#where I really want to help. and I might be able to! but if I am wrong about how much I can help

[hedgehog-moss]

I had a friend over this week and even though the weather wasn't ideal, we decided we were going to go for a long walk in the surrounding woods with all three llamas. Since Pampelune is the uncontested chief, you just need to halter her and her herd follows wherever she goes. Sometimes we emerged from the woods into a pasture and Pampérigouste started galloping like mad (followed by her daughter & her abandonment issues), but then Pampy would object with some firm hums and the other two returned, chastened.

We'd brought a head of cabbage and we gave her a few leaves every time she successfully used her matriarch authority to re-gather our little group around her, even though she'd do it for free, because it's so nice to be able to go on walks with only one haltered llama and watch the younger ones frolic and explore the world as we go. Pampy seemed happy to walk with us at a steadier pace and to trade freedom for cabbage.

We'd initially planned to stay on my side of the torrent, but after meandering downhill for a long time we unexpectedly found an old bridge I didn't know existed, and it looked very inviting, so we crossed. (Ominous chords.) Then we enthusiastically went up hoping we'd see my house from the opposite hill—and we did, here it is :)

And then we went back into the woods, and got lost. Of course. I really think my friend carries some sort of curse because I don't usually get lost in nature but the last time we went on a great hike we also found ourselves completely disoriented in a featureless snowy plain, trying to glimpse the sun behind clouds and debating whether finding the North would help us in any way.

This time we were quicker to admit we were lost, and I said we could either go uphill, and we'd find the road eventually and the nearest milestone would tell us where we are (or we'd reach a farm on the plateau), or go downhill, and we'd find the stream eventually and cross it and then we'd be in a part of the woods I'd recognise. Probably.

Drawback of going uphill: it's technically the wrong direction, so the way home will be that much longer (and night falls at 5pm)

Drawback of going downhill: we'll have to cross the water at some point. Without a bridge. It would take a miracle to find that bridge again, supposing it was a real bridge and not a fae illusion to lead us astray.

After debating for a bit we decided to go downhill, because we were hopeful that we'd find a shallow spot to cross the stream, and also we feared that at nightfall the llamas might just lie down and decide to spend the night right here, in the woods. It's hard to make a llama get up again once she's decided that enough things happened for today.

The question of whether the llamas would accept to cross a mountain stream with us was left undebated—though we did regret having spent our cabbage too lavishly and too soon.

But we followed a rivulet downhill and Pampe crossed it repeatedly, with merry and graceful mountain goat jumps, which made us feel comforted in our decision.

Then we got to a point where the water became visible, and very noisy, and Pampelune started to feel suspicious. She made worried hums and walked more reluctantly and (having squandered our cabbage) we had to cajole her into compliance.

I love that my friend captured the moment when I crouched down and started straight-up lying to my llama.

Poldine was the last one to realise something was afoot, because she is young and trusting.

Once she did, she also became a bit reluctant (she wanted to go uphill again), and more than once my friend had to open her cloak-like coat in order to look like a bat and persuade Poldine that nothing good was happening in that direction.

We found a spot where the water was pretty shallow and decided to cross. The air temperature was maybe 1°c and the water felt like it was minus twelve so my friend wasn't exactly happy about the series of decisions that had led us to this point. I pointed out that last time in that snowy plain there was this piercing relentless evil wind howling in our ears and making unsettling voice-like sounds when it blew through holes in fences (to help her relativise) and she was like, when did this day go from singing walking songs and watching Pampe gambol in pastures to "at least this time we aren't being driven mad by ghostly wind."

I told her that things that go wrong become the most vivid and fun memories in the long term and we debated this postulate for a bit and I felt like I had successfully distracted her from our plight, until she put her foot in the water and said she wished she were in the metro in Paris right now. In Châtelet even. I said "but in two days you'll be in the Paris metro wishing you were here trying to cross a cold mountain stream with three appalled llamas!" and she said yes. Still, the situation is dire when a Parisian says she would rather be in Châtelet.

Pampe actually followed us quite quickly! I'm pointing this out because I'm always talking about how contrary Pampérigouste is, but she was so great about crossing the stream, even humming to her daughter as if to encourage her. I suppose she was telling Poldine that when they make their final escape and become wild llamas they'll probably have to cross mountain streams now and then.

Poldine panicked a bit once everyone was on the other side of the water except her, and although I'd already wrung out my socks I was psychologically preparing myself to cross the ice-cold water again and go get her—but after walking up and down the other bank desperately looking for an invisible bridge, she resentfully crossed.

Then we went uphill again and eventually found our way to my neighbour's pasture! I immediately recognised the old tree in the middle and I was very happy to see it. My friend was holding Pampy and I had climbed ahead to act as a scout, and I cried out to share my discovery feeling like Vasco de Gama. It was snowing just a tiny bit, and getting darker, and I think everyone (including Pirlouit, languishing alone in his pasture) had started to privately wonder if we were going to spend the night in the woods.

One interesting activity we did when we went home was testing the various objects that live on or near my fireplace to see which ones are heavy and stable enough to hang very wet socks. We tried the wistful wooden shepherd, the porcelain fox, the music box shaped like a pile of books, the vase, and found that the only reliable spots in my living-room to dry your socks are under Sherlock Holmes and under Marie-Antoinette so we agreed on a fair sock-drying rotation. The living-room smelled of wet wool (or wet llama) all evening, but we had a glass of champagne to celebrate the fact that we weren't currently trying to fight hypothermia by curling up between two llamas in some frosty meadow, and we felt pleased with our adventure, all things considered.

We realised a bit late that we had been in such a hurry to go home and warm up we'd neglected to reward our hiking companions, so we very bravely put on new socks and went out in the night to look for the llamas with our phone lights and distribute some muesli. Pirlouit was included in the distribution because he definitely would have crossed the stream with us had he been invited (and told his hay was on the other side.) Also we got a kiss from Poldine so I think she replayed the day's events in her head and came to the conclusion that her mother was, somehow, as always, to blame for all this.

[no-144444]

guilt tripping- o.piastri

summary: oscar asks something of you that you know you can't do. you do it anyway and it ends in you two almost breaking up. almost.

pairing: oscar piastri x fem! chronic illness! reader

a/n: hey yall, I just broke two ribs (lol) and got diagnosed with a chronic illness (lmao) so I might not be posting as frequently- just dealing with it physically and mentally so yah 😹

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“I don’t know if I can go,” you sighed, feeling even worse. 

“That’s alright,” he assured you, but you could hear the way his excitement depleted and his mood lowered. 

“M-maybe I can work something out, I don’t want to leave you alone,” your guilt grew everyday, this wasn’t healthy for either of you. 

“I don’t want you over-exerting yourself,” he spoke softly into the phone. “I’ll just ask mum if she has any friends that want to go or something. She always brings a million people with her.”

“I don’t want to leave you hanging Oscar. Melbourne is a big race. I’d be happy to come over like a week before, and then come to the race once I’ve had a few days to heal,” you bargained. A 22 hour connecting flight was not something you’d ever wanted to do. You couldn’t do it. You knew the pain would be too bad, yet you still stood there, offering it anyway. “And then I’d come for the race on Sunday, or just small bits on all the days.”

“Really?” his voice picked up, excited now. “You’re sure?”

“I’m sure Osc, I love seeing you race,” your smile was more of a grimace than anything, but still, the guilt in your chest lessened as you listened to Oscar speak animatedly about the race weekend, while your anxiety ran through the roof. You couldn’t do all the things he wanted you to do, you never could. This had been a problem at the beginning of your relationship, every time he’d plan a date that wasn’t dinner or a movie, you’d have to break the news that a 15 kilometre hike wasn’t something you’d be able to do on a whim. Things like that took planning, physio, and preparation. Your chronic illness was no joke, and had limited you since you were a teenager. In the past few years he’d gotten much better at everything, from helping you with your physio exercises, attending pilates classes with you, knowing what to do on bad pain days, and always looking out for you in public. You knew he was just getting away with himself, and you didn't want to disappoint, so you agreed to it all, hoping against hope that it wouldn’t be a bad week of pain or flare-ups wise. 

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You got into Melbourne and sobbed when you got in the car. Thankfully, it was Hattie picking you up, so she just held your hand as you silently cried, the joint and too much to bear. You went straight to bed as Hattie explained to the rest of the house that you were exhausted, and Oscar took it at face value. You usually get extremely tired after long days, and you’d just had a 22-hour day of travel. 

“I’ll go check on her-” he started, desperate to see you but Hattie cut him off. 

“NO!” she squeaked, trying to not sound suspicious. Oscar raised an eyebrow. “She’s really tired and she’s already gone to sleep.”

“Yeah, well I’m tired so I’m going to bed,” he explained, stretching then yawning. 

“Osc,” Hattie sighed, knowing she had to tell him. “She’s not… alright. She can’t do 22 hour travel days like you or I can. She has Lupus and she’s still trying to figure out her medication, so it hurts all the time. She cried from the airport to here, all to support you because you asked her to, and she feels guilty every single time she can’t say yes. She’s done real damage to herself by coming here. I want you to understand that, do you understand that?” 

Oscar nodded, because the other option was breaking down into tears. Yes, he’d felt guilty that he couldn’t be there to take care of you while travelling, and he knew he was asking a lot of you when he asked. The guilt settled deep in his stomach and made him nauseous, but still he continued on to his bedroom where you were sleeping peacefully. He could see the puffy eyes, the red nose, the open bottles of medication on the nightstand. He wrapped an arm around your waist, another in your hair and pulled you as close as possible, whispering teary sorrys into your ear. 

When you woke up the next morning, you knew what you had to do. This wasn’t fair on either of you, and you needed to make a change. You quickly (but silently) got up, and started to leave the room, but Oscar grabbed ahold of your hand before you could leave. 

“Please don’t sneak out on me,” he begged, sitting up. He looked wrecked, puffy eyes, red rose- had he been crying? God, had you made him cry? 

“Osc, what’s wrong?” you asked, concern clear as day on your face as you cupped his face with your hands.

“I’m sorry,” he whispered, his voice breaking. “I knew I was asking too much when I asked you to come here, I’m so sorry.”

Your heart tightened in your chest. “Osc, I’m alright, I was just tired last night and-”

“Hattie told me,” his voice was deep, deeper than usual, and he pressed a gentle kiss to your hand. “And I’m so sorry.”

“Osc, I could’ve said no if I didn’t think I was able for it,” you tried to reassure him but he shook his head. 

“Y/n, you did say no and I didn’t take it as an answer,” he scoffed. 

You were stunned into silence. “I think we need to have a talk about us, Osc.”

He nodded, taking your hands in his. 

“This isn’t fair on you. I know I can't control my illness, and neither can you. It sucks, but it’s a fact. I wish I could be there for every single race and cheer you on with the other girls, but I can’t. It’s not in the cards for me right now, and I don’t know when it will be. Oscar, I love you so much, and you’ve been with me through everything and I know you deserve someone who can always be there for you, and I’m not that person right now. I love you but I know it’s not enough,” You finally looked at him and he was biting his lip as tears streamed down his cheeks. “I’m sorry.”

He shook his head and stood up, dropping your hands as he paced his bedroom. “You know how much I love you, don’t you?” he asked and you nodded as you held back more tears. “So you know that I still feel your support even when we’re in different time zones or on different continents, right? You know that I value you being in as little pain as possible more than being at the barricade after a race, right? You know that I fucking love you more than I love racing, right? Y/n, I’ve been here the entire time, since we were 14 years old. You’re the reason I get in the car, you make me better, all the time it’s just you. I plan on being with you for my whole life, Y/n. I want to be there for everything. I plan to sit there through every appointment about medication until you find the one that actually helps you, I plan on being there for every day where you don’t feel up to it, I plan on being there for you, always. I never want to let go of you, and yeah, it is nice to be able to see you after a race, and I know that because fucking facetime exists. If you still want to break up because I fucked up by asking you to come here, go ahead, but don’t ever think that I’m without because I’m with you. I am so in love with you, Y/n. I mean it. I want to marry you one day, I want a family with you, I want to be old with you so we get to reminisce on the good ol’ days and make some more while we have time. ‘The good ol’ days’ will be the days I spend with you. More than any race win, more than any trophy, or than anything. My favourite part about a race weekend is coming home because I know no matter what my result was, you’ll be there with open arms, loving me anyways. You’re more than enough for me.”

You crossed the room and wrapped your arms around him, crying into his hoodie as he held you. “I love you too.”

After a few moments of both of you calming down, he finally spoke. “Can you forgive me for being such an asshole?” he asked, wiping his eyes. 

You nodded, a small smile on your face. “I can, can you forgive me for being such an idiot?”

He chuckled. “You’re no idiot,” he picked you up and gently placed you back on the bed lying beside you. “I love you.” 

“I love you too.”

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navigation for my blog :) (masterlist)

[zigraves]

I was wondering why, as someone who lives in the UK with a social circle that ain't all that cis, I hadn't heard of a new law that prevented birth certificate changes.

It's because there is not one.

What there *is*, is enforcement of laws that have been around for decades preventing alteration of birth certificates in general - an amendment may be noted in the margin, but the certificate may not redone in its entirety. This goes for any field where an entry may be incorrect and require amendment: gender, date, name, etc etc.

