 

You roll onto your side, completely facing him now, and pull the blankets up to your chin. Your eyes fill with tears, so you close them. Something about being asked that upsets you. You don’t feel like eating and he’s going to make you.

Steve puts a hand on your leg and waits for an answer. 

“Yesterday. At breakfast. I had a Pop-Tart.”

He keeps himself from sighing, but his heart might as well have dropped out of his ass. You haven’t eaten in 36 hours, and he’s sure that if he hadn’t shown up you might’ve made it more. You’re clearly not worried about eating, and there’s not a single cup in your room either.

“Please don’t make me eat, Steve. I don’t feel like it. Please don’t make me do anything.”

You look up at him with pleading eyes. You want to be left here until your body gives up on you.

“Honey, I’m not going to force you. But I came here to help you, and I need you to try and let me.”

Your vision goes blurry, tears rushing to the surface because the idea of taking care of yourself in any way upsets you more than anything. You cover your eyes, but can’t hold back the sob that lurches up your throat. 

“Y/N, sweetheart, come here.” 

Steve slips a hand around your back, coaxing you upwards. You oblige, happy to let him hold you for a moment. You ignore the fact that your vision blurs again, due to the fact that you haven’t sat up in who knows how long, and fall into him. 

“I can’t, Steve. I can’t do anything or remember a damn thing. I’m so tired. I don’t feel like being alive. I don’t want to move.”

Hearing you express those feelings through your cries, hearing you tell him how bad it’s gotten tears him apart. He wants to make it all better. He can’t bear seeing you like this. And he doesn’t want to imagine what you might’ve done to take these feelings out before he got here. 

Steve holds you until you stop wailing, and even when you pull away the tears still come, hiccups making you hold your breath. Your eyes are swollen and your nose won’t quit running. It doesn’t bother him one bit. 

“I know you probably don’t want to do anything, so I have a plan for you, okay? I’m gonna turn the shower on and let you hop in while I get you something small for dinner. I’m gonna take care of everything.”

You sigh. You can’t leave your bed. Besides, who knows if you’ll even be able to stand with how little you’ve put in your body lately.

You press your face into Steve’s shoulder and shake your head. “I don’t think I can.”

He places both hands gently on your cheeks and lifts your face to get you looking at him. 

“You can. I’m going to help, I promise. You won’t have to do anything too demanding.”

Steve slides off the bed and stands. He gently pulls the blankets back from your lap, revealing criss crossed legs and socked feet. He taps your knee and you brace yourself against the mattress, moving your legs over the side, toes feeling for the floor. 

He holds out his hands and you grab hold of his forearms, letting him pull you upwards. Just as suspected, your vision swirls and your body goes all tingly. You sway a little, but Steve holds onto you still, waiting for the moment to pass. After a few seconds, your sight clears, your ears stop ringing, and you can stand on your own. “I’m okay now,” you say. 

He presses a sweet kiss to your forehead, and your heart sinks into your stomach. You don’t deserve this. He needs to stop being so good to you when you’re falling apart.

“Stretch a little, alright?” Steve looks at you over his shoulder before going for your dresser and opening your pajama drawer. 

You try to do as he says, ignoring the way you feel compelled to tell him not to take this so seriously. You press your hands to your back and lean so your hips pop, raise your arms so your shoulders do the same, and bend so harshly that your vision goes out again. Your body is so angry with you.

You’d closed your eyes, but open them when you hear the shower start running. Steve leaves your small bathroom and walks toward you.

“I laid everything out for you, okay? You don’t have to stay long if you don’t want, you only have to cover your bases. You’ll feel so much better after, I promise.”

You nod, and Steve is surprised by the way you hesitantly walk into the bathroom and mentally prepare yourself to shower. 

“Yell if you need me,” he says, smiling before he closes the door behind you. 

You’ve never wanted to shower less in your life, but the water is already running, and you have to get it over with. You quickly undress, avoiding the mirror and anything that might cause an extra ache. Though you do run a hand over the tender skin of your thigh before opening the door and stepping in. You know you have to be kinder to yourself. 

As for bathing, you’re quick, but you wash and condition your hair and make sure to wash your body just as well. You’d never admit it, but being clean does help some. At least you’re physically taken care of. 

When you’re finished, you realize you hadn’t gotten a towel, but your eyes soon find what Steve had laid out for you.

