#where I have individual bits and pieces of a thought

[toast-the-unknowing]

This post is really making me churn over some thoughts that have been stewing for, well, at least a year. Because a year ago, I found out that someone had plagiarized several of my fics.

At the time, I struggled to articulate exactly why it upset me as much as it did. In a way, it didn't matter, because I didn't need to articulate it: People were supportive. People told me, yes, girl, you get to be upset! And there were big, obvious reasons that it was upsetting, reasons that I could identify. But I felt like there was something else. I kept asking myself, "Well, why DOES it matter, really. Nothing was TAKEN AWAY FROM YOU. Your fic is still up there with all the comments it ever had." It had more comments than before, even. People who read the plagiarized versions came and said nice things to me. These were people who never read the canon, people who therefore never would have read my fic and never would have commented on it. So in purely transactional terms, in the question of the absolute number of comments I got, I actually came out ahead. In a way. So why was I upset?

Reading this post today, this bit really stood out to me:

Attention obviously wasn't why the writer was writing--they were writing to participate, and they didn't get to. At all.

I think that's the piece that I was struggling to put my finger on. I think it matters that the plagiarism happened in a period of my life when I felt even less than usual like I had a community to belong to. I reckon a lot of people are feeling that way, in this era we're calling post-covid. So it hits those people, it hit me, even harder than it might have otherwise, to feel shut out of participating in a fandom community. For some people that's maybe the last place they really felt they had any community left.

I imagine, for the folks in the secret discord rec servers, that the secret discord rec server IS their community, but that's not much help the folks outside of it. The answer obviously isn't "you shouldn't HAVE secret discord rec servers!" because the horse is out of the barn on that one, my friends, and besides, I don't want to be out here saying you have to let everyone into all of your spaces. This isn't elementary school, you don't have to bring enough for the whole class. And the idea of "well, if you HAVE to have a secret discord rec server, then you have to go leave a pro forma compliment on the fic itself"…idk, man, that's not it either. Increasing the comments that just say "I liked this!" is going to make a lot of writers smile and have a spring in their step for a bit, sure, but it's not going to do much to restore a sense of community. Saying "hi, how are you" when you bump into your neighbor is great, but if that's the only interaction you ever have with anyone in your zip code, that's not much of a neighborhood.

It's one of those twisty situations where I hate the picture as a whole and yet I don't find any individual action objectionable. Sometimes people don't leave comments, even on a fic they really loved. I'm not going to shame or berate anyone for that. Sometimes people tell their friends about things they loved. Sometimes those conversations happen in spaces that aren't visible to others, because people like to hang out with their friends in their own spaces that are free of people they don't know or don't like.

None of that is in and of itself malicious. (I bet some of the shit that gets said on some of those secret discord servers gets pretty nasty, but hey: all the more reason to be saying it somewhere I don't have to see it.) And yet when OP said they have been systematically excluded by the very people they thought were part of the community they thought they could participate in, it resonated with me, specifically about the time someone stole my fanfic and reposted it in a fandom that I didn't know existed.

What do you do about a situation where the intentions are totally different, the causes are totally different, but the end result feels so similar?

I've been thinking about communal vs individual story telling a lot lately, because I'm getting back into improv, and when you do improv people tend to ask you do you do stand-up, will you do stand-up, when will you do stand-up. I usually tell people that I don't do stand-up because it's so much fucking work. But I'm also realizing more and more that I love improv for the communal aspect, and I find the solitary nature of stand-up demotivating.

I've written screenplays and I've written novels and I've mostly written exclusively fanfic, and I think a lot of the reason for that is fanfic has that communal aspect. That's part of the fun, and that's part of the motivation. You write fanfic because "this is a gift for a friend and I know she'll love it, this is an exchange fic for someone I don't know so I went and read their whole blog and I HOPE they'll love it, this is a trope I loved when I saw someone else do it, this is a trope I fucking hated when I saw someone else do it so I'm going to do it right, this is an idea that was circulating tumblr as a three sentence plot bunny that caught my imagination and won't let it go, this is an opinion I have about this ship and I have GOT to know if anyone else sees it the same way, this is a thing I love and please won't someone love it with me…"

The communal aspect can also be part of the motivation in the sense of "fanfic is a faster and easier way of getting external validation than going through the slow and grueling process of publishing and marketing a book with no built-in audience." That's fine. If folks are hoping to get some compliments for their fanfic, they're allowed to hope for that, and telling them "you SHOULDN'T care about that, and therefore it doesn't matter if you get it or not" is unlikely to change hearts and minds, except in regard to those hearts' and minds' opinion of you specifically. It's also missing the point. If you say, "Toast, you ONLY do improv because you don't have the attention span for stand-up," you're skipping over and discrediting all the special beautiful moments that can only happen in improv. You're missing the point.

The communal nature of fanfic is a huge part of the joy of fanfic. And the fact that it is a communal act means that, as the community is drains away, it becomes harder and less fun.

I don't know what we do about the alienation that so many fans are feeling. Sometimes it sounds like all of that it's so hard to make friends as an adult discourse, where the more that you hear people say it, the worse of a problem you know it is, and yet it almost feels like the omnipresence of the complaint should itself be the solution somehow -- all of you are lonely? Go be each other's friends! Everyone in fandom feels disconnected? Go talk to someone, boom, now you have a connection!

That's obviously not how life works, and to the extent that there's structural forces at play dismantling our communities, they can't be solved by individual acts of leaving a comment, or sending an ask, or @-ing an author when you post a rec. A lot of the comments I've received on fic have been self-contained niceties, which I loved getting, but which didn't go beyond that.

But some of the comments have led me to go create more art. Some of the comments have made me feel a sense of belonging. One comment straight up gave me insight into my own psyche that I did not consciously possess before that. And some comments have led to friendships, and one of those friendship meant that this weekend, I had a silly little conversation about a silly non-fannish thing, and the 'aha, there's a fic idea in here' part of my brain lit up and I wrote four thousand words of a brand new fanfic for the first time in a year and a goddamn half.

I don't know that I have a point. Fandom has been a lot harder and less fun for me lately, because of enshittification and capitalism and social media and my mental health and the hours that I work these days and the rise in streaming and the general underwhelmingness of a sequel which failed to revitalize a fandom I had really been enjoying writing for; maybe I just needed to talk my way through all this to remember that harder and less fun is not impossible and joyless. But it is still harder and less fun, and I wanted to remember that, too. I like the grace that this post has with both readers and writers. I think that's a good place to start.

feedback and fic in fandom (3 f's of our own)

This conversation about feedback on fic says everything I’ve been wanting to say better than I could say it. But I’ll go ahead and try anyway.

Over the last five years or so there have been some great discussions around the rise of commodification of fanworks and decline of fandom community. This commodification looks a bit like enshittification of the internet: a cool site exists; its popularity makes someone realize they can get money from it; it has more and more ads; the site adds features to drive engagement, including The Algorithm; the things that made the site cool start to fall away. The site exists now as a vehicle purely to get clicks, and the people on it are on it solely to get clicks—to make money, to be successful, for some kind of social cachet.

AO3 doesn’t have advertisements. It’s not making money. But what is happening to fandom is proof of concept that enshittification changes the way we as humans engage. A cool website in 2004 was often a community space where you could meet people, have conversations, find cool things, and make cool things. A cool website in 2024 is either a content farm that will continually feed you enough content to hold your attention, or a social media site where your participation will come with stats to show you whether you are holding the attention of others.

AO3 wasn’t built to be a community space. It doesn’t have great functions for meeting people and having conversations. The idea was that, because fandom community spaces already existed, AO3 would serve the part of that community where you can find the cool things and store the cool things you made. It was meant to be a library in a city, not the whole city itself.

But it was also never meant to be a website in 2024, a content farm constantly generating content solely for your clicks and eyeballs and ad revenue, or a social media site where the content creators themselves vie for your clicks and eyeballs.

The most common talking point when people discuss the enshittification of fandom is the folks out there who are treating AO3 as that first kind of enshittified website: the content farm. This discussion is about how people treat fanfic as a product for consumption.

The post that kicked off the discussion on @sitp-recs’s blog was about someone who wasn’t getting very many kudos or comments on their fic, and was feeling pretty demoralized about it, then joined a discord server and found an entire channel dedicated to people loving their fic. But those on that server had never come to share that love with the author, which the author found really discouraging.

There are more and more stories like this. Someone on tiktok pulls a quote from a fic on AO3 and makes a 10-second video with them staring at a wall, the quote pasted at the bottom, music playing over it. It has 100,000 hearts, and 100 comments with people gushing over the fic, which has 80 kudos on AO3. Overall, people notice more and more hits on their fics, but fewer and fewer comments or even kudos. Fewer and fewer people seem to feel the need to interact with the author, instead treating the fic like a product to be used and discarded—which the enshittified internet (a stunning feature of late-stage capitalism!) encourages. The fandom community is dying, these stories conclude.

I agree. 100%. Both of the stories above have happened to me—viral tiktoks about my fic, secret discord channels to follow and discuss my fic—and let me tell you, it fucking sucks.

But from these observations about fandom enshittification, the discussion continues in a very odd direction. The solution to the death of fandom community is our favorite enshittification buzzword: engagement. We should engage the authors. They’re producing these products for free. We consume them at no cost. We must demonstrate our gratitude by paying them back.

It’s as though the capitalist consumption that the enshittified web encourages is so ingrained within us that we must think in terms of payment, in terms of exchange, transaction. Or as though, by forgoing payment, authors are some kind of martyrs defying capitalism, and the only way to honor their great sacrifice is comments and kudos.

Indeed, the discourse around this sometimes does veer away from capitalist rhetoric into something that smells almost religious in desperation. Authors are gods who bestow us mere mortals with the fruits of their labor benevolently, through love; the least we can do is worship them. Meanwhile the authors adopt the groveling sentiment of starving artists: I produce great art; I only humbly ask that you feed me in return.

These kinds of entreaties make my skin crawl for a number of reasons. I’m not a god. I’m not writing because I love you. I don’t expect your worship or even your praise.

I think the thing that disturbs me the most about it is that it suggests that authors (or, if the OP is feeling generous fan work creators) are the most important people in fandom. I’ve even seen posts stating that without creators, fandom wouldn’t exist—as though readers aren’t just as important. As though conversations where people discuss characterizations and plot points and randomly spin out interpretations and ideas and thoughts related to canon are meaningless. I’ve even seen people scramble to include folks having these discussions as “creators,” as though realizing that these people are necessary and integral to fandom communities but unable to drop the idea that the producers are the ones who are important. As though that person who just lurks can never count.

Is this what community is? When you join the queer community, are you expected to produce a product of your queerness? If not, must you actively participate and give back to the queer community in order to be considered a part of it? Or is it enough that you are queer, that you exist as a queer person and want to be around others who are queer, you want to be a part of something? What is community, anyway?

The problem with people raising the authors above everyone else in the community and demanding that tribute be paid is that they are decrying the “content farm” style of 2024 website out of one side of their mouth, but out of the other side are instead demanding that AO3 become a 2024-style social media website. Authors are influencers. “Engagement” and clicks are the things that really matter. They are in fact suggesting that the way to solve the commodification of fanfic is by “paying authors back” with stats.

Before anyone comes at me with the idea that comments aren’t just “stats,” I will clarify what I mean. There are literally hundreds of posts on tumblr alone claiming that any comment “helps” the author. Someone replies that they are shy to comment. Someone else replies that incoherent keyboard smashes, a single emoji, or the comment “kudos” are all that is required to satisfy the author, all that is required as tribute—all that is required as payment to keep this economy healthy.

I’m not condemning the comments that are keyboard smashes or emojis or a single kind word. I receive them. They make me happy. If anyone wants to leave such a comment on my fics, I’m really grateful for it. But this is not community-building. This is a transaction. In @yiiiiiiiikes25’s excellent response in the post linked at the beginning, they point out that “you have a cool hat” is something that is “perfectly nice” to hear from someone—and it is! We all want to be told we have a cool hat! But as they go on to say, what builds community is interactions that are deep and specific, interactions that are rich in quality, not in quantity. A kudos or a comment that says only ❤️are lovely things to receive, but they don’t build community.

My reaction, when I see people begging for kudos and comments as the only means by which to keep fandom community alive, is very close to @eleadore's. I want to say, “No. Readers do not need to comment or kudos. Believe not these hucksters who claim to know the appropriate method of fandom participation. Participate as you feel able, or not at all; nothing is required of you.”

I’ve been told before (several times) that I’m not qualified to participate in such discussions because I am an established author who has some fics with very high stats. It doesn’t matter that I have also been a new writer with almost no one reading my fics. It doesn’t matter that I still write in new fandoms where no one in that fandom knows me. It doesn’t matter that I, like any human being, still care about receiving recognition and attention and praise.

And maybe that’s correct. I personally don’t think that billionaires have a place in deciding the direction of the economy, and--if we're really going to consider fandom an economy--in fandom terms, if I’m not a billionaire, or even a millionaire, I’m definitely in the infamous “one percent.” So, just as no one wants to hear Elon Musk say “money isn’t everything,” maybe it’s not my place to say “kudos isn’t required, actually.”

That said, I’m not the only one who has a problem with the stats-based discourse around fandom community. However, the main counter-response to this discussion I see goes something like this: you shouldn’t be writing fic for validation. If you’re writing for attention, you’re doing it for the wrong reason. Authors should write fic because they love it without any expectation of return.

This is, in my opinion, missing the point of what is meant by fandom community.

I wrote fanfic before I knew that fanfic, as a concept, existed. I read books; I wanted them to be different; I wrote little stories for myself with new endings, with self-inserts, with cross-overs, with alternate universes. I did it for myself in the 90s. It never occurred to me that anyone else would do this, much less that people would share.

As @faiell points out—creating and sharing are two different things. I created fics for myself, but I decided to share them in the early 2000s because other people might like them, too. And of course, I wanted to hear whether other people liked them. How could I not? I might decorate my home just for me and not for anyone else’s preferences, but when people come over and say my house is nice, how can I not enjoy that? And if a lot of people think my house is nice, which encourages me to post pictures of it online, isn’t it understandable I might do so with the hope that more people will say my house is nice? And, honestly, if no one is appreciating my pictures, I probably won’t continue to go through the trouble of taking them and posting them. I’ll just enjoy my house that I decorated without sharing, the end.

When I found out there were whole fannish communities where people discussed canon and tossed ideas around about it, made theories and prompts and insights into the characters, fics they had written and recs for other fics and analyses of fics and art based on fics and fics based on art—I wanted to be a part of that, too. Now, sometimes, I write fic not out of an internal need to do so but out of a desire to participate in that community.

The idea that we write fic only for the love of it, then post it only because we possess it, is a process entirely centered on the self. It’s fandom in a vacuum. The idea that we share this thing, that we feel pleasure if someone likes it but feel nothing at all if no one says anything about it, that it’s completely okay to be ignored and unseen—that’s not what a community is either. That’s some weird sort of self-aggrandizement through self-effacement—because yes, there is often a weird kind of virtue-signaling in this kind of discourse.

I say this as someone who has virtue-signaled in that way: “some people write for stats, but I write for myself.” It’s bullshit. Sure, I write for myself, but why post it on the internet? Honestly, said virtue has a whiff of the capitalist machine, which would like you to produce for the sake of production, work for the sake of work. The noblest among us expect no recompense for that which they give!

The reason that I’m bringing this back around to capitalism is that capitalism actively works to dismantle community. The reason that folks are out here pleading for “engagement” in order to “pay back” authors for the products they give us “for free” is because people no longer even have the language to discuss how to participate in meaningful community. And frankly, how to build back fandom community, in the face of enshittification, is getting harder and harder to see.

But I do think that if we value fanfic and the fanfic community, it’s really, really not constructive to judge whether someone’s reasons for writing fanfic are valid. It’s also weird to me that it would be considered wrong that someone’s reason for sharing fanfic is because they would like to receive some recognition for it, when in fact that seems to be the most natural reason in the world for sharing something so private and vulnerable with the world.

Let’s go back to that idea of how hurtful it is to find out your fanfic is trending on tiktok without anyone from tiktok saying anything to you about your fic, or how it can be painful to find out there’s a secret discord channel dedicated to your fic. The people who respond to that with, “Ah, but you shouldn’t be writing to get attention!” are missing the point. The fic did get attention. It got lots. Attention obviously wasn't why the writer was writing--they were writing to participate, and they didn't get to. At all.

However, if your conclusion is that the author was upset because these particular stats were not accruing under this author’s profile, thereby preventing them from achieving the vaunted status of BNF and influencer—I don’t know, maybe you’re right. But I don’t think that’s why I, personally, have been hurt by these things, and I doubt it’s what hurt the people in these posts either. They’re hurt because they want to participate, and they have been systematically excluded by the very people they thought were part of the community they thought they could participate in.

Sure, if those folks from tiktok and the discord server all came and showered the author with kudos and comments that said “kudos,” the author might have felt satisfied enough with the quantity of this recognition that they would continue writing. But in the end, this still does nothing to address the problem of fandom community, in which the deep, meaningful recognition, interactions, and relationships in fandom are getting harder and harder to have and to build, as a result of how people now expect to engage in online spaces.

So, how to address the problem of fandom community? You probably read this long, long post hoping that I had an answer, and for that I must apologize. I don’t have solutions. My intent was to be descriptive, rather than prescriptive. I wished to outline the problems that I’m seeing in what was hopefully a slightly new or at least thought-provoking way, rather than offer solutions.

But, now that I’m talking about being prescriptive, maybe I can offer one suggestion, which is—maybe the solution to this isn’t about prescribing behavior. I do understand the irony in writing a prescription saying we shouldn’t prescribe people, but I’m going to write it anyway:

Maybe we shouldn’t be telling anyone the appropriate reasons for writing fanfic or for sharing it. Maybe we shouldn’t be telling readers they need to kudos or need to comment. If we’re going to go pointing fingers, we should be pointing at the institutions of capitalism that have made the internet what it is today—but I don’t think that’s going to solve the problem either.

But I do think that describing this problem, understanding what it actually is, not blaming readers for it and not blaming authors for it—I do think that helps. The discussion I linked at the beginning of this post is what I think of as the fandom I miss, the fandom that's now harder and harder to access, the fandom that is dying. That fandom was a social space where people had opinions and disagreed and went back and forth and gazed at their navels and then talked about Buffy the Vampire Slayer.

In the words of @yiiiiiiiikes25, it was a fuckin’ discussion about hats. And we’re hungry for it.

[quibbs126]

I feel like I need to at some point just make a list of things in Transformers and how I’d want them, since I have a bunch, I just don’t know how to share them without it coming off as a waste of time individually

Some things I’ve got are the backstories of Optimus and Megatron, the subject of Primes, the origin of the Decepticon cause, whether or not Megatron should be redeemed, and Energon. Probably also the origins of Cybertronians but that one might have to wait because I find myself intrigued by the g1 concept and have to see that first

I don’t know if anyone cares but having a compiled list might make it sound like less of a waste of time

[alicedrawslesmis]

(sorry this is from a week ago but) Wait, what's going on right now that's complicated with Amazonian farmers' land rights?

Not farmers, indigenous people

See, recently they put a new law through congress that severely reduces indigenous land to the borders established during the late dictatorship, or immediately post-dictatorship, in 1988. An absolute joke of a border that was dreamed up by some military assholes. People in america may recognize this type of society from the times of westward expansion and think this is a thing of the past because for you guys it is. But here it is a reality. Murder is rampant. The reach of the law is incredibly limited. Government is just too weak and landowners basically run things. THAT'S WHY it's so important to donate directly to the native peoples instead of random NGOs because native people are fucking there and the more power they hold in the land the safer the land will be from agroindustrial expansion.

Well the law was vetoed by the the president and the Supremo Tribunal Federal, aka supreme federal court, labeled it as unconstitutional. Which it is, because our 1988 constitution describes native american land rights in some of its first articles. We thought this would be it for the law

But then the senate (that already overrepresents landowners in rural states) just went along and approved it anyway. I had no idea they could approve something unconstitutional. The progressives and particularly the socialists are fighting this in court. But it happens that for now the legal border is the severely reduced version.

Doesn't mean they'll just give up, because as it happens we don't have any stand your ground laws so even if you own a piece of land, you cannot legally speaking just shoot everyone there. Or attack or threaten them in any way. They'll just have long legal battles individually for the rights to occupy land based on use. Also the Xingu national park, the largest preserved land of the Amazon described as 'larger than Belgium', is being encroached by huge farms that are poisoning their water supply. The border is Visible. I'll try to find video of it but essentially you have a forest and a desert separated by a strict line.

Just last week in the south of Bahia (not the Amazon, let me explain more about the Amazon situation in a bit) Hãhãhãe leadership Nega Muniz Pataxó was shot and killed by an armed militia group that invaded and occupied the Caramuru territory.

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A post shared by SOMOS PATAXÓ HÃHÃHÃE (@somoshahahai)

The situation in the Amazon, specifically the yanomami territory in Roraima our northernmost state, aka deep forest, is more dire than average given difficulty of access, sheer size, and government abandonment. It's a place that depends on government aid for medicine. It's land that is being systematically invaded by gold miners, pandemic, toxins from nearby farmlands, wood extraction etc. (wood extration is rampant everywhere tho). Early 2023 saw a massive federal government operation by now president Lula to empty the mines and try to look for where funding comes from. Yanomami land is still being invaded to this day, the struggle is ongoing.

The yanomamis need support right now more than any other. Last year saw a massive heat wave that (well, one, caused a girl named Ana Clara Machado to die during the Taylor Swift concert. This is unrelated but I feel like not enough foreign media covered this, Taylor even lied about it as well.) dried up a lot of rivers, killed a LOT of fresh water animals including an unprecedented amount of pink dolphins. Access that was already hard became damn near impossible without boats. I cannot overstate how many pink dolphins were found dead.

Another technique that landowners use to clear space for farms is to just set things on fire and then occupy the empty land, which they legally can do to land that was naturally burned in a forest fire. It happened that Pantanal, another national park of swampland, was massively devastated by fires last year too

this article is from 2020, the year that the worst fire happened, but in 2023 there was another one. It's been happening yearly now due to a) deliberate action and b) climate change aggravation.

And this is not nearly all. Just off the top of my head. If you speak portuguese I recommend following the APIB or the COIAB on instagram to keep up with the news. The FUNAI is the government branch of indigenous organization, but it's not generally that well liked. Still.

[hotvintagepoll]

Do you have any opinions on modern (post-1970s) movies that you feel capture the essence (in a good way) of Old Movies?

No, unfortunately. That doesn't mean I don't like modern movies or that modern movies aren't good, but modern movies—and here I'm really using modern to mean post-2010, so contemporary movies—have different standards for pacing, characterization, budget, and production that make it harder (or impossible) to capture some of the magic of old movies. Even when modern movies clearly try to emulate that old-movie feeling—I'm thinking of La La Land, The Artist, The Shape of Water, In the Heights—they play the homage too broadly, or they ignore crucial components that make the original films work.

There's kind of too much to go into here without writing a full essay, but essentially, the Old Hollywood system—ugly, failed beast as she was—made some movies simply more accessible to make, due to the ongoing storage of props, sets, master craftsmen, crew, and onscreen talent that could move from one movie to the next without pause. If you needed a dancer, he was already on staff. If you needed a fancy bed, it was already in the warehouse. That kind of longterm storage is invaluable if you want to crank out movies quickly and cheaply because it saves so much time on individual negotiation and sourcing. Modern production companies have to work out individual contracts for every actor on every film; crew members have to negotiate rental contracts and source pieces from scratch; if you need someone with specialist skills, you have to contract them specially at a high rate, which a lot of small companies can't (or won't) budget to do. There's sand in the wheels where there needn't be any. It's wasteful, and costly, but that's the system modern movies are made with.

Which all means that even if the modern movie system wanted to make a classic movie musical just like the old ones, they couldn't, because the talent isn't already there—it hasn't been trained up enough, and there's not that breadth of knowledge you can only get from people who have been allowed to work in the same department in the same place for decades. Movies like La La Land fail, for me, because they present themselves as descendants of Fred Astaire or Busby Berkley movies, while missing the bit where Fred Astaire was a master of his craft. When you watch Fred Astaire dance—or Moira Shearer, or the Nicholas Brothers, or Ann Miller—you are watching a true artist at work, purposely showcased by the studios because they already have them on contract. Modern movies, on the other hand, tend to take people who already have star talent (as actors) and try to convert them into dancers/singers—or they pull dancers/singers off of Broadway, but then they don't have the star power built in. You end up with lackluster musicals where no one truly knows what they're doing, or they do but they're not built up enough by the studios to sell. And that's me discussing just on-screen talent for musicals—there is a huge loss behind the scenes, as well, for all kinds of movies, where roles that would have been filled by union crew who moved continuously from one job to the next have been swapped for freelance labor who live with immense turnover, financial insecurity, and knowledge loss. You could hand me the budget and I could try to make an old movie, but the industry itself has changed so much it's impossible to recapture that charm of steady, niche talent, the amazing possibilities of bonkers set design, and the ability to take a risk on a smaller movie because the other films being produced by the same studio can help balance the budget.

I've talked way, way too much about all of this! Sorry, I just have a lot of thoughts—and the one above is just one of them; the talent loss and storage issues are only facets of a much bigger problem that extends to how we watch movies today, how we market them, what we expect of them, and what's allowed in them. It's a crying shame because the talent is still there, but times change and so does the industry, for better or for worse. (And, just again to clarify, I don't think modern movies are bad—they're just missing a lot of the juice old movies got to play with, even if there's more talent available than ever before.)

[onyourowndaisymae]

presenting the obey me dateables (+ luke) with a friendship bracelet

you all asked so nicely for the dateables that i couldn't help but get inspired! i intend to reverse this prompt and write the characters making you a friendship bracelet sometime soon (will be split by demon brothers/dateables bc that's so many words)

[the demon brothers version]

[the dateables (+ luke) presenting you with a friendship bracelet]

content warnings: none

prompt: you grin down at your work. in your hands is a small friendship bracelet, lovingly crafted from hard work and the embroidery thread you found in your closet. you weren't quite sure why you'd made it, but the thought of giving a certain someone the bracelet and watching their reaction made you smile. now, to hand it off...

Diavolo

this is a mistake.

at least, that's what barbatos and lucifer think. because from the moment you present diavolo with a friendship bracelet, it is all he talks about.

when you approach him with the little gift--a red and black bundle of knots and strings-- and offer it up, he laughs jovially and asked what it was. you explain it's a friendship bracelet. from where you're from, you make them for people you care about, so they can have a piece of you with them every day. it's usually a tradition for children and teens, but you thought it would be fun to give him the bracelet regardless. you were just thinking about him (and his lonely childhood-- but you don't say that part aloud) and how he didn't really do stuff like this when he was young... so maybe he'd appreciate it now? you start to feel a little silly by the end of your explanation, so you look up at him to try to gauge his reaction.

you would have thought you proposed with how touched this man looked.

his expression softens and his eyes go wide. he puts out his hands to take the gift and you hand it over. his face quickly splits into a grin as he inspects each individual knot and string. did you really make this? he's impressed. look at how lovely it is! he raves about the quality for longer than necessary (it's not that good, mind you) as you flush from all the praise.

you offer to tie it for him and his eyes sparkle. truly, you never thought he'd enjoy a gift like this that much-- nonetheless, you're incredibly flattered.

how did you make this bracelet? what material is this? will you teach him how to make one, too? how often is he supposed to wear this?

the last question makes you chuckle. honestly, that's up to him. you tell him about that time you wore a friendship bracelet all summer one year, until it was a frayed biohazard that stank up the whole room. you recommend taking it off for showers and activities that might get it that dirty-- please, diavolo, learn from your childhood mistakes-- but other than that, he can wear it whenever he feels like. you assure him that your feelings won't get hurt if he doesn't, but he quickly reassures you that he definitely plans on wearing it.

... and he is not bluffing when he pledges this commitment to you. diavolo will wear his friendship bracelet all day every day, only taking it off when absolutely necessary. that does not include formal meetings or events. he is wearing that damn bracelet. what are they going to do, call him out? he's the fucking demon king (well, close enough).

Barbatos

you present barbatos with the bracelet one day when you've joined him for an afternoon in the kitchen.

he's carefully explaining how he gets the texture to this pastry just right-- there's a clear balance between airiness and moisture, you see-- while you try to listen. you can't help but let your mind wander as he talks. doesn't he know this friendship bracelet is practically burning a hole in your pocket?!

"mc, are you listening?"

he's looking up at you with expectant eyes, and you feel yourself flush in embarrassment. you barely get alone time with him as-is, and here you are, wasting it! you apologize and explain you've been a bit distracted. he welcomes you to share (if you are so inclined), pausing his work to give you his full attention.

it's now or never. you can either be brave, or you can walk back to the house of lamentation with your tail between your legs!

you present the butler with your creation-- a green and black friendship bracelet-- with a small explanation of what it is. you feel juvenile presenting an ancient demon such a childish gift, but he accepts your gift with a nod and a small smile. barbatos sets aside the gift for the rest of the day, careful that it won't get soiled by the mess of ingredients as he continues his baking lesson.

you assume barbatos has stored in somewhere out of sight-- you'd like to think he cares enough about your feelings to keep it, but you have also never seen him wear it. you're starting to feel like an idiot for even gifting him such a silly thing in the first place. he's arguably the second most powerful demon in the realm. he doesn't have time for a chintzy little bundle of strings from some insignificant human!

you're at the castle one day on another retreat with the rest of the house of lamentation residents. in a chaotic scuffle with one of his brothers, mammon manages to knock an open bottle of demonus directly into barbatos' chest. the butler sighs and begins to take off his coat while lucifer is moments away from tearing mammon into thirds.

as he opens his jacket, you spot it.

pinned inside the front of his jacket is, undoubtably, your bracelet. you recognize that striped pattern from a mile away. you can't forget the embarrassing amount of time you spent toiling away over cheap embroidery floss (not to mention the several mess-ups you had to throw out). you almost can't believe that's where he's been keeping it all this time.

barbatos catches you staring at the bracelet and gives you a small, secret smile. he leaves the jacket open for a moment longer-- it's like he knows, like he's letting you commit the image to memory-- before folding it neatly in his arms. he turns on his heel and walks back to his room before you can react further.

you're a little bummed to see him go. after all, that bracelet was probably ruined in all the liquid-y chaos from a few minutes ago. yet when he returns, adjusting his jacket one last time, you swear you see a flash of green and black string.

maybe it was just your imagination. and maybe that knowing look on his face was, too.

Simeon

you've found the clump of tangled embroidery floss in your closet among things you've brought from the human world. you aren't really sure how it got there, but you've got some free time to kill-- why not try to make one of those friendship bracelets you had growing up?

it starts out in your head as a stupid little joke. who among the people you know here would be the most accepting of a dumb little gift like this?

... simeon, probably. i mean, the guy's an angel. isn't being gracious and kind part of their whole schtick?

as you weave the threads together, you feel yourself get excited. simeon means a lot to you. he's been there any time you've needed him throughout the entire exchange program, always there to lend a hand or a listening ear whenever you so desire. you don't get to see him as much as you'd like, seeing as he lives all the way over at purgatory hall, but you feel you're close enough to give him such a gift.

you catch him after class at RAD one day. you don't have time run by purgatory hall after school, and you're worried if you wait much longer to give him the bracelet, you'll somehow lose or destroy it. when you approach, he's all smiles.

"mc? to what do i owe the honor?"

you ask if you can speak to him alone-- nobody misses the suggestively suspicious look solomon tosses the two of you-- and he leads you to a quite corner of the hallway.

suddenly, this whole thing feels very silly. but, at this point, you've already dragged him away from everyone, so you might as well go through with it.

you pull the blue and white friendship bracelet from the pocket of your uniform and offer it out to him. you explain that it's a friendship bracelet, something that human kids usually exchange as a show of friendship and devotion. you were in the mood to make one the other night and thought he might appreciate it. there. that didn't sound too cringe, right?

your gaze slowly lifts from your hands to find simeon in as disheveled of a state as you. his cheeks are flushed and his face is frozen as he processes your explanation. then a slow, delighted smile spreads over his cheeks.

out of everything to happen today, he definitely did not anticipate this happening. yet he couldn't be more pleased. he gives you his thanks as you tie the bracelet around his wrist-- over his gloves, so he can show it off to everyone, he tells you.

what did you say these were for? an expression of friendship? he's touched that you'd include him in an intimate human ritual like this (it's not that deep, but his smile makes you bite your tongue). would you be willing to stop by purgatory hall sometime soon so he can learn more about it? he loves any story you tell, after all.

you part ways with identical grins and a promise to meet again sometime soon. simeon assures you that he'll take care of the bracelet-- it's very special, you know, since you're the one that gave it to him.

and take care of it he does. every time you see him, he's wearing that bracelet. it looks nicer than the day you gave it to him! you're surprised, until satan reminds you simeon's always wearing white. clearly, he's good at keeping things clean.

he wears a big ass white cloak all day, every day. you think a little bracelet is going to trip him up? nah. simeon values your gift-- the gesture, the time you put into making him the bracelet, the skill it took to make such a pretty little thing-- too much to let an ounce of dirt sully his favorite present.

Solomon

hey, solomon. you want a friendship bracelet?

he looks up from his school work to eye you curiously. you two are on opposite sides of a table in one of RAD's many libraries. you're supposed to be studying, but you got bored fifteen minutes ago and haven't been productive since.

you pull a bundle of embroidery floss out of your pocket and spread it out on the table. a rainbow of colors sits mostly untangled-- you've been trying all day, but some knots are simply too stubborn-- across the smooth wood, and across the materials you should really be studying right now.

got a color preference, sorcerer boy, or am i going to have to give you the ugliest combination i can think of?

he laughs and tells you to do your worst. are you actually going to make one, though? how do you even remember how to do that? he admits he's never actually had one before. you tease him for being a lonely old man. he teases you right back for being a dweeb who wastes brain space on how to make gifts for third graders.

just for that comment, his bracelet's going to be ugly. and you won't even try to make it not lumpy, too. in your face, peepaw.

you get to work weaving the strings into a particular pattern of knots. you've chosen snot green and tree bark brown, paired nicely with a subtle hot pink for a more elegant look. slowly but surely, you start forming the stripes of the bracelet. you can feel his eyes on you, but for once, you decide not to tease him. you're feeling generous today, after all.

when you finish, you tie off the lose end and untape the other from the front of your textbook-- that's certainly the most useful its been to you all day-- with a victorious little smirk. he's still watching you work. you've succeeded in distracting him as well, congrats! it's what he deserves for dragging you into a half an hour argument between levi and asmo last week for no other reason than to see you struggle to keep the peace. karma's a bitch, and seeing this ugly ass bracelet across his wrist will be the cherry on top.

you instruct him to hold out his wrist and he complies. you start tying the ends together, careful not to permanently knot it around his wrist, when--

"wow, you actually made it for me. does that mean we're best friends now? i guess i'll have to brag to those brothers about it, won't i?"

you feel your life flash before your eyes. suddenly, you can hear it in your mind-- seven overlapping voices arguing, louder and louder, for you to make them a friendship bracelet as well. nothing will satiate their jealousy with each other. it's like entertaining a horde of toddlers: a gift to one is an insult to the rest.

oh. oh shit.

you're on your feet before you can speak. suddenly, maybe you don't want solomon to have that bracelet anymore. but he's always five steps ahead of you. literally, in this case, seeing as he's already taken off towards the other end of the library. oh hell no.

you manage to catch up to him eventually, and the afternoon devolves into you (playfully and consensually) bullying each other over the gift.

for all his big talk, he does actually wear the bracelet every day. you think that it's mostly to make you worry that one of the brothers might ask about it-- and that's definitely a big part of why he does it, seeing as he smirks every time he catches you looking at it-- but you think there must be a part of him that actually likes it, ugly color scheme and all.

it's solomon, remember? horrible chef, spellcaster to varying degrees of success, general menace to society. that bracelet is filthy in a matter of days. what's worse, though, is that he also has a terrible habit of breaking or losing it. this would be fine under normal circumstances. no harm, no foul, right? but every three to four business days, whenever he breaks it or covers it in mud or loses it somewhere in the hallway, he's up your ass for you to make him a new one.

what can he say? you're besties, aren't you? that's why you made the bracelet in the first place. now chop chop, mc, his wrist feels naked.

