#where is it lucasfilm?????!?!?!?!

[therebelcaptain]

[arceespinkblade]

me after seeing live action Zeb

[mearchy]

I love Cassian Andor so so so much as a character he’s just so well written and well acted. He’s so compelling. The way he really would prefer not to be a hero but not in a performative “I just suck so bad I could never be a hero” way in a very ordinary “keep me out of this because it’s not my problem” way. He’s eternally a background character getting put in key positions of main character plots. When I see him break out in that charming beseeching smile, trying to convince who he’s talking to to just give him one more chance, like to the judge when he’s convicted or to his debtors on Ferrix. When I see his face twist and turn grim and intent when he pulls out the gun and shoots a man begging for his life. When he’s in the Narkina 5 prison and he’s just staring emptily ahead and you can SEE him reliving his time in prison as a 13 year old. The anxiousness hidden by sharp aggression when he gets touched unexpectedly while training for the heist. It’s all so good!!!!! He never feels like the bad guy, every decision he makes is so human and you can see the same deeply feeling person behind all of it and I love him so much.

[ivvmell]

im still sad that clone wars doesnt includes more episodes with army shenanigans and more clones as main characters as well, or, idk, at least the characters bonding? how they think about each other?

[heyclickadee]

A couple things:

1. The thing is, I actually don’t really think we’re done with the bad batch, for a variety of reasons. There’s too much unresolved, for one thing, and “end of this chapter with these characters” is not how anyone says, “We’re never touching this again.” I really do think we’re getting an immediate follow up with more of a focus on Rex and Echo, but that the rest of the bad batch will still pop in from time to time, giving all of them a chance to round out the last little bit of their stories and character arcs—because they are all just a little bit undercooked. (For example: Crosshair doesn’t even get lines after Tantiss, and the last thing he says about himself takes him from implicitly to explicitly suicidal. The hug is beautiful and cements his place as part of the family, but we never get a moment where he forgives himself or no longer believes that he deserves to die. His redemption arc is magnificent, but it needs that last little push to feel fully resolved).

And, for another variety of reasons, I actually do still think we’ll be getting Tech back in one way or another. So much of what is left unresolved in TBB forms a chalk outline around a Tech-shaped void, for one. The writers aren’t committed enough to have come up with a decent reason for why he had to go in the first place—stakes does not cut it and is actively undermined by never treating it like a character death—for another. They were, at the very least, not committed enough to actually kill him. Tech is the only character in a show that loves making us watch who doesn’t die on screen, and the only one who’s “death” moves nothing forward and is never treated like an actual death. And we have no definitive proof he actually died, for another. (Even if he was CX-2—CX-2 got “killed” two other times on screen and popped up five minutes later each time like a daisy. If you do that you’re going to have to burn the body and scatter the ashes for me to think he’s dead, impalement or no. Besides, you can’t definitively kill a main character via subtext. You still have to be clear and direct.) And Tech has too many callback lines and potential survival foreshadowing for someone to never tug on them at some point, for another. You’d have to kill me to keep me from doing something with, “Better late than dead.” Basically, tl:dr, I think Tech will come back someday, whether they have plans or not.

Because I can’t really get on board with the idea that The Bad Batch was just always badly written. I can’t agree with that. It was never perfect, of course, but it was always remarkably well written and thematically consistent for 46 straight episodes and then tripped on the chalk of the finish line. Besides, I’ve never seen bad writing that was perfectly set up amazing writing if all they did was one simple thing—ie, follow through with what they set up. It’s not that the ending is bad, it’s that it’s bad in this particularly insane way. If it was just normal bad, I’d have dropped The Bad Batch like a rock by now and done my best to forget I’d ever watched it. But because it’s bad like this—basically, a non-ending that resolves nothing but Hunter’s Cut Lawquane arc, Rampart (which was good, actually), and the problem of Hemlock continuing to draw breath (which was just the last major obstacle in Hunter’s Cut Lawquane arc, so it’s not even a separate thing) and answers NO questions—I’m obsessed.

