#when you spent 7+ episodes before not doing any of that

[kennyomegasweave]

Taem softly but firmly turned down all of Yak's flirting attempts and, quite literally, skipped over to Ohm when he picked her up at the gym. But in the span of two episodes it turns out she actually did have feelings for Yak and Ohm is a nasty creep?

[lizzyiii]

The Dragon’s Treasure has my WHOLE heart 🥹

thank you, babe. i've really enjoyed writing her and aemond

The Dragon's Treasure (3)

pairing | young aemond targaryen x niece!reader

word count | 11k words

summary | “...and for the first time in what felt like ages, you felt a glimmer of happiness for the future.”

tags | as we all know ANGST, ANGST, ANGSTTTT, and eventually rainbow after the storm, SA! (aemonds brothel scene), things do get better y'all, targaryen incest, reader is described to have silver hair and lilac eyes, reader being a sensitive queen, and FLUFF and young love, aemond being a SIMP, TOOTHROTTING FLUFF

a/n | I cried so much, while writing this. I loved writing young aemond, I loved writing young helaena but especially loved writing young reader. I promise you guys this, when I have the time I'll write a one shot of them when they're older and more post-episode 7. When they're older (16&18). Also I really went overboard ngl

likes, comments, reblogs are always appreciated ✨

𝐏𝐚𝐫𝐭 1 — 𝐏𝐚𝐫𝐭 2 — 𝐌𝐚𝐬𝐭𝐞𝐫𝐥𝐢𝐬𝐭

You weren’t eating again.

Aemond had overheard his mother’s worried whispers as she discussed your condition with the maesters. He was still angry with you—hurt by the thought that you would try to leave them all behind, leave him behind, without a second thought. But no matter how deep his anger ran, his concern for you ran deeper.

After a long and contemplative ride on Vhagar, the weight of the sky above him and the sea below doing little to settle his thoughts, Aemond sought out his mother.

“Aemond,” Alicent began, her voice weary as she looked down at him, her exhaustion evident in the fine lines around her eyes. Between preparing for Aegon and Helaena's wedding and your worsening state, the strain was taking its toll. “I don’t think she’s in the mood for any visitors.”

She still didn’t know the full truth of what had happened—the attempt to run away with Helaena, the plan you had kept hidden from them all. All Alicent knew was that you had retreated into yourself once more, refusing to speak to anyone, even to Helaena, the one who had once pulled you from your darkness.

“It’s her nameday tomorrow,” Aemond murmured, his voice quiet but steady.

Alicent’s face tightened, pain flashing in her eyes as she thought of how you had been before all this—brighter, more spirited. Aemond continued, his tone soft but resolute. “She likes strawberry cakes. Let me bring her one, Mother. Please.”

Alicent’s gaze softened as she looked at her son. Her sharp, determined boy, scarred both in body and soul, yet still showing more kindness than anyone would expect after all he had endured. He had lost an eye, but his heart—his heart still carried a tenderness that surprised her.

She sighed, her shoulders drooping with the weight of her worries. “Very well,” she said softly. “You have my leave to visit her tomorrow.”

Aemond didn’t smile, didn’t show any hint of relief, though inside, the resolve in his chest tightened. He simply nodded in acknowledgment. His mind had already begun to turn over what he would say to you when he saw you—how he might reach you through the walls you had built around yourself.

Tomorrow was your nameday, and whether you liked it or not, Aemond would be there for you.

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Aemond’s heart raced as he approached your chambers, his hands gripping the tray carrying strawberry cakes. He had spent much of the morning thinking of what else he could bring—perhaps a necklace, something to match the sapphire that lay hidden beneath his eyepatch. You loved jewelry, and he knew how your eyes lit up at the sight of anything that sparkled. But in the end, he settled on simplicity—just the cakes you loved, hoping they would be enough.

As he neared your door, he was greeted by Ser Rowan, your loyal guard, who stood as firm as ever, his expression stern.

“My prince,” Ser Rowan acknowledged with a nod, his voice gruff. “The princess is in no condition to receive visitors today.”

Aemond stiffened, his chest rising as he squared his shoulders. He would not be turned away so easily. “It is her nameday,” he said firmly, his voice laced with authority. He took a step closer, meeting Ser Rowan’s unyielding gaze with his own, violet eye sharp. “The queen has granted me permission to visit her.”

Ser Rowan remained still, but Aemond didn’t back down. He tilted his head slightly, his tone low and challenging. “Will you disobey the Queen’s word?”

There was a moment of silence as the guard’s eyes flicked down to the tray Aemond carried. His stern expression softened just slightly when he saw the strawberry cakes. Ser Rowan let out a heavy sigh, his duty to you outweighing his hesitation. He too wished for your recovery, and perhaps, he thought, a visit from Aemond might bring some light back into your eyes.

“Very well, my prince,” he said at last, stepping aside. He opened the door with a creak, allowing Aemond to enter.

Aemond took a deep breath, holding the tray steady as he stepped into your chambers. The door closed softly behind him, but the room was dim, heavy with silence. His heart clenched at the sight of you curled up on the bed, facing the wall, your small form barely stirring.

"Niece," Aemond’s voice echoed softly through the room, breaking the heavy silence of your chambers.

There was a pause, and then your voice, quiet and tired, reached him. "Go away."

He pursed his lips, setting the tray down gently on the bedside table. The room was dim, shrouded in a pink hue from your curtains, and he made his way over to the window, pulling the drapes wide open. Sunlight poured in, casting the room in a golden glow.

From behind him, you hissed, "Close them." He heard the rustle of your blankets as you pulled them over your head, shielding yourself from the brightness.

Aemond couldn’t help the small smile that tugged at his lips as he turned back to face you. "Happy Nameday," he said, his tone lighter than before. "I brought you something."

"I don’t want it," you muttered from beneath the covers, your voice muffled and distant.

He sat beside you, his movements careful, placing the tray of strawberry cakes within arm’s reach. "I’m sure you will," he replied softly, hoping to coax you out from your cocoon of blankets.

For a few moments, there was nothing—just the faint sounds of the breeze outside and the distant chatter from the courtyard. Aemond sighed, the weight of the silence between you heavier than he could bear. He reached out, his hand hovering just above your arm, but then hesitated. His fingers twitched before he pulled his hand back, unsure of how to communicate with you.

"You know," he began quietly, his voice careful, "I wouldn’t force that on you. To bear children you don’t want. One would be enough."

There was a sharp scoff from beneath the blankets. "How generous of you," you replied, the bitterness in your tone unmistakable.

Aemond’s jaw tightened, but he kept his gaze steady on the blankets that covered you. His mind drifted to the records he had been reading, the histories you both loved to discuss. He knew how much you valued stories of the past, of old kings and queens, of the lives they led. Swallowing, he decided to share what had been on his mind, hoping it might reach you.

"I’ve been reading more since our last talk," he murmured. "About King Jaehaerys and Queen Alysanne. Even after many children, he made her bear more when she didn’t wish to." His voice was soft but steady, the weight of his words hanging in the air between you. He had been thinking of you, trying to understand your fears.

The sunlight streamed across your bed, casting shadows as Aemond spoke. He knew that love was rare among their kind, especially in Targaryen unions, but he hoped. Hoped that maybe, in time, you would not just be duty and title to him.

"I would never do that to you," he added, his tone sincere, almost vulnerable. "I want our marriage to be different."

The room was still. The only sound was the faint rustling of the breeze outside, and the quiet breathing of Dreamfyre from somewhere far beyond your window. Aemond’s words lingered, waiting for you to respond, to show him something—anything—that might bridge the gap between you.

Slowly, you lowered the blankets just enough for your eyes to peek out, meeting Aemond's gaze. "He was a bad man," you mumbled, referring to King Jaehaerys.

Aemond, ever the scholar, couldn’t resist. "He was a good king," he pointed out, his tone firm but calm.

You rolled your eyes, a small defiance shining through your sadness. "Still a bad man." For a moment, the two of you just stared at each other, and then you added thoughtfully, "Aenys Targaryen was a good man."

Aemond let out a scoff. "He was weak."

You narrowed your eyes at him, but there was a flicker of something behind your lilac gaze, something like amusement. "A weak king, yes. Only because he tried to make everyone happy."

Your eyes shifted towards the tray on the bedside table, where the strawberry cakes sat. After a moment of hesitation, your voice, still tinged with sadness, broke the silence. "Is today really my nameday?"

Aemond nodded, his own expression softening. "Yes."

"Oh." Your response was quiet, almost absent-minded, as if you were still processing.

Aemond reached for the tray and held it out to you, offering a tentative smile. "Would you like one?"

You eyed the cakes, and though your sadness still lingered, something softened in your expression. "Those do look nice," you murmured. Finally, you pulled the blanket away from your face and sat up slowly, your movements careful and deliberate. Though your face remained neutral, devoid of the joy that used to light it up, you gave a small nod. "Alright."

Aemond couldn’t help the small smile that spread across his face as he handed you a cake. It wasn’t much, but seeing you like this—out of bed, talking to him—felt like a small victory.

As you took a bite, your eyes flickered to his once more, and Aemond stayed beside you, content with the simple moment of shared silence, hopeful that things might get better.

Aemond felt as though he were trapped in a cage of unbearable heat, the air around him thick, suffocating. The wine—a dark, bitter liquid that Aegon had forced upon him—now churned wildly in his stomach, its taste sour and unpleasant. He longed to rid himself of it, to escape the strange and unfamiliar sensations overtaking him.

It was after the grand feast in honor of his thirteenth nameday that Aegon, with a sly grin and a glint in his eye, had promised him a "surprise." Aemond, still naive to the darker aspects of his brother’s humor, had followed without protest, his curiosity outweighing his caution. They had ventured deep into King’s Landing, to a shadowed place Aemond had never seen before—a pleasure house filled with laughter and the soft rustling of silks.

Before Aemond could voice his hesitation, Aegon had disappeared into the throng of bodies, swallowed by the merry voices and whispers of the women within. And Aemond was left alone, standing awkwardly, unsure of what was to happen next.

He was led into a small chamber, dimly lit by flickering candles, their soft glow casting strange and unsettling shadows on the walls. The tapestries that adorned the room depicted scenes he barely understood—men and women entwined in ways that seemed more confusing than enticing. He felt a knot tightening in his chest, and a cold wave of dread settled over him.

Then she entered—a woman far older than his mother, her presence overwhelming in the confined space. She smiled at him, her voice soft and syrupy, laced with sweet lies that made his skin crawl. She cooed over him, her hands reaching for him before he had the chance to say anything, her touch gentle yet intrusive as she began to undress him.

Aemond’s heart pounded in his chest, and every fiber of his being screamed for her to stop, to leave him be. But his voice—his strength—had abandoned him. He remained frozen, his limbs stiff and unresponsive as she whispered things into his ear, words he wished he hadn’t heard, promises he didn’t understand.

When it was over, Aemond was left numb. He sat there, silent, as if his body no longer belonged to him, as though he had become something entirely separate from himself. Trembling, he fumbled with his clothes, his fingers shaking as he struggled to dress. His mind was a whirl of confusion, shame, and anger, but above all, he felt the desperate need to flee.

He didn’t care where Aegon had gone, didn’t want to face him or anyone else. The only thought that filled his mind was reaching you, his niece, his betrothed, his future wife, the one person who might make him feel whole again.

His feet carried him through the secret passageways of Maegor’s Holdfast, each step heavy with fear and sorrow. His breaths came in sharp, ragged gasps, his chest aching as he pushed himself to move faster. His tears—hot and unbidden—ran down his cheeks, blurring his vision, but he did not stop.

He passed his own chambers, the rooms of his mother, and everyone else, not wanting to explain the mess of emotions swirling inside him. He only wanted you.

It felt as though the gods had granted Aemond a moment of mercy when he reached your chambers, finding Ser Rowan absent from his post. Without hesitation, he pushed open the door and stepped inside, his heart still racing, tears brimming in his eye as he struggled to hold them back.

You were fast asleep, your back turned toward him. Aemond let out a quiet breath of relief. He hadn’t come to disturb you, only to be near you—just your presence, your warmth, was enough to calm the storm inside him.

Quietly, he made his way to your bed and carefully, as if afraid to wake you, slid in beside you. He kept a respectful distance, not wanting to intrude, but just close enough to feel your presence. The motion stirred you from your sleep, and you sat up, blinking in confusion.

Your eyes widened when they fell on Aemond, and for a brief, horrible moment, he realised it was because of his face. He had forgotten—he had left his eye patch behind at the brothel. The clear ragged sapphire was bare for you to see.

Panic surged through him. You would be disgusted, he thought, repelled by the sight of his disfigurement. He moved to leave, heart pounding, but your voice reached him before he could retreat.

“Aemond, breathe,” you whispered, your strained voice soft and steady.

He froze, his chest tight with the effort to suppress his panic. He needed to leave—he couldn’t bear for you to see him like this. Not you, his dearest niece, who always knew him as strong, as whole. He couldn’t let you witness the broken, ruined side of him.

But then, you reached out, grabbing his trembling hands in your own small ones, your touch warm and gentle. "Please, stay," you whispered, your voice filled with concern. Slowly, you began rubbing his cold hands, trying to bring warmth back to him, both in body and spirit.

His breathing was still uneven, but your soft words and the warmth of your touch soothed him. He looked up, meeting your eyes for the first time. There was no disgust there, no fear—only worry and care. Just like before. Slowly, the tension began to leave his body, and for the first time since he had fled that terrible place, Aemond felt a glimmer of relief.

He swallowed hard, his voice barely a whisper. “I… I’m sorry. I didn’t want you to see me like this.”

You shook your head, squeezing his hands a little tighter. "I don’t care about your face, Aemond," you murmured softly, your tired lilac eyes meeting his. "I care about you."

As you gently laid back onto your pillow, you looked at Aemond with concern, urging him to lie beside you. He hesitated for a moment, but slowly, he did as you asked, his awkward frame seeming out of place in your small bed. You turned to face him, your wide lilac eyes full of care, while Aemond’s own single violet eye struggled to meet yours.

With quiet care, you reached out, placing your small hand on his scarred cheek. He flinched at first, his breath catching in his throat, but you didn’t pull away. Your fingers traced the jagged line of the scar that ran down his face, the skin rough beneath your touch. It was as if you weren’t looking at the scar at all, just him—Aemond, your beloved uncle, the boy who protected you, who read to you, who you always knew to be brave.

He shivered under your touch, his emotions twisting inside him. But you said nothing more, just a quiet, simple comfort.

“Sleep, Aemond,” you whispered softly, your voice gentle and soothing. “I’ll be here when you wake.”

The words wrapped around him like a balm, a promise in the soft glow of the dim candlelight. For so long, Aemond had carried his burdens alone, but in this moment, with your hand on his face and your soft breath mingling with the night air, he felt something he hadn’t allowed himself to feel since Driftmark—peace.

His eye fluttered shut, and with the rhythm of your breathing beside him, he let himself drift away, finally surrendering to sleep.

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Aemond entered your chambers quietly, the weight of the box in his hands almost insignificant compared to the heaviness that lingered in the air. He had been allowed to visit freely now, thanks to Ser Rowan's softening stance, but each visit felt like walking on a thread, delicate and uncertain.

He paused when he saw you on the chaise, struggling with your embroidery. The soft light from the window highlighted the paleness of your features—still recovering, still distant, but better than before. You were eating now, and though your mood hadn't brightened, that small improvement brought Aemond some comfort. He cherished these moments, even if they were shrouded in silence.

"I've brought something for you," he said, his voice steady yet quiet as he approached.