Luke

you visit purgatory hall after school one day, a pep in your step and a bright smile on your face. a few of the brothers question your giddiness as you head out (mammon especially didn't like that you wouldn't elaborate where you were going or who you were seeing), but you make it to your destination unscathed and unfollowed.

when you walk in-- you've had an open invite to visit whenever since the early days of the exchange program-- you spot luke baking in the kitchen. he calls out to you from his spot near the oven and invites you to try this cake he's been working on. barbatos taught him the recipe last week, and ever since, he's been working hard to perfect his version of the dish.

you spend a few minutes playing taste tester for the little angel before you get his attention. you've got a gift for him. the anticipation is starting to kill you, so you'd like to get it out of your hands.

you open your palms and reveal your present: a white and gold friendship bracelet. you explain that it's usually a gift kids in the human realm give each other.

... probably the wrong wording, considering who you're giving the gift to.

"is this because you think i'm a child? now you sound like lucifer! listen here, i'll have you know i report directly to archangel michael, who--"

you let him continue his little rant until he gets it all out of his system. when he's done, looking at you expectantly for some sort of rebuttal, you grin and explain the real reason for your gift. you think of luke as a close friend, and you wanted to give him a gift familiar to your culture that communicates that with the world.

an embarrassed flush spreads over his cheeks as the cherub realizes he might have jumped to conclusions. he sheepishly smiles at you and asks you to tell him more.

you tie the bracelet onto his wrist and explain all your favorite childhood memories with gifts like these. every friendship bracelet, each matching necklace you got with a childhood friend, all of those little mementos of friendships past still sit in a box in your closet. you might outgrow wearing a yarn bracelet (or it might have grown filthy over the years with all your sticky-fingered adventures), but you'll never outgrow the memories behind them.

luke asks if he can see them some day. will you tell him more stories if he visits you at the house of lamentation? you smile and agree-- so long as he doesn't get gobbled up on the way there. now he's protesting again. he's not a child! (whatever you say, luke).

by the end of the evening, you've explained the knotting patterns you used to make the bracelet. luke tells you to watch out-- he's gonna make you such an amazing bracelet, just you wait! you grin, already excited to show off his little creation.

[howtofightwrite]

What kind of wounds would a shotgun give to someone thats not wearing any bullet proof vest but just thick, winter jackets? Like those heavy jackets with fleece on the inside that old guys wear alot. ( I think its called a work jacket?)

I've always thought a shot gun would give some sort of blast damage and make quite a mess, but in The Day of The Jackal ep 6 it didn't seem that bad when he killed that farmer guy in Hungary lol.

So here's a fun thought to play with. A leather jacket is made from treated animal hide. In most cases, they're actually softened a bit to be more comfortable.

Shotguns are frequently used to hunt large game. Large game where their primary form of armor is their skin. Their skin which does almost nothing to stop a shotgun blast.

So, unless it's loaded with something like rocksalt, a leather jacket is not stopping a shotgun.

In answer to your original question, “what kind of wounds?” Catastrophic ones. It would be really messy.

Also, remember shotguns are still usable up to ~100 meters, at which they'll have a roughly 2m spray pattern. Getting hit by a shotgun, even at 50 meters, is going to be really bad. It's a bit like hitting someone simultaneously with a hail of small caliber rounds. Individually one piece of shot isn't likely to be lethal, but get hit with five or six of them, and that's a real problem. It's going to create a bunch of wound channels, and each wound has a chance to hit something vital, or ricochet and try again. And even at best, you're going to be losing blood from each of them simultaneously.

As for actual armor, most Level III or higher armor should stop a shotgun blast. However, shotguns are pretty good at damaging body armor. So someone wearing a ballistic vest who takes a shotgun hit, probably isn't going to be safe from the next pistol round that hits their vest anywhere near where the shot landed.

Similarly, with plate carriers, it should be fine, but there's a real risk that some of the shot chipped the plate. That's not going to cause the next shotgun blast to punch through, but it does mean that carrier now can't be trusted to stop rifle rounds.

Now, none of that are things you usually obsess over. For the most part, ballistic armor is single use anyway. If you're wearing a Kevlar vest and get shot, it's time to replace that vest. So, having your vest soak a shotgun hit isn't some kind of special tactic on your enemy's part, and is really just your vest doing its job.

Against unarmored targets, shotguns can be downright horrific.

So, using a winter parka to stop a shotgun blast is probably the result of someone who heard the, “shotguns are horrible at armor penetration,” line and took it a little bit too seriously.

There are some AP shells out there. Including slugs that market themselves as armor penetrating. I've never looked too deeply in to these. I know of their existence, but not how effective they actually are.

There's also probably some close quarters scenarios where a slug might punch right through body armor, even though, generally speaking, slugs lose energy extremely quickly, and at mid to long range, they're not going to penetrate. Ultimately, it is an 18mm bullet without a lot of powder behind it, so the drop off makes sense, but it's still a lot of mass to deal with when it's leaving the barrel. Even if your armor holds up, taking that hit is probably not going to be fun.

-Starke

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[pixelnrd]

Mac’s investigation into Theodore Brown was coming up short. They knew that the further back in history they went, the less likely they would find any digitally preserved records of their ancestry. And so far, their searching had failed.

In an act of desperation, they decided to visit the Henford cemetary - and finally, the pieces fell together.

They found the gravestones of Douglas Brown and his wife Joan - listing their descendents, Margot, Vincent and Lewis. Mac finally had their answer - Margot was the daughter of Douglas Brown!

And Douglas was the son of Theodore - for they then finally found what they had been searching for. Side by side were two individuals, Theodore and Ruth Brown (nee Langston), survived by their children Douglas and Eileen.

But then Mac noticed something more. Next to the gravestone of Ruth was another person - Daisy Adelaide Schiller (nee Weston). Mother of Ruth, Thelma and Mabel.

It was another clue to the past. Here was proof of another lineage - Daisy Weston, mother of Ruth. But if Daisy was the mother of Ruth, why did they not share a surname? Where did Langston come from?

Mac was stumped. There were too many surnames now, and what hope would they have of finding an individual who existed in the 1920s. It felt like the trail had finally run cold, and when their usual internet searches produced nothing on a Daisy Schiller, Weston or Langston, Mac felt defeated.

That evening they sat slumped in the local pub, beer in hand. They thought about going home. What were they doing here, on their own, searching up ghosts. Families were messy and complex - Mac knew that - and they couldn't blame their ancestors for following non-traditional paths. But now they were stuck and couldn't figure out how to go further.

'Hey, you ok?' asked a voice. Mac looked up and noticed it was Hugo from the farm. 'How's the family history going?'

'Oh yeah...' sighed Mac. 'It's not anymore. Dead end. Might be time to go home... I just feel like I came so far, so it's hard to accept.'

Hugo sat down with them and listened. 'That is a bummer,' they admitted. 'But do you want some help maybe? An extra brain to work out the mess with? I love a bit of family history... you can come over some time and we can go through it together. Maybe we can figure out the next step. You came all this way - don't give up just yet.'

[ineylesian]

— FELL ON BLACK DAYS

AVENTURINE X FEM! READER

AO3 | NAVIGATION

WORD COUNT — 9.5k

WARNINGS — spoilers for penacony’s storyline, enemies (??) to lovers, slowburn fr (it gets good i promise) mentions of genocide, mentions of child exploitation (not explicit), weapons & violence, smut, fem anatomy reader, sub!aventurine, mentions of traumatic events, one bed troupe

SUMMARY — Risk. It’s the word Aventurine lives by, a motto that claws at your heart when he’s gone. A reality that spills tears when he closes the door to your apartment, leaving only the ache of your heart in his absence. A danger that never guarantees the next time he chases his destiny will not be his last. 

You will never fight to change it, because that’s all it is. Destiny.

AUTHOR’S NOTE — AHHH i love aventurine so much he made me write again <333 i will defend this man to the end of the earth i swear. also holy word vomit, this is officially my longest piece!!

“BREAKING NEWS: Reports incoming that the International Peace Corporation has been seen with an employee suspected of Avgin origin from the planet Sigonia-IV. All habitants from this world were thought to have been wiped out or lost to the galaxy, so the appearance of this mysterious individual has grasped the attention of–”

The broadcast slowly fades into the background, overtaken by the synth and snare of a song that lightly shakes the ground at your feet. 

Sometimes you’re better of dead–

“Oh, you think you’ll be an asset? You’ll have to learn to make tough decisions on the go here if you want to succeed, so tell me…”

There’s a gun in your hand, it’s pointing at your head–

“You want to help this clan? Help claim this world and rid it from the remaining filth that roams?”

There’s a piercing screech amidst the bar, the high pitched wail of the speaker blasting the music fighting against the volume. A few seconds pass before the song picks back up again, a few lyrics skimmed through.

Which do you choose, a hard or soft option? (How much do you need?)

In a West End town, a dead end world, The East End boys and the West End girls–

“...”

“Before your initiation, you must make a prayer to the winds and mountains. Do you swear to devote your thoughts and beliefs to them, and reclaim the glory of Sigonia-IV?”

We’ve got no future, we’ve got no past

Here today, built to last–

“I swear.”

The bass fades and you’re left standing amidst a crowd of chatting people, some high on buzz, others passed out beside the restroom. Your eyes slowly fix forward, coming to a halt as the masses shift in formation, curving in a circle around the biggest table in the casino. Lined with forest green felt and red chips, hands bang against the surface joined in a cry of frustration. 

“God damn it. This is rigged!” A player screams, hot-faced and teeth grit. “YOU!”

He stomps his way around the table, stopping at the dealer’s chair, failing to gain any attention despite the magnitude of his boots on the floor. In retaliation, the man takes a fistfull of the dealer’s hair, spinning him violently around and grabbing the collar around his neck.

Seldom have there been times where you didn’t see him in this sort of setting, a man with glasses that carried the same orange tint as the drink in his hand, die mounted between his fingers as he speaks with a wealthy patron. His words weave like velvet on a fine tailored suit as he invites you to play a game of chance, and before the game has even begun, you’ve lost.

His name is Aventurine, and, just as his reputation precedes him, the corners of his lips turn upward as you enter his field of view. He is never one to be down on luck.

“Sir, I’m going to have to ask you to exit the casino. The drinks have riled you up a bit too much, and I’m afraid you’re no longer sober enough to keep playing.”

The smell of outlandish alcohol hits your nose in a foul wave as he turns, rudely shrugging your hand off of his shoulder. 

“And who do you think you are? Protecting this weasel like that.” You take a step back as he advances, completely abandoning his grip on Aventurine as his gaze focuses on the emblem tailored to your shoulder. “You’re in on this scam too, aren’t you? Fuckin’ IPC, always looking to take money from people.” A sizable crowd has gathered at this point, and with that, guards are quick to stand at your side. You tilt your head to the side, extending a hand to gesture at the coat draped over his empty chair.

“You may gather your things and leave now, sir. Refusal to comply will result in you being forcibly removed.” 

A few more seconds of seething stares pass before he grumbles an insult toward you and rushes to gather his things, attempting to push the guards following him away. You sigh, turning to the dealer, who is now comfortable in his chair, feathered hat placed neatly on his lap as he shuffles the pool of cards pushed his way.

“Alright folks, now that’s over with, how about another–”

“Mr. Aventurine unfortunately won’t be able to join you all this round.” You quickly cut him off, laying the newly layered deck of cards onto the table. “May I have a word, please?”

The blonde takes a glance between you and the rest of the patrons at the table before nodding, allowing a charismatic smile to decorate his face as he slides the cards forward. 

“Of course. Miss Antonia, would you please find another dealer to step in for the remaining games?”

He gathers a kind nod from a nearby waitress, before turning to follow you outside of the casino. As the door opens, strong drafts of icy wind blow against your face, and you hear a shiver from behind.

“Sheesh, couldn’t we at least have talked inside? I didn’t come prepared to stand in the cold…”

You send a look his way, and Aventurine’s hands rise, lips pursed in faux apology. He pushes his glasses farther into his nose bridge as you lean against the casino’s exterior wall, shielding yourself from the chill. It’s clear he’s not taking you seriously, stifling out a yawn and rubbing his eyes before he even spares you a glance.

“Here to lecture me about the, wait…” His eyes suddenly narrow, honing in on your uniform. “Who are you?”

You remain silent, watching as he taps a few fingers against his forehead, thinking. The talisman of the IPC’s Strategic Investment Department sits firmly laid into your uniform. A smoothly carved onyx, inferior to the cornerstone you know he possesses and certainly lacking in power. His eyes linger on the stone for a few moments, biting the inside of his cheek as he tilts his head back up.

“Never seen that stone before..” He says after a few seconds, voice substantially lower. “What rank are you?”

His gaze is opaque, on guard. You resist the urge to bite your lip, figuring lying in this kind of situation wouldn’t be the best decision. Subconsciously, you bring a hand up to your stone, adjusting your coat flap before bringing it back down. 

“P39.”

His eyebrows form a sharp line, but his lips remain flat. The lens behind thick shades linger on the stone, burning into the lights that reflect off of the darkness. He’s never seen someone who isn’t a part of the Ten Cornerstones wear something like this, so who are you?

“If you’re here to try and convince me to do something, I’m not interested. I’ve had enough orders drilled into my head since I came to Jarilo-VI.”

His forefront is confident, but you can see the hand that lingers at his side, struggling to stay put. It reeks of mild uncertainty, and a lack of security. He doesn’t feel safe when he’s not in control.

“I’m here to tell you that your assignment’s changed.” Your response is straight and to the point. There’s no room to betray any underlying feelings of guilt you may have from years passed. “You’ll be with me and my team, we’re going to the Loufu in three days to sort some business out. I suggest you finish your deals here before we go.”

“Well then.” Aventurine clicks his tongue, mild annoyance riding the smile that forms on his lips. “Let’s acquaint ourselves then, shall we? You must know who I am, so please allow me the pleasure of returning the favor.”

A small passage of frosty air rises into the atmosphere as he breathes, hand extending in formality. You take it, slowly shaking, taking in the defensive rise of his shoulders. It seems he has zero tolerance for strangers.

“Nice to meet you, Aventurine. They call this stone the onyx.”

–

The Interastral Peace Corporation only takes workers to be strong-minded and just as toughly willed. In the Strategic Investment Department, greed is a virtue, and wanting nothing but it all is a prayer. Those who earn their spot as a cornerstone will stop at no means to chase their desires. 

Aventurine values risk, but he always loves to have control in his corner. Without control, the chips in his hands are of no use, and his bargains crumble beneath him. 

A gambler's true nightmare, sitting right between his eyes.

Your relation to him is a true mystery, despite all of the digging he’s been doing after arriving at the Loufu. Despite the numerous deals you’ve closed together, he still fails to know anything about you, other than the fact that you have quick wit and fascinating knowledge of the universe. He won’t dare approach you directly, his inhibitions are too high and he knows too little.

However, there’s something off about you and that stone of yours. It’s unlike anything he’s ever seen before.

“Does the IPC really need that many funds to perform a vitality check on the Sky-Faring Commission? From what I remember, this is nearly triple the amount of last year’s fee.”

“Well, Helm Master, from what our reports say, you had agreed to the accumulation of interest based on reports of safety in the Loufu. Based on recent events, there has been a substantial raise in alarm concerning the safety of the citizens here. We hope you can understand.”

Aventurine unfolds his hands, sliding a glossy black dossier over to the woman known as Yukong. After skimming over the first page of analysis, she sighs, and places her hand over the cover.

“Is it possible that we could touch bases on this later this week? I need time to look over these documents and discuss them with my team before making any decisions.”

Biting back a groan of exasperation, you nod, politely shaking her hand and bowing your head when she stands. What you thought was going to be a quick excursion of debt collecting had turned into two long weeks of debate, and you’re starting to lose sleep. After Yukong exits, you run a hand through your hair, allowing the flow from the outside to flood your ears..

You can admit, the place they chose is certainly impressive in its theatrics, blooming with tall fountains of pristine water and a live band of foxians playing classical music on a mahogany stage. 

After a few minutes of jotting down notes you find yourself leaning against the bar’s edge, elbows cool against smooth wood. Your thoughts swirl like the vibrato of the woman singing a cover of a local song in a language unknown to you, but it’s calming, and you begin to itch with the desire to order a drink.

The waiter polishing glasses near you seems to pick up on your wants, quietly gesturing with her hand that she’ll take your order.

“A Rose in Rain, please.”

She makes your drink at an astonishing speed, sliding the glass next to your hands with a smile. You stare at the royal blue liquid sitting at the rim, contemplating if the hangover will be worth it.

Aventurine eyes the finger that rests along the base of the glass, humming quietly to himself. He figures there’s no better way to get to know someone than through a few drinks.

“You gonna drink that or keep staring at it?”

You turn your head, watching as he slides onto the barstool next to you. He raises his three outer fingers, ordering a small glass of Wintry Garden before turning to face you.

It’s been a long month with the Cornerstone. His approach remains restricted, evident in his snippets of sarcasm that he still doesn’t trust you. Your situation is… unusual, so you tolerate it. However, there still lies a fear within that he’ll go deeper than what’s for his own good.

“Do you usually drink? Or are you afraid to spill your guts?”

His words drip with conviction, blindly accusing you with the corners of his mouth tilted upward. It’s been too long, and he still doesn’t know a damn thing about you other than the stone you wear. He needs to flip this in his favor, fast.

Aventurine’s fingers drum against the bar’s edge as he picks up his drink, taking a small sip. The slight tilt of his head inclines you to start yours too, drinking half of the tall glass in one swig. His eyebrows raise in surprise when the drink hits the table, taking all but a few seconds to completely down the entirety of its contents, a resounding clink following.

When you don’t rush to finish your own drink, Aventurine chuckles, crossing his arms as he turns to face you fully. He’s eyeing you, daring smile plastered on his face.

“What, scared?”

He’s challenging you. And it works, since your drink is empty and you’re ordering a second round in a matter of seconds. Fizz sluggishly bubbles down your throat, followed by rich spots of thick, clear syrup.

A few drinks is all it takes for you to begin feeling lightheaded, pressing a palm into your eye to try and alleviate the nausea. Aventurine is at least 6 drinks in, setting down his next with an exaggerated sigh. Raising his hand for another, he lightly dings his glass against yours, the scent of redsunset sauce high on his breath.

“Let’s talk, Onyx.” He remarks, placing his hands on the table as the bartender comes over. “What’s the real deal with you? How come I haven’t seen you anywhere in the IPC and you show up in my faction one random day?”

You cough, attempting to clear your throat before you answer. It’s tough to keep your resolve with the amount of alcohol in your system.

“Maybe you’re just not perceptive enough, I’ve always been around.”

It’s clear he doesn’t like your answer. Another drink down.

“How many years have you worked for the IPC?”

“Almost 4 now.”

“What’s the entrance project that got you into the Strategy Department?”

You hesitate, and he grins, satisfied. This interrogation is going as planned.

“Well then? I’m sure it couldn’t have been that bad, unless you’re more dangerous than you seem.”

It’s your turn to down a drink, wiping a small trace off of your chin as you think.

“Izumo.” You answer, short, watching as his fingers clasp tighter around the glass in his hand. Surprise.

“You really expect me to believe that?” He scoffs, a tinge of fire evident in his voice. “No one goes to Izumo any more, not after the slash.”

“You’d be surprised at the sheer amount of people that go to Magatsu no Morokami to uncover history. The IPC has their eyes set on valuable relics left behind from the war.”

He leans forward, dangerously close to your face. Past the thick orange lens of his aviators, you can see the irate spark in his eyes, alight with a plethora of shades you’ve never seen before.

“It’s not wise to lie to your superiors.”

You back away, sliding your card across the counter to the bartender. The moment Aventurine gets up to follow, you stop in your tracks, holding a small drive in his direction. You have some tricks up your sleeve, too.

“You’ll change your mind.”

He pauses, slightly bent over in a stupor of alcohol. 

“Best keep your cards close to your chest, Aventurine. Snooping in places you don’t belong bodes bad fortune.”

His mouth opens, but no words come out. Slowly, he takes the drive from your hand, leaning back onto the bar’s surface, eyebrows knit in thought. The world is suddenly too loud and amidst a flurry of harmonic bellows and blinding lights, you disappear. 

—

INTERASTRAL PEACE CORPORATION, STRATEGY INVESTMENT DEPARTMENT HQ | ONE MONTH LATER

“I guess I should apologize.”

Several weeks of absence. You look up from the papers on your desk, watching as Aventurine places your drive back on your desk. He straightens back up, waiting for you to respond.

“Understandable.” You answer, finalizing a document with a quick signature. “I would have had my apprehensions too.”

“Still do, but it’s better to work with someone you tolerate, right?”

You look up. He shrugs, eyeing the papers you have scattered around.

You had given him a flash drive with your report on Izumo, or, at least, a report on it. Sometimes things are left best buried. Still, Aventurine is certainly not stupid, and you know that. The final version of the report is vague and full of small incidents that contrast the planet’s true history There are inconsistencies, but he seems a little less hostile for the time being.

“Whatever you’re hiding from me, I intend to find out in due time. But I can’t do that if we’re at odds.” A hand is extended your way, held a little less straight and professional. “Let’s just try and hate each other a little less, huh?”

Fighting the urge to roll your eyes, you take his hand and shake it for the second time. Aventurine smiles at you, a little less pointedly, but still on guard.

“Friends it is, then.”

His grip tightens slightly at the proclamation, leaving your veins seared and eyes wavering. As if you just made a deal with the devil. Your gaze drags along the fancies of his coat, figuring this is just another gamble he’s won. Something closer to certain death; the passion for it intrigues you.

Sooner or later you’ll suffer the consequences of a lie, you tell yourself. There’s no good outcome when striking up an agreement with a gambler, especially one like Aventurine.

Especially when the gambler is holding a knife to your throat.

The blade is cool, barely holding back from your trachea. Leather gloves hold a fistfull of your hair, shoving you down onto the filing cabinet you were sifting through moments before. Your eyes dart around, only able to see the edge of his shoe pressing against your ankle and the papers you dropped scattered across the floor.

“Just as I thought we were getting along.” His spits, words slithering around your chest and settling around your neck. “It was only a matter of time before you slipped up.”

Confusion spreads across your features, and Aventurine scoffs. His shoe digs deeper into your achilles, and you stagger against the metal. 

“What the Hell are you talking about?” Your words come out choked, gasping for air against Aventurine’s hold.

“That man, the one you had a long conversation with at the meeting tonight? You two seemed to get along.” Aventurine’s breath runs short out of anger, grip scalding against your skin. “You know him, don’t you?”

You close your eyes, tracing the night’s events back several hours. You only recall shaking two men’s hands, one being the esteemed Doctor Ratio’s, and the other the reason why you were down in the IPCs archives. He was dressed nothing short of what a gentleman would wear, offering you many commending words as he spoke of the recent inflation concerning the astral economy. However, you didn’t miss the brilliant stone embedded in the shell of his tie, reflecting vibrant colors you’ve only seen once in your lifetime. And neither did he.

“Pretty stone isn’t it?.” Aventurine continues, pressing your hands against the wall you’re shoved against. “I’ve seen it a lot throughout my lifetime, but I’m sure you know that already. Silly me, forgetting how easy it is to conceal them.”

He reaches for your shoulder, and you push back, using the slightly stagger of his feet to grab the blade’s edge, violently smashing your head into his and spinning him around. His blade traded for your stone. 

“I’d like to know…” His fingers flip the stone around, taking in the colorless mass, like a void amidst the stars. With a quick swipe of his hand, a lighter is held to it, engulfing the black in a dance of pale fire. Aventurine shakes the rising smoke off of him after a few moments, and your eyes narrow.

“...Why you have this?”

Turquoise meteorite, a brilliant blue stone infused with veins of a green just as bright. A kind of beauty that could only be found on Sigonia, tailored in a way only an Avgin could. The crafter spoke of a tactic that could hide the stone’s true color, while keeping its spirit alive with you still. 

Blood drips from your hand, staining your clothes a deep crimson. Gritting your teeth together, you slice a sleeve of your dress shirt off, slowly wrapping it around the wound. 

Aventurine stands, still, fury riding his waterline. His glasses sit beside his feet, hues of purple and blue wavering in the dim light. His hand slowly clenches, in and out, smoothing the cooled piece over his palm.

“What now, Katican?” His voice is quiet, gently ricocheting off of concrete walls. “Came to settle one last score, fulfilling your dream of tracking down the last Avgin? Oh, I bet you’re itching to use that knife right now.”

You step to the side, shaking bloodstained papers off of your feet. The knife drops to the ground, scraping cruelty against the ground as you kick it to a corner far out of your reach. A sharp intake of breath follows, and he steps back.

“I’m no Katican.” Your tone is low, locking eyes with Aventurine, his gaze darts from the knife to you. “The stone was a gift from an Avgin I saved during the second extinction.”

The air is stale, prickling with fear as you pass. Aventurine stands tall, but you know all too well that his greatest fear has come alight in this very room. The thought of coming face to face with a Katican chases him in his nightmares each dusk, a terror looming over his head akin to a raging storm. For once, he’s speechless, completely dumbstruck, mind racing to comprehend all that you’ve bestowed upon him. So little said, yet so great a burden unveiled. 

You would be right in telling him that such information is better left buried. Yet Aventurine knows only how to shatter the destiny that calls for him, and monumental change has left in its wake.

He opens his mouth to speak, yet words fail him. The hand holding the stone sits slotted behind his back, holding on to it as he would a birthright. A piece of his past that would never bless him again, sitting in the shade of Sigonia’s darkest nights, mimicking a color that does not belong to it. He wants to scream, take his knife and shove it so hard into your chest that it comes out on the other side. 

“I am on your side, Aventurine. I always have been.”

After forcing himself to swallow, he straightens up, but you’re already gone.

Distantly, a heavy thud hits the floor.

–

TUMBLEWEED, SALSOTTO.

“I’m Daisy, here this morning with Tumbleweed’s daily weather report. As usual, there’s sun about. However, a rude awakening is coming at around 6pm, as a pretty hefty thunderstorm is coming our way. Make sure you carry your umbrellas! And remember, as our beloved Fleetworld Marc says, thunder only happens when it’s destined.”

Destiny. The word lingers in your head as a pang of hunger hits your insides. Placing your last suitcase beside your bed, you set off for your hotel room’s kitchen. Reaching over and opening a cabinet, you groan when it reveals itself to be empty. 

Shrugging your coat over your shoulders, you pocket your room card. However, when you open your door, you’re quick to step back, feeling your heart rate spike instantly in shock. 

“Uh…” You take a few short breaths, regaining your composure. “Can I help you?”

The man standing before you is no other than Aventurine, chin receding as he looks at you with evident confusion.

“Can I help you?” He retorts, flipping his hotel card up to the light. “This is my room.”

You pull the exact same card out of your pocket, and the two of you share looks of bewilderment. After reading over the numbers on your card for what felt like the 50th time, Aventurine sighs, long and drawn out. 

“Well, this isn’t what I imagined when the front desk told me they could fit a room in for me.”

“I’ll go ask–”

You’re cut off with a swift wave of his hand.

“Don’t bother, I already did. They’re fully booked for the next week.”

Before you know it, both Aventurine and his bags are heading into your… your room. Exhaling, you mutter a quiet “okay..” and follow him inside. However, he’s quick to stop you once you make it past the bathroom, exaggeratedly pointing toward the wall to your right.

“This has to be some kind of joke, right?” Aventurine laughs, pulling his glasses off as if attempting to see better. 

His gaze is fixed on the bed sitting across from you. The single bed, accompanied with a single nightstand and a TV. In that moment, you both share a second groan, and Aventurine palms his face.

“I’ll figure this out.”

In a matter of moments, he’s gone, suitcases set haphazardly on the ground beside you. After a few minutes of thought, you head to the bathroom, soaking your hands in cold water. A brief inhale follows the icy chill that drags over your face, and you silently curse destiny. 

A few hours pass before Aventurine returns, shirt slightly ruffled, annoyance clearly displayed upon his features. The click of boots melds into the soft step of socks as he enters the kitchen, and you silently pass a bowl of fried rice you had been able to scavenge from a local grocery store over. Running a hand through his hair, he nods your way, sliding into the stool across from you and stopping the bowl with his fingers.

“As you could have guessed, there are zero people in this whole building willing to switch rooms with us.”

“Ah, yeah. Tourists are usually snobby.”

A hum signifies his response. Silence encompasses the room as a blanket would, save the soft clangs of silverware on bowls. You fix your gaze on the granite countertops, following intricately woven lines of mixed stone and drawing patterns in each section you come across. Becoming so immersed in the cracks, you don’t even notice when Aventurine passes you twice, once with his bowl, and once without. Seconds turn into minutes as you stare at the sheet of stone, only taken away from thought when he returns to the table, dressed in a black set of silk pyjamas. 

“What’s your story?”

Your eyelashes flutter, taken aback by the sudden inquiry. Raising your head, you push the now cold rice to the side and glance at the man across from you, fingers interlocked in wait. 

You’re shocked at the simplicity of it. The lack of accusations are a breath of fresh air when it comes to his words, typically cold fronted and dripping with malice. You would expect him to be angry still, perhaps even worse, giving that you lied, but you can feel the genuine curiosity lingering within. He seems to want to understand.

“I joined the IPC when I was young, almost ten years ago.” You start, fighting the urge to snap away from his gaze. “In my second year, word was out that there was trouble on Sigonia. It was thought that the IPC had it under control, but everyone knew there was something else coming.”

You pause. Aventurine remains quiet, attentive.

“I took it upon myself to convince my superiors to send me to Sigonia, despite their warnings. But… the work we did there, it wasn’t enough. I could help no one under the bounds of the IPC, so I sought out the Katicans. No more bounds. I was on the inside, where I could do things my own way.”

“Such lovely people, weren’t they?” He questions, apathy leaking from deep within. “Didn’t have a single care in the world other than themselves. They wanted to see everything burn, the women, children.”

“I have never seen a deeper hatred than what lies within them.”

You stop, again, toying with your fingers. Aventurine’s silence beckons you to proceed.

“I could only help so many, and they all ended up dying anyway. There was no escaping them, they were ruthless.” Your voice trails off, shaking your head slightly at the recollection of dark days in the wasteland they call Sigonia. No horrors match the ones that took place there. “I couldn’t imagine what you went through, any of you. And still, you’re alive.”

A word softly chants in your head. Destiny.

“Ever since I was born, I knew what was made out for me was never good.” Aventurine says, a hint of irony in his voice. “I fell on black days without knowing what it was like to live on the other side, and it’s been like that since.”

Flashes of your past mix in with current thought. You remember them, the Avign children, clinging to scraps of life even when it was evident their lives would soon end. Their eyes, just as brilliant as his, drowned by crashing waves, yet afloat on the prayer of hope. You imagine Aventurine was just like them, and you understand. Anger breeds and it seethes.

“How do you control it?” Such a simple question, yet so many answers. 

“I put it all into risk. Every single last bit of it. I gambled, and I won.” His pointer finger gently hits the table, and he raises his hand to wave it through the air. “I survive, and I bet again.”

“A bold motto, I must say.”

A small smile graces his features, shrugging lightheartedly.

“Luck seems to be on my side.”

You look to the side at the sound of a crack, noticing that rain has started to fall. The sky is obscured by deep grays, and the rumble beckons you to the sliding door separating you from the balcony. The crash of drops on concrete is soothing to your ears, bestowing a peace upon your heart you’ve failed to find for a while now. The serenity thickens as Aventurine steps to your side, the hues in a ring of his eyes reflecting the storm outside.

“I didn’t rain much back then.” He muses, gaze following the slow drizzle of fallen streaks on the balcony’s edge. “A privilege I can keep alive, now that I see it so often.”

You look to the side, meeting Aventurine’s eyes halfway. The corners of his lips turn up as he looks past you, covering his mouth as he stifles a yawn.

“Almost forgot about the bed.” He laughs, running a hand over his lower face. “You can have it, I’ll be okay on the floor.”

“Absolutely not!” You counter, head tilting in defiance. “I’ll be fine on the floor.”

“That would be extremely impolite of me.”

“As it would be for me…”

“Will you please just sleep on the bed?”

“I brought extra pillows! I’ll be more comfortable than you on the floor.”

Aventurine stops, sending you a half lidded look. You walk over to your suitcase, swiftly pulling the two large pillows you packed out, holding them at your sides. He walks over to you, snatching a pillow out from one of your arms before walking toward the bed.

“Or, how about this?” He shoves your pillow on top of the hotel provided one. “We put the extra pillows on the bed, and we both take a half.”

You purse your lips, and shrug in reason. After patting your pillow into place, you climb onto the bed, turning on your side to ensure you’re only taking up half of the bed. 

As you land on your other shoulder, you nearly touch noses with Aventurine. He chuckles, eyebrows raising in a teasing manner.

“It’s not often someone gets the chance to be this close to me.”

You groan, tugging the coarse blanket to your chest as you flip to your front. Stifling a few chuckles, Aventurine turns so his back is facing you.

Within a few minutes, quiet snores begin to drift through your ears. You sigh, and roll your eyes. And yet, only peace visits you in your dreams.

–

There have been few nights of your stay in Salsotto without rain. You’ve grown accustomed to the melodic pad of morning to the erratic roar of the night. This night is different, however, as dew is high in the air but the clouds of the afternoon are white, tainted with swirls of pink that bode better weather. 

You fumble with the pearls on your neck, carefully positioning them so they rest on your collarbone. All IPC events require a clearance of wear that is above the standard grade of formal, nothing short of extravagant, explaining the fine tailored suit you wear over your dress. Ivory on cream, a palette that bodes well when making business deals. 

Heels click on pavement, Tumbleweed’s National Museum in sight. Golden lights cast the establishment in an elegant glow, and the stream of classical cello welcomes your ears as you approach. Welcoming smiles are given your way as you enter the building, and you start a long night of shaking hands and business chatter with the esteemed mechanical aristocrat Screwllum. 