Two towels. Underwear. Your robe. Clean pajamas and socks. Not to mention the lotion and hairbrush he slid forward on the counter so you’d reach for them. He did all of this to make things easier for you. And that makes your heart grow in size. 

You towel off and make the effort to put lotion on as best as you can. Usually you can haphazardly do your back on your own, but you’re so tired now, you realize. You haven’t moved this much in days. 

You gently pull the bathroom door open. “Steve?” you call. He’s there within seconds. 

“Yeah? All done, sweetheart?”

“Almost. Do you think you could put lotion on my back for me? I might need help with my hair, too. If you don’t mind.”

He smiles so sweetly at you. “Of course I don’t mind. Come on.” 

You watch as he pumps some of your lotion into his hands, sniffing it just to make you grin. You move your robe down off your shoulders so that he can get to your back, careful to keep your chest covered. Not that he’d dare look anyway. 

His hands are gentle and soft against the nape of your neck, up and down your spine, on your lower back. He covers the area for you, taking the time to massage it in and hopefully provide you a little relief. 

When he’s finished, you pull your robe up and tie it around your waist. You don’t have the chance to reach for your hairbrush because he’s already got it, fingers gathering your mass of hair towards your back. You can feel the heat of him behind you, and the ache for physical contact surfaces in your chest.

Steve is incredibly gentle when detangling your hair. He starts at the bottom and works your way up, apologizing each time it snags. It feels so nice, so mundane and comforting, that you close your eyes and let yourself feel his hands on your scalp, on your shoulders. You let him take care of you without complaint. 

When that’s over he allows you to finish dressing. You slip into the pajamas he’d chosen for you, not disregarding the fact that the shirt is one of his. 

You patter out to the kitchen, where Steve has fixed you a peanut butter and jelly sandwich, cut into triangles. You sit next to him on your couch and eat in the quiet of the evening, you enjoying being less alone and him glad to see you eating. 

He takes your empty plate from you shortly after, noticing how sleepy you look. 

“Come on, honey. Let’s go lay down, yeah?” He helps you up and holds your hand on the way to the bedroom. He’d changed your sheets while you were showering.

You sit down on the bed, watery eyes looking up at him. “Are you leaving?” you ask.

“No, sweetheart. I was going to offer to stay.”

“Please. I don’t want to be alone.”

Steve slips into bed beside you. “You don’t have to worry. I’m right here.” He takes your pinky in his. “I promise you won’t have to suffer through this on your own. I’m not going anywhere.”

You squeeze your pinky against his, and in that moment, the pain in your chest eases just a little bit. 

————

please let me know if you liked this! feedback is always appreciated!! comments and reblogs mean more than you know. <33

[a-secret-bolton-vampire]

CW: Rape, incest, CSA

This is actually not a strictly A Song of Ice and Fire post here, but it overlaps in some ways so I figured I'd write this.

Anyone who has not read the web serials Worm or Ward and wishes to avoid spoilers, don't read this post:

Disclaimer out of the way, I've found striking parallels between fandom reaction for both A Song of Ice and Fire and Parahumans regarding how characters who survived sexual abuse view their abusers, in a dangerously disturbing way.

For this I'm going to specifically be using the examples of Aeron and Theon Greyjoy from A Song of Ice and Fire to compare and contrast to Victoria Dallon in Ward. All three were psychologically and sexually tormented by their abusers during the course of the series. Theon is a young adult by the time Ramsay gets his hands on him, but Aeron and Victoria were both children when they were molested by family members so they will be the main two characters to compare.

In the case of Euron and Aeron, there are a (sadly very vocal) minority who are ready to dismiss Euron's danger to others by specifically using Aeron's abuse against him. Sure, Euron is evil and horrifically abused him and Urrigon when they were children, and it is understandable that Aeron would be mortified of Euron. After all, he tries to warn people about Euron repeatedly, only for his attempts to stop him to all fail.

The response by this section of the fandom to claims of Euron being built up as a major threat are essentially that Aeron's trauma is in the way of his ability to perceive Euron objectively. Is Euron actually as dangerous as Aeron claims? You can say the same for Theon and Ramsay. After all, Theon is half-mad warning Stannis about Ramsay, and Stannis is bringing some Rational Realness to the forefront by saying "what do I have to fear him for?"