You glanced up from your work but said nothing. The tangled mess of threads on the pillow caught his eye, and he bent slightly to inspect it, attempting to mask the awkwardness he always felt in the wake of that night. He hadn’t been ready to speak of it, and thankfully, neither had you.

"That’s a nice lion," Aemond offered, pointing to the uneven form stitched into the fabric.

Your lips parted slightly, a faint glimmer of amusement mixing with frustration as you murmured, "It was supposed to be the Queen."

Aemond’s lips twitched in response, nodding solemnly as if in deep thought. "Now that you say it," he replied, his voice light, "I do recognize her hair."

With a small sigh, you tossed the pillow aside like it was something offensive, watching as it tumbled to the floor, forgotten. Your eyes flickered towards the box in Aemond’s hands, suspicion mingling with curiosity.

"What have you brought me?" you asked, your voice quiet, but holding a hint of anticipation.

Aemond didn’t reply at first, simply stepping forward and offering the box to you, his expression unreadable. You hesitated for a moment, then carefully took it from him.

Your fingers trembled slightly as you lifted the lid, pulling back the fine paper that covered the gift inside. A soft gasp escaped your lips as you uncovered a stunning gown—lilac silk adorned with delicate embroidery, tiny jewels catching the light like stars. Your hands traced the fabric, feeling the softness beneath your fingertips, the craftsmanship clear in every stitch.

Aemond watched you intently, his eyes never leaving your face. For the first time in what felt like forever, there was a shift in your expression—a glimmer of something that almost resembled joy.

"Do you like it?" he asked, his voice low, holding his breath as he awaited your response.

You glanced up at him, and for the first time in many moons, you smiled. It was small, barely there, but it warmed Aemond's heart like the sun after a long winter.

"Yes, I do," you replied softly, still admiring the gown. "What's it for?"

"Helaena's wedding."

At once, the warmth in the room seemed to drain away. The smile you had given Aemond, fleeting as it was, vanished, leaving a hollow silence in its wake. His heart sank, watching as you carefully folded the gown, tucking it back into the box with deliberate gentleness. The delicate fabric crinkled under your hands as though it were something too precious to be touched, something that no longer belonged to you.

"I'm afraid you've wasted your efforts," you said, your voice barely above a whisper, your gaze fixed on the gown. "I'm not going."

Aemond's brow furrowed, frustration bubbling beneath his calm exterior. He stepped closer, his voice steady yet urgent. "You have to go."

But you refused to meet his eye. You knew how intense his gaze could be, how easily it could pierce through your defenses. Staring at the box instead, you shook your head, your words coming out firm, resolute. "I won't."

Aemond's lips pressed into a thin line, the familiar weight of your stubbornness settling between you both. "Helaena needs you," he urged, his tone softening, as if pleading might sway you.

You let out a bitter sigh, your fingers tracing the edge of the box, a dull ache settling in your chest. "Well, perhaps I can hurt her the same way she hurt me," you muttered, your words tinged with petulance, though the pain beneath them was clear.

Aemond stood in silence for a long moment, weighing your words, the tension in the air thick between you. His voice, quieter this time, broke the silence like a whisper carried on the wind. "Will you really not go?"

"No," you replied, though your voice softened now, the sharp edge of defiance fading. You hesitated, a flicker of doubt crossing your face. You raised your chin, trying to hold onto the last bit of resolve. "Now, is that all you've come to visit me for?"

Aemond's heart ached at the sight of you—so distant, so caught in your own sorrow. He stood there, unsure of how to reach you, the distance between you feeling far more than just the space in the room.

The day of Helaena’s wedding arrived, and just as you had promised, you didn’t go. Aemond had come to your chambers in the morning, his expression pleading as he urged you one last time to change your mind. His words were careful, filled with the weight of his disappointment, but still, you remained firm.

You had refused.

As the sun set, casting a warm golden hue across the castle walls, you lay alone in your chambers, curled beneath the thick blankets on your bed. The echoes of the celebrations reached your ears in faint murmurs, muffled by the heavy stone of the keep. The joyous sounds of laughter and music only seemed to deepen the ache in your heart.

It was when night fell fully that the tears came, slow at first, then faster, spilling onto your pillow as regret took hold of you. You wiped your eyes with the back of your hand, but it did little to stop the sadness that had finally caught up to you. You could see it so clearly in your mind—Helaena standing alone in the grand Sept, a pale and fragile figure, her face drawn with sorrow. You imagined her forced to marry Aegon, the brother you both knew was unfit for her, and the weight of your absence pressed hard on your chest.

How could you not have been there for her?

The thought made you feel smaller, childish even. You had let your anger and hurt guide you, and in doing so, you had abandoned Helaena on one of the worst days of her life. She was likely miserable, her heart heavy with sadness, and you, spiteful and stubborn, had stayed away. You bit your lip, choking back a sob.

Your gaze drifted to the gown Aemond had gifted you, still lying folded neatly in the box by your bedside, untouched, its lilac fabric gleaming faintly in the moonlight. You reached for it now, pulling the soft material through your fingers as though it could offer you some comfort.

But it didn’t.

It only reminded you of the mistake you had made.

You missed your mother.

For all the hurt she caused, all the ways she had abandoned you, there was still a deep ache for her, like a wound that wouldn’t heal. You wanted to hate her, truly despise her for leaving you behind. But no matter how much you tried, you couldn’t. The love for her still clung to you like a shadow you couldn’t lose.

As the days passed in the quiet isolation of your chambers, you began to understand things you hadn’t before. With each lonely hour, the weight of your thoughts pressed harder on your heart. Your mother had been selfish, more than you had ever allowed yourself to admit. She had promised you the world, and yet, in the end, she had given you nothing.

You were her firstborn, the eldest of her children, and yet the title that should have been yours had been passed to Jace. He was her heir to the Iron Throne, the future king, while you were left to the shadows. Even Driftmark, the seat of your grandsire, should have been yours by birthright, but it had been given to Luke instead.

The bitterness inside you grew with every thought. You hated them now—your brothers. You knew it was childish, petulant even, but the feelings were there, and they wouldn’t leave. They had taken everything from you. Titles that were rightfully yours, the pride of riding dragons, and worst of all, they still had your mother. They were together as one big happy family on Dragonstone, while you had been left here in King's Landing, a forgotten daughter in the midst of their enemies.

“It’s fine,” you whispered to yourself in the dark, trying to believe it. You had never liked Dragonstone anyway, with its cold winds and sharp rocks. But even as you said it, your heart tightened with the lie. You missed the place, the warmth of the hearth, the sight of the sea from your window, and the feeling of belonging—something you hadn’t felt in so long.

And in the quiet moments, when the anger settled and the room was still, you knew the truth. It wasn’t your brothers’ fault. They hadn’t asked for this, to be born as they were, with all the whispers and shadows cast over their lineage. No, it was your mother’s choices that had led to this. Her indiscretions. But even as that truth formed in your mind, you found that you couldn’t hate her.

It was easier to be angry with them—with Jace and Luke—because hating her, the one you loved most, was something you just couldn’t bear.

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"I hated you, you know."

Aemond's head jerked up, eyes widening at the unexpected words. He had been sitting quietly in your chambers, absorbed in a thick tome about the horrors of Essos. You stood across the room, brush in hand, painting the pink walls of your chamber as if it were any other day. But there was a tension in the air, a weight to your voice that made his heart quicken.

You didn’t look at him, your gaze fixed on the canvas as you murmured, "When you claimed Vhagar, I hated you."

The words hung in the air, sharp and heavy. Aemond’s mouth parted slightly, but no words came out. His heart pounded in his chest as he watched you. The stillness of the room was broken only by the soft strokes of your brush against the canvas.

"I feel as if I hate everyone," you continued, voice tight and strained. "I hate Luke and Jace for stealing my titles." Your brush moved faster, more aggressively. "I hate Daemon for stealing my mother. I even hate Baela and Rhaena, if only because they get to have her now, as if she’s theirs instead of mine."

A scoff escaped your lips, but the sound was bitter. Aemond noticed the way your hand trembled slightly, how your breath caught as tears glistened in your lilac eyes.

"I hated Helaena for not running away with me," you whispered, the words coming out choked. "And I hate myself for not having a dragon, for not being someone important, someone worthy of a title."

Tears began streaming down your face, and yet you kept painting, as if the act itself could somehow keep the flood of emotions at bay. Finally, your gaze lifted from the canvas and met Aemond’s. His heart clenched at the sight of your tear-streaked face.

"And I hated you," you said, voice breaking, "for claiming Vhagar and leaving me alone in this world."

The sob that followed was wrenching, and Aemond couldn’t stay still any longer. He moved toward you, closing the distance between you both with careful, deliberate steps. His arms wrapped around you, pulling you into his chest, your head resting on his shoulder as you wept.

"I don’t want to feel this way," you cried into his tunic, voice muffled and raw. "So pathetic, so angry at everyone. But I can’t help it. And yet, no matter how hard I try, I can never hate her."

Aemond’s chest tightened at your words, his own emotions swirling in a storm he didn’t know how to express. He rested his chin gently on your head, holding you as tightly as he dared, feeling the weight of your pain as if it were his own.

"I know," he whispered softly, his voice rough with emotion. "I know."

And so he held you, offering no more words, just the quiet comfort of his presence as your tears slowly soaked into his shoulder. He wished he could consume your pain and take it away, wished he could make things right. But all he could do was stand there, arms around you, as the world outside seemed so far away.

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“How is Helaena?”

It was the first time in what felt like forever that you had left your chambers. Aemond had been persistent, urging you to take some air, to leave the four walls that had become your prison. Reluctantly, you agreed, and now the two of you sat beneath the heart tree in the Godswood, surrounded by the stillness of nature. Aemond had brought a stack of books, ones he knew you both enjoyed, hoping they might distract you.

“The same as ever,” Aemond answered absently, his attention flickering between the pages of the book in his lap and the rustling leaves above.

He paused, glancing up at you. "She’s set to give birth in three moons' time," he added, his voice soft, as if the thought still surprised him.

You looked down, your heart aching at how quickly time had passed. It had been almost two years since you had returned to King’s Landing, and though you tried to avoid thinking about it, you knew things would never be the same. “Is her pregnancy going well?” you asked quietly, your voice small against the whisper of the wind.

Aemond pursed his lips, his brow furrowing in thought. “She has strange cravings," he said, his voice low. "And her belly is… large, perhaps too large for just six moons.” He hesitated for a moment, his gaze lingering on you. “I’m sure a visit from you would lift her spirits,” he suggested, his tone careful, as though he didn’t want to push too hard.

You shook your head almost immediately, your silver curls spilling over your shoulders. “I’m not sure it would,” you murmured, your voice full of doubt.

Aemond studied you for a long moment, his sharp violet eye watching the way your expression shifted, the way your gaze seemed to turn inward. "She speaks of you sometimes," he said quietly, trying to find the right words to reach you. "She misses you."

You sighed, pulling your knees to your chest as you looked away from him, your fingers tracing idle patterns in the grass. You missed her too.

Aemond, noticing the sadness clouding your face, cleared his throat, quickly steering the conversation elsewhere. “Perhaps when you feel better,” he began, his voice lighter, “you could join me on a ride with Vhagar.”

Your head snapped up in surprise. “Me? Ride Vhagar?” You shook your head. “I’m not sure Vhagar would like me. A loud, annoying girl.”

Aemond raised a brow, his face dead serious. “If that were true, Vhagar would’ve eaten Baela and Rhaena years ago.”

For the first time in what felt like an eternity, you laughed. A real laugh, bubbling up from deep within, spilling out in a way that felt foreign yet so relieving. Two years of being shut away in your chambers, and now here you were, laughing at Aemond’s dry humor. The sound filled the Godswood, bright and full of life.

Aemond, momentarily stunned, blinked at you in astonishment. He hadn’t expected it, not after everything, but when his mind caught up, a broad smile tugged at his lips. The kind of smile that was rare for him, genuine and unguarded.

“Vhagar will love you,” he said, his voice quiet but sure. He hesitated for just a moment, his thoughts turning to words he longed to say but didn’t. Just as I do, he thought. But instead, he insisted with a warmth in his tone, “I’m sure of that.”

You gave a small shrug, murmuring, "Maybe," without truly committing to the idea.

Aemond studied your face for a moment, his heart lighter at the sound of your earlier laughter, and before he could stop himself, the words tumbled out. "I claimed Vhagar for the both of us."

Your expression shifted in an instant, the color draining from your face as you stared at him. "What?" you mumbled, barely above a whisper.

Aemond averted his gaze, trying to appear casual, though his heart raced. "I remembered what you said—about sharing a dragon. And when your dragon egg didn’t hatch, I decided... Vhagar should be for both of us." He looked up, meeting your startled lilac eyes with his steady violet one. "For you and me to share."

Tears welled in your eyes without warning, and Aemond’s calm composure crumbled. He immediately scrambled to your side, kneeling in the grass and reaching out to comfort you. "No, no, I didn’t mean to make you cry," he said, his hands hovering nervously, unsure of what to do.

You waved his hands away, though a small smile began to form through your tears. "I feel a bit foolish now," you admitted, as tears continued to fall down your cheeks.

Aemond took your hands gently in his, bringing them to his lips in a tender kiss. "And so?" He whispered, his gaze filled with sincerity.

As the tears dried on your cheeks, you let out a shaky breath, though your nose remained a bit red. "But... I think Vhagar is much more suited for you," you finally said, your voice still soft but calmer.

Aemond nodded, willing to agree if it brought you comfort. "Will you still consider joining me?" he asked, his tone hopeful.

You looked at him, your smile returning, this time more playful. "I shall," you said with a teasing glint in your eyes, your hands still resting in his.

──────────────────────────────

"Princess, are you almost done?"

Ser Rowan’s voice was tinged with exasperation as he stood with arms raised, holding the pose you had instructed. You had begged him to model for your painting when he arrived to greet you at dawn, and now the sun was climbing high in the sky, casting warm rays through the window. Despite the time, he remained your patient subject.

"Almost, Ser Rowan," you replied cheerfully, your brush gliding across the canvas as you focused on capturing the details of his expression.

The knight let out a weary sigh, feeling his muscles beginning to stiffen. Yet he would endure anything to keep the smile on your face; he was your willing captive, devoted to your whims.

Suddenly, the door burst open, and Ser Rowan instinctively straightened, positioning himself protectively in front of you. He relaxed his stance when he saw Prince Aemond enter, though a worried look darkened the prince's features.

"Aemond, what’s wrong?" you asked, your brow furrowing in concern as you set down your brush.

The prince was out of breath, urgency threading through his voice. "Helaena went into labor last night. It’s been long and difficult. She’s calling for you."

Your eyes widened, and you opened your mouth in shock, struggling to find your voice amidst the sudden rush of fear and worry.

Before you could respond, Ser Rowan spoke softly but firmly. "Princess, we must go."

You nodded, the news settling in your stomach like a stone, heavy and cold. You hurriedly followed Aemond and Ser Rowan out of your chamber, your heart pounding with a mix of concern and guilt.

Thoughts raced through your mind—what would you say to Helaena? Would she forgive you for not being there these past months? You hadn’t seen her in nearly ten moons, too consumed by your own sadness to leave your room.

As the three of you made your way to the birthing chambers, the air felt thick with anticipation. Upon reaching the door, you encountered another guard who bowed respectfully at your approach.

"The princess has successfully given birth, your Highnesses," he announced, his voice steady.

You and Aemond exchanged a glance, relief washing over you, and he offered you an encouraging nod. You took a deep breath, preparing yourself to enter and see Helaena, the weight of your past decisions lingering in the back of your mind, but hope beginning to spark within your heart.