Leisure chats of the Genius Society’s next project flow in and out of wine chutes, with gentle opera joining new deals of funding. Another hand shake bodes your farewell to a philanthropist from the Herta Space Station, and you take a seat at one of the tables nearby, attempting to gather your thoughts. Sipping on a glass of sparkling rose, you start jotting down tonight’s business proposals onto your phone.

“Having fun?”

You look up, offering a smile toward your temporary hotelmate as you pull the chair next to you back.

“Was wondering when I’d run into you, Aventurine.” You say, clinking glasses with the blonde. “How many deals have you clinched tonight?”

“More than you, I bet.” You scrunch your nose, folding your arms after sliding your phone his way. Aventurine takes a look through your notes, smile expanding on his face as he progresses.

“...And it seems I would be right.” He exclaims, holding up two full hands. “Don’t feel bad. It’s the natural charm.”

“Mhm. Super natural, and not annoying at all.” You quip, earning a light jab in the shoulder.

Your past two weeks with Aventurine had proved to be an easier feat than you had thought. Beside the snoring (that you had learned to tune out), he had served as a good source of company, squandering your worries of lingering grudges as you spent more time around one another. You were grateful he had the will in his heart to see the reason behind what you had done, although you were a little surprised to see that he had forgiven you with such ease. 

Now, to you, he seemed to be an easy soul forced to carry burdens that were undeserving of him. 

“Hey.”

You’re roused from your thoughts by the gentle tap of Aventurine’s foot against your heel. He cocks his head, and you’re suddenly aware of the soft serenade filling the room, sung by an artist famous for this piece.

“Let’s get our minds off of business for a while. Care to dance?”

He straightens his jacket before standing up, beckoning you to do the same. You accept the hand outstretched, threatening to roll your eyes as Aventurine lays his other on your back, guiding you to the floor.

“Trying to show off?” 

Aventurine slowly spins you into a shroud of spotlight, laughing when your eyes go wide from the precision of his arms slowing you back down. 

“Of course.”

A look is shared between the two of you, and the dance begins. You recognize the piece, Seid Umschlungen, Millionen! (Be Embraced, You Millions!), and fall into a sort of waltz, slow, quick, slow. Your feet move in a symphony of chirping violin and cello vibrato, swirling carefully around other dancers as you step from box to box. 

The music quiets in a moment of repose, and you slow, winding your hands around his neck as you sway, in wait. 

“What’s with the long face?”

The question catches you off guard, as you weren’t aware that your thoughts had reflected off of your face. Lips pursing, you wonder whether taking the chance and ruining the moment is worth it, but the question nags deep within, festering like a cancer that will not cease until it is freed. 

“Do you forgive me?”

Strings echo and rise; Aventurine fits a hand behind your back before spinning you into dance. His eyebrows are furrowed lightly, as if your question had caught him off guard in some sort of way, but you both knew it was coming. Trust is an uncertain entity, not easily won or wagered, never certain in whether it’s attained or lost. Forgiveness is a trial for trust, and within inquiry lie a question of deeper truth that never made it to the surface

Do you hate me, Aventurine?

There have been many times in the passing days where you’ve been questioned about your time in Sigonia-IV. A test to determine whether your actions deserved merit. Recounting stories of countless lives you worked tirelessly to save at the risk of your own. Gallons of blood stained on your hands from the guilty, those whose karma ran the empty river beds of the desert red. 

So much, and yet nothing at all. It’s as if life is out to play some game of twisted fate, as you see all of the lives you could not save in the man right before you. The brand slightly hidden by his collar and wispy blonde, jewelry glittering at his wrists, irises that shine in the darkest of nights. Bewitching, yet so alive. 

“There’s nothing to forgive.” He says, after some time. “You did a brave thing, I would be a fool to condemn you for it.”

Elation. It’s the feather touch of his hands, graceful in the way they dip you, nearly stopping time as you lay suspended. Your eyes lock, and you nearly drown in the glow of lavender and maya that stare back. Slowly, you feel one of his hands leave your back, dipping in his suit pocket and coming to rest in your vision. 

“Their memory is always alive somewhere. It’s up to us to keep it.”

You’re lifted to stand, and, amidst a rather slow spin, Aventurine pins the turquoise meteorite you’d thought was long gone onto the span of dress fabric above your chest. The resounding smile shared is trust.

You twirl and sink until the song comes to an end, stopping in a hold of hands and interlocked legs as orchestra is overtaken by voice. In the midst of fading spotlight, your breath evens out, and you find yourself following the gambler’s hand to escape the noise, elbows brushing on a balcony railing as you stare out into the fading daylight.

The sky is tinged with the baby blue of afternoon, arising into a deep interweave of violet and blush. A small, red casino chip flips between Aventurine’s fingers, rolling to sit between his pointer and thumb in short pauses.

“Got any tricks up your sleeve, gambler?”

Aventurine tilts his head to the side, invigorated by the rise of your lips, challenging, daring. The game you propose has risk, but what is life without taking leaps blind? Aventurine is sure he can see you now, after all.

With a flip of the chip and a wave of his hand, the red disappears, and a cool sensation lands firmly on your lips. His face is inches away from yours, fingers gently pressing against the chip that severs the distance between you.

“There are tricks to any risk, as long as you know what you’re doing.”

You raise your hand, sliding the chip from your mouth and palming it. When he doesn’t move, you tug on his collar, chin tilting upward to press your lips to his. The sensation is warm, gentle, as if you tread on ice that threatens to shatter. Honey sears your tongue, and you revel in the touch of his lips, soft as the velvet of his tie.

The moment is all too short, yet your mouth feels numb as you break away. In a moment of silence, you take the hand that sits lightly clamped around your wrist, sliding the chip in his palm and closing his fingers.

“I think I’ll be gambling a lot with you, Aventurine.”

His face moves closer, and you look down for a moment, noticing the hand that sits behind his back.

“I look forward to it.”

–

INTERASTRAL PEACE CORPORATION, STRATEGIC INVESTMENT HQ | TWO MONTHS LATER

Knock, knock.

“Coming.”

The door opens in fluid motion, revealing a room cast in gloom, tan shade, blinds drawn. 

“Hey, Aven.” You sigh, placing a chaste kiss on the blonde’s cheek. “Long day?”

“Long day.” He mirrors, offering to take the stack of papers off of your hands. You accept, slipping into the chair across from his desk. “Are you done for today?”

“Mhm.” 

Aventurine sits in his desk chair, shrugging the navy coat he sports onto the back. You stretch your arms behind your back, watching as deft hands undo the cross hatched tie representing the cornerstones from his collar. As he sets the piece down, his office phone starts to buzz, and he groans.

“Hello, this is Aventurine… Uh huh, what time?” He draws circles into ebony, holding the phone to his shoulder as he reaches for a notepad. However, as he clicks the pen in his hand, he nearly drops the phone, clearly startled. “Can you repeat that? Si- okay. I’m coming.”

In a flurry of movement, he stands, tie and coat snatched. 

“We have to go, right now.”

His tone is impatient, brimming with anxiety and unwilling to contest. You blink a few times before following him out of his office, grabbing his coat to hold onto as he fits his tie back to his shirt. The walk is silent, save a quiet “thank you” when you hand the coat over and the click of shoes on tile. Your nerves rise as you move, watching the way he frets with his gloves, tugging on the ends repeatedly. 

In a matter of minutes, you arrive at the boardroom of the IPC’s Strategic Investment Department, stopping at the edge of the table as Jade turns around, followed by a concerned looking Topaz.

“Ah, Aventurine. What a surprise, I was sure not to include your name in the list of attendees tonight.“She sends a look to the white haired cornerstone, before directing her gaze to you. “Unfortunately, ranks below P40 are prohibited from attending this meeting. Guards, please see her out.”

You push against the guard that seizes your wrist, but are unable to resist as more come to his aid. After having the door shoved in your face, you’re dragged to the hallway outside of the meeting hall, forced to sit in wait. 

30 minutes. Another 30. An hour before the doors open, with Aventurine first, Topaz following close behind. He rushes past you, eyes on the ground, gone within seconds. Concern etches your features as Topaz runs up to you, lips pursed in distress,

“Aventurine-” She pauses, hand on her chest as she catches her breath. “Please go after him. You’re the only one that he’ll see now, after what just happened.”

“What happened?”

At your inquiry, she shakes her head, nodding her head toward the direction Aventurine took off in.

“It’s best you hear it from him. But, please, go see him tonight, he needs someone who’s close to his heart.”

Worry is quick to seep into your features, but you nod. A quick visit to his office and you’re off, taking the next jet off of Pier Point, to Klimt Republic. Weaving through streets and bullet trails full of life, you arrive in the heart of Klimt just two hours later, standing on the penthouse floor of an apartment complex worth more than the entire block you’re on.

Knock, knock.

Silence. You hesitate, and knock again. 

The shuffling of feet hit the floor, and you wait in anticipation, hands firmly at your sides as the noise stops. After a few moments, the door slowly opens, and you sigh in relief.

Aventurine stands, slightly hunched against the doorframe, hair disheveled, eyes red and irritated.

“Aven, what happ-”

A pair of hands seize your wrist, tugging you inside and slamming the door behind you. 

“Not now.” Your eyes widen at the plea in his voice, whole with a basal need that makes your chest tighten. “Please, just, make me forget about it right now.”

He looms over you, yet the shadow he casts is the antonym of threatening. Fear reeks off of him like vodka, as tears brim on his waterline. The feeling spreads to your skin like wildfire, and you feel him shake as you take his face in your hands, breathing shallow and scared.

The first taste of his lips is sweet, but the salt of his tears is quick to sink in. Clumsy and trembling, your bodies rock and hit walls as you make your way to his bedroom. You throw his coat to the side as he does yours, pushing him down onto his bed as you break for air. 

Aventurine’s hair flows out around him as he falls onto the mattress, shrouding him as a halo would. You chase after him, littering his neck with soft bites that elicit soft groans from the skin beneath. You unbutton half of his shirt before diving for his collarbone, reveling in the whines that respond as you nip and bruise. 

His hands reach for your pants, and you stop him before he can reach for your panties. 

“Ah-ah, hands behind your head.” Your voice pools out smooth, running a hand down his shirt. “Just relax and let me take care of you.” 

Gently pinning his hands above him, you let go, and he complies. You reward him with a kiss, messy and careless, pulling a string of saliva between your lips when you leave them. Your free hand pushes hair out of his eyes while the other works on the zipper of his slacks, watching as his fingers lock together as you apply pressure.

A shudder leaves Aventurine’s lips as you pull his boxers down, hand gently running along the length of his dick. Teeth tug at lips as you spit on your hand, working at his cock while running your free fingers along your folds. His neck lifts up as your hands move faster, and you grin, choking the noises that threaten to spill from your mouth at the display before you.

A sight like heaven, an angel laid out for worship. Aventurine’s skin is coated in a soft sheen of sweat that shines in the dim light, hand laid over one eye whilst the other remains barely open. Under the mix of hues that resemble wild fields of flowers, blush coats his cheekbones, a light to the darkness that blooms on his neck. The vulnerability of it makes your heart soar, and you feel a fire ignite in the depths of your being that fails to stoke.

The hand that toys with your clit lifts, prodding at Aventurine’s mouth as you lower yourself on his cock. Muffled whines vibrate around your fingers, and you moan at the fullness that envelops you. You swirl your fingers in his mouth, biting on your cheek as his tongue wraps around them, sucking on the sweet taste of you. 

His hands abruptly reach up, fingers winding and tangling in hair as they pull you down, replacing fingers with lips. The sensation is hot, as if an unquenchable balm has set your skin alight. 

“Feel good?”

“What kind of- ughh- question is that?” 

You clench around him as if it's instinct, and Aventurine calls your name as he would a prayer. His moans are akin to song, divine in melody, alluring in a way that shuts your mind off from anything else but him. One of his hands leaves your hair, fingers clumsily clamping around your own, holding you like fine china. 

The stretch of his dick does little to quench the hunger within, you crave more, a devout worshiper crying a hymn of need. Your motion becomes erratic, a twist of limbs and friction that siphons tears that streak down your cheeks, falling to mix in with the sweat on your lover’s face.

“Gonna-” Aventurine chokes on his own words, eyes shut harshly as he blinks back ecstasy. “Cum.”

Your words are lost to you, only managing to groan in response as Aventurine pulls you back to him. His lips seal over yours in a searing kiss, arms winding around your back to hold you still as your orgasm shakes you. White light flashes through closed eyes as you spasm around his dick, mixing with the cum that leaks inside of you. 

The room is quiet, save the howling wind of night and the dance of unstable breath. Blankets shuffle as you drop to Aventurine’s side, allowing him to drape your discarded shirt over your bare chest. Time seems to cease as you meet his gaze, touch serene as the plains of distant worlds as he encourages you to come closer. You accept, eyes closing for a moment, feeling the warm fan of his breath over your nose.

“The IPC is funding a project to excavate Sigonia.” The silence breaks, peace shatters and your eyes snap open. “Turquoise meteorites are rare, so they’ll scrape the whole planet dry until every last piece is gone.”

Your face falls, corners of your lips pulling downward. Aventurine’s eyes are half lidded, seemingly already accepting the fate of the planet he calls home. He refuses to look your way, eyes focused somewhere past you, the sorrow spreads and leaks into your soul as it opens further. A place so full of hatred and loss, yet a place that he will never be able to let go of. It burrows within the deepest neurons, refusing to snap and forget.

“You have to say something, Aven.” You pull at his face, forcing him to meet your gaze. “Whatever you have to do, I’ll help you.”

“The IPC doesn’t have time to listen to Avgin.” He sighs, hope stale on his breath. “Not even if it's the last one alive.”

You still, fingers falling to rest against his cheek. Aventurine’s eyes close, brows furrowing lightly against pale skin.

“Sigonia will fall, and only Kakavasha will remain.”

Defeat. It seems that what events occurred in that meeting room left no room for conversation. Guilt flows through your veins like it’s replaced the red, and your chest aches, latching onto the horror that no doubt holds sovereignty in his head.

Kakavasha. Blessed by the heavens yet cursed by the living world. Such a beautiful name that deserves no hell it endures. 

Amidst the quietude, Aventurine’s hand slithers under the blankets, latching onto your wrist. He traces skin, knuckles brushing against your own, coming to rest intertwined.

“Can we try something?”

You nod, and your hand is slowly lifted to the air, palm against palm between your chests. You’ve seen this motion back on Sigonia, yet it’s always remained distant to you, and the words echo in obscurity. 

“I’ll go through it once, and we can do it together.”

You nod, once more. Aventurine closes his eyes for a moment, reciting a prayer lost to you in time.

“May the Mother Goddess thrice close her eyes for you… keeping your blood eternally pulsing. May your journey be forever peaceful… and your schemes be forever concealed.”

A brief pause passes. You sigh in unison, and lock eyes. A voice whispers within the depths of your mind, and you smile.

The memory is always alive somewhere. It’s up to us to keep it.

“May the Mother Goddess thrice close her eyes for you… keeping your blood eternally pulsing. May your journey be forever peaceful… and your schemes be forever concealed.”

As the last words drift off of your lips, you bend your fingers, slotting them between his. Aventurine shares your sentiment; hope flashed in the gentle smile that graces his lips. Your eyes wander, and notice that a single tear trails down his face, disappearing into his skin as it rolls.

Outside, you hear the crack of thunder. You pull Aventurine in, and in your clutch, the downpour begins.

–

Some months later…

The chatter of voices on the phone rouses you from sleep, rubbing a hand over your eyes in annoyance as you come to. Light spills through drawn curtains and open glass doors, filtering the room in hues of honey and hazel. 

“Mhm. Alright, I understand. Let’s schedule the interview for today.”

Songs of canaries and mourning doves flow through the air, and you sit up, raising a hand to block out the sun’s gaze. Aventurine sets his phone down on the bedside table, stifling a yawn with his hand. You roll onto your side, hand propped up onto your chin as you soak in the sight of your lover.

His hair is slightly ruffled from sleep, bangs astray and cast into his eyes. Only the top button of his sleep shirt is buttoned, leaving lean, sun kissed skin on display. 

“It’s rude to stare, you know.” You roll your eyes, allowing him to pull you in for a kiss. “Morning. Sleep well?”

“Mhm.” You hum, knowing full well tonight has been one of the worst nights you’ve slept yet. Aventurine sees right through you, but chooses to say nothing, opting to pull you forward so half of your body drapes over him.

Today Aventurine leaves for Penacony. And, seeing as he was called in for a meeting, he’s probably leaving even sooner now. 

He seems to read your thoughts, offering a comforting peck to the corner of your lips in apology. Your hands card through his hair, head resting against his collarbone. 

You have your apprehensions about Penacony, having heard whispers on the streets of mysterious disappearances of people in the world’s famous dreamscape. The IPC has had a limited number of run-ins with the family, leading you to assume a recent grounds of suspicion has arised, and Aventurine was chosen as the solution. In his eyes, it’s just another gamble of life or death.

You’re roused from your thoughts by a tap on your cheek, making you look up at him.

“Don’t worry about me, sweetheart.” His words do little to soothe you, but you listen regardless. “The risks I take are always foolproof.”

Risk. It’s the word Aventurine lives by, a motto that claws at your heart when he’s gone. A reality that spills tears when he closes the door to your apartment, leaving only the ache of your heart in his absence. A danger that never guarantees the next time he chases his destiny will not be his last. 

You will never fight to change it, because that’s all it is. Destiny.

His phone rings, and the two of you groan before he gets up and tells the person on the other line that he’s on his way. You watch from his side of the bed as he throws his clothes on, grabbing two packed suitcases from the side of the bed before bending over to give you a kiss. The touch of his lips is bittersweet, nearly taunting as it is over before it even begins. You peck him again, running a hand over his hairline to straighten his bangs.

“Be safe out there, Aven.”

He smiles, so radiant it rivals the sun and all that it shines on. You think yourself blessed to see it survive.

“I will. Luck is always on my side.”

And he leaves. You turn to the window, awaiting the rain.

[your-nanas-house]

Just a... thong

◇ Pairing: Dad's Best Friend!Cillian Murphy X Bff's daughter!Reader

◇ Warnings: mention of masturbation, age gap (all off age, Cill is in his 40s, Y/n 20s), pervert Cilly, laundry, dad's best friend, cramps

◇ Summary: Cillian decides to take care of the laundry and finds his best friend's daughter's thong.

◇ Note: Sorry for the mistakes and the English. Another piece of the "AU/series" of Dad's Friend. Thank you @drcranessweetestdoe to encourage me to write smt. It's bit shitty but I hope it will "satiate" you a little. 🤭

It had been several weeks since Y/n, his best friend's daughter, had come to stay with Cillian for the summer holidays.

He had rearranged a bit of the usual routine that the man had made his, now that he was in his 40s and considered himself too old for several things.

However, he had adapted quite well, thanks to the collaboration of the young woman who also did not want to cause any disturbance to him and therefore followed his schedule a bit.

They had established little silent rules, such as the times of breakfast and meals in general, who cooked and when. They had also decided without talking about it that they would do the dirty laundry individually even though she was the one in charge of running the washing machine and making sure of the little details like which clothes could go together and which couldn't.

Usually Y/n took care of the sorting too, before Cillian could do anything, so it was the first time for the man to take care of that task.

The young woman was busy on a call with her family and the Irishman didn't have much to do, so when he passed by the room where the washing machine had finished he approached it, deciding to do it himself to take away a task from her seeing how well he was taking care of all the things he had asked her to do in exchange to make her stay under his roof.

His baby blue eyes scanned the object, taking in the different buttons before making sure it was actually done.

When he was sure of it he opened it, rushing to get the basket to put all the wet clothes in there and then go and hang them outside since the weather permitted.

They were mostly his things and a few things from Y/n, just clothes he had seen on her the previous days, some sports tops and... a lacy piece.

A lacy... A lacy piece of clothing, Cillian repeated to himself before his eyes snapped quickly back to the undergarments he was holding in his hand. His breath catching in his throat as his mouth dried, his heart started to beat faster, drumming against his chest at the realization.

A thong.. it's just a thong, Cillian, get yourself together, he thought, scolding himself, as his eyes snapped towards the door and back to the fabric when he was sure that he was still alone.

Her underwear was soft under his fingertips, smooth and silky except the lacy part that decorated it in an innocent but provocative way.

There was little fabric... he really wondered why she worn something like that since it covered barely her cunt, exposing probably fully her round ass cheeks.

"Fuck" the older man murmured under his breath, his breath becoming heavier as his mind wandered, imagine his best friend's daughter wearing something like that... just that, her body completely bare, her breasts on full display as the thong hugged her hips, teasing him with its little see not see game.

His body reacted pretty quickly and he was hard.. again.

It had been happening quite frequently since she entered his life in a daily basis. He really felt like a pathetic teenager by the way his body acted at the mere display of a bit of her skin.

Cillian bite his lip, taking a deep breath as he stroked the fabric in his hand for a couple of seconds, groaning softly at the feeling while his other hand moved slowly to his boner which was quite noticeable because of the sweatpants he had choose to wear that morning. His thick fingers slowly brushed his clothed hard lenght, before palming it... his bottom lip caged by his white teeth as his mind started to play different scenarios.

"Fuck" he cursed lowly, moving his hand again to pull out his cock irrationally, following the wind of his carnal desire with no shame, too blinded by lust.

"Is everything okay? Is it your back again?.. I heard you curse" Y/n's sweet voice interrupted him, making his blood run cold and move quickly up.. stretching his muscles in the wrong way.

He really was too old for this kind of things, he thought dramatically while cursing softly.

A shock of pain hit him, making him lean against the washing machine in an attempt to regain himself.

Karma.. just Karma, Cillian repeated in his head while inhaling deeply, now feeling pretty much self-conscious about his actions. Luckily she didn't look like she had noticed the perverse actions he was about to comply.

Her look was one of worry and not disgust, even when she moved quickly closer to make sure he was alright and help him sit on the sofa to relax a moment while she continued the task, not noticing the piece of clothing that was missing since he didn't have the opportunity or the time to throw it back in the basket before she took it to another room, warning him that she was coming back to check on him and his back.

[natalyarose]

𝓥𝓮𝓷𝓾𝓼𝓲𝓪𝓷𝓼 - 𝓐𝓬𝓱𝓲𝓷𝓰 𝓽𝓸 𝓕𝓮𝓮𝓵 𝓟𝓵𝓮𝓪𝓼𝓾𝓻𝓮

Hi, and happy Bharani season to all :) I've been working on this analysis for days not necessarily because it took long to write, but moreso because I could write endlessly on Venus Nakshatras & it took me a lot of time to organize the stream of info I'd written in a more adequate manner. I hope this piece is enjoyed & informative to someone 🩷

In this piece I'm going to be diving into Venus's themes of dancing along the line between pain & pleasure, and the artistry and beauty that is born from the merging of these two extremes.

𝓖𝓵𝓸𝓻𝔂 𝓑𝓸𝔁 𝓫𝔂 𝓟𝓸𝓻𝓽𝓲𝓼𝓱𝓮𝓪𝓭 𝓪𝓷𝓪𝓵𝔂𝓼𝓲𝓼 𝓲𝓷 𝓻𝓮𝓵𝓪𝓽𝓲𝓸𝓷 𝓽𝓸 𝓥𝓮𝓷𝓾𝓼 𝓝𝓪𝓴𝓼𝓱𝓪𝓽𝓻𝓪𝓼

The song 'Glory Box' by Portishead is the song that inspired me to write my first song and take it truly seriously.

It's just such a sensual, classy, sexy, beautiful masterpiece. Though beyond that, the meaning portrayed in the song & music video speaks to my soul so vividly. I always was enchanted by this track, but seeing the music video brought it all together for me and the meaning just 'clicked'.

'I'm so tired, of playing playing with this bow and arrow I'm gonna give my heart away leave it to the other girls to play for I've been a temptress too long just give me a reason to love you give me a reason to be a woman... I just wanna be a woman'

Everything about this song, this video just screams Purvashadha & Venus. Even the line 'playing with this bow & arrow' lol- sidereal Sagittarius much? I wouldn't be surprised if Purvashadha is directly connected to Cupid.

I'm going to go a bit freeform in my interpretation of the song & video, but I think I've got the 'right' grasp of the idea portrayed:

The music video depicts people in a vintage style office setting & old fashioned, very professional 'uptight' attire. It is boring and in a sense drab, but we see life in the subtle expressions & communication. There is flirtation, but it is secretive. There is an an expectation to be professional, to be 'proper'.

There are clips of Old Hollywood-esque people having drinks, enjoying themselves. We get sporadic visuals of the singer (Beth Gibbons, Purvashadha Sun, likely Uttarashadha Moon; Uttarashadha being prominent in music), dressed beautifully & glamorously performing on the tv, looking almost pained in her beauty & artistic display of emotion.

This song speaks to the desperation to be free and sensual as a woman, or just as a soulful human being in a world where there are responsibilities and expectations to keep up an image, 'play the game' in society. The desire to 'be a woman' and express your feminine energy authentically, dress up, be emotional & sensuous, indulge in pleasure and break free from social/circumstantial limitations. However, the pain and friction between two worlds almost makes the longing and lust for the person/life you desire even more intoxicating.

Venusian desire & artistry is so intense, in the corporate world Venus ruled individuals often find themselves needing to reign in their passion, and even punishing themselves for it.

I think I first started listening to this song when I heard it in a reel that was again, extremely Venusian! I would credit it, but I think this just was a circulating video & I have no clue who the originator was. The dude (Gene Kelly) has Purvashadha Moon & Purvaphalguni ascendant. Just look at the suave-ness of Venus men lol :

There's so much more I could write about this specific song and the nature of Venus, but ima try to stick with the 'k.i.s.s' (keep it simple, stupid!) principle.

I always thought that this song & message is such a perfect piece of art to demonstrate Venusian nature, but I will note that Beth's Uttarashadha Moon definitely intertwines in terms of the message this song communicates. Uttarashadha being the height of the Sun (a 'masculine' energy) is very on par with the experience of wanting to be feminine in masculine dominated fields/with traditionally masculine expectations upon you. We could see this as almost like a conflict of interest between Beth Gibbon's Purvashadha (Venusian, feminine, romantic, beautiful) Sun and her Uttarashadha (ambitious, masculine, stoic) Moon.

𝓥𝓮𝓷𝓾𝓼𝓲𝓪𝓷 '𝓑𝓸𝓻𝓮𝓭𝓸𝓶' & 𝓛𝓸𝓷𝓰𝓲𝓷𝓰

You can often tell when a Venusian is behind a song or art piece because the vocal tone, writing style and or colour choice emanates this distinct attitude: sexy, raunchy, articulate... & often kinda bored or reflecting an unhappiness with the way the modern/current state of the world is. Especially in Purvashadha Nakshatra, there is often an intense idealisation of the past and 'old times', reflecting Venus Nakshatra patterns of longing for things they can't yet have and shaping their world view around that desire. This definitely speaks to the way Tropical Earth signs (especially Capricorn) are seen being drawn to old, vintage & prestigious relics of the past. This is in part due to Ketuvian Nakshatras residing within Tropical Earth signs, but it is also Venus Nakshatras' placement. Venusian elitism is possibly best observed in idealisation of the past- something so exclusive that nobody can actually go back to it & mainstream society often disregards it.

Venusians can exist in this state of boredom and embody this energy, this aura that almost reads 'impress me, peasant' lol. Feed me grapes & fine wine while I lay adorned in jewellery on a velvet chair- then we'll talk.

This is where Venusian Nakshatras classic pickiness, elitism & in some cases classism (and all the other isms lmao) comes in.

I once read that men can be attracted to women who look bored, disinterested or detached, because they take it as a challenge to be the one to impress her and light her up- very Venusian. It kinda explains (some) men's misguided efforts to impress women who are very clearly not interested. We see this in nature too- peacocks (and other birds), for example lol; the male peacock flamboyantly attempting to impress the female, and more often than not she is disinterested- female peacocks are a tough crowd man.

You can always spot Venusians by their expression & overall demeanour- they leave you feeling like 'I admire you, but I'm kinda scared of you and feel like you're judging me at the same time' lol. The irony lies in the fact that while yes, Venusians can be extremely critical of others, their 'judgy' expression often has more to do with the fact that they're always judging themselves. Harshly critiquing themselves like a piece of art. Venusians can find it veryy hard to feel they are 'good enough', the same way an artist never feels the painting is truly done.

Sophia Loren, Purvashadha Asc | Blake Lively, Purvaphalguni Moon | Donna Summer, Purvashadha Sun & Purvaphalguni Asc

daddy Ted Danson, Purvashadha Sun | Audrey Hepburn, Bharani Sun | Johnny Depp, Purvashadha Moon

admittedly, Audrey & Johnny boi come across a little softer to me due to their other placements, but they still definitely have the look/energy. My Bharani mama was a master of this look, & I always thought she looked a little like Donna Summer.

While Venus women embody this choosiness & unapproachability, Venus men can take on that role of wanting to be the ones to impress the woman they've set their sights on, 'wow' her.

However, that being said, Venusian men are also often very picky themselves. Venusian men and women alike are seldom impressed by aesthetic beauty alone and place a lot of importance on internal value. They often crave exoticism & uniqueness in women. Venus in our charts represents what we value & find beautiful. In a way there is more value in something or someone who is rare.

When Venusian men do find a girl they really like, they can be extremely persistent and there are a lot of cases where Venusian men will successfully initiate a relationship with a woman who wasn't initially interested by genuinely winning her over with his dedication, adoration & direct pursuit of her.

In terms of aesthetic appearance, Venusians (again, men & women) tend to have a preference for natural beauty in some way too. Femininity often refers to an energy of being flowing & receptive rather than performative or immensely exuberant. It's not uncommon to see Venus women forgoing 'performative' femininity and embracing raw female beauty. No makeup, allowing body hair to grow, messy hair, not being afraid to look 'beautifully dishevelled'- yet never necessarily unkempt. Imperfectly perfect, like a piece of art.

This is why Mars Nakshatras tend to be the women most prominent in the world of makeup and glamour. The curation and forceful manipulation of the body to look a certain way is 'masculine' in a sense. Like the way mankind manipulates & curates nature. Although there are two sides to this coin, as Venus Nakshatras can also grapple with the 'beauty is pain' idea and go to great, sometimes sadistic, masochistic lengths to achieve their ideal.

Venusians, but Bharani natives especially have a reputation for rarely smiling fully, always holding a mildly restrained expression (one of Bharani's translations literally being 'the Star of Restraint'. The Mona Lisa famously depicts this Bharani-esque expression; painted of course by Bharani Sun, Leonardo Da Vinci. It is often remarked that the painting itself isn't particularly outstanding in terms of beauty, but what makes it so charming is the mysterious aura emanated through means of the 'drab' yet earthy, sensual colour pallet & demure, vaguely amused expression. Others have remarked that the drab colour scheme brought special attention to the Mona Lisa's face, inviting us to engage with her.

Off the topic of Venusians; but Leonardo Da Vinci is also Shatabisha Moon conjunct Jupiter - Shatabisha natives, in true sidereal Aquarian fashion often receive praise for being 'ahead of their time' as Leo was indeed.

𝓥𝓮𝓷𝓾𝓼, 𝓟𝓪𝓲𝓷 & 𝓟𝓵𝓮𝓪𝓼𝓾𝓻𝓮, 𝓕𝓸𝓻𝓫𝓲𝓭𝓭𝓮𝓷 𝓛𝓸𝓿𝓮

Purvashadha is said to embody a state of wishing to return to the 'Garden of Eden', where we are one, we are divinely connected in pure bliss, beauty and pleasure. This further explains the Venusian life of oscillating between/existing with the realms of pain & pleasure.

Bharani experiences these themes through its association with 'delayed gratification' & later rewards. Bharani will work hard and go through a lot of pain to reap pleasures later on. Bharani being ruled by Lord Yama, the Vedic God of Death draws a connection between Bharani & facing your karma in your next incarnation.

Purvaphalguni experiences the conflict between pain & pleasure through the realisation that nothing can be 'perfect' and the frustration of knowing that some things are just out of their control. Purvaphalguni experiences the 'royal' quality of the Sun combined with the the sensuality of Venus- these people often take their happiness into their own hands, but run into struggles when they realise they can control themselves but they can't control other people's mistakes & external circumstances that may put a wrench in their ideals.

Purvashadha experiences the pain/pleasure theme through pining for something, shooting for the stars with some usually highly ambitious goal, and then realising all of the obstacles in the way of attaining that goal. However, Purvashadha translating to 'the invincible one' and also having the elephant tusk as a symbol (strong, unbreakable) shows how when Venusians persist in pursuit of their desires, they ultimately are successful and attain that Venusian dream life.

In my mind desire, is a result of the friction created between pain and pleasure. This is why forbidden love is so beautiful yet hurts so badly. Almost every Venusian I've ever met has some intense story of forbidden love- falling madly in love with a cartoon character that doesn't technically exist, falling in love with teachers, falling in love with someone who's dead, falling in love with someone who's an inappropriate choice due to their age, status, culture, professional role, etc.

Perhaps the most infamous story of forbidden love, is Romeo & Juliet. I had to check, & William Shakespeare is most likely (almost definitely considering the range of birth times proposed) a Bharani Sun native. (Side note that he looks kinda like Leonardo, lol)

Amidst these intense themes of romance, tragedy and longing, Venusians are very good at playing a role in their life and showing up to that role, often very ambitiously. However within them is always this gnawing desire to just- be wild and free with their passions without the pretence, without the pressure. This can sometimes express through random outbursts of frustration.

The elitism of Venus can even be somewhat of a defense mechanism. in Venus Nakshatras there is such a deep desire to experience true intimacy and bliss with another human being; that to protect this very human vulnerability they will often design some sort of system to decide who is worthy & who isn't- eg. 'I will only befriend/associate with people who enjoy this type of music'. That way there is always guaranteed common ground & allyship between them and those whom they let in, somewhat protecting their heartspace. In this way, Venusians are 'warriors of the heart' in a sense.

This longing and desperation to be united and feel that oneness, but knowing it may not be possible is often the drive for the art of Venusians in some way or another. The pure angst, the passion.

A lot of Venusians I've observed can develop an almost nihilistic worldview, or can even seem very 'boring' or overly structured on the surface- but ironically, the reason they have this view & demeanour is because they are at their core so idealistic and full of passion that it hurts. It feels easier to just close off the heart-space all together and in some cases express their passion in a strange, or abstract (or in darker cases, violent) manner because society isn't built around beauty & pleasure as much as Venusians tend wish.

This aching to feel alive & dance between pain vs pleasure can be seen in Venusian Nakshatras' tendency to self harm or self sabotage. Venusians can do wild and even dangerous things just to feel ALIVE. To Venusians, pain is worth it if it means there could be a pleasurable outcome.

More on Venusian boredom: one of Purvashadha's symbols is a hand held fan, often a symbol of gracefulness and high society, sometimes used to convey boredom (think of the classic imagery of the beautiful women with unenthused expressions on their faces watching a riveting piano recital).

