#when they're in a better space

[devourcr]

while i'm on my armand/claudia/madeline bullshit, i always feel it's necessary to be clear how strong armand knows his blood is. madeline would have been a terrifyingly strong vampire with few vampires that could actually pose a threat to her.

and armand is a vampire who lived through ww2 paris. giving strong blood to someone who probably sees him as lesser ( by how she treats him and also his assumptions of her ideology ) is a really fucked up idea for him. ASIDE from the fact that he doesn't want to make anyone, period. technically it's in violation of the great laws bc he's so strong.

he thinks it will also fuck up louis too and that fucks him up. i think there's so many reasons he's so upset by her turning.

[bi-badass-geek]

Hades 1 vs Hades 2 Designs

● Hermes besides Hypnos was first character that made me think when i saw him oh some time has passed since Zag's escapes indeed, makes you feel that time skip. In this particular debate between those i'm really digging both but if needed to say which i prefer would go with second. I feel it should be said he sure rolls nicely with longer hair i would say darker outfit too but that's probably because pallet that's used for levels.

Ps. I saw post that mentioned how his ring is the same as ones Charon is wearing in first game and if it's a hint at something i'm here for it!

● Zeus for this god specifically there is discourse about how his pose is less dynamic and oh boy if i don't agree with that so much. In first game you see him and his look makes you think yeah this is the king of gods while in second game man is just there with posture i take often because i'm useless gay that don't know what to do with my hands and feels like they took all this might and put it into chiseling his nipples & abs into his golden chestplate. Not to mention the detail of missing the iconic bolt! Don't think it needs to be said but 100% would pick Hades 1 design out of those options.

● Poseidon the King of the Sea another example in my humble opinion where they went with flattening that dynamic looks exchanging it for man that just standing there chilling which is good for him but where first screams cool uncle second one goes uncle that wants retirement. I really like how we can see the trident now tho and need to point out his outfit sure got more print on it. When it comes down to pointing out which one is the winner in my eyes it would be 2020 one.

● Aphrodite if she wasn't the one that got thrown into drama because people double standards and hypocrisy. Design from first game and the pose straight up makes you think of love, lust, seduction all the things that are associated with said goddess. As for Hades 2 version i have no clue why it feels like this considering it's actually the opposite because we can see armor on her legs now but she feels less covered for me, do i find it negative or in any way problematic? Not one bit let the woman show off all her assets all day long! Really love the adds of her weapon and shield makes you immerse in the store of oh fights are happening around these parts. From seduction to i stand here at the ready kinda vibe and i'm really digging it.

Ps. Another post i read was about fact that her war paint i will call it (not 100% sure if that is it or just line for the giggles) is reference to Ares and considering her myth i really like that touch!

● Hypnos was the first OG i saw and was like man not only catching up on his sleep but also got such glow up i absolutely adore the design. Not to say he looked bad in Hades 1 but there it was like okay nice to Hades 2 like Damnnn and his lil helpers that keeps him up! Love the fact that of all things they made him be tucked into his cape like burrito.

Ps. I really do hope by the end of the game we get to wake him up so he can try out that nectar that we all leave there waiting.

● Chaos so many things to say and at the same time silence says it all. Seen people focusing on fact some out there call them he or how it's a downgrade from previous but don't even elaborate why they think that because everyone has right to have their own preference but at least put it into words instead of going trash next..there was also notion how they resemble Meg and while i see where people get that idea from for sure before reading that my mind didn't went there at all. I think both designs really work with someone who is primordial originator and how time goes so can their form. I find it very fascinating that they put old skeleton with new one and adore galaxy under suit makes me think of Nyx right away and how they're connected. Can totally see how between those two gamers got major stance that left reminds them more of male and right of female beings but at the end of the it chaos is chaos. Gotta take chair routine from Meg while they at it! The face on the shoulder surely throws me in loop tho fits? Sure. Does it disturb me in micro scale? Yes. About frames and poses don't have much to say cause both caption the essence of i mind my business everything unrelevant until i say so.

Ps. I know it's about physical aspect but let me say Chaos roasting Mel about how her brother is amusing one out of two Hades spawns is living rent free in my brain.

[musula]

not to be bad disabled representation but does anyone else get sad when they think about their disabilities too much

[epicfirestormer]

Guess who's playing Steamworld Heist 2 and isn't being normal about it

[blackpilljesus]

Can we not just stop birthing men like... women have to stop giving life to men.

I'm doing my part ✌️ and I agree but collectively most women wouldn't. I remember when there was discourse over a radfem having & celebrating giving birth to a baby boy. I've seen radfems praise lesbian couples adopting baby boys.