As you stepped into the chamber, your eyes immediately found Queen Alicent standing in the center, cradling a tiny bundle in her arms. A soft glow of love radiated from her as she looked down at Helaena's babe, a precious life nestled against her.

Your gaze shifted, and you gasped softly when you finally spotted Helaena on the birthing bed. To your astonishment, she was holding another baby as well.

"Twins," you murmured, the words slipping out louder than intended, catching the attention of both the Queen and Helaena.

Alicent's eyes widened in surprise, and a warm smile spread across her face at the sight of you. "Princess, it brings me joy to see you out of your chambers," she said, her voice gentle.

You nodded, feeling a rush of embarrassment as you shifted your gaze back to Helaena. She was already looking at you, her expression filled with a mix of fatigue and joy. Slowly, you approached the bed, holding your breath as you took in the sight before you.

The babe in Helaena's arms had the unmistakable silver hair of House Targaryen, a stark contrast to the dark-haired children of your brothers. You couldn’t tell if it was a boy or girl, but the sight of the tiny face, so fragile and perfect, made your heart swell.

"What are their names?" you asked softly, careful not to disturb the babe's slumber. Your voice barely rose above a whisper, filled with wonder.

A tiny smile bloomed on Helaena's weary face, her eyes lighting up with pride. She gestured to the babe nestled in her arms. "This is Jaehaera," she said, her voice tender. Then she nodded toward the child cradled by Queen Alicent. "And that is Jaehaerys."

You nodded slowly, feeling a swell of warmth at the names, though a shadow lingered in your mind. You didn’t dare ask where Aegon was; the thought of him missing the birth of his children felt too heavy to voice. Carefully, you settled beside Helaena on the birthing bed, the air filled with soft silence and the smell of newborns.

"I'm sorry," you whispered, unable to meet her gaze as your eyes traced the delicate features of Jaehaera. The babe's tiny fingers curled and unfurled, and your heart ached with a mix of joy and regret.

Helaena's hand found yours, giving a gentle squeeze. "I'm sorry too," she replied, her voice thick with emotion.

Looking up at her, a relieved smile broke through your sadness, tears glistening in your eyes. In that moment, the past felt a little lighter, the bond between you strengthening. But then Helaena's expression turned hopeful. "Would you like to hold her?"

You immediately shook your head, anxiety creeping in. "I don't know how."

"I didn’t know how either before this," Helaena said, her voice soft and encouraging. She carefully passed Jaehaera into your arms. You cradled the babe as if she were made of glass, your heart racing with both fear and delight. "It’s very easy."

A small laugh escaped you, bubbling with nervousness. "She’s very small."

"Yes," Helaena murmured, a hint of nostalgia in her tone. "Just as we were once."

You gazed down at the sleeping babe, feeling the weight of her tiny form in your arms. You glanced up at Helaena, her eyes shining with love and hope, and for the first time in what felt like ages, you felt a glimmer of happiness for the future.

You let out a huge yawn as you finally walked back to your chambers, the weight of the day settling on your shoulders. You had spent most of your time in Helaena's chambers, cradling Jaehaerys and Jaehaera in your arms. Queen Alicent had eagerly encouraged your visits, saying it was good practice for when you would have your own children with Aemond.

The thought felt strange yet comforting. After so many hours spent with the tiny babes, you found yourself warming to the idea of one day having a child with Aemond. Of course, that was a distant thought; you were only twelve now, and marriage was still years away. Yet, the notion no longer filled you with dread.

As your health improved and your mood lightened, Queen Alicent insisted you return to your princess lessons with Septa Agertha. The strict septa had been happy to resume your lessons, and to your surprise, she seemed kinder and softer than before, guiding you patiently through your studies.

Despite your busy days, you always tried to carve out time for Aemond. You cherished those moments, whether you were reading together in the library, basking in the sunlight of the gardens, or watching him train with his sword. Today, you couldn’t help but admire how effortlessly he took down Aegon during practice, his movements fluid and precise.

As you entered your chambers, your eyes immediately narrowed at the sight of Aemond standing amidst the soft pinks of your room, a striking contrast in his dark green leather. He looked entirely out of place, and the nervous smile tugging at his lips only deepened your suspicion.

"It is highly improper for you to visit my chambers so late, Aemond," you teased, crossing your arms as you arched an eyebrow. "Does Ser Rowan know about this?"

Aemond’s smile grew as he replied with a hint of mystery, "Ser Rowan does not know all the entrances to your room."

You rolled your eyes, amused but unconvinced. However, something behind Aemond caught your attention—a small object sitting on your table. You moved closer, but Aemond swiftly stepped in front of you, his hands gently resting on your waist to stop you.

"Wait," he said quickly, clearing his throat. "Before you get angry… don’t. Just trust me."

You eyed him suspiciously but couldn’t help the small smile tugging at your lips.

"Happy Nameday," Aemond said quietly, almost as if he were embarrassed by the gesture.

You blinked, raising an eyebrow. "Aemond, my nameday was a week ago."

"Still," he muttered, avoiding your gaze for a moment.

With curiosity getting the better of you, you gently pushed past him, approaching the table where the mysterious item sat. There, on the table, was a small brazier pot, the kind used for hatching dragon eggs. Your heart quickened as you slowly lifted the lid.

A heavy sigh escaped your lips when you saw the sparkly navy blue egg resting inside, hot as ever. "Aemond," you whispered, feeling a mix of exasperation and affection.

Aemond stepped up behind you, resting his chin lightly on your shoulder as he whispered in your ear, "I know. But you know what they say—fourth time’s the charm."

You let out a soft laugh, rolling your eyes as you turned to face him. Your noses were practically touching as you corrected him, "It’s third time’s the charm, you stubborn idiot."

"I also brought strawberry cakes," Aemond said, seeing that the sight of the dragon egg had done little to lift your spirits.

You tilted your head with a small smile, "You know the way to my heart, Aemond Targaryen."

The two of you found yourselves lounging on your grand pink canopy bed, nestled among the cushions, feasting on strawberry cakes that Aemond had brought for you. The scent of the sweet berries filled the air, and for a moment, all seemed simple and light in your world.

“Aemond, I’ve been thinking,” you began thoughtfully, wiping a bit of cream from your lips.

Aemond raised an eyebrow, his lips curving into a mischievous smirk. “My, my, that is worrisome,” he teased, his voice playful.

You shot him a sharp glare before rolling your eyes. With a lift of your chin, you said firmly, “I’ve decided our first child must be a girl.”

Aemond blinked at you, stunned by the declaration. “You understand we do not get to choose, yes?”

You waved his words away dismissively, as if the very idea of leaving such an important matter to chance was absurd. “I believe if I am firm in my belief, then I shall have the choice,” you replied with the confidence only a twelve-year-old could muster.

Aemond gave you a long, bemused look, as if weighing your words for any sense. After a moment, he sighed and shook his head. “Why?” he asked, indulging your fanciful notion.

“Do not mistake me,” you began, leaning back into the pillows with a thoughtful expression. “I love both Jaehaera and Jaehaerys equally. And if we were to have a son, I would love him just as much.”

A big, silly grin spread across your face as you continued, “But I want a daughter. I want to dress her up, match with her, and have her follow me around in little gowns.”

Aemond gave you a knowing look. “You have Jaehaera for that.”

You pouted dramatically, the cake in your hand momentarily forgotten. “It’s not the same. Jaehaera is Helaena’s, not mine.”

Aemond chuckled softly at your logic. “Alright, alright,” he conceded, raising his hands as if surrendering. “I shall pray to the Seven for us to be blessed with a daughter first.”

Then, almost as an afterthought, he added, “Perhaps a daughter and a son at the same time?”

You glared at him, flicking a cake crumb in his direction. “Why would you wish something like that upon me? Twins?” You shook your head vehemently.

Aemond’s amused smile only widened as he met your deathly serious gaze. “You’re right, my bad,” he said with a chuckle, brushing the crumb off his tunic.

You huffed, but your irritation quickly melted away as you stuffed another bite of cake into your mouth, a small smile tugging at your lips. Despite his teasing, you knew that Aemond would pray to the Seven for whatever you wished—even if that meant asking for something as impossible as choosing your firstborn's gender.

You glanced down at the strawberry cake in your hand, scrunching your nose. "With all this cake you keep bringing me, Aemond, I’m going to grow fat."

Aemond gave you a thoughtful look, his expression serious yet teasing at the same time. "And? Do they not say that more is always better?"

You tried to hold back your amusement, but despite your best effort, a smile tugged at your lips. You sighed, shaking your head as you chuckled softly. "You’re incorrigible."

Aemond tilted his head, the corner of his mouth lifting ever so slightly. "Perhaps. But I speak the truth." His eye glimmered as they held yours for a moment longer. "A bit of extra weight would not lessen your beauty."

You blushed, looking away from him as you fiddled with the edge of your dress. "You say that now," you muttered, trying to sound annoyed, but your heart felt light.

"I shall always say that," Aemond countered smoothly, his voice unwavering, as if he truly meant every word. "No matter what the years bring, you will always be perfect to me."

A warmth spread through you, making your cheeks burn even more. You tried to dismiss it, waving a hand at him. "You just want me to keep eating cake so I’ll be too heavy to run away when you’re being impossible."

Aemond smiled at that, his violet eye gleaming with mirth. "Perhaps. Or maybe I just enjoy seeing you happy. And if it takes cake to do that, so be it."

You laughed then, shaking your head at him. "You’ve won this time, but I’ll have my revenge when I’m too fat to walk."

Aemond smirked, leaning closer to you with a satisfied look. "I’ll carry you, then."

You tilted your head, rolling your eyes at Aemond, wondering why he was looking at you like that, as if the world had shifted between the two of you. Somehow, without realizing it, you had drifted closer, your faces mere inches apart. You could feel his breath, soft and warm, as he leaned in further. His eye fluttered shut, and your heart skipped a beat as you sensed what was coming.

Before anything could happen, your hand instinctively shot up, covering his mouth. Aemond froze, opening his eye wide to see you staring at him with confusion. "What are you doing?" you asked, your voice full of suspicion.

He mumbled something beneath your hand, and you lowered it, giving him a curious look as you tried to catch his words.

Clearing his throat, clearly embarrassed, he murmured, "I was trying to kiss you."

You squinted at him, still doubtful. "Aemond," you began cautiously, "Septa Agertha says if a maiden and a man kiss, she’ll become with child. And I think we should at least wait until the twins’ first nameday before we bring another baby into the castle."

Aemond’s lips pressed together tightly, trying to suppress a laugh. His ears turned red as he responded, "Maidens do not become pregnant because of kisses."

"Then how do they become with child?" you asked, raising a challenging brow, your tone daring him to contradict what you’d been taught.

Aemond’s face flushed deeply, and his gaze flickered away in sheer embarrassment. He seemed to search for a way to avoid the topic. "Your Septa will tell you... in time," he muttered, clearly hoping to escape further questioning.

You were about to protest, about to accuse your Septa of lying again—how could you trust her after she said that about kissing? But the sight of Aemond’s bright red cheeks and the way he squirmed told you it was better to drop it. So, with a sigh, you decided to change the subject. "So then," you asked, "why do people kiss if it’s not to make babies?"

Aemond shifted awkwardly before murmuring, "To show affection. It’s what people do when they love each other. Married couples especially."

You raised a skeptical eyebrow, folding your arms. "I’ve never seen my mother and father kiss. And I’ve never seen Grandsire and the Queen kiss either."

Aemond made an exasperated sound, running a hand through his hair. "Well... they’re different," he said, sounding both frustrated and amused.

You tilted your head again, considering his words. "Different how?"

"Just different," Aemond replied, a faint smile tugging at his lips as he looked at you. "Not everyone is... affectionate like that."

"So, you want to kiss me because you’re affectionate?" you teased, a small smirk growing on your face.

Aemond’s ears burned again, and he glanced away, muttering under his breath. "Something like that..."

You tilted your head, watching him with amusement before shrugging nonchalantly. "Alright," you said, as if it were the most casual thing in the world. "You may kiss me."

Aemond's head snapped back toward you, his eye wide in disbelief. "Really?" he asked, unsure if you were being serious.

You nodded, offering him a small smile before puckering your lips in a way you thought was appropriate for a kiss. "Go on, then," you said, your lips pursed in a dramatic display.

Aemond stared at you for a moment, utterly bewildered. "You can't stare at me like that," he finally managed, his voice a little strangled as he glanced away again, clearly nervous.

Rolling your eyes, you sighed, "Alright, Aemond," and then did as he requested, squeezing your eyes shut. You sat there, waiting for him to make the first move, your heart thumping in your chest even though you tried to act as though it didn’t matter at all.

The room felt strangely quiet, save for the soft crackling of the fire in the hearth. You could hear Aemond shift slightly, feel the warmth of him as he leaned in closer. The air between you felt charged, as if something important was about to happen.

His breath ghosted across your lips, soft and hesitant, and your heart skipped a beat. But just as you thought the kiss was going to happen, Aemond hesitated again.

"Are you certain?" he whispered, his voice soft and uncertain, as if he didn’t want to do anything to make you uncomfortable.

Without opening your eyes, you replied with a huff, "Yes, Aemond. Just do it."

Aemond finally leaned in, pressing his lips gently to yours in the briefest of kisses. It was awkward and tentative, like neither of you really knew what you were doing, but it was soft and sweet in its own way.

When he pulled back, you opened your eyes, blinking at him. The two of you sat there for a moment, staring at each other in silence, unsure of what to say or do next.

"Well?" Aemond asked, his voice low, his cheeks still a little flushed. "How was that?"

You pursed your lips, considering. "It wasn’t so bad," you admitted, then smiled, a hint of mischief in your eyes. "But I don't think that’ll make me with child, so Septa Agertha must be wrong after all."

Aemond let out a small, relieved chuckle, the tension easing from his shoulders. "No," he agreed quietly, "that won't make you with child."

You both shared a soft laugh, the awkwardness melting away as you realized it wasn’t as strange or nerve-wracking as you thought it would be.

Still, after a moment, you tilted your head and added thoughtfully, "Mayhaps we can try again another time... just to make sure."

Aemond’s face broke into a wide grin at your words, and he shook his head, still amused. "Whenever you like," he promised softly, his voice full of warmth.

Aemond’s smile remained as you shared a quiet moment, a comfortable warmth settling between the two of you. His words, soft and full of promise, made your heart flutter a little, though you tried to ignore it. Just as you were about to speak, a strange sound filled the room.

You paused, frowning in confusion as the sound persisted. Aemond’s brow furrowed, and he gave you the same puzzled look. "What is that?" you asked, your voice low and uncertain.

Before Aemond could answer, the sound came again, louder this time—a soft, irregular rattling, like something gently tapping against metal. Both of you turned your heads toward the source of the noise, your eyes settling on the small brazier pot resting on the table beside your chaise.

The pot was trembling slightly, the lid shifting ever so subtly as if something within was stirring to life.

You exchanged a wary glance with Aemond, both of you too stunned to speak. Hope flickered in your chest, a fragile, cautious feeling that you tried desperately to suppress, even though it grew with each passing second. You didn’t want to feel it—not again. Not after so many failed attempts, so many disappointments.

But as the rattling continued, you couldn’t help but let that hope bloom, filling your chest with an almost painful intensity. You could feel Aemond's steady gaze on you, as if he too shared your mixture of anticipation and disbelief. His hand lightly touched your arm, offering silent reassurance as you both stood frozen in place.