𝓥𝓮𝓷𝓾𝓼 𝓶𝓮𝓷 𝓵𝓸𝓸𝓴𝓲𝓷𝓰 ~𝓹𝓪𝓲𝓷𝓮𝓭~

(Refer to image below)

Venusians often look PAINED lol, the women too but especially the men. Venus men have this distinct look. A lot of the time they can be womanizers or at least pleasure seeking, but also kinda sad and troubled (more of Venus' pain/pleasure themes. In a lot of stories of Venus men, they may be womanisers in lifestyle yet always have 'that one woman' who they really can't get past and regard as their 'soulmate'.

Johnny Galecki , Bharani Sun & Purvashadha Moon - particularly in his famous role as Leonard Hofstadter in the Big Bang Theory. He pines after his love interest, Penny for yearsss, getting shot down but always persisting- eventually he 'won her over' and even got married. (Bharani's delayed gratification & Purvashadha's romantic ambition).

Johnny Depp (what's with these J names?? There's this meme that boys with 'J names' are trouble, I wonder if there's any cosmic connection with Venus Nakshatras lol) Purvashadha Moon - famous for his intense relationships with women (and substances), somewhat of a womaniser as well

Jim Morrison, Bharani Moon - stunning artist & musician of course, also a womanizer who often slept with women on the road, indulging in substances.

Charlie Sheen, Purvaphalguni Sun - in real life & in the show 'Two and a Half Men' where he quite literally plays himself, he is an infamous womaniser with a penchant for substances, partying and destructive forms of pleasure.

My partner was originally in this collage lmao because I kid you not his Purvashadha lookin self fits this collage perfectly (he's got the Jim Morrison beard and the whole shabang), but he wouldn't enjoy being on tumblr so eh.

It's worth noting that a lot of Sun men who are considered attractive to women often have Venus ruled Nakshatras through their chart also. Sun influence without Venus can make men seem very dry and not very understanding of female emotions or psychology, therefore somewhat unpleasant for women to be around.

Bottom line is Venusians, love women! Venus men love women, Venus women love women.

Anyway, as always this was toooo long and like I earlier mentioned, this is the tip of the iceberg on what I could yap about in regards to Venus Nakshatras and their influence on their natives and our world in a general sense.

Thankyou for reading :) 🩷

ps. I'm very wary of talking about planets and the whole feminine/masculine thing because I really don't want to give the impression that there is a certain polarity that is more or less ideal for a gender. It's not as though if you're a woman with Mars or Sun Nakshatras you simply are not feminine, neither does it mean a woman necessarily should be traditionally feminine. be yourself lovely people ✌️

[thankskenpenders]

Amy's fortune cards

The Sonic fandom has long been the kind of fandom that takes minor details very seriously, for better or worse. On the one hand, this means fans will really dig for the diamonds in the rough, latching onto fun character interactions, animations, bits of background worldbuilding, and more in pieces of Sonic media that many would write off as "the bad ones." But it also feels like every week another needlessly hostile debate over Sonic minutia erupts on Twitter, whether it's over individual lines of dialogue, fanart that makes Tails' shoes blue, or the ideal length and volume for Sonic's quills.

So it was probably inevitable that a fandom-wide debate would erupt upon seeing Amy's new gameplay style in the DLC for Sonic Frontiers, which takes the once-obscure fact that she enjoys reading tarot and shines a spotlight on it like never before.

I mean:

The thing is, while I basically always try to tune out Sonic fandom bickering... for once, I kind of sympathize with the detractors? Don't get me wrong, I like Amy's tarot stuff, and people on all sides of the discussion are being overly nasty about their opinions, as usual. (Sonic Twitter remains my personal hell.) But when I set aside the hyperbole and zoom out, I do think I understand why some fans are put off by the sudden shift in focus for the character, even if I think it's cool.

It's complicated. Let me attempt to present the cases for and against Amy's fortune cards

For years, I was always one of those fans who thought it could be fun if they played with Amy's tarot reading, or even leaned into some kind of magic with her. Part of that is my own biases showing, but there's just something that makes sense there, especially when you look at Sonic, Tails, and Amy as a trio. (I would argue that's the real "Team Sonic" these days, especially in the comics where Knuckles is more likely to be stuck on Angel Island or otherwise doing his own thing.)

You could argue that Tails is all about logic, relying on science and technology and deductive reasoning to solve problems. But Amy is all about emotion. She wears her heart on her sleeve, is extremely empathetic, and is very prone to magical thinking - both figuratively and sometimes literally. Her origin story has always been that her tarot cards told her it was her destiny to meet Sonic on Little Planet. She's claimed to be able to "sense" peoples' presences - particularly Sonic's. She's the type to believe that The Power of Love is a literal magical force. So, on some level, it makes sense to mirror Tails's science by having Sonic's other best friend believe in magic. And then Sonic is somewhere in the middle, primarily following his own gut instincts but taking advice from both of them as needed. This isn't totally accurate to how their dynamics actually function in canon stories, but I think it's a mode that could work for them.

Going off of that, it's fun to lean all the way into Amy being a magical girl, or even a witch, using her fortune telling as a foundation. Take, for example, this version of Amy from Diana Skelly's old Sonic cast redesigns from before she freelanced for Archie and IDW. This is one of MANY such redesigns for Amy.

Fast forward to the 2020s, and Amy's tarot cards are, in fact, finally getting brought up again in canon. Which is fun! I like seeing that. I like all of the individual stories involving Amy's fortune cards. This is a fun character trait for Amy, a fun nod to old lore, AND a fun storytelling device, all in one. It's really cool that the Sonic universe has its own thematically appropriate arcana, and that the cards are getting made as physical merch. And sure enough, the official card backs and borders were designed by none other than Diana Skelly, in yet another cool example of an ascendant fan leaving their mark on the series.

BUT... when you step back and look at the big picture, I get why some fans find this shift in focus jarring. At the moment, it's starting to feel like every new story about Amy involves her fortune cards to some degree.

The most recent mainline comic arc to feature Amy as the lead character, 2021's Trial by Fire arc, prominently features a sequence where she reads fortunes while camping with the girls. The Origins version of Sonic CD now bookends the game with scenes of Amy and her tarot cards. Sonic randomly mentioned it in a scene in Frontiers. And now, just this week, we got the (very cute, gorgeously illustrated) Amy's 30th Anniversary comic with a story revolving around Amy's tarot cards, followed the very next day by the Frontiers DLC in which she gets a brand new tarot-based moveset. Even her base melee attack now has her throwing tarot cards instead of swinging her hammer. Again, I like all of these individual things, but after years of it almost never coming up at all, it's VERY noticeable that Amy's tarot cards are suddenly everywhere.

To be fair, I'm looking at this from the perspective of a superfan who's actively following ALL Sonic media. Casual fans - especially kids - aren't necessarily going to be reading the comics every month, buying the thousandth rerelease of the Genesis games, or playing the ultra-hard new alternate ending DLC for a game that came out last year. Each of these stories is going to be someone's introduction to the idea that Amy can read tarot, and that's probably part of the idea behind this unified push.

But to play devil's advocate, for my fellow superfans, I understand why it feels like a very minor footnote of Amy's character is suddenly becoming the entire focus of her personality. While Amy has always been said to enjoy fortune telling, that wasn't really a character trait in and of itself, but rather an example of her being a typical girl who hopes she'll be able to find true love one day. It's less that Amy can literally predict the future and more like her using a cootie catcher or going "he loves me, he loves me not" while picking the petals off of a flower. So I get not vibing with this stuff, or feeling like it's being pushed very hard out of nowhere.

What I don't agree with are comparisons like "it's like if they made Knuckles' moveset revolve around him liking grapes." Like, I get it. Ian Flynn loves shoehorning in his little winking references for us nerds, and mentions of Amy's tarot cards were previously on the same level as other random bullet points from old Japanese manuals. But a multifaceted hobby like fortune telling that opens up so many narrative and aesthetic possibilities is obviously very different from having a favorite food. It's ALWAYS been a part of her story, not just a random fact, and there's no reason why the fortune telling can't be elevated to something more.

And, hell, even if it wasn't an established character trait, there's nothing inherently wrong with injecting new ideas into a character. One of the best Amy stories in recent years, the Free Comic Book Day special "Amy's New Hobby" written by Gale Galligan, came up with the idea that Amy's secretly been drawing little comics about her and her friends. Is this based on Lore? No. But it's cute, and helps tell the story of a younger Amy who's still coming out of her shell as both a hero and a friend.

Certain fans are also looking at Amy's Frontiers moveset and using it as evidence that once again the Vile American Contributors like Ian are CORRUPTING Sonic Team's perfect vision of Sonic with their misinterpretations. And like. Come on. Ian does not control the gameplay. He's a freelance writer. The tarot stuff is clearly something that Sonic Team likes if they made it the basis of Amy's new moveset - and, you know, if they keep approving comics and animations about Amy's fortune telling. None of this gets made without their blessing, and lord knows how much they can micromanage shit and shoot down ideas over the most minor of details.

Like, yeah, Amy's fortune telling was probably conceived less as a sign that she Knows Magic and more as a pretty mundane hobby for a lovesick young Japanese girl to have. But you're gonna sit there and tell me that using Amy's tarot cards for more than that could only be the result of a cultural misunderstanding? That nobody in Japan uses tarot card theming and aesthetics (or the general idea of magical cards) for the cool factor? Stardust Crusaders? Persona? The Astrologian class in FFXIV? Cardcaptor Sakura?? Hello??? Do you think Capcom put Gambit in Marvel vs. Capcom ironically because they thought using magic to throw cards at people was stupid? There's tons of precedent for this! It's nothing like Knuckles throwing grapes at people, be for real.

Giving Amy a very magical girl-esque moveset also just makes a lot of sense. For decades her hammer attacks have literally made sparkly heart shapes appear around her. Leaning into both that and her tarot cards in her new moveset makes a lot of sense to me.

But, admittedly... I do think it's very odd that her hammer is treated as a secondary element here, rather than having her primarily use her hammer and adding the cards for extra flair. If hitting the attack button made her swing her hammer instead of throwing cards, I'm not sure we'd even be having this discussion right now.

But the tarot-cycle and Amy riding her hammer like a witch's broom are fucking SICK and I will not concede on this point

The thing is, this whole fortune card discourse is but a small piece of a bigger problem. Amy's been a character who needed some work for ages, but there's basically nothing you can do with her without pissing SOMEONE off.

Years of stories where Amy's crush was her primary motivator and Sonic went "Ew, cooties!" have lead many casual fans to believe that being Sonic's obsessive fangirl is Amy's entire personality. At best people might call her Sonic's Minnie Mouse. This isn't just a matter of Amy having haters within the fandom - venture outside of that bubble and you'll realize that this is how MOST video game playing people seem to see her to this day. I don't feel like this is a fair assessment of the character, but this idea didn't come from nowhere. No matter how much good deeply entrenched Sonic fans may see in their old dynamic where Amy perpetually chases Sonic, this is a very real problem that Sonic Team has to contend with for their leading girl. Of course all those games where the way-past-cool protagonist thought Amy was annoyingly clingy and tried to get away from her made people think less of her.

If new stories were to go back to emphasizing Amy's crush on Sonic a little more, they'd probably be taken as confirmation that Amy's just the girl with a crush on Sonic and that this is her entire personality. Conversely, when the crush is played down, you piss off the hardcore SonAmy fans who don't seem to understand that they're Charlie Brown and Sega is Lucy holding the football. You can't win.

And so here we are. In the absence of what was once her defining trait, now reduced to an occasional blush or wink in Sonic's direction, new stories are trying to mine Amy's past for additional material to work with. Having been a thing fans wanted to see for years, right now we're getting a lot of tarot, but we're also getting reminders of her compassionate nature and her desire to go out of her way to help the little guy. This is an ongoing process. I continue to hope that her bubbly, exuberant demeanor can shine more in future stories. Now, I also hope that the tarot stuff gets balanced out a little better with other traits of hers. But I don't want it to go away. I think it's fun.

This course correcting is far from exclusive to Amy. Knuckles is getting stories that remind us that he's a competent fighter, an experienced treasure hunter, and even a self-taught archaeologist after years of him being perceived as either the dumb one or just the guy who stands in front of the Master Emerald all day. And Tails has been getting some stories reminding folks that he's a capable hero in his own right and not just Sonic's timid kid sidekick.

But no supporting character will ever compete with the sheer number of new ideas Sega has tried with Sonic himself. Like Amy, his Frontiers moveset has also given him half a dozen new superpowers that he never had before, from the Cyloop to air-slicing projectile attacks to his own take on Shadow Clone Jutsu and beyond. He's also been a hoverboarder, a swordsman, a time traveler, an Olympic athlete, a racecar driver, cursed with a Flame of Judgment, imbued with alien power, a fucking Werehog with stretchy powers, and on and on and on.

If Sonic can do all that, Amy can try out using a tarot-cycle.

Anyway TL;DR the REAL problem with Amy's current characterization... is where the FUCK is Amy's bestie, Honey the Cat???????

[seraphicsentences]

pleaseee could you write an abby anderson x weather girl reader where they’re at the WLF base and abby catches reader staring at her hehehe

IM SORRY FOR TAKING 100 YEARS TO WRITE THIS AND THEN DELIVERING THIS MID ASS PIECE. i do hope you enjoy though i love you babe 😚😚

tags: abby anderson x reader, abby anderson x weather girl, EXHIBITIONISM, cunnilingus (r!receiving), fingering (r!receiving), kinda mean abby anderson? idk man, the whole WLF base is probably a lil traumatized

AN: thank you to @insanermin and @f3mme-f4tale for reviewing this for me i’m endlessly grateful for the two of you bless your beautiful souls. credits to my favorite girl for helping me come up with what to write for this request. i love youuuu

it was the crack of dawn, sun just barely peeking its way over the tops of WLF’s buildings, yet the heat was unbearable.

“83 fucking degrees Fahrenheit, jesus christ,” you muttered to yourself, checking the stationed thermometers posted around the perimeter.

the base was, for the most part, quiet. only few unlucky individuals working mindlessly at their respective morning assignments.

you strolled down your usual path, squinting at the streams of sunlight cast on the side of your face, dancing into your vision.

“hey weather girl,” a voice called from behind.

abby anderson. as if you even needed to turn around to recognize her unmistakable, raspy, teasing tone.

you whipped around, watching intently as abby bent out from under a stock-filled tent, arms filled.

“need some help?” you joked, stifling a giggle that arose when abby dipped abruptly to catch a bag of bait between her teeth.

what you wouldn’t give to be that bag of bait, you bit your lip, eyes trained on abby’s busy mouth.

hmphmpsh abby sarcastically laughed against the plastic, snapping you out of your dirty-minded haze and sending a flush across the back of your neck.

you meet her examining eyes, breath hitching as she squints slightly, a smirk etched into her gaze. embarrassed at the thought of her catching you, you open your mouth in attempt to sway the conversation— but she beats you to it, breaking the stare-down a beat later, spitting the bag out into a small pile on the wood deck.

god, you would let her spit bait into your mouth if she wanted.

“so what’re we at today? it’s gotta be at least 90 out,” abby wipes at her forehead, making small talk as she organizes the rest of the stock.

“try 83. though i wouldn’t be surprised if we do reach 90 once the sun is fully risen,” you reply, raising a hand to block some of pesky rays ruining your god-sent view.

“no fucking waaaay!” abby drags out, astounded. “we are definitely at 90 by now, do you see me? im drenched!”

so am i, you think to yourself.

“trust the expert. your body temperature’s just extra high from physical exertion. whoever put you on for outdoor stock at this hour has it out for you,” you comment, eyes dragging as abby lifts the bottom of her tank to wipe her face, revealing a rather impressive display of rock-solid abdominals.

you catch her gaze, this time her having an eyebrow raised, and immediately look away, the flush on your neck spreading to the tips of your ears. as hard as you tried not to stare, abby wasn’t doing much to help, especially not while decked out in a translucent white tank, black bra beneath a stark contrast, begging for your attention.

abby’s dark green cargos hugged her thighs deliciously, highlighting her thick, defined quads as she shifted about.

lifting a large sealed box of who knows what from one end of the deck to the other, she grunted under the weight, leaving your mind to wander yet again to a different sort of situation where you might find yourself blessed enough to hear that pretty sound.

“yeah, whatever- i’ll tru-trust the expert,” she breathes out, voice strained. strands of her blonde— almost golden in the sun— hair stuck to her face with sweat, which glistened perfectly on her skin, making abby look almost angelic as she crossed into the sun’s direct heat.

“yeah,” you exhaled, at a loss for words under the confines of her entrancing beauty. you stood there a second longer, before suddenly snapping out of your daze, clearing your throat. “i’m, uh, gonna head to the station, i think,” you stuttered, despite your usual propensity for word flow heard throughout the WLF base every morning.

“desperate to get rid of me?” abby faux gasps.

you sputtered at her accusation, “no-no, i-“

“shhhh-shhh, i know honey, i know,” she cuts you off, bitable lips curling up into a half-smirk.

traitorous feet already walking their way towards the radio station, you desperately try to recover from your embarrassment, tripping over your words, “i-you, uh,” you try.

abby twists her head over her shoulder in your direction, cocking it in a way that makes your heart twist in your chest and a pulse thrum between your thighs.

“you can come!” you blurt without a second thought. “with me— i mean, to the station,” you add, trying to clarify.

faced with an jaw-dropped confused-yet beautiful abby anderson, you continue rambling, “it’s indoors! i mean obviously, because of the, um, radio equipment, but you know, you’re probably hot— well you are, but- shit- that’s not what i-“

“okay, okay, okay,” abby bursts out chuckling, which you’d enjoy a whole lot more if it weren’t at your sake, “you don’t have to convince me, sweetheart, i’m already there,” she holds her hands up in surrender.

your heart skips a beat at the nickname, brain racing at a million miles per hour when you catch the sight of abby’s built frame sauntering it’s way over to you, small towel slung lazily over one shoulder, braid swaying slightly with every step.

you swallow harshly at her approach, turning promptly around to lead the way in a brisk pace.

abby laughs to herself as she follows, “aw, don’t run, i want to see your pretty face.”

your face heats at the compliment, before proceeding to flush a nuclear red at another comment she mutters haphazardly under her breath, “though i’m not complaining about my view from here.”

she half jogs to catch up with you, though your supposed speed-walk is no competition for what she’d consider a stroll with her long limbs.

you see her looking-no, ravishing- your figure out the corner of your eye, her tongue pressed to the side of her cheek, as you silently yell at your cheeks to cool themselves down.

your eyes can’t seem to deny themselves such an appeasing view, though, darting to the side to steal a glance at abby’s translucent tank, and your attraction is clear, at least to abby.

“want something, honey?”

you cough in response, choking on the saliva you didn’t even notice gather as a physical response to abby’s presence (me), as the two of you, thankfully, arrive at the station at last.

“ladies first,” you joke, swinging the door open with the backwards weight of your body.

“such a gentlemen,” abby quips back, winking at you as she strolls through the opening.

the pair of you let out a collective sigh at the blast of cold air blowing softly from the studio. it’s a vacant space, but the constant flow of electricity needed to notify the base in the face of an emergency allows it to stay up and running.

you make a beeline to your set-up area, tangled wires running along every side of the desks, hooked up to all sorts of peculiar devices: microphones, barometers, fancy thermometers. abby finds herself surprisingly impressed by the sophisticated knickknacks you mindlessly twist and turn to read, as if flipping through a toddler-level picture book.

“where’d you learn how to work all of this?” she asks.

“stole some books off an old lab,” you reply, shooting her a shy smile, “like to read, i s’ppose.”

across the room, abby rests her elbows on the table behind her, crossing her legs and letting her head drop to one side. “smart girl,” she praises, cheeky smile slipping onto her face.

you bite the fat of your cheek, holding back a grin of your own before turning back to finish jotting down the day’s data into a tattered mini notepad.

you grab a sleek broadcasting mic off one of your shelves, shoving some of the wires aside on the main desk to make room for it to rest, before hooking one of the tinier cables into the mic, and twisting around to find an audio interface to plug the other end into.

“what am i doing here?” abby says all of a sudden, breaking your hustling focus.

you freeze, letting the cable drop as you look down. “i don’t know.”

abby pauses. “let me rephrase,” she strolls over, positioning herself lush behind you. she runs her arms down the sides of your arms, leaving goosebumps in their wake in spite of it being blisteringly hot out.

“what do you want me to do here?” she rasps by your ear, your head subsequently tilting to feel the heat of her breath on your neck.

“i-i don’t kn-“

“yes you do. just like i know exactly the mess i’ll find under these itty bitty shorts of yours.” she whispers, “you’re a terrible liar, sweetheart.”

a whimper slips out from your lips, head rolling back onto abby’s shoulder as you meet her sharp eyes with your pleading ones. your legs cross, squeezing shut, humiliated by the arousal that had gathered in reaction to, what, a 5 minute conversation with her? how pathetic.

“don’t think i didn’t notice your ogling earlier,” she continues, tracing her big hands lighting across your stomach, feeling your skin rise and fall with your increasingly rapid breaths. “your eyes give you away. i know what’s going on in that pretty little mind up there.”

your lips part as you roll your head further, almost completing a circle. the way you’re faced, you’re breathing desperate huffs directly into abby’s own mouth. she grazes a hand up between your two breasts, hard and pointed from a combination of the room’s dropped temperature and your arousal, then sliding her grip gently around your neck, holding your face close in place.

“you think you can get away with those slutty thoughts of yours? makin’ everyone think you’re such a good innocent girl, but no, you’re just a fucking whore aren’t you? isn’t that right, pretty?” she presses, tsking at your averting gaze.

“eyes on me, honey. you can’t hide. tell me what you really what,” she says into your mouth, lips just barely brushing over your own, the fucking tease.

you pant, eyes glued to her tempting mouth, desperate to close the distance. but you’ve got a job to do, and what’s fun without a bit of teasing? she deserves a taste of her own medicine, the bitch.

“what i really want…” you whisper back, “is to tell the base how fucking hot it is today,” you say at a normal volume, pushing off her back, and finally plugging the mic into the audio interface.

“duty calls!” you joke, trying to calm your racing heart and ignore the dampness between your legs. you hook the final plug into the wall, hearing a whirring that lets you know everything’s ready to go, before stealing a quick glance at abby to see how she’s taking your unexpected change of demeanor.

abby stands frozen in place, mouth gaping, but tweaked into an almost-smile, evidently shocked. your stomach flutters at the hungry look in her green, now nearly black, pupils, roguish thoughts brewing.

you bring a hand to your heart, dropping your jaw to match hers as you shoot a mocking who me? look in her direction paired with a shrug. winking, you turn back to your morning duties and take a seat, tuning in the frequency.

a click of a switch, an automated voice, and that’s all there really is to it. you’re live.

and your heart’s pounding out of your chest.

and though you’re usually hit with the slightest bit of anxiety over the idea of being listened to by every single individual on the very base, that’s not what you’re thinking about. well, not exactly.

“good morning, WLF!” you chirp, standard lines slipping off your tongue with ease, “hope you all had a great night’s rest! i know i sure did. today is august 2nd, 2038, and boy, you guys in for a sweat today! let’s check in with sophie and see what she has to say— sophie, you’re on!”

shaking out a breath, you click a button to tune in a livestream from the second weather station across the base, sophie’s station.

“hey girl, what’s up?” sophie’s cherry voice comes crackling through.

“the usual. wanna tell us how things have been looking on your end?”

“you betcha! good morning WLF, you heard it from our girl yourselves, it is goddamn hot out! my readings say that…” sophie continues, rattling off her collected data in a long, number-filled ramble.

you tune out, waiting for your cue to list your end’s data as you bounce your leg mindlessly up and down.

“oh you’ve really got everyone fooled, huh?” abby drawls behind you. you jump, temporarily forgetting her presence in the midst of your reporting.

you swivel your chair around to her, smiling cheekily as you press a finger to her lips in silence’s universal sign.

oh? abby mouths. we’re still live? she asks.

you nod your head slowly.

“then you’re gonna have to keep quiet for me sweetheart,” she leans in to whisper at a decibel just barely above zero. “unless you want everyone on base to know how much of a slut you are,” she adds, dropping to her knees before you.

“what are you-?!” you whisper hastily, stopping yourself to mutter lowly, “i’m the slut? look who’s on their fucking knees in a fucking radio station.”

she presses a chaste kiss to your thigh, smiling and shhhhing against your skin, mumbling, “shut up and focus. the base depends on you.”

with even just the lightest brush of abby’s buff frame against your knees, your legs fall open, beckoning her between them.

invisible hands to pulling her into your trap.

“abby,” is all you can get out, panting in need of her touch.

“focus, baby.”

she pulls your shorts and underwear down to the floor with a swift tug, smirk haughty as faced with your dripping mess.

“knew it,” she mouths, looking up devilishly at you. keeping your eyes trapped in her hypnotic gaze, she leans in slowly, tongue out, to catch your weeping pussy in a french kiss.

“fuck,” you breathe out, thighs trembling in resistance to clamp her head between them only just to keep her tongue against you.

she makes out sloppily with your folds, hands gripping your waist tightly to lock your body in place, pressing you firm against the chair despite your incessant squirming.

the point of her tongue traces down in a tease, slipping just barely into your pulsing hole to steal a taste of freshly dripped slick, before running it back upwards to firmly press into your neglected clit.

“ah!” you hiss, head thrown to the ceiling as your nails dig into the arms of the chair, hips attempting to buck further into abby’s warm mouth.

“you there, station one? i think the connection’s a bit warbly today,” a crackly voice interrupts your mind fog.

shit. sophie must’ve finished her report by now. you situate yourself up as best as you can— seeing as how abby won’t let go of your hips, or move away for that matter.

“hey sophie, yes i’m here! sorry ‘bout that, i-uh, yeah. there must be something up with the frequency today,” you sputter out.

“no worries! why don’t you go ahead and share your mornings data with us?” she laughs back.

“yeah, yeah, so my rea-fuck-“

you sharply take in a breath, sucking in your teeth. you look down. god, if that isn’t the hottest sight you’ve ever seen.

abby’s looking up through her eyelashes, your arousal smeared across the bottom half of her face, dripping to her chin. she dashes out a tongue to catch the corner of her mouth, smirk wolfish from her mischievous actions. she lifts an eyebrow, matching your prior who me? mock, as if she didn’t just set every nerve ending of your clit alight.

and while you could be absolutely furious with her for fucking with you on live, all you want from her is more.

“everything alright, station 1?”

you jump. “i-sorry- just, uh banged my knee up.” you mean to shoot a scolding look at abby, but just wound it up to be embarrassingly pleading.

she pouts sarcastically, and without breaking eye contact she bows in again to capture your puffy clit between her lips, sucking softly while flicking her tongue over and over again. it’s downright sinful.

“oh!” you whine, right hand darting to tug at abby’s braid, keeping her moving face moving against the place you need her most.

“um, station 1, i can take over if you’d like?”

your face flames. caught up in abby’s dizzying ministrations, your body’s screaming to say yes. yes, as in, yes sophie please fucking take over. and yes, as in, yes abby right there.

and you almost do, say yes to the first one, i mean. but a stinging pinch from abby tips you the other way.

“i, shit, sorry- i mean, yeah, sorry. sorry kids! don’t listen to me!” you babble, eyebrows scrunched and hips still grinding.

abby continues to torture your clit: her warm, wet tongue lapping up every last drop of your slick and pressing it rhythmically against that swollen button. your cunt tightens around nothing, desperate for something, anything, to fill ‘er up.

shit, you mutter to yourself, thrumming pussy impossible to ignore. “the temp-ah-temperature o-on my end read 83 degrees on my e-enndd-god,” you carry on, breathless, “ahem. we’re looking at clear, s-sunny skies all day, so be sure to wear some sort of- mmph- heat protectant,” you finish off your sentence sounding quite a bit more like a pornstar doing a dirty beach-scene than intended, but you can’t bring yourself to care.

“give me one, uh, one sec-cond to double check the read- readings,” you stumble out quickly.

“no problem! while we wait on our girl, WLF, i’ll tell you about what last minute assignments we still need people for, so listen up…” sophie entertains.

“abby,” you whine, covering the mic with your free hand in attempt to muffle your sounds. you can barely form a sentence with the way her nose nudges your clit while her tongue runs zig zags along your folds.

“i know,” she cooes, chucking, “keep it down, you’re on live.”

you silently will yourself not to cry out when abby stretches your legs further apart, shaking her head left and right to stimulate every crevice of your weeping cunt. back arching off the chair, you whimper out a strangled noise, “i cant, i cant, i cant” you chant.

abby’s drags turn to kisses, watching your legs tremble with an endearing gaze as she makes her way up your stomach and to your face. pressing a kiss against your cheek, then your nose, and alas, your parted lips, she whispers, “this is what you wanted, wasn’t it? so shut up and be good for me, yeah baby?”

you nod feverishly, heavy-lidded and staring intoxicated as abby bites bruises into your neck, only to soothe it a moment later with a flat-striped lick of her tongue.

“mmm god, abby, i need you,” you practically slur out, moaning her name like a ritual.

“you’ve got me,” is all she says. her calloused hand slides up from the bottom of your shirt, squeezing your breast harshly, as if she can’t get enough, needing to completely ravish you.

“here, abby, need you here,” you groan, emphasizing it with the buck of your hips.

“alright, alright,” she shushes you with a kiss, hand sliding back down to cup your heat gently, feeling your desperation. “right here, huh? you aching for it, sweetheart?”

your only response is to catch her lips in a needy kiss, tongue pushing into her mouth, eager to taste yourself on abby.

hmmph abby groans against your lips, fingers dipping shallowly into your coated hole.

“you can scream my name as loud as you want once you finish your report.“

“but-“

“you don’t want to let the base down, do you? how else are we supposed to know how dripping hot it’s gonna be out today?” she murmurs, emphasizing her words with a push of her thick fingers deeper into you.

your eyebrows scrunch, vision dizzy with need as you look up at the sight before you. a pretty pink hue glazing her sun kissed cheeks, abby tilts her head, finding delight in your struggle to come back to reality.

“c’mon, honey, you got it,” she purrs, running a hand to push the hair away from your face.

you narrow your eyes, pushing majority of the fog to a corner of your mind and uncovering your shaky hand from off the mic.

“sorry about that, folks,” you shakily speak up, “-and thanks soph. i’ll be out of your hair in just a second. as for today, we seem to be getting a light breeze coming in from the east at about 8 miles per hour, so it might hopefully provide a little bit of relief from the heat.”

in the meanwhile, abby hoists your figure up off the chair, shorts and panties still hooked askew around one of your ankles. a hitch in your voice signals your end’s confusion, but you continue on regardless, slave to abby’s actions.

she pushes your torso over slightly, having you put most of your weight on the desk as you hover over your mic, hair flicked over one shoulder.

“as for the air quality, it’s testing to be relatively clear. the spores don’t seem to be getting passed over by the wind, so no need to worry with the masks today! i’ll check in in the afternoon to see if that’s cha- nhghh,” you jolt forward, voice breaking and hips hitting the table as abby thrusts two fingers tightly into your heat from behind, twisting them to reach that ridged, aching spot.

“-changed,” you correct, exhaling sharply. your eyes roll involuntarily as abby picks up her pace, curling her fingers on every outstroke, other hand delivering languid circles to your puffy clit. you can feel the burn of her stare down your spine, head turning over your shoulder briefly to confirm, and catching sight of the two of you in the mirror on the back wall.

your flushed face, rumpled top, and trembling, kiltered, bent over position contrasted with abby’s working muscles as she stood strongly gripping your waist was a sight to behold.

“what would you do if i made you scream for me right now?” abby breathes out, grunting. “should we let the base know how much of a slut you are for me?” she asks, “fuck your special spot real good in front of everyone? right here?” she punctuates with a downright sinful massage against your g-spot.

she huffs out a quiet laugh when you rush to stifle a whimper against your forearm.

“nah, i think i’ll keep you for myself,” she says, tugging you by your hair to hiss “you’re mine.”

your legs nearly collapse right on the spot.

“like that, huh? now be good for me baby. you can take it,” she says lowly by your ear, fisting your hair back even more to take in your disheveled state before shoving your head down nose to nose with the mic.

you grip onto the stand in attempt to ground yourself. fucking abby.

“for now you sh-should be okay withou-ooout a mask on hand t-though,” you stumble through your words, racing to finish the report. “our trusty barom-meter indicates stable conditions— so i g-guess that means the- mmph- the world isn’t gonna expl-plode today?”

you fall to your forearms, losing balance with the aggressiveness of abby’s thrusts, walls clinging to her fingers, as if not to let a second by without her magic touch. abby kicks a leg between your two, sliding one to the side to spread you further before her as she slips a third finger in easily. your lips parts in a silent scream, hand racing to stuff it’s knuckle in your mouth to bite down on.

nails digging into the table, and mind begging forgiveness from god for all the fucking sin you’re committing, you speed

through a shitty conclusion, “overall, it’s a g-great day to sweat. that’s all i’ve got for you to-today. stay safe, stay cool, and enjoy the sun! bye!”

you rip the cord out of the audio interface before you can get the entirety of your final word out, loud moans borderline pornographic from being held back for so long.

“aw, you didn’t enjoy having an audience?” abby teases, fingers speeding up to coax more of your sounds out.

“fuck you, abby,” you gasp out, collapsing face-against-the-desk in pleasure.

“it’s okay, honey, your drenched pussy answers my question— i mean, look at you dripping right down my fingers,” she rasps, pinching your clit meanly.

god, you wanted to shove her fucking face into your cunt. at least that would get her to shut up.

“abby, i’m gonna-!” you cry, knees threatening to buckle.

“show me, pretty girl. fucking come all over my hand,” she spreads your sticky folds with a spare finger, swiping at the edges to effectively stimulate every part of your core.

you buck your hips back with every thrust, desperate to finish as you scream abby’s name like it’s the only word you know.

“fuck,” abby curses under her breath, arm curling around your front to hold your crumbling body up, hands busy bringing you to heaven. she wanted to live in this moment.

“ah- god, abs!” you weep, forehead digging into cables as you shudder in ecstasy, cum dribbling out of your overworked pussy, coating abby’s hands in your mess.

“god, abs,” you repeat between gasps, slowly regaining your vision back as abby lifts you up to lean your sweating figure against her matching one.

“so much for escaping the heat, huh?”

~ man oh man i tried guys. hope this satiated your weather girl needs ;)

[1moreff-creator]

DRDT CH2 PT2: Full Analysis

While CH2 Part 2 was releasing, I chose to make liveblog-reaction posts to the episodes to record my immediate thoughts for posterity, but that meant that actual, coherent analysis was pushed to the side in favor of me freaking out over… everything going on. But goddamn; even accounting for recency bias, this might just be my favorite trial of any DR style killing game I’ve ever seen (though admittedly I'm working with a small sample size). So I felt it merited a bit more… cohesive analysis. That’s what this post is!

WARNING: This post is around 28k words long. Do not click "read more" unless you're ready for lag, and make sure to take breaks while reading if needed.

Spoilers for DRDT CH2. CW: Murder, suicide, hanging, execution, gun violence, self-harm, blood, stabbing (fork).