Since GRRM is never releasing another A Song of Ice and Fire book it's hard to say what he intends but he could definitely intend for this to be the case. That said, there is a story featuring a similar character that is completed. Ward!

Victoria Dallon's sister, Amy, is a cape with healing abilities, though as the series progresses we know that healing is just the tip of the iceberg; she can change the biological makeup of living things. Amy is adopted, and has never felt any love from anyone other than Victoria. Amy develops deep romantic love for her sister, however, and then begins a series of bad decisions that just serve to deepen her already deep mental breakdown.

Amy proceeds to; alter Victoria's brain chemistry to give her compulsive romantic thoughts about her, then following healing Victoria after a battle, she spends several days alone with her, during which she repeatedly rapes her, erases her memories of said rapes, until her mental health deteriorates even further and she is unable to use her power properly and turns Victoria into the Wretch: a mass of flesh and limbs and heads, rather than anything actually human.

Then Victoria spends 2 years in a mental institution, stuck in a body she hates, all the while fighting the compulsions Amy left in place. When she finally returns Victoria to normal at the end of Worm, it is actually against her will and not because she had a change of heart or got more confident.

Then we get to Ward, where Victoria is the main POV. As is very obvious, Victoria is struggling with extremely intense PTSD, mentioning Amy is enough to trigger a dissociative flashback, and she wants absolutely nothing to do with her anymore: and fucking rightfully so.

Victoria also warns people about Amy. She warns her therapist to try to reach out to Amy before she hurts someone else, she warns literally anyone who will listen about Amy and what she might end up doing. We may not know what it is that Ramsay and Euron end up doing, but we do know what Amy does.

She refuses all help and doubles down on bad decisions, enslaves people with her powers, later imprisons and torments and touches Victoria again against her will, and becomes the dictatorial monster in charge of an entire planet. Victoria's warnings prove to be extremely prophetic and extremely real.

Now lets get into some discourse shall we?

Despite Amy being a rapist who rapes her sister, enslaves others via mind control, and literally never once improving as a person or acknowledging that her actions even caused harm, there are still those who think Amy isn't at fault. Some might find this post, but I don't really care. Amy is at fault for things Amy did. Victoria is not at fault for hugging her sister like a normal human being when Amy is upset, Amy didn't do her a favour healing her because then she just raped her and then really couldn't fix her back to a human body, and Amy isn't absolved of these sins because she healed a lot of people.

Essentially, Victoria is sometimes blamed for being raped by her sister, the rapist, despite Amy canonically being a manipulative lying liar rapist.

Okay so that doesn't seem to related to what the fandom says with Euron and Ramsay, right? After all, we don't really blame Aeron for being molested and Theon for also being sexually tortured and abused by Ramsay, do we? There are factors as to why that is (mostly that Aeron and Theon are men and Victoria is a woman; if you don't buy this argument look at people who say Cersei deserved to be sexually assaulted by Robert or try to use "the times" as an excuse to overlook Daenerys also being raped by Drogo) but there is an overlap here.

Amy being able to get away with that she did only to go on and hurt so many other people is a meta-commentary on the way survivors of sexual abuse are disbelieved or blamed for what happened to them. Naturally, those real like abusers end up going to abuse other people too. Fuck, even in the fandom, Victoria is still fucking blamed for things that she had absolutely no choice in the matter.

Which leads back to Theon and Aeron. Yes, trauma impacts the way you remember traumatic events, and that means objectivity can get lost at times. It can for Victoria and Theon and Aeron. But that trauma, the dissociation, memory problems, all of these together, are there for a reason. And that's because someone came along, ruined another persons life for their own pleasure and satisfaction, and then got away with it.

Victoria warned the world about what Amy would do, and she was unfortunately correct. Theon and Aeron warned others about Ramsay and Euron. Survivors should be believed, and not be dismissed. After all, it isn't our fault that we got abused. People may hear things about Euron or Amy or Ramsay, but the people who truly know who they are---what they are capable of, what they are actually like---are the people they abused.

So yeah, it's kinda fucking lame when I hear someone go "Stannis gonna prove Theon wrong with facts and logic" as if he doesn't, I don't know, have insight into Ramsay's psychology in ways Stannis doesn't. Same with Euron. Same with Amy.