Finally, the rattling grew louder, more insistent. Aemond moved first, stepping cautiously toward the brazier pot, his movements careful, as if approaching something fragile and dangerous all at once.

Your heart pounded in your ears as Aemond gently reached out and lifted the lid.

For a moment, there was nothing but silence. You held your breath, waiting, expecting the worst, but then—

A small, sharp crack echoed through the air, and your breath hitched in your throat. Aemond’s eye widened in astonishment as he stepped back slightly, motioning for you to come closer.

With shaky steps, you moved forward, peering into the brazier pot. Inside, nestled among the glowing embers, was the dragon egg—your dragon egg. And it was moving.

Tiny cracks began to spread across the surface, like delicate lines etched into stone. A tiny chirp escaped from within, soft yet insistent, and your heart leapt in your chest.

Aemond’s voice was barely a whisper, full of wonder. "It’s hatching."

You didn’t dare speak, afraid that if you did, the fragile moment would shatter. Instead, you watched in awe as the cracks grew wider, the shell breaking apart bit by bit.

Slowly, a tiny snout poked through the shell, followed by a pair of gleaming, sapphire-blue eyes that blinked up at you curiously.

Aemond’s hand slipped into yours, giving it a gentle squeeze, and for the first time in what felt like an eternity, you allowed yourself to smile.

"It’s really happening," you whispered, barely able to contain the joy welling up inside you.

Aemond stood beside you, his gaze never leaving the hatchling, and he nodded, his voice low but filled with a kind of quiet awe. "Yes, it is."

The tiny dragon stretched its delicate wings, the membrane translucent in the firelight, revealing the rich, dark blue that shimmered against the glow. It was so small, fragile even, yet there was a certain strength in its movements, as though it knew its place in the world. Its scales appeared nearly black in the dim light, but with each flicker of the brazier’s flame, a glint of deep sapphire blue reflected back at you, shimmering like the ocean at night.

You couldn't hold back the soft laugh that bubbled from your lips, a sound of pure, unrestrained joy. Your laughter caught the attention of the little dragon, whose head turned sharply towards you. It blinked, tilting its head, studying you with wide, curious eyes before letting out a sharp screech in response. The sound, though high-pitched, was surprisingly strong for such a tiny creature.

Tears welled up in your eyes, threatening to spill over, as you knelt closer, your hand trembling slightly as you reached out, but you stopped just short of touching it. It felt too precious, too delicate to handle without care.

"Hello," you murmured, your voice soft and gentle, as though speaking to an infant. "Aren't you absolutely beautiful."

The little dragon blinked again, watching you intently. Its tiny nostrils flared as it took in the scent of the air, its wings fluttering slightly as it made a sound that almost resembled a purr. You couldn't help but smile wider, your heart swelling with affection.

Aemond crouched down beside you, his hand resting lightly on your shoulder as he watched the dragon with a look of pride and admiration. "You were meant for each other," he said, his voice filled with certainty.

You looked up at him, tears still brimming in your eyes, and nodded. "I think so," you whispered.

For a long moment, the two of you sat there in quiet awe, watching as the dragon stretched its limbs, adjusting to the world it had just entered. It was strange how something so small could carry such weight, as if this tiny creature already held within it the potential for something great, something magnificent.

As the little dragon shifted closer to you, its warmth radiated through the air, and you felt a bond forming, something deeper than words could express. This was more than just a pet, more than a companion. This was a piece of your soul, reflected in scales and wings, fire and strength.

Aemond’s smile softened as he watched you with the newborn dragon, his gaze flicking between the two of you with a quiet fondness. "What will you name it?" he asked, his voice barely above a murmur, as though speaking too loudly might shatter the moment.

You beamed at the little creature before you, a warmth blooming in your chest as you finally dared to reach out. Gently, you brushed your knuckle against her soft, dark scales. She—yes, she was definitely a girl, you were certain of it—immediately leaned into your touch, her tiny body pressing closer, as if seeking comfort from your warmth.

"Treasure," you whispered, the name slipping from your lips without hesitation. A wide, contented smile grew on your face. "Her name is Treasure."

Aemond blinked, momentarily taken aback by the unexpected name, but then a grin spread across his face, lighting up his features. Of course, you would name your dragon something soft, something sweet and endearing. It was just like you to choose a name that carried such a feeling of warmth, rather than something fierce and grand.

He chuckled softly, shaking his head in amusement. "Treasure?" he repeated, his eye twinkling with affection as he looked at you.

You looked up at him, still stroking the dragon’s scales, and nodded firmly. "Yes. Because she’s my treasure," you said, as if it were the most obvious thing in the world.

Aemond’s grin only widened as he crouched down beside you again, watching as Treasure nestled closer to your hand, clearly content with the name and her newfound bond with you. "A fitting name," he said quietly, and in that moment, as he watched you and your dragon together, he could see how the two of you were meant for each other.

Treasure let out a soft, sleepy sound, curling closer to the warmth of your hand, and you couldn’t help but feel a deep sense of peace. The bond between you and your dragon was only beginning, but it was already something special—something that would only grow stronger with time.

this is anything but the end

guyssss help, im literally crying thinking about young rhaenyra (milly) and reader as a baby. how reader probably became rhaenyra's new best friend and was the only thing keeping her going in court. And how rhaenyra would talk to her as a full-grown person, while reader, being a baby, would just babble back. And how rhaenyra would probably walk around taking her baby everywhere and riding on Syrax with her. BYE lol that just makes it all sadder

(side note in my head ive decided to give reader/y/n the most basic hotd name and name her aemma. because when she has her own daughter with aemond, she'll name her laenora after her father)

Treasure The dragon

I can just imagine reader doing that Sweeney Todd trend with Treasure:

ohh mr.todd 💋 i'm so happy 💋 I could - 💋 eat you up I really could. you know what I like to do mr. todd 💋 what I dream 💋

Ser Rowan

(it's rick grimes because I say so) (note I've only watched two episodes of the walking dead)

Reader's Mind in a nutshell

(I feel if I made this into a full time fic, reader could lowkey have saved the family and avoided the dance of the dragons entirely)

Hope you enjoyed!

Names that are in bold are ones that couldn't be added :(

@evernores @jouryuu @dbd-mommy @g-cf2020 @sl-ut @radiantdanvers @sillysillygyalsmh @callsignwidow @missyviolet123 @thelastemzy @lechat-rouge @sonichkkaaascreams @djarinsstuff @yovrnewromantic @waiting-fortheupdate @strawberymilktea @ninihrtss @kenqki @winter-solstice24 @darlingcharling-blog @feyresqueen @momoewn @literishdegree99 @xxxkat3xxx @6000-fandoms

[lkfarrout]

I need everyone to understand that Stan and Mabel are SMART. Ford and Dipper are often portrayed as the smart ones while Stan and Mabel are the "stupid twins" but here's the thing: Stan and Mabel are just as intelligent as their twins, they just care about different things.

Alex himself, in one of the episode commentaries (Little Dipper, I believe) says that Mabel is just as smart, if not smarter than Dipper, and could beat him at chess if she wanted to. But she cares more about playing pretend with the cute horses instead.

Mabel is also a genuis when it comes to crafting. If you've never done something like knitting before, you have no idea how hard it is and how impressive it is for Mabel to make all the sweaters and things that she does. Maybe not all her sweaters are handmade, but the Waddles sweater and Goodbye Stan sweater are crazy impressive on their own. There's also Wax Stan, all the puppets, and many other examples. Those types of things take a lot of planning, math, practice, and expertise.

Stan is portrayed as being lazy and dumb in high school because he copies off of Ford in class and has a very lame science fair project compared to Ford, but Stan shows ambition in other areas during that time of his life.

For one, he builds what we can assume to be a sea-worthy vessel out of basically scraps of old wood ("Tony Stark was able to build this in a cave! With a box of scraps!"). I personally don't know anyone - much less a teenager - who could do that, especially in a time before youtube. And while Ford definitely did help Stan with the boat, we can tell by their feelings about it that Stan really did put in most of the work and care.

Another example, and a more subtle one, is that Stan was able to save up and purchase a nice, new (7 or 8 years old at the most) convertible catillac by the age of seventeen. He probably spent a lot of time working outside of school to accomplish that, while Ford was more focused on work inside of school. It's highly doubtful that Filbrick would have bought the car for Stan. Stan was highly ambitious during this time in his life, just like Ford was, but in different areas.

In the Land Before Swine commentary, Stan talks about working on the portal and says he had to learn "high school math". He really thought that what he was doing all that time was high school level math when really, it was probably closer to masters-level theoretical physics. This tells me that he probably didn't struggle with the math parts all that much, and because it wasn't super hard for him, he assumed it must have been high school level because he's far too dumb to do anything harder than that. Yes, it still took him 30 years, but that's mostly due to him not having access to all the blueprints that Bill helped Ford create.

All in all, I believe that Stan and Mabel are just as smart as their twins, but it isn't picked up on because the areas that they like to focus on are seen as silly and girly (in Mabel's case) or unprofitable and a waste of time (in Stan's case). In constrast, Dipper's intellectual efforts of solving mysteries, cracking codes, and doing things like converting a CD into a record (impressive!) further the plot of the show and are thus seen as more important. Just like how Ford's academic efforts are seen as profitable and thus more worthy of praise.

I'm of course not saying that Stan and Mabel are better than Dipper and Ford in any way - all the characters have their strengths and weaknesses and I love that about them. I love all four of the Pines Twins so much - they all have so much to offer and are all so smart. I really love this show and they way it creates depth with the characters, and I love analyzing them and writing commentary on them.

[writergirlll]

Watching obx with Drew Starkey

okey. I wanted to write this for a long time, but I didn't have time, so here it is. in fact, it is completely plotless. it's just fluff so enjoy.

SUMMARY: imagine you're the girlfriend of famous actor Drew Starkey and he catches you watching Outer Banks commenting on Rafe Cameron's character because you miss Drew.

You've been dating Drew Starkey for quite some time now. You met on the set of the third season of Outer Banks, where you only played Kelce's girlfriend in one episode, but you fell in love despite that one day.

At first you just chatted, exchanged numbers, but soon you found out that Drew is very funny, so you invited him to the cafe. And soon after the first meeting, you made an official date and started dating.

You don't even remember when it all started. Maybe a year ago? Anyway, after half a year you found an apartment and moved in together. Everything was great because Drew didn't have much to do, neither did you because you hadn't been offered any part in a movie or TV show yet so you spent all your free time together.

But now that Outer Banks season 4 has started filming, Drew is almost 24/7 on set. You don't blame him because the obx cast is really great and he himself can't be blamed for how long the shoot is, but you miss him.

He gets up early in the morning when you are sleeping and comes when you are already asleep again, so you hardly see each other at all. And since it's been going on for about two and a half months now, you really miss her.

And today, is another day when you are home alone. You made some dinner and then popcorn with a drink. You arranged a blanket and pillows on the couch in front of the TV and grabbed the remote control.

You buried yourself in a blanket between the pillows, put a blanket on your lap and started playing the Outer Banks. Drew isn't home, so at least Rafe Cameron will be on TV..

The currently watched episode turned on where Singh kidnapped Kiara and Rafe appeared in the same house, with Singh locking them in the same room.

“Did you forget what you did?” Kie's voice came from the TV and you frowned.

"You shouldn't have told him that" you muttered and popped your popcorn into your mouth. You watched and listened intently as Rafe explained that he didn't want to kill Sheriff Peterkin and that it was for Ward. However, Kie didn't believe him.

"Rafe really isn't a bad person Kie" you muttered to the TV and continued to stuff yourself with popcorn. "Everything he did was for Ward and he just wants understanding" you frowned at the tv and covered yourself more with the blanket. It was warm outside, but it was cold inside the apartment.

,,So I want to be understood huh?'' came a voice from behind you and you flinched as you were startled. You quickly turned off the TV and turned around.

A smiling Drew was leaning against the door. "You startled me" you laughed and he walked over to you.

"Sorry, I didn't mean that. And sorry for being so late, we have a lot of filming. But the way I see it, you found yourself a replacement" he said, placing a kiss on your forehead and looking at the TV, where Rafe Cameron was stopped at a perfect angle.

"But you're better" you cooed and pulled his head down to yours as you kissed him.

Drew kissed back before pulling away and straightening up. "How about I change clothes and watch with you"? he asked you with a sweet smile.

You nodded quickly and he left to change. After a few minutes of waiting on the couch and admiring Rafe on TV, Drew finally showed up, changed with yet another blanket.

He sat down next to you on the couch, stretched out his legs and you rested your head on his lap. You both covered yourself with a blanket, he was stroking her hair, eating popcorn and admiring the acting of the Outer Banks cast.

[dovveri]

sun-kissed

bachelorette masterlist - part 1 • part 2 • part 3 • part 5 • part 6 • part 7

synopsis: an unexpected arrest deters filming for day 4 so instead, y/n and sana spend the day together. almost like a date?

warnings: mentions of child pedophilia! suggestive, cursing - i forget to tag that alot bcs its in all my fics but just assume its always there oop

w/c: 5.2k

a/n: okay this took me way longer than it should’ve to write but i think it’s maybe my favourite chapter so far… or maybe i’m soft rn 🤭 enjoy!

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could they have made any less of a scene?

the sirens have stopped but the blue and red lights continue to blaze as you stand in shock with the rest of the contestants while the cops raid the mansion.

sana had been taken away by the producers as soon as the police cars had pulled up.

when they're finally done checking the mansion, they walk out a cuffed wonsik. his head is down, refusing to look at any of you, hands behind his back as he's shoved into the back of the police car.

none of you had a clue what was going on, you were all enjoying the third rose ceremony and nothing could've predicted where this night had led you.

eventually, after the police have long driven away, the producers return with sana who looks a little shaken up. you head towards her immediately, wrapping your arms around her shoulders, but she can't seem to face you, eyes blank as she follows the producers instructions for everyone to come back into the mansion.

"sana? sana?" you're trying to get her attention, shaking her slightly.

she snaps out of it with a blink, looking up at you in confusion, "hm?"

"you okay? kinda lost you back there."

"mm yeah i just- it was just really unexpected."

"what was?"

she nods her head towards the producers who are now standing in front of the leftover contestants preparing to make an announcement.

"okay guys so we only just found this out but wonsik has been arrested on charges of owning child pornography, engaging in pedophilic acts, and sexual assault of a minor. the police have searched the house and confiscated all of his items and any incriminating evidence they could use in court. as you all know, we do conduct background checks on all contestants before they are accepted onto this show, and we apologise that this incident has been overseen. we won't be editing wonsik's arrest out of tonight's episode, but he has obviously been eliminated. we'll take tomorrow off filming to allow you all a small break and please do let us know if you have any concerns moving forward with filming."

what the actual fuck?

as soon as the producers are done with their announcement everyone is talking on top of each other, trying to figure out just what the hell happened and how this happened under everyone's noses.

"did you know?"

