#where beforehand if you were a fan then you were a fan of All Of Starkid

[felassan]

David Gaider on Zevran, under a cut for length:

"I was going to skip over Zevran, honestly, as I felt like I didn't have a lot to tell in the way of stories about him... but I know he still has some (ardent) fans. Plus, on reflection, I thought maybe I DO have a few things to say. 😅 Sooo we'll see how this goes. Zevran came along much later in the DAO process, as we were trying to round out the cast of party members. Alistair and Morrigan were well underway (as "main" characters, they were concepted very early) and I'd just started to consider who our Rogue followers might be when... things changed, a bit. See, BioWare had released a game not long beforehand called Jade Empire. It had included some same-sex options in its romances - not obscured like the way Juhani's "romance" had been hinted at in KotOR, but explicit. To this day, I have no idea who on the Jade Empire team was behind it, or why. More to the point, the same-sex options had received a lot of attention and praise - almost universal praise, in fact. In 2005, everyone was just pleasantly surprised. And I don't recall if I went to James and asked about it or if he came to me to suggest DAO should include it. The latter, I think."

"You might ask "Aren't you gay, Dave? Weren't you already pushing for this?" And the answer to that is, emphatically, "no, not at all". It might seem odd looking through the lens of 2024, but there was no talk of 'representation' or 'diversity'. Not at any level where we were aware of it, anyhow. Today, fans argue about how MUCH representation to include and whether it's done well enough... the idea that, less than twenty years ago, it being included *at all* was very much in doubt feels so far away. But, back then, I'd always assumed my private life and my work in games would never meet. So I think it was James who brought it up, because I remember being startled. Pleasantly so, of course. Now I had to look at our two rogues and figure out how this would apply. I sketched out the female of the two (who was taken on by Sheryl Chee) and then looked at the male - he who became Zevran. I'd been reading about the CIA and one thing that stuck with me was how they'd (allegedly) recruit gay men as assassins because they rarely had familial ties. Zevran wasn't going to be gay (bisexuality wasn't a question of representation, but a cost-benefit compromise) but that was the inspiration."

"Then there was the question of how "flamboyantly" I was writing this character, whether that might be too stereotypical? I don't remember how it arose, but I had too many "flamboyant" friends to do anything other than double down. This character was gonna be Zorro the goddamn Gay Blade, that's what. So that's how Zevran happened. Fun, a bit nihilistic, maybe a bit too overtly flirty for today's audience but very confidently *sexual*. Everything I'm not, so I'll admit it was an interesting exploration to dig down and find that voice somewhere inside. He was the anti-Alistair, and I needed that. Casting him was difficult. Caroline always tried to go for authentic accents, when we could, but for some reason this was getting us nowhere. I think back, and I suspect it's because I hadn't yet learned the lesson to not use terms in casting descriptions I thought were universal... but were not. What do I mean by that? Well, there was one write-up that said "drow elf". Now, I know what a drow elf is. It wasn't even important to the description, but the director saw the word "elf", and you know what we got back? A Keebler elf. Like a leprachaun, high and sweet and cutsie. Can you imagine?"

"In this case, I think it was the use of the word "assassin". Combine that with the sorts of roles many Hispanic actors in LA probably are asked to play, and all the auditions we were getting were 150% dark, mean, and gritty. 🫠 So we widened the casting call a bit, and this led us to Jon Curry. I knew Jon wasn't Hispanic, but what I wasn't prepared for when I flew down to meet the DAO actors was that he's this extremely tall, extremely Nordic looking dude who just happened to do the most amazing Antonio Banderas impression. Watching THAT man channel Zevran was... more than a bit surreal. 😅 And he had fun with it. As soon as we gave him the go ahead to play the fun and flirtiness to the hilt, that's exactly what he did. Over the few days where we found Zevran's voice, it totally supplied me with something I could hold in my head when I went back to Edmonton and finished writing him. Zevran was funny enough that the fans liked him. The only part of the reception I thought odd was the occasional comment by a male player who felt "tricked" into having sex with Zevran. "You mean... that part where he invites you to his tent for a sensual massage?" "Yes! I was expecting a massage!" "He literally says the massage is sensual." "Well he wasn't clear enough!" This is where I first came to the conclusion that a certain number of our players just don't know how to people. And that maybe an adjustment to the way we approached the messaging (or massaging lol) of romance was in order. If I could go back, would I change anything? Maybe I'd remind the systems team Zevran should really be able to pick a lock. And maybe not allow him to die. We had no idea we'd need to import these choices into the future - we kinda thought DAO was "one and done". Not so much, as it turned out. 😁"

[source thread]

David Gaider: "there's something to be said about how Zevran flirted and even had sex with you because he thought that's all he had to offer... not just you, but anyone. And when he realized you wanted something deeper, suddenly he was on unsteady ground and it truly unsettled him. It was fun to explore." [source]

User: "So David - besides loving the fact that the third image you picked is a gay sex scene - what happened in DA2(DAE - come on) with Zevrans design?" David Gaider: "Check the ALT text. It wasn’t a custom sculpt, so that’s as close as they could get it. Which… was not close." [source]

User: "Just to make sure I fully understand: the director (was it the voice director?) saw the word "elf" and thought you were looking for someone high, sweet, and cutesie?" David Gaider: "Yeah, this was from back before we managed VO in-house. The voice director in this case just didn’t have an association with “elf” like some familiar with fantasy would." [source]

[dullahandyke]

not sure how aware you are of their newer stuff but a new starkid musical's being released this October 13! same setting different universe as tgwdlm, iirc

Ah yes the hatchetfieldening <3 I was there when the shift started n I watched the first nightmare time episode n black Friday but neither massively impressed me so I stopped 😔😔 I'm still mostly an older musicals girlie bcos of the nostalgia of watching them on loop at age 13 (except mamd ani and firebringer. 13yo me said fuck those ones) but deck the halls of northville high is a banger I still listen to on occasion

[fluffyk97]

When I started playing the new Final Horizon update I was expecting pure fun playing as Amy, Knuckles and Tails all while getting new story and a better final boss.... I wasn't expecting I was signing up for extra hard mode that made me feel very drained despite my setting being clearly set to normal difficulty.

[missempanada]

How to help the people in Spain

As you may have seen online, Spain is going through a flash flood since October 29. It's mainly affected the Community of Valencia but also some parts of the south-west and the cold drop is now moving to the north-east.

95 bodies have been found at the time I'm writing this (edit: 205 now), there's still people missing and entire towns are isolated as they don't have electricity and their roads have been destroyed. A lot of people don't have tap water or any means to cook. If you're wondering why people didn't evacuate beforehand, it's because authorities didn't care enough to warn people so technically everyone had to go to work and school. Though politicians should be held accountable, the most important thing at the moment is to help those in need. So here's some ways you can help both people and animals that have been affected.

NGOs and fundraisers

MOST NEEDED AT THE MOMENT: You can donate to Valencia's food bank by making a transfer to this bank account: ES86 2100 2806 6402 0009 8998.

Horta Sud is a county in Valencia that has been the most affected by the floodings. People are leaving their houses because they're scared of the infrastructure getting damaged and even walking by foot to Valencia capital to get food. You can help those families via this gofundme.

Hambre Cero is a Spanish non-profit that was founded after the earthquakes in Indonesia. They will be giving food to those who need it. Here's different ways you can donate.

This gofundme is joining efforts with the town hall of Valencia to help people who have lost their homes.

Una copa por Valencia ("a drink to Valencia") is a campaign organized by Spanish influencer David Aliagas. The idea behind it is to donate the amount of money you would spend on drinks on a night out. He'll be joining effort with local non-profits. You can help here.

Here's a thread of artists that are accepting commissions in exchange for donations for Valencia.

Spanish Kpop fans are organizing a collective fundraiser.

EDIT: took Cáritas and Spanish Red Cross out of this post after this tiktok made by a volunteer went viral and a lot of people posted their experiences working for these NGOs. Apparently they're not distributing food. Instead they're telling people not to send more food and send money instead so they can keep part of it.

Help people directly

Help Sara, Steven and Bruno rebuild their home in Valencia.

Help this high school teacher buy a new car to get back to work.

Raúl was about to open his barbershop on October 31 but it was destroyed by the flood. Please help him get his dream back.

Help the neighbours of Aldaia (Valencia) rebuild their homes.

This artist has been affected by the floods and lost their car. They've opened emergency commissions.

You can help rebuild the town of Letur (Albacete) by donating to this gofundme that's directly coordinated with the town hall.

Rebeca is a seamstress. Her studio was both her workplace and a place were came together for a sewing club in the afternoons. It was destroyed by the flood. You can help her rebuild it here

Animal shelters

Refugio Minipow was home to 50 rabbits and guinea pigs. Thankfully, the owners were able to move all the animals to their homes and those of their neighbors, though the shelter itself has been destroyed right after recent renovations. There's different ways to donate here.

El Refugio de María a dog shelter in Sueca (Valencia), is completely flooded, leaving the dogs visibly distressed, as shown here. You can donate to PayPal maria.g.may@gmail.com

Modepran is a dog shelter in Campanar (Valencia) where infrastructure damage has left some dogs without a proper sleeping area. You can donate through PayPal here.

Gatos Campo de Gibraltar is a cat shelter in Los Barrios (Cádiz). need of assistance for relocating cats to new homes and rebuilding damaged facilities. You can donate to their PayPal gatoscampodegibraltar@gmail.com

Protectora San Antón is an animal shelter for cats and dogs in Jerez de la Frontera (Cádiz). The entire place is flooded and the animals don't have a comfortable place to sleep in. Cats can't even walk on the ground. You can donate to their PayPal protectorasananton@hotmail.com

I'll be adding more as I find them. Thank you everyone for your help.

Edit: adding this because I keep seeing people on Twitter and Tiktok say it makes no sense to give money to people in a "first world" country. I need you people to understand that living in a western country doesn't equal politicians caring about you.

This whole thing started because politicians weren't doing their job and they're still not doing it. People (literal civilians, not firefighters or policemen) are literally pulling bodies from under cars and putting them inside the trunks so children in the affected areas don't see them. There's underground parkings still flooded by water and we don't know how many people may be inside them.

France offered to send us 200 firemen and the Ministry of Interior literally REFUSED. Some of these French firemen came on their own anyway. But that's what our politicians are doing. Negating help and pointing fingers at each other so they don't seem guilty.

[alotofpockets]

Staring | Leah Williamson x Interviewer!Reader

Where you're interviewing Leah, and she can't stop staring at you

Woso masterlist | Words: 1.1k

-----

Usually, you felt prepared when interviewing someone. Always doing a bit of research beforehand and going over your notes one last time before they arrive. But today you were more nervous than you had ever been before.

You’ve interviewed plenty of celebrities on your radio show before, but your guest today was the first one you were really nervous about meeting. She was a guest you didn’t have to do a lot of research on, as you were a bigger fan of her than you cared to admit. Leah Williamson was set to show up in the next few minutes. While most people knew her for her football, having captained the Lionesses to victory in the Euros, to you she represented so much more. The way she used her platform for the better, never shying away from harder topics, shedding a light on the more taboo subjects, you admired that part of her.

As you flipped through your notes, in an effort to calm your nerves, a soft knock on your open door startled you. The unexpected sound sent your notes flying through the air. You spun around just in time to see Leah rushing over.

“I’m so sorry! I didn’t mean to scare you.” Her voice was soft and apologetic. Leah had gathered most of your papers before you had even had time to react. She handed you the papers with a sheepish smile.

Meanwhile her cousin, Jordan, watched the scene unfold with a knowing grin. She knew Leah well, and could immediately tell that Leah thought you were attractive, and while she didn’t know you, she could tell by the light blushing off your cheeks, that you thought the same about Leah.

“I’m Jordan, by the way.” Jordan cut through the silence that filled the room after the two of you had introduced yourselves to each other. You blinked, realising you had been too lost in the moment to even realise that there was another person in the room. 

You quickly turned to the voice with a warm smile, “Nice to meet you, Jordan. Thank you for joining us today.” Leah smiled gratefully, giving her cousin a nod. “It means a lot to have her with me to talk about the book, so thank you.”

Luckily during the interview your nerves settled a bit. You were totally in your element in your recording studio. Behind the microphone with your headset on, it gave you the comfort you needed to completely forget about anything else besides giving the listeners a good interview.

You started off talking with just Leah, while Jordan sat to the side. Speaking about her recovery from her ACL injury, as well as her comeback, but mostly focussing on the mental health aspect of her recovery. Just like Leah, you used your platform to speak about subjects that weren’t talked about enough, using your platform to show that struggling with your mental health isn’t something you need to hide.

It was wonderful getting to speak with Leah about it, and get to hear her experience on it on a deeper level than she had spoken out about before. Throughout your conversation you and Leah held a lot of eye contact. When you spoke, you made sure to speak around the room, and also make eye contact with Jordan and your staff members. But every time your eyes made their way to Leah, she was still watching you. 

At one point Leah’s gaze on you was so strong that you stumbled a bit over your words. You cursed yourself for letting your feelings get to you while you were live on the radio. Meanwhile Leah was watching with a proud smirk at your stumble, but so lost in the moment that Jordan had to nudge her to answer your question.

Luckily the next part of the interview would be about the book, so Jordan joined in on the conversation. You spoke on how it was to write the book, as well as what it was about, and what they wanted it to say to children. 

You were excited to hear all about it, as your two nieces loved Leah, and you had read the other books in the series plenty of times with them. Getting a little insight into the story that was ahead was definitely going to score you some auntie points.

After wrapping up the interview, your staff members left the room, and Jordan quickly made an excuse as well, leaving the two of you alone. “My nieces are going to be so jealous, they’re big fans of yours.” 

“I was hoping you were a big fan.” Leah said with a challenging, yet playful look in her eyes. Your cheeks flushed and you were at a loss for words. “I’ll tell you what, I will sign a copy for each of your nieces and they can have the books before they’re released.” 

Your eyes widened, “You would do that?” Leah smirked, “Yeah, just on one condition though. You have to admit that you’re a fan.” You chuckled, “Of course, I am a fan. How could I not?” Now it was Leah’s turn to get flustered at your words.

Leah signed two copies, each with a little personalised message for your nieces. “Here, hand me your phone real quick.” You did so without hesitation, and watched as Leah recorded a little video for them as well. 

“Thank you so much, Leah. They are going to be so happy with all of this. My auntie points are going to be through the roof!” Before Leah hands you back your phone, she quickly types her number into your phone. “Well if you want to get more points, text me and I can get you all into a match.”

“Are you sure? That’s so kind.” Leah smiles and nods, “Of course, it means I get to see you again.” Your heart starts beating fast, you weren’t imagining things right? “I- eh thank you.”

Jordan walked back into the room, “Have you asked her out yet? We have to head back.” You both blush at her words. “I eh, I hadn’t gotten that far. But yeah, I would love to see you again. Would you like to go out for lunch some time this week?” 

Your smile grew, “I would love to.” With a racing heart you stood there. “Glad you got there and I didn’t have to do everything for you.” Jordan joked, earning herself a glare from Leah. 