Also fucking read Ward it hurts as intensely as it kicks ass.

[starcurtain]

Hii!! I saw your fact checking myths about aventurine and the ipc and I agree with your takes definitely. One thing I want to add is that I do believe Aventurine is owned by the ipc (under a legal binding contract) and even if he gets "kicked" out of Stonehearts, the ipc has some form of ownership over him. Especially since in the jade scene he seems to be willing to lay down his life to the ipc for his goals and the ipc are known for lifetime contracts mentioned by some npc and topaz. I've seen a lot of people compare him to a sugar daddy or with the genshin character childe as both being "rich" . This might be my lawyer brain coming in but I'm pretty sure anything aventurine owns is not actually his but belongs to the ipc. For example aventurine could buy himself an apartment under his name and he could be the sole owner of that said apartment but if ipc had a contract where aventurine's life is essentially theirs then that apartment actually belongs to them. Obviously it is down to specifc terms and conditions, he is more so a corporate slave than what he was before but I think the contract is very detrimenting to him. They provide aventurine with money and goods but it's a false sense of wealth he never actually truly owns. I think when aventurine mentions many times he has nothing left he means it metaphorically and literally as well. If the ipc wish they could strip him bare of any goods he "owns' because he is their property just as much as whatever he buys for himself is. This is one of the reasons why I think leaving the ipc is something he doesn't want yet because essentially he would have nothing and no one to turn to (there is ratio obviously but we know how self destructive and insecure aventurine is so he would never want to be a burden to the doctor). But anyway these are my thoughts on this i wanted to share.

Thank you for your message; I'm glad you enjoyed the original post!

As I mentioned elsewhere, I definitely think everyone should hold tight to their headcanons and enjoy their own versions of the story to the fullest. There's no wrong way to enjoy a game's story!

For me, I just get a little obsessive over having evidence from canon. I'm just the type who reads too much into the tiny lore details in every readable in the game all the time. I love to take every detail we know from canon and weave it into my personal headcanons.

I definitely think it's fine and logical to feel like Aventurine might have a life-time contract with the IPC. I don't think he could just leave his job if he felt like it, definitely not!

But for me, I worry that people choosing to view Aventurine as a corporate slave might be... minimizing his active role in being an IPC employee? Like, I think that with Topaz and Aventurine in particular, people want them very much to be good guys. They don't want to think of Topaz or Aventurine willingly doing the things that we see other IPC members doing, like manipulating people, cheating people, or just in general being kind of awful (RIP Skott, I'll be your fan if no one else will!!).

If we say that Aventurine is a slave of the IPC and that he doesn't own the riches he's surrounded with, then we're creating a barrier between him and the IPC's behavior--he isn't like them, he's just doing these things because he has to. He's not a hedonist; that wealth doesn't even actually belong to him, it's just the IPC's tool to control him. This makes Aventurine out to be someone who is "forced to be bad" and morally separates him from the mindless money-hoarding mindset of the IPC. To me, I just don't personally think this is how the story intends Aventurine to be viewed.

As I see it, Aventurine is very much a morally grey character who, although initially setting out to do something virtuous, lost his noble motivation along the way when he discovered his people, who he was trying to save, had all been wiped out. Losing the central motivation that was driving his decision-making left him utterly adrift, with no reason to keep on living, to cling to his morals, or to even care about who was taking advantage of him.

Personally, I don't view Aventurine as a slave of the IPC. Instead, I would argue that he is a slave of destiny--the destiny that told him he was a "chosen one," that he would lead his people to safety, that proved time and again that he alone would always, always be the final victor... He chased that destiny by gambling his own life--only to be entirely too late, leaving him with absolutely no reason to keep living, something the IPC was merely happy to capitalize on. And Aventurine allowed that.

Pre-Penacony, Aventurine's connection to the IPC was a symbiotic relationship--the IPC gave Aventurine opportunities to try to kill himself (which is what he wanted, not them) and they gained from him when fate continually failed to let him die. He allowed himself to be knowingly exploited and took an active role in generating wealth for the IPC/furthering their agenda.

He's an IPC employee, not a slave. This is just my personal understanding of the character, but I think Aventurine's morally grey nature and his willingness to allow himself to be taken advantage of for evil means is an important aspect of his character. To me, that absolute despair with the world, that complete sense of purposeless that he felt, which made him no longer care who exploited him or what they used his power to do, is a central facet of his character arc.