While the law has transphobic applications, I want to delineate the difference between - "new transphobic laws made especially to do transphobia and for no other purpose than adding new types of transphobia" (which one might believe from OP's phrasing) and the reality of: - "an existing law can be used for transphobic purposes amongst other purposes, such as making it really annoying to correct the wrong spelling of Mohammad or Sarah".

Those are two different things, and it does fuck all good for any of us to act like there are more NEW anti-trans laws on the books than there actually are. It's important to be able to recognise when it is a choice to enforce existing law - and what that means for all of us who exist in places where laws are inconsistently enforced - versus a choice to create new, more specific laws. For one thing, it's easier to prevent a new law from coming into force than it is to revoke an old law, and amending or revoking an existing law is a different process.

For another, trans people in the UK are a group who CAN actually change their birth certificates. In the UK, you can obtain a Gender Recognition Certificate which allows a re-issued birth certificate with the details amended. It's not quick or easy (you need proof you've been living as yourself for at least two years, plus various paperwork including medical reports), but trans people specifically CAN change their birth certificates. I am, again, not saying it is easy! For people without helpful medical providers it is still nearly impossible! But OP's phrasing includes some vaguely phrased scaremongering and right now it is very important that trans people in the UK know where they actually stand, legally speaking.

A newborn baby girl will have to go through life with the wrong sex on her birth certificate after a registrar’s error, which her parents have been told they cannot change. Grace Bingham and her partner, Ewan Murray, were excited to register their first child at the Sutton-in-Ashfield Registration Office in Nottinghamshire last week. But, after nights of broken sleep, they failed to notice the registrar had written the wrong sex on the birth certificate until after it had been submitted. “We were horrified but assumed that, as we saw the mistake just a few seconds after it had happened, correcting it would be an easy matter,” said Murray. “But although the registrar apologised for her mistake – and the area manager also apologised – it turns out that birth certificates can’t be changed.”

this article is interesting because it demonstrates that cis people can very easily apply structural thinking to sex assignment - this couple immediately identifies that their daughter, having mistakenly been assigned male at birth by the registrar, will have administrative problems in employment, education, travel, and so on. they pretty adeptly identify the foundational role that sex assignment plays in the administrative and civil functions of a state, and how incorrect sex markers effectively produce a ‘rational’ reason for discrimination within these administrative and civil arenas:

The General Register Office (GRO), which is responsible for administering all civil registration in England and Wales, and the Home Office have both confirmed that Lilah’s birth certificate cannot be reissued, although an amendment can be made in the margin of the original document. But Bingham said this is not enough. “People reading a birth certificate might easily miss a tiny note in the margin – which means that Lilah could be regarded as male when she applies for school, her passport, for jobs – for everything that she needs a full birth certificate for.”

And given that this was published in The Guardian, this article makes zero mention as to why it’s impossible for this couple to receive an updated birth certificate with correct information (something the author notes was possible to do a year ago), but the reason is obviously transphobia. 

Now one might ask why there’s no exception for cis people whose birth certificates were recorded incorrectly at birth, but this reveals the instability of cissexualism. How would you determine who is a cis person with a mistaken birth certificate, versus a trans person who wants to change their mistaken sex assignment record? Sure, you could say well, this is an infant, of course she’s “really” “biologically” female (something the parents argue in the article as grounds for having their child’s birth certificate re-issued), but 1) that certainly can’t be argued for in all cases, 2) 'biological sex' is understood by medical doctors as alterable through hormones and surgery, which trans people are often required to undergo in order to change their records, and 3) binary sex assignment is already imprecise and discretionary, particularly if infants have sex characteristics that don’t conform to binary F/M assignment standards (which is part of how the category of intersex emerges, framing this failure to conform to state census categories as a biological defect - and in fact, many intersex people do not discover they are intersex until the onset of puberty or later, at which point they are even less in luck if they want to change their sex assignment - and if they don’t, if they are cis but have sex characteristics that do not conform to cis standards, they will be discriminated against anyway). 

Even setting aside the issue of transgender and intersex people for a moment, states fuck up all the time in administration! you've probably either experienced this directly or know someone who's had some kind of record fucked up by the government at some point in their life. If you get married they could fuck up changing your last name, fuck up your disability status, record your social insurance number wrong, print the wrong address on your driver’s license, fail to acknowledge you as a dependent when filing taxes, incorrectly mark you as having graduated when you’re still a student, fuck up your immigration paperwork, record your name wrong during immigration, etc etc into infinity, and this is not even getting into errors that occur when different levels of government pass information between one another. This level of administrative rigidity is purely to punish people who fail to perform cissexualism correctly, and in the case of this couple's child, the administrative error of the state is imputed to them as a personal failure that she and her parents will now have to deal with for the rest of their lives. 

I think the ultimate analysis is not that transphobia will become less precise and hit more "wrong" targets as it expands its reach, but that this is the exact same operational logic as all other liberal state measures - if you encounter a systemic issue, it’s your fault for not avoiding it, fuck you, go away. You’re poor because you’re lazy, you’re unhoused because you’re lazy, you’re disabled because you’re lazy, and your daughter is now administratively transsexual because you’re lazy. In this case, we don’t even need to assume the intentions of the state - they outright say it:

The family complained to the GRO but was told the mistake was their responsibility and could not be fully rectified. “The duty to ensure that information recorded in any particular entry is true is the responsibility of the person providing the information and not of the registrar general or the registrar recording the birth,” the GRO said.

[cherry-pop-elf]

Kiss it Better Pt:3

Curly x Reader

AN: I am just speechless. All this support is making me tear up. Like holy shit. Thank you. Don’t worry! When this finishes(god idk how it will I’m making up as I go since yall want more chapters) I’ll make sure to post it to AO3 for easier access! Just thank you again! And uh. Don’t forget I have a Kofi and Wishlist if you wanna like tip or something. NO PRESSURE! Just a reminder to anyone who WANTS and CAN! You come first! Just. Thank you again!

SUM: You couldn’t sleep, so you try and remember things with Curly to lull you to sleep. As you do, you remember things that are important for a captain to have. Very important, and you are gonna be certain to find them

Warnings: Jimmy, sexual assault, mentions of abortion (it’s a rather calm chapter really. Take it as a pallet cleanser because the next chapter imma really show you how fucked up Jimmy is))

You just couldn’t sleep. It felt criminal to right now. So much was going through your head. So much has happened and now you had time to let it all soak in. The crash, Anya, why there was a crash, Curly’s condition, it made sleep impossible. Especially alone in that big bed that was meant for you and your husband.

You tried to take in deep breaths, and just let the thoughts wash over you. There was responsibility as the Captains Spouse. You weren’t just ‘eye candy’ like Jimmy said. You had worth, and were just as much important to the team as everyone else.

Such as learning a thing or two about what Captain should do in case of an emergency.

Curly was in no state to help, and Jimmy sure as fuck won’t help either. He was the reason everyone crashed after all. He’s a loose cannon and you needed to tip toe around him. Who knows what he might do next. You weren’t even sure if telling Swansea and Daisuke about what’s going on was smart.

Swansea has little girls of his own after all. He won’t react well at all. Then there’s Daisuke. Barely nineteen and thrown into this mess. He might panic or maybe even do something crazy like confront Jimmy. There was just to many what ifs.

So you were left on your own.

You would wrap yourself up in what was once Curly’s sleep robe and grab his spare ID card. The very thing that can unlock any door, and be the one thing that can lock your bedroom door. Definitely should have Anya sleep in here for a while. She deserves to be able to sleep soundly.

While you were waiting for everyone to sleep as well you would explore the bedroom. Looking into nook and cranny to see if there was anything of use. The Captains always were given a bunch of extra shit after all. Even Pony Express had to meet some safety protocols. Curly was their best after all. Even went as far as to try and help him fine work else where. That’s what he explained to you.

Shame. Was just a normal bedroom. The only thing that made it special was it was bigger, and had a lock. Dammit all to hell.

That’s when you tried to think back on past memories of you and your husband. To try and recall any kind of special thing the ships carry. Oh how you felt so guilty for never paying enough attention. Made you feel stupid and useless, but you weren’t.

At least not in comparison to Jimmy.

With a deep breath, you managed to recall something. Something not long before the crash even. You had knocked on the cockpit door to enter it, and was greeted to your husband and Jimmy working. Curly was rambling on about something, while Jimmy kept eyeing the locker suspiciously. As if he wanted to get inside of it for some reason.

That’s your best lead now. God dammit was it a shitty one. The cockpit was stuffed to the brim with foam. But then again that’s the front of the cockpit. If you were careful, and cut the right spot, maybe you can access the locker.

It’s something. Something is better than nothing.

With the robe tossed aside, a change into your jump suit, gloves slipped on, and beanie pulled on to keep your head safe you would make your way to the kitchen. Card key tucked securely inside of your jumpsuit compared to a pocket.

Jimmy can’t know.

Can’t know that you were stealing the only knife that the ship had.

Was going to be a pain in the ass to cut that foam but you really had nothing better to do. So, you unlocked the cock pit and focused on remembering its layout.

“For Anya, for Curly, for Swansea, for Daisuke, and all our families back home.”

You would start the slow and agonizing cutting. Little by little. Just chopping away to try and reach the right side of the pit. To get to that locker and see what was inside. That locker was in the cockpit for a reason. It can only be accessed by the pilots for a reason. There was a reason.

Any time you felt like your arms would give out you thought back to Curly. How he didn’t really have arms anymore to begin with. How Anya was busy throwing up right now. How they needed you. They both needed you.

It had been well over a hour, but you managed to reach the locker. You allowed yourself a breather at the sight of it. Damn was that a pain, but it’ll be worth it. Right?

With your breather over you would use the key card to access the locker. Inside was….Honestly junk. That had you very disappointed. You were honestly ready to cry out of frustration, only to see there were a few locked cabinets inside.

Ones that needed codes.

Codes you knew.

Curly made you memorize them in case of an emergency. He just said to memorize them. That it’s meant to just unlock pin pads. That Pony Express never bothered to change them.

You went to the lower locker and typed it in.

Strange, there was nothing inside. Suppose whatever was inside was taken out. You wondered what could have been in there. Was a very small locker so maybe it was some code scanner or universal unlocking device. Just wasn’t big enough for something you hoped for.

A transmitter.

He prayed it was near the front of the ship. That a transmitter would stuck in the heart of the foam, or as far as just shatter on contact. They had to have a spare communicator. Pony Express had to follow SOME rules after all. Imagine the ship being discovered and the people who found it saw it was missing something as important as that.

So you typed in the code for the larger locker. You were kinda afraid of opening it. To be met with another empty void of metal and dust.

You took a deep breath, and opened.

There really was a god.

There was what you were looking for. A real deal communicator. It was real, it looked untouched and even had dust on it to show that Jimmy never reached it.

Before you grabbed it you made sure to close the door behind you. Just to be sure. Was the dead of night, well from what the clocks say, and everyone should be asleep. Even Jimmy had to sleep. You had to make you move now.

Remain calm, and focus.

You can’t fuck this up.

You snuggled yourself into the corner of the pit, with the communication device in your lap. You hooked the head phones onto your head, and turned it on.

As you waited for it to boot up you made sure you were positioned so that if anyone came through the door, for some reason, you’ll notice. As far as anyone was aware though this room was basically a wall. No purpose to enter. You should be safe, but you had to think ahead. Jimmy was unpredictable, and so full of himself.

Better to be over prepared than see what happens if Jimmy finds out what you are doing.

Couldn’t help but give a squeak of surprise when someone finally spoke to you.

“This is the Emergency Spaceship Retrieval Sector. What seems to be the problem?”

A woman, through the static, spoke to you. Tears of relief fell down your face but you forced yourself to remain focused. You can’t mess this up now. No way no how.

“This is Tulpar for Pony Express. We have suffered a crash about a month ago. From what I can recall we had been a little over four months into our twelve month journey-“ You immediately explained, as to best help them get an estimation on how far the ship had traveled.

“Alright, who may I be speaking to at this moment?”

Deep breaths.

“I am the Spouse to Captain Curly. It is me, Jimmy the co-pilot, Anya the nurse, Swansea the mechanic, and Daisuke our intern.” Deep breaths, keep things quick and to the point.

“Are you all in any immediate danger?”

You had to think about that a moment. Jimmy is a dangerous man. Who knows what he might do next if you don’t play along. So, you had to be honest. You felt guilty for telling the operator what happened. That Curly suffered greatly and needed immediate medical attention, how Anya was a victim of assault and required an abortion as soon as possible, and that the reason for it all was because of Jimmy. He crashed the ship, he raped Anya, he destroyed Curly, and god knows what he will do next.

“Estimated arrival time will be about a month. We have your exact location thanks to the communicator. Remain calm, and know that help is on the way. We have logged this down in the report. Take care of your crew the best you can, Captain.”

And she would log off. You would let your head thump back, and simply cried. Cried in pure relief and joy. That a real person heard you, and was aware of what’s going on. That if anything did go wrong that at least someone knows. Someone will know what happened.

There was hope.

Now was a matter of survival.

One month.

You all needed to survive one month.