“I have to go, before she embarrasses me more, but text me later to make plans?” You smile at her, “Yeah that sounds good, looking forward to it.” Leah looks back before walking out of the door, “Me too.” 

-----

💗 If you enjoyed this fic, please consider liking, commenting, and reblogging! You can also supporting me by leaving a tip 💗

[gideonisms]

I also judge them by whether the hosts think that breq has a personality or not

Tbh I judge book podcasts by whether they understand what ann leckie is doing with gender in ancillary justice or not

[em-ontv]

Hii, I was wondering if you could write something for Soldier Boy? Just something where he’s down bad and obsessed with the reader? Love your writing, thank you 😭

Honestly, thank you for this, I needed it to feed into my Soldier Boy delusions. Here you go, anon! Hope you like it <3

Guilty pleasure.

Pairing: Soldier Boy x fem!supe!reader

Warnings: vulgar language/cursing, obsessive behavior, Ben is really down bad, no use of y/n, English is not my first language, mistakes should be present, apologies beforehand :)

Word count: 439

———————————————————————————

Ben was the fucking Soldier Boy, the All-American hero, the one-man army who could singlehandedly fight a whole battalion. He had the whole country eating out of the palm of his hand. But he had a secret — a guilty pleasure, if you will. And it was you.

You were more than just a supe. You were a sensation, neatly crafted by Vought to be the perfect girl. The kind that made men weak in the knees.

And Ben was no different.

Yeah, you had no fucking clue, but he had a serious crush on you. He was your biggest fucking fan, and he felt pathetic about it — Soldier Boy didn't do crushes, but here he was.

He had stacks and stacks of magazines of you, posters hung up on the walls of his room, and even some rare, limited-edition shit that he paid top dollar for. He'd never admit it, but he had spent countless hours staring at printed images of your face, tearing his way through Supe Weekly to find you in there. It was ridiculous, and he knew it, but that didn't stop him from acting like a totally obsessed fanboy every time he saw your face anywhere he walked.

America's hardest badass — hoarding fan memorabilia like a fucking teenager — what a joke. And he'd be damned if one of his teammates from Payback ever found out about his little obsession with you, he'd never be able to live it down, but he’d probably punch their skulls in.

So when the word came down that Payback had a working opportunity with you, Ben almost lost his shit. He'd practically jumped out of his chair when the news hit. But he wanted to keep it cool — be the stoic leader who didn't bat an eye at you. But inside? He was thrilled. A chance to meet you, to work alongside you? It was like someone had handed him Christmas on a silver platter.

When the day finally came, Ben stood in front of the mirror in his quarters, checking his reflection for the twentieth time. The thought of embarrassing himself in front of you made his stomach twist.

And the conference room.

He was fighting the urge to just bolt for the door. And then you walked in. Holy shit, you were even better in person. It made his brain short-circuit when you walked directly to him.

"Soldier Boy," you greeted, your voice smooth. "Been looking forward to this."

When Ben opened his mouth to speak, nearly no sound came out except for a voice crack. And it was at this moment that he knew. He was fucked.

[livin4woso]

Never meet your hero (alexia putellas x teen!reader)

Summary - After transferring to Barcelona, the reader just wants to impress their idol, yet no matter how hard they try, it won't ever be enough. Alexia only realises their admiration when they accidentally push themselves too far.

Growing up womens football was rarely spoken about but if you dug for it you could find the media and thats when you in 2019 stumbled across alexia putellas a Barcelona midfielder with promising talent to be one of the greats.

You quickly found yourself trying to be like her and while she was claiming more accolades and fame to the name putellas; you were climbing the ranks of Chelsea academy football fast and not realsing you too were making a name for yourself.

Then it happened at 17 years old. You had somehow managed to gain the attention of Barcelona for a 4 year-long contract after making your professional debut for Chelsea just 8 months beforehand. Now, this raised some spectacle across the Barcelona team, and the fans, as you were young, couldn't speak spanish, which wasn't an issue but to compete with the stacked Barcelona midfield full of ballon d'or winners and major tournament winners was where people wondered how good you were.

Even you wondered how you were going to fit into the midfield, but playing with your football hero who made you change your playing style to the one that made you succeed was another type of pressure. You wanted to impress her and not seem like some scrawny teenager who had been given way too big of boots to fill.

You had arrived in Barcelona and the club hadn't wanted you to live on your own so the only other native english speaking member of the team keira was happy to let you crash at hers for your first year. "Im so sorry for crashing in your apartment for the next year, man. i swear I'll be clean around the place, and you know, help out," you told her as you were unpacking your belongings into her spare bedroom. "Honestly y/n its fine. Don't stress about it, it'll be nice to have some company in the place," she said with a warm smile.

You had spent the week before training at keiras just to settle into the area and get a grip on the basics of spanish and some catalan phrases which wasnt going the best for you or keira who was trying to teach you. It was finally time for you to start training with the team after far too many medical and fitness tests the team made you do. Keira was driving you there, and you had started to feel the nerves build in your chest as it finally hit you that you were meeting your idol and many other players who you deeply admired.

You had stood in the changing room waiting for the rest of the girls and as you stood you were using your hand to try to flatten out the creases on your training top and pushing back the fly aways from your hair to make yourself more presentable. Meeting the team wasn't as scary as you had thought it would have been. Everyone was friendly and kind to you, greeting you with smiles and shaking your hand until you were faced with alexia.

She was rather stoic in her features, and she was rather intimidating, but she was going to be your captain anyway so you just had to deal with it "hi im y/n erm sorry about not knowing spanish yet im trying too." You said as you tried not to stare at the floor as nerves dripped through your words "its fine im alexia, you're new captain" thats all she said back to you and ignored your hand that you held up for a handshake you thought maybe it was her lack of english but you let it slide.

As the weeks progressed, alexias attitude never changed towards you she would laugh and joke with vicky pina and patri, yet when you were around, it was like she could flick a switch of pretending you weren't there or would just blankly ignore you. It had started to get under your skin as you had took extra spanish lessons to fit in and would spend extra hours in the gym to be better to get better so she could appreciate you as a team member.

It had reached international break, and unfortunately, you hadn't been selected, which you had expected, and you had to practically beg keira. You would be fine on your own for the next 2 weeks. That was a lie in those 2 weeks you had worked yourself to the bone training and in the gym every moment of the day and while you thought this would be a positive you had been neglected your bodys health by not eating enough; by this point you were only eating dinner and a few random snacks just too make sure you weren't going to starve to death.

The change wasn't too noticeable, so it was nothing anyone was going to flag off as unhealthy behaviour, which led you to believe you were doing the right thing to be better for alexia, for her approval. You wanted to prove you could be like vicky or patri or anyone else in the team because to you she was your everything and yet she only saw a teenager but she didn't release she was treating you like an outsider.

Alexia putellas the la renia she had a reputation and she saw potential in you she did but she thought a tough love approach would make you a better player yet she had took it to another level that she didn't realise. She never noticed the way your shoulders dropped when she wouldn't compliment a good goal in training or the way tears welled in your eyes when she wouldn't joke on with you like the other girls. She was oblivious to it until it took a turn for the worst.

You were working yourself into the ground, and it was clear you weren't going to stop until someone told you to. These unhealthy habits had continued but not to the extreme when keira had returned from international break. They were so subtle that unless you were looking for it, it would be noticeable.

It was a Wednesday training session, and after an early gym session, it was time for field work, which was your favourite time of training. However, you should have noticed it your passes were sloppy. Your movements were slower than normal, and you just couldn't hit the target of the net. Then it happened it was during quick fire 5v5 games with the mini goal 6 minutes on, then 6 minutes off.

It was just your luck that you had been chosen to mark alexia, and it was round 3 of the games when something didn't feel right. You looked to receive the pass from esmee to turn and move forward when all of a sudden everything went so fast you couldn't comprehend it. Your body became heavy, and so did your eyelids, and that was it. You lost all control of your body, and it collapsed in on itself to a bonless pile on the pitch.

Meanwhile for alexia it was the opposite it was like slow motion she was stood opposite you waiting to defend your play when you missed the ball completely and your body went dropping to the ground with quite a loud thud which caused the game to be stopped immediately. She was hunched over you, trying to make you regain consciousness by lightly shaking your shoulder. The medics raced onto the pitch. However, alexia wouldn't budge from her spot next to you she needed to know if you were okay.

There was a ringing in your ear which had changed to a mix of voices and random spanish words which you could translate but not in the disoriented state you were in at the moment. You tried to open your eyes, but it was like looking directly into the sun, and the only thing you could understand coherently was alexias voice "y/n are you okay?" She asked you, her voice laced with concern "mmh what happened?" You asked back groggily to her."You don't remember you just passed out onto the floor, " she said to you, and it had set panic of within you shit. im done for.

You had managed to be hauled to your feet with your body weight being supported by alexia, and you couldn't tell if she was doing this because she cared or rather it was captains duties. You were now sat on the medical table after being forced to chug a bottle of water and an energy gel. However, alexia still hadn't left your side while it was strange to you it was rather comforting. The medical staff had ran quite a few tests on you to figure out the cause of why you passed out. However, you knew why your body was physically exhausted, but you were also mentally exhausted.

"So miss y/l/n it seems that the cause of your collapse was your body being overworked and a lack of the correct nutrition. We've noticed you have a slightly decrease in body weight however you have been adding up to 6 hours extra training a week we have on record." The medic stated and well it wasnt a suprise to you but too alexia she was shocked you could be doing this to yourself. "Y/n this isn't healthy why have you been training so much extra?" Alexia states to you but unfortunately you couldn't be professional on your response you told her the truth.

"Because im clearly not good enough for you or the team all i wanted was you to appreciate me on the team yet you hate me. I learnt spanish for you i tried so hard for you to notice me yet everytime you see me you blank me or frown at me and i want to know how can i be better" the words tumble out of your mouth as tears threaten to fall down your face. And in that moment alexia could feel her heart break she was the reason you had worked yourself to the bone for her and she had treat you like a piece of gum on her shoe. "Y/n im so sorry i thought that if i was tough on you, you would improve under pressure but it was really wrong of me im so sorry I'll try to be better for you because its not fair for you" she said to you.

"Well it doesn't matter anymore i dont care about you and your opinion and im done trying for you because its clear i dont matter to you" you shouted storming out of the medical office where keira was waiting in the car to take you home. The ride home was a tense one as keira had found out about your unhealthy behaviour, but you didn't need a lecture as she could tell you knew it was wrong.

Since then alexia was much nicer to you however it had never been the same you hadn't seeked out for the validation of alexia you had realised that praise is awarded and not always found when looking for. While you had never found the love to forgive alexia for your rocky start to your time in barca she had found solace in watching you progress and prove that she knew she was right to recommend you to transfer in the first place but she wouldn't ever tell you it was her because you needed to become your own player rather than tagging along to be the next alexia putellas.

[jaylaxies]

GLOSSY LIPS | NJM

pairing: fwb!jaemin × fem!reader

wc: 1002 words

cw: smut, public sex, cunnilingus, fingering.

warning: 18+ content, minors dni

a/n: i dreamt about jaemin being a sucker for pussy and decided to share it with the world :3

Jaemin isn’t the one to think about decorum when it comes to you, especially when he’s got some sort of odd fixation of having the urge to eat you out each time you go out (you keep his lips glossy and moisturized; is what he says), whether it is a lunch date with your friends or a random outing with Jaemin, he’s gonna make sure to do one thing—eat you out, no matter what.

It was to no one’s shock that you forbade from taking your panties off, especially when you were in public as you were still traumatized by that one incident where you had almost flashed Jeno, simply because Jaemin couldn’t stop himself from stuffing your panties in his pocket after eating you out in the bathroom, which you were glad was clean.

So, it shouldn’t have been a surprise to Jaemin when you gave him the look which was a clear warning as to tell him to not pull any of his stunts this time, but he only smiled the softest of his smiles, the kind that anyone would mistake as the smile of an angel, which is not the case with you as you clearly know about the sin he’s about to commit.

It’s your monthly dinner date with your friend group tonight, the extravagant restaurant only makes it even more special than the usual ones. Hyuck is busy talking to Mark, while Renjun is explaining some theory of his to Jeno and Chenle. Jisung is busy eating, while Karina and Ningning are busy discussing the latest gossip.

Jaemin couldn’t have been more happy that the tables were fully covered with the table cloth, meaning: if he were to go in to play with you a little, then nobody else would be able to spot him inside. It was almost comical the way he crouched down, thankful that he was sat at the corner, which helped him not garner anyone’s attention. You gulped as you saw him grabbing the cloth, holding it up for him to get enough space as he got under the table, careful to maintain the distance with anyone who’s not you, crawling close to your knees with a sinister smirk on his face. You gasped then second his hands separated your legs, and you cursed yourself for wearing a dress tonight.

Jaemin knew he wasn’t allowed to take off your panties, you had made that very clear beforehand, so he simply settled down between your thighs and got closer, his glossed up lips brushing against your inner thigh, leaving a soft kiss right on the same spot, followed by many more as he peppered open mouthed kisses all over, but not where you needed him the most.

“Where did Jaemin go?” Mark asked two minutes after the disappearance of Jaemin, unaware of the activity that was taking place under the table, “oh—he went to the washroom,” you managed to speak up with a shaky tone and he nodded in understanding, “ah—I didn’t even notice him leaving,” he laughed and you laughed back, stopping the second you felt Jaemin’s tongue on your lace panties, right on your clit.

You didn’t allow him to take the panties off, but you sure as hell didn’t say anything about him doing stuff to you while you were wearing them.

You bit on your food a little too hard as he pressed his lips against your clothed cunt, the lace allowing his spit to penetrate easily, causing the fabric to be wet instantly. He tried not to groan with how good you tasted as he pressed his tongue harder, lapping up the taste of you as much as he could, his warm breath fanning your cunt as he pushed the fabric of your panties aside, giving your wet pussy a sloppy kiss, caressing it with his fingers.

He didn’t care about being caught, the thought only made him harder. Jaemin had always been a bit of a freak, and he happily embraced the title, immersing himself as he attached his mouth to your clit, sucking on it as his fingers prodded your entrance, rubbing circles on your slit before pushing two digits in, curling his fingers inside to give you the most unadulterated pleasure he could while still lapping at your juices, almost as if he was drunk in your essence.

Your orgasm was so close as you spread your legs wider to give him more space, his strong arms holding your legs open as they started shaking, and you tried your best to keep up with the conversation happening around the table.

Jaemin was enthusiastic. If someone were to ask him to note down his favourite activities to do, then your name would be on top of that list, and it showed with how eagerly he pressed his face to your cunt, making you see white as you almost toppled over with how good it felt as you reached your high, granting Jaemin with the utmost pleasure of tasting how good he made you feel.

He’d pull the panties back to their place, leaving you all wet as he’d smile at your shaking legs, his eyes almost dazed as he wiped his chin, but not his lips.

He wanted to have the taste of you on his lips, the glossy appearance only made it look as if Jaemin had put on too much lip balm—which was a normal thing for him.

He made sure to be discreet as he got out and sat down on the chair again, successful as no one caught him, his smile only widening when you looked his way, your lip a little swollen with how hard you bit it to conceal your moans.