Aventurine's arc in Penacony involved, very literally, being confronted by the "future" his own actions were hurtling him toward, and having to choose between the nihilism of that future and the true freedom represented by accepting his "past." And he chose the past--he chose to reaffirm his faith in Gaiathra, embrace the pain of what happened to his family, and seek new meaning by finally recognizing his own life's value.

It's important that the "enemy" Aventurine fought in his 2.1 character story was himself.

(Sorry that was mega-long. I am very passionate about Aventurine's self-destructive behavior, apparently.)

Just in general though, I think there might be some canon hints that sort of dispute the idea that Aventurine has a lifetime contract like Topaz's.

For one, Sigonia-IV didn't join the IPC in the same way Topaz's planet did. They maintained a clear "Sigonian Sovereignty" and are allowed to make decisions on their people's behalf. We're not told that anyone from Sigonia has been forced into contracts with the IPC like Topaz's planet was, and while Aventurine did brush up against the IPC queen of deals, Jade, I don't think his encounter with her counts as a formal "Bonajade Exchange" because his goal and hers were the same from the beginning. He wanted in to the IPC, and she wanted to get him in. There was no cost or soul contract to be signed because it was a win for everyone from the start.

There's also multiple hints throughout the game that Topaz's lifelong contract is odd and not something that most people--even from her own planet--actually signed on to. Other members of the IPC are surprised to hear about it and act as if it not a standard IPC thing.

I definitely agree that Aventurine probably cannot just quit his job because he's part of one of the highest up teams in the shady evil mega-corporation, but I don't think he's in the same situation as Topaz, who the game tells us is pretty unique.

As for Aventurine's money and material possessions not being his... I'm sorryyyy, I just don't think this is the case. He a highly-ranked member of the richest corporation in the world. There's no way he doesn't get a well-earned, very high salary. He buys his jewels, fancy watches, and expensive perfume with his own paychecks, I can almost guarantee.

I don't disagree that money and material wealth is a way to manipulate people though! By giving him the cushy, comfortable life of luxury he never had before, the IPC is definitely creating a situation in which no one would want to leave and give up on all that money and power, for sure.

But I just don't think we have any evidence in-game that Aventurine doesn't have control of his own finances or doesn't own the items that he buys.

When he says "I have nothing," I do agree that he means this both metaphorically and literally, but I think the "literal" point is that wealth and material objects are completely pointless to him because he has no one to share them with. They can't benefit his family or his people because none of the Avgin are left. What is the point of having a beautiful home if you have no one left to live with? What is the point of being able to buy the most exquisite food in the universe if you have no one of value left to feed?

To me, the idea that Aventurine doesn't have any control of even his material items or money feels like a popular fanon take. People love to imagine their favorite in the scary or angsty situation of having everything taken away from him! (Which, hey, I don't mind this kind of angst either, to be honest! 😂)

[gotham-daydreams]

Hi hi! Anon that can easily stay stuck in their imagination here-

I'm so glad you answered my ask!! And yeah in a situation like not [] where they will try very hard to not physically hurt the reader a case where they will is more difficult. Honestly it depends on the person's will.

Most people can't take torture nor can that take having their independence taken away.

And while the reader in not [] is very much more angry than numb to them at the end of part 3, I feel it takes a lot to be broken.

Personally spite would keep me from giving in. I don't have a lot to ask for but basic decency and admittance of guilt but the batfam is too prideful and selfish to ever do such a thing.

And I live with pain all the time so being in more pain isn't ideal but it's not something I couldn't handle. In the case were my limbs are taken they only thing they can't take from me is my mind

I mean they could always try other methods, drugs and surgeries (lobotomy is such a horrifying concept fr) and such but honestly doing that would be completely destroying what once was.

The batfam is mostly selfish to the point where they are obsessed with the IDEA of reader not who they actually are. A part of me would hope that in destroying who reader was they would feel remorse and do what's right but the other part of me doubts that.

It would take a lot for them to actually feel to do what's right and at that point what's right is taking reader out back for a final send off.

But in such a case where the mind is gone then you really have nothing but a shattered vase. You can try putting it back together but you'll never succeed. A broken vase is much easier to fix than a shattered one after all.