"holy shit i never saw that coming out of him-"

"man its always the quiet ones that are the most fucked up-"

you turn to sana in shock, feeling much like how she had looked just a little earlier. "sana?"

she's still a little distracted when she looks at you, "hmm? i'm tired y/n. let's go back home?"

you're nodding quickly, leading her away from the aftermath to the quiet cool of the outside air. you wave down your driver and quickly lead sana inside, stuttering out directions to your villa and sitting back, sneaking a glance at sana who's looking out the window with glazed eyes.

the drive back is silent save for the low hum of the engine. you're a little surprised when sana shuffles closer to you, linking her arm through yours and placing her head on your shoulder, still not saying anything.

you take her hand in yours, interlock your fingers, and lean your head on hers. the rest of the short drive is spent like this, the silence is thoughtful, but not awkward.

even as you arrive back at the house, your hands never leave each other's, you lead her towards your shared bathroom and brush your teeth side by side. only letting go of each other when you both go to start your nighttime skincare routines.

sana has a much more intricate routine than you because of her obsession with all things health-related and her need to take care of her skin well. so you finish earlier than her, mumbling a quick goodnight while she's still bent over the sink and moving past her to retire yourself to bed.

you close all the blinds, intending to have a full night's rest and wake up late tomorrow because filming was cancelled, climbing under your sheets and sighing at the feeling of soft fabric against your skin.

your eyes are slowly drifting shut when your door peeks open, and sana's slipping in, closing the door behind her, shrouding the room in darkness again. she tiptoes to the edge of your bed, lifting the cover and sliding inside, cold feet come to entangle themselves with your legs, shuffling close as you get a whiff of her night serum, the sweet, tangy smell of mandarin subtly descending upon your senses.

"this is okay right?" she's murmuring against you, you're lying face to face, eyes sleepily open while your eyes readjust to the darkness, making out the soft curl of her eyelashes and the perfect slant of her nose.

you hum against her, sliding an arm over her waist and pulling her closer, resting your foreheads together and closing your eyes comfortably.

you think she's drifted off to sleep after a few minutes, but she speaks up in a whisper, barely there, you wouldn't have heard her if you weren't almost lip to lip, "y/n?"

"hm?"

you feel the soft breath of her sigh against your lips, "i... i should've known... he- i could've put him away faster- i gave him a platform- he was on national television and oh y/n, kids the kids he took advantage of could've seen him on tv and thought-" she's slowly panicking the tone of her voice getting shakier as she spirals and allows herself to voice her thoughts out loud for the first time, "-thought that he was in the right that it was okay that there were no consequences and then i kissed him oh my god i kissed him y/n and what kinda message does that send like-"

"sana sana baby shh, shh c'mere-" you're pulling her into you, tucking her head under yours and she starts crying and shuddering, hands twisted at the collar of your shirt.

"i just- like what's worse is i actually liked him-"

"mm no no sweetie stop stop. listen no-one knew what he was okay? it's not your fault you fell for him you can't blame yourself for that. he literally came here with the intention of making you do that you were just another one of his unlucky victims okay? and look, once this gets out on the news he's not going to have that platform anymore okay? in fact he'll probably hate that he came on here because he's going to be even more infamous than if he had stayed anonymous. we can only be real and truthful going forward so that those poor kids are validated in their feelings. he's going to be put away for a long long time now and he's not gonna have the chance to pull any more of that shit okay?"

she's sniffling into your shirt, listening to you talk and soothe her. you continue whispering sweet reassurances into the night, waiting for her to calm down.

she sniffles again, finally looking up at you, eyes red and snot dribbling out of her nose, your heart aches, "can we go out tomorrow? just us, like old times."

you smile at her request, nodding and pressing a gentle kiss onto her forehead, "of course baby. we can go do whatever you want. i promise i'll be yours for the whole day."

she's smiling, thanking you softly and closing her eyes. you wait to hear the her breath slow into quiet even snores before you stop stroking her hair, just holding her against you and closing your own eyes. drifting off to sleep with the adorable mimimimi sound she lets out only when she's exhausted and sleeping well.

⋆｡‧˚ʚ♡ɞ˚‧｡⋆

the next morning the both of you wake up around 10am, a comfortable time that allowed you to sleep-in, but not so much that you'd miss out on the entire day.

some producers stop by to check in on sana and go through a small debrief of everything that's happened and what they have left to film in the show.

you can tell she's still a little on edge and wants to get away from everything as fast as possible so you politely ask the producers for time off today and to leave the both of you alone until tomorrow since no filming was happening anyway.

eventually, they're leaving and sana's throwing on casual white pants, a light cardigan on top of a knit button-up, sunnies, grabbing her prada handbag and she's ready to go.

you're lucky you have so many things at your disposal, even multiple cars in the garage to pick from as you grab a random set of keys and click unlock. spotting a white convertible respond with its headlights flashing twice and leading sana towards the car, hopping in. sana's mood has already improved greatly, bubbling with excitement as she lists off some names of a couple restaurants you could try in town for lunch. you smile at her nodding along and humming as you start the engine, pulling out of the garage and onto the valley road, turning on the radio and laughing at the way sana almost jumps out of her seat, neck craning up, eyes closing, letting the wind sprinkled with a hint of sea salt blow through her hair, breathing in a deep breath of satisfaction.

you know you're meant to keep your eyes on the road but it was empty anyway and sana looked so so beautiful. you traced the slope of her nose, down to the curve of her lips as she smiles, the sharp lines of her jaw, and the smooth plane of skin at her neck.

she's peeking an eye open at you, laughing when you realise you've been caught, her giggle high and airy. you loved her so much. and it was getting harder and harder to say that to her without it meaning something a little more.

you're pulling into town soon, she's babbling excitedly and pointing at things that interest her with the curiosity of a child, you're trying to find parking and smoothly drive into an angled spot just in front of the restaurant you had both decided on.

you're jumping out of the car and running to the other side to get her door, and she's giggling and smiling when you take her hand, pressing a sweet kiss to her knuckles, and helping her out of the car.

you enter the bustling shop hand in hand, smiling kindly at the waiter who greets you and ushers you to a table situated next to a large window, allowing a picturesque view into the bay area with a couple fishing boats coming back in after an early morning.

you continue your act of chivalry, pulling out her chair before she sits, and then walking over to take your own seat across from her.

you both glance over the menu enjoying the hum of a busy eatery.

"do you know what you want yet y/n?"

the words on the menu were quickly meshing together, lots of french and seafood terms you wouldn't be able to take a first guess at the meaning of. you pout and shake your head.

she giggles at your antics, "it's okay i'll order for us." she's waving over the same waiter who greeted you at the door, then listing off a few menu items, her french sounding poised and elegant, though you knew she had not-so-secretly spent a year obsessing over french ballet and had even taken up a few lessons herself, only to realise she was much too clumsy to continue it. she had thanked your mutual friend mina for the gracious lessons but resorted to attempting to learn french as an outlet for her obsession.

"-leave out the pickles in everything. and that'll be all thankyou."

your heart picks up a little at the small gesture. you despised anything with pickles in it, and she knew that, making sure you wouldn't have to pick out any of those sickly green slices.

you smile in thanks when the waiter leaves with your order, only to come back quickly afterwards with a bottle of chardonnay which she pours into two elegantly carved wine glasses she's brought along with her.

you raise your eyebrows at sana, questioning the alcohol, but she only sits forward, propping an elbow up on the table and leaning her head into it with a smile.

"day drinking?"

"what? i'll drink yours if you don't want it."

you roll your eyes at her affectionately, taking the glass and sipping, humming at the sweet and tangy bitterness that fills your mouth.

she copies your actions with a beam, setting her glass back down and licking her lips. you follow the action.

"is there anything else specific that you wanted to do today?" you're asking her, taking another sip from your glass.

"mm, not really. i don't mind as long as i'm with you."

"glad to know you're feeling well enough again to flirt."

"oh always with you baby. you're the only one for me."

"that's a bold faced lie and you know it."

she pouts at that, and you can't help yourself, leaning forward and pressing lightly on her bottom lip.

"stop that. put that back in there."

she licks your finger and you hiss, pulling away quickly in mock disgust while she laughs, "please you've made me suck on your fingers and now you're grossed out?"

the waiter decides to come with your first dish at that exact moment, a light dusting of pink on her cheeks when she overhears sana's comment, you don't fare much better when you flare up in embarrassment, hastily wiping your finger on your skirt and babbling out a loud thank you to the waiter.

you glare at sana who's trying her hardest not to laugh, no shame whatsoever, shaking in her seat at the effort of keeping it in, her lips pursed and eyes twinkling.

"you're so going to get it when we get back." you mumble as you stab into a mussel on the plate in front of you.

"awwwwh poor baby's embarrassed, don't worry, mommy will make it better."

your fork drops at the term and you feel yourself going extraordinarily red. she's laughing now, loud and boisterous, drawing the attention of a few onlookers and you throw your napkin at her, whining and slinking back into your chair trying to hide your face.

it's a few seconds after you've folded you arms across your chest and tucked your chin in, willing the heat in your cheeks to go away while staring into your lap, that sana's stopped laughing.

she picks up a mussel with her fork and holds it out to you, leaning forward onto the table again, eyes bright making an 'ahh' sound.

you turn your head, not giving her the satisfaction of paying her attention, but she's persistent, "c'mon y/n. i'm sorry i won't tease anymore i promise."

it's no surprise that you can't resist her, rolling your eyes and opening your mouth, accepting the fleshy piece of seafood and chewing. she's smiling and poking her own piece to put in her mouth, humming at the taste and making sure it was to your liking as well.

the rest of lunch is spent like this, playful and fun, it's good to be able to feel like yourselves again after all the hectic film shooting.

you're standing up to grab the bill after you're both finished when sana shakes her head at you, "i got it already don't worry."

"huh? what do you mean?"

"i told the waiter earlier in french so you wouldn't know. just let me treat this time? i still haven't really been able to thank you for coming along with me for this."

"what? sana this was like... a one hundred dollar meal at least. don't be silly let me pay you back."

she's humming and putting her cardigan back on, standing up and walking in front of you, "pay me back by winning something for me at the arcade?"

you sigh, grumbling along as she giggles at you, taking your hand and leading you out of the restaurant, thanking your waiter who still looks a little off-put by you, and walking down the street to where you had spotted the small arcade earlier.

you purchase a hefty amount of arcade tokens and get straight into all the classics. sana just barely won air hockey against you, jumping and whooping with every goal, you have to take off your jacket midway through the game, sweating as you try and focus on hitting the little puck. you get her back on the dance machines though, you can't keep in the laugh when she somehow ends up sprawled on the floor, limbs tangled and missing every following beat.

you cycle through the arcade, speeding through mario kart and midnight run, shooting with abysmal accuracy at the gun games, trying your hand at some of the more unique japanese arcade games they have (which sana completely destroys you at), and eventually ending up at the wide variety of claw machines.

sana's pulling you towards one with spy x family collectibles, and you furrow your eyebrows in concentration as you try to get the small anya keychain for her.

she's giving you instructions from the side of the machine, trying to give you as much perspective as possible before the time runs out and the claw drops. you wait with baited breath as it grabs the keychain, comes back up with a whir, and then... the keychain falls out at the bump at the top of the machine.

you don't even hesitate when you push in another token, determined to win this one thing.

sana's with you the whole way, her reactions only getting more and more expressive with each loss.

you're probably on your 9th try, the claw grabs onto the keychain, lifts it up, and with a whoop the keychain's falling successfully into the claim box. sana's caterwauling and jumping into your arms and you lift her up in glee, spinning her around once before setting her back down. you bend down to pick up the keychain, presenting it to sana with a flourish, and then she's kissing your cheek and squeezing you against her in a hug, thank yous spilling out of her in rapid succession.

you giggle against her, hugging back, relishing in the contact.

after you exchange your arcade tickets for prizes, you head down towards the docks, stopping for some ice cream before making it to the boardwalk.

there are a few other couples doing the same thing, and when you nod politely to an elderly couple holding hands, you're hit with the abrupt realisation that you and sana must look like a couple right now. unless people were homophobic, then you'd just be a couple of close friends, maybe roommates.

you're suddenly hyperaware of the sweat starting to collect on your palm, releasing her hand and wiping it on your skirt when she looks at you with a cocked head, mid-lick of her ice cream cone, eyes wide.

you switch your own ice cream cone to your other hand so it looks like you had an excuse to let go, avoiding her questioning gaze.

eventually you both decide to sit down at the end of the boardwalk, legs dangling over the edge and looking out across the bay. there weren't any boats currently docked in so you had a clear view of the blue vastness in front of you.

sana's leaning in and looking up at you with puppy dog eyes.

"...what?"

she doesn't speak, her eyes darting down to your own ice cream cone and back up.

you roll your eyes and hold it out for her.

she's grinning and sticking out her tongue to lick a long strip along the side of your cone, humming in satisfaction.

"wanna try mine?"

"i'm okay thanks."

she's pouting and you can't have that so you lean in and lick some of hers, cringing at the overly sweet taste of artificial fairy floss but the smile she gives you afterwards makes up for it.

you both sit back and enjoy the light afternoon breeze, a calming presence after the hectic running around you did at the arcade.

"i missed this." sana speaks up first.

"me too."

"things have been pretty crazy with the house. i'm really glad that you're here with me though."

you turn to her and smile, "i'm glad you let me come."

"of course. the home visits later on are gonna get a little crazy. every season those are always full of drama."

"do you know who you want to end up there yet? your final four?"

she hums, thinking for a little, "still not really. we have... nine- wait no, eight since wonsik's a pedophile. so jacky, eunji, jihyo, momo, jun, jiwon, nayeon, and dae."

"it's a good mix i think. they all have different types of chemistry with you."

you're distracted by a buzz on your phone, taking it out and opening your messages.

miyeon: y/n!!!!! i just saw the news about wonsik! its everywhere rn r u guys okay?

"who's that?" sana's looking at your with a curious lilt in her voice.

you hesitate to respond, knowing how she reacted the last time you and miyeon were together.

"oh just my uncle. he's asking what to get my mum for her birthday later. you'd think he'd know since they're siblings but..." you trail off, typing a quick response back to miyeon.

y/n: it was crazy no one saw it coming! the producers called off filming today.. probably so they can deal with all the legal disputes that'll come up bcs of this

you tuck your phone back into your jacket, ignoring the new messages you get. you could respond to miyeon later. today was meant for you and sana.

sana's sighing and leaning her head on your shoulder, "wish i wore swimmers. it's such nice weather and the water looks soo good."

"we can head back and go for a swim in the pool if you want? we haven't had a chance to use it yet. may as well get the most out of being the main character on this show."

she's up in seconds, grinning, all fatigue gone as she practically prances back towards the car, only turning back to yell at you to hurry up.

you beam at her, running to catch up, laughing and smiling, just the two of you.

⋆｡‧˚ʚ♡ɞ˚‧｡⋆

sana's yelping when you cannonball into the deep end of the pool, splashing her with cold water in your wake.

"y/n!!"

you break the surface grinning and laughing, trying to splash more water on her.

"sto- stop! y/n oh my god-"

"hurry uppppppp! it's not cold if you get it over and done with!"

"no! i need to put on sunscreen first!"

"sunscreen? it's 4pm!"

"there are still UV rays at this time! i don't want to die from skin cancer and if you're a good girl you'll get out and let me put sunscreen on you too."

you narrow your eyes at her while she's lathering her legs with the white cream.

you decide to ignore her, diving into the pool and resurfacing a few times, splashing around by yourself while she takes her sweet time. to be honest, you're glad for the coolness the pool offers you, when sana first stepped out in her pale yellow bikini, you had felt your cheeks blush all the way up to the tips of your ears. you'd avoided her gaze quickly, instead opting for racing her outside and jumping in right away.

now that she wasn't watching you though, you couldn't help the way your eyes drifted over to her. she had finished with her legs and was now applying lotion to her arms. you traced the outline of her-

"y/n!"

you startle in the water, and she's looking at you curiously when you make a sort of weird strangled sound and water goes swashing around. "y-yeah?" you clear your throat, hoping you weren't as red as you felt.