“Ay dude! When did you come back? Where did you disappear to?” Mark asked, wondering if he was that oblivious to miss Jaemin twice, but he only smirked, licking his bottom lip as he spoke up, maintaining eye contact with you.

“Just went out to get my lip balm.”

permanent taglist: @jaeminvore @hoondrop @macaroonff @ajayke-reads @en-myworld @lunalovesstories @jayzdaze @deobitifull @mari-oclock @kpoprhia @ikeuizm @woniebae @lalalalawon @blessedcursd @skzenhalove @heesuncore @seuomo @kyurizeu @haechan-nahceah @tobiosbbyghorl @jezzebear @jaehoonii @itsgivingitalian @bunhoons @hyacandoit @luvswonyoung @ma-riiii @addictedtohobi @heeliopheelia

© jaylaxies | tumblr

[xoluvx]

kiss it, bite it; b.eilish

love the anon who requested this one 💚

"Is it gayer than lunch?" You glanced at Billie who was blushing profusely. She laughed and placed her hand on your thigh. She still hadn't answered your question. In fact, she'd been avoiding it for weeks. You knew she was working with Charli, but she hadn't uttered a single word about her verse.

"Nod if that's a yes," you didn't take your eyes off her. She simply hung her hand over the steering wheel, smiled goofily, and squeezed your thigh before shaking it.

She wasn't going to fold.

When you finally got to set, Billie held your hand as you walked together. The curiosity was eating at you, you couldn't stop biting on your bottom lip.

"Why are you so nervous?" Billie asked turning to look at you. She tugged at your chin so you'd stop biting your lip. When she noticed the indentations of your teeth, she rubbed your lip gently trying to get the blood flowing. Your blood was flowing alright. She'd mentioned a mountain of underwear on the car ride. Let that sink in: a mountain of underwear.

"I'm not nervous," you buried your face into her arm and she chuckled placing a hand behind your head, kissing the top of it.

And you weren't nervous. But what you should've been was prepared because you were currently standing to the side listening to the track, watching your girlfriend voice words that were making you extremely flustered and what was she saying about pulling them to the side and getting all up in it?

Were you hearing that correctly? You tried to stifle a cough thanks to almost choking on your saliva. You fanned your face with your hand. Was the temperature rising? Good god that's why she didn't want you to hear her verse beforehand.

That little -

"Cut," Billie stepped behind the viewfinder looking at the playback. She pointed at something, her voice was low as you tried collecting yourself. Or maybe you were still processing the lyrics. All you know is that you jumped a little when she came to your side, startled.

"You okay?" she teased brushing your cheek, tilting her head and feigning innocence as if she hadn't just told everyone the type of underwear she very proudly bought for you.

"It's gayer than lunch," you whispered, your voice trailing off as you stared into the distance. Frozen once again. The lyrics ran through your head like a complicated mathematical equation.

Billie's laugh brought you back to earth and you turned to look at her, mouth open waiting for an explanation.

"What?" she shrugged.

"That lacy black pair with the little bows?" you raised your brow pursing your lips. Still waiting.

"The ones I picked out for you in Tokyo," she whispered booping your nose before grabbing your hips. You groaned hearing it come directly from her mouth. This woman was painting all sorts of pictures in your mind and you were not in the position to act on them.

You looked at her with big eyes, your lip tucked under your teeth again. Billie noticed the change in your breathing and dug her fingers into your hips pulling you closer.

"Don't you have to get back?" you asked noticing the way your voice dipped low, your eyes dropping to her lips as she licked them.

"We need to do a few more takes and we’re waiting for Charli," Billie replied pushing her pelvis against your body urging you to groan again, your hands now gripping her arms.

"How long-" you asked fluttering your lashes unable to control the urge to kiss her right here, right now. To get down on your knees for her.

"Come," she whispered, squeezing your ass before taking your hand. Oh, you intended to.

She glanced at her surroundings before dragging you to an empty part of the set. A house of sorts. Maybe this is where they were filming next. Your thoughts were interrupted when her hands found your hips, fingers digging into your jeans, lips fervently trapping yours in a kiss.

If you weren't so fucking horny right now you'd be a lot more cautious about where you were, but her lips were tracing your jaw and her fingers were unbuttoning your jeans. You breathed a sigh of relief when she cupped your pussy. You had a time constraint and you both knew it.

Billie smiled against your neck, her tongue rotating on your skin before devouring. Her finger pushed your underwear to the side, running a finger between your folds. You moaned wrapping your arms tighter around her neck until you felt her finger enter your pussy.

"Oh my god," you hummed tossing your head back giving her ample access to your neck. Her tongue ran along your throat and under your chin before finding your lips again. They messily joined in a battle for dominance, tongues tussling. Your hands losing themselves in her hair.

Two fingers deep and you moved your hips, grinding against her hand as your whimpers fueled Billie's fire.

"Fuck, hold on" Billie whispered. Her voice hoarse. She removed her fingers and you whined in response. She tugged at your jeans bringing them down. You kicked them off as she slipped off your underwear placing them in her back pocket.

She pushed you against the wall. Through hooded eyelids, you watched as she got on her knees. Your lip found its favorite place, tucked between your teeth as she raised your leg groaning at the sight of your wet pussy.

The previous two fingers that'd inhabited your pussy found their way home and you arched your back pushing your back off the wall as her tongue joined the reunion.

The flat of her tongue pressed on your clit as her fingers moved steadily, filling you so gloriously. You could no longer stifle your moans when her tongue started to rotate on your clit. It moved with purpose. Up and down. Side to side. Until you were putty in her hands.

Your hands fisted her hair pushing her face closer to your cunt as the pace of her fingers increased. She was knuckles deep in your pussy when her lips wrapped around your clit, sucking.

"I need you to cum baby," she mumbled against your pussy. Her voice rippled through your body, tingles running down your legs. You'd forgotten where you were. Why you were here. Your world right now only consisted of you, Billie, and that marvelous wonderful tongue of hers.

"I'm almost there," your voice cracked as you pulled on her hair. Her own moans were sending shivers up your spine. Her fingers were slowing, but they were so deep in your pussy you didn’t need her to move. But she did. She moved them in a ‘come here’ motion pressing on your g spot. The walls were caving, your heart was racing. Her tongue was lapping.

She grabbed your ass with her free hand pulling you closer to her face as she worked her tongue in unimaginable ways. You shut your eyes feeling the heat build and build until you were in flames.

“I’m-“ you breathed heavily fisting her hair.

“I’m gonna c-cum,” you were out of breath and surprised you were able to announce your orgasm. Your legs were quivering as you slid down the wall, but Billie held the back of your thigh, trying to hold you up.

Your walls collapsing around her fingers, she could feel you throbbing, walls wet from your release. Her teeth grazed your inner thigh, biting down gently before soothing the area with her tongue.

You winced as she pulled out her fingers and groaned when they disappeared between her lips. Her plump, kissable, fuckable lips were discarding the proof of what had happened in this makeshift house.

Billie wiped her fingers on her jeans before grabbing yours from the floor. You weakly stepped into your pants as she pulled them up. You helped her button them still processing what’d just happened. She stood and kissed you slowly letting you get a taste of yourself on her tongue. You hummed against her lips letting her tongue slide into your mouth. You wrapped an around her neck as she held your chin.

“I wanna try it. Bite it. Lick it. Spit it.” She recited the words like a chant as she kissed your lips, along jaw, up your neck, and your earlobe. You felt the spark in your belly ready to ignite again.

“Let’s go,” she tapped your hips pulling you from the wall you were leaning on.

“Wait, let fix your hair,” you muttered flatting the pieces of hair that’d previously been laced in your fingers. You brushed your fingers through her hair. Fantasizing and thinking of her tongue and her silky strands at the tips of your fingertips and how you wanted more.

“Come on,” she snapped you out of it tapping your ass. Her fingers laced with yours. You whined trailing behind her. She turned back to look at you cheekily when the sun hit your eyes and you groaned.

You weren’t going to survive the rest of this shoot.

A few minutes later the music was playing again and Billie's lips were moving, those lips that were previously sucking and wrapping around your most sensitive parts. She was hopping off the tractor and there in her pocket were your underwear. They hung from her pocket like she'd picked them up from the mountain of underwear and decided those were her favorite and worthy of screen time.

In your lust struck trance you hadn’t noticed her sneak them away. Or realized you hadn’t put them back on. You felt your body flush again. The heat rushing between your legs.

You were entranced, caught under her spell. She played it up for the camera, but your chest was growing tighter by the second and your underwear…wait. Scratch that. Your jeans felt really uncomfortable now.

You swallowed and looked around hoping nobody was noticing your sexual frustration. But nothing went unnoticed by Billie.

She looked directly at the camera as you stood behind the viewfinder. For one of the takes, she took your underwear from her pocket holding it in her index finger. She sung along to the track ‘kiss it, bite it, can I fit it?’ playing with your underwear.

For a millisecond she glanced at you. You felt her looking beyond the camera at your fragile state before placing the underwear back in her pocket.

She wasn’t leaving those on set.

They were coming home with her. And you were coming too. Again and again. Til the moon descended and the sun rose.

*part two*

[linkspooky]

SHIGARAKI VS. YUBEL: HOW TO SAVE YOUR VILLAIN

The failure of Deku to save Shigaraki isn’t just a tragic conclusion for Shigaraki’s arc, it’s also My Hero Academia failing as a story. When I say the story failed, I mean the story has failed to answer any of the questions it asked its audience. It’s themes, character arcs, everything that communicates the meaning of the story to the audience is no longer clear. 

Saving Shigaraki was the central goal of not only the story itself, but the main character Deku. By failing in its goal you can’t call this a good ending. In order to illustrate why this goal of saving the villain is so important to both Deku’s character and the central idea of MHA, I’m going to provide a positive example in Yu-Gi-Oh GX were the main character Judai successfully saves their villain.  One of these stories fails, and the other succeeds. I will illustrate why under the cut. 

BROKEN THEMES = BROKEN STORY

When artists draw they have to consider things like perspective, anatomy, shading, light, coloring. Drawing has rules, and it’s hard to produce good art without knowing these rules beforehand. If I draw something that has bad anatomy, you can criticize me for that. 

Writing has rules, just like drawing. The rules of storytelling are important because writing is an act of communication. You can write whatever you want, just like how you can draw whatever you want, but if you break the rules the audience won’t understand what you are trying to communicate. 

When I refer to MHA as a broken story, I am referring to the fact that it has broken the rules of storytelling. As this youtuber explains.

“I guess we should first define what broke and broken even means in this context. Has the story turned into an unintelligible mess? Not really. Value judgements aside, the narrative is still functional and fulfills the criteria of being a story. So how can a story that still functions be broken? Maybe to you it cannot. But to me a story that is still functional isn’t enough. What I mean when I say MHA is broken is that it’s lost something crucial. A codifying style of structure, pacing and payoff that until a certain point was the core of its identity.” 

I could launch into a long-winded explanation of what themes are, but for the sake of simplicity I like to define themes in terms of “Ask, and answer.” The author asks a question to the audience, and then by the end of the story provides an answer. The audience is also invited to come up with their own answer which prompts them to think about the story on a deeper level.  The question both MHA and GX are asking both its main characters and the audience is “Can you save the villain?” with the additional complicated question of “Should you save the villain?”  This post will detail how both stories go about answering those two questions, and more importantly why those answers matter for the story. 

With Great Power… You know the rest. 

My Hero Academia and Yu-Gi-Oh Gx are actually similar stories once you get past their superficial differences. MHA is a story with way better worldbuilding, compared to a society where everything revolves around the trading card game, and people go to school to be better at a trading card game. 

However, if you get past that. They are both bildungsroman, stories about the main characters growing up into adults. They both have an academy setting where the goal is for the main character to graduate and enter the adult world. They are both shonen manga. GX is the sequel of Yu-Gi-Oh a manga that ran in Shonen Jump the exact same magazine as MHA.  The biggest point of comparison is their main characters, who both start out as young and naive who are driven by their admiration of heroes. Deku is a fan of All Might who wants to become a hero despite not having a quirk, because he loves All might who saves everyone with a smile. Judai’s entire deck archetype revolves around “Elemental Heroes’ and later “Neo-Spacians” who are all based on popular sentai heroes like ultraman. 

The central arc for both characters is to grow up. Growing up for both of them not only requires figuring out what kind of adult they want to be, but also what kind of hero they want to be. 

Now I’m going to drastically oversimplify what a character arc is. 

A character arc first starts out with the character being wrong. Being wrong is essential because if the character is right from the beginning, then there’s no point in telling the story. A character often holds the wrong idea about the world, or has some sort of flaw that hinders their growth.  The narrative then needs to challenge them on that flaw. It usually sets up some kind of goal or win condition. That flaw gets in the way of a character “winning” or achieving their goal, so they need to fix that flaw first. If their ideals are wrong, then they need to think about what the right ideals are. If they’re too childish, they need to grow up. If they have unhealthy behaviors or coping mechanisms, they need to unlearn it and require better ones. Otherwise, that flaw will keep sabotaging them until the end. 

I’m borrowing the word “win condition” from class1akids here because it’s an incredibly appropriate terminology. Midoriya needs to do “x” in order to win, otherwise this victory doesn’t feel earned. The “x” in this case is usually character development. As I said before, a story where the main character hasn’t changed from beginning to end feels pointless. Especially in Deku’s case, he was already a brave, strong hero who would charge right into battle and defeat the bad guys in chapter one, so him defeating Shigaraki in a fist fight doesn’t represent a change. 

The story sets up not only “What does the hero need to do to win?” but also “How does the hero need to change in order to win?” A character either meets these requirements before the end of the story, or they don’t and usually this results in a negative ending. 

MHA in its first half quite clearly set up both the final conflict of saving the villains, and also that saving the villains is its “win conditions.”  The hero shouldn't be allowed to win without first fixing this flaw.

From this panel onward the central question Deku is forced to answer shifts from “Am I strong enough to defeat ShigarakI” to “Can I save Shigaraki?” However, much earlier than that All Might goes on to basically set up the win conditions of what makes the ultimate hero as someone who “Saves by winning, and wins by saving.”

All might: You can become the ultimate heroes. Ones who save by winning, and win by saving.

Therefore the story has set it’s criteria for what kind of hero Deku needs to become. If he wins without saving, then he’s failed to become what the series has set up as the Ultimate Hero. 

Shigaraki and Yubel aren’t just narrative obstacles, or boss monsters to be killed like in a video game. They are narrative challenges, which means that the character can’t grow in any way if they don’t answer the challenge presented by the characters. They are villains who actively resist being saved, to provide a challenge for two heroes who define their heroism by saving others. The challenge they pose adds a third question to the story and the main characters. 

"Can I save the villain?"

"Should I save the villain?"

"If I don't save the villain, then can I really call myself a hero?"