Tbh a lot of women are sellouts, they sellout other women & even betray themselves for love or having a slightly higher social status in society. When forced to cohabit with predators that have more power & essentially want to reproduce a copy of themselves, women giving them that could elevate or secure their status in society - it's an incentive & many would go for it.

Another thing to consider is that many women birth maIes to spare their lives, there's been cases where maIes would kill their partners & daughters for the woman not having a son (even though the sperm determines the sex). Part of me considers maternal instincts of women not being able to kill their maIe offspring bc that's still their child but then I think of post partum psychosis & cultures where daughters are routinely killed when they're born. If these instincts applied to maIe & female children I dont think things would've gotten this bad. Also a lot of women treat their sons much better than their daughters.

In a patriarchial society, birthing sons lets boymoms live out their power fantasies through their sons. They 'borrow' power from their sons or use their sons as a proxy for power. Like toxic mother in-laws treating their daughter in-laws like shit bc it's through the association that this woman is married to their son, women that cover up their sons sex crimes, in some cultures; boymoms look for women who've undergone FGM for their sons.

Bear in mind so many women still have faith in maIes as a collective, they think they'll raise the "good ones". This notion is popular in feminist spaces, women think they'll magically train & raise maIe allies. There's a saying of how several boymoms have emotional incest with their sons, they see there aren't good maIes in society so they want to create their own one(s).

However I think the biggest issue is that women are never going to be sociopathic or apathetic enough to moids. It would take a high level of apathy to abort maIe fetuses & refuse to birth another xy solely on the basis of their sex, to get to this point you'd need to have this feeling towards maIes generally and most women dont have this. MaIe survival is contentigent on female subjugation, women dont need to subjugate maIes to survive, we carry life, we can also provide for ourselves & maIes know it which is why they've set up societies the way they are and they're brutal about it because they and their bloodlines would be dead anyways if they dont have a system forcing women to rely on them to survive. That said; In the end despite everything, many women still want to partner with maIes, many women still love & believe in maIes. Most women wont disassociate with maIes collectively, catherine mckinnon goes into this in her book "the second sex" where she speaks about how women are scattered everywhere & identify with the tribes maIes put them into as opposed to seeing themselves as a sovereign group.

I personally dont think birthing another oppressor is worth it but people are different. Of course this can (& does) backfire against women but by the time the damage is realised it's too late. Ultimately for a shift in gender ratio & for women to refuse to birth maIes at any cost, they need to think bigger than themselves individually. Think of womankind instead of maIe supremacy & its structures but this will never happen & I wont kid myself otherwise.

[grenade-maid]

I've become such an extremely specific type of pervert after doing so much woodworking that I'm catching myself zooming in to see what type of hinges are on the cabinets in this Yuri manga

[sirenium]

>goes onto DID tag

>sees like ten anti endos immediately

>closes DID tag

[suddencolds]

.~

[stainedglassthreads]

I just. Love how delighted Toriel is that Kris has a friend, and doesn't really care who said friend is. In Chapter 1, the second Kris says that they're hanging out with a friend, Toriel's tune changes immediately and she says Kris can continue hanging out with said friend as long as they please. In Chapter 2, when she meets Susie, she doesn't get judgmental in any way, and all their interactions are just really cute. Baking together, punning together, letting her stay over...

Like, with how Toriel is characterized in Deltarune compared to Undertale, I feel like a lot of people make her...meaner, I guess. They take how she acts around Asgore, and use that to inform how she'd act in other situations. But she doesn't think Susie is a bad influence on Kris at all, she's really happy to welcome Susie into the house and meet her! It's adorable! So I don't think she's quite as strict and judgmental as some assume, or if she is, her desire for Kris to be happy overrides her 'knows what's best for you' tendencies. She's clearly not fully aware of Kris' situation, but is aware enough to be concerned, and to let some things (like waking them up, letting them wander Hometown after school, or devouring an entire pie) slide if it means they're safe and happy.

...On the flip side. It's also kinda sad. Kris isn't really hated by anyone in Hometown, but between being the only human, the situation their parents are in, Asriel(who they're closest with) moving away, the emptiness of their room and how they sometimes lock themself in the bathroom for lengths of time, the way Berdly, MK, and Snowdrake talk about them at various points...it's not so hard to understand why Toriel's so happy and relieved that there's someone outside herself and Asriel Kris has a positive relationship with. They used to be friends with Noelle, and they seem on pretty good terms with Catti, but I don't think they're quite friends right now. So it's also somewhat sad. Susie is probably Kris' first friend in a very long time. But maybe Noelle and Berdly can also become genuine friends, too.