(Btw you can find my immediate reactions in my post masterlist. Not linking each individually here because I hit Tumblr's 100 link limit. I know, I know)

How do I even structure this? I guess I’ll start with the actual case itself, then go character by character because WOW.

Also, I hope you forgive that I can't put images for every referenced piece of dialogue (Tumblr 30 image limit when I catch you...), so I'll save them for when they're necessary and instead add links to the referenced quote in the episode.

The Case

Although I’ve made many posts talking about this damn thing, I don’t think I’ve ever expressed just how cool the actual mystery is. The evidence is all there from the beginning bar the note and alibis, introduced in a way that doesn’t make the method obvious, but that still allowed the audience to figure out the main aspects without much issue. Everything follows logically, and while there’s a few things that ended up being less important than some expected (that glove will haunt the fandom forever I fear), everything got explained in what I consider to be a pretty satisfactory way. It wasn’t obscenely complex or crazy, but I consider the method to be just right for a chapter 2 case.

Oh and the Nico case was cool too, even if half the shit in that crime scene will haunt me forever. Why were there two weights off to the side-? not important.

If there’s one critique I can give the actual discussion of the case (and this is legitimately the only real critique I have of this entire set of episodes), I’d argue that the way the method is presented is… weird. Like, I get why, DRDT is clearly more focused on character conflict than the murder mystery aspect, but there were still a lot of moments where it felt like Teruko’s thought process wasn’t explored properly, to the point where it sometimes felt like Teruko just… magically got the answers whispered to her by the ghost of Kirigiri.

As an example, take the ball of clothes over the rafters. Ace mentions the issue of getting the rope up there, and Teruko immediately jumps to the right conclusion of the seemingly completely unrelated ball of clothes.

To illustrate why this feels weird, let me tell you what my thought process was when I came up with the theory (because again, the evidence was laid out well enough that I did manage to call this, even if I got a fair bit of other stuff wrong). Obviously it's not the only admissible thought process, but it's a good example to see how I feel the presentation of evidence should have been handled.

We know Arei was hung from high up (Veronika’s account) -> We can confirm something happened on the rafters because the lights are broken -> Brainstorming how that could have happened (screening room connection? Secret ladder?) -> Perhaps something was thrown up there with the rope attached -> Ball of clothes.

In the series, however, we get:

Arei was probably hung from high (Veronika’s account) -> Discussion continues, literally the entirety of Nico's situation gets explained -> Ace brings up the issue for the first time like three years later-> Teruko immediately points to the ball of clothes -> The lights are only mentioned after.

You get what I'm saying? The progression doesn't feel as natural, because we immediately jump to the conclusion without discussing the evidence that leads to it. This also happens with things like the pulley method, where Teruko explains everything before bringing up the tape on the spinny thing, which is the only thing implicating said spinny thing in the method. And I feel like the reason quite a few people felt there should be more to the case is because the evidence wasn't presented properly.

That said, this is an extremely minor point. Again, DRDT is more focused on character drama than murder mystery, so I don’t particularly mind if I can nitpick a few things in the writing surrounding the mystery solving.

And oh boy, was there character drama this trial! Thank the gods I’m only covering Part 2, I think I’d die if I tried to talk about the entire trial as a whole.

Character Analysis

I’ll go in order, starting with the characters I feel had the least prominence, and making my way to the ones who really stole the spotlight this part.

Mai Akasaki

No content lol. Though this is probably a good time to mention that, in this post, I'll mostly ignore theorizing related stuff and focus more on straight up character analysis, even if the two sometimes intersect. Game Theory-like speculation will mostly be saved for dedicated posts :p

Xander Matthews

He got mentioned, but he’ll come up in David’s section so. Skipping him. 

Min Jeung

Well, there were a few references. Such as:

Min: I'll fix your mistake! - Teruko: But I'll fix my mistake.

Something something, David-Xander vs Teruko-Min parallels, etc. And also:

I like the visual symbolism that the images are effectively flipped (Teruko on the left-Teruko on the right and hugger on the right-hugger on the left, Teruko facing the camera-Teruko facing away), because the situations are inverted. In Min’s, the culprit hugs Teruko after she dooms them to their fate, and in Eden’s, a non-culprit hugs Teruko as she starts defending them. I did notice on first watch, but didn’t say anything because at the time it was still possible Eden was the culprit. Alas, the symbolism is consistent!

There's only one last thing to mention about Min. One tiny, itsy bitsy detail that probably has no lore relevance whatsoever.

MonoTV [2-16]: Now loading the default XF-Ture Tech personality drivers.

Min [BE1]: But one day, we were visited by the founder of that big company, XF-Ture Tech. He told my parents that he would sponsor me and pay for all of our expenses.

Oh yeah, MonoTV was created by the same company that sponsored Min as the Ultimate Student! Hey, what the fuck?

We'll get into it more later in the (I cannot believe I'm about to say this) MonoTV section (or rather the post linked to in said section), but MonoTV seems to have been created specifically for the killing game. This means there's a very real chance XF-Ture Tech is behind all this. That paints the sponsorship of Min as a strikingly shady thing (well, more than it already was), to the point there's a very real chance Min is straight up connected to the origins of the killing game, if not outright the mastermind. We'll have to see how this plays out later, since right now, we're still lacking a lot of critical context.

But hey! We might get more Min content in the future! I, for one, am very, very excited.

Charles Cuevas

Not too much character insight on this one, but he got a couple of cool moments. As always, funny, bounces well off Whit, very helpful in the trial, weirdly knowledgeable about jockeying (or maybe he just, like, thought about it, it’s not like most of what he says aren’t conclusions anyone could arrive at by simply knowing what horse racing is), and-

Charles [2-15]: I'm the only person reasonable enough to make that sort of judgement call. Everyone else who does so is being biased to the point of idiocy.

-it’s nice to see his pridefulness didn’t just go away after CH1! He’s neat :)

J Rosales/Moreno

Half of her dialogue this part is just her talking about how murder is bad. It’s fine, it’s just odd.

I guess if you want someone to point out murder’s bad, J’s one of the only real options, isn’t she? You need a confrontational character (so no Eden or Rose or Whit), who wouldn’t be a hypocrite (this eliminates Nico, Ace and Levi, arguably Hu since she defends Nico), who is mentally stable enough for their opinion to be held in high regard (this eliminates Arturo, David and Veronika, alongside half the cast), who is willing to derail the trial to talk morality (eliminating Charles and arguably Teruko), and who isn’t dead or missing (like Xander, Arei, Mai or Min).

Wait that’s the whole cast. Holy shit she actually is the only one that makes sense to be murder bashing how is this even possible. 

…Regardless, you could still argue that you don’t need someone constantly pointing out murder’s bad, meaning there could very much be a deeper reason J is being so vocal about it. Apart from possibly being setup for her to be primary support moving forward, I personally think all this points to her just having a very strong set of beliefs regarding most things, which we could already kinda infer anyways. 

Or maybe Mariabella killed a guy. Yeah, sure. Why not?

Veronika Grebenshchikoba

There were certainly a couple interesting Vero moments here, which is always fun. It was finally confirmed her secret was, as most theorized, the “took on your talent to distract yourself from the need to hurt yourself for fun” one. I mean, I feel like everyone called that one from the moment the curtain fell away from the screen with the motive secrets, but you get the idea. 

We also learnt she had a pact with Hu regarding their secrets, which I would love to learn the details of, and definitely makes me interested in where these Recap Foils are going, as well as-

Veronika [2-13]: After all, my own so-called secret isn't even the worst thing I've done. Isn't that so utterly disappointing of this motive?

… whatever the hell that means. Why’s she gotta be so ominous? (I love this about her).

The last notable scenes to point out are all the scenes where she's... Veronika, and I wouldn't have it any other way. Her psychoanalysis of Levi will probably wait for when I talk about him, and her help during the time Teruko was figuring out the murder method is appreciated, but specifically about her:

Veronika [2-15]: Swallow your pride and say that you're too weak, too stupid, and too incompetent to perform this murder. Accept the fact that no one thinks highly of you. Or defend your dignity at the risk of admitting that you're perfectly capable of committing this murder and continue to be our number one suspect.

I just think the voice acting in this line in particular is very auditorily pleasant so I wanted to point it out :D

But Episode 15 actually has a much more insidious Vero moment, which I felt was way more noteworthy. After Ace admits to the crime, he goes on his whole speech, which includes directly calling out Veronika's words as part of the reasoning why he killed, there comes a point when Ace calls himself a "piece of shit", and no one denies it. When that happens, Veronika smiles.

Veronika: Oh my. How tragic.

She is such an awful person, just such a piece of garbage. I adore her.

Anyways, my appreciation of actually horrible women aside, we need to discuss the biggest question she leaves us. And that is "hey, why is her reaction to Ace's execution and Levi's almost death so different from her reaction to Min's death?"

Veronika [about Min, 1-12]: Min died in such a cruel manner...

Veronika [about Levi, 2-16]: If Levi dies because of this... Kehehe... I'm sure I'll miss him, but... This is quite a way to go. I can't say I wasn't entertained.

Veronika [about Ace, 2-16]: Aha... Ahaha... How incredible...

So, after considering it for a little bit, I think we're lacking a little bit too much critical information on Veronika to confidently state why the hell her reaction is so different, but I can come up with a few different possible answers. I'll list them in ascending order of likeliness in my opinion, and we'll see just how wrong I am once we get more insight on her!

+Veronika cares more about Levi than Ace, and more about Min than Levi. This is because she just said Ace's execution was "incredible," while she mentions she'll miss Levi, and obviously looks genuinely distressed over Min. I see no actual reason to believe this, though, because I... don't think Vero and Min ever even interacted beyond the trial? So unless we're pulling some very strange Veromin agenda out of nowhere (or Veronika is Mai Akasaki), this doesn't work imo.

+Veronika was acting in T1, but doesn't care by the start of T2. Possible, and it's true that Vero was more self-conscious about freaking people out in CH1, but I'm not sure if there's enough evidence to truly say she was only pretending to be distressed by Min's death.

+Veronika's reactions are based on the executions (and execution attempt) themselves, not anything else. This is consistent with her specifically reacting to the way Min died ("Min died in such a cruel manner") rather than the death itself. She specifically says she'd be entertained by Levi's death, and is clearly entertained by Ace's. So, I guess she just finds Min's execution particularly cruel/boring? Does she... have wolf related trauma? Test related trauma? I don't know, but I think this fits decently well, so.

+Veronika's slowly getting worse. A logical conclusion from the fact that she reacted one way in T1, and another literally four days later. Certainly possible given her analysis of people shattering in the killing game, so for now this is the interpretation I'm going with.

Whit Young

.... Sigh. You're not even that important to this part, how are you still gonna require so many words of analysis?

Alright, let's start with the pretty infamous scene where he talks about drop hanging. I do want to make one thing clear; just because Whit talks for a pretty long time about drop hanging, it doesn’t mean he actually says anything particularly groundbreaking. Like, everything he says is very logically sound, which means they’re conclusions anyone could have drawn.

Like me. Because even though I don’t think I wrote them down explicitly, I did more or less arrive at the same conclusions as he did, and I don’t have any experience with drop hanging. I’m clarifying this because I’m on enough lists as it is just by firefoxing shit like “can turpentine knock you out” and “how long do people pass out after being strangled” I do not need any more allegations on my person! 

That said, I am also not a fictional character who exists within a story which follows narrative conventions (as far as you know, anyways). Whit is. And it’d be silly to instantly dismiss that the dev specifically chose Whit, a character who is otherwise not the most helpful in trials, to be the one to deliver this explanation, and without any interruptions no less. Even Teruko and Charles usually have one character or another finishing their explanations, like Levi when Teruko explained the slingshot or… Levi when Charles talked about jockeying. Huh, Levi kinda goated?

Thus, because the dev specifically chose Whit to give this explanation with no interruptions, we can infer that he may have a special connection to drop hanging. Given what we know, I find it likeliest that his mother committed suicide by hanging. At present, I don’t find much evidence that he would have attempted himself, though…

You know how Whit dyes his hair to look like his mom’s? And how Color Theory in LGI gives him (among other stuff) “degraded copy”, likely in reference to this? If his mother killed herself via hanging, do you think he would try to replicate that, too?

Food for thought. Again, not much reason to believe it yet. 

Other than that, there are... the allegations. The part started strong with MonoTV stating it let slide a rule violation because it was funny (especially weird given what we learn in 2-16, but Whit's not the only rulebreaker in the cast so we're chilling). And then, 2-16 happened.

Whit [seven seconds before Teruko's execution, 2-16]: Charles, stop talking and cover your eyes! [...] Whit [post Levi shooting]: Ah, crap. The smell of blood is really strong. Even though I told [Charles] not to look, he still...

And, of course.

Whit: ...

Of course.

Alright, so let me start by the elephant in the room. The hand behind the back. The moment the cast learns the elevator doors won't open, we see Whit with his left hand behind his back. Many have assumed this means, understandably in my opinion, that he may be holding a remote control of some kind to close the elevator. In other words, Whit's the mastermind. But, while I consider him one of if not the best mastermind guess in the market, I don't think this is good evidence of it.

You see, there's no reason to believe such a remote would be required. By all accounts, it should be MonoTV's AI who is keeping the elevator closed with no need for outside interference, regardless of who the MM is. There is simply no reason to believe that any MM would have an "elevator manual stop" or even an universal remote (apart from J!MM for obvious reasons), because it should be MonoTV who is running this stuff.

As an aside, I will point out that, per the CH1 QnA, every character is right-handed apart from Teruko (lefty) and Arei (ambidextrous). You could use this to argue Whit shouldn't be doing anything with his left (the hand behind his back), but that's not good reasoning, as the sprite might just be drawn that way for aesthetic reasons and you're supposed to ignore handedness. Eden also used her left to rip out Xander's eye, apparently. I haven't seen anyone bring it up, but I have made this mistake before with a certain bat swinging Milgram prisoner, so I'm saying this to avoid others making the same mistake.

That clarified, however, the first point is still valid. Although I consider it perfectly possible, at present I do not believe Whit is holding anything behind his back.

Why does he pose like that, then? To answer that, perhaps it'd be better to answer what the deal with his other behavior is.

Because it's weird, right? Whit focuses on Charles even when everyone else, Charles included, are fretting over Teruko and Levi. And then, despite being able to brush off things like Levi's secret confession and Min's execution with nothing but a "that's wack," joking about rewatching said execution, etc., somehow the elevator being closed is what finally gets him to bring out the breakdown sprite?

Well, yes. And this shouldn't be all that surprising, imo. Because everything about Whit's reaction is perfectly in line with his previous behavior. Not to say it isn't weird (it is), just that it's weird in the way Whit's always been weird, and not in any new special way.

This is because every part of this reaction comes from the already established way Whit deals with tragedy; he avoids it, and moves on. You'll immediately think of Whit's mom when I say that, the way he omits her death whenever he speaks of her to the point he genuinely forgets that's a thing until a few seconds after the secret Rose received was brought into the conversation, but there's more examples that are actually closer to this situation. In particular, I want to direct your attention to the investigations in both chapters so far.

For the first trial, Whit spends literal hours hanging out with Charles while the Chemist has a breakdown, to the point he almost didn't investigate at all. This is excusable, of course; he was helping someone in need, and the culprit was thought to be obvious enough that investigation wouldn't be necessary.

The second, though, is perhaps a bit stranger. First, Whit doesn't look closely at Arei's body because he was busy comforting Eden, apparently. Alright, fine. But, hey, how did he try to comfort Eden after everyone started to filter in?

Whit [2-8]: There, there. Pat pat. Do you want to sit down somewhere else?

He immediately wants to leave the room. But, he's still trying to help Eden; maybe he's projecting? Because he'd want to leave the room if a loved one died, so he's asking Eden if she wants to do it?

Except, he does leave the room. He doesn't have any other lines in the playground past this point, and then he starts investigating with Charles, the one dude he knows won't enter the scene of the crime.

And you know when he splits off from Charles?

Whit [2-8]: If you're worried about Rose tampering with evidence, then all you need is another witness to watch over her, right? I can do that, since I'm here. I mean, unless Charles needs me for something.

My guy will genuinely do anything except investigate the playground.

And that's where the pattern starts to be noticeable. Whenever something bad happens, Whit finds any excuse he can to distance himself from the situation. And to be clear, they're usually good excuses; it makes sense for Whit to do all this in a vacuum, it's just odd that he constantly finds them. Other examples include him bringing up alibis when the note first comes up, and then, when he's pressed about it:

Whit [2-9]: Eden has [the note]. Ask her.

He doesn't even... want to have the responsibility of the note? Admittedly that could be for other reasons, but still.

With this pattern of avoidance in mind, the things he says in 2-16 are perfectly explainable. Instead of focusing on Teruko's incoming execution or Levi's injuries, he chooses to focus on Charles, because that's easier for him. He's once again finding an excuse to look away from tragedy.

By the way, I don't want to make it sound like Whit doesn't care about Charles as anything but an excuse to get out of thinking of bad stuff. It's pretty clear a big part of why Whit does the shit he does is that he genuinely cares about Charles as a friend (crush?). Whit probably does want to help Charles just for the sake of helping him, but it does come with the benefit of helping Whit avoid stuff he doesn't want to think about.

This whole avoidance thing is also why Whit is so perturbed by the elevator. When Levi gets shot, Whit probably hopes that they get to leave the trial room quickly to take care of him, at which point Whit can just avoid the situation entirely by just sticking to Charles like usual. But they can't. The elevator is shut. Not only does Whit probably realize that means they have to watch the execution, but it also means Whit is not able to get out of the room where a guy is actively dying, and sticking to Charles only lets him ignore the situation so much.

Why does he have his hand behind his back? Well, this is gonna sound like I'm on anti-Whit!MM copium (I swear I like the theory well enough), but I think he's simply balling up his fist out of stress. It's just that Whit "I don't want to talk about any problems ever and don't want anyone to ever know when I'm suffering" Young is instinctively hiding it so no one sees any sign that he might not be okay.

Does that make sense? Barely? Well, it's not like "emergency elevator shutdown button" is particularly more believable in my eyes, so that's the answer I'm going with for now.

Anyways. Jesus Christ Whit you're barely even relevant to this part how the fuck did you still force me to write so much about you.

Arturo Giles

I have less to write about Arturo than Vero and Whit because he's a bit more straightforward, but I'm still putting him here because he was more directly important this part. Speaking of, what notable things did Arturo do these episodes? Ah, right.

Arturo [2-12]: You shut your whore mouth!

"I thought you were only doing necessary imag-" This one's necessary shut

I'm using this to talk about the big speech about his talent, that he started studying plastic surgery when he was 12 and that it's impressive he's a plastic surgeon this early in his life. Props to dev for addressing this, I know some people are irked when characters are in the medical field from way too early in life without good justification like this. The fact he started so young also adds to the theory that Arturo's home life sucked, because it'd be really odd for a 12 year old to already be planning to leave otherwise.

The way the cast keeps insulting his skill, even though as he's said several times over the course of the series, the shit they expect him to do is way beyond his area of expertise, is a good way to build up to the way the cast also dismisses Ace's intelligence and skills later.

Other than that, there was one more moment when Arturo took part of the spotlight. When Levi gets shot, despite everything that happened earlier, everyone still turns to Arturo to save the Stylist. This leads to one of the most human moments Arturo's given us since 2-10:

Arturo [post Levi shooting, 2-16]: I--! I'm not that kind of surgeon! I've told you, over and over, I have no experience with saving lives! Something like this! There's no way I can do it--

Apart from the stellar voice acting that cannot be pointed out enough times, Arturo's doubt over Levi's condition is certainly a good setup for CH3, I'm really interested in how he'll handle this. Especially because...

Do you think he'd think of Felicity, looking at Levi like that? Because just like Arturo ignored Felicity's feelings (to an extent) in pursuit of his dream, he also neglected to study the more standard medical knowledge in favor of becoming a plastic surgeon faster, and now he needs that standard medical knowledge to save Levi's life. Food for thought.

Arturo is definitely an interesting character to watch out for moving forward, he's certainly in for a very curious CH3. Final note:

Arturo [to Levi, 2-13]: How could you simply *forget* that you murdered your own family member?

Get it because the death of Felicity haunts him even though he didn't kill her himself- Man I love recap foils.

MonoTV

I cannot fucking believe that this hunk of metal is getting its own section, but it is. 2-16 what an episode you are.

Thankfully, I've already expressed most of my thoughts about this damn thing in this linked post, so I'll just refer you to that one instead of writing it all again. As a summary, there's quite a few lore implications to the fact that we now have a clearly stated purpose for MonoTV, a goal for the killing game, a connection to XF-Ture Tech (because MonoTV seems to have been specifically created for the game), and I'm really wondering why the hell the default XF personality seems to care so much about Teruko and where that could lead to in the future. Also, very curious where the theme of fate will be taken with it, as well as where dev is planning to take the fact that it seems to have feelings of grief and pain and maybe even cares about Teruko??? Or has compassion in general??? What is wrong with this dog-

Rose Lacroix

Btw I greatly appreciate everyone who colors her name rainbow, I see you and you're valid for it. I need to color code my highlighting though, and if I have to do rainbow for every word I highlight I will actually die. Also I would need to put in an epilepsy warning in my posts lol

Rose got a few nice lines, but when it comes to her, there's one big moment that's really on everyone's mind.

Rose [2-14]: Has it really gotten this bad? I think my brain is falling apart. I can't even recall what day it was when that happened. Levi: You can't remember? I was under the impression that your memory was the best out of everyone here. Rose: It's true that I remember everything I see. But that means that most of my memories are meaningless junk. The kind of thing a normal person would forget without a second thought. But I can't forget. My brain won't work the way I want it to. I can't draw associations so easily. Everything reminds me of something meaningless, and I get distracted. And the worst thing is that I remember it all in perfect detail. Xander's body. Min's execution. I can't even look at Teruko without seeing blood. I know I'm supposed to remember everything. I know I'm supposed to be smart. I know I'm supposed to be helpful. Yet I'm not. I... I'm sorry for being useless. Maybe if I tried harder, if I just got over myself--

Do I... need to talk about this, beyond pointing out how good the VAing is? Everything about it is heartbreaking, but pretty straightforward. It's an extension of the conversation she and Teruko had in 2-5, where we also throw in Rose's growing self-doubt and self-blame over everything that's going on around her. It adds into the theme of this cast pushing expectations on each other (like wanting Arturo to be a better doctor or Ace being too stupid to do a murder), throws in some parallels to Teruko and Hu and Eden (the self-blame sisters!!! *fire emoji* *fire emoji* *fire emoji*) and Xander (the survivor's guilt boy!!! *fire emoji* *fire emoji* fire emoji*), foils with J (J who rejects what others like Mariabella want from her VS Rose who internalizes the expectations and accepts the whole Spurling situation), there's the "a normal person would forget" wording that kinda connects her to Nico and Levi and David (the "feeling separated from other humans' experience" siblings!!! *fire emoji* *fire emoji* *fire-), obviously memory is connected with Charles and Teruko, etc.

You see why I don't always talk about parallels? I have to bring up every single character up every time because that's the shit that happens when your writing is this *fire emoji* *fire emoji* *fire emoji*.

The other thing is Nico, but maybe it's better to keep that for their section. Overall, just a fantastic feast for enjoyers of Rose angst.

Arei Nageishi

You know this trial went crazy when Arei got a whole ass character arc during it, and she's the dead one.

For this part in particular, the big Arei moment was obviously during 2-13, when we finally got to hear the end of the conversation between her and David. I'm not transcribing it, because I'm sure we all got the gist. Arei figured out one of the main themes of the chapter, that everyone is a flawed person, and that means that no one's ever too far gone. There's always a possibility of becoming a less shitty person, and that's sweet.

But beyond Themes, learning what Arei's mindset about good and bad people was really helps to understand her actions before this point, though I do find it interesting that the whole "sorting people into good and bad" mentality she had is actually pretty similar to the way she talks about people in her FTE, which is some fun consistency!

Arei [CH1 FTE]: Yup, that's right! I organize everyone I meet into categories of how I should bully them.

... Well the context's different but you get the idea.

Arei used this principle of "sorting" people into "good" and "bad" to deny herself the possibility of getting better, because trying to change is scary. Man I wonder why that rings a bell.

Teruko [to Whit, 2-2]: But if you start talking about me and saying that I could be a good person if only I make an attempt to change, then I'm going to stop you right there. Don't say that I could be a good person, because all it'll do is make me feel bad that I'm not.

Ah right because Teruko's a well written protagonist. And actually wait, isn't there someone else?

David [2-11]: "People can always change?" What complete bullshit. No one ever changes. People who are born lazy, useless and stupid will stay that way until they die. If you were able to "improve" yourself into a better person, then it only means you were a better person to begin with.

Ah right because David is a well written character. Carry on then.

I do wonder why she waited until night three after the motive handout to talk to David about it, though, instead of doing directly after the playground breakdown. Was it, like, she didn't want to confront it directly after and only got the motivation/courage/whatever after talking to Eden? And then couldn't find David until then? It's odd, but I imagine there's no, like, big reason behind it necessarily.

Eden Tobisa

Hey Eden sorry I suspected you as the killer for a year can we still be friends? :,)

There's two big Eden moments to take into consideration, one in 2-14, one in 2-16.

Eden [2-14]: Why... No one... believes in me... Why? I'm... Arei's killer? No... No way....... Hu: Eden? Please don't cry. Eden: This whole time I've been trying to hold myself together... because Arei died...... I wanted so badly for this all to be a dream, and for Arei to be alive and by my side.... But now, you all think I killer her? Why? I cared about her! Arei is... She could have been my friend! Why would I kill her?? Levi: Eden, please calm down... Eden: Why am I being accused of murdering Arei? I wanted to help her! I just wanted to be friends with her! Why would you say that I killed her? Is it because you think I hated her? That's not true! I didn't hate her! Teruko: Eden.

I'm gonna cut it off there and resume in a bit, partly so I can organize this better and partly to make absolutely sure I don't hit the Tumblr limit on characters in a single text block (because my entire blog is evidently dedicated to testing this hellsite's limits lmao).

There's honestly a surprising amount of nuance in this small breakdown. We start with re-establishing that Eden is someone who constantly tries her hardest to remain strong in the face of adversity, holding herself together as best she can when her newest friend just died and she's more or less blaming herself for it.

Then, while I always praise the voice acting (because it deserves it), I need to bring special attention to the sheer amount of emotion in that "Why? I cared about her!" Hearing Eden genuinely frustrated at the accusations on top of her sadness is heartbreaking, and just a wonderful display of humanity from a character who is at times almost inhumanly patient. Makes me feel bad for suspecting her, and she's fictional in our world!

On top of that, "she could have been my friend" is an interesting choice of words regarding Arei. This is where having hyper-analyzed all Eden lines comes in handy lol. Because taken at face value, it means that Eden recognizes that her relationship with Arei wasn't at a stage where she could genuinely called her a friend, given that as far as we know the last conversation they had was after the Arturo thing. Nice depth!

The rest is pretty standard, though again the phenomenal VAing still makes my heart ache. Continuing:

Eden: Teruko... I didn't kill Arei..... Do you believe me?! Teruko: Listen-- Eden: *sniff* I, I didn't do it! Please.... Believe me... This whole trial has been cruel to me.... Help me, Teruko... I can't stand it... I just wanted to help Arei.... I didn't kill her... Teruko: You know I can't just take your words at face value, Eden. Eden: Please, Teruko... You're my friend, aren't you? Friends help each other... So please, help me... I promise I didn't... I didn't kill her.... I'm innocent... Please trust me..... Please.....

AAAAAAAAAAA-

Okay with that basic reaction out of the way, because evidently the reactions didn't have enough "text screaming" for me to fully get it out of my system, this is just a really heart-wrenching scene. Just the combination of VAing, music and visuals, man... ouch. It's especially tragic when taking the following line into account:

Eden [2-3]: Teruko, relationships aren't transactional. It's not that I did something good for you that you should do something good for me.

The Eden hyperfocus comes in clutch again- Is it weird that being an Eden!Culprit believer for so long is making me appreciate her character more now that she's confirmed innocent? :v

Teruko has, up to this point, never outright claimed herself to be Eden's friend, at least not as far as I can recall. Hell, her lines following Eden's plea for help seem to completely disregard the idea.

Teruko [2-14]: So for now, I'm going to assume you're innocent. Eden: W-What? Really? Thank you so much, Teruko... Teruko: Don't... get me wrong. This isn't out of kindness or pity or anything else. This is only because you helped me in the last trial. I'm repaying your favor, and nothing else. That's why I'll trust you, just this once.

How much she means that is for the Teruko section. What's important is that this means that when Eden says "you're my friend, aren't you?", she is actively going against her claim that relationships aren't transactional. She expects Teruko to consider herself Eden's friend because Eden has done a lot of stuff to try to make that friendship work.

This. Is. Wonderful. Don't you love it when characters fail to uphold their beliefs when faced with a horribly stressful situation? Well, I love suffering, so I sure do! :D

To be clear, I'm not trying to paint Eden as a hypocrite or anything. She's right in saying that relationships aren't transactional, and is justified in asking Teruko to help her because she considers Teruko her friend, even if it's a slight contradiction. After all, what are humans if not a swirling well of contradictions, desperately arranging themselves like the magnetic moments of a metal to try to make the slightest bit of sense of a reality they hopelessly seek to understand-

Ehem. The point is I like Eden a lot :D

Speaking of wonderfully human moments, time to switch to the other big Eden character moment!

Eden [2-16]: This... This all could have been prevented, couldn't it? [...] Of course I know [we can't blame ourselves for Ace's murder]. Ace planned to kill Arei, and even before that, he was planning to kill me. Rose: Then how can you forgive him? Eden: I never said I forgave him. It's just that... The Ace that I met for the first time wasn't a murderer. I... I can't forgive him. He killed Arei, after all. She was innocent, and he killed her for unfair reasons. But... Those unfair reasons were unfair to him as well.

You know, we joke about how awesome it is that the entirety of the DRDT cast is mentally unstable (because it is), but it's also cool to see the one actually more or less functional member of society in the group being the voice of reason like this. Not to spoil anything, but I find her stance regarding Ace's murder as the most reasonable stance one could have, and it's always cool to see a character who has reasonable opinions every now and then. But having such an opinion is easy when you're outside the show and the characters are all pixels on a screen; the fact that Eden can still find it in herself to be charitable towards Ace's situation while not outright forgiving him for his actions is a really powerful statement about her strength and sense of morality. Eden could not stop catching Ws this part.

Anyways, here's a few more fun Eden moments this part gave us.

Eden [2-15]: Wait, but... Is Ace even capable of doing a feat of strength like that? He's injured, after all.

I just think it's sweet Eden tries to defend Ace even when she's the other prime suspect :)

Levi [2-13]: And if tomorrow it turned out you all had passed away, I'd care as much as if we had never met. Eden: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does?

For all the Eden Ws, she had to take an Eden L. Come on, Eden, Levi doesn't need to actually care to be a good person, he just needs to do good things, you know this :(

It makes sense character-wise, though. Eden has a surprisingly strong belief system, which is heavily shaped by her emotional nature, so it makes sense that Levi's Deal of doing good things with no emotional attachment to them would throw her off.

Still cool of her to accept Levi as a good person even though she just learnt he killed four people, however. It's good characterization; despite her misunderstanding with the lack of empathy thing, she still chooses to judge Levi based on the things she's personally observed, as opposed to making assumptions over things she only has half the story for.

Man, she's just so mature and cool and awesome and not fucked up in any way! Now that the tape thing's been resolved, I can't think of a single thing that would make anyone think that she might be a little-

Ah. Right.

Well, as a first reaction, this is definitely an Eden W in the oh so prevalent... DRDT powerscaling scene? She apparently managed to slash at Xander's eye, twice, with a fork. And with her non-dominant hand no less!

So... what the hell am I even supposed to do with this? Unfortunately, we're currently missing gigantic amounts of critical information regarding this situation, meaning I can't for the life of me come to any conclusions, at least not confidently. I tried to look at the pre-prologue dialogue to see if I could find anything, but...

Ouch... I really wasn't expecting her to attack me like that. I made a massive mistake to trust them. I can't rely on anyone. All by myself... I have to end the killing game. And even if I can't do that... I have to kill Teruko Tawaki. No matter what.

Fuck am I supposed to gather from this.

Uh... someone told Xander that Eden would be down with whatever plan Xander had to end the killing game if he just showed her whatever documents we're seeing in the Bloody Hands scene??? And she got too scared and just stabbed him with a fork??? Who is the "them" who told Xander this, a group of people, or a single person and Xander's playing the pronoun game? Or was it Nico???

Nico [1-9]: Are you really using unclear pronouns for dramatic effect? That's such a cliche.

Fuck it, locking in Nico as the one who told Xander to talk to Eden, just because that's the funniest possible reason Xander could have used "they" there. I doubt it's true, but it's gonna feed my God complex if I get it right, so-

Yeah, in case it isn't obvious, I have very little idea what this scene could even be about. Very excited to see where this could go :D

Nico Hakobyan

Nico stole the show for practically half of 2-14, so it's natural we should start at the main event.

First, the soft confirmation that Nico really did attack Ace with a plan to get away with the murder and escape as the blackened, particularly framing Hu by using her wire. This... vaguely contradicts something they claimed earlier, so we gotta discuss the implications.

Veronika [to Nico, 2-9]: Is this what you were envisioning when you tried to kill Ace? That the trial would happen like this, but with Ace instead of Arei dead? Nico: I didn't... I never thought about it... I... I never should have... done that...

Were they just... lying here? Did they mean something else?

My best guess to explain this apparent contradiction is that Nico thought about the trial in a more... impersonal sense? Like, when planning to kill Ace, they figured they should try to hide that so they didn't go down with him, but sort of... ignored that winning the trial would kill everyone else? It's hard to describe, but that's what I get from that line as well as:

Nico [2-14]: I tried to kill [Ace] because I don't like [him].

When they say they "never thought about the trial," they probably mean that they never thought about the full implications of it, even though they did plan for it. They knew in some level they were supposed to hide the murder if they did it, but things like escaping the killing game and actually getting everyone else killed didn't fully register. This thought process makes sense in my mind, I hope it makes sense in yours because I don't know how to describe it any better :v

Second.

Eden [2-14]: That's- That's so cruel! Nico, why? Aren't we all friends? If something was bothering you, you could have talked it out with someone else you trusted? Nico: ... Someone I trust? What are you talking about? I don't trust anyone here.

Fantastic bit of characterization here. Nico, despite being relatively civil to anyone they're not actively planning to kill, apparently trusts no one. However, I want to explore what exactly that means. Because it's not like Nico is paranoid they're gonna get killed per say:

Hu [2-12]: Nico does have an alibi. I was having breakfast and tea with them in their room early in the morning as well. Drop it, Ace.

I can think of few better opportunities to kill someone than being alone with them, in their room, at around 7:30 AM when it's still officially nighttime. Nico, at least, trusts that Hu won't kill them, though whether that's because they're confident they could survive anything she tries or because they genuinely trust she wouldn't try at all is up in the air.