In other words the decision they make in saving, or not saving their final antagonist defines what kind of hero they are. In Deku’s case it’s even more critical he defines what hero he wants to be because the MHA is also a generational story, and several of the kids are asked to prove how exactly this generation of heroes is going to surpass the last one. The kids growing physically stronger than the last generation isn’t a satisfactory answer, Deku getting strong enough to punch Shigaraki hard is not a satisfactory answer, because we are reading a story and not watching a boxing match. 

I’m going to focus on the last two questions though for a moment. Many people who argue against saving villains like Shigaraki argue he is a mass murderer and therefore isn’t worthy of salvation. However, the act of saving Shigaraki isn’t a reflection of Shigaraki himself, but rather the kind of hero Deku wants to be. It all boils down to Spiderman. In the opening issue of Spiderman, teenage Peter Parker is bitten by a radioactive spider and suddenly gains super strength, the ability to stick to walls along with other powers. However, being a teenager he uses these powers selfishly at first. He doesn’t feel the obligation to use his powers for other people, and therefore when he sees a robbery happening right in front of him he lets the robber go. However, because he lets the robber go, the robber then attempts to hijack a car and kills his Uncle Ben in the process. If Spiderman had stopped the robber then he might have prevented that from happening. He had the power to stop the robber, but he didn’t feel responsible or obligated to save other people. As a result Uncle Ben dies. It’s not enough to have power, ti’s how you use that power that reflects who you are, therefore: “with great power comes great responsibility.” 

The choice to save Shigaraki actually has little to do with whether or not Shigaraki is redeemable, but rather how Deku chooses to use his power, and what he thinks he is responsible for reflects who Deku is as a person.  Deku himself also clearly outlines how he wants to use his power, that One for All is a power for saving, and not killing. 

How he uses his power reflects Deku’s ideal in saving others, and therefore if he doesnt use his power to save, then he’s failed to live up to his ideals. It's not whether it's morally right to save a murderer like Shigaraki, but rather the way Deku wants to choose to use his power. It's about whether he feels the responsibility to save others.

Judai explores an incredibly similar arc to Deku. They are basically both asked what kind of responsibilities a hero is supposed to have, which is also a metaphor for growing up to handle the responsibilities of adulthood. As both characters start out with incredibly naive and childish ideas about what a hero is. Therefore realizing what a hero is responsible for is key to them growing as a character.  However, Judai is different from Deku. In some ways he’s more like Bakugo. Judai is a prodigy who’s naturally good at dueling. He doesn’t duel to save others, but rather because duels are fun and he’s good at it. He’s very much like Bakugo, who admired All Might as a hero just as much as Deku did, but admired the fact that he was strong and always won rather than he saved others. 

However, I would say both Deku and Judai are questioning what a hero is responsible for. They are both asking if they have the responsibility to use their power to save others. If they have to fight for other people, just because they have power. His first big challenge as a character comes from Edo Phoenix, who calls out Judai for not thinking through what it means to be a hero, and what responsibilities heroes carry. Judai duels because he thinks it’s fun. He will show up to duel to help his friends, but that’s because he’s the most powerful person in the group. Even then it’s because he finds fighting strong opponents to be enjoyable. Bakugo will beat up a villain, but for him it’s more about winning then if the action will save someone or not. 

Judai is more often than not pushed into the role of being a hero, he doesn’t play the hero because he’s a particularly selfless person, and he’ll often avoid responsibility if not forced. He has power but no sense of responsibility and the narrative calls them out as a problem. 

Edo: Can you even fathom that, Judai?

For Judai, he can’t understand the responsibility of being a hero. For Deku, he idealizes heroes so much he can’t understand that there are people out there the heroes have failed to save. These two callouts towards Deku and Judai are discussing similar because they’re both discussing where a hero’s responsibilities lie. Is a hero responsible for saving everyone? Is someone strong like Judai responsible for using their strength to help other people? 

Judai’s arc continues into the third season where he’s not shown to just be naive but ignorant. He’s not just childish, he actively resists growing up because he doesn’t want to take on adult responsibilities. 

THe same way that Deku just decides not to think about whether or not All Might failed to save people in the panels above. However, in Judai's case he's actively called out for his choice to remain ignorant.

Satou: Now, which one is at fault? Judai: Isn’t it the guy who saw it, but didn’t pick it up. Satou: Not quite. If one is aware of the trash that fell, it may be picked up someday. But there is no possibility fo the unaware one ever picking it up. Judai-kun you are the foolish one unaware of the trash that has fallen. Judai: Are you calling me out for how I am? Satou: Your behavior towards me was atrocious. The worst was attending class only for credit, even if you were there you only slept. Judai: Yeah, I know. I was all bad, but it wasn’t that big a- Satou: It is important. You see, one by one, the students inspired by your attitude were losing their motivation. Now if you were a mediocre duelist, then this would not be an issue. Satou: However, you are the same hero who defeated the three mythic demons. Every single student in the academy admires you. You should have been a model for this academy. Judai: Me, a role model? Are you kidding? I just do whatever I feel like doing. Satou: Great power comes with great responsibility. Yet, as you remain unaware of that, you’ve spread your lethargy and self-indulgence. 

seems like a minor issue, but look how Judai responds to the accusations. “I just do whatever I feel like doing.” Satou is arguing that Judai should pay attention to the influence he has on others because of his power, because how he chooses to use that power affects others. However, Judai chooses to actively not look at the consequences of his actions because he doesn’t want to take on that level of responsibility, and therefore he’s looking away from the trash. 

While it seems like it doesn’t matter in Satou’s specific example, not thinking of the consequences, or how you use your power can have unexpected consequences. Spiderman doesn’t feel like it’s his responsibility to stop a bank robber, and that bank robber shoots his uncle. You could still argue it’s not Spiderman’s responsibility to stop every crime in the world, and I guess no one owes anyone anything from that point of view - but Spiderman failing to act responsibility had the consequence of directly hurting someone else. 

Spiderman has to live with that consequence because it was his own Uncle that was hurt. This is where we really reach the duality of Judai. 

In GX, Judai is, symbolically speaking, The Fool of the Tarot Deck, the Novice Alchemist — a person brimming with infinite potential, yet one who is also supremely ignorant, who walks forward with his eyes closed and often unknowingly causes harm in his great ignorance. In this, he is very much the embodiment of the faults we most commonly associate with teenagers — selfishness, recklessness, shallowness, a lack of dedication or empathy when it’s most needed. Like most people, he has good traits that work to balance out some of the above, but his narrative path through GX ends up being that of the flawed hero undone by his faults — and then that of the atoner, the repentant sinner. In his case, the mistakes of his teenage years are the catalyst for his growth from a boy into a man burdened with duty and purpose.  Judai is someone with infinite potential, with great power, but also ignorant on how he should use that power, and that makes him an incredibly flawed hero who needs to learn how that power should be used. 

Deku similarly exists in a society where heroes deliberately turn a blind eye to the suffering of a certain type of victim. Shigaraki’s speech heavily resmebles Satou’s speech about garbage on the side of the road. 

Shigarali: "For generations you pretended not to see those you coudln't protect and swept their pain under the rug. It's tainted everything you've built."

Deku shares Judai’s ignorance, because he’s not only a part of a system that doesn’t even see trash on the side of the road, but he also worships heroes so much that he’s incapable of criticizing them. If Deku saw the flaws of heroes, but at first didn’t have the courage to speak out, but eventually gained the courage that would be one thing. However, if he doesn’t see the flaws of heroes, then the problem will never be fixed. 

There are also consequences for both Judai and Deku failing to use their powers responsibly. These consequences take the form of the villains who came about because of all of society’s ignorance to the suffering of victims (Shigaraki) and because of the main character’s ignorance to their suffering (Yubel). Shigaraki and Yubel are also explicitly victims that the heroes failed to save, turned into villains who are active threats to the heroes. 

Should I save the villain?

The answer is yes, because the decision to save is reflective of the kind of hero each character wants to be. Each story clearly sets up that Deku and Judai aren’t punisher style heroes who shoot their villains, they are being set up as heroes who save. Deku needs to “save by winning.” As for Judai, a big deal is made of Judai’s admiration for another character Johan who represents a more idealistic kind of hero. Johan unlike Judai is someone who duels with a purpose, something Judai outright says he admires because he’s empty in comparison. 

Judai: Johan what have you been dueling for? See, it’s about fun for me… Well, for the surprise and happiness too. I guess I do do it for the fun. Sorry, I guess I put you on the spot by asking out of nowhere. Johan: What’s this about Judai? Judai: It’s nothing. Johan: I suppose there is one goal I have. Johan: Even if someone doesn’t have the power to see spirits, they can still form a bond with a spirit. That’s why I do it for people like him. [...] Johan: I'll fight for everyone who believes in me, and I'll do it with my Duel Monsters. Judai: I'm jealous you've got feelings like those in you.

Becoming a hero who uses their power to help others isn’t just a goal the story sets for Judai, it’s a goal that Judai sets for himself because of his admiration for Johan. Johan represents the idealistic hero Judai wants to be, but is also held back from because of his personality flaws. Johan represents the kind of heroic ideal that Deku is aspiring to be. 

Johan’s ultimate goal isn’t punishing the wicked, but to use his power to save others. 

Johan: Judai, it was my dream to save everyone through my dueling!

The story sets up the idea that it’s not enough for Judai to simply be strong, he’s also challenged to become a savior who uses his power to help others like Johan. Deku needs to “save by winning” and Judai needs to “Save everyone through his dueling.” However, Johan also adds another condition to what saving means. His idea of saving isn’t to defeat a villain, but rather his dream is to help connect spirits and humans together, even if there are humans who can’t see spirits. Johan doesn’t save people with the power of physical force, but rather the power of human connection. 

Should I save the villain?

Here the answer is "Yes",  because wants to become more like Johan someone who uses their power to help others not just for themselves.  Then we reach the third question

If I don't save the villain, can I really call myself a hero?

It once again comes to power and responsibility. Heroes have great power, and they are responsible in how they use that power, if they use it irresponsibly then there are consequences. Shigaraki wants to destroy hero society, because the heroes irresponsibly use their power to turn a blind eye to everyone’s suffering. 

People suffer when heroes fail to live up to their responsibilities. The entire conflict of season 3 is created by Judai failing to save Yubel. If Judai had helped Yubel when they most needed it, instead of abandoning them, then Yubel would never have been twisted by the light of destruction, would never have attempted to teleport the school to another dimension, would never have attacked all of JUdai’s friends. 

These consequences matter. Deku can turn his eyes away from Shigaraki’s suffering, but let’s say a hero failed to stop a robbery, or rather he didn’t even try, and because of that his mom was shot and died in the street. Would Deku consider the man who failed to stop a bank robbery a hero? When Spiderman let a bank robber go instead of trying to stop him, was he being a hero in that moment? Both the stories and the characters themselves have defined heroes as people who use their powers to save others, therefore if Judai and Yubel fail to save their villains then they can’t be called heroes by the story’s own definition. Now let’s finally return to the question of "Can I save the villain?"

Was there ever someone you couldn’t save?

m going to start with Yu-Gi-Oh Gx as a positive example of how to save your villain. Gx works for two reasons. One, it’s established from the start that Yubel isn’t beyond salvation, and two, it makes it so Judai can’t win without saving Yubel. The conflict of the story does not end until Judai makes the decision to save Yubel.  In some ways the writing is even stronger because Judai is directly responsible for the pain and suffering that Yubel went through that turned them into a villain in the first place. Yubel isn’t just a victim, they’re specifically Judai’s victim. 

Yubel is a duel spirit who is also essentially Judai’s childhood friend. A duel spirit just like the kind that Johan wants to save. During their childhood Yubel got too overprotective of Judai, and started to curse his friends for making him cry or upsetting him in any way. Until everyone Judai’s age started avoiding him and Judai became all alone with only Yubel for company. Judai’s decision was to abandon Yubel at that time. He took the yubel card and shot them into space, hoping that being bathed in space rays will somehow “fix” what was wrong with them. I know that’s silly but just go with it. Judai abandoning Yubel had the unintended consequence of Yubel being subjected to the light of destruction, a corrupting light that subjected Yubel to years of pain. This pain literally takes the form of Yubel burning alive.

Yubel connected to his dreams called out for Judai every night, only for Judai’s parents to give him surgery that repressed his memories of Yubel causing him to forget them entirely. Yubel then spent the next ten years alone in space, continuously subjected to painful torture, with their cries for help being ignored. 

"I was suffering even as you came to forget about me..."

Yubel is then met with the question of how can Judai treat them this way if they loved him so much? As from Yubel’s perspective, they’ve only ever tried to protect Judai, only for Judai to not only throw them away, but subject them to painful torture and ignore their cries for help. Judai effectively moves on with his life, goes to duel academy, makes friends while Yubel is left to suffer in silence all but forgotten. This is where Judai’s ignorance has serious plot consequences. 

It’s not just the pain that Yubel endured that made them snap. It’s that their pain went ignored. 

Yubel holds out the faint hope that Judai will answer their calls fro help until they finally burn up upon re-entry into earth’s orbit. At which point they’re left as nothing more than a single hand crawling on the ground.  Yubel who cannot fathom why Judai would cause them so much pain, and then forget about them, convinces themselves that Judai must be causing them pain, BECAUSE he loves them.

But you see, I couldn't possibly forget about you in the time that I've suffered...

Judai is allowed to move on with his life, to make friends, to spend the next ten years doing so while Yubel is subjected to ten years of agony. When they finally escape their painful torment, they see all the friends Judai has made while they’re left alone and forgotten. However, Yubel’s goal isn’t revenge. Rather, it’s to make Judai share and recognize their pain. WHich is why I said it’s not the fact that they were made to suffer, but their suffering is ignored. Yubel’s entire philosophy revolves around the idea that sharing pain is an expression of love, and that they and Judai share their love for each other by hurting each other. 

"That's why I sought to fill all those linked to you, your world, with both sadness and anguish..."

For Yubel, making all of Judai’s friends suffer and Judai themselves suffer is a way of making them and Judai equals again. They want to show “their love” for Judai, but it’s more about forcing Judai to recognize the pain he’s caused them by forcing him through the same pain. Yubel’s philosophy of sharing pain is actually a twisted form of empathy. 

They’re not entirely wrong either, that even people who love each other can cause each other pain, and that if one person is suffering alone in a relationship or the suffering is one-sided then there’s something wrong with that relationship. 

Yubel: I get it now… You weren’t in love, with Echo. Yubel: No.. you may have loved her just enough to clear the conditions in palace for you to control Exodia, but the you didn’t truly love each other. Yubel: You were only unfairly hurting her, while you stayed unharmed. You wouldn’t suffer. You wouldn’t suffer. You wouldn’t be in pain. Amon: What are you getting at? Yubel: I’ve been hurt! I’ve suffered! I’ve been in pain. That’s why I’m making JUdai feel the same things I did! 

Yubel’s twisted theory of love, is a pretty thinly veiled cry for empathy.

They break out into tears when talking to Amon about the way they’ve hurt and suffered. They clearly state upfront that their goal is for Judai to recognize their love. One of the first things they say to Judai is a plea for Judai to remember them.

Yubel is presented as a very human character suffering through a lot of pain throughout their entire villai arc, they break down into tears multiple times, they cry out in agony, they're visibly suffering and you see their mental walls begin to break down when Judai denies them any empathy.