And I can’t get behind the idea that The Bad Batch ending is like this and that we got shorted a Tech return because they got shorted a season. I’ve seen many serialized animated shows that got shorted a season or more, and what every one of them did was cut out everything they could in the middle so that they could get to the resolution they wanted, squash the originally planned last season’s arcs into the actual last season—not leave those arcs undone and the resolution out. The only way them being shorter a season works as an explanation for all of this is if the creative team found out season three was the last at the same time we did. And even then, the solution there would have been to take out five minutes of fight scene and replace it with five minutes of resolving everything in the short and stupid but still THERE way.

For example: Give Wrecker and Crosshair one line each after Tantiss that tells us what they’re going to do. Unmask CX-2 as Tech after spearing him (or don’t spear him) and add one line where Hunter says he’s recovering and that it’ll be a long road, but they won’t give up on him. Or! If you don’t want to bring Tech back in the short and stupid but there way, add a line to the epilogue where Hunter tells Omega, “I see Tech when I look at you sometimes. I don’t want to lose you the way we lost him,” which seems like a no brainer, or, “Tech would have been so proud of you,” which is absolutely a no-brainer if you actually want to close things out for Tech. Tech would still be gone, but at least it’d be resolved, and that’s all short, simple stuff you could add to the very last episode to make it feel finished. If you’re shorted a season or even a few episodes, you cut everything that doesn’t matter, you do whatever you can to get your story resolved—unless you have somewhere else to put it. Which, given how open Star Wars canon is and how heavily it relies on recontextualization, is a very real possibility here.

What I think may have happened here is that The Bad Batch ended up being the first part of a longer story that had to be artificially cut in half. Whether it was always planned that way, whether it was something that unexpectedly happened partway through the production of season three, or a secret third option (the creative team set things up to to be resolved in three seasons but always wanted to do a longer version, but the longer version (in the form of another show) didn’t get greenlit until they’d already written most of season three, so all the payoff got schlorped over to that follow up show while the payoff stayed in this one, leaving us, the audience, with this incredibly unsatisfying mess of a finale in the meantime while whoever is in charge of announcing shit at Lucasfilm doesn’t see the problem). Put a pin in CX-2, slap something that looks like a happy ending on the rest, resolve nothing, do it all in the next thing.

(Slight sidebar: If it turns out that the reason we didn’t get Tech back is because something went horrifically wrong during the writer’s strike—basically, the finale got hit with extreme budget cuts and the script patched by AI—I think we’d still get Tech back. Tech in the first two seasons was something of a writer blorbo, and no one is leaving their blorbo dead over that. That’s a good way for them to bring back their blorbo and have that blorbo murder the hell out of a thinly disguised CEO insert.)

And if that’s what we’re looking at—well, okay. I can see wanting to give certain things (especially a Tech return) more time. If this is what’s happening I actually think it will be more satisfying in the long run, from a story perspective, anyway. I’ll be able to live with that.

That said….

2. If that’s the case—if what we’re looking at is a story artificially split in half one way or another and we are getting a Tech return and the rest of the resolution eventually in an immediate follow up, something that will ultimately work really well in the long run—that doesn’t mean I think it works now. Right now, it’s awful, from every angle. We don’t know for sure that anything else is coming, it makes for a deeply unsatisfying story right now because the “ending” we have is all we have to go on, and it’s unnecessarily stressful for most everyone but especially the autistic fans who relate to Tech.

And the thing is, if Tech were neurotypical? I don’t think we’d really be question the idea that he could still come back eventually. He’s a clear writer favorite to the point that they basically gave him the entirety of season two, except the two Crosshair episodes, great lines and moments in other character’s episodes, and they apparently liked using him so much that either CX-2 was Tech or they physically couldn’t stop themselves from writing and animating Tech in a season he wasn’t in. Killing off one of the writer faves and the fan favorite in order to bring them back later is something that happens. But it’s something that hits differently when that writer and fan favorite is also the only canonically autistic character in the franchise.

