#where being a soldier

[ryukisgod]

“Patriarchy hurts men too,” okay, does white supremacy hurt whites too?

Does capitalism hurt the bourgeoisie?

Does colonialism hurt the colonists?

[sunderwight]

Hualian Idol AU where instead of the statues the big reveal of Hua Cheng's longstanding amorous fixation on Xie Lian is all of his self-insert "my mom sold me to One Direction" style fanfics located in the depths of some boyband RPF archive.

[lotus-pear]

i think you guys are onto smth..

i unironically got invested in this HELP

[bruhstation]

can't it even be more obvious thomas. why are you surprised that a sudrian historical site filled to the brim with armor and weaponry that dates back to the middle ages has old people afflicted with the gold dust working around the castle

[cockroachesunite]

Go for broke AU part 2

☞ (Part 1) . (Part 3) (Part 4) (Part 5)

(masterpost)

[morganmnemonic]

rewatching World Trigger. I forgot how gay it was. Osamu straight up says "hey Yuma. I know that we've only known you for like five days, but I can't help but notice that you aren't doing anything with your life right now. Mind if I borrow it for a bit?"

And then Yuma responds with "while its true that we've only know each other for like five days, your kind yet stubborn nature has compelled me. Sure. Why not? From this moment on my life is yours to do whatever you want with. One condition, though. You have to be my boss" and then throughout the story he occasionally makes these little remarks like "I'd do anything my captain (osamu) asked me to."

Like bro what? I really don't think that Osamu fully realizes the weight of the loyalty he somehow managed to earn from Yuma. I don't think he could realize it. From his perspective he cringefailed his way into b rank while Yuma did all the work. "And now Yuma would kill or die for me" is just not a conclusion that would ever occur to Osamu based on the avaliable evidence.

And like, what's going on here from Yuma's perspective? I get that he was a man on the brink when the story started, pursuing a sincerely suicidal plan, and then said plan failed and he was left with absolutely nothing, but I still feel like there has to be more going on here. He decided that he would follow Osamu through hell and back the very same minute that Osamu asked anything of him at all.

It's like, combat is all Yuma has ever known. He doesn't see any future for himself at all, but he especially can't imagine a peaceful one. But he's not a bad kid. He doesn't go out of his way to hurt people. Osamu has proven to be a pretty decent person, willing to sacrifice himself to save the lives of relative strangers. Maybe, the way Yuma sees it, yeah he's a weapon, but if he follows Osamu at least he'll be a weapon pointed in the right direction. He'll fight because it's all he knows how to do, but osamu would only ever ask him to fight for worthy causes. Y'know?

Anyway. The point is that Yuma accepted helping Osamu as his new purpose in life after knowing him for less than a week, and that's A Lot, no matter how you look at it.

[sciderman]

Yk, I hate that adaptations keep making Peter a high schooler, and not just because it means he never evolves, but because the adaptations now also include wider Marvel, whitch usually (thanks to the MCU) is at the modern day stage with legacy characters and new age teen heroes, meaning that Peter is taking up Miles' spot and you can really tell when they put him next to someone like Kamala Khan or Sam Alexander who are Miles' pals. Tho Peter taking Miles' stuff is just a modern issue overall, just look at MCU whitch just stole and re-skinned Miles' personality, characters, story-beats, even the costume to an extent and then made it worse.

agree 👏

[karmicpunishment]

i know tachihara was likely the most recent recruit for the hunting dogs but it'd be super funny if the vault robbery happened when he was even younger and he was like. the third recruited. like yeah welcome to the team, meet your senior employees: the hero of the world, this women who likes to be in the form of a 12 year old and this actual 12 year old.

[feroluce]

So I spoke somewhat about my thoughts on Emanator Sampo here, but I never really thought of it from a design point of view or what kind of powers he would have until just recently. But I actually kind of love leaning into it from a "stage hand" perspective?

Because like. Aha's body in THEIR official art is completely black, giving attention to all the fun brightly colored things around THEM. And that's so fitting for Sampo! He usually prefers to be a side character. He likes to act from the shadows. His is a much more subtle hand.

So I wonder if as an Emanator, a lot of his clothes are actually very dark? Not necessarily plain, still extravagant and needlessly detailed in things like cut and quality with lots of different fabrics and textures and ornamentation, but dark. Or maybe even his skin itself becomes blackened further down his body; his hands in particular are dark, as a sort of sleight of hand reference.

The motif of a lot of straps wrapped around him like in his canon design is still present, but they're all loose and flowing off of him like paper streamers now instead of restraining him or holding him together. He is no longer contained! Or maybe they're still a bit more rigid/heavy, but just draped more like red stage curtains!

And this is like. Fully self-indulgent, but I love inhuman designs, and there's nothing in canon to say I can't do this, so screw it! Go for broke!! Maybe it's not visible to normal people, but Sampo having a second set of arms would be really cool, as further sleight of hand reference. One set is almost normal looking, but his hands are a bright, attention-drawing white, and the other is dark, set almost in the shadows of the first arms, to act less noticeably.

He also has something of a broken heart design to him in canon (the front of his black shirt with its jagged shape down the middle; his coat looks like a full heart shape in the back), and I actually like him keeping that element as an Emanator, because I think it suits him. Sampo says his taste in aesthetics and views on Elation involve human dignity,

and the story he helps create in Belobog involves the long and winding road of resistance and survival and eventual triumph in the face of some very adverse, oppressing odds. (I'm pretty sure I heard he once called Wildfire "artless" though, plus the man acts like he thinks Shame is some kind of dessert, so like ndkdjzjskkd) But the point being!!