"can you help with my back? i can't reach." she's looking at you with a dangerous pout, eyes pleading.

you mumble incoherently as you swim towards the shallow end, stepping out of the pool and grabbing the sunscreen bottle from her, gesturing for her to turn around while she grins at you.

you squirt some of the lotion onto your hand, rubbing it diligently into her back. you knew how much she cared for her skin, and even though you cared significantly less for your own, it mattered to her so you had to make sure you did a good job.

the problem arose when you started reaching her lower back. the pressure you've been applying becomes considerably less when you realise just how close you are to sana's ass. sana's very very attractive ass, only emphasised in these bikini bottoms.

"feeling shy y/n?"

"s-shut up."

"you can do my ass too if you want y'know. it's not like it's anything you haven't felt before."

you can picture the cheeky smirk on her face while you recap the sunscreen bottle after you're finished. and really, you just felt like you had to do something about that so before you know it, a hand's coming down and smacking her, a loud resounding slap followed closely by sana's yelp.

you're jumping back into the pool, trying to push the image of her cheeks rippling in the most perfect way to the very back of your mind.

when you break the surface again with a bubbly laugh she's still standing by the side of the pool, arms crossed and an unimpressed look on her face.

"did you just spank me y/n?"

you stick your tongue out her in defiance, sending a splash of water her way.

"oh you are so dead!" she's jumping in now, and you're scrambling away trying to put as much distance between you two as possible. but she closes in quickly, tackling you underwater and pulling you down so you're both submerged.

you're grinning and then you're laughing, but not in a good way because her fingers are at your sides tickling you and digging into all of the sensitive points in your body she's discovered over the time you've known each other.

you spend the next few minutes trying to one up one another, droplets of water flying everywhere, noisy screeches and laughs sounding out. you're lucky this mansion of a house was situated in the valleys with no neighbours or you most definitely would've gotten a noise complaint.

eventually, you decide to call a truce, cheeks sore from smiling, stomach sore from laughing. you float onto your back, closing your eyes and letting out a loud sigh in comfort. you can feel sana floating next to you, your heads next to each other, hearts beating in tandem.

she’s speaking up after a minute, "cats or dogs?"

you snort, "i don't mind."

you can hear the whine in her voice, "just pick one."

you hum thinking about it for a little, "whatever suits my lifestyle better i guess. if i'm really busy with work or i have to stay home a lot then probably a cat. but if i have a big backyard or something then probably a dog. knowing me though, i'll probably end up with cats. i'm too lazy to keep up with the energy dogs have."

"not with me though right?"

"what? of course not with you. also, you're not a dog sana."

"people say i look like a shiba inu."

"that's not the same thing."

she giggles a little before sighing, "you suit cats. okay. it's decided. we're getting a cat when we go home."

"huh?!"

she's breaking into high-pitched laughter again and you can only find yourself to be slightly concerned over whether she's being serious or not. you could deal with that at a much later date though. you drift back into a comfortable silence, listening to the sounds of the night wildlife slowly wake up in the valleys next to you.

"y/n?"

"hmm?"

"i love you."

your eyes are opening now, heart rate picking up. there's no reason to panic right? she meant it as a friend. a friend. so why was it so hard to say it back to her? as a friend?

instead, you say, "enjoy our date that much minatozaki?"

she doesn't respond with the same teasing tone you're expecting, "i really did." all honest and pure.

you're gulping, "...me too."

you know she's standing when you feel light waves push against your body, so you lift yourself up, looking at her puzzled, but she only goes to stand in front of you, grabbing your arms and wrapping them around her waist.

you let her, squeezing slightly and dropping your head onto her shoulder, your eyes drinking in the pinks and oranges of the sunset.

"you're not gonna say it back?"

you stiffen behind her, "what?"

"you know what."

she's tightening her hold around you even before you try to subconsciously escape.

you let out an almost-laugh breath, "...i love you too sana."

"was that so hard?" she's turning now, pupils dilated when they meet yours, pink lips slightly parted, noses almost touching.

you're shaking your head no, breath caught up in your throat.

a crinkle appears between her eyebrows, you have the urge to smooth it out, "are you lying?"

another shake of your head.

you feel her breath against your lips as she lets out a soft exhale, the tightening of her hands against your forearms helping ground you, if only slightly.

"i hope one day you'll be able to tell me the truth." you're confused, what was she talking about? "for now i guess this is fine." and then she's leaning in and pressing her lips against yours.

its almost an automatic reaction now. your mouth is moving against hers even before your brain registers you're kissing.

she's sweet, she always is. but this kiss is a little different. it's not filled with passion or heat, not like all your previous kisses that have always led to tangled limbs and heavy breaths. it's soft, tender, like she's trying to tell you something with her lips. you just weren't particularly versed in this form of sana communication yet to be able to tell what that was.

when she breaks away, the sun is dipping behind the horizon, her forehead leaned against yours, breaths coming in shorter after the lack of air.

she shivers a little when a cool gust of wind starts up.

"inside?" you ask.

she nods, letting you go, and following you out of the pool to dry off.

the rest of the night, even when you end up sprawled on messy sheets, sweat coating your bodies and arms around each other, your lips still tingle from her kiss in the pool. you fall asleep dreaming of small kittens, ice-cream, and sana.

[melon-kiss]

I know some of you don't speak Polish and we can't afford to translate 40-min-long chaotic interviews for you and I'm a bit bored (meaning: my brain wants a break from writing but I'm stubborn and I want to finish it TODAY), so I thought I'd give you a bit of a trivia based on interviews with the actors and the crew of 1670:

throughout all the interviews, no one really asked if we're getting season 2. I mean, someone did and the response was: "Well, we know nothing" but nobody really asked if they had any IDEA about what would happen in the next season

I'm not sure about the actors but the creative and directive levels went to a series of lectures on how people lived in Poland in the XVII century

they received a substantial funding, especially considering the directors were complete "no-names"

filming took 3 months, December through February 2022 if I recall

they all lived in an open-air museum in Kolbuszowa; in fact, almost all of the building were already there, they only had to build the house, the barn and the forge

there was no delay in filming, which is apparently rare in the industry but that was because they had a very tight schedule and couldn't afford staying longer in the museum

the last episode was filmed on one day and that was the last day of filming and because of technical issues with cameras working in the inn (the short shot of Maciej serving the pig to the Adamczewskis' table had to be re-done 20 times!), they had to completely rearrange the wedding party scenes, turning them into long shots; the entire labor/dancing scenes were supposed to be shot from 13 (!) different perspectives and be arranged in a "music video fashion"

one of the first episodes (if not THE first episode) to be filmed was episode 7

the script was written with Bartłomiej Topa (Jan Paweł) in mind, however, the actor wasn't really convinced about participating in this project and took his sweet, sweet time to decide on it; same goes to Dobromir Dymecki (Bogdan). Topa says it wasn't because he didn't find it good - it was because he was afraid that the project would be underfunded and therefore fail as projects like that usually don't get the attention they need in Poland

Bartłomiej Topa said he portrayed Jan Paweł as evil and conniving for the first two weeks of being on the set and the first scene they recorded was the one with the "Adamczycha" sign falling down; only after that time, after one scene in particular (don't remember which one, sorry), he finally saw the true nature of his character and changed his approach to the portrayal

surprisingly, Michał Sikorski (father Jakub), unlike Topa, thought of his character as a silly, innocent man and he changed his mind only after seeing the Aniela-Maciej dance scene where he says Love is peaceful, love is kind, love is... unacceptable - he understood he got to play a villain

the actors were FORBIDDEN to improvise; their lines had to be memorised prior to filming

they shot the barrel-cleaning scene (the thing they do before blowing the magnate's son's head up) for 2h because Bartłomiej Topa and Andrzej Kłak (well, he plays Andrzej) couldn't stop laughing; Topa mentions he doesn't even remember how they managed to get it done

all the mud was brought there ON PURPOSE

Kirył Pietruczuk (Maciej) is a debutante when it comes to film, however, he is the only actor in the crew with an acting degree; not only that - he graduated with honors

when asked about this, Michał Sikorski said: "Well, but it doesn't matter, does it? Because, even thought I haven't graduated, I got to play a nobleman and he... well..." (obv that was A JOKE; he is like the sweetest person ever!)

he also said he wrote a "Maciej's journal" during filming and spent a lot of time creating a backstory for his character; he said it was helping with the a-chronical shooting; he read one of the entries out loud in his interview

he jokingly said his favourite episode is the last one because he got to kiss Martyna (Aniela) there

as mentioned before, casting Maciej's role took the longest. They interviewed about 300 candidates and none of them fit. Kirył recalls it was right after he signed a deal with an agency for the first time in his life and he immediately received a call after his first cinema audition and it was 1670, of course! However, he reports that the process was extremely long - he had to go through several stages, each one of them revealing more and more of the script and he wasn't informed it would take that long

The creators said they looked for someone who'd understand the character and his role in the film - as he is the eyes and ears for us, people from XXI century. "He's basically like a viewer of the events, one of us", Kordian Kądziela (director, episodes 5-8) says. It was important he had a good chemistry with Martyna (she was the first and only "Aniela" he had to do short scenes with and the chemistry was immediate) and was able to break the fourth wall properly - he had to have the talent to comment current events with just one look and I personally think he does it perfectly. The actor was also supposed to be "easily likeable by girls"

The first scene they shot together - meaning as Aniela and Maciej - was the dance scene and Kirył says it's his favourite scene in the entire show

Kirył said the scene with the magnate's son was initially very aggressive on his part, however, after speaking to the directors, he decided to tone it down as it was, indeed, not fit for the character to be this angry

they all said, once they got down to it, they had a feeling they were a part of something special

Feel free to add your trivia or correct me if I'm wrong.

[cherrirui-official]

Friendlocke Violet Gijinkas (Part 1/7)

Since the edited episodes are starting to come out, I figured that bc of that and the fact that I've been keeping this in the back burner for a loooong while now, might as well complete all my friendlocke violet gijinkas!! Some are gonna stay the same while others are gonna have slight/ complete redesigns, so please keep that in mind!

I plan on posting them in order by groups of three, so there's gonna be seven parts in total, all of which I'll be linking here when done vvv

(Part Two) (Part Three) (Part Four) (Part Five) (Part Six) (Part Seven)

!! These will contain personal headcanons I have for the cast, little fun facts, and also spoilers for Friendlocke Violet (for both the edited vids and the streams) !!

@saltydkart-reblogs

And that's pretty much it, designs under the cut!

LARK:

HUGE nerd. spent most of his time during the Uva Academy studying different kinds of pokemon as well as different fighting styles he can utilize once he is able to go out on his own journey with his very own trainer! Too bad that didn't really help in the long run...

His entire wardrobe consists of McDonald's related outfits. It's fucking insane. He even has some from long LONG ago that aren't available anywhere else.

The bubble pattern on his hair is able to move and change. Nobody knows how this is possible, not even Lark himself. All Lark knows is that his hair looks incredibly stylish!

Speaking of bubbles, he has the ability to blow bubbles whenever and wherever he pleases!

Often keeps himself extremely clean and gets upset if even a small speck of dirt gets on him, despite this he somehow smells like McDonald's food and axe body spray. Disgusting. He's so cool!

Even after death he still likes to hang around the other team members as a ghost, often getting to know the newer members as well as reuniting with the old ones. Sometimes they see him, sometimes they don't. It usually depends.

SARA:

Due to being a human in her past life, Sara is able to actually speak with the other humans in the pokemon world. However she usually doesn't due to it being seen as extremely weird and out of place. She did slip up once while talking in the presence of Arven, who thought it was the weed making him hear things.

Oinkologne are usually unable to do much with their hooves but Sara spent nights practicing how to knit with her new hooves and now she's able to do it flawlessly. I don't know how she managed to do that but go queen!

When first joining the team she'd often have the urge to eat her food related companions. It was a strange time for Sara, but she managed to overcome it.

When Peppy gets sick, she usually is the one who nurses him back to health. She was a human once so she often is able to figure out whatever sickness Peppy has and treat it properly. I suppose she's like a second mother to him.

The bag she carries with her is full of thread that she collected from various Tarountula she encountered on the journey, as well as little things she knits together in her spare time.

For the most part, Sara forgives... but NEVER forgets.

Did you guys know that Sara has a new YouTube channel? Check it out!

Pastey:

Before joining the team, Pastey was a nameless wanderer. He's been down every road in Paldea and knows almost the entire region (except for Area Zero) like the back of his hand.

He's gotten hurt pretty badly throughout the run (ie. the Mikey fight, the Atticus fight, and ESPECIALLY the final battle), however, he does not gain any (physical) scars from those fights. This is bc he's basically an axolotl, and axolotls are usually able to heal without scarring.

Pastey's "arms" are, to put it simply, mud prosthetics. More info here vvv

Pastey HAS met Mall Bingo once before the run, however, he doesn't recognize her. The only reason he does not recognize her is bc she wears glasses. (You know how people somehow aren't able to recognize Superman bc he wears glasses in his civilian attire even tho his face remains the same? It's basically like that lmao)

Unlike the lightbulbs he eats, the gasoline he drinks isn't really mandatory to his diet. Gasoline is like alcohol to him and he drinks it like an absolute CHAMP.

He goes fishing when there's nothing else to do or when he can't sleep at night. He doesn't do this bc he thinks it's fun or anything, only bc it's a "good time passer" or so he claims. Other members of the team will often sit with him and vent out anything that's troubling them at the moment, and Pastey is always there to listen to them.

And that's pretty much it. Next is Joe, Hannah Ü, and Mykyie!

[dancermk]

HELLO MY FELLOW TRAVELERS!

I, like many viewers, have been completely entranced by Hawk and Tim’s love story in Fellow Travelers. As a mature queer person, this show has been very emotional, and I am deeply invested. (I WILL riot if Tim doesn’t get to die in Hawk’s arms, and know that he is, and has always been, loved by Hawk.) But I digress.

Something that I have been fascinated by are the differing opinions that have surfaced about the characters, especially Hawk. I’m not looking for any arguments here, everyone is entitled to their opinion, and this is simply mine. To me, Hawk falls hard and fast for Tim. He breaks all his own rules for Tim - they topple over like a house of cards.

When we are introduced to Hawk, he’s cold and heartless with the men he hooks up with - they are nothing more than a body to fulfil his sexual needs and desires. He doesn’t do repeats and he doesn’t bring them home. But Tim, he instantly begins returning to, gets him a job, then allows him into his own apartment, etc. When Tim pushes back, Hawk relents further, letting him in emotionally, sharing parts of his past, crossing lines by introducing him to others in his circle, and so on.

Hawk is a traumatised man, carrying guilt and anger and shame, and a bucket load of fear! Yes, he has some internalised homophobia, but interestingly, he’s also extremely righteous about his homosexuality -and I don’t believe he thinks being gay is wrong in any way. (His response to his father is indicative of this).

I can personally say that I’ve never thought it was wrong to be queer, yet I spent much of my life hiding who I was and feeling shame. It’s an odd thing! Perhaps it is that the shame forms purely from what is outside of us, while what is inside of us can love another person of the same sex, knowing it is right and pure. Perhaps these contradictions between self and society are what causes so much pain and conflict?

But back to Hawk. Hawk is undoubtedly most affected by his teenage first love experience. A love that he fucked up through his own fears (fear for many men is unacceptable and a sign of weakness), and now carries the burden of believing he is responsible for their death. Hawk doesn’t allow himself to love again, until Tim. And we see many times throughout the show how much Hawk fears losing Tim. And in the end he’ll have to face that fear. I think that, in part, not attempting to have a life with Tim, is also fuelled by his fear of fucking it up and losing Tim - so it’s easier to just not attempt it! In episode 7, when he loses his son, part of that spiral is Hawk recognising that he can’t really prevent loss, and he wasted his life trying to be something he’s not - still losing his child and Tim along with it.