Which. Is I think where we run into a problem. You see, I never really got the impression that the creative team ever thought of Tech as The Autistic One. Does that mean I think the didn’t write him as autistic? Of course not—they absolutely did, and did so intentionally. What I mean is that that wasn’t the sum total or even the primary way in which they thought of him, otherwise I think we would have ended up with a terrible Sheldon-Cooper-esque. Instead, the Tech they wrote, and the Tech we got, is just a guy. A really amazing guy who’s noticeably different and autistic AF, but treated like any other character. And on the one hand, great! I know people have a lot of different ideas about this, but I personally want writers to deal with autistic characters that way—to just write us like we’re people. And if what they’re doing is bringing Tech back later and on a longer timeframe than what we expected—also great. It means that all the ambiguity, hinting, and complete and total lack of processing or closure makes sense, because that’s how you write a fakeout death. That’s textbook how you write a fakeout death. But—but—

The flip-side of just treating Tech like any other character and, perhaps, playing a long game with “killing” him off and bringing him back later like someone would do with a fan favorite, if that’s what they’re doing, is that you end up in the situation that we’re in right now. The interim situation where it feels like Tech’s sacrifice was never given the weight it needed to feel final or meaningful, where we’re given no closure and no opportunity to let go, where we DON’T know if anything is coming next even if we do get hints, where Tech got dropped, where nothing makes sense, and where the autistic fans in the audience who relate to Tech feel like Star Wars kicked them in the face and told them that they don’t belong here.

So.

I want this to be a long game, and I do think this could, one, be a situation where they team is having to work around some kind of corporate shenanigans to play that long game, and; two, could end up being a fantastic story that I love even more than the version I wanted.

But even if I’m right and that is the case, I also hate that this is where we’re at in the here and now, that it’s hurt people as badly as it has, and think that they should never do anything like this again, because the game stopped being fun a long time ago.

tl;dr: I don’t think we’re done yet, I think this is part of a longer story, I think we’ll get Tech back at some point whether it was planned or not, but I also hhhaaaaaatte the current situation and think it’s been mishandled.

[shrinkthisviolet]

and like. Here’s the thing. Following up on KK1 to remind Daniel “hey, your mentor isn’t perfect” would’ve been fine if:

1. They hadn’t already given Johnny, Kreese, and mf Silver sympathetic backstories (all of whom are white and are the antagonists of the original movies btw)

2. Actually followed up on KK1, bringing it back as a reminder (“you know Daniel…Mr. Miyagi wasn’t always the perfect, calm mentor either. You know, he struggled with a lot of anger because of what happened to his wife and child. You’re both human. Don’t forget that.”) WITHOUT giving him a violent criminal past would’ve been great! Maybe it could’ve been used not as a gotcha for Daniel, but as a reassurance when he felt out of his depth and confused. A reminder that…hey, Mr. Miyagi didn’t always know what he was doing either. He stumbled sometimes. It’s okay to stumble

The last part (the last two sentences of the last paragraph) is what s6 is trying to do, clearly, except…they’ve made him a thief for no discernible reason. Like…why?? I can at least see where they’re going with making him a formerly brutal Sekai Taikai fighter (I don’t love that choice either, but whatever), but what’s the need to make him a thief who had to flee to Okinawa?? You make your white antagonists/villains more sympathetic, but make your Asian mentor character a criminal just because Daniel forgot the lesson he learned in KK1 (that his mentor/father figure is human)??

[nerdalmighty]

I promise.

[mademoiselle-cookie]

Bariss as a terrorist is not problematic just because a good and kind character get assasinated to prop up the MC without any preparation, or bc we lost a good example of a good Master-Padawan relationship, hence giving ammunition to anti-jedi. It’s also, and mostly, because of racism. 