One Month Until Rescue…

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[drdemonprince]

on the topic of your "bad gender" posts, the one you made mentioning sexual abuse (especially by mothers) is something nobody talks about at all and I'm glad you mentioned it.

My psychiatrist said I have CPTSD after I went through a huge breakdown after putting pieces together that I've been experiencing long-term sexual abuse from my mother (incredibly long story, but you get the idea). I still completely struggle with seeing what she's done and does as abuse, because it is totally buried in my mind that it is not abusive or strange because she is my mother. No matter how many times my friends and partner say it's wrong, or things like "imagine if it was your father", or my DBT therapist is straight up with me and tells me I was groomed by her, I just cannot get the idea that her being my mother specifically makes her behavior acceptable. (especially since I didn't come out as broadly transmasc until I was 18, and was thus seen as a complete extension of her and her body prior to).

I genuinely cannot comprehend where the line is between normal care and abuse because of what I've learned (from her or otherwise) maternal care looks like "compared to" paternal. And I just haven't found anything that's been able to really help me grasp what I've experienced because I just cannot understand why, or what I can do. The only thing I've found with others describing my specific experience is the MDSA subreddit, which is usually just extremely triggering for me to browse (obviously the content, but also the daughter framing and just the everything about it) so I don't go there, but it has shown me that many of us have lived very similar experiences, we just rarely recognized it as abnormal because it was our mother. Perceiving men as the inherently "bad gender" especially in terms of sexual abuse just makes me see red, and is a lot of why this can keep going on unnoticed. I don't really know what I'm trying to say, and I'm sorry to dump this here. It's hard to discuss the nuance of it without being kinda specific. I just saw you mention it and I rarely see the topic brought up, so I guess I just wanted to say thank you for doing so

Thank you so much for sharing this, anon. SO many children endure parentification, spousification, covert incest, and sexual abuse at the hands of their mothers and never get that mistreatment recognized as such because people view women as benevolent, passive caretakers rather than full human beings who are capable of harm. Adults wield immense power over children, particularly parents, and this power structure functions in much the same way men's power over women does -- it makes children into the property of adults, and facilitates abuse.

You are not alone in this experience at all. I'm sure you've heard all about Jeannette McCurdy's Memoir, but if you haven't read it, you might find it affirming. The poet Anne Sexton also sexually abused her daughter, Linda, who wrote a memoir about it called Searching for Mercy Street that is also a powerful read. The host of the podcast The Mental Illness Happy Hour is an adult survivor of covert sexual abuse at the hand of his mother, and he speaks about it quite frequently and thoughtfully on his show, and has interviewed numerous guests who have also survived covert incest. As a male survivor of sexual abuse at the hands of a woman, he's a rare, needed voice, and I've gotten a ton out of listening to it. There's also a self-help book on covert incest that I've read and appreciated called Silently Seduced. You may also find value in Issendai's analysis of estranged parent forums -- lots of documentation of abusive female parents and how they justify themselves to be found there, and the author eviscerates it expertly.

I hope that reading and listening to some of this material will help you to more clearly see the outlines of your own abuse and to recognize it as wrong and distinct from true maternal care. It wasn't my mom who was the chief boundary violator in my household, it was my dad, but a lot of what he did mimicked the traditionally "maternal" abuse profile, and all these resources helped me wrap my head around it a lot better. It's triggering stuff, but I think it is worth plunging these depths when you feel safe to do so, to what ever degree you can comfortably manage. You might want to dig up the Mental Illness Happy Hour episodes specifically about the host's abuse experience first, since that focuses on a man's experience of having been groomed by his mom.

Thanks for writing. My inbox is open if you wanna talk. This stuff was a foundational trauma for me that I have processed heavily and I'm always willing to discuss it more with people who have been there. <3

[cordycepsfem]

You’re a 14-year-old - no, I don’t want to sit down with you. You haven’t lived enough to justify lecturing, but apparently it didn’t stop you from word-vomiting.

1.) Males are not women, and cannot become women. That’s not an insult, it’s a fact. There’s no huge mob waiting to “attack” you, or literally any other trans person, outside your door simply for being trans. You���re 14 and you’ve been lied to by the internet.

Me, or anyone else, not believing in your gender religion doesn’t mean you’re “unsafe.” It means that not all of us buy into gender, and that’s something you will probably need to get used to as you get older.

2.) Women’s bathrooms, sports, and other spaces and places set aside for women and girls are not inclusive of men and boys for a reason. Only selfish, uncaring people refuse to understand why women and girls might want or deserve things that are segregated by sex.

Being exclusive is not a bad thing. As a white woman, I’m not going to lead a BLM meeting. Similarly, I don’t want an abled person speaking over me about what’s best for disabled people. People and places are exclusive all the time - we don’t let adults attend elementary school or enter sports competitions against children; everyone’s different sexuality means they exclude at least some people; and untrained citizens don’t get to try to perform brain surgeries or attempt to fly planes.

About your “source” for #1: if you look at the fear-mongering “data” pushed by the HRC, who claims something like 35 murders of trans people in the US per year, you will see that so many of those murders are hate crimes. They are murders that could happen to any one of us - carjacking, domestic violence, or similar crimes. So few of them are actually hate crimes that it should be legal to prosecute the HRC for propaganda. Those trans people killed worldwide for engaging in high-risk sex work deserve safer fulfilling work where they are less likely to face violence… but the HRC doesn’t really mention how sex work is the cause of the violence against them. Huh.

And #2: You mean the male Olympic competitor Imane Khelif, who has a DSD and isn’t trans at all? How perfectly trans to co-opt the struggle of intersex people and use it to make points about their nonexistent problems.

Please seek therapy and break free of the internet addiction that got you to repeat the tired talking points you regurgitated at me. Stop using people with DSDs to talk about trans issues - it’s gross. Hope that helps!! 🤩

"Trans women are actually women for real, not in a metaphorical sense, not in a "anyone can be anything" sense, but genuinely actually make more taxonomic sense to classify in the category of women than any other group" is a position you'll find is pretty radical even in queer spaces

[morganski-19]

Chills Right to the Marrow Part 51

ao3 link| part 1 . . . part 48, part 49, part 50

“What if we let him stay with us,” Eddie says out of the blue, sitting on one of their new kitchen chairs.

Wayne stops unpacking glasses, turning to look at him. “What?”

“Steve, what if we let him stay with us. Just while he tries to find a place.” He fidgets with his hands, avoiding Wayne’s eye contact. “We’ve, uh, been talking, and he’s put off trying to find a place. Now that he knows the end date, he’s started looking but can’t afford any of places that are open right now.”

Wayne pushes the box back onto the counter, he can finish it later. He turns fully toward Eddie, leaning back on the counter and crossing his arms. “So, you want us to let him stay here.”

“Yeah, and it could be like paying him back, you know. For letting us stay with him. Return the favor, and everything.”

He sighs, wiping a hand down his face. “We don’t exactly have the space for that. Unless you’re planning on him sleeping on the couch.”

Eddie stutters, further ignoring Wayne’s gaze. Mouth opening with no sound coming out.

“Or is this the part where you finally tell me you two are seeing each other?”

Eddie freezes. “How did you know?”

Wayne shakes his head. “Cause I’m not an idiot. You two go from chewing each other’s head off to being super close and touchy. And I saw Steve try to sneak out of your room when I got back from a shift. He thought he played it off, but I knew.”

“Why didn’t you say anything?”

“Wanted to see how long it took you to tell me yourself. It’s been almost three weeks, and we all live together. You really thought I didn’t know?”

Eddie shrugs. “I don’t know. We were just feeling it out, didn’t want to tell anyone in case it blew up fast.”

“And now you want him to move in with us? Sleep in your room, in your bed. You really think that’s a good idea?”

“I thought you would be cooler about this. Steve’s a good guy, you know that.”

He does know that. But he knows a lot of things that leave him questioning. Even if it’s just from passing comments. Ammunition that could have been meaningless, but there was history behind it. History Wayne doesn’t know but can assume what it means.

Maybe he’s an ass for assuming. Maybe he’s just being overprotective. But when it comes to matters of the heart, people can be reckless. They can jump without looking just to get hurt in the end.

Steve might be a good guy for letting them stay in his house. He might be a good friend, a good role model for the kids. But a good boyfriend, for Wayne’s boy, he’ll never be good enough. No one will.

“I know. I’m just worried that letting him stay here would make a jump you’re not quite ready yet.”

Eddie nods, looking down at his hands. “It’s early, I know. And it’d be temporary. I just—I don’t want to leave him high and dry. He helped us when we had nowhere else to go, I thought we might be able to so the same.”

Wayne gets where his head’s at. He gets wanting to do something to thank Steve that would be anywhere near the way he’s helped them. Hell, Wayne does too. There are just so many reservations in his head. So many ways that this could go wrong.

“I’ll think about it,” Wayne concedes. “On a few conditions, it is actually temporary, and I’m the one who talks to him about it. You say nothing until I do, got it.”

“Got it.” Eddie smiles brighter than he has in a long time. “Thank you, it means a lot, even you just thinking about it.”

He sighs. “Yeah well, you have a point.”

“You’re not going to get, like, super weird and protective now that you know right?”

Wayne scoffs, going back to the box that needs unpacking. “Don’t know what you’re talking about.”

“Steve told me what happened while I was still in the coma. I know you didn’t like him around me. I know that has changed, but it’s different now. And don’t you remember back in my freshman year where I told you about that guy in my English class and you threatened to kill him if he looked at me wrong?”

He shrugs. “That’s just part of being a parent, can’t turn it off.”

That kid would have deserved what came to him if Wayne actually followed through. After the first few months of peace, he made Eddie’s life a living hell.

“Well, Steve’s a good guy, and he’s good to me, so just, tone it down a little bit.”

Wayne turns to look at Eddie again. He’s honestly surprised that this conversation is happening, but also glad that it is. Eddie’s hasn’t exactly seen that many people. Not in the town that threatens to crucify you for walking on the wrong side of the road. As far as Wayne was supposed to know, this was Eddie’s first time seeing someone. But he knew that on some of the weekends where Eddie would disappear for a night, it was to sneak into one of those bars down in Indy.

That was dangerous, this was less so. As far as Wayne knows, Steve’s romantic life is a mixed bag. Short term relationships and one long one that ended semi-badly. Sue him for being cautious. Sue him for looking out for his kid. After all the pain they went through in the past year, he could at least try to make sure heartbreak wasn’t added to the mix.

“You happy?” Wayne asks, watching as Eddie’s face softens.

“Yeah.”

“You being safe?”

“We haven’t gotten that far yet, but when we do, we will.”

Wayne nods. “Then I’ll tone it down a little. Just a little. Don’t go expecting miracles.”

The rest of the box gets unpacked, the glasses and other dishware slowly filling the cabinets. The home starting to really look like a home.

“Thank you,” Eddie says quietly.

“Yeah, yeah.”

Steve gets back from work late. Wayne wasn’t exactly waiting for him, but he wasn’t exactly not waiting for him. He was just in the kitchen, putting something together for a late dinner, knowing that Steve was going to be home soon. If it felt like a good time, he was going to bring it up. If it didn’t, he was going to give it a day.

But he can feel that protective burn bubbling up and can’t snuff it out. He needed to know.

“I know about you two,” Wayne says. More menacingly than he meant to, but doesn’t know how else to start this.

Steve freezes, hand on the fridge’s handle. Holding it open. “What?”

“You and Eddie, I know.”

He nods, closing the door and clearing his throat. “For how long?”

“Few weeks. You’re really not a slick as you think you are.”

Steve leans on the counter, crossing his arms. Ready for a lecture. “We were going to tell you, just wanted to make sure we weren’t making a mistake first.”

“Interesting word there, mistake.” Wayne’s pressing, trying to lure out what he needs to see. Make sure that this isn’t something he needs to worry about.

“I just didn’t want to lose another friend because of a relationship. It took me years to be able to be friends with Nancy. I didn’t want the same to happen with Eddie.”

Wayne nods. Satisfied with the answer.

“What you said a few weeks ago, that you saw the way I acted around him. And you wanted to stop the hurt before it started. I’m not planning on hurting him. I can’t promise I won’t mess up; I tend to do that a lot. But I always try to make up for it, to learn. I’ve gotten really good at apologizing.”

The protectiveness dies down, Steve hitting everything he wanted to hear. And Eddie’s right, Wayne knows that he’s a good guy. He’s made mistakes, but he’s grown. He’s changed. It’s as much as Wayne can ask for.

“You know, earlier today, Eddie brought up this idea of letting you stay with us until you find a place on your own.”

Steve’s face fills with shock. “He did?”

Wayne nods. “Yeah. As you can imagine, I had my hesitations. We don’t exactly have spare rooms like you do. But,” Wayne can’t believe he’s really saying this, but it feels right, “if you wanted, you could stay with us. With the promise that you find a place on your own, and that this won’t put an unnecessary strain on your new relationship.”

“I—” Steve tries to get out. “Thank you.”

Before Wayne can register what’s happening, Steve’s hugging him.

“Thank you,” he repeats. The words heavy with relief.

“Yeah, well. After all you did for me, it’s only fair that I return the favor.”