[fideidefenswhore]

Was the young Henry VIII a very friendly and gentle person?

Assuming you mean on a personal level (since, obviously...ordering executions is not especially 'gentle'), that seems to be the general judgement. There's not actually much variation from it from 1509-20s, foreign observers extol his gentleness and generosity and piety throughout the early 1530s, their only specific criticism there is that he's enthralled with a woman of 'bad character' (shorthand for 'low birth').

'the kindest of princes' (Cranmer, 1526) ‘a man of gentle friendliness, and gentle in debate; he acts more like a companion than a king’ (Erasmus, 1529) 'affable and gracious, harmed no one' (Venetian ambassador, 1519) 'He is kind and affable, full of graciousness and courtesy, and liberal; particularly so to men of science (virtuosi) whom he is never weary of obliging.' (Venetian ambassador, 1531)

There's some interesting post-contemporary observations on this matter, too (that have to be considered more doubtful since they're more influenced by hindsight and sometimes, by partisanship); such as:

"her Majesty's father, though otherwise the most gentle and affable prince in the world, could not abide to have any man stare in his face; or to fix his eye too steadily upon him when he talked with them".

And while I won't arm-chair, body-language 'science', pop psych-analyze that one (search results yield that specific source quote to 'narcissism' discussion), since it's neuroableist particularly to suggest an inability to maintain eye contact is indicative of innate deceit/dishonesty ...it is an interesting observation, considering how long he was in the public eye.

'Otherwise' gentle and affable is what's interesting about this remark, really, because are gentleness and friendliness mutually exclusive with a certain self-consciousness? I don't think so, and I wonder if this manifested particularly once he got to the point in a public ceremony/spectacle where he became overwhelmed by the attention and scrutiny, it is not typically how he's thought of but it's such a specific observation connected (but 'contrasting') those specific traits you asked of, I thought it was worth mentioning.

Mantel touched on this,

‘The burden of kingship,’ he says, ‘no man can imagine it. All my life, to be a prince: to be observed to be a prince; all eyes to be set on me; to be an exemplar of virtue, of discretion, of excellence in learning; to have a mind young and vigorous yet as wise as Solomon; to take pleasure in what others have designed for my pleasure, or be thought ungrateful; to discipline all my appetites, to unmake myself as a man in order to make myself as a king; to waste not a minute lest I be seen to waste it; for idleness, no excuses; always alert to prove, always to show, that I am worthy of the place God appointed me … When I was a young man I suppose I showed the calf of my leg to an ambassador and said, “There, has your French king a calf as good as that?” And my words were reported, and all Europe laughed at me, a vain idle boy, and no doubt people laugh still. But being young I asked myself, if God had formed François better than me, which prince did He favour most?’

And I also thought Mantel touched on this (although I can't find it in my highlights atm, so maybe I'm misremembering); I distinctly remember this scene...where somebody is recalling, as Duke of York, Henry was placed on a pony or horse when he's only two or three years old, and this is really his first public appearance, and he's reported to have acquitted himself well, to have been charming and gracious and graceful, even then...but even then, there was always this dark spectre. The timing of his ennoblement as Duke of York was chosen with purpose, it was in the shadow of a pretender. Was there a sense of unease, even then, that he couldn't articulate until later: that behind every smile, could be a knife?

'[Henry VII]'s children grew up in a world of threats, intrigue, and paranoia', '[Prince Henry]'s earliest years were as emotionally insecure as his father's reign was politically uncertain', '"he is so subjugated that he does not speak a word except in response to what the king asks him"'; again, the latter does not match the gregarious (perhaps even, more self-fashioned than natural) personality he's recorded as having as an adult.

The possibility that he oscillated between two opposite settings, and adapted accordingly, back to back (relative isolation and circumspection, to complete immersion in public celebration and celebrity and grandiose openness/friendliness); could account for the contradiction of an "affable" young man that gradually became uncomfortable with the level of scrutiny to which he was held, and maybe even modulated his habit and outward persona to fit what was expected of a king.

[bonefall]

Hello! I absolutely adore Better Bones despite never reading beyond the first series of Warrior Cats. Last time I checked canon, Bramblestar was a kit that nearly died in a fire. So your canon is canon to me and it’s probably better that way.