But Hawk is a survivor! And no one has the right to hate or judge him for it. I don’t think some young people truly understand what it feels like to live in a world where who you love can put you in jail, and destroy your life. I grew up in the 70s/80s and my experiences were bad enough, but I try so very hard to think about what it was like before that! When being queer was a crime and a mental illness! That’s pure terror! And for Hawk, he chose to survive the best way he knew how, and he wasn’t able to change because that’s fucking hard when all you’ve known is living in constant ‘fight or flight,’ and when have chronic trauma and experience collective trauma.

I think in episode 8 we’ll finally get to see Hawk grow - I certainly hope so - because he deserves to be free. Our beautiful Skippy has been free for some time, and while we mourn for the cruelty of a world that would take such a truly decent man, I am glad he got to live freely. Being closeted is the worst kind of suffering- a compartmentalised and fragmented existence where you are never truly whole, and therefore can never be the best version of yourself.

Before I go, I just wanted to also talk about being in a closeted relationship-which I experienced in my youth. I think that Hawk and Tim’s intense and toxic and exquisitely beautiful relationship, in part, arises from this. Because two closeted people in love live their relationship in secret, in a bubble, only in certain rooms, with none of the outside world reflected back at them. It becomes the two of you against the world. It’s so insular. Hawk and Tim literally live their 1950s relationship within two rooms - their apartments. All their memories are held within those walls. And it only belongs to them. They know each in ways that no other living soul does. It’s all-consuming and often unhealthy, but also stupidly romantic.

Anyway, sorry for this long winded post that no one will read and is likely full of grammatical errors because I’m tired! This atheist is praying we get everything we need from episode 8! Acceptance, forgiveness, understanding resolution, healing and a whole lot of love! ❤️

Cheers queers! 🏳️‍🌈

PS Matt and Johnny are exquisite on and off screen and I am so thankful to them for bringing these characters and this story into our lives!

[chevelleneech]

I have a question. (Or maybe rant)

We all saw how many staff members are there in all 3 episodes. Let's just say Jikook is actually a couple ...Why would a couple who hasn't spent any time together in so long want to spend the time they finally got for themselves in front of so many staff members?? Why would they flirt in front of so many people knowing they were getting filmed when they could have done it all in private??? Isn't it uncomfortable and weird for any couple?? Especially a closeted queer one?? This thought always comes to my mind before too whenever I see any jikook moment. It can only mean 2 things... 1- maybe staff also knows about them and are close to them both as friends so jikook has no problem flirting and behaves couply in front of them. Or 2-- maybe they are not a couple...and staff knows that..so everything is just normal for them to see cz they know jikook friendly dynamic is just like this.

Or Maybe.... Against all of this...

Some of the staff don't know about their real relationship...that is why the car talk happened...the control touches happened... teasing which almost sounds rude sometimes happened cz they need to hide from some of their staff too?? At least for sometime when cameras are on.

I don't know but this thing sometimes makes me confused and thought. Before.. whenever I see a jikook moment...I was like...okay sometimes couples do slip. You know... working together basically 24/7 in front of cameras all the time...make you alert but also makes you slip sometimes whenever you are around your partner. But I don't know now when I see how many people are there just filming the two of them. It should be awkward for a closeted queer couple as famous as them...be continuously filmed without any other member. Just the two of them . It always makes me doubt that their relationship isn't a romantic one.

Well, to answer this question honestly, it requires kind of ignoring the possibility of them being in a relationship entirely. That aspect is completely subjective and is based purely on how we as fans interpret their behavior, which could very easily be wrong on our end.

As such, I think your question should instead focus on your curiosity in how the members have any sort of normal/natural interactions whilst being filmed and overseen by at minimum 10 people everyday. And I don’t remove Jikook dating from the equation to be evasive, but to be realistic.

Realistically, all of their interactions are being watched. The seven of them have not been without a camera crew for the last twelve years. Yes, they take personal trips and can live their lives relatively without them, but majority of their lives are filmed and edited. As a result, they have had to grow extremely comfortable with being who they are both on camera and in front of a rotation of strangers. We know their camera men are not always the same, because they’ve mentioned before how they remember this or that one from previous times working with them.

So I imagine their freedom to be themselves relies heavily upon Big Hit keeping a more or less familiar rotation of crew. Not necessarily people who the members would consider friends, but people they have grown to trust over the years. And that trust is not something given blindly. It is obtained likely out of years of these people not breeching their contracts. Which is another aspect of what the members had to become comfortable with.

Contracts, contracts, contracts. Especially in the last five years or so, BTS crew are working with the some of the most famous people in music, but also in South Korean entertainment entirely. Meaning their contracts are very likely iron clad. These people will be sued out of not only their own ass, but their great grandchild’s too, if they speak on anything the contract tells them not to.

So for example, if we use the fact that RM has been dating around (as he’s told us himself), and the assumption that at least one of his partners was a man, since he’s also used gender specific pronouns in his lyrics and at the very least left questionable hints on his IG, it is very reasonable to assume the BTS film crew is aware that there is a queer member within the group, yet nothing about it has been leaked.

Did they film them together? Not that we know of, but it proves their lives off camera continue to happen. Same with Tae and Jennie. We didn’t see any footage of them interacting from official content, but it would be ridiculous to assume they never interacted within each other’s personal spaces just because their camera crews and staff were around. In fact, there is a photo of Tae getting his hair and makeup done with Jennie in the background.

So it’s really just a matter of which partners the members want to integrate into their work lives, as well as them simply being people with personal lives.

Therefore, if we do circle back to the possibility of Jimin and Jungkook being romantically involved, the reality of a film crew who are contracted to essentially ignore any and everything the guys do, and just film it… don't really matter. They matter as people obviously, but it is literally their job to see and hear nothing. They get paid to record, and keep their mouths shut. It is then the editors jobs to remove any and everything “incriminating” to ensure no one knows who the members are dating, who they hate, who they wanna fuck, etc.

At the same time however, the members are incredibly professional and it is highly unlikely they talk cash shit or actually kiss anyone in front of their crew. Not because they’re afraid, but because it lowers the risk of a crew member going rogue and saying, “fuck this contract!” and blasting any photos or videos across the media.

So if Jimin and JK truly are together in some form, it is most likely they just don’t do anything in front of their crew. Skinship is not abnormal in idol groups, so they’ve got that going in their favor. They’ve also been friends for over a decade, so no one is really going to bat an eye at the two of them being emotionally connected and concerned about each other. They’re close, but not stupid, basically.

Lastly, I also have to say, even though I am choosing to believe them saying they didn’t see each other often during early 2023, I do also think it’s important to keep in mind they don’t live an average life. So their time apart being for various reasons including work, is not the same sort of time apart non-famous people would be seeking private time to reconcile. Jimin and JK (if they were reconciling romance) killed two birds with one stone.

They filmed content for when they enlisted, but they also got to spend time together. Presumably, they are also in charge of what the camera films. So knowing 1) the cameras turn off when they say, 2) the crew is contracted to basically shut the fuck up and look away, and 3) editors will chop out whatever they tell them to… anything more than what they want to show in a professional setting is not getting filmed nor overheard by crew.

So, seeing as I truly do not think any of the members are out here being reckless when the crew is nearby, I must assume its probably not that difficult to maintain a line between professional and personal when filming reality content.

[pomegranate]

Hi I'd like to ask about the mash timeloop theory is it so that they repeat every day as a timeloop or is it a loop that lasts 11 years? I know that there are some jokes that could be taken as them timelooping but is there like a primer of sorts with the rules of it? Does every character loop or only one of them?

Hi anon! Oh this is a fun question and thank you for giving me an excuse to talk about MASH and time loops. First off, I will say I don't think there's any one interpretation of the time loop idea that has any merit above others - some people see the time loop as being the act of re-watching MASH over and over, putting Hawkeye back in Korea after finishing GFA. The time loop is also inspired by the series' lack of continuity, which can be easily explained by MASH airing at a time when continuity was not considered for a long-running television series. The Korean War was a 3 year war and MASH aired over an 11 year period. Other people don't necessarily subscribe to the time "loop" theory but rather just that time itself is wonky in the MASH universe, which is why I like my dear friend @mashbrainrot 's "time trauma" tag that covers any sort of questionable references to time throughout MASH.

Because the thing is - the show starts off with a time abnormality. The second shot in the pilot has the text "KOREA, 1950 / a hundred years ago" - meaning the pilot is addressed to viewers in 2050, which is an interesting idea to consider. But does the text fit with the time loop theory? It doesn't necessarily feel like it's part of a "loop" but it's still noteworthy, considering this is how the series starts.

Throughout the show, we have one-liners about the length of time that the MASH surgeons have spent operating. Frequently they liken their time in the O.R. to an eternity or a lifetime, and if we want to take a Doylist approach to these references, it's just the MASH writers using hyperbole to stress how these surgery sessions are all the same, one after another, dragging on and on. But the time inconsistency comes up in other ways, like the episode "A War For All Seasons" - a season 9 episode which inexplicably takes place between New Years 1951 and New Years 1952. It doesn't make sense timeline-wise if you look at the other dates given throughout the series before this point, but the writers weren't thinking about previous seasons when they wrote it because that is not how episodic television worked at the time. And then you have stuff like Henry & Potter having kids/grandkids of different ages, depending on the episode. Potter has his first grandchild in s4 but in s5 "Dear Sigmund", he says he's got a granddaughter about the same age as a patient who is approximately 7. There is absolutely zero point in trying to figure out a "realistic" timeline for MASH, in the end. It was a television show made during an era where episodes couldn't be rewatched endlessly and continuity wasn't really a big deal. It was enough that characters like Henry, Trapper, Frank and Radar get referenced long after they'd left the show, but there was no "show bible" and no long-standing plan for how the series would turn out.

WHICH IS WHY it's fun to play with the idea that a time loop is at play; maybe the loop resets every time a significant character leaves the 4077th (this was someone else's idea but I can't remember who at the moment I THINK maybe Kit (@nedlittle)?) or maybe it resets when you as a viewer restart the show. Or maybe it resets in other little moments; maybe it's not one continuous loop but a series of loops throughout the series. I don't think there's one agreed-upon theory when it comes to the MASH time loop but I do encourage everyone to check out Helen's time trauma tag to see some really great posts about the concept AND share any ideas of your own about time wonkiness within the MASH universe! (ALSO there are two great videos on the timeloop concept that i will reblog following this post)

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[satureja13]

Beltane - Part 4 It all starts -> here (incl prequel)

The Boys spend a wonderful day together and it was so good to see Noxee again (and even Greg ;) They'd been on their own in the Otherworld (only with Arturo from time to time) for months now. Time for the fireworks and 'traditional' (says Greg) Beltane Canons before Ji Ho's spell fades!

Noxee looks so beautiful. (The way Greg looks at her <3)

And then the 'traditional' Beltane Fire broke out! (We also had a fire at Beltane last year...) The whole Beltane 2023 episodes are -> here

Greg to Jack: "Is this your fault?" Jack: "What? No!" (of course it is -.-)

The spell faded slowly and it's time to part. Greg, Jeb, Kiyoshi and Vlad will stay here, at Hotel Elvis, and Noxee, Jack and Saiwa will spend the night at the Campeggio (campsite), where the Boys had spent their last summer holidays. Before they left, Vlad went over to them to charge the Bond. He felt that Ji Ho will need more than the usual today because he is so exhausted from the ride and the spell. But he wasn't with the others.

Vlad: "Where is he?"

Saiwa: "We brought him to your room. He's too tired to make it all the way up to the campeggio. You will care for him. Properly." Vlad: "What? I told you I wont go any further with him! The spell is still affecting me. If I have to be near him, alone with him - I am not that strong. When he tries to kiss me again..." Saiwa: "He's your bonded and you already did anything imaginable with him! Ji Ho did everything so we can spend this day together! You know he's the most sensible of us and how much he suffers because we are apart from each other! We are going to do our best to be together again with the help from Tiny Can and the Therapy Game and until then, Ji Ho's well-being is your concern!"

Saiwa: "Have a good night!" Vlad to Jack: "Stay with us!" Jack chuckles: "Vlad. I love you - but I won't do that. He needs you." Saiwa: "Let's go, Jack!"

Vlad sighed and went upstairs to their room. He refuses to get physical with Ji Ho as long as he is not able to love him. But Vlad also knows how much Ji Ho longs for physical intimacy with him. When Vlad entered the room, he found Ji Ho collapsed on the floor. He was so exhausted, he must have been trying to take a shower to hydrate but it wasn't enough. They need to charge the bond. Thoroughly.

Ji Ho knows that Vlad is only reluctantly charging the Bond and refuses any interaction that involves anything romantic until he's able to love him.

Vlad approached Ji Ho to embrace him to charge the Bond. Ji Ho: "Vlad. This won't be enough - I tried everything to avoid it but I..." Vlad: "Don't worry. Come."

Ji Ho: "Forgive me." Vlad: "Shh."

It's the same room where Jeb and Sai spent their second date!

Ji Ho: "I will be yours, I promise." Vlad: "I know. Don't worry. Do whatever is necessary for you to heal. I will be fine." Ji Ho: "Wait for me." Vlad: "Always." (They are speaking of Ji Ho's ingame wedding with Caleb.)

'How many beautiful baths together and alter in the night Close, close I shiver a bit Don't try to deny that tonight, if I insist I will have you So small and fragile you seem to me and I'm making a mistake

So small next to me. And fragile, or not. But you're more strong than I am'

'Quanti bagni mozzafiato insieme e poi di sera vicino vicino a me tremi un pò Non cercare di negare che stasera magari se insisto io ti avrò.

Così piccola e fragile mi sembri tu e sto sbagliando di più. Così piccola accanto a me e fragile o no ma in fondo sei molto più forte di me!'

Piccola e Fragile - Drupi

Outtakes

Here they laughed together <3

Until Ji Ho got a message from Leander ^^'

No festival without chaos...

Them :3

From the Beginning  ~  Underwater Love ~  Latest Current Chapter: 🕹️ 'The One' from the beginning ▶️ here 📚 Previous Chapters: Chapters: 1-6 ~ 7-12 ~ 13-16 ~ 17-22 ~ 23-28

[backgroundagent3]

for the character ask, daisy johnson!

Thank you so much for the ask! 💜 I love any excuse to talk about Daisy Johnson.

First impression: I'm trying to squeeze my brain here, but all I remember was trying not to like her at first because I knew se was a double agent for the Rising Tide. It goes without saying I failed miserably about three episodes in.

Impression now: She is my favourite character of all time.

Favorite moment: I really can't choose, but one that comes to mind was the final fight of season 5. I think it's a very underrated fight scene, because it's the end of the world, her dad is dying, she has been recently betrayed and tortured by her friend, and she still goes into battle BY HERSELF against Talbot, and if that wasn't bad enough, when she's about to die a horrible death she realises that the only way she can save the world is if she takes the serum and basically condemns the person she loves most to his death. It's so heartbreaking and poetic, but very cool to watch, and I just love so much it, idk.

Idea for a story: This is angsty but I would love to read something where the events of 5.14 are properly dealt with. May watches the security cameras and goes ballistic on Fitz, and Daisy gets time to grieve and heal. They get Coulson back and he's horrified, and Jemma is so conflicted but she's there for her best friend.