Point is, Nico is distrustful, but not as paranoid as, say, Ace. Because of that, currently, I believe Nico's claim that they don't trust anyone is an extension of things they've said before; that they prefer animals because people are unpredictable. Really, Nico's lack of trust being interpreted as "not trusting people to react to their concerns properly" is very consistent with the way they've acted in the past, particularly their reaction to getting forced into revealing their secret, so we probably shouldn't be surprised.

Nico [2-6]: I thought you would laugh at me. I was worried you would pick up rocks and start throwing them at me or pick up clumps of mud and start throwing them at me.

Next point:

Nico [2-14]: You all are right. I tried to kill Ace and pin the murder on Hu. What else should I say? Ace: W-- "What else should I say"?? You tried to murder me. You fucking tried to murder me! And after all's said and done, you can't even say something as simple as "sorry"?! Nico: ... I tried to kill you because I don't like you. Even now, there's still no use to try and pretend that I like you. If I say "sorry," you're still going to hate me.

... Yeah.

Nico [2-2]: If you're having dinner and want someone to pass the salt, you can say, "Please pass the salt," or you can say, "Give me the salt." One of those things is supposed to be more polite than the other, right? But why? They both mean the same thing. They're just slightly different mixes of words. It's like that. I don't understand why some mixes of words come off as "rude," and some don't, even if they mean the same thing.

I don't even think I need to explain this further. I think it's pretty clear why Nico wouldn't apologize to Ace. Nico's just not to into social conventions.

Except:

Veronika [2-15]: What's wrong, Ace? You seem stressed. [Your neck injuries] are only wounds. What's the issue? Could it be that almost being murdered has traumatized you a little bit~? Ace: You think?! You think that almost being killed could have maybe given me a little trauma!? Nico: ... [Whispered voice clip: "I'm sorry"]

This one's... odd. Nico doesn't say it loud enough for Ace to hear, evidently, so it's just a genuine reaction to the harm they've caused. What could have triggered this change? Uh... maybe a little extra trauma dump will help? Let's pick up after where we left off in 2-14.

Rose [continued]: D-Do you even regret what you did to [Ace]? Do you regret what you were planning to do to everyone else? Nico: O-Of course I regret doing it! I'm not Levi, of course I feel bad about something like that. I'm not heartless! Levi: Heartless? Nico: That was the worst choice I've made in my life. I wish I had never done that. But looking back, I still understand why I did. I... I just can't stand being treated like that. My teachers, my classmates, my father... I don't ever want to relive what they did to me. It's because of those kinds of people that I can't be happy with who I am. That's why I hate Ace.

Okay cut off there. First, interesting to see Nico calling Levi heartless. I've seen it brought up that it makes sense for Nico, who struggles to relate to other people on a good day, to latch onto any defense of their "normalcy" they can, including "I'm not the weirdest person here" despite how hurtful that can be to say. That's some neurodivergent on neurodivergent hostility right there! Fun to see characters being flawed in new and unique ways /gen.

Apart from that, there's some nice reveals to Nico's backstory, which are always welcome. We already knew Nico was harassed because of their identity, but now we have names (as in, identity of aggressors); teachers, classmates, and Nico's father. That obviously comes with a question; was Nico raised by a single father, or did they have other relatives who were more accepting? For now, we got no clue.

But that final line is important, because I believe it's what explains Nico's whispered apology in 2-15.

Nico [already written]: It's because of those kinds of people that I can't be happy with who I am. That's why I hate Ace.

Nico's apology comes after Ace explicitly mentions being traumatized over the murder attempt, in particular in regards to his neck wounds. This can be taken as Ace revealing he's not happy with a part of himself (scars) as a result of Nico's actions. When abstracted this way, the comparison to Nico's situation (unhappy with a part of themselves (gender identity) as a result of others' actions) is much clearer. Nico apologizes for accidentally causing Ace a comparable trauma to their own. Which... I think makes sense from their point of view? People apologize when they do something hurtful they didn't mean to; Nico meant to murder Ace, so no apology for that, but they didn't mean the trauma, so they say sorry for it. Not that Ace heard it, but you know.

... That's a weird ass thought process, but I think it makes just enough sense to explain the apology. Let's finish the 2-14 scene.

Nico [continued]: Even so... I'm not a child. I know that murder is wrong. I'm not the victim here. I know that it was dumb to resort to murder. I don't even know what I thought I would have accomplished back then. I mean, I started regretting it as soon as Eden and Teruko saw me. I don't expect you to forgive me. Very few people ever do. So I don't see the point in acting sorry. ... That's the entire truth of my murder attempt. I don't have anything else to say.

So... "I don't even know what I thought I would have accomplished back then" seems to corroborate what I said earlier about Nico not truly grasping the full implications of a trial while they planned the murder, which is nice.

Nico's attitude over this ("I'm not the victim here") is nice to see, and makes me very interested in where their arc is going to go from here. Especially since Nico maturely accepting the blame is already causing friction between them and Hu (even if Hu doesn't seem to notice), and will likely continue to do so in the future.

Hu [2-14]: You all are too cruel! None of you understand how much stress Nico was under! And yet you continue to insist on bringing this up. Can't you see that you're traumatizing them? Nico: Hu, I-- Hu: Don't worry, Nico, I'm on your side. I'll always defend you. I can be reliable for you. You trust me, right? Nico: ... I never asked you to defend me--

... We're gonna have to talk about this in the Hu section.

Finally, "I don't expect you to forgive me. Very few people ever do."

Nico, what the hell does this mean? What have you done in the past that requires so much forgiving? What in the [DR2 CH3 killer]-?

Unfortunately, this is one of those "we're missing critical information" situations when we can't even begin to speculate what, if anything, this is supposed to mean. We'll move on and patiently yet eagerly await elaboration.

There's one more big thing to bring up in respects to Nico, and that's... Rose. For who knows what reason, Nico never gives an explicit answer to whether they actually were interested in learning to paint or not.

Rose [2-14]: Did [Nico] even want to learn to paint? Or to be my friend at all? Or were they only using me as a tool for murder? Nico: ...

Regardless of what the answer is, that's kinda weird. I'm leaning "no, they didn't want to learn to paint," because it sure would be a hell of a coincidence that they just happened to gain an interest in painting just when they're planning a murder that happens to require a painting supply.

That said, Nico does still seem to somewhat care about Rose, and probably would like to be her friend. At least enough to eventually apologize to her out loud.

Rose [2-16]: [Ace]'s right. Only Nico took [the turpentine] from me, and I really doubt they gave it to Ace afterwards. Hu: You're always attacking Nico like this! Nico: It's the truth, though. And Rose is right. I kept it. I still have the turpentine in my room. I'm sorry.

And it's not like anything this chapter erased the FTE:

Nico [FTE]: I was going to thank [Rose] for hanging out with me. I really enjoyed her presence.

So, while I can't know for sure, I hope Nicorose can make a comeback, at least in time for Nico to die so dev can inflict extra psychological pain on Rose! :D

Final highlight:

Nico [to Levi, 2-13]: If you said you killed [your father] because you just didn't like him, I could understand that. But you're saying you forgot about taking a life...

Apart from Nico obviously projecting their own murder motives on other people, do we think Nico ever considered killing their own father? I doubt they actually did, else that would probably be their motive secret (provided it's not a Veronika situation where their secret isn't the worst thing they've done), but I could see them considering it given how they talked about him and Ace in the same breath, and... yeah Nico sure did want to kill Ace alright.

Hu Jing

Hu was quite fascinating this part, wasn't she? For someone that actually ended up having zero relation to the murder, she sure had a lot of important character scenes. Let's start with the confirmation of a particular theory that really helps understand her character better.

Hu [2-13]: I've been quite selfish this whole time, keeping my secret because I didn't want you all to think less of me. Most of all, I wanted to lie to myself and pretend that I had no ties to the person that I used to be. I wanted to believe that the past never happened. But that's just self-centered. I've always been a selfish person, haven't I? I should put those feelings aside and do what is right. No, I should have done this from the start. I will share my secret as long as you all promise to immediately move on. I have Veronika's secret, and she has mine.

Well that's just sad.

I don't think I particularly need to analyze this, it's all pretty explicit. Hu wants to be relied on because she feels useless if she doesn't provide guidance:

Hu [2-11]: I have to be the one to give everyone guidance. That's the only thing I can do. If no one relies on me, then I won't be useful anymore.

And if it comes out that she's attempted suicide, then in her eyes, that makes her less reliable.

(Obvious disclaimer is obvious, the character's views don't reflect my own, there's no shame in having attempted suicide or needing help to keep fighting it, etc.)

As a result, she dislikes the memory of that "hopeless child" who attempted three times, and wishes to avoid talking about it if possible. Metamorphosis (butterfly) and rebirth (water by her name being "still lake") symbolism pulling through.

Also, while there's many reasons someone could attempt suicide, that little "I've always been a selfish person, haven't I?", especially combined with other statements she's made in the past, heavily implies her attempts were a result of self-loathing :( . Thus why she so desperately seeks value in herself by helping others, which is sorta crumbling as everyone she put her faith on (David, Nico especially) starts to reveal themselves as not-that-great-people.

Hence why I'm worried we might see a fourth attempt in the killing game. Her secret quote seems to go against the idea, which combined with some of her statements in the series proper make me doubt it, but y'know... The precedent's there.

Anyways, I'm bringing this up first because, again, it helps understand her other actions this chapter.

Hu [to David, 2-12]: Unacceptable! What on earth [sic] is your problem? I have had it up to here with you! Because this killing game requires us to live, you think you should just reject that notion and kill us all? You lied to me, manipulated everyone, and tried to make us all commit mass suicide! You really are the lowest of human beings. You have no right to decide whether I, whether any of us, live or die, all because *you* feel like you have no chance! If you're so bent on dying here, then die! But don't you dare try and make everyone else die with you. If we decide to continue living, then we will. It is not and never will be your decision as to what happens with our lives. David: ... Rose: Wow. Hu can be scary. Hu: ... I'm sorry to everyone else. But I've lost my patience. I won't apologize to David.

(Obligatory props to VAing ofc)

I mean, yeah, it makes sense for someone who used to be suicidal to be mad at David's bullshit. Especially considering that, in regards to "you lied to me, manipulated everyone here," the line I mentioned before about providing guidance continues like this:

Hu [to David, continued from before, 2-11]: I have to be the one to give everyone guidance. That's the only thing I can do. If no one relies on me, then I won't be useful anymore. You knew how I felt, and yet you... You... You toyed with my heart! All that time you acted like you were encouraging us to reveal our secrets to "prevent conflict." That was all a lie!

Assuming the whole "You toyed with my heart!" thing isn't referring to a conversation we don't have information on (which, to be clear, is 100% possible), it's possible that at this point in the trial Hu felt bad for going along with David's plan, especially since she might have believed it directly led to Arei's death. I think it's worth noting that she's one of the two first person to speak after Ace confesses, and she asks if he did it because of the motive.

Ace [2-15]: I killed Arei. That's exactly right. Shit, it sounds really bad when I say it out loud. Eden: Why? Why did you kill her? Why would you do such a horrible thing? Hu: Did you kill Arei because of MonoTV's motive? Because you wanted to keep your "secret" hidden--

Which could be read as her trying to confirm whether or not going along with David's plan was a good or bad idea, maybe?

Admittedly, "going along with David's plan" in her case literally just means "she told David, Nico and Teruko that people used to call her Julia," which you could argue is too small for her to genuinely feel like she contributed, but keep in mind the "you toyed with my heart" line is directly before a line referencing the "reveal the secrets" plan. At the very least, she didn't go against it, not in a significant way anyways.

If I'm right to be reading these lines the way I'm reading them (which, again to be clear, might be wrong), then David purposefully used Hu's desire to help and be relied on to get her to agree with his plan, or at least not go against it, or at least Hu feels he did. Whether he intentionally targeted her, or if his methods to convince the others to convince the cast of revealing their secrets just happened to strike a cord (zither pun not intended) with Hu, is still unclear, but both are possible.

So she's already incredibly pissed at him for that, then he says he wants everyone dead, yeah my girl's got the right to go off.

Though, speaking of Hu blaming herself for what happened to an extent:

Hu [2-16]: Arei wasn't killed because of an accident. Bad luck or not, Ace had made up his mind to go through with this murder! So we can't possibly blame ourselves for failing to prevent something like that.

This is after Ace confirms that the motive and David's BS had nothing to do with the murder, so Hu can fully deny blame for what happened. Which is relatively fair, it's not like being mean to someone makes you guilty if they then choose to kill someone, but it's also presumably really important for her mental stability.

Did any of that make absolutely any sense? Maybe. Hopefully.

And that's just all the Hu-only stuff. Because a big part of her character this chapter was defending Nico far beyond what anyone could possibly see as reasonable. I'll bring back the example I gave before, because I think it's by far the most extreme.

Nico [2-14]: Someone I trust? What are you talking about? I don't trust anyone here. Hu: Stop! Just stop it! You all are too cruel! None of you understand how much stress Nico was under! And yet you continue to insist on bringing this up. Can't you see that you're traumatizing them? Nico: Hu, I-- Hu: Don't worry, Nico, I'm on your side. I'll always defend you. I can be reliable for you. You trust me, right? Nico: ... I never asked you to defend me--

Like, this goes beyond unreasonable. Nico literally says they don't trust anyone in the killing game, but Hu still thinks they trust her for... some reason. And even though Nico says they never asked her to defend them, Hu continues doing it past this point.

The thing is, though... why? Like, I get the basics here, it's what we talked about earlier. Hu only finds worth in herself by being reliable, and she sees Nico as someone who needs her reliability, so she tries to defend them no matter what. Hell, she even specifically says "I can be reliable for you" in the quote.

But... is there a reason she's so adamant towards them in particular? She doesn't get like this when Eden starts being accused, even though they have a good relationship with each other. Apart from reciting Rule 10 when it first comes up, once that gets thrown into question, the only thing Hu says when Levi and Arturo talk about Eden possibly being the killer is:

Hu [2-14]: Eden? Please don't cry.

She never pushes back against David's claim that he saw the corpse, even though that would practically exonerate Eden via BDA; that's Nico who does that. And Hu never claims Eden is being traumatized by being accused even though she clearly takes the accusations a lot worse than Nico was taking them in 2-14.

So, like, what the hell? Is there a deeper reason she's so defensive towards Nico and not Eden, or am I just going insane?

Well, at this point, if such a deeper reason exists, I have no clue what it could be. I could speculate about Nico reminding her of someone in the past, be it herself or someone else, or maybe Hu just sees Eden as less "in need" because she's generally more stable and happier than Nico, but really, I have no way of knowing.

The thing I can talk about in regards to the Hu-Nico thing is its parallels to Veronika-Arturo and Levi-Ace.

Veronika-Arturo is funny because, well.

Veronika [2-10]: Arturo, you're... You're so... Fascinating. You're really entertaining. So I'll take your side. I don't care about morals. I don't care about whether people get hurt or whether they die. I just need to be entertained. If you become more and more irredeemable, then I'll only love you more~ I want to hear all about those terrible things you did with no justification. Arturo: For someone who's taking my side, you sure are making me look a lot worse!

I really love how a big part of the Vero-Hu recap foil so far can be reduced to the "I can fix them" vs "I can make him worse" meme :p There are their secrets as well, but that analysis will have to wait for further elaboration on them, presumably in CH3.

Meanwhile, Levi-Ace... will have to wait for the Levi section, because this is already getting quite long for Hu, and it requires a bit more context on his character.

Miscellaneous highlights!

Hu [2-14]: Hang on! Eden isn't the killer! Don't accuse her! Charles: Not this again. You can't keep blindly defending the people you hope to be innocent if you don't have evidence, Hu.

Hu: I do have evidence! Why are you writing me off? All because I-- ... *sigh* Rule 10...

Damn she really gets defensive when you question her reliability huh?

Well, moving on. That was a pretty long section, hopefully the next one will be easier to write.

...

Oh. Oh no.

David Chiem

YOU

WHAT THE FUCK IS WRONG WITH YOU?!

Genuinely what is this motherfucker's problem? Everything he does seems to contradict something he did before, for reasons unknown. The only way I can even begin to try to analyze this son of a bitch is to go through everything he does in the series in chronological order, because trying to figure out his thought process in any other way would drive me in circles harder than anything in LGI ever did.

The first thing David truly does that informs us on his later actions is forming a genuine and positive relationship with Xander. In case the LGI MV didn't make it clear that David genuinely cared about the Rebel, we finally got near 100% confirmation of why exactly David liked him so much.

David [2-12]: You, and everyone else listening. I do so kindly request that pretty please stop talking about Xander at all if you don't know what the fuck you're talking about. It pisses me off to no end. After all, it's still unbelievable to me... ...That I'm the only person here who remembered him. Even if you all lost a year of memories for this killing game, there's no reason you shouldn't have recognized who he was.

While we unfortunately don't get much more clarification, it seems David knew what Xander did to earn the title of Ultimate Rebel, and likely admired him as a result. As per Xander's numeral I in LGI, "I have always looked up to you."

This admiration is presumably why David was so adamant in the first trial that there was no way Xander really tried to murder Teruko.

David [Debate Scrum, 1-8]: Are you saying that Xander is a killer? I find that difficult to believe.

You might argue that maybe he was just trying to throw the first trial, the same way he tried to throw the second. But that's not possible.

This is where we get to Weird Point #1. David didn't want to lose the first trial.

Nico [1-11]: Ah, right. Min was going from the laundry room to the kitchen. That path crosses the computer lab. She would have seen Teruko's body if the door was open. Min: ... Ace: And why exactly would the fucking door be open? Nico: U-Um... David: I suppose Min may have arrived near the computer lab's entrance just as Charles left. If she was curious, she would have even gone out of her way to see what was happening in there.

If David was trying to throw, he wouldn't be the first to explain how it would be possible for Min to be involved in the murder. And this is only one example, there's other lines where he specifically suspects Min. Apparently, he simply cannot handle a bad bitch winning (committing murder and trying to sacrifice 14 lives for her own benefit).

However, something in David shifts upon seeing Min's execution.

David [1-12]: I... I've seen enough. There's no point in keeping my hopes up anymore. We are all certainly going to die here.

This line is said pretty somberly.

Which is weird. Because not four days later, David will be trying to throw a class trial, which will kill everyone and him. Interesting detail about that, David doesn't seem to believe that the blackened will escape if they actually voted wrong, based on this line.

David [2-12]: 15 lives. Some of them are very dear to you. And your own life as well. Is there anything at all that could be more important to you than those 16 human lives?

Where he seems to imply a wrongful vote will cause 16 deaths.

But the thing is, it's not just the trial, is it? David also tried to instigate a murder through his "reveal all motive secrets" idea. That's what he does during the majority of CH2, starting in 2-4, just two days after Min's execution. Now, it's fully possible that at this point, he wasn't yet planning to throw the next trial, but rather, he was just doing this to hide his own secret. He certainly considers losing his "speaker persona" a genuine sacrifice, so it isn't unbelievable that he'd hope for a murder even if he was planning to win the trial if it happened.

David [2-12]: Even so... Lying about all that wasn't easy. Even I like to have good relations with others, however fake they might be. And I had to throw that all away. I know that no one will ever trust me, believe in me, or look up to me again after this. But doing "good" things requires sacrifice. Sometimes that sacrifice is being seen as "a good person." That's what I learned from Xander. Even if doing something will make you hated, if that action is for a greater good, then it's an action that you have to take.

(By the way, his views of goodness as martyrdom are quite interesting and I'm curious to see where it will go, but currently we don't have much more than this line for insight on it)

However, I don't quite think that he just wanted to keep the others' goodwill; I think he was already hoping to throw from the moment he started instigating the murder. And this is where we need to ask; what was it that made David switch up? What happened between the first trial and the second that made his goals change from surviving to... whatever he's cooking now? Because in case it wasn't clear from how I'm talking about it, I don't believe David gave the real reason for his throwing to the class. Let's look at the "confession."

David [2-12]: Ugh, fucking fine. You want an answer so badly? Any answer? ... I...

Ah... We're... in a television show, after all. That's... what MonoTV said, right? "Entertainment" is an ongoing show. If Min successfully got away with the very first murder and escaped while we all died, then isn't that way less interesting for a TV show? What's the point of roping 14 other people into one murder, only to kill them all off immediately? The killer is supposed to fail and be executed. We're all supposed to catch the killer, again and again, and participate in trial after trial. You're *supposed* to try to survive. All of you who are trying to solve these class trials to continue living on are playing straight into MonoTV's hands. [Confident] As if I'll accept that. I don't care how low I'll sink, or how despicable I'll have to become. I'll do anything to carry on Xander's ideals by ending this killing game, even if it means that I have to dirty my hands.

Although I wrote it all out, I want you to focus on the start: ".... - I... - Ah... We're... in a television show, after all." Even beyond the meta argument that it's unlikely we'd actually get the answer to why Xander wanted to win the class trial this early in the series (which is a valid argument, but I prefer to theorize without meta reasoning), that hesitation should tell you everything. The way it's written, it makes it seem like David is hesitating because he's making everything up on the spot, up to the "Ah..." potentially being the exact moment David figured out what angle he wanted to take. Given he's already admitted to both being manipulative and wanting to get everyone killed, this is the only reason I can see for why he'd hesitate to give such a relatively simple and "reasonable" (as in, it logically follows even if it's still insane) answer.

So, now we have two questions. What does he actually want to achieve by throwing, and why did he only start pursuing it after the first trial ended?

Well, let me say first that I don't think we're supposed to be able to answer these questions yet. Obviously; we're dealing with shit very closely connected to some pretty large, overarching mysteries of the series, which we probably won't get full answers for until much later than CH2. But we can try to speculate the general direction of what the answer will be. Let's look at another one of his lines to try to do just that.

David [2-13]: Achoo! Ah--Bless me! Also, excuse me! Wow, thank you for your support, everyone!

(I only included that line because it's fucking hilarious and I didn't want that to go unappreciated :p)

I have another interruption~ Hu: ... David: Teruko. Own up your [sic] goddamn secret already. You are the last person to do so. [...] Teruko: ... My family. David: ...

So, just like everyone who is somewhat deep in the DRDT theorizing community, I don't think this is true. I am pretty sure David has Teruko's secret, that secret being "How could I even select what secret to be your motive? Just about everything you've done in your life is worth killing for. The killing game is all your fault." There's many reasons beyond the weird ass David sprite pictured above, which many have already covered, but as a quick overview: the family secret ("you're constantly blaming yourself for the death of your parents and siblings. It doesn't matter that it's not your fault, just that you didn't go with them") fits Xander better (see: Bonus Episode 2, Xander's secret quote being the definition of survivor's guilt), the family secret mentions "siblings" plural when Teruko's only claimed to have one brother, we don't know what happened to Teruko's parents and brother when we know Xander's family is dead, Teruko didn't believe David when he said he got Xander's secret so she probably suspects the killing game one is hers, "this killing game is all your fault" is consistent with the second anniversary art code ("It's all your fault" in a picture which only features Teruko reaching out to presumably-Mai's hands, which disappear), etc.

So now we have four questions, because evidently I'm quite bad at this. Apart from the two mentioned before, we need to ask why David lied about the secret he received, and why he was happy when Teruko answered with the family thing.

But sometimes, one question can answer others. The reason I'm bringing this up is because I believe David's heel turn was likely motivated in some way by receiving Teruko's secret. Take a look at his immediate reaction when the secrets are first handed out.

Pretty frowny, huh? Yeah understandable given the secret he received is "hey the killing game is all the girl that Xander tried to kill's fault." Unfortunately this is the only reaction David has to any of the secrets, as the rest of his dialogue after this is just explaining J's secret. Well, and this:

Eden [2-1]: Then let's end the killing game before [the motive secret reveal]! Nico: Eh?! David: Optimistic as ever, Eden. I'll do my best.

Which is kinda funny in retrospect. Yeah, he sure did do his best to end the killing game before the secret reveals.

Tangent aside, the important thing is that David wasn't necessarily surprised by Teruko's secret, but rather, uh... Well it's hard to read him on expression alone. Frustrated, maybe? Possibly mad that Xander didn't succeed in killing her? It's also worth noting that this is shortly before Teruko goes into her whole "I don't plan on leaving" shtick, which includes the following tidbit (and yes David is in the room to hear this).

Teruko [2-1]: And I'd recommend that you drop that foolish optimism for making it out of here alive. With 100% confidence, I can say that... You will all die down here without ever seeing the outside world again. Ace: This bitch is totally out of her mind. Teruko: I'm not saying this out of ill-will. It's simply how this story works. You all have the misfortune of being "characters" in a story where I'm the "protagonist." Because of that, you're all doomed.

What's so important about this? Because I believe that, in David's mind, this proves Xander right. It proves that there is something off about Teruko, that he probably did have a good reason to attack her, that the note he received wasn't complete bullshit. If there is any single thing that would get David to follow Xander's footsteps, regardless of whether he has the full story or he's just doing what Xander was trying to do even without knowing the reasons the Rebel made the moves he made, it would be getting confirmation that the person he tried to kill specifically has something suspicious going on.

Especially because David does, in fact, seem to have a very weird fixation on Teruko.

David [2-14]: As long as there's a possibility that the evidence is false, as long as there's even the slightest reason to distrust others, then Teruko cannot trust Eden. Isn't that right, Teruko? Teruko: ... David: It's in your nature to distrust people. Everyone you know has already betrayed you. There's no one in this world who won't hurt you. Even the people you love will turn their backs on you in the end. You know that well enough, don't you? So distrust in others. Because that's the only way you know how to live. Teruko: ...

(Obligatory props to VAing ofc)

... Alright so it's five questions. Because how does he know all that?

Let me knock that one out quickly, though. Right now, I don't think this is solid enough reason to suspect that David knows more about Teruko than he's letting on. I could be wrong about that and David could just be aware of her entire backstory, but I currently don't believe that.

Instead, I think this might actually be an extension of his talent, in a way. The joke that he gave Teruko a "demotivational speech" is funny, but I also think it's actually on the right track. David knows the right things to say to someone to inspire them, to push back against their insecurities, as he did with Arei in the playground breakdown. Thus, it logically follows that if he's able to identify emotional weakness to push against it, he would also be able to exploit it.

Or, try, at least. He actually fails pretty spectacularly, since Teruko ends up trusting Eden anyways, and I don't think there were any reverse psychology 5D chess moves on David's part given his immediate reaction to Teruko's 2-14 speech to Eden.

Like, that's the face of a man who tried to be slick and failed miserably.

(And in case it isn't clear, I don't think his lie of seeing the body had anything to do with the trial, he did it just to fuck with Teruko)

In any case, what happened here is that he figured out the (relatively obvious, it doesn't take an Ultimate to see this) trust issues that plague Teruko, and is trying to make them worse in order to... uh... fill in the blank I guess. One option I've considered is that he knows something about how her luck works, that it hurts people she likes, so if she doesn't trust anyone then her luck's effects will be concentrated entirely on Teruko. However, that requires a pretty deep understanding of something he shouldn't have that much info on, so I don't find it that likely. Also I'm not 100% sure if this is how her luck actually works so there's that.

Yeah, unfortunately, at this point I struggle to see exactly what David's angle is here, which is probably intentional given, again, CH2. However, it does somewhat tie back into what we were talking about. Along with everything else I've mentioned, this fixation on Teruko's trust makes me believe that David's heel turn is at least partially motivated by receiving her secret.

And if we once again combine questions 3, 4 and 5, we can actually arrive at a new conclusion. We know David's hiding Teruko's secret, we know he's happy that she's not calling him out on it, and we know that he has a vested interest in getting her to distrust others. With all these combined, I believe that David is trying to look for a way to manipulate Teruko specifically as a backup plan if the cast managed to win the trial, which they did.

By getting her to distrust others, she'd isolate, making her an easier target for manipulation as she wouldn't have anyone to fall back on if David starts getting to her. And the secret is good blackmail, pretty straightforward why he he hasn't revealed it yet. That's also why he's happy she helped him keep it hidden; he can pull it as a card to make her seem less trustworthy and isolate her further. "She lied about her secret, she was trying to hide it." If she had been honest and said that neither the family nor the poison secret fit her and that someone lied about their secret, it would make her look comparatively better once the secret came out. In other words, it makes the blackmail even better, especially because now David knows for a fact that she wants to keep it hidden.

That brings up to question 6: why does David want to manipulate Teruko in the first place? And this is where we finally reach a dead end, because again, CH2, we're not gonna get all the answers yet. I have less than zero idea what David will try to manipulate Teruko into doing, when he will make his move, what his end goal is, or any other question you can imagine. I have my doubts that he'll succeed, obviously, but of course that depends a lot on what his final angle ends up being.

So, let's recap.

David knew of Xander before the killing game, admiring him because of his work as the Ultimate Rebel. As a result, David tried to establish a good relationship with Xander once the killing game started.

David originally rejected the idea of Xander attacking Teruko out of denial and nothing else. He had genuine faith his friend wouldn't do that. David wanted to catch the correct blackened in the first trial.

Upon receiving Teruko's secret and hearing her speech about everyone dying as a result of misfortune, David begins to believe Xander was in the right, and chooses to pursue what he thinks Xander was trying to accomplish. This includes trying to instigate a murder and admitting to killing Arei.

David lied about his motivation to throw the trial. I don't know if he's specifically trying to kill Teruko, or if he thinks everyone in the cast needs to die for some reason, or if he genuinely has no idea what Xander was trying to do and he's just following his actions blindly, or if it's something else entirely; whatever motivation he actually has, it's not what he said.

As a backup plan if the cast manages to win the trial, he hides Teruko's secret and plans to manipulate her via blackmail, for reasons yet unknown. This is why he's happy that she also keeps it hidden, and why he tries to build her distrust in others.

And that's the basics of what I believe regarding his actions... related to throwing the trial and Teruko. We still have one more David Moment TM to deal with.

David [about the Arei conversation, 2-13]: ... Nothing. Absolutely nothing. I didn't say anything to her, and she didn't have much to say to me either. Arei simply got annoyed with me and left without saying anything else. Nothing else happened between us, I promise. Eden: You promise? You absolutely promise, you didn't say anything to her? David: One hundred and one percent, I promise. Ace overheard everything, and what he told you all was the entire truth. Does that satisfy you? Eden: ... That's... a relief. That you didn't make her feel bad, I guess.

So, question 7, why does he hide the truth from Eden? I doubt he suddenly gained an interest in progressing the trial without further interruption. He's also not doing this for Eden's sake; what Eden wanted to hear was that Arei walked out of that conversation still hoping to change for the better, which she did. Hearing that Arei still wanted to "be less shitty together" even after knowing David's a manipulative asshole would have made Eden very happy.

But David doesn't want to hurt Eden, either. If he did, he'd lie and tell Eden that he said something that made Arei run out crying and having lost all hope, or something. I also can't really think of anyone else who would have much of a reaction either way, since as bad as it sounds to say it, Eden's more or less the only person who was genuinely invested in Arei's progress. Maybe "the blackened," but if David doesn't know who the blackened is, there's no way he'd know how they'd react, so it's likely not because of that.

So, if David doesn't hide the truth for the sake of the trial, and he doesn't lie because of Eden, and he doesn't lie because of anyone else, then he's lying for his own sake. I believe that David is trying to hide how much he genuinely cared about Arei, and probably doesn't trust himself to be able to tell the story without giving the game away.

And to be clear, he did genuinely care about Arei. If his immediate reaction to her death doesn't convince you, his breakdown after hearing the Arturo-Eden-Arei story should.

David [2-8]: Of course. Of course this would happen.

David [2-10]: If Eden and Arei really had that conversation, then it explains a lot. I had my doubts. A clearly suspicious note, asking her to meet alone and with no explanation as to why. During a *killing game* of all times. What kind of person would fall for such an obvious trap? You'd have to be shortsighted, naive, foolish, senseless, downright idiotic. ... Unless, of course, you were Arei. That girl wanted desperately to prove herself as a "friend" to Eden. And yet she completely lacked any experience with what "friends" were actually like. Of course it never occurred to her that handing out suspicious notes was not something that normal people did. What could she know about "friendship," after all? Someone like her, who had not once experienced kindness in her entire life up until now? Even if she had her misgivings about something so suspicious, she must have pushed it aside due to her unwavering faith in her blossoming friendship. A friendship that she didn't understand in the slightest. It's... It's so... Ahaha. It's just so foolish. For someone to take advantage of Arei like that. It's absolutely unforgivable. All she wanted was to change. What a reprehensible person this killer is. I look forward to seeing their painful execution.

(Do you think all this talk about "suspicious notes" is making him think of Xander with the suspicious note he received? Don't know, maybe :p)

Between David hiding the end of the conversation and the whole "Arei was a temporary weather spell" line, it seems he's really committing to the role of someone who doesn't care about Arei.

There are many reasons he could be doing this, but I believe he's just pulling a Teruko: Showing no vulnerability, because if he did, then maybe people would actually try to reach out to him. And then they'd get hurt like Xander and Arei; quote one of the Hamlet quotes in LGI (one of the eight lol): "I did love you once. You shouldn't have believed me." And/or David would need to confront how awful he is to try to change and better these new relationships.

Because it's a lot easier to be an irredeemable asshole who will never get better, than to confront the reality that he can, just that it's hard. Cue parallels with Arei and Teruko and Ace and you get the idea.

Final note, completely unrelated.

Whit [2-12]: Hey, hey, you could say those fish were a... red herring? David: Ugh! Goddamn it, Whit, does everything you say have to be made into some shitty dumb joke?! You're actually really fucking annoying! Shut the fuck up!!

Question 8: Why is David so pressed about Whit's jokes? At the moment, my only guess is that Whit's attitude of always remaining positive enough to crack jokes reminds David a bit too much of his "cheery" persona, which also is supposed to always remain optimistic in the face of adversity, and David either hates that because he hates himself, or because he's envious that Whit can hold that optimism without trouble (as far as David can see). I lean on it being a combination, where he does hate his "cheery" persona, but also wishes he could genuinely be like that, but it's very hard to tell atm.

Alright that took way too long. Can't wait for this all to be proven horribly wrong the next time we get any solid info on David!!!

Levi Fontana

Hey Levi sorry for calling you an accomplice for like a year are we still cool? :,D

Although Levi had a lower amount of Big Moments than David, I consider them more impactful to the chapter. And when you're talking Levi, you're talking 2-13 and 2-16. Let's start with the former.

Levi [2-13]: The secret that Arei received, "You're a murderer, and you hold no remorse...." That's my secret. [Cast reactions] If you were wondering, it's not in my legal records. The court struck it from the records. Ace: No shit! There's no way Hope's Peak would have scouted a murderer! Levi: Don't make the mistake of switching cause and effect.

Let's take our time with this one, it's a long speech. First, nice to see we called this secret, it's nice. Also, I'm not the first to point this out, but it's a neat bit of characterization for Levi to first talk about the legal side of his secret instead of anything more related to emotions; he only really cares about the effects things have in the present (that'll become explicit in a bit), so the first concern he thinks of are the legal repercussions.

Then, Hope's Peak... Hope's Peak why are you this shady. Between Rose's situation, the Ultimate Contest for Eminent Students, and now this, it's now three times they've specifically targeted people in vulnerable positions. Four if you count Teruko, but that would imply they rigged the lottery for the Lucky Student, which I would believe but we currently don't have evidence for. No wonder Xander has issues with them, they're cooking something weird.