Steve lets go, taking a step back. “But you didn’t, a lot of people don’t. So, thank you.”

He realizes that there is so much story of Steve that he still doesn’t know. Hurt and pain that he keeps hidden away. Not for other people to see. Steve walks away before he can ask, or even question. Hesitating before walking down the hall to Eddie’s room.

This was going to be interesting.

apologies for the late post, I was at work and then driving home from break, and forgot to post before I left (like I planned to). And posting tag lists from mobile sucks ass.

tag list (closed): @the-they-who-nerded, @insteviewetrust, @croatoan-like-its-hot, @jettestar,

@tinyplanet95, @steddie-as-they-go, @slv-333, @littlecelestialmoth, @thatonebadideapanda,

@fandomsanddeath, @marismorar, @wonderland-girl143-blog, @glass-bottle03, @gutterflower77,

@here4thetrama, @goodolefashionedloverboi, @jaytriesstuff, @cryptid-system, @manda-panda-monium,

@resident-gay-bitch, @anaibis, @xxsutherlandxx, @forevermineliv, @mugloversonly,

@gregre369, @n0-1-important, @different-tale-student, @spectrum-spectre, @tartarusknight,

@devondespresso, @swimmingbirdrunningrock, @cheertain, @anti-ozzie, @autumncrocusandladybug,

@greeniebean911, @cr0w-culture, @stillfullofshit, @connected-dots, @daisynotquake,

@morgannotlefay, @a-little-unsteddie, @dolphincliffs, @maskofmirrors, @me-and-my-sloth,

@papergrenade, @waelkyring, @sweetheartprincess28, @katouasobj, @astercomoasflores

[nightinghoul]

If you have a chronic illness, you may never get well:

A bulleted list, because I cannot process big blocks of words.

You may manage it better or worse than other people with the same chronic illness.

You may have days where you feel Iike giving up.

You may have days where you are at peace with your illness.

You might feel awkward when people tell you to "get well" or ask if you're "feeling better yet".

You might feel hurt when people tell you to just be more positive.

You might want it to just be okay to feel sad, angry, frustrated, or tired, and it is.

You might feel guilty sometimes, because you feel like a burden, or like you're letting everyone down.

You might not be able to work.

You might feel like a faker, because of what you CAN do.

You might need a mobility aid or medical device.

You might have no visible signs of illness or disability.

You might need different accommodations than other people.

You might feel hurt because people say, "I wish I had it so easy."

You may feel like you really need to talk about it, but people don't want to listen.

You may have a hard time convincing doctors to help you

You may need a lot of help and rely on another person or people.

You may have no one to rely on.

You may feel like you are all alone with this experience.

You are not alone.

You are not a faker.

You are not less than.

You don't owe the world your soul.

[nickrocketrodriguez]

Hello, Nick! Can you share with us some of your favorite scenes into the writing process of Jurassic World: Chaos Theory? Or even some scenes that didn't end up on the show but you liked it?

Gosh, we wrote these so long ago it's so hard to come up with specifics. For the episodes I wrote, I loved writing the scenes in "Halfway Home" between Daniel and Kenji. I have a relationship in my own life that mirrors (to a certain extent) theirs, so to be able to put all of myself into that episode -- my first as a staff writer on a TV series -- was very special for me. It really allowed me to completely open myself up to working with other writers to intimately. I also get a giggle out of the part where Kenji doesn't have the words to describe Daniel's ultimatum, so he just grunts -- I didn't know if it would make anyone else laugh, but it seemed to, so it stayed! That was pretty fun.

"The Drop" was a bit tougher for me, as it was a pretty pivotal moment between Darius and Kenji. In their scene where they struggle over possession of Brooklynn's phone, I really wanted Darius to rear back to take a swing at Kenji, but for some reason, in a show where people are eaten by dinosaurs, throwing punches (or even implying it) was a no-go, but what ended up in there was still really fun and to the spirit of what I was trying to do.

"Batten Down the Hatches" was sooooo much fun to write as a horror and action fan -- I feel like the team really took what I wrote and ran with it in the best possible way! Seeing that one at SDCC with a group of like 800 fans was something I will never forget. People laughed, gasped, shouted at the screen -- it was just such a cool moment for me.

But getting to introduce Soyona Santos was also such a special thing for me. As I've said in the past, getting to write for Dichen Lachman was such a fanboy moment for me, I'm so glad I got to reintroduce her to the world and help usher in a more three dimensional version of the character than there was time for in Dominion. I love the cat-and-mouse vibe of their conversation. There's also the bit that I'm not sure many picked up on where Santos is the one who uses the term, "limb difference" for the first time in the series. Our consultants had taught me that phrase, and I thought it was an interesting choice for Santos to introduce it to Brooklynn. The thinking was somewhere along the lines of, in her quest to get deeper into the trafficking of dinos, she probably didn't have a ton of time to look into how she was really feeling about losing her arm, let alone find anyone else who'd introduce that phrase to her. So when Santos uses it, there's a split second where Brooklynn kinda connects with it. I think it shows that Santos isn't just a mustache-twirly type of villain. She's intelligent, she's hip to how language has evolved, and she might even be a good person in another life. There was a moment where it was called into question whether or not Santos would use the phrase, so I'm especially glad we got to keep it in there.

And don't even get me started on the episodes my amazing colleagues wrote for the rest of the series. They all did such an incredible job, I don't even have enough words to express how awesome their episodes turned out, not to mention how awesome all of the rest of the crew did in bringing the show to life!!

[aeonvy]

I've been thinking a lot about Sky recently and specially about how skykids work so I'm really glad to have found this post ^^ it succinctly puts down the same things I thought about the topic as well. I think I might make my own drawn version later, but the OG concept is the same — the skykid's body is the vessel (I like to think of it as a kind of clay-like vessel) in which the light soul is contained. The cosmetics in this case are the light manifested into a more specific shape, which is why a skykid's cosmetics do not appear in their shadow in-game (check it out)! The default cosmetics are what skykids are able to shape themselves into without (much) external help, specially the 3 default hairstyles, for a brief example. The seasonal and event cosmetics could be considered more complex, which is where the need for a "mold" would come in. Similarly, in the lore I had been brewing in my mind, a skykid could go past the simple mask look and take on the shape it dictates (hence the anthropomorphic skykids, since I can't really choose between drawing my dragon skykid as an actual dragon or a masked kid sometimes-), though that requires more 'light malleability' from the user, as OP put it. I really like the inspiration from selkies! They're one of my favorite myths, plus it's a little silly since I do have a selkie skykid oc (though they're a bit unfinished...haha). Overall, this is a really interesting way of looking at skykid...biology? Well, it keeps a ton of doors open for whatever design you'd want, which I enjoy very very much.

An expansion of my headcannon of skykids being able to transform into the animals their masks are based off of! Typed versions of the image text and additional notes below the cut, because LORD do I have so much to say about this concept.

Image 1:

Bottom left text:

BODY is just the CONTAINER—Skykid soul is the LIGHT inside

Light takes shape of container at first, but has no one shape

Top right text:

Light grows used to assuming humanoid shape to fit container, but as a skykid strengthens their light, they remember/learn how to assume other shapes and gain the ability to mold their container to their will.

Image 2:

LIGHT is fluid, but the container is stiff and easily broken (at least at first). It takes a lot of slow, hard work to mold it, and MASKS are used to tell the container what shape to take/give the LIGHT a direction.

Skykids imbue their mask with their light so that when they wear it, it connects to them and allows the transformation to occur.

Change happens in increments, not all at once—learning to shape oneself takes TIME.

Small notes: "Small changes first" above the drawing of the two hands, and "Most stick to an anthropomorphic form" beside the fox skykid.

Additional Notes:

This process is also why Skykids are born wearing masks. Because light is fluid and has no single shape, the light of a newborn Skykid has not yet learned how to be humanoid, and is at risk of breaking the fragile body it inhabits, therefore: Megabird gives newborn Skykids a basic mask to “teach” their light how to maintain its shape inside the container. It takes a lot of effort to obtain the blank/“faceless” mask because it takes a lot of effort for Skykids to maintain a humanoid shape without the assistance of a mask.

Also potentially how the chibi mask works (in a world where chibis aren’t just toddlers/babies)—the mask tells the Skykid to be small.

The process of becoming a Morpho (workshopping the name) is long and arduous, and involves a lot of studying the animal one wants to take the shape of, before then making the mask that will guide the shape-change. Though most of the Skykids who take an animal form choose a more anthropomorphic default, it is possible to transform completely into the animal of choice, and this is often done for fun or stress relief.

Possible that the Eden cycle strengthens the body and makes it more malleable to change? Something to do with repeatedly dying and being reincarnated and becoming more familiar with/at home in the body you possess. Kinda like how exercising is just you tearing muscles in your body so that they grow back even stronger.

Masks can also of course be just masks. A lot of Skykids like to wear animal masks without doing any of the actual Becoming; its fun to disguise as a little creature sometimes!

Unlike human beings (and potentially ancestors?), who are all full of guts and bones and stuff, Skykids are pretty much all light in there, and the outside is just a shell. They can eat and drink and everything, and it’s fun, but it all gets burnt up instead of being digested or anything and they don’t need it to survive. Also how Krill work; they’re starved for light, and Skykids are full of it, but there’s this pesky little shell in the way, so the Krill have got to crack it to get the light out.

This is slightly inspired by the legends of the Selkie, with the masks being akin to the seal pelts that the Selkie wear to turn themselves into seals.

The body/container is what protects Skykids from having their light too badly damaged and allows them to walk the realms of Sky, but it is also what limits them in their ability to shape-change. In a hypothetical situation where a Skykid was completely unrestrained (i.e. pure light without a body, like we are in Orbit), they could potentially become any and every light creature available to them.

Essentially: Skykids = light, and light = all light creatures, so Skykids = all light creatures.

I’ll probably think of more stuff to add to this later, but for now that’s about it. I’m already thinking up possible animal forms for my singular sky OC lol (because even though I looked it up and that mask is technically a serow mask, it could very easily be any number of other things, like a dragon or a giraffe).

Bonus content: a little bird guy, and closeups of the random fox guy I made without their cape and hair (because I put way too much detail into parts of their outfit that weren’t even going to be visible). I’m for sure drawing them again <3

[gh0stly-pages]

Out of Our Minds (Part 5)

Ledger!Joker x Harley Quinn-esque f!reader (18+)

CW: violence by gunfire and gas, implied deaths/fatal injuries

Words: 5.8k

Chapter Summary: After a long night of plans, you're ready to break your patient out of Arkham Asylum

Notes: Welcome back! sorry for the long wait, life has been pretty busy but here's the next part! Things are really cooking up in this one. Just wanna preface that in this series you are NOT a good guy, you're turning into a villain like Joker, so there will be lots of violence and so if you're uncomfortable with that stuff I advise you not to keep reading! I won't be getting graphic though (and I really hope that I don't have to be the one to remind you that in real life, murder bad) Also this whole chapter includes a plot for breaking out of Arkham that is very farfetched but we're gonna pretend like it makes sense, okay? okay. Enjoy!

Arkham is cloaked in shadows.

The patients are forced into these shadows, pushed there by people desperate to remain in the light. They want to be the light. To show themselves as all things good and pure. They walk around with their chins held high and their shoulders back, clucking like birds. They are bright. Intelligent. Classy. Or so they want to be seen as. What lurks beneath is all darkness.

These people avoided the shadows, and thank goodness for that.

As you lurked in the shadows, preparing for the madness to come, you couldn’t help but smile.

_________________________________________

Your heart is pounding as you approach the two guards outside of Joker’s cell. You’ve managed to move his session to be the last one of the day, and the anticipation has been killing you.

You don’t know how you got here. You don’t mean literally, you know how you got there, walking with shaking legs through security, scared that somehow they would see it in your face. That you were hiding something. They didn’t even question you, waving you along while looking bored. After that, you realized they couldn’t read you at all. They simply didn’t care. So now, you hold yourself with confidence, hoping everything goes just the way you planned.

But getting here, being Joker’s accomplice, that you were still figuring out.

“Hello boys,” you say to the guards, even though they’ve seen you enough times to know the drill. They hand you the little remote, enter the code, and the door unlocks. Not a single word exchanged. You give them your best bitchy smile before walking through the doors. “Thanks.”

There Joker is, his face paint still intact, though smudged. You let out a deep sigh of relief, and while the door closes behind you, you take your seat, not exactly sure where to start. “Mr. J,” is all you can manage to get out.

Joker leans forward, dark eyes glinting. “Yes, sweets?”

You take a deep breath. “Are you ready to break out of Arkham?”

The smile on his face is like none other you’ve ever seen from him. It’s giddy, it’s dangerous, it’s thrilling. God, you love it. “Doll, that, ah, might just be one of the best things I’ve ever heard you say.”

It took you all night to think up a plan, with the little time you had. You knew you had to take advantage of just how little people cared for you, finally it was serving as a positive. You’d racked your brain, setting up a giant piece of paper on your wall and drawing out the layout of Arkham. You’d marked where the guards would be, how they’d move, the security cameras and alarms scattered around the building. It had all looked like a mess at first. A puzzle you wouldn’t be able to put together. Yet the more you thought about it, the more you realized you were thinking too much about how to perfectly escape and not how to rely on your own strengths. Not only could you fly under the radar, but you were light on your feet, had learned a few tips from Joker on weaponry, and the only people who (mostly) respected you in Arkham were your patients. 