Yubel is actually incredibly clear and straightforward about their desire to be saved by Judai. However, Judai doesn’t lift a single finger to help Yubel the entire arc, even though they themselves admit they are directly responsible for Yubel’s suffering but they helped create who they are today. 

Judai plunges into a different dimension and gives up everything to save someone, but it’s Johan, not Yubel they try to save. You have Johan, the perfect friend, and perfect victim that Judai gets obsessed over and will not stop at anything to save, and then you have Yubel, the imperfect victim that is actively harming Judai and all of his friends that Judai chooses to ignore. The whole season Judai only focuses on saving the perfect victim Johan, and this is clearly shown to be a flaw. Judai doesn’t just ignore Yubel to save Johan, he also ignores every single one of his friends. 

Judai only caring about saving Johan, and deliberately ignoring and abandoning the friends who came with him to help, essentially abandoning them the way he did Yubel leads to another consequence. After he abandons them they get captured, rounded up, and actually die and become human sacrifices. 

Losing his friends, causes Judai to snap. Judai becomes the supreme king and decides power is all that matters; he starts killing duel spirits en masse in order to forge the super polymerization card.  Which means being left alone, suffering alone, being abandoned by everyone causes Judai to snap the exact same way that Yubel did. 

In fact Judai is only saved from his darkest moment, because two of his friends sacrifice their lives, trying to get through to him and appeal to his humanity. At that point Judai’s friends could have just chosen to put him down like a mad dog, to punish him for the amount of people he’s killed, but instead they try to save him because of their friendship. 

I just want to save my friend. That is all.

By the time Judai is facing Yubel in their final fight, Judai doesn’t have the moral highground against Yubel in any way whatsoever. They’ve both lashed out because of the pain they endured and killed countless people in the process of lashing out.  The only real difference between them is that Judai is lucky. He had friends to support him at his lowest point, while Yubel didn’t. Does Judai learn from Jim’s example, and go out of their way to save Yubel the same way they were saved because Yubel is still a friend? Nope, Judai tries to kill Yubel at this point. 

I made a lot of friends... And they all taught me something… real love is wide enough, large enough and deep enough to fill the universe. Your so-called love is only a conceited delusion.

Like, Judai, sweetie baby honey darling. How was Yubel supposed to make friends when they were floating in the empty void of space?

Judai hasn’t learned, they are still ignorant, and still turn a blind eye to Yubel’s suffering. After all if his love is wide enough, large enough,and deep enough to fill the universe then why don’t thy have any room in their heart whatsoever for empathizing with Yubel?

Judai making friends while Yubel was trapped in space doesn’t make Judai a better person than Yubel, it makes Judai lucky. Judai doesn’t even appreciate that luck, because he treats his friends like garbage. It’s not about whether Yubel is worthy of salvation, because Judai is a mass murderer and his friends still went to great lengths to save them anyway. It’s that Judai doesn’t want to empathize with Yubel, because they still want to remain ignorant and irresponsible. Judai wants to continue playing hero, with a very black and white definition of what a hero is. By this point Judai’s killed lots of people, but if he makes Yubel the villain in the situation, he can keep playing hero. He doesn’t have to look at himself and what he’s done, because blaming everything that happened on Yubel and then putting Yubel down like a mad dog allows Judai to absolve his own guilt. Judai practically ignores Yubel’s cries for help, even when Yubel spells it out for them.

I couldn't have lived with the heartache unless I felt that I was being loved...

At this point Yubel themselves acknowledges that their love was just a delusion. That it was a coping mechanism, because they couldn’t live with all the pain otherwise. WIthout it they would have just died, which makes Judai unmoved. The implication here is that Judai thinks yes, Yubel should have just died in that crater. It would have been easier for Yubel to die a perfect victim, then for Yubel to crawl out of that crater and go on to hurt other people. While that may be true the same can be said for Judai - it would have been better if Judai died rather than become the Supreme King. His friends could have put him down like a mad dog, you could have even called that justice - but they didn’t. Judai making no attempt to save Yubel isn’t because he thinks it’s morally wrong to save someone who’s killed as many people as Yubel has, or because he thinks he can’t forgive Yubel, it’s because Judai is taking the easy way out. Johan is a nice, easy victim to save, because he’s Judai’s perfect boyfriend, while Yubel is a complex victim that requires Judai to understand their suffering. Even the act of saving Johan isn’t about Johan himself, it’s about the fact that Judai feels guilt over Johan’s disappearance. What Judai wants isn’t really to save a friend, but to stop feeling guilty over that friend. Judai isn’t just disgusted by Yubel’s actions towards his friend, he also wants to avoid the guilt he feels over causing all of Yubel’s suffering, because it requires acknowledging the complex reality that he is both victim and perpretrator in this case, just as Yubel is both victim and perpetrator. 

So how can an arc where Judai doesn’t try to save Yubel until the last possible minute, be better than an arc where Deku makes it his goal for the final act of the manga to save the crying boy in Shigaraki? 

It’s because the story does not let Judai get away with his continual refusal to empathize with Yubel. Yubel’s entire character revolves around empathy, in the form of sharing pain. As a duel monster, Yubel’s effect is that they are a 0/0 attack monster who is immune to all damage, but when you attack them they deal all the damage back to you. Which means that Yubel will respond to all the pain they feel, by causing you just as much pain in return. Yubel is not a character who can be defeated in a fight, or a duel. In fact they’re the only Yu-Gi-Oh villain who never loses a duel once. The most Judai can do is duel them to a draw, and they draw three times. Yubel wins against everyone else who challenges them.  In a way Yubel is like Shigaraki, the ultimate, unkillable enemy that can’t be done away with violence. Judai’s refusal to empathize with Yubel or attempt communication also makes them worse, every time Yubel is hurt they escalate. THe more Judai hurts them, the more they will hurt in return, it’s a cycle that will never be broken simply by killing Yubel, because Yubel is unkillable. 

Not only that but the story has gone to great lengths to show that saving Yubel is the correct course of action. If Judai doesn’t save Yubel, he’s basically spitting on the selflessness Jim showed in saving him. In fact if he doesn’t save Yubel, Judai is contradicting his own words on what makes a good friend. Sho once asks Judai after witnessing his brother change, what he should do if a person you lov ehas changed into an entirely different person. What if they're a person you don't even recognize any more? A person you don’t even necessarily like anymore? 

That's why if it were me. I'd probably just be looking after him until the very end, even if I didn't like him. I'd do it cause I think it'd prove that I care about him.

Judai doesn't even say that Sho is obligated to save his brother or morally redeem him, just that he has to keep looking at him instead of turning away or ignoring him.

Judai is being a bad friend, by his own definition. By choosing to deliberately look away from Yubel, Judai’s not living up to his advice for Sho for how you treat people you care about. 

Which is why the resolution for Judai and Yubel’s arc is so important, because it’s done by Judai finally acknowledging Yubel’s pain, and promising to watch over them from now on, words that are followed by the action of physically fusing their souls together so they’ll never be alone again.  Judai doesn’t just say pretty words about how they won’t ignore the crying child inside of Yubel, but instead he makes a sacrifice to save Yubel at risk to themselves to show their words are backed up by actions. Judai says Yubel will never be alone again, and then he commits. 

"And even if that means I won't exist anymore... I don't care."

Judai has resolved his character arc by this action, because Judai is finally taking on responsibility and that responsibility is watching over Yubel, so the two of them can atone together. Judai even says himself this isn’t an act of sacrifice on his part, but rather him finally accepting adult responsibilities. 

Judai: I wouldn't sacrifice myself for you guys. I'm just going on a journey to grow from a kid into a man.

Judai needed to save Yubel to complete his character arc and grow as a person. If Judai hadn’t saved Yubel, he would have still remained an ignorant child. By learning not to turn a blind eye to Yubel’s pain, and also smacking sacrifices and physically doing something to atone for the way they ignored Yubel up until this point they’ve not only saved Yubel they’ve also done something to address their wrongs. This also continues into the fourth season where Judai’s personal growth results in him learning what kind of hero he wants to be as in Season 4 in order to atone for the spirits that Judai slaughtered, he decides to leave his friends behind and walk the earth with Yubel helping spirits and humans get along with each other. In fact Judai’s final speech as a character isn’t even about how strong he is as a hero, but how weak he is as a person.

And I put my friends through some rough times. Form that, I figured a few things out... all I can do is believe in them.

The lesson Judai learned is because he’s weak, he needs to empathize and believe in other people the same way that his friends once believed in him when he was at his lowest point. Judai’s not the strongest hero, he’s the weakest one, but that gives him the ability to empathize with people who were lost just like he was, and guide them back from the darkness. 

The story of how Deku became the worst hero.

I’m going to say this right now it might turn out next week that Shigaraki is just fine, and he’ll use the overhaul quirk to reconstruct his body. However, even if that happens Deku has completely failed at his goal of saving Shigaraki for the reasons I’ll illustrate below. In theory, Deku’s arc of saving Shigaraki, and therefore winning by saving should be much easier for the story to accomplish and also much less frustrating to watch. After all, Shigaraki has been around since the beginning of the manga, he’s literally the first villain that Deku faces. He’s also the first villain that Deku talks to, where he brings up the idea that there were some people All Might failed to save. There’s also many intentional parallels between the two characters, the entire manga is about their parallel journeys of becoming the next generation hero and the next generation villain. Shigaraki even directly quotes the line at one point that all he wanted was for someone in his house to tell him he could still be a hero, the same line Deku said in the first chapter was that he wanted his mom to tell him to be a hero instead of apoalogizing to him for being quirkless. 

Not only is the setup for Shigaraki and Deku made obvious (Deku can redeem Shigaraki by telling him that he can still be a hero too), but Deku himself states out loud that he wants to save the crying child inside of Shigaraki. 

Judai runs away from Yubel the whole time, whereas Deku is running towards Shigaraki and actively makes it his goal to understand Shigaraki and continue to see him as a human being rather than a villain.  The story also makes it clear that saving Shigaraki is necessary to saving hero society as a whole. After all Yubel is just Judai’s victim. Whereas Shigaraki is the victim of all of society. He’s the crying child who was ignored. The cycle won’t be broken if heroes continue choosing to ignore people like Shigaraki, because more victims will grow up to replace him. 

Shigaraki: Everything I've witnessed, this whole system you've built has always rejected me. Now I'm ready to reject it. That's why I destroy. That's why I took this power formyself? Simple enough, yeah? I don't care if you don't understand. That's what makes us heroes and villains.

Shigaraki rejects the world because the world continues to reject him. THe solution to this problem is not rejecting Shigaraki, because Shigaraki won’t go away, the system will just continue to reject people like Shigaraki. As long as heroes and villains don’t understand each other, they’ll keep being forced to fight and the conflict won’t end, because hero society is what engineers it’s own villains.

clear as day by the story itself. If the objective of saving Shigaraki is clear, then how exactly did the story fail in this objective? What went wrong? In this case it’s a failure of framing, and breaking the rules of “show don’t tell.” Stories are all about actions and consequences. When a character makes a certain action in a story, the way other characters around them, the world, and whatever consequences that action frames that action in a certain light. It provides context for how we are supposed to interpret that character in that moment. 

For example, when a character does something wrong and another character directly confronts them over what they did wrong, that frames them as in the wrong. The story is criticizing the character for what they did wrong. Context is everything in a story. Stories are just ideas, so they require framing and context to communicate those ideas for the audience. Certain character attributes can be strengths or flaws depending on the context. My go to example is that if you put Othello in Hamlet, the conflict would be resolved in five seconds because Othello’s straightforward personality and determination would have him kill Hamlet’s uncle without questioning things. Whereas, Hamlet constantly questioning and second guessing himself would lead to the worst ending possible. However, if you put Hamlet in Othello, then Hamlet wouldn’t fall prey to Iago’s manipulations, because Othello doubts and questions everything so he wouldn’t believe Iago the way Othello did. 

Hamlet’s contemplative and introverted nature can be a strength in one situation, and a flaw in another. Othello’s tendency to act without thinking things through can be a strength in one situation, and a flaw in another. Context matters, because context tells you how you’re supposed to interpret a certain characters actions, and therefore tells you more about that character. This is why people repeat “Show don’t tell” as the golden rule of storytelling, it’s one thing to say something about a character, it’s another to us the characters actions in the story itself to show them something about the character. 

What’s even worse then breaking the rules of show don’t tell however, is telling the audience one thing, and then going onto show in the narrative something completely different. In that case the narrative becomes muddled and confusing to read. If I the narrator say “Hamlet is someone who overthinks everything” and then in the story Hamlet walks up to his uncle and kills him with no hesitation, then the narrator is straight up unreliable. It becomes impossible to tell as an author what message I’m trying to get across about these characters, because I’m telling you one thing and showing another. 

This is why the writing fails in the second half of My Hero Academia because we are constantly told one thing, but then the story shows something entirely different and sometimes even contradictory to the thing we are being told. 

Judai is a much worse hero than Deku, he always runs away from Yubel, and we’re never directly told that he’s supposed to save Yubel either. However, the narrative is incredibly consistent. Judai’s behavior of running away is consistent with his character. All the other character call Judai selfish for abandoning his friends (and they’re not even talking about Yubel). Judai is never painted in any positive light for his actions, therefore we as the audience understand Judai’s behavior is wrong and he needs to fix it. The narrative makes it clear that Judai needs to grow up, and Judai is never rewarded for his refusal to grow up, he’s ruthlessly chewed out, not by his enemies but also by his own friends. However, the narrative isn’t merciless on him either. Season 3 of GX is dark, but it’s not grimdark. Even when Judai loses his way, he’s still shown love and compassion by those same friends who go to great lengths for his sake. The narrative criticize Judai but it never insists that he’s beyond redemption and needs to be put down like a mad dog. 

The message is very clear, that not only does Judai need to grow up, but he also deserves the chance to grow and change, which is why he should give Yubel a similar chance. In comparison the story sets out this clear narrative arc for Deku of understanding Shigaraki, but it never challenges him for failing to understand Shigaraki. If you listen to what the narrative says, how other characters describe Deku, and what Deku himself says and only read it on a surface level then yes, Deku’s goal is to save Shigaraki. If you analyze actions however, he is in effect just like Judai he never takes any meaningful action or steps towards Shigaraki, nor does he think of what saving Shigaraki might look like or entail. 

The story describes Deku as someone who is possessed by a drive to save others that eclipses all common understanding, but does the story give us any examples of that behavior?

Judai is characterized as a selfish, irresponsible child, and the story gives us countless examples of his immaturity and how it hurts others. Does the story of MHA do the same for Deku's purported virtues? Let’s run through Deku’s actions, step by step, the actions themselves and how they are framed in order to find any evidence that Deku possesses this drive to save others. Does Deku reflect at all on the question of:

Can Shigaraki be Saved?

Deku leaves on a journey to try to understand villains. When he makes a perfunctory attempt to understand and empathize with Muscle, and Muscle replies that some people are just evil does Deku keep trying to reach his heart? Nope, he just punches him. 