Overall I have enough spite and mostly enough pain tolerance to stick through my decision of staying with my head in the clouds

In all honestly the human body can only last so long when the person in the body has no will to exist. You can feed it and bathe it, take care of that bag of flesh made to carry your bones and organs with all the right ingredients, but the brain knows when the metaphorical heart isn't in it and will only last so long, no amount of reviving can fix that sadly

It's why I wouldn't mind being kidnapped if they would actually take the steps to put their pride and selfish nature away. Yeah staying trapped in the manor sucks but continuing on with the forgive and forget attitude is a surefire way to get one to despise your guts.

I'm so glad you have returned for a bit!! I apologize for rambling in your ask box I am a certified yapper and hopefully all my yapping doesn't sound as scatterbrained as it does in my head-

Stay safe!! Don't forget to hydrate! I hope you have a lovely day or night

YES!!! YOU GET IT!! HAHA!

Also don't even worry about it, I love all of these long submissions and such and they are such a joy to read!!! I hope you have an amazing day/afternoon/night as well, and again, don't even worry! I'm a certified yapper too LMAO

But seriously you so get it and I love you for that anon! The family is so fixated on the idea of the reader moreso than them as an actual person. They, ultimately, care more about feeding their own delusions and ideas of what could be - and they do that through the reader. Misery loves company, after all, and what I was also basically trying to get at with the previous post which is, well-

They'll grasp at straws. They'll tear away at everything, and destroy whatever they 'have to', and anything that gets in the way if it means getting what they want. No matter how broken it is, they'll keep replacing parts- and even if it'll never be the same, even if you will never be the same, as long as you look the same, and physically are the same person... well, they'll keep that. They'll take what they can get, and they'll make sure of that above all else - even if it means essentially losing you in the process.

If anything, I also feel like my other previous posts I've made today support that- LMAO

That they'll absolutely destroy you, only to physically keep you around, and whereas they'll all have their own methods of treating you and keeping you around - as I do doubt that all of them will be so selfish and self centered to not even try to apologize or work things out in a semi civil manner - its still ultimately harmful regardless. Though, that's mainly because of their borderline obsession with progress.

Specifically, for the Not [ ] Series (and I hope this'll show in Chapter 4 as it is sort of why things go down the way they do), why things have ultimately turned this way and why they get so messy so quickly is because of that obsession of progress. Obviously, they want to be with the reader and be the totally happy family that they never were - but they're biggest problem is that they're impatient. They're impatient and the reader... well, they basically aren't giving the family any avenues to make progress-

WHICH IS OKAY!! It's perfectly fine to want space and time just... away from others, especially if they are the ones that hurt you so deeply and greatly affected their life. Especially when, like the reader, the family made them suffer alone and by themself for years. They were essentially isolated and kept away from everyone except for Alfred, and no one encouraged them. No one was there for them at all, and as they express and say in Chapter 3 - they feel like their efforts were in vain. Everything was all for not, and it's okay to want to be away from that, even if the family technically didn't do anything, because it was ultimately their inaction that caused this in the first place.

The reader just needs space because, until a few months ago, they were around and stuck in a place where they felt unneeded, unwanted, and just... alone. They want more of that space so that they can clear their head and finally focus on what they want to do in their life, because now they're actually getting a chance to actually live their life and they love it! So the prospect of going back.. of being in the mansion again? Of going back to that horrible, isolating life? They can't do it. Especially when they can't bring themself to believe that the family's intentions are genuine. Especially when they just don't want to 'risk' things going back to how they were, because god damn it- they just started living their life!! And it's like the family is trying to take that away again.

Nevertheless, the family will still try to do what they can to get what they want, and if Chapter 4 will show anything, is that when given no room... they'll make it. They'll rip and tear, and most importantly, they'll take.

I feel like the end of Chapter 4, and subsequently- the beginning of Chapter 5 (if i write it how i think I will when i get to that point) will definitely spawn all the spite and dread someone will need for a lifetime, believe me! And honestly I have all hopes for people like you being able to withstand the torment that will come from most of the family. Though, I will also say that, or course, that is most of them.

Push comes to shove, hell, at least Alfred will have you with how reasonable he'll seem - with him definitely beinf the most guilty when it comes to making others out to be worse than they are, and acting as your savior. Both literally and figuratively as he will comfort you and, as usual, act as a voice of reason with some much added sass thrown in there.