You’d not gotten any sleep but it was worth it as you pieced everything together. The main part of your plan did not necessarily involve high level theatrics like J, but Arkham was in for one hell of a ride.

Reaching up into your hair, you pull out a hair pin, reaching over and grabbing Joker’s wrist. “Here’s what we’re gonna do,” you say, starting on attempting to unlock the cuffs. Joker’s lesson was somehow still fresh in your mind but it wasn’t an easy task. “I’m going to press the button on my remote that will alert the two guards outside the door to come in. We’ll be standing on either side of the door, and we’ll need to take them both out.” To your surprise, the handcuffs unlock with a small click, and you beam as the cuffs fall away. 

Joker lifts his hand, moving his wrist, which is partially bruised from the cuffs. “And what about the other layers of security?”

“There’s two layers of security. That was the tricky part, but I’ve talked to a few of my patients and they’ve agreed to… start a ruckus as a distraction. As long as most guards are occupied with the patients, the ones out there won’t have backup. We can knock them out easily.”

He smacks his mouth. “It all sounds too easy.”

You move to his other wrist, pushing the hair pin into the cuff. “I know, but it’s not gonna be easy. Things are going to go wrong but we’ve gotta try.” Again, with a bit of a struggle, the cuffs pull open with a satisfying click. You look down at his ankles, grateful that it seems he hasn’t been cuffed there. “You’re free.”

He stands up, stretching himself out, and you watch with earnestness as he groans and cracks his knuckles. “Not just yet, dolly. Got that remote handy?”

You grab the remote from your purse before tossing the purse to the side. You won’t be needing that anymore. “Got it.” As you stare down at the remote, everything hits you way too fast, like a mallet to the chest. Your breathing falters, your heartbeat speeding up with a rapid bump bump bump-. It’s not that you’re scared, not necessarily, but you’re scared that you’ll fail both you and Joker. You’re not J. You don’t know how to do this shit. “I…”

Everything goes blurry and it takes you a second to realize Joker has moved in front of you. He places his hands on your shoulders, bending slightly to look you right in the eye. “You’ve got a sharp mind, dolly. I, ah, know you wouldn’t fail,” he says, an odd reassurance but it works, and you can feel your breathing go a bit steadier. Then you realize how close the Joker is. He’s touching you, no cuffs, no table between you, no barriers. He’s right in front of you, all of him. “We’re getting out of here.”

“Right,” you mumble, straightening yourself. Much to your disappointment, he drops his hands from you, moving towards the door. You suppose it’s now or never. With a shaky breath, you follow after him, moving to the opposite side of the door. Now, the both of you stand on either side, prepared for whatever comes your way. “Ready?” you ask him.

He nods. “Ready, Doc.”

You press the green button.

The both of you press your backs to the wall as you hear the door click open. It’s far too early into the session for you to be leaving, so the guards must know something is wrong. The first guard walks in, the door swinging open so that it blocks the view of J, while you hold your breath to keep quiet. The guard doesn’t notice you, and his mouth drops open as he sees the table empty. He draws his gun, holding it out. “What the fu-“

Springing into action, Joker grabs the guard from behind, picking him up and throwing him across the room. The guard screams, his gun flying away from him as he hits the floor. In one quick swoop, Joker grabs the gun off the floor and jams the butt of it into the guard’s head, just as the other guard runs inside the room, already firing shots. J made it look so easy, but this other guy is your problem. Filled with a sudden adrenaline, you come up behind him, kicking him forward. You’re not the strongest, so he only stumbles, immediately whipping around to try and shoot you. Combat certainly isn’t your strong suit, not yet, but you can move exceptionally well. You sidestep him as he tries to ram the gun into your stomach, and you opt to knee him in the groin. He groans and tries to shoot you again, and you squeal as the bullets pierce the walls. Thank god the room is soundproof otherwise the guards outside would have come running in. From the corner of your eye, you catch Joker watching you. He’s holding the gun. He could shoot the guy easily but he doesn’t. He wants you to take the guard down. 

“Bitch,” the guard mutters, opting to try and throw himself on top of you just for you to dodge him again, lifting your leg and giving him a good knock to the ribs. He cries out, and as he tilts to the side, you give him a good punch to the temple. With a sick pleasure, you watch as he collapses to the floor, eyes wide open, barely breathing. Quickly, you grab his gun, not wanting to take any chances. 

You look up at Joker, who’s smiling as he watches you catch your breath, gripping the gun in your hand. “Impressive, doll. Though, ah, you definitely need to work on your skills.”

“You’re the one who gave me a night to think of this,” you grumble, and he chuckles. “Wasn’t exactly able to take a defense class.”

“I’ll teach ya.”

Suddenly, the room begins to glow red, sirens blaring that make your bones vibrate. You look at him in panic, he looks at you with excitement. Clearly, you both have very different definitions of fun. The sirens aren’t for you though, the Arkham security team doesn’t like to cause commotion for just a single patient causing mayhem. The patients must have started a ruckus, whether it be a riot or starting a fight with one another, you hadn’t gone into the details. You just told them to be distracting. 

You tilt your head towards the door. “Coming?”

“You go first, doll.”

You move ahead, prying the door open. Two more guards stand in the room, talking in hushed whispers beneath the blare of the siren. They don’t even notice you as you hold out the gun, firing into one guard’s shoulder and immediately spinning and shooting the other one in the hand. The guard whose hand you shot drops to the floor, their gun hitting the ground alongside them, and you quickly move forward and kick it. But as you kick the gun, a bullet flies out in front of you, nearly grazing your nose, and you spin around, the guard who you shot on the shoulder aiming his gun right at you. Fuck. You tense as his finger moves to pull the trigger again but before he can move any farther a bullet digs into his side and then one into his chest and he goes limp. 

You turn to see Joker huffing with the gun in his hand still smoking. “Doll, you’ve got a lot to learn. You’re not even-“ He turns and shoots the other guard in the chest “-getting in good shots. You’re leaving yourself vulnerable. Gotta make sure you get em’ where they can’t shoot back.”

“I’m sorry,” you mumble, suddenly feeling embarrassed. You didn’t expect to be this unprepared.

Seeing your expression, Joker falters a bit. “No apologies. I’ve told you, it, uh, doesn’t mean anything to me. It’s just a word.” He comes up to you and nudges you with his shoulder. “C’mon. Last room of guards before we have to run, right?”

“Right.”

“Well then,” he says, pointing to the door with his gun. “You first.”

This time, you don’t want to screw things up. You put the gun behind your back, pulling the door open with your other hand and entering the final room. This room has a security camera in the corner, so you don’t want to go in all guns blazing. You have an idea, and with the gun, gesture for Joker to stay hidden. You hope that’s what your gun waving conveys anyways. Three guards turn to look at you, the ones that greeted you when you first came in, two men and a woman. They’re all masked but you can make out the slight outline of their face beneath the face shield.

The woman runs forward, no gun drawn, leaving it still hanging at her hip. “Miss l/n, what happened?” She tries to crane her neck to see behind you but you’ve inched the door closed enough so she can’t see too much on the other side. “What happened with the nutbag? Are the guards attending to him?” 

You nod rapidly, trying to look like you’re startled. Your acting skills might need some touching up, another thing to work on. “Yes, I- I just wasn’t feeling very comfortable… Felt like I needed to get out of there.”

The woman snorts. “Alright, ma’am. Well, is there anything you need from us? Some other whackos are causing a disturbance.”

“Yes, I, um-“ You pull out your gun. “I need you to step aside and let us through.” You slam the barrel into her stomach, sending her flying backwards, and in one fluid motion you shoot the security camera in the corner and then train your gun on one of the other guards. You can sense Joker step out from behind you, shooting the other guard before he can even lift his own gun. The guard you’ve trained your gun on aims his gun right back at you. “You’re gonna let us go, ain’tcha?” you say, trying to keep your voice from shaking. You have to remain confident. “Or else this bullet is going in your head, right, Mr. J?” you say, looking at Joker. If you’re gonna be a villain to these people, might as well play the part.

Joker nods, mimicking your stance and pointing his gun at the guard. “Whaddya say, doll, what should we do if he, uh, refuses to listen?”

You tighten your finger on the trigger. “I can think of a few things.”

The guard drops his gun, raising his hands in surrender. It sends warmth through your chest. Even if it's sickly satisfying. You feel proud. “Okay, okay,” he blubbers, looking between them both. “Please just don’t kill me, I’ll let you go, please.”

Joker giggles. “How generous, you know, normally I’d use you to get out of this place but I don’t think we need the extra weight.” Joker shoots the man in his left hand, bam, then once in the other, bam. “Looks like you won’t be able to do much! Buh-bye!” The man faints immediately.

Seeing Joker at work, this sinister side of him you’ve only seen on the screen, makes you shiver, and your grip on the gun only tightens, knuckles going white. “The uniform. Take his uniform.”

Joker pouts at you. “Aw, it ain’t even my color.”

“J,” you warn.

“Kiddingggg, doll. Why so serious?” Grabbing the man, Joker strips him of his uniform roughly, getting each piece off before stripping out of his own clothes. Your cheeks turn pink and it all happens so fast before you can even think to turn your head and give him privacy. He pulls his shirt up over his head, chest in full display. The first thing that catches your eyes are all the scars and bruises littering his stomach, pink and jagged, scars you want to trace beneath your fingertips. He’s surprisingly toned, just like his arms. Not muscular exactly, but strong looking. Before you can get a better look, he pulls on the guard’s black undershirt, then fastens on the bulletproof vest. When he catches you staring, he grins. “Enjoying the show?”

You turn your head as he kicks off his pants, though you can still see him in your peripheral, throwing on the black cargo pants the guard had donned. “No,” you lie.

“And, are you, uh, gonna be gracing us with a costume change as well?”

You bite back a smile. “No.”

“Pity.”

When he’s finally done, you turn around just as he puts on the helmet. You don’t like that it’s hiding his face from you but you can still see his scarred smile if you look hard enough. “Lookin’ good, soldier,” you tease, saluting him. 

His lips twist into a smirk. “Lucky I like givin’ orders. Let’s move.”

“Okay, J, for this part, you’ve gotta follow me. I’ll run up ahead and lead you down to where we need to go, you gotta take out anyone you can. Got it?”

“Let’s see if we die or not, shall we?”

“You could try and be positive .”

You open the door, poking your head out to look around, and shit, it’s chaos out there, guards running back and forth, clearly busy with whatever the patients started. You can hear screams, banging, and laughter beneath the sound of the still screeching sirens. The place still glows a flashing red. You point to the right, down a long hallway. “This way!” you shout, running towards a set of doors at the every end of the hall. Arkham is a bit of a labyrinth but you know it well. Down that hallway leads to another hall which leads to more doors which then, finally, leads to the staff wing of Arkham. It’s where the back exit/entrance is. And also where you’ve parked your getaway vehicle. 

You don’t wait for Joker, but you can hear his steps behind you, the combat boots he stole pounding on the floor. Nobody seems to notice either of you at first, or they’re too busy to even give it any mind. You know eventually someone will run past Joker’s conference room and realize he’s not inside. His room empty. All traces of him gone. But you hope you’ve bought at least a bit of time. 

As you run, more guards run past you, and you’re nearly knocked off course as one bumps your shoulder. You keep steady on your feet though. Thank goodness for all those gymnastics lessons. The only time you glance over your shoulder is to make sure Joker is behind you before you push through the doors. Once you see him in all his suited up glory, you carry on through the doors, Joker just a step behind. “To the right again,” you yell. There’s less guards down here, but that means even more likely you’ll be caught. Already, you can see them turn to you, wondering what the hell you’re doing running off with one of the guards close behind. As the two of you run, one of the guards turns their attention to you. “Hey! What are you two doing?” the guard barks, running up in front of you. “The lady has a gun!”

You could probably give them an excuse that you’re running away from the danger but you feel too angry. “Running to safety, dumbass!” you say, using the gun like a hammer and hitting them on the head like a game of whack-a-mole. That was a hell of a lot more fun than shooting a gun. As the guard crumples to the floor, at least five other guards take notice, and you have to quickly jump over the guard’s unmoving body to run as fast as you can through the doors. You can hear gunshots explode all around you, it’s like a miracle you’re not hit, and you can tell which gunshots come from the guards and which from J. But before you know it, every single one of them falls flat on the floor. “Nice one, J,” you say, and he cuts up ahead of you, opening the door for you.

“Ladies first,” he says.  

“So gentlemanly.” You shoot out ahead of him. Now you’re in the staff hallway, lined with doors which leads to locker rooms and places to conduct meetings. At the very end of the hall is the exit. You’d be jumping for joy if it wasn’t for the fact that any second more guards would be chasing after you.

You grab his arm, pulling him down the hall, running faster than you ever have in your entire life. “Exit this way!” you scream through the chaos, heading into the “staff only” area of the building. Looming ahead of you, just down the hall of rooms and lockers, is the staff exit, leading to the back end of Arkham. You look over to Joker. “You ready?”