Well, if he’s failed in his goal of understanding a villain then does the story call him out on his failure? Does Deku face any sort of narrative consequence for that failure? Is he framed negatively for failing to understand Muscle, the same way that Judai is framed for abandoning Yubel? Nope. Deku doesn’t express any frustration at all over is inability to reason with Muscle. There’s also no negative consequence for Deku just choosing to punch muscle, it turns out that there was no reasoning with Muscle and some people are just bad eggs so Deku was right. It’s okay for characters to fail, but if a character fails and it’s not framed by the story as a failure then the writing itself as failed. Why even bother to include this scene in the first place if it doesn’t advance Deku’s character in any way? This scene in spite of showing Deku failing to understand someone actively paints Deku in a positive light, because of how much stronger he is ow that he can OHKO a guy that gave him trouble all the way back in the camp arc.

This scene doesn’t tell anything about Deku as a character, it just makes him look cool. In fact that’s precisely the problem, Deku isn’t adequately challenged as a character, because he’s never allowed to fail. Even when he does obviously fail at the things the narrative set out for him to do, he’s never challenged on those failures, because the priority isn’t to make Deku grow, it’s to make Deku look good.  As I said before, Judai is the hero because he’s the weakest. Deku is the hero because he’s the strongest. Well, next a big flaw on Deku’s part is that he worshippd the same heroes that were making the world corrupt. Heroes like Endeavor who created people like Dabi. So, does Deku take action to either criticize the older generation of heroes, or separate himself from them in order to try to be better than them? Nope, he teams up with them. Not only that, Deku can’t do something as simple as tell Gran Torino out loud about his plans to save Shigaraki. If Deku feels that Shigaraki is worthy of salvation then he should at least try to make an argument here about his ideal of saving others.

Now here’s the thing, if Deku hadn’t directly looked at the camera and told us he wanted to save Shgiaraki, would we be able to deduce his intentions from his actions? If you took away all of Deku’s internal monologue, and just showed him punching Muscular and saying nothing when Gran Torino says he may have no choice but to kill Shigaraki would anything about Deku’s actions indicate that he wants to save Shigaraki? Let me use avatar the last airbender as a positive example for a moment. People say that Aang’s desire to spare Ozai’s life comes out of left field, but like if you analyze Aang as a character down to their bending, and the way they react in situations they always prefer de-escalation, or taking a third option as opposed to confronting things head on. It’s literally why Toph says Aang has trouble learning earth bending, because as an airbender, he always tries to look for some other way to solve the problem, instead of a direct confrontation with force. As early as season one, Aang tells Zuko someone who has tried to kill him several times that he was friends with someone from the fire nation one hundred years ago and in a different situation they could be friends. Aang’s desire to save the Firelord may not have been told to us until the last possible minute, but Aang’s aversion to violence has always been a part of his character from the beginning. However, Deku never shows any similar aversion to violence. There’s basically no example where he ever tries to de-escalate a situation, or he avoids a conflict by seeking a third option. 

Anyway, let’s move onto the next example. In the confrontation where Lady Nagant fights Deku, when Deku learns the fact that the heroes were employing government hitmen to attack people for uhh… exercising free speech does Deku give any reaction to this information? When Lady Nagant says that Deku is only going to bring back the status quo, does he show her any meaningful evidence that he won’t do that.

Deku’s response is because the world is so grey, he needs to extend a helping hand to others. Which you know what thay could be a response. Deku saying that his response to the corruption of the hero world is that he now understands that society led some people down the wrong path, so his way of addressing the wrongs of that society is lending a helping hand to as many people as possible even people he used to think was irredeemable. 

I will give Deku the benefit of the doubt, I think this is an acceptable answer. I can’t save everyone, but that’s not going to stop me from trying to save as many people as possible and maybe I can save people who were this society’s victims on the way too.  However, does Deku demonstrate his resolve to extend a helping hand in any meaningful way. 

Deku is met with an armless, insane Overhaul who’s begging for someone to help heal his father figure in the Yakuza from his coma. This isn’t like Muscular who insists that there’s no helping him, Deku is met face by face with someone asking him for help. Deku’s gotta extend a helping arm whenever he can, because he knows some people were abandoned and led astray by this society… Unless that person is someone he doesn’t like personally. At which point he only helps them on a conditional basis. We are told Deku will save anyone and everyone, but Deku is met face to face with an armless man who is begging for help and Deku’s does nothing to help him. Deku’s not criticized for refusing to help overhaul either, it’s never brought up again. When Deku begins to experience a mental breakdown because of all the people he’s trying to help in the Dark Deku arc, we are told this is the result of Deku trying to save everyone, but we do not see Deku attempting to save a single villain after Muscular and Nagant. 

He exhausts himself beating up villains that AFO sends after him, and only helping innocent civilians. Which would be fine if this arc were about how Deku is running away from his real responsibilities the same way that Judai was running, but that’s not what we’re being told. We are told that this is all part of an arc of Deku learning to understand villains and be a hero.

Deku is asked “Can you save Shigaraki?” by the story, but Deku never at any point has to deliberate on that question. Judai doesn’t deliberate on that question either, but him choosing not to think about things and stay ignorant is the point. 

It’s actually fine to make Deku stagnate as a character. It’s fine to have him take the easy way out by just punching villains and giving up on them after one conversation. It’s fine for him to be empathetic to other people’s suffering, or even self-righteous. It’s fine for him to be ignorant. 

He could be all of those things if it was a part of a narrative teaching him to unlearn his behavior. In fact the narrative might have been better if Deku started out by saying he didn’t want to save Shigaraki, that there was no choice but to kill him, because then at least his actions would be consistent with his words. Then his lack of empathy and his tendency to resort to violently beating up villains instead of avoiding violence would be character flaws he could work on. Deku however, is presented to us as this empathic hero who is always willing to give others a second chance though he never actually sticks his neck out in order to do so. Continuing on with our slow crawl through MHA, one of Deku’s friends is revealed as the traitor. Deku has a heartwarming scene fo saying that Aoyama can still be a hero, but look at his actions. He lets the adults in the room physically tie Aoyama in a straightjacket and imprison him, for the crime of… doing bad things while he was in a hostage situation. Apparently, if a bank teller helps the bank robber by giving them money when the robber has a gun to his head, the swat team should just snipe the bank teller. Not only does he not defend Aoyama against the adults, or stand up for him, or tell the adults they’re wrong to treat Aoyama a clear cut victim who had a gun to his head and was bing held hostage like he’s a villain - he also lets the adults use Aoyama an innocent victim as bait in order to lure out AFO.  Deku tells Aoyama he can still be a hero, but he doesn’t defend Aoyama as a victim of being taken hostage, nor does he stop the adults from further taking advantage of him and throwing him right into danger. Some people are just led the wrong way that’s why they need to be extended a helping hand, but fuck Aoyama I guess. He needs to earn the right to be sympathized with by physically putting his life in danger. 

Deku can’t even go out of his way to save a friend who he’s known for the better part of a year, when that friend is a complex victim forced to do bad things. 

Then Deku and Uraraka have a conversation where they both, kind of ruminate on the idea that maybe the villains are human beings who are worthy of sympathy.

In fact Uraraka is actively trying to dehumanize Toga by looking at the destroyed city, so she won't have to think of Togaas a person.

The language here is also a major fault of this arc. It focuses far too hard on “forgiveness” over and over again. As I said before, saving Shigaraki isn’t about Shigaraki at all, it’s about Deku, and how he wants to use his power as a hero. Deku has even stated himself that he doesn’t believe that OFA is a power that should be used for killing people. So why does whether Toga or Shigaraki are forgivable or not even matter? It’s the same with Deku refusing Overhaul any sympathy. If he’s so morally opposed to abusers, then why does he work with Endeavor and defend him at every visible opportunity, even in front of his victims? Whether or not Deku can forgive Shigaraki doesn’t matter, because Deku is not the moral arbitrator or right and wrong. In fact Deku doesn’t even have any morals, so how is this a moral debate? Is there any point where Deku gives a clear definition of what he thinks right and wrong is? Does he quot Immanuel Kant to the audience? 

Batman doesn’t kill people, not because he thinks that every last person on earth can be saved, but because Bruce Wayne an incredibly rich white man thinks that maybe he shouldn’t have the authority to decide who lives and who dies. When Bruce doesn’t kill the joker, it doesn’t mean he thinks the Jokers actions are forgivable, it’s because Bruce thinks it’s not his place to determine whether someone has the right to live. 

The whole conflict that MHA presents us is that heroes pick and choose who to save, and only save the ones they deem as innocent. So, how does Deku saying repeatedly they can’t forgive Shigaraki contribute to that theme in any way? In fact by focusing on forgiveness, rather than whether or not he personally has the right to pick and choose who lives and who dies Deku is ignoring the elephant in the room. The question isn’t about whether Shigaraki’s redeemable or if his deeds should ever be forgiven. The question is whether Deku has the right to decide who gets saved and who doesn’t. 

We are told that Deku as a character is someone who wants to save everyone no matter what, so Deku shouldn’t be focusing on whether or not Shigaraki is worthy of forgiveness, he should be making an idealistic argument like Xavier does in this panel. Why doesn’t Deku talk out loud with Uraraka on how he believes his power is for saving others, and not killing? If he’s meant to represent some idealistic hero, then why doesn’t he even talk about his ideals? Why don’t I as the reader know what those ideals are?

I think Xavier’s ideals of forcing the X-men to provide a good example to the mutant community, in order to try to earn the respect of other human beings is wrong, but at least he has ideals.  He tries to inspire the other people around him to live up to those ideals. The story can criticize him for his ideals and point out how they’re wrong, while it can also uplift parts of his idelogy like where he believes there are no evil mutants. Deku has a chance to do the same to Uraraka, to tell her clearly, “I don’t think we as heroes have the right to pick and choose who we help…?” but he waffles. Not only does he waffle, but this moment is meant to be read as an indication that both Deku and Uraraka are sympathetic individuals who want to save their villains. They are supposed to look good and idealistic here and they don’t. For Deku it just seems like a repeat of his behavior with Overhaul. The only villains that are worthy of sympathy, are the ones that he personally decides are forgivable. 

The story isn’t about whether or not it’s moral to save someone who’s killed as many as Shigaraki has. The story never seriously discusses any sort of complex morality or moral philosophy. Once again to bring up avatar, yes you can argue Aang sparing the life of a war crimminal is bad, but Aang mentions on multiple occasions that he wants to retain the cultural values of the airbending people. Aang has a morality, a consistent morality, it might not be a morality you personally agree with but at least he has one. Deku hates abusers, unless he’s next to Endeavor then he thinks abusers should be given the chance to atone. Deku doesn’t believe that One for All is a power for killing, but he never stands up to any of the adults who are blatantly trying to kill Shigaraki, he doesn’t even express out loud to Uraraka that he doesn’t think heroes have the right to decide who lives and who dies. In fact he’s given the perfect opportunity to, when Hawks kills a villain and it’s broadcast live on the news in font of everyone, but Deku never has anything to say about that. The reason Deku and Uraraka both put such an emphasis on “forgiving” their villains has nothing to do with the story itself. It’s because the author Horikoshi, is afraid that some people will misinterpret his story as saying that he actually thinks that saving a villain like Shigaraki means that he condones mass murder, so he has to have the characters talk about not forgiving Shigaraki. 

Judai doesn’t have any consistent morals either, but once again that’s the point and something the story relentlessly calls him out on.

Cobra: Fortune would never smile on a fool like you who fights while prattling on about enjoying duels.  Cobra: You are certainly a talented duelist. But you have one fatal flaw.  Judai: A fatal flaw? Cobra: Yes, your duels are superficial. Someone who fights with nothing on his shoulders, cannot recover once he loses his enjoyment. What a duelist carries on his shoulders will become the power that supports him when he's up against the wall! Cobra: But you have nothing like that! Those who go through life without anything like that cannot possibly seize victory.  Cobra: But I know that nothing I say will resonate with you... because you have nothing to lose but the match.  Judai: I...  Cobra: Afraid aren't you? Right now, you have nothing to support you. 

Judai’s regularly called out for his superficiality. Judai is only a hero because he’s strong and wins fight, he doesn’t feel any responsibility towards other people, and in fact he loathes having to feel responsible for others. Judai isn’t just naive, he deliberately chooses to remain ignorant. Since he’s ignorant of his own faults, he makes awful decisions when it comes time for him to lead, and his friends die because of choices he made. We are told that Deku doesn’t want to remain ignorant, that he wants to understand villains, but Deku’s actual actions are him continuing to ignore society’s ills and the suffering of victims. In fact if you take away Deku’s internal monologue and the narration, Deku’s actions almost exactly mirror Judai’s.

Deku is just as superficial as Judai, and he also doesn't want to spend any time thinking about what kind of hero he wants to be, but the narrative never punishes him for it.

Judai is asked what burdens he has to bear and he has to meaningfull answer that question, Deku is allowed to get away with not having to think about anything. Deku remains superficial. Both Judai and Deku spend the entire arc running away from their villain rather than confronting them in any meaningful way. They both never express out loud any sympathy for their villain, or try to empathize. THey both never step down from the role of hero, and only confront their villain as a hero, because they don’t want to think about themselves as complicit or in the wrong. Shigaraki and Deku’s final confrontation mirrors Judai and Yubel’s but without the same clear framing. THe entire time Yubel is trying to get Judai to empathize with them, and Judai only responds with physical violence, because they don’t want to stop being the hero and because they can’t see Yubel as anything other than the villain.  As soon as Deku arrives on the battlefield (by the way everyone else and their mom pointed this out, but Deku who doesn’t think OFA is a power for killing, is completely okay with a plan called the “Sky coffin plan” where every other hero was clearly trying to murder Shigaraki).

When Deku arrives he asks if Shigaraki is still in there, but he doesn’t do anything to try to reach Shigaraki, he jumps right to punching him. In fact he never tries anything besides punching him as hard as possible. How is punching Shigaraki with the force of a thousand suns saving him exactly? How is that different from how he tried to defeat Shigaraki the last war arc, before he saw the image of the crying child that made him want to try a different approach in saving Shigaraki?  In Judai’s final fight with Yubel, it’s made explicitly clear that Judai is not trying to save Yubel, and that’s a fault on his part. In fact Judai gives the traditional “I have friends, and you don’t” speech to Yubel but it’s a subversion of how that speech is usually used. Usually that speech is used to show that the protagonist won because of they valued friendship,while the villain treated their friends poorly and only cared about power. However, it’s ironic in this case because Judai got all of his friends killed. Judai treats his friends like garbage. This speech isn’t used to show that Judai is winning because he values his friends more than Yubel does, it shows that Judai is a hypocrite, playing the hero in this situation where they are just as bad as Yubel. Judai’s not morally superior, he’s just lucky that he has good friends. Friends that were willing to save him. The only connection Yubel has to anyone else, Yubel’s only friend is Judai and Judai is a shit friend. 

In fact, Mirio tries to give a version of the “You don’t have any friends” speech to Shigarkai, only for Shigaraki to get mad and tell Mirio that he does have friends and people he wants to protect. 