Rose [1-4]: I'm sure Hope's Peak wants me to become some sort of appraiser or forgery detective with the skills that I have. Taking some offending youth and turning them into a productive member of society would be a pretty good look for them.

Unnamed Classmate [BE1]: Why would Hope's Peak announce [the UCES] 12 years before it would actually take place, when all the would-be contestants are just children? Min: Because they wanted the contest to hang over the heads of kids like me for 12 years, from childhood all the way into high school. They wanted to single out those who were obsessive enough to spend their entire lives preparing for this one test from childhood.

Unnamed Classmate [BE2]: If you set out to do something, then never give up on that, no matter what obstacles may stand in your way. Even if it's risky or against the rules, as long as it's for a good cause... I'll trust that you know to do the right thing. Xander: Yeah. Of course. That's why I've come to Hope's Peak, isn't it?

We currently have no clue where this is going, but I'm noting it for further reference. Let's pick off from where we left.

Charles [continued]: Care to explain yourself? Levi: At the time, I was confronted by three guys who tried to start a fight with me. I believe they were some old enemies. I killed their leader first, which may have been justifiable as self-defense, but then I tracked down his two remaining friends several days later and beat them to death. J: "Old enemies?" "Leader"?? Were you in the freakin' mafia or something? Levi: No. J: ... Levi: ... J: Are you not going to elaborate?? Levi: I don't particularly think I need to elaborate. After all, that happened in the past and has nothing to do with Arei.

One question this speech leaves us with is "why did Levi track down the other two after killing the leader?" We don't have enough info to tell for sure, but I assume it's a matter of safety? Like, Levi thought those two would try to attack him again if he left them alone, so he needed to make sure that didn't happen. I think that makes enough sense for me not to lose sleep at night over it, but of course I'm open to being wrong.

Also, this is the point where Levi's pure pragmatism becomes apparent. "It's not important right now, so why would I elaborate?" A philosophy which is born from his lack of empathy which will be discussed later. This pragmatism is probably why he's the one to argue that Eden was in an advantageous position to kill Arei; the logistics of murder come before emotional aspects in his mind, which is understandable.

Eden [continued]: Who... Who did you even kill? Levi: They were three guys... a few years older than me... Uh... I don't remember their names or who they were.

Do we think Levi knew their names at one point and forgot, or did he somehow track down two people without learning their names? I find the former more likely, just wanted to point that out.

Levi [continued]: I was a bit of a delinquent when I was younger, so they could have held a grudge against me for any reason. Maybe I smashed their windows and robbed them? Or, wait, maybe something to do with that car I blew up once? Rose: That's... kind of a lot to admit all of a sudden.

One thing I always enjoy is when the character who reacts to cut off a monologue has some kind of connection to the thing being discussed. Like, of course Rose is surprised at everything Levi is saying. She's out here being haunted by the crimes she committed, to the point where the debt she put her family in is her motive secret, and then this other guy has broken All the Laws and is just admitting it openly lol.

Levi [continued]: I've forgotten most of the details, as I haven't though much about it since I was cleared of my charges. Sorry, I can't really remember why that happened. Arturo: How could you forget something so important? You can't even be bothered to remember their names? Did you not care that you killed three people?

Speaking of matching reactions to character, Arturo "I feel unending guilt over the death of my sister who I did not even directly kill" Giles cannot conceive how someone else isn't haunted by the lives he took, more recap foiling at eleven.

Veronika [continued]: You say that your backstory and secret aren't relevant to this trial, but they are. That second part of your secret, that you "felt no remorse" for killing people... If you don't care about murder, then you'd have a much easier time killing than anyone else here. You may even be unbothered by the fact that passing the trial would mean everyone else's execution. After all, you seem completely detached while admitting not only to murdering 3 people, but to several other crimes as well. Almost as if you didn't care about any of this. At least not from a moral standpoint, that is. Levi: I won't deny it. That is indeed how I feel. Ace: You are one sick bastard. What could you possibly say in your defense.

This is the first big hint of Levi's low to non-existent empathy, but I'll wait until it's fully elaborated on to discuss it in depth. Also this hints to Ace business that will be discussed in his section. Why am I even writing here.

Levi [continued]: That incident happened when I was in my junior year of high school. My junior year was also the year that Hope's Peak scouted me as the Ultimate Personal Stylist. To my understanding, it would have reflected poorly on Hope's Peak to recruit a murderer, so they pressured the court into not pressing charges.

I do wonder now why Levi even started styling in the first place. By his own admission he's pretty new to it, though he's got at least a year or two of experience if he was scouted in junior year (I think? USA why can't you fucking number your grades like sensible people I don't know what "junior" means without firefoxing that shit). Maybe a job he picked up after disownment? Though that heavily depends on when and why he got disowned in the first place; was it because of his father's murder, the murder of the three dudes and the court case just took a while, or was it something else? Questions to mull over, but can't answer without further info.

Levi [continued]: Err... Hang on. Now that I've thought about it a little more, my motive secret may not be referring to those guys. It could also be referring to the time I murdered my father. J: Wait, you-- YOU WHAT?! Levi: It's quite difficult yo tell what these motive secrets truly mean because they're all phrased so vaguely... It's a bit of a bother. J: No, fuck that noise! Go back! The hell you mean, you fucking killed your dad? Levi: Correct. I simply forgot about it up until now. That would make four people in total that I've killed, not three, I think...? Arturo: How could you simply *forget* that you murdered your own family member? Nico: If you said you killed him because you just didn't like him, I could understand that. But you're saying you forgot about taking a life... Levi: It wasn't that important. Not even the police cared about a man like him, so nothing came out of it. I truly just forgot.

(why is everyone blue you're fucking up my color schemes-)

Back to the whole "appropriate reactors" thing, while I've already mentioned the Nico thing, I think it's cool J (the anti-murder spokesperson with a bad relationship with her mother) specifically says 'dad,' while Arturo generalizes to 'family member.' Someone's being reminded of his past~

I find this admission pretty funny for a few reasons, and very interesting for many others. Funny because my guy is complaining about the vagueness of the motives while admitting he killed his dad and not elaborating in the slightest. Interesting because... why did that happen? Levi doesn't respond to Nico's comment, so it seems like he didn't particularly dislike his father or anything? Especially in the context of the way he's talked about his family in the past.

Levi [responding to Eden, 2-1]: No, not at all. It's for the best that neither I nor my family see each other ever again. Eden: Eh? If you don't mind me asking, why? Levi: Why? My father, my mother, my brothers... We were all bad influences on each other. That's all that needs to be said.

I mean, Levi's father probably wasn't a shining beacon of hope or anything, given the police didn't even investigate his death, but like... lumping him in with the mother and the brothers, and just saying they were "bad influences" instead of, like, genuinely shitty people, it all makes it sound like there's no specific grudge against the father. Which makes sense, right? Even his father would feel like a stranger, as Levi will describe later. I really wish we get some elaboration on this, because I'm pretty curious about what kind of situation would lead Levi to this. I did try to check what's caused Levi to snap before, see if I could figure out what could have prompted it:

Ace [1-9]: What's the damn point of this whole trial if we're going to make choices based on dumb crap like that?? You useless shit-for-brains! Are you even taking any of this seriously?! Whit: Huh? Am I taking this seriously? Nah, not really. Ace: YOU--! Levi: Ace, calm down. You are not helping at all with this argument-- Ace: You shut your damn trap too, Levi!! I'm done with you trying to play the moral high ground by pretending to be some peacemaker! "Oh dear, oh my, calm down, everyone. Let's not fight, alright? Aren't I such a level-minded pacifist?" Stay the hell out of this if you know what's good for you. Levi: ... Ace: That's right. Shut your damn mouth, you coward-- Levi: Fuck. Off. Ace. How far do you want to push it? Do you think that I don't have a limit to my patience? I would gladly strangle you right here and now to shut you up if I were allowed. But if you're the coward I know you to be, then you should back up before you dig your own grave. So shut. Your mouth. Before I shut it for you.

Uh... Personal attacks against Levi? Yeah I have no idea what the hell his father could have done to prompt the murder. As usual, we're missing too much critical information to make a call on it. I'm gonna wager a guess that Levi didn't plan the murder, but rather it was an in the moment decision, but again I have no actual way to be sure.

Levi [continued]: Frankly speaking, I see no reason to remain hung up over some incident that is long past, especially as it ultimately had no impact on my life. Eden: You forgot about all of the things you did simply because you didn't face any consequences? That's incredibly selfish! Shouldn't you feel even a little bit bad? Those were human lives you took! I don't know what happened within your own family, so I can't pretend to understand why you killed. But even then, I'm sure those other people had families and friends who cried over their deaths!

Again the responders; remember how Eden feels guilty over both Min and Arei's death even though she never "faced any consequences" for them (mainly because she didn't actually do anything wrong but you get the idea)? Yeah that.

Levi [continued]: *sigh* I wonder if I should really tell you the truth, or if it's best to keep it to myself. I don't know how you all will see me after this. Teruko: You've already admitted to murdering 4 people. If you insist on not being completely honest with a secret this bad, then you're going to be the next one on the chopping block. Out with it.

Considering the stuff he says later, it's interesting to me that Levi seems to be more worried about revealing his lack of empathy than admitting to murder, especially with the knowledge that he's only doing this because he thinks being honest will make him "a good person."

However, I think it makes sense. Amongst the cast, there's already several people who either killed or tried to: Xander, Min, and Nico. But a lot of the others still speak of them in good terms; David talked about how good of a person Xander was for several minutes, Eden has made it clear she still misses Min, and Hu still defends Nico. Not to mention that Levi himself already threatened to kill Ace, and got called "a good person" by Eden just a few hours later. That means that, although admitting to murder will probably make the others more wary of him, there's precedent that Levi will still have people who stick by him after all's said and done.

Meanwhile, as far as Levi can tell, he's the only one who doesn't understand empathy in the slightest. And that means he has no way of telling how the others will feel about him if he reveals it, which is why he's more nervous about it than the murders. It plays on the themes of feeling disconnected from the rest of humanity that characters like Nico (via gender identity) and David-

Tally 5 Page: "... I wasn't capable of ever becoming human in the first place."

-have going on, which is definitely something that's cool to mull over. I hope these three get some kind of interaction about this in the future.

By the way, as always I'm just kinda guessing why Levi does the things he does and says the things he says, I could always be wrong.

Levi [continued]: It's not really that I don't care about killing people. Rather, it's more accurate to say that I don't care about people at all. No matter how much I hear about such things like empathy or compassion or love, none of those concepts resonate with me. Are those emotions really universal? The idea that people naturally "care" about others is a completely foreign concept to me. Nico: Eh? What are you saying? Levi: Judging by your reaction, I suppose that's a bad thing. But I wouldn't understand why. On the other side of this planet, there's a person who's suffering. Maybe they're even drawing their last breath. But none of you care, do you? Why would you? They're a stranger, after all. You don't know them. Their life holds no consequence for you. For me, everyone I've ever known is that distant stranger. It doesn't matter how long I've known you, how much we've done for each other, or even if you were my own father... You're still a stranger to me. And if tomorrow it turned out you all had passed away, I'd care as much as if we had never met.

So here's the big reveal, bolded text and all. Levi has extremely low empathy. I'm not gonna try to assign any specific disorder because I'd have no idea what I'd be talking about, but the empathy thing is pretty clear. I'm also no authority on whether this would be good representation for that or not, but for what it's worth, I think it's done pretty well. Levi's perspective is presented neutrally, in a way that shows his lack of empathy doesn't inherently make him a bad person, but not shying away from some of the real effects that can come from it (combined with other factors of course), such as the whole 4 murders situation.

I also like the way Levi describes it. It does a good job of getting the audience to understand his feelings, while still holding quite a bit of characterization in there. For example, the reason he gives for why the cast wouldn't care about the stranger on the other side of the world is because "their life holds no consequence to you." Even when trying to speak from the others' perspective, his understanding of why someone would care about someone else is still shaped entirely by what tangible effect that person has in the other's life, in a way sorting people by "holds consequence/holds no consequence."

Eden [continued]: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does? Levi: In all honesty... I don't personally care what happens to Ace. Whether he lives or dies is none of my concern in the end. Ace: ...?! Levi: But it is a "good" thing to make sure someone else doesn't die, even if I personally do not care about the outcome. I truly believe that. But I adhere to that principle out of duty, not sentimentality. Does that make any sense?

So I'm gonna do a funny here and skip Ace's reaction to this, because that's more for the Ace section than this one. I also already talked about Eden's reaction to this.

Instead, I'll focus on Levi, particularly the question of "does Levi actually care about Ace?" To answer that, it'll be helpful to get the full Veronika Breakdown TM.

Veronika [continued]: Hm hm... I understand now. You're quite the interesting person, Levi. From what I've seen of you so far, your personality has been awfully inconsistent. It's like you don't know how to act. Trying to act like "a good person" without any intuitive sense of what's good or bad is hard, right? For someone like you, who lacks compassion, it must be quite difficult to pretend to be nice. You're always guessing as to what a normal human would do in your situation. You're so awkward in social settings because you can't tell what other people want. You act like a big pushover because if you go the other direction and stand up for yourself, you won't know where to stop. You offer to do things for others because you've observed that "good people" help others, and you parrot noble assurances without understanding why. Such things like that. Not only are you trying to act without a script, but you don't even understand the story. And you slip up constantly. Levi: You explained it better than I could. You really have an intuitive understanding of other people, Veronika. That's a trait I envy. The way I see it, it would be beneficial if I was "a good person." Then other people would trust me and not pick fights with me anymore, and they'd do things for me because they "liked" me. If I was a good person, then I wouldn't have to live a life full of violence anymore. I did everything so that I could have a better life.

Okay hold on there's a bunch to talk about here. Let me do that before circling back to the Ace Question.

Veronika is thankfully good enough at describing the stuff she said that I don't feel the need to elaborate on that. It's basically just a perfect read of Levi's actions so far under this new frame of someone who lacks empathy yet still is a good person. His awkwardness, his outbursts towards Ace, him being sort of a pushover, everything. I also like the little comment of Levi envying Vero's understanding of people, it's neat characterization.

Aside from that, there's also cool contrast between the way Levi sees being a good person as a sort of purely pragmatic social contract (being good leads to a peaceful life and ensures others help you) and Eden, which as referenced earlier sees friendship in a purely emotional and non-transactional way. Not exactly fully comparable, but close enough, and still worth mentioning given the chapter starts with a conversation between the two of them about how they're good people. Both of these have their merit, the point is that, in the end, no matter the reason you have for doing good things, regardless if it's out of sentimentality or just duty, doing good is enough to be a good person. While still of course keeping in mind Arei's message that no one is effortlessly good 100% of the time, and simply trying to be as good as you can be and improve on your flaws is enough.

Also, "I did everything so I could have a better life," huh?

Arturo [referring to Felicity's suicide, 2-10]: How is it possibly my fault that I wanted to live my own life!?

Get paralleled, idiot >:D

Wanting better things for yourself can end up having good effects on others (Levi being good to the cast), or negative (Felicity dying), fun contrast.

But I'm beating around the bush. The question I asked earlier, does Levi actually care about Ace?

Well, there's definitely room for interpretation, but my read is... well, not in the usual way. I mean, Levi explicitly says he doesn't particularly care if Ace lives or dies, so that's kind of a giveaway that he still very much does not feel empathy towards him. To better understand Levi's perspective, it might be helpful to analyze the previously mentioned Hu-Nico and Levi-Ace parallels.

Fandom has long since grouped together Hu and Levi as the "parental figures" of the group, and while I don't particularly enjoy applying familial relations to friendships, there's some basis for the interpretation. They both (to varying effect) commonly act as peacemakers and moderators in the context of the group, but have had this position compromised by emotional outbursts (Hu's defense of Nico and Levi's threats to Ace). Hell, there's even parallels in the way people react to some of these outbursts.

Levi [after the previously linked outburst, 1-9]: I'm terribly sorry for that, everyone. Please continue discussing as you were earlier. Ace: So scary!!

Rose [reacting to Hu's "fuck David" outburst, 2-12]: Wow. Hu can be scary.

To be fair the 2-12 outburst is far more justified than a lot of Hu's others, but you get the point.

They both act this way for similar reasons; to control the cast's perception of them. Hu wishes to be seen as reliable in order to feel useful as a way to counteract her suicidal tendencies and self-loathing, while Levi wishes to be seen as a good person for the reasons he states (to live a peaceful life where others do things for him). And in order to do this, they've both chosen to focus on one person in particular to "protect" or help in some way; Nico for Hu, Ace for Levi. The reasons for this are different mind you, but the effect is similar enough.

However, while it's still unclear why exactly Hu is so adamant about Nico in particular, we kind of know why Levi is focused on Ace. Simply put, before the second trial, Ace was sort of the only person who had legitimate reasons to dislike Levi, at least in Levi's mind. Because of the death threat in trial one of course. Most people haven't really expressed an opinion on Levi either way, but they're civil and at least neutral towards him. Hell, Eden even specifically says Levi's a good person after the death threat, and since she's a pretty rational person, it follows most of the cast would see him that way as well, given how quickly they all moved on from the death threat.

Ace was the exception, however. Ace was very explicitly (and understandably) pissed at Levi for the death threat, so he stood as somewhat of a threat to Levi's goal of being seen as a "good person." Levi trying to fix things with Ace is an extension of this goal, and I don't think there's much else to it. Even to the very end, Levi's frustration at Ace doesn't come from a sense of betrayal or sadness or remorse for not being able to stop the murder, or anything like that. Levi only gets frustrated at his inability to understand Ace, which we already knew from his envy of Veronika's psychoanalysis abilities is a point of insecurity for him.

Ace [2-16]: I just needed a reason to stay mad at you, any reason at all, goddamnit! [sic] Levi: Why? Why do you have to force yourself to be angry at me? You just said you know that you're in the wrong, so why do you still do it?! I don't understand. I can't understand you, no matter how hard I try.

Levi, under this reading, still doesn't "care" that Ace is about to die, not in the way Eden felt bad about Min's death for example. He's frustrated that he's trying to be a good person towards Ace, and it isn't working for reasons he can't grasp. More on those reasons in the Ace section.

I am very curious as to how he'll react to Ace wanting to speed up his execution to try and save his life, and I predict Levi will probably try his best to honor Ace's memory and his sacrifice, but as always, out of duty and not sentimentality. Sorry Acevi fans, hope you still find a way to make it work :/

Since we're on the topic (and Ace's section is gonna be long enough as is), I'll talk about the other side of the Hu-Nico and Levi-Ace parallels, the way the "protected" act in respects to the "protectors." The main point of contrast is that, originally, Ace specifically sought out Levi for protection, while Nico never asked Hu for it.

Teruko [1-2]: Since when were you two so friendly? I distinctly recall yesterday a certain someone being terrified whenever Levi came near him. Ace: Whaaaat? Me, scared? Are you just making things up? Teruko: ... Ace: Okay, fine. Yeah, Levi's scary as hell! But I realized that MonoTV is even scarier than Levi! At least Levi is sorta safe to be around. And I like to be safe, you know?

Nico [to Hu, 2-14]: I never asked you to defend me--

Then comes the aspect of "betrayal" in both these relationships, where the roles are flipped. It's Levi who originally "betrays" Ace by threatening him, while it's Nico who "betrays" Hu by trying to frame her with the wire. However, Ace takes this betrayal much more personally than Hu, getting mad at Levi while Hu continues to defend Nico. As a result, Ace gets a bit of a victim complex, while Nico fully acknowledges blame for the murder attempt. Etc.

Okay time to continue with 2-13 because no we're not done with it.

Levi [continued]: After listening to David, I concluded that a good person would also be honest, even if the truth makes them look bad. Ace: You're taking advice from David of all people? Look at this asshole! David: Try looking in a mirror before you talk, Ace. Levi: I thought David was a prime example of a good person. Is he not? David: Wow, you really don't understand people at all, do you. Levi: I don't want to distract you all from this case any further. So, I apologize for this tangent.

Another really cool bit of characterization here. Levi struggles so much with understanding most people's sense of morality that he still thinks David "I actively tried to kill everyone here by pretending to be the blackened" Chiem is a good person. There's also the quick implication that David doesn't see himself as a good person, but I feel we're well past the point where that's news.

We also get the reason why Levi even said all this; he thinks being honest will help him be a good person, and presumably only brought it up after the whole David thing got resolved because "good person" David was (eventually) honest with both his motive secret and the reason he tried to get voted out. Or, rather, Levi thinks David was honest on the latter. Fair ig.

Levi has a few other lines in this part, but the next most striking thing to talk about is, fittingly, not a set of words, but an image.

Levi's protective streak has always been a big part of his character, and now he's literally taken a bullet (or 5) for Teruko. Just for the record, I imagine he'll survive, because there'd be no real point to most of the end of 2-16 if he didn't.

The big question around this is, naturally, why did Levi jump in? Obviously, it's not that he particularly cares if Teruko lives or dies, not from an emotional standpoint anyways. It could also just be Teruko's luck somehow manipulating him the way it seems to have influenced Min somewhat, but I can't see that as the only reason this happened. So, like most people, I believe he feels he owes Teruko.

Teruko [1-2]: No... I should be the one apologizing. It's my fault you got hurt. Levi: What do you mean? Without your warning, I could have gotten fatally injured. I should thank you that my wound is not more severe.

Teruko warning him in the prologue is the most obvious case where Teruko saved Levi, especially since it parallels this scene. Teruko saves Levi from execution, so he returns the favor. However, we also need to keep in mind that, without Teruko carrying, these people would not have made it through the trials, so Levi might feel he owes her for that too. And "good people" repay their debts, don't they?

Very interested in seeing where Levi's character goes from here!

Teruko Tawaki

You know a series is doing something right when the protag has so much shit going on in a trial where she didn't even have strong relationships with either the victim or the killer. Now, a big chunk of her screen time was devoted to crime solving, so her section might end up smaller than Levi's even though I consider her more important, but the order of this analysis is kinda all over the place anyways :v

I'll go in the order of Teruko moments as they appeared, though I'll skip the whole "fix my mistake" thing since I already mentioned it in the Min section.

David [2-12]: Xander is a good person. He's the only good person I've ever known. I swear, I'll follow in his footsteps and-- Teruko: And get everyone killed in the class trial? Xander is a good person? Are you hearing yourself right now? What virtuous reason could he possibly have for trying to kill me and everyone else here? David: I'm sure he had a good reason. I believe that he did. Xander is not the kind of person to do anything for frivolous purposes. Teruko: You *believe* that he had a good reason!? Hah! Based on what? The 3 days you spent with a fan who was too infatuated with the ideal of you to treat you like an actual human-- David: SHUT UP!

She says all this like she wasn't play-acting her Xanruko fix-it AU with cacti, like, two days ago lol.

Teruko Cactus [2-3]: That's right. Give up now, and surrender. Then I'll consider letting you live. Xander Plant: Teruko... I've changed my mind. I promise, I will turn my back on whoever made me do this and stay by your side from now on. Do you forgive me?

I don't actually have much to say about this. Teruko's complicated feelings about Xander aren't exactly news; genuinely angry at him for attempting to murder her, also genuinely upset that things didn't go better. No wonder David's uncritical view of the guy ticked her off.

2-13 had a lot of murder solving from Teruko, which is cool but not crucial for character analysis. Meanwhile, 2-14 had quite a bit more going on.

Rose [2-14]: I... I'm sorry for being useless. Maybe if I tried harder, if I just got over myself-- Teruko: Rose. Don't blame yourself anymore. You are helpful. It's because of you that I can solve this murder. Besides... I'm as much to blame as you. Maybe more, even. If only I listened to you when you said the tape was missing, then maybe I would have realized the truth of this case much earlier. Once again, I've made a stupid mistake. I simply wanted to believe that I could make it through this killing game without relying on anyone else. That I could be dismissive of everyone around me without consequences. So I refused to listen to anyone other than myself. I thought that if I did that, then I could avoid a repeat of the last trial, where I had made the mistake of trusting people too much. But now I'm making different mistakes instead. Again and again, I keep messing up this class trial with hasty assumptions and overlooked evidence. So... Rose: ... Teruko: ... Thank you, Rose.

Yuri stays winning.

Again, it's hard for me to add any commentary when Teruko's just... explaining all the themes out loud. We go back to the idea of Teruko fixing mistakes that she seems to have taken to heart from Min's CH1 breakdown (YURI STAYS WINNING), which ties into the idea of self-betterment that Arei's scene conveyed; and we basically have Teruko stating a reworded version of her secret quote, "It is an equal failing to trust everybody, and to trust no one at all." It makes me wonder how Teruko will behave moving forward. Will she trust a few select people? Will she continue to keep other's at arm's length, but being slightly more open? Well, based on what she does with Eden, it seems Teruko is willing to trust select people until the situation merits distrust, which is a pretty solid way of looking at things.

Speaking of that.

Eden [2-14]: I just wanted to help Arei... I didn't kill her... Teruko: You know I can't just take your words at face value, Eden. Eden: Please, Teruko... You're my friend, aren't you? Friends help each other... So please, help me... [...] Teruko: Eden. Eden: *sniffing* Teruko: Eden. Pick up your head. Look at me. At this point in the trial, since I've narrowed Arei's killer down to just two suspects, I'm going to pursue each suspect individually under the assumption that they're the killer. That way, I can see if any evidence matches up to them only. [...] So for now, I'm going to assume you're innocent. Eden: W-What? Really? Thank you so much, Teruko... Teruko: Don't... get me wrong. This isn't out of kindness or pity or anything else. This is only because you helped me in the last trial. I'm repaying your favor, and nothing else. That's why I'll trust you, just this once. Eden: Teruko... T... Thank you, Teruko... Teruko: ... Let go of me.

YURI STAYS WINNING!!!

That's what I was talking about. Choosing to trust Eden over Ace, but being willing to turn suspicion on the Clockmaker if Ace turns out innocent. A very reasonable approach! We love character development in this house.

That said, Teruko is still being a bit of a tsundere, with the whole "repaying a favor" thing. Levi parallels anyone? Well, not exactly, since Teruko does feel empathy towards Eden, but close enough. What's more interesting is that Teruko is using the exact transactional logic that Eden warned her against, which is intriguing setup for the future when it becomes more undeniable that Teruko is definitely not doing this just to repay a favor.

Also, the Trauma remains. Teruko telling Eden to let go fully completes the parallel to the Min scene, where she says the same thing (among others). I imagine our girl won't be too receptive of hugs for a while.

Before we get to the next big moment, real quick, we gotta fulfill our "Teruko's life is miserable" quota.

Teruko [to Ace, 2-15]: And three. You took the tape for first aid. Arturo: That's ridiculous. Who uses non-medical tape for first aid? That's sickening. Teruko: It's not that weird. I do it all the time.

Alright quota fulfilled. Let's move on. In this case, I'll skip to when Teruko gives up on the "show me your injuries Ace" line of reasoning.

Teruko [2-15]: No. It's fine. That's not a very fair line of logic, so forget it. You were almost murdered, after all. I should have understood that.

I don't know why Teruko really thought this line of logic was even worth following in the first place, but it makes sense for her character to ignore Ace's possible emotions in favor of the trial. But it's also cool to see her backing down when she realizes the harm she may be causing, especially as someone who has very notably hid how much her own murder attempt affected her, and in particular the wound that came from it.

Teruko [2-15]: The point of this trial is to determine who the killer is, not to determine every single little detail of what happened. It doesn't matter that you're not convinced. It's not going to help you, nor change your fate. No matter how you feel or what you think, nothing will change. [...] I've been fighting this entire trial to find the truth using real evidence. And when I make mistakes, I own up to them. What have you contributed? Show me some concrete proof of your innocence. Otherwise, shut up and stop wasting everyone's time. Ace: ... Teruko: Are you silent now? What happened to all those things you were shouting earlier? Don't you have anything to say for yourself? Ace: ... Teruko: Any evidence, any deductions to show that you're innocent? Come on, Ace! Don't you want to live?! Defend yourself!

So, a few things. First, regarding that second paragraph. "It's not going to change your fate"? "Nothing will change"? We'll circle back to it, but it seems Teruko is projecting how she feels about her own fate (before the Levi incident at least) on Ace. You could even say-

Literature Girl Insane: Even if we cry make noise shout go mad - this world won't change!

The foils ever.

Anyways, I assume that's why Teruko gets so worked up over Ace remaining silent. She sees a bit of her situation in trial 1 (almost murdered, suspected as the killer) in Ace, so her emotions run high with both the frustration of a long trial and the bad memories this is probably bringing up. At least, that's how I interpret it.

Also another mention of correcting mistakes, which shows up one more time before the episode ends, which I already mentioned as being tied back to Min and Arei; alongside with another "fate" drop. "Fate" is becoming the new "good person" isn't it :p

Teruko [2-15]: Confront the mistakes you've made. Then accept death. That's the fate of everyone who choose [sic] to participate in this killing game.

Also I find it endlessly funny that Teruko's reasoning for the Closing Argument being necessary reads a lot like "this is a DR trial we gotta do this, it's in the contract." Consider me amused.

But I've beaten around the fate bush enough. Let's get all of that over with in one fell swoop.

Teruko [2-16]: It's just... misfortune. That's why Ace killed. That's all.

Teruko [regarding her execution, 2-16]: What's the point [of running]? I should have known this would happen. [...] Even if I shield myself behind others, even if I search for an escape, it always comes down to this. I have to face the consequences of my actions. There's no escaping that. [...] Arturo: What are you talking about?? You're going to be killed!! Teruko: Killed? I doubt it. As if something so kind could happen to me. [...] I won't die, even if MonoTV puts a hundred bullets in my body. I'll only be badly injured. Possibly lose a body part. Maybe I'll even end up in a coma for months. [...] But I won't die. I never will. There's nothing I can do but accept my fate. It's what I deserve, after all. [...] I was perfectly willing to get shot. I thought I didn't have to care about what happened to other people, and especially not about what happened to me. I thought that if I lived alone and died alone, nothing would stain my conscience. Even if that was a selfish way to live. But even so...

Teruko [to MonoTV, 2-16]: Can you really say it's fate's fault for everything you've done, and pretend that you hold no blame in the matter? I have always said that my misfortune, my personality, the choices I make, everything was all a product of a bad luck that I can't control. That I grew up in such terrible circumstances, so I was destined to grow up to be a terrible person. That everyone else abandoned me, so it's not my fault that I'm alone. I want to say it's fate's fault, and that I had no choice in the matter. But, even so... Even so... Everyone. Xander, Min, Arei, Ace. Maybe even Levi. Is it my fault that they died? [...] MonoTV: You have to decide the answer for yourself. Teruko: Whether it was the fault of fate, or my fault... I already knew the answer. I had known what the answer was since a long, long time ago.

Alright I made myself sad, so something's been achieved, I guess. Poor Teruko :(

Just to start somewhere, we get confirmation of Teruko's suicidal tendencies in the present, which was already implied strongly enough, but now she straight up says she considers death something "kind to her." Just sad in general, but I wonder if there will be some discussions of it with the fellow suicidal characters like Hu. In fact, I wonder if that's the reason that Hu was the one to see the scar on Teruko's back during 2-2; so she'd have a vague idea of Teruko's backstory for some interaction in the future.

But the main point of these scenes is Teruko's relationship with the concept of fate. She basically goes through an entire character arc from the moment she says Ace's murder was just misfortune to right after Levi jumps in to save her. Basically, she used to blame fate (or "bad luck") for everything she did and what happened to her, thinking that just accepting this fate would allow her to live more easily. Especially noticeable because part of her "bad luck" is being betrayed, which gives way to her trust issues.

Teruko [2-2]: If I get in a car, it'll crash. If I stand in a construction site, it'll crumble to dust. If I trust others, they'll turn their back on me.

Hence her internal monologue about "living so nothing stains my conscience." If everything that happens to her is fate's fault, then she doesn't have to change, she doesn't have to confront her faults. Even when she talked about accepting the consequences for her actions, it was always in the context of accepting her fate. If she just accepts whatever consequences her actions bring, then she can excuse herself from fighting back against that, which is an easier way to live, but as she says, could be considered selfish. What's easier for Teruko is not always best for others, exemplified perfectly by Levi protecting her; Teruko chose not to fight her fate, and it got Levi hurt. Funnily enough, this somewhat parallels Hu feeling selfish for not sharing her secret, which is fun contrast. Hu is more justified in not sharing her secret, so it shows that feeling selfish for doing things that are good for you can be pretty bad. Meanwhile, Teruko shows that not taking others into account can also end up hurting people.

Of course, the whole "not fighting fate" thing also obviously parallels Mr Literature Boy Insane's feelings on the whole thing, to the point where they have practically the same character flaw. Believing themselves and others unable to change as a result of fate is the way they try living with themselves, because of the whole self-loathing thing, but that means they're resistant to changing their flaws. MonoTV says similar things, but it's a machine so it's not so much a flaw as just the nature of its character. It was a flaw Arei had, though, but she grew out of it through Character Development, similarly to the way it's implied Teruko is growing out of the "all fate's fault" mindset in the last inner monologue. You might also notice that tying fate into self-betterment allows you to draw a connection to the theme of admitting mistakes and fixing them, tying to Min who is also connected to the concept of fate through her entire backstory of being "destined" to be the Ultimate Student from the moment her family accepted XF-Ture's Tech contract, and obviously Min contrasts Xander who is all about fighting fate as the Ultimate Rebel, and that's without mentioning all the other "fate" bullshit going on and-

Yeah you get the idea. Too much peak for me to write it all out.

Very excited to see where Teruko's character goes now that she's not going to blame her bad luck for everything now. I worry she'll swing too hard the other way and end up blaming herself for things she shouldn't, but oh well, that's just more character development to be had.

That was the biggest Teruko thing, but there's still more to cover.

Teruko [to Ace, 2-16]: If you can't [attack MonoTV]... If you can't do that, then tell me, why did Arei have to die?! Ace: ... Teruko: It's because unlike Arei, *you* couldn't make amends with the people you made enemies out of. *You* were too scared to confront the people you hurt, say you're sorry, and promise to be a better person. So instead you took out your own personal problems on other people by murdering someone who had nothing to do with you! Arei died because you're a coward, Ace!

Uh... someone's projecting~

Teruko [already linked, 2-2]: But if you start talking about me and saying that I could be a good person if only I make an attempt to change, then I'm going to stop you right there. Don't say that I could be a good person, because all it'll do is make me feel bad that I'm not.

Damn it's almost like she hates herself because she already knows deep down that her mindset is flawed and so when she sees someone else behaving like she does/did she gets upset at them that's crazy :O

(I mean it's not 1:1 because Teruko never did anything as bad as Ace, but the point stands :v)

Final note, as always, voice acting was peak, just that there's too many good examples to point them all out one by one. Same with Levi btw, I think I forgot to mention it in his section.

Teruko continues to be probably my favorite protag of any DR or DR inspired story, though as always I'm working on a small sample size. Really excited to see her development in the future!

Ace Markey

Well if it isn't the man of the hour! It's only natural the blackened gets to close things out. Let's do the same thing as we did with Teruko and go by (mostly) chronological order.