Joker moves his arm away from you, instead grabbing onto your hand with his own free one. “As I’ll ever be.”

The two of you barrel down the hall, practically slamming into the exit doors, desperately tugging them open. There doesn’t seem to be many people around except for a few guards lining the outside, and Joker moves to take care of them as you yank him towards your car. Well, your stolen car. You weren’t gonna risk coming in your own vehicle. “Here,” you say, pointing to a black car in front of you. Letting go of J’s hand, you stuff yourself into the driver's seat, and Joker shoots at another guard before cramming himself into the passenger seat. “Drive,” he yells, and you grab the keys from your pocket, turn them in the key hole, and slam on the pedal. He throws off his mask, tossing it in the back seat. “Faster!”

As you get to driving, you remember the final bits of your plan. The part you’re most proud of. “Hey, J, wanna hear what other distraction I planned?” you yell over the roar of the engine, as you swerve around the parking lot.

“Whaddisit?”

“Gas! The same kind they might have used on you. Rigged it all up on my own. The patients should be all rounded up in their cells by now and the guards? They’re getting knocked out cold!”

You have to focus, but you turn towards Joker, your heart swelling in your chest when he looks impressed. His eyes are wide as he pulls down the window and looks back at Arkham as you pump it straight out of the parking lot, taking down the small security gate. In your rear view mirror, you can see green explosions of gas within the windows. If all worked well, only the guards should be getting knocked out about now, leaving no one to come after you. Police will be on their way, but that at least gives you a bit more time and them a distraction. Plus, they aren’t sure what they’re looking for, no clue what car or who helped Joker escape, not until they can wake the guards.

Now, you realize, you can’t just go back to your apartment. It’s too risky. You look at J as you slow the car, trying to blend in with the rest of Gotham traffic. You failed to plan this far. “J, I don’t know where to go now.”

“I do,” he says, leaning over, making sure not to put too much weight on you or crush you as he takes hold of the wheel. “Just pump the gas, doll, I’ll get us somewhere safe.”

It sounds like a horrible idea, but you nod. You’d make it work. “Okay,” you say, and as the light turns green, you hit the gas. It’s scary as hell just controlling the gas, letting Joker swerve you both around, but you trust him. Ha, funny. You trust the Joker. He drives you towards the outer parts of Gotham, and as you enter a rather dingy residential street, he moves the car off the road. “Park it here,” he says, and you obey, pressing the brake and shifting the car into park. 

“Why here?”

“I’ve got a spot around here.”

“You have an apartment?”

He snorts. “No, I’ve got a, uh, hideout spot in one of the abandoned warehouses at the outskirts of Gotham. And it wouldn’t be very wise to park right outside the entrance.” 

Smart, you hadn’t thought of that. Clearly you lack experience in this realm. You grab the keys and throw open the door, Joker doing the same, and the two of you begin walking on the sidewalk, Joker taking the lead. Darkness has already set over the city, and the two of you walk beneath the light of dim street lamps. It’s cold out, and your white coat isn’t exactly meant to keep you warm, so you hug yourself to try and keep away the chill. “Is it very far?” you ask, and you realize this is the first quiet time you both have had together since escaping. You’ve been too anxious over escaping to even think about everything that’s happened. To think of how the Joker is right next to you, taking you to one of his many hideaways. 

Joker shakes his head. “Not too far, doll.”

Silence settles upon you both, the two of you far too preoccupied with getting to the warehouse to say much of anything else.

As you walk, the blare of sirens starts up in the distance, and when you turn behind you, you can see police lights in the distance. You’re positive they’re not for you, not yet, but if they even caught a glimpse of the Joker, the two of you would be over. Joker knew this too, clearly, grabbing your arm and picking up his pace, practically dragging you as he began to run. Everything is a blur as the two of you fly through the streets. Even though you’re not bad at running, after a few twists and turns, your legs start to hurt, your chest feeling heavy. But Joker doesn’t stop, probably used to running from lord knows what. Before you can register anything, you’re climbing over gates and Joker pushes open the large doors of the abandoned warehouse, pulling you in and up a crumbling flight of stairs until you reach the second floor.

Finally, Joker and you stop moving, taking time to catch your breath. Fuck, everything hurts.

You gasp, throwing yourself against the concrete wall of the warehouse, sliding down until your butt hits the floor. Your chest moves rapidly up and down as you try to catch your breath. Joker crouches in front of you. “Breathe, just breathe, good girl.” He holds out his arms. “C’mere.”

Immediately, you lean forward and throw your arms around him, going limp. He stands up, taking you with him, your legs dragging lifelessly on the floor until only the tips of your toes touch the concrete. You bury your face into his shoulder, and for a second everything feels right. Finally, a quiet moment, and everything crashes down on you, every decision you’ve made. It takes a second for you to process that you’re hugging the Joker, and he’s letting you hug him back. This man, this villain you’d become infatuated with, was holding you close. You’ve imagined something like this before, even when you didn’t want to, but this is better than any of that. “We did it,” you mumble into his guard shirt, which smells like rust and gunsmoke. “We escaped.”

“You did it,” he says, and when you finally pull back to look at him, he’s smiling at you. He gently settles you back on to the floor. “They’re going to come looking for us though. We’ll need to lay low for the moment.”

“In here?” It’s strange to be so close, your arms still wrapped around his neck. “This where you usually stay?”

“I stay all over.”

“Very spacious,” you say, moving your head to look around. “Where do you sleep though? On the hard floor?”

“Chaos doesn’t sleep, darling.”

“No, but people sure do.” You tug gently on one of his locks of hair and he growls. “You need sleep.”

“Can’t sleep now. Not when we’re being pursued.” He wrinkles his nose. “This your first time being a wanted criminal?”

“Duh.”

“I really can’t believe you did it, doll. Made up a whole plan and everything and got me out of Arkham.” Much to your dismay, he moves away from you, walking to some other part of the building. You hesitantly follow after him. “We can camp out here for the night but then we’ll have to move.” In a secluded corner of the room, a moth-eaten curtain hangs from the ceiling, concealing that whole part of the room. Joker takes the curtain in his hand, then looks at you. “Course, we can’t exactly fend for ourselves without weapons, can we?”

Yanking back the curtain, on the other side is a wall full of all sorts of weapons. Guns, knives, even TNT. There’s crates full of clothes, Joker’s clothes, you assume. Some clown masks. All sorts of tools for mischief. You look at it all like a child in a candy store. “J, this is amazing. Isn’t it kind of risky keeping it locked up in here though?”

“I’ve got some goons guarding it. And nobody in Gotham comes in here anymore, I’ve made sure of it.” He shrugs. “If anyone were to find it, let em’ take it, I’d just get duplicates and use them all on the thief.”

You move forward to get a better look at everything as Joker drifts behind you. It should be scary just how much violence is here at his fingertips but know it just makes you swell inside.

“So, how about it, doll? Pick your poison,” Joker says, holding your shoulders from behind. You look over all your options. The guns weren’t exactly your style, you were better at hitting people with them than you were at shooting them. The blades looked nice, and you’d like to learn to use them, but they could only do so much. Something that did catch your eye, sticking out from the other weapons, was a mallet in the corner. It was a tad comically large, definitely not the regular kind you’d see on a construction site. You move forward, Joker moving with you, and grab the handle. 

“Whaddya have this one for?” you ask.

“Uhhhh, to kill people with?”

You glare at his snarky response, though you’re still smiling. “I figured that much. Where’d you get it from though?”

“Amusement Mile.” The old, abandoned theme park towards the other end of Gotham. It’s been shut down ever since you were a child, but you remember your parents driving past it. Seeing a place that must have been so exciting and colorful look so dark and decrepit was chilling. “Found it at one of those old high striker games. Adjusted it a bit.”

Lifting it, you test the weight. It’s definitely heavy, but the weight is distributed evenly, making it easy to maneuver. You give it a quick swing, the whoosh of the mallet like music to your ears. This was what you needed. Sturdy, not too hard to wield, and perfect to pair with your swiftness. “I want this one.”

“Gonna play a game of whack-a-bat with that one?” He maneuvers in front of you, grabbing the handle of the mallet before you could give it another swing. “You can take that one. But you need a gun too. The mallets they’re, uh, too big to get around places sometimes.”

You look back at the wall and point at a small silver gun. “I’ll take that one too.”

He grins. “Are you sure you’re, ah, ready to cause some damage?”

You drop the mallet. “I’ve been ready.” All your life you’ve been pushed to the side. No, pushed to the ground. You were ready to hurt some people back. To make skyscrapers crumble and leaders fall. This anger inside you boils, and you can feel your grip tighten on the handle, envisioning every person who has wronged you.

Joker’s laugh pulls you back to reality, stepping up closer in front of you. “Calm down there, lovely. They call me the Harlequin of Hate but I think that title better suits you,” he says, cupping your chin. “My little Harlequin, partner to the Clown Prince of Crime.”

————————-

That night, you’re stuck sleeping on a mattress on the floor. 

You flop down on your back, the mattress not the comfiest thing you’ve ever slept on but it works. There’s no blanket, so no way of keeping warm, and you try and shift around to find a comfortable position. Joker sits on the edge of the mattress, his knees tucked up to his chest, and it’s such an odd sight to see him so regular that you laugh. His head jerks to look at you. “Admirin’ the view?”

“Maybe,” you say, smiling as you lay on your side. “It’s just weird to see you here. Not in Arkham or fighting B-Man.”

He hums. “It ain’t everyday I bring people around ere’. At least, not like this.”

“Lucky me, huh?”

“You realize you’re in this forever now, right? There’s, uh, no goin’ back from here.”

The weight of it settles on you. “I know... I wouldn’t have gone along if I didn’t know that.”

“Well, if you wanted to go, you could go now. You could walk free, tell the cops I threatened you and made you do all this.” He looks down at his feet. “I, ah, won’t stop you.”

You’re surprised to find your eyes watering. Joker, this menace, a force to be reckoned with, was giving you the option to leave. He could be fooling you, of course, but you could tell from the way the words escaped him awkwardly, uncomfortably tender, that he meant every bit of it. He’d let you go, you could continue your regular life, maybe find a better job. But that wasn’t the point of why you freed him. You wanted to escape too, to show Gotham how corrupt it was, and you wouldn’t do that without J. “I’m not walking away,” you say back.

“You’re insane, ya know that?”

“I know.” You stare at one another in silence. Finally, you yawn. “Are you… are you gonna come to bed?” You’re not sure exactly what’s going on between you and Joker. You like him, you know that much, but how much exactly does he like you? Enough to keep you around, obviously. But to what extent did he want you around? Did he want not just your loyalty but also your affections? You were ready to give affection, but was he? 

Joker shakes his head, and you feel yourself grow disappointed. “You go on, doll. I, uh, gotta keep watch.”

“Mr. J-“

“I like it when you call me that.”

“-You’ve gotta get some sleep. You’re gonna pass out without it.”

“I’ll be fine,” he grumbles. “Don’t ya get your pretty little head worried over it.”

“You’re an ass.”

Your anger only makes him smile. “If you’re so, ah, worried, then just wake up early and I’ll drift off for a bit.”

“Then that’s exactly what I’ll do,” you say, flipping over, not wanting to give him the satisfaction of seeing you ticked off. You’re not actually upset, you just wished Joker prioritized himself a bit more. That was something to deal with another day. “Goodnight, J.”

“Night, darlin’.”

That night you dream of Gotham in flames. You dream of chaos. You dream of him.

Taglist:

Taglist: @lightsabergirl / @knoepfl / @jeffswh0re / @itsmrshamilton / @heath-ledger-jokers-wife / @lolwey / @ilovetoomanymen / @amazingzou/ @ronniesweetkisser / @emberhatesthemoon

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[the-100-days-of-junkan]

Day 50

Wow. fuck it’s weird to think we’re halfway there. 50 fucking days of Junkan . . . How’s everyone holding up?? I’m still writing these in advance so I have no idea if Future Jem is holding it together having to wait day by day for these, especially as we enter the period of the project where a lot of our favorite pieces come in.

So anyway “No Regrets” There’s the fic again for if you haven’t  read it and are interested.

There is a LOT to talk about with this one. So much that I’ll likely put this in a read under once again. I’ve got history, fun facts, scrapped(?) ideas, and memes.

Let’s start with my history with writing in general. Because the biggest thing that comes to mind with this fic is that it was the first time in Four Years that I had ever written something.

When I was, say, around 15 or 16, I entered the Death Battle Community on Deviantart (I swear to god this is relevant and I won’t take too long). It did a lot of things for me, it gave me a source of income when I was confident enough to open commissions, it helped me make a small amount of close friends (eventually leading to even closer friends), is the community that introduced me to Danganronpa in the first place, and it’s where I first started writing.

Now obviously, what I was writing were fights between fictional characters, most often to the death. With some attempt at a logical outcome for the match. And the account is so old and untouched that it still has he/him pronouns baked into it. I still have a lot of pride in some of the work I did on that account despite the equal amounts of dumb bullshit, grammar issues, and a severe lack of proofreading.