I think Sampo is someone who can appreciate heartbreak and angst and tragedy in a story, because it makes the victory at the end all the sweeter. And this would be another thing he shares with Aha, because I think THEY did bless the Mourning Actors partly just to be a little shit, but also because Aha does recognize tragedy as part of THEIR Path, too, and you can see it in some of the game. So a broken heart motif can still suit him, and I like him having elements of both comedy and tragedy. Like his clothing having a happy sun/sad moon (like the moon in Aha's art) or him having both of the traditional comedy/tragedy masks in his design.

And as Emanator, Sampo can maybe play with the stage settings environment, too. Like lights sometimes behave strangely around him, appearing blindingly bright to someone or dramatically dark. Sampo wills it and suddenly there seems to be a metaphorical spotlight right where he wants everyone to look. And when he doesn't want to be noticed, his face seems to be cast in shadow, he seemingly just fades into the background, no one notices or recognizes him and he sneaks away easily. He can create smoke or fog literally out of thin air without his bombs now, too, the air will just suddenly thicken until his stage is obscured, and Sampo can set the scene as he pleases or disappear without a trace.

And in line with being a stage hand, Sampo can direct attention like no other. He was already extremely good at this as a normal mortal, and becoming an Emanator only took it up to 11, past human limits. Sampo points, and all present feel compelled to follow his fingertip. He looks away, and they all follow his gaze. He can even affect the mood of an audience; he can influence everyone to be calm and placid or he can whip them into a feverish frenzy. Sometimes a crowd will start to become unsettled, agitation stirring until it boils over, until it incites a full on violent mob.

And in the middle of all that chaos will stand one perfectly calm figure, face cast in shadow, until they quietly slip away out of sight.

[serpentface]

Interview Question for Etsushir:

What was the vibe like as a foot soldier during the suppression of the North Finn Rebellion? Did it feel doomed from the start or did it only fall apart once the Odomache was assaulted and killed?

[incomescrane]

In which Radahn takes on the Tarnished who bested him as a champion, and tries to pass on his gravity sorceries.

[agnisleftpec]

reblogs are off but i wanted this post on my blog

[nibeul]

Israel has released a list of names of Israeli settlers who died on October 7, and interestingly, at least half of them are IDF soldiers or police force

It should also be noted that a lot of these were caused by the IDF according to civilian interviews

[id: it’s two screenshots. The first is of a tweet from Israel which reads: “These are the names of the 1,400+ victims brutally murdered by Hamas terrorists one month ago today. Some of the victims have still not been identified. Remember their names. #Oct7Massacre.” Followed by a low quality and inconveniently formatted image of names. The second screenshot is a quote tweet to that from Twitter user @/meowsandry reading: “Guys I’m literally crying all of the names are just IDF soldiers just zoom in and look it’s all sergeants and majors 😭😭😭😭” followed by the same image but with certain names highlighted. /end id]

[jq37]

no but seriously the whole david thing was so fucked up, and it's especially wild how it comes right after book 19 and cassie's deal with aftran, where we are shown the "humanity" of the evil brain slugs, and then right afterward we get three books showing just how evil these kids have become just by virtue of the way they've been forced to fight (do you think they'd turned fourteen yet, when they exiled a kid their age, because they'd forcibly recruited him just as they'd been recruited, and he didn't handle it like they did?)

This has been sitting in my ask box for a bit because I wanted to fact check my memories but woof. I don't know that I would have handled David any better at 14 or now for that matter.

Especially after the Saddler incident. Like we saw some humanity from a Yeerk in book 19 and then some REAL Yeerk behavior in David choosing to steal this poor kid's identity and life--literally throwing him down an elevator shaft to finish him off. Not just any kid either--Jake and Rachel's cousin. Their obnoxious cousin who sucked but still. Their flesh and blood family.

The thing that really gets me about The Solution is, at the end of the day, it's Cassie's plan. Cassie, the kindest most empathetic member of the group, is forced to use that empathy with brutal efficiency to figure out how to play emotional chess with this fellow kid huge amoral liability and it works. It works exactly according to plan.

But she has to live with that. Cassie, the tree hugger, the vegetarian, the one who was willing to sacrifice her life for one stranger three books ago has to live with the knowledge that she did this (knowing full well what the lifespan is of a rat as opposed to a human boy) and she has to live with that knowledge for a long, long time.

Anyway I don't know about evil, but ruthless? Oh yeah.

[hella1975]

would you like to talk about how bad the mha ending was hella

as much as i would love to give like. a comprehensive response i genuinely dont think i can get my words together just yet without it being a constant unintelligble stream of 'AND ANOTHER THING-' and bc it's become quite torn in the fandom on if the chapter was good or bad i want like. an actual coherent response here. so i will reblog this if/when i can word it but know IM NOT FUCKING HAPPY

[gatheringkeepsakes]

Been thinking about Jaune and Weiss parallels lately.

How they both come from big families with long lines of huntsmen heritage. How Weiss' house is full of conflict, but she had both pressure and opportunity in equal measure to live up to that family name. Whereas Jaune seems to have a lot of fond memories of home, but was given no opportunity to follow in his ancestors footsteps. How he had to sneak his way into Beacon just for a chance to be the hero.

How Weiss acted like she was la crème de la crème but had so much to learn, while Jaune knew he was so far behind everyone else that he struggled to see how much talent he had. How quickly he grew.

I also keep thinking about how they fiddle with the Princess and Knight roles. Starting out as Snow White the Ice Queen and Jeanne d'Arc the Greenhorn Knight, but by V9 Weiss is heir to neither kingdom nor crown, and Jaune has become The Rusted Knight incarnate. I wonder where they'll go from here with both those archetypes of theirs having crumbled quite a bit...