I do have a question though. How big do your cats think the world is? The meaningful size of their world is from the Lake to the Forest to the Ocean, but I keep thinking of how medieval peasants sometimes had their whole lives uprooted for a crusade thousands of miles away, and wondering what Clan Cats think the real edges are. Do they see Ireland and France as mythical, far off lands filled with fairytale creatures? Do they know that anything exists beyond the oceans at all? The other side of possibility is that kittypets have given them some concept of human geography, and the cats can tell stories about a land further south than a cat could walk in a lifetime, where the stars are unrecognizable and the very moon is upside down.

Have fun with your worldbuilding!

Clan cats believe that the sky, earth, ground, and aquifers below are actually one big mobius strip, and that existence repeats from top-to-bottom. Water that soaks to the bottom ends up in the sky just as steam rises up to it.

Moles dig down so far that their pelts become gently touched by StarClan, and that's why they're so soft without shine.

The world in a horizontal sense is less important, they don't talk to kittypets very much, not enough for cultural diffusion to take place in regards to human geography. They are blissfully unaware of London, let alone anything beyond the coast of Albion.

The closest anyone's really come to learning more was Heartstar, when she was on her Dovewing Quest, seeing trains and a singing cat. She decided that this was not anything she needed to know about.

SO when they see something like the sea, they believe it's a really big lake. Airplanes are probably birds flying far away. Clan cats believe that StarClan is the greatest force in the world, so surely, wherever they choose for the cats to live must be the most beautiful of all. They're a pretty self-absorbed bunch, but more than that, culturally discourage "wandering" cats!

Depending on where they are exactly (this is why Albion isn't exactly the isle of Great Britain and it's been renamed, I'm shuffling some geography) they may also be able to see part of Wales, Ireland, or the Isle of Man from where they usually collect salt. Which just leads to them believing the ocean is just a big, salty lake, given time.

[wardensantoineandevka]

Midst is about a murder the exact same way that Disco Elysium and Pentiment are about a murder.

[thevegetablewhichnoonedaresname]

I'm starting Mission to Zyxx Season 5 now, and I have feelings about that.

First, it generally scares me when people hype anything up at all because there is no guarantee that anyone values the exact same thing I do to the same degree. Even if I trust the creators of a thing to value something and try to do right by it, that doesn't always necessarily mean it will be successful, especially if that involves doing something wildly different than what made it good in the first place (I have been burned this way before). I guess I'm just hoping they continue the format of goofy improv shenanigans for the majority of it with something more planned and emotional in the finale if they want, like they've been doing all along. I'd think they would, and I've heard nothing bad about the ending, but I guess it still makes me nervous because I'm so close to the end and I want it so badly to stick the landing. I'm setting my expectations on the floor so I can be surprised instead of disappointed, but honestly, I don't need it to be better, I just need it to be on par with the rest.

Second, and more briefly, I'm happy it's (hopefully) ending before it has a chance to decline. I am so on board with that philosophy. But on the other hand, finishing a thing that I really, really like and knowing there's not another one out there gives me a special kind of heartache. Like, I know there will be other good media, and stuff that's good and unique in other ways, but I know for a fact that there are no other podcasts out there that have the same mix of a balance of off-the-wall improv and structured narrative, quality comedy, fantastical sci-fi setting and loveable characters, and high quality production. There are other things out there with many of those qualities, but nothing that checks every one of those boxes. It's a lightning-in-a-bottle thing that very much feels like the right people had to be in the right place at the right time to do it. Attempts to do it again would feel hollow because it had to be born out of necessity and passion and the talents of the people involved, so if you switch out the people it loses the reasons it's great, and if the same people tried to do it again it'd feel tired. That makes me so, so grateful it exists, but also so, so sad that it doesn't, and I'm 80% of the way done. When it's over, it's over.

Anyway. Now that that's all out there, I'm just gonna finish listening and have fun. Wish me luck.

[rubenesque-as-fuck]

Got a new plant shelf and now rearranging the living room 💚

[my-thoughts-and-junk]

thinking about superheroes unfortunately

[mwagneto]

the fact that almost every character in ofmd is specifically a gay man is seriously so fucking special like usually a show will have 1 character from a minority group and then that character has to be every single thing - a person the straight/homophobic audience can accept and even like, someone that deals with their issues the way they "should" be dealt with, someone who's not too much of anything but simultaneously everything because every expected trait has to be displayed at some point or another.... versus this show with its massive cast of characters who are all able to embody specific (and extremely varying) ways to be a gay man where all of their journeys and personalities and approaches to their sexualities are so unique to them but so true to people that exist in real life........ i wish i could express this better coz it's such an incredible thing to see it genuinely makes my chest hurt with how much it means to me