But shock of all shocks, Rocky Balboa fighting an Anime Character (yes that’s really the last thing I published online, it was like 40,000 fucking words and it made someone cry allegedly), is a far cry from a fic about Junko Enoshima really wanting to swap spit with Mikan Tsumiki.

 Suffice to say, I was very, very nervous about writing again. However I’m a woman with too many ideas, and not every idea can be done through just drawings alone. Especially with how I was doing things at this point. This wasn’t the first time I had desired to try writing fanfic, I still have a RWBY x Kamen Rider W fanfic haunting my brain to this day. But it was the first time I had felt so tempted. However as you might have gleamed over time whether through these posts, or talking to me personally, I have a severe lack of self esteem, ESPECIALLY when it comes to writing. And it was even worse at the time of this fic. This was the biggest roadblock for the it.

However, Junkan broke me once, causing me to draw Angst shipping art for the first time. So it only makes sense that it would break me a second time, making me write a god damn fanfic. And I made plenty of memes about this too, which i’ll post in order of creation. 

As you can tell by that last one I was fucking nervous as hell making this, which is understandable since it’s completely new territory for me in a medium i hadn’t touched in years. However, enough friends who also liked DR seem to be into it, so I was able to post it.

My AO3 account was of course originally a secret because at the time of this fic being made I was still deeply paranoid over anyone knowing I shipped Junkan. Now granted CJ is kind of an obvious alias given y’know, it’s just the initials of my fuckin main account. However it does require that someone on AO3 also have a Tumblr account and also be aware of a chick named “Carbonated-Jem” who at the time was drawing a suspicious amount of separate Junko and Mikan art.

Last thing before I talk about the actual fic. This was posted February 4th. Which fucks with me because I’m pretty certain that means that the first 50 Days of this project (reminder that most of the colored ones were after the fact) were made before that date. Half of this project was done in One Month at most. How the fuck did I do that????

Okay. So the fic.

The idea was simple at first, what if Mikan saved Junko from dying at the end of DR1. And then it spiraled from there.

This is not something I plan to talk about on this blog or anywhere but the privacy of my friend groups very often. But I am not a big fan of Danganronpa 3, I have very little nice to say about it, but my biggest issue with that Anime is it’s handling of Mikan. I do not like that Mikan was boiled down to just being whatever that was in the anime, since while I’ll never say that it was definitely a perfect relationship even with what we had teased in DR2, I think there’s a lot of nuance to the way Junko and Mikan described their relationship (moreso Mikan since last I remember at most Junko just made heavy implications that she broke each class member one by one with unknown methods). So seeing it be . . . that in the anime, just never sat right with me. If it were not for events that will be discussed later in the project, I would have been fully adverse to this ship as a result.

As you can see now I’m not only all for the ship, I’m dangerously brainrotted over it dsljfhsdlaf. How things changed.

Point is, regardless of whether you like DR3 and how it handled this dynamic (In which case, more power to you despite my lack of understanding), I had less than fond thoughts toward it. So you can kind of see this fic as also like, a way of me trying to do something more productive with that negativity rather than just wallowing on it. 

I’m gonna be real until Mikan jumps in to save Junko I don’t feel very strongly about the intro. You can very much tell this was my first time writing in 4 years, and not just that but it was me writing Junko for the first time rather than drawing her, and to take it EVEN FURTHER this was at the time the closest I had ever gotten to depicting the canon versions of the characters rather than Non-Despair takes on the characters like I was for every pic before and after this. Which yeah spoiler, beyond I think 2 instances later (there MIGHT be more) everything in this project is non-despair in nature.

You can probably still look at a lot of the art as like, just them dating Pre-Tragedy I suppose? But that’s up to you and your suspension of Disbelief.

Tangent, sorry. Back to it where was I.

Oh yeah, so I don’t know when the hell the idea for the Neo-World Program being implemented came in. But when it did that’s when I had like a solid vision for where I was going.

I think originally Junko wasn’t going to enter the program alongside everyone else? But the more I thought about it, it was like the only sure way that she could get what she wanted in the end. Since if Mikan came back reformed, whether with partial memories or nothing at all it’s a hard sell to think Mikan would be willing to go back to Junko outside of the specific circumstances that brought them together in the first place (that said i can’t say the idea of Junko trying to win her back isn’t interesting). I’d find it more likely for a full reformed Mikan in this context to like, get with Hajime or Ibuki.

So I threw Junko into the program as well, despite my concernsI did actually have a lot of fun writing the interactions. Not just Mikan (we’ll get to her in a sec) but also with Makoto. 

Writing Junko’s first moments in the program was my favorite part though, from what I remember at least. Especially once she starts giving Mikan her full attention. And that’s where we finally get to the art piece.

So here is the singular fun fact about the art. Junko had the bear clips originally, but I realized after the fact since the Neo-World program put the cast in their outfits prior to becoming Remnants, it’d make more sense to give her the bunny and bow clips instead. So I edited the art at some point to make that more clear. 

Anyway here’s the interesting part. There was in fact a time where this was going to be a series. 

The original intention was always a Oneshot, but you know how the mind tends to wander, it was inevitable that I’d be tempted to think about what else could happen in this timeline. 

It would have mostly been a Slice of Life series, more rom-com elements. Focused on the developing relationship between Junko and Mikan, essentially kind of recreating how they first met and fell in love, albeit with less of the evil girlfriends stuff.

Another part of it is that because Junko’s plans are on a hard hiatus till she gets off the Island, and more specifically because of Mikan’s influence on her in these very specific circumstances, the NWP actually does start reforming Junko on some level. I’ve always loved the idea that Mikan could have the potential to help Junko become a better person, whether it’s a Non-Despair AU where that means she just stops being a bitch to everyone (or at least mostly stops), or in Canon where she ponders that maybe starting the apocalypse isn’t the best course of action.

I did plan to try and write the rest of the DR2 cast, which admittedly was a roadblock because I had no idea what the fuck I was gonna do for characters like Nekomaru for example. I’ve only really latched onto a small handful of the overall cast of DR, so i’m severely lacking in my ability to write most of them. I did plan for Junko and Chiaki to become besties though, I feel like under a normal context Junko would just think Chiaki was really funny.

So it would have mostly been romance and shenanigans, one way I thought of to just give random little plotlines for Mikan and Junko was the MonoMono machine. Have Junko just get a bunch of coins and gamble away at the thing getting random items. And then said items just make the plot for the chapter.

That idea is what made me think of the other half of this fics equation.

So you know how there’s a fucking painting of Junko made during the Tragedy??

First off, missed opportunity to have that be a “Love” item for Mikan, would have been great foreshadowing.

Second off, actual point. I was like “how the fuck is junko gonna react if she sees this??” So I realized that while I wanted to have this overall fic have a lot of fluff and shenanigans and Junko kissing Mikan. There is in fact the elephant in the room of what’s outside of the program.

So, why not have Junko by some means start remembering reality, and realizing everything she’s been responsible for. Most importantly, killing her sister and killing Chiaki (yeah I would have kept Chiaki being a real person and not just an AI, partially just cause I think that’d hurt Junko more), and then having to cope with all of that because by that point Mikan would have unintentionally helped to make Junko a less apocalypse hungry person. 

And beyond that I don’t think I had any plans to show like, the aftermath of the program working. Partially because I feel like that’s reaching a level of writing I’m not mentally strong enough to pull off properly, partially because I think keeping it vague similar to how DR2 did it would have worked.

Now all that said, on some level I would try to like writing that story. There’s just a lot of hurdles I’d have to get past first. Not just my normal “Writing makes me want to slam my head into the wall” issue, but also stuff like-

How do I write the other characters when I have very little experience with them?

I actually have to make a plan for this one, I can’t just wing it like I did for the Vampire AU.

I have to write the Canon version of Junko for a big stretch of it and as I already established I barely grasp how the fuck to do that.

I just have other things I want to do which includes other writing.

So if you’ve made it this far into my inane ramblings, would YOU dear audience like to see this fic? I can’t say for sure how soon it would be assuming the response is positive, but I wouldn’t be opposed to making the attempt if there’s even mild interest for it.

Anyway, thankyou for your time! Hopefully will be awhile before I yap this long again.

As always, Reblogs, Comments, and Little Notes in the Tags are appreciated!~ They always make my day!~

[samglyph]

Ok final thoughts and theories!

I really liked the murder mystery element, I think it was well done. It’s the classic clue “I’ve brought you all here for a reason” set up and I thought the suspects were laid out in an interesting way since I started off almost certain is was the friar but the revelations about barnabus have led me to change my mind (like Arthur in the scene itself). The introduction of a new colorful cast also helps. I’m hoping that the Frenchman doesn’t immediately die because I really want us to talk to him. Since he’s order of the fallen

With the information about each of them belonging to a different cult, it does make me wonder what the original Warren worshipped. We might be able to get that information out of yorick, but if not I could see Arthur either claiming horig as his deity (which could help his illness) or potentially the kiy, considering John does have the ability to manifest, which could ‘prove’ Arthur’s allegiance if needed. My instincts are saying everard and his fathers deity is likely to be Azathoth (mention of fathers, far outer reaches, and the fact that the black stone is being kept hidden from kayne, not to mention the slightly antagonistic energy towards the fallen star)

I’m wondering if the witch is either everard’s daughter, another family member, or potentially a romantic entanglement, because there was a brief line where he spoke to her in a sort of gentle, kind way that made me think it wasn’t just a master/servant relationship. I think it would be interesting if she was a daughter, considering that would potentially add a layer of resentment to Arthur and his relationship— where Arthur despised Larson for willlingly sacrificing his daughter, Arthur might both resent everard for having his daughter do “unnatural” things/forcing her to work while also having trouble with the fact that she’s hale and whole, but I might be looking way too closely at one throwaway line and jumping the gun a bit. He could just be chill towards her.

[scrunglepaws]

"I come from a big family; lots of siblings. Too many to talk about individually without taking all your time, so I'll just pick a few. Hmm... I suppose I'll start off with the eldest, Silas. I think he was about the best big brother someone could have. Strong, protective, loyal, kind-hearted. I looked up to him a lot as a little kid. Now that we're both grown, I find him a bit tiresome. Er- not for any bad reasons, though! It's just that his mannerisms have changed ever since he set out to sea. Sailors must be a rowdy bunch because he's just so loud and boisterous anymore. Between him, his wife, and his flock of kids; it's just a LOT of chaos to deal with all at once. Saps the energy right out of me, you know? He's a good person though, and a better son than me. He supports his family and is able to regularly send money to our parents, too. Still helping out with the farm even after he left! I'm happy for his success."

"Out of all my siblings, I spent the most time with Nine. We're pretty close in age and just sort of ended up being more of the oddballs in the family. I was because of, uh, my interest in magic… And having two tails… But Nine was sort of outlandish on purpose. Because she was the youngest, she often felt overshadowed and wanted to stand out. She's a girl? Well then, she doesn't want anything to do with femininity. She's named Nina? That's boring; she'll come up with her own name. No one likes to hang out with Tails? Well then, she will! Eh… heheh… Eh… It was nice to have one sibling to confide in and share secrets with now and then. I even told her about how I was baffled by romance and never wanted to marry. Instead of calling me weird, she made a pact with me to never get married either! Well… Until she met that girl, Fiona, and they started dating, but… It's fine. She's not beholden to some dumb promise we made when she was 12. We mostly drifted apart when I moved out anyway."

"Nowadays I'm not particularly close with any of my siblings. Or my parents. Growing up, I was more likely to keep to myself. It's um, sort of embarrassing, but I was kind of afraid of my family? I'd get this from everyone now and again, but my two older brothers especially liked to say that I was actually a changeling. You know, that their real brother was replaced as an infant by a spriggan, leaving behind me: a changeling. A… Fae creature. They said that Mother and Father would find me out soon enough and abandon me in the forest, back where I belong. Or that they'd beat me so I'd confess my origin and return the "real" Miles. Apparently my parents left my older brother, Manny, in the forest when they suspected him of the same thing, but he proved himself by making his way back home. C-Clearly just things they made up! A-And I don't have nightmares about it now that I'm grown… But, uh… I am ashamed to admit that I purposefully never really spent time with Manny because of that. I just- I didn't want to give them any more reasons to suspect me. He was a very strange kid, even to me. I regret never trying to understand him. I think maybe… We might have had a lot in common. And not because of anything to do with fae."

For characters!

If any of you have family, what's your family relationship like?

More character questions!!

[bunnybird-afk]

Questions about your Magister (now with +5 more questions🤣):

1. So what's his connection to the Maulers/ Dusk Lord anyway?

2. Does he have a love interest?

3. Is he a Mauler..?

4. If so what abilities or powers does he have?

5. Also like I'm 89% sure it's cannon, but what's his connection to Dura?

6. Does he have a specific magic he uses?

7. Who are his parents?

8. Where did he come from?

9. What's his opinion on holding the title "Merlin"?

10. What's personality?

11. Is he rich...?

12. What's his worst fear?

13. Does he hate any in-game characters?

14. Does he have hobbies?

15. What type of people does he get along with?

Thank you so much for this ask! I am so excited to ramble on about Sena! I have been cooking up his lore for almost a month now but haven't been able to put it together coherently so this really helps!