This fact is also something that is blatantly ignored by Deku, even though Mirio tells him about it… even though we are told that Deku is trying his best to see the humanity in Shigaraki. 

Judai blatantly admits they’re trying to kill Yubel. Which makes them a worse person, but a better character than Deku, because their actions are clearly framed by the narrative and consistent. 

On the other hand we are told that Deku doesn’t want to kill Shigaraki, and yet everything Deku does makes it look like he’s just trying to kill Shigaraki and put him out of its misery. If we didn’t have Deku stating out loud that he wants to save Shigaraki and wants to see him as a human, there’d be nothing in his actions to indicate that he’s trying to avoid killing Shigaraki. Deku says he can’t pretend he didn’t see Shigaraki crying, but like, does he ever hesitate to punch Shigaraki, does he ever think that causing Shigaraki more harm is wrong when he’s already suffered so much? Deku says that Shigaraki is a person but does he treat him like a person? Does he try to talk to him like a person? To use avatar again, Aang does talk to Zuko pretty early on. Deku doesn’t even give the classic “We could have been friends under different circumstances” speech. When Shigaraki resists Deku’s attempts to see him as a person or emapthize with him, Deku’s response is to just resort to punching harder. 

Which is in effect the same thing Judai does to Yubel, just kill them as a villain so they don’t hurt anybody else, but framed in an entirely different light. Judai is shown to be ruthless, and cold in his attempt to only settle the conflict with Yubel by violently putting them down. On the other hand we’re being told that Deku is compassionate and empathic while he punches Shigaraki with the force of a thousand suns. 

There’s another eerie similarity between both of these final confrontations. At the climax of the confrontation, both Judai and Deku have a psychic vision where they see events from Yubel and Shigaraki’s childhood. This vision is supposed to help both characters understand the good in the villain they’re facing.

Let’s see the contents of this vision and how the visions change each character. Judai is shown a vision of his past life where Yubel sacrifices their entire body, and even their humanity to go through painful surgery to turn into an ugly dragon, all for the sake of protecting Judai in a previous life. 

Judai is then forced to witness the good side of Yubel they’ve been ignoring all along to paint them as a villain. Yubel is simultaneously extremely selfish and willing to hurt people Judai cares about, but they’re also extremely selfless and will do anything to protect Judai and have made great sacrifices in the past for Judai’s sake. Deku gives lip service to not ignoring the humanity in Shigaraki, but Judai is literally forced to acknowledge the humanity in Yubel. Not only that, but Judai changes his behavior immediately after learning this new information. After seing the sacrifice that Yubel made for him in the past, Judai responds with a sacrifice of his own. A sacrifice that perfectly mirrors the sacrifice that Yubel once made for him. Yubel gave up their humanity for Judai, so Judai fuses his spirit to Yubel’s, becoming a human / spirit hybrid so Yubel no longer has to be alone. 

Judai also doesn’t just fuse their soul with Yubel’s in order to stop Yubel from destroying everything, it’s because both of them at this point need to atone together, and Judai is fulfilling his responsibility of watching over his friend until the end to prove that you care about them - as he said to Sho. Judai’s also fulfilling Johan’s dream of helping repair the bonds between spirits and humans, by reconciling with Yubel and repairing their bond. It’s also Judai atoning for his previous behavior of abandoning Yubel, by choosing to stay alongside them as they both atone together. Deku does sacrifice OFA during the fight against Shigaraki, but their sacrifice isn’t to help Shigaraki, but rather doing psychic damage to Shigaraki by using OFA is the only way to defeat them. He transfers OFA in order to break Shigaraki’s brain so he’ll stop reissting and Deku can beat him down. Judai fuses their soul together with Yubel out of empathy and a responsibility they feel to help their friend fater abandoning them, Deku transfers One for All to Shigaraki in order to hurt him and make him easier to punch. It's funny that Deku doesn't travel to Shigaraki's mind to learn more about him, but instead with the specific intent of harming him.

Once he's inside Shigaraki's mind, he doesn't take time to reflect on how Shigaraki used to stand up for bullied kids, or how he wants to be a hero to villains because no one else will stick up for the outcasts in society. No, he only care about Shigaraki when he takes the form of a child crying for help.

In the aftermath of the psychic vision Deku’s behavior doesn’t change towards Shigaraki in any way either. You could say he sacrificed his own arms in order to try to comfort Shigaraki within the depths of his own mind - but that’s not a real sacrifice either because his arms immediately come back.  When Judai learns about the sacrifice that Yubel made in a previous life towards him, he stops seeing Yubel as an enemy and finds a way to resolve things peacefully between them. When Deku lanterns that Shigaraki’s a victim of All for One, and that his entire life was a lie, when he sees Shigaraki’s suffering first hand does his beavior twoards Shigaraki change in any way? 

When he sees Afo has taken over Shigaraki’s body again, does he try to shout for Shigaraki, to tell Shigaraki to fight from the inside, to reassure Shigaraki that he’s still in there that there’s still good in him? Nope. He just punches Shigaraki some more.

What Deku needed to tell Shigaraki is so obviously set up by the narrative too. Shigaraki wanted just one person in that house to tell him he could be a hero. Deku wanted his mother to tell him he could be a hero if he was quirkless. Deku sees that Shigaraki started out as a boy who wanted to be a hero, and who was manipulated into being a villain but does he try to appeal to the boy inside of Shigaraki by telling him he can still be a hero? Does he now see the good in Shigaraki? Nope, he just tries to kill him by punching him really hard. 

I purposefully chose the images for the banner of this post, because it shows how differently MHA and GX treated its villains in the end. Yubel is embraced by Judai in the end, Shigaraki evaporates into dust.

"Judai, now that our souls have become one we will never be separated again. I have now been filled with your love and power. Let us fight together, against the wave of light leading this universe to destruction!"

Shigaraki could so easily have been given the love and empathy that Yubel was shown, but instead their life ends with no show of empathy from Deku, and with them dying believing that their long life of tragedy meant nothing in the end. Shigaraki realizes he's a crying kid, but he's never comforted.

Shigaraki: I only stole my body back from Master, and I didn't destroy anything. "In the end, I was just as you said... A crying kid, huh?"

Yubel is embraced and comforted, Shigaraki disintegrates into nothing.

One of these stories is apparently an optimistic story about heroes saving people, but it ends with the lifelong victim being killed in the most nihilistic manner possible, never receiving comfort, and never achieving anything with his long life.

The other story is a silly anime about card games, shows that when people are alone and suffering they can lash out and do terrible things. That all people are weak especially when they're alone, but the solution isn't to abandon them, or condemn them for their faults, but to believe in them and help uplift them the same way that Judai decides to uplift Yubel so they can atone together.

Which is why Deku gets an F in being a hero. Go directly to summer school. Do not pass Go. Do not collect $100. 

[miguelhugger2099]

What a Man!

Summary: Times where Miguel reminded you that he's kinda the ideal man. Art by AndalusiaLu on twt :) Next>> Miguel x GN!Reader, Fluff, Drabble

You were used to dating shitty men. One way or another they'd disappoint you so you've learned to pick your poison. You'd much rather date a broke man than an abusive one, as sad as that sounds.

So, when you meet Miguel, a six foot nine, muscle built rich man, you half expected for him to fall into one--but not limited to--three categories. Gym rat, machismo, or a entitled narcissist. It wouldn't be your first and it wouldn't be your last either. But, you were pleasantly surprised when he offered to take you out to a nice restaurant as a first date.

You asked for the address of the place he named and were met with pure confusion on Miguel's end. "Why would you need the address?" He asked.

"So I can drive there?" You raised an eyebrow. Miguel's lips tugged downward.

"I was planning on picking you up," He shrugged. "But if it's a matter of safety, then let me at least pay for your ride there and home."

You were gobsmacked. No forcing you in his car? And he offered to pay for the expenses? You pushed down the slight leap in your chest and coughed. "Picking me up is fine."

Miguel had set the time to pick you up at six thirty and when he texted he was outside, you had to embarrassingly ask him for another five minutes to finish the touches on your outfit. He assured you it was fine and to take your time but you still hurried anyway, not wanting to take up too much time when he's the one driving.

You opened the door the exit and you gasped, taking a step back at seeing Miguel right in front. His back was facing you but when he heard you and the door opening, he turned around and gave you a charming smile. In his hands was a small bouquet of flowers, his suit neatly tailored and it looked snug on his toned body. His white collar was popped open just enough to see the gold chain draped on his neck.

"Forgive me. I should've asked what type of flowers you liked beforehand but I hope these roses will do." Miguel handed them to you and you had to remember to pick your jaw up off the ground. Flowers? On the first date? Flowers at all? You accepted the bouquet with a bashful smile, smelling the fresh scent of the roses with a murmur of your favorite flower.

Miguel's smile grew slightly at your pleased reaction. "I'll be sure to remember that, cariño." He held out his hand to you and you took it with him then leading you to his car.

You subconsciously reached for his car door handle but his larger hand reached for it first. Popping it open, he helped you inside the comfy leather seat of his luxurious car with a gentle squeeze of your hand and closing the door. He opened the door for you? Good lord. You fanned your face to ease the heat growing on your cheeks and dumb smile on your lips.

On the road, he engaged in small talk that consisted of asking about your day, listening to your small rants about work with him pitching in when you asked your own questions. The chemistry was there, conversation and bantering flowing seamlessly between the two of you.

Once at the restaurant, not only had he opened the door for you but also pulled out your chair! You two picked up the menu and you struggled to find the cheapest option available, not wanting to hurt his pockets. Seeing your eyebrows knit together, Miguel nudged the menu down with his finger to meet your eyes.

"Pick what you want. I'm paying anyway." He tilts his head slightly.

You chuckle nervously. "I just don't want you to spend too much. It's rude."

Miguel tuts, shaking his head. "Sweetheart, like I said, I'm the one taking you out. Everything is on me," He leans back in his chair, gazing at the steak section. "Besides, I have more than enough. A few extra dollars won't make a difference."

Jesus Christ. These prices couldn't hurt his bank account when yours is crying just looking at it? "Well, maybe this pasta here looks good?" You point to the one you've been subtly eyeing. Miguel gives a hum of approval.

"You have a good eye." He praises with a small wink and making you giggle. The waiter comes by to collect your order, Miguel adding a wine by a name you can't pronounce. He then hands both your menus to the waiter and faces you again.

"Now, what was that about your boss giving you shit at work?" He smirks, remembering and even wanting to hear the rest of your story from the car. You laugh and lean your elbows on the table, starting from the top while Miguel listens with open ears.

After being in an established relationship, you learned Miguel was private about your relationship but not secretive about it. He often invited you as his plus one to his works banquets at Alchemax, his arm around you at all times whether on your shoulder or around your waist.

Miguel would show you off with pride. "And who's this lovely one next to you?" Someone would ask mid-conversation. He'd perk up, standing a bit taller and moving his hand to the middle of your back.

"This is my wonderful partner." He smiled, announcing your name to them and kissing your temple. You felt shy even with the small public display of affection. Too much made you feel icky and too little made you feel sad---Miguel knew just the right amount to get your heart fluttering.

While Miguel had been talking to another group of men, you tugged on his suit to grab his attention. He immediately put the conversation on hold and looked down on you with a hint of of concern. "What's wrong?"

You smiled reassuringly. "Nothing. I'm just gonna grab a drink--kinda thirsty. Want one?" You asked. Miguel relaxed after knowing you were okay and he nodded.

"That'd be great. Gracias, cariño." He lifted your chin to give you a quick peck that you reciprocated and slipped you his card before letting you be to find the bar.

You squeezed through the crowd of rich and smart people alike, making your way to the familiar counter filled with various types of alcohol. You leaned over to catch the bartenders attention and order two drinks, passing Miguel's card to him and sat on the stool while you waited.

You glanced around the banquet, mindlessly taking everything in to the chandeliers and the different types of people you'd never thought you'd be in the same room if it weren't for Miguel. Speaking of which, your eyes landed on him, smiling to yourself as he chatted along with his colleagues. You admired the way he was confident but not egotistical, kind but not a push-over, humble but knows his worth. You really lucked out with this one.

The clinking of two glass cups snapped you out of your lovesick gaze and you smiled at the bartender, giving your thanks. You hopped off the stool and picked them up carefully before looking up and stopping in your tracks. Where you meant to walk towards Miguel, there was an older man introducing what you guessed was his daughter to Miguel. In the pit of your stomach, you pushed down the feeling of jealousy, instead focusing your emotion on how Miguel would react.

You've spent too much time entertaining men and their games, whether it was to purposefully piss you off or discard you for an ounce of someone else's attention. So you watched how Miguel would handle it and you hoped he wouldn't disappoint you.

The woman smiled a little too big for your liking, obviously making herself seem more attractive in his eyes. Which would've been fine--if it wasn't to your man. Your eyes narrowed when she reached for his bicep but then Miguel stopped her. You blinked as you saw him try to shove her off as professionally as possible but you saw him clench his jaw to hide his disgust. He faced the older man without sparing another glance at the appalled woman, gesturing to himself and shaking his head. You assumed he was explaining he was taken and was proven right when he turned in your direction and his eyes met yours. His face morphed into something softer when he looked at you, a smile on his face when he turned back to the man-- "happily in a relationship" his lips said.

The weight in your chest lifted instantly. Miguel wasn't playing a childish game to make you jealous and he was committed to you. To you, he had gotten so much more attractive in your eyes.

You felt a small poke to your shoulder and you turned around, seeing a man with slicked back blonde, almost white, hair. He sized you up and down which made an uncomfortable shiver run down your spine. You took a step back and smiled politely. "Can I help you?"

The man chuckles. "Just wondering what a pretty thing like you is doing all by yourself. Especially with two drinks. Someone ditch you? That's a shame." He sauntered over closer to you but you took another step back up until you hit a wall. Or what you thought was a wall. You smelled the familiar scent of Miguel's signature cologne and looked up.

Miguel was right behind you, his eyes void of the softness just moments ago and narrowed at the man in front of you. His arm had wrapped around your middle and pulled you closer to him possessively, his other hand taking one drink from your hand. "Thank you for getting us a drink, mi vida," He kissed your temple then down to your cheek. "Kron, seems you've just met my partner." His smile was strained as he hissed out 'partner'.

Kron, as you now know, had stopped smiling instantly. He tried hiding the obvious hatred for Miguel but it still seeped out. "Miguel," He greeted. "Seems I have. Didn't mean to intrude. Have a nice night." He excused himself and grumbled while walking away. Miguel watched as he did so, taking a sip of the drink you had gotten him, the cubes tinkling against the glass. He bent down to your ear after swallowing the bitter taste, his breath warm and tickling you with how close he got.

"From now on, you don't leave my side. I can't bear people thinking you're not mine." His deep voice rumbled and his grip never left your waist the whole night. Wherever you went, he went along and wherever he went, his hand was always somewhere on your body. You head spun the rest of the night, flushed next to him while he managed to slip in that you were his in every conversation and even stealing a few kisses here and there. To have a man this proud of you, it made your heart flutter like no other. Private but not secretive.