I also feel like Bruce, despite his own pride, would also sit down and talk it out - and I won't go into much detail here as it will be shown in Chapter 4, but let's just say he'll try. He may not be very successful as he is a man of few words at his core, but I'll say that he won't be one of the people impulsively tearing off any limbs, that's for sure!

Barbara is in a similar boat as she'll try to reason and talk things out, but she isn't one of the family members 'living' with you, so...

Aaand I won't go too indepth with the others as I feel this post in long enough- though just note as well that Selina would try to be another voice of reason (and also manipulation), and so would Duke - who would try to also hold people back from doing anything 'rash' (since, if anyone is going to not only seem reasonable, but also feel genuine, it would be him. hands down. and sure, maybe it'd be Dick... if the whole argument didn't happen LMAO) if they were in the series, which... I'll definitely try to include them going forward as they are apart of the Batfam- I just didn't have a means to include them into the series, and now that it's lowley wrapping up... well, I think it's just best to include them elsewhere!

Nevertheless, thanks for sending this in! I really enjoyed reading it, along with the first one you sent in as well! I love long submissions so much (though any submission/ask makes me happy as hell), and, again, this was really fun!! I always love a good excuse to yap too, as you can tell...

Regardless, again, have an amazing day/afternoon/night, anon!!! You get it fr 💛💛💛

And if I misread or misunderstood anything... feel free to correct me! I read pretty fast and tend to skip over words and such by accident, which is... hilarious considering things, but yeah! I'm sorry if I misunderstood anything, but regardless, again, this has been fun and I love you 💛

[cat-hesarose]

Izzy Hands and broken promises

Now that I've had a day to digest the ending, I'm still in the "Izzy should have lived" camp but can better understand why it soured an otherwise great season finale for me.

Keep reading if you like rants about storytelling and queer catharsis from people with a Bachelor degree's worth of overconfidence and strong opinions.

Bar a handful of icks (Zheng Yi Sao getting outsmarted by Ricky, etc), I loved this season and don't see a wealth of problems that would not have been solved by two additional episodes. That said, Izzy's death is one of the things I can't see making any more sense if they had more time to explore his journey because his journey is what problematizes djenk's stated reasoning for his death.

In that one interview (and to be fair, we only have a brief window into his intentions as of right now), djenks positions Izzy as two things, specifically to Ed: a mentor and a father figure. And yeah, mentor figures often die. Their student surpasses them, or acquires a new narrative drive from their mentor's death to continue a quest.

Neither of these things feel like a fit for Izzy and Ed's dynamic nor their respective arcs. Neither does "father figure". Izzy was a love interest. He was described as a love interest. He confessed love to Edward. His mentor relationship was more established with Stede, if anything, who is an unreliable narrator and may well have been lying about Edward claiming that Izzy taught him everything he knows.

The journey that Izzy went on this season was parallel to Ed and Stede but it was with the crew. It's one big queerplatonic love story essentially, of him finding himself as an individual through the support they give and the space they hold for him. Season 2 Izzy Hands is, among other things, a love letter and showcase of the queer community's power to revive hope and purpose.

Izzy has the world's messiest breakup with Ed when they're both at their worst, and his healing begins with the crew of the Revenge. He only interacts with Ed again after bonding with, and growing through, the crew. So yes, it absolutely makes sense that his journey would proceed towards making peace with/saying goodbye to "Blackbeard". But it does not make sense that it would end there, with his death.

Djenks says that they're pirates, and people die. And yeah they do. But in the hand-wavy logic universe of OFMD it feels dismissive to say that about the death of a major character. And odds are, David "Izzy is my favourite character" Jenkins is not dismissive of Izzy, so that leaves tragedy.

My issue with that is, season 2 Izzy is no longer an innately tragic character. If you told me at the end of season 1 that season 2 would end with Izzy dying in Edward's arms telling him to go forth and change and accept love, I would've gone "that's sad but it makes sense." Because it would have, at the time. Season 2 Izzy departed from the trappings (so I thought) of the doomed fate of the bitter old repressed grimdark pirate when he put on the gold-painted wooden hoof and embraced his new role as First Mate of Stede Bonnet's gay floating kindergarten.