Warning: Long Post

Some brief background:

Sena is a former 'god' of Esperia, though he technically hasn't held an official place in the pantheon since long before the Divine War, having asked for his name to be struck from the records for certain reasons. While he retained much of his original power at first, his divine core was shattered by Ygdris during the Immortal War, leading to Sena being absorbed into the leylines to rest and heal until the war was over. Afterwards, he awakens with no memories, helps Esperia with its troubles and then returns to the leylines when his life force is depleted. This cycle repeats itself a total of three times so far, with the most recent being the in-game canon.

1) Sena's connection to the Dusk Lord/the Maulers?

While most Esperian's might consider it blasphemous, the Age of the Gods wasn't nearly as prosperous or perfect as one might think. Being a fledgling god who didn't yet have his own title, Sena was often looked down upon by some of the less benevolent deities in Esperia's pantheon (most of whom have been long forgotten).

The Dusk Lord was one of the few gods who viewed Sena as what he was at the time, a child in need of guidance. Thus the Dusk Lord took him under his wing, taught him about Esperia and what it meant to be a god. Even taught him how to fight should the need arise.

Through the Dusk Lord, Sena met the Maulers. The first mortals that Sena ever encountered. The first people Sena ever met. The Dusk Lord taught Sena about his people and about their cultures, telling the godling that his wish was for his people to be strong. To be tenacious so that they could handle the harsh realities of the world even without his guidance.

While the Dusk Lord tried to teach Sena how to be a god, Sena immersed himself in the culture and community around him and instead learnt something far more important. How to be a person.

2) Sena's love interest(s)?

While Sena has had partners over the eons, there where very few instances he could point to that he'd consider love. The first of these instances was a mage by the name of Merlin, the first mage to ever exist in Esperia. Merlin was gentle and compassionate and selfless, and Sena found himself inexplicably drawn to them. They were perfect. But they were mortal... After they passed, Sena took up the title of 'Merlin' as a way to remember them and to continue their mission of protecting and helping Esperia.

During the Immortal War, Sena fought side-by-side with the Celestials, wanting to safeguard Esperia's people from the threat of the Hypogeans. During this time, Sena grew close to Dionel, and while the two may have shared a few tender moments and had occasionally found comfort in each other's arms, they soon realized that their feelings for each other were more platonic than romantic. To this day, Sena considers Dionel his closest friend, and it would seem as though the feeling is mutual.

After losing his memories the second time, Sena wakes up near Holistone and soon meets Hogan who was still a young recruit in the Lightbearer army. Having no memory of his own past and believing himself a mortal, Sena ends up working closely with Hogan and eventually feelings start to bloom between the two (despite a rocky start). Over the next decade or so, Sena and Hogan grow closer and closer, and though they make their affections for each other obvious, the word 'love' remains unspoken. Things between the two 'end' when Hogan gets called to duty, asked to serve the Lightbearer Empire in some scuffles that had broken out with the Maulers near the border to the Ashen Wastes. Hogan asks Sena to come with him, using the excuse that they could use the help of a mage like him. Sena asks Hogan to stay, knowing that he might not make it back alive. They both decline out of a sense of duty, though those feelings continue to linger. To the point where Sena returns to Holistone after the war to wait for Hogan having heard news of his return, though Sena is resting in the leylines again before they can be reunited. (Though, Sena has accidentally acquired an adopted son during his time back at Holistone, one that would soon go on to cause Hogan no shortage of trouble).

3) Is Sena a Mauler?

Not in the traditional sense. Sena's divine form was an almagamation of the different factions, though he doesn't inherently belong to any given one. During his time wandering Esperia, he tends to try to fit in with the people around him, hence him taking on more Mauler like characteristics when in the Ashen Wastes and more Wilder characterstics when in the Dark Forest. Though considering the Dusk Lords words and Sena's own feelings about the Ashen Wastes, in his heart Sena is more of a Mauler than he is any other faction.

4) Sena's Abilities/Powers?

While Sena has the standard Merlin abilities we see in game, he also has a few innate abilities that stuck around from when he was still a god. This includes Sena coming across as very amicable and persuasive, and on rare occasions being able to tap into his Divine Authority. Overall, Sena also exudes an air of comfort, making others around him feel at ease even in the toughest of times.

5) Sena's connection with Dura?

Like the Dusk Lord, Dura was on of the few gods who didn't completely disregard Sena's existence. Though while the Dusk Lord viewed Sena's naivety as something he needed time and help growing out of, Dura viewed it as a reason why Sena needed to be protected and nurtured. In a sense she was another one of Sena's mentors growing up. While the Dusk Lord taught him to be strong, resilient and tenacious, Dura had taught him to be gentle, caring and compassionate. And unlike most of the other gods, Dura seemed to genuinely love her people, wanting to protect them and nurture them, ensuring that they thrived and prospered. And at the end of the day, Sena wanted to help her fulfill that desire though it would be centuries until he could actually be of any assistance to her.

6) Sena's Magic?

Sena's magic is derived directly from the leylines themselves, allowing him to use magic in its purest form, though without his divinity this tends to take an immense toll on him should he overexert himself. Apart from that, Sena has a form of charmspeak that allows him to compell the truth from others, and often persuade them into doing certain things, though he often forgets this ability in his amnesia only to remember it later, though even then he uses it sparingly, not liking the feeling of influencing others free will.

7/8) Who are his Parents/Where did he come from?

Being a former god, Sena doesn't really have parents. Like most gods, he simply awoke one day in the Realm of the Gods, born of a concept that had become prominent enough to warrant having its own deity. Though unlike most gods, Sena had no clue what he was the god of at first, not feeling any real affinity for anything present in the Realm of the Gods.

So in that sense, Sena didn't really have parents. In fact he didn't really understand the concept until almost a millenium later, watching as Mauler father excitedly scooped his cub into a hug after their first steps. Sen had found it heartwarming though still unrelatable.

Though if Sena were to think about it now (once he has his memories back atleast), if anyone had been a father to him, it would have been the Dusk Lord. And well, Dura had always called him her child, even if she hadn't really meant it in the familial sense (though Sena found himself secretly hoping that she did).

9) Sena's opinion on being Merlin?

While the title had started as a way for him to honour somone he cared for, it's since then grown to represent so much more to him. To Sena, being Merlin means shouldering the responsibility for Esperia's well-being. Not just dealing with big threats, but also caring for the Esperian people on a personal level. It represents the wishes of all those who loved him, and now his own wishes too. Afterall, it's his responsibility as Esperia's last living god.

10) Sena's personality?

Growing up Sena had been well-meaning and quiet sharp, though it was usually hidden behind his jovial demeanor. Even back then, however, Sena had a touch of recklessness and anarchy to him that caused Dura no shortage of concern (and the Dusk Lord no shortage of amusement). And though he eventually matured and grew more calm and measured, his charming personality and slight spark of chaos never quiet left him. And whenever Sena loses his memory, his personality reverts to being somewhere in the middle of those two states of being.

11) Is Sena Rich?

Pretty much, though that's more thanks to Dolly than anything else. After becoming Sena's retainer, she took her duties very seriously, handling just about everything that Sena may need help with (excluding magecraft). That included handling Sena and the Mystical House's finances, as well as updating Sena on any news that may pique his interest. She's also the one responsible for helping Sena to adjust to life in Esperia whenever he returns from the leylines, including making sure he has the correct currency and is dressed for the times (thank you, Dolly, for keeping Sena fashionable).

12) Sena's worst fear?

Losing sight of what it means to be a person. Sena has never cared much for his divinity, but he would cling to every last shred of humanity he has in his soul.

13) Does Sena hate any characters?

Berial and Reinier. Sena hates Berial because of the joy he takes in making mortals suffer. He's needlessly cruel, even by Hypogean standards and seems to genuinely enjoy the harm he causes (unlike Phraesto who Sena finds oddly amicable).

He also strongly dislikes Reinier due to his obsession with perfection. While in itself not abhorrent, the lengths Reinier goes to to achieve his idea of 'perfection' is disturbing to Sena who's seen the way his actions have hurt people. And on a more personal note, the way Reinier desecrates the monuments of the old gods, bastardizing their image and deceiving their followers never fails to have pure rage bubbling up in Sena's chest. Blasphemy doesn't really bother him, but seeing this hypogean spit on the legacy of those he knew and loved just crosses a line for Sena.

14) Sena's Hobbies?

Being Merlin doesn't really give Sena a lot of free time, though when he does get it, he's using it to completely immerse himself in the local culture. Talking to people, helping out around whatever town they're in, eating local delicacies, sampling signature drinks, listening to music, and reading their books and poems. In hindsight, being Merlin probably is the best job for Sena considering that it gives him an excuse to travel.

15) What type of people does Sena get along with?

Sena tends to get along with just about anyone so long as they aren't cruel or closed-minded, though he does have his favourites. Usually those who have the same type of well-meaning chaos and recklessness that he does.

[teecupangel]

Hi teecup! I hope you're doing well! :3

I am sick and that means I have an idea.

A/b/o RobDes (Robert x Desmond) (yes the Robert that you're thinking about kknpkjknnknl)

And as usual Desmond is the omega BECAUSE-

I have a weird fascination with Robert.. and his.. bald dented head (I know it's a scar but it looks like a dent to me)

You know what would make this even more interesting? If Desmond was the baby brother of Altaïr. (yeah Altaïr is an alpha :3) And Desmond's existence is kept a secret because he's an omega. And Altaïr can get very overprotective too so that doesn't help.

Robert kidnaps Desmond not knowing that it wasn't Altaïr. And shinanigins happen in the Templar base

And uhh yeah that's all I got. OH AND Maria is an alpha and she and Desmond are besties.

That's all!

Desmond may be an omega but he was (secretly) trained by his brother to be able to kick ass and run away quickly.

Honestly, it wasn’t even Robert’s plan to kidnap ‘Altaïr’. The Templars learn of the traitor’s favorite attack dog and the remnants of Basilisk’s faction (which Robert had taken care of after the man’s death to stabilize his rule) figured that presenting said attack dog to Robert would be their ticket to safety.

Then Robert realized that they gave him some random omega (they don’t know what Altaïr looks like) from Masyaf, they get killed.

Robert tries to be a gentleman since this is all a misunderstanding and he has no qualm with omegas in general but the omega tries to kill him so he had to lock up the omega.

That’s where Maria comes in.

Maria becomes Desmond’s guard because she has the self-control of a monk that had let go of all connection to the physical world.

Or, as Desmond calls it, the self-control of someone who actually cares about other people’s consent and boundaries.

Really, revolutionary stuff in this time.

Yes.

Because Desmond remembers dying in Dec 21, 2012.

Not only that…

Desmond was an alpha back then.

He has made peace with being an omega this time around. In all honesty, he preferred being an omega because (1) no one looks at him like he was a failure because no one expects anything of him from the start and (2) it was easy to keep an eye on Altaïr and help him have a better life this time around as his omega twin.

Sure, Altaïr was overprotective and keeps saying that all alphas are scum (“you’re an alpha too” “yes and I’m also a scum, never trust any alpha”)

And he had been planning to kill Robert but he’d take corrupting Maria to become a turncoat as a consolation prize instead.

Honestly, he has fucked up this timeline so badly that he doesn’t even know if Maria and Altaïr would end up together because Desmond accidentally matched Altaïr and Kadar (who was an omega).

Who knows? Maybe they can make it a threesome, Desmond is honestly just hoping Altaïr doesn’t get the wrong idea and assume Maria is a scum alpha going after his younger brother like every other alpha out there in his eyes.

Anyway…

His corruption was going well, he thinks, until Robert starts visiting.

And just… talking to him.

It’s even weirder when his visits turned into daily afternoon tea and Desmond is full on suspicious of what Robert is trying to pull.

Robert, on the other hand, honestly just wants to get to know Desmond because…

He believes they’re fated mates.

Desmond seemed to have no idea that they are though so he’s trying to woo him.

Desmond, on the other hand, mistakes it (sorta?) to mean that Robert fell in love with him and…

Well…

The power an omega wielded over an alpha was dependent on the alpha’s personality.

And Robert…

… was a pushover.

(He’s not. He’s absolutely not. Maria knows he’s not. Maria also believes Desmond is a sweet innocent omega who might faint if she tells him that the alpha courting him was only a kind gentleman to people he likes and the only person in that list is Desmond)

So… to test Robert, Desmond requested that he be returned home and for Robert to court him and do the whole ‘shebang’ in the presence of all of Masyaf.

Al Mualim can’t do shit because Robert comes in peace and everyone agrees that the sanctity of courting should be upheld.

Altaïr is totally against it and Al Mualim has to play more or less as referee between the two while trying to sabotage this so he would have an excuse to attack the Templars.

“What do you see in him?”

It was a good question. The kind of question Desmond expected from his twin brother.

He knew Al Mualim would start scheming and shit if he was to reply that Robert was a pushover for omegas.

So he just says…

“I like his bald head.”

Smashcut to Altaïr trying to shave off Malik’s hair because Malik is a much better choice than some Templar scum.

Malik does not want to have to do anything about this entire thing. He also considers Desmond as an omega brother like Kadar and does not want to mate with him so, really, the two of them are wrestling at this point.