The Mirialans are Muslim-coded, they are all women who wear the veil. It doesn't come out of nowhere if fans think that. In the West, if we think “veiled women”, we think Muslims. If the news talks about the problem of the veil, they are talking about the Muslim veil, not the Hindu veil, not the Amish veil, not the Christian veil, and no one hearing them will think for a second that they are talking about things other than the veil Muslim. The veil is a very characteristic element of Muslims for an average person.

(In the movies, Luminara and Bariss aren't even played by white actresses, so we can't say it's 'just a veil, nothing deeper behind'.)

The West has a history with Muslims and terrorism. 9/11 still has an impact today, even more so during the making of TCW. So using a veiled woman as a terrorist is clumsy at best, and not having bad intentions doesn’t erase the impact this representation has. 

This reinforces the stereotype of the Muslim terrorist used to harass and oppress members of this religion. I don’t make this “shortcut” between Bariss Muslim-coded and terrorism because I think all Muslims are terrorists. I do it because I live in a country where the veil is considered a symbol of evil, where women who wear it are insulted and attacked, where laws are created to prohibit them from displaying their religion and/or culture.

The fact that the writers chose Bariss to play this role is certainly intellectual laziness, but they could, and should, have thought about what that entailed. “Think before you act” is not a lesson that only applies to Jedi.

Never heard of ‘queer-coded villains’? This is when authors attribute traits associated with queer people to bad guys, hence demonizing these traits. Did these authors think their villains were queer? In the vast majority of cases, no. They simply used traits often associated with villains to emphasize the evil side of theirs without thinking more than that. The absence of bad intentions does not cancel out the damage it causes.

And all this reflection is based on the principle that the parallel between the Mirialans and the Muslims is involuntary. I haven't seen a quote from LucasFilm saying anything, but I find it hard to believe. The Jedi were created to be extremely diverse, in direct opposition to the Empire made up of mostly old white human men, and this is not the first time that Lucas has drawn inspiration from cultures and religions existing in our world, especially Arab populations. There is no reason to think that he did not intentionally use Muslims to create Bariss and Luminara.

The most absurd thing is to think that LucasFilm is incapable of being racist. These are the same people who whitewashed the clones, who used Arab populations as very clear inspiration for a group of violent slavers who communicate only through pig squeals and will be massacred by a white man without any real consequences. The same people who, after being acquired by Disney, will replace a black character with his white neo-Nazi abuser in his role as main character/love interest, who will whitewash an already animated character, who will create clones superior to the others who are incidentally more white, who will cast a white actress for a character who clearly had Arab features in animation.

So no, we don’t have a problem with Bariss being Muslim-coded bc we think Muslims are terrorists, but bc the stereotype of Muslims being terrorists exists and is extremely harmful to the Muslim community. 

If you can’t see that, check your own bias and bigotry. 

[lesbinewren]

rebels season 3 and 4 soundtracks still not being available even after the ahsoka soundtrack built on a lot of those tracks is my villain origin story

[rexscanonwife]

Grogu and the dust bunnies was really cute and I liked it, but when I heard that Lucasfilm was collaborating with Ghibli I was hoping for something a little more like this so I did a couple of screenshot redraws!

[reynawonders-art]

I know they're not favs but where are Martez Sisters? They were with Rex team, also where is Rex? With Cody? With Echo? We've seen Gregor for one minute!! Is he safe?? also Wolffe ?!?

[shiversdownyourspleen]

If we don't see Cody next episode, I'll eat Dave Filoni's hat

[bumpscosity]

i keep thinking abt The California Themed Theme Park To Be Located In The Already California Themed California. i want that on my gravestone

[virtie333]

What the heck, Daisy??? Are you trying to kill us????

via Instagram

[branchedman]

firefox fully crashed while i was in the middle of typing out a whole post abt rey star wars thank you firefox for absolving me of the desire to give a shit about star wars

[bisexualwintermoon]

i know plenty of people like the clones but if the next canon animated show is clone-centric im going to scream