Unpopular opinion: Since apparently I can't stop thinking about season 5, here's some more. I think she actually did a good job of leading the team in season 5b. Especially if you consider that she's been recently tortured, her family doesn't seem to care, she has no experience, and hasn't gotten a good nights sleep in about 5 years. She might be tough, but hello? IT'S THE END OF THE WORLD?? You have to be at least a little bossy if you wanna make it through that. Also if you're gonna be a baby and call her a hard ass maybe you should have thought twice before joining SHIELD.

Favorite relationship: If it's romantic, then Sousa. I love them so so much, they're literally perfect and despite my obvious outrage at season 5, I will forever love the AoS writers for somehow pulling that off. As for platonic relationships, I'd say May. She's the perfect mother figure for her, and I love the parallels between them. I think Daisy has the best relationships in general, but this one is my favourite. Honourable mentions go to Coulson for being the most unhinged dad ever, and to Jemma for being the sweetest friend in the earlier seasons.

Favorite headcanon: before she goes off to space at the end of season 7, she rebuilds Afterlife with the help of Sousa and Kora. I've said this before, but I think they are actually the perfect team to do this. Kora has lived in Afterlife her whole life, she's seen Jiaying help people go through Terrigenesis, and she's been though it herself in a much healthier and safer environment than Daisy. Sousa is reasonable and calm, which are good qualities to have when you're helping someone who's terrified and potentially dangerous. He has experience leading people, which I think would make him a good mentor for the Inhumans. So Kora has the experience, Sousa has the qualities, and in my opinion, Daisy has a nice combination of the two. She has a different and much more horrifying experience of Terrigenesis that people who accidentally go though it can relate to, and she has spent years exploring and controlling her powers, so she knows what the deal is. And she's also a good leader, so where Sousa can help the Inhumans pre-Terrigenesis, she can train them after if that's what they want. Because that's another thing, SHIELD may be funding Afterlife, but they've learnt their lesson and they're not sticking their noses where they shouldn't. They accept new recruits and help train them, but if that's not what the Inhumans want, then SHIELD helps them get settled back into their normal lives. Anyways this got long but it's one of my favourite headcanons, so there you go.

Thank you so much for the ask! Sorry for rambling, but I have a lot to say about Daisy. 🌼💛

Character Asks.

[stephsageek]

So, like most unhinged people on the internet (content creators), I had a visceral creative reaction to something I love, namely, The Umbrella Academy. I definitely have a love/hate relationship with some of the writer's choices, but I will always love TUA. I do plan on creating some fanart, but that'll take a while since my style can be labor intensive. I also have a billion story ideas swirling around in my head, including an extension on the show's canon ending where all the Brellies and Sparrows are reincarnated, and another that explores Five and Lila's 7 years on the subway, to another that will be about the 6 years between s3 and s4. Here's is but a taste of one them:

"Much Longer Than Six Years, Five Months, and Two Days"

Summary: Some people believe an affair starts when two people cross the line and become physical with one another. Five and Lila knew better. Looking back, this ‘thing’ between him and Lila had begun much longer than six years, five months, and two days ago. If either of them had been capable of being honest with themselves, they might have been able to admit, it had started from the very beginning.

This is my take on all the years Five and Lila have known each other from the beginning of Season 2 to the events of episode five of Season 4 of The Umbrella Academy. It will be told from alternating POV’s. None of these characters are mine, nor any quotes from the show itself.

Chapter 1: Day One

Five stood across the street, tucked behind the corner of a building observing his brother and some unknown woman, sitting in a car and watching the Texas School Book Depository of all places.

It had taken pathetically little effort to locate his brother.

It had taken Five a few minutes of searching his memory to realize the significance of said building and when he did, he had squeezed his eyes shut and rubbed a tired palm across his face.

Lee Harvey Oswald.

Was Diego really that eager to get arrested again? Did he really think his hero complex was going to do anything besides get his ass thrown in prison or worse?

Fuck that. I spent way too much time and energy just to find your God damn corpse again, ya knucklehead.

Five sighed, trying to focus on listening to them talk, gauging whether or not he needed to step in before the no-brained-wonder could get himself into trouble.

“All right, here’s the plan: Oswald finishes his shift at 4:30 p.m.”

Five rolled his eyes. Is that numbskull fucking serious? What’s he gonna do? Grab ‘em and drag ‘em into the car?

“Once he walks out those doors, we force him into the front seat.”

Five smacked his forehead.

Beside Diego, the woman was biting her nails.

Five furrowed his eyebrows as he watched her. Who the hell is that? And why the hell is she with my idiot brother?

Five tilted his head as he considered her.

He had to admit, he could understand why his brother was hanging around her. She was very pretty.

He narrowed his eyes.

‘Very pretty’ can be very useful to someone who knows how to use that to their advantage.

Especially around blithering morons with ‘mommy issues.’

Five tried to focus on what they were saying, straining his hearing from where he was observing them.

“You’re gonna pin his arms, I’m gonna cut off his trigger finger and tell him he has 24 hours to exit Dallas.”

That’s your plan? Five thought incredulously. What the fuck is that gonna do? What if he’s ambidextrous, ‘ya idiot?! Five found himself blown away by his own sibling's ridiculous logic.

“That’s your plan?” the woman spoke his thought out loud, her tone mirroring his own bewilderment.

“You got a problem with it?” Diego countered with an edge to his voice, indicating his displeasure at his lame-ass plan being called out.

“Well, why don’t we just kill him?” the woman wondered.

Exactly! Why complicate things? Five found himself silently agreeing.

“What?” Diego questioned, his expression shocked and judging.

Five’s mouth twisted in annoyance.

He didn’t know why Diego was acting so surprised, acting as though the umbrella academy hadn’t killed a room full of bank robbers when they rightfully should have still been in middle school.

Five didn’t enjoy killing—never had. But if Diego was going to sit there and act all high and mighty while planning to kidnap a man and cut his finger off, Five was gonna belt him on principle alone.

He listened as the woman clarified that the whole reason they were even going after Oswald in the first place was because Diego thought he was going to shoot the president.

When Diego confirmed this, she replied simply, “Put a bullet between his eyes. Problem solved.”

Five found himself nodding. Clean, simple, straightforward. It’s how any professional worth his salt would approach the problem.

Five paused.

It was not, however, how any sane, rational human being would approach the problem.

It was how an assassin would solve the problem.

Five lifted an eyebrow, his instincts kicking into high gear.

How very convenient for some beautiful mysterious woman to somehow take an interest in his shaggy-headed brother, who had at one time had no more exalted words to say about the woman he had purported to love than she, ‘had great legs’ and a ‘cute butt.’

How very strange that this same woman would have the exact same instincts Five had when it came to solving problems when he had been trained for the explicit purpose of murdering inconvenient individuals since he was a toddler.

The Commission, he thought grimly. It has to be.

“Oh, no, no, we’re not going to kill a man before he’s committed a crime,” Diego argued.

“That’s stupid,” the woman said the same thing Five was thinking, so simultaneously Five thought he’d spoken the words out loud himself.

Five pursed his lips.

He wasn’t sure who this woman was, but at least she wasn’t a moron.

Five found himself snorting at her comments about Diego being ‘an open book written for very dumb children.’

He was inclined to agree.

Okay, so she’s mildy amusing, smart, and pretty.

Five rolled his neck.

Alright. Enough dicking around. Let’s go say ‘hi,’ to Diego’s mystery woman.

Five was fairly certain that this broad was a plant. Someone sent by the Commission to keep eyes on him and had apparently seen fit to do so by using bargain batman.

Well, there's only one way to find out for sure. I'm gonna have to keep an eye on her. At least she's nice to look at.

[everythingwasnormalhere]

actually I've been thinking about it and kenny is so disability-coded???

like, even without my chronic pain headcanon, if we only take the canon material, he's incredibly disability-coded and im not sure why nobody's mentioned it before

Ok so, first thing first, south park isn't exactly known out of its community for having the best rep of... anything, actually, but anyone who's watched the show knows it has some of the best disability representation of any piece of media. Jimmy and Timmy, neither of their characters revolve around being disabled - they don't even make much fun of it! (It's south park, they have to make fun of everything). Their characters are complex, not because they're disabled, but because the writers didn't want to make them revolve around that. And if you don't believe me, please just watch the fucking show or at least their episodes (this is however not about them so I won't say much more about them, there's some pretty cool posts on this site that talk about this in more detail if you wanna read more though)

Now, onto Kenny: Kenny is a pretty cool guy. Fandom favorite, well-known even by people who don't watch south park. And besides how he's incredibly cute (like, c'mon, you heard his little "woohoo!"?), the reason why he's so famous is simple: He dies in every episode.

(well, not every ep in the latest seasons, but at the beginning he did and that's enough for me)

You might be thinking, "hey Loki, that's cool, but I have no fucking idea where this is going". And I'll tell you: his constant deaths actively avoid him doing stuff. Dying makes him spend less time with his friends, he can't take part in their shenanigans, he's generally unable to do things due to dying 24/7. Like, hell, he spent a whole season not hanging out with the guys because he was too dead for that! His friends substituted him, and he's still less-there since that happened.

This means: the impairment 'has a substantial and long-term adverse effect on their ability to carry out normal day-to-day activities'

(because he can't carry out normal day-to-day activities when he's, you know, fucking deceased)

Also, as Kenny himself says, "'Pretty cool'? Do you know how it feels like to be stabbed, to be shot, decapitated, torn apart, burned, run over? It's not 'pretty cool' Kyle! It fucking hurts!". His deaths cause him actual, physical pain. And guess what's a disability criteria?

You guessed: they have a 'physical or mental impairment'

(it "fucking hurts", I think that's physically impairing enough)

Also, his deaths have slowed down for the last few seasons, sure, but they still happen. And this is important, because they'll probably keep happening for the rest of his life - and if not, they've already lasted long enough anyway:

A 'substantial adverse effect' means more than just a minor impact on someone's life or how they can do certain things. This may fluctuate or change and may not happen all the time.'Long-term' means either:it will affect them or is likely to affect them for at least 12 months it's likely to last for the rest of their life It can still be considered long-term if the effects come and go. For example, a fluctuating condition might affect someone for a few months at a time with other times when they're not affected.

So, yeah. Kenny, canonical Kenneth McCormick, legally qualifies as disabled. But what makes him such good rep? He's still a well-loved character, not only in spite of his disability (yes, I'm calling his deaths a disability, sue me), but also because of it. Kenny is a pretty cool guy, he's cute, he's silly, he's a goddamn perv but really respectful about it too, and he dies in every episode which is actually hilarious. And about the perv part - fuck yeah, disabled character who not only isn't asexual, but is canonically the first in his friend group to do (consensual) sexual things! He's also canonically pretty desirable, he's the 7th in the List after all (and he's not just there for the girls' benefit like Clyde, Kenny is poor asf which means they genuinely find him desirable, and probably could've ended in the top 5 had it not been rigged). He's such a cool guy, and he's also disabled, and we love him for it.

Not to talk about Mysterion & PK, whose literal powers are the things that disable Typical Kenny - which, yeah, it's a bit of inspiration porn, but it's also a huge "fuck you" to god on Kenny's side. And it's not like "hey, I rose over my disability!", the moment in which Kenny talks (complains) most about it is actually when he's playing Mysterion - or it is in the show, at least. He was given bullshit, and yet he used it on his own benefit, but that didn't make the struggle disappear in his usual life - he's still disabled, no matter how much he uses it in his own favor. And we all love him for that.

I think he's actually awesome disability rep, mostly because he's accidental representation, and yet can (and in my opinion should) be read that way. Kenny McCormick is a beloved character everywhere, and he's also canonically disabled, and I love him for it.

[elysianholly]

The First

So I’m in Season 3 of my Buffy rewatch and just passed Amends, and holy cow, is this ever an informative episode.

We have the first appearance of The First, who will go dormant again for four years until emerging as the Big Bad in Season 7. The entire conceit of this episode is The First understands Angel’s desires and weaknesses and tries to manipulate those to its own end.

And what is Angel’s desire? Buffy, obviously.

The First knows Angel has the capacity to hurt Buffy. He's done so already, after all. More than anyone else has at this point in the series.

And in fairness to Angel—he is trying very hard in this episode. He’s being tormented by visions of his victims, most prominently the visage of Jenny Calendar. These visions weaken him to the point where he shows up in Buffy’s room specifically to tell her to “stay away from him.” But he can’t stay away from her—even Buffy points out that he’s not making any sense.

And there is Jenny Calendar in the background, saying:

“She wants you to touch her. What are you waiting for?” “She wants you to taste her. Think of the peace. You'll never have to see us again.”

Essentially making the “she was asking for it” case to goad Angel into SAing Buffy. This wouldn’t be nearly as telling on its own, without Angel’s admission at the end of the episode:

Angel: It told me to kill you. You were in the dream. You know. It told me to lose my soul in you and become a monster again. Buffy: I know what it told you. What does it matter? Angel: Because I wanted to! Because I want you so badly! I want to take comfort in you, and I know it'll cost me my soul, and a part of me doesn't care.

Now, it’s important to acknowledge that despite this desire, Angel did not give in. He did not SA Buffy. He did not try to touch her. He chose death instead. It is equally important, however, to acknowledge that the reason he was so tormented in this episode is because The First was appealing to an existing desire that he was trying to suppress, specifically the knowledge that:

He could do this

He has done this

Some part of him still wants to do this

The “Because I wanted to” admission is everything. Without it, The First has no hold on Angel. Remove the Buffy of it all and The First could taunt him with victims past, sure, but its goal was very specific: get Angel to go bad. And failing that, get Angel to remove himself from the equation. I’m sure it would have also accepted “get Angel to violate Buffy and spiral even further” because, as we see at the end, the Powers need him to believe in himself. The best way to get Angel to not believe in himself is to make him responsible for harming Buffy.

Anyway, skip ahead. Like four years ahead.

We have almost the exact same situation. Spike is newly souled and tormented by both his past victims and especially what he did to Buffy. We have The First now appearing AS BUFFY to Spike, Spike incapable of discerning what’s real and what’s not, and confirmation that The First definitely has plans for him. Plans that will position him in opposition to Buffy, weaken her, and essentially kill any chance that she will do exactly what she ends up doing.

It’s also important to note that Spike is much less mentally sound than Angel was when The First starts fucking with him.

So what does The First do? It brainwashes him. It notably does not try to convince Spike that Buffy “wants him to touch her.” It does not play on an existing desire to cause Buffy harm. It does not attempt to appeal to the part of Spike that assaulted Buffy in the bathroom the way it appealed to the part of Angel that spent years happily assaulting women before he was cursed.

And this is important because if that desire existed, there would be literally no reason for The First not to use it. Are we expected to believe The First evolved in the years since it attempted to goad Angel into attacking Buffy because “she was asking for it?" That orchestrating another assault wouldn’t further isolate Spike, if not drive him to do what Angel nearly did and remove himself from the equation entirely? We know from later in the season that The First is fine with Spike killing himself. Hell, we're shown that if The First can't use Spike, it wants him dead and is willing to manipulate others to see that realized.

But The First literally had to brainwash Spike to get him to do anything it wants, and the second it unleashes him on Buffy, he snaps out of it. She brings him back to the light. She says she'll help him.

And The First is noticeably pissed off. This was not what it wanted. Spike under Buffy's care was dangerous to its goal.

So why didn’t it try to manipulate Spike into assaulting Buffy again? Make sure she'd never invite him back inside her home? Why didn't it appeal to his worst urges the way it did Angel?

Angel: Because I wanted to!

Like I said, Amends is an informative episode. It shows us how The First operates (doubled down in S7 with its manipulation of Robin Wood). Even more, how The First interacts with Angel compared to how it interacts with Spike tells us a lot about who these characters are as men, as vampires, and specifically men who have hurt Buffy.