A/N: something short and sweet in the middle of writer's block :')

[afterglowkatie]

pair of pests: lyon (II) ˏˋ°•*⁀ kyra x catley!reader, short fic/blurb

kyra cooney-cross x reader | 0.9k | second part to this, you tell harper you're moving away

For some reason the thought of telling Harper you were leaving seemed harder than telling your sister and your girlfriend. You had such a special bond with Harper, on multiple occasions she’s referred to you as her sister, and you were afraid that leaving England and moving to a different country would break that bond you had with her. 

You had already told Mini and Clara, you didn’t plan on telling them beforehand but Kyra accidentally let it slip on one of your weekly dinners at Mini’s. 

It was just another night at Mini and Clara’s. Another night where you and Kyra crashed at dinner time, not that either of them cared and Harper definitely loved having you both around, if she had it her way you and Kyra would live with them. 

‘So when are you gonna tell them?’ Kyra blurted, seemingly out of nowhere, after you’d all finished dinner and had migrated to the lounge.

‘What do you mean?’ Your voice had a slight warning tone to it, not that Kyra picked up on it. You had a plan for when you were going to tell everyone else, you’d told Kyra but now realising she definitely wasn’t paying attention to you when you told her. Kyra would argue that she was paying attention to you but it was your fault for trying to tell her while you were both relaxing poolside. 

‘That you’re leaving,’ Kyra said it so nonchalant but you panicked inside. Your head turned to make sure Harper, who was playing with her toys a little bit away from you all, wasn’t listening in.

‘Ky, not now,’ You groaned, rubbing your head with your hands. Promising to explain what Kyra was talking about once Harper had gone to bed.

You’re just thankful that you still get to tell Harper without it coming from someone else. That’s all you wanted, when you finally accepted that you were leaving the life you’d built in England, to be able to tell those closest to you without them finding out from someone else or social media. 

Lyon were already so good to you and you’d only just signed with them but it wasn’t unknown by anyone that you and Harper were like a little duo, a fan favourite duo. So when you asked if you could have a little Lyon jersey with your number and Harper’s name on it, they would’ve been crazy to not give you that. 

You had that little jersey in a small gift bag, there was also one for Koby but he was still too young to properly remember this unlike Harper. Harper still wore the Arsenal jersey you’d gotten her to wear that one match, so you hoped that she would like this one even with the news of you moving away for now.

‘Tiny!’ Harper greeted you by jumping into your arms, ‘My favourite sister!’ The last few years you’d gotten to watch Harper grow and you were going to miss not being so close to them anymore. You’d gotten Kyra to promise you that she would single handedly keep annoying them all for you.

‘Your only sister,’ You heard Mini’s voice yell from inside the doorway. Over the years she had just accepted that you were basically one of hers now as well, Harper would introduce you to everyone as her sister anyway. You let Harper lead you inside, you greeted Mini and Clara quickly before Harper took you to the living room where she was previously playing so you could play with her.

‘Hey Harps, I’ve got something to tell you,’ You spoke slowly, not too sure whether to beat around the bush or blurt it straight out, ‘Also something to give you,’ You held up the little bag in front of the younger girl, ‘Before you open it though, I have to tell you that I won’t be playing with Arsenal anymore so I won’t be around as much as I am for a few years,’

‘Where are you going?’ Even if Harper was semi playing with her toys, you knew you still had her full attention to what you were saying.

‘I won’t be too far, just in France. I’ll be playing with Ellie at Lyon,’ A year ago you and Kyra were looking after Harper and Koby when the topic of your contract came up between you and Kyra. Both of you knowing you only had a year left. Not knowing whether you’d stay at Arsenal or move on to a different club, all Harper told you was that as long as you still had a friend, someone from the national team, at the club playing with you then it didn’t matter where you went.

It was a sweet gesture, Harper just not wanting you to be alone or without any friends though you seemed to easily make friends and fit into any of the clubs you’d already been at, ‘I also got you this little jersey. Just like the Arsenal one but for my new club,’ You took out the jersey and held it up showing her the back. 

There wasn’t any hesitation, Harper put on the jersey as soon as you handed it to her. Running off to show everyone in the house while you followed behind, ‘I’m gonna miss you,’ Harper ran into you, wrapping her arms around you, giving you the biggest hug she could. The weight of your words hitting her that you were going to be in a different country, ‘But I’ll come visit and promise you’ll visit me,’ 

‘You couldn’t keep me away,’ You held up your pinky for Harper to link hers with yours. A pinky promise, one that you wouldn’t dream of ever breaking.

[simpjaes]

Do u remember those porn videos where these guys would pick up some girl on a bus or something and bang her and it was called like bang bus😭😭😭😭

WHO IN ENHA~~~~

just kidding, unless..

enhypen hyung line + bang bus

warnings: these are with all the members separately bc i only ever watched videos where it's like just one guy and one girl SO!!!!!!!!!!

☆ jay:

the type to get on board with the idea when he's on the verge of going into debt. works out a lot beforehand and goes for the audition, which wasn't much of one considering he was the only cute, younger guy in the running and the rest were all old guys with half-limp dicks.

i think jay would be really camera shy, especially in front of a total pussy queen willing to spread that shit not only all over him, but all for a bunch of strangers to see. does his best in terms of fucking, but probably would struggle to get into it because he's shy, might even go soft a few times before eventually turning his brain off when she kisses him. idk, he'd have to pretend to make love in order to actually get off in a situation like this.

video would do numbers tho, everybody like "WHO IS HE?" bc it's his only video on the platform and he literally disappears from the porn world after that

★ jake:

always wanted to try porn, so, he does. a lot. like any time he gets a chance he's showing up at the studio or whatever like "what are we shooting today?" Im talking, gay porn, straight porn, solo, weird bizarre shit, etc. he just has a good time.

when it comes to the bang bus tho, oh maaaaaaaaaan does he love that shit. can't say no to a random girl willing to ride him in a moving vehicle, and definitely can't say no when the money flows in from each nut had to said video.

most of the girls he fucks try to get his number, but he rarely calls them back because he has too much fun fucking to actually let one of them lock him down. would probably make his own videos legit approaching random women and asking to fuck, lots of amateur vids on his own account in random public places and swingers clubs where's he's railing someone's wife lmfao

☆ sunghoon:

doesn't do it for the money, he does it bc he's desperate and really horny all the time. he puts on a show too, soft some days, super rough on others depending on the girl and her personality. like if she's loud, and tries to steal the show he's got his fingers in her mouth or pressing her face against the window so she shuts up lmfao. if she's all soft and quiet bc it's her first time doing this or something he's usually a lot nicer, and more gentle.

everybody knows he does it bc everyone he knows watches porn. his face sometimes ends up on the front page of said websites but nobody mentions it to him.

it's a known secret lmfao. makes him super popular with the ladies in his city tho.

★ heeseung:

a regular and fan favorite of the bang bus page. like he's got his own category and usually becomes the star of the show over the woman in it, which pisses the girls off sometimes bc he's a total show off and only cares about himself getting a nut. fr, if you wanna learn how to realistically fake an orgasm go ahead and approach heeseung for a collab because he'll show you just how much your clit doesn't matter to him.

always fun with a girl does cum though, turns him on craaazy and everyone can tell in the videos. a little bit of squirt will have him fucking with purpose, probably even praising rather than calling you a slut for fucking a random in a bus.

super popular with the gays btw, heeseung gets approached a lot for gay porn but he doesn't wanna be out-shined by a guy with a bigger dick lets be real.

[eloise-t-g]

i think for me, the watcher situation comes down to this:

it's absolutely respectable that the watcher team wants to grow and produce better quality content. it's respectable that they don't want to stagnate and end up pushing the same content out over and over again. that's not satisfying for them creatively, i get that.

however, if higher quality, more heavily produced content is not what your fans are asking for, then you can't ask them to fund it.

this all-or-nothing method they've gone for is frankly bizarre. it feels like they leap-frogged all other alternatives to improving their finances and ended up here, alienating and frustrating the majority of their fanbase (the fanbase they thanked for getting them to where they are).

i think this could have gone a lot better if they:

Hadn't hyped up this video for a week.

Hadn't announced the worth it successor just beforehand.

Hadn't put out a wishy-washy, "boo hoo we're so sad about this", over-produced video.

Hadn't made it $6/month (more in a lot of countries given exchange rates).

Had considered that this means fans in specific countries literally cannot pay for the subscription due to geo/region-locking.

my ideas for improving their funds, aka things they could have tried before blowing their brand up: create their own website with two options - a free version with ads and a paid version without ads, OR make better use of their patreon/make their website extra content, not all their content, for example:

Put the ghost file debriefs on there.

Put shows like survival mode on there (or even shift that show from pre-recorded video to live-stream - live stream access to patrons and VOD access to everyone, maybe).

Put episode commentaries there.

Do reaction videos to their old buzzfeed content, talk about memories and BTS, and put that there.

Put one/two episodes of each show, per season on there (and ONLY there).

Put the episodes up there a few days early.

Make specific, website only content (that's not your main and most popular series aka ghost files and puppet history).

Record the live, in-person shows and put those VODs up there.

EDIT (thought of something else lmao): put extended or even uncut versions of ghost files on there. Paranormal Detour on Detune's twitch channel has shown that people will willingly sit through 6+ hours of a ghost investigation.

EDIT: idk, do livestreams once a week where you watch scary movies with fans on discord or twitch.

(side note: the fact that they're not taking down their patreon and instead shifting all of their podcast content on there, something the patreons who have been loyally giving them money for years didn't ask for, is ridiculous and greedy. add to this the fact that they don't even get a free sub to the new website, instead get 40% off - a measly 10% more than anyone else who subs before the official launch).

the thing for me is that they're claiming they want to make "television" and "television-grade content". that's completely fine. what's not completely fine is acting like your four episodes a month is equal to netflix's entire catalogue.

this really felt like it should have been something they told us they were progressing towards, not something they revealed to be on the imminent horizon. idk, it just feels out of nowhere. no, they don't owe us all of the info about their company. but something had to be better than this.

final thought - it's okay and valid to be upset at the team for this. for a lot of people, it's a complete betrayal (especially the comment that $6 a month is something "anyone and everyone can afford", i mean yikes). i do think some people's anger got the best of them, and some of the comments i've seen across youtube, twitter, and tumblr are plain bullying, racism, and harassment. until we have the whole story, we can't decide that one founder (aka steven in a lot of people's minds) is solely responsible. i know a lot of these awful things are only coming from a small minority of the fandom, but they still get seen.

at the end of the day, all three of them got up in front of a camera and made this video, together. that can only lead us to the conclusion that they made this decision together. acting like these men in their 30s couldn't stand up against it if they truly wanted to, is so strange and parasocial lmao.

tl;dr there were much better ways of going about this announcement, if it even needed to be made at all. however, that doesn't excuse the hateful shit being spewed at the team. for now, all we know is the three founders decided they were done with youtube, and done with their loyal youtube audience.

(i have so many more thoughts on this but i need to stop lmao. however i do wonder how different things could have been if 1. they had hired someone with actual business experience as their CEO from the jump, and 2. this video was more of a "hey we're broke! this is a last-ditch effort to save our company!". guess those questions will remain ... well ... you know ...).

[heliosundercover]

Batboys and

how they talk about you

Bonus fic as a thank you for allowing my jason fic to do well 💋

Dick Grayson-

, who talks about you like a goddess walking the earth, loves you more than words. The type to talk about you so much that people doubt your real

 

“My girlfriend is so sweet, guys. Today we went to that one library I like. Guys, have I told you even her favorite book is adorable?”

It doesn’t help that he tends to get caught up in certain details, completely ignoring other ones. No one knew your name until a week into dating.

 

Jason: “If you asked me before, I would’ve never believed him; weve all gone a little insane, but now that Ive seen proof, I'm happy for him. He gets to be well-dick, and she gets to smile and nod, but I swear she enjoys it. They’re weird together.”

 

Tim: “We love Dick. A lot, but we were looking at a wonderful facility that has an in-patient gym in the beginning. But the way he looks at her, I wouldn’t be surprised if she actually did miracles.” 

 

Damian: “At least I believed him at the start. He was smitten and absolutely whipped. I thought it was just like Dick. I don’t know why I, of all people, was the only one that caught it.

 

Bruce: Yeah, I knew she was real. Why would I ruin everyone’s fun? I mean, Dick is a bit. Aloof sometimes… I'm not exactly surprised; he’s not exactly amazing socially sometimes, but with her, he’s extra awkward, and I watched him flirt with men and women. But look, as long as he’s happy, we’re happy for him.”

 

Dick is a completely drunken idiot, with so much training thrown out the window. 

(Can you tell I'm not a fan of a playboy dick😞 im sorry i love a good love stuck man)

 

Jason Todd-

, who is extremely protective of his peace, sometimes acts as if you’re fragile. He was the type to invite you to a family game night where he called a family meeting an hour beforehand, forcing everyone to be on their best behavior. Needless to say, it was awkward, but one uno round later, he realized you fit in just fine. 

 

“I knew my girl would win. She's a gangster.”

boast when you absolutely dominate everyone playing in the game. You never quite beat the cheating allegations.

 

Dick: "I don’t know how he did it, but he found someone who brings out a side of him I haven’t seen in years. No one is that good at uno; naturally, at least, I think she’s a meta. I'm not saying that non-metas aren’t good at uno.”

 

Tim: "You know how in movies the girl animals just have lashes, and how the boy is always darker and the girl will be like a lighter color? It's like she was made for him. I'm glad he found his anamorphic girl, Wolf. But, can I be honest? I think Alfred was telling her our cards.”

 

Damian: "I'm glad Jaybird is happy. He’s definitely earned it. Even if she cheats at UNO, they’re perfect for each other. Hell, the cheating is what makes them perfect for each other.”

 

Bruce: "I'm glad to see Jason happy. The sparkling in his eyes, the boyish smile, is the same joy I saw after he hit me with a car iron and ran off, giggling. I like her.”

 

 

Bruce Wayne-

is proud to show you off publicly. He’s not one to spoil someone, but sometimes he can’t help but pick up trinkets for you. Sometimes you’d wake up to keychains, jewelry, or even clothes somewhere in your shared room. 

 

He tried so hard to be there for you and protect you from his line of work. Some nights, he wouldn’t come to bed at all to avoid waking you. Some nights, if you worried too much, he would send Dick out in the Batman costume so he could be by your side. 

 

"Shh, baby, its ok... Tonight, I'm staying with you, okay? I love you; do you know that? And I know sometimes the risk scares you, but I’ll always be here for you.”

 

Dick: "It's nice knowing Bruce isn’t constantly brooding about it. Well, I knew that fact already, but this is different. I only see a light in his eyes when he’s doing stuff he absolutely loves. Like when he talks to his parents tombs and we pretend we don’t see him.”

 

Jason: "i think that man would come back from the dead more dramatically than I did for this woman. And I waged like 3 wars.”

 

Tim: “Sometimes I see them sitting in the library together in silence. All they do is enjoy each other’s presence. Its adorable”

 

Damian: “Dads earned it. And when I say he’s earned it, I mean he’s earned it!”

 

Bruce isn’t the easiest to be with, but he always makes up for it.