His death feels like a betrayal because, in a show that does queer characters Really Well, Izzy's arc feels like a broken promise. To say nothing of the politics of having a character attempt suicide, begin to heal, then say "I want to go" before dying, I wanted Izzy to want to live. It really felt like that was where his character was going, where his character was supposed to go.

Death for a character who is showing all this potential is only a natural ending in a tragedy. It isn't presented as peaceful or to punctuate another character's growth. Season 2 Izzy Hands had ceased to be reliant on and subject to Blackbeard. If anything, he was tied to the crew, who all stood back and felt much more removed from his death than they probably would have been if the show had more time to show their emotional responses. Having him die in Ed's arms, apologising for fueling Ed's destructive tendencies and encouraging him to be himself and accept love, feels like he got shunted off his new arc and back onto the old one. It feels like he went through all of that just to take a last-minute huge step back and re-subjugate himself to this character who does not reciprocate his devotion.

It makes me wonder if his death scene was one of the first ones written, before all that energy was spent giving him a new life and new connections and new, you know, new reason to live.

Anyway, that's how I feel about it. TL;DR Izzy's growth should have included LIVING HIS HARD-WON NEW LIFE and if I ever see djenks i'm going to cross the road and avoid eye contact.

[frownyalfred]

So I’ve seen your other posts about Snyderverse!Bruce, and they reminded me of an article I read recently. It mentioned that Zack Snyder‘s vision of Batman is one that suffers from trauma, and, as a result, is someone who looks for other ways to cope (I think we all understood this)

He appeared on Joe Rogan Podcast to discuss his films. At one point, he spoke at length with Rogan about Batman and he basically said this :

“It might be in the theatrical cut, but it’s definitely in the director’s cut. Where he wakes up and there’s some chick in the bed with him, from the night before,” said Snyder. “Because I always say, Batman f— to forget, for sure. Batman’s a drunk, for sure. Because he has huge trauma, and you wonder why he’s a playboy, and anybody…f—— to forget is a common, that’s a real thing. That’s a way to deal with trauma.”

So basically for Snyder, Bruce uses s*x as a drug in BvS.

I think this interpretation only fits Ben Affleck's Bruce Wayne/Batman. I honestly enjoyed watching his performance, it was refreshing to see a new side of the character.

What’s your thoughts on this ? Do you agree with him ? And do you think he understood the character well ?

I've always loved that scene in BVS because, in the span of like 2.5 seconds you see 1) Bruce waking up after sex to some random girl 2) empty bottles of wine worth a small house next to the bed from the night before 3) Bruce taking a handful of mystery pills and washing it down with the aforementioned wine in one gross swallow.

I agree that it fits this particular flavor of Bruce, and not the canon typical version. He's coping using a variety of substances/escapes, from alcohol to sex to pills to violence. He's lost it in almost every way imaginable, including lashing out at Alfred (although this one doesn't leave, though I'm not sure it's because he approves or wants to stay so much as Alfred fears for Bruce's life if he leaves).

How does an addictive personality like that mesh with the hyperfocus and rigor of being Batman? It's an interesting question. We see Bruce, as Bruce Wayne, coping via every method available. As Batman, it's largely limited to violence, fear over national security, paranoia, etc, and rigorous training and intelligence gathering. Is the fear and paranoia a drug, in a way, too? Is it keeping Bruce alive the same way as the other things?

What I really like about the BVS era of Superbat fics is that the good ones really hammer home on that -- the Bruce who will fuck Clark, will take him home, and have it mean absolutely nothing. It's just another coping mechanism. It's not a pivotal reveal of intimacy and vulnerability like in other Superbat fics. You can fuck Bruce, can break his back, can drink with him and fight with him and still never know anything about him.

But that changes when Clark dies. The guilt claws at all of those coping mechanisms. Bruce could've left him in the Kansan dirt, but we see him becoming obsessed with Clark, even more so than before. And that guilt finds a link to the employees who he saw die, Robin he let die, all of it.

And all of a sudden, we see that energy being channeled into building a team. Building tech for the team. Rebuilding Wayne Manor, for the Justice League. It would be very interesting to see if Snyder intended to continue Bruce's issues with alcohol and grief through that period. Does having Clark back help? How does he recover from a period of what was essentially several addictions and massive trauma/grief?