That includes the quick, retrospective observation that a lot of Ace's behavior in the trial and investigation now needs to be re-analyzed with the understanding he's the blackened. It mostly just adds an extra layer to Ace's constant accusations towards Nico, though, since Ace didn't really do much most of the trial. The only other notable thing he did was revealing David's secret, and even then, nothing too big. I know it's a bit silly to go so hard on Nico when David is almost easier to frame, but this is Ace we're talking about. He's emotional and not quite the most strategic, so nothing weird there.

Although, speaking of Ace knowing about David's secret, why did he not hear the end of the Arei-David conversation? I doubt he's hiding it, because he doesn't really have a reason to, so apparently he just, like, left. I guess he just didn't care enough :p

Finally getting to PT 2 itself, we have a 2-13 speech we skipped earlier, don't we?

Levi [2-13]: I don't personally care what happens to Ace. Whether he lives or dies is none of my concern in the end. Ace: ...?! Levi: But it is a "good" thing to make sure someone else doesn't die, even if I personally do not care about the outcome. I truly believe that. But I adhere to that principle out of duty, not sentimentality. Does that make any sense? Ace: You... Hah. Hahaha. You-- You fucking piece of shit. Levi: ... Ace: I was right all along. That you felt bad for me... That you actually wanted to help me... That even if everyone here treated me like shit, there was at least one person who still cared about me... That shit's too good to be true, isn't it? Yeah, good thing I didn't fall for that in the slightest. Not one bit. I was totally right all along to burn our friendship-- No, I can't even call it "friendship." There's only one person in my whole life who I've ever been able to call my friend. That I ever thought, even for just a short time, that you and I were "friends" is an insult to his memory. I probably sound real pathetic admitting that. But I'm not nearly as pathetic as you. After all, you're a piece of trash who probably has never had a single friend in your life. Levi: ... Ace: Got nothing to say to me now? That's fine. Hey, Levi. I really hope you fucking die.

Okay there is... so much to unpack there. Let's... start by the smaller thing, which is the Taylor Riley drop in "there's only one person in my whole life who I've ever been able to call my friend." This guy's name was revealed in a now deleted CH2 PT1 QnA answer, alongside with the name of a friend of Veronika's who gave her her green triangle earring, Alyssa Belyaeva. We got main series confirmation of the name in one of the graves of Thanatophobia, alongside the names of Elliot Cuevas and Felicity Giles.

We know... zero about Taylor, apart from the fact that he was Ace's friend and is now very evidently dead. Thankfully, we get a bit more context on his death by one of Ace's comments:

Ace [2-16]: Execute me right now, you hear me, MonoTV? MonoTV: ... Ace: Because... Because Levi is gonna fucking die, and I'm going to have a third goddamn death on my hands!

Third, huh? Arei, the hypothetical Levi death, and presumably Taylor. Sure, the third could be Ace himself, but I feel the line makes a bit more sense with Taylor.

So, Ace blames himself for the death of Taylor. Given he liked the guy, probably not intentional murder, but who knows what the hell he did. At this point, we really have no way to deduce the way Taylor died or how Ace could have caused it somehow, though. Maybe we'll get some answers in the Bonus Episode? Hopefully :p

But that's the easy part. The hard part is Ace's feelings towards Levi. Immediately, we can tell the whole "I never thought you cared about me, not one bit" thing is a complete lie, not just because the line itself is extremely unconvincing, but because of something Ace says later in this episode.

Ace [to Levi, 2-13]: You piece of shit. I can't believe there used to be a time I actually liked you.

So, yeah. Similarly, based on the fact that Ace wanted MonoTV to speed up the execution to try and save Levi's life despite his fear of death, we can infer that Ace is also lying when he tells Levi "I really hope you fucking die."

No, Ace really does care about Levi. For the reason stated at... some point in this analysis; Ace feels safer around Levi. And that creates a bit of a problem for him, because if he wants to escape the killing game, he's gonna have to kill Levi to do it. It's unclear if that's the reason he originally pushed Levi away, "burning their friendship to the ground" in his words, or if he just didn't want to trust him after the death threat in trial 1. However, guilt over trying to get Levi killed is definitely part of why he says this:

Ace [2-16]: I knew... I knew that I wasn't allowed to call [Levi] a murderer. I had no right to act betrayed, because I was the one who betrayed everyone. But still, I...! Levi: Why-- Ace: But still, I--! I don't care what it was! I don't care if it made me a hypocrite! Even if I was completely in the wrong, and even if it made my life worse! I just needed a reason to stay mad at you, any reason at all, goddamnit! Levi: Why? Why do you have to force yourself to be angry at me? You just said you know that you're in the wrong, so why do you still do it?! I don't understand. I can't understand you, no matter how hard I try. Ace: Good! Stay that way! I hope you never understand me, even after I'm buried a billion miles deep in the ground and you're weeping at my grave, you piece of shit!

Ace tries very hard to find reasons to hate Levi because he's afraid of growing close to anyone in the killing game, mostly because he thinks he'll be betrayed, but by the point he starts plotting murder, also because he's trying to kill them all. Being close to them is a good way to feel more horrible about himself than he already does.

To be clear, the reason I say the first reason is more important is because I think I can more or less pinpoint the moment Ace starts thinking about murder, and by that point he's already trying to cut Levi off.

Ace [2-2]: In this killing game, everyone is out to get me. Especially people who love picking fights with me, people like you [Teruko] and Levi. I can't believe I wasted my time with all that dumb shit like arm wrestling and running around screaming at meaningless stuff. I was fucking stupid to not take this killing game seriously from the start. I'm done with being everyone's kickable scaredy cat. The only thing I should do is look out for myself and myself alone.

Well he sure did take the killing game seriously after this point now didn't he?

Obviously, this is a pretty direct parallel to the way Teruko tried pushing everyone away in this chapter, and the way David pretends not to care about Arei after the magical girl transformation. More on this whole thing in a bit.

The relationship between Levi and Ace is one of contrast. Levi, who doesn't actually care about Ace the "usual way", chooses to try to get closer to him. Meanwhile, Ace cares about Levi maybe too much, and his fear of this attachment drives him to push Levi away. The yaoi truly is doomed with this one. Moving on.

Ace [to Nico and Hu, 2-14]: You two are a real fucking joke. It would have been one thing if Nico gets away scot-free with trying to kill me, but now they apparently also have a fucking defense brigade to shield them from even having to think about the fact that they're a murderer. Who's gonna stick up for me, huh? No one. Because I have a spine and I don't need other people to lie to me constantly to keep me happy.

Ace [to Nico, 2-14]: You tried to murder me. You fucking tried to murder me! And after all's said and done, you can't even say something as simple as "sorry"?!

Ace [to Teruko, 2-15]: Were you convinced by Eden because she had a little sob story ready? Should I start crying and wailing too to change your mind? Teruko-- No, everyone here. You're always attacking me for stupid reasons. Everyone always has it out for me. That pisses me off. All of you piss me off.

Ace [2-15]: You all actually think I'm too goddamn stupid to accomplish anything? Do you really think I'm 2 seconds away from choking on my own spit and passing out?

This is where we start to see Ace's persecution complex on this part, which was already alluded to in the previously linked 2-2 Ace quote. He thinks everyone is out to get him, and to an extent, he's not horribly wrong. Very few people in the cast have favorable opinions on Ace, and he knows that if he gets revealed as a murderer, that "few people" will likely turn to "no one." I mean, not even Levi wants to defend him.

Ace [2-15]: Hah... I expected everyone else to get on my ass, but for you of all people to think I'm the murderer... What happened to ever wanting to make things up, huh? Besides, between you and me, we both know who's really a murderer.

And hell, Nico's already tried to kill him! Ace is the victim in that situation, even if he did "start it."

Which gets us to one of the most interesting moral quandaries this trial presents us with, Milgram style. Because the thing is, Ace has given the cast reasons to dislike him. Ever since the start, he's been confrontational, insulting, and just generally not the most delightful person to be around. Especially to Nico, who he specifically targeted to bully. Obviously it doesn't justify being horrible to him back, including things like Hu's slap and Levi's death threat, and especially Nico's murder attempt, but... well, if people don't feel about Ace the same way they feel about some of the calmer cast members, there's a reason for it.

How justified is the cast in the things they say about Ace? How much of it is Ace's responsibility, and how much is it the cast's? How much responsibility do they hold for creating the hostile environment that pushed Ace into murder? How does the mastermind and the killing game itself factor into this valuation? These are all interesting questions the series asks us to ponder on, and by their nature don't have any one right answer. Especially because "blame for a thing that happened" isn't a number that can be evenly divided by percentage, it's a very complicated and subjective thing. J puts it pretty well in her speech to Ace in 2-15, giving her perspective as well.

J [2-15]: Maybe I was too harsh on you. Me and everyone else here, I don't think a single one of us stopped to think where the breaking point is. ...But. Murder is unacceptable, no matter what. Your problems might be awful, and they might be the worst in the world, but they're still not so bad that killing 13 people is acceptable. You can't be forgiven as a murderer just because your life sucks.

My personal opinions on this are probably best saved for when we get the full picture in just a moment.

And speaking of the full picture, since Ace's persecution complex feeds into his fear of death, why don't we skip right into the big speech?

Ace [already linked in the Hu section, 2-15]: ...... God damn it. I'm such a piece of shit. [...] You're right. I'm screwed. There's no way I'm making it out of this trial alive. I just... wanted to stall for time. I'm scared of dying, I really am. [...] I killed Arei. That's exactly right. Shit, it sounds really bad when I say it out loud. [...] Hu: Did you kill Arei because of MonoTV's motive? Because you wanted to keep your 'secret' hidden-- Ace: Hell no! I don't give a damn about that motive, or my dumb little secret, you idiot fuckwad! Who do you think I am, you?! *sigh* That wasn't why I killed her. I was scared of dying, that's all. [...]

Quick thing, but I think it's cool that the motive really had jack shit to do with the murder. Hate to bring the guy up so much, but it helps make David's "plan" of revealing all the secrets unequivocally wrong, which I feel is important for some of the themes of the chapter. In particular, the idea that gets pushed that everyone should be allowed to reveal their secrets at their own time, aka privacy is important. Nico's public secret reveal happened before they were ready to share, and that was a bad thing, after all. And a lot of the conflict in this chapter came from MonoTV giving the motives in general.

Ace [continued]: I'm definitely going to die in this killing game if I don't escape. Everyone hates me, right? Because I'm a volatile asshole who can't help but pick fights and make people mad at me. Veronika was right. If pushed to kill, everyone would feel the least guilt if they killed me. They might even have some sort of grudge. I wouldn't be surprised. When Nico tried to kill me, that just confirmed it. There's a part of me that's a little pissed that Nico didn't succeed back then, because that would have saved me the trouble of having to go through this stupid-ass farce. Although I'd be real fuckin' pissed if they *did* successfully kill me. I'm kind of pissed at Nico for trying to kill me, either way. Nico: ...

Interesting to hear part of Ace wanted Nico to succeed. It certainly speaks to a great level of defeatism, where everything is horrible and death would be preferable, which parallels Teruko nicely. That defeatism for Ace comes partly from the persecution complex discussed earlier, and some other stuff we'll talk about in a moment.

Ace [continued]: But still! If I didn't kill someone and escape... then I was going to die. I'm fucking terrified of dying! I can't sleep at night because I keep thinking about how I'm going to die young in this goddamn killing game! I didn't want to die! I want to live. Just like everyone else. Live, and escape this killing game, and go back to my shitty life where I can't do anything on my own because I can't control myself. Back to that life where I can't do anything but a sport that I hate because I suck shit at everything else. I was forced into that fate, to kill someone because I'm scared. It was either that, or I would be killed first. There were no other options for me, because I'm a coward who can't fight my own fate. [...]

I think an underrated part of Ace's character is just how much damn symbolism is hidden in his talent.

The first connection is the more or less obvious "if I didn't kill someone, I would be killed first" mentality, where Ace literally views the killing game as a race to be the first blackened to get away with it. But that's almost an extension of the other connection.

You hear it from him here; he feels he completely lacks control of his life, that it's all decided by a fate he can't control, the same way that a jockey doesn't walk on their own, but rather is carried by a horse to their destination. And it's no wonder that this feeling of lacking control is referenced in his secret quote, "I don’t know what to do with myself anymore." After all, it's this feeling of lacking control of himself and his situation that causes him to seek control of anything he can, be it bullying Nico because he sees them as an easy target, distancing himself from others because it's easier to control his feelings that way, killing someone because it's the only way he can control his place in the killing game, or anything else I might be forgetting.

And this fear of lacking control is probably part of his fear of death, isn't it? Because no one can control what happens after death. Maybe yes, maybe not, but regardless, Ace's thanatophobia is pretty evident. I mean, it's the name of his execution, and it's a fitting one. Ultimately, Ace's fear of death is what gets him killed, both metaphorically because it's the reason he became a blackened, and literally because he dies of a fear-induced cardiac arrest. That, alongside with the incredible art and banger music, is why I consider Thanatophobia one of, if not the single best DR style execution I've ever seen. Simply peak.

Ace [continued]: Do you think I give a crap about you all? Why would that matter to me? No one gives a crap about me either! None of you even respect me enough to think I was capable of killing Arei! In fact, that made me feel way less guilty about killing-- [J makes her anti-murder speech] Ace: ... I know that [I can't be forgiven]. I'm the one who murdered Arei, so of course I know that. Arei... She was a piece of shit too. Just like me. Even if she said all that nice bullshit to Eden, there was no guarantee that she really was going to change and become a good person. Maybe if she lived, then by tomorrow she'd be right back to her annoying bitchy self. ... But at least she was trying. And I can't even change one thing about myself. Not my shitty job, not my shitty personality, nor my shitty life. I really am a piece of shit, huh?

At the end of the day, Ace is his own worst enemy. What really gets Ace killed (apart from the already mentioned fear of death) is the inability to change, to see the flaws in the way he behaves himself and try to better himself. Or, rather, he does see the flaws, he knows he's a target of the killing game because of his aggressiveness and that he drove himself into a corner out of fear, but he considers himself incapable of changing that. Changing is difficult, and Ace is scared to even try. Like he says, maybe Arei couldn't have managed it either, but she was trying. And that's what ultimately separates the two.

In case it isn't obvious, my take on who's to blame for everything that happened is pretty much squarely on Ace. Sure, there were things the others did to Ace which aren't justified, but you can't blame people for disliking someone that knows he's unlikable and cannot find it in himself to try to change that. Arei tried to change; she died a good person. Levi tried to make amends for trial 1; he's a good person too. The tragedy of the situation is that Ace himself could have been a good person too, because everyone can be, but it's a decision that must be made, as Eden put it earlier in the chapter. And it's a difficult one, too difficult for Ace.

Teruko, David, all these people... they can also be "good people," in the sense of always trying to be "less shitty together" in Arei's words. Ace is a cautionary tale of how not doing so can end up really, really badly.

Which is the setup for Teruko and David's continued foiling, isn't it? Teruko will presumably look at all of Ace's flaws (lack of trust, unwillingness to change, accepting fate without fighting it) as pitfalls to avoid, because of how similar the two of them acted in CH2. Meanwhile, David, since he heard Arei's speech and knows just how hard she tried to change, will see those same flaws as strengths. In his eyes, Arei died because she trusted the note, because she tried to change, because she tried to defy her nature. At least, that's my prediction. Where all of that will go is anyone's guess.

But, how do we know that Ace could have been a good person? How do we know that it isn't David who is right, that neither Ace nor Arei could have ever gotten better, had they simply tried? Well, simply put, because in the end, Ace does start changing. As a final, tragic note, Ace's ability to confront fate and try to correct his flaws only surfaces when it's far too late. And not only when he punches MonoTV, though that also is a good example of it, but also when he chooses to face execution quicker in an attempt to save Levi.

Ace [already linked, 2-16]: Execute me right now, you hear me, MonoTV? MonoTV: ... Ace: Because... Because Levi is gonna fucking die, and I'm going to have a third goddamn death on my hands! Arturo: E-Even then, there's no guarantee that he'll live--- Ace: Shut up! What the hell are you talking about? Aren't you a surgeon? Can't you fix him? Arturo: I--! I'm not that kind of surgeon! I've told you, over and over, I have no experience with saving lives! Something like this! There's no way I can do it-- Ah! Ace: SHUT UP! Shut up, Arturo! You *can* save his life! Shut the fuck up! Stop saying you can't do it, because you can! Don't you understand? I'm going to die right now, and you're going to live! So decide whether you want to at least *try* and put in some fucking effort for once, or keep making excuses for yourself like a sniveling coward for the rest of your life. I don't even get to make that decision anymore! Stop complaining, you whiny little shit! Grow some fucking balls and save someone's goddamn life, asshole! Because you can!

There's layers to Ace's shouting barrage at Arturo. Obviously part of it is just Ace trying to convince himself that Arturo can save Levi so he can die with a relatively clearer conscience, but there's also a sort of self-awareness of Ace's faults in the things he says. Try swapping "save Levi's life" for "be a better person," and pretend it's being said to Ace by someone else who is about to die.

You *can* [be a good person]! Shut the fuck up! Stop saying you can't do it, because you can! Don't you understand? I'm going to die right now, and you're going to live! So decide whether you want to at least *try* and put in some fucking effort for once, or keep making excuses for yourself like a sniveling coward for the rest of your life. I don't even get to make that decision anymore! Stop complaining, you whiny little shit! Grow some fucking balls and [be a better person], asshole! Because you can!

Because moments ago, it was Ace who was making excuses like a coward for why he felt he would never be a good person, and why he had no control over his shitty personality that made everyone hate him and made him a target of the killing game, etc. He never put in the effort to change because he thought it was pointless, that he was unable to, and didn't realize the falseness of that preconception until he was faced with death. Seems I was on the right track when I connected his thanatophobia to his issues with control; death robs him of the decision to try and be a good person ("I don't even get to make that decision anymore!"), which he hadn't even realized he had until that moment.

It's no wonder Ace was a popular survivor guess; he could have changed, could have been a good person. And despite the harm he's caused, the way he robbed Arei of the opportunity to do what he couldn't and attempt to change, the intention he had of killing everyone in the trial, his death remains a tragedy for the hypothetical of what could have been. Maybe if Levi had managed to properly reach him the way Eden reached Arei, this could have all been avoided. But alas, Ace didn't accept the hand strectched out to him, and now it's too late to fix things.

I said during my reactions that I felt just as emotional during Ace's execution as I did with Min's, which was certainly true and very impressive given my massive bias towards the Ultimate Student. And while I can't say that I'll miss Ace as much as I miss Min (because come on), I'll certainly hold him close to my heart for as long as I live regardless.

As a final note, holy shit the voice acting. If I pointed out every line where the acting for Ace was spectacular, I would be here all day. I doubt I need to elaborate on this; the sheer perfection of the performance should be obvious to anyone who can hear it. Godspeed Seth Raffield, you truly were incredible. Can't wait to hear what you do in the Bonus Episode, provided there is one.

---

I am free! Holy shit that took way too fucking long. I need to figure out a better way to do this shit for later chapters, because geez. You have no idea how much Tumblr's drafts lagged because of this shit, I had to write the final sections in different drafts and copy paste them over because it was unbearable. Not to mention hitting the goddamn link limit which is just clinically insane from me. Anyways, if you somehow managed to read all of that, I feel genuinely sorry for you. You know you can be a good person if you try, right? There's no need to punish yourself like this.

I'm being silly, of course. Thanks for reading, hope you enjoyed!

[n0tamused]

Hello!! Can I request some hcs for Jiyan, Calcharo,Aalto and Scar with blind s/o?

A/n: Sorry for making you wait for so long, but I hope you like this! Did this as a bit of a warm up, hopefully I'll have more writing done soon <3

Contents: Jiyan/Calcharo/Aalto/Scar x gn reader (separate), fluff, Aalto and Scar are up to shenanigans

Ko-fi

Blind s/o headcanons

Jiyan:

-As an absent lover, seeing how he is always at the front lines, he does think of you a lot. Even with the knowledge and memory that he has made your shared home a easily manageable environment for you, and with his mother not too far off paying you visits every now and then, he still worries. What if something breaks and you step on shattered pieces? What if you twist your ankle in some hole he forgot to patch up? What if something happens to you and no one is around?

-Jiyan has worked alongside you in making the home environment easy to remember and easy to maneuver, and he rarely ever changes the order of  things so you don’t accidentally hurt yourself. He does notify you if he does something like move the couch or some chair or  a vase.

-All the pots and jars and bottles are labeled in braille, so you can never miss one ingredient or liquid for another. Although when he is around he does try to do everything for you, no matter how small the act is.

-He has plenty on his mind as it is but he can never get his thoughts away from you. He looks forward to seeing you again, all the time

-When he is back home he is always nearby, you can practically feel him before you hear him coming close, his arms wrapping around your waist and his chest pressing against your back as he softly greets you, asking how you’re feeling

-At night, it has become a routine of sorts for you to just map his face with your fingers. The soft pads of your fingers finding the arch of his brows, sliding down his nose and over his soft cheeks, slowly finding their way down to his lips, his breath tickling your knuckles but he remains still and remains patient. He lets you do as you please, all while taking the same time to admire you and the way the lines of your face pull and tug as you take in his features

-Sometimes you scratch lightly at the scales on his cheek and he only tilts his head away, chuckling at you

Calcharo:

-Similarly to Jiyan, Caclharo isn’t often at home or around you, and even less so considering he is the individual he is. He’d not ever risk your safety just to squeeze in some “lovey dovey” time. He loves you, but not that much to disregard everything else

-With so many of his spies working for him that have made the one shell credit deal with him, he does take some aside and gives them the task to keep an eye on you. These people know better than to disobey this, not that they would in the first place considering Calcharo has helped them for the price most would consider cheap in this field of work.

-So you’d often get visitors introducing themselves as friends of your partner, or colleagues, or simply just as a mailman, bringing you food or gifts. You have come to befriend a particular food stall lady that lives only a few minutes of walking from your home. She brings you your favorite snack without a fail, always, no matter the weather or time. She tells you of the people she meets and serves, the children and even the birds and dogs that come sniffing around her stall

-She makes it a task to clean up too, so there’s not a lot of times where you have to do much

-This leaves for a lot of boredom, and however sweet this notion of being protected by these people was, you did not crave them, you felt like you didn’t need them either - you wanted your beloved.

-One night when he did return to visit you, he found all lights off, which wasn’t unusual but he had believed you went to sleep only to nearly go into fight mode when he found you only now preparing for bed. Light was not of significance to you, so you were just wandering in the darkness. That could be the only time you gave Calcharo a real fright

-He is very quiet himself, and for a man of his size and stature that can come off as quite the surprise when he suddenly appears at your side, asking you in that soft rasp of his to take the plate from you so he can scoop some food into it for you.

-To make up for his soft footing, he does try to talk more to you, or just make some more sound in general. Often you’ll hear soft grunts or huffs when you’re about to bump into something or when he’s around you when you’re walking about the home. 

-However odd it is, you found that his hand was always close by when you needed him. You only need to move your hand out in front of you, and almost instantly you’ll feel his warm fingers twinning between yours or taking your hand by the fingers gently to lead you to him. 

-It took some time for him to get used to have his face touched by you, and a lot of times he only allows it for a short amount of time as he gets uncomfortable if it stretches on, but slowly he began to melt into it. 

-He’d sit on the couch beside you and watch how you feel around with your hand, climbing into his lap to greet him as you take his face into your palms. And slowly you’d kiss his forehead and cheeks, having missed him far too much for your heart to handle another moment without him

-He sighs softly, and you don’t have to see to know how exhausted he is too. He is closing his eyes, tilting his head into one of your palms and nuzzling against it, his breath fanning across your skin as he sinks further into the couch 

Aalto:

-He’s a tease. Aalto is a tease in most of his endeavors, but he is specific when it comes to you. Depending on how you lost your vision, be it natural or through some illness or even a freak accident, he does crack a few jokes to make light of it. He puts himself in your shoes, imagining he’s blind and he just can’t see anything good about it, so he does what he knows will make you smile

-He speaks a lot more softly to you and he is very descriptive when explaining anything. He loves the times when the two of you just sit down, your legs in his lap as he talks away about whatever interests you. He’d be massaging your legs or feet, finding that motion relaxing for himself as well, while being relaxing for you too. He also does try to make conversations engaging as well if he sees you have the energy for it, since he doesn’t like making your conversations just mere monologue on his end

-For a dangerous individual as himself, honestly he makes a lot of time for you. At one point you had to question whether he was ditching his job for you, but he assures you he is not neglecting his duty. On that topic, while he does often visit you, from time to time he is sent on longer missions that have him absent from your company for a week or two at most, depending on where they send him. 

-During this time, you find your side occupied by someone else. Aalto, however easy going he may seem, is just as worries as the other two on this list, and he does not come to trust people easy. His charming demeanor can often be a simple front put up to give strangers wrong impressions, which he can later use to his advantage. With that  said, he does leave the same person he trusts to be with you while he is away.

-Little Encore often visits too, sometimes alone and sometimes with this caregiver or Aalto. She brings Aalto’s letters and gifts to you, and reads the letters out. You are unsure why Aalto bothers so much with letters considering he can record and send a message to you, or even call you, but you guess it’s some technicality while he’s on the field, or he just wants to woo you again in this traditional style 

-Either way, you don’t mind, it is always heartwarming to feel someone’s love in different ways

-Sometimes he does change the order in your home just to get your reaction though and then asks you “How could you have not seen it?”

-.......

-Don’t worry though, it’s never something that would pose a health risk of any kind. Although he did once switch your sugar and salt-

-He took a sip of your drink to show his greatest sympathies for you, and you had to chuckle when you heard him sputter and curse the drink

-Doesn’t shut up when you trace his face or figure. He is a bit sensitive, so it is a shocker to him when you do put your hands on his waist or on his cheeks, but he doesn’t let it affect his tongue. He yaps okay.

-Loves it a lot though. If you happen to do it late into the night when he’s tired and there’s nothing else but the two of you, he’d become sappy as well, one warm palm settled on the side of your face as he describes what he sees and how lovely you are, how beautiful, how much you mean to him.

-Sometimes he claims these never happened just to poke fun at you “for dreaming about him”

Scar:

-If you think Aalto was bad in any regard, you haven’t seen this goat-

-For one he is a yapper. He does not shut up, so at the very least you will not have any trouble finding him around , unless he goes quiet on purpose just so you can’t find him. Two - he loves to tease and poke fun at you here and there, but in his own way, this is how he shows he cares. He really doesn’t pay much attention to people he doesn’t care for or doesn’t know, he only gives his attention to people and things he does want and care for

-So the fact he is at your side a lot, does speak of his own priorities

-He’d often come back to you, throwing his arms around you from behind and resting his had on your shoulder as he starts to talk about one thing or the other, his weight weighing on you as well, but it is the comfort of it that keeps you from shrugging it off

-Scar does love to watch you simply do things. As he is not blind, he can’t really relate to your struggle, he just knows he’d hate it if he lost his own sight. To him, it is some miracle how you are still going about as anyone else would, well..  as best as you can without seeing things. 

-You’d often ask him about ingredients in jars that you found a little too suspicious to taste yourself, and when it comes to that he is pretty honest. He replies too fast for a jab to make itself known in his mind. 

-If you’re out walking, Scar makes it a point to have his hand on your somehow, either holding your hand or keeping his hand on your shoulder or arm or back. If he lets go and goes quiet, you know he’s being playful and wants you to search for him

-However annoying he can be at times with jokes and games such as these, he still wouldn’t set you in the midst of danger. He doesn’t play where it is not safe. So you can rest assured you won’t be finding any tacet discords while looking for him.

-Lets you hold onto his clothes or those dangling bits on his outfit, and you can joke around that you’re walking him like a dog and he’d scoff, laugh or bark. He finds it just as amusing as you do 

-When he is tired he comes to you on his own and pulls your hands onto his face. He lays in your lap, reveling in the soft feel of your fingers over his face, feeling the subtle change in skin textures in places he has scars. You take it all in, and it doesn’t matter if it’s the first or the hundredth time you do this, you take it slowly all the time, feeling his head grow heavy in your lap.

-Sometimes, during the day or when he’s simply awake and full of energy, he’d take your hand or tell you to touch his face just so he can nip at your fingers

Ⓒ n0tamused. Do not repost, translate, edit, and/or copy any of my works. Likes, comments, and reblogs are appreciated.

[clementineofmine]

I'm sitting here rewatching Tua S3 for reasons, and one interesting thing I picked up is that the entire season is really just each of the Umbrellas struggling to define and searching for family in their own way. Here's me laying down some thoughts for y'all:

Luther - For him, family has always been about the team. That's part of the reason he's so drawn to the Sparrows, bc at first they seem to have the cohesiveness that the Umbrellas lacked. Remember, Luther was the last one left at the Academy, then Reginald sent him to the moon alone. So of course seeing a "functional" team is going to be compelling for him, and he desperately wants to be part of it. And then he and Sloane quickly fall in love and for the first time in his entire life, someone wants him for him. It's intoxicating and utterly consuming NRE that is more powerful than anything he's ever felt.

Diego and Lila - For these two, it's about figuring out how to be a family. Both together, but also a little bit with the other Umbrellas. Diego looking out for Allison and Klaus and Lila and Five coming to a truce are part of this - more about Lila and Five in a sec.

Allison - In her mind, her family is Claire and Ray. This one is obvious, but I also think that the writers did us a disservice by not letting us into Allison's perspective. If you think about it, it's completely normal for a parent to put their child above all. While I don't defend her actions, her motivation could have been more compelling and it would have strengthened her character. But sadly she's the character on the show that is most "othered" (which is bad for many reasons)

Klaus - he really dug deep into individual relationships w family, starting with Five (e2 and 5 Five and Klaus bonding are still some of the best bits of the season imo), Diego, Reginald, Sparrow Ben, and then Luther in the afterlife.

Five - Five remains a pragmatist. His bar for family is very low - success for him means the Umbrellas being alive, no matter what the personal cost or sacrifice to him or to some extent others. It is somewhat depressingly delightful to see how he makes his peace with the end of the world as the season progresses. Before that, however, I'd like to meander back to e3 and 4 where Lila convinces him to electrocute himself and then they go on the Commission mission. Both of the actors do a fine job here bouncing back and forth between witty banter and genuine emotion and I love it. It's a quick and subtle piece of dialogue when Five explains how he saved Lila from the Handler. The undertone is that they were both abused by that woman in a similar way - ultimately, she developed and kept them both as pawns in her own game. And I think Five, starting in S2E10 and fleshed out through S3, develops genuine empathy for and eventually acceptance of Lila as family, as one of them, because of this shared experience.

Viktor - Like Viktor in all seasons, he continues to feel out of place with the Umbrellas and compensates by over-prioritizing his relationships with others. Don't get me wrong, I do empathize with him that he lost real love with Sissy and Halan, but I also think Allison was 100% valid to call him out on his lying in E6, and it was on point to verbalize how the constant focus on Viktors pain minimizes her (and everyone else's) experience. (Edit to add: Viktor finally seems to get the message on this, after being called out by Allison, then subsequently both Sparrow Ben and Five, and spends the last few episodes trying to make amends. Real character development here and I like to see it)

Reginald - Well, his overarching motivation since S1 has always been bringing back his dead wife, so I won't belabor that, but also it's interesting to see how he interacted with Klaus particularly - esp in E7 when he sobers up it seems he is experimenting with remembering his role as a father. Now we don't get a ton about his internal motivation here, but you can tell there is some mild curiosity, if not affection, for Klaus, despite the fact that he ultimately is cool with sacrificing him.

Some of these are more obvious than others, but when you tie them all together, the idea that they are all desperately looking for family and the blind spots that that creates for them, some of the messiness of S3 starts to make a bit more sense.

[writeaboutit]

Silly Abby Candy’s for Kids

Abby tries sneaking candy before Halloween and reader is not having it

Hellooo I’m in the mood to write some halloween themed stuff the rest of this month so stay tuned for a couple more stories!! Anyway just quickly wrote this which means there are deff mistakes on there. I’ll do my best to edit as I catch them but sorry in advance. Hope you enjoy!!

Warnings: Mainly fluff, tini tiny bit suggestive

Part 1: Donation Boot

Part 2: Damn the Chief

You grabbed yours and Abby’s dinner plates off of the dining room table and headed into the kitchen to deposit them in the sink.

Abby followed suit rolling up the place mats and grabbing both wine glasses, now empty.

There was a warm ember in your stomach from the alcohol just waiting to strike into a roaring fire.

At the sink you quickly rinsed the lingering bits of food off of the plates and slotted them into the dishwasher.

Before you could walk away from the sink however you hips were pined to the counter as Abby moved into the space behind you.

You giggled at her closeness, constantly feeling like a bumbling teenage version of yourself around her.

Your wife however acted if nothing was out of the ordinary. She went about her business swirling a bit of water in the bottom of the glass to rid them of the dried red line and placing them ever so gently onto the top was rack of the appliance.

Chills broke out across your neck as you felt her warm breath fan across your shoulder with each movement. This was seriously not helping the alcohol buzz.

You needed to clear your head before you both got distracted and wasted the rest of the night away. The idea of it was too enticing. Dangerous.

You bumped your bum back towards her hips, “Give me some space Anderson,”

She chuckled and placed a quick peck to your cheek, “Never Anderson,” though she complied and backed up and leaned against the opposite counter.

Next to her sat a big black bowl, or not really a bowl you guess, more of a cauldron. In it was mini individually wrapped candy bars.

Halloween was only a few days away and you had to get some treats before the grocery store shelves were bare. You’d hate to disappoint the neighborhood kids the night of.

Abby however thought it was dumb to buy all that candy. For some reason she was convinced you guys would only get two trick of treaters this year and then be stuck with three months worth of candy.

It wasn’t true of course, you were usually out of candy by 10 pm on Halloween night but Abby was more or less… a halloween Scrooge; at least when it came to kids taking the candy she was hoping to eat.

She complained about the candy but secretly she hoped no one would knock on that door come the 31st so she could hoard it all to herself like a dragon with gold.

She was already reaching into the cauldron as you dried your hands, trying to sneak a piece.

Not on your watch. You whipped the towel in her direction hitting the side of her thigh.

The movement made her jump in surprise. She looked over at you, the picture of innocence.

“What the hell was that for?”

You raised your eyebrows at her, “That candy is for the kids this weekend.”

“Oh come on one piece won’t hurt.” She tried to use her best begging eyes.

It was not going to work, at least not when it came to the candy but the wine was getting to your head now and other ideas came to mind.

You walked past her only slowing to grab her belt loop and drag her behind you.

“Where are we going?” She asked as the pair of you trailed over to the staircase.

You stopped at the base and turned to look up at her, “You can’t have the candy as dessert,” you paused for dramatic effect and whipped your baggy t shirt over your head. What can you say you have a flare for the dramatics, “but I have a better one for you, if you want it of course?”

Abby’s mouth hung open in surprise before she finally gathered herself, “Hell yes.”

You spun around to run up the stairs, giggling as Abby chased behind you.